Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/advbeat_large.col
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/advbeat_large.col	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/advbeat_large.col	(revision 18423)
@@ -0,0 +1,21 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GathererCollection [
+  <!ELEMENT GathererCollection (Argument*, GathererConfig, BuildConfig)>
+  <!ELEMENT GathererConfig    (Arguments*)>
+  <!ELEMENT BuildConfig       (Build, Import)>
+  <!ELEMENT Build             (Arguments*)>
+  <!ELEMENT Import            (Arguments*)>
+  <!ELEMENT Argument          (#PCDATA)>
+  <!ATTLIST Argument
+            name              CDATA #REQUIRED
+	    enabled           CDATA "true">
+]>
+<GathererCollection>
+  <Argument name="built">true</Argument>
+  <Argument name="imported">true</Argument>
+  <GathererConfig/>
+  <BuildConfig>
+    <Build/>
+    <Import/>
+  </BuildConfig>
+</GathererCollection>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/etc/collect.cfg
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/etc/collect.cfg	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/etc/collect.cfg	(revision 18423)
@@ -0,0 +1,60 @@
+creator		greenstone@cs.waikato.ac.nz
+maintainer	greenstone@cs.waikato.ac.nz
+public		true
+
+beta		false
+
+indexes		document:text document:Title document:Source
+defaultindex	document:text
+
+plugin		ZIPPlug
+plugin		GAPlug
+plugin		TEXTPlug
+plugin		HTMLPlug -smart_block
+plugin		ImagePlug
+plugin		EMAILPlug
+plugin		PDFPlug
+plugin		RTFPlug
+plugin		WordPlug
+plugin		PSPlug
+plugin		MARCPlug
+plugin		MP3Plug
+plugin		UnknownPlug -file_format MIDI -mime_type audio/midi -process_exp \.mid$ 
+plugin		ArcPlug 
+plugin		RecPlug -use_metadata_files 
+
+classify	AZCompactList -metadata dc.Title,Title -minnesting 20 -removesuffix "(?i)(\\s+\\d+)|(\\s*[[:punct:]]\\s+.*)|(\\s*by the beatles\\s*)" -firstvalueonly -mingroup 1 -removeprefix (?i)\\s*beatles\\s+\\-\\s+ -buttonname Title
+classify	AZCompactList -metadata dc.Format -buttonname Browse -sort Title
+# classify	Phind
+classify	Collage
+
+format DateList "<td>[link][icon][/link]</td><td>[highlight]{Or}{[dls.Title],[dc.Title],[Title],Untitled}[/highlight]</td><td>[Date]</td>"
+
+format HList "[link][highlight]{Or}{[dls.Title],[dc.Title],[Title],Untitled}[/highlight][/link]"
+
+format VList "<td valign=top>
+{If}{[numleafdocs],[link][icon][/link]}
+{If}{[dc.Format] eq \'Lyrics\',[link]_iconlyrics_[/link]}
+{If}{[dc.Format] eq \'Discography\',[link]_icondisc_[/link]}
+{If}{[dc.Format] eq \'Tablature\',[link]_icontab_[/link]}
+{If}{[dc.Format] eq \'MARC\',[link]_iconmarc_[/link]}
+{If}{[dc.Format] eq \'Images\',[srclink][thumbicon][/srclink]}
+{If}{[dc.Format] eq \'Supplementary\',[srclink][srcicon][/srclink]}
+{If}{[dc.Format] eq \'Audio\',[srclink]{If}{[FileFormat] eq \'MIDI\',_iconmidi_,_iconmp3_}[/srclink]}
+</td>
+<td>
+{If}{[numleafdocs],([numleafdocs])}
+</td>
+<td valign=top>
+[highlight]
+{Or}{[dc.Title],[Title],Untitled}
+[/highlight]
+</td>"
+
+collectionmeta	.document:text [l=en] "text"
+collectionmeta	.document:Title [l=en] "titles"
+collectionmeta	.document:Source [l=en] "filenames"
+collectionmeta	collectionname [l=en] "Advanced Beatles -- large"
+collectionmeta	collectionextra [l=en] "Demonstration collection illustrating the use of heterogeneous documents.  Source document are about
+The Beatles pop group in the following formats: HTML, TXT, JPEG, Word, PDF, MIDI, MP3, and MARC file formats."
+collectionmeta	iconcollection [l=en] "_httpprefix_/collect/advbeat_large/images/beatlesmm.png"
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/etc/collect.cfg.checkpt1
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/etc/collect.cfg.checkpt1	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/etc/collect.cfg.checkpt1	(revision 18423)
@@ -0,0 +1,59 @@
+creator		greenstone@cs.waikato.ac.nz
+maintainer	greenstone@cs.waikato.ac.nz
+public		true
+
+beta		false
+
+indexes		document:text document:Title document:Source
+defaultindex	document:text
+
+plugin		ZIPPlug
+plugin		GAPlug
+plugin		TEXTPlug
+plugin		ImagePlug -process_exp (?i)(cover_images).*(\.jpe?g|\.gif|\.png|\.bmp|\.xbm|\.tif?f)$
+plugin		HTMLPlug
+plugin		EMAILPlug
+plugin		PDFPlug
+plugin		RTFPlug
+plugin		WordPlug
+plugin		PSPlug
+plugin		MARCPlug
+plugin		MP3Plug
+plugin		UnknownPlug -file_format MIDI -mime_type audio/midi -process_exp \.mid$ 
+plugin		ArcPlug 
+plugin		RecPlug -use_metadata_files 
+
+classify	AZCompactList -metadata dc.Title,Title -minnesting 20 -removesuffix "(?i)(\\s+\\d+)|(\\s*[[:punct:]]\\s+.*)|(\\s*by the beatles\\s*)" -onlyfirst -mingroup 1 -removeprefix (?i)\\s*beatles\\s+\\-\\s+ -buttonname Title
+classify	AZCompactList -metadata dc.Format -buttonname Browse -sort Title
+classify	Phind
+
+format DateList "<td>[link][icon][/link]</td><td>[highlight]{Or}{[dls.Title],[dc.Title],[Title],Untitled}[/highlight]</td><td>[Date]</td>"
+
+format HList "[link][highlight]{Or}{[dls.Title],[dc.Title],[Title],Untitled}[/highlight][/link]"
+
+format VList "<td valign=top>
+{If}{[numleafdocs],[link][icon][/link]}
+{If}{[dc.Format] eq \'Lyrics\',[link]_iconlyrics_[/link]}
+{If}{[dc.Format] eq \'Discography\',[link]_icondisc_[/link]}
+{If}{[dc.Format] eq \'Tablature\',[link]_icontab_[/link]}
+{If}{[dc.Format] eq \'MARC\',[link]_iconmarc_[/link]}
+{If}{[dc.Format] eq \'Images\',[srclink][thumbicon][/srclink]}
+{If}{[dc.Format] eq \'Supplementary\',[srclink][srcicon][/srclink]}
+{If}{[dc.Format] eq \'Audio\',[srclink]{If}{[FileFormat] eq \'MIDI\',_iconmidi_,_iconmp3_}[/srclink]}
+</td>
+<td>
+{If}{[numleafdocs],([numleafdocs])}
+</td>
+<td valign=top>
+[highlight]
+{Or}{[dc.Title],[Title],Untitled}
+[/highlight]
+</td>"
+
+collectionmeta	.document:text [l=en] "text"
+collectionmeta	.document:Title [l=en] "titles"
+collectionmeta	.document:Source [l=en] "filenames"
+collectionmeta	collectionname [l=en] "Advanced Beatles -- large"
+collectionmeta	collectionextra [l=en] "Demonstration collection illustrating the use of heterogeneous documents.  Source document are about
+The Beatles pop group in the following formats: HTML, TXT, JPEG, Word, PDF, MIDI, MP3, and MARC file formats."
+collectionmeta	iconcollection [l=en] "_httpprefix_/collect/advbeat_large/images/flick4.gif"
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/metadata.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>.*</FileName>
+        <Description>
+            <Metadata name="dc.Format">Discography</Metadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/19621966.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/19621966.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/19621966.htm	(revision 18423)
@@ -0,0 +1,317 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>1962 - 1966</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+    </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr> 
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/7319621966BIG.gif" alt="1962 - 1966" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td><h1>1962 - 1966</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td> 19/04/1973 Apple PCSP717<br>
+            30/09/1978 Apple PCSPR717 (Red Vinyl Edition)<br>
+			<br>
+            US release<br>
+            02/04/1973 Apple SKBO3403<br>
+			??/12/1978 Capitol SEBX-11842 (Red Vinyl Edition)<br>
+			28/07/1988 Capitol C1-90435<br>
+			22/02/1994 Capitol C1-97036 (Red Vinyl Edition)<br>
+			<br>
+            CD release<br>
+            20/09/93 Apple CDPCSP717<br> <br> </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Love Me Do</li>
+              <li>Please Please Me</li>
+              <li>From Me To You</li>
+              <li>She Loves You</li>
+              <li>I Want To Hold Your Hand</li>
+              <li>All My Loving</li>
+              <li>Can't Buy Me Love</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>A Hard Day's Night</li>
+              <li>And I Love her</li>
+              <li>Eight Day's A Week</li>
+              <li>I Feel Fine</li>
+              <li>Ticket To Ride</li>
+              <li>Yesterday</li>
+            </ul>
+            <p>Side C</p>
+            <ul>
+			  <li>James Bond Theme <em>(only US release)</em></li>
+              <li>Help!</li>
+              <li>You've Got To Hide Your Love Away</li>
+              <li>We Can Work It Out</li>
+              <li>Day Tripper</li>
+              <li>Drive My Car</li>
+              <li>Norwegian Wood (This Bird Has Flown)</li>
+            </ul>
+            <p>Side D</p>
+            <ul>
+              <li>Nowhere Man</li>
+              <li>Michelle</li>
+              <li>In My Life</li>
+              <li>Girl</li>
+              <li>Paperback Writer</li>
+              <li>Eleanor Rigby</li>
+              <li>Yellow Submarine</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table></td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/19671970.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/19671970.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/19671970.htm	(revision 18423)
@@ -0,0 +1,322 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>1967-1970</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/7319671970BIG.gif" alt="1967-1970" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>1967-1970</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 19/04/1973 Apple PCSP718<br>
+            30/09/1978 Apple PCSPB718 (Blue Vinyl Edition)<br>
+			<br>
+            US release<br>
+            02/04/1973 Apple SKBO3404<br>
+			??/12/1978 Capitol SEBX-11843 (Blue Vinyl Edition)<br>
+			28/07/1988 Capitol C1-90438<br>
+			22/02/1994 Capitol C1-97039 (Blue Vinyl Edition)<br>
+			<br>
+            CD release<br>
+            20/09/93 Apple CDPCSP718<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Strawberry Fields Forever</li>
+              <li>Penny Lane</li>
+              <li>Sgt. Peppers Lonely Hearts Club Band</li>
+              <li>With A Little Help From My Friends</li>
+              <li>Lucy In The Sky With Diamonds</li>
+              <li>A Day In The Life</li>
+              <li>All You Need Is Love</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>I Am The Walrus</li>
+              <li>Hello Goodbye</li>
+              <li>The Fool On The Hill</li>
+              <li>Magical Mystery Tour</li>
+              <li>Lady Madonna</li>
+              <li>Hey Jude</li>
+              <li>Revolution</li>
+            </ul>
+			<p>Side C</p>
+            <ul>
+              <li>Back In The U.S.S.R.</li>
+              <li>While My Guitar Gently Weeps</li>
+              <li>Ob-La-Di Ob-La-Da</li>
+              <li>Get Back</li>
+              <li>Don't Let Me Down</li>
+              <li>The Ballad Of John And Yoko</li>
+              <li>Old Brown Shoe</li>
+            </ul>
+            <p>Side D</p>
+            <ul>
+              <li>Here Comes The Sun</li>
+              <li>Come Together</li>
+              <li>Something</li>
+              <li>Octopus's Garden</li>
+              <li>Let It Be</li>
+              <li>Across The Universe</li>
+              <li>The Long And Winding Road</li>
+            </ul>
+		  </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/abbeyroad.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/abbeyroad.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/abbeyroad.htm	(revision 18423)
@@ -0,0 +1,307 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>ABBEY ROAD</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/69abbeyroadBIG.gif" alt="ABBEY ROAD" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>ABBEY ROAD</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 26/09/1969 (STEREO) Apple (Parlophone) PCS7088<br>
+		  ??/??/1978 (STEREO) Parlophone PCS7088 (Picture Disc Edition)<br>
+		  ??/??/1978 (STEREO) Parlophone PCS7088 (Green Vinyl Edition)<br>
+			<br>
+            US release<br>
+            01/10/1969 (STEREO) Apple (Capitol) SO383<br>
+			??/12/1978 (STEREO) Capitol SEAX-11900 (Picture Disc Edition)<br>
+			20/10/1987 Capitol C1-46446<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/01/1980 MFSL 1-023<br>
+			<br>
+            CD release<br>
+            19/10/1987 (STEREO) Parlophone CDP7464462<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Come Together</li>
+              <li>Something</li>
+              <li>Maxwell's Silver Hammer</li>
+              <li>Oh! Darling</li>
+              <li>Octopus's Garden</li>
+              <li>I Want You (She's So Heavy)</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Here Comes The Sun</li>
+              <li>Because</li>
+              <li>You Never Give Me Your Money</li>
+              <li>Sun King</li>
+              <li>Mean Mr. Mustard</li>
+              <li>Polythene Pam</li>
+              <li>She Came In Through The Bathroom Window</li>
+              <li>Golden Slumbers</li>
+              <li>Carry That Weight</li>
+              <li>The End</li>
+              <li>Her Majesty</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/acollectionofbeatlesoldies.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/acollectionofbeatlesoldies.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/acollectionofbeatlesoldies.htm	(revision 18423)
@@ -0,0 +1,301 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>A COLLECTION OF BEATLES OLDIES</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/66UKacollectionBIG.gif" alt="A COLLECTION OF BEATLES OLDIES" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>A COLLECTION OF BEATLES OLDIES</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 10/12/1966 (MONO) Parlophone PMC7016<br>
+            10/12/1966 (STEREO) Parlophone PCS7016<br>
+			??/??/19?? (STEREO) Fame FA3081<br>
+			<br>
+            US release<br>
+            <em>never released</em><br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>She Loves You</li>
+              <li>From Me To You</li>
+              <li>We Can Work It Out </li>
+              <li>Help!</li>
+              <li>Michelle</li>
+              <li>Yesterday</li>
+              <li>I Feel Fine</li>
+              <li>Yellow Submarine</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Can't Buy Me Love</li>
+              <li>Bad Boy</li>
+              <li>Day Tripper</li>
+              <li>A Hard Day's Night</li>
+              <li>Ticket To Ride</li>
+              <li>Paperback Writer</li>
+              <li>Eleanor Rigby</li>
+              <li>I Want To Hold Your Hand</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/aharddaysnight.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/aharddaysnight.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/aharddaysnight.htm	(revision 18423)
@@ -0,0 +1,300 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>A HARD DAY'S NIGHT</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	<table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64UKaharddaysnightBIG.gif" alt="A HARD DAY'S NIGHT" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>A HARD DAY'S NIGHT</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 10/07/1964 (MONO) Parlophone PMC1230<br>
+            10/07/1964 (STEREO) Parlophone PCS3058<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46437<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1983 MFSL 1-103<br>
+			<br>
+            CD release<br>
+            26 /02/1987 (MONO) Parlophone CDP7464372<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>A Hard Day's Night</li>
+              <li>I Should Have Known Better</li>
+              <li>If I Fell</li>
+              <li>I'm Happy Just To Dance With You</li>
+              <li>And I Love Her</li>
+              <li>Tell Me Why</li>
+              <li>Can't Buy Me Love</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Any Time At All</li>
+              <li>I'll Cry Instead</li>
+              <li>Things We Said Today</li>
+              <li>When I Get Home</li>
+              <li>You Can't Do That</li>
+              <li>I'll Be Back</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/aharddaysnightUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/aharddaysnightUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/aharddaysnightUS.htm	(revision 18423)
@@ -0,0 +1,294 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>A HARD DAY'S NIGHT - SoundTrack</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64USaharddaysnightBIG.gif" alt="A HARD DAY'S NIGHT - SoundTrack" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>A HARD DAY'S NIGHT - SoundTrack</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 26/06/1964 (MONO) United Artists UA6366<br>
+            26/06/1964 (STEREO) United Artists UAS6366<br>
+			12/03/1979 Capitol SW-11921<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>A Hard Day's Night</li>
+              <li>Tell Me Why</li>
+              <li>I'll Cry Instead </li>
+              <li>I Should Have Known Better (Instrumental)</li>
+              <li>I'm Happy Just To Dance With You</li>
+              <li>And I Love Her (Instrumental)</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>I Should Have Known Better </li>
+              <li>If I Fell</li>
+              <li>And I Love Her</li>
+              <li>Ringo&#8217;s Theme (This Boy) (Instrumental)</li>
+              <li>Can't Buy Me Love</li>
+              <li>A Hard Day's Night (Instrumental)</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology1.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology1.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology1.htm	(revision 18423)
@@ -0,0 +1,342 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>ANTHOLOGY 1</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/95anthology1BIG.gif" alt="ANTHOLOGY 1" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>ANTHOLOGY 1</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>21/11/1995 Apple CDPCSP727 (CD)<br>
+            22/11/1995 Apple PCSP727 (LP)<br>
+            <br>
+            US release<br>
+            21/11/1995 Capitol CDP 8 34445 2 (CD)<br>
+			??/11/1995 Capitol 8-34445 (LP)<br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD 1</p>
+            <ul>
+              <li>Free As A Bird</li>
+              <li>We were four guys, that's all <em>(Speech)</em></li>
+              <li>That'll Be The Day</li>
+              <li>In Spite Of All The Danger</li>
+              <li>Sometimes I'd Borrow <em>(Speech)</em></li>
+              <li>Hallelujah, I Love Her So</li>
+              <li>You'll Be Mine</li>
+              <li>Cayenne</li>
+              <li>First Of All <em>(Speech)</em></li>
+              <li>My Bonnie</li>
+              <li>Ain't She Sweet</li>
+              <li>Cry For A Shadow</li>
+              <li>Brian was a beautiful guy <em>(Speech)</em></li>
+              <li>I Secured Them <em>(Speech)</em></li>
+              <li>Searchin'</li>
+              <li>Three Cool Cats</li>
+              <li>The Sheik Of Araby</li>
+              <li>Like Dreamers Do</li>
+              <li>Hello Little Girl</li>
+              <li>Well, the recording test ... <em>(Speech)</em></li>
+              <li>Besame Mucho</li>
+              <li>Love Me Do</li>
+              <li>How Do You Do It</li>
+              <li>Please Please Me</li>
+              <li>One After 909 (Sequence)</li>
+              <li>One After 909 (Complete)</li>
+              <li>Lend Me Your Comb</li>
+              <li>I'll Get You</li>
+              <li>We were performers <em>(Speech)</em></li>
+              <li>I Saw Her Standing There</li>
+              <li>From Me To You</li>
+              <li>Money</li>
+              <li>You Really Got A Hold On Me</li>
+              <li>Roll Over Beethoven</li>
+            </ul>
+            <p>CD 2</p>
+            <ul>
+              <li>She Love's You</li>
+              <li>Till There Was You</li>
+              <li>Twist And Shout</li>
+              <li>This Boy</li>
+              <li>I Want To Hold Your Hand</li>
+              <li>Boys, what I was thinking ... <em>(Speech)</em></li>
+              <li>Moonlight Bay</li>
+              <li>Can't Buy Me Love</li>
+              <li>All My Loving</li>
+              <li>You Can't Do That</li>
+              <li>And I Love Her</li>
+              <li>A Hard Day's Night</li>
+              <li>I Wanna Be Your Man</li>
+              <li>Long Tall Sally</li>
+              <li>Boys</li>
+              <li>Shout</li>
+              <li>I'll Be Back (Take 2)</li>
+              <li>I'll Be Back (Take 3)</li>
+              <li>You Know What To Do</li>
+              <li>No Reply (Demo)</li>
+              <li>Mr Moonlight</li>
+              <li>Leave My Kitten Alone</li>
+              <li>No Reply</li>
+              <li>Eight Days A Week (Sequence)</li>
+              <li>Eight Days A Week (Complete)</li>
+              <li>Kansas City / Hey Hey Hey Hey</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology2.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology2.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology2.htm	(revision 18423)
@@ -0,0 +1,328 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>ANTHOLOGY 2</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/96anthology2BIG.gif" alt="ANTHOLOGY 2" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>ANTHOLOGY 2</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>18/03/1996 Apple CDPCSP728 (CD)<br>
+            18/03/1996 Apple PCSP728 (LP)<br>
+            <br>
+            US release<br>
+            18/03/1996 Capitol CDP 8 34448 2 (CD)<br>
+			??/??/1996 Capitol C1-34448 (LP) <br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD 1</p>
+            <ul>
+              <li>Real Love</li>
+              <li>Yes It Is</li>
+              <li>I'm Down</li>
+              <li>You've Got To Hide Your love Away</li>
+              <li>If You've Got Trouble</li>
+              <li>That Means A Lot</li>
+              <li>Yesterday</li>
+              <li>It's Only Love</li>
+              <li>I Feel Fine</li>
+              <li>Ticket To Ride</li>
+              <li>Yesterday</li>
+              <li>Help!</li>
+              <li>Everybody's trying To Be My Baby</li>
+              <li>Norwegian Wood (This Bird Has Flown)</li>
+              <li>I'm Looking Through You</li>
+              <li>12-Bar Original</li>
+              <li>Tomorrow Never Knows</li>
+              <li>Got To Get You Into My Life</li>
+              <li>And Your Bird Can Sing</li>
+              <li>Taxman</li>
+              <li>Eleanor Rigby <em>(Strings Only)</em></li>
+              <li>I'm Only Sleeping <em>(Rehearsal)</em></li>
+              <li>I'm Only Sleeping <em>(Take 1)</em></li>
+              <li>Rock And Roll Music</li>
+              <li>She's A Woman</li>
+            </ul>
+            <p>CD 2</p>
+            <ul>
+              <li>Strawberry Fields Forever <em>(Demo Sequence)</em></li>
+              <li>Strawberry Fields Forever <em>(Take 1)</em></li>
+              <li>Strawberry Fields Forever <em>(Take 7 and Edit Piece)</em></li>
+              <li>Penny Lane</li>
+              <li>A Day In The Life</li>
+              <li>Good Morning Good Morning</li>
+              <li>Only A Northern Song</li>
+              <li>Being For The Benefit Of Mr Kite! <em>(Take 1 and 2)</em></li>
+              <li>Being For The Benefit Of Mr Kite! <em>(Take 7)</em></li>
+              <li>Lucy In The Sky With Diamonds</li>
+              <li>Within You Without You <em>(Instrumental)</em></li>
+              <li>Sgt. Pepper's Lonely Hearts Club Band (Reprise)</li>
+              <li>You Know My Name (Look Up The Number)</li>
+              <li>I Am The Walrus</li>
+              <li>The Fool On The Hill <em>(Demo)</em></li>
+              <li>Your Mother Should Know</li>
+              <li>The Foll On The Hill <em>(Take 4)</em></li>
+              <li>Hello, Goodbye</li>
+              <li>Lady Madonna</li>
+              <li>Across The Universe</li>
+            </ul>
+          </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology3.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology3.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/anthology3.htm	(revision 18423)
@@ -0,0 +1,332 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>ANTHOLOGY 3</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/96anthology3BIG.gif" alt="ANTHOLOGY 3" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>ANTHOLOGY 3</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>28/10/1996 Apple CDPCSP729 (CD)<br>
+            28/10/1996 Apple PCSP729 (LP)<br>
+            <br>
+            US release<br>
+            28/10/1996 Capitol CDP 8 34451 2 (CD)<br>
+			30/10/1966 Capitol C1-34451 (LP)<br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD 1</p>
+            <ul>
+              <li>A Beginning</li>
+              <li>Happiness Is A Warm Gun</li>
+              <li>Helter Skelter</li>
+              <li>Mean Mr Mustard</li>
+              <li>Polythene Pam</li>
+              <li>Glass Onion</li>
+              <li>Junk</li>
+              <li>Piggies</li>
+              <li>Honey Pie</li>
+              <li>Don't Pass Me By</li>
+              <li>Ob-La-Di Ob-La-Da</li>
+              <li>Good Night</li>
+              <li>Cry Baby Cry</li>
+              <li>Blackbird</li>
+              <li>Sexy Sadie</li>
+              <li>While My Guitar Gently Weeps</li>
+              <li>Hey Jude!</li>
+              <li>Not Guilty</li>
+              <li>Mother's Nature Son</li>
+              <li>Glass Onion</li>
+              <li>Rocky Rackoon</li>
+              <li>What's The New Mary Jane</li>
+              <li>Step Inside Love / Los Paranoias</li>
+              <li>I'm So Tired</li>
+              <li>I Will</li>
+              <li>Why Don't We Do It In The Road</li>
+              <li>Julia</li>
+            </ul>
+            <p>CD 2</p>
+            <ul>
+              <li>I've Got A Feeling</li>
+              <li>She Came In Through The Bathroom Window</li>
+              <li>Dig A Pony</li>
+              <li>Two Of Us</li>
+              <li>For You Blue</li>
+              <li>Teddy Boy</li>
+              <li>Medley: Rip It Up / Shake, rattle &amp; Roll / Blue Suede Shoes</li>
+              <li>The Long And Winding Road</li>
+              <li>Oh! Darling</li>
+              <li>All Thing Must Pass</li>
+              <li>Mailman, Bring Me No More Blues</li>
+              <li>Get Back</li>
+              <li>Old Brown Shoes</li>
+              <li>Octopus's Garden</li>
+              <li>Maxwell's Silver Hammer</li>
+              <li>Something</li>
+              <li>Come Together</li>
+              <li>Come And Get It</li>
+              <li>Ain't She Sweet</li>
+              <li>Because</li>
+              <li>Let It Be</li>
+              <li>I Me Mine</li>
+              <li>The End</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatles.css
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatles.css	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatles.css	(revision 18423)
@@ -0,0 +1,33 @@
+table {
+	background-color : #4898D2;
+}
+.menu {
+	border-color : Black;
+	font-family : Verdana, Geneva, Arial, Helvetica, sans-serif;
+	font-size : 11px;
+	color: #000000;
+	background-color : #4898D2;
+}
+.disco {
+	font-family : Verdana, Geneva, Arial, Helvetica, sans-serif;
+	font-size : 11px; color: #000000;
+	background-color : #367CC2;
+}
+p {
+	font-family : Verdana, Geneva, Arial, Helvetica, sans-serif;
+	font-size : 13px;
+	color: Black;
+}
+h1 {
+	font-family : Verdana, Geneva, Arial, Helvetica, sans-serif;
+	font-size : 15px;
+	color: #000000;
+}
+A:link, A:visited {
+    text-decoration: none;
+	color: Yellow;
+}
+A:hover { 
+    text-decoration: none;
+	color: #ffcc00;
+}
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatles65.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatles65.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatles65.htm	(revision 18423)
@@ -0,0 +1,292 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>BEATLES '65</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64USbeatles65BIG.gif" alt="BEATLES '65" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>BEATLES '65</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 15/12/1964 (MONO) Capitol T-2228<br>
+            15/12/1964 (STEREO) Capitol ST-2228<br>
+			28/07/1988 Capitol C1-90446<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+          <br>	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>No Reply</li>
+              <li>I'm A Loser</li>
+              <li>Baby's In Black</li>
+              <li>Rock &amp; Roll Music</li>
+              <li>I'll Follow The Sun</li>
+              <li>Mr. Moonlight</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Honey Don't</li>
+              <li>I'll Be Back</li>
+              <li>She's A Woman</li>
+              <li>I Feel Fine</li>
+              <li>Everybody's Trying To Be My Baby</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesatthehollywoodbowl.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesatthehollywoodbowl.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesatthehollywoodbowl.htm	(revision 18423)
@@ -0,0 +1,298 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE BEATLES AT THE HOLLYWOOD BOWL</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/77liveatthehollywoodbowlBIG.gif" alt="THE BEATLES AT THE HOLLYWOOD BOWL" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>THE BEATLES AT THE HOLLYWOOD BOWL</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 06/05/1977 Parlophone EMTV4<br>
+			??/??/19?? EMI MFP415676<br>
+			<br>
+            US release<br>
+            04/05/1977 Capitol SMAS11638<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Twist And Shout (Live 30/08/1965)</li>
+              <li>She's A Woman (Live 30/08/1965)</li>
+              <li>Dizzy Miss Lizzy (Live 30/08/1965)</li>
+              <li>Ticket To Ride (Live 30/08/1965)</li>
+              <li>Can't Buy Me Love (Live 30/08/1965)</li>
+              <li>Things We Said Today (Live 23/08/1964)</li>
+              <li>Roll Over Beethoven (Live 23/08/1964)</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Boys (Live 23/08/1964)</li>
+              <li>A Hard Day's Night (Live 30/08/1965)</li>
+              <li>Help! (Live 30/08/1965)</li>
+              <li>All My Loving (Live 23/08/1964)</li>
+              <li>She Loves You (Live 23/08/1964)</li>
+              <li>Long Tall Sally (Live 23/08/1964)</li>
+            </ul>
+		  </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesballads.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesballads.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesballads.htm	(revision 18423)
@@ -0,0 +1,303 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE BEATLES BALLADS</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/80beatlesballadsBIG.gif" alt="THE BEATLES BALLADS" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>THE BEATLES BALLADS</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 13/10/1980 Parlophone PCS7214<br>
+			<br>
+            US release<br>
+			<em>never released</em><br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Yesterday</li>
+              <li>Norwegian Wood (This Bird Has Flown)</li>
+              <li>Do You Want To Know A Secret</li>
+              <li>For No One</li>
+              <li>Michelle</li>
+              <li>Nowhere Man</li>
+              <li>You've Got To Hide Your Love Away</li>
+              <li>Across The Universe</li>
+              <li>All My Loving</li>
+              <li>Hey Jude</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Something</li>
+              <li>The Fool On The Hill</li>
+              <li>Till There Was You</li>
+              <li>The Long And Winding Road</li>
+              <li>Here Comes The Sun</li>
+              <li>Blackbird</li>
+              <li>And I Love Her</li>
+              <li>She's Leaving Home</li>
+              <li>Here, There And Everywhere</li>
+              <li>Let It Be</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesforsale.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesforsale.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesforsale.htm	(revision 18423)
@@ -0,0 +1,301 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>BEATLES FOR SALE</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco"width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64UKbeatlesforsaleBIG.gif" alt="BEATLES FOR SALE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>BEATLES FOR SALE</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 04/12/1964 (MONO) Parlophone PMC1240<br>
+            04/12/1964 (STEREO) Parlophone PCS3062<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46438<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1983 MFSL 1-104<br>
+			<br>
+            CD release<br>
+            26/02/1987 (MONO) Parlophone CDP7464382<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>No Reply</li>
+              <li>I'm A Loser</li>
+              <li>Baby's In Black</li>
+              <li>Rock And Roll Music</li>
+              <li>I'll Follow The Sun</li>
+              <li>Mr. Moonlight</li>
+              <li>Kansas City/Hey Hey Hey</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Eight Days A Week</li>
+              <li>Words Of Love</li>
+              <li>Honey Don't</li>
+              <li>Every Little Thing</li>
+              <li>I Don't Want To Spoil The Party </li>
+              <li>What You're Doing</li>
+              <li>Everybody's Trying To Be My Baby</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlessecondalbum.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlessecondalbum.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlessecondalbum.htm	(revision 18423)
@@ -0,0 +1,296 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE BEATLES' SECOND ALBUM</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64USthebeatlessecondalbumBIG.gif" alt="THE BEATLES' SECOND ALBUM" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>THE BEATLES' SECOND ALBUM</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 10/04/1964 (MONO) Capitol T-2080<br>
+            10/04/1964 (STEREO) Capitol ST-2080<br>
+			28/07/1988 Capitol C1-90444<br>
+			<br>
+			UK release<br>
+			??/??/19?? (STEREO) Parlophone  CPCS 102<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Roll Over Beethoven</li>
+              <li>Thank You Girl</li>
+              <li>You Really Got A Hold On Me</li>
+              <li>Devil In Her Heart</li>
+              <li>Money (That's What I Want)</li>
+              <li>You Can't Do That</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Long Tall Sally</li>
+              <li> I Call Your Name</li>
+              <li>Please Mr. Postman</li>
+              <li>I'll Get You</li>
+              <li>She Loves You</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesstory.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesstory.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesstory.htm	(revision 18423)
@@ -0,0 +1,280 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE BEATLES' STORY</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64USbeatlesstoryBIG.gif" alt="THE BEATLES' STORY" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>THE BEATLES' STORY</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 23/11/1964 (MONO) Capitol TBO-2222<br>
+            23/11/1964 (STEREO) Capitol STBO-2222<br>
+			28/07/1988 Capitol C1-90488<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>The Beatles' Story</p>
+            <p>&quot;Narrative and musical biography of Beatlemania&quot;</p>
+            <p>This LP contains narration, interviews, song excerpts and medley.</p>
+          </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesvi.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesvi.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/beatlesvi.htm	(revision 18423)
@@ -0,0 +1,296 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>BEATLES VI</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65USbeatleVIBIG.gif" alt="BEATLES VI" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>BEATLES VI</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 14/06/1965 (MONO) Capitol T-2358<br>
+            14/06/1965 (STEREO) Capitol ST-2358<br>
+			28/07/1988 Capitol C1-90445<br>
+			<br>
+			UK release<br>
+			??/??/19?? (STEREO) Parlophone CPCS 104<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Kansas City/Hey Hey Hey</li>
+              <li>Eight Days A Week</li>
+              <li>You Like Me Too Much</li>
+              <li>Bad Boy</li>
+              <li>I Don't Want To Spoil The Party</li>
+              <li>Words Of Love</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>What You're Doing</li>
+              <li>Yes It Is</li>
+              <li>Dizzy Miss Lizzy</li>
+              <li>Tell Me What You See</li>
+              <li>Every Little Thing</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/earlybeatles.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/earlybeatles.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/earlybeatles.htm	(revision 18423)
@@ -0,0 +1,293 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE EARLY BEATLES</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65USearlybeatlesBIG.gif" alt="THE EARLY BEATLES" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>THE EARLY BEATLES</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 22/03/1965 (MONO) Capitol T-2309<br>
+            22/03/1965 (STEREO) Capitol ST-2309<br>
+			28/07/1988 Capitol C1-90451<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li> Love Me Do</li>
+              <li>Twist And Shout</li>
+              <li>Anna (Go To Him)</li>
+              <li>Chains</li>
+              <li>Boys</li>
+              <li>Ask Me Why</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Please Please Me</li>
+              <li>P.S. I Love You</li>
+              <li>Baby It's You</li>
+              <li>A Taste Of Honey</li>
+              <li>Do You Want To Know A Secret</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/help.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/help.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/help.htm	(revision 18423)
@@ -0,0 +1,301 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>HELP!</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65UKhelpBIG.gif" alt="HELP!" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>HELP!</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 06/08/1965 (MONO) Parlophone PMC1255<br>
+            06/08/1965 (STEREO) Parlophone PCS3071<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46439<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1983 MFSL 1-105<br>
+			<br>
+            CD release<br>
+            30 /04/1987 (STEREO) Parlophone CDP7464392<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Help!</li>
+              <li>The Night Before</li>
+              <li>You've Got To Hide Your Love Away</li>
+              <li>I Need You</li>
+              <li>Another Girl</li>
+              <li>You're Going To Lose That Girl</li>
+              <li>Ticket To Ride</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Act Naturally</li>
+              <li>It's Only Love</li>
+              <li>You Like Me Too Much</li>
+              <li>Tell Me What You See</li>
+              <li>I've Just Seen A Face</li>
+              <li>Yesterday</li>
+              <li>Dizzy Miss Lizzy</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/helpUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/helpUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/helpUS.htm	(revision 18423)
@@ -0,0 +1,294 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>HELP! - SoundTrack (US Version)</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65UShelpBIG.gif" alt="HELP! - SoundTrack (US Version)" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>HELP! - SoundTrack (US Version)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 13/08/1965 (MONO) Capitol MAS-2386<br>
+            13/08/1965 (STEREO) Capitol SMAS-2386<br>
+			28/07/1988 Capitol C1-90454<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Help!</li>
+              <li>The Night Before</li>
+              <li>From Me to You Fantasy (Instrumental)</li>
+              <li>You've Got To Hide Your Love Away</li>
+              <li> I Need You</li>
+              <li>In The Tyrol (Instrumental)</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Another Girl</li>
+              <li>Another Hard Day's Night (Instrumental)</li>
+              <li>Ticket To Ride</li>
+              <li>The Bitter End/You Can&#8217;t Do That (Instrumental)</li>
+              <li>You're Going To Lose That Girl</li>
+              <li>The Chase (Instrumental)</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/heyjude.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/heyjude.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/heyjude.htm	(revision 18423)
@@ -0,0 +1,290 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>HEY JUDE</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/79UKheyjudeBIG.gif" alt="HEY JUDE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>HEY JUDE</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 11/05/1979 Parlophone PCS7184<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Can't Buy Me Love</li>
+              <li>I Should Have Known Better</li>
+              <li>Paperback Writer</li>
+              <li>Rain</li>
+              <li>Lady Madonna</li>
+              <li>Revolution</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Hey Jude</li>
+              <li>Old Brown Shoe</li>
+              <li>Don't Let Me Down</li>
+              <li>The Ballad Of John And Yoko</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/heyjudeUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/heyjudeUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/heyjudeUS.htm	(revision 18423)
@@ -0,0 +1,292 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>HEY JUDE!</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/70USheyjudeBIG.gif" alt="HEY JUDE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>HEY JUDE! (a.k.a. &quot;The Beatles Again&quot;)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 26/02/1970 (STEREO) Apple SW-385<br>
+            26/02/1970 (STEREO) Apple SO-385<br>
+			28/07/1988 Capitol C1-90442<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Can't Buy Me Love</li>
+              <li>I Should Have Known Better</li>
+              <li>Paperback Writer</li>
+              <li>Rain</li>
+              <li>Lady Madonna</li>
+              <li>Revolution</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Hey Jude</li>
+              <li>Old Brown Shoe</li>
+              <li>Don't Let Me Down</li>
+              <li>The Ballad of John and Yoko</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/index.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/index.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/index.html	(revision 18423)
@@ -0,0 +1,258 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>The BEATLES Archive - The Beatles Discography</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+    </td>
+    <td align="center" valign="top">
+	<table width="80%">
+        <tr> 
+          <td><div align="center">
+              <p><img src="uk_usa_flag.gif" width="232" height="199"></p>
+              <p>UK &amp; US Discography</p>
+            </div></td>
+        </tr>
+      </table> 
+     <p>This discography refers to UK and US release of Beatles Music.</p>
+     <p>It contains every Official album ever released; you will find every re-release with different catalog number, picture or coloured vinyl, but No minor re-issue</p>
+     <p>(It's a work in progress, so Stay Tuned ;-) ) </p>     <p>&nbsp;</p></td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/introducingthebeatles.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/introducingthebeatles.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/introducingthebeatles.htm	(revision 18423)
@@ -0,0 +1,312 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>INTRODUCING THE BEATLES</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/63USintroducingthebeatlesBIG.gif" alt="INTRODUCING THE BEATLES" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>INTRODUCING THE BEATLES</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>22/07/1963 (MONO) Vee Jay LP1062<br>
+            22/07/1963 (STEREO) Vee Jay SR1062<br>
+              <br>
+              <em>2nd issue</em><br>
+              <strong>Introducing The Beatles</strong><br>
+              27/01/1964 (MONO) Vee Jay LP1062<br>
+              27/01/1964 (STEREO) Vee Jay SR1062<br>
+			  <br>
+              <em>3th issue</em><br>
+			  <strong>The Beatles Vs The Four Seasons</strong><br>
+              01/10/1964 (MONO) Vee Jay DX30<br>
+            01/10/1964 (STEREO) Vee Jay DXS30<br>
+			  <br>
+              <em>4th issue</em><br>
+              <strong>Songs, Pictures And Stories Of The Fabulous Beatles</strong>
+			  <br>
+            12/10/1964 (MONO) Vee Jay VJLP1092<br>
+            12/10/1964 (STEREO) Vee Jay VJS1092<br>
+			  <br>
+              CD release<br>
+              <em>never released</em><br>
+              <br>
+            </p>
+            </p></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>I Saw Her Standing There</li>
+              <li>Misery</li>
+              <li>Anna (Go To Him)</li>
+              <li>Chains</li>
+              <li>Boys</li>
+              <li>Love Me Do (replaced with &quot;Ask Me Why&quot; in 2nd, 3rd, 
+                4th edition)</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>P.S. I Love You (replaced with &quot;Please Please Me&quot; 
+                in 2nd, 3rd, 4th edition)</li>
+              <li>Baby It's You </li>
+              <li>Do You Want To Know A Secret</li>
+              <li>A Taste Of Honey</li>
+              <li>There's A Place</li>
+              <li>Twist And Shout</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/letitbe.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/letitbe.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/letitbe.htm	(revision 18423)
@@ -0,0 +1,302 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>LET IT BE</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/70letitbeBIG.gif" alt="LET IT BE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>LET IT BE</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 08/05/1970 (STEREO) Apple (Parlophone) PXS1 (Box Set Version)<br>
+            06/11/1970 (STEREO) Apple (Parlophone) PCS 7096 (Album Version)<br>
+			 ??/12/1979 Parlophone PCS 7096 (White Vinile Edition)<br>
+			 <br>
+            US release<br>
+            18/05/1970 (STEREO) Apple (Capitol) AR34001<br>
+			12/03/1979 Capitol SW-11922<br>
+			 28/07/1988 Capitol C1-46447<br>
+			 <br>
+			MOBILE FIDELITY release<br>
+            ??/06/1984 MFSL 1-109<br>
+			<br>
+            CD release<br>
+            19/10/1987 (STEREO) Parlophone CDP7464472<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Two Of Us</li>
+              <li>Dig A Pony</li>
+              <li>Across The Universe</li>
+              <li>I Me Mine</li>
+              <li>Dig It</li>
+              <li>Let It Be</li>
+              <li>Maggie Mae</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>I've Got A Feeling</li>
+              <li>One After 909</li>
+              <li>The Long And Winding Road</li>
+              <li>For You Blue</li>
+              <li>Get Back</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/letitbenaked.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/letitbenaked.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/letitbenaked.htm	(revision 18423)
@@ -0,0 +1,323 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>LET IT BE... NAKED</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+        </tr>
+        <tr> 
+          <td><a href="withthebeatles.htm">With The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="help.htm">Help! (UK version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="revolver.htm">Revolver (UK version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1968</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="thebeatles.htm">The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1969</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+        </tr>
+        <tr> 
+          <td><a href="abbeyroad.htm">Abbey Road</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="letitbe.htm">Let It Be</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - 1979</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+        </tr>
+        <tr> 
+          <td><a href="lovesongs.htm">Love Songs</a></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjude.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rarities.htm">Rarities</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1980 - 1989</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+        </tr>
+        <tr> 
+          <td><a href="reelmusic.htm">Reel Music</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+        </tr>
+        <tr> 
+          <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1990 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+        </tr>
+        <tr> 
+          <td><a href="anthology1.htm">Anthology I</a></td>
+        </tr>
+        <tr> 
+          <td><a href="anthology2.htm">Anthology II</a></td>
+        </tr>
+        <tr> 
+          <td><a href="anthology3.htm">Anthology III</a></td>
+        </tr>
+        <tr> 
+          <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+        </tr>
+        <tr> 
+          <td><a href="one.htm">1</a></td>
+        </tr>
+        <tr> 
+          <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella SINISTRA -->
+    </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/03letitbenakedBIG.gif" alt="1" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>LET IT BE... NAKED </h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>17/11/2003 Apple 7 24359 57142 3(CD)<br>
+            ??/11/2003 Apple (LP)<br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD</p>
+            <ul>
+              <li>Get Back</li>
+              <li>Dig A Pony</li>
+              <li>For You Blue</li>
+              <li>The Long And Winding Road</li>
+              <li>Two Of Us</li>
+              <li>I've Got A Feeling</li>
+              <li>One After 909</li>
+              <li>Don't Let Me Down</li>
+              <li>I Me Mine</li>
+              <li>Across The Universe</li>
+              <li>Let It Be</li>
+            </ul>
+            <p><em>additional disc</em> - FLY ON THE WALL</p>
+            <ul>
+              <li><em>conversation</em></li>
+              <li>Sun King </li>
+              <li>Don't Let Me Down</li>
+              <li><em>conversation</em></li>
+              <li>One After 909</li>
+              <li><em>converssation</em></li>
+              <li>Because I Know You Love Me So</li>
+              <li><em>conversation</em></li>
+              <li>Don't Pass Me By</li>
+              <li>Taking A Trip To Carolina</li>
+              <li>John's Piano Piece</li>
+              <li><em>conversation</em></li>
+              <li>Child Of Nature</li>
+              <li>Back In The U.S.S.R.</li>
+              <li><em>conversation</em></li>
+              <li>Every Little Thing</li>
+              <li>Don't Let Me Down</li>
+              <li><em>conversation</em></li>
+              <li>All Things Must Pass</li>
+              <li><em>conversation</em></li>
+              <li>She Came In Through The bathroom Window</li>
+              <li><em>conversation</em></li>
+              <li>Paul's Piano Piece</li>
+              <li><em>conversation</em></li>
+              <li>  Get Back</li>
+              <li><em>conversation</em></li>
+              <li>Two Of Us</li>
+              <li>Maggie Mae</li>
+              <li>Fancy My Chances With You</li>
+              <li><em>conversation</em></li>
+              <li>Can You Dig It?</li>
+              <li><em>conversation</em></li>
+              <li>Get Back</li>
+              <li><em>conversation   </em></li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/liveatthebbc.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/liveatthebbc.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/liveatthebbc.htm	(revision 18423)
@@ -0,0 +1,351 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>LIVE AT THE BBC</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/94liveatthebbcBIG.gif" alt="LIVE AT THE BBC" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>LIVE AT THE BBC</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>30/11/1994 Apple CDPCSP726 (CD)<br>
+            30/11/1994 Apple PCSP726 (LP)<br>
+             <br>
+            US release<br>
+            06/12/1994 Capitol CDP 8 31796 2 (CD)<br>
+			 ??/11/1994 Capitol C1-31796 (LP) <br>
+			 <br>
+          </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD 1</p>
+            <ul>
+              <li>Beatle Greetings <em>(Speech)</em></li>
+              <li>From Us To You</li>
+              <li>Riding On A Bus <em>(Speech)</em></li>
+              <li>I Got A Woman</li>
+              <li>Too Much Monkey Business</li>
+              <li>Keep Your Hands Off My Baby</li>
+              <li>I'll Be On My Way</li>
+              <li>Young Blood</li>
+              <li>A Shot Of Rhythm and Blues</li>
+              <li>Sure To Fall</li>
+              <li>Some Other Guy</li>
+              <li>Thank You Girl</li>
+              <li>Sha La La La La! <em>(Speech)</em></li>
+              <li>Baby It's You</li>
+              <li>That's All Right (Mama)</li>
+              <li>Carol</li>
+              <li>Soldier Of Love</li>
+              <li>A Little Rhyme <em>(Speech)</em></li>
+              <li>Clarabella</li>
+              <li>I'm Gonna Sit Right Down And Cry (Over You)</li>
+              <li>Crying, Waiting, Hoping</li>
+              <li>Dear Wack! <em>(Speech)</em></li>
+              <li>You Really Got A Hold On Me</li>
+              <li>To Know Her Is To Love Her</li>
+              <li>A Taste Of Honey</li>
+              <li>Long Tall Sally</li>
+              <li>I Saw Her Standing There</li>
+              <li>The Honeymoon Song</li>
+              <li>Johnny B. Goode</li>
+              <li>Memphis, Tennessee</li>
+              <li>Lucille</li>
+              <li>Can't Buy Me Love</li>
+              <li>From Fluff To You <em>(Speech)</em></li>
+              <li>Till There Was You</li>
+            </ul>
+            <p>CD 2</p>
+            <ul>
+              <li>Crinsk Dee Night <em>(Speech)</em></li>
+              <li>A Hard Day's Night</li>
+              <li>Have A Banana <em>(Speech)</em></li>
+              <li>I Wanna Be Your Man</li>
+              <li>Just A Rumour <em>(Speech)</em></li>
+              <li>Roll Over Beethoven</li>
+              <li>All My Loving</li>
+              <li>Things We Said Today</li>
+              <li>She's A Woman</li>
+              <li>Sweet Little Sixteen</li>
+              <li>1822! <em>(Speech)</em></li>
+              <li>Lonesome Tears In My Eyes</li>
+              <li>Nothin' Shakin'</li>
+              <li>The Hippy Hippy Shake</li>
+              <li>Glad All Over</li>
+              <li>I Just Don't Understand</li>
+              <li>So How Come (No-one Loves Me)</li>
+              <li>I Feel Fine</li>
+              <li>I'm A Loser</li>
+              <li>Everybody's Trying To Be My Baby</li>
+              <li>Rock And Roll Music</li>
+              <li>Ticket To Ride</li>
+              <li>Dizzy Miss Lizzy</li>
+              <li>Kansas City/Hey-Hey-Hey-Hey!</li>
+              <li>Set Fire To That Lot <em>(Speech)</em></li>
+              <li>Matchbox</li>
+              <li>I Forgot To Remember To Forget</li>
+              <li>Love These Goon Shows <em>(Speech)</em></li>
+              <li>I Got To Find My Baby</li>
+              <li>Ooh! My Soul</li>
+              <li>Ooh! My Arms <em>(Speech)</em></li>
+              <li>Don't Ever Change</li>
+              <li>Slow Down</li>
+              <li>Honey Don't</li>
+              <li>Love Me Do</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/lovesongs.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/lovesongs.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/lovesongs.htm	(revision 18423)
@@ -0,0 +1,315 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>LOVE SONGS</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/77lovesongsBIG.gif" alt="LOVE SONGS" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>LOVE SONGS</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 19/11/1977 Parlophone PCSP721<br>
+			<br>
+            US release<br>
+            21/10/1977 Capitol SKBL11711<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Yesterday</li>
+              <li>I'll Follow The Sun</li>
+              <li>I Need You</li>
+              <li>Girl</li>
+              <li>In My Life</li>
+              <li>Words Of Love</li>
+              <li>Here, There And Everywhere</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Something</li>
+              <li>And I Love Her</li>
+              <li>If I Fell</li>
+              <li>I'll Be Back</li>
+              <li>Tell Me What You See</li>
+              <li>Yes It Is</li>
+            </ul>
+			<p>Side C</p>
+            <ul>
+              <li>Michelle</li>
+              <li>It's Only Love</li>
+              <li>You're Going To Lose That Girl</li>
+              <li>Every Little Thing</li>
+              <li>For No One</li>
+              <li>She's Leaving Home</li>
+            </ul>
+			<p>Side D</p>
+            <ul>
+              <li>The Long And Winding Road</li>
+              <li>This Boy</li>
+              <li>Norwegian Wood (This Bird Has Flown)</li>
+              <li>You've Got To Hide Your Love Away</li>
+              <li>I Will</li>
+              <li>P.S. I Love You</li>
+            </ul>
+		  </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/magicalmisterytour.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/magicalmisterytour.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/magicalmisterytour.htm	(revision 18423)
@@ -0,0 +1,295 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>MAGICAL MISTERY TOUR</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/76magicalmisterytourBIG.gif" alt="MAGICAL MISTERY TOUR" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>MAGICAL MISTERY TOUR</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>19/11/1976 Apple (Parlophone) PCTC 255<br>
+		    ??/05/1979 Parlophone PCTC 255 (Yellow Vinyl Edition)<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/02/1981 MFSL 1-047<br>
+			<br>
+            CD release<br>
+            21/09/1987 Parlopohone CDP7480622<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Magical Mystery Tour</li>
+              <li>The Fool On The Hill</li>
+              <li>Flying</li>
+              <li>Blue Jay Way</li>
+              <li>Your Mother Should Know</li>
+              <li> Am The Walrus</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Hello, Goodbye</li>
+              <li>Strawberry Fields Forever</li>
+              <li>Penny Lane</li>
+              <li>Baby, You're A Rich Man</li>
+              <li>All You Need Is Love</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/magicalmisterytourUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/magicalmisterytourUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/magicalmisterytourUS.htm	(revision 18423)
@@ -0,0 +1,293 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>MAGICAL MISTERY TOUR</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/67USmagicalmisterytourBIG.gif" alt="MAGICAL MISTERY TOUR" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>MAGICAL MISTERY TOUR</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 27/11/1967 (MONO) Capitol MAL-2835<br>
+            27/11/1967 (STEREO) Capitol SMAL-2835<br>
+			01/07/1988 Capitol C1-48062<br>
+			<br>
+            CD release<br>
+            21/09/1987 Parlopohone CDP7480622<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Magical Mystery Tour</li>
+              <li>The Fool On The Hill</li>
+              <li>Flying</li>
+              <li>Blue Jay Way</li>
+              <li>Your Mother Should Know</li>
+              <li> Am The Walrus</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Hello, Goodbye</li>
+              <li>Strawberry Fields Forever</li>
+              <li>Penny Lane</li>
+              <li>Baby, You're A Rich Man</li>
+              <li>All You Need Is Love</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/meetthebeatles.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/meetthebeatles.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/meetthebeatles.htm	(revision 18423)
@@ -0,0 +1,290 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>MEET THE BEATLES!</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	<table class="disco" width="100%">
+        <tr> 
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64USmeetthebeatlesBIG.gif" alt="MEET THE BEATLES!" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td><h1>MEET THE BEATLES!</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td> 20/01/1964 (MONO) Capitol T-2047<br>
+            20/01/1964 (STEREO) Capitol ST-2047<br>
+			28/07/1988 Capitol C1-90441<br>
+			<br>
+            CD release<br> <em>never released</em><br> <br> </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>I Want To Hold Your Hand</li>
+              <li>I Saw Her Standing There</li>
+              <li>This Boy</li>
+              <li>It Won't Be Long</li>
+              <li>All I've Got To Do</li>
+              <li>All My Loving</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Don't Bother Me</li>
+              <li>Little Child</li>
+              <li>Till There Was You</li>
+              <li>Hold Me Tight</li>
+              <li>I Wanna Be Your Man </li>
+              <li>Not A Second Time</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table></td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/metadata.xml	(revision 18423)
@@ -0,0 +1,474 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>sgtpepperlonelyheartsclubband\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">sgtpepperlonelyheartsclubband.htm</XMetadata>
+            <XMetadata name="Title">Sgt. PEPPER&apos;S LONELY HEARTS CLUB BAND</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>pleasepleaseme\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">pleasepleaseme.htm</XMetadata>
+            <XMetadata name="Title">PLEASE PLEASE ME</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>index\.html</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">index.html</XMetadata>
+            <XMetadata name="Title">The BEATLES Archive - The Beatles Discography</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>raritiesUS\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">raritiesUS.htm</XMetadata>
+            <XMetadata name="Title">RARITIES - (US Version)</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>anthology2\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">anthology2.htm</XMetadata>
+            <XMetadata name="Title">ANTHOLOGY 2</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>help\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">help.htm</XMetadata>
+            <XMetadata name="Title">HELP!</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>beatles65\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">beatles65.htm</XMetadata>
+            <XMetadata name="Title">BEATLES &apos;65</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>magicalmisterytour\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">magicalmisterytour.htm</XMetadata>
+            <XMetadata name="Title">MAGICAL MISTERY TOUR</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>revolverUS\.htm</FileName>
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+            <XMetadata name="Language">en</XMetadata>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+            <XMetadata name="HTMLPlug">1</XMetadata>
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+    </FileSet>
+    <FileSet>
+        <FileName>helpUS\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">helpUS.htm</XMetadata>
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+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>yesterdayandtoday\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">rubbersoul.htm</XMetadata>
+            <XMetadata name="Title">RUBBER SOUL</XMetadata>
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+    </FileSet>
+    <FileSet>
+        <FileName>rubbersoulUS\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">rubbersoulUS.htm</XMetadata>
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+    </FileSet>
+    <FileSet>
+        <FileName>letitbe\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+    <FileSet>
+        <FileName>revolver\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
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+        </Description>
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+    <FileSet>
+        <FileName>twentygreatsethitsUS\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+    <FileSet>
+        <FileName>yellowsubmarine\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">yellowsubmarine.htm</XMetadata>
+            <XMetadata name="Title">YELLOW SUBMARINE</XMetadata>
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+    </FileSet>
+    <FileSet>
+        <FileName>withthebeatles\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+    <FileSet>
+        <FileName>rockandrollmusic\.htm</FileName>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+        <Description>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+        <FileName>rarities\.htm</FileName>
+        <Description>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+        <Description>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">pastmasters.htm</XMetadata>
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+    <FileSet>
+        <FileName>yellowsubmarinesongtrack\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">yellowsubmarinesongtrack.htm</XMetadata>
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+    <FileSet>
+        <FileName>somethingnew\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">somethingnew.htm</XMetadata>
+            <XMetadata name="Title">SOMETHING NEW</XMetadata>
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+    <FileSet>
+        <FileName>beatlesstory\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">beatlesstory.htm</XMetadata>
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+    <FileSet>
+        <FileName>anthology3\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">anthology3.htm</XMetadata>
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+        <FileName>twentygreatsethits\.htm</FileName>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+    <FileSet>
+        <FileName>aharddaysnight\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
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+            <XMetadata name="HTMLPlug">1</XMetadata>
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+    <FileSet>
+        <FileName>abbeyroad\.htm</FileName>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+            <XMetadata name="HTMLPlug">1</XMetadata>
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+    <FileSet>
+        <FileName>aharddaysnightUS\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>anthology1\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>19671970\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>thebeatles\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">thebeatles.htm</XMetadata>
+            <XMetadata name="Title">THE BEATLES</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>one\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">one.htm</XMetadata>
+            <XMetadata name="Title">1</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>beatlesatthehollywoodbowl\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">beatlesatthehollywoodbowl.htm</XMetadata>
+            <XMetadata name="Title">THE BEATLES AT THE HOLLYWOOD BOWL</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>beatlessecondalbum\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
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+    </FileSet>
+    <FileSet>
+        <FileName>beatlesvi\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>letitbenaked\.htm</FileName>
+        <Description>
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+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">letitbenaked.htm</XMetadata>
+            <XMetadata name="Title">LET IT BE... NAKED</XMetadata>
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+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/one.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/one.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/one.htm	(revision 18423)
@@ -0,0 +1,305 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>1</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/00oneBIG.gif" alt="1" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>1</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>13/11/2000 Apple 7243 5 29970 2 (CD)<br>
+            15/11/2000 Apple 7243 5 29324 1 1 (LP)<br>
+			<br>
+            US release<br>
+            14/11/2000 Capitol CDP 5 29325 2 (CD)<br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD</p>
+            <ul>
+              <li>Love Me Do</li>
+              <li>From Me To You</li>
+              <li>She Loves You</li>
+              <li>I Want To Hold Your Hand</li>
+              <li>Can't Buy Me Love</li>
+              <li>A Hard Day's Night</li>
+              <li>I Feel Fine</li>
+              <li>Eight Days A Week</li>
+              <li>Ticket To Ride</li>
+              <li>Help!</li>
+              <li>Yesterday</li>
+              <li>Day Tripper</li>
+              <li>We Can Work It Out</li>
+              <li>Paperback Writer</li>
+              <li>Yellow Submarine</li>
+              <li>Eleanor Rigby</li>
+              <li>Penny Lane</li>
+              <li>All You Need Is Love</li>
+              <li>Hello, Goodbye</li>
+              <li>Lady Madonna</li>
+              <li>Hey Jude</li>
+              <li>Get Back</li>
+              <li>The Ballad Of John And Yoko</li>
+              <li>Something</li>
+              <li>Come Together</li>
+              <li>Let It Be</li>
+              <li>The Long And Winding Road</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/pastmasters.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/pastmasters.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/pastmasters.htm	(revision 18423)
@@ -0,0 +1,320 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>PAST MASTERS - Volume ONE &amp; TWO</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/88pastmastersBIG.gif" alt="PAST MASTERS" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>PAST MASTERS - Volume ONE &amp; TWO</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>24/10/1988 Parlophone CDBPM1<br>
+		   <br>
+            CD release <strong>Splitted 2CD-Edition</strong><br>
+            PAST MASTERS - Volume One - 08/03/1988 CDP7900432<br>
+            PAST MASTERS - Volume Two - 08/03/1988 CDP7900442<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A - Volume One</p>
+            <ul>
+              <li>Love Me Do</li>
+              <li>From Me To You</li>
+              <li>Thank You Girl</li>
+              <li>She Loves You</li>
+              <li>I'll Get You</li>
+              <li>I Want To Hold Your Hand</li>
+              <li>This Boy</li>
+              <li>Komm, Gib Mir Deine Hand</li>
+            </ul>
+            <p>Side B - Volume One</p>
+            <ul>
+              <li>Sie Liebt Dich</li>
+              <li>Long Tall Sally</li>
+              <li>I Call Your Name</li>
+              <li>Slow Down</li>
+              <li>Matchbox</li>
+              <li>I Feel Fine</li>
+              <li>She's A Woman</li>
+              <li>Bad Boy</li>
+              <li>Yes It Is</li>
+              <li>I'm Down</li>
+            </ul>
+            <p>Side A - Volume Two</p>
+            <ul>
+              <li>Day Tripper</li>
+              <li>We Can Work It Out</li>
+              <li>Paperback Writer</li>
+              <li>Rain</li>
+              <li>Lady Madonna</li>
+              <li>The Inner Light</li>
+              <li>Hey Jude</li>
+            </ul>
+            <p>Side B - Volume Two</p>
+            <ul>
+              <li>Revolution</li>
+              <li>Get Back</li>
+              <li>Don't Let Me Down</li>
+              <li>The Ballad Of John And Yoko</li>
+              <li>Old Brown Shoe</li>
+              <li>Across The Universe</li>
+              <li>Let It Be</li>
+              <li>You Know My Name (Look Up The Number)</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/pleasepleaseme.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/pleasepleaseme.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/pleasepleaseme.htm	(revision 18423)
@@ -0,0 +1,298 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>PLEASE PLEASE ME</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	  <table class="disco" width="100%">
+        <tr> 
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/63UKpleasepleasemeBIG.gif" alt="PLEASE PLEASE ME" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td><h1>PLEASE PLEASE ME</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td>22/03/1963 (MONO) Parlophone PMC1202<br>
+            26/04/1963 (STEREO) Parlophone PCS3042<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46435<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1983 MFSL 1-101<br>
+			<br>
+            CD release<br>
+            26/02/1987 (MONO) Parlophone CDP7464352<br> <br> </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>I Saw Her Standing There</li>
+              <li>Misery</li>
+              <li>Anna (Go To Him)</li>
+              <li>Chains</li>
+              <li>Boys</li>
+              <li>Ask Me Why</li>
+              <li>Please Please Me</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Love Me Do</li>
+              <li>P.S. I Love You</li>
+              <li>Baby, It's You</li>
+              <li>Do You Want To Know A Secret</li>
+              <li>A Taste Of Honey</li>
+              <li>There's A Place</li>
+              <li>Twist And Shout</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table> </td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rarities.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rarities.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rarities.htm	(revision 18423)
@@ -0,0 +1,298 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>RARITIES</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/79raritiesBIG.gif" alt="RARITIES" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>RARITIES</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>02/12/1978 Parlophone PSLP 261 - as part of &quot;<strong>The Beatles Collection</strong>&quot; 12-box-set (Parlophone BC13)<br>
+		    12/10/1979 Parlophone PCM1001<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Across The Universe</li>
+              <li>Yes It Is</li>
+              <li>This Boy</li>
+              <li>The Inner Light</li>
+              <li>I'll Get You</li>
+              <li>Thank You Girl</li>
+              <li>Komm, Gib Mir Deine Hand</li>
+              <li>You Know My Name(Look Up The Number)</li>
+              <li>Sie Liebt Dich</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Rain</li>
+              <li>She's A Woman</li>
+              <li>Matchbox</li>
+              <li>I Call Your Name</li>
+              <li>Bad Boy</li>
+              <li>Slow Down</li>
+              <li>I'm Down</li>
+              <li>Long Tall Sally</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/raritiesUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/raritiesUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/raritiesUS.htm	(revision 18423)
@@ -0,0 +1,295 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>RARITIES - (US Version)</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/80USraritiesBIG.gif" alt="RARITIES - (US Version)" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>RARITIES - (US Version)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>24/03/1980 Capitol SAHL12060<br>
+		   <br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Love Me Do</li>
+              <li>Misery</li>
+              <li>There's A Place</li>
+              <li>Sie Liebt Dich</li>
+              <li>And I Love Her</li>
+              <li>Help!</li>
+              <li>I'm Only Sleeping</li>
+              <li>I Am The Walrus</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Penny Lane</li>
+              <li>Helter Skelter</li>
+              <li>Don't Pass Me By</li>
+              <li>The Inner Light</li>
+              <li>Across The Universe</li>
+              <li>You Know my Name (Look Up The Number)</li>
+              <li>Sgt. Pepper's Inner Groove</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/reelmusic.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/reelmusic.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/reelmusic.htm	(revision 18423)
@@ -0,0 +1,297 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>REEL MUSIC</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/82reelmusicBIG.gif" alt="REEL MUSIC" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>REEL MUSIC</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 29/03/1982 Parlophone PCS7218<br>
+			<br>
+            US release<br>
+            22/03/1982 Capitol SV12199<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>A Hard Day's Night</li>
+              <li>I Should Have Known Better</li>
+              <li>Can't Buy Me Love</li>
+              <li>And I Love Her</li>
+              <li>Help!</li>
+              <li>You've Got To Hide Your Love Away</li>
+              <li>Ticket To Ride</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Magical Mystery Tour</li>
+              <li>I Am The Walrus</li>
+              <li>Yellow Submarine</li>
+              <li>All You Need Is Love</li>
+              <li>Let It Be</li>
+              <li>Get Back</li>
+              <li>The Long And Winding Road</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/revolver.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/revolver.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/revolver.htm	(revision 18423)
@@ -0,0 +1,301 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>REVOLVER</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/66UKrevolverBIG.gif" alt="REVOLVER" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>REVOLVER</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 05/08/1966 (MONO) Parlophone PMC7009<br>
+            05/08/1966 (STEREO) Parlophone PCS7009<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46441<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1984 MFSL 1-107<br>
+            <br>
+            CD release<br>
+            30/04/1987 (STEREO) Parlophone CDP7464412<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Taxman</li>
+              <li>Eleanor Rigby</li>
+              <li>I'm Only Sleeping</li>
+              <li>Love You To</li>
+              <li>Here, There And Everywhere </li>
+              <li>Yellow Submarine</li>
+              <li>She Said She Said</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Good Day Sunshine</li>
+              <li>And Your Bird Can Sing</li>
+              <li>For No One</li>
+              <li>Dr. Robert</li>
+              <li>I Want To Tell You</li>
+              <li>Got To Get You Into My Life </li>
+              <li>Tomorrow Never Knows</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/revolverUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/revolverUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/revolverUS.htm	(revision 18423)
@@ -0,0 +1,293 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>REVOLVER (US Version)</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/66USrevolverBIG.gif" alt="REVOLVER (US Version)" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>REVOLVER (US Version)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 08/08/1966 (MONO) Capitol T-2576<br>
+            08/08/1966 (STEREO) Capitol ST-2576<br>
+			28/07/1988 Capitol C1-90452<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Taxman</li>
+              <li>Eleanor Rigby</li>
+              <li>Love You To</li>
+              <li>Here, There and Everywhere</li>
+              <li>Yellow Submarine</li>
+              <li>She Said She Said</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Good Day Sunshine</li>
+              <li>For No One</li>
+              <li>I Want To Tell You</li>
+              <li>Got To Get You Into My Life</li>
+              <li>Tomorrow Never Knows</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rockandrollmusic.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rockandrollmusic.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rockandrollmusic.htm	(revision 18423)
@@ -0,0 +1,327 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>ROCK 'N' ROLL MUSIC</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/76rockandrollmusicBIG.gif" alt="ROCK 'N' ROLL MUSIC" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>ROCK 'N' ROLL MUSIC</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>10/06/1976 Parlophone PCSP719<br>
+		  <br>
+            re-issued in splitted version with different cover <br>
+            ROCK 'N' ROLL MUSIC Volume 1 - 24/10/80 Emi MFP50506<br>
+            ROCK 'N' ROLL MUSIC Volume 2 - 24/10/80 Emi MFP50507<br>
+			<br>
+            US release<br>
+            07/06/1976 Capitol SKBO11537<br>
+			<br>
+			re-issued in splitted version with different cover <br>
+            ROCK 'N' ROLL MUSIC Volume 1 - ??/10/1980 Capitol SN16020<br>
+            ROCK 'N' ROLL MUSIC Volume 2 - ??/10/1980 Capitol SN16021<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+            </p></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>
+		  <p>Side A</p>
+            <ul>
+              <li>Twist And Shout</li>
+              <li>I Saw Her Standing There</li>
+              <li>You Can't Do That</li>
+              <li>I Wanna Be Your Man</li>
+              <li>I Call Your Name</li>
+              <li>Boys</li>
+              <li>Long Tall Sally</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Rock 'n' Roll Music</li>
+              <li>Slow Down</li>
+              <li>Kansas City/Hey Hey Hey</li>
+              <li>Money</li>
+              <li>Bad Boy</li>
+              <li>Matchbox</li>
+              <li>Roll Over Beethoven</li>
+            </ul>
+		  <p>Side C</p>
+            <ul>
+              <li>Dizzy Miss Lizzy</li>
+              <li>Anytime At All</li>
+              <li>Drive My Car</li>
+              <li>Everybody's Trying To Be My Baby</li>
+              <li>The Night Before</li>
+              <li>I'm Down</li>
+              <li>Revolution</li>
+            </ul>
+            <p>Side D</p>
+            <ul>
+              <li>Back In The U.S.S.R.</li>
+              <li>Helter Skelter</li>
+              <li>Taxman</li>
+              <li>Got To Get You Into My Life</li>
+              <li>Hey Bulldog</li>
+              <li>Birthday</li>
+              <li>Get Back</li>
+            </ul>
+		  </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rubbersoul.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rubbersoul.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rubbersoul.htm	(revision 18423)
@@ -0,0 +1,301 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>RUBBER SOUL</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65UKrubbersoulBIG.gif" alt="RUBBER SOUL" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>RUBBER SOUL</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 03/12/1965 (MONO) Parlophone PMC1267<br>
+            03/12/1965 (STEREO) Parlophone PCS3075<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46440<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1984 MFSL 1-106<br>
+			<br>
+            CD release<br>
+            30 /04/1987 (STEREO) Parlophone CDP7464402<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Drive My Car</li>
+              <li>Norwegian Wood (This Bird Has Flown)</li>
+              <li>You Won't See Me</li>
+              <li>Nowhere Man</li>
+              <li>Think For Yourself</li>
+              <li>The Word</li>
+              <li>Michelle</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>What Goes On</li>
+              <li>Girl</li>
+              <li>I'm Looking Through You</li>
+              <li>In My Life</li>
+              <li>Wait</li>
+              <li>If I Needed Someone</li>
+              <li>Run For Your Life</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rubbersoulUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rubbersoulUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/rubbersoulUS.htm	(revision 18423)
@@ -0,0 +1,294 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>RUBBER SOUL (US Version)</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65USrubbersoulBIG.gif" alt="RUBBER SOUL (US Version)" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>RUBBER SOUL (US Version)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 06/12/1965 (MONO) Capitol T-2442<br>
+            06/12/1965 (STEREO) Capitol ST-2442<br>
+			28/07/1988 Capitol C1-90453<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>I've Just Seen A Face</li>
+              <li>Norwegian Wood (This Bird Has Flown)</li>
+              <li>You Won't See Me</li>
+              <li>Think For Yourself</li>
+              <li>The Word</li>
+              <li>Michelle</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>It's Only Love</li>
+              <li>Girl</li>
+              <li>I'm Looking Through You</li>
+              <li>In My Life</li>
+              <li>Wait</li>
+              <li>Run For Your Life</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/sgtpepperlonelyheartsclubband.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/sgtpepperlonelyheartsclubband.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/sgtpepperlonelyheartsclubband.htm	(revision 18423)
@@ -0,0 +1,306 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>Sgt. PEPPER'S LONELY HEARTS CLUB BAND</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/67sgtpepperBIG.gif" alt="Sgt. PEPPER'S LONELY HEARTS CLUB BAND" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>Sgt. PEPPER'S LONELY HEARTS CLUB BAND</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 01/06/1967 (MONO) Parlophone PMC7027<br>
+            01/06/1967 (STEREO) Parlophone PCS7027<br>
+              16/01/1979 (STEREO) Parlophone PHO 7027 (Picture Disc Edition)<br>
+			  <br>
+            US release<br>
+            02/06/1967 (MONO) Capitol MAS2653<br>
+            02/06/1967 (STEREO) Capitol SMAS2653<br>
+            ??/08/1978 (STEREO) Capitol SEAX-11840 (Picture Disc Edition)<br>
+			??/??/198? Capitol C1-46442<br>
+			<br>
+			MOBILE FIDELITY release<br>
+			??/??/1981 UHQR 1-100 (UHQR Series)<br>
+            ??/06/1983 MFSL 1-100<br>
+			<br>
+              CD release<br>
+            01/06/1987 (STEREO) Parlophone CDP7464422<br>
+              <br>
+            </p></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Sgt.Pepper's Lonely Hearts Club Band</li>
+              <li>With A Little Help From My Friends</li>
+              <li>Lucy In The Sky With Diamonds</li>
+              <li>Getting Better</li>
+              <li>Fixing A Hole</li>
+              <li>She's Leaving Home</li>
+              <li>Being For The Benefit Of Mr. Kite!</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Within You Without You</li>
+              <li>When I'm Sixty-Four</li>
+              <li>Lovely Rita</li>
+              <li>Good Morning Good Morning</li>
+              <li>Sgt.Pepper's Lonely Hearts Club Band (reprise)</li>
+              <li>A Day In The Life</li>
+            </ul>
+          </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/somethingnew.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/somethingnew.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/somethingnew.htm	(revision 18423)
@@ -0,0 +1,296 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>SOMETHING NEW</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64USsomethingnewBIG.gif" alt="SOMETHING NEW" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>SOMETHING NEW</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>20/07/1964 (MONO) Capitol T-2108<br>
+            20/07/1964 (STEREO) Capitol ST-2108<br>
+             28/07/1988 Capitol C1-90443<br>
+			 <br>
+			 UK release<br>
+             ??/??/19?? (STEREO) Parlophone CPCS 101<br>
+			 <br>
+			 CD release<br>
+            <em>never released</em><br>
+              <br>
+          </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>I'll Cry Instead</li>
+              <li>Things We Said Today</li>
+              <li>Any Time At All</li>
+              <li>When I Get Home</li>
+              <li>Slow Down</li>
+              <li>Matchbox</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Tell Me Why</li>
+              <li>And I Love Her</li>
+              <li>I'm Happy Just To Dance With You</li>
+              <li>If I Fell</li>
+              <li>Komm, Gib Mir Deine Hand</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/thebeatles.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/thebeatles.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/thebeatles.htm	(revision 18423)
@@ -0,0 +1,327 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE BEATLES</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+    </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/68whitealbumBIG.gif" alt="THE BEATLES White Album" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>THE BEATLES (a.k.a. &quot;White Album&quot;)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 22/11/1968 (MONO) Apple (Parlophone) PMC7067-7068<br>
+            22/11/1968 (STEREO) Apple (Parlophone) PCS7067-7068<br>
+             ??/08/1978 (STEREO) Apple (Parlophone) PCS7067-7068 (White Vinyl Edition)<br>
+			 <br>
+            US release<br>
+            25/11/1968 (STEREO) Apple (Capitol) SWBO101<br>
+			  ??/08/1978 (STEREO) Apple (Capitol) SEBX-11841 (White Vinyl Edition)<br>
+			  25/08/1987 Capitol C1-46443<br>
+			  <br>
+			MOBILE FIDELITY release<br>
+            ??/01/1982 MFSL 2-072<br>
+			<br>
+              CD release<br>
+            24/08/1987 (STEREO) Parlophone CDP7464438<br>
