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| 11 | <Metadata name="pj.Title">Some thoughts on the Maori</Metadata>
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| 12 | <Metadata name="pj.Year">1941</Metadata>
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| 15 | <Metadata name="pj.Provenance">Pei Te Hurinui Jones</Metadata>
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| 97 | <Content><pre>
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| 98 | UNIVERSITY OF WAIKATO LIBRARY 3E5/3 LITERATURE- Literary Works-Misc SOME THOUGHTS ON THE MAORI (1941) ?11CROFILM COMPL, rER SCANNING 13Y, JANUARY 2001 , I / DOCUMENT MANA6EMENT COMPANY 747=1 denromoOdoncnalea
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| 128 | <Content><pre>
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| 129 | 4 4?), cza 3314F: SIIINEMOINd~ltrallidni1111 , z .Z. B /7,4/ The nor' Race has lived ttrou.;h hard throui,h ws postilen an., buratn misrulo. Amidst wars, gurroun,led y a (15narlIc western moo ho hes refuk.:e in e. paycholocics1 outloo:. su,:,estion of a smile on his crown face. in that I lo one ,.". - pt perht,s detect a re laziness to clienre his s .he fact of the extordinary vIrality shown In the last ot. ne. works pondering upon. ',he Face has adjusted Itealf to ecano:.-.1c, ;:o11t1o,1 and sac eniriront in o way that have, in a leas robust constitution n;r1le,'. disaster. In the tt 1413 c:,osen Or oo n forced by circ,a,stoss to live tact: in the open, to enjoy the a..11.-,tat, to follow the of Ina wasterin, sun, to feel. the touch of toe mornin, dot; Lat.: to Tv ell the fr t 7' :se of 3 '1,r Gall. In. I.+Ost important fact :8 that t :Lori ,-wis not 1e chat, e. all the outward ahark;es of customs and habits, the "(tort. reZtiiriu mile for tpo Goo/Inure riurk, tan who weirs well tellorkred ?lithos ',rid -= r7t.-?7 77 m1/1. rm., Pew., 1wwv. Vine. nature. The stran e thing is that thn who ni lunar looks 1 ,attare la alrenetv ten -in\_ to, tur S conservative aori sriclint of life. :.;Drily he will drop bee:, into the a uri llfust thin, e. live its ,,ellownees, it: leisure, Its cf-irts end its oor,onpla,-e pleasures. ,trea a fancinati in if the, nor' atriospharo which get, eny Wrop : us "coueur" ci es to 55 appronc;es tilt, forties. I often wonder who wo,lp tie our uest interpreters. ore Is, us a pack -,round, .r lark, history ren, ;utit,s and chief:; our '.,u as (alas nosh runt poets; beautiful grit - Grip; eta 11,111 tt 1,1it st,r:.es art. arytflo1N;y. Letueon '4,61 !. aeln, Dotter r si., the ,sort would mach prefer to as usiderst4od. :hits ousInce: of tryleo to u,derstanC, oLianr,e o'satare ou ,/ :,nett zo ,orert f!'1. vn tle
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| 130 |
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| 131 | </pre></Content>
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| 159 | <Content><pre>
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| 160 | 2 usually not for tile ordinary man. Jne would need a little detachment, and a little ImplIcity of min-. : uo will than loe our Interprotere? 714 oroblom la not a :Ample one in nny cases the Pakehn roan not boiher to :;gibe himaelf ur.;erstood to the raorl and the ';,aori botberi oven lose to make himself understood to the The cella who exhibits a flare for think a 'orb often dovolopo certain habits akin to the -Laori anu is often re;:,aroed by his friends as quosr e Vaori who moguan Pakehe ways too well is often "detribalised". or he may not oven epoek uorl. arta, s he hats oven less the Goal detachment of a noutrul ouservor. ru his breast there Is :enertully concoaled a formidable struL,.10 or several struge,les. There is the conflict 3tW11 3 Ideal and his real sort, and a more t orradeolo conflict oci.oen nis :len or \_tribal pride and his admiration for the eu.ye of the emeolm. To escape all this is indeed difficult,. To see wit the :sirs/ ono i'ool with the heart - to Lce .,:u;: an ' heart one - ill the loofa to to eirAki et. but the e,troretau .el :Lau a aletInat iuntu,'?,c over c cools observer. or he is a 'wort. and us a AL.'S he not only sees wit: hie 'Lind but hone also feels with. Ale Leant, en, no knave that tte blood, surbir., In hie veins in tides of prido and shame, Is rtori blood. '.ia is a mystery of utyaterle arit It dirties within Itself the past and future of U.? eori, bearer of alb its pride and shame anti all its Joni?n and iniquities. ne has perhaps learned to achalro hvurelwr business oetnods, but his soul revolts stalnet ouch ofrciaretryl he ;,re perhaps learned to sloop on Pedalo bedsteads, tout ie ,mtes tow: and 44. 44. troala prefer t, ap on the floor. (atrAoir A,rtancl onee And all throu0o a epectelly sclo,ter: noulo proL;rtur of t.:ellutoertss rel., 'en on.: ?eel cntal acorn, - se an overtone - the echo .)f the o, 0 old folk ton,l cr.: 1 tee wciate or chant of the Pol-. to . L.?,
