source: other-projects/nightly-tasks/diffcol/trunk/model-collect/Tudor-Basic/archives/HASH278cb9be.dir/doc.xml@ 27993

Last change on this file since 27993 was 27993, checked in by ak19, 11 years ago

Adding collections for Tudor tutorials that Jenny had gone through, with the flags necessary for diffcol to work.

File size: 7.4 KB
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1<?xml version="1.0" encoding="utf-8" standalone="no"?>
2<!DOCTYPE Archive SYSTEM "http://greenstone.org/dtd/Archive/1.0/Archive.dtd">
3<Archive>
4<Section>
5 <Description>
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11 <Metadata name="SourceFile">marydesc.html</Metadata>
12 <Metadata name="Language">en</Metadata>
13 <Metadata name="Encoding">windows_1252</Metadata>
14 <Metadata name="Title">Primary Sources: A contemporary description of Queen Mary I, 1557</Metadata>
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16 <Metadata name="URL">http://englishhistory.net/tudor/marydesc.html</Metadata>
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27
28&lt;div align=&quot;center&quot;&gt;
29 &lt;center&gt;
30 &lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;4&quot; width=&quot;94%&quot;&gt;
31 &lt;tr&gt;
32 &lt;td valign=&quot;bottom&quot; colspan=&quot;3&quot;&gt;
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34 &lt;p align=&quot;center&quot;&gt;
35 &lt;img border=&quot;0&quot; src=&quot;_httpdocimg_/marydesc.gif&quot; width=&quot;405&quot; height=&quot;100&quot;&gt;&lt;p align=&quot;center&quot;&gt;&amp;nbsp;&lt;/td&gt;
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37 &lt;tr&gt;
38 &lt;td&gt;&lt;/td&gt;
39 &lt;td&gt;&lt;/td&gt;
40 &lt;td&gt;&lt;/td&gt;
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42 &lt;tr&gt;
43 &lt;td valign=&quot;top&quot; width=&quot;48%&quot; bgcolor=&quot;#FFFFE8&quot;&gt;&lt;font size=&quot;2&quot;&gt;This
44 description of Queen Mary I was written by Giovanni Michieli, the Venetian
45 ambassador to her court.&lt;/font&gt;&lt;p&gt;&lt;font size=&quot;-1&quot;&gt;He mentions Mary's
46 infamous menstrual problems, the cause of great physical and psychological
47 stress for the queen, as well as her near-sightedness.&lt;/font&gt;&lt;br&gt;
48 &lt;/td&gt;
49 &lt;td width=&quot;4%&quot;&gt;&lt;/td&gt;
50 &lt;td valign=&quot;top&quot; width=&quot;48%&quot;&gt;
51
52She
53is of low rather than of middling stature, but, although short, she has
54not personal defect in her limbs, nor is any part of her body deformed.&amp;nbsp;
55She is of spare and delicate frame, quite unlike her father, who was tall
56and stout; nor does she resemble her mother, who, if not tall, was nevertheless
57bulky.&amp;nbsp; Her face is well formed, as shown by her features and lineaments,
58and as seen by her portraits.&amp;nbsp; When younger she was considered, not
59merely tolerably handsome, but of beauty exceeding mediocrity.&amp;nbsp; At
60present, with the exception of some wrinkles, caused more by anxieties
61than by age, which makes her appear some years older, her aspect, for the
62rest, is very grave.&amp;nbsp; Her eyes are so piercing that they inspire not
63only respect, but fear in those on whom she fixes them, although she is
64very shortsighted, being unable to read or do anything else unless she
65has her sight quite close to what she wishes to peruse or to see distinctly.&amp;nbsp;
66Her voice is rough and loud, almost like a man's, so that when she peaks
67she is always heard a long way off.&amp;nbsp; In short, she is a seemly woman,
68and never to be loathed for ugliness, even at her present age, without
69considering her degree of queen.&amp;nbsp; But whatever may be the amount deducted
70from her physical endowments, as much more may with truth, and without
71flattery, be added to those of her mind, as, besides the facility and quickness
72of her understanding, which comprehends whatever is intelligible to others,
73even to those who are not of her own sex (a marvellous gift for a woman),
74she is skilled in five languages, not merely understanding, but speaking
75four of them fluently - English, Latin, French, Spanish, and Italian, in
76which last, however, she does not venture to converse, although it is well
77known to her; but the replies she gives in Latin, and her very intelligent
78remarks made in that tongue surprise everybody....
79&lt;br&gt;Besides woman's work, such as embroidery of every sort with the needle,
80she also practices music, playing especially on the clavichord and on the
81lute so excellently that, when intent on it...she surprised the best performers,
82both by the rapidity of her hand and by her style of playing.&amp;nbsp; Such
83are her virtues and external accomplishments.&amp;nbsp; Internally, with the
84exception of certain trifles, in which, to say the truth, she is like other
85women, being sudden and passionate, and close and miserly, rather more
86so than would become a bountiful and generous queen, she in other respects
87has no notable imperfections; whilst in certain things she is singular
88and without an equal, for not only is she brave and valiant, unlike other
89timid and spiritless women, but she courageous and resolute that neither
90in adversity nor peril did she ever even display or commit any act of cowardice
91or pusillanimity, maintaining always, on the contrary, a wonderful grandeur
92and dignity, knowing what became the dignity of a sovereign as well as
93any of the most consummate statesmen in her service; so that from her way
94of proceeding and from the method observed by her (and in which she still
95perseveres), it cannot be denied that she shows herself to have been born
96of truly royal lineage.
97&lt;p&gt;[She is also subject to] a very deep melancholy, much greater than that
98to which she is constitutionally liable, from menstrous retention and suffocation
99of the matrix to which, for many years, she has been often subject, so
100that the remedy of tears and weeping, to which from childhood she has been
101accustomed, and still often used by her, is not sufficient; she requires
102to be blooded either from the foot or elsewhere, which keeps her always
103pale and emaciated.&lt;p align=&quot;center&quot;&gt;&amp;nbsp;&lt;p align=&quot;center&quot;&gt;&lt;a href=&quot;_httpextlink_&amp;amp;rl=1&amp;amp;href=http:%2f%2fenglishhistory.net%2ftudor%2fprimary.html&quot;&gt;
104 &lt;font size=&quot;2&quot;&gt;to Primary Sources&lt;/font&gt;&lt;/a&gt;&lt;/td&gt;
105 &lt;/tr&gt;
106 &lt;/table&gt;
107 &lt;/center&gt;
108&lt;/div&gt;
109
110
111
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114</Content>
115</Section>
116</Archive>
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