+            23/11/1998 <em>special edition</em> (STEREO) Parlophone CDP4968952<br>
+              <br>
+            </p></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Back In The U.S.S.R.</li>
+              <li>Dear Prudence</li>
+              <li>Glass Onion</li>
+              <li>Ob-La-Di Ob-La-Da</li>
+              <li>Wild Honey Pie</li>
+              <li>The Continuing Story Of Bungalow Bill </li>
+              <li>While My Guitar Gently Weeps</li>
+              <li>Happiness Is A Warm Gun</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Martha My Dear</li>
+              <li>I'm So Tired</li>
+              <li>Blackbird</li>
+              <li>Piggies</li>
+              <li>Rocky Raccoon</li>
+              <li>Don't Pass Me By</li>
+              <li>Why Don't We Do It In The Road</li>
+              <li>I Will</li>
+              <li>Julia</li>
+            </ul>
+            <p>Side C</p>
+            <ul>
+              <li>Birthday</li>
+              <li>Yer Blues</li>
+              <li>Mother Nature's Son</li>
+              <li>Everybody's Got Something To Hide Except For Me And My Monkey</li>
+              <li>Sexy Sadie</li>
+              <li>Helter Skelter</li>
+              <li>Long, Long, Long</li>
+            </ul>
+            <p>Side D</p>
+            <ul>
+              <li>Revolution 1</li>
+              <li>Honey Pie</li>
+              <li>Savoy Truffle</li>
+              <li>Cry Baby Cry</li>
+              <li>Revolution 9</li>
+              <li>Good Night</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/twentygreatsethits.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/twentygreatsethits.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/twentygreatsethits.htm	(revision 18423)
@@ -0,0 +1,300 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>20 GREATEST HITS</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/82twentygreatesthitsBIG.gif" alt="20 GREATEST HITS" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>20 GREATEST HITS</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>18/10/1982 Parlophone PCTC260<br>
+		   <br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Love Me Do</li>
+              <li>From Me To You</li>
+              <li>She Loves You</li>
+              <li>I Want To Hold Your Hand</li>
+              <li>Can't Buy Me Love</li>
+              <li>A Hard Day's Night</li>
+              <li>I Feel Fine</li>
+              <li>Ticket To Ride</li>
+              <li>Help!</li>
+              <li>Day Tripper</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>We Can Work It Out</li>
+              <li>Paperback Writer</li>
+              <li>Yellow Submarine</li>
+              <li>Eleanor Rigby</li>
+              <li>All You Need Is Love</li>
+              <li>Hello Goodbye</li>
+              <li>Lady Madonna</li>
+              <li>Hey Jude</li>
+              <li>Get Back</li>
+              <li>The Ballad Of John And Yoko</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/twentygreatsethitsUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/twentygreatsethitsUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/twentygreatsethitsUS.htm	(revision 18423)
@@ -0,0 +1,300 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>20 GREATEST HITS - (US Version)</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/82twentygreatesthitsBIG.gif" alt="20 GREATEST HITS - (US Version)" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>20 GREATEST HITS - (US Version)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>11/10/1982 Capitol SV-12245<br>
+            <br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>She Loves You</li>
+              <li>Love Me Do</li>
+              <li>I Want To Hold Your Hand</li>
+              <li>Can't Buy Me Love</li>
+              <li>A Hard Day's Night</li>
+              <li>I Feel Fine</li>
+              <li>Eight Days A Week</li>
+              <li>Ticket To Ride</li>
+              <li>Help!</li>
+              <li>Yesterday</li>
+              <li>We Can Work It Out</li>
+              <li>Paperback Writer</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Penny Lane</li>
+              <li>All You Need Is Love</li>
+              <li>Hello Goodbye</li>
+              <li>Hey Jude</li>
+              <li>Get Back</li>
+              <li>Come Together</li>
+              <li>Let It Be</li>
+              <li>The Long And Winding Road</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/withthebeatles.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/withthebeatles.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/withthebeatles.htm	(revision 18423)
@@ -0,0 +1,302 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>WITH THE BEATLES</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/63UKwiththebeatlesBIG.gif" alt="WITH THE BEATLES" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>WITH THE BEATLES</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>
+		    22/11/1963 (MONO) Parlophone PMC1206<br>
+            22/11/1963 (STEREO) Parlophone PCS3045<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46436<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1983 MFSL 1-102<br>
+			<br>
+            CD release<br>
+            26/02/1987 (MONO) Parlophone CDP7464362<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>It Won't Be Long</li>
+              <li>All I've Got To Do</li>
+              <li>All My Loving</li>
+              <li>Don't Bother Me</li>
+              <li>Little Child</li>
+              <li>Till There Was You</li>
+              <li>Please Mister Postman</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Roll Over Beethoven</li>
+              <li>Hold Me Tight</li>
+              <li>You Really Got A Hold On Me</li>
+              <li>I Wanna Be Your Man</li>
+              <li>Devil In Her Heart</li>
+              <li>Not A Second Time</li>
+              <li>Money</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yellowsubmarine.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yellowsubmarine.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yellowsubmarine.htm	(revision 18423)
@@ -0,0 +1,301 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>YELLOW SUBMARINE</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/69yellowsubmarineBIG.gif" alt="YELLOW SUBMARINE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>YELLOW SUBMARINE</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 17/01/1969 (MONO) Apple (Parlophone) PMC7070<br>
+            17/01/1969 (STEREO) Apple (Parlophone) PCS7070<br>
+			<br>
+            US release<br>
+            13/01/1969 (STEREO) Apple (Capitol) SW153<br>
+			25/08/1987 Capitol C1-46445<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1984 MFSL 1-108<br>
+			<br>
+            CD release<br>
+            24/08/1987 (STEREO) Parlophone CDP7464452<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Yellow Submarine</li>
+              <li>Only A Northern Song</li>
+              <li>All Together Now</li>
+              <li>Hey Bulldog</li>
+              <li>It's All Too Much</li>
+              <li>All You Need Is Love</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Pepperland</li>
+              <li>Sea Of Time</li>
+              <li>Sea Of Holes</li>
+              <li>Sea Of Monsters</li>
+              <li>March Of The Meanies</li>
+              <li>Pepperland Laid Waste</li>
+              <li>Yellow Submarine in Pepperland</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yellowsubmarinesongtrack.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yellowsubmarinesongtrack.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yellowsubmarinesongtrack.htm	(revision 18423)
@@ -0,0 +1,293 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>YELLOW SUBMARINE SONGTRACK</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/99yellowsubmarinesongtrack.gif" alt="YELLOW SUBMARINE SONGTRACK" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>YELLOW SUBMARINE SONGTRACK</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>13/09/1999 Apple 5214812 (CD)<br>
+            13/09/1999 Apple 5214811 (LP) (Yellow Vinyl Edition) <br>
+            <br>
+            US release<br>
+            13/09/1999 Capitol<br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD</p>
+            <ul>
+              <li>Yellow Submarine</li>
+              <li>Hey Bulldog</li>
+              <li>Eleanor Rigby</li>
+              <li>Love You To</li>
+              <li>All Together Now</li>
+              <li>Lucy In The Sky With Diamonds</li>
+              <li>Think For Yourself</li>
+              <li>Sgt. Pepper's Lonely Hearts Club Band</li>
+              <li>With A Little Help From My Friends</li>
+              <li>Baby You're A Rich Man</li>
+              <li>Only A Northern Song</li>
+              <li>All You Need Is Love</li>
+              <li>When I'm Sixty Four</li>
+              <li>Nowhere Man</li>
+              <li>It's All Too Much</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yesterdayandtoday.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yesterdayandtoday.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/discography/www.thebeatlesarchive.com/discography/yesterdayandtoday.htm	(revision 18423)
@@ -0,0 +1,298 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>YESTERDAY AND TODAY</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/66USyesterdayandtoday&#32;BUTCHERBIG.gif" alt="YESTERDAY AND TODAY" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>YESTERDAY AND TODAY</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 15/06/1966 (MONO) Capitol T-2553<br>
+            15/06/1966 (STEREO) Capitol ST-2553<br>
+			<br>
+            <em>re-issued 5 days later with different cover</em><br>
+            20/06/1966 (MONO) Capitol T-2553<br>
+            20/06/1966 (STEREO) Capitol ST-2553<br>
+			<br>
+			28/07/1988 Capitol C1-90447<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Drive My Car</li>
+              <li>I'm Only Sleeping</li>
+              <li>Nowhere Man</li>
+              <li>Doctor Robert</li>
+              <li>Yesterday </li>
+              <li>Act Naturally</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>And Your Bird Can Sing</li>
+              <li>If I Needed Someone</li>
+              <li>We Can Work It Out</li>
+              <li>What Goes On</li>
+              <li>Day Tripper</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/metadata.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>.*</FileName>
+        <Description>
+            <Metadata name="dc.Format">Lyrics</Metadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/a_taste.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/a_taste.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/a_taste.htm	(revision 18423)
@@ -0,0 +1,133 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 6:38 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>A Taste Of Honey</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p align="left"><strong><font SIZE="6">A Taste Of Honey</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Scott/Marlow) Lead Vocal: McCartney (double-tracked)</i><br>
+
+<br>
+
+<br>
+
+A taste of honey...tasting much sweeter than wine <br>
+
+<br>
+
+I dream of your first kiss, and then <br>
+
+I feel upon my lips again <br>
+
+A taste of honey...tasting much sweeter than wine <br>
+
+<br>
+
+I will return, yes I will return <br>
+
+I'll come back for the honey and you <br>
+
+<br>
+
+Yours was the kiss that awoke my heart <br>
+
+There lingers still, 'though we're far apart <br>
+
+That taste of honey...tasting much sweeter than wine <br>
+
+<br>
+
+I will return, yes I will return <br>
+
+I'll come back (he'll come back) for the honey (for the honey) and you </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/across.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/across.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/across.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 6:40 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Across The Universe</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Across The Universe</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Words are flowing out like endless rain into a paper cup <br>
+
+They slither wildly as they slip away across the universe <br>
+
+Pools of sorrow, waves of joy are drifting through my open mind <br>
+
+Possessing and caressing me <br>
+
+Jai guru deva om <br>
+
+<br>
+
+Nothing's gonna change my world, Nothing's gonna change my world <br>
+
+Nothing's gonna change my world, Nothing's gonna change my world <br>
+
+<br>
+
+Images of broken light which dance before me like a million eyes <br>
+
+They call me on and on across the universe <br>
+
+Thoughts meander like a restless wind inside a letter box <br>
+
+They tumble blindly as they make their way <br>
+
+Across the universe <br>
+
+Jai guru deva om <br>
+
+<br>
+
+Nothing's gonna change my world, Nothing's gonna change my world <br>
+
+Nothing's gonna change my world, Nothing's gonna change my world <br>
+
+<br>
+
+Sounds of laughter shades of love are <br>
+
+Ringing through my open ears inciting and inviting me <br>
+
+Limitless undying love which shines around me like a <br>
+
+Million suns, and calls me on and on <br>
+
+Across the universe <br>
+
+Jai guru deva om <br>
+
+<br>
+
+Nothing's gonna change my world, Nothing's gonna change my world <br>
+
+Nothing's gonna change my world, Nothing's gonna change my world <br>
+
+<br>
+
+Jai guru deva <br>
+
+Jai guru deva <br>
+
+Jai guru deva <br>
+
+Jai guru deva <br>
+
+Jai guru deva <br>
+
+Jai guru deva </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/act.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/act.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/act.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 6:43 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Act Naturally</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Act Naturally</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Morrison/Russell) Lead Vocal: Starr</i><br>
+
+<br>
+
+<br>
+
+They're gonna put me in movies <br>
+
+they're gonna make a big star out of me <br>
+
+We'll make a film about a man that's sad and lonely <br>
+
+and all I gotta do is act naturally <br>
+
+<br>
+
+Well, I'll bet you I'm gonna be a big star <br>
+
+might win an Oscar you can never tell <br>
+
+the movies gonna make me a big star <br>
+
+'Cause I can play the part so well <br>
+
+<br>
+
+Well I hope you'll come and see me in the movies <br>
+
+then I know that you will plainly see <br>
+
+The biggest fool that ever hit the big time <br>
+
+and I gotta do is act naturally <br>
+
+<br>
+
+We'll make the scene about a man that's sad and lonely <br>
+
+and begging down upon his bended knee <br>
+
+I'll play the part and I won't need rehearsing <br>
+
+all I gotta do is act naturally <br>
+
+<br>
+
+We'll make the scene about a man that's sad and lonely <br>
+
+and begging down upon his bended knee <br>
+
+I'll play the part and I won't need rehearsing <br>
+
+all I gotta do is act naturally <br>
+
+<br>
+
+Well, I'll bet you I'm gonna be a big star <br>
+
+might win an Oscar you can never tell <br>
+
+the movies gonna make me a big star <br>
+
+'Cause I can play the part so well <br>
+
+<br>
+
+Well I hope you'll come and see me in the movies <br>
+
+then I know that you will plainly see <br>
+
+The biggest fool that ever hit the big time <br>
+
+and all I gotta do is act naturally </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/aday.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/aday.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/aday.htm	(revision 18423)
@@ -0,0 +1,177 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 6:31 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>A Day In The Life</title>
+
+
+
+<meta name="Microsoft Border" content="none">
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p align="left"><strong><font FACE="Times New Roman CE" SIZE="6">A Day In The Life</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+I read the news today oh boy <br>
+
+About a lucky man who made the grade <br>
+
+And though the news was rather sad <br>
+
+Well I just had to laugh <br>
+
+I saw the photograph. <br>
+
+<br>
+
+He blew his mind out in a car <br>
+
+He didn't notice that the lights had changed <br>
+
+A crowd of people stood and stared <br>
+
+They'd seen his face before <br>
+
+Nobody was really sure <br>
+
+If he was from the House of Lords. <br>
+
+<br>
+
+I saw a film today oh boy <br>
+
+The English Army had just won the war <br>
+
+A crowd of people turned away <br>
+
+but I just had to look <br>
+
+Having read the book. <br>
+
+I'd love to turn you on <br>
+
+<br>
+
+Woke up, fell out of bed <br>
+
+Dragged a comb across my had <br>
+
+Found my way downstairs and drank a cup, <br>
+
+And looking up I noticed I was late. <br>
+
+Found my coat and grabbed my hat <br>
+
+Made the bus in seconds flat <br>
+
+Found my way upstairs and had a smoke, <br>
+
+Somebody spoke and I went into a dream <br>
+
+<br>
+
+I read the news today oh boy <br>
+
+Four thousand holes in Blackburn, Lancashire <br>
+
+And though the holes were rather small <br>
+
+They had to count them all <br>
+
+Now they know how many holes it takes to fill the Albert Hall. <br>
+
+I'd love to turn you on </p>
+
+
+
+<p align="left">&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/after.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/after.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/after.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:08 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>One After 909</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">One After 909</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+My baby says you're traveling on the One After 909 <br>
+
+I said move over honey I'm traveling on that line <br>
+
+I said move over once, move over twice <br>
+
+Come on baby don't be cold as ice <br>
+
+I said you're traveling on the One After 909 <br>
+
+<br>
+
+I begged her not to go and I begged her on my bended knee <br>
+
+You're only fooling around, only fooling around with me <br>
+
+I said move over once, move over twice <br>
+
+Come on baby don't be cold as ice <br>
+
+I said you're traveling on the One After 909 <br>
+
+<br>
+
+I got my bags, run to the station <br>
+
+Railman said, you've got the wrong location <br>
+
+I got my bag, run right home <br>
+
+Then I find, I've got the number wrong <br>
+
+<br>
+
+Well said you're traveling on the One After 909 <br>
+
+I said move over honey I'm traveling on that line <br>
+
+I said move over once, move over twice <br>
+
+Come on baby don't be cold as ice <br>
+
+I said we're traveling on the One After 909 <br>
+
+<br>
+
+I got my bags, run to the station <br>
+
+Railman said, you've got the wrong location <br>
+
+I got my bag, run right home <br>
+
+Then I find, I've got the number wrong <br>
+
+<br>
+
+Well said you're traveling on the One After 909 <br>
+
+I said move over honey I'm traveling on that line <br>
+
+I said move over once, move over twice <br>
+
+Come on baby don't be cold as ice <br>
+
+I said we're traveling on the One After 909 <br>
+
+I said we're traveling on the One After 909 <br>
+
+Said we're traveling on the One After 909 </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ahard_day.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ahard_day.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ahard_day.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 6:34 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>A Hard Day's Night</title>
+
+
+
+<meta name="Microsoft Border" content="none, default">
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font FACE="Times New Roman CE" SIZE="6"><b>A Hard Day's Night</b></font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocals: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+It's been a hard day's night, and I been working like a dog <br>
+
+It's been a hard day's night, I should be sleeping like a log <br>
+
+But when I get home to you I find the things that you do <br>
+
+Will make me feel alright <br>
+
+<br>
+
+You know I work all day to get you money to buy you things <br>
+
+And it's worth it just to hear you say you're going to give me everything <br>
+
+So why on earth should I moan, 'cause when I get you alone <br>
+
+You know I feel ok <br>
+
+<br>
+
+When I'm home everything seems to be right <br>
+
+When I'm home feeling you holding me tight, tight <br>
+
+<br>
+
+It's been a hard day's night, and I been working like a dog <br>
+
+It's been a hard day's night, I should be sleeping like a log <br>
+
+But when I get home to you I find the things that you do <br>
+
+Will make me feel alright Owww! <br>
+
+<br>
+
+So why on earth should I moan, 'cause when I get you alone <br>
+
+You know I feel ok <br>
+
+<br>
+
+When I'm home everything seems to be right <br>
+
+When I'm home feeling you holding me tight, tight <br>
+
+<br>
+
+It's been a hard day's night, and I been working like a dog <br>
+
+It's been a hard day's night, I should be sleeping like a log <br>
+
+But when I get home to you I find the things that you do <br>
+
+Will make me feel alright <br>
+
+You know I feel alright <br>
+
+You know I feel alright </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/aint_she_sweet.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/aint_she_sweet.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/aint_she_sweet.htm	(revision 18423)
@@ -0,0 +1,185 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 6:45 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Ain't She Sweet</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Ain't She Sweet</font></strong><br>
+
+<br>
+
+<br>
+
+Oh ain't she sweet, <br>
+
+well see her walking down that street. <br>
+
+Yes I ask you very confidentially: <br>
+
+ain't she sweet? <br>
+
+<br>
+
+Oh ain't she nice, <br>
+
+well look her over once or twice. <br>
+
+Yes I ask you very confidentially: <br>
+
+ain't she nice? <br>
+
+<br>
+
+Just cast an eye <br>
+
+in her direction. <br>
+
+Oh me oh my, <br>
+
+ain't that perfection? <br>
+
+<br>
+
+Oh I repeat <br>
+
+well don't you think that's kind of neat? <br>
+
+Yes I ask you very confidentially: <br>
+
+ain't she sweet? <br>
+
+<br>
+
+Oh ain't she sweet, <br>
+
+well see her walking down that street. <br>
+
+Well I ask you very confidentially: <br>
+
+ain't she sweet? <br>
+
+<br>
+
+Oh ain't that nice, <br>
+
+well look it over once or twice. <br>
+
+Yes I ask you very confidentially: <br>
+
+ain't she nice? <br>
+
+<br>
+
+Just cast an eye <br>
+
+in her direction. <br>
+
+Oh me oh my, <br>
+
+ain't that perfection? <br>
+
+<br>
+
+Oh I repeat <br>
+
+well don't you think that's kind of neat? <br>
+
+Yes I ask you very confidentially: <br>
+
+ain't she sweet? <br>
+
+<br>
+
+Oh ain't she sweet, <br>
+
+well see her walking down that street. <br>
+
+Well I ask you very confidentially: <br>
+
+ain't she sweet? <br>
+
+Well I ask you very confidentially: <br>
+
+ain't she sweet? </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_ive_got.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_ive_got.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_ive_got.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 6:48 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>All I've Got To Do</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">All I've Got To Do</font></strong>&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Whenever I want you around yeah <br>
+
+All I've got to do <br>
+
+Is call you on the phone <br>
+
+And you'll come running home <br>
+
+Yeah that's all I've got to do <br>
+
+<br>
+
+And when I, I wanna kiss you yeah <br>
+
+All I've got to do <br>
+
+Is whisper in your ear <br>
+
+The words you long to hear <br>
+
+And I'll be kissing you <br>
+
+<br>
+
+And the same goes for me <br>
+
+Whenever you want me at all <br>
+
+I'll be here yes I will <br>
+
+Whenever you call <br>
+
+You just gotta call on me, yeah <br>
+
+You just gotta call on me <br>
+
+<br>
+
+And when I, I wanna kiss you, yeah <br>
+
+All I've got to do <br>
+
+Is call you on the phone <br>
+
+And you'll come running how <br>
+
+Yeah, that's all I've got to do <br>
+
+<br>
+
+And the same goes for me <br>
+
+Whenever you want me at all <br>
+
+I'll be here yes I will <br>
+
+Whenever you call <br>
+
+You just gotta call on me, yeah <br>
+
+You just gotta call on me, oh <br>
+
+You just gotta call on me <br>
+
+Mm-mm-mm-mm-mm </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_my_loving.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_my_loving.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_my_loving.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:06 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>All My Loving</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">All My Loving</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Close your eyes and I'll kiss you, <br>
+
+Tomorrow I'll miss you; <br>
+
+Remember I'll always be true. <br>
+
+And then while I'm away, <br>
+
+I'll write home everyday, <br>
+
+And I'll send all my loving to you <br>
+
+<br>
+
+I'll pretend that I'm kissing, <br>
+
+the lips I am missing <br>
+
+And hope that my dreams will come true. <br>
+
+And then while I'm away, <br>
+
+I'll write home everyday, <br>
+
+And I'll send all my loving to you. <br>
+
+<br>
+
+All my loving I will send to you. <br>
+
+All my loving, darling I'll be true. <br>
+
+<br>
+
+Close your eyes and I'll kiss you, <br>
+
+Tomorrow I'll miss you; <br>
+
+Remember I'll always be true. <br>
+
+And then while I'm away, <br>
+
+I'll write home everyday, <br>
+
+And I'll send all my loving to you. <br>
+
+<br>
+
+All my loving I will send to you. <br>
+
+All my loving, darling I'll be true. <br>
+
+All my loving, All my loving ooh, <br>
+
+All my loving I will send to you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_together.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_together.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_together.htm	(revision 18423)
@@ -0,0 +1,191 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:09 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>All Together Now</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">All Together Now</font></strong><br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+One, two, three, four <br>
+
+Can I have a little more? <br>
+
+five, six, seven, eight, nine, ten I love you <br>
+
+<br>
+
+A, B, C, D <br>
+
+Can I bring my friend to tea? <br>
+
+E, F, G, H, I, J, I love you <br>
+
+<br>
+
+Sail the ship, Jump the tree <br>
+
+Skip the rope, Look at me <br>
+
+<br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+<br>
+
+Black, white, green, red <br>
+
+Can I take my friend to bed? <br>
+
+Pink, brown, yellow, orange, blue I love you <br>
+
+<br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+<br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+<br>
+
+Sail the ship, Jump the tree <br>
+
+Skip the rope, Look at me <br>
+
+<br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+<br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+<br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... <br>
+
+All together now... </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_too_much.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_too_much.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_too_much.htm	(revision 18423)
@@ -0,0 +1,193 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:31 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>It's All Too Much</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">It's All Too Much</font></strong><br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+It's all too much, It's all too much <br>
+
+<br>
+
+When I look into your eyes, your love is there for me <br>
+
+And the more I go inside, the more there is to see <br>
+
+<br>
+
+It's all too much for me to take <br>
+
+The love that's shining all around you <br>
+
+Everywhere, it's what you make <br>
+
+For us to take, it's all too much <br>
+
+<br>
+
+Floating down the stream of time, of life to life with me <br>
+
+Makes no difference where you are or where you'd like to be <br>
+
+<br>
+
+It's all too much for me to take <br>
+
+The love that's shining all around here <br>
+
+All the world is birthday cake <br>
+
+So take a piece but not too much <br>
+
+<br>
+
+Set me on a silver sun, for I know that I'm free <br>
+
+Show me that I'm everywhere, and get me home for <br>
+
+tea <br>
+
+<br>
+
+It's all too much for me to see <br>
+
+A love that's shining all around here <br>
+
+The more I am , the less I know <br>
+
+And what I do is all too much <br>
+
+<br>
+
+It's al too much for me to take <br>
+
+The love that's shining all around you <br>
+
+Everywhere, it's what you make <br>
+
+for us to take, it's all too much <br>
+
+<br>
+
+It's too much ....It's too much <br>
+
+With your long blond hair and your eyes of blue <br>
+
+With your long blond hair and your eyes of blue <br>
+
+You're too much <br>
+
+<br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much <br>
+
+Too much, too much, too much </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_you_need.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_you_need.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_you_need.htm	(revision 18423)
@@ -0,0 +1,223 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:11 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>All You Need Is Love</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">All You Need Is Love</font></strong>&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Love, Love, Love <br>
+
+Love, Love, Love <br>
+
+Love, Love, Love <br>
+
+<br>
+
+There's nothing you can do that can't be done <br>
+
+Nothing you can sing that can't be sung <br>
+
+Nothing you can say but you can learn how to play the game <br>
+
+It's easy <br>
+
+<br>
+
+Nothing you can make that can't be made <br>
+
+No one you can save that can't be saved <br>
+
+Nothing you can do but you can learn how to be you in time <br>
+
+It's easy <br>
+
+<br>
+
+All you need is love <br>
+
+All you need is love <br>
+
+All you need is love, love <br>
+
+Love is all you need <br>
+
+<br>
+
+All you need is love <br>
+
+All you need is love <br>
+
+All you need is love, love <br>
+
+Love is all you need <br>
+
+<br>
+
+Nothing you can know that isn't known <br>
+
+Nothing you can see that isn't shown <br>
+
+Nowhere you can be that isn't where you're meant to be <br>
+
+It's easy <br>
+
+<br>
+
+All you need is love <br>
+
+All you need is love <br>
+
+All you need is love, love <br>
+
+Love is all you need <br>
+
+<br>
+
+All you need is love (All together, now!) <br>
+
+All you need is love (Everybody!) <br>
+
+All you need is love, love <br>
+
+Love is all you need <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need (love is all you need) <br>
+
+Love is all you need <br>
+
+Yee-hai! <br>
+
+Love is all you need <br>
+
+Love is all you need <br>
+
+Yesterday <br>
+
+Love is all you need <br>
+
+Oh <br>
+
+Love is all you need <br>
+
+Oh yeah! <br>
+
+She loves you, yeah yeah yeah <br>
+
+She loves you, yeah yeah yeah <br>
+
+Love is all you need <br>
+
+Love is all you need <br>
+
+Love is all you need <br>
+
+Love is all you need </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/and_i_love.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/and_i_love.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/and_i_love.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:14 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>And I Love Her</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="5">And I Love Her</font></strong>&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+I give her all my love <br>
+
+That's all I do <br>
+
+And if you saw my love <br>
+
+You'd love her too <br>
+
+I love her <br>
+
+<br>
+
+She gives me everything <br>
+
+And tenderly <br>
+
+The kiss my lover brings <br>
+
+She brings to me <br>
+
+And I love her <br>
+
+<br>
+
+A love like ours <br>
+
+Could never die <br>
+
+As long as I <br>
+
+Have you near me <br>
+
+<br>
+
+Bright are the stars that shine <br>
+
+Dark is the sky <br>
+
+I know this love of mine <br>
+
+Will never die <br>
+
+And I love her <br>
+
+<br>
+
+Bright are the stars that shine <br>
+
+Dark is the sky <br>
+
+I know this love of mine <br>
+
+Will never die <br>
+
+And I love her </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/and_your_bird.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/and_your_bird.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/and_your_bird.htm	(revision 18423)
@@ -0,0 +1,135 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:16 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>And Your Bird Can Sing</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">And Your Bird Can Sing</font></strong>&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+You tell me that you've got everything you want <br>
+
+And your bird can sing <br>
+
+But you don't get me, you don't get me <br>
+
+<br>
+
+You say you've seen seven wonders and your bird is green <br>
+
+But you can't see me, you can't see me <br>
+
+<br>
+
+When your prized possessions start to wear you down <br>
+
+Look in my direction, I'll be round, I'll be round <br>
+
+<br>
+
+When your bird is broken will it bring you down <br>
+
+you may be awoken, I'll be round, I'll be round <br>
+
+<br>
+
+When your bird is broken will it bring you down <br>
+
+you may be awoken, I'll be round, I'll be round <br>
+
+<br>
+
+You tell me that you've heard every sound there is <br>
+
+And your bird can swing <br>
+
+But you can't hear me, you can't hear me </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/anna.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/anna.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/anna.htm	(revision 18423)
@@ -0,0 +1,185 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:18 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Anna (Go To Him)</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Anna (Go To Him)</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Alexander) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+<br>
+
+Anna <br>
+
+You come and ask me, girl <br>
+
+To set you free, girl <br>
+
+You say he loves you more than me <br>
+
+So I will set you free <br>
+
+Go with him (Anna) <br>
+
+Go with him (Anna) <br>
+
+<br>
+
+Anna <br>
+
+Girl, before you go now <br>
+
+I want you to know, now <br>
+
+That I still love you so <br>
+
+But if he loves you mo' <br>
+
+Go with him <br>
+
+<br>
+
+All of my life <br>
+
+I've been searchin' for a girl <br>
+
+To love me like I love you <br>
+
+Oh, now...But every girl I've ever had <br>
+
+Breaks my heart and leaves me sad <br>
+
+What am I, what am I supposed to do, oh oh oh oh oh oh <br>
+
+<br>
+
+Anna <br>
+
+Just one more thing, girl <br>
+
+You give back your ring to me, and I will set you free <br>
+
+Go with him <br>
+
+<br>
+
+All of my life <br>
+
+I've been searchin' for a girl <br>
+
+To love me like love you <br>
+
+But let me tell you now, that every girl I've ever had <br>
+
+Breaks my heart and leaves me sad <br>
+
+What am I, what am I supposed to do, oh oh oh oh oh oh <br>
+
+<br>
+
+Anna <br>
+
+Just one more thing, girl <br>
+
+You give back your ring to me, and I will set you free <br>
+
+Go with him (Anna) <br>
+
+Go with him (Anna) <br>
+
+You can go with him girl (Anna) <br>
+
+Go with him </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/another.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/another.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/another.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:21 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Another Girl</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Another Girl</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+For I have got another girl, another girl. <br>
+
+You're making me say that I've got nobody but you, <br>
+
+But as from today, well, I've got somebody that's new. <br>
+
+I ain't no fool and I don't take what I don't want, <br>
+
+<br>
+
+For I have got another girl, another girl. <br>
+
+She's sweeter than all the girls and I met quite a few. <br>
+
+Nobody in all the world can do what she can do. <br>
+
+And so I'm telling you, &quot;This time you'd better stop.&quot; <br>
+
+<br>
+
+For I have got another girl. Another girl. <br>
+
+Who will love me till the end. <br>
+
+Through thick and thin <br>
+
+She will always be my friend. <br>
+
+<br>
+
+I don't want to say that I've been unhappy with you, <br>
+
+But, as from today, well, I've seen somebody that's new. <br>
+
+I ain't no fool and I don't take what I don't want, <br>
+
+For I have got another girl. Another girl. <br>
+
+Who will love me till the end. <br>
+
+Through thick and thin <br>
+
+She will always be my friend. <br>
+
+<br>
+
+I don't want to say that I've unhappy with you, <br>
+
+But, as from today, well, I've seen somebody that's new. <br>
+
+I ain't no fool and I don't take what I don't want, <br>
+
+For I have got another girl. Another girl. <br>
+
+Another girl. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/anytime.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/anytime.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/anytime.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:24 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Any Time At All</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Any Time At All</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Any time at all, any time at all, <br>
+
+Any time at all, all you've gotta do is call and I'll be there. <br>
+
+<br>
+
+If you need somebody to love, <br>
+
+Just look into my eyes, <br>
+
+I'll be there to make you feel right. <br>
+
+<br>
+
+If you're feeling sorry and sad, <br>
+
+I'd really sympathize. <br>
+
+Don't you be sad, just call me tonight. <br>
+
+<br>
+
+Any time at all, any time at all, <br>
+
+Any time at all, all you've gotta do is call and I'll be there. <br>
+
+<br>
+
+If the sun has faded away, <br>
+
+I'll try to make it shine, <br>
+
+There's nothing I won't do <br>
+
+When you need a shoulder to cry on <br>
+
+I hope it will be mine. <br>
+
+Call me tonight, and I'll come to you. <br>
+
+<br>
+
+Any time at all, any time at all, <br>
+
+Any time at all, all you've gotta do is call and I'll be there. <br>
+
+<br>
+
+Any time at all, any time at all, <br>
+
+Any time at all, all you've gotta do is call and I'll be there. <br>
+
+Any time at all, all you've gotta do is call and I'll be there. </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/araby.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/araby.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/araby.htm	(revision 18423)
@@ -0,0 +1,131 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:09 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The Sheik Of Araby</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Sheik Of Araby</font></strong><br>
+
+<br>
+
+<br>
+
+Well I'm the sheik of Araby,<br>
+
+your love belongs to me.<br>
+
+Well at night where you're asleep,<br>
+
+into your tent I'll creep.<br>
+
+The stars that shine above<br>
+
+will light our way to love.<br>
+
+You rule this world with me,<br>
+
+I'm the sheik of Araby.<br>
+
+<br>
+
+Well I'm the sheik of Araby,<br>
+
+your love belongs to me.<br>
+
+Oh at night where you're asleep,<br>
+
+into your tent I'll creep.<br>
+
+The sun that shines above<br>
+
+will light our way to love.<br>
+
+You rule this world with me,<br>
+
+I'm the sheik of Araby.<br>
+
+Well I'm the sheik of Araby,<br>
+
+well I'm the sheik of Araby, yeah.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ask_my_why.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ask_my_why.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ask_my_why.htm	(revision 18423)
@@ -0,0 +1,159 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 9:33 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Ask Me Why</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Ask Me Why</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I love you, 'cause you tell me things I want to know <br>
+
+And it's true that it really only goes to show <br>
+
+That I know <br>
+
+That, I, I, I, I should never, never, never be blue <br>
+
+<br>
+
+Now you're mine, my happiness still makes me cry <br>
+
+And in time, you'll understand the reason why <br>
+
+If I cry <br>
+
+It's not because I'm sad, but you're the only love that I've ever had <br>
+
+<br>
+
+I can't believe it's happened to me <br>
+
+I can't conceive of any more misery <br>
+
+<br>
+
+Ask me why, I'll say I love you <br>
+
+And I'm always thinking of you <br>
+
+<br>
+
+I love you, 'cause you tell me things I want to know <br>
+
+And it's true that it really only goes to show <br>
+
+That I know <br>
+
+That, I, I, I, I should never, never, never be blue <br>
+
+<br>
+
+Ask me why, I'll say I love you <br>
+
+And I'm always thinking of you <br>
+
+<br>
+
+I can't believe it's happened to me <br>
+
+I can't conceive of any more misery <br>
+
+<br>
+
+Ask me why, I'll say I love you <br>
+
+And I'm always thinking of you <br>
+
+You <br>
+
+You </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_black.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_black.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_black.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:07 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Baby's In Black</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Baby's In Black</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Oh dear, what can I do? <br>
+
+Baby's in black and I'm feeling blue, <br>
+
+Tell me, oh what can I do? <br>
+
+<br>
+
+She thinks of him and so she dresses in black, <br>
+
+And though he'll never come back, she's dresses in black. <br>
+
+Oh hear, what can I do? <br>
+
+Baby's in black and I'm feeling blue, <br>
+
+Tell me, oh what can I do? <br>
+
+<br>
+
+I think of her, but she thinks only of him, <br>
+
+And though it's only a whim, she thinks of him. <br>
+
+Oh how long will it take, <br>
+
+Till she sees the mistake she has made? <br>
+
+Dear what can I do? <br>
+
+Baby's in black and I'm feeling blue, <br>
+
+Tell me, oh what can I do? <br>
+
+<br>
+
+Oh how long it will take, <br>
+
+Till she sees the mistake she has made? <br>
+
+Dear what can I do? <br>
+
+Baby's in black and I'm feeling blue, <br>
+
+Tell me, oh what can I do? <br>
+
+<br>
+
+She thinks of him and so she dresses in black, <br>
+
+And though he'll never come back, she's dresses in black. <br>
+
+Oh dear, what can I do? <br>
+
+Baby's in black and I'm feeling blue, <br>
+
+Tell me, oh what can I do? </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_its_you.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_its_you.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_its_you.htm	(revision 18423)
@@ -0,0 +1,159 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:02 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Baby It's You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Baby It's You</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(David/Williams/Bacharach) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Sha la la la la la la la <br>
+
+Sha la la la la la la la <br>
+
+Sha la la la la la la la <br>
+
+Sha la la la la <br>
+
+<br>
+
+It's not the way you smile that touched my heart (sha la la la la) <br>
+
+It's not the way you kiss that tears me apart <br>
+
+<br>
+
+Uh, oh, many, many, many nights go by <br>
+
+I sit alone at home and I cry over you <br>
+
+What can I do <br>
+
+Can't help myself, 'cause baby, it's you <br>
+
+Baby, it's you <br>
+
+<br>
+
+You should hear what they say about you, &quot;cheat,&quot; &quot;cheat&quot; <br>
+
+They say, they say you never never never ever been true (cheat cheat) <br>
+
+<br>
+
+Uh oh <br>
+
+It doesn't matter what they say <br>
+
+I know I'm gonna love you any old way <br>
+
+What can I do, and it's true <br>
+
+Don't want nobody, nobody, 'cause baby, it's you (sha la la la la la la) <br>
+
+Baby, it's you (sha la la la la la la) <br>
+
+<br>
+
+Uh oh <br>
+
+It doesn't matter what they say <br>
+
+I know I'm gonna love you any old way <br>
+
+What can I do, when it's true <br>
+
+Don't want nobody, nobody, 'cause baby, it's you (sha la la la la la la) <br>
+
+Baby, it's you (sha la la la la la la) <br>
+
+Don't leave me all alone </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_your.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_your.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/baby_your.htm	(revision 18423)
@@ -0,0 +1,191 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:05 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Baby You're A Rich Man</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Baby, You're A Rich Man</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+How does it feel to be <br>
+
+One of the beautiful people? <br>
+
+Now that you know who you are <br>
+
+What do you want to be? <br>
+
+And have you traveled very far? <br>
+
+Far as the eye can see <br>
+
+<br>
+
+How does it feel to be <br>
+
+One of the beautiful people? <br>
+
+How often have you been there? <br>
+
+Often enough to know <br>
+
+What did you see, when you were there? <br>
+
+Nothing that doesn't show <br>
+
+<br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man too <br>
+
+You keep all your money in a big brown bag inside a zoo <br>
+
+What a thing to do <br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man too <br>
+
+<br>
+
+How does it feel to be <br>
+
+One of the beautiful people? <br>
+
+Tuned to A natural E <br>
+
+Happy to be that way <br>
+
+Now that you've found another key <br>
+
+What are you going to play? <br>
+
+<br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man too <br>
+
+You keep all your money in a big brown bag inside a zoo <br>
+
+What a thing to do. <br>
+
+<br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man too, Oh <br>
+
+<br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man too <br>
+
+<br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man <br>
+
+Baby you're a rich man too </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/back.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/back.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/back.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:09 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Back In The U.S.S.R.</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Back In The U.S.S.R.</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Flew in from Miami Beach BOAC <br>
+
+Didn't get to bed last night <br>
+
+On the way the paper bag was on my knee <br>
+
+Man I had a dreadful flight <br>
+
+I'm back in the U.S.S.R. <br>
+
+You don't know how lucky you are boy <br>
+
+Back in the U.S.S.R. <br>
+
+<br>
+
+Been away so long I hardly knew the place <br>
+
+Gee it's good to be back home <br>
+
+Leave it 'till tomorrow to unpack my case <br>
+
+Honey disconnect the phone <br>
+
+I'm back in the U.S.S.R. <br>
+
+You don't know how lucky you are boy <br>
+
+Back in the U.S.S.R. <br>
+
+<br>
+
+Well the Ukraine girls really knock me out <br>
+
+They leave the West behind <br>
+
+And Moscow girls make me sing and shout <br>
+
+That Georgia's always on my mind. <br>
+
+<br>
+
+I'm back in the U.S.S.R. <br>
+
+You don't know how lucky you are boys <br>
+
+Back in the U.S.S.R. <br>
+
+<br>
+
+Show me round your snow peaked mountains way down south <br>
+
+Take me to your daddy's farm <br>
+
+Let me hear your balalaika's ringing out <br>
+
+Come and keep your comrade warm. <br>
+
+I'm back in the U.S.S.R. <br>
+
+You don't know how lucky you are boys <br>
+
+Back in the U.S.S.R. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bad.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bad.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bad.htm	(revision 18423)
@@ -0,0 +1,147 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:13 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Bad Boy</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Bad Boy</font></strong><br>
+
+<br>
+
+<i>(Larry Williams) lead vocal: John Lennon</i><br>
+
+<br>
+
+A bad little kid moved in to my neighborhood<br>
+
+He won't do nothing right just sitting down and looks so good<br>
+
+He don't want to go to school and learn to read and write<br>
+
+Just sits around the house and plays that rock and roll music all night<br>
+
+Well, he put some tacks on teachers chair<br>
+
+Puts chewing gum in little girl's hair<br>
+
+Now, junior, behave yourself!<br>
+
+<br>
+
+Buy every rock and roll book on the magazine stand<br>
+
+Every dime that he get-ooh is lost to the jukebox man<br>
+
+Well he worries his teacher till at night she's a-ready to poop<br>
+
+From rockin' and a-rollin', spinnin' in a hula hoop!<br>
+
+Well this rock and roll has gotta stop<br>
+
+Junior's head is hard as rock<br>
+
+Now, junior, behave yourself! ow!<br>
+
+<br>
+
+(guitar solo)<br>
+
+<br>
+
+Gonna tell your mama, you better do what she said<br>
+
+Get to the barber shop and get that hair cut off your head<br>
+
+Threw the canary and you fed it to the neighbors cat<br>
+
+You gave the cocker spaniel a bath in mother's laundromat<br>
+
+Well, mama's head has got to stop<br>
+
+Junior's head is hard as rock<br>
+
+Now, junior, behave yourself!<br>
+
+Whoo!</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ballad.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ballad.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ballad.htm	(revision 18423)
@@ -0,0 +1,217 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:57 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The Ballad Of John And Yoko</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Ballad Of John And Yoko</font></strong><br>
+
+<br>
+
+<br>
+
+Standing in the dock at Southampton<br>
+
+trying to get to Holland or France<br>
+
+The man in the mac said<br>
+
+you've got to go back<br>
+
+You know they didn't even give us a chance<br>
+
+<br>
+
+Christ you know it ain't easy<br>
+
+You know how hard it can be<br>
+
+The way things are going<br>
+
+They're going to crucify me<br>
+
+<br>
+
+Finally made the plane into Paris<br>
+
+Honeymooning down by the Seine<br>
+
+Peter Brown call to say<br>
+
+you can make it O.K.<br>
+
+You can get married in Gibraltar near Spain<br>
+
+<br>
+
+Christ you know it ain't easy<br>
+
+You know how hard it can be<br>
+
+The way things are going<br>
+
+They're going to crucify me<br>
+
+<br>
+
+Drove from Paris to the Amsterdam Hilton<br>
+
+Talking in our beds for a week<br>
+
+The newspapers said<br>
+
+say what're you doing in bed<br>
+
+I said we're only trying to get us some peace<br>
+
+<br>
+
+Christ you know it ain't easy<br>
+
+You know how hard it can be<br>
+
+The way things are going<br>
+
+They're going to crucify me<br>
+
+<br>
+
+Saving up your money for a rainy day<br>
+
+giving all your clothes to charity<br>
+
+Last night the wife said<br>
+
+Oh boy when you're dead<br>
+
+you don't take nothing with you but your soul, think<br>
+
+<br>
+
+Made a lightning trip to Vienna<br>
+
+Eating chocolate cake in a bag<br>
+
+The newspapers said<br>
+
+she's gone to his head<br>
+
+They look just like to Gurus in drag<br>
+
+<br>
+
+Christ you know it ain't easy<br>
+
+You know how hard it can be<br>
+
+The way things are going<br>
+
+They're going to crucify me<br>
+
+<br>
+
+Caught the early plane back to London<br>
+
+Fifty acorns tied in a sack<br>
+
+The men from the press<br>
+
+said we wish you successs<br>
+
+It's good to have the both of you back<br>
+
+<br>
+
+Christ you know it ain't easy<br>
+
+You know how hard it can be<br>
+
+The way things are going<br>
+
+They're going to crucify me<br>
+
+The way things are going<br>
+
+They're going to crucify me</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/be_long.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/be_long.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/be_long.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:28 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>It Won't Be Long</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">It Won't Be Long</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+It won't be long yeah, yeah, yeah <br>
+
+It won't be long yeah, yeah, yeah <br>
+
+It won't be long yeah, 'till I belong to you <br>
+
+<br>
+
+Every night when everybody has fun <br>
+
+Here am I sitting all on my own <br>
+
+<br>
+
+It won't be long yeah, yeah, yeah <br>
+
+It won't be long yeah, yeah, yeah <br>
+
+It won't be long yeah, 'till I belong to you <br>
+
+<br>
+
+Since you left me, I'm so alone <br>
+
+Now you're coming, you're coming on home <br>
+
+I'll be good like I know I should <br>
+
+You're coming home, you're coming home <br>
+
+<br>
+
+Every night the tears come down from my eyes <br>
+
+Everyday I've done nothing but cry <br>
+
+<br>
+
+It won't be long yeah, yeah, yeah <br>
+
+It won't be long yeah, yeah, yeah <br>
+
+It won't be long yeah, 'till I belong to you <br>
+
+<br>
+
+Since you left me, I'm so alone <br>
+
+Now you're coming, you're coming on home <br>
+
+I'll be good like I know I should <br>
+
+You're coming home, you're coming home <br>
+
+<br>
+
+So everyday we'll be happy I know <br>
+
+Now I know that you won't leave me no more <br>
+
+<br>
+
+It won't be long yeah, yeah, yeah <br>
+
+It won't be long yeah, yeah, yeah <br>
+
+It won't be long yeah, 'till I belong to you, woo </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/because.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/because.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/because.htm	(revision 18423)
@@ -0,0 +1,125 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:19 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Because</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Because</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon, McCartney, and Harrison</i><br>
+
+<br>
+
+<br>
+
+Aaaaaaaahhhhhh <br>
+
+Because the world is round it turns me on <br>
+
+Because the world is round....aaaaaaaahhhhhh <br>
+
+<br>
+
+Because the wind is high it blows my mind <br>
+
+Because the wind is high.....aaaaaaaahhhhhh <br>
+
+<br>
+
+Love is old, love is new <br>
+
+Love is old, love is you <br>
+
+<br>
+
+Because the sky is blue, it makes me cry <br>
+
+Because the sky is blue....aaaaaaaahhhhhh <br>
+
+<br>
+
+Aaaaaaaahhhhhh.... </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/being.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/being.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/being.htm	(revision 18423)
@@ -0,0 +1,145 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:22 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Being For The Benefit Of Mr. Kite</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Being For The Benefit Of Mr. Kite!</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+For the benefit of Mr. Kite <br>
+
+There will be a show tonight on trampoline <br>
+
+The Hendersons will all be there <br>
+
+Late of Pablo Fanques Fair-what a scene <br>
+
+Over men and horses hoops and garters <br>
+
+Lastly through a hogs head of real fire! <br>
+
+In the way Mr. K. will challenge the world! <br>
+
+<br>
+
+The celebrated Mr. K. <br>
+
+Performs his feat on Saturday at Bishopsgate <br>
+
+The Hendersons will dance and sing <br>
+
+As Mr. Kite flies through the ring don't be late <br>
+
+Messrs. K and H. assure the public <br>
+
+Their production will be second to none <br>
+
+And of course Henry The Horse dances the waltz! <br>
+
+<br>
+
+The band begins at ten to six <br>
+
+When Mr. K. performs his tricks without a sound <br>
+
+And Mr. H. will demonstrate <br>
+
+Ten summersets he'll undertake on solid ground <br>
+
+Having been some days in preparation <br>
+
+A splendid time is guaranteed for all <br>
+
+And tonight Mr. Kite is topping the bill. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bepop.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bepop.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bepop.htm	(revision 18423)
@@ -0,0 +1,173 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:15 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Be-Bop-A-Lula</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Be-Bop-A-Lula</font></strong><br>
+
+<i>(Gene Vincent/Sheriff Tex Davis)</i><br>
+
+<br>
+
+Well<br>
+
+Be-Bop-A-Lula She's My Baby<br>
+
+Be-Bop-A-Lula Don't Mean Maybe<br>
+
+Be-Bop-A-Lula She's My Baby<br>
+
+Be-Bop-A-Lula Don't Mean Maybe<br>
+
+Be-Bop-A-Lula She's...<br>
+
+My Baby Doll, My Baby Doll, My Baby Doll.<br>
+
+<br>
+
+Well<br>
+
+She's The One In The Red Blue Jeans<br>
+
+She's The Queen Of All The Team<br>
+
+She's The Woman Walkin' That I Know<br>
+
+She's The Woman That Loves Me So<br>
+
+<br>
+
+Be-Bop-A-Lula She's My Baby<br>
+
+Be-Bop-A-Lula Don't Mean Maybe<br>
+
+Be-Bop-A-Lula She's My Baby<br>
+
+Be-Bop-A-Lula Don't Mean Maybe<br>
+
+Be-Bop-A-Lula She's...<br>
+
+My Baby Doll, My Baby Doll, My Baby Doll.<br>
+
+<br>
+
+Well<br>
+
+She's The Woman who's Got That Beat<br>
+
+She's The Woman With The Flying Feet<br>
+
+She's The Woman Walk Around The Store<br>
+
+She's The woman Gives Me More More More<br>
+
+<br>
+
+Be-Bop-A-Lula She's My Baby<br>
+
+Be-Bop-A-Lula Don't Mean Maybe<br>
+
+Be-Bop-A-Lula She's My Baby<br>
+
+Be-Bop-A-Lula Don't Mean Maybe<br>
+
+Be-Bop-A-Lula She's...<br>
+
+My Baby Doll, My Baby Doll, My Baby Doll.<br>
+
+<br>
+
+Be-Bop-A-Lula She's My Baby<br>
+
+Be-Bop-A-Lula Don't Mean Maybe<br>
+
+Be-Bop-A-Lula She's My Baby<br>
+
+Be-Bop-A-Lula Don't Mean Maybe<br>
+
+Be-Bop-A-Lula She's...<br>
+
+My Baby Doll, My Baby Doll, My Baby Doll.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/besamo.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/besamo.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/besamo.htm	(revision 18423)
@@ -0,0 +1,181 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:25 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Besamo Mucho</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Besame Mucho</font></strong><br>
+
+<br>
+
+Besame besame mucho,<br>
+
+each time I bring you a kiss<br>
+
+I hear music divine.<br>
+
+So besame besame mucho,<br>
+
+Yeh I love you for ever<br>
+
+say that you'll always be mine.<br>
+
+<br>
+
+Dearest one, if you should leave me<br>
+
+then each little dream will take wings<br>
+
+and my life would be through.<br>
+
+So besame besame mucho,<br>
+
+yeh I love you for ever,<br>
+
+make all my dreams come true.<br>
+
+<br>
+
+Oh this joy is something new,<br>
+
+my arms are holding you,<br>
+
+I never knew this thrill before.<br>
+
+Who ever thought I'd be<br>
+
+holding you close to me<br>
+
+whispering it's you I adore.<br>
+
+<br>
+
+So dearest one, if you should leave me<br>
+
+then each little dream will take wings<br>
+
+and my life would be through.<br>
+
+So besame besame mucho,<br>
+
+yeah I love you for ever,<br>
+
+make all my dreams come true.<br>
+
+<br>
+
+Oh this joy is something new,<br>
+
+my arms are holding you,<br>
+
+I never knew this thrill before.<br>
+
+Who ever thought I'd be<br>
+
+holding you close to me<br>
+
+whispering it's you I adore.<br>
+
+<br>
+
+So dearest one, if you should leave me,<br>
+
+each little dream will take wings<br>
+
+and my life would be through.<br>
+
+So besame besame mucho,<br>
+
+yeh love me for ever,<br>
+
+make all my dreams come true.<br>
+
+love me for ever,<br>
+
+make all my dreams come true.<br>
+
+love me for ever,<br>
+
+make all my dreams come true.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/birthday.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/birthday.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/birthday.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:27 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Birthday</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Birthday</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+You say it's your birthday <br>
+
+It's my birthday too--yeah <br>
+
+They say it's your birthday <br>
+
+We're gonna have a good time <br>
+
+I'm glad it's your birthday <br>
+
+Happy birthday to you. <br>
+
+<br>
+
+Yes we're going to a party party <br>
+
+Yes we're going to a party party <br>
+
+Yes we're going to a party party. <br>
+
+<br>
+
+I would like you t dance--Birthday <br>
+
+Take a cha-cha-cha-chance-Birthday <br>
+
+I would like you to dance--Birthday <br>
+
+Dance <br>
+
+<br>
+
+I would like you to dance--Birthday <br>
+
+Take a cha-cha-cha-chance-Birthday <br>
+
+I would like you to dance--Birthday <br>
+
+Dance <br>
+
+<br>
+
+You say it's your birthday <br>
+
+Well it's my birthday too--yeah <br>
+
+You say it's your birthday <br>
+
+We're gonna have a good time <br>
+
+I'm glad it's your birthday <br>
+
+Happy birthday to you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/blackbird.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/blackbird.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/blackbird.htm	(revision 18423)
@@ -0,0 +1,145 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:28 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Blackbird</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Blackbird</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Blackbird singing in the dead of night <br>
+
+Take these broken wings and learn to fly <br>
+
+All you life <br>
+
+You were only waiting for this moment to arise. <br>
+
+<br>
+
+Blackbird singing in the dead of night <br>
+
+Take these sunken eyes and learn to see <br>
+
+All your life <br>
+
+You were only waiting for this moment to be free. <br>
+
+<br>
+
+Blackbird fly...Blackbird fly <br>
+
+Into the light of the dark black night. <br>
+
+<br>
+
+Blackbird fly...Blackbird fly <br>
+
+Into the light of the dark black night. <br>
+
+<br>
+
+Blackbird singing in the dead of night <br>
+
+Take these broken wings and learn to fly <br>
+
+All your life <br>
+
+You were only waiting for this moment to arise <br>
+
+You were only waiting for this moment to arise <br>
+
+You were only waiting for this moment to arise. </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bluejay.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bluejay.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bluejay.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:31 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Blue Jay Way</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Blue Jay Way</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+There's a fog upon L.A. <br>
+
+And my friends have lost their way <br>
+
+We'll be over soon they said <br>
+
+Now they've lost themselves instead <br>
+
+<br>
+
+Please don't be long, please don't you be very long <br>
+
+Please don't be long or I may be asleep <br>
+
+<br>
+
+Well it only goes to show <br>
+
+And I told them where to go <br>
+
+Ask a policeman on the street <br>
+
+There's so many there to meet <br>
+
+<br>
+
+Please don't be long, please don't you be very long <br>
+
+Please don't be long or I may be asleep <br>
+
+<br>
+
+Now it's past my bed I know <br>
+
+And I'd really like to go <br>
+
+Soon will be the break of day <br>
+
+Sitting here in Blue Jay Way <br>
+
+<br>
+
+Please don't be long, please don't you be very long <br>
+
+Please don't be long or I may be asleep <br>
+
+<br>
+
+Please don't be long, please don't you be very long <br>
+
+Please don't be long <br>
+
+Please don't be long, please don't you be very long <br>
+
+Please don't be long <br>
+
+Please don't be long please don't you be very long <br>
+
+Please don't be long <br>
+
+<br>
+
+Don't be long-don't be long-don't be long-don't be long <br>
+
+Don't be long-don't be long-don't be long </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/blues.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/blues.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/blues.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:10 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Yer Blues</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Yer Blues</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Yes I'm lonely wanna die <br>
+
+Yes I'm lonely wanna die <br>
+
+If I ain't dead already <br>
+
+Ooh girl you know the reason why. <br>
+
+<br>
+
+In the morning wanna die <br>
+
+In the evening wanna die <br>
+
+If I ain't dead already <br>
+
+Ooh girl you know the reason why. <br>
+
+<br>
+
+My mother was of the sky <br>
+
+My father was of the earth <br>
+
+But I am of the universe <br>
+
+And you know what it's worth <br>
+
+I'm lonely wanna die <br>
+
+If I ain't dead already <br>
+
+Ooh girl you know the reason why. <br>
+
+<br>
+
+The eagle picks my eye <br>
+
+The worm he licks my bone <br>
+
+I feel so suicidal <br>
+
+Just like Dylan's Mr. Jones <br>
+
+Lonely wanna die <br>
+
+If I ain't dead already <br>
+
+Ooh girl you know the reason why. <br>
+
+<br>
+
+Black cloud crossed my mind <br>
+
+Blue mist round my soul <br>
+
+Feel so suicidal <br>
+
+Even hate my rock and roll <br>
+
+Wanna die yeah wanna die <br>
+
+If I ain't dead already <br>
+
+Ooh girl you know the reason why. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bonnie.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bonnie.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bonnie.htm	(revision 18423)
@@ -0,0 +1,145 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 11:08 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>My Bonnie</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<dl>
+
+  <dt><strong><font SIZE="6">My Bonnie</font></strong></dt>
+
+  <dt><em>By Charles Pratt<O:P> </em></dt>
+
+</dl>
+
+
+
+<p>My Bonnie lies over the ocean,<br>
+
+my Bonnie lies over the sea.<br>
+
+My Bonnie lies over the ocean.<br>
+
+Oh bring back my Bonnie to me.<br>
+
+<br>
+
+My Bonnie lies over the ocean,<br>
+
+my Bonnie lies over the sea.<br>
+
+Well my Bonnie lies over the ocean.<br>
+
+Yeah bring back my Bonnie to me.<br>
+
+<br>
+
+Yeah bring back, ah bring back,<br>
+
+oh bring back my Bonnie to me to me.<br>
+
+Oh bring back, oh bring back,<br>
+
+oh bring back my Bonnie to me.<br>
+
+<br>
+
+Well my Bonnie lies over the ocean,<br>
+
+my Bonnie lies over the sea.<br>
+
+Yeah my Bonnie lies over the ocean.<br>
+
+Oh I said bring back my Bonnie to me.<br>
+
+<br>
+
+Yeah bring back, ah bring back,<br>
+
+oh bring back my Bonnie to me to me.<br>
+
+Oh bring back, ah bring back,<br>
+
+oh bring back my Bonnie to me. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" i-checksum="5922" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/boy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/boy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/boy.htm	(revision 18423)
@@ -0,0 +1,133 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:16 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>This Boy</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">This Boy</font></strong><br>
+
+<br>
+
+<br>
+
+That boy took my love away<br>
+
+Oh, he'll regret it some day<br>
+
+But this boy wants you back again<br>
+
+<br>
+
+That boy isn't good for you<br>
+
+Though he may want you too<br>
+
+This boy wants you back again<br>
+
+<br>
+
+Oh, and this boy would be happy<br>
+
+Just to love you, but oh, my, oh<br>
+
+That boy won't be happy<br>
+
+till he's seen you cry<br>
+
+<br>
+
+This boy wouldn't mind the pain<br>
+
+Would always feel the same<br>
+
+If this boy gets you back again<br>
+
+<br>
+
+This boy, this boy...</p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/boys.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/boys.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/boys.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 12:33 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Boys</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="5">Boys</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>Dixon/Farrel) Lead Vocal: Starr</i><br>
+
+<br>
+
+I been told when a boy kiss a girl <br>
+
+Take a trip around the world <br>
+
+Hey, hey (bop shuop, m'bop bop shuop) <br>
+
+Hey, hey (bop shuop, m'bop bop shuop) <br>
+
+Hey, hey (bop shuop) yeah, she say ya do (Bop shuop) <br>
+
+<br>
+
+My girl says when I kiss her lips <br>
+
+Gets a thrill through her fingertips <br>
+
+Hey, hey, (bop shuop, m'bop bop shuop) <br>
+
+Hey, hey, (bop shuop, m'bop bop shuop) <br>
+
+Hey, hey, (bop shuop) yeah, she say ya do (Bop shuop) <br>
+
+<br>
+
+Well, I talk about boys <br>
+
+Don't ya know I mean boys <br>
+
+Well, I talk about boys, now <br>
+
+Aaahhh, boys <br>
+
+Well, I talk about boys, now <br>
+
+What a bundle of joy! (Alright, George!) <br>
+
+<br>
+
+My girl says when I kiss her lips <br>
+
+Gets a thrill through her fingertips <br>
+
+Hey, hey, (bop shuop, m'bop bop shuop) <br>
+
+Hey, hey, (bop shuop, m'bop bop shuop) <br>
+
+Hey, hey, (bop shuop) yeah, she say ya do (Bop shuop) <br>
+
+<br>
+
+Well, I talk about boys <br>
+
+Don't ya know I mean boys <br>
+
+Well, I talk about boys, now <br>
+
+Aaahhh <br>
+
+Well, I talk about boys, now <br>
+
+What a bundle of joy! <br>
+
+<br>
+
+Aaahhh boys <br>
+
+Don't you know I mean boys <br>
+
+Boys <br>
+
+Aaahhh </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bull.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bull.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/bull.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:24 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Hey Bulldog</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Hey Bulldog</font></strong><br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Sheepdog <br>
+
+Standing in the rain <br>
+
+Bullfrog <br>
+
+Doing it again <br>
+
+Some kind of happiness is measured out in miles <br>
+
+What makes you think you're something special when you smile <br>
+
+<br>
+
+Child-like <br>
+
+No one understands <br>
+
+Jack knife <br>
+
+In your sweaty hands <br>
+
+Some kind of innocence is measured out in years <br>
+
+You don't know what it's like to listen to your fears <br>
+
+<br>
+
+You can talk to me <br>
+
+You can talk to me <br>
+
+You can talk to me, if you're lonely you can talk to me <br>
+
+<br>
+
+Big man <br>
+
+Walking in the park <br>
+
+Whigwam <br>
+
+Frightened of the dark <br>
+
+Some kind of solitude is measured out in you <br>
+
+You think you know me but you haven't got a clue <br>
+
+<br>
+
+You can talk to me <br>
+
+You can talk to me <br>
+
+You can talk to me, if you're lonely you can talk to me <br>
+
+<br>
+
+Hey bulldog! Hey bulldog! <br>
+
+Hey bulldog! Hey bulldog! <br>
+
+<br>
+
+Hey bulldog! </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/came.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/came.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/came.htm	(revision 18423)
@@ -0,0 +1,149 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:17 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>She Came In Through The Bathroom Window</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">She Came In Through The Bathroom Window</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+She came in through the bathroom window <br>
+
+Protected by a silver spoon <br>
+
+But now she sucks her thumb and wanders <br>
+
+By the banks of her own lagoon <br>
+
+<br>
+
+Didn't anybody tell her? <br>
+
+Didn't anybody see? <br>
+
+Sunday's on the phone to Monday <br>
+
+Tuesday's on the phone to me <br>
+
+<br>
+
+She said she'd always been a dancer <br>
+
+She worked at 15 clubs a day <br>
+
+And though she thought I knew the answer <br>
+
+Well I knew what I could not say <br>
+
+<br>
+
+And so I quit the police department <br>
+
+And got myself a steady job <br>
+
+And though she tried her best to help me <br>
+
+She could steal but she could not rob <br>
+
+<br>
+
+Didn't anybody tell her? <br>
+
+Didn't anybody see? <br>
+
+Sunday's on the phone to Monday <br>
+
+Tuesday's on the phone to me <br>
+
+Oh yeah </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/can.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/can.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/can.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:44 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>We Can Work It Out</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">We Can Work It Out</font></strong><br>
+
+<br>
+
+<br>
+
+Try to see it my way<br>
+
+Do I have to keep on talking till I can't go on<br>
+
+While you see it your way<br>
+
+Run the risk of knowing that or love may soon be gone<br>
+
+We can work it out<br>
+
+We can work it out<br>
+
+<br>
+
+Think of what you're saying<br>
+
+You can get it wrong and still you think that it's all right<br>
+
+Think of what I'm saying<br>
+
+We can work it out and get it straight or say good night<br>
+
+We can work it out<br>
+
+We can work it out<br>
+
+<br>
+
+Life is very short and there's no time<br>
+
+for fussing and fighting, my friend<br>
+
+I have always thought that it's a crime<br>
+
+So I will ask you once again<br>
+
+<br>
+
+Try to see it my way<br>
+
+Only time will tell of I am right or I am wrong<br>
+
+While you see it your<br>
+
+There's a chance we might fall apart before too long<br>
+
+We can work it out<br>
+
+We can work it out<br>
+
+<br>
+
+Life is very short and there's no time<br>
+
+for fussing and fighting, my friend<br>
+
+I have always thought that it's a crime<br>
+
+So I will ask you once again<br>
+
+<br>
+
+Think of what you're saying<br>
+
+You can get it wrong and still you think that it's all right<br>
+
+Think of what I'm saying<br>
+
+We can work it out and get it straight or say good night<br>
+
+We can work it out<br>
+
+We can work it out</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cantbuy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cantbuy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cantbuy.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:27 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Can't Buy Me Love</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Can't Buy Me Love</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Can't buy me love, love <br>
+
+Can't buy me love <br>
+
+<br>
+
+I'll buy you a diamond ring my friend if it makes you feel alright <br>
+
+I'll get you anything my friend if it makes you feel alright <br>
+
+'cause I don't care too much for money, and money can't buy me love <br>
+
+<br>
+
+I'll give you all I got to give if you say you'll love me too <br>
+
+I may not have a lot to give but what I got I'll give to you <br>
+
+I don't care too much for money, money can't buy me love <br>
+
+<br>
+
+Can't buy me love, everybody tells me so <br>
+
+Can't buy me love, no, no, no, no <br>
+
+<br>
+
+Say you don't need no diamond ring and I'll be satisfied <br>
+
+Tell me that you want the kind of thing that money just can't buy <br>
+
+I don't care too much for money, money can't buy me love <br>
+
+Owww! <br>
+
+<br>
+
+Can't buy me love, everybody tells me so <br>
+
+Can't buy me love, no, no, no, no <br>
+
+<br>
+
+Say you don't need no diamond ring and I'll be satisfied <br>
+
+Tell me that you want the kind of thing that money just can't buy <br>
+
+I don't care too much for money, money can't buy me love <br>
+
+Can't buy me love, love <br>
+
+Can't buy me love </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/carry.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/carry.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/carry.htm	(revision 18423)
@@ -0,0 +1,125 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:29 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Carry That Weight</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Carry That Weight</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Boy, you're going to carry that weight <br>
+
+Carry that weight a long time <br>
+
+Boy, you're going to carry that weight <br>
+
+Carry that weight a long time <br>
+
+<br>
+
+I never give you my pillow <br>
+
+I only send you my invitations <br>
+
+And in the middle of the celebrations <br>
+
+I break down <br>
+
+<br>
+
+Boy, you're going to carry that weight <br>
+
+Carry that weight a long time <br>
+
+Boy, you're going to carry that weight <br>
+
+Carry that weight a long time </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cats.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cats.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cats.htm	(revision 18423)
@@ -0,0 +1,199 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:18 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Three Cool Cats</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Three Cool Cats</font></strong><br>
+
+<br>
+
+<br>
+
+Three cool cats,<br>
+
+three cool cats.<br>
+
+are coming up in a beat up car,<br>
+
+spitting up a lift of candy bar<br>
+
+talking on about how sharp they are.<br>
+
+Three cool cats.<br>
+
+<br>
+
+Three cool chicks<br>
+
+are walking down the street<br>
+
+swinging their hips,<br>
+
+splitting up a bag of potatoe chips<br>
+
+I think cool cats really did flip.<br>
+
+Three cool chicks<br>
+
+<br>
+
+Three cool chicks.<br>
+
+Well up came that first cool cat,<br>
+
+he said: man look at that.<br>
+
+Man, do you see what I see?<br>
+
+Well I want that middle chick<br>
+
+I want that little chick.<br>
+
+Hey man save once chick for me.<br>
+
+<br>
+
+Three cool chicks.<br>
+
+Three cool chicks.<br>
+
+<br>
+
+Well they love like<br>
+
+angels from up above<br>
+
+and three cool cats<br>
+
+really fell in love.<br>
+
+And three cool chicks<br>
+
+made three fools out of<br>
+
+three cool cats.<br>
+
+Three cool cats.<br>
+
+<br>
+
+Well up came that first cool cat,<br>
+
+he said: man look at that.<br>
+
+man do you see what I see.<br>
+
+Well I want that middle chick,<br>
+
+I want that little chick,<br>
+
+Hey man, save one chick for me.<br>
+
+<br>
+
+Three cool chicks.<br>
+
+Three cool chicks.<br>
+
+Well they look like<br>
+
+angels up above<br>
+
+and three cool cats<br>
+
+really fell in love.<br>
+
+And three cool chicks<br>
+
+made three fools out of<br>
+
+three cool cats.<br>
+
+Three cool cats.<br>
+
+Three cool cats.<br>
+
+Three cool cats.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/chains.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/chains.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/chains.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:35 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Chains</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Chains</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Goffin/King) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Chains, my baby's got me locked up in chains <br>
+
+And the ain't the kind that you can see <br>
+
+Whoa, oh, these chains of love got a hold on me, yeah <br>
+
+<br>
+
+Chains, well I can't break away from these chains <br>
+
+Can't run around, 'cause I'm not free <br>
+
+Whoa, oh, these chains of love won't let me be, yeah <br>
+
+<br>
+
+I wanna tell you, pretty baby <br>
+
+I think you're fine <br>
+
+I'd like to love you <br>
+
+But, darlin', I'm imprisoned by these <br>
+
+<br>
+
+Chains, my baby's got me locked up in chains <br>
+
+And the ain't the kind that you can see <br>
+
+Oh, oh, these chains of love got a hold on me, yeah <br>
+
+<br>
+
+Please believe me when I tell you <br>
+
+Your lips are sweet <br>
+
+I'd like to kiss them <br>
+
+But I can't break away from all of these <br>
+
+<br>
+
+Chains, my baby's got me locked up in chains <br>
+
+And they ain't the kind that you can see <br>
+
+Whoa, oh, these chains of love got a hold on me, yeah <br>
+
+<br>
+
+Chains, chains of love <br>
+
+Chains of love <br>
+
+Chains of love </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/child.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/child.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/child.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:37 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Little Child</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Little Child</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Little child, little child, <br>
+
+Little child, won't you dance with me? <br>
+
+I'm so sad and lonely <br>
+
+Baby take a chance with me. <br>
+
+<br>
+
+Little child, little child, <br>
+
+Little child, won't you dance with me? <br>
+
+I'm so sad and lonely, <br>
+
+Baby take a chance with me. <br>
+
+<br>
+
+If you want someone <br>
+
+To make you feel so fine, <br>
+
+Then we'll have some fun <br>
+
+When you're mine, all mine, <br>
+
+So come, come on, come on. <br>
+
+<br>
+
+Little child, little child, <br>
+
+Little child, won't you dance with me? <br>
+
+I'm so sad and lonely <br>
+
+Baby take a chance with me. <br>
+
+<br>
+
+When you're by my side, <br>
+
+You're the only one, <br>
+
+Don't you run and hide, <br>
+
+Just come on, come on, <br>
+
+So come on, come on, come on. <br>
+
+<br>
+
+Little child, little child, <br>
+
+Little child, won't you dance with me? <br>
+
+I'm so sad and lonely, <br>
+
+Baby take a chance with me. <br>
+
+Baby take a chance with me. <br>
+
+Baby take a chance with me. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/come.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/come.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/come.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:31 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Come Together</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Come Together</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Here come old flattop he come grooving up slowly <br>
+
+He got joo-joo eyeball he one holy roller <br>
+
+He got hair down to his knee <br>
+
+Got to be a joker he just do what the please <br>
+
+<br>
+
+He wear no shoeshine he got toe-jam football <br>
+
+He got monkey finger he shoot coca-cola <br>
+
+He say &quot;I know you, you know me&quot; <br>
+
+One thing I can tell you is you got to be free <br>
+
+Come together right now over me <br>
+
+<br>
+
+He bag production he got walrus gumboot <br>
+
+He got Ono sideboard he one spinal cracker <br>
+
+He got feet down below his knee <br>
+
+Hold you in his armchair you can feel his disease <br>
+
+Come together right now over me <br>
+
+<br>
+
+He roller-coaster he got early warning <br>
+
+He got muddy water he one mojo filter <br>
+
+He say &quot;One and one and one is three&quot; <br>
+
+Got to be good-looking 'cause he's so hard to see <br>
+
+Come together right now over me <br>
+
+<br>
+
+Come together yeah. Come together yeah. <br>
+
+Come together yeah. Come together yeah. <br>
+
+Come together yeah. Come together yeah. <br>
+
+Come together yeah. Come together yeah. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cry.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cry.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cry.htm	(revision 18423)
@@ -0,0 +1,217 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:33 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Cry Baby Cry</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Cry Baby Cry</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Cry baby cry <br>
+
+Make your mother sigh <br>
+
+She's old enough to know better. <br>
+
+<br>
+
+The king of Marigold was in the kitchen <br>
+
+Cooking breakfast for the queen <br>
+
+The queen was in the parlor <br>
+
+Playing piano for the children of the king. <br>
+
+<br>
+
+Cry baby cry <br>
+
+Make your mother sigh <br>
+
+She's old enough to know better <br>
+
+So cry baby cry. <br>
+
+<br>
+
+The king was in the garden <br>
+
+Picking flowers for a friend who came to play <br>
+
+The queen was in the playroom <br>
+
+Painting pictures for the children's holiday. <br>
+
+<br>
+
+Cry baby cry <br>
+
+Make your mother sigh <br>
+
+She's old enough to know better <br>
+
+So cry baby cry. <br>
+
+<br>
+
+The dutchess of Kircaldy always smiling <br>
+
+And arriving late for tea <br>
+
+The duke was having problems <br>
+
+With a message at the local bird and bee. <br>
+
+<br>
+
+Cry baby cry <br>
+
+Make your mother sigh <br>
+
+She's old enough to know better <br>
+
+So cry baby cry. <br>
+
+<br>
+
+At twelve o'clock a meeting round the table <br>
+
+For a seance in the dark <br>
+
+With voices out of nowhere <br>
+
+Put on specially by the children for a lark. <br>
+
+<br>
+
+Cry baby cry <br>
+
+Make you mother sigh <br>
+
+She's old enough to know better <br>
+
+So cry baby cry, cry, cry, cry baby <br>
+
+Make your mother sigh. <br>
+
+<br>
+
+She's old enough to know better <br>
+
+Cry baby cry <br>
+
+Cry, cry, cry <br>
+
+Make your mother sigh <br>
+
+She's old enough to know better <br>
+
+So cry baby cry. <br>
+
+<br>
+
+[Can you take me back where I came from <br>
+
+Can you take me back <br>
+
+Can you take me back where I came from <br>
+
+Brother can you take me back <br>
+
+Can you take me back? <br>
+
+<br>
+
+Mm can you take me back where I came from <br>
+
+Can you take me back?</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cryforashadow.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cryforashadow.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cryforashadow.htm	(revision 18423)
@@ -0,0 +1,131 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Cry For A Shadow</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<p><font size="7"><strong>Cry For A Shadow</strong></font></p>
+
+
+
+<p>instrumental</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="34003" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/darling.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/darling.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/darling.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:04 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Oh! Darling</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Oh! Darling</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Oh! Darling, please believe me <br>
+
+I'll never do you no harm <br>
+
+Believe me when I tell you <br>
+
+I'll never do you no harm <br>
+
+<br>
+
+Oh! Darling, if you leave me <br>
+
+I'll never make it alone <br>
+
+Believe me when I beg you, ooo <br>
+
+Don't ever leave me alone <br>
+
+<br>
+
+When you told me <br>
+
+You didn't need me anymore <br>
+
+Well you know I nearly broke down and cried <br>
+
+When you told me <br>
+
+You didn't need me anymore <br>
+
+Well you know I nearly broke down and died <br>
+
+<br>
+
+Oh! Darling if you leave me <br>
+
+I'll never make it alone <br>
+
+Believe me when I tell you <br>
+
+I'll never do you no harm <br>
+
+Believe me darling <br>
+
+<br>
+
+When you told me, ooo <br>
+
+You didn't need me anymore <br>
+
+Well you know I nearly broke down and cried <br>
+
+When you told me <br>
+
+you didn't need me anymore <br>
+
+Well you know I nearly broke down and died <br>
+
+<br>
+
+Oh! Darling, please believe me <br>
+
+I'll never let you down <br>
+
+Oh, believe me darling <br>
+
+Believe me when I tell you, ooo <br>
+
+I'll never do you no harm </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/day.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/day.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/day.htm	(revision 18423)
@@ -0,0 +1,149 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:35 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Day Tripper</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Day Tripper</font></strong><br>
+
+<br>
+
+Got a good reason<br>
+
+for taking the easy way out<br>
+
+Got a good reason<br>
+
+for taking the easy way out now<br>
+
+She was a day tripper<br>
+
+One way ticket, yeah<br>
+
+It took me so long to find out<br>
+
+and I found out<br>
+
+<br>
+
+She's a big teaser<br>
+
+She took me half the way there<br>
+
+She's a big teaser<br>
+
+She took me half the way there, now<br>
+
+She was a day tripper<br>
+
+One way ticket, yeah<br>
+
+It took me so long to find out<br>
+
+and I found out<br>
+
+Ah, ah, ah, ah, ah, ah<br>
+
+<br>
+
+Tried to please her<br>
+
+She only played one night stand<br>
+
+Tried to please her<br>
+
+She only played one night stand, now<br>
+
+She was a day tripper<br>
+
+One way ticket, yeah<br>
+
+It took me so long to find out<br>
+
+and I found out<br>
+
+<br>
+
+Day tripper, day tripper, yeah</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dear.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dear.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dear.htm	(revision 18423)
@@ -0,0 +1,139 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:37 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Dear Prudence</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Dear Prudence</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Dear Prudence, won't you come out to play <br>
+
+Dear Prudence, greet the brand new day <br>
+
+The sun is up, the sky is blue <br>
+
+It's beautiful and so are you <br>
+
+Dear Prudence won't you come out and play <br>
+
+<br>
+
+Dear Prudence open up your eyes <br>
+
+Dear Prudence see the sunny skies <br>
+
+The wind is low the birds will sing <br>
+
+that you are part of everything <br>
+
+Dear Prudence won't you open up your eyes? <br>
+
+<br>
+
+Look around round <br>
+
+Look around round round <br>
+
+Look around <br>
+
+<br>
+
+Dear Prudence let me see you smile <br>
+
+Dear Prudence like a little child <br>
+
+The clouds will be a daisy chain <br>
+
+So let me see you smile again <br>
+
+Dear Prudence won't you let me see you smile? </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/devil.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/devil.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/devil.htm	(revision 18423)
@@ -0,0 +1,183 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:38 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Devil In Her Heart</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Devil In Her Heart</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Drapkin) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+She's got the devil in her heart <br>
+
+But her eyes they tantalize <br>
+
+She's gonna tear your heart apart <br>
+
+oh her lips they really thrill me <br>
+
+<br>
+
+I'll take my chances <br>
+
+for romance is <br>
+
+So important to me <br>
+
+She'll never hurt me <br>
+
+she won't desert me <br>
+
+she's an angel sent to me <br>
+
+<br>
+
+She's got the devil in her heart <br>
+
+no, no, this I can't believe <br>
+
+She's gonna tear you heart apart <br>
+
+no, no nay will she deceive <br>
+
+<br>
+
+I can't believe that she'll ever ever go <br>
+
+Not when she hugs and says she loves me so <br>
+
+She'll never hurt me <br>
+
+she won't desert me <br>
+
+listen can't you see <br>
+
+<br>
+
+She's got the devil in her heart <br>
+
+oh, no, no, no, this I can't believe <br>
+
+She's gonna tear your heart apart <br>
+
+no no nay will she deceive <br>
+
+<br>
+
+Don't take chances if your romance is <br>
+
+So important to you <br>
+
+She'll never hurt me <br>
+
+She won't desert me <br>