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| 161 |
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| 162 | </pre></Content>
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| 190 | <Content><pre>
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| 191 | 3 In his early manhood he has explored the beauties and ?;lorlea of the western civilisation, but when he is epproachin, forts his Veeri blood calls hits back, and periodically he discards the westere veneer he '-as so diligently acquired and with a sigh of contentment Ix takes his place in the tribal circle anu his soul comes to rest. That is how it is with the educated Maori as he survcys baori and Pakeha culture. The racial stamina and racial vitality of the 'sari, which has enabled the raee to survive the impact of western culture, has been due partly to constitutional and partly to cultural strength. Among the cultural forces must first If all be counted the 4aori hapu or tribal system. It wee so well defined and organised that it is only in the rare instances of "detribalised" members of the race that the tribal affinity or lineage was forgotten. This form of social structure bus something, of the character of a religion, and the knowledge of it is deeply ingrained In the 'sari. due that "belonged" could indulge in the happy feeli that When one dies, one does not die, but one's self lives on in the streets of clan or tribal life. The clan life eleo acted as a direct incentive to quantitative reproduction, for in order tnat the clan or branch of the clan ehouic. survive it is necessary bat babies should co,e Into the world. rumen happiness is precious and the nearer we approach to natuVe and simplicity the better we will be able to safeguard it. So,the ori in wanting the survival of 'Ws family or clan has achieved It for the race. It would seem, therefore, that the "sort, as a people, avoided the dangers of racial recline by a natural distrust of civilisation tsnd by keeping close to his ancient habits of life. ;,hat may appear to be cultural stagnation is often a mistaken conception of the ':aori viewed from U. outside and heal,. on lack of knowledge of his inner life. ww. do not know people until we know its pleasures of life, ,st as we do not Icnow a man until we know how he spends hie leisure. It is when a man has ceased to do thin:.a he ha, to and .a the thins he has always wanted to do, that his character is reveale
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| 192 |
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| 193 | </pre></Content>
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| 222 | 4 It is ,hon the stress and worries of business are put aside that we see the inner man, his real self. At this stage I thin:, It is fair to say, that poetry enters more into the fabric of Maori life than it ins in that of the Paxeha. Practically all Maori scholars are poets - or pretend to be. Prom timo 1TAemorial the iaori has always locluded the ca,pasition of poems among Las principal tests of an individual's clal to romembrunee in tribal history. Parents wbo had marriageable daughters - or more often the grandparents - chose acceptable and young men on the strem;th opines of poetry. 3,melimes the talented girls themselves choose for themselves by a few linen of really good poetry. Captives often regained their freedom or wore received into the tribal orremisation by their skill in co posingtwo or three verses which appealed to the nen in power. Th my mind, poetry took over the function of religion in Waori life to a greater extent than would be generally accepted by many students of our Race. The aori ;Amorally speaking finds poetry cleanses mWn's soul, and inspires a feelirv, for the mystery and beauty of Nature and feeling of tenderness and compassion for Aullowk?en. neiipiOu ,a, WaO a..iathiht, teat could be lett to the safe keeping of their spititual leaders, arc: generally it constituted something which covered the seamy side of life, and iced lar,e17 to do with sickness and death. Their inspiration and emotional Joy they found in :oetry. Poetry has taught the Ilori a view of life which, through the influence of proverbs ancl traditions, hae permeated into society an: Liven t- a sense of compassion, an ,varflowin love J: eat,re and an artistic outlook on life. It has often heeled the wounds in their souls and through its enjor,onts of the simple thin, ,s of life it has kept a sane ideal for Maori life. Someti,les it eppeals to the --roaramteim side of their nature and gives them an emotional uplift from the humdrum workaday wor, and sometimes, too, it appeals to their feeling of sadness, resignntiee., and restraint, cleaners the heurt through the philosophical reflection on sorrow.