+
+she's an angel sent to me <br>
+
+<br>
+
+She's got the devil in her heart <br>
+
+oh, no, no, no, no this I can't believe <br>
+
+She's gonna tear your heart apart <br>
+
+no, no nay will she deceive <br>
+
+<br>
+
+She's got the devil in her heart <br>
+
+No she's an angel sent to me <br>
+
+She's got the devil in her heart <br>
+
+No she's an angel sent to me </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dig.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dig.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dig.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:40 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Dig A Pony</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Dig A Pony</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I dig a pony <br>
+
+Well you can celebrate anything you want <br>
+
+Yes you can celebrate anything you want <br>
+
+Ooh <br>
+
+I do a road hog <br>
+
+Well you can penetrate any place you go <br>
+
+Yes you can penetrate any place you go <br>
+
+I told you, all I want is you <br>
+
+Everything has got to be just like you want it to <br>
+
+Because <br>
+
+<br>
+
+I pick a moon dog <br>
+
+Well you can radiate everything you are <br>
+
+Yes you can radiate everything you are <br>
+
+Ooh now <br>
+
+I roll a stony <br>
+
+Well you can imitate everyone you know <br>
+
+Yes you can imitate everyone you know <br>
+
+I told you, all I want is you <br>
+
+Everything has got to be just like you want it to <br>
+
+Because <br>
+
+<br>
+
+I feel the wind blow <br>
+
+Well you can indicate everything you see <br>
+
+Yes you can indicate everything you see <br>
+
+Ooh now <br>
+
+I roll a lorry <br>
+
+Well you can syndicate any boat you row <br>
+
+Yes you can syndicate any boat you row <br>
+
+I told you, all I want is you <br>
+
+Everything has got to be just like you want it to <br>
+
+Because </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/digit.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/digit.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/digit.htm	(revision 18423)
@@ -0,0 +1,113 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:42 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Dig It</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Dig It</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon, McCartney, Harrison, Starr) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Like a rolling stone <br>
+
+A like a rolling stone <br>
+
+Like the FBI and the CIA <br>
+
+And the BBC--BB King <br>
+
+And Doris Day <br>
+
+Matt Busby <br>
+
+Dig it, dig it, dig it <br>
+
+Dig it, dig it, dig it, dig it,dig it, dig it, dig it, dig it </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dizzy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dizzy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dizzy.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:44 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Dizzy Miss Lizzie</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Dizzy Miss Lizzie</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Williams) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+You make me dizzy, Miss Lizzie, <br>
+
+the way you rock'n'roll. <br>
+
+You make me dizzy, Miss Lizzie, <br>
+
+when we do the stroll. <br>
+
+Come on, Miss Lizzie, <br>
+
+love me 'fore I grow too old. <br>
+
+<br>
+
+Come on, give me fever, <br>
+
+put your little hand in mine. <br>
+
+You make me dizzy, dizzy Lizzie, <br>
+
+Oh girl, you look so fine. <br>
+
+Just a-rockin' and a-rollin', <br>
+
+Girl I said I wish you were mine. <br>
+
+<br>
+
+You make me dizzy, Miss Lizze, <br>
+
+when you call my name. <br>
+
+O-o-o-o-oh baby, <br>
+
+say you're driving me insane. <br>
+
+Come on, come on, come on, cone on baby, <br>
+
+I want to be your lover man. <br>
+
+<br>
+
+Run and tell your mama <br>
+
+I want you to be my bride. <br>
+
+Run and tell your brother, <br>
+
+baby, don't run and hide. <br>
+
+You make me dizzy, Miss Lizzie, <br>
+
+girl I want to marry you. <br>
+
+<br>
+
+Come on, give me fever, <br>
+
+put your little hand in mine, girl. <br>
+
+You make me dizzy, dizzy Lizzie, <br>
+
+girl, you look so fine. <br>
+
+You're just a-rockin' and a-rollin', <br>
+
+Oh I said I wish you were mine. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doctor.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doctor.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doctor.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:48 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Doctor Robert</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Doctor Robert</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Ring my friend, I said you call Doctor Robert <br>
+
+Day or night he'll be there any time at all, Doctor Robert <br>
+
+Doctor Robert, you're a new and better man <br>
+
+He helps you to understand <br>
+
+He does everything he can, Doctor Robert <br>
+
+<br>
+
+If you're down he'll pick you up, Doctor Robert <br>
+
+Take a drink from his special cup, Doctor Robert <br>
+
+Doctor Robert, he's a man you must believe <br>
+
+Helping everyone in need <br>
+
+No one can succeed like Doctor Robert <br>
+
+<br>
+
+Well, well, well, you're feeling fine <br>
+
+Well, well, well, he'll make you...Doctor Robert <br>
+
+<br>
+
+My friend works for the National Health, Doctor Robert <br>
+
+You'll pay money just to see yourself with Doctor Robert <br>
+
+Doctor Robert, you're a new and better man <br>
+
+He helps you to understand <br>
+
+He does everything he can, Doc Robert <br>
+
+<br>
+
+Well, well, well, you're feeling fine <br>
+
+Well, well, well, he'll make you <br>
+
+<br>
+
+Doctor Robert <br>
+
+Ring my friend, I said you call Doctor Robert <br>
+
+Ring my friend, I said you call Doctor Robert <br>
+
+Doctor Robert </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doing.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doing.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doing.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:48 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>What You're Doing</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">What You're Doing</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Look what you're doing, I'm feeling blue and lonely, <br>
+
+would it be too much to ask you, <br>
+
+what you're doing to me? <br>
+
+<br>
+
+You got me running and there's no fun in it, <br>
+
+why should it be so much to ask of you, <br>
+
+what you're doing to me? <br>
+
+<br>
+
+I've been waiting here for you, <br>
+
+wondering what you're gonna do, <br>
+
+should you need a love that's true, <br>
+
+it's me. <br>
+
+<br>
+
+Please stop your lying, you've got me crying, girl, <br>
+
+why should it be so much to ask of you, <br>
+
+what you're doing to me? <br>
+
+<br>
+
+I've been waiting here for you, <br>
+
+wondering what you're gonna do, <br>
+
+should you need a love that's true, <br>
+
+it's me. <br>
+
+<br>
+
+Please stop your lying, you've got me crying, girl, <br>
+
+why should it be so much to ask of you, <br>
+
+what you're doing to me? <br>
+
+What you're doing to me. <br>
+
+What you're doing to me. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_bother.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_bother.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_bother.htm	(revision 18423)
@@ -0,0 +1,205 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:50 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Don't Bother Me</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Don't Bother Me</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Since she's been gone <br>
+
+I want no one <br>
+
+To talk to me <br>
+
+It's not the same <br>
+
+but I'm to blame <br>
+
+It's plain to see <br>
+
+<br>
+
+So go away and leave me alone <br>
+
+Don't bother me <br>
+
+<br>
+
+I can't believe <br>
+
+that she would leave <br>
+
+me on my own <br>
+
+It's just not right <br>
+
+where every night <br>
+
+I'm all alone <br>
+
+<br>
+
+I've go no time for you right now <br>
+
+Don't bother me <br>
+
+<br>
+
+I know I'll never be the same <br>
+
+If I don't get her back again <br>
+
+because I know she'll always be <br>
+
+The only girl for me <br>
+
+<br>
+
+But 'till she's here <br>
+
+lease don't come near <br>
+
+ust stay away <br>
+
+I'll let you know <br>
+
+when she's come home <br>
+
+Until that day <br>
+
+<br>
+
+Don't come around leave me along <br>
+
+Don't bother me <br>
+
+<br>
+
+I've got no for you right now <br>
+
+Don't bother me <br>
+
+<br>
+
+I know I'll never be the same <br>
+
+If I don't get her back again <br>
+
+ecause I know she'll always be <br>
+
+The only girl for me <br>
+
+<br>
+
+But 'till she's here <br>
+
+Please don't come near <br>
+
+just stay away <br>
+
+I'll let you know <br>
+
+when she's come home <br>
+
+until that day <br>
+
+<br>
+
+Don't come around leave me alone <br>
+
+Don't bother me <br>
+
+Don't bother me <br>
+
+Don't bother me </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_let.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_let.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_let.htm	(revision 18423)
@@ -0,0 +1,187 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:52 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Don't Let Me Down</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Don't Let Me Down</font></strong><br>
+
+<br>
+
+Don't let me down<br>
+
+Hey, don't let me down<br>
+
+Don't let me down<br>
+
+Don't let me down<br>
+
+<br>
+
+Nobody ever loved me like she does<br>
+
+Oo she does, yes she does<br>
+
+And if somebody loved me like she do me<br>
+
+Oo she do me, you she does<br>
+
+<br>
+
+Don't let me down<br>
+
+Hey, don't let me down<br>
+
+Don't let me down<br>
+
+Don't let me down<br>
+
+<br>
+
+I'm in love for the first time<br>
+
+Don't you know it's gonna last<br>
+
+It's a love that lasts forever<br>
+
+It's a love that had no past<br>
+
+<br>
+
+Don't let me down<br>
+
+Hey, don't let me down<br>
+
+Don't let me down<br>
+
+Don't let me down<br>
+
+<br>
+
+And from the first time that she really done me<br>
+
+Oo she done me, she done me good<br>
+
+I guess nobody ever really done me<br>
+
+Oo she done me, she done me good<br>
+
+<br>
+
+Don't let me down<br>
+
+Hey, don't let me down<br>
+
+Don't let me down<br>
+
+Don't let me down<br>
+
+<br>
+
+I'm in love for the first time<br>
+
+Don't you know it's gonna last<br>
+
+It's a love that lasts forever<br>
+
+It's a love that had no past<br>
+
+<br>
+
+Don't let me down<br>
+
+Hey, don't let me down<br>
+
+Don't let me down<br>
+
+Don't let me down<br>
+
+Hey hey ah<br>
+
+Don't let me down</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+
+
+<p>s</p>
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_pass.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_pass.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/dont_pass.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:54 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Don't Pass Me By</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Don't Pass Me By</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Starr) Lead Vocal: Starr</i><br>
+
+<br>
+
+<br>
+
+I listen for your footsteps <br>
+
+Coming up the drive <br>
+
+Listen for your footsteps <br>
+
+But they don't arrive <br>
+
+Waiting for your knock dear <br>
+
+On my old front door <br>
+
+I don't hear it <br>
+
+Does it mean you don't love me any more. <br>
+
+<br>
+
+I hear the clock a 'ticking <br>
+
+On the mantel shelf <br>
+
+See the hands a 'moving <br>
+
+But I'm by myself <br>
+
+<br>
+
+I wonder where you are tonight <br>
+
+And why I'm by myself <br>
+
+I don't see you <br>
+
+Does it mean you don't love me any more. <br>
+
+<br>
+
+Don't pass me by don't make me cry don't make me blue <br>
+
+'Cause you know darling I love only you <br>
+
+You'll never know it hurt me so <br>
+
+How I hate to see you go <br>
+
+Don't pass me by don't make me cry <br>
+
+<br>
+
+I'm sorry that I doubted you <br>
+
+I was so unfair <br>
+
+You were in a car crash <br>
+
+And you lost your hair <br>
+
+You said you would be late <br>
+
+About an hour or two <br>
+
+I said that's alright I'm waiting here <br>
+
+Just waiting to hear from you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/down.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/down.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/down.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:13 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'm Down</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'm Down</font></strong><br>
+
+<br>
+
+You tell lies thinking I can't see<br>
+
+You can't cry 'cause you're laughing at me<br>
+
+I'm down, I'm down, I''m down<br>
+
+How can you laugh when you know I'm down<br>
+
+How can you laugh when you know I'm down <br>
+
+<br>
+
+Man buys ring, woman throws it away<br>
+
+Same old thing gappen every day<br>
+
+I'm down, I'm down, I''m down<br>
+
+How can you laugh when you know I'm down<br>
+
+How can you laugh when you know I'm down <br>
+
+<br>
+
+We're all alone and there's nobody else<br>
+
+Se'll still moan &quot;Keep your hands to yourself&quot;<br>
+
+I'm down, I'm down, I''m down<br>
+
+How can you laugh when you know I'm down<br>
+
+How can you laugh when you know I'm down, woo <br>
+
+<br>
+
+A baby you know I'm down<br>
+
+I guess I'm down<br>
+
+I'm down on the ground<br>
+
+I'm down<br>
+
+Ah, baby I'm upside down<br>
+
+Oh yeah, yeah, yeah, yeah, yeah,<br>
+
+I'm down</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doyou.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doyou.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/doyou.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:46 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Do You Want To Know A Secret</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Do You Want To Know A Secret</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+You'll never know how much I really love you <br>
+
+You'll never know how much I really care <br>
+
+<br>
+
+Listen <br>
+
+Do you want to know a secret <br>
+
+Do you promise not to tell, whoa oh, oh <br>
+
+<br>
+
+Closer <br>
+
+Let me whisper in your ear <br>
+
+Say the words you long to hear <br>
+
+I'm in love with you <br>
+
+<br>
+
+Listen <br>
+
+Do you want to know a secret <br>
+
+Do you promise not to tell, whoa oh, oh <br>
+
+<br>
+
+Closer <br>
+
+Let me whisper in your ear <br>
+
+Say the words you long to hear <br>
+
+I'm in love with you <br>
+
+<br>
+
+I've known the secret for a week or two <br>
+
+Nobody knows, just we two <br>
+
+<br>
+
+Listen <br>
+
+<br>
+
+Do you want to know a secret <br>
+
+Do you promise not to tell, whoa oh, oh <br>
+
+<br>
+
+Closer <br>
+
+Let me whisper in your ear <br>
+
+Say the words you long to hear <br>
+
+I'm in love with you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/drive.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/drive.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/drive.htm	(revision 18423)
@@ -0,0 +1,175 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 3:56 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Drive My Car</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Drive My Car</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Asked a girl what she wanted to be <br>
+
+She said baby, can't you see <br>
+
+I wanna be famous, a star on the screen <br>
+
+But you can do something in between <br>
+
+<br>
+
+Baby you can drive my car <br>
+
+Yes I'm gonnna be a star <br>
+
+Baby you can drive my car <br>
+
+And maybe I'll love you <br>
+
+<br>
+
+I told a girl that my prospects were good <br>
+
+And she said baby, it's understood <br>
+
+Working for peanuts is all very fine <br>
+
+But I can show you a better time <br>
+
+<br>
+
+Baby you can drive my car <br>
+
+Yes I'm gonna be a star <br>
+
+Baby you can drive my car <br>
+
+And maybe I'll love you <br>
+
+Beep beep'm beep beep yeah <br>
+
+Baby you can drive my car <br>
+
+Yes I'm gonna be a star <br>
+
+Baby you can drive my car <br>
+
+And maybe I'll love you <br>
+
+<br>
+
+I told that girl I can start right away <br>
+
+And she said listen baby I got something to say <br>
+
+I got no car and it's breaking my heart <br>
+
+But I've found a driver and that's a start <br>
+
+<br>
+
+Baby you can drive my car <br>
+
+Yes I'm gonna be a star <br>
+
+Baby you can drive my car <br>
+
+And maybe I'll love you <br>
+
+<br>
+
+Beep beep'm beep beep yeah <br>
+
+Beep beep'm beep beep yeah <br>
+
+Beep beep'm beep beep yeah <br>
+
+Beep beep'm beep beep yeah </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eight.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eight.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eight.htm	(revision 18423)
@@ -0,0 +1,187 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:18 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Eight Days A Week</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Eight Days A Week</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Ooh I need your love babe, <br>
+
+guess you know it's true. <br>
+
+Hope you need my love babe, <br>
+
+Just like I need you. <br>
+
+Hold me, love me, hold me, love me. <br>
+
+Ain't got nothin' but love babe, <br>
+
+Eight days a week. <br>
+
+<br>
+
+Love you every day girl, <br>
+
+always on my mind. <br>
+
+One thing I can say girl, <br>
+
+love you all time. <br>
+
+Hold me, love me, hold me, love me. <br>
+
+Ain't got nothin' but love babe, <br>
+
+Eight days a week. <br>
+
+<br>
+
+Eight days a week <br>
+
+I love you. <br>
+
+Eight days a week <br>
+
+is not enough to show I care. <br>
+
+<br>
+
+Ooh I need your love babe, <br>
+
+guess you know it's true. <br>
+
+Hope you need my love babe, <br>
+
+Just like I need you. <br>
+
+Hold me, love me, hold me, love me. <br>
+
+Ain't got nothin' but love babe, <br>
+
+Eight days a week. <br>
+
+<br>
+
+Eight days a week <br>
+
+I love you. <br>
+
+Eight days a week <br>
+
+is not enough to show I care. <br>
+
+<br>
+
+Love you every day girl, <br>
+
+always on my mind. <br>
+
+One thing I can say girl, <br>
+
+love you all the time. <br>
+
+Hold me, love me, hold me, love me. <br>
+
+Ain't got nothin' but love babe, <br>
+
+Eight days a week. <br>
+
+Eight days a week. <br>
+
+Eight days a week. </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eleanor.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eleanor.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eleanor.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:20 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Eleanor Rigby</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Eleanor Rigby</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Ah, look at all the lonely people <br>
+
+Ah, look at all the lonely people <br>
+
+<br>
+
+Eleanor Rigby picks up the rice in the church where a wedding has been <br>
+
+Lives in a dream <br>
+
+Waits at the window, wearing the face that she keeps in a jar by the door <br>
+
+Who is it for? <br>
+
+<br>
+
+All the lonely people <br>
+
+Where do they all come from? <br>
+
+All the lonely people <br>
+
+Where do they all belong? <br>
+
+<br>
+
+Father McKenzie writing the words of a sermon that no one will hear <br>
+
+No one comes near <br>
+
+Look at him working. Darning his socks in the night when there's nobody there <br>
+
+What does he care? <br>
+
+<br>
+
+All the lonely people <br>
+
+Where do they all come from? <br>
+
+All the lonely people <br>
+
+Where do they all belong? <br>
+
+<br>
+
+Ah, look at all the lonely people <br>
+
+Ah, look at all the lonely people <br>
+
+<br>
+
+Eleanor Rigby died in the church and was buried along with her name <br>
+
+Nobody came <br>
+
+Father McKenzie wiping the dirt from his hands as he walks from the grave <br>
+
+No one was saved <br>
+
+<br>
+
+All the lonely people <br>
+
+Where do they all come from? <br>
+
+All the lonely people <br>
+
+Where do they all belong? </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/end.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/end.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/end.htm	(revision 18423)
@@ -0,0 +1,111 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:00 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The End</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The End</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Oh yeah, all right <br>
+
+Are you going to be in my dreams <br>
+
+Tonight? <br>
+
+<br>
+
+And in the end <br>
+
+The love you take <br>
+
+Is equal to the love you make </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/every.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/every.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/every.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:26 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Everybody's Got Something To Hide</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Everybody's Got Something To Hide (Except For Me And My Monkey)</font></strong><br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Come on come on <br>
+
+Come on it's such a joy <br>
+
+Come on it's such a joy <br>
+
+Come on take it easy <br>
+
+Come on take it easy <br>
+
+Take it easy take it easy <br>
+
+Everybody's got something to hide except for me and my monkey. <br>
+
+<br>
+
+The deeper you go the higher you fly <br>
+
+The higher you fly the deeper you go <br>
+
+So come on come on <br>
+
+Come on it's such a joy <br>
+
+Come on it's such a joy <br>
+
+Come on make it easy <br>
+
+Come on make it easy. <br>
+
+<br>
+
+Take it easy take it easy <br>
+
+Everybody's got something to hide except for me and my monkey. <br>
+
+<br>
+
+Your inside is out and your outside is in <br>
+
+Your outside is in and your inside is out <br>
+
+So come on come on <br>
+
+Come on it's such a joy <br>
+
+Come on it's such a joy <br>
+
+Come on make it easy <br>
+
+Come on make it easy <br>
+
+Make it easy make it easy <br>
+
+Everybody's got something to hide except for me and my monkey. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/everybody.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/everybody.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/everybody.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:30 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Everybody's Trying To Be My Baby</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Everybody's Trying To Be My Baby</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Perkins) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Well they took some honey from a tree <br>
+
+Dressed it up and they called it me <br>
+
+<br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby, now <br>
+
+<br>
+
+Well half past nine, half past four <br>
+
+fifty women knocking on my door <br>
+
+<br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby, now <br>
+
+<br>
+
+Went out last night, I didn't stay late <br>
+
+'fore I got home I had nineteen dates <br>
+
+<br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby, now <br>
+
+<br>
+
+Went out last night, I didn't stay late <br>
+
+'fore I got home I had nineteen dates <br>
+
+<br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby, now <br>
+
+<br>
+
+Well they took some honey from a tree <br>
+
+Dressed it up and they called it me <br>
+
+<br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby <br>
+
+Everybody's trying to be my baby, now </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/everylittle.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/everylittle.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/everylittle.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:24 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Every Little Thing</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Every Little Thing</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocals: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+When I'm walking beside her <br>
+
+People tell me I'm lucky. <br>
+
+Yes, I know I'm a lucky guy. <br>
+
+I remember the first time <br>
+
+I was lonely without her. <br>
+
+Can't stop thinking about her now. <br>
+
+<br>
+
+Every little thing she does, <br>
+
+She does for me, yeah. <br>
+
+And you know the things she does, <br>
+
+She does for me, oooh. <br>
+
+<br>
+
+When I'm with her I'm happy <br>
+
+Just to know that she loves me. <br>
+
+Yes, I know that she loves me now. <br>
+
+There is one thing I'm sure of, <br>
+
+I will love her forever. <br>
+
+For I know lover will never die. <br>
+
+<br>
+
+Every little thing she does, <br>
+
+She does for me, yeah. <br>
+
+And you know the things she does, <br>
+
+She does for me, oooh. <br>
+
+<br>
+
+Every little thing she does, <br>
+
+She does for me yeah. <br>
+
+And you know the things she does, <br>
+
+She does for me, oooh. <br>
+
+Every little thing. <br>
+
+Every little thing. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/face.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/face.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/face.htm	(revision 18423)
@@ -0,0 +1,193 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:36 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I've Just Seen A Face</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I've Just Seen A Face</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+I've just seen a face, <br>
+
+I can't forget the time or place <br>
+
+Well we just met <br>
+
+She's just the girl for me <br>
+
+And I want all the world to see <br>
+
+We've met, mmm-mmm-mmm-m'mmm-mmm. <br>
+
+<br>
+
+Had it been another day <br>
+
+I might have looked the other way <br>
+
+And I'd have never been aware. <br>
+
+But as it is I'll dream of her <br>
+
+Tonight, di-di-di-di'n'di. <br>
+
+<br>
+
+Falling, yes I am falling, <br>
+
+And she keeps calling <br>
+
+Me back again. <br>
+
+<br>
+
+I have never known <br>
+
+The like of this, I've been alone <br>
+
+And I have missed things <br>
+
+And kept out of sight <br>
+
+But other girls were never quite <br>
+
+Like this, da-da-n'da-da'n'da. <br>
+
+<br>
+
+Falling, yes I am falling, <br>
+
+And she keeps calling <br>
+
+Me back again. <br>
+
+<br>
+
+Falling, yes I am falling, <br>
+
+And she keeps calling <br>
+
+Me back again. <br>
+
+<br>
+
+I've just seen a face, <br>
+
+I can't forget the time or place <br>
+
+Where we just meet. <br>
+
+She's just the girl for me <br>
+
+And want all the world to see <br>
+
+We've met, mmm-mmm-mmm-da-da-da. <br>
+
+<br>
+
+Falling, yes I am falling, <br>
+
+And she keeps calling <br>
+
+Me back again. <br>
+
+Falling, yes I am falling, <br>
+
+And she keeps calling <br>
+
+Me back again. <br>
+
+Oh, falling, yes I am falling, <br>
+
+And she keeps calling <br>
+
+Me back again. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/falling.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/falling.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/falling.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Falling In Love Again</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<dl>
+
+  <dt><strong><big><big><big>Falling In Love Again</big></big></big></strong></dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt><em>(By Frederick Hollander and Sammy Lerner(</em></dt>
+
+  <dt><em>Recorded live 31 December 1962 at the Star Club, Hamburg</em></dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Falling in love again, I never wanted to</dt>
+
+  <dt>What am i to do, I can' help it.</dt>
+
+  <dt>Love has always been my game, play it how i may,</dt>
+
+  <dt>I was made that way, can't help it.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Men cluster to me like moths around a flame,</dt>
+
+  <dt>And if their wings burn, I know I'm not to blame</dt>
+
+  <dt>Falling in love again, I never wanted to</dt>
+
+  <dt>What am I to do, I can' help it.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Men cluster to me like moths around a flame,</dt>
+
+  <dt>And if their wings burn, I know I'm not to blame</dt>
+
+  <dt>Falling in love again, I never wanted to</dt>
+
+  <dt>What am I to do, I can' help it.</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="34003" -->
+
+
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/feeling.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/feeling.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/feeling.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:34 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I've Got A Feeling</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I've Got A Feeling</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocals: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+I've got a feeling, a feeling deep inside <br>
+
+Oh yeah, Oh yeah. That's right <br>
+
+I've got a feeling, a feeling I can't hide <br>
+
+Oh no, no. Oh no <br>
+
+Oh no, yeah I've got a feeling <br>
+
+<br>
+
+Oh please believe me, I'd hate to miss the train <br>
+
+Oh yeah, Oh yeah <br>
+
+And if you leave me I won't be late again <br>
+
+Oh no, Oh no <br>
+
+Oh no. Yeah I've got a feeling yeah <br>
+
+<br>
+
+All these years I've been wandering around <br>
+
+Wondering why how come nobody told me <br>
+
+All that I was looking for was somebody <br>
+
+Who looked like you. Oh! <br>
+
+<br>
+
+I've got a feeling, that keeps me on my toes <br>
+
+Oh yeah, Oh yeah <br>
+
+I've got a feeling, I think that everybody knows <br>
+
+Oh yeah, Oh yeah <br>
+
+Oh yeah, yeah, yeah I've got a feeling, yeah <br>
+
+<br>
+
+Everybody had a hard year <br>
+
+Everybody had a good time <br>
+
+Everybody had a wet dream <br>
+
+Everybody saw the sunshine <br>
+
+Oh yeah, Oh yeah, Oh yeah <br>
+
+Everybody had a good year <br>
+
+Everybody let their hair down <br>
+
+Everybody pulled their socks up <br>
+
+Everybody put their foot down <br>
+
+Oh yeah, Oh yeah </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fix.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fix.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fix.htm	(revision 18423)
@@ -0,0 +1,173 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:32 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Fixing A Hole</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Fixing A Hole</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+I'm fixing a hole where the rain gets in <br>
+
+And stops my mind from wandering <br>
+
+Where will it go <br>
+
+I'm filling the cracks that ran through the door <br>
+
+And kept my mind from wandering <br>
+
+Where will it go <br>
+
+<br>
+
+And it really doesn't matter if <br>
+
+I'm wrong I'm right <br>
+
+Where I belong I'm right <br>
+
+Where I belong. <br>
+
+<br>
+
+See the people standing there who disagree and never win <br>
+
+And wonder why they don't get in my door. <br>
+
+I'm painting a room in the colorful way <br>
+
+And when my mind is wandering <br>
+
+There I will go. <br>
+
+<br>
+
+And it really doesn't matter if <br>
+
+I'm wrong I'm right <br>
+
+Where I belong I'm right <br>
+
+Where I belong. <br>
+
+<br>
+
+Silly people run around they worry me <br>
+
+And never ask me why they don't get past my door. <br>
+
+I'm taking the time for a number of things <br>
+
+That weren't important yesterday <br>
+
+And I still go. <br>
+
+<br>
+
+I'm fixing a hole where the rain gets in <br>
+
+And stops my mind from wandering <br>
+
+Where it will go. <br>
+
+Where it will go. <br>
+
+<br>
+
+I'm fixing a hole where the rain gets in <br>
+
+And stops my mind from wandering <br>
+
+Where it will go. <br>
+
+Where it will go. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/flying.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/flying.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/flying.htm	(revision 18423)
@@ -0,0 +1,129 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Flying</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><big><big><big><strong>Flying&nbsp;&nbsp;&nbsp;&nbsp; </strong></big></big></big></p>
+
+
+
+<p>instrumental</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/follow.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/follow.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/follow.htm	(revision 18423)
@@ -0,0 +1,139 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:30 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'll Follow The Sun</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'll Follow The Sun</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+One day you'll look to see I've gone. <br>
+
+For tomorrow may rain, so I'll follow the sun. <br>
+
+Some day you'll know I was the one. <br>
+
+But tomorrow may rain, so I'll follow the sun. <br>
+
+<br>
+
+And now the time has come <br>
+
+And so my love I must go. <br>
+
+And though I lose a friend, <br>
+
+In the end you will know, oooh. <br>
+
+<br>
+
+One day you'll find that I have gone. <br>
+
+But tomorrow may rain, so I'll follow the sun. <br>
+
+<br>
+
+Yeah, tomorrow may rain, so I'll follow the sun. <br>
+
+And now the time has come <br>
+
+And so my love I must go. <br>
+
+And though I lose a friend, <br>
+
+In the end you'll know, oooh. <br>
+
+<br>
+
+One day you'll find that I have gone. <br>
+
+But tomorrow may rain, so I'll follow the sun. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fool.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fool.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fool.htm	(revision 18423)
@@ -0,0 +1,183 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:02 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The Fool On The Hill</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Fool On The Hill</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Day after day alone on the hill <br>
+
+The man with the foolish grin is keeping perfectly still <br>
+
+But nobody wants to know him, <br>
+
+The can see that he's just a fool <br>
+
+And he never gives an answer <br>
+
+<br>
+
+But the fool on the hill <br>
+
+Sees the sun going down <br>
+
+And the eyes in his head <br>
+
+See the world spinning round <br>
+
+<br>
+
+Well on the way, head in a cloud <br>
+
+The man of a thousand voices talking perfectly loud <br>
+
+But nobody ever hears him <br>
+
+Or the sound he appears to make <br>
+
+And he never seems to notice <br>
+
+<br>
+
+But the fool on the hill <br>
+
+Sees the sun going down <br>
+
+And the eyes in his head <br>
+
+See the world spinning round <br>
+
+<br>
+
+And nobody seems to like him <br>
+
+They can tell what he wants to do <br>
+
+And he never shows his feelings <br>
+
+<br>
+
+But the fool on the hill <br>
+
+Sees the sun going down <br>
+
+And the eyes in his head <br>
+
+See the world spinning round <br>
+
+<br>
+
+Oh round, round, round, round, round <br>
+
+<br>
+
+And he never listens to them <br>
+
+He know that they're the fool <br>
+
+They don't like him <br>
+
+<br>
+
+The fool on the hill <br>
+
+Sees the sun going down <br>
+
+And the eyes in his head <br>
+
+See the world spinning round <br>
+
+<br>
+
+Oh round, round, round, round, oh </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/for_no_one.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/for_no_one.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/for_no_one.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:34 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>For No One</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">For No One</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Your day breaks, your mind aches <br>
+
+You find that all her words of kindness linger on <br>
+
+When she no longer needs you <br>
+
+<br>
+
+She wakes up, she make up <br>
+
+She takes her time and doesn't feel she has to hurry <br>
+
+She no longer needs you <br>
+
+<br>
+
+And in her eyes you see nothing <br>
+
+No sign of love behind the tears <br>
+
+Cried for no one <br>
+
+A love that should have lasted years <br>
+
+<br>
+
+You want her, you need her <br>
+
+And yet you don't believe her when she said her love is dead <br>
+
+You think she needs you <br>
+
+<br>
+
+And in her eyes you see nothing <br>
+
+No sign of love behind the tears <br>
+
+Cried for no one <br>
+
+A love that should have lasted years <br>
+
+<br>
+
+You stay home, she goes out <br>
+
+She says that long ago she know someone but now he's gone <br>
+
+She doesn't need him <br>
+
+<br>
+
+Your day breaks, your mind aches <br>
+
+There will be time when all the things she said will fill your head <br>
+
+you won't forget her <br>
+
+<br>
+
+And in her eyes you see nothing <br>
+
+No sign of love behind the tears <br>
+
+Cried for no one <br>
+
+A love that should have lasted years </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/for_you.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/for_you.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/for_you.htm	(revision 18423)
@@ -0,0 +1,129 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:35 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>For You Blue</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">For You Blue</font></strong>&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Because you're sweet and lovely girl I love you <br>
+
+Because you're sweet and lovely girl it's true <br>
+
+I love you more than ever girl I do <br>
+
+<br>
+
+I want you in the morning girl I love you <br>
+
+I want you at the moment I feel blue <br>
+
+I'm living every moment girl for you <br>
+
+<br>
+
+I've looked you from the moment I saw you <br>
+
+You looked at me that's all you had to do <br>
+
+I feel it now I hope you feel it too <br>
+
+<br>
+
+Because you're sweet and lovely girl I love you <br>
+
+Because you're sweet and lovely girl it's true <br>
+
+I love you more than ever girl I do <br>
+
+I really love you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/free.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/free.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/free.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:37 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Free As A Bird</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Free As A Bird</font></strong><br>
+
+<br>
+
+Free as a bird,<br>
+
+it's the next best thing to be.<br>
+
+Free as a bird.<br>
+
+<br>
+
+Home, home and dry,<br>
+
+like a homing bird I'll fly<br>
+
+as a bird on wings.<br>
+
+<br>
+
+Whatever happened to<br>
+
+the life that we once knew?<br>
+
+Can we really live without each other?<br>
+
+<br>
+
+Where did we lose the touch<br>
+
+that seemed to mean so much?<br>
+
+It always made me feel so...<br>
+
+<br>
+
+Free as a bird,<br>
+
+like the next best thing to be.<br>
+
+Free as a bird.<br>
+
+<br>
+
+Home, home and dry,<br>
+
+like a homing bird I'll fly<br>
+
+as a bird on wings.<br>
+
+<br>
+
+Whatever happened to<br>
+
+the life that we once knew?<br>
+
+Always made me feel so free.<br>
+
+<br>
+
+Free as a bird.<br>
+
+It's the next best thing to be.<br>
+
+Free as a bird.<br>
+
+Free as a bird.<br>
+
+Free as a bird.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/from.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/from.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/from.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:44 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>From Me To You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">From Me To You</font></strong><br>
+
+<br>
+
+Da da da da da da da da<br>
+
+Da da da da da da da da<br>
+
+If there's anything that you want<br>
+
+If there's anything I can do<br>
+
+Just call on me and I'll send it along<br>
+
+With love, from me to you<br>
+
+<br>
+
+I've got everything that you want<br>
+
+Like a heart that's oh so true<br>
+
+Just call on me and I'll send it along<br>
+
+With love, from me to you<br>
+
+<br>
+
+I got arms that long to hold you<br>
+
+and keep you by my side<br>
+
+I got lips that long to kiss you<br>
+
+and keep you satisfied<br>
+
+<br>
+
+Ooo, if there's anything that you want<br>
+
+If there's anything I can do<br>
+
+Just call on me and I'll send it along<br>
+
+With love, from me to you<br>
+
+<br>
+
+To you, just call on me and I'll send it along<br>
+
+With love, from me to you<br>
+
+<br>
+
+I got arms that long to hold you<br>
+
+and keep you by my side<br>
+
+I got lips that long to kiss you<br>
+
+and keep you satisfied<br>
+
+<br>
+
+Ooo, if there's anything that you want<br>
+
+If there's anything I can do<br>
+
+Just call on me and I'll send it along<br>
+
+With love, from me to you<br>
+
+To you, to you, to you</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/garden.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/garden.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/garden.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:02 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Octopus's Garden</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Octopus's Garden</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Starr) Lead Vocal: Starr</i><br>
+
+<br>
+
+<br>
+
+I'd like to be under the sea <br>
+
+In an octopus's garden in the shade <br>
+
+He'd let us in, knows where we've been <br>
+
+In his octopus's garden in the shade <br>
+
+<br>
+
+I'd ask my friends to come and see <br>
+
+An octopus's garden with me <br>
+
+I'd like to be under the sea <br>
+
+In an octopus's garden in the shade <br>
+
+<br>
+
+We would be warm below the storm <br>
+
+In our little hideaway beneath the waves <br>
+
+Resting our head on the sea bed <br>
+
+In a octopus's garden near a cave <br>
+
+<br>
+
+We would sing and dance around <br>
+
+because we know we can't be found <br>
+
+I'd like to be under the sea <br>
+
+In an octopus's garden in the shade <br>
+
+<br>
+
+We would shout and swim about <br>
+
+The coral that lies beneath the waves <br>
+
+(Lies beneath the ocean waves) <br>
+
+Oh what joy for every girl and boy <br>
+
+Knowing they're happy and they're safe <br>
+
+(Happy and they're safe) <br>
+
+<br>
+
+We would be so happy you and me <br>
+
+No one there to tell us what to do <br>
+
+I'd like to be under the sea <br>
+
+In an octopus's garden with you. <br>
+
+In an octopus's garden with you. <br>
+
+In an octopus's garden with you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_back.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_back.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_back.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:46 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Get Back</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Get Back</font></strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Jojo was a man who thought he was a loner <br>
+
+But he knew it wouldn't last <br>
+
+Jojo left his home in Tucson, Arizona <br>
+
+For some California grass <br>
+
+Get back, get back <br>
+
+Get back to where you once belonged <br>
+
+Get back, get back <br>
+
+Get back to where you once belonged <br>
+
+Get back Jojo. Go home <br>
+
+<br>
+
+Get back, get back <br>
+
+Get back to where you once belonged <br>
+
+Get back, get back <br>
+
+Get back to where you once belonged <br>
+
+Get back Jo <br>
+
+<br>
+
+Sweet Loretta Martin thought she was a woman <br>
+
+But she was another man <br>
+
+All the girls around her say she's got it coming <br>
+
+But she gets it while she can <br>
+
+Oh get back, get back <br>
+
+Get back to where you once belonged <br>
+
+Get back, get back <br>
+
+Get back to where you once belonged <br>
+
+Get back Loretta. Go home <br>
+
+<br>
+
+Oh get back, Yeah get back <br>
+
+Get back to where you once belonged <br>
+
+Yeah get back, get back <br>
+
+Get back to where you once belonged </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_you.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_you.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_you.htm	(revision 18423)
@@ -0,0 +1,175 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:32 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'll Get You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'll Get You</font></strong><br>
+
+</p>
+
+
+
+<p><i>(Lennon/McCartney) Lead vocal: Lennon</i><br>
+
+</p>
+
+
+
+<p>Oh yeah, oh yeah,<br>
+
+Oh yeah, oh yeah<br>
+
+Imagine I'm in love with you,<br>
+
+It's easy, 'cause I know,<br>
+
+I've imagined I'm in love with you,<br>
+
+Many, many, many times before<br>
+
+<br>
+
+It's not like me, to pretend,<br>
+
+But I'll get you, I'll get you in the end!<br>
+
+Yes I will, I'll get you in the end,<br>
+
+Oh yeah, oh yeah<br>
+
+<br>
+
+I think about you night and day,<br>
+
+I need you, and it's true<br>
+
+When I think about you, I can say,<br>
+
+I'm never, never, never, never blue<br>
+
+<br>
+
+So I'm telling, you my friend,<br>
+
+That I'll get you, I'll get you in the end,<br>
+
+Yes I will, I'll get you in the end,<br>
+
+Oh yeah, oh yeah<br>
+
+<br>
+
+Well, there's gonna be a time,<br>
+
+Well I'm gonna change your mind<br>
+
+So you might as well resign yourself to me, oh yeah<br>
+
+<br>
+
+Imagine I'm in love with you,<br>
+
+It's easy 'cause I know,<br>
+
+I've imagined I'm in love with you,<br>
+
+Many, many, many times before<br>
+
+<br>
+
+It's not like me, to pretend,<br>
+
+But I'll get you, I'll get you in the end,<br>
+
+Yes I will, I'll get you in the end,<br>
+
+Oh yeah, oh yeah,<br>
+
+Oh yeah, oh yeah,<br>
+
+<br>
+
+Woah yeah!</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/getting.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/getting.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/getting.htm	(revision 18423)
@@ -0,0 +1,177 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:49 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Getting Better</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Getting Better</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+It's getting better all the time <br>
+
+I used to get mad at my school (well I can't complain) <br>
+
+The teachers who taught me weren't cool (well I can't complain) <br>
+
+You're holding me down, (ah) turning me round (ah) <br>
+
+Filling me up with your rules. <br>
+
+<br>
+
+I've got to admit it's getting better (better) <br>
+
+A little better all the time (It can't get more worse) <br>
+
+I have to admit it's getting better (better) <br>
+
+It's getting better since you've been mine. <br>
+
+<br>
+
+Me used to be a angry young man <br>
+
+Me hiding me head in the sand <br>
+
+You gave me the word <br>
+
+I finally heard <br>
+
+I'm doing the best that I can. <br>
+
+<br>
+
+I've got to admit it's getting better (better) <br>
+
+A little better all the time (it can't get more worse) <br>
+
+I have to admit it's getting better (better) <br>
+
+It's getting better since you've been mine. <br>
+
+<br>
+
+Getting so much better all the time <br>
+
+It's getting better all the time (better better better) <br>
+
+It's getting better all the time (better better better) <br>
+
+<br>
+
+I used to be cruel to my women <br>
+
+I beat her and kept her apart from the things that she loved <br>
+
+Man I was mean but I'm changing my scene <br>
+
+And I'm doing the best that I can. <br>
+
+<br>
+
+I admit it's getting better (better) <br>
+
+A little better all the time (it can't get more worse) <br>
+
+Yes I admit it's getting better (better) <br>
+
+It's getting better since you've been mine <br>
+
+<br>
+
+Getting so much better all the time <br>
+
+It's getting better all the time (better better better) <br>
+
+It's getting better all the time (better better better) <br>
+
+Getting so much better all the time </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/girl.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/girl.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/girl.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:51 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Girl</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Girl</font></strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Is there anybody going to listen to my story <br>
+
+All about the girl who came to stay? <br>
+
+She's the kind of girl you want so much <br>
+
+It makes you sorry <br>
+
+Still, you don't regret a single day. <br>
+
+Ah girl! Girl! <br>
+
+<br>
+
+When I think of all the times I've tried to leave her <br>
+
+She will turn to me and start to cry; <br>
+
+And she promises the earth to me <br>
+
+And I believe her. <br>
+
+After all this times I don't know why. <br>
+
+Ah, girl! Girl! <br>
+
+<br>
+
+She's the kind of girl who puts you down <br>
+
+When friends are there, you feel a fool. <br>
+
+When you say she's looking good <br>
+
+She acts as if it's understood. <br>
+
+She's cool, oooh, oooh, oooh, <br>
+
+Girl! Girl! <br>
+
+<br>
+
+Was she told when she was young that pain <br>
+
+Would lead to pleasure? <br>
+
+Did she understand it when they said <br>
+
+That a man must break his back to earn <br>
+
+His day of leisure? <br>
+
+Will she still believe it when he's dead? <br>
+
+Ah girl! Girl! Girl! <br>
+
+<br>
+
+Ah girl! Girl! Girl! </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/give.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/give.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/give.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:20 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>You Never Give Me Your Money</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">You Never Give Me Your Money</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+You never give me your money <br>
+
+You only give me your funny paper <br>
+
+and in the middle of negotiations <br>
+
+you break down <br>
+
+<br>
+
+I never give you my number <br>
+
+I only give you my situation <br>
+
+and in the middle of investigation <br>
+
+I break down <br>
+
+<br>
+
+Out of college, money spent <br>
+
+See no future, pay no rent <br>
+
+All the money's gone, nowhere to <br>
+
+And jobber go the sack <br>
+
+Monday morning, turning back <br>
+
+Yellow lorry slow, nowhere to go <br>
+
+But oh, that magic feeling, nowhere to go <br>
+
+Oh, that magic feeling, nowhere to go <br>
+
+Nowhere to go <br>
+
+<br>
+
+One sweet dream <br>
+
+Pick up the bags and get in the limousine <br>
+
+Soon we'll be away from here <br>
+
+Step on the gas and wipe that tear away <br>
+
+One sweet dream came true today <br>
+
+Came true today <br>
+
+Came true today yes it did now <br>
+
+<br>
+
+One, two, three, four, five, six, seven <br>
+
+All good children go to Heaven <br>
+
+One, two, three, four, five, six, seven <br>
+
+All good children go to Heaven <br>
+
+One, two, three, four, five, six, seven <br>
+
+All good children go to Heaven <br>
+
+One, two, three, four, five, six, seven <br>
+
+All good children go to Heaven </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/glass.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/glass.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/glass.htm	(revision 18423)
@@ -0,0 +1,137 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:53 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Glass Onion</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Glass Onion</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I told you about strawberry fields <br>
+
+You know the place where nothing is real <br>
+
+Well here's another place you can go <br>
+
+Where everything flows. <br>
+
+Looking through a glass onion. <br>
+
+I told you about the walrus and me-man <br>
+
+You know that we're as close as can be-man <br>
+
+Well here's another clue for you all <br>
+
+The walrus was Paul. <br>
+
+Standing on the cast iron shore-yeah <br>
+
+Lady Madonna trying to make ends meet-yeah <br>
+
+Looking through a glass onion. <br>
+
+<br>
+
+I told you about the fool on the hill <br>
+
+I tell you man he living there still <br>
+
+Well here's another place you can be <br>
+
+Listen to me. <br>
+
+Fixing a hole in the ocean <br>
+
+Trying to make a dove-tail joint-yeah <br>
+
+Looking through a glass onion. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/goes.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/goes.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/goes.htm	(revision 18423)
@@ -0,0 +1,177 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:46 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>What Goes On</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">What Goes On</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney/Starr) Lead Vocal: Starr</i><br>
+
+<br>
+
+<br>
+
+What goes on in your heart? <br>
+
+What goes on in your mind? <br>
+
+You are tearing me apart <br>
+
+When you treat me so unkind <br>
+
+What goes on in your mind? <br>
+
+<br>
+
+The other day I saw you <br>
+
+As I walked along the road <br>
+
+But when I saw him with you <br>
+
+I could feel my future fold <br>
+
+It's so easy for a girl like you to lie <br>
+
+Tell me why <br>
+
+<br>
+
+What goes on in your heart? <br>
+
+What goes on in your mind? <br>
+
+You are tearing me apart <br>
+
+When you treat me so unkind <br>
+
+What goes on in your mind? <br>
+
+<br>
+
+I met you in the morning <br>
+
+waiting for the tides of time <br>
+
+But now the tide is turning <br>
+
+I can see that I was blind <br>
+
+It's so easy for a girl like you to lie <br>
+
+Tell me why <br>
+
+<br>
+
+What goes on in your heart? <br>
+
+<br>
+
+I used to think of no one else <br>
+
+But you were just the same <br>
+
+You didn't even think of me <br>
+
+As someone with a name <br>
+
+Did you mean to break my heart and watch me die <br>
+
+Tell me why <br>
+
+<br>
+
+What goes on in your heart? <br>
+
+What goes on in your mind? <br>
+
+You are tearing me apart <br>
+
+When you treat me so unkind <br>
+
+What goes on in your mind? </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/going_to_lose.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/going_to_lose.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/going_to_lose.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:27 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>You're Going To Lose That Girl</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">You're Going To Lose That Girl</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+You're going to lose that girl, <br>
+
+you're going to lose that girl. <br>
+
+If you don't take her out tonight, <br>
+
+she's going to change her mind, <br>
+
+and I will take her out tonight, <br>
+
+and I will treat her kind. <br>
+
+<br>
+
+You're going to lose that girl, <br>
+
+you're going to lose that girl. <br>
+
+If you don't treat her right, my friend, <br>
+
+you're going to find her gone, <br>
+
+'cause I will treat her right, and then <br>
+
+you'll be the lonely one. <br>
+
+<br>
+
+You're going to lose that girl, <br>
+
+you're going to lose that girl. <br>
+
+I'll make a point <br>
+
+of taking her away from you, yeah, <br>
+
+the way you treat her what else can I do? <br>
+
+<br>
+
+If you don't take her out tonight, <br>
+
+she's going to change her mind, <br>
+
+and I will take her out tonight, <br>
+
+and I will treat her kind. <br>
+
+You're going to lose that girl, <br>
+
+you're going to lose that girl, <br>
+
+you're going to lose that girl. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/golden.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/golden.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/golden.htm	(revision 18423)
@@ -0,0 +1,125 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:54 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Golden Slumbers</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Golden Slumbers</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Once there was a way to get back homeward <br>
+
+Once there was a way to get back home <br>
+
+Sleep pretty darling do not cry <br>
+
+And I will sing a lullaby <br>
+
+<br>
+
+Golden slumbers fill your eyes <br>
+
+Smiles awake you when you rise <br>
+
+Sleep pretty darling do not cry <br>
+
+And I will sing a lullaby <br>
+
+<br>
+
+Once there was a way to get back homeward <br>
+
+Once there was a way to get back home <br>
+
+Sleep pretty darling do not cry <br>
+
+And I will sing a lullaby </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_days.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_days.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_days.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:56 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Good Day Sunshine</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Good Day Sunshine</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Good Day Sunshine, Good Day Sunshine, Good Day Sunshine <br>
+
+<br>
+
+I need to laugh and when the sun is out <br>
+
+I've got something I can laugh about <br>
+
+I feel good in a special way <br>
+
+I'm in love and it's a sunny day <br>
+
+<br>
+
+Good Day Sunshine, Good Day Sunshine, Good Day Sunshine <br>
+
+<br>
+
+We take a walk, the sun is shining down <br>
+
+Burns my feet as they touch the ground <br>
+
+<br>
+
+Good Day Sunshine, Good Day Sunshine, Good Day Sunshine <br>
+
+<br>
+
+Then we'd lie beneath the shady tree <br>
+
+I love her and she's loving me <br>
+
+She feels good, she knows she's looking fine <br>
+
+I'm so proud to know that she is mine <br>
+
+<br>
+
+Good Day Sunshine, Good Day Sunshine, Good Day Sunshine <br>
+
+Good Day Sunshine, Good Day Sunshine, Good Day Sunshine <br>
+
+Good Day Sunshine, Good Day Sunshine, Good Day Sunshine </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_morning.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_morning.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_morning.htm	(revision 18423)
@@ -0,0 +1,179 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 4:58 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Good Morning, Good Morning</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Good Morning, Good Morning</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Good morning, good morning <br>
+
+Good morning, good morning, good morning <br>
+
+<br>
+
+Nothing to do to save his life call his wife in <br>
+
+Nothing to say but what a day how's your boy been <br>
+
+Nothing to do it's up to you <br>
+
+I've got nothing to say but it's O.K. <br>
+
+Good morning, good morning, good morning <br>
+
+<br>
+
+Going to work don't want to go feeling low down <br>
+
+Heading for home you start to roam then you're in town <br>
+
+Everybody knows there's nothing doing <br>
+
+Everything is closed it's like a ruin <br>
+
+Everyone you see is half asleep. <br>
+
+And you're on your own you're in the street <br>
+
+<br>
+
+After a while you start to smile now you feel cool. <br>
+
+Then you decide to take a walk by the old school. <br>
+
+Nothing has changed it's still the same <br>
+
+I've got nothing to say but its O.K. <br>
+
+Good morning, good morning, good morning <br>
+
+<br>
+
+People running round it's five o'clock. <br>
+
+Everywhere in town is getting dark. <br>
+
+Everyone you see is full of life. <br>
+
+It's time for tea and meet the wife. <br>
+
+<br>
+
+Somebody needs to know the time, glad that I'm here. <br>
+
+Watching the skirts you start to flirt now you're in gear. <br>
+
+Go to a show you hope she goes. <br>
+
+I've got nothing to say but it's O.K. <br>
+
+<br>
+
+Good morning, good morning, good <br>
+
+Good morning, good morning, good <br>
+
+Good morning, good morning, good <br>
+
+Good morning, good morning, good <br>
+
+Good morning, good morning, good <br>
+
+Good morning, good morning, good <br>
+
+Good morning, good morning, good <br>
+
+Good morning, good morning, good </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_night.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_night.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/good_night.htm	(revision 18423)
@@ -0,0 +1,145 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:00 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Good Night</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Good Night</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Starr</i><br>
+
+<br>
+
+<br>
+
+Now it's time to say good night <br>
+
+Good night, sleep tight <br>
+
+Now the sun turns out his light <br>
+
+Good night, sleep tight <br>
+
+Dream sweet dreams for me <br>
+
+Dream sweet dreams for you. <br>
+
+<br>
+
+Close your eyes and I'll close mine <br>
+
+Good night, sleep tight <br>
+
+Now the moon begins to shine <br>
+
+Good night, sleep tight <br>
+
+Dream sweet dreams for me <br>
+
+Dream sweet dreams for you. <br>
+
+<br>
+
+Close your eyes and I'll close mine <br>
+
+Good night, sleep tight <br>
+
+Now the sun turns out his light <br>
+
+Good night, sleep tight <br>
+
+Dream sweet dreams for me <br>
+
+Dream sweet dreams for you. <br>
+
+<br>
+
+Good night, Good Night, Everybody <br>
+
+Everybody everywhere <br>
+
+Good night. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/got.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/got.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/got.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:02 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Got To Get You Into My Life</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Got To Get You Into My Life</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+I was alone, I took a ride <br>
+
+I didn't know what I would find there <br>
+
+Another road where maybe I could see another kind of mind there <br>
+
+<br>
+
+Ooh, then I suddenly see you <br>
+
+Ooh, did I tell you I need you <br>
+
+Every single day of my life <br>
+
+<br>
+
+You didn't run, you didn't lie <br>
+
+You know I wanted just to hold you <br>
+
+And had you gone you knew in time we'd meet again <br>
+
+For I had told you <br>
+
+<br>
+
+Ooh, you were meant to be near me <br>
+
+Ooh, and I want you hear me <br>
+
+Say we'll be together every day <br>
+
+<br>
+
+Got to get you into my life <br>
+
+<br>
+
+What can I do, what can I be <br>
+
+When I'm with you I want to stay there <br>
+
+If I'm true I'll never leave <br>
+
+And if I do I know the way there <br>
+
+<br>
+
+Ooh, then I suddenly see you <br>
+
+Ooh, did I tell you I need you <br>
+
+Every single day of my life <br>
+
+<br>
+
+Got to get you into my life <br>
+
+Got to get you into my life <br>
+
+<br>
+
+I was alone, I took a ride, <br>
+
+I didn't know what I would find there <br>
+
+Another road where maybe I could see another kind of mind there <br>
+
+Then suddenly I see you <br>
+
+Did I tell you I need you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/guitar.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/guitar.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/guitar.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:54 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>While My Guitar Gently Weeps</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">While My Guitar Gently Weeps</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+I look at you all see the love there that's sleeping <br>
+
+While my guitar gently weeps <br>
+
+I look at the floor and I see it needs sweeping <br>
+
+Still my guitar gently weeps <br>
+
+I don't know why nobody told you how to unfold your love <br>
+
+I don't know how someone controlled you <br>
+
+They bought and sold you. <br>
+
+<br>
+
+I look at the world and I notice it's turning <br>
+
+While my guitar gently weeps <br>
+
+With every mistake we must surely be learning <br>
+
+Still my guitar gently weeps <br>
+
+I don't know how you were diverted <br>
+
+You were perverted too <br>
+
+I don't know how you were inverted <br>
+
+No one alerted you. <br>
+
+<br>
+
+I look at you all see the love there that's sleeping <br>
+
+While my guitar gently weeps <br>
+
+Look at you all... <br>
+
+Still my guitar gently weeps. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hallelujah.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hallelujah.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hallelujah.htm	(revision 18423)
@@ -0,0 +1,131 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:03 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Hallelujah, I Love Her So</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Hallelujah, I Love Her So</font></strong><br>
+
+<br>
+
+Let me tell you about a girl I know,<br>
+
+she's my baby and I love her so.<br>
+
+Every morning when the sun comes up,<br>
+
+she brings me coffee in my favorite cup.<br>
+
+That's why I know, yes I know,<br>
+
+hallelujah I just love her so.<br>
+
+<br>
+
+When I call her on the telephone,<br>
+
+she says: baby, I'm all alone.<br>
+
+By the time I count from one to four,<br>
+
+she'll be knocking on my door.<br>
+
+<br>
+
+In the evening when the sun goes down<br>
+
+and there ain't nobody else around,<br>
+
+she kisses me and she holds me tight.<br>
+
+She says: baby everything is alright.<br>
+
+That's why I know, that's why I know<br>
+
+hallelujah I just love her so.<br>
+
+hallelujah I just love her so,<br>
+
+hallelujah I just love that chick so.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hand.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hand.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hand.htm	(revision 18423)
@@ -0,0 +1,175 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:10 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Want To Hold Your Hand</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Want To Hold Your Hand</font></strong><br>
+
+<br>
+
+I'll tell you something<br>
+
+I think you'll understand<br>
+
+When I say that something<br>
+
+I want to hold your hand<br>
+
+I want to hold your hand<br>
+
+I want to hold your hand <br>
+
+<br>
+
+Oh please say to me<br>
+
+you'll let me be your man<br>
+
+and please say to me<br>
+
+you'll let me hold your hand<br>
+
+Not, let me hold your hand<br>
+
+I want to hold your hand <br>
+
+<br>
+
+And when I touch you<br>
+
+I feel happy inside<br>
+
+It's such a feeling that my love<br>
+
+I can't hide<br>
+
+I can't hide<br>
+
+I can't hide <br>
+
+<br>
+
+Yeah, you got that something<br>
+
+I think you'll understand<br>
+
+When I say that something<br>
+
+I want to hold your hand<br>
+
+I want to hold your hand<br>
+
+I want to hold your hand <br>
+
+<br>
+
+And when I touch you<br>
+
+I feel happy inside<br>
+
+It's such a feeling that my love<br>
+
+I can't hide<br>
+
+I can't hide<br>
+
+I can't hide <br>
+
+<br>
+
+Yeah, you got that something<br>
+
+I think you'll understand<br>
+
+When I say that something<br>
+
+I want to hold your hand<br>
+
+I want to hold your hand<br>
+
+I want to hold your hand<br>
+
+I want to hold your hand</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/happiness.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/happiness.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/happiness.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:05 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Happiness Is A Warm Gun</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Happiness Is A Warm Gun</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+She's not a girl who misses much <br>
+
+Do do do do do do do do <br>
+
+She's well acquainted with the touch of the velvet hand <br>
+
+Like a lizard on a window pane. <br>
+
+<br>
+
+The man in the crowd with the multicolored mirrors <br>
+
+On his hobnail boots <br>
+
+Lying with his eyes while his hands are busy <br>
+
+Working overtime <br>
+
+A soap impression of his wife which he ate <br>
+
+And donated to the Nation Trust. <br>
+
+<br>
+
+I need a fix 'cause I'm going down <br>
+
+Down to the bits that I left uptown <br>
+
+I need a fix 'cause I'm going down <br>
+
+Mother Superior jump the gun <br>
+
+Mother Superior jump the gun <br>
+
+Mother Superior jump the gun <br>
+
+Mother Superior jump the gun. <br>
+
+<br>
+
+Happiness is a warm gun <br>
+
+Happiness is a warm gun <br>
+
+When I hold you in my arms <br>
+
+And I feel my finger on your trigger <br>
+
+I know no one can do me no harm <br>
+
+Because happiness is a warm gun <br>
+
+Yes it is. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/happy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/happy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/happy.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:15 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'm Happy Just To Dance With You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'm Happy Just To Dance With You</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Before this dance is through <br>
+
+I think I'll love you too <br>
+
+I'm so happy when you dance with me <br>
+
+<br>
+
+I don't want to kiss or hold your hand <br>
+
+if it's funny try and understand <br>
+
+there is really nothing else I'd rather do <br>
+
+'cause I'm happy just to dance with you <br>
+
+<br>
+
+I don't need to hug or hold you tight <br>
+
+I just want to dance with you all night <br>
+
+In this world there's nothing I would rather do <br>
+
+'cause I'm happy just to dance with you <br>
+
+<br>
+
+Just to dance with you <br>
+
+It's everything I need <br>
+
+Before this dance is through <br>
+
+I think I'll love you too <br>
+
+I'm so happy when you dance with me <br>
+
+<br>
+
+If somebody tries to take my place <br>
+
+Let's pretend we just can't see his face <br>
+
+In this world there's nothing I would rather do <br>
+
+'cause I'm happy just to dance with you <br>
+
+<br>
+
+Just to dance with you <br>
+
+It's everything I need <br>
+
+Before this dance is through <br>
+
+I think I'll love you too <br>
+
+I'm so happy when you dance with me <br>
+
+<br>
+
+If somebody tries to take my place <br>
+
+Let's pretend we just can't see his face <br>
+
+In this world there's nothing I would rather do <br>
+
+I've discovered I'm in love with you <br>
+
+'cause I'm happy just to dance with you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hello.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hello.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hello.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:07 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Hello Little Girl</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Hello Little Girl</font></strong><br>
+
+<br>
+
+Hello little girl<br>
+
+hello little girl<br>
+
+hello little girl.<br>
+
+<br>
+
+When I see you everyday,<br>
+
+I say: mm mm hello little girl.<br>
+
+When you're passing on your way<br>
+
+I say: mm mm hello little girl.<br>
+
+When I see you passing by<br>
+
+I cry mm mm hello little girl.<br>
+
+When I try to catch your eye<br>
+
+I cry mm mm hello little girl.<br>
+
+<br>
+
+I send you flowers<br>
+
+but you don't care.<br>
+
+You never seem to see<br>
+
+me standing there.<br>
+
+I often wonder<br>
+
+what you're thinking of.<br>
+
+I hope it's me<br>
+
+and love love love.<br>
+
+<br>
+
+So I hope there'll come a day<br>
+
+mm you're my little girl.<br>
+
+<br>
+
+It's not the first time<br>
+
+it's happened to me,<br>
+
+It's been a long lonely time<br>
+
+and it's funny funny to see<br>
+
+that I'm about to lose my mi-i-ind.<br>
+
+<br>
+
+So I hope there'll come a day<br>
+
+when you say: mm mm<br>
+
+you're my little girl, mm mm mm.<br>
+
+You're my little girl, mm mm mm.<br>
+
+You're my little girl, oh yeah.<br>
+
+You're my little girl.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/heloo_goodbye.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/heloo_goodbye.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/heloo_goodbye.htm	(revision 18423)
@@ -0,0 +1,177 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:09 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Hello, Goodbye</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Hello, Goodbye</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+You say yes, I say no <br>
+
+You say stop and I say go go go, oh no <br>
+
+<br>
+
+You say goodbye and I say hello <br>
+
+Hello hello <br>
+
+I don't know why you say goodbye, I say hello <br>
+
+Hello hello <br>
+
+I don't know why you say goodbye, I say hello <br>
+
+<br>
+
+I say high, you say low <br>
+
+You say why and I say I don't know, oh no <br>
+
+<br>
+
+You say goodbye and I say hello <br>
+
+(Hello goodbye hello goodbye) hello hello <br>
+
+(Hello goodbye) I don't know why you say goodbye, I say hello <br>
+
+(Hello goodbye hello goodbye) hello hello <br>
+
+(Hello goodbye) I don't know why you say goodbye <br>
+
+(Hello goodbye) I say hello <br>
+
+<br>
+
+Why why why why why why do you say goodbye goodbye, oh no? <br>
+
+<br>
+
+You say goodbye and I say hello <br>
+
+Hello hello <br>
+
+I don't know why you say goodbye, I say hello <br>
+
+Hello hello <br>
+
+I don't know why you say goodbye, I say hello <br>
+
+<br>
+
+You say yes (I say yes) I say no (but I may mean no) <br>
+
+You say stop (I can stay ) and I say go go go ('till it's time to go <br>
+
+Oh, oh no <br>
+
+<br>
+
+You say goodbye and I say hello <br>
+
+Hello hello <br>
+
+I don't know why you say goodbye, I say hello <br>
+
+Hello hello <br>
+
+I don't know why you say goodbye, I say hello <br>
+
+Hello hello <br>
+
+I don't know why you say goodbye, I say Hello-o-o hello <br>
+
+<br>
+
+Hela heba helloa </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/help.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/help.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/help.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:11 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Help!</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Help!</font></strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Help, I need somebody, <br>
+
+Help, not just anybody, <br>
+
+Help, you know I need someone, help. <br>
+
+<br>
+
+When I was younger, so much younger than today, <br>
+
+I never needed anybody's help in any way. <br>
+
+But now these days are gone, I'm not so self assured, <br>
+
+Now I find I've changed my mind and opened up the doors. <br>
+
+<br>
+
+Help me if you can, I'm feeling down <br>
+
+And I do appreciate you being round <br>
+
+Help me, get my feet back on the ground, <br>
+
+Won't you please, please help me. <br>
+
+<br>
+
+And now my life has changed in oh so many ways, <br>
+
+My independence seems to vanish in the haze. <br>
+
+But every now and then I feel so insecure, <br>
+
+I know that I just need you like I've never done before. <br>
+
+<br>
+
+Help me if you can, I'm feeling down <br>
+
+And I do appreciate you being round. <br>
+
+Help me, get my feet back on the ground, <br>
+
+Won't you please, please help me. <br>
+
+<br>
+
+When I was younger, so much younger than today, <br>
+
+I never needed anybody's help in any way. <br>
+
+But now these days are gone, I'm not so self assured, <br>
+
+No I find I've changed my mind and opened up the doors. <br>
+
+<br>
+
+Help me if you can, I'm feeling down <br>
+
+And I do appreciate you being round. <br>
+
+Help me, get my feet back on the ground, <br>
+
+Won't you please, please help me, help me, help me, oh. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/helter.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/helter.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/helter.htm	(revision 18423)
@@ -0,0 +1,173 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:17 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Helter Skelter</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Helter Skelter</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+When I get to the bottom I go back to the top of the slide <br>
+
+Where I stop and I turn and I go for a ride <br>
+
+'Till I get to the bottom and I see you again. <br>
+
+<br>
+
+Do you, don't you want me to love you <br>
+
+I'm coming down fast but I'm miles above you <br>
+
+Tell me tell me tell me come on tell me the answer <br>
+
+Well you may be a lover but you ain't no dancer. <br>
+
+<br>
+
+Helter skelter helter skelter <br>
+
+Helter skelter. <br>
+
+<br>
+
+Will you , won't you want me to make you <br>
+
+I'm coming down fast but don't let me break you <br>
+
+Tell me tell me tell me the answer <br>
+
+You may be a lover but you ain't no dancer. <br>
+
+<br>
+
+Look out helter skelter helter skelter <br>
+
+Helter skelter <br>
+
+<br>
+
+Look out, cause here she comes. <br>
+
+<br>
+
+When I get to the bottom I go back to the top of the slide <br>
+
+And I stop and I turn and I go for a ride <br>
+
+And I get to the bottom and I see you again <br>
+
+<br>
+
+Well do you, don't you want me to make you <br>
+
+I'm coming down fast but don't let me break you <br>
+
+Tell me tell tell me the answer <br>
+
+You may be a lover but you ain't no dancer. <br>
+
+<br>
+
+Look out helter skelter helter skelter <br>
+
+Helter skelter <br>
+
+<br>
+
+Look out helter skelter <br>
+
+She's coming down fast <br>
+
+Yes she is. <br>
+
+Yes she is. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/here.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/here.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/here.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:22 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Here, There And Everywhere</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Here, There, And Everywhere</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+To lead a better life I need my love to be here... <br>
+
+<br>
+
+Here, making each day of the year <br>
+
+Changing my life with the wave of her hand <br>
+
+Nobody can deny that there's something there <br>
+
+<br>
+
+There, running my hands through her hair <br>
+
+Both of us thinking how good it can be <br>
+
+Someone is speaking but she doesn't know he's there <br>
+
+<br>
+
+I want her everywhere and if she's beside me <br>
+
+I know I need never care <br>
+
+But to love her is to need her everywhere <br>
+
+<br>
+
+Knowing that love is to share <br>
+
+Each one believing that love never dies <br>
+
+Watching her eyes and hoping I'm always there <br>
+
+<br>
+
+I want her everywhere and if she's beside me <br>
+
+I know I need never care <br>
+
+But to love her is to need her everywhere <br>
+
+Knowing that love is to share <br>
+
+<br>
+
+Each one believing that love never dies <br>
+
+Watching her eyes and hoping I'm always there <br>
+
+<br>
+
+I will be there and everywhere <br>
+
+Here, there, and everywhere </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/here_come.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/here_come.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/here_come.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:21 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Here Comes The Sun</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Here Comes The Sun</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Here comes the sun, <br>
+
+Here comes the sun, and I say <br>
+
+It's all right <br>
+
+<br>
+
+Little darling, it's been a long cold lonely winter <br>
+
+Little darling, it feels like years since it's been here <br>
+
+Here comes the sun, <br>
+
+Here comes the sun, and I say <br>
+
+It's all right <br>
+
+<br>
+
+Little darling, the smiles returning to the faces <br>
+
+Little darling, it seems like years since it's been here <br>
+
+Here comes the sun, <br>
+
+Here comes the sun, and I say <br>
+
+It's all right <br>
+
+<br>
+
+Sun, sun, sun, here it comes <br>
+
+Sun, sun, sun, here it comes <br>
+
+Sun, sun, sun, here it comes <br>
+
+Sun, sun, sun, here it comes <br>
+
+Sun, sun, sun, here it comes <br>
+
+<br>
+
+Little darling, I feel that ice is slowly melting <br>
+
+Little darling, it seems like years since it's been clear <br>
+
+Here comes the sun, <br>
+
+Here comes the sun, and I say <br>
+
+It's all right <br>
+
+<br>
+
+Here comes the sun, <br>
+
+Here comes the sun, and I say <br>
+
+It's all right <br>
+
+It's all right </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hippy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hippy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hippy.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:27 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Hippy Hippy Shake</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Hippy Hippy Shake</font></strong><br>
+
+<br>
+
+<i>(Romero) Lead vocal: McCartney</i><br>
+
+<br>
+
+For goodness sake<br>
+
+I got the hippy hippy shake<br>
+
+I've got to shake<br>
+
+Woh the hippy hippy shake<br>
+
+<br>
+
+I can't keep still<br>
+
+With the hippy hippy shake<br>
+
+I get my fill<br>
+
+With the hippy hippy shake<br>
+
+Oh my baby<br>
+
+The hippy hippy shake<br>
+
+<br>
+
+Well now you shake it to the left<br>
+
+Shake it to the right<br>
+
+Do the hippy shake shake<br>
+
+With all of you might<br>
+
+<br>
+
+Then you shake<br>
+
+Oh yes you shake<br>
+
+Oh my baby<br>
+
+Ahow the hippy hippy shake<br>
+
+<br>
+
+Well now you shake it to the left<br>
+
+Shake it to the right<br>
+
+Do the hippy shake shake<br>
+
+With all of you might<br>
+
+<br>
+
+Then you shake<br>
+
+Oh yes you shake<br>
+
+Oh my baby<br>
+
+Oh the hippy hippy shake<br>
+
+Ahow the hippy hippy shake<br>
+
+Yea the hippy hippy shake oh yea</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hold.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hold.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/hold.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:29 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Hold Me Tight</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Hold Me Tight</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+It feels so right now, hold me tight, <br>
+
+Tell me I'm the only one, <br>
+
+And then I might, <br>
+
+Never be the lonely one. <br>
+
+So hold me tight, to-night, to-night, <br>
+
+It's you, you you you -oo-oo - oo-oo. <br>
+
+<br>
+
+Hold me tight, <br>
+
+Let me go on loving you, <br>
+
+To-night, to-night, <br>
+
+Making love to only you, <br>
+
+So hold me tight, to-night, to-night, <br>
+
+It's you, you you you -oo-oo - oo-oo. <br>
+
+<br>
+
+Don't know what it means to hold you tight, <br>
+
+Being here along tonight with you, <br>
+
+It feels so right now, feels so right now. <br>
+
+<br>
+
+Hold me tight, <br>
+
+Tell me I'm the only one, <br>
+
+And then I might, <br>
+
+Never be the only one, <br>
+
+So hold me tight to-night, to-night, <br>
+
+It's you, you you you - oo-oo - oo-oo. <br>
+
+<br>
+
+Don't know what it means to hold you tight, <br>
+
+Being here along tonight with you, <br>
+
+It feels so right now, feels so right now. <br>
+
+<br>
+
+Hold me tight, <br>
+
+Let me go on loving you, <br>
+
+To-night, to-night, <br>
+
+Making love to only you, <br>
+
+So hold me tight, to-night, to-night <br>
+
+It's you, you you you - oo-oo - oo-oo <br>
+
+You oo-oo </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/honey.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/honey.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/honey.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:30 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Honey Don't</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Honey Don't</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Perkins) Lead Vocal: Starr</i><br>
+
+<br>
+
+Well how come you say you will when you won't, <br>
+
+say you do, baby, when you don't? <br>
+
+Let me know honey how you feel <br>
+
+tell the truth now, is love real? <br>
+
+But ah ah well honey don't, well honey don't, <br>
+
+honey don't, honey don't, honey don't <br>
+
+I say you will when you won't, ah ah, honey, don't. <br>
+
+<br>
+
+Well I love you, baby, and you ought to know <br>
+
+I like the way you wear your clothes, <br>
+
+everything about you is so doggone sweet, <br>
+
+you got that sand all over you feet. <br>
+
+But ah ah well honey don't, honey don't, <br>
+
+honey don't, honey don't, honey don't <br>
+
+I say you will when you won't, ah ah, honey, don't. <br>
+
+<br>
+
+[Ah, rock on George, one time for me. I feel fine.] <br>
+
+<br>
+
+Well sometimes I love you on a Saturday night, <br>
+
+Sunday morning you don't look right. <br>
+
+You've been out painting the town, <br>
+
+ah ah baby, been stepping around. <br>
+
+But ah ah well honey don't, I said honey don't, <br>
+
+honey don't, honey don't, honey don't <br>
+
+I say you will when you won't, ah ah, honey, don't. <br>
+
+<br>
+
+[Ah, rock on George, for Ringo one time.] <br>
+
+<br>
+
+Well honey don't, well honey don't, <br>
+
+I say you will when you won't, ah ah, honey, don't. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/how.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/how.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/how.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:33 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>How Do You Do It</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">How Do You Do It</font></strong><br>
+
+<br>
+
+How do you do<br>
+
+what you do to me?<br>
+
+I wish I knew,<br>
+
+if I knew how you do it to me<br>
+
+I'd do it to you.<br>
+
+<br>
+
+How do you do<br>
+
+what you do to me?<br>
+
+I'm feeling blue,<br>
+
+wish I knew how you do it to me<br>
+
+but I haven't a clue.<br>
+
+<br>
+
+You give me a feeling in my heart,<br>
+
+like an arrow piercing through it.<br>
+
+I suppose that you think you're very smart,<br>
+
+but won't you tell me how do you do it?<br>
+
+<br>
+
+How do you do<br>
+
+what you do to me?<br>
+
+I wish I knew,<br>
+
+if I knew how you do it to me<br>
+
+I'd do it to you.<br>
+
+<br>
+
+You give me a feeling in my heart,<br>
+
+like an arrow piercing through it.<br>
+
+I suppose that you think you're very smart,<br>
+
+but won't you tell me how do you do it?<br>
+
+<br>
+
+How do you do<br>
+
+what you do to me?<br>
+
+I wish I knew,<br>
+
+wish I knew how you do it to me<br>
+
+I'd do it to you.<br>
+
+Wish I knew how you do it to me,<br>
+
+I'd do it to you.<br>
+
+Wish I knew how you do it to me,<br>
+
+I'd do it to you.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_call.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_call.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_call.htm	(revision 18423)
@@ -0,0 +1,117 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 11:49 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Call Your Name</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Call Your Name</font></strong><br>
+
+<br>
+
+I call your name but you're not there<br>
+
+Was I to blame for being unfare<br>
+
+Oh I can't sleep at night since you're been gone<br>
+
+I never weep at night, I can't go on<br>
+
+<br>
+
+Well don't you know I can't take it<br>
+
+I don't know who can<br>
+
+I'm not goin' to make it<br>
+
+I'm not that kind of man<br>
+
+<br>
+
+Oh, I can't sleep at night, but just the same<br>
+
+I never weep at night, I call your name<br>
+
+I call your name</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_feel.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_feel.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_feel.htm	(revision 18423)
@@ -0,0 +1,149 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 11:53 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Feel Fine</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Feel Fine</font></strong><br>
+
+<br>
+
+Baby's good to me, you know,<br>
+
+She's happy as can be, you know,<br>
+
+She said so.<br>
+
+I'm in love with her and I feel fine.<br>
+
+<br>
+
+Baby says she's mine, you know,<br>
+
+She tells me all the time, you know,<br>
+
+She said so.<br>
+
+I'm in love with her and I feel fine.<br>
+
+<br>
+
+I'm so glad that she's my little girl.<br>
+
+She's so glad, she's telling all the world<br>
+
+That here baby buys her things, you know.<br>
+
+He buys her diamond rings, you know,<br>
+
+She said so.<br>
+
+She's in love with me and I feel fine, mmm.<br>
+
+<br>
+
+Baby says she's mine, you know,<br>
+
+She tells me all the time, you know,<br>
+
+She said so.<br>
+
+I'm in love with her and I feel fine.<br>
+
+<br>
+
+I'm so glad that she's my little girl.<br>
+
+She's so glad, she's telling all the world<br>
+
+<br>
+
+That her baby buys her things, you know.<br>
+
+He buys her diamond rings, you know,<br>
+
+She said so.<br>
+
+She's in love with me and I feel fine, mmm, mmm.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_ll_back.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_ll_back.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/i_ll_back.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:27 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'll Be Back</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'll Be Back</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+You know if you break my heart I'll go, <br>
+
+But I'll be back again, <br>
+
+'cause I told you once before goodbye, <br>
+
+But I came back again. <br>
+
+<br>
+
+I love you so <br>
+
+I'm the one who wants you, <br>
+
+Yes, I'm the one <br>
+
+Who wants you, oh ho, oh ho, oh <br>
+
+<br>
+
+You could find better things to do, <br>
+
+Than to break my heart again, <br>
+
+This time I will try to show that I'm <br>
+
+Not trying to pretend. <br>
+
+<br>
+
+I thought that you would realize <br>
+
+That if I ran away from you <br>
+
+That you would want me too, <br>
+
+But I got a big surprise, <br>
+
+Oh ho, oh ho, oh <br>
+
+<br>
+
+You could find better things to do, <br>
+
+Than to break my heart again, <br>
+
+This time I will try to show that I'm <br>
+
+Not trying to pretend. <br>
+
+<br>
+
+I wanna go but I hate to leave you, <br>
+
+You know I hate to leave you, oh ho, oh ho, oh <br>
+
+You, if you break my heart I'll go, <br>
+
+But I'll be back again. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/if_i_feel.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/if_i_feel.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/if_i_feel.htm	(revision 18423)
@@ -0,0 +1,159 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:24 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>If I Fell</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">If I Fell</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+If I fell in love with you <br>
+
+Would you promise to be true <br>
+
+And help me understand <br>
+
+'cause I've been in love before <br>
+
+And I found that love was more <br>
+
+Than just holding hands <br>
+
+<br>
+
+If I give my heart to you <br>
+
+I must be sure <br>
+
+From the very start <br>
+
+That you would love me more than her <br>
+
+<br>
+
+If I trust in you oh please <br>
+
+Don't run and hide <br>
+
+If I love you too oh please <br>
+
+Don't hurt my pride like her <br>
+
+'cause I couldn't stand the pain <br>
+
+And I would be sad if our new love was in vain <br>
+
+<br>
+
+So I hope you see that I <br>
+
+Would love to love you <br>
+
+And that she will cry <br>
+
+When she learns we are two <br>
+
+'cause I couldn't stand the pain <br>
+
+And I would be sad if our new love was in vain <br>
+
+<br>
+
+So I hope you see that I <br>
+
+Would love to love you <br>
+
+And that she will cry <br>
+
+When she learns we are two <br>
+
+If I fell in love with you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/if_i_needed.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/if_i_needed.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/if_i_needed.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:25 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>If I Needed Someone</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">If I Needed Someone</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+If I needed someone to love <br>
+
+You're the one that I'd be thinking of <br>
+
+If I needed someone <br>
+
+<br>
+
+If I had some more time to spend <br>
+
+Then I guess I'd be with you my friend <br>
+
+If I needed someone <br>
+
+<br>
+
+Had you come some other day <br>
+
+Then it might not have been like this <br>
+
+But you see now I'm too much in love <br>
+
+<br>
+
+Carve your number on my wall <br>
+
+And maybe you will get a call from me <br>
+
+If I needed someone <br>
+
+Ah, ah, ah, ah <br>
+
+<br>
+
+If I had some more time to spend <br>
+
+Then I guess I'd be with you my friend <br>
+
+If I needed someone <br>
+
+<br>
+
+Had you come some other day <br>
+
+Then it might not have been like this <br>
+
+But you see now I'm too much in love <br>
+
+<br>
+
+Carve your number on my wall <br>
+
+And maybe you will get a call from me <br>
+
+If I needed someone <br>
+
+Ah, ah </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ifyouloveme.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ifyouloveme.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ifyouloveme.htm	(revision 18423)
@@ -0,0 +1,209 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>If You Love Me, Baby</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<dl>
+
+  <dt><big><big><big><strong>If You Love Me, Baby </strong></big></big></big></dt>
+
+  <dt><big><big><big><strong>(Take Out Some Insurance On Me, Baby)</strong></big></big></big></dt>
+
+</dl>
+
+
+
+<p><em>(Charles Singleton and Waldenese Hall)</em> 
+
+
+
+<dl>
+
+  <dt>If you leave me, baby,</dt>
+
+  <dt>I don't know what IŽll do,</dt>
+
+  <dt>I guess I would die, sweetheart,</dt>
+
+  <dt>If I don't get a kiss from you.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Take out some insurance on me, baby,</dt>
+
+  <dt>Take out some insurance on me, baby,</dt>
+
+  <dt>Well, if you ever, ever say goodbye,</dt>
+
+  <dt>I'm gonna go right home and die.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Oh, if you want me, baby,</dt>
+
+  <dt>You've gotta come to me.</dt>
+
+  <dt>Mm, I'm just like a stump in a field,</dt>
+
+  <dt>You just can't move me.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Take out some insurance on me, baby,</dt>
+
+  <dt>Ooh, some insurance on me, baby,</dt>
+
+  <dt>Well, if you ever, ever say goodbye,</dt>
+
+  <dt>I'm gonna go right home and die.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Well, if you want me, baby,</dt>
+
+  <dt>Mm, you've gotta come to me.</dt>
+
+  <dt>I'm just like a stump in a field,</dt>
+
+  <dt>You just can't move me.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Take out some insurance on me, baby,</dt>
+
+  <dt>Mm, some insurance on me, baby,</dt>
+
+  <dt>Well, if you ever, ever say goodbye,</dt>
+
+  <dt>I'm gonna go right home and die.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Well, if you leave me, baby,</dt>
+
+  <dt>I don't know what IŽll do,</dt>
+
+  <dt>I guess I would die, sweetheart,</dt>
+
+  <dt>If I don't get a kiss from you.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Take out some insurance on me, baby,</dt>
+
+  <dt>Mm, some god damned insurance on me, baby,</dt>
+
+  <dt>If you ever, ever say goodbye,</dt>
+
+  <dt>I'm gonna go right home and die.</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="34003" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ifyouvegot.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ifyouvegot.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ifyouvegot.htm	(revision 18423)
@@ -0,0 +1,179 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>If You've Got Trouble</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+<font FACE="Arial" SIZE="2">
+
+
+
+<p></font><big><big><big><strong>If You've Got Trouble</strong></big></big></big></p>
+
+
+
+<p><em>(Lennon/McCartney) Lead vocal: Starr</em> 
+
+
+
+<dl>
+
+  <dt>&nbsp;If you've got troubles then you've got less troubles than me</dt>
+
+  <dt>You say you're worried, you can't be as worried than me (oh oh)</dt>
+
+  <dt>You're quite content to be bad, with all the advantage you had over me</dt>
+
+  <dt>Just 'cause you're trouble, then don't bring your troubles to me</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>I don't think it's funny when you ask for money and things</dt>
+
+  <dt>Especially when you're standing there wearing diamonds and rings (oh oh)</dt>
+
+  <dt>You think I'm soft in the head, go try someone softer instead, pretty thing</dt>
+
+  <dt>It's not so funny when you know what money can bring</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>You'd better leave me alone</dt>
+
+  <dt>I don't need a thing from you</dt>
+
+  <dt>You'd better take yourself home</dt>
+
+  <dt>Go and count a ring or two</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>If you've got troubles then you've got less troubles than me (oh oh)</dt>
+
+  <dt>You say you're worried, you can't be as worried than me</dt>
+
+  <dt>You're quite content to be bad, with all the advantage you had over me</dt>
+
+  <dt>Just 'cause you're trouble, then don't bring your troubles to me</dt>
+
+  <dt>(Ahh... rock on, anybody!)</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>You'd better leave me alone</dt>
+
+  <dt>I don't need a thing from you</dt>
+
+  <dt>You'd better take yourself home</dt>
+
+  <dt>Go and count a ring or two</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>If you've got troubles then you've got less troubles than me</dt>
+
+  <dt>You say you're worried, you can't be as worried than me (oh oh)</dt>
+
+  <dt>You're quite content to be bad, with all the advantage you had over me</dt>
+
+  <dt>Just 'cause you're trouble, then don't bring your troubles to me</dt>
+
+  <dt>Just 'cause you're trouble, then don't bring your troubles to me</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="34003" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ill_cry.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ill_cry.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ill_cry.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:28 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'll Cry Instead</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'll Cry Instead</font></strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I've got every reason on earth to be mad, <br>
+
+'cause I've just lost the only girl I had. <br>
+
+And if I could get my way, <br>
+
+I'd get myself locked up today, <br>
+
+But I can't so I cry instead. <br>
+
+<br>
+
+I've got a chip on my shoulder that's bigger than my feet, <br>
+
+I can't talk to people that I meet. <br>
+
+And if I could see you now, <br>
+
+I'd try to make you sad somehow, <br>
+
+But I can't so I cry instead. <br>
+
+<br>
+
+Don't want to cry when there's people there, <br>
+
+I get shy when they start to stare, <br>
+
+I'm gonna hide myself away, ay hay; <br>
+
+But I'll come back again someday. <br>
+
+<br>
+
+And when I do you'd better hide all the girls, <br>
+
+I'm gonna break their hearts all 'round the world. <br>
+
+Yes, I'm gonna break them in two, <br>
+
+And show you what your loving man can do, <br>
+
+Until then I'll cry instead. <br>
+
+<br>
+
+Don't want to cry when there's people there, <br>
+
+I get shy when they start to stare, <br>
+
+I'm gonna hide myself away, ay hay; <br>
+
+But Ill come back again someday. <br>
+
+<br>
+
+And when I do you'd better hide all the girls, <br>
+
+'cause I'm gonna break their hearts all 'round the world. <br>
+
+Yes, I'm gonna break them in two, <br>
+
+And show you what your loving man can do, <br>
+
+Until then I'll cry instead. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/im_gonna.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/im_gonna.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/im_gonna.htm	(revision 18423)
@@ -0,0 +1,145 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>I'm Gonna Sit Right Down And Cry Over You</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+<font SIZE="6"><b>
+
+
+
+<p>I'm Gonna Sit Right Down And Cry Over You </b></font>
+
+
+
+<dl>
+
+  <dt><font SIZE="2"><br>
+
+    </font>Im gonna sit right down and cry over you<br>
+
+    Im gonna sit right down and cry over you <br>
+
+    And if you ever say goodbye<br>
+
+    If you ever even try</dt>
+
+  <dt>Im gonna sit right down and cry over you<br>
+
+  </dt>
+
+  <dt>Im gonna love you more and more every day <br>
+
+    Im gonna love you more and more every way<br>
+
+    And if you ever even try<br>
+
+    If you ever imply<br>
+
+    Im gonna sit right down and cry over you</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Gonna tell your mama, tell your papa too<br>
+
+    So theyll know exactly what Im gonna do <br>
+
+    If you ever say goodbye<br>
+
+    If you ever even try</dt>
+
+  <dt>Im gonna sit right down and cry over you<br>
+
+  </dt>
+
+  <dt>Gonna tell your mama, tell your papa too<br>
+
+    So theyll know exactly what Im gonna do<br>
+
+    If you ever say goodbye<br>
+
+    If you ever imply <br>
+
+    Im gonna sit right down and cry over you<br>
+
+    Im gonna sit right down and cry over you<br>
+
+    Im gonna sit right down and cry over you<br>
+
+  </dt>
+
+  <!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+  <dt><br>
+
+  </dt>
+
+</dl>
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/index.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/index.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/index.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:50 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>When I Get Home</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">When I Get Home</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Whoa-I, whoa-I, <br>
+
+I got a whole lot of things to tell her, <br>
+
+When I get home. <br>
+
+Come on, out of my way, <br>
+
+'cause I'm gonna see my baby today, <br>
+
+I've got a whole lot of things I've gotta say <br>
+
+To her. <br>
+
+<br>
+
+Whoa-I, whoa-I, <br>
+
+I got a whole lot of things to tell her, <br>
+
+When I get home. <br>
+
+Come on if you please, <br>
+
+I've got no time for trivialities, <br>
+
+I've got a girl who's waiting home for me tonight. <br>
+
+<br>
+
+Whoa-I, whoa-I, <br>
+
+I got a whole lot of things to tell her, <br>
+
+When I get home. <br>
+
+When I'm getting home tonight, <br>
+
+I'm gonna hold her tight. <br>
+
+I'm gonna love her till the cows come home, <br>
+
+I bet I'll love her more, <br>
+
+Till I walk out that door <br>
+
+Again. <br>
+
+<br>
+
+Come on, let me through, <br>
+
+I've got so many things I've got to do, <br>
+
+I've got no business being here with you <br>
+
+This way. <br>
+
+<br>
+
+Whoa-I, whoa-I, <br>
+
+I've got a whole lot of things to tell her <br>
+
+When I get home - yeah <br>
+
+I've got a whole lot of things to tell her <br>
+
+When I get home </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/inspite.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/inspite.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/inspite.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:27 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>In Spite Of All Danger</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">In Spite Of All Danger</font></strong><br>
+
+<br>
+
+In spite of all the danger,<br>
+
+in spite of all that may be<br>
+
+I'll do anything for you,<br>
+
+anything you want me to,<br>
+
+if you'll be true to me. <br>
+
+<br>
+
+In spite of all the heartache,<br>
+
+that you may cause me,<br>
+
+I'll do anything for you,<br>
+
+anything you want me to,<br>
+
+if you'll be true to me. <br>
+
+<br>
+
+I'll look after you<br>
+
+like I've never done before.<br>
+
+I'll keep all the others<br>
+
+from knocking at your door. <br>
+
+<br>
+
+In spite of all the danger,<br>
+
+in spite of all that may be,<br>
+
+I'll do anything for you,<br>
+
+anything you want me to,<br>
+
+if you'll be true to me. <br>
+
+<br>
+
+In spite of all the heartache<br>
+
+that you may cause me,<br>
+
+I'll do anything for you,<br>
+
+anything you want me to,<br>
+
+if you'll be true to me.<br>
+
+I'll do anything for you,<br>
+
+anything you want me to,<br>
+
+if you'll be true to me.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/iwill.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/iwill.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/iwill.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:22 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Will</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Will</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Who knows how long I've loved you <br>
+
+You know I love you still <br>
+
+Will I wait a lonely lifetime <br>
+
+If you want me to--I will. <br>
+
+<br>
+
+For if I ever saw you <br>
+
+I didn't catch your name <br>
+
+But it never really mattered <br>
+
+I will always feel the same. <br>
+
+<br>
+
+Love you forever and forever <br>
+
+Love you with all my heart <br>
+
+Love you when ever we're together <br>
+
+Love you when we're apart. <br>
+
+<br>
+
+And when at last I find you <br>
+
+Your song will fill the air <br>
+
+Sing it loud so I can hear you <br>
+
+Make it easy to be near you <br>
+
+For the things you do endear you to me <br>
+
+You know I will <br>
+
+I will. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/jude.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/jude.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/jude.htm	(revision 18423)
@@ -0,0 +1,183 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:25 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Hey Jude</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Hey Jude</font></strong><br>
+
+<br>
+
+Hey Jude, don't make it bad<br>
+
+take a sad song and make it better<br>
+
+Remember to let her into your heart<br>
+
+Then you can start to make it better<br>
+
+<br>
+
+Hey Jude, don't be afraid<br>
+
+You were made to go out and get her<br>
+
+The minute you let her under your skin<br>
+
+The you begin to make it better<br>
+
+<br>
+
+And anytime you feel the pain<br>
+
+Hey Jude refrain<br>
+
+don't carry the world upon your shoulders<br>
+
+For now you know that it's a fool<br>
+
+who plays it cool<br>
+
+By marking his world a little colder<br>
+
+Da da da da da<br>
+
+da da da da<br>
+
+<br>
+
+Hey Jude don't let me down<br>
+
+You have found her, now go and get her<br>
+
+Remember to let get into your heart<br>
+
+then you can start to make it better<br>
+
+<br>
+
+So let it out and let it in<br>
+
+Hey Jude begin<br>
+
+You're waiting for someone to perform with<br>
+
+And don't you know that it's just you<br>
+
+Hey Jude, you'll do<br>
+
+The movement you need is on your shoulder<br>
+
+Da da da da da<br>
+
+da da da da yeah<br>
+
+<br>
+
+Hey Jude<br>
+
+Hey Jude, don't make it bad<br>
+
+take a sad song and make it better<br>
+
+Remember to let her under your skin<br>
+
+Then you can begin to make it better<br>
+
+Better, better, better, better, better, oh<br>
+
+<br>
+
+Da, da da da da da da<br>
+
+da da da da, hey Jude<br>
+
+Da, da da da da da da<br>
+
+da da da da, hey Jude<br>
+
+Da, da da da da da da<br>
+
+da da da da, hey Jude</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/julia.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/julia.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/julia.htm	(revision 18423)
@@ -0,0 +1,139 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:37 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Julia</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Julia</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Half of what I say is meaningless <br>
+
+But I say it just to reach you, Julia <br>
+
+<br>
+
+Julia, Julia, oceanchild calls me <br>
+
+So I sing a song of love, Julia <br>
+
+Julia, seashell eyes, windy smile, calls me <br>
+
+So I sing a song of love, Julia <br>
+
+<br>
+
+Her hair of floating sky is shimmering, glimmering <br>
+
+In the sun <br>
+
+<br>
+
+Julia, Julia, morning moon, touch me <br>
+
+So I sing a song of love, Julia <br>
+
+<br>
+
+When I cannot sing my heart <br>
+
+I can only speak my mind, Julia <br>
+
+<br>
+
+Julia, sleeping sand, silent cloud, touch me <br>
+
+So I sing a song of love, Julia <br>
+
+Hum hum hum hum...calls me <br>
+
+So I sing a song of love for Julia, Julia, Julia </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/kansas.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/kansas.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/kansas.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:39 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Kansas City</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Kansas City</font></strong><br>
+
+<br>
+
+<i>(Lieber/Stoller/Penniman) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Ah, Kansas City <br>
+
+gonna get my baby back home <br>
+
+yeah, yeah <br>
+
+I'm gonna Kansas City <br>
+
+gonna get my baby back home <br>
+
+yeah, yeah <br>
+
+Well, it's a long, long, time <br>
+
+since my baby's been gone <br>
+
+<br>
+
+Ah, Kansas City <br>
+
+gonna to get my baby on time <br>
+
+yeah, yeah <br>
+
+I'm gonna Kansas City <br>
+
+gonna get my baby on time <br>
+
+yeah, yeah <br>
+
+It's just a one, two, three, four <br>
+
+five, six, seven, eight, nine, wah <br>
+
+<br>
+
+Hey, hey, hey, hey <br>
+
+hey, baby, woo no clown <br>
+
+I say you're no clown <br>
+
+I say you're no clown <br>
+
+Now, now, now, now, <br>
+
+Tell me baby <br>
+
+What's been wrong with you <br>
+
+<br>
+
+Well, I'll say bye <br>
+
+bye, bye, baby bye, bye <br>
+
+Oh, so long <br>
+
+Bye, bye, baby I'm gone <br>
+
+Yeah, I said <br>
+
+bye, bye, baby, bye, bye <br>
+
+bye, bye, bye, bye <br>
+
+<br>
+
+Well, I'll say bye <br>
+
+bye, bye, baby bye, bye </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/known_better.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/known_better.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/known_better.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:03 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Should Have Known Better</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Should Have Known Better</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I should have know better with a girl like you, <br>
+
+that I would love everything that you do <br>
+
+and I do, hey, hey, hey, and I do. <br>
+
+<br>
+
+Whoa, oh, I never realized what a kiss could be, <br>
+
+this could only happen to me <br>
+
+can't you see, can't you see, <br>
+
+<br>
+
+That when I tell you that I love you, oh, <br>
+
+you're gonna say you love me too, oh, <br>
+
+And when I ask you to be mine, <br>
+
+you're gonna say you love me too. <br>
+
+<br>
+
+So I should have realized a lot of things before, <br>
+
+If this is love you've got to give me more, <br>
+
+give me more, hey, hey, hey, give me more. <br>
+
+<br>
+
+Whoa, oh, I never realized what a kiss could be, <br>
+
+this could only happen to me <br>
+
+can't you see, can't you see, <br>
+
+<br>
+
+That when I tell you that I love you, oh, <br>
+
+you're gonna say you love me too, oh, <br>
+
+And when I ask you to be mine, <br>
+
+you're gonna say you love me too. <br>
+
+You love me too, you love me too. <br>
+
+You love me too. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/leave.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/leave.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/leave.htm	(revision 18423)
@@ -0,0 +1,149 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:30 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Leave My Kitten Alone</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Leave My Kitten Alone</font></strong><br>
+
+<br>
+
+You better leave my kitten all alone,<br>
+
+you better leave my kitten all alone.<br>
+
+But I told you big fat bulldog,<br>
+
+you better leave her alone. <br>
+
+<br>
+
+You better leave my kitten all alone,<br>
+
+you better leave my kitten all alone.<br>
+
+This dog is gonna get you<br>
+
+if you don't leave her alone. <br>
+
+<br>
+
+Well Mr.Dog I'm gonna hit you<br>
+
+on the top of your head.<br>
+
+That child is gonna miss you,<br>
+
+you gonna wish that you were dead.<br>
+
+If you don't leave my kitten all alone.<br>
+
+Well I told you big fat bulldog,<br>
+
+you better leave her alone. <br>
+
+<br>
+
+Well Mr.Dog I'm gonna hit you<br>
+
+on the top of your head.<br>
+
+That girl is gonna miss you,<br>
+
+you gonna wish that you were dead.<br>
+
+If you don't leave my kitten all alone, oh yeah.<br>
+
+Well I told you, big fat bulldog,<br>
+
+you better leave her alone. <br>
+
+<br>
+
+Hey hey you better leave, you better leave,<br>
+
+you better leave, yeah you better leave,<br>
+
+you better leave, oh you got to leave...</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/leaving.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/leaving.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/leaving.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:30 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>She's Leaving Home</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">She's Leaving Home</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Wednesday morning at five o'clock as the day begins <br>
+
+Silently closing her bed room door <br>
+
+Leaving the note that she hoped would say more <br>
+
+She goes downstairs to the kitchen clutching her handkerchief <br>
+
+Quietly turning the backdoor key <br>
+
+Stepping outside she is free. <br>
+
+<br>
+
+She (We gave her most of our lives) <br>
+
+is leaving (Sacrificed most of our lives) <br>
+
+home (We gave her everything money could buy) <br>
+
+She's leaving home after living alone (Bye, bye) <br>
+
+For so many years. <br>
+
+<br>
+
+Father snores as his wife gets into her dressing gown <br>
+
+Picks up the letter that's lying there <br>
+
+Standing alone at the top of the stairs <br>
+
+She breaks down and cries to her husband <br>
+
+Daddy our baby's gone. <br>
+
+Why would she treat us so thoughtlessly <br>
+
+How could she do this to me? <br>
+
+<br>
+
+She (We never thought of ourselves) <br>
+
+is leaving (Never a thought for ourselves) <br>
+
+home (We struggled hard all our lives to get by) <br>
+
+She's leaving home after living alone (Bye, bye) <br>
+
+For so many years. <br>
+
+<br>
+
+Friday morning at nine o'clock she is far away <br>
+
+Waiting to keep the appointment she made <br>
+
+Meeting a man from the motor trade. <br>
+
+<br>
+
+She (What did we do that was wrong) <br>
+
+is having (We didn't know it was wrong) <br>
+
+fun (Fun is the one thing that money can't buy) <br>
+
+Something inside that was always denied (Bye, bye) <br>
+
+For so many years. <br>
+
+She's leaving home (Bye, bye) </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lend.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lend.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lend.htm	(revision 18423)
@@ -0,0 +1,149 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:32 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Lend Me Your Comb</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Lend Me Your Comb</font></strong><br>
+
+<br>
+
+Lend me your comb,<br>
+
+it's time to go home.<br>
+
+I got to go past,<br>
+
+my hair is a mess <br>
+
+<br>
+
+Your mammie will scold,<br>
+
+your pappie will shout.<br>
+
+Unless we come in<br>
+
+the way we went out. <br>
+
+<br>
+
+Kissing you was fun honey<br>
+
+but thanks for the date.<br>
+
+But I must come to run honey,<br>
+
+but you know baby it's getting late. <br>
+
+<br>
+
+Just wait till I<br>
+
+say: my darling,<br>
+
+lend me your comb.<br>
+
+We got to go home. <br>
+
+<br>
+
+Kissing you was fun honey<br>
+
+but thanks for the date.<br>
+
+But I must come to run, honey.<br>
+
+but sugar, it's getting late. <br>
+
+<br>
+
+Just wait till I<br>
+
+say: my darling,<br>
+
+lend me your comb.<br>
+
+We got to go home.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/let_it.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/let_it.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/let_it.htm	(revision 18423)
@@ -0,0 +1,159 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:33 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Let It Be</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Let It Be</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+When I find myself in times of trouble <br>
+
+Mother Mary comes to me <br>
+
+Speaking words of wisdom, let it be <br>
+
+And in my hour of darkness <br>
+
+She is standing right in front of me <br>
+
+Speaking words of wisdom, let it be <br>
+
+Let it be, let it be <br>
+
+Let it be, let it be <br>
+
+Yeah there will be an answer, let it be <br>
+
+Let it be, let it be <br>
+
+Let it be, let it be <br>
+
+Whisper words of wisdom, let it be <br>
+
+<br>
+
+Let it be, let it be <br>
+
+Let it be, let it be <br>
+
+Whisper words of wisdom, let it be <br>
+
+<br>
+
+And when the night is cloudy <br>
+
+There is still a light that shines on me <br>
+
+Shine on 'till tomorrow, let it be <br>
+
+I wake up to the sound of music <br>
+
+Mother Mary comes to me <br>
+
+Speaking words of wisdom, let it be <br>
+
+<br>
+
+Let it be, let it be <br>
+
+Let it be, let it be <br>
+
+A there will be an answer, let it be <br>
+
+<br>
+
+Let it be, let it be <br>
+
+Let it be, let it be <br>
+
+Whisper words of wisdom, let it be </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/letsdance.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/letsdance.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/letsdance.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Let's Dance</title>
+
+</head>
+
+
+
+<body>
+
+<font FACE="Arial" SIZE="2"><!--webbot bot="Include" U-Include="../_private/header.htm"
+
+TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<p></font><font size="6"><strong>Let's Dance</strong></font> 
+
+
+
+<dl>
+
+  <dt><font FACE="Arial" SIZE="2">&nbsp;</font>(One, two)</dt>
+
+  <dt>&nbsp;(Oone, two, three, four)</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Hey baby won't you take a chance?</dt>
+
+  <dt>Say that you'll let me have this dance</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Well let's dance, well let's dance</dt>
+
+  <dt>We'll do the twist, the stomp, the mashed potato too,</dt>
+
+  <dt>Any old dance that you wanna do</dt>
+
+  <dt>But let's dance, well let's dance</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Hey baby, yeah, you thrill me so</dt>
+
+  <dt>Hold me tight, don't you let me go</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>But let's dance, well let's dance</dt>
+
+  <dt>We'll do the twist, the stomp, the mashed potato too</dt>
+
+  <dt>Any old dance that you wanna do</dt>
+
+  <dt>But let's dance, well let's dance</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Ok, wail now..... oh, yeah</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Hey, baby, if you're all alone</dt>
+
+  <dt>Maybe you'll let me walk you home</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>But let's dance, well let's dance</dt>
+
+  <dt>We'll do the twist, the stomp, the mashed potato too,</dt>
+
+  <dt>Any old dance that you wanna do</dt>
+
+  <dt>But let's dance, well let's dance</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Hey, baby, things are swingin' right</dt>
+
+  <dt>Yes, i know that this is the night</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Well let's dance, well let's dance</dt>
+
+  <dt>We'll do the twist, the stomp, the mashed potato too</dt>
+
+  <dt>Any old dance that you wanna do</dt>
+
+  <dt>But let's dance, well let's dance</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>But let's dance</dt>
+
+  <dt>But let's dance</dt>
+
+  <dt>But let's dance</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" i-checksum="5922" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/light.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/light.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/light.htm	(revision 18423)
@@ -0,0 +1,135 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:03 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The Inner Light</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Inner Light</font></strong><br>
+
+<br>
+
+<br>
+
+Without going out of my door<br>
+
+I can know all things of earth<br>
+
+With out looking out of my window<br>
+
+I could know the ways of heaven<br>
+
+<br>
+
+The farther one travels<br>
+
+The less one knows<br>
+
+The less one really knows<br>
+
+<br>
+
+Without going out of my door<br>
+
+You can know all things of earth<br>
+
+With out looking out of my window<br>
+
+You could know the ways of heaven<br>
+
+<br>
+
+The farther one travels<br>
+
+The less one knows<br>
+
+The less one really knows<br>
+
+<br>
+
+Arrive without travelling<br>
+
+See all without looking<br>
+
+Do all without doing</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/like.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/like.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/like.htm	(revision 18423)
@@ -0,0 +1,193 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:35 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Like Dreamers Do</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Like Dreamers Do</font></strong><br>
+
+<br>
+
+I I saw a girl in my dreams<br>
+
+and so it seems<br>
+
+that I will love her.<br>
+
+Oh you, you are that girl<br>
+
+in my dreams<br>
+
+and so it seems<br>
+
+that I will love you. <br>
+
+<br>
+
+And I I I waited for your kiss,<br>
+
+waited for the bliss<br>
+
+like dreamers do. <br>
+
+<br>
+
+And I I I I<br>
+
+oh I'll be there<br>
+
+yeh waiting for you you you you... <br>
+
+<br>
+
+You, you came<br>
+
+just one dream ago<br>
+
+and now I know<br>
+
+that I will love you. <br>
+
+<br>
+
+Oh I knew when you<br>
+
+first said hello<br>
+
+that's how I know<br>
+
+that I will love you. <br>
+
+<br>
+
+And I I I I<br>
+
+waited for the kiss<br>
+
+waited for the bliss<br>
+
+like dreamers do. <br>
+
+<br>
+
+And I I I I<br>
+
+oh I'll be there<br>
+
+yeah waiting for you you you you... <br>
+
+<br>
+
+You, you came<br>
+
+just one dream ago<br>
+
+and now I know<br>
+
+that I will love you. <br>
+
+<br>
+
+Oh I knew when you<br>
+
+first said hello<br>
+
+that's how I know<br>
+
+that I will love you. <br>
+
+<br>
+
+And I I I I<br>
+
+I waited for your kiss<br>
+
+waited for the bliss,<br>
+
+like dreamers do,<br>
+
+oh like dreamers do,<br>
+
+like dreamers do.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/little.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/little.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/little.htm	(revision 18423)
@@ -0,0 +1,207 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:38 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Little Queenie</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Little Queenie</font></strong><br>
+
+<br>
+
+<i>(Berry) Lead vocal: McCartney</i><br>
+
+<br>
+
+I got the lumps in my throat<br>
+
+When I saw her coming down the isle<br>
+
+I get the wiggles in my knee<br>
+
+When she looked at me and sweetly smiled <br>
+
+<br>
+
+There she is again<br>
+
+Standing over by the record machine<br>
+
+Yeh she looks like the model<br>
+
+On the cover of a magazine<br>
+
+Why she's too cute<br>
+
+To be a minute over seventeen <br>
+
+<br>
+
+Meanwhile I was thinking<br>
+
+She's in the mood, no need to break it<br>
+
+I got a chance, I ought to take it<br>
+
+If she'll dance, we can make it<br>
+
+Come on Queenie, let's shake it <br>
+
+<br>
+
+Go go go little Queenie<br>
+
+Go go go little Queenie<br>
+
+I said: go go go little Queenie <br>
+
+<br>
+
+There she is again<br>
+
+Standing over by the record machine<br>
+
+She's looking like the model<br>
+
+On the cover of a magazine<br>
+
+Why she's too cute<br>
+
+To be a minute over seventeen <br>
+
+<br>
+
+Meanwhile I was still thinking,<br>
+
+If it's a slow song, we'll omit it<br>
+
+If it's a rocker, that'll get it<br>
+
+And if it's good, she'll admit it<br>
+
+Come on, Queenie, let's get with it <br>
+
+<br>
+
+Go go go little Queenie<br>
+
+Go go go little Queenie<br>
+
+Go go go little Queenie <br>
+
+<br>
+
+There she is again<br>
+
+Standing over by the record machine<br>
+
+Yeh she looks like the model<br>
+
+On the cover of a magazine<br>
+
+Why she's too cute<br>
+
+To be a minute over seventeen <br>
+
+<br>
+
+Meanwhile I was thinking<br>
+
+She's in the mood, no need to break it<br>
+
+I got a chance, I ought to take it<br>
+
+If she'll dance, we can make it<br>
+
+Come on Queenie, let's shake it<br>
+
+<br>
+
+<br>
+
+Go go go little Queenie<br>
+
+Go go go little Queenie<br>
+
+Go go go little Queenie</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/little_help.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/little_help.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/little_help.htm	(revision 18423)
@@ -0,0 +1,185 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:59 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>With A Little Help From My Friends</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">With A Little Help From My Friends</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Starr</i><br>
+
+<br>
+
+<br>
+
+What would you think if I sang out of tune, <br>
+
+Would you stand up and walk out on me. <br>
+
+Lend me your ears and Ill sing you a song, <br>
+
+And I'll try not to sing out of key. <br>
+
+<br>
+
+I get by with a little help from my friends, <br>
+
+I get high with a little help from my friends, <br>
+
+Going to try with a little help from my friends. <br>
+
+<br>
+
+What do I do when my love is away. <br>
+
+(Does it worry you to be alone) <br>
+
+How do I feel by the end of the day <br>
+
+(Are you sad because you're on your own) <br>
+
+<br>
+
+No I get by with a little help from my friends, <br>
+
+I get high with a little help from my friends, <br>
+
+Going to try with a little help from my friends. <br>
+
+<br>
+
+Do you need anybody, <br>
+
+I need somebody to love. <br>
+
+Could it be anybody <br>
+
+I want somebody to love. <br>
+
+<br>
+
+Would you believe in a love at first sight, <br>
+
+Yes I'm certain that it happens all the time. <br>
+
+What do you see when you turn out the light, <br>
+
+I can't tell you, but I know it's mine. <br>
+
+<br>
+
+Oh, I get by with a little help from my friends, <br>
+
+Get high with a little help from my friends, <br>
+
+Oh, I'm going to try with a little help from my friends. <br>
+
+<br>
+
+Do you need anybody, <br>
+
+I just need somebody t love, <br>
+
+Could it be anybody, <br>
+
+I want somebody to love. <br>
+
+<br>
+
+Oh, I get by with a little help from my friends, <br>
+
+Going to try with a little help from my friends, <br>
+
+Oh, I get high with a little help from my friends. <br>
+
+<br>
+
+Yes I get by with a little help from my friends, <br>
+
+With a little help from my friends. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/long.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/long.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/long.htm	(revision 18423)
@@ -0,0 +1,131 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:42 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Long, Long, Long</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Long, Long, Long</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+It's been a long, long, long time, <br>
+
+How could I ever have lost you <br>
+
+When I loved you. <br>
+
+<br>
+
+It took a long, long, long, time <br>
+
+Now I'm so happy I found you <br>
+
+How I love you <br>
+
+<br>
+
+So many tears I was searching, <br>
+
+So may tears I was wasting, oh. Oh-- <br>
+
+<br>
+
+Now I can see you , be you <br>
+
+How can I ever misplace you <br>
+
+How I want you <br>
+
+Oh I love you <br>
+
+Your know that I need you. <br>
+
+Ooh I love you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/looking.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/looking.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/looking.htm	(revision 18423)
@@ -0,0 +1,147 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:17 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'm Looking Through You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'm Looking Through You</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+I'm looking through you, where did you go? <br>
+
+I though I knew you, what did I know? <br>
+
+You don't look different, but you have changed <br>
+
+I'm looking through you, you're not the same <br>
+
+<br>
+
+Your lips are moving, I cannot hear <br>
+
+Your voice is soothing, but the words aren't clear <br>
+
+You don't sound different, I've learned the game. <br>
+
+I'm looking through you, you're not the same <br>
+
+<br>
+
+Why, tell me why, did you not treat me right? <br>
+
+Love has a nasty habit of disappearing overnight <br>
+
+<br>
+
+You're thinking of me, the same old way <br>
+
+You were above me, but not today <br>
+
+The only difference is you're down there <br>
+
+I'm looking through you, and you're nowhere <br>
+
+<br>
+
+Why, tell me why, did you not treat me right? <br>
+
+Love has a nasty habit of disappearing overnight <br>
+
+<br>
+
+I'm looking through you, where did you go? <br>
+
+I thought I knew you, what did I know? <br>
+
+You don't look different, but you have changed <br>
+
+I'm looking through you, you're not the same </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loser.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loser.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loser.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:12 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'm A Loser</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'm A Loser</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I'm a loser <br>
+
+I'm a loser <br>
+
+And I'm not what I appear to be <br>
+
+<br>
+
+Of all the love I have won or have lost <br>
+
+there is one love I should never have crossed <br>
+
+She was a girl in a million, my friend <br>
+
+I should have known she would win in the end <br>
+
+<br>
+
+I'm a loser <br>
+
+And I lost someone who's near to me <br>
+
+I'm a loser <br>
+
+And I'm not what I appear to be <br>
+
+<br>
+
+Although I laugh and I act like a clown <br>
+
+Beneath this mask I am wearing a frown <br>
+
+My tears are falling like rain from the sky <br>
+
+Is it for her or myself that I cry <br>
+
+<br>
+
+I'm a loser <br>
+
+And I lost someone who's near to me <br>
+
+I'm a loser <br>
+
+And I'm not what I appear to be <br>
+
+<br>
+
+What have I done to deserve such a fate <br>
+
+I realize I have left it too late <br>
+
+And so it's true, pride comes before a fall <br>
+
+I'm telling you so that you won't lose all <br>
+
+<br>
+
+I'm a loser <br>
+
+And I lost someone who's near to me <br>
+
+I'm a loser <br>
+
+And I'm not what I appear to be </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/love_me.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/love_me.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/love_me.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:44 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Love Me Do</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Love Me Do</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocals: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+Love, love me do <br>
+
+You know I love you <br>
+
+I'll always be true <br>
+
+So please, love me do <br>
+
+Whoa, love me do <br>
+
+<br>
+
+Love, love me do <br>
+
+You know I love you <br>
+
+I'll always be true <br>
+
+So please, love me do <br>
+
+Whoa, love me do <br>
+
+<br>
+
+Someone to love <br>
+
+Somebody new <br>
+
+Someone to love <br>
+
+Someone like you <br>
+
+<br>
+
+Love, love me do <br>
+
+You know I love you <br>
+
+I'll always be true <br>
+
+So please, love me do <br>
+
+Whoa, love me do <br>
+
+<br>
+
+Love, love me do <br>
+
+You know I love you <br>
+
+I'll always be true <br>
+
+So please, love me do <br>
+
+Whoa, love me do <br>
+
+Yeah, love me do <br>
+
+Whoa, oh, love me do </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/love_you.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/love_you.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/love_you.htm	(revision 18423)
@@ -0,0 +1,143 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:47 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Love You To</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Love You To</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Each day just goes so fast <br>
+
+I turn around - it's past <br>
+
+You don't have time to hang a sign on me <br>
+
+<br>
+
+Love me while you can <br>
+
+Before I'm dead old man <br>
+
+<br>
+
+A lifetime is so short <br>
+
+A new one can't be bought <br>
+
+And what you've got means such a lot to me <br>
+
+<br>
+
+Make love all day long <br>
+
+Make love singing songs <br>
+
+<br>
+
+Make love all day long <br>
+
+Make love singing songs <br>
+
+<br>
+
+There's people standing round <br>
+
+Who screw you in the ground <br>
+
+They'll fill in with all the sins you see <br>
+
+<br>
+
+I'll make love to you <br>
+
+If you want me too </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loved.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loved.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loved.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:45 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Love Of The Loved</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Love Of The Loved</font></strong><br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead vocal: McCartney</i><br>
+
+<br>
+
+Each time I look, into your eyes<br>
+
+I see that there, there heaven lies<br>
+
+And as I look, I see the love of the loved <br>
+
+<br>
+
+Someday they'll see, that from the start<br>
+
+My place has been, deep in your heart<br>
+
+And in your heart, I see the love of the loved <br>
+
+<br>
+
+Though I've said it all before<br>
+
+I will say it more and more<br>
+
+Now that I'm really sure you love me <br>
+
+<br>
+
+And I know that from today<br>
+
+I'll see it in the way<br>
+
+That you look at me and say how you love me <br>
+
+<br>
+
+So let it rain, I'll never care<br>
+
+Deep in your heart, I'll still be there<br>
+
+And when I'm there, I see the love of the loved <br>
+
+<br>
+
+Though I've said it all before<br>
+
+I will say it more and more<br>
+
+Now that I'm really sure you love me <br>
+
+<br>
+
+And I know that from today<br>
+
+I'll see it in the way<br>
+
+That you look at me and say how you love me <br>
+
+<br>
+
+So let it rain, I'll never care<br>
+
+Deep in your heart, I'll still be there<br>
+
+And when I'm there, I see the love of the loved <br>
+
+<br>
+
+I see the love of the loved<br>
+
+I see the love of the loved<br>
+
+I..see the love..of the looooooooved</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loves2.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loves2.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/loves2.htm	(revision 18423)
@@ -0,0 +1,183 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:19 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>She Loves You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">She Loves You</font></strong><br>
+
+<br>
+
+<br>
+
+She loves you, yeah, yeah, yeah<br>
+
+She loves you, yeah, yeah, yeah<br>
+
+She loves you, yeah, yeah, yeah<br>
+
+<br>
+
+You think you've lost your love<br>
+
+Well, I saw her yesterday-yi-yay<br>
+
+It's you she's thinking of <br>
+
+And she told me what to say-yi-yay<br>
+
+<br>
+
+She says she loves you<br>
+
+and you know that can't be bad<br>
+
+Yes, she loves you<br>
+
+and you know you should be glad<br>
+
+<br>
+
+She said you hurt her so<br>
+
+She almost lost her mind<br>
+
+And now she says she knows<br>
+
+You're not the hurting kind<br>
+
+<br>
+
+She says she loves you<br>
+
+and you know that can't be bad<br>
+
+Yes, she loves you<br>
+
+and you know you should be glad<br>
+
+<br>
+
+Oo, she loves you, yeah, yeah, yeah<br>
+
+She loves you, yeah, yeah, yeah<br>
+
+And with a love like that<br>
+
+You know you should be glad<br>
+
+<br>
+
+You know it's up to you<br>
+
+I think it's only fair<br>
+
+Pride can hurt you too<br>
+
+Apologize to her<br>
+
+<br>
+
+Because she loves you<br>
+
+and you know that can't be bad<br>
+
+Yes, she loves you<br>
+
+and you know you should be glad<br>
+
+<br>
+
+Oo, she loves you, yeah, yeah, yeah<br>
+
+She loves you, yeah, yeah, yeah<br>
+
+And with a love like that<br>
+
+You know you should be glad<br>
+
+And with a love like that<br>
+
+you know you should be glad</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lucy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lucy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lucy.htm	(revision 18423)
@@ -0,0 +1,179 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:50 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Lucy In The Sky With Diamonds</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Lucy In The Sky With Diamonds</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Picture yourself in a boat on a river, <br>
+
+With tangerine trees and marmalade skies <br>
+
+Somebody calls you, you answer quite slowly, <br>
+
+A girl with kaleidoscope eyes. <br>
+
+Cellophane flowers of yellow and green, <br>
+
+Towering over your head. <br>
+
+Look for the girl with the sun in her eyes, <br>
+
+And she's gone. <br>
+
+<br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds. Ah <br>
+
+<br>
+
+Follow her down to a bridge by a fountain <br>
+
+Where rocking horse people eat marshmallow pies, <br>
+
+Everyone smiles as you drift past the flowers, <br>
+
+That grow so incredibly high. <br>
+
+Newspaper taxis appear on the shore, <br>
+
+Waiting to take you away. <br>
+
+Climb in the back with your head in the clouds, <br>
+
+And you're gone. <br>
+
+<br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds. Ah <br>
+
+<br>
+
+Picture yourself on a train in a station, <br>
+
+With plasticine porters with looking glass ties, <br>
+
+Suddenly someone is there at the turnstile, <br>
+
+The girl with the kaleidoscope eyes. <br>
+
+<br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds. Ah <br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds. Ah <br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds <br>
+
+Lucy in the sky with diamonds </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/madonna.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/madonna.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/madonna.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:29 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Lady Madonna</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Lady Madonna</font></strong><br>
+
+<br>
+
+Lady Madonna, children at your feet<br>
+
+Wonder how you manage to make ends meet<br>
+
+Who find the money when you pay the rent<br>
+
+Did you think that money was heaven sent <br>
+
+<br>
+
+Friday night arrives without a suitcase<br>
+
+Sunday morning creeping like a nun<br>
+
+Monday's child has learned to tie his bootlegs<br>
+
+See how they run <br>
+
+<br>
+
+Lady Madonna, baby at your breast<br>
+
+Wonders how you manage to feed the rest<br>
+
+Pa pa pa pa...<br>
+
+See how they run <br>
+
+<br>
+
+Lady Madonna lying on the bed<br>
+
+Listen to the music playing in your head <br>
+
+<br>
+
+Tuesday afternoon is never ending<br>
+
+Wednesday morning papers didn't come<br>
+
+Thursday night you stocking needed mending<br>
+
+See how they run <br>
+
+<br>
+
+Lady Madonna, children at your feet<br>
+
+Wonder how you manage to make ends meet</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mae.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mae.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mae.htm	(revision 18423)
@@ -0,0 +1,113 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:37 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Maggie Mae</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Maggie Mae</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon, McCartney, Harrison, Starr) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Oh dirty Maggie Mae they have taken her away <br>
+
+And she never walk down Lime Street any more <br>
+
+Oh the judge he guilty found her <br>
+
+For robbing a homeward bounder <br>
+
+That dirty no good robbin' Maggie Mae <br>
+
+To the port of Liverpool <br>
+
+They returned me to <br>
+
+Two pounds then a week, that was my pay </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/magical.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/magical.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/magical.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:40 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Magical Mystery Tour</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Magical Mystery Tour</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Roll up, roll up for the mystery tour <br>
+
+Step right this way <br>
+
+<br>
+
+Roll up, roll up for the mystery tour <br>
+
+Roll up, roll up for the mystery tour <br>
+
+<br>
+
+Roll up, and that's an invitation, roll up for the mystery tour <br>
+
+Roll up, to make a reservation, roll up for the mystery tour <br>
+
+The magical mystery tour is waiting to take you away <br>
+
+Waiting to take you away <br>
+
+<br>
+
+Roll up, roll up for the mystery tour <br>
+
+Roll up, roll up for the mystery tour <br>
+
+<br>
+
+Roll up, we've got everything you need, roll up for the mystery tour <br>
+
+Roll up, satisfaction guaranteed, roll up for the mystery tour <br>
+
+The magical mystery tour is hoping to take you away <br>
+
+<br>
+
+Roll up, roll up for the mystery tour <br>
+
+Roll up, roll up for the mystery tour <br>
+
+<br>
+
+Roll up, and that's an invitation, roll up for the mystery tour <br>
+
+Roll up, to make a reservation, roll up for the mystery tour <br>
+
+The magical mystery tour is coming to take you away <br>
+
+Coming to take you away <br>
+
+<br>
+
+The magical mystery tour is dying to take you away, <br>
+
+Dying to take you away, take you today. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/majesty.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/majesty.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/majesty.htm	(revision 18423)
@@ -0,0 +1,107 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:18 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Her Majesty</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Her Majesty</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Her Majesty's a pretty nice girl but she doesn't have a lot to say <br>
+
+Her Majesty's a pretty nice girl but she changes from day to day <br>
+
+I want to tell her that I love her a lot but I gotta get a belly full of wine <br>
+
+Her Majesty's a pretty nice girl someday I'm going to make her mine, oh yeah <br>
+
+Someday I'm going to make her mine </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/martha.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/martha.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/martha.htm	(revision 18423)
@@ -0,0 +1,145 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:42 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Martha My Dear</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Martha My Dear</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Martha my dear though I spend my days in conversation <br>
+
+Please <br>
+
+Remember me...Martha my love <br>
+
+Don't forget me...Martha my dear <br>
+
+<br>
+
+Hold your head up you silly girl look what you've done <br>
+
+When you find yourself in the thick of it <br>
+
+Help yourself to a bit of what is all around you <br>
+
+Silly Girl. <br>
+
+<br>
+
+Take a good look around you <br>
+
+Take a good look you're bound to see <br>
+
+That you and me were meant to be for each other <br>
+
+Silly girl. <br>
+
+<br>
+
+Hold your hand out you silly girl see what you've done <br>
+
+When you find yourself in the thick of it <br>
+
+Help yourself to a bit of what is all around you <br>
+
+Silly girl. <br>
+
+<br>
+
+Martha my dear you have always been my inspiration <br>
+
+Please <br>
+
+Be good to me...Martha my love <br>
+
+Don't forget me...Martha my dear. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/matchbox.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/matchbox.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/matchbox.htm	(revision 18423)
@@ -0,0 +1,135 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:43 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Matchbox</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Matchbox</font></strong> <br>
+
+<br>
+
+I said I'm sitting here watchin' ,<br>
+
+matchbox hole in my clothes;<br>
+
+I said I'm sitting here wond'rin, <br>
+
+matchbox hole in my clothes.<br>
+
+I ain't got no matches, but I sure got a long way to go.<br>
+
+<br>
+
+I'm an ol' poor boy and I'm a long way from home;<br>
+
+I'm an ol' poor boy and I'm a long way from home;<br>
+
+<br>
+
+I'll never be happy, 'cause everything I ever did was wrong.<br>
+
+well if you dont want to be my peaches, honey, please dont shake my tree;<br>
+
+if you dont want any of those peaches, honey , please dont mess around my tree.<br>
+
+I got news for you baby, leave me here in misery.<br>
+
+<br>
+
+(spoken) all right!<br>
+
+<br>
+
+well let me be your little dog till your big dog comes;<br>
+
+let me be your little dog while your big dog comes;<br>
+
+and when your big dog gets here, watch how your puppy runs.<br>
+
+well I said I,m sittin' here watchin, matchbox hole in my clothes<br>
+
+I said I,m sittin' here watchin' matchbox hole in my clothes.<br>
+
+I aint got no matches , but I sure got a long way to go.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/maxwell.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/maxwell.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/maxwell.htm	(revision 18423)
@@ -0,0 +1,185 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:46 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Maxwell's Silver Hammer</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Maxwell's Silver Hammer</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Joan was quizzical, studied pataphysical <br>
+
+Science in the home <br>
+
+Late nights all alone with a test tube <br>
+
+Ohh-oh-oh-oh... <br>
+
+Maxwell Edison majoring in medicine <br>
+
+Calls her on the phone <br>
+
+&quot;Can I take you out to the pictures <br>
+
+Joa-oa-oa-oan?&quot; <br>
+
+But as she's getting ready to go <br>
+
+A knock comes on the door... <br>
+
+<br>
+
+Bang, bang, Maxwell's silver hammer <br>
+
+Came down upon her head <br>
+
+Bang, bang, Maxwell's silver hammer <br>
+
+Made sure that she was dead <br>
+
+<br>
+
+Back in school again Maxwell plays the fool again <br>
+
+Teacher gets annoyed <br>
+
+Wishing to avoid an unpleasant sce-e-e-ene <br>
+
+She tells Max to stay when the class has gone away <br>
+
+So he waits behind <br>
+
+Writing 50 times &quot;I must not be so-o-o-oo...&quot; <br>
+
+But when she turns here back on the boy <br>
+
+He creeps up from behind <br>
+
+<br>
+
+Bang, bang, Maxwell's silver hammer <br>
+
+Came down upon her head <br>
+
+Bang, bang, Maxwell's silver hammer <br>
+
+Made sue that she was dead <br>
+
+<br>
+
+P.C. Thirty-One said &quot;we caught a dirty one&quot; <br>
+
+Maxwell stands alone <br>
+
+Painting testimonial pictures ohh-oh-oh-oh <br>
+
+Rose and Valerie screaming from the gallery <br>
+
+Say he must go free (Maxwell must go free) <br>
+
+The judge does not agree and he tells them so-o-o-oo <br>
+
+But as the words are leaving his lips <br>
+
+A noise comes from behind <br>
+
+<br>
+
+Bang, bang, Maxwell's silver hammer <br>
+
+Came down upon his head <br>
+
+Bang, bang, Maxwell's silver hammer <br>
+
+Made sure that he was dead wo-wo-wo-oo <br>
+
+Silver hammer man </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/memphis.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/memphis.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/memphis.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:54 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Memphis, Tennessee</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Memphis, Tennessee</font></strong><br>
+
+<br>
+
+Long distance information<br>
+
+give me Memphis Tennessee.<br>
+
+Try to find the party<br>
+
+trying to get in touch with me.<br>
+
+She could not leave her number<br>
+
+but I know who placed the call.<br>
+
+'Cos my uncle took the message<br>
+
+and he wrote it on the wall.<br>
+
+<br>
+
+Help me, information,<br>
+
+more than that I cannot add.<br>
+
+Only that I miss her<br>
+
+and all the fun we had.<br>
+
+We were pulled apart<br>
+
+because her ma would not agree.<br>
+
+Help me get in touch with her<br>
+
+in Memphis Tennessee.<br>
+
+<br>
+
+Last time I saw Marie<br>
+
+she was waving me goodbye,<br>
+
+with hurry homedrops on her cheek<br>
+
+that trickled from her eye.<br>
+
+Marie is only six years old,<br>
+
+information please.<br>
+
+Help me get in touch with her<br>
+
+in Memphis Tennessee.<br>
+
+<br>
+
+The last time that I saw Marie<br>
+
+she was waving me goodbye,<br>
+
+with hurry homedrops on her cheek<br>
+
+that trickled from her eye.<br>
+
+Marie is only six years old,<br>
+
+information please.<br>
+
+Help me get in touch with her<br>
+
+in Memphis Tennessee.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/metadata.xml	(revision 18423)
@@ -0,0 +1,2082 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>hippy\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">hippy.htm</XMetadata>
+            <XMetadata name="Title">Hippy Hippy Shake</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>anna\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">anna.htm</XMetadata>
+            <XMetadata name="Title">Anna (Go To Him)</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>writer\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">writer.htm</XMetadata>
+            <XMetadata name="Title">Paperback Writer</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>drive\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">drive.htm</XMetadata>
+            <XMetadata name="Title">Drive My Car</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>lend\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">lend.htm</XMetadata>
+            <XMetadata name="Title">Lend Me Your Comb</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>mustard\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">mustard.htm</XMetadata>
+            <XMetadata name="Title">Mean Mr. Mustard</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>real\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">real.htm</XMetadata>
+            <XMetadata name="Title">Real Love</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>for_you\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">for&amp;#095;you.htm</XMetadata>
+            <XMetadata name="Title">For You Blue</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>baby_your\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">baby&amp;#095;your.htm</XMetadata>
+            <XMetadata name="Title">Baby You&apos;re A Rich Man</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>letsdance\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">letsdance.htm</XMetadata>
+            <XMetadata name="Title">Let&apos;s Dance</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>wood\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
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+            <XMetadata name="Source">spoil.htm</XMetadata>
+            <XMetadata name="Title">I Don&apos;t Want To Spoil The Party</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>story\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>remember\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">remember.htm</XMetadata>
+            <XMetadata name="Title">I Remember You</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>mother\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>get_you\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>fool\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>if_i_feel\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">if&amp;#095;i&amp;#095;feel.htm</XMetadata>
+            <XMetadata name="Title">If I Fell</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>youve_got\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">youve&amp;#095;got.htm</XMetadata>
+            <XMetadata name="Title">You&apos;ve Got To Hide Your Love Away</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>falling\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">falling.htm</XMetadata>
+            <XMetadata name="Title">Falling In Love Again</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>good_night\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>wherehave\.htm</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="HTMLPlug">1</XMetadata>
+            <XMetadata name="Source">wherehave.htm</XMetadata>
+            <XMetadata name="Title">Where Have You Been All My Life</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>ifyouvegot\.htm</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>two\.htm</FileName>
+        <Description/>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/michelle.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/michelle.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/michelle.htm	(revision 18423)
@@ -0,0 +1,173 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:55 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Michelle</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Michelle</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Michelle, my belle. <br>
+
+These are words that go together well, <br>
+
+my Michelle. <br>
+
+<br>
+
+Michelle, my belle. <br>
+
+Sont les mots qui vont tres bien ensemble, <br>
+
+tres bien ensemble. <br>
+
+<br>
+
+I love you, I love you, I love you. <br>
+
+That's all I want to say. <br>
+
+Until I find a way <br>
+
+I will say the only words I know that <br>
+
+you'll understand. <br>
+
+<br>
+
+Michelle, my belle. <br>
+
+Sont les mots qui vont tres bien ensemble, <br>
+
+tres bien ensemble. <br>
+
+<br>
+
+I need to, I need to, I need to <br>
+
+I need to make you see, <br>
+
+oh, what you mean to me. <br>
+
+Until I don I'm hoping you will <br>
+
+know what I mean. <br>
+
+<br>
+
+I love you. <br>
+
+<br>
+
+I want you, I want you, I want you. <br>
+
+I think you know by now <br>
+
+I'll get to you somehow. <br>
+
+Until I do I'm telling you so <br>
+
+you'll understand. <br>
+
+<br>
+
+Michelle, my belle. <br>
+
+Sont les mots qui vont tres bien ensemble, <br>
+
+tres bien ensemble. <br>
+
+<br>
+
+I will say the only words I know <br>
+
+that you'll understand, my Michelle. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mine.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mine.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mine.htm	(revision 18423)
@@ -0,0 +1,149 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 11:54 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Me Mine</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Me Mine</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+All through the day I me mine, I me mine, I me mine <br>
+
+All through the night I me mine, I me mine, I me mine <br>
+
+Now they're frightened of leaving it <br>
+
+Everyone's weaving it <br>
+
+Coming on strong all the time <br>
+
+All through the day I me mine <br>
+
+<br>
+
+I-me-me mine, I-me-me mine <br>
+
+I-me-me mine, I-me-me mine <br>
+
+<br>
+
+All I can hear I me mine, I me mine, I me mine <br>
+
+Even those tears I me mine, I me mine, I me mine <br>
+
+No one's frightened of playing it <br>
+
+Everyone's saying it <br>
+
+Flowing more freely than wine <br>
+
+All through the day I me mine <br>
+
+<br>
+
+I-me-me mine, I-me-me-mine <br>
+
+I-me-me mine, I-me-me-mine <br>
+
+<br>
+
+All I can hear I me mine, I me mine, I me mine <br>
+
+Even those tears I me mine, I me mine, I me mine <br>
+
+No one's frightened of playing it <br>
+
+Everyone's saying it <br>
+
+Flowing more freely than wine <br>
+
+All through your life I me mine </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/misery.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/misery.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/misery.htm	(revision 18423)
@@ -0,0 +1,147 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:57 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Misery</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Misery</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+The world is treating me bad...Misery <br>
+
+<br>
+
+I'm the kind of guy <br>
+
+Who never used to cry <br>
+
+The world is treatin' me bad...Misery <br>
+
+<br>
+
+I've lost her now for sure <br>
+
+I won't see her no more <br>
+
+It's gonna be a drag...Misery <br>
+
+<br>
+
+I'll remember all the little things we've done <br>
+
+Can't she see she'll always be the only one, only one <br>
+
+<br>
+
+Send her back to me <br>
+
+'Cause everyone can see <br>
+
+Without her I will be in misery <br>
+
+<br>
+
+I remember all the little things we've done <br>
+
+She'll remember and she'll miss her only one, lonely one <br>
+
+<br>
+
+Send her back to me <br>
+
+'Cause everyone can see <br>
+
+Without her I will be in misery (oh oh oh) <br>
+
+In misery (ooh ooh ooh) <br>
+
+My misery (la la la la la la) </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/money.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/money.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/money.htm	(revision 18423)
@@ -0,0 +1,179 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:58 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Money (That's What I Want)</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Money (That's What I Want)</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Bradford/Gordy) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+The best things in life are free <br>
+
+But you can keep them for the birds and bees <br>
+
+Now give me money <br>
+
+That's what I want <br>
+
+That's what I want, yeah <br>
+
+That's what I want <br>
+
+<br>
+
+You're lovin' gives me a thrill <br>
+
+But you're lovin' don't pay me bills <br>
+
+Now give me money <br>
+
+That's what I want <br>
+
+That's what I want, yeah <br>
+
+That's what I want <br>
+
+<br>
+
+Money don't get everything it's true <br>
+
+What it don't get, I can't use <br>
+
+Now give me money <br>
+
+That's what I want <br>
+
+That's what I want, yeah <br>
+
+That's what I want, wah <br>
+
+<br>
+
+Money don't get everything it's true <br>
+
+What it don't get, I can't use <br>
+
+Now give me money <br>
+
+That's what I want <br>
+
+That's what I want, yeah <br>
+
+That's what I want <br>
+
+<br>
+
+Well now give me money <br>
+
+A lot of money <br>
+
+Wow, yeah, I wanna be free <br>
+
+Oh I want money <br>
+
+That's what I want <br>
+
+That's what I want, well <br>
+
+Now give me money <br>
+
+A lot of money <br>
+
+Wow, yeah, you need money <br>
+
+now, give me money <br>
+
+That's what I want, yeah <br>
+
+that's what I want </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/moon.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/moon.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/moon.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 11:07 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Mr. Moonlight</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Mr. Moonlight</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Johnson) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Mr. Moonlight <br>
+
+You came to me one summernight <br>
+
+and from your beam you made my dream, <br>
+
+and from the world you sent my girl <br>
+
+and from above you sent us love, <br>
+
+and now she is mine. <br>
+
+I think you're fine <br>
+
+'cause we love you, Mr. Moonlight. <br>
+
+<br>
+
+Mr. Moonlight, come again please, <br>
+
+here I am on my knees, <br>
+
+begging if you please, <br>
+
+and the night you don't come my way. <br>
+
+I'll pray and pray more each day, <br>
+
+'cause we love you, Mr. Moonlight. <br>
+
+<br>
+
+And the night you don't come my way. <br>
+
+Oh, I'll pray and pray more each day, <br>
+
+'cause we love you, Mr. Moonlight, <br>
+
+Mr. Moonlight. <br>
+
+<br>
+
+Mr. Moonlight, come again please, <br>
+
+here I am on my knees, begging if you please, <br>
+
+and the night you don't come my way. <br>
+
+I'll pray and pray more each day, <br>
+
+'cause we love you, Mr. Moonlight <br>
+
+Mr. Moonlight <br>
+
+Mr. Moonlight <br>
+
+Mr. Moonlight </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mother.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mother.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mother.htm	(revision 18423)
@@ -0,0 +1,117 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 11:05 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Mother Nature's Son</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Mother Nature's Son</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Born a poor young country boy--Mother Nature's son <br>
+
+All day long I'm sitting singing songs for everyone. <br>
+
+<br>
+
+Sit beside a mountain stream--see her waters rise <br>
+
+Listen to the pretty sound of music as she flies. <br>
+
+<br>
+
+Find me in my field of grass--Mother Nature's son <br>
+
+Swaying daises sing a lazy song beneath the sun. <br>
+
+<br>
+
+Mother Nature's son. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mother_should.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mother_should.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mother_should.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:25 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Your Mother Should Know</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Your Mother Should Know</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Let's all get up and dance to a song <br>
+
+That was a hit before your mother was born <br>
+
+Though she was born a long, long time ago <br>
+
+Your mother should know (Your mother should...) <br>
+
+Your mother should know (...know) <br>
+
+Sing it again. <br>
+
+<br>
+
+Let's all get up and dance to a song <br>
+
+That was a hit before your mother was born <br>
+
+Though she was born a long, long time ago <br>
+
+Your mother should know (Your mother should...) <br>
+
+Your mother should know (...know) <br>
+
+<br>
+
+Lift up your hearts and sing me a song <br>
+
+That was a hit before your mother was born <br>
+
+Though she was born a long, long time ago <br>
+
+Your mother should know (Your mother should...) <br>
+
+Your mother should know (Aaaah) <br>
+
+Your mother should know (Your mother should...) <br>
+
+Your mother should know (Aaaah) <br>
+
+<br>
+
+Sing it again <br>
+
+Da-da-da-da-da-da-da-da-da-da <br>
+
+Da-da-da-da-da-da-da-da-da-da <br>
+
+<br>
+
+Though she was born a long, long time ago <br>
+
+Your mother should know (Your mother should...) <br>
+
+Your mother should know (Yeah) <br>
+
+Your mother should know (Your mother should...) <br>
+
+Your mother should know (Yeah) <br>
+
+Your mother should know (Your mother should...) <br>
+
+Your mother should know (Yeah) </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mustard.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mustard.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mustard.htm	(revision 18423)
@@ -0,0 +1,127 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 10:50 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Mean Mr. Mustard</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Mean Mr. Mustard</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Mean Mister Mustard sleeps in the park <br>
+
+Shaves in the dark trying to save paper <br>
+
+Sleeps in a hole in the road <br>
+
+Saving up to buy some clothes <br>
+
+Keeps a ten-bob note up his nose <br>
+
+Such a mean old man <br>
+
+Such a mean old ma <br>
+
+<br>
+
+His sister Pam works in a shop <br>
+
+She never stops, she's a go-getter <br>
+
+Takes him out to look at the queen <br>
+
+Only place that he's ever been <br>
+
+Always shouts out something obscene <br>
+
+Such a dirty old man <br>
+
+Dirty old man </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mylife.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mylife.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/mylife.htm	(revision 18423)
@@ -0,0 +1,143 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:25 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>In My Life</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">In My Life</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+There are places I remember <br>
+
+All my life though some have changed <br>
+
+Some forever not for better <br>
+
+Some have gone and some remain <br>
+
+All these places have their moments <br>
+
+With lovers and friends I still can recall <br>
+
+Some are dead and some are living <br>
+
+In my life I've loved them all <br>
+
+<br>
+
+But of all these friends and lovers <br>
+
+There is no one compares with you <br>
+
+And these memories lose their meaning <br>
+
+When I think of love as something new <br>
+
+Though I know I'll never lose affection <br>
+
+For people and things that went before <br>
+
+I know I'll often stop and think about them <br>
+
+In my life I love you more <br>
+
+<br>
+
+Though I know I'll never lose affection <br>
+
+For people and things that went before <br>
+
+I know I'll often stop and think about them <br>
+
+In my life I love you more <br>
+
+In my life I love you more </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/name.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/name.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/name.htm	(revision 18423)
@@ -0,0 +1,191 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:16 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>You Know My Name (Look Up The Number)</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">You Know My Name (Look Up The Number)</font></strong><br>
+
+<br>
+
+<br>
+
+You know my name<br>
+
+Look up the number<br>
+
+You know my name<br>
+
+Look up the number<br>
+
+You you know you know my name<br>
+
+You you know you know my name<br>
+
+<br>
+
+Good evening and welcome to Slaggers<br>
+
+Featuring Denis O'Bell<br>
+
+Come on Ringo, let's hear it for Denis<br>
+
+<br>
+
+Good evening<br>
+
+You know my name<br>
+
+Better look up the number<br>
+
+You know my name<br>
+
+(That's right) look up the number<br>
+
+You you know you know my name<br>
+
+You you know you know my name<br>
+
+You know my name<br>
+
+Ba ba ba ba ba ba ba ba ba<br>
+
+Look up my number<br>
+
+You know my name<br>
+
+That's right look up the number<br>
+
+Oh you know you know<br>
+
+You know my name you know you know you know my name.<br>
+
+<br>
+
+Huh huh huh huh<br>
+
+You know my name<br>
+
+Ba ba ba pum<br>
+
+Look up the number<br>
+
+You know my name<br>
+
+Look up the number<br>
+
+You-a you know you know my name<br>
+
+Baby you-a you know you know my name<br>
+
+You know my name you know you know you know my name<br>
+
+Go on Denis, let's hear it for Denis O'Bell<br>
+
+You know my name you know you know you know you know you know my name<br>
+
+Prrr you know my name and the number<br>
+
+You know my name and the number you know you know my name<br>
+
+Look up me number<br>
+
+You know my number three you know my number two<br>
+
+You know my number three you know my number four<br>
+
+You know my name you know number too<br>
+
+You know my name you know my number<br>
+
+What's up with you?<br>
+
+<br>
+
+You know my name<br>
+
+That's right<br>
+
+Yeah</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/need_you.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/need_you.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/need_you.htm	(revision 18423)
@@ -0,0 +1,143 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 11:56 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Need You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Need You</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+You don't realize how much I need you, <br>
+
+love you all the time and never leave you. <br>
+
+Please come on back to me. <br>
+
+I'm lonely as can be. I need you. <br>
+
+<br>
+
+Said you had a thing or two to tell me. <br>
+
+How was I to know you would upset me? <br>
+
+<br>
+
+I didn't realize as I looked in your eyes <br>
+
+You told me, oh yes, you told me, you don't want my lovin' anymore. <br>
+
+That's when it hurt me and feeling like this I just can't go on anymore. <br>
+
+<br>
+
+Please remember how I feel about you, <br>
+
+I could never really live without you, <br>
+
+So, come on back and see just what you mean to me. I need you. <br>
+
+<br>
+
+But when you told me, you don't want my lovin' anymore. <br>
+
+That's when it hurt me and feeling like this I just can't go on anymore. <br>
+
+<br>
+
+Please remember how I feel about you, <br>
+
+I could never really live without you, <br>
+
+So, come on back and see just what you mean to me. I need you. <br>
+
+I need you. I need you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/night.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/night.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/night.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:07 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The Night Before</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Night Before</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+We said our goodbyes, ah, the night before. <br>
+
+Love was in your eyes, ah, the night before. <br>
+
+Now today I find you have changed you mind. <br>
+
+Treat me like you did the night before. <br>
+
+<br>
+
+Were you telling lies, ah, the night before? <br>
+
+Was I so unwise, ah, the night before? <br>
+
+When I held you near you were so sincere. <br>
+
+Treat me like you did the night before <br>
+
+<br>
+
+Last night is a nigh I will remember you by. <br>
+
+When I think of things we did it makes me wanna cry. <br>
+
+<br>
+
+We said our goodbyes, ah, the night before. <br>
+
+Love was in your eyes, ah, the night before. <br>
+
+Now today I find you have changed your mind. <br>
+
+Treat me like you did the night before. <br>
+
+<br>
+
+Last night is a night I will remember you by. <br>
+
+When I think of things we did it makes me wanna cry. <br>
+
+<br>
+
+Were you telling lies, ah, the night before? <br>
+
+Was I so unwise, ah, the night before? <br>
+
+<br>
+
+When I held you near you were so sincere. <br>
+
+Treat me like you did the night before, <br>
+
+like the night before. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nobody.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nobody.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nobody.htm	(revision 18423)
@@ -0,0 +1,145 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Tuesday 20 October 1998 at 6:58 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Nobody I Know</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Nobody I Know</font></strong><br>
+
+<br>
+
+<br>
+
+Nobody I know could love me more than you,<br>
+
+You can give me so much love it seems untrue,<br>
+
+Listen to the bird who sings it to the tree,<br>
+
+And then when you've heard him see if you agree,<br>
+
+Nobody I know could love you than me.<br>
+
+<br>
+
+Ev'rywhere I go the sun comes shining through,<br>
+
+Ev'ryone I know is sure it shines for you,<br>
+
+Even in my dreams I look into your eyes,<br>
+
+Suddenly it seems I've found a paradise,<br>
+
+ev'rywhere I go the sun comes shining through.<br>
+
+<br>
+
+It means so much to be a part of a heart of a wonderful one,<br>
+
+When other lovers are gone we'll live on,<br>
+
+We'll live on.<br>
+
+<br>
+
+Even in my dreams I look into your eyes,<br>
+
+Suddenly it seems I've found a paradise,<br>
+
+Ev'rywhere I go the sun comes shining through.<br>
+
+<br>
+
+Nobody I know could love me more than you,<br>
+
+You can give me so much love it seems untrue,<br>
+
+Listen to the bird who sings it to the tree,<br>
+
+And then when you've heard him see if you agree,<br>
+
+Nobody I know could love you more than me.<br>
+
+Nobody I know could love you more than me.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nobodys.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nobodys.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nobodys.htm	(revision 18423)
@@ -0,0 +1,181 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Nobody's Child</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<dl>
+
+  <dt><big><big><big><strong>Nobody's Child</strong></big></big></big></dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt><em>(Cy Coben and Mel Foree)</em></dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>As I was slowly passing</dt>
+
+  <dt>An orphan's home one day,</dt>
+
+  <dt>I stopped for just a little while</dt>
+
+  <dt>To watch the children play.</dt>
+
+  <dt>Alone a boy was standing,</dt>
+
+  <dt>And when i asked him why,</dt>
+
+  <dt>He turned with eyes that could not see</dt>
+
+  <dt>And he began to cry.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>I'm nobody's child,</dt>
+
+  <dt>I'm nobody's child,</dt>
+
+  <dt>Just like the flowers</dt>
+
+  <dt>I am growing wild.</dt>
+
+  <dt>I've got no mammy's kisses,</dt>
+
+  <dt>I've got no, no daddy's smile.</dt>
+
+  <dt>Nobody wants me,</dt>
+
+  <dt>I'm nobody's child.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>No mammy's arms to hold me</dt>
+
+  <dt>Or soothe me when I cry,</dt>
+
+  <dt>'cause sometimes i feel so lonesome,</dt>
+
+  <dt>I wish that I could die.</dt>
+
+  <dt>IŽd walk the streets of heaven</dt>
+
+  <dt>Where all the blind can see,</dt>
+
+  <dt>And just like all the other kids there'd be a home for me.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>I'm nobody's child,</dt>
+
+  <dt>I'm nobody's child,</dt>
+
+  <dt>just like the flowers</dt>
+
+  <dt>I'm, I'm growing wild.</dt>
+
+  <dt>I've got no mammy's kisses,</dt>
+
+  <dt>I've got no, no daddy's smile.</dt>
+
+  <dt>Nobody wants me,</dt>
+
+  <dt>I'm nobody's child.</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="34003" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nothinshakin.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nothinshakin.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nothinshakin.htm	(revision 18423)
@@ -0,0 +1,204 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Nothin' Shakin' (But the Leaves on the Tree)</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="beatles/_private/header.htm" TAG="BODY" startspan --><strong>[jirka/beatles/beatles/beatles/_private/header.htm]</strong><!--webbot bot="Include" endspan i-checksum="50785" -->
+
+
+
+
+
+<p><big><big><big><strong>Nothin' Shakin' (But the Leaves on the Tree)&nbsp; </strong></big></big></big></p>
+
+
+
+<p><em>(Fontaine/Calacrai/Lampert/Gluck)&nbsp; Lead vocal: Harrison<br>
+
+</em><br>
+
+<br>
+
+I tried to find out<br>
+
+What love is all about<br>
+
+And every day<br>
+
+It sure lets out<br>
+
+I see my baby<br>
+
+I get week in my knees<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+My pappie told me<br>
+
+There'd be times like these<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+<br>
+
+We meet the gang<br>
+
+And go to rocking Joes<br>
+
+The cats are something<br>
+
+On the heels and toes<br>
+
+I grab my baby<br>
+
+Tried to give her a squeeze<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+Well why must she be<br>
+
+Such a doggone tease?<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+<br>
+
+She's got a way<br>
+
+That makes me act like a fool<br>
+
+Spends my money<br>
+
+Then she plays me cool<br>
+
+I beg her for kisses<br>
+
+On my bended knees<br>
+
+Oh won't you give me<br>
+
+Some loving, baby<br>
+
+Please please please<br>
+
+<br>
+
+Though I keep trying hard<br>
+
+To make her mine<br>
+
+One day the wind will blow<br>
+
+The sun will shine<br>
+
+Till that time<br>
+
+She puts my heart at ease<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+She locked my heart<br>
+
+And threw away the keys<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees, yeah<br>
+
+<br>
+
+She's got a way<br>
+
+That makes me act like a fool<br>
+
+Spent my money<br>
+
+Then she plays me cool<br>
+
+I'm begging her for kisses<br>
+
+On my bended knees<br>
+
+Oh won't you give me<br>
+
+Some of your loving, baby<br>
+
+Please please please<br>
+
+<br>
+
+Though I keep trying hard<br>
+
+To make her mine<br>
+
+One day the wind will blow<br>
+
+The sun will shine<br>
+
+Till that time<br>
+
+She puts my heart at ease<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+She locked my heart<br>
+
+And threw away the keys<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+There's nothing shaking<br>
+
+But the leaves on the trees<br>
+
+There's nothing shaking<br>
+
+But the leaves on the tree</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nowhere.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nowhere.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/nowhere.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 11:16 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Nowhere Man</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Nowhere Man</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+He's a real Nowhere Man, <br>
+
+Sitting in his Nowhere Land, <br>
+
+Making all his nowhere plans <br>
+
+For nobody. <br>
+
+Doesn't have a point of view, <br>
+
+Knows not where he's going to, <br>
+
+Isn't he a bit like you and me? <br>
+
+<br>
+
+Nowhere Man, please listen, <br>
+
+You don't know what you're missing, <br>
+
+Nowhere Man, the world is at your command. <br>
+
+<br>
+
+He's as blind as he can be, <br>
+
+Just sees what he wants to see, <br>
+
+Nowhere Man can you see me at all? <br>
+
+<br>
+
+Nowhere Man, don't worry, <br>
+
+Take your time, don't hurry, <br>
+
+Leave it all 'till somebody else <br>
+
+Lends you a hand. <br>
+
+<br>
+
+Doesn't have a point of view, <br>
+
+Knows not where he's going to, <br>
+
+Isn't he a bit like you and me? <br>
+
+<br>
+
+Nowhere Man, please listen, <br>
+
+You don't know what you're missing, <br>
+
+Nowhere Man, the world is at your command. <br>
+
+<br>
+
+He's a real Nowhere Man, <br>
+
+Sitting in his Nowhere Land, <br>
+
+Making all his nowhere plans <br>
+
+For nobody. <br>
+
+Making all his nowhere plans <br>
+
+For nobody. <br>
+
+Making all his nowhere plans <br>
+
+For nobody. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/obladi.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/obladi.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/obladi.htm	(revision 18423)
@@ -0,0 +1,197 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:00 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Ob-la-di, Ob-la-da</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Ob-la-di, Ob-la-da</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Desmond has a barrow in the market place <br>
+
+Molly is the singer in a band <br>
+
+Desmond says to Molly-girl I like your face <br>
+
+And Molly says this as she takes him by the hand. <br>
+
+<br>
+
+Ob-la-di, Ob-la-da life goes on bra <br>
+
+La-la how the life goes on <br>
+
+Ob-la-di, Ob-la-da life goes on bra <br>
+
+La-la how the life goes on. <br>
+
+<br>
+
+Desmond takes a trolley to the jewelers store <br>
+
+Buys a twenty carat golden ring <br>
+
+Takes it back to Molly waiting at the door <br>
+
+And as he gives it to her she begins to sing. <br>
+
+<br>
+
+Ob-la-di, Ob-la-da life goes on bra <br>
+
+La-la how the life goes on <br>
+
+Ob-la-di, Ob-la-da life goes on bra <br>
+
+La-la how the life goes on. <br>
+
+<br>
+
+In a couple of years they have built <br>
+
+A home sweet home <br>
+
+With a couple of kids running in the yard <br>
+
+Of Desmond and Molly Jones. <br>
+
+<br>
+
+Happy ever after in the market place <br>
+
+Molly lets the children lend a hand <br>
+
+Desmond stays at home and does his pretty face <br>
+
+And in the evening she's a singer with the band. <br>
+
+<br>
+
+Ob-la-di, Ob-la-da life goes on bra <br>
+
+La-la how the life goes on <br>
+
+Ob-la-di, Ob-la-da life goes on bra <br>
+
+La-la how the life goes on. <br>
+
+<br>
+
+In a couple of years they have built <br>
+
+A home sweet home <br>
+
+With a couple of kids running in the yard <br>
+
+Of Desmond and Molly Jones. <br>
+
+<br>
+
+Happy ever after in the market place <br>
+
+Molly lets the children lend a hand <br>
+
+Desmond stays at home and does his pretty face <br>
+
+And in the evening she's a singer with the band. <br>
+
+<br>
+
+Ob-la-di, Ob-la-da life goes on bra <br>
+
+La-la how the life goes on <br>
+
+Ob-la-di, Ob-la-da life goes on bra <br>
+
+La-la how the life goes on. <br>
+
+Chorus: And if you want some fun-take Ob-La-Di, B-La-Da </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/old_brown.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/old_brown.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/old_brown.htm	(revision 18423)
@@ -0,0 +1,179 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:06 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Old Brown Shoe</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Old Brown Shoe</font></strong> <br>
+
+<br>
+
+<br>
+
+I want a love that's right<br>
+
+Right is only half of what's wrong<br>
+
+I want a short-haired girl<br>
+
+who sometimes wears it twice as long<br>
+
+Now I'm stepping out this old brown shoe<br>
+
+Baby I'm in love with you<br>
+
+I'm so glad you came here<br>
+
+It won't be the same now, I'm telling you<br>
+
+<br>
+
+Pick me up from where<br>
+
+some try to drag me down<br>
+
+And when I see your smile<br>
+
+replacing every thoughtless frown<br>
+
+So escaping from this zoo<br>
+
+Baby I'm in love with you<br>
+
+I'm so glad you came here<br>
+
+it won't be the same now when I'm with you<br>
+
+<br>
+
+If I grow up I'll be a singer<br>
+
+wearing rings on every finger<br>
+
+Not worrying what they or you'll say<br>
+
+I'll live and love and maybe some day<br>
+
+who knows baby, you may comfort me, heh<br>
+
+<br>
+
+I may appear to be imperfect<br>
+
+my love is something you can't reject<br>
+
+I'm changing faster that the weather<br>
+
+If you and me should get together<br>
+
+Who knows baby, you may comfort me<br>
+
+<br>
+
+I know my love is yours to miss<br>
+
+that love is something I'd hate<br>
+
+I'll make an early start<br>
+
+I'm making sure that I'm not late<br>
+
+For you sweet top lip I'm in the queue<br>
+
+Baby I'm in love with you<br>
+
+I'm so glad you came here<br>
+
+it won't be the same now when I'm with you<br>
+
+<br>
+
+I'm so glad you came here<br>
+
+it won't be the same now when I'm with you<br>
+
+Yeah, yeah, yeah<br>
+
+Tu la, tu ru tu</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/only.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/only.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/only.htm	(revision 18423)