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| 253 | Innumerable popular Maori waiatas - that is songs - and poems reveals that poetry has taught the :4aori to listen Kith enjoyment to the sound of raindr,ps on his thatched roof, to aC.,airo the smoke of hamlets rising and mingling rlth the evening mints nestltn,; on the hillsides,aml to hear:lhe sor, of the birds the longle: of a wanderer for tale loved onenliat home. It ,ives ona a kind thought for the distracted ;.1 forsaken by her lover, for the fond parent whose eon is far sway on distant battle fields, and fbr the coon poopio whose lives ere hernseae by war. it teaches nit a myste a oneness with nature; it awakens and makes ua rejoice with spring; and it teaches ue to doze off and feel time flyin?; away in the song of the (cicada) in eummer, to fool sad with the falling autumn leaves and to look for lines of poetry in the front covered landscape in winter. It is in this sense, nay I emphasise, that poet, to my mind may be said to take the place of rell6lon in ilaori life. Judging, from the many poetical compositions which were composed ak( Muna d,rtre the critical transition decade bt two followin,L the Yaori Ware, I har,ay think that without their poetry the 1Aaori people could have survived to this day. Thera are. of course. definite reasons why poetry has taken unto itself an Important place in Maori life. First, the Lori artintio temper,lent and poetical g eni,s, which thinks in en LiJnal ooncrote imaery and excels in the paintinL; of atmosphere, is especially suitable to the task of poetry-making. 'me other aspoct. The 2aori - and modern paycholo,;iste- reiArd the holly as tile teat of all learning. The more emotional the type of talnking, the mo o Coarding to ,) are the intestines reepoaiLle for ore's thoughts. Jloreas, in En,:lish, we say a an has " A ZA:, full of aoger" the :!aori would say " a belul of an,or". :4aori poetry, t,erefore, is good because it emanates from his inteetinosi iurther, there is a relati,nship between the Wtori /anguage and poetry. ur leer poetry rbonld bo crisp an'? ,elodious. Poetry should work by suggestion, and the aori languae is full of oontractionn lion say sore than what the words mean. Poetry should express the icess concrete imagery, arc: the .Lori language abounds in word-imagery,
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| 284 | Finally, the Yaori language with its clear and well rounded vowels and lack of final consonants hum a melodious and sonorous sienEing quality which is not shared by many larvua:,es. Maori prosody is based on the 1,alanco of tonal values rather than on accent as is the case in LnElish poetry. The sari ear le attuned to the sense of the rthm and the alternating soft and hard tones. hie tonal rhythm is even observed in ,I;ood conversation. As a matter of fact ,aori is singable. At this point I hasten to say that T have no expert knowledge of tie finer points of poetry as laid down by En6lIsh authorities. T. merely give some randou Ideas en the subject of ,aori poetry. but perhaps you are more interested in the Inner technique and ,. I spirit of kftori poetry than its prosody. By edabet inner technique veil of did it enter that magic realm of ueauty? now did it throw a/Charm and atmosphere over an ordinary landscape and with a few words paint a strikinc picture of reality surcharged with the 1,oet's emotion? Row Inn. into It hie own spirit and rake it clew with rhythmic vitality? The striking thing about 7Lteri poetry is its plastic 13aLluation ablcU curtain as, acts :sakes it akin to the technique of painting. Hundreds of examples might be cited. .Ith this technique, TutemnhuraTO, one of the :aorlom's poets, acid; or rather chanted as his contribution at the funeral ceremony on the death of hie favourite son, 'Zio ;:olio. TETcr's LA:!Ern is my -etch prised albatross plume Now is drenched by the closepreeaing mist. My heart oppressed - and sonkhed am I; ,ankished afar off, because of Nuku' Hut ?,r this, ion, l'tou woulds't repo.? anon, kinsmen. Ales, ye stood forth alone 7ay skin all enamel Now let me sprinkle o'er thee the herbal balm; An: let me oaths thee In the weters of ',vie - In the Walpuna - the clear sprIne water, y nder.