@@ -0,0 +1,131 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:09 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Only A Northern Song</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Only A Northern Song</font></strong><br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+If you're listening to this song <br>
+
+You may think the chords are going wrong <br>
+
+But they're not <br>
+
+We just wrote it like that <br>
+
+<br>
+
+When you're listening late at night <br>
+
+You may think the band are not quite right <br>
+
+But they are, they just play it like that <br>
+
+<br>
+
+It doesn't really matter what clothes I wear <br>
+
+Or how I fare or if my hair is brown <br>
+
+When it's only a Northern song <br>
+
+<br>
+
+If you think the harmony <br>
+
+Is a little dark and out of key <br>
+
+You're correct, there's nobody there <br>
+
+And I told you there's no one there </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/only_love.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/only_love.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/only_love.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:32 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>It's Only Love</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">It's Only Love</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I get high when I see you go by <br>
+
+My oh my. <br>
+
+When you sigh, my, my inside just flies, <br>
+
+butterflies <br>
+
+Why am I so shy when I'm beside you? <br>
+
+<br>
+
+It's only love and that is all, <br>
+
+Why should I feel the way I do? <br>
+
+It's only love, and that is all, <br>
+
+but it's so hard loving you. <br>
+
+<br>
+
+Is it right that you and I should fight <br>
+
+every night? <br>
+
+Just the sight of you makes nighttime bright, <br>
+
+very bright <br>
+
+Haven't I the right to make it up girl? <br>
+
+<br>
+
+It's only love and that is all, <br>
+
+Why should I feel the way I do? <br>
+
+It's only love, and that is all <br>
+
+but it's so hard loving you <br>
+
+Yes it's so hard loving you--loving you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pam.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pam.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pam.htm	(revision 18423)
@@ -0,0 +1,119 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:28 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Polythene Pam</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Polythene Pam</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Well you should see Polythene Pam <br>
+
+She's so good-looking but she looks like a man <br>
+
+Well you should see her in drag dressed in her polythene bag <br>
+
+Yes you should see Polythene Pam <br>
+
+Yeah, yeah, yeah <br>
+
+<br>
+
+Get a dose of her in jackboots and kilt <br>
+
+She's killer-diller when she's dressed to the hilt <br>
+
+She's the kind of a girl that makes the &quot;News of the World&quot; <br>
+
+Yes you could say she was attractively built <br>
+
+Yeah, yeah, yeah </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/penny.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/penny.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/penny.htm	(revision 18423)
@@ -0,0 +1,175 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:15 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Penny Lane</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Penny Lane</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+In Penny Lane there is a barber showing photographs <br>
+
+Of every head he's had the pleasure to know <br>
+
+And all the people that come and go <br>
+
+Stop and say hello <br>
+
+<br>
+
+On the corner is a banker with a motorcar <br>
+
+The little children laugh at him behind his back <br>
+
+And the banker never wears a mack <br>
+
+In the pouring rain, very strange <br>
+
+<br>
+
+Penny Lane is in my ears and in my eyes <br>
+
+There beneath the blue suburban skies <br>
+
+I sit, and meanwhile back <br>
+
+<br>
+
+In Penny Lane there is a fireman with an hourglass <br>
+
+And in his pocket is a portrait of the Queen <br>
+
+He likes to keep his fire engine clean <br>
+
+It's a clean machine <br>
+
+<br>
+
+Penny Lane is in my ears and in my eyes <br>
+
+Full of fish and finger pies <br>
+
+In summer, meanwhile back <br>
+
+<br>
+
+Behind the shelter in the middle of a roundabout <br>
+
+The pretty nurse is selling poppies from a tray <br>
+
+And though she feels as if she's in a play <br>
+
+She is anyway <br>
+
+<br>
+
+In Penny Lane the barber shaves another customer <br>
+
+We see the banker sitting waiting for a trim <br>
+
+And then the fireman rushes in <br>
+
+From the pouring rain, very strange <br>
+
+<br>
+
+Penny Lane is in my ears and in my eyes <br>
+
+There beneath the blue suburban skies <br>
+
+I sit, and meanwhile back <br>
+
+Penny Lane is in my ears and in my eyes <br>
+
+There beneath the blue suburban skies <br>
+
+Penny Lane </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pepper.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pepper.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pepper.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:15 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Sgt. Pepper's Lonely Hearts Club Band</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Sgt. Pepper's Lonely Hearts Club Band</font></strong><br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+It was twenty years ago today, <br>
+
+Sgt. Pepper taught the band to play <br>
+
+They've been going in and out of style <br>
+
+But they're guaranteed to raise a smile. <br>
+
+So may I introduce to you <br>
+
+The act you've known for all these years, <br>
+
+Sgt. Pepper's Lonely Hearts Club Band. <br>
+
+<br>
+
+We're Sgt. Pepper' Lonely Hearts Club Band, <br>
+
+We hope you will enjoy the show, <br>
+
+Sgt. Pepper's Lonely Hearts Club Band, <br>
+
+Sit back and let the evening go. <br>
+
+Sgt. Pepper's Lonely, Sgt. Pepper's Lonely, <br>
+
+Sgt. Pepper's Lonely Hearts Club Band. <br>
+
+It's wonderful to be here, <br>
+
+It's certainly a thrill. <br>
+
+You're such a lovely audience, <br>
+
+We'd like to take you home with us, <br>
+
+We'd love to take you home. <br>
+
+<br>
+
+I don't really want to stop the show, <br>
+
+But I thought that you might like to know, <br>
+
+That the singer's going to sing a song, <br>
+
+And he wants you all to sing along. <br>
+
+So let me introduce to you <br>
+
+The one and only Billy Shears <br>
+
+And Sgt. Pepper's Lonely Hearts Club Band. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pepper2.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pepper2.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pepper2.htm	(revision 18423)
@@ -0,0 +1,131 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:12 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Sgt. Pepper's Lonely Hearts Club Band (reprise)</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Sgt. Pepper's Lonely Hearts Club Band (Reprise)</font></strong><br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+One, Two, Three, Four <br>
+
+<br>
+
+We're Sgt. Pepper's Lonely Hearts Club Band <br>
+
+We hope you have enjoyed the show <br>
+
+Sgt. Pepper's Lonely Hearts Club Band <br>
+
+We're sorry but it's time to go. <br>
+
+Sgt. Pepper's Lonely <br>
+
+Sgt. Pepper's Lonely <br>
+
+Sgt. Pepper's Lonely <br>
+
+Sgt. Pepper's Lonely <br>
+
+Sgt. Pepper's Lonely Hearts Club Band <br>
+
+We'd like to thank you once again <br>
+
+Sgt. Pepper's one and only Lonely Hearts Club Band <br>
+
+It's getting very near the end <br>
+
+Sgt. Pepper's Lonely <br>
+
+Sgt. Pepper's Lonely <br>
+
+Sgt. Pepper's Lonely Hearts Club Band. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pie.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pie.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/pie.htm	(revision 18423)
@@ -0,0 +1,159 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:32 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Honey Pie</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Honey Pie</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+She was a working girl <br>
+
+North of England way <br>
+
+Now she's hit the big time <br>
+
+In the U.S.A. <br>
+
+And if she could only hear me <br>
+
+This is what I'd say. <br>
+
+<br>
+
+Honey pie you are making me crazy <br>
+
+I'm in love but I'm lazy <br>
+
+So won't you please come home. <br>
+
+<br>
+
+Oh honey pie my position is tragic <br>
+
+Come and show me the magic <br>
+
+of your Hollywood song. <br>
+
+<br>
+
+You became a legend of the silver screen <br>
+
+And now the thought of meeting you <br>
+
+Makes me weak in the knee. <br>
+
+<br>
+
+Oh honey pie you are driving me frantic <br>
+
+Sail across the Atlantic <br>
+
+To be where you belong <br>
+
+Honey pie come back to me. <br>
+
+<br>
+
+Will the wind that blew her boat <br>
+
+Across the sea <br>
+
+Kindly send her sailing back to me. <br>
+
+<br>
+
+Honey pie you are making me crazy <br>
+
+I'm in love but I'm lazy <br>
+
+So won't you please come home. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/piggies.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/piggies.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/piggies.htm	(revision 18423)
@@ -0,0 +1,143 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:16 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Piggies</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Piggies</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Have you seen the little piggies <br>
+
+Crawling in the dirt <br>
+
+And for all the little piggies <br>
+
+Life is getting worse <br>
+
+Always having dirt to play around in. <br>
+
+<br>
+
+Have you seen the bigger piggies <br>
+
+In their starched white shirts <br>
+
+You will find the bigger piggies <br>
+
+You will find the bigger piggies <br>
+
+Stirring up the dirt <br>
+
+Always have clean shirts to play around in. <br>
+
+<br>
+
+In their sty's with all their backing <br>
+
+They don't care what goes on around <br>
+
+In their eyes there's something lacking <br>
+
+What they need's a damn good whacking. <br>
+
+<br>
+
+Everywhere there's lots of piggies <br>
+
+Living piggy lives <br>
+
+You can see them out for dinner <br>
+
+With their piggy wives <br>
+
+Clutching forks and knives to eat their bacon. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/place.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/place.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/place.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:12 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>There's A Place</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">There's A Place</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocals: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+There's A Place <br>
+
+Where I can go <br>
+
+When I feel low <br>
+
+When I feel blue <br>
+
+And it's my mind <br>
+
+And there's no time when I'm alone <br>
+
+<br>
+
+I think of you <br>
+
+And things you do <br>
+
+Go 'round my head <br>
+
+The things you said <br>
+
+Like &quot;I love only you&quot; <br>
+
+<br>
+
+In my mind there's no sorrow <br>
+
+Don't you know that it's so <br>
+
+There'll be no sad tomorrow <br>
+
+Don't you know that it's so <br>
+
+<br>
+
+There's a place <br>
+
+Where I can go <br>
+
+When I feel low <br>
+
+When I feel blue <br>
+
+And it's my mind <br>
+
+And there's no time when I'm alone <br>
+
+<br>
+
+There's a place... <br>
+
+There's a place... <br>
+
+There's a place... <br>
+
+There's a place... </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/please.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/please.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/please.htm	(revision 18423)
@@ -0,0 +1,139 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:26 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Please Please Me</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Please Please Me</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Last night I said these words to my girl <br>
+
+I know you never even try, girl <br>
+
+C'mon...C'mon...C'mon...C'mon... <br>
+
+Please please me, whoa yeah, like I please you <br>
+
+<br>
+
+You don't need me to show the way, love <br>
+
+Why do I always have to say &quot;love&quot; <br>
+
+C'mon...C'mon...C'mon...C'mon... <br>
+
+Please please me, whoa yeah, like I please you <br>
+
+<br>
+
+I don't wanna sound complainin' <br>
+
+But you know there's always rain in my heart (in my heart) <br>
+
+I do all the pleasin' with you, it's so hard to reason <br>
+
+With you whoah yeah, why do you make me blue <br>
+
+<br>
+
+Last night I said these words to my girl <br>
+
+I know you never even try, girl <br>
+
+C'mon...C'mon...C'mon...C'mon... <br>
+
+Please please me, whoa yeah, like I please you <br>
+
+Me, whoa yeah, like I please you <br>
+
+Me, whoa yeah, like I please you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/postman.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/postman.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/postman.htm	(revision 18423)
@@ -0,0 +1,185 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:24 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Please Mr. Postman</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Please Mister Postman</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Dobbin/Garrett/Garman/Brianbert) Lead Vocals: Lennon</i><br>
+
+<br>
+
+<br>
+
+Wait, oh yes wait a minute Mister Postman <br>
+
+Wait, wait Mister Postman <br>
+
+<br>
+
+Mister Postman look and see <br>
+
+Is there a letter in your bag for me <br>
+
+I been waiting a long long time <br>
+
+Since I heard from that girl of mine <br>
+
+<br>
+
+There must be some word today <br>
+
+From my girlfriend so far away <br>
+
+<br>
+
+Please Mister Postman look and see <br>
+
+If there's a letter, a letter for me <br>
+
+I been standing here waiting Mister Postman <br>
+
+So patiently <br>
+
+For just a card or just a letter <br>
+
+Saying she's returning home to me <br>
+
+<br>
+
+Mister Postman look and see <br>
+
+Is there a letter in your bag for me <br>
+
+I been waiting a long long time <br>
+
+Since I heard from that girl of mine <br>
+
+<br>
+
+So many days you passed me by <br>
+
+See the tear standing in my eye <br>
+
+You didn't stop to make me feel better <br>
+
+By leaving me a card or a letter <br>
+
+<br>
+
+So Mister Postman look and see <br>
+
+Is there a letter in your bag for me <br>
+
+I been waiting a long long time <br>
+
+Since I heard from that girlfriend of mine <br>
+
+<br>
+
+You gotta wait a minute, wait a minute <br>
+
+You gotta wait a minute, wait a minute <br>
+
+You gotta wait a minute, wait a minute <br>
+
+You gotta check it and see, one more time for me <br>
+
+You gotta wait a minute, wait a minute <br>
+
+You gotta wait a minute, wait a minute <br>
+
+You gotta wait a minute, wait a minute <br>
+
+Deliver the letter, the sooner the better <br>
+
+You gotta wait a minute, wait a minute <br>
+
+You gotta wait a minute, wait a minute <br>
+
+You gotta wait a minute, wait a minute </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ps.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ps.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ps.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:11 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>P.S. I Love You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">P.S. I Love You</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+As I write this letter <br>
+
+Send my love to you <br>
+
+Remember that I'll always <br>
+
+Be in love with you <br>
+
+<br>
+
+Treasure these few words 'till we're together <br>
+
+Keep all my love forever <br>
+
+P.S., I love you <br>
+
+You, you, you <br>
+
+<br>
+
+I'll be coming home again to you, love <br>
+
+And 'till the day I do, love <br>
+
+P.S., I love you <br>
+
+You, you, you <br>
+
+<br>
+
+As I write this letter <br>
+
+Send my love to you <br>
+
+Remember that I'll always <br>
+
+Be in love with you <br>
+
+<br>
+
+Treasure these few words 'till we're together <br>
+
+Keep all my love forever <br>
+
+P.S., I love you <br>
+
+You, you, you <br>
+
+<br>
+
+As I write this letter (Oh oh oh) <br>
+
+Send my love to you (You know I want you to) <br>
+
+Remember that I'll always (Yeah) <br>
+
+Be in love with you <br>
+
+<br>
+
+I'll be coming home again to you, love <br>
+
+And 'till the day I do, love <br>
+
+P.S., I love you <br>
+
+You, you, you <br>
+
+You, you, you, <br>
+
+I love you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rain.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rain.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rain.htm	(revision 18423)
@@ -0,0 +1,151 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:29 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Rain</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Rain</font></strong><br>
+
+<br>
+
+<br>
+
+If the rain comes<br>
+
+they run and hide their heads<br>
+
+They might as well be dead<br>
+
+If the rain comes<br>
+
+If the rain comes<br>
+
+<br>
+
+When the sun shines<br>
+
+they slip into the shade<br>
+
+and sip their lemonade<br>
+
+When the sun shines<br>
+
+When the sun shines<br>
+
+<br>
+
+Rain, I don't mind<br>
+
+Shine, the weather's fine<br>
+
+<br>
+
+I can show you<br>
+
+that when it starts to rain<br>
+
+everything's the same<br>
+
+I can show you<br>
+
+I can show you<br>
+
+<br>
+
+Rain, I don't mind<br>
+
+Shine, the weather's fine<br>
+
+<br>
+
+Can you hear me<br>
+
+that when it rains and shines<br>
+
+it's just a state of mind<br>
+
+Can you hear me<br>
+
+Can you hear me</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/readyteddy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/readyteddy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/readyteddy.htm	(revision 18423)
@@ -0,0 +1,131 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Ready Teddy</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<p><font size="7"><strong>Ready Teddy</strong></font> 
+
+
+
+<dl>
+
+  <dt>Ready, set, go, man, go, i got a gal that i love so. i'm ready</dt>
+
+  <dt>Ready ready teddy, i'm ready ready ready Teddy, i'm ready</dt>
+
+  <dt>Ready ready Teddy, i'm ready ready ready to a rock 'n' roll.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Goin' down to the corner, pick up my sweetie pie. she's</dt>
+
+  <dt>My rock 'n' roll baby, she's the apple of my eye, 'cause</dt>
+
+  <dt>Well , the flat top cats and the dungaree dolls are</dt>
+
+  <dt>Headed for the gym to the sock hop ball. the joint is</dt>
+
+  <dt>Really jumpin', the cats are goin' wild. the music</dt>
+
+  <dt>Really sends me, i dig that crazy style, 'cause:</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Gonna kick off my shoes, roll up my faded jeans,</dt>
+
+  <dt>Grab my rock 'n' roll baby, pour on the steam. i</dt>
+
+  <dt>Shuffle to the left, i shuffle to the right,</dt>
+
+  <dt>Gonna rock 'n' roll till the early early night,</dt>
+
+  <dt>'cause.....</dt>
+
+  <dt>&nbsp;</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="34003" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/real.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/real.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/real.htm	(revision 18423)
@@ -0,0 +1,195 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:31 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Real Love</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Real Love</font></strong><br>
+
+<br>
+
+<i>(Lennon - and McCartney, Harrison, Starr) Lead vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+All my little plans and schemes<br>
+
+Lost like some forgotten dreams<br>
+
+Seems that all I really was doing, <br>
+
+Was waiting for you!<br>
+
+<br>
+
+Just like little girls and boys<br>
+
+Playing with their little toys<br>
+
+Seems like all they really were doing<br>
+
+Was waiting for love!<br>
+
+<br>
+
+No need to be alone, <br>
+
+No need to be alone!<br>
+
+It's real love, it's real<br>
+
+Yes, it's real love, it's real<br>
+
+<br>
+
+From this moment on I know<br>
+
+Exactly where my life will go<br>
+
+Seems that all I really was doing<br>
+
+Was waiting for love<br>
+
+<br>
+
+No need to be afraid,<br>
+
+No need to be afraid!<br>
+
+It's real love, it's real,<br>
+
+Yes, it's real love, it's real<br>
+
+<br>
+
+(guitar solo)<br>
+
+<br>
+
+Thought I'd been in love before<br>
+
+But in my heart, I wanted more<br>
+
+Seems like all I really was doing<br>
+
+Was waiting for you!<br>
+
+<br>
+
+No need to be alone,<br>
+
+No need to be alone!<br>
+
+<br>
+
+It's real love, it's real!<br>
+
+Yes, it's real love, it's real!<br>
+
+Yes, it's real love, it's real!<br>
+
+<br>
+
+It's real love, it's real!<br>
+
+<br>
+
+Yes, it's real love, it's real!<br>
+
+Yes, it's real love, it's real!<br>
+
+<br>
+
+It's real love, it's real!<br>
+
+Yes, it's real love, it's real!<br>
+
+<br>
+
+It's real love, it's real!<br>
+
+Yes, it's real love, it's real!</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/really.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/really.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/really.htm	(revision 18423)
@@ -0,0 +1,175 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:22 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>You Really Got A Hold On Me</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">You Really Got A Hold On Me</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Robinson) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I don't like you <br>
+
+But I love you <br>
+
+Seems that I'm always <br>
+
+thinking of you <br>
+
+Oh, oh, oh, <br>
+
+you treat me badly <br>
+
+I love you madly <br>
+
+You've really got a hold on me <br>
+
+You've really got a hold on me, baby <br>
+
+<br>
+
+I don't want you, <br>
+
+but I need you <br>
+
+Don't want to kiss you <br>
+
+but I need you <br>
+
+Oh, oh, oh <br>
+
+you do me wrong now <br>
+
+my love is strong now <br>
+
+You've really got a hold on me <br>
+
+You've really got a hold on me, baby <br>
+
+<br>
+
+I love you and all I want you to do <br>
+
+is just hold me, hold me, hold me, hold me <br>
+
+Tied up. Tied up. <br>
+
+<br>
+
+I want to leave you <br>
+
+don't want to stay here <br>
+
+Don't want to spend <br>
+
+another day here <br>
+
+Oh, oh, oh, I want to split now <br>
+
+I just can quit now <br>
+
+You've really got a hold on me <br>
+
+You've really got a hold on me, baby <br>
+
+<br>
+
+I love you and all I want you to do <br>
+
+is just hold me, hold me, hold me, hold me <br>
+
+<br>
+
+You've really got a hold on me <br>
+
+You've really got a hold on me </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/red.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/red.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/red.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:35 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Red Sails In The Sunset</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Red Sails In The Sunset</font></strong><br>
+
+<br>
+
+<i>(Kennedy/Williams) Lead vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Red sails in the sunset<br>
+
+Way out of the sea<br>
+
+Oh carry my love one<br>
+
+Home safely to me<br>
+
+<br>
+
+She sailed at the dawning<br>
+
+Oh way out and blue<br>
+
+Red sails in the sunset<br>
+
+I'm counting on you<br>
+
+<br>
+
+Red sails in the sunset<br>
+
+Way out of the sea<br>
+
+Oh carry my love one<br>
+
+Home safely to me<br>
+
+<br>
+
+Sweet wind we must borrow<br>
+
+Make straight for the shore<br>
+
+We'll marry tomorrow<br>
+
+And you'll go sailing no more<br>
+
+<br>
+
+Red sails in the sunset<br>
+
+Way out of the sea<br>
+
+Oh carry my love one<br>
+
+Home safely to me<br>
+
+<br>
+
+Sweet wind we must borrow<br>
+
+Make straight for the shore<br>
+
+We'll marry tomorrow<br>
+
+And she'll go sailing no more<br>
+
+<br>
+
+Red sails at the sunset<br>
+
+Way out of the sea<br>
+
+Oh carry my love one<br>
+
+Home safely to me<br>
+
+Oh carry my love one<br>
+
+Home safely to me</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rem.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rem.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rem.htm	(revision 18423)
@@ -0,0 +1,137 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:36 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Reminiscing</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Reminiscing</font></strong><br>
+
+<br>
+
+<i>(Curtis) Lead vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+I'm just sitting here reminiscing<br>
+
+Wondering who you've been kissing, baby<br>
+
+Oh oh baby<br>
+
+I've been wandering all around<br>
+
+There must be a new guy in town<br>
+
+You don't love me anymore<br>
+
+I'll get over you baby<br>
+
+Although my heart's still sore<br>
+
+You know my heart's still sore<br>
+
+<br>
+
+Well I think of all the lies you told<br>
+
+You're a junkman, my heart you sold<br>
+
+You're a cheater and a mean mistreater<br>
+
+When I think of all the fun we had<br>
+
+Kind of makes me feel so sad<br>
+
+And I'm lonely for your love<br>
+
+And as long as I live<br>
+
+It's only you I'll be thinking of<br>
+
+It's you I'm thinking of<br>
+
+It's you I'm thinking of</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/remember.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/remember.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/remember.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 11:57 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Remember You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Remember You</font></strong><br>
+
+<br>
+
+<i>(Mercer/Schertzinger) Lead vocal: McCartney</i><br>
+
+<br>
+
+Tell them I remember you<br>
+
+<br>
+
+I remember too a distant bell<br>
+
+And stars that dwell<br>
+
+Like the rain out of the blue<br>
+
+<br>
+
+When my life is through<br>
+
+And the angels ask me to recall<br>
+
+The thrill of it all<br>
+
+Then I will tell them<br>
+
+I remember you<br>
+
+<br>
+
+I remember too a distant bell<br>
+
+And stars that dwell<br>
+
+Like the rain out of the blue<br>
+
+<br>
+
+When my life is through<br>
+
+And the angels ask me to recall<br>
+
+The thrill of it all<br>
+
+Then I will tell them<br>
+
+I remember you<br>
+
+<br>
+
+I remember too a distant bell<br>
+
+And stars that dwell<br>
+
+Like the rain out of the blue<br>
+
+<br>
+
+When my life is through<br>
+
+And the angels ask me to recall<br>
+
+The thrill of it all<br>
+
+Then I will tell them<br>
+
+I remember<br>
+
+Tell them I remember<br>
+
+Tell them I remember<br>
+
+Tell them I remember you</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/reply.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/reply.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/reply.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 11:10 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>No Reply</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">No Reply</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+This happened once before, <br>
+
+When I came to you door, <br>
+
+No reply. <br>
+
+They said it wasn't you <br>
+
+But I saw you peep through your window, <br>
+
+<br>
+
+I saw the life, I saw the lie, <br>
+
+I know that you saw me, <br>
+
+as I looked up to your face. <br>
+
+<br>
+
+I tried to telephone, <br>
+
+They said you were not home, <br>
+
+That's a lie, <br>
+
+'cause I know where you've been, <br>
+
+I saw you walk in your door, <br>
+
+<br>
+
+I nearly died, I nearly died, <br>
+
+'cause you walked hand in hand <br>
+
+With another man in my place. <br>
+
+<br>
+
+If I were you'd realize that I <br>
+
+Love you more than any other guy, <br>
+
+And I'll forgive the lies that I <br>
+
+Heard before when you gave me no reply. <br>
+
+<br>
+
+I've tried to telephone, <br>
+
+They said you were not home, <br>
+
+That's a lie, <br>
+
+'cause I know where you've been, <br>
+
+I saw you walk in your door, <br>
+
+<br>
+
+I nearly died, I nearly died, <br>
+
+'cause you walked hand in hand <br>
+
+With another man in my place. <br>
+
+<br>
+
+No reply, no reply. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolut.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolut.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolut.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:39 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Revolution</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Revolution</font></strong><br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+You say you want a revolution <br>
+
+Well you know <br>
+
+We all want to change the world <br>
+
+You tell me that it's evolution <br>
+
+Well you know <br>
+
+We all want to change the world <br>
+
+But when you talk about destruction <br>
+
+Don't you know you can count me out in <br>
+
+Don't you know it's gonna be alright <br>
+
+Alright...Alright <br>
+
+<br>
+
+You say you got a real solution <br>
+
+Well you know <br>
+
+we'd all love to see the plan <br>
+
+You ask me for a contribution <br>
+
+Well you know <br>
+
+We're doing what we can <br>
+
+But if you want money for people with minds that hate <br>
+
+All I can tell you brother you have to wait <br>
+
+Don't you know it's gonna be alright <br>
+
+Alright...Alright <br>
+
+<br>
+
+You say you'll changes the constitution <br>
+
+Well you know <br>
+
+we all love to change your head <br>
+
+You tell me it's the institution <br>
+
+Well you know <br>
+
+You better free your mind instead <br>
+
+But if you go carrying pictures of Chairman Mao <br>
+
+You ain't gong to make it with anyone anyhow <br>
+
+Don't you know it's gonna be alright <br>
+
+Alright...Alright </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution.htm	(revision 18423)
@@ -0,0 +1,177 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:39 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Revolution 1</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Revolution 1</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+You say you want a revolution <br>
+
+Well you know <br>
+
+We all want to change the world <br>
+
+You tell me that it's evolution <br>
+
+Well you know <br>
+
+We all want to change the world <br>
+
+But when you talk about destruction <br>
+
+Don't you know you can count me out in <br>
+
+Don't you know it's gonna be alright <br>
+
+Alright...Alright <br>
+
+<br>
+
+You say you got a real solution <br>
+
+Well you know <br>
+
+we'd all love to see the plan <br>
+
+You ask me for a contribution <br>
+
+Well you know <br>
+
+We're doing what we can <br>
+
+But if you want money for people with minds that hate <br>
+
+All I can tell you brother you have to wait <br>
+
+Don't you know it's gonna be alright <br>
+
+Alright...Alright <br>
+
+<br>
+
+You say you'll changes the constitution <br>
+
+Well you know <br>
+
+we all love to change your head <br>
+
+You tell me it's the institution <br>
+
+Well you know <br>
+
+You better free your mind instead <br>
+
+But if you go carrying pictures of Chairman Mao <br>
+
+You ain't gong to make it with anyone anyhow <br>
+
+Don't you know it's gonna be alright <br>
+
+Alright...Alright <br>
+
+Don't you know it's gonna be alright <br>
+
+Alright...Alright <br>
+
+Don't you know it's gonna be alright <br>
+
+Alright...Alright <br>
+
+Al..al..al..al..al..<br>
+
+al..al..al..al..al..alright<br>
+
+Alright...alright..alright..alright..alright..<br>
+
+alright..alright..alright..alright..alright..</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution9.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution9.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution9.htm	(revision 18423)
@@ -0,0 +1,465 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Revolution 9</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<dl>
+
+  <dt><big><big><big><strong>Revolution 9</strong></big></big></big></dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt><em>(Lennon/McCartney) (montage of tape loops and spoken words)</em></dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Number 9 Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>...then there's this Welsh rarebit wearing some brown underpants</dt>
+
+  <dt>...about the shortage of grain in Hertfordshire.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Every one of them knew that as time went by they'd get a little bit</dt>
+
+  <dt>older and a little bit slower but...</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>It's all the same thing, in this cas manufactured by someone who's</dt>
+
+  <dt>always umpteen times [ ? ]. You're father's giving it diddly-i-dee </dt>
+
+  <dt>district was leaving... Intended to die. [ ? ] Ottoman... [ ? ] </dt>
+
+  <dt>...long gone through... [ ? ] I've got to say, irritably and... </dt>
+
+  <dt>[ ? ] floors, hard enough to put on [ ? ] per day's MD in our </dt>
+
+  <dt>district. There was not really enought light to get down, and </dt>
+
+  <dt>ultimately [ ? ] slumped down. Suddenly...</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>They may stop the funding...</dt>
+
+  <dt>Place your bets. The original. Afraid she'll die</dt>
+
+  <dt>[ ?] great colours for the season...</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Who's to know?</dt>
+
+  <dt>Who was to know?</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Number 9 Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>I sustained nothing worse than [ ? ]</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Also, for example</dt>
+
+  <dt>Whatever you're doing</dt>
+
+  <dt>A business deal falls through.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>I informed him on the third night, when fortune gives...</dt>
+
+  <dt>People ride, people ride, ride, ride, ride, ride, ride.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Ri-i-i-i-de! Ri-i-i-i-i-i-i-ide!!</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>[ ? ] I've missed all of that.</dt>
+
+  <dt>It makes me a few days late</dt>
+
+  <dt>Compared with, like, wow!</dt>
+
+  <dt>And weird stuff like that...</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>[ ? ] taking our sides sometimes</dt>
+
+  <dt>[ ? ] Floral bark.</dt>
+
+  <dt>Rogue doctors have brought this specimen.</dt>
+
+  <dt>I have nobody's short-cuts, aha</dt>
+
+  <dt>Nine, Number 9</dt>
+
+  <dt>[ ? ] with the situation</dt>
+
+  <dt>They are standing still.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>The plan, the telegram...</dt>
+
+  <dt>Number 9 Number...</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>A man without terros from beard to false, as the headmaster reported</dt>
+
+  <dt>to my son. He really can try, as they do, to find function...Tell</dt>
+
+  <dt>what he was saying, and his voice was low and his hive high, and his</dt>
+
+  <dt>eyes were low...</dt>
+
+  <dt>Alright!</dt>
+
+  <dt>It was on fire and his glasses were the same.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>This thing knows if it was tinted, but you know it isn't. To m it is..</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>So the wife called and we'd better go to see a surgeon, to price it</dt>
+
+  <dt>[ ? ] yellow undercloths. So, any road, we went to see the dentist</dt>
+
+  <dt>instead, who gave her a pair of teeth which wasn't any good at all.</dt>
+
+  <dt>So I said I'd marry, join the fucking Navy and went to sea.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>In my broken chair, my wings are broken and so is my hair.</dt>
+
+  <dt>I am not in the mood for whirling. How? Dogs for dogging, hands </dt>
+
+  <dt>for clapping, birds for birding and fish for fishing, them for </dt>
+
+  <dt>themming and when for whimming. ...only to find the night-watchman </dt>
+
+  <dt>unaware of his presence in the building.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Number 9 Number 9 Number 9</dt>
+
+  <dt>Number 9 Number 9 Number 9</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Industry allows financial imbalance.</dt>
+
+  <dt>Thrusting it between his shoulder blades.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>The Watusi, the Twist, Eldorado</dt>
+
+  <dt>Take this brother, may it server you well</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Maybe it's nothing</dt>
+
+  <dt>What? What? Oh...</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Maybe, even then, </dt>
+
+  <dt>impervious to London</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>[ ? ] could be difficult thing...It's quick like to rush for peace</dt>
+
+  <dt>is because it's so much like being naked</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>It's alright, it's alright</dt>
+
+  <dt>It's alright, it's alright</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>It's alright, it's alright,</dt>
+
+  <dt>It's alright, it's alright, it's alright</dt>
+
+  <dt>If, you become naked.</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="34003" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ride.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ride.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ride.htm	(revision 18423)
@@ -0,0 +1,209 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:20 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Ticket To Ride</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Ticket To Ride</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I think I'm gonna be sad, <br>
+
+I think it's today, yeah. <br>
+
+The girl that's driving me mad <br>
+
+Is going away. <br>
+
+<br>
+
+She's got a ticket to ride, <br>
+
+She's got a ticket to ride, <br>
+
+She's got a ticket to ride, <br>
+
+But she don't care. <br>
+
+<br>
+
+She said that living with me <br>
+
+Is bringing her down yeah. <br>
+
+For she would never be free <br>
+
+When I was around. <br>
+
+<br>
+
+She's got a ticket to ride, <br>
+
+She's got a ticket to ride, <br>
+
+She's got a ticket to ride, <br>
+
+But she don't care. <br>
+
+<br>
+
+I don't know why she's ridin' so high, <br>
+
+She ought to think twice, <br>
+
+She ought to do right by me. <br>
+
+Before she gets to saying goodbye, <br>
+
+She ought to think twice, <br>
+
+She ought to do right by me. <br>
+
+<br>
+
+I think I'm gonna be sad, <br>
+
+I think it's today yeah. <br>
+
+The girl that's driving me mad <br>
+
+Is going away, yeah. <br>
+
+<br>
+
+She's got a ticket to ride, <br>
+
+She's got a ticket to ride, <br>
+
+She's got a ticket to ride, <br>
+
+But she don't care. <br>
+
+<br>
+
+I don't know why she's ridin' so high, <br>
+
+She ought to think twice, <br>
+
+She ought to do right by me. <br>
+
+Before she gets to saying goodbye, <br>
+
+She ought to think twice, <br>
+
+She ought to do right by me. <br>
+
+<br>
+
+She said that living with me, <br>
+
+Is bringing her down, yeah. <br>
+
+For she would never be free <br>
+
+When I was around. <br>
+
+<br>
+
+Ah, she's got a ticket to ride, <br>
+
+She's got a ticket to ride, <br>
+
+She's got a ticket to ride, <br>
+
+But she don't care. <br>
+
+My baby don't care, my baby don't care. <br>
+
+My baby don't care, my baby don't care. <br>
+
+My baby don't care, my baby don't care. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rita.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rita.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rita.htm	(revision 18423)
@@ -0,0 +1,159 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:49 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Lovely Rita</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Lovely Rita</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Lovely Rita meter maid. <br>
+
+Lovely Rita meter maid. <br>
+
+<br>
+
+Lovely Rita meter maid. <br>
+
+Nothing can come between us, <br>
+
+When it gets dark I tow your heart away. <br>
+
+Standing by a parking meter, <br>
+
+When I caught a glimpse of Rita, <br>
+
+Filling in a ticket in her little white book. <br>
+
+In a cap she looked much older, <br>
+
+And the bag across her shoulder <br>
+
+Made her look a little like a military man. <br>
+
+<br>
+
+Lovely Rita meter maid, <br>
+
+May I inquire discreetly, <br>
+
+When are you free, <br>
+
+To take some tea with me. <br>
+
+<br>
+
+Took her out and tried to win her, <br>
+
+Had a laugh and over dinner, <br>
+
+Told her I would really like to see her again, <br>
+
+Got the bill and Rita paid it, <br>
+
+Took her home I nearly made it, <br>
+
+Sitting on the sofa with a sister or two. <br>
+
+<br>
+
+Oh, Lovely Rita meter maid, <br>
+
+Where would I be without you, <br>
+
+Give us a wink and make me think of you. <br>
+
+Lovely meter maid <br>
+
+Rita meter maid <br>
+
+Oh, Lovely Rita meter maid </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/road.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/road.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/road.htm	(revision 18423)
@@ -0,0 +1,137 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:05 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The Long And Winding Road</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Long And Winding Road</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+The long and winding road that leads to your door <br>
+
+Will never disappear, I've seen that road before <br>
+
+It always leads me here, lead me to your door <br>
+
+<br>
+
+The wild and windy night the rain washed away <br>
+
+Has left a pool of tears crying for the day <br>
+
+Why leave me standing here, let me know the way <br>
+
+<br>
+
+Many times I've been alone and may times I've cried <br>
+
+Anyway you'll never know the many ways I've tried <br>
+
+<br>
+
+And still they lead me back to the long and winding road <br>
+
+You left me standing here a long, long time ago <br>
+
+Don't leave me waiting here, lead me to your door <br>
+
+<br>
+
+But still they lead me back to the long and winding road <br>
+
+You left me standing here a long, long time ago <br>
+
+Don't keep me waiting here, lead me to your door <br>
+
+Yeah, yeah, yeah, yeah-- </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rock.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rock.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rock.htm	(revision 18423)
@@ -0,0 +1,215 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:41 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Rock And Roll Music</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Rock And Roll Music</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Berry) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Just let me hear some of that rock and roll music <br>
+
+Any old way you choose it <br>
+
+It's got a back beat, you can't lose it, <br>
+
+Any old time you use it <br>
+
+It's gotta be rock roll music <br>
+
+If you wanna dance with me <br>
+
+If you wanna dance with me <br>
+
+<br>
+
+I've got no kick against modern jazz <br>
+
+Unless they try to play it too darn fast <br>
+
+And lose the beauty of the melody <br>
+
+Until they sound just like a symphony <br>
+
+<br>
+
+That's why I go for that that rock an roll music <br>
+
+Any old way you choose it <br>
+
+It's got a back beat, you can't lose it, <br>
+
+Any old time you use it <br>
+
+It's gotta be rock roll music <br>
+
+If you wanna dance with me <br>
+
+If you wanna dance with me <br>
+
+<br>
+
+I took my loved one over 'cross the tracks <br>
+
+So she can hear my man awail a sax <br>
+
+I must admit they have a rockin' band <br>
+
+Man, they were blowin' like a hurrican' <br>
+
+<br>
+
+That's why I go for that that rock and roll music <br>
+
+Any old way you choose it <br>
+
+It's got a back beat, you can't lose it, <br>
+
+Any old time you use it <br>
+
+It's gotta be rock roll music <br>
+
+If you wanna dance with me <br>
+
+If you wanna dance with me <br>
+
+<br>
+
+Way down South they had a jubilee <br>
+
+The jokey folks they had a jamboree <br>
+
+They're drinkin' home brew from a water cup <br>
+
+The folks dancin' there are shook up <br>
+
+<br>
+
+And started playin' that that rock and roll music <br>
+
+Any old time you use it <br>
+
+It's got a back beat, you can't lose it, <br>
+
+Any old time you use it <br>
+
+It's gotta be rock roll music <br>
+
+If you wanna dance with me <br>
+
+If you wanna dance with me <br>
+
+<br>
+
+Don't care to hear'em play a tango <br>
+
+And In The Mood they take a mambo <br>
+
+It's way to early for a congo <br>
+
+So keep a rockin' that piano <br>
+
+<br>
+
+That's why I go for that that rock and roll music <br>
+
+Any old time you use it <br>
+
+It's got a back beat, you can't lose it, <br>
+
+Any old time you use it <br>
+
+It's gotta be rock roll music <br>
+
+If you wanna dance with me <br>
+
+If you wanna dance with me </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rocky.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rocky.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rocky.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:42 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Rocky Raccoon</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Rocky Raccoon</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Now somewhere in the black mountain hills of Dakota <br>
+
+There lived a young boy named Rocky Raccoon <br>
+
+And one day his woman ran off with another guy <br>
+
+Hit young Rocky in the Rocky didn't like that <br>
+
+He said I'm gonna get that boy <br>
+
+So one day he walked into town <br>
+
+Booked himself a room in the local saloon. <br>
+
+<br>
+
+Rocky Raccoon checked into his room <br>
+
+Only to find Gideon's bible <br>
+
+Rocky had come equipped with a gun <br>
+
+To shoot off the legs of his rival <br>
+
+His rival it seems had broken his dreams <br>
+
+By stealing the girl of his fancy. <br>
+
+Her name was Magil and she called herself Lil <br>
+
+But everyone knew her as Nancy. <br>
+
+Now she and her man who called himself Dan <br>
+
+Were in the next room at the hoe down <br>
+
+Rocky burst in and grinning a grin <br>
+
+He said Danny boy this is a showdown <br>
+
+But Daniel was hot-he drew first and shot <br>
+
+And Rocky collapsed in the corner. <br>
+
+<br>
+
+Now the doctor came in stinking of gin <br>
+
+And proceeded to lie on the table <br>
+
+He said Rocky you met your match <br>
+
+And Rocky said, Doc it's only a scratch <br>
+
+And I'll be better...I'll be better doc as soon as I am able. <br>
+
+<br>
+
+Now Rocky Raccoon he fell back in his room <br>
+
+Only to find Gideon's bible <br>
+
+Gideon checked out and he left it no doubt <br>
+
+To help with good Rocky's revival. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/roll.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/roll.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/roll.htm	(revision 18423)
@@ -0,0 +1,197 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:44 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Roll Over Beethoven</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Roll Over Beethoven</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Berry) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+We're gonna write a little letter <br>
+
+Gonna mail it to my local D.J. <br>
+
+It's a rockin' little record <br>
+
+I want my jockey to play <br>
+
+Roll Over Beethoven <br>
+
+I gotta hear it again today <br>
+
+<br>
+
+You know my temperature's risin' <br>
+
+And the jukebox's blows a fuse <br>
+
+My hearts beatin' rhythm <br>
+
+And my soul keeps singing the blues <br>
+
+Roll Over Beethoven <br>
+
+And tell Tchaikovsky the news <br>
+
+<br>
+
+I got a rockin' pneumonia <br>
+
+I need a shot of rhythm and blues <br>
+
+I think I got it off the writer <br>
+
+Sittin' down by the rhythm review <br>
+
+Roll Over Beethoven <br>
+
+We're rockin' in two by two <br>
+
+<br>
+
+Well if you fell you like it <br>
+
+Well get your lover and reel and rock it <br>
+
+Roll it over and move on up <br>
+
+Just jump around and reel and rock it <br>
+
+Roll it over <br>
+
+Roll Over Beethoven <br>
+
+A rockin' in two by two, oh <br>
+
+<br>
+
+Well early in the mornin' <br>
+
+I'm a givin' you the warin' <br>
+
+Don't you step on my blue suede shoes <br>
+
+Hey little little <br>
+
+Gonna play my fiddle <br>
+
+Ain't got nothing t lose <br>
+
+Roll Over Beethoven <br>
+
+And tell Tchaikovsky the news <br>
+
+<br>
+
+You know she winks like a glow worm <br>
+
+Dance like a spinnin' top <br>
+
+She got a crazy partner <br>
+
+Oughta see'em reel and rock <br>
+
+Long as she's got a dime <br>
+
+The music will never stop <br>
+
+Roll Over Beethoven <br>
+
+Roll Over Beethoven <br>
+
+Roll Over Beethoven <br>
+
+Roll Over Beethoven <br>
+
+Roll Over Beethoven <br>
+
+And dig these rhythm and blues </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rubybaby.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rubybaby.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/rubybaby.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Ruby Baby</title>
+
+</head>
+
+
+
+<body>
+
+<font FACE="Arial" SIZE="2"><!--webbot bot="Include" U-Include="../_private/header.htm"
+
+TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<p></font><font size="6"><strong>Ruby Baby</strong></font> 
+
+
+
+<dl>
+
+  <dt>I love a girl and Ruby is her name</dt>
+
+  <dt>This girl don't love me but i love her just the same</dt>
+
+  <dt>Woh-oh-oh-oh-oh</dt>
+
+  <dt>Ruby Ruby how i want ya</dt>
+
+  <dt>Like a ghost i'm gonna haunt ya</dt>
+
+  <dt>Ruby Ruby Ruby will you be mine</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Each time i see you baby my heart cries</dt>
+
+  <dt>I tell ya i'm gonna steal you away from all those guys</dt>
+
+  <dt>Woh-oh-oh-oh-oh</dt>
+
+  <dt>From the happy day i met ya</dt>
+
+  <dt>I made a bet that i was goin' to get ya</dt>
+
+  <dt>Ruby Ruby Ruby will you be mine</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Hey-hey,hey-hey,hey-hey.....</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Now i love this girl i said Ruby is her name</dt>
+
+  <dt>When this girl looks at me she just sets my soul in flame</dt>
+
+  <dt>Woh-oh-oh-oh-oh</dt>
+
+  <dt>Got some ????? kisses too</dt>
+
+  <dt>I gonna give them all to you</dt>
+
+  <dt>Ruby Ruby when will you be mine</dt>
+
+  <dt>I gonna get you sometime</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Hey-hey,hey-hey,hey-hey.....</dt>
+
+  <dt>Ruby Ruby Ruby Ruby will you be mine.....</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" i-checksum="5922" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/run.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/run.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/run.htm	(revision 18423)
@@ -0,0 +1,183 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:46 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Run For Your Life</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Run For Your Life</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Well I'd rather see you dead, little girl <br>
+
+than to be with another man <br>
+
+You better keep your head, little girl <br>
+
+or I won't know where I am <br>
+
+<br>
+
+You better run for your life if you can, little girl <br>
+
+Hide your head in the sand little girl <br>
+
+Catch you with another man <br>
+
+That's the end, little girl <br>
+
+<br>
+
+Well I know that I'm a wicked guy <br>
+
+And I was born with a jealous mind <br>
+
+And I can't spend my whole life <br>
+
+trying just to make you toe the line <br>
+
+<br>
+
+You better run for your life if you can, little girl <br>
+
+Hide your head in the sand little girl <br>
+
+Catch you with another man <br>
+
+That's the end, little girl <br>
+
+<br>
+
+Let this be a sermon <br>
+
+I mean everything I've said <br>
+
+Baby, I'm determined <br>
+
+And I'd rather see you dead <br>
+
+<br>
+
+You better run for your life if you can, little girl <br>
+
+Hide your head in the sand little girl <br>
+
+Catch you with another man <br>
+
+That's the end, little girl <br>
+
+<br>
+
+I'd rather see you dead, little girl <br>
+
+than to be with another man <br>
+
+You better keep your head, little girl <br>
+
+or you won't know where I am <br>
+
+<br>
+
+You better run for your life if you can, little girl <br>
+
+Hide your head in the sand little girl <br>
+
+Catch you with another man <br>
+
+That's the end, little girl <br>
+
+Na, na, na <br>
+
+Na, na, na <br>
+
+Na, na, na <br>
+
+Na, na, na </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/said.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/said.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/said.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:25 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>She Said She Said</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">She Said She Said</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+She said &quot;I know what it's like to be dead <br>
+
+I know what it is to be sad&quot; <br>
+
+And she's making me feel like I've never been born <br>
+
+<br>
+
+I said &quot;Who put all those things in your head <br>
+
+Things that make me feel that I'm mad <br>
+
+And you're making me feel like I've never been born&quot; <br>
+
+<br>
+
+She said &quot;you don't understand what I said&quot; <br>
+
+I said &quot;No, no, no, you're wrong&quot; <br>
+
+When I was a boy everything was right <br>
+
+Everything was right <br>
+
+<br>
+
+I said &quot;Even though you know what you know <br>
+
+I know that I'm ready to leave <br>
+
+'Cause you're making me feel like I've never been born&quot; <br>
+
+<br>
+
+She said &quot;you don't understand what I said&quot; <br>
+
+I said &quot;No, no, no, you're wrong&quot; <br>
+
+When I was a boy everything was right <br>
+
+Everything was right <br>
+
+<br>
+
+I said &quot;Even though you know what you know <br>
+
+I know that I'm ready to leave <br>
+
+'Cause you're making me feel like I've never been born&quot; <br>
+
+<br>
+
+She said (She said) &quot;I know what it's like to be dead <br>
+
+I know what it is to be sad (I know what it is to be sad) <br>
+
+I know what it's like to be dead (I know what it's like to be dead) </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/saints.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/saints.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/saints.htm	(revision 18423)
@@ -0,0 +1,195 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>The Saints</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><big><big><big>The Saints </big></big></big></strong></p>
+
+
+
+<p><em>(Traditional, arranged by Tony Sheridan)<br>
+
+Lead Vocal: Tony Sheridan<br>
+
+</em><br>
+
+Oh well, when the saints go marching in<br>
+
+When the saints go marching in<br>
+
+Mm, I'm gonna be, I'm a-gonna be in that number<br>
+
+Ooh, when the old saints go marching in<br>
+
+<br>
+
+Oh, when the sun, yeah, begin to shine<br>
+
+Mm, when that old sun above begins to shine<br>
+
+I'll tell you something, I'm a-gonna be, I'm a-gonna be in that number<br>
+
+Oh, when the sun begin to shine<br>
+
+<br>
+
+Yeah, when my Lord, when he'd call me there<br>
+
+Ah, when my old Lord, yeah, he'd call me there<br>
+
+I'll tell you something, I'm a-gonna be, I'm a-gonna be in that number<br>
+
+Oh, when my old lord, he'd call me there<br>
+
+<br>
+
+Yeah, when the saints go marching in<br>
+
+Well, when the saints go marching, marching in<br>
+
+I'll tell you something, I'm a-gonna be, I'm a-gonna be in that number<br>
+
+Yeah, when the saints go marching in<br>
+
+<br>
+
+Oh! Oh! Oh! Oh!<br>
+
+Oh!<br>
+
+Oh!<br>
+
+Woah!<br>
+
+<br>
+
+Well, when the sun, yeah, begin to shine<br>
+
+Ooh, when the sun, yeah, begin to shine<br>
+
+I'll tell you something, I'm a-gonna be, I'm a-gonna be in that number<br>
+
+Ooh, when that old sun, boy, begin to shine<br>
+
+<br>
+
+Well, I said, easy one time<br>
+
+Uh huh mm<br>
+
+Mm uh huh huh<br>
+
+Yeah!<br>
+
+Oh, I like it that way, baby!<br>
+
+Mm<br>
+
+Yeah!<br>
+
+Ooh<br>
+
+When the saints go marching in<br>
+
+<br>
+
+Well, when the saints go marching in<br>
+
+Yeah, when the saints go marching in<br>
+
+I'll tell you something, I'm a-gonna be, I'm a-gonna be in that number<br>
+
+Yeah, when the saints go marching in<br>
+
+<br>
+
+When the Lord, when he'd call me there<br>
+
+Yeah, when my Lord, he'd call me there<br>
+
+I'll tell you something, I'm a-gonna be, gonna be, I'm a-gonna be in<br>
+
+that number Yeah, when the saints go marching in</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+
+
+<p><br>
+
+<br>
+
+</p>
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sally.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sally.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sally.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 10:40 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Long Tall Sally</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Long Tall Sally</font></strong><br>
+
+<br>
+
+<i>(Johnson/Penniman/Blackwell) Lead vocal: McCartney</i><br>
+
+<br>
+
+I'm gonna tell Aunt Mary 'bout Uncle John<br>
+
+Says he had the blues but he has a lotta fun<br>
+
+Oh baby<br>
+
+Yeah, my baby<br>
+
+Oo-o-ooh baby<br>
+
+Some fun tonight<br>
+
+<br>
+
+I saw Uncle John with long tall Sally<br>
+
+He saw Aunt Mary cummin' and he ducked back in the alley<br>
+
+Oh baby<br>
+
+Yeah, my baby<br>
+
+Oo-o-ooh baby<br>
+
+Some fun tonight, Ahh! ow!<br>
+
+<br>
+
+(guitar solo)<br>
+
+<br>
+
+Well long tall Sally built pretty thin<br>
+
+She got everything that Uncle John needs<br>
+
+Oh baby<br>
+
+Yeah, my baby<br>
+
+Oo-o-ooh baby<br>
+
+Some fun tonight, Ahh!<br>
+
+<br>
+
+(guitar solo)<br>
+
+<br>
+
+Well, we're gonna have some fun tonight<br>
+
+Have some fun tonight, ooh!<br>
+
+Everything's alright<br>
+
+Have some fun tonight<br>
+
+Have some fun, yeah, yeah, yeah, wow!! <br>
+
+<br>
+
+We're gonna have some fun tonight<br>
+
+Have some fun tonight!<br>
+
+Everything's alright!<br>
+
+Have some fun tonight!<br>
+
+Yeah, we'll have some fun<br>
+
+Some fun toni-hi-ght</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/savoy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/savoy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/savoy.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:04 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Savoy Truffle</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Savoy Truffle</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Creme tangerine and montelimat <br>
+
+A ginger sling with a pineapple heart <br>
+
+A coffee dessert--yes you know it's good news <br>
+
+But you'll have to have them all pulled out <br>
+
+After the Savoy truffle. <br>
+
+<br>
+
+Cool cherry cream and a nice apple tart <br>
+
+I feel your taste all the time we're apart <br>
+
+Coconut fudge--really blows down those blues <br>
+
+But you'll have to have them all pulled out <br>
+
+After the Savoy truffle. <br>
+
+<br>
+
+You might not feel it now <br>
+
+But when the pain cuts through <br>
+
+You're going to know and how <br>
+
+The sweat is going to fill your head <br>
+
+When it becomes too much <br>
+
+You're going to shout aloud <br>
+
+<br>
+
+But you'll have to have them all pulled out <br>
+
+After the Savoy truffle. <br>
+
+<br>
+
+You know that what you eat you are, <br>
+
+But what is sweet new, turns so sour <br>
+
+We all know Ob-La-Di-Bla-Da <br>
+
+But can you show me, where you are? <br>
+
+<br>
+
+Creme tangerine and montelimat <br>
+
+A ginger sling with a pineapple heart <br>
+
+A coffee dessert--yes you know its good news <br>
+
+But you'll have to have them all pulled out <br>
+
+After the Savoy truffle. <br>
+
+Yes you'll have to have them all pulled out <br>
+
+After the Savoy truffle </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/saw.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/saw.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/saw.htm	(revision 18423)
@@ -0,0 +1,165 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:01 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Saw Her Standing There</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Saw Her Standing There</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+One, Two, Three, Four! <br>
+
+<br>
+
+Well, she was just 17 <br>
+
+You know what I mean <br>
+
+And the way she looked, was way beyond compare <br>
+
+So how could I dance with another (ooh) <br>
+
+When I saw her standing there <br>
+
+<br>
+
+Well she looked at me, and I, I could see <br>
+
+That before too long I'd fall in love with her <br>
+
+So how could I dance with another (whooh) <br>
+
+When I saw her standing there <br>
+
+<br>
+
+Well, my heart went &quot;boom&quot; <br>
+
+When I crossed that room <br>
+
+And I held her hand in mine <br>
+
+<br>
+
+Whoah, we danced through the night <br>
+
+And we held each other tight <br>
+
+And before too long I fell in love with her <br>
+
+Now I'll never dance with antoher (whooh) <br>
+
+Since I saw her standing there (Ahh!) <br>
+
+<br>
+
+Well, my heart went &quot;boom&quot; <br>
+
+When I crossed that room <br>
+
+And I held her hand in mine <br>
+
+<br>
+
+Oh, we danced through the night <br>
+
+And we held each other tight <br>
+
+And before too long I fell in love with her <br>
+
+Now I'll never dance with another (whooh) <br>
+
+Since I saw her standing there <br>
+
+Whoah since I saw her standing there <br>
+
+Yeah well since I saw her standing there </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/searching.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/searching.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/searching.htm	(revision 18423)
@@ -0,0 +1,193 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:06 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Searching</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Searching</font></strong><br>
+
+<br>
+
+<br>
+
+Gonna find her, gonna find her.<br>
+
+<br>
+
+Well searching.<br>
+
+Yeah I'm gonna searching,<br>
+
+searching every which a-way, yeh yeh.<br>
+
+Oh lord I'm searching,<br>
+
+my good lord, searching<br>
+
+you know honey,<br>
+
+searching every which away yeh yeh yeh.<br>
+
+But I'm like that northwest Mountie.<br>
+
+You know I'll bring her in some day.<br>
+
+<br>
+
+Gonna find her, gonna find her.<br>
+
+<br>
+
+Well Charlie Chan, Simon Smith,<br>
+
+got nothing, child, on me.<br>
+
+Sergeant Friday, Peter Gunn<br>
+
+and ooo Alan B.<br>
+
+No matter where she's hiding,<br>
+
+she's gonna see me coming,<br>
+
+I'm gonna walk right down that street<br>
+
+like Bulldog Drummon.<br>
+
+<br>
+
+'Cos I been searching,<br>
+
+well searching,<br>
+
+oh my goodness,<br>
+
+searching every which a-way.<br>
+
+But I'm like that northwest Mountie.<br>
+
+You know I'll bring her in some day.<br>
+
+<br>
+
+Gonna find her, gonna find her.<br>
+
+<br>
+
+Well Charlie Chan, Simon Smith,<br>
+
+got nothing, child, on me.<br>
+
+Sergeant Friday, Peter Gunn<br>
+
+and ooo Alan B.<br>
+
+No matter where she's hiding,<br>
+
+she's gonna see me coming,<br>
+
+I'm gonna walk right down that street<br>
+
+like Bulldog Drummon.<br>
+
+<br>
+
+Aah searching,<br>
+
+searching, oh my my goodness.<br>
+
+Searching every which a-way.<br>
+
+But I'm like that northwest Mountie.<br>
+
+You know I'll bring her in some day.<br>
+
+<br>
+
+Gonna find her, gonna find her,<br>
+
+yeh yeh lord, gonna find her,<br>
+
+gonna find her.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/second.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/second.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/second.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 11:13 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Not A Second Time</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Not A Second Time</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+You know you made me cry <br>
+
+I see no use in wondering why <br>
+
+I cry for you <br>
+
+<br>
+
+And now you've changed your mind <br>
+
+I see no use in wondering why <br>
+
+I cry for you <br>
+
+<br>
+
+And now you've changed your mind <br>
+
+I see no reason to change mine <br>
+
+I cry it's through, oh <br>
+
+<br>
+
+You're giving me the same old line <br>
+
+I'm wondering why <br>
+
+You hurt me then <br>
+
+You're back again <br>
+
+No, no, no, not a second time <br>
+
+<br>
+
+You know you made me cry <br>
+
+I see no use in wondering why <br>
+
+I cry for you, yeah <br>
+
+<br>
+
+And now you've changed your mind <br>
+
+I see no reason to change mine <br>
+
+I cry it's through, oh <br>
+
+<br>
+
+You're giving me the same old line <br>
+
+I'm wondering why <br>
+
+You hurt me then <br>
+
+You're back again <br>
+
+No, no, no, not a second time <br>
+
+Not a second time <br>
+
+Not the second time <br>
+
+no, no, no, no, no <br>
+
+no, no, no </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/see.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/see.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/see.htm	(revision 18423)
@@ -0,0 +1,191 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:23 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>You Won't See Me</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">You Won't See Me</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+When I call you up <br>
+
+Your line's engaged <br>
+
+I have had enough <br>
+
+So act your age <br>
+
+We have lost the time <br>
+
+that was so hard to find <br>
+
+And I will lose my mind <br>
+
+If you won't see me <br>
+
+you won't see me <br>
+
+<br>
+
+I don't know why <br>
+
+you should want to hide <br>
+
+But I can't get through <br>
+
+My hands are tied <br>
+
+I won't want to stay <br>
+
+I don't have much to say <br>
+
+But I can't turn away <br>
+
+And you won't see me <br>
+
+you won't see me <br>
+
+<br>
+
+Time after time <br>
+
+You refuse to even listen <br>
+
+I wouldn't mind <br>
+
+If I knew what I was missing <br>
+
+Though the days are few <br>
+
+They're filled with tears <br>
+
+And since I lost you <br>
+
+It feels like years <br>
+
+Yes, it seems so long <br>
+
+Girl, since you've been gone <br>
+
+And I just can't go on <br>
+
+If you won't see me <br>
+
+you won't see me <br>
+
+<br>
+
+Time after time <br>
+
+You refuse to even listen <br>
+
+I wouldn't mind <br>
+
+If I knew what I was missing <br>
+
+Though the days are few <br>
+
+They're filled with tears <br>
+
+And since I lost you <br>
+
+It feels like years <br>
+
+Yes, it seems so long <br>
+
+Girl, since you've been gone <br>
+
+And I just can't go on <br>
+
+If you won't see me <br>
+
+you won't see me </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/september.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/september.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/september.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:08 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>September In Rhe Rain</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">September In The Rain</font></strong><br>
+
+<br>
+
+<i>(Dubin/Warren) Lead vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+1..2..shoo doo p'doo hey!!<br>
+
+<br>
+
+The leaves of brown came tumblin' down - remember<br>
+
+Yeah in September<br>
+
+In the rain<br>
+
+<br>
+
+The sun went out just like it died - remember<br>
+
+Oooh in September<br>
+
+In the rain<br>
+
+<br>
+
+To every word - I love - I heard - you wisper<br>
+
+The raindrops seem, to play a sweet refrain!!<br>
+
+<br>
+
+Oh spring is here to me its still September<br>
+
+Whoa that September<br>
+
+Yeah in the rain<br>
+
+<br>
+
+Aw now to every word - I love - I heard - you wisper<br>
+
+The raindrops seem - yeah to play a sweet refrain!!<br>
+
+<br>
+
+Though spring is here to me its still September<br>
+
+Mmm oh that September<br>
+
+Yeah in the rain<br>
+
+<br>
+
+Yeah I said its - I said its September!!<br>
+
+In the rain - yeah<br>
+
+<br>
+
+Ah September in the rain</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sexy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sexy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sexy.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:10 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Sexy Sadie</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Sexy Sadie</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Sexy Sadie what have you done <br>
+
+You made a fool of everyone <br>
+
+You made a fool of everyone <br>
+
+Sexy Sadie ooh what have you done. <br>
+
+<br>
+
+Sexy Sadie you broke the rules <br>
+
+You laid it down for all to see <br>
+
+You laid it down for all to see <br>
+
+Sexy Sadie oooh you broke the rules. <br>
+
+<br>
+
+One sunny day the world was waiting for a lover <br>
+
+She came along to turn on everyone <br>
+
+Sexy Sadie the greatest of them all. <br>
+
+<br>
+
+Sexy Sadie how did you know <br>
+
+The world was waiting just for you <br>
+
+The world was waiting just for you <br>
+
+Sexy Sadie oooh how did you know. <br>
+
+<br>
+
+Sexy Sadie you'll get yours yet <br>
+
+However big you think you are <br>
+
+However big you think you are <br>
+
+Sexy Sadie oooh you'll get yours yet. <br>
+
+<br>
+
+We have her everything we owned just to sit at her table <br>
+
+Just a smile would lighten everything <br>
+
+Sexy Sadie she's the latest and the greatest of them all. <br>
+
+<br>
+
+She made a fool of everyone <br>
+
+Sexy Sadie <br>
+
+<br>
+
+However big you think you are <br>
+
+Sexy Sadie. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sheila.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sheila.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sheila.htm	(revision 18423)
@@ -0,0 +1,191 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:28 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Sheila</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Sheila</font></strong><br>
+
+<br>
+
+<i>(Roe) Lead vocal: Harrison</i><br>
+
+<br>
+
+Sweet little Sheila<br>
+
+You know I can see her<br>
+
+Blue eyes and a pony tail<br>
+
+Cheeks are rosie<br>
+
+She looks a little nosey<br>
+
+Man, this little girl is mine<br>
+
+<br>
+
+Never knew a girl<br>
+
+Like little Sheila<br>
+
+Her name drives me insane<br>
+
+Sweet little girl<br>
+
+That's my little Sheila<br>
+
+Man, this little girl is fine<br>
+
+<br>
+
+Me and Sheila go for ever<br>
+
+Oh oh I'm feeling funny inside<br>
+
+When little Sheila<br>
+
+Whispers in my ear<br>
+
+Oh oh oh I love you Sheila dear<br>
+
+<br>
+
+Sheila says she loves me<br>
+
+She says never leaves me<br>
+
+True love will never die<br>
+
+We're so doggone happy<br>
+
+Just me and Sheila together<br>
+
+Man, this little girl is fine<br>
+
+<br>
+
+Never knew a girl<br>
+
+Like little Sheila<br>
+
+Her name drives me insane<br>
+
+Sweet little girl<br>
+
+That's my little Sheila<br>
+
+Man, this little girl is fine<br>
+
+<br>
+
+Me and Sheila go for ever<br>
+
+Oh oh I'm feeling funny inside<br>
+
+When little Sheila<br>
+
+Whispers in my ear<br>
+
+Oh oh oh I love you, Sheila dear<br>
+
+<br>
+
+She says she loves me<br>
+
+She says never leaves me<br>
+
+True love will never die<br>
+
+We're so doggone happy<br>
+
+Just me and Sheila together<br>
+
+Man, this little girl is fine<br>
+
+Oh this little girl is fine<br>
+
+Oh this little girl is fine</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/shout.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/shout.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/shout.htm	(revision 18423)
@@ -0,0 +1,229 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:32 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Shout!</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Shout!</font></strong><br>
+
+<br>
+
+<br>
+
+You know you want to make me:<br>
+
+Shout!<br>
+
+Take my finger!<br>
+
+Shout!<br>
+
+Throw my hands back!<br>
+
+Shout!<br>
+
+Kick my heels up!<br>
+
+Shout!<br>
+
+Come on now.<br>
+
+Shout!<br>
+
+Take it easy<br>
+
+Shout!<br>
+
+Take it easy<br>
+
+Shout!<br>
+
+Take it easy<br>
+
+Shout!<br>
+
+A little bit softer now.<br>
+
+Shout!<br>
+
+A little bit softer now.<br>
+
+Shout!<br>
+
+A little bit softer now.<br>
+
+Shout!<br>
+
+A little bit softer now.<br>
+
+Shout!<br>
+
+A little bit softer now.<br>
+
+Shout!<br>
+
+A little bit softer now.<br>
+
+Shout!<br>
+
+A little bit softer now.<br>
+
+Shout!<br>
+
+A little bit softer now.<br>
+
+Shout!<br>
+
+A little bit louder now.<br>
+
+Shout!<br>
+
+A little bit louder now.<br>
+
+Shout!<br>
+
+A little bit louder now.<br>
+
+Shout!<br>
+
+A little bit louder now.<br>
+
+Shout!<br>
+
+A little bit louder now.<br>
+
+Shout!<br>
+
+A little bit louder now.<br>
+
+Shout!<br>
+
+A little bit louder now.<br>
+
+Shout!<br>
+
+A little bit louder now.<br>
+
+Shout!<br>
+
+Hey hey hey hey!<br>
+
+Hey hey hey hey!<br>
+
+Hey hey hey hey!<br>
+
+Hey hey hey hey!<br>
+
+Hey hey hey hey!<br>
+
+Hey hey hey hey!<br>
+
+Hey hey hey hey!<br>
+
+Hey hey hey hey!<br>
+
+Shout!<br>
+
+Jump up and shout now!<br>
+
+Shout!<br>
+
+Jump up and shout now!<br>
+
+Shout!<br>
+
+Jump up and shout now!<br>
+
+Shout!<br>
+
+Bloody shout now!<br>
+
+Shout!<br>
+
+Bloody shout now!<br>
+
+Shout!<br>
+
+Shout! Shout! Shout! Shout! Shout! Shout! Shout! Shout!</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sixty.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sixty.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sixty.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:51 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>When I'm Sixty-four</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">When I'm Sixty-Four</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+When I get older losing my hair, <br>
+
+Many years from now. <br>
+
+Will you still be sending me a valentine? <br>
+
+Birthday greetings bottle of wine. <br>
+
+If I'd been out 'till quarter to three <br>
+
+Would you lock the door, <br>
+
+Will you still need me, will you still feed me, <br>
+
+When I'm sixty-four? <br>
+
+<br>
+
+You'll be older too, <br>
+
+Any if you say the word, <br>
+
+I could stay with you. <br>
+
+<br>
+
+I could be handy, mending a fuse <br>
+
+When your lights have gone. <br>
+
+You can knit a sweater by the fireside <br>
+
+Sunday mornings go for a ride, <br>
+
+Doing the garden, digging the weeds, <br>
+
+Who could ask for more. <br>
+
+Will you still need me, will you still feed me, <br>
+
+When I'm sixty-four? <br>
+
+<br>
+
+Every summer we can rent a cottage, <br>
+
+In the Isle of Wight, if it's not too dear <br>
+
+We shall scrimp and save <br>
+
+Grandchildren on your knee <br>
+
+Vera, Chuck, and Dave. <br>
+
+<br>
+
+Send me a postcard, drop me a line, <br>
+
+Stating point of view <br>
+
+Indicate precisely what you mean to day <br>
+
+Yours sincerely, wasting away <br>
+
+Give me your answer, fill in a form <br>
+
+Mine for evermore <br>
+
+Will you still need me, will you still feed me, <br>
+
+When I'm sixty-four? </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sleeping.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sleeping.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sleeping.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:19 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'm Only Sleeping</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'm Only Sleeping</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+When I wake up early in the morning <br>
+
+Life my head, I'm still yawning <br>
+
+When I'm in the middle of a dream <br>
+
+Stay in bed, float up stream (float up stream) <br>
+
+<br>
+
+Please, don't wake me, no, don't shake me <br>
+
+Leave me where I am - I'm only sleeping <br>
+
+<br>
+
+Everybody seems to think I'm lazy <br>
+
+I don't mind, I think they're crazy <br>
+
+Running everywhere at such a speed <br>
+
+'Till they find there's no need (there's no need) <br>
+
+<br>
+
+Please, don't spoil my day, I'm miles away <br>
+
+And after all I'm only sleeping <br>
+
+<br>
+
+Keeping an eye on the world going by my window <br>
+
+Taking my time <br>
+
+<br>
+
+Lying there and staring at the ceiling <br>
+
+Waiting for a sleepy feeling <br>
+
+<br>
+
+Please, don't spoil my day, I'm miles away <br>
+
+And after all I'm only sleeping <br>
+
+<br>
+
+Keeping an eye on the world going by my window <br>
+
+Taking my time <br>
+
+<br>
+
+When I wake up early in the morning <br>
+
+Life my head, I'm still yawning <br>
+
+When I'm in the middle of a dream <br>
+
+Stay in bed, float up stream (float up stream) <br>
+
+<br>
+
+Please, don't wake me, no, don't shake me <br>
+
+Leave me where I am - I'm only sleeping </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/slow.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/slow.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/slow.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:34 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Slow Down</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Slow Down</font></strong><br>
+
+<br>
+
+<i>(Larry Williams) Lead vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Well, come on pretty baby won't you walk with me?<br>
+
+Come on, pretty baby won't you talk with me?<br>
+
+Come on pretty baby, give me one more chance<br>
+
+Try save our romance!<br>
+
+<br>
+
+Slow down, baby now you're movin' way too fast<br>
+
+You gotta gimme little lovin', gimme little lovin'<br>
+
+Ow! if you want our love to last<br>
+
+<br>
+
+Well, I used to walk you home, baby, after school<br>
+
+Carry your books home, too<br>
+
+But now you got a boyfriend down the street<br>
+
+Baby what you're tryin' to do?<br>
+
+<br>
+
+You better slow down!<br>
+
+Baby, now you're movin' way too fast<br>
+
+You gotta gimme little lovin', gimme little lovin'<br>
+
+Bbbbb! if you want our love to last<br>
+
+<br>
+
+Ahh-ow!!<br>
+
+<br>
+
+(guitar solo)<br>
+
+<br>
+
+Ow!<br>
+
+<br>
+
+Well you know that I love you, tell the world I do<br>
+
+Come on, pretty baby, why can't you be true?<br>
+
+I need your baby, oh so bad<br>
+
+The best little woman I ever had<br>
+
+<br>
+
+Slow down, baby now you're movin' way too fast<br>
+
+You gotta gimme little lovin', gimme little lovin'<br>
+
+Ow! if you want our love to last<br>
+
+Ow!<br>
+
+Whow!</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/something.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/something.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/something.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:37 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Something</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Something</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Something in the way she moves <br>
+
+Attracts me like no other lover <br>
+
+Something in the way she woos me <br>
+
+I don't want to leave her now <br>
+
+You know I believe and how <br>
+
+<br>
+
+Somewhere in her smile she knows <br>
+
+That I don't need no other lover <br>
+
+Something in her style that shows me <br>
+
+Don't want to leave her now <br>
+
+You know I believe and how <br>
+
+<br>
+
+You're asking me will my love grow <br>
+
+I don't know, I don't know <br>
+
+You stick around now it may show <br>
+
+I don't know, I don't know <br>
+
+<br>
+
+Something in the way she knows <br>
+
+And all I have to do is think of her <br>
+
+Something in the things she shows me <br>
+
+I don't want to leave her now <br>
+
+You know I believe and how </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/spoil.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/spoil.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/spoil.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 11:51 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Don't Want To Spoil The Party</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Don't Want To Spoil The Party</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocals: Lennon McCartney</i><br>
+
+<br>
+
+<br>
+
+I don't want to spoil the party so I'll go, <br>
+
+I would hate my disappointment to show, <br>
+
+there's nothing for me here so I will disappear <br>
+
+if she turns up while I'm gone please let me know. <br>
+
+<br>
+
+I've had a drink or two and I don't care, <br>
+
+there's no fun in what I do if she's not there, <br>
+
+I wonder what went wrong I've waited far too long, <br>
+
+I think I'll take a walk and look for her. <br>
+
+<br>
+
+Though tonight she's made me sad, <br>
+
+I still love her, <br>
+
+If I find her I'll be glad, <br>
+
+I still love her. <br>
+
+<br>
+
+I don't want to spoil the party so I'll go, <br>
+
+I would hate my disappointment to show, <br>
+
+there's nothing for me here so I will disappear, <br>
+
+if she turns up while I'm gone please let me know. <br>
+
+<br>
+
+Though tonight she's made me sad, <br>
+
+I still love her, <br>
+
+If I find her I'll be glad, <br>
+
+I still love her. <br>
+
+<br>
+
+Though I've had a drink or two and I don't care, <br>
+
+there's no fun in what I do if she's not there, <br>
+
+I wonder what went wrong I've waited far too long, <br>
+
+I think I'll take a walk and look for her. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/story.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/story.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/story.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:59 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The Continuing Story Of Bungalow Bill</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Continuing Story Of Bungalow Bill</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Hey, Bugalow Bill <br>
+
+What did you kill <br>
+
+Bungalow Bill? <br>
+
+<br>
+
+He went out tiger hunting with his elephant and gun <br>
+
+In case of accidents he always took his mom <br>
+
+He's the all American bullet-headed Saxon mother's son. <br>
+
+<br>
+
+Hey Bungalow Bill <br>
+
+What did you kill <br>
+
+Bungalow Bill? <br>
+
+<br>
+
+Deep in the jungle where the mighty tiger lies <br>
+
+Bill and his elephants were taken by surprise <br>
+
+So Captain Marvel zapped in right between the eyes <br>
+
+All the children sing <br>
+
+<br>
+
+Hey, Bungalow Bill <br>
+
+What did you kill <br>
+
+Bungalow Bill? <br>
+
+<br>
+
+The children asked him if to kill was not a sin <br>
+
+Not when he looked so fierce, his mother butter in <br>
+
+If looks could kill it would have been us instead of him <br>
+
+All the children sing <br>
+
+<br>
+
+Hey, Bungalow Bill <br>
+
+What did you kill <br>
+
+Bungalow Bill? </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/straw.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/straw.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/straw.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:39 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Strawberry Fields Forever</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Strawberry Fields Forever</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Let me take you down, cause I'm going to Strawberry Fields <br>
+
+Nothing is real and nothing to get hung about <br>
+
+Strawberry Fields Forever <br>
+
+<br>
+
+Living is easy with eyes closed <br>
+
+Misunderstanding all you see <br>
+
+It's getting hard to be someone but it all works out <br>
+
+It doesn't matter much to me <br>
+
+<br>
+
+Let me take you down, cause I'm going to Strawberry Fields <br>
+
+Nothing is real and nothing to get hung about <br>
+
+Strawberry Fields Forever <br>
+
+<br>
+
+No one I think is in my tree <br>
+
+I mean it must be high or low <br>
+
+That is you can't you know tune in but it's all right <br>
+
+That is I think it's not too bad <br>
+
+<br>
+
+Let me take you down, cause I'm going to Strawberry Fields <br>
+
+Nothing is real and nothing to get hung about <br>
+
+Strawberry Fields Forever <br>
+
+<br>
+
+Always, no sometimes, think it's me <br>
+
+But you know I know when it's a dream <br>
+
+I think er know I mean er &quot;yes&quot; but it's all wrong <br>
+
+That is I think I disagree <br>
+
+<br>
+
+Let me take you down, cause I'm going to Strawberry Fields <br>
+
+Nothing is real and nothing to get hung about <br>
+
+Strawberry Fields Forever <br>
+
+Strawberry Fields Forever <br>
+
+Strawberry Fields Forever </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sun.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sun.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sun.htm	(revision 18423)
@@ -0,0 +1,115 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:40 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Sun King</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Sun King</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Here comes the sun king <br>
+
+Here comes the sun king <br>
+
+Everybody's laughing <br>
+
+Everybody's happy <br>
+
+Here comes the sun king <br>
+
+<br>
+
+Quando paramucho mi amore de felice corazon <br>
+
+Mundo paparazzi me amore chica ferdy parasol <br>
+
+Cuesto obrigado tanta mucho que can eat it carousel </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sweet.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sweet.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sweet.htm	(revision 18423)
@@ -0,0 +1,185 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:42 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Sweet Little Sixteen</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Sweet Little Sixteen</font></strong><br>
+
+<br>
+
+<i>(Berry)</i><br>
+
+<br>
+
+<br>
+
+They're really rocking in Boston,<br>
+
+in Philadelphia PA,<br>
+
+deep in the heart of Texas,<br>
+
+on down the Frisco Bay.<br>
+
+All over Saint Louis<br>
+
+and down in New Orleans.<br>
+
+All the cats want to dance with<br>
+
+sweet little sixteen.<br>
+
+<br>
+
+Sweet little sixteen,<br>
+
+she's just got to have<br>
+
+about half a million<br>
+
+framed autopraphs.<br>
+
+Her wall is filled with pictures,<br>
+
+she gets them one by one.<br>
+
+Becomes so excited,<br>
+
+oh watch her at the run boy.<br>
+
+<br>
+
+Oh mommy mommy,<br>
+
+please may I go.<br>
+
+You know it's such a sight to see<br>
+
+somebody steal the show.<br>
+
+Oh daddy daddy,<br>
+
+I beg of you.<br>
+
+Please say it to mommy<br>
+
+it's alright with you.<br>
+
+<br>
+
+Sweet little sixteen<br>
+
+she's got the grown up blues.<br>
+
+Tight dresses and lipstick,<br>
+
+she's sporting in high heeled boots.<br>
+
+Oh but tomorrow morning<br>
+
+she'll have to change her trend<br>
+
+become sweet sixteen<br>
+
+and back in class again.<br>
+
+<br>
+
+They're really rocking in Boston,<br>
+
+in Philadelphia PA,<br>
+
+deep in the heart of Texas<br>
+
+and down the Frisco Bay.<br>
+
+All over Saint Louis,<br>
+
+on down in New Orleans.<br>
+
+All the cats want to dance with<br>
+
+sweet little sixteen.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/swgeorgia.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/swgeorgia.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/swgeorgia.htm	(revision 18423)
@@ -0,0 +1,177 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Sweet Georgia Brown</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+<font
+
+FACE="Arial" SIZE="2">
+
+
+
+<p></font><font size="6"><strong>Sweet Georgia Brown</strong></font></p>
+
+
+
+<p><em>By Ben Bernie, Maceo Pincard and Kenneth Casey</em>
+
+
+
+<dl>
+
+  <dt>&nbsp;I tell you something,</dt>
+
+  <dt>Well, no gal made has, oh, got the shade on sweet Georgia Brown,</dt>
+
+  <dt>She got two left feet, but, oh, so neat, has sweet Georgia Brown.</dt>
+
+  <dt>They all sigh, ooh, they wanna die for sweet Georgia Brown,</dt>
+
+  <dt>I'll tell you just why,</dt>
+
+  <dt>You know i don't lie, not much.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Wo, it's been said she knocks them dead when she lands in town;</dt>
+
+  <dt>Since she came, why it's a shame how she cools them down.</dt>
+
+  <dt>Fellers, mm, she can't get,</dt>
+
+  <dt>Oh, fellers, oh, she ain't met.</dt>
+
+  <dt>Georgia claimed her, Georgia named her,</dt>
+
+  <dt>Sweet Georgia Brown.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Hey!</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Well, all those tips that the porter slip to sweet Georgia Brown,</dt>
+
+  <dt>She buys clothes at fashion shows with one dollar down.</dt>
+
+  <dt>Tthey all sigh, yeah, they wanna die for sweet Georgia Brown,</dt>
+
+  <dt>I'll tell you just why,</dt>
+
+  <dt>You know i don't lie.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Ooh, it's been said she knocks them dead when she lands in town;</dt>
+
+  <dt>Since she came, how it's a shame how she cools them down.</dt>
+
+  <dt>Fellers she cant get,</dt>
+
+  <dt>Ooh, fellers she ain't met.</dt>
+
+  <dt>Georgia claimed her, Georgia named her,</dt>
+
+  <dt>Sweet Georgia Brown.</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Oh, that sweet georgia,</dt>
+
+  <dt>Oh oh oh, brown.</dt>
+
+  <dt>Oh yeah.</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" i-checksum="5922" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/take.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/take.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/take.htm	(revision 18423)
@@ -0,0 +1,171 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:44 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Take Good Care Of My Baby</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Take Good Care Of My Baby</font></strong><br>
+
+<br>
+
+<i>(Goffin/King) Lead vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+My tears are falling<br>
+
+'Cause you've taken her away<br>
+
+And though it really hurts me so<br>
+
+There something that I got to say<br>
+
+<br>
+
+Take good care of my baby<br>
+
+Please don't ever make her blue<br>
+
+Just tell her that you love her<br>
+
+Make sure you're thinking of her<br>
+
+In everything you say and do<br>
+
+<br>
+
+Take good care of my baby<br>
+
+Now don't you ever make her cry<br>
+
+Just let your love surround her<br>
+
+Paint rainbows all around her<br>
+
+Don't let her see the cloudy sky<br>
+
+<br>
+
+Once upon a time<br>
+
+That little girl was mine<br>
+
+If I had been true<br>
+
+I know she'd never been with you<br>
+
+<br>
+
+So take good care of my baby<br>
+
+Be just as kind as you can be<br>
+
+And if you should discover<br>
+
+That you don't really love her<br>
+
+Just send my baby back home to me<br>
+
+<br>
+
+Take good care of my baby<br>
+
+Be just as kind as you can be<br>
+
+And if you should discover<br>
+
+That you don't really love her<br>
+
+Just send my baby back home to me<br>
+
+<br>
+
+Take good care of my baby<br>
+
+Take good care of my baby<br>
+
+Take good care of my baby</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/talking.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/talking.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/talking.htm	(revision 18423)
@@ -0,0 +1,155 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:23 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'm Talking About You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'm Talking About You</font></strong><br>
+
+<br>
+
+<i>(Berry) Lead vocal: Lennon</i><br>
+
+<br>
+
+Let me tell you 'bout a girl I know<br>
+
+Let me tell you she looks so good<br>
+
+Lovely indeed, that's why she'd<br>
+
+Ought to be some way in Hollywood <br>
+
+<br>
+
+I'm talkin' 'bout you<br>
+
+Nobody but you baby<br>
+
+I do mean you<br>
+
+I'm just trying to get a message to you <br>
+
+<br>
+
+Let me tell you 'bout a girl I know<br>
+
+I met her walking down her home town street<br>
+
+Lovely indeed, that's why I asked her if she'd<br>
+
+Get the shivers every time we meet <br>
+
+<br>
+
+I'm talkin' 'bout you<br>
+
+Nobody but you<br>
+
+I do mean you<br>
+
+I'm just trying to get a message to you <br>
+
+<br>
+
+Let me tell you 'bout a girl I know<br>
+
+Let me tell you she looks so good<br>
+
+Lovely indeed, that's why she'd<br>
+
+Ought to be some way in Hollywood<br>
+
+<br>
+
+<br>
+
+I'm talkin' 'bout you<br>
+
+Nobody but you<br>
+
+I do mean you<br>
+
+I'm just trying to get a message to you</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/taxman.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/taxman.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/taxman.htm	(revision 18423)
@@ -0,0 +1,147 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:47 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Taxman</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Taxman</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Let me tell you how it will be <br>
+
+There's one for you, nineteen for me <br>
+
+'Cause I'm the taxman, yeah, I'm the taxman <br>
+
+<br>
+
+Should five percent appear too small <br>
+
+Be thankful I don't take it all <br>
+
+'Cause I'm the taxman, yeah I'm the taxman <br>
+
+<br>
+
+If you drive a car, I'll tax the street <br>
+
+If you try to sit, I'll tax your seat <br>
+
+If you get too cold, I'll tax the heat <br>
+
+If you take a walk, I'll tax your feet <br>
+
+Taxman <br>
+
+<br>
+
+'Cause I'm the taxman, yeah I'm the taxman <br>
+
+<br>
+
+Don't ask me what I want it for (Ah ah Mister Wilson) <br>
+
+If you don't want to pay some more (Ah ah Mister Heath) <br>
+
+'Cause I'm the taxman, yeah, I'm the taxman <br>
+
+<br>
+
+Now my advice for those who die (Taxman) <br>
+
+Declare the pennies on your eyes (Taxman) <br>
+
+'Cause I'm the taxman, yeah, I'm the taxman <br>
+
+And you're working for no one but me <br>
+
+Taxman </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tell.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tell.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tell.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:18 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Want To Tell You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Want To Tell You</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+I want to tell you <br>
+
+My head is filled with things to say <br>
+
+When you're here <br>
+
+All those words, they seem to slip away <br>
+
+<br>
+
+When I get near you <br>
+
+The games begin to drag me down <br>
+
+It's all right <br>
+
+I'll make you maybe next time around <br>
+
+<br>
+
+But if I seem to act unkind <br>
+
+It's only me, it's not my mind <br>
+
+That is confusing things <br>
+
+<br>
+
+I want to tell you <br>
+
+I feel hung up but I don't know why <br>
+
+I don't mind <br>
+
+I could wait forever, I've got time <br>
+
+<br>
+
+Sometimes I wish I knew you well <br>
+
+Then I could speak my mind and tell you <br>
+
+Maybe you'd understand <br>
+
+<br>
+
+I want to tell you <br>
+
+I feel hung up but I don't know why <br>
+
+I don't mind <br>
+
+I could wait forever, I've got time <br>
+
+I've got time, I've got time </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tell_me.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tell_me.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tell_me.htm	(revision 18423)
@@ -0,0 +1,139 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:49 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Tell Me What You See</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Tell Me What You See</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocals: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+If you let me take your heart I will prove to you, <br>
+
+We will never be apart if I'm part of you. <br>
+
+Open up your eyes now, tell me what you see. <br>
+
+It is no surprise now, what you see is me. <br>
+
+<br>
+
+Big and black the clouds may be, time will pass away. <br>
+
+If you put your trust in me I'll make bright your day. <br>
+
+Look into these eyes now, tell me what you see. <br>
+
+Don't you realize now, what you see is me. <br>
+
+Tell me what you see. <br>
+
+<br>
+
+Listen to me one more time, how can I get through? <br>
+
+Can't you try to see that I'm trying to get to you? <br>
+
+Open up your eyes now, tell me what you see. <br>
+
+It is no surprise now, what you see is me. <br>
+
+Tell me what you see. <br>
+
+<br>
+
+Listen to me one more time, how can I get through? <br>
+
+Can't you try to see that I'm trying to get to you? <br>
+
+Open up your eyes now, tell me what you see. <br>
+
+It is no surprise now, what you see is me. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/thank.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/thank.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/thank.htm	(revision 18423)
@@ -0,0 +1,147 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:52 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Thank You Girl</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Thank You Girl</font></strong><br>
+
+<br>
+
+<br>
+
+Ah, ah, mm, you be good to me<br>
+
+you made me glad when I was blue<br>
+
+And eternally I'll always be<br>
+
+in love with you<br>
+
+And all I gotta do is thank you girl<br>
+
+Thank you girl<br>
+
+<br>
+
+I could tell the world<br>
+
+a think or two about love<br>
+
+I know little girl on ly a fool<br>
+
+would doubt our love<br>
+
+And all I gotta do is thank you girl<br>
+
+Thank you girl<br>
+
+<br>
+
+Thank you girl for lovin' me the way that you do<br>
+
+(way that you do)<br>
+
+That's the kind of love that is too good to be true<br>
+
+Al all I gotta do is thank you girl<br>
+
+Thank you girl<br>
+
+<br>
+
+Ah, ah, mm, you be good to me<br>
+
+you made me glad when I was blue<br>
+
+And eternally I'll always be<br>
+
+in love with you<br>
+
+And all I gotta do is thank you girl<br>
+
+Thank you girl<br>
+
+Ah, ah, ah</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/that.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/that.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/that.htm	(revision 18423)
@@ -0,0 +1,205 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:55 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>That'll Be The Day</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">That'll Be The Day</font></strong><br>
+
+<br>
+
+<br>
+
+Well that'll be the day<br>
+
+when you say goodbye.<br>
+
+Yeah that'll be the day<br>
+
+when you make me cry.<br>
+
+You say you're gonna leave,<br>
+
+you know it's a lie <br>
+
+'cos that'll be the day<br>
+
+when I die.<br>
+
+<br>
+
+Well you gave me all your loving<br>
+
+and all your turtle doving,<br>
+
+all your hugs and kisses<br>
+
+and your money too.<br>
+
+You say you love me baby,<br>
+
+still you tell me maybe<br>
+
+that somebody, well I'll be through.<br>
+
+<br>
+
+Well that'll be the day<br>
+
+when you say goodbye.<br>
+
+That'll be the day<br>
+
+when you make me cry.<br>
+
+You say you're gonna leave,<br>
+
+you know it's a lie<br>
+
+'cos that'll be the day<br>
+
+when I die.<br>
+
+<br>
+
+Yes that'll be the day<br>
+
+when you say goodbye.<br>
+
+Yes that'll be the day<br>
+
+when you make me cry.<br>
+
+You say you're gonna leave,<br>
+
+you know it's a lie<br>
+
+'cos that'll be the day<br>
+
+when I die.<br>
+
+<br>
+
+Well when Cupid shot his dart,<br>
+
+he shot it at your heart.<br>
+
+So if we'll ever part,<br>
+
+and I'll leave you.<br>
+
+You say and hold me,<br>
+
+and you tell me boldly<br>
+
+that some day, well I'll be through.<br>
+
+<br>
+
+Well that'll be the day<br>
+
+when you say goodbye.<br>
+
+Yes that'll be the day<br>
+
+when you make me cry.<br>
+
+You say you're gonna leave,<br>
+
+you know it's a lie<br>
+
+'cos that'll be the day<br>
+
+when I die.<br>
+
+<br>
+
+Yeah that'll be the day.<br>
+
+Ohoh that'll be the day.<br>
+
+Ohoh that'll be the day.<br>
+
+Ohoh that'll be the day.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/thatmeansalot.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/thatmeansalot.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/thatmeansalot.htm	(revision 18423)
@@ -0,0 +1,185 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>That Means A Lot </title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<dl>
+
+  <dt><font size="7"><strong>That Means A Lot</strong></font></dt>
+
+  <dt><em>(John Lennon, Paul McCartney; Lead Vocal: Paul McCartney)</em> </dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>A friend says that your love</dt>
+
+  <dt>Won't mean a lot</dt>
+
+  <dt>And you know that your love</dt>
+
+  <dt>Is all you've got</dt>
+
+  <dt>At times things are so fine</dt>
+
+  <dt>And at times they're not</dt>
+
+  <dt>But when she says she loves you</dt>
+
+  <dt>That means a lot</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>A friend says that a love</dt>
+
+  <dt>Is never true</dt>
+
+  <dt>And you know that this</dt>
+
+  <dt>Don't apply on you</dt>
+
+  <dt>A touch can mean so much</dt>
+
+  <dt>When it's all you've got</dt>
+
+  <dt>When she says she loves you</dt>
+
+  <dt>That means a lot</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Love can be deep inside</dt>
+
+  <dt>Love can be suicide</dt>
+
+  <dt>Can't you see you can't hide</dt>
+
+  <dt>What you feel when it's real</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>A friend says that your love</dt>
+
+  <dt>Won't mean a lot</dt>
+
+  <dt>And you know that your love</dt>
+
+  <dt>Is all you've got</dt>
+
+  <dt>A touch can mean so much</dt>
+
+  <dt>When it's all you've got</dt>
+
+  <dt>But when she says she loves you</dt>
+
+  <dt>That means a lots</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Can't you see, yeah</dt>
+
+  <dt>Can't you see, yeah</dt>
+
+  <dt>Can't you see, yeah</dt>
+
+  <dt>Can't you see, yeah</dt>
+
+  <dt>Can't you see, yeah</dt>
+
+  <dt>Can't you see, yeah</dt>
+
+  <dt>Can't you see, yeah</dt>
+
+  <dt>Can't you see, yeah <em>(fade out)</em></dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" i-checksum="5922" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/think.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/think.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/think.htm	(revision 18423)
@@ -0,0 +1,175 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:15 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Think For Yourself</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Think For Yourself</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+I've got a word or two <br>
+
+To say about the things that you do <br>
+
+You're telling all those lies <br>
+
+About the good things that we can have <br>
+
+if we close our eyes <br>
+
+<br>
+
+Do what you want to do <br>
+
+And go where you're going to <br>
+
+Think for yourself <br>
+
+'cause I won't be there with you <br>
+
+<br>
+
+I left you far behind <br>
+
+The ruins of the life that you have in mind <br>
+
+And though you still can't see <br>
+
+I know your mind's made up <br>
+
+You're gonna cause more misery <br>
+
+<br>
+
+Do what you want to do <br>
+
+And go where you're going to <br>
+
+Think for yourself <br>
+
+'cause I won't be there with you <br>
+
+<br>
+
+Although your mind's opaque <br>
+
+Try thinking more if just for your own sake <br>
+
+The future still looks good <br>
+
+And you've got time to rectify <br>
+
+Al the things that you should <br>
+
+<br>
+
+Do what you want to do <br>
+
+And go where you're going to <br>
+
+Think for yourself <br>
+
+'cause I won't be there with you <br>
+
+<br>
+
+Do what you want to do <br>
+
+And go where you're going to <br>
+
+Think for yourself <br>
+
+'cause I won't be there with you <br>
+
+Think for yourself <br>
+
+'cause I won't be there with you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/till.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/till.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/till.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:21 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Till There Was You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Till There Was You</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Wilson) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+There were bells on a hill <br>
+
+But I never heard them ringing <br>
+
+No, I never heard them at all <br>
+
+Till there was you <br>
+
+<br>
+
+There were birds in the sky <br>
+
+But I never saw them winging <br>
+
+No, I never saw them at all <br>
+
+Till there was you <br>
+
+<br>
+
+Then there was music and wonderful roses <br>
+
+they tell me in sweet fragrant meadows <br>
+
+of dawn and dew <br>
+
+<br>
+
+There was love all around <br>
+
+But I never heard it singing <br>
+
+No I never heard it at all <br>
+
+Till there was you <br>
+
+<br>
+
+Then there was music and wonderful roses <br>
+
+they tell me in sweet fragrant meadows <br>
+
+of dawn and dew <br>
+
+<br>
+
+There was love all around <br>
+
+But I never heard it singing <br>
+
+No, I never heard it at all <br>
+
+Till there was you <br>
+
+Till there was you </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tired.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tired.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tired.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 4:21 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I'm So Tired</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I'm So Tired</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I'm so tired, I haven't slept a wink <br>
+
+I'm so tired, my mind is on the blink <br>
+
+I wonder should I get up and fix myself a drink <br>
+
+No, no, no. <br>
+
+<br>
+
+I'm so tired I don't know what to do <br>
+
+I'm so tired my mind is set on you <br>
+
+I wonder should I call you but I know what you'd do <br>
+
+<br>
+
+You'd say I'm putting you on <br>
+
+But it's no joke, it's doing me harm <br>
+
+You know I can't sleep, I can't stop my brain <br>
+
+You know it's three weeks, I'm going insane <br>
+
+You know I'd give you everything I've got <br>
+
+for a little peace of mind <br>
+
+<br>
+
+I'm so tired, I'm feeling so upset <br>
+
+Although I'm so tired I'll have another cigarette <br>
+
+And curse Sir Walter Raleigh <br>
+
+He was such a stupid get. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+
+
+<p>&nbsp;</p>
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/to_know.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/to_know.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/to_know.htm	(revision 18423)
@@ -0,0 +1,183 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:23 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>To Know Her Is To Love Her</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">To Know Her Is To Love Her</font></strong><br>
+
+<br>
+
+<br>
+
+To know know know her<br>
+
+is to love love love her.<br>
+
+Just to see her smile<br>
+
+makes my life worthwhile.<br>
+
+To know know know her<br>
+
+is to love love love her<br>
+
+and I do, and I do, and I do.<br>
+
+and I do, and I do, and I do.<br>
+
+<br>
+
+I'll be good to her<br>
+
+and I'll make love to her.<br>
+
+Everyone says there'll come a day<br>
+
+when I'll walk alongside of her.<br>
+
+To know know know her<br>
+
+is to love love love her<br>
+
+and I do and I do and I do.<br>
+
+and I do and I do and I do.<br>
+
+<br>
+
+Why can't she see,<br>
+
+how blind can she be?<br>
+
+Someday she'll see<br>
+
+that she were meant for me.<br>
+
+<br>
+
+To know know know her<br>
+
+is to love love love her.<br>
+
+Just to see her smile<br>
+
+makes my life worthwhile.<br>
+
+To know know know her<br>
+
+is to love love love her<br>
+
+and I do and I do and I do.<br>
+
+and I do and I do and I do.<br>
+
+<br>
+
+Why can't she see,<br>
+
+how blind can she be?<br>
+
+Someday she'll see<br>
+
+that she were meant for me.<br>
+
+<br>
+
+To know know know her<br>
+
+is to love love love her.<br>
+
+Just to see her smile<br>
+
+makes my life worthwhile.<br>
+
+To know know know her<br>
+
+is to love love love her<br>
+
+and I do and I do and I do.<br>
+
+and I do.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/today.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/today.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/today.htm	(revision 18423)
@@ -0,0 +1,183 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:13 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Things We Said Today</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Things We Said Today</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+You say you will love me <br>
+
+If I have to go. <br>
+
+You'll be thinking of me, <br>
+
+Somehow I will know. <br>
+
+Someday when I'm lonely, <br>
+
+Wishing you weren't so far away, <br>
+
+Then I will remember <br>
+
+The things we said today. <br>
+
+<br>
+
+You say you'll be mine, girl, <br>
+
+Until the end of time. <br>
+
+These days such a kind girl <br>
+
+Seems so hard to find. <br>
+
+Someday when we're dreaming, <br>
+
+Deep in love, not a lot t say. <br>
+
+Then we will remember <br>
+
+The things we said today. <br>
+
+<br>
+
+Me, I'm just the lucky kind. <br>
+
+Love to hear you say that love is luck. <br>
+
+And, though we may be blind, <br>
+
+Love is here to stay. And that's enough <br>
+
+To make you mine, girl, <br>
+
+Be the only one. <br>
+
+Love me all the time, girl. <br>
+
+We'll go on and on. <br>
+
+Someday when we're dreaming, <br>
+
+Deep in love, not a lot to say. <br>
+
+Then we will remember <br>
+
+The things we said today. <br>
+
+<br>
+
+Me, I'm just the lucky kind. <br>
+
+Love to hear you say that love is luck. <br>
+
+And, though we may be blind, <br>
+
+Love is here to stay. And that's enough <br>
+
+To make you mine, girl, <br>
+
+Be the only one. <br>
+
+Love me all the time, girl. <br>
+
+We'll go on and on. <br>
+
+Someday when we're dreaming, <br>
+
+Deep in love, not a lot to say. <br>
+
+The we will remember <br>
+
+The things we said today. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tomorrow.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tomorrow.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/tomorrow.htm	(revision 18423)
@@ -0,0 +1,143 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:25 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Tomorrow Never Knows</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Tomorrow Never Knows</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Turn off your mind, relax and float down stream <br>
+
+It is not dying, it is not dying <br>
+
+<br>
+
+Lay down all thoughts, surrender to the void <br>
+
+It is shining, it is shining <br>
+
+<br>
+
+Yet you may see the meaning of within <br>
+
+It is being, it is being <br>
+
+<br>
+
+Love is all and love is everyone <br>
+
+It is knowing, it is knowing <br>
+
+<br>
+
+And ignorance and hate may mourn the dead <br>
+
+It is believing, it is believing <br>
+
+<br>
+
+But listen to the color of your dreams <br>
+
+It is not leaving, it is not leaving <br>
+
+<br>
+
+So play the game &quot;Existence&quot; to the end <br>
+
+Of the beginning, of the beginning <br>
+
+Of the beginning, of the beginning <br>
+
+Of the beginning, of the beginning <br>
+
+Of the beginning </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/twist.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/twist.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/twist.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:26 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Twist And Shout</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Twist And Shout</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Medley/Russell) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Well, shake it up, baby, now (shake it up, baby) <br>
+
+Twist and shout (twist and shout) <br>
+
+C'mon, c'mon, c'mon, c'mon, baby, now (come on baby) <br>
+
+Come on and work it on out (work it on out) <br>
+
+<br>
+
+Well, work it on out, honey (work it on out) <br>
+
+You know you look so good (look so good) <br>
+
+You know you got me goin', now (got me goin') <br>
+
+Just like I knew you would (like I knew you would) <br>
+
+<br>
+
+Well, shake it up, baby, now (shake it up, baby) <br>
+
+Twist and shout (twist and shout) <br>
+
+C'mon, c'mon, c'mon, c'mon, baby, now (come on baby) <br>
+
+Come on and work it on out (work it on out) <br>
+
+<br>
+
+You know you twist your little girl (twist, little girl) <br>
+
+You know you twist so fine (twist so fine) <br>
+
+Come on and twist a little closer, now (twist a little closer) <br>
+
+And let me know that you're mine (let me know you're mine) <br>
+
+<br>
+
+Shake it up, baby, now (shake it up, baby) <br>
+
+Twist and shout (twist and shout) <br>
+
+C'mon, c'mon, c'mon, c'mon, baby, now (come on baby) <br>
+
+Come on and work it on out (work it on out) <br>
+
+<br>
+
+You know you twist your little girl (twist, little girl) <br>
+
+You know you twist so fine (twist so fine) <br>
+
+Come on and twist a little closer, now (twist a little closer) <br>
+
+And let me know that you're mine (let me know you're mine) <br>
+
+<br>
+
+Well, shake it, shake it, shake it, baby, now (shake it up baby) <br>
+
+Well, shake it, shake it, shake it, baby, now (shake it up baby) <br>
+
+Well, shake it, shake it, shake it, baby, now (shake it up baby) </p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/two.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/two.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/two.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:28 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Two Of Us</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Two Of Us</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+Two of us riding nowhere <br>
+
+Spending someone's <br>
+
+Hard earned pay <br>
+
+You and me Sunday driving <br>
+
+Not arriving <br>
+
+On our way back home <br>
+
+We're on our way home <br>
+
+We're on our way home <br>
+
+We're going home <br>
+
+<br>
+
+Two of us sending postcards <br>
+
+Writing letters <br>
+
+On my wall <br>
+
+You and me burning matches <br>
+
+Lifting latches <br>
+
+On our way back home <br>
+
+We're on our way home <br>
+
+We're on our way home <br>
+
+We're going home <br>
+
+<br>
+
+You and I have memories <br>
+
+Longer than the road that stretches out ahead <br>
+
+<br>
+
+Two of us wearing raincoats <br>
+
+Standing so low <br>
+
+In the sun <br>
+
+You and me chasing paper Getting nowhere <br>
+
+On our way back home <br>
+
+We're on our way home <br>
+
+We're on our way home <br>
+
+We're going home <br>
+
+<br>
+
+We're going home <br>
+
+Better believe it <br>
+
+Goodbye </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wait.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wait.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wait.htm	(revision 18423)
@@ -0,0 +1,201 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:42 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Wait</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Wait</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocals: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+It's been a long time <br>
+
+Now I'm coming back home <br>
+
+I've been away now <br>
+
+Oh how I've been alone <br>
+
+<br>
+
+Wait 'till I come back to your side <br>
+
+We'll forget the tears we've cried <br>
+
+<br>
+
+But if your heart breaks <br>
+
+Don't wait, turn me away <br>
+
+And if your heart's strong <br>
+
+Hold on, I won't delay <br>
+
+<br>
+
+Wait 'till I come back to your side <br>
+
+We'll forget the tears we've cried <br>
+
+<br>
+
+I feel as though <br>
+
+You ought to know <br>
+
+That I've been good <br>
+
+As good as I can be <br>
+
+And if you do <br>
+
+I'll trust in you <br>
+
+And know that you <br>
+
+Will wait for me <br>
+
+<br>
+
+It's been a long time <br>
+
+Now I'm coming back home <br>
+
+I've been away now <br>
+
+Oh how I've been alone <br>
+
+Wait till I come back to your side <br>
+
+We'll forget the tears we've cried <br>
+
+<br>
+
+I feel as though <br>
+
+You ought to know <br>
+
+That I've been good <br>
+
+As good as I can be <br>
+
+And if you do <br>
+
+I'll trust in you <br>
+
+And know that you <br>
+
+Will wait for me <br>
+
+<br>
+
+But if your heart breaks <br>
+
+Don't wait, turn me away <br>
+
+And if your heart's strong <br>
+
+Hold on, I won't delay <br>
+
+Wait till I come back to your side <br>
+
+We'll forget the tears we've cried <br>
+
+<br>
+
+It's been a long time <br>
+
+Now I'm coming back home <br>
+
+I've been away now <br>
+
+Oh how I've been alone </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/walrus.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/walrus.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/walrus.htm	(revision 18423)
@@ -0,0 +1,177 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 6:01 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Am The Walrus</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Am The Walrus</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I am he as you are he as you are me and we are all together <br>
+
+See how they run like pigs from a gun, see how they fly <br>
+
+I'm crying <br>
+
+<br>
+
+Sitting on a cornflake, waiting for the van to come <br>
+
+Corporation tee-shirt, stupid bloody Tuesday <br>
+
+Man, you been a naughty boy, you let your face grow long <br>
+
+I am the eggman, they are the eggmen <br>
+
+I am the walrus, goo goo g'joob <br>
+
+<br>
+
+Mister City Policeman <br>
+
+sitting pretty little policemen in a row <br>
+
+See how they fly like Lucy in the sky, see how they run <br>
+
+I'm crying, I'm crying <br>
+
+I'm crying, I'm crying <br>
+
+<br>
+
+Yellow matter custard, dripping from a dead dog's eye <br>
+
+Crabalocker fishwife, pornographic priestess, <br>
+
+Boy, you been a naughty girl you let your knickers down <br>
+
+I am the eggman, they are the eggmen <br>
+
+I am the walrus, goo goo g'joob <br>
+
+<br>
+
+Sitting in an English garden waiting for the sun <br>
+
+If the sun don't come, you get a tan <br>
+
+From standing in the English rain <br>
+
+I am the eggman, they are the eggman <br>
+
+I am the walrus, goo goo g'joob, g'gooo goo g'joob <br>
+
+<br>
+
+Expert textpert choking smokers <br>
+
+Don't you think the joker laughs at you? <br>
+
+See how they smile like pigs in a sty <br>
+
+See how they snied <br>
+
+I'm crying <br>
+
+<br>
+
+Semolina pilchard, climbing up the Eiffel Tower <br>
+
+Elementary penguin singing Hari Krsihna <br>
+
+Man, you should have seen them kicking Edgar Allan Poe <br>
+
+I am the eggman, they are the eggmen <br>
+
+I am the walrus, goo goo g'joob, g'goo goo g'joob <br>
+
+Goo goo g'joob, g'goo goo g'joob, g'goo </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wanna.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wanna.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wanna.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:07 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Wanna Be Your Man</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Wanna Be Your Man</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Starr</i><br>
+
+<br>
+
+<br>
+
+I wanna be your lover baby, <br>
+
+I wanna be your man, <br>
+
+I wanna be your lover baby, <br>
+
+I wanna be your man. <br>
+
+Love you like no other baby, <br>
+
+like no other can, <br>
+
+love you like no other baby, <br>
+
+like no other can. <br>
+
+<br>
+
+I wanna be your man, I wanna be your man, <br>
+
+I wanna be your man, I wanna be your man. <br>
+
+<br>
+
+Tell me that you love me baby, <br>
+
+let me understand, <br>
+
+tell me that you love me baby, <br>
+
+I wanna be you man. <br>
+
+I wanna be your lover baby, <br>
+
+I wanna be you man, <br>
+
+I wanna be your lover baby, <br>
+
+I wanna be your man. <br>
+
+<br>
+
+I wanna be your man, I wanna be your man, <br>
+
+I wanna be your man, I wanna be your man. <br>
+
+<br>
+
+I wanna be your lover baby, <br>
+
+I wanna be your man, <br>
+
+I wanna be your lover baby, <br>
+
+I wanna be your man. <br>
+
+Love you like no other baby, <br>
+
+like no other can, <br>
+
+love you like no other baby, <br>
+
+like no other can. <br>
+
+<br>
+
+I wanna be your man, I wanna be your man. <br>
+
+I wanna be your man, I wanna be your man. <br>
+
+I wanna be your man, I wanna be your man. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/want.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/want.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/want.htm	(revision 18423)
@@ -0,0 +1,197 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Friday 16 October 1998 at 12:21 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>I Want You (She's So Heavy)</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">I Want You (She's So Heavy)</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I want you <br>
+
+I want you so bad <br>
+
+I want you <br>
+
+I want you so bad <br>
+
+It's driving me mad <br>
+
+It's driving me mad <br>
+
+<br>
+
+I want you <br>
+
+I want you so bad, babe <br>
+
+I want you <br>
+
+I want you so bad <br>
+
+It's driving me mad <br>
+
+It's driving me <br>
+
+<br>
+
+I want you <br>
+
+I want you so bad, babe <br>
+
+I want you <br>
+
+I want you so bad <br>
+
+It's driving me mad <br>
+
+It's driving me mad <br>
+
+<br>
+
+I want you <br>
+
+I want you so bad, hey <br>
+
+I want you <br>
+
+I want you so bad <br>
+
+It's driving me mad <br>
+
+It's driving me <br>
+
+<br>
+
+She's so heavy <br>
+
+heavy, heavy, heavy <br>
+
+<br>
+
+She's so heavy <br>
+
+She's so heavy, heavy, heavy <br>
+
+<br>
+
+I want you <br>
+
+I want you so bad, hey <br>
+
+I want you <br>
+
+I want you so bad <br>
+
+It's driving me mad <br>
+
+It's driving me mad <br>
+
+<br>
+
+I want you <br>
+
+You know I want you so bad <br>
+
+I want you <br>
+
+You know I want you so bad <br>
+
+It's driving me mad <br>
+
+It's driving me mad <br>
+
+<br>
+
+Yeah, she's so </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/we_do.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/we_do.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/we_do.htm	(revision 18423)
@@ -0,0 +1,109 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:56 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Why Don't We Do It In The Road?</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Why Don't We Do It In The Road?</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Why don't we do it the road? <br>
+
+No one will be watching us <br>
+
+Why don't we do it in the road? <br>
+
+<br>
+
+*Same three lines repeat throughout the song </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/whatdisay.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/whatdisay.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/whatdisay.htm	(revision 18423)
@@ -0,0 +1,195 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>WhatŽd I Say</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+<font
+
+FACE="Arial" SIZE="2">
+
+
+
+<p></font><font size="6"><strong>WhatŽd I Say</strong></font> </p>
+
+
+
+<p><em>(Words &amp; music by Ray Charles) </em>
+
+
+
+<dl>
+
+  <dt>Hey mama, don't you treat me wrong</dt>
+
+  <dt>Come and love your daddy all night long</dt>
+
+  <dt>All right, hey, hey, all right now</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>See the girl with the diamond ring</dt>
+
+  <dt>She knows how to shake that thing</dt>
+
+  <dt>All right, hey, hey, mmm, all right now </dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Ahhh, ohh, ahhh, ohh, ahhh, ohh, ohh </dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Make me feel so good, make me feel so good right now</dt>
+
+  <dt>Make me feel so good, make me feel so good right now</dt>
+
+  <dt>Make me feel so good, make me feel so good </dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Mmm, see the girl with the red dress on</dt>
+
+  <dt>She can do the dog all night long</dt>
+
+  <dt>All right, hmm what'd i say, tell me what'd i say </dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Tell me what'd i say, tell me what'd i say right now</dt>
+
+  <dt>Tell me what'd i say, tell me what'd i say right now</dt>
+
+  <dt>Tell me what'd i say, tell me what'd i say </dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Ahhh, ohh, ahhh, ohh, ahhh, ohh, ohh </dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>It's all right, it's all right right now</dt>
+
+  <dt>Baby, it's all right, baby, it's all right right now</dt>
+
+  <dt>Baby, it's all right, oh yeah! </dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Baby shake that thing, baby shake that thing right now</dt>
+
+  <dt>Baby shake that thing, baby shake that thing right now</dt>
+
+  <dt>Baby shake that thing, well i feel all right <font FACE="Arial" SIZE="2"></dt>
+
+  </font>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="34003" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wherehave.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wherehave.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wherehave.htm	(revision 18423)
@@ -0,0 +1,167 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Where Have You Been All My Life</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<dl>
+
+  <dt><big><big><big><strong>Where Have You Been All My Life</strong></big></big></big></dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt><em>(Cynthia Weil and Barry Mann)</em></dt>
+
+  <dt><em>Recorded live 31 December 1962 at the Star Club, Hamburg</em></dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Since we kissed</dt>
+
+  <dt>I never knew the the thrills that could be tasted.</dt>
+
+  <dt>Since we kissed</dt>
+
+  <dt>I never knew the years that I had wasted.</dt>
+
+  <dt>But now I know that I was waiting for you to come by,</dt>
+
+  <dt>I was waiting, girl, won't you please tell me why</dt>
+
+  <dt>This took so long to begin?</dt>
+
+  <dt>Now, where have you been all my life?</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Oh, where've you been, where've you been?</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Oh, don't you know that I was waiting?</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Don't you know that I was waiting for you to come by,</dt>
+
+  <dt>I was waiting, girl, won't you please tell me why</dt>
+
+  <dt>This took so long to begin?</dt>
+
+  <dt>Girl, where have you been all my life?</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Oh, where've you been, where have you been?</dt>
+
+  <dt>Where've you been when I was feeling blue?</dt>
+
+  <dt>Where have you been, where have you been</dt>
+
+  <dt>When I was needing you?</dt>
+
+  <dt>Where've you been, where've you been, where've you been?</dt>
+
+  <dt>Oh, now where have you been, where have you been all my life?</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="34003" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/why.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/why.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/why.htm	(revision 18423)
@@ -0,0 +1,149 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:51 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Tell Me Why</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Tell Me Why</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Tell me why you cried, and why you lied to me, <br>
+
+tell me why you cried, and why you lied to me. <br>
+
+<br>
+
+Well I gave you everything I had, <br>
+
+but you left me sitting on my own, <br>
+
+did you have to treat me oh so bad, <br>
+
+all I do is hang my head and moan. <br>
+
+<br>
+
+Tell me why you cried, and why you lied to me, <br>
+
+tell me why you cried, and why you lied to me. <br>
+
+<br>
+
+If there's something I have said or done, <br>
+
+tell me what and I'll apologies, <br>
+
+if you don't really can't go on, <br>
+
+holding back these tears in my eyes. <br>
+
+<br>
+
+Tell me why you cried, and why you lied to me, <br>
+
+tell me why you cried, and why you lied to me. <br>
+
+<br>
+
+Well I beg you on my bended knees, <br>
+
+if you'll only listen to my pleas, <br>
+
+is there anything I can do, <br>
+
+'cause I really can't stand it, I'm so in love with you. <br>
+
+<br>
+
+Tell me why you cried, and why you lied to me. <br>
+
+Tell me why you cried, and why you lied to me. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/why1.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/why1.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/why1.htm	(revision 18423)
@@ -0,0 +1,175 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Why</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<dl>
+
+  <dt><font size="6"><strong>Why</strong></font><br>
+
+    <em>(Tony Sheridan and Bill Crompton)<br>
+
+    </em><br>
+
+    <em>Doo-n' doo-n' doo,<br>
+
+    Doo-n' doo-n' doo,<br>
+
+    Doo-n' doo-n' doo doo ooh.<br>
+
+    </em></dt>
+
+  <dt>Why, why can't you love me again?</dt>
+
+  <dt>Why, why are you shamed of love?</dt>
+
+  <dt>If you only knew how much i love you,</dt>
+
+  <dt>Why can't you love me again?</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Why, why don't you open your heart?</dt>
+
+  <dt>Why, why are we so far apart?</dt>
+
+  <dt>If you only knew how much i love you,</dt>
+
+  <dt>Why can't you love me again?</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>I just want your lovin' arms about me, yeah,</dt>
+
+  <dt>I've gotta find a way to make you take me back,</dt>
+
+  <dt>Baby, won't you tell me</dt>
+
+  <dt>Why, why, why, why are we so far apart?</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>Why, why don't you open your heart?</dt>
+
+  <dt>If you only knew how much i love you,</dt>
+
+  <dt>Why can't you love me again?</dt>
+
+  <dt>I just want your lovin' arms about me, yeah,</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>I've gotta find a way to make you take me back,</dt>
+
+  <dt>Baby, won't you tell me</dt>
+
+  <dt>Why, why, why, why are we so far apart?</dt>
+
+  <dt>Why, why don't you open your heart?</dt>
+
+</dl>
+
+
+
+<dl>
+
+  <dt>If you only knew how much i love you,</dt>
+
+  <dt>Why can't you love me,</dt>
+
+  <dt>Why can't you love me,</dt>
+
+  <dt>Why can't you love me again?</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" i-checksum="5922" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wild.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wild.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wild.htm	(revision 18423)
@@ -0,0 +1,103 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 2:57 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Wild Honey Pie</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Wild Honey Pie</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Honey Pie, <br>
+
+Honey Pie, I love you <br>
+
+Honey Pie </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/within.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/within.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/within.htm	(revision 18423)
@@ -0,0 +1,139 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:01 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Within You Without You</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Within You Without You</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+We were talking-about the space between us all <br>
+
+And the people-who hide themselves behind a wall of illusion <br>
+
+Never glimpse the truth-then it's far too late-when they pass away. <br>
+
+<br>
+
+We were talking-about the love we could share-when we find it <br>
+
+To try our best to hold it there-with our love <br>
+
+With our love-we could save the world-if they only knew. <br>
+
+<br>
+
+Try to realize it's all within yourself <br>
+
+no-one else can make you change <br>
+
+And to see you're really only very small, <br>
+
+and life flows on within you and without you. <br>
+
+<br>
+
+We were talking-about the love that's gone so cold and the people, <br>
+
+Who gain the world and lose their soul <br>
+
+They don't know-they can't see-are you one of them? <br>
+
+<br>
+
+When you've seen beyond yourself-then you may find, <br>
+
+peace of mind is waiting there <br>
+
+And the time will come when you see we're all one, <br>
+
+and life flows on within you and without you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/woman.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/woman.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/woman.htm	(revision 18423)
@@ -0,0 +1,193 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 4:27 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>She's A Woman</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">She's A Woman</font></strong><br>
+
+<br>
+
+<br>
+
+My love don't give me presents<br>
+
+I know that she's no peasant<br>
+
+Only ever has to give me<br>
+
+Love forever and forever<br>
+
+My love don't give me presents<br>
+
+<br>
+
+Turn me on when I get lonely<br>
+
+People tell me that she's only fooling<br>
+
+I know she isn't<br>
+
+<br>
+
+She don't give boys the eye<br>
+
+She hates to see me cry<br>
+
+She is happy just to hear me<br>
+
+Say that I will never leave her<br>
+
+She don't give boys the eye<br>
+
+<br>
+
+She will never make me jealous<br>
+
+Gives me all her time as well as loving<br>
+
+Don't ask me why<br>
+
+<br>
+
+She's a woman who understands<br>
+
+She's a woman who loves her man<br>
+
+<br>
+
+My love don't give me presents<br>
+
+I know that she's no peasant<br>
+
+Only ever has to give me<br>
+
+Love forever and forever<br>
+
+My love don't give me presents<br>
+
+<br>
+
+Turn me on when I get lonely<br>
+
+People tell me that she's only fooling<br>
+
+I know she isn't<br>
+
+Woo oo oo, woo<br>
+
+<br>
+
+She's a woman who understands<br>
+
+She's a woman who loves her man<br>
+
+<br>
+
+She don't give boys the eye<br>
+
+She hates to see me cry<br>
+
+She is happy just to hear me<br>
+
+Say that I will never leave her<br>
+
+She don't give boys the eye<br>
+
+<br>
+
+She will never make me jealous<br>
+
+Gives me all her time as well as loving<br>
+
+Don't ask me why<br>
+
+<br>
+
+She's a woman, she's a woman <br>
+
+She's a woman, she's a woman<br>
+
+She's a woman</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wood.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wood.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/wood.htm	(revision 18423)
@@ -0,0 +1,127 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 11:12 AM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Norwegian Wood</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Norwegian Wood (This Bird Has Flown)</font></strong>
+
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I once had a girl, or should I say, she once had me. <br>
+
+She showed me her room, isn't it good, Norwegian Wood? <br>
+
+<br>
+
+She asked me to stay and she told me to sit anywhere, <br>
+
+So I looked around and I noticed there wasn't a chair. <br>
+
+<br>
+
+I sat on the rug, biding my time, drinking her wine. <br>
+
+We talked until two and then she said, &quot;It's time for bed&quot;. <br>
+
+<br>
+
+She told me she worked in the morning and started to laugh. <br>
+
+I told her I didn't and crawled off to sleep in the bath. <br>
+
+<br>
+
+And when I awoke I was alone, this bird had flown. <br>
+
+So I lit a fire, isn't it good, Norwegian Wood. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/word.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/word.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/word.htm	(revision 18423)
@@ -0,0 +1,179 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 5:10 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>The Word</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">The Word</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+Say the word and you'll be free <br>
+
+Say the word and be like me <br>
+
+Say the word I'm thinking of <br>
+
+Have you heard the word is love? <br>
+
+It's so fine, It's sunshine <br>
+
+It's the word, love <br>
+
+<br>
+
+In the beginning I misunderstood <br>
+
+But now I've got it, the word is good <br>
+
+<br>
+
+Spread the word and you'll be free <br>
+
+Spread the word and be like be <br>
+
+Spread the word I'm thinking of <br>
+
+Have you heard the word is love? <br>
+
+It's so fine, It's sunshine <br>
+
+It's the word, love <br>
+
+<br>
+
+Everywhere I go I hear it said <br>
+
+In the good and bad books that I have read <br>
+
+<br>
+
+Say the word and you'll be free <br>
+
+Say the word and be like me <br>
+
+Say the word I'm thinking of <br>
+
+Have you heard the word is love? <br>
+
+It's so fine, It's sunshine <br>
+
+It's the word, love <br>
+
+<br>
+
+Now that I know what I feel must be right <br>
+
+I'm here to show everybody the light <br>
+
+<br>
+
+Give the word a chance to say <br>
+
+That the word is just the way <br>
+
+It's the word I'm thinking of <br>
+
+And the only word is love <br>
+
+It's so fine, It's sunshine <br>
+
+It's the word, love <br>
+
+<br>
+
+Say the word, love <br>
+
+Say the word, love <br>
+
+Say the word, love <br>
+
+Say the word, love </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/words.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/words.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/words.htm	(revision 18423)
@@ -0,0 +1,115 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:02 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Words Of Love</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Words Of Love</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Holly) Lead Vocals: Lennon and McCartney</i><br>
+
+<br>
+
+<br>
+
+Hold me close and tell me how you feel, <br>
+
+tell me love is real. <br>
+
+Words of love you whisper soft and true, <br>
+
+darling I love you. <br>
+
+<br>
+
+Let me hear you say the words I long to hear, <br>
+
+darling when you're near. <br>
+
+Words of love you whisper soft and true, <br>
+
+darling I love you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/writer.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/writer.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/writer.htm	(revision 18423)
@@ -0,0 +1,169 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Saturday 17 October 1998 at 3:13 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Paperback Writer</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Paperback Writer</font></strong><br>
+
+<br>
+
+<br>
+
+Dear sir or madam will you read my book<br>
+
+it took me years to write<br>
+
+will you take a look<br>
+
+based on a novel by a man named Lear<br>
+
+and I need ajob<br>
+
+so I want to be a paperback writer,<br>
+
+paperback writer.<br>
+
+<br>
+
+It's a dirty story of a dirty man<br>
+
+and his clinging wife<br>
+
+doesn't understand<br>
+
+his son is working for the daily mail<br>
+
+it's a steady job<br>
+
+but he want's to be a paperback writer,<br>
+
+paperback writer<br>
+
+paperback writer<br>
+
+(paperback writer)<br>
+
+<br>
+
+It's a thousand pages give or take a few<br>
+
+I'll be writing more<br>
+
+in a week or two<br>
+
+I can make it longer if you like the style<br>
+
+I can change it round<br>
+
+and I want to be a paperback writer,<br>
+
+paperback writer.<br>
+
+<br>
+
+If you really like it you can have the rights<br>
+
+it could make a million<br>
+
+for you overnight<br>
+
+if you must return it you can send it here<br>
+
+but I need a break<br>
+
+and I want to be a paperback writer<br>
+
+paperback writer<br>
+
+<br>
+
+paperback writer<br>
+
+(paperback writer)<br>
+
+paperback writer<br>
+
+(paperback writer)...</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/xmas.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/xmas.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/xmas.htm	(revision 18423)
@@ -0,0 +1,153 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Thursday 15 October 1998 at 5:37 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Christmas Time (Is Here Again)</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Christmas Time (Is Here Again)</font></strong><br>
+
+<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again.<br>
+
+We've been round since you know when.<br>
+
+Christmas time is here again.<br>
+
+Oh your team smells, out!<br>
+
+<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again.<br>
+
+We've been round since you know when.<br>
+
+Christmas time is here again.<br>
+
+Oh your team smells, out!<br>
+
+<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again.<br>
+
+I've been around since you know when.<br>
+
+<br>
+
+Christmas time is here again.<br>
+
+Oh your team smells, out!<br>
+
+<br>
+
+[Christmas greetings]<br>
+
+<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again,<br>
+
+Christmas time is here again.</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yaya.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yaya.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yaya.htm	(revision 18423)
@@ -0,0 +1,157 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Ya Ya</title>
+
+</head>
+
+
+
+<body>
+
+
+
+<dl>
+
+  <!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+  <dt><font size="7"><strong>Ya Ya</strong></font></dt>
+
+  <dt><em>(Lee Dorsey)</em></dt>
+
+  <dt>&nbsp;&nbsp;</dt>
+
+  <dt>Oh well i'm uh</dt>
+
+  <dt>Sitting here la la</dt>
+
+  <dt>Waiting for my ya ya a hm ahm</dt>
+
+  <dt>Oh sitting here la la</dt>
+
+  <dt>Waiting for my ya ya uh</dt>
+
+  <dt>It may sound funny</dt>
+
+  <dt>But i don't think she's comin home</dt>
+
+  <dt>Oh baby hurry don't make me worry</dt>
+
+  <dt>Oh yah baby hurry don't make me worry</dt>
+
+  <dt>Oh you knew that l love you</dt>
+
+  <dt>Oh how i love you oh</dt>
+
+  <dt>Sitting here la la</dt>
+
+  <dt>Waiting for my ya ya a hm ahm</dt>
+
+  <dt>Oh sitting here la la</dt>
+
+  <dt>Waiting for my ya ya uh</dt>
+
+  <dt>It may sound funny</dt>
+
+  <dt>But i don't think she's comin home</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Oh baby hurry don't make me worry</dt>
+
+  <dt>Oh yah baby hurry don't make me worry</dt>
+
+  <dt>Oh you knew that l love you</dt>
+
+  <dt>Oh how i love you oh</dt>
+
+  <dt>Sitting here la la</dt>
+
+  <dt>Waiting for my ya ya a hm ahm</dt>
+
+  <dt>Sitting here la la</dt>
+
+  <dt>Waiting for my ya ya uh</dt>
+
+  <dt>It may sound funny</dt>
+
+  <dt>But i don't think she's comin home</dt>
+
+  <dt>&nbsp;</dt>
+
+  <dt>Oh baby hurry don't make me worry</dt>
+
+  <dt>Oh yah baby hurry don't make me worry</dt>
+
+</dl>
+
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="34003" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yellow.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yellow.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yellow.htm	(revision 18423)
@@ -0,0 +1,173 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:08 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Yellow Submarine</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Yellow Submarine</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Starr</i><br>
+
+<br>
+
+<br>
+
+In the town where I was born <br>
+
+Lived a man who sailed to sea <br>
+
+And he told us of his life <br>
+
+In the land of submarines <br>
+
+<br>
+
+So we sailed up to the sun <br>
+
+'Till we found the sea of green <br>
+
+And we lived beneath the waves <br>
+
+In our yellow submarine <br>
+
+<br>
+
+We all live in a yellow submarine <br>
+
+Yellow submarine, yellow submarine <br>
+
+We all live in a yellow submarine <br>
+
+Yellow submarine, yellow submarine <br>
+
+<br>
+
+And our friends are all on board <br>
+
+Many more of them live next door <br>
+
+And the band begins to play <br>
+
+<br>
+
+We all live in a yellow submarine <br>
+
+Yellow submarine, yellow submarine <br>
+
+We all live in a yellow submarine <br>
+
+Yellow submarine, yellow submarine <br>
+
+<br>
+
+As we live a life of ease <br>
+
+Everyone of us has all we need <br>
+
+Sky of blue and sea of green <br>
+
+In our yellow submarine <br>
+
+<br>
+
+We all live in a yellow submarine <br>
+
+Yellow submarine, yellow submarine <br>
+
+We al live in a yellow submarine <br>
+
+<br>
+
+Yellow submarine, yellow submarine <br>
+
+We all live in a yellow submarine <br>
+
+Yellow submarine, yellow submarine <br>
+
+We all live in a yellow submarine <br>
+
+Yellow submarine, yellow submarine </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yes.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yes.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yes.htm	(revision 18423)
@@ -0,0 +1,161 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:11 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Yes It Is</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Yes It Is</font></strong><br>
+
+<br>
+
+<br>
+
+If you wear red tonight<br>
+
+Remember what I said tonight<br>
+
+Of red is color that my baby wore<br>
+
+and what's more it's true<br>
+
+Yes it is<br>
+
+<br>
+
+Scarlet were clothes she wore<br>
+
+Everybody know I'm sure<br>
+
+I would remember all the things planned<br>
+
+understand it's true<br>
+
+Yes it is, it's true<br>
+
+Yes it is<br>
+
+<br>
+
+I could be happy with you by my side<br>
+
+If I could forger her, but's it's my pride<br>
+
+Yes it is, Oh, yes it is, yeh<br>
+
+<br>
+
+Please don't wear red tonight<br>
+
+This is what I said tonight<br>
+
+For red is the color that will make me blue<br>
+
+in spite of you it's true<br>
+
+Yes it is, it's true<br>
+
+Yes it is<br>
+
+<br>
+
+I could be happy with you by my side<br>
+
+If I could forger her, but it's my pride<br>
+
+Yes it is, Oh, yes it is, yeh<br>
+
+<br>
+
+Please don't wear red tonight<br>
+
+This is what I said tonight<br>
+
+For red is the color that will make me blue<br>
+
+in spite of you it's true<br>
+
+Yes it is, it's true<br>
+
+Yes it is, it's true</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yesterday.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yesterday.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yesterday.htm	(revision 18423)
@@ -0,0 +1,141 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:13 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>Yesterday</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">Yesterday</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+
+<br>
+
+<br>
+
+Yesterday, all my troubles seemed so far away <br>
+
+Now it looks as though they're here to stay <br>
+
+Oh, I believe in yesterday. <br>
+
+<br>
+
+Suddenly, I'm not half the man I used to be, <br>
+
+There's a shadow hanging over me. <br>
+
+Oh, yesterday came suddenly. <br>
+
+<br>
+
+Why she had to go I don't know she wouldn't say. <br>
+
+I said something wrong, now I long for yesterday. <br>
+
+<br>
+
+Yesterday, love was such an easy game to play. <br>
+
+Now I need a place to hide away. <br>
+
+Oh, I believe in yesterday. <br>
+
+<br>
+
+Why she had to go I don't know she wouldn't say. <br>
+
+I said something wrong, now I long for yesterday. <br>
+
+<br>
+
+Yesterday, love was such an easy game to play. <br>
+
+Now I need a place to hide away. <br>
+
+Oh, I believe in yesterday. <br>
+
+Mm mm mm mm mm mm mm. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/you_can.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/you_can.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/you_can.htm	(revision 18423)
@@ -0,0 +1,181 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:15 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>You Can't Do That</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">You Can't Do That</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+
+<br>
+
+<br>
+
+I got something to say that might cause you pain, <br>
+
+If I catch you talking to that boy again, <br>
+
+I'm gonna let you down, <br>
+
+And leave you flat, <br>
+
+Because I told you before, oh, <br>
+
+You can't do that. <br>
+
+<br>
+
+Well, it's the second time, I've caught you talking to him, <br>
+
+Do I have to tell you one more time, I think it's a sin, <br>
+
+I think I'll let you down. <br>
+
+Let you down and leave you flat, <br>
+
+Gonna let you down and leave you flat, <br>
+
+Because I've told you before, oh, <br>
+
+You can't do that. <br>
+
+<br>
+
+Everybody's green, <br>
+
+'cause I'm the one, who won your love, <br>
+
+But if they'd seen, <br>
+
+You're talking that way they'd laugh in my face. <br>
+
+<br>
+
+So please listen to me, if you wanna stay mine, <br>
+
+I can't help my feelings, I'll go out of my mind. <br>
+
+I'm gonna let you down, <br>
+
+And leave you flat, <br>
+
+Gonna let you down and leave you flat, <br>
+
+Because I've told you before, oh, <br>
+
+You can't do that. You can't do that. <br>
+
+You can't do that. You can't do that. <br>
+
+You can't do that. You can't do that. <br>
+
+<br>
+
+Everybody's green, <br>
+
+'cause I'm the one, who won your love, <br>
+
+But if they'd seen, <br>
+
+You're talking that way they'd laugh in my face. <br>
+
+<br>
+
+So please listen to me, if you wanna stay mine, <br>
+
+I can't help my feelings, I'll go out of my mind. <br>
+
+I'm gonna let you down, <br>
+
+And leave you flat, <br>
+
+Gonna let you down and leave you flat, <br>
+
+Because I've told you before, oh, <br>
+
+You can't do that. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/you_know.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/you_know.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/you_know.htm	(revision 18423)
@@ -0,0 +1,131 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>You Know What To Do</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+<font SIZE="4">
+
+
+
+<p></font><font size="6"><strong>You Know What To Do </strong></p>
+
+
+
+<p></font><font size="3"><em>(Harrison) </em>
+
+
+
+<dl>
+
+  <dt>When I see you I just don't know what to say</dt>
+
+  <dt>I want to be with you every hour of the day</dt>
+
+  <dt>So if you want me</dt>
+
+  <dt>Just like I need you</dt>
+
+  <dt>You know what to do</dt>
+
+  <dd>&nbsp;</dd>
+
+  <dt>I saw you walking by and you looked all alone</dt>
+
+  <dt>I hope that you won't mind if I walk you back home</dt>
+
+  <dt>So if you want me</dt>
+
+  <dt>Just like I need you</dt>
+
+  <dt>You know what to do</dt>
+
+  <dd>&nbsp;</dd>
+
+  <dt>Just call on me when you're lonely</dt>
+
+  <dt>I'll keep my love for you only</dt>
+
+  <dt>I'll call on you if I'm lonely too</dt>
+
+  <dt>Understand I'll stay with you every day</dt>
+
+  <dt>Make you love me more in every way</dt>
+
+  <dt>So if you want me</dt>
+
+  <dt>Just like I need you</dt>
+
+  <dt>You know what to do</font><font SIZE="4"></dt>
+
+</dl>
+
+</font><!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/youlike.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/youlike.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/youlike.htm	(revision 18423)
@@ -0,0 +1,163 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+
+<!-- on Sunday 18 October 1998 at 3:19 PM -->
+
+<!-- Document information -->
+
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<title>You Like Me Too Much</title>
+
+</head>
+
+<!-- Page background, colours etc. -->
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+
+
+
+<p><strong><font SIZE="6">You Like Me Too Much</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+
+<br>
+
+<i>(Harrison) Lead Vocal: Harrison</i><br>
+
+<br>
+
+<br>
+
+Though you've gone away this morning, <br>
+
+you'll be back again tonight, <br>
+
+telling me there'll be no next time <br>
+
+If I don't just don't treat you right, <br>
+
+You'll never leave me and you know it's true, <br>
+
+'cause you like me too much and I like you. <br>
+
+<br>
+
+You've tried before to leave me, <br>
+
+but you haven't got the nerve <br>
+
+to walk out and make me lonely <br>
+
+which is all that I deserve, <br>
+
+You'll never leave me and you know it's true, <br>
+
+'cause you like me too much and I like you. <br>
+
+<br>
+
+I really do, and it's nice when you believe me, <br>
+
+if you leave me <br>
+
+<br>
+
+I will follow you and bring you back where you belong <br>
+
+'cause I couldn't really stand it, <br>
+
+I admit that I was wrong, <br>
+
+I wouldn't let you leave me 'cause it's true, <br>
+
+'cause you like me too much and I like you. <br>
+
+<br>
+
+'cause you like me too much and I like you. <br>
+
+I really do, and it's nice when you believe me, <br>
+
+if you leave me <br>
+
+<br>
+
+I will follow you and bring you back where you belong <br>
+
+'cause I couldn't really stand it, <br>
+
+I admit that I was wrong, <br>
+
+I wouldn't let you leave me 'cause it's true, <br>
+
+'cause you like me too much and I like you. <br>
+
+'cause you like me too much and I like you. </p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yourfeets.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yourfeets.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yourfeets.htm	(revision 18423)
@@ -0,0 +1,195 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>Your FeetŽs Too Big</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<p><big><big><big><strong>Your FeetŽs Too Big</strong></big></big></big></p>
+
+
+
+<p><em>(Benson and Fisher)<br>
+
+Recorded live 31 December 1962 at the Star Club, Hamburg<br>
+
+</em><br>
+
+<br>
+
+Your feetŽs too big!<br>
+
+<br>
+
+Two, three, four!<br>
+
+<br>
+
+Who's that walkin' around here?<br>
+
+Mercy!<br>
+
+Sounds like a baby patter elephant to me!<br>
+
+I don't know why ev'rybody's<br>
+
+I'm not gonna sit here!<br>
+
+<br>
+
+Say up in harlem at a table for two,<br>
+
+There were four of us,<br>
+
+Me, your big feet and you.<br>
+
+From your ancles up you sure look sweet,<br>
+
+But from there down, there's just too much fuckin' feet!<br>
+
+<br>
+
+Yeah, your feetŽs too big,<br>
+
+I don't want you 'cause your feetŽs too big,<br>
+
+I hate you, yeah, your feetŽs too big,<br>
+
+yeah, I said baby, your feetŽs are much too big.<br>
+
+<br>
+
+(Da da doh da) - da doh da<br>
+
+(where'd you get 'em?) - I got them.<br>
+
+<br>
+
+Your gal she loves you, she thinks you're nice,<br>
+
+Got what it takes to be in paradise.<br>
+
+Takes a look at your face, likes your rig, boy,<br>
+
+Man, oh man, those things are too big.<br>
+
+<br>
+
+Your feetŽs too big,<br>
+
+I don't want you 'cause your feetŽs too big,<br>
+
+I hate you, your feetŽs too big,<br>
+
+Yeh-yeh, i said your feetŽs are much too big.<br>
+
+<br>
+
+Yeah, your paddle extremities are colossal,<br>
+
+To me you look like a fossil.<br>
+
+Well, you got me walkin' talkin and squarkin'<br>
+
+'cause your feetŽs are much too big.<br>
+
+<br>
+
+Yes, your feetŽs too big, I don't want you,<br>
+
+Your feetŽs too big, I hate you<br>
+
+Your feetŽs too big.<br>
+
+Yeah, I said your feetŽs are much too big,<br>
+
+Well, your feetŽs too big,<br>
+
+Ah! your feetŽs too big,<br>
+
+Ow! your feetŽs too big,<br>
+
+Baby, your feetŽs are much too big<br>
+
+<br>
+
+(Da da doh da) - da doh da<br>
+
+(Where'd you get 'em?) - I got them.<br>
+
+(Da da doh da) - da doh da<br>
+
+Hey!</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" i-checksum="5922" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/youve_got.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/youve_got.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/youve_got.htm	(revision 18423)
@@ -0,0 +1,139 @@
+<html>
+
+
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+
+<title>You've Got To Hide Your Love Away</title>
+
+</head>
+
+
+
+<body>
+
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+
+<font face="Times New Roman" size="6"><b>
+
+
+
+</font>
+
+
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+
+  <tr>
+
+    <td width="100%"><script language="JavaScript"><!--
+
+if (escape(top.document.referrer))
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+else
+
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+
+  </tr>
+
+</table>
+
+
+
+
+
+<!--webbot bot="Include" i-checksum="49471" endspan -->
+
+
+
+
+
+<p><big><big><big><strong>You've Got To Hide Your Love Away&nbsp;&nbsp;&nbsp;&nbsp; </strong></big></big></big><a
+
+href="http://www.boskowan.com/www/jirka/beatles/beatles/You've%20Got%20To%20Hide%20Your%20Love%20Away"></a></p>
+
+
+
+<p>Here I stand with head in hand,<br>
+
+Turn my face to the wall.<br>
+
+If she's gone I can't go on<br>
+
+Feeling two foot small.<br>
+
+<br>
+
+Everywhere people stare<br>
+
+Each and everyday.<br>
+
+I can see them laugh at me<br>
+
+And I hear them say,<br>
+
+<br>
+
+&quot;Hey, you've got to hide your love away!&quot;<br>
+
+&quot;Hey, you've got to hide your love away!&quot;<br>
+
+<br>
+
+How can I even try?<br>
+
+I can never win,<br>
+
+Hearing them, seeing them<br>
+
+In the state I'm in.<br>
+
+<br>
+
+How could she say to me,<br>
+
+&quot;Love will find a way?&quot;<br>
+
+Gather 'round, all you clowns,<br>
+
+Let me hear you say,<br>
+
+<br>
+
+&quot;Hey, you've got to hide your love away!&quot;<br>
+
+&quot;Hey, you've got to hide your love away!&quot;</p>
+
+
+
+<p>&nbsp;</p>
+
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+<!--webbot bot="Include" i-checksum="5922" endspan -->
+
+
+
+</body>
+
+</html>
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/images/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/images/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/images/metadata.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>.*</FileName>
+        <Description>
+            <Metadata name="dc.Format">Images</Metadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/marc/locbeatles50.marc
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/marc/locbeatles50.marc	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/marc/locbeatles50.marc	(revision 18423)
@@ -0,0 +1,1345 @@
+01128cjm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002100173035002100194040001800215050002000233245006200253260003200315300004900347511004700396505022400443500001800667650003000685700002400715710001800739953000900757985000900766991003900775
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+  9(DLC)   95768890
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+  avn31
+  a   95768890 
+02aVJ-1085bVee-Jay
+  a(OCoLC)33448757 
+  aDLCcDLCdDLC
+00aVee-Jay VJ-1085
+04aThe Beatles and Frank Ifield on stageh[sound recording].
+  a[S.l.] :bVee-Jay,c[1964?]
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles and Frank Ifield.
+0 aPlease, please me -- Any time -- Lovesick blues -- I'm smiling now -- Nobody's darling -- From me to you -- I remember you -- Ask me why -- Thank you girl -- The wayward wind -- Unchained melody -- I listen to my heart.
+  aBrief record.
+ 0aPopular musicy1961-1970.
+1 aIfield, Frank.4prf
+2 aBeatles.4prf
+  aTA28
+  a9511
+  bc-RecSoundhVee-Jay VJ-1085wMUSIC
+
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+920515s1989    cauuun                   
+  9(DLC)   92758636
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+  avn00 2003-07-31evn34 2003-07-31 retro CD update to MBRSevn34 2003-07-31 copy 2 to MBRS/RS
+  a   92758636 
+1 a092725710227
+02aJS 102-CDbJoplin & Sweeney Music
+  aDLCcDLC
+00aSDA 73765
+02aA Beatles collectionh[sound recording].
+  aLos Gatos, CA :bJoplin & Sweeney Music,cp1989.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aNeil Hogan, solo guitar.
+0 aHere, there and everywhere -- I'll follow the sun -- Girl -- The long and winding road -- Penny Lane -- If I fell -- Things we said today -- Because -- When I'm 64.
+  aBrief record.
+ 0aPopular musicy1981-1990.
+1 aHogan, Neil.4prf
+2 aBeatles.
+  aTA28
+  bc-RecSoundhJoplin & Sweeney JS 102-CDwMUSIC
+
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+  a   93722302 
+  a071193293X (England)
+  a0793518326 (U.S.)
+32aNO90548bWise Publications
+32aHL00673228bH. Leonard Pub. Corp.
+  aDLCcDLC
+  ae-uk-en
+00aM1741.18b.B36 1993
+04aThe Beatles :bcomplete scores.
+  aLondon ;aNew York :bWise Publications ;aMilwaukee, WI :bExclusive distributors for U.S.A. and Canada, H. Leonard Pub. Corp.,cc1993.
+  a1 score (1136 p.) :bill. ;c27 cm.
+  a"Full transcriptions from the original recordings : every song written & recorded by the Beatles"--Cover.
+  aStaff and tablature notation; includes chord symbols.
+  aDiscography: p. 1131-1136.
+ 0aRock musiczEngland.
+2 aBeatles.
+  aTA28
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+04aThe Beatles illustrated lyricsc[by] Julian Allen [and others] Edited by Alan Aldridge.
+  a[1st American ed.
+  aNew York,bDelacorte Press,c1969]
+  a2 v.billus. (part col.)c29 cm.
+0 aA Seymour Lawrence book
+  aPublished in 1974 under title: The Beatles lyrics complete; published in 1975 under title: The Beatles lyrics.
+ 0aRock musicy1961-1970xTexts.
+1 aAldridge, Alan,eed.
+2 aBeatles.
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+04aThe Beatles illustrated lyrics /cedited by Alan Aldridge.
+  aNew York :bBlack Dog & Leventhal Publishers :bDistributed by Workman Pub. Co.,c[1999?]
+  a267 p. :bill. (chiefly col.) ;c29 cm.
+  aOriginally published: London : MacDonald, 1969.
+  aIncludes index.
+ 0aRock musicy1961-1970xTexts.
+1 aAldridge, Alan.
+2 aBeatles.
+
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+  a   91018777 
+  a039559426X :c$19.95 until 12/31/91 ($25.00 thereafter)
+  aDLCcDLCdDLC
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+00a782.42166/026/8220
+04aThe Beatles illustrated lyrics /cedited by Alan Aldridge.
+  aBoston :bHoughton Mifflin/Seymour Lawrence,c[1991], c1969.
+  a267 p. :bill. (some col.) ;c28 cm.
+  aIncludes index.
+ 0aRock musicy1961-1970xTexts.
+1 aAldridge, Alan.
+2 aBeatles.
+423Publisher descriptionuhttp://www.loc.gov/catdir/description/hm021/91018777.html
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+00a784.7
+04aThe Beatles illustrated lyrics.cEdited by Alan Aldridge. Illustrated by Julian Allen [and others]
+  aLondon,bMacDonald,c1969.
+  a156 p.billus. (some col.), facsims., ports. (some col.).c28 cm.
+  a25/-
+ 0aRock musicy1961-1970xTexts.
+1 aAldridge, Alan,eed.
+2 aBeatles.
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+  a0440505038 (pbk. : v. 1) :c$9.95
+  a0440505046 (pbk. : v. 2) :c$9.95
+  aDLCcDLCdDLC
+10aML54.6.B4bI4 1980
+00a784.5/405219
+04aThe Beatles illustrated lyrics /cJulian Allen ... [et al.] ; edited by Alan Aldridge.
+  aNew York, N.Y. :bDell Pub. Co.,c[1980]
+  a2 v. :bill. (some col.) ;c28 cm.
+  a"A Delta/Seymour Lawrence book."
+  aReprint of the 1969 ed. published by Delacorte Press, New York.
+  aPublished in 1974 under title: The Beatles lyrics complete; published in 1975 under titles: The Beatles lyrics; The Beatles lyrics illustrated.
+ 0aRock musicy1961-1970xTexts.
+1 aAldridge, Alan.
+2 aBeatles.
+
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+  a   91793298 
+  aDLCcDLCdDLCeamim
+  aengjpn
+  ae-uk---
+00aCQA 0480-0482 (arch neg)
+00aFTA 1469-1470 (neg trk)
+00aBeatles in Japan /cNTV.
+  aJapan.
+  aJapan :bNTV,c1966-07-01.
+  a3 reels (ca. 4300 ft.) :bsi., col. ;c35 mm. arch neg.
+  a2 reels (ca. 1500 ft.) :bsd. ;c16 mm. neg trk.
+  aMain title, credits, and end title lacking.5DLC
+  aTitle taken from can.
+0 aPerformers: Beatles.
+  aThe 16 mm. neg trk goes with the 35 mm. archival neg.5DLC
+  aIntroduction in Japanese and songs in English and Japanese.
+  aAppears to be footage of a Beatles concert given on 6/30/66 at the Nippon Budokan Hall, Tokyo, Japan; concert was filmed on 6/30/66 and broadcast in color by NTV (Japanese television) on 7/1/66, but cannot determine if ever shown by NBC per Fred Gilmore, Science Librarian, Univ. of Michigan Engineering/Transportation Library, 10/7/91; dates of 3/15/68 and 3/18/68 appear on cans, but cannot determine to what these dates refer.
+  aNBC inventory box no. 67 and 1184.5DLC
+  aOperation no. 68-369.
+  aRestricted;3videocassettes only may be viewed; no physical handling by researchers.
+  aReference sources used: Wiener, A. The Beatles : a recording history, p. 99; Lewisohn, M. The Beatles live, p. 192, 199.
+  dReceived: 7/16/86;3arch neg and neg trk;cgift;aNBC Television Collection.
+ 0aRock musiczGreat Britainy1961-1970.
+ 7aTelevision.2mim
+ 7aMusic.2mim
+2 aBeatles.
+2 aNBC Television Collection (Library of Congress)5DLC
+  aScreened for credits only.
+  aTE01
+  bc-MP&TVhCQA 0480-0482 (arch neg)wMUMS VM File
+  bc-MP&TVhFTA 1469-1470 (neg trk)wMUMS VM File
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+00a791.43/7
+04aThe Beatles in Richard Lester's A hard day's night :ba complete pictorial record of the movie /ceditor, J. Philip Di Franco ; introd., Andrew Sarris.
+  aHarmondsworth, Eng. ;aNew York :bPenguin Books,c1978, c1977.
+  axvi, 297 p. :bill. ;c28 cm.
+  aReprint of the ed. published by Chelsea House Publishers, New York.
+ 0aHard day's night. [Motion picture]
+1 aLester, Richard,d1932-
+1 aDi Franco, J. Philip.
+2 aBeatles.
+
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+04aThe Beatles in Richard Lester's A hard day's night :ba complete pictorial record of the movie /ceditor, J. Philip Di Franco ; introd., Andrew Sarris.
+  aNew York :bChelsea House Publishers,c1977.
+  axvi, 297 p. :bill. ;c29 cm.
+ 0aHard day's night. [Motion picture]
+1 aLester, Richard,d1932-
+2 aBeatles.
+1 aDi Franco, J. Philip.
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+00a784.5/4/00922aB219
+00aBeatles in their own words /ccompiled by Miles ; edited by Pearce Marchbank.
+  aNew York :bDelilah/Putnam :bDistributed by the Putnam Pub. Group,cc1978.
+  a125 p. :bill. ;c26 cm.
+20aBeatles.
+ 0aRock musicianszEnglandxBiography.
+1 aMiles, Barry,d1943-
+1 aMarchbank, Pearce.
+2 aBeatles.
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+00aBeatles in their own words /ccompiled by Miles ; edited by Pearce Marchbank ; designed by Perry Neville.
+  aLondon ;aNew York :bOmnibus Press,cc1978.
+  a125 p. :bill. ;c26 cm.
+20aBeatles.
+ 0aRock musicianszEnglandxBiography.
+1 aMiles, Barry,d1943-
+1 aMarchbank, Pearce.
+2 aBeatles.
+  acf
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+00aBAN-90051bPickwick
+  a(OCoLC)31995193 
+  aDLCcDLC
+00aPickwick BAN-90051
+00aBeatles live.nVol. 1h[sound recording].
+  aMinneapolis, MN :bPickwick,cp1978.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aRoll over Beethoven -- Hippy hippy shake -- Falling in love again -- Lend me your comb -- Sheila -- Red sails in the sunset -- Matchbox -- I'm gonna sit right down and cry over you -- Be-bop-a-lula -- Hallelujah I love her so -- 'Til there was you -- Besame mucho -- A taste of honey.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9502
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+00aBAN-90061bPickwick
+  a(OCoLC)31995250 
+  aDLCcDLC
+00aPickwick BAN-90061
+00aBeatles live.nVol. 2h[sound recording].
+  aMinneapolis, MN :bPickwick,cp1978.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aAin't nothing shakin' -- Everybody's trying to be my baby -- Matchbox -- Talkin' 'bout you -- Long tall Sally -- Little Queenie -- Red sails in the sunset -- To know her is to love her -- Shimmy shake -- I remember you -- Kansas City ; Hey hey hey hey -- Roll over Beethoven.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPickwick BAN-90061wMUSIC
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+  a   76370457 
+  bPbk. :c$1.75
+  aDLCcDLCdDLC
+00aML54.6.B4bL9 1975
+04aThe Beatles lyrics complete
+04aThe Beatles lyrics illustrated /cintroduction by Richard Brautigan.
+  aNew York :bDell Pub. Co.,c1975.
+  a208 p., [32] leaves of plates :b104 ports. ;c18 cm.
+  aFirst ed. published in 1974 under title: The Beatles lyrics complete.
+  aIncludes index.
+0 aBeatlemania (1962-5)--The Sergeants' mystery tour (1965-8)--The Apple years (1968-70)
+ 0aRock musicxTexts.
+2 aBeatles.
+  bc-MusichML54.6.B4iL9 1975tCopy 1wBOOKS
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+04aThe Beatles lyrics /cwith an introduction by Jimmy Savile.
+  aLondon :bFutura Publications,c1975.
+  a208 p., [64] p. of plates :bill., ports. ;c20 cm.
+0 aAn Omega book
+  aCover title: The Beatles illustrated lyrics.
+  aFirst published in 1969 under title: The Beatles illustrated lyrics; published in 1974 under title: The Beatles lyrics complete.
+  aIncludes index.
+ 0aRock musicy1961-1970xTexts.
+2 aBeatles.
+0 aBeatles illustrated lyrics.
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+  a(OCoLC)6464550
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+00aCapitol SEBX-11841
+04aThe Beatlesh[sound recording].
+  aHollywood, Calif. :bCapitol,c[197-?]
+  a2 sound discs :banalog, 33 1/3 rpm, stereo. ;c12 in.
+  aSongs chiefly by John Lennon and Paul McCartney.
+0 aPerformed by the Beatles.
+0 aBack in the U.S.S.R. -- Dear Prudence -- Glass onion -- Ob-la-di, ob-la-da -- Wild honey pie -- The continuing story of Bungalow Bill -- While my guitar gently weeps -- Happiness is a warm gun -- Martha my dear -- I'm so tired -- Blackbird -- Piggies -- Rocky Racoon -- Don't pass me by -- Why don't we do it in the road -- I will -- Julia -- Birthday -- Yer blues -- Mother nature's son -- Everybody's got something to hide except me and my monkey -- Sexy Sadie -- Helter skelter -- Long, long, long -- Revolution 1 -- Honey pie -- Savoy truffle -- Cry baby cry -- Revolution 9 -- Good night.
+ 0aRock musicy1961-1970.
+1 aMcCartney, Paul.
+1 aLennon, John,d1940-1980.
+2 aBeatles.
+  aNew
+  aTA28
+  bc-RecSoundhCapitol SEBX-11841wMUSIC
+
+01404cjm  22003731a 4500001000900000005001700009007001500026008004100041028002600082035002100108050001400129906004500143010001700188020001500205024001500220028002600235035002400261040001800285042001300303245006400316246003900380260004700419300005900466500004300525500004700568508003000615500001800645505024300663650001600906710001300922925003800935955002900973985002801002
+12147625
+20020626181341.0
+sd|zsngnnmmned
+000817s1995    cau  n                  d
+02aDACD60020bDove Audio
+  a(DLC)   00524842
+00aSDA 16559
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a   00524842 
+  a0787104361
+1 a2291760020
+00aDACD60020bDove Audio
+  a(OCoLC)ocm46719604 
+  aWRScWRSdDLC
+  alcderive
+04aThe Beatlesh[sound recording] :bthe lost tapes, a parody.
+3 aLive from the pound :bthe Beatles
+  aBeverly Hills, Calif :bDove Audio,c1995.
+  a1 sound disc (29 min. 18 sec.): :bdigital,c4 3/4 in.
+  aAt head of title: Live from the pound.
+  aBeatle songs accompanied by animal sounds.
+  aProduced by Gene Pierson.
+  aCompact disc.
+0 aI want to hold your hand -- Love me do -- Ob-la di, ob-la da -- We can work it out -- I saw her standing there -- I feel fine -- Can't buy me love -- All my loving -- Day tripper -- She loves you -- A hard day's night -- Paperback writer.
+ 0aRock music.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  ato MBRS/RS vn42 08-17-00
+  cOCLCesrreplace 2002-02
+
+01408cjm  22003731a 4500001000900000005001700009007001500026008004100041028002600082035002300108050001400131906004500145010001700190020001500207024001500222028002600237035002400263040001800287042001300305245006400318246003900382260004700421300005900468500004300527500004700570508003000617500001800647505024300665650001600908710001300924925003800937955003100975985002801006
+12547756
+20020628210652.0
+sd|zsngnnmmned
+010927s1995    cau  n                  d
+02aDACD60020bDove Audio
+  a(DLC)   2001576553
+00aSDA 37803
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a  2001576553
+  a0787104361
+1 a2291760020
+00aDACD60020bDove Audio
+  a(OCoLC)ocm46719604 
+  aWRScWRSdDLC
+  alcderive
+04aThe Beatlesh[sound recording] :bthe lost tapes, a parody.
+3 aLive from the pound :bthe Beatles
+  aBeverly Hills, Calif :bDove Audio,c1995.
+  a1 sound disc (29 min. 18 sec.): :bdigital,c4 3/4 in.
+  aAt head of title: Live from the pound.
+  aBeatle songs accompanied by animal sounds.
+  aProduced by Gene Pierson.
+  aCompact disc.
+0 aI want to hold your hand -- Love me do -- Ob-la di, ob-la da -- We can work it out -- I saw her standing there -- I feel fine -- Can't buy me love -- All my loving -- Day tripper -- She loves you -- A hard day's night -- Paperback writer.
+ 0aRock music.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  avn17 2001-09-27 to MBRS/RS
+  cOCLCesrreplace 2002-04
+
+01193cjm  22003134a 4500001000900000005001700009007001500026008004100041906004500082925004200127955005400169010001700223040001800240042000800258050002400266245004000290260007500330300005000405500007600455511004400531500009000575500003000665650001600695610001300711700002300724710001800747710006600765710004800831
+12955415
+20030502071303.0
+sd bumennmplue
+021002s1980    caurcn              eng  
+  a7bcbccorigcopd4encipf20gy-soundrec
+0 aacquireb1 shelf copyxpolicy default
+  avz03 2002-10-02ivz03 2002-10-02evz03 2002-10-02
+  a  2002600493
+  aDLCcDLCdDLC
+  apcc
+00aLPA 98955-LPA 98958
+00aBeatles specialh[sound recording].
+  a[Los Angeles] :bAmerican Forces Radio and Television Service,c[1980]
+  a4 sound discs :banalog, 33 1/3 rpm ;c12 in.
+  aMusic of the Beatles; includes interviews and biographical information.
+0 aBob Eubanks, host; Beatles, performers.
+  aAFRTS edition of a commercial radio program; contains information spot announcements.
+  aDuration: 55:00 per disc.
+ 0aRock music.
+20aBeatles.
+1 aEubanks, Bob.4hst
+2 aBeatles.4prf
+1 aUnited States.bAmerican Forces Radio and Television Service.
+2 aAFRTS Collection (Library of Congress)5DLC
+
+01125cim  22003491a 4500001000900000005001700009007001500026008004100041035002300082050001400105906004500119010001700164024001700181028002200198035002300220040002500243042001300268245003900281246006600320246002900386260004300415300005900458511005000517610002500567650004800592710001300640925003800653952001200691952001300703955003100716985002800747
+12501781
+20030708102150.0
+sd|zsngnnmmned
+010814p19921964waunnn         t    eng d
+  a(DLC)   2001567010
+00aSDA 31270
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a  2001567010
+1 a739497700628
+02aJRCD 7006bJerden
+  a(OCoLC)ocm32678104
+  aOKIcOKIdOCLCQdDLC
+  alcderive
+00aBeatles tapes Ih[sound recording]
+1 iContainer title:aBeatles tapes: the Beatles in the northwest
+30aBeatles in the northwest
+  aSeattle, WA :bJerden Records,cp1992.
+  a1 sound disc (25 min., 8 sec.) :bdigital ;c4 3/4 in.
+0 aInterviews with The Beatles in 1964 and 1966.
+20aBeatlesvInterviews.
+ 0aRock musiczEnglandxHistory and criticism.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  amuzerec
+  aspokenwd
+  avn40 2001-08-14 to MBRS/RS
+  cOCLCesrreplace 2002-04
+
+01258cam  2200373 a 4500001000700000005001700007008004100024035002100065906004500086955003400131010001700165040001800182041001300200043001200213050002200225082002300247245008800270250001400358260003800372300005900410500005200469504002900521504002900550504005000579500002000629500002600649650007300675610001300748700002800761710001300789922000700802952002300809991005200832
+602604
+19910710161242.0
+910213s1989    ck af    bkq  001 0 spa  
+  9(DLC)   91117848
+  a7bcbccorignewd4encipf19gy-gencatlg
+  avk13 02-28-91; vk90, 04-17-91
+  a   91117848 
+  aDLCcDLCdDLC
+1 aspaheng
+  ae-uk-en
+00aML54.6b.B39 1989
+00a782.42164/0268220
+04aThe Beatles :bversiones libres /ccompilado y comentado por Gustavo Gómez Córdoba.
+  a[1. ed.].
+  a[Bogotá, Colombia :bs.n.,c1989]
+  a289 p., [9] p. of plates :bill. (some col.) ;c27 cm.
+  aSpanish translations of 211 Beatles song texts.
+  aDiscography: p. 237-253.
+  aFilmography: p. 260-263.
+  aIncludes bibliographical references (p. 279).
+  aIncludes index.
+  aErrata slip inserted.
+ 0aPopular musiczEnglandy1961-1970xTextsxTranslations into Spanish.
+20aBeatles.
+2 aGómez Córdoba, Gustavo.
+2 aBeatles.
+  aap
+  a*vk06 140 07-10-91
+  bc-MusichML54.6i.B39 1989tCopy 1mCasewBOOKS
+
+01820njm  2200493 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002000163035002000183040001900203042001400222050001900236245006100255260004000316300005600356500001900412511002100431505039800452650003000850700003700880700002300917700002200940710001800962710002100980710002701001740002301028740001801051740002401069740002301093740002201116740001901138740003701157740002301194740002101217740001201238740002101250952000801271953000901279991003801288
+5638356
+19911211095959.5
+sdubmmennmplu
+911023s1964    pauppn              eng d
+  9(DLC)   91759576
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   91759576 
+02aT-2125bCapitol
+  a(OCoLC)13857024
+  aOBgUcDLCdDLC
+  alccopycat
+00aCapitol T-2125
+04aThe Big hits from England and U.S.A.h[sound recording].
+  a[Scranton, Pa.] :bCapitol,c[1964]
+  a1 sound disc :banalog, 33 1/3 rpm, mono. ;c12 in.
+  aPopular music.
+0 aVarious artists.
+0 aCan't buy me love (The Beatles) -- I get around (The Beach Boys) -- A world without love (Peter and Gordon) -- You can't do that (The Beatles) -- Don't worry baby (The Beach Boys) -- Nobody I know (Peter and Gordon) -- I don't want to be hurt anymore (Nat King Cole) -- Suffer now I must (Cilla Black) -- Tears and roses (Al Martino) -- People (Nat King Cole) -- You're my world (Cilla Black).
+ 0aPopular musicy1961-1970.
+1 aCole, Nat King,d1917-1965.4prf
+1 aBlack, Cilla.4prf
+1 aMartino, Al.4prf
+2 aBeatles.4prf
+2 aBeach Boys.4prf
+2 aPeter and Gordon.4prf
+0 aCan't buy me love.
+0 aI get around.
+0 aWorld without love.
+0 aYou can't do that.
+0 aDon't worry baby.
+0 aNobody I know.
+0 aI don't want to be hurt anymore.
+0 aSuffer now I must.
+0 aTears and roses.
+0 aPeople.
+0 aYou're my world.
+  aNew
+  aTA28
+  bc-RecSoundhCapitol T-2125wMUSIC
+
+02042cjm  22005291a 4500001000900000005001700009007001500026008004100041028002700082035002300109050001400132906004500146010001700191024001700208024001700225028002100242033001300263035002300276040002300299042001300322245004600335260003300381300005100414306001100465511006600476500001800542518005400560505045300614650003001067700002101097700002101118700002101139700001701160700001701177700002001194700002301214700001801237700001901255700001901274700002601293710002601319710002301345925003801368952001201406955006601418985002801484
+12699666
+20020717131202.0
+sd|zsngnnmmned
+020311p20022001ohubln                  d
+02aCD-83553bTelarc Blues
+  a(DLC)   2002563429
+00aSDA 44910
+  a0bibcccopycatd3encipf20gy-genmusic
+  a  2002563429
+10a089408355325
+1 a089408355325
+02aCD-83553bTelarc
+00a200106--
+  a(OCoLC)ocm49270538
+  aUOJcUOJdJEDdDLC
+  alcderive
+04aThe blues white albumh[sound recording].
+  aCleveland :bTelarc,cp2002.
+  a1 sound disc (51 min.) :bdigital ;c4 3/4 in.
+  a005119
+0 aVarious artists covering songs from The Beatles' White album.
+  aCompact disc.
+  aRecorded at The Studio, Portland, Me., June 2001.
+00tWhy don't we do it in the road? /rJimmy Thackery & the Drivers --tYer blues /rLucky Peterson --tHappiness is a warm gun /rAnders Osborne --tRevolution /rKenny Neal, Lucky Peterson, Tab Benoit --tOb-la-di, ob-la-da /rMaria Muldaur --tWhile my guitar gently weeps /rJoe Louis Walker --tDon't pass me by /rT-Bone Walker --tI'm so tired /rChris Duarte --tBlackbird /rColin Linden --tDear Prudence /rCharlie Musselwhite, Colin Linden.
+ 0aBlues (Music)y1991-2000.
+1 aThackery, Jimmy.
+1 aPeterson, Lucky.
+1 aOsborne, Anders.
+1 aNeal, Kenny.
+1 aBenoit, Tab.
+1 aMuldaur, Maria.
+1 aWalker, Joe Louis.
+1 aWolk, T-Bone.
+1 aDuarte, Chris.
+1 aLinden, Colin.
+1 aMusselwhite, Charlie.
+2 aDrivers (Blues group)
+2 aBeatles.tBeatles.
+0 aacquireb2 copiesxpolicy default
+  amuzerec
+  avn03 2002-03-11 to MBRS/RSevn23 2002-07-17 copy 2 to MBRS/RS
+  cOCLCesrreplace 2002-05
+
+01150ncm  2200325 a 4500001000800000005001700008008004100025035002100066906004500087010001700132020002100149040001800170043001200188045001700200050002400217245013000241260006100371300003700432500001100469500008900480504003300569504002800602505004000630650003600670700002300706710001300729952002500742953000900767991004800776
+5579071
+19880706000000.0
+880225s1981    oncrca   a     n    eng  
+  9(DLC)   81066605
+  a7bcbccorignewd2encipf19gy-genmusic
+  a   81066605 
+  a0553013297 (set)
+  aDLCcDLCdDLC
+  ae-uk-en
+2 bd1950bd1970
+00aM1741.18b.C65 1981
+04aThe Compleat Beatles /cproduced by Delilah Communications/ATV Music Publications ; music arranged and edited by Milton Okun.
+  aToronto ;aNew York :bA Delilah/ATV/Bantam Book,c1981.
+  a1 score (2 v.) :bill. ;c32 cm.
+  aSongs.
+  aFor piano, with interlinear words; includes chord symbols and guitar chord diagrams.
+  aFilmography: v. 1, p. 86-91.
+  aIncludes discographies.
+0 av. 1. 1962-1966 -- v. 2. 1966-1970.
+ 0aRock musiczEnglandy1961-1970.
+1 aOkun, Milton.4arr
+2 aBeatles.
+  aISBN from container.
+  aTA28
+  bc-MusichM1741.18i.C65 1981tCopy 1wMUSIC
+
+01079njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002300173035002100196040001300217050002200230245005100252260003500303300004900338511008900387505019000476500001800666650001600684710001800700953000900718985000900727991004100736
+5749286
+19950204073643.4
+sdubumennmpluu
+950203s1981    xx uun              eng  
+  9(DLC)   95774124
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn22
+  a   95774124 
+00a38356bPac Records
+  a(OCoLC)31926039 
+  aDLCcDLC
+00aPac Records 38356
+00aDawn of the silver Beatlesh[sound recording].
+  a[S.l.] :bPac Records,cp1981.
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles (John Lennon, Paul McCartney, George Harrison, Peter Best).
+0 aLove of the loved -- Sure to fall -- Money -- Talke good care of my baby -- Three cool cats -- Like dreamers do -- Searchin' -- Crying, waiting, hoping -- Till there was you -- Memphis.
+  aBrief record.
+ 0aRock music.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPac Records 38356wMUSIC
+
+01822cjm  22003612a 4500001000900000005001700009007001500026008004100041035002300082906004500105955009600150010001700246024001500263028003800278033001300316040001800329042001300347050001400360245008400374260005200458300006000510306001100570500002400581511002100605518006300626500001800689500003200707505061900739650002701358710001301385710003301398985002901431
+12068267
+20030808160213.0
+sdufsngnnmmneu
+940302s1992    nyurcn              eng d
+  a(OCoLC)ocm29938701
+  a7bcbcccopycatd3encipf19gy-soundrec
+  avn00 2003-08-07evn34 2003-08-07 retro CD update to MBRSevn34 2003-08-08 copy 2 to MBRS/RS
+  a   99587427 
+1 a3582800113
+02aKFWCD-113bKnitting Factory Works
+  b3804cN4
+  aPULcPULdDLC
+  alcderive
+00aSDA 73844
+00aDowntown does the Beatles live at the Knitting Factory, 1992h[sound recording]
+  aNew York, NY :bKnitting Factory Works,cp1992.
+  a1 sound disc (48 min.) :bdigital, stereo. ;c4 3/4 in.
+  a004728
+  aTitle from booklet.
+0 aVarious artists.
+  aAll songs recorded live at the Knitting Factory, New York.
+  aCompact disc.
+  aProgram notes in container.
+0 aBeing for the benefit of Mr. Kite / Les Miserables Brass Band (2:36) -- Come together / Defunkt (5:56) -- I wanna hold your hand / Alex Chilton (2:23) -- Why don't we do it in the road / Lydia Lunch (3:31) -- Day in the life / Eugene Chadbourne (4:40) -- Dear Prudence / Samm Bennett and Chunk (4:40) -- We can work it out / King Missile (2:13) -- Taxman / Fred Longerg-Holm (5:54) -- Blue jay way / Buddha Pest (5:30) -- Don't let me down / Arto Lindsay, Mark Ribot, Syd Straw, Joe Baron, Greg Cohn (3:35) -- Revolution #9 / Kurt Hoffman's Band of Weeds (2:54) -- Eleanor Rigby / Les Miserables Brass Band (5:30).