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| 315 | 7 The Falls of roki ail loudly - they wail dismally :own there at ',:nnjsmall Tnro' the deep end odorous pine forest:. No more wilt thou bra soon, ) ,:on; :,tridirv, forth to snare the winter fare. This discarded cloak you oftmee wore, ;hen benighted on;homoward waY You hurried alorw the oath to ;au. My Lered ')ne, Alas, no more will see the dawn; Ir the moon suinendod there O'er the survait of Whakaahu 0 Hokie: seat bird 1,,upin,? on ;.Ii ;h Alas, Beloved of nine1 Thou liest there es if deep in slumber. Arise, I Son: Take you the pav/ay of Tawhaki 'Tie the path trodden but once by year ariki ancestors. Stride forth boddyy Like a warrior of T,'. Lot me gird on you This your waist mat; hilst ye bedeck thyself :,ith the waving albatross pines Then suffer the women of /ti-a' To nee`: thy cmIxcice Aa they did in days gone by. " now they seek for thou In vein; For thou art gore fr the warrior' ranks That now stand irresolute up there on Poncehou. Let Pikiahinu lovingly caress you nosfi wayp locks, alas, will wave no more And the eharpened blade of Poutini So wru will flaeAu,ur. Proceed, 0 Son, and pluck the sacred leaf That grows or. Ta ',Jeu-o-to-ahu High up thoro on 'Ainiko. Go thence to meet thy ancestor til ye stand there in the House of enukm. "hey will spread f r those the famed rod cloak And ye will abide there with tho multitudes Tn the far flue; radius of ;shim. My ornamental greenstono peneant: Alas, I but saw thee a, a bud awakenin\_. 7y treasured eardrop of trsnsludent Jade! Cruelly torn from off my ear My grove of shady sheltering trees ':oath bath ruthlessly trampled underfoot, Sleep on, 0 Son, DO notes. :TOM hence ye will be borne On the forlorn and ariftin;, canoe.
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| 346 | 8 hed thy blodd, like the waters of the titoki Tn these healing waters your kinsmen oftwill bathe 0 KU i Comrade of mine. Look forth, and owe If there comes ky cherished ones erini; forth a little laden basket Abasket of food Food fro, the otreams. Would that. I could find The pathway that leads to the 7elims of TI,;:ot And there be devoured by aine-nui-to-poJ Or let 0 consume the spark of ,ahul!,a's firs; The fire that did asear thy naked thighe And swept aloft thy locks in flare, of fire Aide, head of mine - Ah me. Thu. ennc, !'utemehuranzi, as the tribeemen rremood around the couch of the heat young chlatain. The couch would be spread with the rarest of nate am' all about the body would be append the tribal oral family treasured heirloom). - greenetane pendants and reroe nod of course the tu Poutint in the lament. T mere would be the siLJI of the worldly power of t,e :cues of Tutemshurangl. h.gelde'the couch would be the tattooed old warrior whilst all around in a wide circle would be the triLeapeople lleteninc intontly. ;'roan here and there would aecsoe sounds of brief to punntuete the chanting of otomahuranzi's lament. And in the pause Det,cr. with :hem and there a cry of lamentation. We think that with the help of our poetry no hro enabled to see life atoudily and s e life whole with very little change in human valuee It trachea ue simple wisdom, ll;:e repeect for the old and the Hoye of Sn.,Ily life, accepta ce of life itself, of happineas and of sorrow. Cenerelly it lute taught us that after all Is said and done hu,un happiness le the end of all knowleh,e. And wo arrange ourselves to auks our lives haply on thin planet, under whatever vicissitudes of fortune. Judged by those otandurds the Wort at loieure la a much sore dolightful acaueintanoe than the nori nt work. At such times he Id truly himself Pad at hie poet, and he shows his best characterlatic, goo)felloehip. Giver: plenty of leisure what do we not do? We eat dried shark
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| 348 | </pre></Content>
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| 377 | "sing our old time airs (Alas, more often than not nowadays with a Jassy tempo)) we play with our children; plant vegetables; hold conversations; take naps durin, the da:; gossip about. spirits; munch dried crayfish tails; take part in ,..mes; Rand presents to one another; drink spring waterl rub noses with one another; take baths; pro,uce children and sleep. m."- r1
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| 379 | </pre></Content>
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| 382 | </Archive>
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