+ 0aRock musicy1991-2000.
+2 aBeatles.
+2 aKnitting Factory (Nightclub)
+  cOCLCeClaimed Recordings
+
+01585cjm  2200349 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002300163035002000186040001700206042001400223050002200237245008400259260004000343300005800383500001900441500007200460511006100532505046100593650003001054700003001084700002101114700002901135710001301164952000801177953000901185991004101194
+5677124
+20020523154210.0
+sdubsmennmplu
+930427s1973    nyuppn              eng d
+  9(DLC)   93709825
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   93709825 
+02aKC 32525bColumbia
+  a(OCoLC)11663640
+  aTMcDLCdDLC
+  alccopycat
+00aColumbia KC 32525
+00aEasy listening Beatlesh[sound recording] :bfor people who hate rock and roll.
+  aNew York, N.Y. :bColumbia,cp1973.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+  aPopular music.
+  aWords and music by John Lennon, Paul McCartney and George Harrison.
+0 aArranged and performed by various artists and ensembles.
+0 aHey Jude (Ray Conniff) -- Fool on the hill (Percy Faith, his orchestra and chorus) -- Yesterday (Ray Conniff) -- Eleanor Rigby (Johnny Mathis) -- You've got to hide your love away (Percy Faith and his orchestra) -- My sweet Lord (Johnny Mathis) -- Something (Peter Nero) -- The long and winding road (Andre Kostelanetz) -- Michelle (Andre Kostelanetz and his orchestra) -- Variations on the theme "Ob-la-di ob-la-da" (Peter Nero) -- Let it be (Jerry Vale).
+ 0aPopular musicy1971-1980.
+1 aLennon, John,d1940-1980.
+1 aMcCartney, Paul.
+1 aHarrison, George,d1943-
+2 aBeatles.
+  aNew
+  aTA28
+  bc-RecSoundhColumbia KC 32525wMUSIC
+
+01093cjm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028001600173035002100189040001800210050001500228245004100243260003900284300004900323511005000372505021700422500001800639650002500657650002700682710001800709953000900727985000900736991003400745
+5726097
+19970702113207.9
+sdubumennmpluu
+950106q19601969xxuuun              eng  
+  9(DLC)   94767779
+  a7bcbccorignewd3encipf19gy-genmusic
+  avk15
+  a   94767779 
+00a4347BbMore
+  a(OCoLC)31773455 
+  aDLCcDLCdDLC
+00aMore 4347B
+00aGet back sessionh[sound recording].
+  a[United States?] :bMore,c[196-?]
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aThe Beatles, vocal and instrumental ensemble.
+0 aMaxwell's silver hammer -- Besame mucho -- Two of us -- One after 909 -- Shake, rattle & roll -- Get back -- Dig a pony -- Whole lotta shakin' -- Suzie parker -- I me mine -- Dig a pony -- Paul raps -- Let it be.
+  aBrief record.
+ 0aRock musicyTo 1961.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9501
+  bc-RecSoundhMore 4347BwMUSIC
+
+01548cmm  2200325 a 4500001000800000005001700008008004100025035002100066906004500087955001800132010001700150020001500167040001800182050001700200082001500217245004100232246007000273256003100343260003300374300006600407538026800473500002700741520028900768630003801057650001901095650001901114710002101133710001801154991005001172
+5002322
+19990108085452.6
+961108s1993    nyu        m        eng  
+  9(DLC)   96802497
+  a7bcbccorignewduencipf19gy-gencompf
+  avb22 11-08-96
+  a   96802497 
+  a1559402652
+  aDLCcDLCdDLC
+00aPN1997.H2593
+10a791.43212
+02aA hard day's nighth[computer file].
+1 iTitle on front cover of container:aBeatles in A hard day's night
+  aComputer data and program.
+  aNew York :bVoyager,cc1993.
+  a1 computer laser optical disc ;c4 3/4 in. +e1 user's guide.
+  aSystem requirements: Macintosh; 4MB RAM; System 6.0.7 or later; 256-color (thirteen-inch or larger) or 256-grayscale (twelve-inch or larger) monitor; QuickTime-compatible CD-ROM drive. Apple twelve-inch RGB color monitors support video, but not supplemental text.
+  aTitle from disc label.
+  aPresents a full-length film in which the Beatles escape the harassment of their manager and Paul's grandfather by taking a train from Liverpool to London. Includes original script; profiles of the Beatles, cast, and crew; clips from the director's early work; and word search feature.
+00aHard day's night (Motion picture)
+ 0aFeature films.
+ 0aMusical films.
+2 aVoyager Company.
+2 aBeatles.4prf
+  bc-MRChPN1997.H2593i[1996 01505]tCopy 1wCF
+
+02908cgm  22006017a 4500001000900000005001700009007001000026007001000036008004100046035002100087906004500108010001700153017003500170035002200205035002500227040002700252042001400279050002800293050003600321245011500357246005700472257000900529260012700538300007600665300008500741440003100826500005600857500010300913508003701016511006301053500005101116520011501167500016001282500003001442500018201472541008501654541009101739610002001830655001901850655001901869700004001888700003401928700003301962700003501995710002102030710001702051710001302068710005402081710005202135953000902187991005102196991005902247
+11671072
+19991122121438.0
+vdubgaizu
+vdubgaizu
+960325s1987    xxk090            vleng d
+  9(DLC)   96505748
+  a7bcbcccopycatduencipf19gy-movingim
+  a   96505748 
+  aLP28626bU.S. Copyright Office
+  a(CSt)notisACP8002
+  a(CStRLIN)CSUG90-F860
+  aCStcCStdCStRLINdDLC
+  alccopycat
+00aDAA 0814 (viewing copy)
+00aDAA 1138 (viewing copy, copy 2)
+02aA hard day's night /cUnited Artist ; director, Richard Lester ; producer, Walter Shenson ; writer, Alun Owen.
+0 iTitle on disc jacket:aBeatles in A hard day's night
+  aU.K.
+  aGreat Britain :bUnited Artist,c1964 ;aUnited States :bUnited Artist,c1964 ;aUnited States :bVoyager Company,c1987.
+  a2 videodiscs of 2 (laser) (90 min.) :bsd., b&w ;c12 in. viewing copy.
+  a2 videodiscs of 2 (laser) (90 min.) :bsd., b&w ;c12 in. viewing copy (copy 2).
+ 0aCriterion collection ;v20
+  aCopyright: Proscenium Films, Ltd.; 6Jul64; LP28626.
+  aCopyright notice on videodisc jacket: 1964 Proscenium Films, Ltd. ; 1987 The Criterion Collection.
+  aMusical director, George Martin.
+0 aJohn Lennon, Paul McCartney, George Harrison, Ringo Starr.
+  aOriginally produced as motion picture in 1964.
+  aHarassed by their manager and Paul's grandpa, the Beatles embark from Liverpool by train for a London TV show.
+  aIncludes special features: Richard Lester's first film: The running jumping & standing still film; video interview with Richard Lester; theatrical trailer.
+  aOn disc jacket:  CC1113L.
+  aSources used: videodisc jacket; New York times film review, 8/12/64; The films of Richard Lester, 1985, p. 164; Catalog of copyright entries, motion pictures, 1960-1969, p. 239.
+  dReceived: bet. 1982 and 1990;3viewing copy;cpurchase;aLC Purchase Collection.
+  dReceived: 9/90;3viewing copy, copy 2;ccopyright deposit--407;aCopyright Collection.
+20aBeatlesxDrama.
+ 7aFeatures.2mim
+ 7aMusicals.2mim
+1 aLester, Richard,d1932-edirection.
+1 aShenson, Walter,eproduction.
+1 aOwen, Alun,d1930-ewriting.
+1 aMartin, George,d1926-emusic.
+2 aVoyager Company.
+2 aJanus Films.
+2 aBeatles.
+2 aLC Purchase Collection (Library of Congress)5DLC
+2 aCopyright Collection (Library of Congress)5DLC
+  aTE01
+  bc-MP&TVhDAA 0814 (viewing copy)wMUMS VM File
+  bc-MP&TVhDAA 1138 (viewing copy, copy 2)wMUMS VM File
+
+01653cjm  2200313 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028001700163035002000180040001700200042001400217050001600231245011800247260003500365300004100400511012700441500001800568505064700586650001601233700001501249710001801264710001301282953000901295991003501304
+5654266
+19940414162606.6
+sduzsnznnmlne
+920723s1992    mnurcn              eng d
+  9(DLC)   92764948
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   92764948 
+02a60072bK-tel
+  a(OCoLC)25664171
+  aWMcDLCdDLC
+  alccopycat
+00aK-tel 60072
+00aHooked on, a Beatles tributeh[sound recording] :b31 nonstop hits /cperformed by Dr. Fink and the Mystery Band.
+  aPlymouth, MN :bK-tel,cp1992.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aDamian Paul, vocals ; Dr. Fink, bass, keyboards, and drums ; James Behringer, guitars ; Hiram Titus, additional keyboards.
+  aCompact disc.
+0 aPlease me. Please please me ; All my loving ; Eight days a week ; A hard day's night ; Can't buy me love -- Help me. Help! ; Ticket to ride ; Day tripper ; Paperback writer ; Got to get you into my life -- Drive me. Lady Madonna ; Drive my car ; Nowhere man ; Taxman ; Eleanor Rigby -- The tribute. Sgt. Pepper's Lonely Hearts Club Band ; Lucy in the sky with diamonds ; Magical mystery tour ; I am the walrus ; Strawberry fields forever -- The window. Ob-la-di, Ob-la-da ; Get back ; Back in the U.S.S.R. ; Polythene Pam ; She came in through the bathroom window -- The end. If I fell ; Michelle ; Yesterday ; Blackbird ; Hey Jude ; The end.
+ 0aRock music.
+1 aFink,cDr.
+2 aMystery Band.
+2 aBeatles.
+  aTA28
+  bc-RecSoundhK-tel 60072wMUSIC
+
+01178njm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002900173035002100202040001300223050002800236245006300264260005300327300005800380511008100438505018900519500001800708650001600726710004400742710001300786953000900799985000900808991004700817
+5751829
+19950304073733.2
+sdubsmennmpluu
+950303s1977    ncuuun              eng  
+  9(DLC)   95776699
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn23
+  a   95776699 
+00a7904bPied Piper Records
+  a(OCoLC)32079450 
+  aDLCcDLC
+00aPied Piper Records 7904
+00aHot as sunh[sound recording] :ba tribute to the Beatles.
+  aChapel Hill, N.C. :bPied Piper Records,cp1977.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Original Marauders, in the style and manner of the Beatles.
+0 aBack in the U.S.S.R. -- I'm happy just to dance with you -- And your bird can sing -- All together now -- I'll keep you satisfied -- Bad to me -- I'll be on my way -- Step inside love.
+  aBrief record.
+ 0aRock music.
+2 aOriginal Marauders (Musical group)4prf
+2 aBeatles.
+  aTA28
+  a9503
+  bc-RecSoundhPied Piper Records 7904wMUSIC
+
+01244cim  22003254a 4500001000900000005001700009007001500026008004100041906004500082925004200127955005400169010001700223040001800240042000800258050002400266245005100290246007300341260007200414300005000486511002400536500009000560500002200650600004200672650001600714700002400730700003500754710001800789710006300807710004800870
+12951212
+20030501195547.0
+sd bumennmplue
+020930s1992    caunnn         t    eng  
+  a7bcbccorignewd4encipf20gy-soundrec
+0 aacquireb1 shelf copyxpolicy default
+  avz17 2002-09-30ivz17 2002-09-30evz17 2002-09-30
+  a  2002593672
+  aDLCcDLCdDLC
+  apcc
+00aLPA 98621-LPA 98624
+00aLennon--the last interviewh[sound recording].
+1 iTitle from audition:aLennon, his last interview, his greatest music
+  a[Los Angeles] :bArmed Forces Radio and Television Service,c[1992]
+  a4 sound discs :banalog, 33 1/3 rpm ;c12 in.
+0 aEarle Bailey, host.
+  aAFRTS edition of a commercial radio program; includes information spot announcements.
+  aDuration: 220:00.
+10aLennon, John,d1940-1980vInterviews.
+ 0aRock music.
+1 aBailey, Earle.4hst
+1 aLennon, John,d1940-1980.4prf
+2 aBeatles.4prf
+1 aUnited States.bArmed Forces Radio and Television Service.
+2 aAFRTS Collection (Library of Congress)5DLC
+
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+11592261
+00000000000000.0
+920108s1981    xxu080            vlund  
+  9(DLC)   92500347
+  a0bibccorignewduencipf19gy-movingim
+  a   92500347 
+v| ||||||
+  aLP37960bU.S. Copyright Office
+  aDLCcDLCeamim
+00aDAA 0348 (viewing copy)
+00aDAA 0349 (viewing copy, copy 2)
+00aLet it be /cUnited Artists ; directed by Michael Lindsay-Hogg ; produced by Neil Aspinall.
+  a[United States :bMagnetic Video,c1981]
+  a1 videodisc of 1 (laser) (80 min.) :bsd., col. ;c12 in. viewing copy.
+  a1 videodisc of 1 (laser) (80 min.) :bsd., col. ;c12 in. viewing copy (copy 2).
+  aCopyright: Apple Films, Ltd.; 13May70; LP37960.
+0 aWith: The Beatles.
+  aRelease date for original: 1970.
+  aReference source used: videodisc jacket.
+  dReceived: 7-8-83;3viewing copies 1 and 2;cpurchase, purchse order no. 0124326;aLC Purchase Collection.
+1 aLindsay-Hogg, Michael,edirection.
+2 aBeatles.
+2 aLC Purchase Collection (Library of Congress)5DLC
+ 7aVideodiscs.2gmgpc
+  aNot viewed; may be additional film and/or video material M/B/RS.
+  aTE01
+  bc-MP&TVhDAA 0348 (viewing copy)wMUMS VM File
+  bc-MP&TVhDAA 0349 (viewing copy, copy 2)wMUMS VM File
+
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+5719999
+19941013102521.1
+sduzsnznnmlneu
+941012s1991    xx uun              eng  
+  9(DLC)   94761339
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn33
+  a   94761339 
+00aBUR 9103bMulti Coloured Music
+  a(OCoLC)31273712 
+  aDLCcDLCdDLC
+00aMulti Coloured Music BUR 9103
+00aLive performancesh[sound recording] :b1962-1963.
+  a[S.l.] :bMulti Coloured Music,cp1991.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aBeatles.
+0 aBesame mucho -- How do you do it -- One afther [sic] 909 -- I be on my way -- Some other guy -- Too much monkey business -- I got to find my baby -- Youngblood -- A shot of rhythm and blues -- Sure to fall -- That's allright mama -- Carol -- Soldier of love -- Lend me your comb -- Clarabel[l]a -- Sweet little sixteen.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9410
+  bc-RecSoundhMulti Coloured Music BUR 9103wMUSIC
+
+01115cam  2200301 a 4500001000800000005001700008008004100025035002100066906004500087955006500132010001700197020001500214040001800229043001200247050002200259082002700281245010700308260003200415300003500447500011300482504006400595610001300659650004100672700002400713700001700737710001300754991004600767
+1125501
+20021119081211.0
+940712s1994    nyua     b    001 0ceng  
+  9(DLC)   94029575
+  a7bcbccorignewd1eocipf19gy-gencatlg
+  apc18 to vp00 07-12-94; vk09 07-13-94; CIP ver. vl19 06-15-95
+  a   94029575 
+  a0525938184
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML421.B4bA5 1994
+00a782.42166/092/2aB220
+04aThe lost Beatles interviews /cGeoffrey Giuliano and Brenda Giuliano ; afterword by Dr. Timothy Leary.
+  aNew York :bDutton,cc1994.
+  axiii, 398 p. :bill. ;c24 cm.
+  aTranscripts of interviews with the Beatles and their associates, conducted 1963-1993 by Giuliano and others.
+  aIncludes bibliographical references (p. 385-386) and index.
+20aBeatles.
+ 0aRock musicianszEnglandvInterviews.
+1 aGiuliano, Geoffrey.
+1 aDevi, Vrnda.
+2 aBeatles.
+  bc-MusichML421.B4iA5 1994tCopy 1wBOOKS
+
+01180cjm  22003017a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002100163040001800184050002000202050003700222245004200259260004500301300005800346511003000404505024700434500001800681650002700699650003000726710001800756953000900774991003900783991005600822
+5657985
+19920911150500.7
+sdubsmennmplu
+920904s1964    cauuun              eng  
+  9(DLC)   92769313
+  a7bcbucorignewd5encipf19gy-genmusic
+  a   92769313 
+02aST-2047bCapitol
+  aDLCcDLCdDLC
+00aCapitol ST-2047
+00aCapitol ST-2047 (White House B3)
+00aMeet the Beatles!h[sound recording].
+  a[Hollywood, Calif.] :bCapitol,c[1964?]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aI want to hold your hand -- I saw her standing there -- This boy -- It won't be long -- All I've got to do -- All my loving -- Don't bother me -- Little child -- Till there was you -- Hold me tight -- I wanna be your man -- Not a second time.
+  aBrief record.
+ 0aRock musicy1961-1970.
+ 0aPopular musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  bc-RecSoundhCapitol ST-2047wMUSIC
+  bc-RecSoundhCapitol ST-2047 (White House B3)wMUSIC
+
+00822njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002200173035002100195040001300216050002100229245003400250260002900284300004100313511003000354505001500384500001800399650002700417710001800444953000900462985000900471991004000480
+5787722
+19970617093519.0
+sdufungnnmmned
+970617s1996    cauuun              eng  
+  9(DLC)   97750602
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn30
+  a   97750602 
+00aDPRO-11187bApple
+  a(OCoLC)37135390 
+  aDLCcDLC
+00aApple DPRO-11187
+00aReal loveh[sound recording].
+  a[S.l.] :bApple,cp1996.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aPerformed by the Beatles.
+0 aReal love.
+  aBrief record.
+ 0aRock musicy1971-1980.
+2 aBeatles.4prf
+  aTA28
+  a9706
+  bc-RecSoundhApple DPRO-11187wMUSIC
+
+01200cjm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028003100173035002100204040001800225050003000243245005800273260004600331300005800377511005000435505024600485500001800731650002500749650002700774710001800801953000900819985000900828991004900837
+5755557
+19950828153018.0
+sdubsmennmplue
+950516q19601969xx uun              eng  
+  9(DLC)   95780537
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn37
+  a   95780537 
+00a726bRenaissance Minstrels
+  a(OCoLC)32483355 
+  aDLCcDLCdDLC
+00aRenaissance Minstrels 726
+00aRenaissance minstrels.nVolume IIh[sound recording].
+  a[S.l.] :bRenaissance Minstrels,c[196-?]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aThe Beatles, vocal and instrumental ensemble.
+0 aThe walk -- Teddy boy -- Two of us on the way home -- I've got a feelin' -- Long and winding road -- For you blue -- Dig a pony -- Across the universe -- Inner light -- Let it be -- Don't let me down -- Get back -- I'm down -- Instant karma.
+  aBrief record.
+ 0aRock musicyTo 1961.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9505
+  bc-RecSoundhRenaissance Minstrels 726wMUSIC
+
+01084njm  22002897a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028001900173035002100192040001300213050001800226245005300244260004000297300005800337511003000395505026000425500001800685650002700703710001800730953000900748991003700757
+5699134
+19940701063550.0
+sdubsmennmpluu
+940113s1976    enkuun              eng  
+  9(DLC)   93853246
+  a7bcbccorignewd3encipf19gy-genmusic
+  ans32
+  a   93853246 
+00aMFP 50507bMFP
+  a(OCoLC)29623998 
+  aDLCcDLC
+00aMFP MFP 50507
+00aRock 'n' roll music.nVol. 2h[sound recording].
+  aMiddlesex [England] :bMFP,cp1976.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aDizzy Miss Lizzy -- Anytime at all -- Drive my car -- Everybody's trying to be my baby -- The night before -- I'm down -- Revolution -- Back in the U.S.S.R. -- Helter skelter -- Taxman -- Got to get you into my life -- Hey bulldog -- Birthday -- Get back.
+  aBrief record.
+ 0aRock musicy1971-1980.
+2 aBeatles.4prf
+  aTA28
+  bc-RecSoundhMFP MFP 50507wMUSIC
+
+00995njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002400173035002100197040001300218050002300231245004800254260004200302300004900344511003000393505014700423500001800570650002700588710001800615953000900633985000900642991004200651
+5750584
+19950215074543.2
+sdubsmennmpluu
+950214s1982    nyuuun              eng  
+  9(DLC)   95775435
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn30
+  a   95775435 
+00aPHX 353bPhoenix 10
+  a(OCoLC)31989340 
+  aDLCcDLC
+00aPhoenix 10 PHX 353
+00aSilver Beatles.nVol. 2h[sound recording].
+  aNew York, N.Y. :bPhoenix 10,cp1982.
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles.
+0 aSearchin' -- Take good care of my baby -- Money -- To know him is to love him -- Three cool cats -- September rain -- Crying, waiting, hoping.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPhoenix 10 PHX 353wMUSIC
+
+00824cjm  22002897a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002400173035002100197040001800218050002300236245004800259260003300307300004100340511002500381500001800406650003200424710001800456953000900474985000900483991004200492
+5724501
+19970702132354.0
+sduzunznnmlneu
+941130q19901994enkuun              eng  
+  9(DLC)   94766149
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn06
+  a   94766149 
+00aCBAK 4024bBaktobak
+  a(OCoLC)31534460 
+  aDLCcDLCdDLC
+00aBaktobak CBAK 4024
+00aTalk downunder.nVol. Ih[sound recording].
+  aLondon :bBaktabak,c[199-?]
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aBeatles, interviews.
+  aBrief record.
+ 0aRock musiciansxInterviews.
+2 aBeatles.4prf
+  aTA28
+  a9411
+  bc-RecSoundhBaktobak CBAK 4024wMUSIC
+
+01044cam  2200289 a 4500001000800000005001700008008004100025035002100066906004500087955013700132010001700269020004000286040001800326043001200344050002200356082002700378245009200405260004100497300003500538500002000573610002500593650004100618650004100659700002400700700001700724710001300741
+2123138
+20021119081139.0
+970501s1998    maua          001 0ceng  
+  9(DLC)   97002579
+  a7bcbccorignewd1eocipf19gy-gencatlg
+  apc01 to VP00 05-01-97; vk06 05-01-97; vk05 05-02-97; CIP ver. vl16 02-20-01; vl20 to BCCD 02-20-01evl20 2001-12-12 2nd copy to BCCD
+  a   97002579 
+  a1558506381 (paperback : alk. paper)
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML421.B4bA5 1997
+00a782.42166/092/2aB221
+00aThings we said today :bconversations with the Beatles /cGeoffrey and Brenda Giuliano.
+  aHolbrook, MA :bAdams Media,cc1998.
+  axiii, 274 p. :bill. ;c24 cm.
+  aIncludes index.
+20aBeatlesvInterviews.
+ 0aRock musicianszEnglandvInterviews.
+ 0aRock musicianszEnglandvQuotations.
+1 aGiuliano, Geoffrey.
+1 aDevi, Vrnda.
+2 aBeatles.
+
+00987cam  2200289 a 4500001000800000005001700008008004100025035002100066906004500087010001700132020001500149040001800164043001200182050001700194082001800211245013800229260004500367300003900412504003100451650003500482650004900517610001300566700002800579700003000607710001300637991004700650
+4192096
+19900618170644.9
+810520s1980    miuh     b    000 0 eng  
+  9(DLC)   80083203
+  a7bcbccorignewd2eopcnf19gy-gencatlg
+  a   80083203 
+  a0876501048
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML54.6b.T37
+00a784.5/405219
+00aThings we said today :bthe complete lyrics and a concordance to the Beatles' songs, 1962-1970 /cby Colin Campbell and Allan Murphy.
+  a[Ann Arbor, MI] :bPierian Press,c1980.
+  axlii, 386 p. :bfacsims. ;c29 cm.
+  aDiscographies: p. 381-386.
+ 0aPopular musiczEnglandxTexts.
+ 0aPopular musiczEnglandxTextsxConcordances.
+20aBeatles.
+1 aCampbell, Colin,d1940-
+1 aMurphy, Allanq(Allan R.)
+2 aBeatles.
+  bc-MusichML54.6i.T37tCopy 1mCasewBOOKS
+
+01241njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028003200173035002100205040001300226050003100239245003800270260003900308300005800347511003000405505037300435500001800808650002700826710001800853953000900871985000900880991005000889
+5778143
+19960316050636.3
+sdubsmennmplue
+960315s1964    xx uun              eng  
+  9(DLC)   96791979
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn23
+  a   96791979 
+00a2 WRMB 326bWizardo Records
+  a(OCoLC)34373380 
+  aDLCcDLC
+00aWizardo Records 2 WRMB 326
+00aWords of loveh[sound recording].
+  a[S.l.] :bWizardo Records,c[1964]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aLove me do -- Please please me -- From me to you -- I saw her standing there -- Misery -- Do you want to know a secret -- There's a place -- Anna -- Chains -- Boys -- She loves you -- Till there was you -- Roll over Beethoven -- You really got a hold on me -- She's got the devil in her heart -- Money -- Long tall Sally -- Honey don't -- Kansas City -- Words of love.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9603
+  bc-RecSoundhWizardo Records 2 WRMB 326wMUSIC
+
+01343cjm  22003491a 4500001000900000005001700009007001500026008004100041035002300082906004500105010001700150024001500167028002000182040002400202042001300226050001900239245012100258260002900379300006400408505019200472511011700664650001600781700003000797700002100827700001800848700002500866700002200891700001900913700001900932710001300951985002900964
+12052014
+20000617180748.0
+sdrbsmenn-----
+840418s1983    nyuppn                   
+  a(OCoLC)ocm10640105
+  a0bcbcccopycatd3encipf19gy-soundrec
+  a   99574428 
+1 a7863546061
+02aCPL 1-4606bRCA
+  aDLCcIWdOCoLCdDLC
+  alcderive
+00aRCA CPL 1-4606
+00aYesterdayhsound recording ;ba recollection of the Beatles /call selections by [John] Lennon and [Paul] McCartney.
+  aNew York :bRCA,cc1983.
+  a1 sound disc (ca. 29 min.) :b33 1/3 rpm, stereo. ;c12 in.
+0 aYesterday -- All my loving -- Eleanor Rigby -- Norwegian Wood --Can't buy me love -- Here, there and everywhere -- Michelle -- Hey Jude -- The long and winding road -- A hard day's night.
+0 aElena Duran, flute; Stephane Grappelli, violin; Laurie Holloway, piano; Allen Walley, basss; Alan Ganley, drums.
+ 0aRock music.
+1 aLennon, John,d1940-1980.
+1 aMcCartney, Paul.
+1 aDuran, Elena.
+1 aGrappelli, Stéphane.
+1 aHolloway, Laurie.
+1 aWalley, Allen.
+1 aGanley, Allan.
+22aBeatles.
+  cOCLCeClaimed Recordings
+
+02433njm  22003737a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002900163028002700192028002700219028002700246028002700273028002700300028002700327040001300354050004500367245007200412260004600484300005900530440003200589511005600621505117200677500001801849650003201867650003001899710004401929710001301973953000901986991006401995
+5673930
+19930324081815.9
+sdubsmennmplu
+930318s1972    nyuuun              eng  
+  9(DLC)   93706173
+  a7bcbccorignewd5encipf19gy-genmusic
+  a   93706173 
+00aP6S 5748bColumbia House
+00aDS 937bColumbia House
+00aDS 938bColumbia House
+00aDS 939bColumbia House
+00aDS 940bColumbia House
+00aDS 941bColumbia House
+00aDS 942bColumbia House
+  aDLCcDLC
+00aColumbia House P6S 5748 (DS 937--DS 942)
+00aYesterdayh[sound recording] :bthe wonderful music of the Beatles.
+  aNew York, N.Y. :bColumbia House,cp1972.
+  a6 sound discs :banalog, 33 1/3 rpm, stereo. ;c12 in.
+ 2aA Columbia musical treasury
+0 aPerformed by the Terry Baxter Orchestra and Chorus.
+0 aMichelle -- A hard day's night -- If I fell -- All my loving -- Can't buy me love -- Eleanor Rigby -- I call your name -- Lucy in the sky with diamonds -- Yellow submarine -- Good day sunshine -- Love -- What is life? -- My sweet Lord -- Let it be -- Here, there and everywhere -- Ob la di-- ob la da -- Here comes the sun -- Mother nature's son -- Something -- You never give me your money -- Ticket to ride -- Norwegian wood -- Blackbird -- She's leaving home -- We can work it out -- This boy -- Rocky Raccoon -- Bangla Desh -- Come together -- From me to you -- Get back -- She loves you -- Strawberry fields forever -- Imagine -- You're gonna lose that girl -- When I'm 64 -- Help -- Tell me why -- A day in the life -- Lovely Linda -- The fool on the hill -- All you need is love -- Long and winding road -- Paperback writer -- Lady Madonna -- Carry that weight -- I will -- It don't come easy -- Maybe I'm amazed -- Sgt. Pepper's Lonely Heart's Club Band -- With a little help from my friends -- Hey Jude -- And I love her -- Penny Lane -- Uncle Albert -- Day tripper -- Magical mystery tour -- You've got to hide your love away -- Yesterday -- Hello, goodbye.
+  aBrief record.
+ 0aOrchestral music, Arranged.
+ 0aPopular musicy1971-1980.
+2 aTerry Baxter Orchestra and Chorus.4prf
+2 aBeatles.
+  aTA28
+  bc-RecSoundhColumbia House P6S 5748 (DS 937--DS 942)wMUSIC
+
+01064njm  2200313 a 4500001000800000005001700008007001500025008004100040035002100081906004500102010001700147028002500164040001300189050001300202245004900215260004500264300005800309440002200367500004400389500006100433500002100494505010700515500001800622650002900640650002700669710001300696953000900709991003200718
+5735623
+19950501154350.2
+ssulsnjlcnnncu
+950501s1985    nyuuun              eng  
+  9(DLC)   95702292
+  a7bcbccorignewd5encipf19gy-genmusic
+  a   95702292 
+00aPS 005bPocket Songs
+  aDLCcDLC
+00aRZA 3880
+00aYou sing The Beatles.n1h[sound recording].
+  aIrvington, N.Y. :bPocket Songs,cp1985.
+  a1 sound cassette :banalog, stereo., Dolby processed.
+ 0aYou sing the hits
+  aRenditions not by the original artists.
+  aSide B has background version of songs in reverse order.
+  aLyrics enclosed.
+0 aShe loves you -- Love me do -- All my lovin' -- We can work it out -- Hard day's night -- I feel fine.
+  aBrief record.
+ 0aRecorded accompaniments.
+ 0aRock musicy1961-1970.
+2 aBeatles.
+  aTA28
+  bc-RecSoundhRZA 3880wMUSIC
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/marc/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/marc/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/marc/metadata.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>.*</FileName>
+        <Description>
+            <Metadata name="dc.Format">MARC</Metadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/metadata.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>beatles_midi\.zip</FileName>
+        <Description>
+            <Metadata name="dc.Format">Audio</Metadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/mp3/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/mp3/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/mp3/metadata.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>.*</FileName>
+        <Description>
+            <Metadata name="dc.Format">Audio</Metadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/allmy.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/allmy.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/allmy.txt	(revision 18423)
@@ -0,0 +1,88 @@
+ALL MY LOVING
+transcribed by MaxxDaddy
+
+This song is a great practice song for rhythmic consistency.
+The chords are strummed very quickly in a triplet pattern:
+
+F#m               B                 E                 C#m
+/// /// /// /// | /// /// /// /// | /// /// /// /// | /// /// /// ///
+
+Verse Chords:
+ F#m B  E   C#m A   F#m D  B7
+-2---2--4---4---5---2---2--2-
+-2---4--5---5---5---2---3--0-
+-2---4--4---6---6---2---2--2-
+-4---4--6---6---7---4---0--1-
+-4---2----------7---4------2-
+-2--------------5---2--------
+
+Chorus Chords:
+
+ C#m C#mdim7  E
+-4---4--------4-
+-5---5--------5-
+-6---5--------4-
+-6---6--------6-
+----------------
+----------------
+
+Solo:
+ E          A                        E   
+--------------5~-------9--9---7--5---4--0-
+-------------------5----------------------
+--------------6~-------9--9---8--6---4--1-
+-2-----------------7----------------------
+------------------------------------------
+---0--2--4--5-----------------------------
+
+           F#m          B7           E
+-7--5--4---2-------2----9----5---9---0--------0-----0-
+-5--4----------2--------7--------7--------------------
+-------4---------------------6-------1----0h1---0h1---
+------------------------------------------------------
+------------------------------------------------------
+------------------------------------------------------
+
+
+Lyrics:
+            F#m           B
+Close your eyes and I'll kiss you
+   E           C#m
+Tomorrow I'll miss you
+    A           F#m       D   B7
+Remember I'll always be true
+          F#m        B
+And then while I'm away
+           E          C#m
+I'll write home every day
+           A          B7        E
+And I'll send all my loving to you
+
+        F#m           B
+I'll pretend that I'm kissing 
+    E         C#m
+the lips I am missing
+    A            F#m               D   B7
+And hope that my dreams will come true
+            F#m       B
+And then while I'm away
+           E          C#m
+I'll write home every day
+           A          B7        E
+And I'll send all my loving to you
+
+CHORUS:
+         C#m   C#d7           E
+All my loving I will send to you
+          C#m    C#d7            E
+All my loving, darling I'll be true
+
+VERSE ONE
+CHORUS
+
+         C#m            E
+All my loving, all my loving 
+           C#m   
+Woo all my loving 
+               E   
+I will send to you
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/andilove.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/andilove.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/andilove.txt	(revision 18423)
@@ -0,0 +1,104 @@
+AND I LOVE HER 
+transcribed by MaxxDaddy
+
+Intro:
+           F#m             E6              F#m
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+------7--6--4---------7--6--4---------7--6--4----------------
+---7---------------7---------------7-------------------------
+
+Verse 1:
+F#m        C#m           F#m           C#m
+I give her all my love    That's all I do
+F#m        C#m             A             B7
+And if you saw my love    You'd love her too
+       E
+And I love her
+Verse 2:
+  F#m                          C#m
+----------9--------------9------------9-----------9----------
+------10-----10------10-----10-----9-----9-----9-----9-------
+--11-------------11-------------9-----------9----------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+         She    gives  me       every     thing
+   F#m                          C#m
+----------9--------------9------------9-----------9----------
+------10-----10------10-----10-----9-----9-----9-----9-------
+--11-------------11-------------9-----------9----------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+           And     tender        ly
+    F#m                          C#m
+----------9--------------9------------9-----------9----------
+------10-----10------10-----10-----9-----9-----9-----9-------
+--11-------------11-------------9-----------9----------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+           The     kiss my       lover     brings
+    A                           B7
+---------9-------------9--------------11---------------------
+-----10-----10-----10-----10------10------10-----------------
+--9-------------9-------------11-----------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+          She    brings to      me
+                    E6
+----------11------------9-----------9-----------9------------
+------10------10-----9-----9-----9-----9-----9-----9---------
+--11--------------9-----------9-----------9-----------9------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+       And  I  love    her
+Middle:
+C#m          B      C#m        G#m
+A love like ours    could never die
+C#m       G#m            B7
+As long as I   have you near me
+Verse 3:
+F#m             C#m               F#m         C#m
+Bright are the stars that shine   Dark is the sky
+F#m         C#m             A          B7
+I know this love of mine   Will never die
+        E
+And I love her
+
+Guitar Solo:
+    Gm       Dm           Gm       Dm            Gm       Dm
+-----------------------------------------------------------------------
+-----------------------------------------------------------------------
+-----------9--7/10---------------9--9\7-----------------9--7/10--------
+--5--7--8---------------5--7--8----------------5--7--8-----------------
+-----------------------------------------------------------------------
+-----------------------------------------------------------------------
+
+    Bb        C7               F                     Gm
+-----------------------------------------------------------------------
+-----------------------------------------------------------------------
+--10--7----------------------------------------------------------------
+---------8--7--7\5--------------/7-------------------------------------
+-----------------------5--3--5--------3--------------------------------
+------------------------------------------5--3--1--1/3-----------------
+Verse 4: (guitar plays arpeggios shown for verse 2, one fret higher)
+Gm              Dm                Gm          Dm
+Bright are the stars that shine   Dark is the sky
+Gm          Dm              Bb         C7
+I know this love of mine   Will never die
+        F
+And I love her
+Ending:
+            Gm               F              Gm             D  
+----------------------------------------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+------8--7--5---------8--7--5---------8--7--5--------8--7--5----
+---8---------------8---------------8--------------8-------------
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/andyour.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/andyour.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/andyour.txt	(revision 18423)
@@ -0,0 +1,109 @@
+AND YOUR BIRD CAN SING BY THE BEATLES
+transcribed by MaxxDaddy
+
+
+Intro:
+(can be played on one or two guitars)
+
+  E
+------------------------------------------------------------------------
+----9-7-5-7-5-4-5-4-2-0-------0-2-9-9-9(10)-9----------12-12-------------
+----9-8-6-8-6-4-6-4-2-1-2-1-2-1-2-9-9-9(10)-9-9------9-11-13-11p9--------
+------------------------4-2-4------------------9-11--------------11-9---
+-----------------------------------------------------------------12-11--
+--0---------------------------------------------------------------------
+
+Verse:
+
+main chord:
+   E5
+---0---
+---0---
+---9---
+---9---
+---7---
+---0---
+
+Fill riff:
+---------------------------
+--------12-12--------------
+------9-11(13)-11-9--------
+-9-11---------------11-9---
+--------------------12-11--
+---------------------------
+
+Bridge:
+  G#m                  G+                 B/F#                 C#/F
+-----------4--------------------3-------------------2--------------------1-
+-----2--4-----4--2--------2--4----4--2--------2--4-----4--2--------2--4----
+---4----------------4--4----------------4--4-----------------4--4----------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+
+          E                    F#m                                  B
+------------------0---------------------2-------------------2------------2-
+-2-------------0-----0---------------2-----2--------------2---2--------4---
+----1-------1-----------1---------2-----------2--------2--------2----4-----
+-------3--2----------------2---4-----------------4--4--------------4-------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+
+Guitar Solo:
+  E
+-----------------------------------------------------7-7--------
+----9-7-5-7-5-4-5-4-2-0-------0-2-9-9-9(10)9-------5-7(9)7-5----
+----9-8-6-8-6-4-6-4-2-1-2-1-2-1-2-9-9-9(10)9-9-4-6-----------6--
+------------------------4-2-4-----------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+
+ F#m              A                E
+--2-4-5-7-5-4-2-0---0-2-4-5-6-9-11-12-12-12(14)12---------------
+------------------4-------------------------------12------------
+--2-4-6-8-6-4-2-1---1-2-4-6-8-9-11-13-13-13(14)13-13-13---------
+------------------4----------------------------------14-14------
+--------------------------------------------------------14------
+----------------------------------------------------------------
+
+Outro:
+    E                                                  A
+-----------------------------------------------------------
+----9-7-5-7-5-4-5-----9-7-5-7-5-4-5-----9-7-5-7-5-4-5--2---
+----9-8-6-8-6-4-6-----9-8-6-8-6-4-6-----9-8-6-8-6-4-6--2---
+-------------------------------------------------------2---
+-----------------------------------------------------------
+--0-----------------0-----------------0--------------------
+
+
+Lyrics:
+E      
+You tell me that you've got every thing you want  And your bird can sing
+                  F#m  A            E
+But you don't get me  You don't get me
+     E
+You say you've seen seven wonders And your bird is green
+                  F#m  A             E
+But you can't see me   You can't see me
+
+G#m                 G+       B/F#              C#/F
+When your prize possessions start to weigh you down 
+ E           F#m                               B
+Look in my direction I'll be 'round I'll be 'round
+
+(solo)
+
+G#m                 G+     B/F#               C#/F
+When your bird is broken   Will it bring you down?
+ E          F#m                               B
+You may be awoken   I'll be 'round   I'll be round
+
+
+E
+Tell me that you've heard every sound there is   And your bird can swing
+                   F#m  A              E   
+But you can't hear me   You can't hear me
+
+(Repeat guitar solo)
+
+(outro)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/birthday.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/birthday.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/birthday.txt	(revision 18423)
@@ -0,0 +1,123 @@
+Birthday - The Beatles   
+transcribed by Maxxdaddy
+
+Verse:
+  (other guitar plays 1 octave below)
+   2x
+||------------------------||
+||----------5-7(8)-7-5----||
+||-2-2--4/6---------------||
+||----------------------7-||
+||------------------------||
+||------------------------||
+
+-----------------------------
+----------10-12(13)-12-10----
+-7-7-9/11--------------------
+--------------------------12-
+-----------------------------
+-----------------------------
+
+------------------------
+----------5-7(8)-7-5----
+-2-2--4/6---------------
+----------------------7-
+------------------------
+------------------------
+
+-------------------------------
+-----------12-14(15)-14-12-----
+-9-9-11/13---------------------
+---------------------------14--
+-------------------------------
+-------------------------------
+
+Bridge:
+
+   C        (4x)   G 
+||---------------------------------||
+||---------------------------------||
+||---------------------------------||
+||-----2-2-3-3-4-4-5-5-4-4-3-3-2-2-||
+||-3-3-----------------------------||
+||---------------------------------||
+ C                               E                  
+-----------------------------------------
+-----------------------------------------
+-----------------------------------------
+-----2-2-3-3-4-4-5-5-6-6-7-7-8-8-9-9-9-9-
+-3-3-------------------------------------
+-----------------------------------------
+
+-12------12-----12-----
+-15(17)--15(17)-15(17)-
+-----------------------
+-----------------------
+-----------------------
+-----------------------
+
+"solo" after instrumental verse:
+-------------------------------------8-10(12)10-8h10p8-------
+---5-8-10--8-5----------------5-8-10-------------------10-8~-
+---------------7-5-------------------------------------------
+-7-----------------7-5------7--------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+
+
+Lyrics
+
+Verse:
+
+A
+You say it's your birthday
+A
+It's my birthday too yeah
+D
+They say it's your birthday
+A
+We're gonna have a good time
+E
+I'm glad it's your birthday
+A
+Happy birthday to you
+
+
+Lead in to bridge(first time only):
+
+E
+Yes we're going to a party party
+E
+Yes we're going to a party party
+E                 
+Yes we're going to a party party
+
+Bridge:
+
+C          G
+I would like you to dance
+C                            G
+(Birthday)  Take a cha - cha -cha  chance
+C                             G
+(Birthday)  I would like you to dance
+C                G    E
+(Birthday)  Dance
+
+instrumental verse
+
+"solo"
+
+Repeat Bridge
+
+A
+You say it's your birthday
+A
+It's my birthday too yeah
+D
+They say it's your birthday
+A
+We're gonna have a good time
+E
+I'm glad it's your birthday
+A
+Happy birthday to you
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/black.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/black.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/black.txt	(revision 18423)
@@ -0,0 +1,47 @@
+BLACKBIRD
+Lennon & McCartney
+
+Intro:
+||-----------------------||--0-----3-----2------5----
+||-0----1---3----12---12-||--------------------------
+||----0---0----0----0----||-----0-----0-----0------0-
+||-----------------------||--------------0-----------
+||------0---2----10------||--3-----4------------6----
+||-3---------------------||--------------------------
+
+--3-----3---3----3----3----2-----3------------------------
+---------------------------------------5----5----5----4---
+-----0--------0---------0-----0----0-----0---------0-----0
+--2-------2---------1------0------------------------------
+---------------------------------4-----3------3-------3---
+----------------------------------------------------------
+
+-------||------------------------------------------------0-||
+---4---||--3---3---3----2---2--1----1---1---0-----0--0-----||
+-----0-||----0--------0---0-------0-------0----0-------0---||
+-------||----------------------0-----0---------------------||
+-3-----||--2-----2------0--------------------------------3-||
+-------||-----------------------------------3------3-------||
+
+||-------------------------------------------------||
+||-10---8----6----5-----3---3----3----5-------5----||
+||----0----0---0-----0----0--------0-----0-------0-||
+||-------------------------------------------------||
+||-8----7----5----3-----1------1------3----3-------||
+||-------------------------------------------------||
+
+Return to beginning
+
+Outro:
+||------------------------------------------------------||
+||--5-----3-----2----2----2----1-----1-----0----0---0---||
+||-----0-----0-----0--------0-----0------0----0-------0-||
+||-----------------------------0-------0----------------||
+||--3-----2-----0-------0-------------------------------||
+||-----------------------------------------3------3-----||
+
+Lyrics:
+Blackbird singing in the dead of night 
+Take these broken wings and learn to fly
+All your life you were only waiting for this moment to arise
+Blackbird fly, blackbird fly into the dark black night
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/come.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/come.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/come.txt	(revision 18423)
@@ -0,0 +1,141 @@
+COME TOGETHER 
+transcribed by MaxxDaddy
+
+intro:
+
+main riff (echoes bass):
+-------------------
+-------------------
+-------------10----
+-------------10-12-
+-------10h12-------
+-10-10-------------
+
+verse:
+
+D7#9
+-------------------------
+-------------------------
+-------------------------
+-------------------------
+-12-12-14-14-12-12-14-14-
+-10-10-10-10-10-10-10-10-
+
+A
+-----------------
+-----------------
+-----------------
+-----------------
+-7-7-9-9-7-7-9-9-
+-5-5-5-5-5-5-5-5-
+
+bridge:
+A
+guitar 1:
+-15(17)~---15(17)-15(17)15-13--15(17)~--15(17)~---15(17)-15(17)15-13-12~-
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+guitar 2:
+-------------------------------------------------------------------------
+-15(17)~---15(17)-15(17)15-13--15(17)~--15(17)~---15(17)-15(17)15-13-----
+---------------------------------------------------------------------14~-
+-------------------------------------------------------------------------
+--------------------------------------------------------------------------
+-------------------------------------------------------------------------
+
+guitar 1:
+-15(17)-15(17)15-13--15(17)~-
+-----------------------------
+-----------------------------
+-----------------------------
+-----------------------------
+-----------------------------
+guitar 2:
+-----------------------------
+-15(17)-15(17)15-13--13(15)~-
+-----------------------------
+-----------------------------
+-----------------------------
+-----------------------------
+
+
+Outro:
+-----------13(15)-13(15)13-10----------------------------------
+-13(15)~----------------------13(15)~------------------13(15)~-
+---------------------------------------10-12(14)12-10----------
+---------------------------------------------------------------
+---------------------------------------------------------------
+---------------------------------------------------------------
+
+-10-13(15)13-10--------------------------15(17)~---15(17)-15(17)15-15(17)~-
+----------------13(15)~---10-13(15)13-10-----------------------------------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+
+-17-20(22)20-17-20(22)~---17-20(22)20-17-20(22)~---15(17)-15(17)15-15(17)~-
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+
+---------------------------13(15)-13(15)13-10---------
+----------------13(15)~-----------------------13(15)~-
+-10-12(14)12-10---------------------------------------
+------------------------------------------------------
+------------------------------------------------------
+------------------------------------------------------
+fade out
+
+Lyrics:
+
+D7#9
+Here come old flat top, He come grooving up slowly,
+He got Joo Joo eyeball, He one holy roller 
+	A		
+He got  Hair down to his knee;  
+G7
+Got to be a joker, he just do what he please.
+          
+D7#9 			
+He wear no shoe shine, he got toe jam football
+He got monkey finger, he shoot co-ca cola
+        A 
+He say, "I know you, you know me."  
+G7
+One thing I can tell you is you got to be free
+     Bm        A     G   A
+Come Together, Right now, over me
+(main riff)
+D7#9
+He bag production, He got wal-rus gumboot
+He got O-no sideboard, He one spinal cracker
+       A
+He got feet down below his knee
+G7
+Hold you in his armchair, you can feel his disease
+     Bm        A      G   A 
+Come together, right now,  over me
+(main riff)
+A 
+Right! 
+D7#9
+He come
+
+D7#9
+He roller coaster, he got early warning
+He got muddy water, He one Mo-jo filter
+        A
+He say, " One and one and one is three."
+G
+Got to be good looking 'cause he so hard to see 
+     Bm        A     G   A  
+Come together, Right now, over me
+
+D7#9
+Come together...come together...come together....(fade)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/dontlet.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/dontlet.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/dontlet.txt	(revision 18423)
@@ -0,0 +1,100 @@
+DON'T LET ME DOWN 
+transcribed by MaxxDaddy
+
+Intro riff:
+ E
+-------------------------
+-------------------------
+-------9-9----9----------
+-9--9--9-9h11-9-9-----9~-
+-9h11-----------9-12-11~-
+-------------------------
+
+Chorus:
+ F#m7   F#m7/B 
+--9--------9---
+--10-------10--
+--9--------9---
+--11-------9---
+--9--------9---
+---------------
+
+Verse:
+"like she does: 
+          F#m7                                              Emaj7  Esus E
+-----------14\12--12--12\9---9---9----------------------------7-----7---0-
+-----------14\12--12--12\10--10--10---------------------------9-----10--0-
+-------------------------------------11\9--9--9--9\6--6--6----8-----9---1-
+--------------------------------------------------------------9-----9---2-
+--------------------------------------------------------------7-----7---2-
+------------------------------------------------------------------------0-
+
+"like she do me"
+           F#m7                                               Emaj7 Esus  E  
+-----------14\12--12--12\9---9---9------------------------------------------
+-----------14\12--12--12\10--10--10--10-----------------------9-------9-9---
+-------------------------------------11--11-11-11-9--9\6-6/9--9--9----9-9-9-
+-----------------------------------------11-11-11-9-----------9--9h11-----9-
+----------------------------------------------------------------------------
+----------------------------------------------------------------------------
+
+Bridge:
+"for the first time"                             
+  E                                             B7  
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+----------------9--8--9--6--9-----9-----9-----9----------------------------
+-------------------------------9-----6--------------------7-----6----------
+-------------7-----------------------------9--------9--6-----9-----7--9--6-
+-------------------------------------------------7-------------------------
+                                               E   A  E
+----------------------------------------------
+----------------------------------------------
+----------------------------------------------
+--------------------7-----6-------------------
+-7-----6------9--6-----9-----7--9--6--7-----6-
+----7------7-----------------------------7----
+
+Lyrics:
+
+(*-intro riff)
+
+
+Chorus:
+
+*
+
+               F#m7   F#m7/B        E* A  E
+  Don't let me down   Don't let me down             
+             F#m7   F#m7/B        E*  A  E
+Don't let me down   Don't let me down
+
+
+E                             F#m7 
+Nobody ever loved me like she does  
+                     F#m/B      Emaj7 Esus  E
+oo she does  yes she does
+E                                      F#m7              
+And if somebody ever loved me like she do me  
+                      F#m/B      Emaj7  Esus  E 
+oo she do me, yes she does
+
+(chorus)
+
+E                                       F#m7 
+And from the first time that she really done me   
+                            F#m/B      Emaj7 Esus  E
+oo she done me, she done me good
+E                          F#m7 
+I guess nobody ever really done me  
+                            F#m/B      Emaj7 Esus  E
+oo she done me, she does me good
+
+(chorus)
+
+E                                                          B7
+I'm in love for the first time  Don't you know it's gonna last
+                                                           E *  A  E
+It's a love that lasts forever,   It's a love that had no past
+
+(chorus)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/dontpass.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/dontpass.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/dontpass.txt	(revision 18423)
@@ -0,0 +1,83 @@
+DON'T PASS ME BY
+WORDS AND MUSIC BY RINGO STARR
+transcribed by MaxxDaddy
+
+This song is played with fiddle, drums, bass and keyboard
+the sound of the keyboard can be approximated with an electric
+guitar and a flanger pedal with a fast rate.
+
+Intro:
+(as played by fiddle)
+-----------13--15-13-12--------------------------------
+-15-13-15----------------15--13----13------------------
+--------------------------------14-----12--------------
+-------------------------------------------14--12-10-9-
+-------------------------------------------------------
+-------------------------------------------------------
+
+-----------------
+-----------------
+-----------------
+-----------------
+-10h12--8-7------
+------------10-8-
+
+Outro (as played by fiddle)
+------------------------------------------------------------
+------------------------------------------------------------
+-------9--------9-------------------------------------------
+-10-12---10--12---10--------10------------------------------
+----------------------10h12----------10-12-10-------------7-
+-------------------------------12-13----------13-12--8-10---
+
+--------------------------------------------
+--------------------------------------------
+----------------------0-2-0-----------------
+-------2~---------0-2-------2---0-----------
+-3-0----------0-3-------------3---3-1-0-----
+-----3------3---------------------------3-0-
+
+
+  C
+I listen for your footsteps coming up the drive
+F
+Listen for your footsteps but they don't arrive
+G
+Waiting for your knock dear on my old front door 
+        F                                          C
+I don't hear it does it mean you don't love me any more
+
+  C
+I hear the clock ticking on the matle shelf
+F
+See the hands a moving but I'm by myself
+  G
+I wonder where you are tonight and why I'm by myself
+        F                                           C 
+I don't see you does it mean you don't love me anymore
+
+                C           
+Don't pass me by don't make me cry don't make me blue
+                 F
+'cause you know darling you know I love only you
+              C                                        
+you'll never know it hurt me so how I hate to see you go
+              G
+Don't pass me by
+              F
+Don't make me cry
+
+      C
+I'm sorry that I doubted you I was so unfair
+F
+you were in a car crash and you lost your hair
+     G
+you said that you would be late about an hour or two
+   F                                                         C
+I said that's alright I'm waiting here waiting to hear from you
+
+(chorus)
+
+...one two three four five six seven eight
+
+(chorus)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/drivemy.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/drivemy.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/drivemy.txt	(revision 18423)
@@ -0,0 +1,141 @@
+DRIVE MY CAR 
+transcribed by MaxxDaddy
+
+Intro:
+                                 D
+---------------------------------------------------------------
+---------------------6(7)-----7--7--5-----5--7----------------
+-----5--5(7)--5------------5--7--7--5-----5--7----------------
+--7---------------7---------------------7----------------------
+---------------------------------------------------------------
+---------------------------------------------------------------
+
+Verse:
+      Asked a girl    what she wanted to be
+    D                            G
+---------------------------------------------------------------
+---------------------------------------------------------------
+---------------------------------------------------------------
+-----------------7---------------------------------------------
+--5---------7/9-----9\7--5---------------------5---------------
+-----------------------------3------------5/7-----7\5--3-------
+     She said baby             Can't you see
+    D                            G
+---------------------------------------------------------------
+---------------------------------------------------------------
+---------------------------------------------------------------
+-----------------7---------------------------------------------
+--5---------7/9-----9\7--5---------------------5---------------
+-----------------------------3------------5/7-----7\5--3-------
+
+      I wanna be famous       a star of the screen
+    D                            G
+----------------------------------------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+--------------------7-------------------------------------------
+--5------------7/9-----9\7--5------------------------5----------
+--------------------------------3---------------5/7-----7\5--3--
+
+    But you can do something in between
+         A                                            Bm
+----------------------------------------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+-----------7--7-----7--7----------------7--9--7-----------------
+-----------5--5-----5--5-----------7/9-----------9--7-----------
+
+Chorus:
+    Bm                       A  G                    A
+    Baby you can drive my       car    (see note)
+------------------------------------------------------------
+---------------------------------3-----5--6--5-----3--------
+---------------------------------4-----5--7--5-----4--------
+--9-----9--------9------9--7--5-----5-----5-----5--7--------
+--9-----9--------9------9--7--5-----5-----5-----5--7--------
+--7-----7--------7------7--5--3-----3-----3-----3--5--------
+
+    Bm                    A  G                    A
+    Yes I'm gonna be a      star
+---------------------------------------------------------
+------------------------------3-----5--6--5-----3--------
+------------------------------4-----5--7--5-----4--------
+--9-------9-----9----9--7--5-----5-----5-----5--7--------
+--9-------9-----9----9--7--5-----5-----5-----5--7--------
+--7-------7-----7----7--5--3-----3-----3-----3--5--------
+
+     Bm
+    Baby you can drive my car
+--------------------------------
+--------------------------------
+--------------------------------
+--9-----9--------9-----9--------
+--9-----9--------9-----9--------
+--7-----7--------7-----7--------
+    Em           A           D     G               A
+             And baby  I love you
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+---------------0-----------5--5-------5------------------7--9--7-----
+--0--2--3--0------3--2--0--------5/7-----7\5--3--5--7/9-----------9--
+
+Verse:
+Told that girl that my prospects were good
+She said baby, it's understood
+Working for peanuts is all very fine
+But I can show you a better time
+Repeat Chorus:
+ A                      D
+Beep beep 'm beep beep YEAH!
+Guitar solo:
+        D                           G
+------------b(10)8-------------------------------
+-----------------------b(10)8--6--8--8--8--6--8--
+-----6b(7)----------7----------------------------
+--7----------------------------------------------
+-------------------------------------------------
+-------------------------------------------------
+
+        D                           G
+------------b(10)8-------------------------------
+-----------------------b(10)8--6--8--8--8--6-----
+-----6b(7)----------7-------------------------7--
+--7----------------------------------------------
+-------------------------------------------------
+-------------------------------------------------
+
+        D                           G
+------------b(10)8-------------------------------
+-----------------------b(10)8--6--8--8--8--6--8--
+-----6b(7)----------7----------------------------
+--7----------------------------------------------
+-------------------------------------------------
+-------------------------------------------------
+    A                                          Bm
+----------------------------------------------------------
+--10--10b(13)--13--13b(15)--15--15b(18)--B(18)15--13--15--
+----------------------------------------------------------
+----------------------------------------------------------
+----------------------------------------------------------
+----------------------------------------------------------
+
+Repeat chorus:
+Verse:
+Told that girl I could start right away
+She said listen to me baby I got something to say
+I got no car and it's breaking my heart
+But I got a driver and that's a start
+
+Repeat chorus:
+Ending (repeat to fade):
+                            D   G               A   
+    Beep beep 'm beep beep YEAH!
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+--------------------------5--------5------------------7--9--7-----5--
+------------------------------5/7-----7\5--3--5--7/9-----------9-----
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/flying.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/flying.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/flying.txt	(revision 18423)
@@ -0,0 +1,28 @@
+FLYING BY THE BEATLES
+transcribed by Maxxdaddy
+guitar 1 plays a 12 bar progression in C - (C C sus C Csus C F7  G7  F  C)
+
+F7 riff
+----------------------------
+-----------/6--5--3--1-0--1-
+----5---5--/7--5--3--2-0--0-
+-/3---3-------------------2-
+----------------------------
+----------------------------
+
+G7 turnaround
+-12\10--8--7\5--3--1--0--1/3--3--1/3--3--1--0-----0---------------
+-----------------------------------------------1-----1--1---------
+-12\10--9--7\5--4--2--0--2/4--4--2/4--4--3--0-----0---------------
+-----------------------------------------------2-----2--2---------
+-----------------------------------------------------------3p0----
+---------------------------------------------------------------3--
+
+melody
+   (2x)
+||---------------||---------------------------------------------
+||----------3-5~-||---------------------3-5~-----8~--6~--5~--3~-
+||----4--5-------||---4-5-4-2~-----4-5-----------7~--5~--5~--4~-
+||-5-------------||-3-----------5-------------------------------
+||---------------||---------------------------------------------
+||---------------||---------------------------------------------
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/foryou.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/foryou.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/foryou.txt	(revision 18423)
@@ -0,0 +1,125 @@
+FOR YOU BLUE 
+transcribed by MaxxDaddy
+
+guitar capoed up to 5th fret
+
+Intro:
+                    D7                    G7 
+---------------------------------------------------------
+-----------------------------------------------1--1-1--1-
+--------------------------------------------2--2--2-2--2-
+------2p0-----------2--2-2--2-2--2-------------0--0-0--0-
+--------------0--2--0--0-0--0-0--0-----------------------
+---0-------3------------------------0--1--2--------------
+
+            E7                A7     
+------------2--2-2--2-2--2--------0--------0---------0-------0------
+------------0--0-0--0-0--0-------------3-------3---------3-------3--
+------------2--2-2--2-2--2----0h1----------------0h1----------------
+---------1--1--1-1--1-1--1------------------------------------------
+---0-1-2----2--2-2--2-2--2------------------------------------------
+------------------------------------0----0---0---------0---0---0----
+
+
+verse:
+
+open D7 tuning
+
+E--D
+B--C
+G--F#
+D--D
+A--D
+E--D
+
+played with slide on steel string acoustic
+
+(twelve bar blues in D)
+
+  D7               G7             D7
+-/12----12---12---/5----5----5---/12--12--12----12----/12---12---12-
+-/12----12---12---/5----5----5---/12--12--12----12----/12---12---12-
+-/12----12---12---/5----5----5---/12--12--12----12----/12---12---12-
+-/12----12---12---/5----5----5---/12--12--12----12----/12---12---12-
+--------------------------------------------------------------------
+--------------------------------------------------------------------
+
+ G7                              D7 
+-/5--5---5---5----/5--5---5---5--/12--12--12----12----/12---12--12-
+-/5--5---5---5----/5--5---5---5--/12--12--12----12----/12---12--12-
+-/5--5---5---5----/5--5---5---5--/12--12--12----12----/12---12--12-
+-/5--5---5---5----/5--5---5---5--/12--12--12----12----/12---12--12-
+-------------------------------------------------------------------
+-------------------------------------------------------------------
+
+ A7                G7            D7                      A7
+-/7---7---7---7---/5--5---5--5---0---0------------------/7--7--7-
+-/7---7---7---7---/5--5---5--5---0---0------------------/7--7--7-
+-/7---7---7---7---/5--5---5--5---0---0------------------/7--7--7-
+-/7---7---7---7---/5--5---5--5---0---0------------------/7--7--7-
+-----------------------------------------------------0-----------
+----------------------------------------0---4--5--6--------------
+
+
+solo:
+  D7                G7            D7
+-----12-------------5-------------12------------------12-----------
+--------12------------5---------------12--------------12--12-------
+-----------12------------5---/12----------12\----------------12----
+-/12------------/5-----------/12--------------------------------12-
+-----------------------------/12--------------0--------------12----
+-------------------------------------------------/12---------------
+  G7                           D7
+-----5------------5------------12----------------------------------
+-/5-----5-----------5------------------12--------------------------
+-/5--------5----------5------------12-------12--12--12--12--12--12-
+-/5-----------/5----------/12--------------------------------------
+-/5----------------------------------------------------------------
+-------------------------------------------------------------------
+ A7                  G7          D7                 A7  
+--------7---------------5--------------------------/7--7--7--7-
+-/7--7-----7--------/5----5------------------------/7--7--7--7-
+-/7--7--------7-----/5-------5---0-----------------/7--7--7--7-
+-/7--7--------------/5-----------------------------/7--7--7--7-
+-----------------7------------------------------0--------------
+------------------------------------0--4--5--6-----------------
+  D7              G7 
+-/12---------------------------
+-/12---12--12----/17---17---17-
+-/12----12--12---/17---17---17-
+-/12---12--12----/17---17---17-
+-------------------------------
+-------------------------------
+etc. 
+continue throughout piano solo in verse format
+
+
+
+ending:
+-------------------/12-
+-------------------/12-
+-------------------/12-
+-------------------/12-
+----------------0------
+-0--1--2--3--4---------
+
+
+Lyrics:
+Because you're sweet and lovely girl I love you
+Because you're sweet and lovely girl it's true
+I love you more than ever girl I do
+
+I want you in the morning girl  I love you
+I want you at the moment I feel blue
+I'm living every moment girl for you
+
+(spoken)
+Walk 
+Walk cat walk
+go Johnny go
+same old tale of blues
+Elmore James got nothin' on this baby
+
+I loved you from the moment I saw you
+You looked at me and that's all you had to do
+I feel it now I hope you feel it too
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/hardday.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/hardday.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/hardday.txt	(revision 18423)
@@ -0,0 +1,97 @@
+HARD DAY'S NIGHT 
+transcribed by MaxxDaddy
+
+Intro Chord:
+ Gsus
+--3~-
+--3~-
+--5~-
+--5~-
+--5~-
+--3--
+
+Verse:
+play G C G like this:
+
+ G   C   G
+-3---3---3-
+-3---3---3-
+-0---0---0-
+-0---2---0-
+-2---3---2-
+-3-------3-
+
+Solo (played on electric 12-string):
+ G    C       G    F                     G
+--------------------------------------------
+--------------------------------------------
+--------------------------------------------
+----------------------3---3---3---3---------
+------1-3-1-3/5~---3h5-3h5-3h5-3h5-5\3-1----
+-3--3------------------------------------3~-
+
+ G    C       G    F                     G
+--------------------------------------------
+--------------------------------------------
+--------------------------------------------
+----------------------3---3---3---3---------
+------1-3-1-3/5~---3h5-3h5-3h5-3h5-5\3-1----
+-3--3------------------------------------3~-
+
+Outro:
+F9/D    F/D     F9/D    F/D     F9/D    F/D     F9/D    F/D
+-3-------1-------3-------1-------3-------1-------3-------1-
+---1---1---1---1---1---1---1---1---1---1---1---1---1---1---
+-----2-------2-------2-------2-------2-------2-------2-----
+-----------------------------------------------------------
+-----------------------------------------------------------
+-----------------------------------------------------------
+
+
+LYRICS:
+
+Gsus
+
+             G    C      G                   F              G
+It's been a hard day's night, and I've been working like a dog,
+             G    C      G                 F               G
+It's been a hard day's night, I should be sleeping like a log,
+            C                            D   
+But when I get home to you, I find the things that you do,
+              G   C7   G
+Will make me feel alright.
+            G    C   G               F                   G
+You know I work all day, to get you money to buy you things,
+           G              C        G                  F            G
+And it's worth it just to hear you say, you're gonna give me everything.
+           C                              D
+So why I love to come home, 'cause when I get you alone,
+              G  C  G
+You know I'll be okay.
+          Bm   Em                      Bm
+When I'm home, everything seems to be right;
+          G     Em                     C7      D7
+When I'm home, feeling you holding me tight, tight, yeah.
+             G    C      G                   F              G
+It's been a hard day's night, and I've been working like a dog,
+             G    C      G                  F              G
+It's been a hard day's night, I should be sleeping like a log,
+            C                            D   
+But when I get home to you, I find the things that you do,
+              G    C7  G
+Will make me feel alright.
+
+(solo)
+           C                              D
+So why I love to come home, 'cause when I get you alone,
+              G  C  G
+You know I feel  o kay
+
+            G    C    G
+You know I feel all right,
+            G    C    F9/D  F/D
+You know I feel all right
+
+F9/D  F/D  F9/D  F/D  F9/D  F/D
+
+(fade out)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/herecomes.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/herecomes.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/herecomes.txt	(revision 18423)
@@ -0,0 +1,69 @@
+HERE COMES THE SUN
+transcribed by Maxxdaddy
+Capo on 7th fret
+
+Intro/Chorus:
+  D                                 G           A7       
+------2-----0--2---------2-0-----------------------------0---
+----3----3---------3---3-----3------0-----3-0---2-----3------
+------2----------2-------2------------0-----------0--------2-
+--0---------0--------0---------0--------0-----0-----2--------
+------------------------------------------------0-------0----
+------------------------------------3------3-----------------
+
+  D                                 Gmaj7        E7         D
+------2-----0--2---------2-0---0-2-----2---0-2---------0--------2-0--------
+----3----3---------3---3-----3-------0---0-------3--------3---3-------3----
+------2----------2-------2-------------------------1------------2-------2--
+--0---------0--------0---------0-------0------0------0------0-------0------
+---------------------------------------------------------------------------
+------------------------------------3-------3----0-------0-----------------
+
+*D/F#     Em7                 D        A 
+-------0--------0----------0--------0-------------
+----3--------3--------3----------3-----3p2--------
+-/4--------2--------0----------2------------4p2---
+--------------------------------------------------
+--------------------------------------------------
+--------------------------------------------------
+
+Bridge:
+ A     F     C     G            D  
+----------------------------------
+-----------1--------------------3-
+---------2-------0-------0---0--2-
+-----2-3-------2-------0---0----0-
+-0-4---------3-------2------------
+-------------------3--------------
+
+Lyrics:
+
+Chorus:
+D                                  G              E7
+Here comes the sun doo doo doo doo Here comes the sun
+       D               *D/F# Em7 D A 
+and I say It's alright
+
+
+Verse:
+
+D                                      G      A7
+Little darling, it's been a long cold lonely winter
+D                              G                      A7
+Little darling, it seems like years since you've been here
+
+(Chorus)
+
+Little darling, the smiles returning to their faces
+Little darling, it seems like years since you've been here
+
+Bridge:
+F    C    G            D
+Sun, sun, sun, here it comes.
+
+Little darling, I feel that ice is slowly melting
+Little darling, it seems like years since its been clear
+
+(Bridge)
+
+(Chorus)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/hermajesty.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/hermajesty.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/hermajesty.txt	(revision 18423)
@@ -0,0 +1,13 @@
+HER MAJESTY
+
+D                                        E7                    D 
+Her Majesty's a pretty nice girl but she doesn't have a lot to say
+D                                        E                   A
+Her Majesty's a pretty nice girl but she changes from day to day
+Bm                                           D                       G
+I wanna tell her that I love her a lot but I gotta get a belly fulla wine
+Em/G            D           B7        Em7           A        D      
+Her Majesty's a pretty nice girl some day I'm gonna make her mine
+   B7         Em7           A7       D
+oh yeah, some day I'm gonna make her mine
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/iwanna.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/iwanna.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/iwanna.txt	(revision 18423)
@@ -0,0 +1,68 @@
+I WANNA HOLD YOUR HAND 
+transcribed by MaxxDaddy
+
+Intro:
+ C    D          C    D         C    D               
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-----------------------------------------------------5(7)-5(7)-5(7)-5(7)-
+-5-5--7--7--7----5-5--7--7--7---5-5--7--7--7-7-7-7-7---------------------
+-3-3--5--5--5----3-3--5--5--5---3-3--5--5--5-5-5-5-5---------------------
+-------------------------------------------------------------------------
+
+
+Verse:
+guitars follow this pattern:
+ G                        D7
+-------------------------------------------------
+-------------------------------------------------
+-------------------------------------------------
+--------------------------7--7--9--7--7--7--9--7-
+-5--5--7--5--5--5--7--5---5--5--5--5--5--5--5--5-
+-3--3--3--3--3--3--3--3--------------------------
+
+guitar 2 riff played between D7 and Em
+----------------
+----------------
+----------------
+----------------
+-5--4--5--6---7-
+----------------
+
+Outro:
+ C                   G  
+---------------------3-
+---------------------3-
+---------------------0-
+----2--0------2--0---0-
+-3---------3---------2-
+---------------------3-
+
+Lyrics:
+          G              D7       Em                    B7
+Oh, yeah, I'll tell you something, I think you'll understand,
+     G           D7      Em                      B7
+When I say that something   I want to hold your hand!
+Em                   B7      C         D7         G     Em
+I want to hold your hand!    I want to hold your hand!
+
+    G              D7  Em                       B7
+Oh, please, say to me,    you'll let me be your man,
+Em    G            D7   Em                         B7
+And please, say to me,    you'll let me hold your hand.
+C           D7         G   Em C          D7        G
+Now let me hold your hand,    I want to hold your hand!
+                G7               C     Am
+    And when I touch you I feel happy inside,
+    Dm7          G7              C            D
+    It's such a feeling that my love I can't hide,
+       C     D       C     D 
+    I can't hide, I can't hide.
+
+      G             D7       Em                       B7   
+Yeah you, got that something,    I think you'll understand.
+Em   G             D7     Em                       B7 
+When I feel that someting,    I want to hold your hand!
+C          D          G   Em   C          D7        G 
+I want to hold your hand!      I want to hold your hand!
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/iwantu.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/iwantu.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/iwantu.txt	(revision 18423)
@@ -0,0 +1,90 @@
+I Want You (She's So Heavy)
+
+Intro/bridge/outro
+ Dm                Dm/F             E7b9                       
+----------1-----------------1-----------------1-
+-------3-----3-----------3-----3-----------3----
+----2-----------2-----2-----------2-----1-------
+-0-----------------3-----------------2----------
+------------------------------------------------
+------------------------------------------------
+     Bb7               A-b6 
+--------------1-----------------1-
+-----------------3-----------2----
+-----------1--------1-----2-------
+--------3-------------------------
+-3-2-1-----------------0----------
+----------------------------------
+                                                                              
+Intro solo:
+--------------------------------17(18)17--17(18)17-17-13-----13-13-15/17-
+------------13(15)13-12---15---------------------------------------------
+-7/10---/14------------------16---------------------------14-------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+
+verse:
+-----------------------------------------
+-----------------------------------------
+----5--7(9)-----5-7-7(9)-(9)7-5---5-7(9)-
+-/7----------/7-----------------7--------
+-----------------------------------------
+-----------------------------------------
+
+----------------------------------------------------------------------------
+----------------------------------------------------------------------------
+----5--7(9)7(9)7(9)7(9)7~-----5-7-7(9)-(9)7-5---5----5---5-7--5-------------
+-/7------------------------/7-----------------7---7----7--------7-5-3(4)----
+-------------------------------------------------------------------------5~-
+----------------------------------------------------------------------------
+
+---------------------------------------------------------
+---------------------------------------------------------
+-----10-12(14)-------10-12-12(14)-(14)12-10----10-12(14)-
+-/12-------------/12------------------------12-----------
+---------------------------------------------------------
+---------------------------------------------------------
+
+-------------------------------------------------------------------------------------------
+-------------------------------------------------------------------------------------------
+-----10-12(14)12(14)12(14)12~------10-12-12(14)-(14)12-10----10----------------------------
+-/12---------------------------/12------------------------12----12-10----10-12-10----------
+----------------------------------------------------------------------12----------10-11-12-
+-------------------------------------------------------------------------------------------
+   3x                     (as played by bass)
+   E7b9
+||----0--0--0-0----0--0-0--------------------||
+||----3--3--3-3----3--3-3--------------------||
+||----1--1--1-1----1--1-1--------------------||
+||----3--3--3-3----3--3-3-------------2-0----||
+||----2--2--2-2----2--2-2-----------2-----2--||
+||-0------------------------3-2-1-0----------||
+
+
+
+Lyrics:
+
+Am7
+I want you I want you so bad
+                              C    D         F         G          Am7  
+I want you I want you so bad it's driving me mad it's driving me mad
+
+Dm7
+I want you I want you so bad
+                             F     C          Bb                  E7b9 
+I want you I want you so bad it's driving me mad it's driving me mad
+
+She's so heavy
+
+intro figure(4x)
+
+repeat verse
+
+intro figure(4x)
+
+instrumental verse
+
+repeat verse
+
+fade out w/intro figure
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/letitbe.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/letitbe.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/letitbe.txt	(revision 18423)
@@ -0,0 +1,121 @@
+LET IT BE BY THE BEATLES
+transcribed by MaxxDaddy
+
+
+First Solo:
+
+Keyboard part:
+
+ F  C/E  G7/D  C  Bb  F/A  G  F  C   F   C   G  F  C
+-5---3----1----0-----------------------------3--1--0-
+-6---5----3----1--3----1---0-----1---1---1---0--1--1-
+------------------3----2---0--2--0---2---0---0--2--0-
+------------------------------3--2---3---2---0--3--2-
+---------------------------------3---3---3---2--3--3-
+-------------------------------------1-------3--1----
+
+ C                    G               Am        F    C            
+---------------------------------------------------------8---------
+-------------------------------------------------------------------
+-5----5-----------------------------5-7(9)-(9)7-5~---7/9---9\7-5h7-
+-5h7--5----------------5-5---5--5/7--------------------------------
+---------7-5--3--3-5/7-----7---------------------------------------
+-------------------------------------------------------------------
+
+ G               F                C                        G  
+------5----------------------------------------------------------------
+--------------------------------------------------------8------8-----8-
+-7(9)----(9)7-5----------------------------5--5---5-7/9----7/9---7/9---
+-----------------7p5-7p5--------------5h7-------7----------------------
+--------------------------7\5-3h5-3------------------------------------
+-----------------------------------------------------------------------
+
+ Am         F                   C     G         F                     C
+----------8-10(12)--(12)10-8h10-8----(17)15------------------------------
+-10--8h10--------------------------0--------(17)15p13-15-(17)15p13h15-13-
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+
+Second Solo(played during last chorus):
+
+        C            Am         C/G               F       C  
+------------------------------------------5----------------------
+----------------------------------------------------------8-8--8-
+-5--5---5--5--5---5-----5-----5-----5-7(9)--(9)7--5-7-7/9--------
+----5h7-------5h7----5h7---5h7--5h7------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+        C         G          F        C  
+-----------------------------------------
+-15(13)-10-8h10-8------------------------
+------------------9\7-5-7(9)-5------5-5~-
+--------------------------------5h7------
+-----------------------------------------
+-----------------------------------------
+
+outro(as played on keyboard)
+
+ F  C/E  G7/D  C  Bb  F/A  G  F  C 
+-5---3----1----0-----------------0-
+-6---5----3----1--3----1---0-----1-
+------------------3----2---0--2--0-
+------------------------------3--2-
+---------------------------------3-
+-----------------------------------
+
+
+Lyrics:
+
+C  G  Am  Fmaj7  F6  C  G  F  C
+
+       C              G                 Am          Fmaj7    F6
+When I find myself in times of trouble, Mother Mary comes to me
+   C                 G              F  C
+Speaking words of wisdom, let it be
+    C              G                 Am              Fmaj7    F6
+And in my hour of darkness, She is standing right in front of me
+   C                 G              F  G
+Speaking words of wisdom, Let it be
+       Am         C/G         F          C
+Let it be, let it be, let it be, let it be
+C                G              F  C
+Whisper words of wisdom, let it be
+
+     C              G                 Am          Fmaj7    F6
+And when the broken hearted people, Living in the world agree
+   C                 G              F  C
+There will be an answer, let it be
+       C              G                 Am                  Fmaj7    F6
+But though they may be parted, There is still a chance that they may see
+   C                 G              F  C
+There will be an answer, let it be
+
+       Am         C/G         F          C
+Let it be, let it be, let it be, let it be
+C                G              F  C
+There will be an answer, let it be
+       Am         C/G         F          C
+Let it be, let it be, let it be, let it be
+C                G              F  C
+Whisper words of wisdom, let it be
+				
+F C/E G7/D C Bb F/A G F C  F  C  G F C
+
+(Solo)
+
+       Am         C/G         F          C
+Let it be, let it be, let it be, let it be
+C                G              F  C
+Whisper words of wisdom, let it be
+     C                 G                 Am                Fmaj7    F6
+And when the night is cloudy, There is still a light that shines on me
+   C                 G              F  C
+Shine on till tomorrow, let it be
+       C              G                 Am          Fmaj7    F6
+I wake up to the sound of music, Mother Mary comes to me
+   C                 G              F  C
+Speaking words of wisdom, let it be
+
+F C/E G7/D C Bb F/A G F C
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/lucy.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/lucy.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/lucy.txt	(revision 18423)
@@ -0,0 +1,92 @@
+LUCY IN THE SKY WITH DIAMONDS BY THE BEATLES
+transcribed by MaxxDaddy
+
+Intro (as played by keyboard):
+ A          A/G         A/F#        A/F
+--------12------12--------------12------10p9-----
+----10--------------10------10----------------10-
+-9----------12----------11----------10-----------
+-------------------------------------------------  
+-------------------------------------------------
+-------------------------------------------------
+
+Verse:
+repeat intro throughout first half of verse
+guitar 2 strums chords
+
+guitar 2 w/slide, guitar 1 strums:
+"Cellophane..."
+ C                                F                       Bb 
+-----------------------------------------------------------
+-----------------------------------------------------------
+-5/7--7~--7--7--7--7\5~--7--7~--5/7--7--7--7--7--7--7\5--3-
+-----------------------------------------------------------
+-----------------------------------------------------------
+-----------------------------------------------------------
+   C                   G                 D 
+--------------------------------------------
+--------------------------------------------
+-5/7--7--7--7--7--7--5/7--7--7--7--5--4--2~-
+--------------------------------------------
+--------------------------------------------
+--------------------------------------------
+
+Chorus:
+(guitar 2 echoes bassline while guitar 1 strums)
+(3X)
+ G           C        D    
+--------------------------------------
+--------------------------------------
+--------------------------------------
+----------------0--2--0--0--0--0--0-0-
+-------0--2--3------------------------
+-3--3---------------------------------
+
+
+Lyrics:
+
+ A          A/G       A/F#        A/F
+Picture yourself in a boat on a river 
+      A         A/G      A/F#        A/F
+With tangerine trees and marmalade skies
+ A        A/G           A/F#         A/F
+Somebody calls you, you answer quite slowly
+   A          A/G        A/F#    Dm    Dm/C
+A girl with kaleidiscope eyes
+Bb                        C                   F                      Bb
+Cellophane  flowers  of  yellow and green    towering over your head
+C                          G                            D
+Look for the girl with the sun  in  her  eyes and she's gone
+
+
+G           C        D          G           C        D
+Lucy in the Sky with Diamonds.  Lucy in the Sky with Diamonds
+G           C        D          D           
+Lucy in the Sky with Diamonds.  Ahhhhhhhhhhh
+
+
+ A          A/G       A/F#        A/F
+Follow her down to a bridge by a fountain 
+      A             A/G        A/F#        A/F
+Where rocking horse people eat marshmallow pies
+ A        A/G          A/F#           A/F
+Everyone smiles as you drift past the flowers 
+      A          A/G    A/F#   Dm    Dm/C
+That grow so incredibly high
+Bb                 C                 F                       Bb
+Newspaper taxis appear on the shore waiting to take you away
+C                            G                             D
+Climb in the back with your head in the clouds and you're gone
+
+(chorus)
+
+ A          A/G       A/F#        A/F
+Picture yourself on a train in a station 
+       A          A/G        A/F#          A/F
+With plasticine porters with looking glass ties
+ A        A/G       A/F#         A/F
+Suddenly someone is there at the turnstile
+  A           A/G        A/F#   Dm
+A girl with kaleidoscope eyes
+
+(chorus)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/maxwell.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/maxwell.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/maxwell.txt	(revision 18423)
@@ -0,0 +1,116 @@
+MAXWELL'S SILVER HAMMER
+transcribed by MaxxDaddy
+
+Riff 1:
+-5--5-5--5--3--2-
+-5--5h7--5--3--3-
+-----------------
+-----------------
+-----------------
+-----------------
+
+Chorus:
+ D                        E7                      A               
+-------5~------------------------7~-----------------------12~-
+-------7~------------------------9~-----------------------14~-
+-7-----7~--7----7---7/9---9--11--9~--9-----9------14--16--14~-
+-7--7------7h9--7---7/9---9---9------9h11--9--12--14--16------
+----9---------------9/11--------------------------------------
+--------------------------------------------------------------
+
+                 Em7     A7          D  
+-------------------3--3--3------3----2-
+-14h15--14-------3h5--3--5(6)5--3h5--3-
+-14h16--14--14-----------------------2-
+------------14-----------------------0-
+---------------------------------------
+---------------------------------------
+
+Synth Solo:
+
+ D  F#/C# Bm  D7/A G               D
+---------------------------3-------2--3----2----
+----------3---1----------------5---3--5-5--3--3-
+-----3----4---2----4---7---4---5--------5-----2-
+-4---4-------------5---7------------------------
+-5----------------------------------------------
+------------------------------------------------
+
+Bass Riff(follows each solo):
+
+---------------------------
+---------------------------
+----------4--5--7--4--5----
+-3--5--7-----------------5-
+
+Piano Solo (triplets):
+---------2-5-----------6------------7-----------8----
+-------3-------------5------------7-----------7----0-
+-----2-----------3-6----------4-7-----------7--------
+-0-4-----------4------------------------4-7----------
+-------------4--------------5------------------------
+--------------------------7-----------5------------3-
+
+(Guitar solo is same as chorus pattern)
+
+D                   B7                   Em    	               
+Joan was quizzical, studied pataphysical science in the home,	
+A7                                     D           A7
+late night all alone with a test tube, oh, oh, oh, oh.	
+(riff 1)
+D                B7                   Em    	               
+Maxwell Edison, majoring in medicine, calls her on the phone.	
+A7                                  D       A7
+Can I take you out to the pictures, Jo-o-o-oan?	
+     E7                              A7
+But, as she's getting ready to go, a knock comes from the door:	
+	
+D                                        E7
+Bang! Bang! Maxwell's silver hammer came down upon her head.	
+A7                                         Em7       A7       D   A7 D
+Clang! Clang! Maxwell's silver hammer made sure that she was dead.	
+	
+(Synth Solo)	
+
+D                   B7                   Em    	               
+Back in school again, Maxwell plays the fool again, teacher gets annoyed.	
+A7                                     D           A7
+Wishing to avoid an unpleasant sce-e-e-ene.	
+(riff 1)
+D                   B7                   Em    	               
+She tells Max to stay when the class has gone away,	
+A7                                     D           A7
+so he waits behind. Writing fifty times "I must not be so-o-o-o.	
+     E7                                     A7
+But, when she turns her back on the boy, he creeps up from behind:	
+
+(Chorus)		
+(Guitar Solo)
+	
+D                   B7                   Em    	               
+P.C. thirtyone said "We've caught a dirty one.", Maxwell stands alone.	
+A7                                     D           A7
+Painting testimonial pictures, oh, oh, oh, oh.	
+(riff 1)
+D                   B7                   Em    	               
+Rose and Valerie, screaming from the gallery, say he must go free.	
+A7                                     D           A7
+The judge does not agree. And he tells them so-o-o-o.	
+     E7                                   A7
+But, as the words are leaving his lips, a noise came from behind:	
+	
+(Chorus)	
+(Piano Solo)
+
+D  F#/G# Bm D7/A  G    	
+Sil-ver  Hammer   Man
+
+Outro:
+ D       A7          D  
+-3----3--3------3----2--10-
+-3h5--3--5(6)5--3h5--3--10-
+---------------------2--11-
+---------------------0---0-
+---------------------------
+---------------------------
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/metadata.xml	(revision 18423)
@@ -0,0 +1,308 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>something\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">something.txt</XMetadata>
+            <XMetadata name="Title">Something by the Beatles</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>please\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">please.txt</XMetadata>
+            <XMetadata name="Title">PLEASE PLEASE ME </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>revolution\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">revolution.txt</XMetadata>
+            <XMetadata name="Title">REVOLUTION </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>maxwell\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">maxwell.txt</XMetadata>
+            <XMetadata name="Title">Maxwell&apos;s Silver Hammer</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>black\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">black.txt</XMetadata>
+            <XMetadata name="Title">Blackbird</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>yerblues\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">yerblues.txt</XMetadata>
+            <XMetadata name="Title">Yer Blues (Lennon/McCartney)</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>flying\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">flying.txt</XMetadata>
+            <XMetadata name="Title">FLYING BY THE BEATLES</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>while\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">while.txt</XMetadata>
+            <XMetadata name="Title">WHILE MY GUITAR GENTLY WEEPS </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>drivemy\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">drivemy.txt</XMetadata>
+            <XMetadata name="Title">DRIVE MY CAR </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>theword\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">theword.txt</XMetadata>
+            <XMetadata name="Title">THE WORD </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>foryou\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">foryou.txt</XMetadata>
+            <XMetadata name="Title">FOR YOU BLUE </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>octopuss\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">octopuss.txt</XMetadata>
+            <XMetadata name="Title">OCTOPUS&apos;S GARDEN </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>dontpass\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">dontpass.txt</XMetadata>
+            <XMetadata name="Title">DON&apos;T PASS ME BY</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>sgtpepper\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">sgtpepper.txt</XMetadata>
+            <XMetadata name="Title">SGT. PEPPER&apos;S LONELY HEART CLUB BAND </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>michelle\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">michelle.txt</XMetadata>
+            <XMetadata name="Title">MICHELLE </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>iwantu\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">iwantu.txt</XMetadata>
+            <XMetadata name="Title">I Want You (She&apos;s So Heavy)</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>hardday\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">hardday.txt</XMetadata>
+            <XMetadata name="Title">HARD DAY&apos;S NIGHT </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>allmy\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">allmy.txt</XMetadata>
+            <XMetadata name="Title">All My Loving</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>sheloves\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">sheloves.txt</XMetadata>
+            <XMetadata name="Title">SHE LOVES YOU </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>andyour\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">andyour.txt</XMetadata>
+            <XMetadata name="Title">AND YOUR BIRD CAN SING BY THE BEATLES</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>lucy\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">lucy.txt</XMetadata>
+            <XMetadata name="Title">LUCY IN THE SKY WITH DIAMONDS BY THE BEATLES</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>hermajesty\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">hermajesty.txt</XMetadata>
+            <XMetadata name="Title">HER MAJESTY</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>strawberry\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">strawberry.txt</XMetadata>
+            <XMetadata name="Title">Strawberry Fields Forever</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>birthday\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">birthday.txt</XMetadata>
+            <XMetadata name="Title">Birthday - The Beatles   </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>piggies\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">piggies.txt</XMetadata>
+            <XMetadata name="Title">PIGGIES BY GEORGE HARRISON (BEATLES)</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>herecomes\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">herecomes.txt</XMetadata>
+            <XMetadata name="Title">Here Comes The Sun</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>andilove\.txt</FileName>
+        <Description/>
+    </FileSet>
+    <FileSet>
+        <FileName>come\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">come.txt</XMetadata>
+            <XMetadata name="Title">COME TOGETHER </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>iwanna\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">iwanna.txt</XMetadata>
+            <XMetadata name="Title">I WANNA HOLD YOUR HAND </XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>letitbe\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">letitbe.txt</XMetadata>
+            <XMetadata name="Title">LET IT BE BY THE BEATLES</XMetadata>
+        </Description>
+    </FileSet>
+    <FileSet>
+        <FileName>dontlet\.txt</FileName>
+        <Description>
+            <XMetadata name="Language">en</XMetadata>
+            <XMetadata name="Encoding">iso_8859_1</XMetadata>
+            <XMetadata name="TEXTPlug">1</XMetadata>
+            <XMetadata name="Source">dontlet.txt</XMetadata>
+            <XMetadata name="Title">DON&apos;T LET ME DOWN </XMetadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/michelle.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/michelle.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/michelle.txt	(revision 18423)
@@ -0,0 +1,38 @@
+MICHELLE 
+TAB BY MAXXDADDY
+
+Intro:
+-----8---8---8---8---8--6-----8-
+-----9---9---9---9---6--6--9--8-
+-/10---9---8---7-----6--------9-
+--------------------------------
+--------------------------------
+--------------------------------
+
+Verse:
+
+-8--8--9------9-------------------8----------8-
+-6--6--6--9----9----6---9--12--9--8---9------8-
+-5--5--6--6-----9---7--10--13-10--9-----10---9-
+-7--7--6--6--9------6---9--12--9------9----9---
+-----------------------------------------------
+-----------------------------------------------
+
+
+Chorus:
+ Fm   G#6   C#    C    Fm
+-8-----4----9-----8----8--
+-9-----6----9-----8----9--
+-10----5----10----9----10- go to intro
+-10----4----11----10---10-
+-8-----6----11----10---8--
+-------4----9-----8-------
+
+
+Solo:
+--------------------------------------------------------------------
+--------------------------------------------------------------------
+--------------------------------------------------------------------
+----------------------7~--8-10-11~--6~-5~-6-8-----5-6--------6------
+------7-8-10-8~--8-10-------------------------6-8-----5-7~-5---8-7~-
+-8-10---------------------------------------------------------------
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/octopuss.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/octopuss.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/octopuss.txt	(revision 18423)
@@ -0,0 +1,126 @@
+OCTOPUS'S GARDEN 
+transcribed by MaxxDaddy
+
+
+INTRO:
+-----------------------------------------------
+------------------12h14p12---------------------
+---------9h11/13------------13\11---9---11(13)-
+--9h11-----------------------------------------
+-----------------------------------------------
+-----------------------------------------------
+
+-----------------12---------------------------------
+---------------------14p12------------10-11-12--14--
+--------9h11/13-------------13\11--9--11-12-13------
+--9h11----------------------------------------------
+----------------------------------------------------
+----------------------------------------------------
+
+----------------------------------------------------
+----------------------------------------------------
+--13\11--9--9---11p9--------------------------------
+----------------------11p9--------------------------
+----------------------------11p9--7--7--9-----------
+-------------------------------------------7-7-7-7--
+
+SOLO:
+---------------------14-------------------------------------------
+--------12----------------------------------------17--17--17------
+--11/13--------16(18)----(18)16-14-14----16/18------------------
+------------------------------------------------------------------
+------------------------------------------------------------------
+------------------------------------------------------------------
+
+---------------------------------19(21)-17-17---19(21)--17-17-------
+---------17-17-17---------17-17-------------------------------17-17-
+--16/18------------16/18--------------------------------------------
+--------------------------------------------------------------------
+--------------------------------------------------------------------
+--------------------------------------------------------------------
+
+-----------------------------------14------------------------------
+--17-(19)17-----------------------------------------------17-17-17-
+-------------14---------14--16(18)------16--14--16--16/18----------
+-----------------14h16---------------------------------------------
+-------------------------------------------------------------------
+-------------------------------------------------------------------
+
+---------------------------------19(21)-19(21)-19(21)-17--17--19--17-
+---------17-17-17---------17-17--------------------------------------
+--16/18------------16/18---------------------------------------------
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+
+
+OUTRO:
+---(14)12-------------------------------
+-----------14--12-----------------------
+-------------------13\11--9h11--11(13)~-
+----------------------------------------
+----------------------------------------
+----------------------------------------
+
+Lyrics:
+
+E             C#m 
+I'd like to be under the sea
+A                              B       
+In an Octopus's Garden in the shade.
+E              C#m 
+He'd let us in knows where we've been,
+A                               B 
+In his Octopus's Garden in the shade.
+
+C#m
+I'd ask my friends to come and see     
+
+A              B
+An Octopus's Garden with me.
+E              C#m  
+I'd like to be under the sea
+A               B             E
+In an Octopus's Garden in the shade.
+
+E                C#m 
+We would be warm below the storm
+A                                  B
+In our little hideaway beneath the waves.
+E                C#m 
+Resting our head on the sea bed
+A                             B
+In an Octopus's Garden near a cave.
+C#m
+We would sing and dance around
+A                  B
+Because we know we can't be found.
+E              C#m
+I'd like to be under the sea
+A               B             E
+In an Octopus's Garden in the shade.
+
+(Solo)
+A F#m D   E
+A F#m D E A B
+
+E              C#m 
+We would shout and swim about
+A                              B
+The coral that lies beneath the waves.
+E                C#m
+Oh, what joy for every girl and boy
+A                                 B
+Knowing they're happy and they're safe.
+C#m
+We would be so happy, you and me.
+A                               B
+No one there to tell us what to do.
+E              C#m
+I'd like to be under the sea
+      A          B          C#m
+In an Octopus's Garden with you,
+      A          B          C#m
+In an Octopus's Garden with you,
+      A          B          E
+In an Octopus's Garden with you.
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/piggies.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/piggies.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/piggies.txt	(revision 18423)
@@ -0,0 +1,68 @@
+PIGGIES BY GEORGE HARRISON (BEATLES)
+Transcribed by Maxxdaddy
+
+capoed up 1 fret
+
+Intro:
+(as played on harpsichord)
+---------------------------------------
+-------0--1----------0--1--3p1-0-------
+-0--2--------2-----------------0--2----
+-------0--2--4--0----------0------0--0-
+-2--3----------------2--3--------------
+---------------------------------------
+
+G                  D              G               D
+Have you seen the little piggies crawling in the dirt
+G                D              Em              A7
+And for all the little piggies life is getting worse
+Em             A7      D*  
+Always having dirt to play around in
+
+  D*
+--2----------
+--3--1--0----
+--2--------2-
+--0--2--3--4-
+-------------
+-------------
+
+Have you seen the bigger piggies in their starched white shirts
+You will find the bigger piggies stirring up the dirt
+Always have clean shirts to play around in
+
+Bridge:
+Am                  B7
+In their styes with all their backing
+C           G         D
+They don't care what goes on around
+Am                  B7
+In their eyes there's something lacking
+C           G       D
+what they need's a damn good whacking
+
+Everywhere there's lots of piggies living piggy lives
+You can see them out for dinner with their piggy wives
+Clutching forks and knives to eat their bacon
+
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/please.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/please.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/please.txt	(revision 18423)
@@ -0,0 +1,64 @@
+PLEASE PLEASE ME 
+transcribed by MaxxDaddy
+
+
+Intro:
+-----------------------------------------------------------------0-
+-----------------------------------------------------------------0-
+-----------9---8--6-----6---------------9---8--6-----6-----------1-
+---9-----------------9-----9--6-------------------9----9---6-----2-
+-------7---------------------------7-----------------------------2-
+-----------------------------------------------------------------0-
+
+Verse:
+E                                   A  E     G  A  B
+--0----0-----0--0----0----0-----0---0--0-----3--5--7--------------------
+--5----4-----2--0----2----0---------2--0-----3--5--7--------------------
+--------------------------------1---2--1-----4--6--8--------------------
+---------------------------------------------5--7--9--------------------
+---------------------------------------------5--7--9--------------------
+---------------------------------------------3--5--7--------------------
+ Last night  I said these words to my girl
+E                              A   E
+--0--0----0---0----0--0----0---0---0-----------------------------------
+--5--4----2---0----2--0--------2---0-----------------------------------
+---------------------------1---2---1-----------------------------------
+---------------------------------------------------2--2----------------
+---------------------------------------------------------2-------------
+---------------------------------------------0--0----------------------
+  I know you ne - ver e - ven try girl
+
+Chorus:
+     A              F#m             C#m              A
+Come on         Come on         Come on         Come on
+        Come on         Come on         Come on         Come on
+          E           A       B         E  
+Please please me oh yeah like I please you.
+
+(intro riff)
+
+E                                      G A B
+You don't need me to show the way girl
+E
+Why do I always have to say girl
+
+(chorus)
+
+Bridge:
+A                 
+I don't want to sound complaining
+ B                                  E
+But you know there's always rain in my heart
+A    
+I do all the pleasing with you
+ B                           E
+It's so hard to reason with you
+     A       B               E  
+Oh yeah, why do you make me blue?
+
+Third verse same as the first,
+
+Repeat chorus, but second line of chorus is repeated three times, then :
+
+Ending chords are:
+E   G   C   B   E
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/revolution.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/revolution.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/revolution.txt	(revision 18423)
@@ -0,0 +1,170 @@
+REVOLUTION 
+transcribed by MaxxDaddy
+
+Intro:
+(triplets)
+-5/7-7-7--7-7-7--7-7-7--7-7-7----5/7-7-7--7-7-7--7-7-7--7-7-7----
+-5/7-7-7--7-7-7--7-7-7--7-7-7----5/7-7-7--7-7-7--7-7-7--7-7-7----
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+
+-5/7-7-7--7-7-7--7-7-7--7-7-7--------------------------12~----
+-5/7-7-7--7-7-7--7-7-7--7-7-7----/10~-----10--12b(14)---------
+--------------------------------------11----------------------
+--------------------------------------------------------------
+--------------------------------------------------------------
+--------------------------------------------------------------
+
+Verse (standard 12 bar blues):
+     B              
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----9----9---9h11--9--9-----9h11--9--9--9h11--9--9--9h11--9--9--
+-----7----7---7-----7--7-----7-----7--7--7-----7--7--7-----7--7--
+ You say you want   a  rev   o     lu    ti  on      well     you
+
+     E                          
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----9----9---9h11--9--9-----9h11--9--9--9h11--9--9--9h11--9--9--
+-----7----7---7-----7--7-----7-----7--7--7-----7--7--7-----7--7--
+-----------------------------------------------------------------
+    know                                 we  all want to change the...
+
+Guitar 2 strums chords
+
+Chorus:
+Guitar 2:(3X)
+               B             E
+-------------------------------------------------------11--------------
+---------------4-4-4----4---------------------------9--12--12-----12~--
+---------------4-4-4----4------------------9--9h11---------11h13--11~--
+---------------4-4-4h6--4---------9--9h11------------------------------
+-----------------------------------------------------------------------
+-----------------------------------------------------------------------
+... it's gonna be         alright
+
+
+  F#7
+-----------------------------------------------
+-----------------------------------------------
+-----------------------------------------------
+-------------2----------4----------2---------2-
+--------2h4--------4h6--------2h4--------2h4---
+--2--2----------2----------2----------2--------
+
+
+Guitar 2 play this repeatedly over the A B G# part in the last chorus:
+||-----------14--||
+||--14b(16)------||
+||---------------||
+||---------------||
+||---------------||
+||---------------||
+
+Solo:
+
+Guitar 2 plays this over the keyboard solo:
+                              (4X)
+---7-6-------------9-----7--||--------------------||
+-------10-9-8-7------7-9----||--7-----7-----7-----||
+-7--------------9-----------||--9(11)-9(11)-9(11)-||
+----------------------------||--------------------||
+----------------------------||--------------------||
+----------------------------||--------------------||
+
+Outro:
+
+Guitar 2 plays this repeatedly over the "Alright" part 
+||--9-------||
+||--12b(14)-||
+||----------||
+||----------||
+||----------||
+||----------||
+
+end:         C6 B6 
+-------------8---7~---
+--9(10)9--7--10--9~---
+-------------9---8~---
+-------------8---7~---
+-------------10--9~---
+-------------8---7~---
+
+
+Lyrics:
+     B                                    E
+You say you want a revolution   well you know
+                            B
+We all want to change the world
+     B                                     E
+You tell me that it's evolution  well you know
+                           F#
+We all want to change the world
+C#m                        F#
+But when you talk about destruction
+C#m                           A   B  G#   F#
+Don't you know that you can count me out 
+
+
+                          B       E
+Don't you know it's gonna be   Alright
+                          B       E
+Don't you know it's gonna be   Alright
+                          B       E     F#7
+Don't you know it's gonna be   Alright
+
+
+    B                                      E
+You say you got a real solution   well you know
+                         B  
+We'd all love to see the plan
+    B                                    E  
+You ask me for a contribution   well you know
+                    B
+We're doing what we can
+C#m                                     F#
+But when you want money for people with minds that hate
+C#m                                 A   B  G#   F#
+All I can tell you is brother you have to wait
+
+(chorus)
+
+    B                                           E  
+You say you'll change the constitution well you know
+                           B
+We all want to change your head
+    B                                     E
+You tell me it's the institution well you know
+                             B
+You better free your mind instead
+C#m                                F#
+But if you go carrying pictures of Chairman Mao
+C#m                                 A B G#   F#
+You ain't gonna make it with anyone anyhow
+
+(chorus)
+
+F#   
+Allright
+B
+Allright
+E
+Allright
+B
+Allright
+E
+Allright
+B
+Allright
+E
+Allright
+F#
+Allright
+
+B C6 B6
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/sgtpepper.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/sgtpepper.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/sgtpepper.txt	(revision 18423)
@@ -0,0 +1,82 @@
+SGT. PEPPER'S LONELY HEART CLUB BAND 
+transcribed by MaxxDaddy
+
+Intro:
+
+A7#9         C7                  G7
+------------------------8-10----------
+---8-10-10--------8-10-------8-6-8----
+-9--------------9------------------7~-
+--------------------------------------
+--------------------------------------
+
+       G7                 A7        C7                        G7  
+It was twenty years ago today, Sgt. Pepper taught the band to play
+             G7                  A7
+They've been going in and out of style 
+            C7                    G7
+But they're guaranteed to raise a smile.
+   A7                         C7 
+So may I introduce to you the act you've know for all these years,
+G7            C7                 G7    
+Sgt. Pepper's Lonely Hearts Club Band
+
+horn break:
+    C7                    F7                     C7       
+-----------------------|----------------------|---------------------
+------11-10-8----------|----------------------|-8----13-11-10-8-----
+---9----------9-----9--|-10----10---10--------|----------------10-9-
+----------------10-10--|-7--10-7--8-10--7---7-|-7-------10-10-------
+-----------------------|------------------8---|---7--10-------------
+-----------------------|----------------------|---------------------
+
+ D7
+-----------------------------------|------------------------10~-
+---------10-13------------------10-|-13------------------10-----
+----9-11-------------9-11----11----|----------9-11----11--------
+-12---------12-11-12------12-------|-12-11-12------12-----------
+-----------------------------------|----------------------------
+-----------------------------------|----------------------------
+
+      G             Bb      C7         G      
+We're Sgt. Pepper's Lonely Hearts Club Band, 
+   C7                      G7
+We hope you will enjoy the show,
+      G             Bb     C7          G         
+We're Sgt. Pepper's Lonely Hearts Club Band, 
+    A7                       D7  
+Sit back and let the evening go.
+C7                    G7  
+Sgt. Pepper's Lonely, Sgt. Pepper's Lonely, 
+A7                   C7      C7   G7
+Sgt. Pepper's Lonely Heart's Club Band.
+
+     C7                         F7   
+It's wonderful to be here, it's certainly a thrill.  
+       C7                           D7 
+You're such a lovely audience, We'd like to take you home with us,
+
+We'd love to take you home
+
+        G7                      A7 
+I don't really want to stop the show, 
+      C7                             G7   
+But I thought that you might like to know,
+    G7                       A7
+The singer's going to sing a song, 
+       C7                     G7 
+And he wants you all to sing along.
+   A7                          C7      
+So let me introduce to you The one and only Billy Shears
+    G7           C7                 G7
+And Sgt. Peppers Lonely Hearts Club Band.
+
+operative chords:
+
+A7#9   G7     A7     C7        D7    Bb
+-8-----3------5-----0----8-----------6---
+-8-----3------5-----1----8-----7-----6---
+-6-----4------6-----3-or-9-----5-----7---
+-5-----3------5-----2----8-----4-----8---
+-7-----5------7-----3----10----5-----8---
+-5-----3------5----------8-----------6---
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/sheloves.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/sheloves.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/sheloves.txt	(revision 18423)
@@ -0,0 +1,99 @@
+SHE LOVES YOU 
+transcribed by MaxxDaddy
+
+
+Riff 1:
+
+-------------------------
+-3-----------------------
+-3-----3--5/6\5--3-------
+-3-----3--5/6\5--3-----3-
+----5---------------5----
+-------------------------
+
+Riff 2:
+-3~---2~---0~-
+-0~---0~---0~-
+-0~---0~---0~-
+-5~---4~---2~-
+--------------
+--------------
+
+Riff 3:
+------------
+------------
+------------
+----0-------
+------------
+-3-----2--0-
+
+Outro:
+"yeah yeah yeah.."
+ Em6            C           G6
+-3~--2~--0~-----3~--2~--0~--------
+-2~--2~--2~-----1~--1~--1~---1p0~-
+-0~--0~--0`-----0~--0~--0~-----0~-
+----------------------------------
+----------------------------------
+----------------------------------
+
+
+Lyrics:
+
+    Em                                A7 
+She loves you, yeah, yeah, yeah. She loves you, yeah, yeah, yeah.
+    C                             G  
+She loves you, yeah, yeah, yeah, yeah.
+
+(Riff 1)
+
+    G                        Em7        Bm           D7
+You think you've lost your love when I saw her yesterday.
+     G                  Em7        Bm              D7
+It's you she's thinking of and she told me what to say.
+             G                                    Em
+She says she loves you and you know that can't be bad.
+(Riff 2)
+        Cm                                         D7
+Yes she loves you and you know you should be glad. Oooh.
+
+(Riff 1)
+
+    G                Em7           Bm           D7
+She said you were to know that she almost lost her mind.
+     G                Em7         Bm              D7
+And now she says she knows you're not the hurting kind.
+             G                                    Em
+She says she loves you and you know that can't be bad.
+(riff 2)
+        Cm                                         D7
+Yes she loves you and you know you should be glad. Oooh.
+
+(Chorus)
+
+    G             Em7    Bm              D7
+And now its up to you, I think it's only fair.
+   G                 Em7   Bm           D7
+If I should hurt you too, apologize to her.
+             G                                    Em
+Because she loves you, and you know that can't be bad.
+(riff 2)
+        Cm                                         D7
+Yes she loves you and you know you should be glad. Oooh.
+
+    Em                                A7 
+She loves you, yeah, yeah, yeah. She loves you, yeah, yeah, yeah.
+           Cm                 D7                  G   Em 
+And with a love like that you know you should be glad
+(riff 3)
+           Cm                 D7                  G   Em 
+And with a love like that you know you should be glad
+(riff 3)
+           Cm                 D7                  G   
+And with a love like that you know you should be glad
+(riff 2)
+
+Em6
+yeah yeah yeah
+C              G6
+yeah yeah yeah yeah
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/something.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/something.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/something.txt	(revision 18423)
@@ -0,0 +1,101 @@
+Something by the Beatles
+transcribed by Maxxdaddy
+
+Intro and signature riff:
+   F                  Eb  G   C
+-----------------------------------
+--10--12(13)12--10----11--12--13---
+-----------------------------------
+-----------------------------------
+-----------------------------------
+-----------------------------------
+
+Verse:
+   C                      Cmaj7
+Something in the way she moves
+C7                          F
+Attracts me like no other lover
+   D                      G
+Something in the way she woos me
+   Am                     Amdim7
+I don't want to leave her now
+     C/G               D   F  Eb  G  C
+You know I believe in how  (sig riff)
+
+Somewhere in her smile she knows
+That I don't need no other lover
+Something in her style that shows me
+I don't want to leave her now
+You know I believe in how
+(sig riff, but end with A instead of C)
+
+  A           C#m              F#m
+You're asking me will my love grow
+A/E      D     G        A   G#  G  F#  F  E
+I don't know   I don't know
+ A          C#m              F#m
+You stick around and it may show
+A/E      D     G        C   C B A# A  
+I don't know   I don't know
+
+(Solo)
+
+Something in the way she knows
+And all I have to do is think of her
+Something in the things she shows me
+I don't want to leave her now
+You know I believe in how
+
+(Outro)
+
+Guitar solo:
+     C            Cmaj7                C7
+-------------------------------------------------------------
+----------------------------------------8--10--8--11/13--13--
+--------12-------------12(14)12--9--7/9----------------------
+--12h14----14~---12h14---------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+
+             F                                                
+--------------------------------------------------------------------
+--13(15)13--15(17)15--13-----------13--13---------------------------
+--------------------------14--/14----------14-------12--12----------
+-----------------------------------------------/14----------14------
+----------------------------------------------------------------12--
+--------------------------------------------------------------------
+
+  D                                   G
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+-------------------11--11--14(16)14--14(16)14--14(16)14--12----------
+--------------/12----------------------------------------------------
+--12--14--12---------------------------------------------------------
+---------------------------------------------------------------------
+
+                           Am               G#+ 
+----------------------------------------------------------------------
+------14--13--12/16--15--14-------------------------------------------
+--12-------------------------b(9)7--b(9)7--5--b(9)7--b(9)7--b(9)7--5--
+----------------------------------------------------------------------
+----------------------------------------------------------------------
+----------------------------------------------------------------------
+
+  C/G                      D                    F                 Eb  G   C
+---------------------------10/12--10--8--10--8-------------------------------
+------------------------8-----------------------10--12(13)12--10--11--12--13-
+--7(9)7--7(9)7--5--7/9-------------------------------------------------------
+-----------------------------------------------------------------------------
+-----------------------------------------------------------------------------
+-----------------------------------------------------------------------------
+
+
+Ending:
+  F                 Eb  G   A                   F                 Eb  G   C
+------------------------------------16--15--14--------------------------------
+--10--12(13)12--10--11--12--14--14--------------10--12(13)12--10--11--12--14--
+------------------------------------------------------------------------------
+------------------------------------------------------------------------------
+------------------------------------------------------------------------------
+------------------------------------------------------------------------------
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/strawberry.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/strawberry.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/strawberry.txt	(revision 18423)
@@ -0,0 +1,78 @@
+Strawberry Fields Forever
+transcribed by Maxxdaddy
+
+guitar tuned down 1 full step
+
+Intro:
+   G    Gmaj7  G7    Am E    Am        G       F     C
+-------------------------------------------------------
+---3--3--3--3--3--3--1--0--------1--------0---------1--
+---4--4--4--4--4--4--2--1------2--------0------2----0--
+---5-----4-----3--3----------2--------0--------3----2--
+--------------------------------------------------3----
+-------------------------------------------------------
+
+Chorus:
+C                                   Gm7
+Let me take you down cos' I'm going to  Strawberry fields
+A7
+Nothing is real
+F               A7
+And nothing to get hung about
+F                 C
+Strawberry fields forever
+
+-1p0-----------------
+------1--------------
+--------3p0----------
+------------3p2------
+-----------------3---
+---------------------
+
+G         Gmaj7     G7          Am E
+Living is easy with eyes closed
+Am        Am/G               F
+Misunderstanding all you see
+F            G               C                   Am    
+It's getting hard to be someone but it all works out
+F          G               F  C
+It doesn't matter much to me
+
+(Chorus)
+
+No one I think is in my tree
+I mean it must be high or low
+That is you can't you know tune in but it's alright
+That is I  think it's not too bad
+
+(Chorus)
+
+Always, no, sometimes think it's me
+But you know I know when it's a dream
+I think a no I mean a yes but it's all wrong
+That is I think I disagree
+
+(Chorus)
+
+-5p3---1--0h1p0h1p0--------
+----------------------3-3--
+---------------------------
+---------------------------
+---------------------------
+---------------------------
+
+-----------------------------------------1--0h1p0h1p0h1p0h1p0--
+---------------------------------------------------------------
+-----------5------2--------------------------------------------
+--------------3-5---3----2-3-5---------------------------------
+--3/1---3--------------5-------3-------3-----------------------
+---------------------------------------------------------------
+
+-------------------------------12--------------13--12--12---------15--13--
+-----------13--11-----11-----------13--11------------------11-------------
+---10--12-----------------12---------------12------------------12---------
+--------------------------------------------------------------------------
+--------------------------------------------------------------------------
+--------------------------------------------------------------------------
+
+fade out
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/theword.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/theword.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/theword.txt	(revision 18423)
@@ -0,0 +1,100 @@
+THE WORD 
+transcribed by MaxxDaddy
+
+intro:
+(as played by piano)
+
+-7--3-
+-8--3-
+------
+------
+------
+------
+
+verse:
+D7#9
+-------------------------------
+----6--------------6-----------
+----5--------------5-----------
+----4--------------4-----------
+-5----------3-4--5---------3-4-
+-------5--5-----------5--5-----
+ Asus A Gsus G
+----------3--3-
+-3----2---1--0-
+-2----2---0--0-
+-2----2---0--0-
+----------2--2-
+----------3--3-
+ D7                C9                F6
+------------------------------------------------------
+------------------------------------------------------
+------------------------------------------------------
+-0-----------------0-----------------0----------------
+----3--0-----0--3-----3--0-----0--3-----3--0-----0--3-
+----------3-----------------3-----------------3-------
+
+ G7
+----------------------
+----------------------
+----------------------
+-0--------------------
+----3--0-0-0----0-----
+--------------3---3-1-
+
+Lyrics: 
+        D7#9
+Say the word and you'll be free say the word and be like me
+        G7                            D7#9 
+Say the word I'm thinking of have you heard the word is love
+
+     Asus A
+It's so   fine 
+     Gsus G
+It's sun  shine
+         D7#9
+It's the word love
+
+D7                 C9            F6                   G7
+In the beginning I misunderstood but now I got it the word is good
+
+        D7#9
+Spread the word and you'll be free spread the word and be like me
+            G7                            D7#9 
+Spread the word I'm thinking of have you heard the word is love
+
+(chorus)
+
+D7                 C9          F6                        G7
+Everywhere I go I hear it said in the good and bad books that I have read
+
+        D7#9
+Say the word and you'll be free say the word and be like me
+        G7                            D7#9 
+Say the word I'm thinking of have you heard the word is love
+
+(chorus)
+
+D7                     C9                 F6                   G7
+Now that I know what I feel must be right I'm here to show everybody the light
+
+        D7#9
+Give the word a chance to say that the word is just the way
+         G7                            D7#9 
+It's the word I'm thinking of and the only word is love
+
+(chorus)
+
+        D7#9       D7  C9  F6  G7  D7#9
+Say the word love
+        D7#9
+Say the word love
+        G7
+Say the word love
+        D7#9
+Say the word love
+         Asus A  Gsus G  D7#9
+Say the word             love
+
+D7   C9  F6  G7
+(fade out)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/while.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/while.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/while.txt	(revision 18423)
@@ -0,0 +1,174 @@
+WHILE MY GUITAR GENTLY WEEPS 
+transcribed by MaxxDaddy
+
+  Am          Am/G        D/F#                 F     
+I look at you all see the love there that's sleeping 
+Am          G           D    E
+While my guitar gently weeps
+
+--------------------------------------------
+--------------------------------------------
+-14(16)-14(16)-(16)14-13-13-13(14)----------
+-----------------------------------14p12-14-
+--------------------------------------------
+--------------------------------------------
+
+  Am           Am/G       D/F#           F       
+I look at the floor and I see it needs sweeping  
+  Am         G          C        E
+Still my guitar gently weeps
+
+-------------5----------
+------------5--8-5------
+-7(9)~--7(9)-------7-5~-
+------------------------
+------------------------
+------------------------
+
+A            C#m  F#m   C#m     
+I don't know why nobody told you 
+Bm                   E    E/F# E/G E/G#
+how to unfold your love
+A            C#m7  F#m     C#m      
+I don't know how someone controlled you 
+Bm                   E    E/F# E/G E/G#
+They bought and sold you
+
+  Am           Am/G       D/F#         F        
+I look at the world and I notice it's turning  
+Am          G          D        E
+While my guitar gently weeps
+
+--------5-----------8(10)8-----
+------5---5-8(10)-5--------10~-
+-7(9)--------------------------
+-------------------------------
+-------------------------------
+-------------------------------
+
+  Am             Am/G      D/F#       F        
+With every mistake we must surely be learning 
+Am          G          C        E
+Still my guitar gently weeps
+
+--------------------------------------
+------------------13(14)13-15(17)-----
+-(16)14-12h14(16)-----------------14~-
+--------------------------------------
+--------------------------------------
+--------------------------------------
+
+(heavy whammy throughout)
+
+(2X)
+-------------------------
+-------------------------
+-12h14(16)14(16)~~sb14~~-
+-------------------------
+-------------------------
+-------------------------
+
+----------------------------------15-----15--15(17)-15(17)-15(17)~-
+-----------15(17)15p13-15(17)-15~-15(17)---------------------------
+-12h14(16)---------------------------------------------------------
+-------------------------------------------------------------------
+-------------------------------------------------------------------
+-------------------------------------------------------------------
+
+-(17)15-15(17)~--15p12-------15-15---------
+-----------------------15(17)---15(17)-13~-
+-------------------------------------------
+-------------------------------------------
+-------------------------------------------
+-------------------------------------------
+
+----------------------------------------------------------
+----------------------------------------------------------
+-(16)14-12h14-14(16)-14(16)-------12----------------------
+----------------------------12h14----14\12p10-12-10h12-10-
+----------------------------------------------------------
+----------------------------------------------------------
+
+-----------------------------------17---------
+--------------------------------17-17-20(22)~-
+-------12h14-14/17-17/19-19(21)---------------
+-12h14----------------------------------------
+----------------------------------------------
+----------------------------------------------
+
+A            C#m  F#m      C#m     
+I don't know how you were diverted 
+Bm                  E    E/F# E/G E/G#
+You were perverted too
+A            C#m  F#m       C#m     Bm   
+I don't know how you were inverted  
+Bm              E    E/F# E/G E/G#
+No one alerted you
+
+  Am           Am/G       D/F#                 F     
+I look at you all see the love there that's sleeping 
+Am          G           D      E
+While my guitar gently weeps
+
+--------------------------------------------
+--------------------------------------------
+-14(16)-14(16)-(16)14-13-13-13(14)----------
+-----------------------------------14p12-14-
+--------------------------------------------
+--------------------------------------------
+
+  Am           Am/G       D/F#                 F 
+Look at you all...                               
+Am          G          C        E
+Still my guitar gently weeps
+
+---------------------------------------------------------
+---------------------------------------------------------
+-7(9)~~-7(9)~~-7(9)~~-7(9)~~-7(9)~~-7(9)~~-7(9)~~-7(9)~~-
+---------------------------------------------------------
+---------------------------------------------------------
+---------------------------------------------------------
+
+--------------------5-5-5---8(10)-5----------
+-8(10)~-8(10)~--------5---5------------------
+---------------7(9)-----------------7(9)-5~~-
+---------------------------------------------
+---------------------------------------------
+---------------------------------------------
+
+----------------------------------------------------
+----------------------------------------------------
+-----5~~-/17-17(19)17~-(19)17-(19)17-17-14/17-17p14-
+-5h7------------------------------------------------
+----------------------------------------------------
+----------------------------------------------------
+
+-----------------------------17-------------------------
+--------------------------------17h20-19p17----20(22)~~-
+-14-14h17-17-17-17/19-19(21)----------------------------
+--------------------------------------------19----------
+--------------------------------------------------------
+--------------------------------------------------------
+
+--------------------------------------17----17----------17-----
+-20(22)-(22)20-20(22)~sb(20)-------20----20----------17----20~-
+-----------------------------19(21)------------19(21)----------
+---------------------------------------------------------------
+---------------------------------------------------------------
+---------------------------------------------------------------
+
+--------------------------
+--------------------------
+-19(21)19-17-19-------17~-
+----------------17h19-----
+--------------------------
+--------------------------
+
+------------------------------------------------------------------
+-----------5-8------------------5-8-----------------------8(10)~~-
+-5/7-7(9)~-----7(9)7-5~~--7(9)7-----7(9)7-5h7p5-7p5-7-5h7---------
+------------------------------------------------------------------
+------------------------------------------------------------------
+------------------------------------------------------------------
+(fade)
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/yerblues.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/yerblues.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/members.aol.com/way2smug/yerblues.txt	(revision 18423)
@@ -0,0 +1,139 @@
+Yer Blues (Lennon/McCartney)
+
+
+Verse:
+ E
+||----------------------||
+||---3-3-3--------------||
+||---4-4-4--------------||
+||-2--------5(7)5(7)5-2-||
+||----------------------||
+||----------------------||
+
+ A
+---------------------
+---3-3-3-------------
+---4-4-4-----------2-
+-2-------5(7)5(7)5---
+---------------------
+---------------------
+
+   E
+--------------------------------
+---3-3-3----------------/3-3-3\-
+---4-4-4----------------/4-4-4\-
+-2--------5(7)5(7)5-2-----------
+--------------------------------
+--------------------------------
+
+ G                         B
+-------------------7\5-4-3-2-
+------------------------------
+----------------/8--\6-4-3-2-
+-------------5----------------
+--------5-/7------------------
+-3--5/7-----------------------
+
+lyrics:
+
+Ringo: One...Two...Three
+
+        E
+Yes I'm lonely wanna die
+        A            E
+Yes I'm lonely wanna die
+   G              
+If I ain't dead already
+B7                            E    A  E  B7
+Ooh girl you know the reason why.
+
+In the morning wanna die
+In the evening wanna die
+If I ain't dead already
+Ooh girl you know the reason why.
+
+Bridge:
+
+E                         A E
+My mother was of the sky
+E                         A E
+My father was of the earth
+E                         A E
+But I am of the universe
+And you know what it's worth
+
+----------------------
+-10(12)---8---8(9)----
+------------9------9~-
+----------------------
+----------------------
+----------------------
+A                E
+I'm lonely wanna die 
+G 
+If I ain't dead already
+B7                           E    A  E B7
+Ooh girl you know the reason why.
+
+The eagle picks my eye
+The worm he licks my bone
+I feel so suicidal
+Just like Dylan's Mr. Jones
+Lonely wanna die
+If I ain't dead already
+Ooh girl you know the reason why.
+
+Black cloud crossed my mind
+Blue mist round my soul
+Feel so suicidal
+Even hate my rock and roll
+(swing beat)
+Wanna die yeah wanna die
+If I ain't dead already
+Ooh girl you know the reason why.
+
+(guitar solo)
+   8x                4x                   4x 
+||----------------||-------------------||---------------------
+||----------------||-------------------||---------------------
+||-9h12-9h12-9h12-||-12h14-12h14-12h14-||-9h12-9h12-9h12-9h12-
+||-9h12-9h12-9h12-||-12h14-12h14-12h14-||-9h12-9h12-9h12-9h12-
+||----------------||-------------------||---------------------
+||----------------||-------------------||---------------------
+
+--------------------------------------------------------
+------------------12-9-12-9-----------------------------
+-11~--9-9-11-11~--12-9-12-9--12-9-12--9-12-9------------
+-11~--9-9-11-11~-------------12-9-12--9-12-9-12---------
+---------------------------------------------12--10-----
+----------------------------------------------------12~-
+
+--------------------------------------------------------------
+-15(17)-15(17)~--15(17)-15(17)~---15(17)-15(17)-15(17)-15(17)-
+--------------------------------------------------------------
+--------------------------------------------------------------
+--------------------------------------------------------------
+--------------------------------------------------------------
+
+-15(17)-15(17)--15(17)-15(17)-15(17)-12~-
+-----------------------------------------
+-----------------------------------------
+-----------------------------------------
+-----------------------------------------
+-----------------------------------------
+
+------------------------------------------------------------
+------------------------------------------------------------
+-------------12-----12----12------12-14-14(16)-14(16)14-----
+-------12h14----14-----14----14-----------------------------
+-12h14------------------------------------------------------
+------------------------------------------------------------
+
+------------------------------
+-15(17)15---------------------
+----------14(16)14-12(13)-----
+--------------------------14--
+------------------------------
+------------------------------
+
+(repeat 1st verse off mike)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/tablature_txt/metadata.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>.*</FileName>
+        <Description>
+            <Metadata name="dc.Format">Tablature</Metadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/wordpdf/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/wordpdf/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/import/wordpdf/metadata.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>.*</FileName>
+        <Description>
+            <Metadata name="dc.Format">Supplementary</Metadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/index/build.cfg
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/index/build.cfg	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/index/build.cfg	(revision 18423)
@@ -0,0 +1,9 @@
+builddate	1146195432
+buildtype	mg
+indexmap	document:text->dte	document:Title->dti	document:Source->dso
+indexstem	advbeat_large
+maxnumeric	4
+numbytes	1736160
+numdocs	433
+numsections	433
+numwords	266967
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/macros/extra.dm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/macros/extra.dm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/macros/extra.dm	(revision 18423)
@@ -0,0 +1,32 @@
+package Style
+
+_collectionspecificstyle_ {
+<style>
+body.bgimage \{ background-image: url("_httpcimages_/beat_margin.gif"); \}
+\#page \{ margin-left: 120px; \}  
+</style>
+}
+
+package Global
+
+_icondisc_   {<img alt="_textdisc_"   title="_textdisc_"   src="_httpcollection_/images/disc.gif">}
+_iconlyrics_ {<img alt="_textlyrics_" title="_textlyrics_" src="_httpcollection_/images/lyrics.gif">}
+_icontab_    {<img alt="_texttab_"    title="_texttab_"    src="_httpcollection_/images/tab.gif">}
+_iconmarc_   {<img alt="_textmarc_"   title="_textmarc_"   src="_httpcollection_/images/marc.gif">}
+_iconmidi_   {<img alt="_textmidi_"   title="_textmidi_"   src="_httpcollection_/images/midi.gif">}
+_iconmp3_    {<img alt="_textmp3_"    title="_textmp3_"    src="_httpcollection_/images/mp3.gif">}
+
+_textdisc_    {discography}
+_textlyrics_  {lyrics}
+_texttab_     {tablature}
+_textmarc_    {MARC record}
+_textmidi_    {MIDI audio}
+_textmp3_     {MP3 audio}
+
+
+_textdisc_   [l=fr] {discographie}
+_textlyrics_ [l=fr] {lyrique}
+_texttab_    [l=fr] {tablature}
+_textmarc_   [l=fr] {MARC format}
+_textmidi_   [l=fr] {MIDI format}
+_textmp3_    [l=fr] {MP3 format}
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/dc.mds
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/dc.mds	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/dc.mds	(revision 18423)
@@ -0,0 +1,1675 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE MetadataSet [
+
+  <!-- The outer tag of any metadata set. Contains some number of elements.             -->
+  <!-- @param contact     A contact address for the creator.                            -->
+  <!-- @param creator     The name of the entity resposibly for this set.               -->
+  <!-- @param family      The name of this sets family.                                 -->
+  <!-- @param lastchanged The full date, user name and machine name of the last editor. --> 
+  <!--   uses the form:                                                                 -->
+  <!--   Day Mon(th) dd hh:mm:ss yyyy '-' <username> on <machine>                       -->
+  <!-- @param namespace   The namespace of this metadata set.                           -->
+  <!ELEMENT MetadataSet ((Name|Description|SetLanguage|Element)+)>
+  <!ATTLIST MetadataSet
+	    contact            CDATA #REQUIRED
+	    creator            CDATA #REQUIRED
+	    description        CDATA #REQUIRED
+            family             CDATA #REQUIRED
+	    lastchanged        CDATA #REQUIRED
+            name               CDATA #REQUIRED
+	    namespace          CDATA #REQUIRED
+	    language_dependant CDATA "">
+
+  <!-- The name of a metadata set. Is language specific. -->
+  <!ELEMENT Name (#PCDATA)>
+  <!ATTLIST Name
+            language CDATA "en">
+
+  <!-- The description of a metadata set. Is language specific. -->
+  <!ELEMENT Description (#PCDATA)>
+  <!ATTLIST Description
+            language CDATA "en">
+
+  <!-- When used in conjuction with defer-node-expansion, allows for better memory use when dealing with several or more languages. -->
+  <!ELEMENT SetLanguage (Name, Description?)>
+  <!ATTLIST Language
+	    code CDATA #REQUIRED>
+
+  <!-- An element in the metadata set. -->
+  <!-- Note that the name attribute isn't really Dublin Core compliant - it was just the first thing I came up with. -->
+  <!ELEMENT Element (Attribute*,Language*,OptionList?)>
+  <!ATTLIST Element
+            name       CDATA #REQUIRED
+	    occurances CDATA "0">
+
+  <!-- Each element has several attribute children. -->	
+  <!-- Given that name was already used for an Element, I decided to use identifier for the language specific 'name', which I've been told isn't really compliant with Dublin Core. -->
+  <!ELEMENT Attribute (#PCDATA)>
+  <!ATTLIST Attribute
+            name CDATA "">
+
+  <!-- When used in conjuction with defer-node-expansion, allows for better memory use when dealing with several or more languages. -->
+  <!ELEMENT Language (Attribute*)>
+  <!ATTLIST Language
+	    code CDATA #REQUIRED>
+
+  <!-- For listing predefined values for this element. -->
+  <!ELEMENT OptionList (Value+)>
+  <!ATTLIST OptionList
+            restricted (true|false) "false">
+]>
+<MetadataSet contact="dcmi-feedback@dublincore.org" creator="Dublin Core Metadata Initiative" family="Dublin Core" language_dependent="identifier, definition, comment" lastchanged="Tue Jun 04 10:35:30 2002 - jmt12 on blackbird" namespace="dc">
+    <!-- English Version sourced from http://www.dublincore.org/documents/dces/ -->
+    <SetLanguage code="en">
+        <Name language="en">Dublin Core Metadata Element Set, Version 1.1: Reference Description</Name>
+        <Description language="en">This document is the reference description, version 1.1 of the Dublin Core Metadata Element Set. This document supersedes the Dublin Core Metadata Element Set, version 1.0. See the Dublin Core Home Page (http://dublincore.org) for further information about the workshops, reports, working group papers, projects, and new developments concerning the Dublin Core Metadata Element set</Description>
+    </SetLanguage>
+    <!-- Maori Version sourced from http://www.tki.org.nz/r/maori/pedagogy/dc_elements_m.php -->
+    <SetLanguage code="mi">
+        <Name>Dublin Core Huanga - Maori (He Tauira)</Name>
+    </SetLanguage>
+    <!-- French Version sourced from http://www-rocq.inria.fr/%7Evercoust/METADATA/DC-fr.1.1.html -->
+    <!--  by Anne-Marie Vercoustre, Inria -->
+    <SetLanguage code="fr">
+        <Name language="fr">ElÃ©ments de mÃ©tadonnÃ©es du Dublin Core, Version 1.1: Description de RÃ©ference</Name>
+        <Description language="fr">Ce document rÃ©sume les derniÃšres dÃ©finitions des Ã©lÃ©ments demÃ©tadonnÃ©es du Dublin Core originellement dÃ©finis dans le document[RFC2413]. Ces nouvelles dÃ©finitions seront officiellement connues comme la Version 1.1. Elles utilisent un standard dÃ©fini formellement pour la description d&apos;Ã©lÃ©ments de mÃ©tadonnÃ©es. Cette formalisation contribue Ã  amÃ©liorer la cohÃ©rence avec d&apos;autres communautÃ©s dÃ©crivant des mÃ©tadonnÃ©es et Ã  augmenter la prÃ©cision, la portÃ©e et la cohÃ©rence interne de la dÃ©finition des Ã©lÃ©ments du Dublin Core.</Description>
+    </SetLanguage>
+    <!-- Russian Version sourced from -->
+    <!-- by Olga Barysheva, National Library of Russia -->
+    <SetLanguage code="ru">
+        <Name language="ru">ÐÐ°Ð±ÐŸÑ ÑÐ»ÐµÐŒÐµÐœÑÐŸÐ² ÐŒÐµÑÐ°ÐŽÐ°ÐœÐœÑÑ
+ Dublin Core (ÐÑÐ±Ð»ÐžÐœÑÐºÐŸÐ³ÐŸ ÑÐŽÑÐ°) ÐÐµÑÑÐžÑ 1.1: Ð¡Ð¿ÑÐ°Ð²ÐŸÑÐœÐŸÐµ ÐŸÐ¿ÐžÑÐ°ÐœÐžÐµ</Name>
+        <Description language="ru">ÐÐ°ÑÑÐŸÑÑÐžÐ¹ ÐŽÐŸÐºÑÐŒÐµÐœÑ ÐŸÐ±ÐŸÐ±ÑÐ°ÐµÑ ÐŸÐ±ÐœÐŸÐ²Ð»ÐµÐœÐœÑÐµ ÐŸÐ¿ÑÐµÐŽÐµÐ»ÐµÐœÐžÑ ÑÐ»ÐµÐŒÐµÐœÑÐŸÐ² ÐŒÐµÑÐ°ÐŽÐ°ÐœÐœÑÑ
+ Dublin Core (ÐÑÐ±Ð»ÐžÐœÑÐºÐŸÐ³ÐŸ ÑÐŽÑÐ°), Ð¿ÐµÑÐ²ÐŸÐœÐ°ÑÐ°Ð»ÑÐœÐŸ ÐŸÐ¿ÑÐµÐŽÐµÐ»ÐµÐœÐœÑÑ
+ Ð² RFC2413 (ÐÐµÑÐ°ÐŽÐ°ÐœÐœÑÐµ Dublin Core ÐŽÐ»Ñ ÐœÐ°Ñ
+ÐŸÐ¶ÐŽÐµÐœÐžÑ ÑÐµÑÑÑÑÐŸÐ²). Ð­ÑÐž ÐœÐŸÐ²ÑÐµ ÐŸÐ¿ÑÐµÐŽÐµÐ»ÐµÐœÐžÑ ÐŸÑÐžÑÐžÐ°Ð»ÑÐœÐŸ ÐžÐ·Ð²ÐµÑÑÐœÑ ÐºÐ°Ðº ÐÐµÑÑÐžÑ 1.1.</Description>
+    </SetLanguage>
+    <!-- Spanish Version sourced from http://www.rediris.es/metadata/. Please note that this is a translation for Dublin Core v1.0 -->
+    <!-- by Javi Masa, RedIRIS -->
+    <SetLanguage code="es">
+        <Name language="es">Elementos del conjunto de metadatas de Dublin Core: DescripciÃ³n de Referencia</Name>
+        <Description language="es">Este documento corresponde a una traducciÃ³n del original en lengua inglesa, con fecha 02/11/1997 que se encuentra en http://purl.org/metadata/dublin_core_elements. Este documento es una descripciÃ³n de referencia de los elementos del conjunto de &quot;Dublin Core&quot;. Para mÃ¡s informaciÃ³n sobre reuniones de trabajo, documentos de trabajo, proyectos y nuevos desarrollos relacionados con el conjunto de elementos que aquÃ­ se describen consultar la &quot;Home Page&quot; de &quot;Dublin Core&quot; (http://purl.org/metadata/dublin_core). Los elementos poseen nombres descriptivos que pretenden transmitir un significado semÃ¡ntico a los mismos. Para promover una interoperabilidad global, una descripciÃ³n del valor de algunos elementos prodrÃ¡ ser asociada a vocabularios controlados. Se asume que otros vocabularios controlados serÃ¡n desarrollados para asegurar esta interoperabilidad en dominios especÃ­ficos. Cada elemento es opcional y puede repetirse. AdemÃ¡s, los elementos pueden aparecer en cualquier orden. Aunque algunos entornos, como HTML, no diferencian entre mayÃºsculas y minÃºsculas, es recomendable escribir correctamente cada metadata segÃºn su definiciÃ³n para evitar conflictos con otros entornos, como XML (Extensible Markup Language) http://www.w3.org/TR/PR-xml</Description>
+    </SetLanguage>
+    <!-- Arabic Version sourced from http://haddouti.de/DC_arabic.html -->
+    <!-- maintained by Hachim Haddouti. -->
+    <SetLanguage code="ar">
+        <Name>Ø¯ØšÙÙÙ ÙÙØ±</Name>
+        <Description>ÙØ±Ø­Øš ØšÙÙ
+ ÙÙ ØµÙØ­Ø©  Ø¯ ØšÙÙÙ ÙÙ  Ø± ØšØ§ÙØ¹Ø±ØšÙ    ÙÙ  ÙØ°Ù Ø§ÙØµÙØ­Ø©  Ù ØšØ§ÙØªØ¹Ø§ÙÙ Ù
+Ø¹ Ø§ÙØ§Ø®ÙØ§Ù Ø§ÙØ¹Ø±Øš Ù
+Ù Ø§ÙÙ
+ÙØªØšØ§ØªØ Ø¯Ø§Ø± Ø§ÙÙØŽØ±Ø Ø§ÙØšØ­ÙØ« Ø§ÙØ¹ÙÙ
+ÙØ© Ù    ÙØ±ØŽØ© Ø¹Ù
+ÙWorking Group On Multilingual Dublin Core (DC-International) Ø</Description>
+    </SetLanguage>
+    <!-- Chinese - Simplified Version from http://dc.library.sh.cn/DC/1-1.htm -->
+    <!-- by Liu Wei, Shanghai Library -->
+    <SetLanguage code="cn">
+        <Name>éœæææ žå¿å
+æ°æ®å
+çŽ é1.1çïŒåèæè¿°</Name>
+        <Description>æ¬ææ¡£å
+³äºéœæææ žå¿å
+æ°æ®å
+çŽ é1.1çæ¬çåèæè¿°ãæ­€æè¿°äžå·²ç»æäº€ç»ISOçšäºåœé
+æç¥šçNISOå®æ¹æ åä¿æäžèŽã    éœæææ žå¿å
+æ°æ®éæ¯äžç§è·šé¢åçä¿¡æ¯èµæºæè¿°æ åãè¿éçä¿¡æ¯èµæºè¢«å®ä¹äžºâä»»äœå
+·ææ è¯çäžè¥¿âãæ­€å®ä¹æ¥èªäºTim Berners-Leeç­äººæèçInternet RFC2396 &quot;Uniform Resource Identifiers (URI): Generic Syntax&quot;æä»¶ãéœæææ žå¿å
+æ°æ®çåºçšé¢åæ²¡ææ ¹æ¬çéå¶ã</Description>
+    </SetLanguage>
+    <!-- Czech Version from http://www.ics.muni.cz/dublin_core/DC-czech-1.1.html -->
+    <!-- Ustav vypocetni techniky Masarykovy univerzity v Brne -->
+    <SetLanguage code="cs">
+        <Name>Soubor metadatovÃœch prvkÅ¯ Dublin Core, verze 1.1: referenÄnÃ­ popis</Name>
+        <Description>Tento dokument je ÄeskÃœm pÅekladem anglickÃ© verze referenÄnÃ­ho popisu souboru metadatovÃœch prvkÅ¯  Dublin Core, verze 1.1 [DCEN1.1]. Tento dokument nahrazuje ÄeskÃœ pÅeklad souboru metadatovÃœch prvkÅ¯ Dublin Core, verze 1.0 [DCCS1.0]. DalÅ¡Ã­ informace o pracovnÃ­ch seminÃ¡ÅÃ­ch (workshopech), zprÃ¡vÃ¡ch, studiÃ­ch pracovnÃ­ch skupin, projektech a dalÅ¡Ã­m vÃœvoji souboru metadatovÃœch prvkÅ¯ Dublin Core najdete na domovskÃ© strÃ¡nce Dublin Core (http://purl.org/dc)</Description>
+    </SetLanguage>
+    <!-- Dutch Version from http://www.kb.nl/coop/donor/project-nl-index.html?/coop/donor/rapporten/DCsimpleformat.html -->
+    <!-- by ... -->
+    <SetLanguage code="nl">
+        <Name>Rapporten Dublin Core Simple Format</Name>
+        <Description>Dit document beschrijft welke Dublin Core metadata elementen er zijn en geeft een korte definitie van elk element. Voor uitgebreide uitleg en gebruik van de Dublin Core elementen wordt u verwezen naar de gebruikershandleiding. Deze vertaling geeft ook de keuzes aan voor standaarden (taalcodes, datum codes) die wij in DONOR verband gaan hanteren. In zoverre kan deze vertaling afwijken van het oorspronkelijke document &quot;Description of Dublin Core Elements&quot; http://purl.org/metadata/dublin_core_elements&quot;</Description>
+    </SetLanguage>
+    <!-- Finnish Version from http://www.lib.helsinki.fi/dublin_core/dcref-fin.html -->
+    <!-- by Jani Stenvall and Juha Hakala, Helsinki University Library -->
+    <SetLanguage code="fi">
+        <Name/>
+        <Description/>
+    </SetLanguage>
+    <!-- Interlingua Version sourced from http://www.nautilus.com.br/%7Eensjo/ia/purl.org/dc/documents/rec-dces-19990702.htm -->
+    <!-- by Emerson Jose` Silveira da Costa -->
+    <SetLanguage code="ia">
+        <Name>Collection de elementos de metadatos de Dublin Core, version 1.1: Description de referentia</Name>
+        <Description>Isto es un traduction de un Recommendation del Dublin Core Metadata Initiative. Le publication como un recommendation significa que le specificationes es stabile e su adoption es supportate per le communitate Dublin Core (http://purl.org/dc/).</Description>
+    </SetLanguage>
+    <!-- Marathi Version sourced from http://bioinfo.ernet.in/library/dc/ele.txt -->
+    <!-- by by Shubhada Nagarkar, Bioinformatics Centre, University of Pune -->
+    <SetLanguage code="mr">
+        <Name>à€¡à€¬à¥à€²à€¿à€š à€à¥à€° à€®à¥à€à€Ÿà€¡à¥à€à€Ÿ à€žà¥à€ à€à€µà¥à€€à¥à€€à¥ à¥§.à¥§ à€žà€à€Šà€°à¥à€­ à€žà¥à€ªà€·à¥à€à¥à€à€°à€£ à¥§.à¥§ à€¡à€¬à¥à€²à€¿à€š à€à¥à€° à€®à¥à€à€Ÿà€¡à¥à€à€Ÿà€à€µà¥à€€à¥à€€à¥ à¥§.à¥§.</Name>
+        <Description>à¥§.à¥§ à€¡à€¬à¥à€²à€¿à€š à€à¥à€° à€®à¥à€à€Ÿà€¡à¥à€à€Ÿ à€¹à¥ à€µà¥à€à€µà¥à€à€³à¥à€¯à€Ÿ à€µà€¿à€·à€¯à€Ÿà€€à¥à€² à€®à€Ÿà€¹à¥à€€à¥ à€žà€Ÿà€ à¥à€¯à€Ÿà€à€µà€Šà¥à€Šà€²à€à¥ à€®à€Ÿà€¹à¥à€€à¥ à€Šà¥à€£à¥à€¯à€Ÿà€à¥ à€®à€Ÿà€šà€ à€à€¹à¥.  à€¯à€Ÿà€€ à€®à€Ÿà€¹à¥à€€à¥à€žà€Ÿà€ à€Ÿ à€®à¥à€¹à€£à€à¥ à€à¥à€¯à€Ÿà€²à€Ÿ à€à€³à€ à€à€¹à¥ à€
+à€žà€Ÿ à€à€žà€€à¥.  à€
+à€¶à€Ÿ à€ªà¥à€°à€à€Ÿà€°à€à¥ à€µà¥à€¯à€Ÿà€à¥à€¯à€Ÿ à€®à€Ÿà€¹à¥à€€à¥ à€à€Ÿà€³à¥à€¯à€µà€°à¥à€² à€. à€à€«.à€žà¥. à¥šà¥©à¥¯à¥¬URI: Generic Syntax -- Tim Berners Lee et al. à€¡à€¬à¥à€²à€¿à€š à€à¥à€° à€®à€Ÿà€šà€ à€à¥à€£à€€à¥à€¯à€Ÿà€¹à¥ à€ªà¥à€°à€à€Ÿà€°à€à¥à€¯à€Ÿ à€®à€Ÿà€¹à¥à€€à¥ à€žà€Ÿà€ à¥à€¯à€Ÿà€à€žà€Ÿà€ à¥ à€µà€Ÿà€ªà€°à€€à€Ÿ à€¯à¥à€€à¥.  à€€à¥à€¯à€Ÿà€žà€Ÿà€ à¥ à€à¥à€£à€€à€Ÿà€¹à¥ à€®à€à¥à€à€Ÿà€µ à€šà€Ÿà€¹à¥.</Description>
+    </SetLanguage>
+    <Element name="Title" occurances="44" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Title</Attribute>
+            <Attribute name="definition">A name given to the resource.</Attribute>
+            <Attribute name="comment">Typically, a Title will be a name by which the resource is formally known.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Taitara</Attribute>
+            <Attribute name="definition">Te ingoa ka tapaina tetahi rauemi.</Attribute>
+            <Attribute name="comment">Ko te tikanga, ko te Taitara te ingoa ka mohio whanuitia te ingoa.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Titre</Attribute>
+            <Attribute name="definition">Le nom donnÃ© Ã  la ressource.</Attribute>
+            <Attribute name="comment">Typiquement, un titre sera le nom par lequel la ressource est officiellement connue.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÐ°Ð·Ð²Ð°ÐœÐžÐµ</Attribute>
+            <Attribute name="definition">ÐÐŒÑ, ÐŽÐ°ÐœÐœÐŸÐµ ÑÐµÑÑÑÑÑ.</Attribute>
+            <Attribute name="comment">ÐÐ±ÑÑÐœÐŸ ÐœÐ°Ð·Ð²Ð°ÐœÐžÐµÐŒ ÑÐ²Ð»ÑÐµÑÑÑ ÐžÐŒÑ, Ð¿ÐŸÐŽ ÐºÐŸÑÐŸÑÑÐŒ ÑÐµÑÑÑÑ ÐŸÑÐžÑÐžÐ°Ð»ÑÐœÐŸ ÐžÐ·Ð²ÐµÑÑÐµÐœ.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">TÃ­tulo</Attribute>
+            <Attribute name="definition">El nombre dado a un recurso, usualmente por el autor.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙØ¹ÙÙØ§Ù</Attribute>
+            <Attribute name="definition">ÙØ°Ø§ Ø§ÙØ§Ø³Ù
+ ÙØ¹Ø·Ù ÙÙÙ
+ØµØ¯Ø±, Ù
+Ù ÙØšÙ Ø§ÙÙ
+ØšØ¯Ø¹ Ø§Ù Ø§ÙÙØ§ØŽØ±</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">èµæºå</Attribute>
+            <Attribute name="definition">èµäºèµæºçåç§°ã</Attribute>
+            <Attribute name="comment">èµæºåäžè¬æèµæºå¯¹è±¡æ­£åŒå
+¬åŒçåç§°ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">NÃ¡zev</Attribute>
+            <Attribute name="definition">JmÃ©no danÃ© zdroji.</Attribute>
+            <Attribute name="comment">NÃ¡zev bude typicky jmÃ©no, pod nÃ­mÅŸ je zdroj oficiÃ¡lnÄ znÃ¡m.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Titel</Attribute>
+            <Attribute name="definition">De naam van de Internetbron. Meestal gegeven door de auteur, maker of uitgever</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Titulo</Attribute>
+            <Attribute name="definition">Un nomine date al ressource.</Attribute>
+            <Attribute name="comment">Typicamente se utiliza un nomine per le qual le ressource es formalmente cognite.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€¶à¥à€°à¥à€·à€</Attribute>
+            <Attribute name="definition">à€ªà€°à¥à€¯à€Ÿà€¯à¥ à€¶à¥à€°à¥à€·à€</Attribute>
+            <Attribute name="comment">à€žà€à€à¥à€·à€¿à€ªà¥à€€ ,  à€­à€Ÿà€·à€Ÿà€à€€à€°à¥à€€  à€¶à¥à€°à¥à€·à€</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Character String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Creator" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Creator</Attribute>
+            <Attribute name="definition">An entity primarily responsible for making the content of the resource.</Attribute>
+            <Attribute name="comment">Examples of a Creator include a person, an organisation, or a service. Typically, the name of a Creator should be used to indicate the entity.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Kaihanga</Attribute>
+            <Attribute name="definition">Te putahi, nana, na ratou ranei i matua oti ai te hanganga o te rauemi.</Attribute>
+            <Attribute name="comment">Ko te tangata, he putahitanga, he ratonga ranei etahi tauira Kaihanga. Ko te tikanga, ko te Kaihanga te ingoa ka whakamahia hei tohu i te putahi na ratou te hanganga.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">CrÃ©ateur</Attribute>
+            <Attribute name="definition">L&apos;entitÃ© principalement responsable de la crÃ©ation du contenu de la ressource.</Attribute>
+            <Attribute name="comment">Exemples de CrÃ©ateur incluent une personne, une organisation, ou un service. Typiquement, un nom du CrÃ©ateur devrait Ãªtre utilisÃ© pour dÃ©signer cette entitÃ©.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">Ð¡ÐŸÐ·ÐŽÐ°ÑÐµÐ»Ñ</Attribute>
+            <Attribute name="definition">ÐÐžÑÐŸ, ÐœÐµÑÑÑÐµÐµ Ð¿ÐµÑÐ²ÐžÑÐœÑÑ ÐŸÑÐ²ÐµÑÑÑÐ²ÐµÐœÐœÐŸÑÑÑ Ð·Ð° ÑÐŸÐ·ÐŽÐ°ÐœÐžÐµ ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÑÐžÐŒÐµÑÑ Ð¡ÐŸÐ·ÐŽÐ°ÑÐµÐ»Ñ Ð²ÐºÐ»ÑÑÐ°ÑÑ Ð¿ÐµÑÑÐŸÐœÑ, ÐŸÑÐ³Ð°ÐœÐžÐ·Ð°ÑÐžÑ ÐžÐ»Ðž ÑÐ»ÑÐ¶Ð±Ñ. ÐÐ±ÑÑÐœÐŸ ÐžÐŒÑ Ð¡ÐŸÐ·ÐŽÐ°ÑÐµÐ»Ñ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÑÐµÑÑÑ ÐŽÐ»Ñ ÐžÐœÐŽÐžÐºÐ°ÑÐžÐž ÐŸÐ±ÑÐµÐºÑÐ°.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Autor o Creador</Attribute>
+            <Attribute name="definition">La persona u organizaciÃ³n responsable de la creaciÃ³n del contenido intelectual del recurso. Por ejemplo, los autores en el caso de documentos escritos, artistas, fotografos e ilustradores en el caso de recursos visuales.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙÙØ§ØªØš Ø§Ù Ø§ÙÙ
+ØšØ¯Ø¹</Attribute>
+            <Attribute name="definition">ÙÙ Ø§ÙØŽØ®Øµ Ø§Ù Ø§ÙÙ
+Ø€Ø³Ø³Ø© Ø£ÙÙØ§  Ø¹Ù ÙØŽØŠ Ø§ÙÙ
+Ø­ØªÙÙ Ø§ÙÙÙØ± Ù ÙÙÙ
+ØµØ¯Ø± , Ø¹ÙÙ Ø³ØšÙÙ Ø§ÙÙ
+Ø«Ø§Ù , Ø§ÙÙ
+Ø€ÙÙÙÙ ÙÙ Ø­Ø§ÙØ© Ø§ÙØ«Ø§ØŠÙ Ø§ÙÙ
+ÙØªÙØšØ© , Ù Ø§ÙÙÙØ§ÙÙÙ , Ø§ÙÙ
+ØµÙØ±ÙÙ ÙÙ Ø­Ø§ÙØ© Ø§ÙÙ
+ØµØ§Ø¯Ø± Ø§ÙÙ
+Ø±ØŠÙØ©</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">åå»ºè
+</Attribute>
+            <Attribute name="definition">åå»ºèµæºå
+å®¹çäž»èŠèŽ£ä»»è
+ã</Attribute>
+            <Attribute name="comment">åå»ºè
+çå®äŸå
+æ¬äžªäººïŒç»ç»ææé¡¹æå¡ãäžè¬èèšïŒçšåå»ºè
+çåç§°æ¥æ è¯è¿äžæ¡ç®ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">TvÅ¯rce</Attribute>
+            <Attribute name="definition">Entita primÃ¡rnÄ odpovÄdnÃ¡ za vytvoÅenÃ­ obsahu zdroje.</Attribute>
+            <Attribute name="comment">PÅÃ­klady TvÅ¯rce zahrnujÃ­ osobu, organizaci nebo sluÅŸbu. K oznaÄenÃ­ entity se typicky pouÅŸÃ­vÃ¡ jmÃ©no tvÅ¯rce.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Auteur of maker</Attribute>
+            <Attribute name="definition">De auteur, maker of organisatie die primair verantwoordelijk is voor de intellectuele inhoud van het werk. Bijvoorbeeld auteurs in geval van geschreven documenten, artiesten, fotografen of illustrators in geval van visuele bronnen.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Creator</Attribute>
+            <Attribute name="definition">Le entitate primarimente responsabile pro producer le contento del ressource.</Attribute>
+            <Attribute name="comment">Exemplos de creator include un persona, un organization, o un servicio. Typicamente se utiliza un nomine de creator pro indicar iste entitate.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€šà€¿à€°à¥à€®à€Ÿà€€à€Ÿ, à€à€šà€</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à€Ÿ à€šà€¿à€°à¥à€®à€Ÿà€£  à€à€°à€£à€Ÿà€°à€Ÿ</Attribute>
+            <Attribute name="comment">à€à€Šà€Ÿ.  à€²à¥à€à€, à€²à¥à€à€¿à€à€Ÿ,  à€µà¥à€¯à€à¥à€€à¥, à€žà€à€žà¥à€¥à€Ÿ,  à€žà€à€ªà€Ÿà€Šà€, à€žà€à€ªà€Ÿà€Šà€¿à€à€Ÿ</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Subject" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Subject and Keywords</Attribute>
+            <Attribute name="definition">The topic of the content of the resource.</Attribute>
+            <Attribute name="comment">Typically, a Subject will be expressed as keywords, key phrases or classification codes that describe a topic of the resource. Recommended best practice is to select a value from a controlled vocabulary or formal classification scheme.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Kaupapa</Attribute>
+            <Attribute name="definition">Te take/ nga take o te kaupapa, o te rauemi.</Attribute>
+            <Attribute name="comment">Ko te tikanga, ka whakaaturia te kaupapa o te rauemi e nga kupu matua, nga kimahi matua, nga tohu wehewehenga whakaahua ranei.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Sujet</Attribute>
+            <Attribute name="definition">Le sujet du contenu de la ressource.</Attribute>
+            <Attribute name="comment">Typiquement, le sujet sera dÃ©crit par un ensemble de mots-clefs ou de phrases ou un code de classification qui prÃ©cisent le sujet de la ressource. L&apos;utilisation de vocabulaires contrÃŽlÃ©s et de schÃ©mas formels de classification est encouragÃ©e.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÑÐµÐŽÐŒÐµÑ Ðž ÐºÐ»ÑÑÐµÐ²ÑÐµ ÑÐ»ÐŸÐ²Ð°</Attribute>
+            <Attribute name="definition">Ð¢ÐµÐŒÐ° ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÐ±ÑÑÐœÐŸ ÐÑÐµÐŽÐŒÐµÑ Ð²ÑÑÐ°Ð¶Ð°ÐµÑÑÑ Ñ Ð¿ÐŸÐŒÐŸÑÑÑ ÐºÐ»ÑÑÐµÐ²ÑÑ
+ ÑÐ»ÐŸÐ², ÐºÐ»ÑÑÐµÐ²ÑÑ
+ ÑÑÐ°Ð· ÐžÐ»Ðž  ÐºÐ»Ð°ÑÑÐžÑÐžÐºÐ°ÑÐžÐŸÐœÐœÑÑ
+ ÐºÐŸÐŽÐŸÐ², ÐºÐŸÑÐŸÑÑÐµ ÐŸÐ¿ÐžÑÑÐ²Ð°ÑÑ ÑÐµÐŒÑ ÑÐµÑÑÑÑÐ°. ÐÐ»Ñ Ð¿ÑÐ°ÐºÑÐžÑÐµÑÐºÐŸÐ³ÐŸ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÐœÐžÑ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ Ð²ÑÐ±ÐžÑÐ°ÑÑ Ð·ÐœÐ°ÑÐµÐœÐžÐµ ÐžÐ· ÐºÐŸÐœÑÑÐŸÐ»ÐžÑÑÐµÐŒÐŸÐ³ÐŸ ÑÐ»ÐŸÐ²Ð°ÑÑ ÐžÐ»Ðž ÑÐŸÑÐŒÐ°Ð»ÑÐœÐŸÐ¹ ÐºÐ»Ð°ÑÑÐžÑÐžÐºÐ°ÑÐžÐŸÐœÐœÐŸÐ¹ ÑÑ
+ÐµÐŒÑ.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Claves</Attribute>
+            <Attribute name="definition">Los tÃ³picos del recurso. TÃ­picamente, Subject expresarÃ¡ las claves o frases que describen el tÃ­tulo o el contenido del recurso. Se fomentarÃ¡ el uso de vocabularios controlados y de sistemas de clasificaciÃ³n formales. Se pueden ver ejemplos de vocabularios controlados en: Controlled vocabularies, thesauri and classification systems available in the WWW. DC Subject</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙÙ
+ÙØ¶ÙØ¹ Ù Ø§ÙÙÙÙ
+Ø§Øª Ø§ÙØ±ØŠÙØ³ÙØ©</Attribute>
+            <Attribute name="definition">ÙÙ Ù
+ÙØ¶ÙØ¹ Ø§ÙÙ
+ØµØ¯Ø±. ÙÙ
+ÙØ°Ø¬ÙØ§  ÙØ¹ØšØ± Ø¹Ù Ø§ÙÙ
+ÙØ¶ÙØ¹ ØšØ§Ø³ØªØ®Ø¯Ø§Ù
+Ù
+ÙØªØ§Ø­  Ø§ÙÙÙÙ
+Ø§Øª  Ø§Ù Ø¬Ù
+Ù Ø§ÙØªÙ  ØªØµÙ Ù
+ÙØ¶ÙØ¹ Ø§Ù Ù
+Ø­ØªÙÙ Ø§ÙÙ
+ØµØ¯Ø± , Ù ÙØ³ØªØ­Ø³Ù Ø§Ø³ØªØ®Ø¯Ø§Ù
+ Ù
+ÙØ±Ø¯Ø§Øª Ù
+Ø®Ø·Ø·Ø©Ù Ù
+Ø­ÙÙ
+Ø©  ÙØ§Ø¯ÙØ© ØªØµÙÙÙ ØŽÙÙÙØ©</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">äž»é¢åå
+³é®è¯</Attribute>
+            <Attribute name="definition">èµæºå
+å®¹çäž»é¢æè¿°ã</Attribute>
+            <Attribute name="comment">åŠæèŠæè¿°ç¹å®èµæºçæäžäž»é¢ïŒäžè¬éçšå
+³é®è¯ãå
+³é®å­ç­è¯­æåç±»å·ïŒæå¥œäž»é¢åå
+³é®è¯ä»åæ§    è¯è¡šæè§èçåç±»äœç³»äž­ååŒã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">PÅedmÄt a klÃ­ÄovÃ¡ slova</Attribute>
+            <Attribute name="definition">TÃ©ma obsahu zdroje.</Attribute>
+            <Attribute name="comment">PÅedmÄt bude typicky vyjÃ¡dÅen pomocÃ­ klÃ­ÄovÃœch slov, klÃ­ÄovÃœch frÃ¡zÃ­ nebo klasifikaÄnÃ­ch znakÅ¯ popisujÃ­cÃ­ch tÃ©ma zdroje. DoporuÄuje se vybÃ­rat hodnotu prvku z ÅÃ­zenÃ©ho slovnÃ­ku nebo formÃ¡lnÃ­ho klasifikaÄnÃ­ho schÃ©matu.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Onderwerp en trefwoorden</Attribute>
+            <Attribute name="definition">Het onderwerp van de Internetbron. Het onderwerp wordt beschreven in korte zinnen of door het gebruik van trefwoorden. Het gebruik van gecontroleerde trefwoorden of classificatie schema&apos;s wordt aanbevolen.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Subjecto e parolas-clave</Attribute>
+            <Attribute name="definition">Le topico del contento del ressource.</Attribute>
+            <Attribute name="comment">Typicamente le subjecto es expresse per medio de parolas-clave, phrases-clave, o codices de classification que describe le topico del ressource. Le melior practica recommendate es selectionar un valor a partir de un vocabulario controlate o un schema formal de classification.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€µà€¿à€·à€¯</Attribute>
+            <Attribute name="definition">à€µà€¿à€·à€¯</Attribute>
+            <Attribute name="comment">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à€Ÿ, à€à¥à€à€Ÿà€šà€žà€Ÿà€§à€šà¥ à€¯à€Ÿà€€à¥à€² à€à€¶à€¯ à€žà¥à€ªà€·à¥à€ à€à€°à€£à€Ÿà€°à¥ à€¶à€¬à¥à€Š, à€µà€¿à€·à€¯à€Ÿà€à¥ à€µà€°à¥à€à¥à€à€°à€£ à€à€°à€€à€Ÿà€šà€Ÿ à€¶à€¬à¥à€Šà€žà€à€à¥à€°à€¹ à€
+à€¥à€µà€Ÿ à€¶à€¬à¥à€Š à€à¥à€·à€Ÿà€à€Ÿ à€µà€Ÿà€ªà€° à€à€°à€Ÿà€µà€Ÿ</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Description" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Description</Attribute>
+            <Attribute name="definition">An account of the content of the resource.</Attribute>
+            <Attribute name="comment">Description may include but is not limited to: an abstract, table of contents, reference to a graphical representation of content or a free-text account of the content.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Whakaaturanga</Attribute>
+            <Attribute name="definition">He whakaaturanga o nga kaupapa o te rauemi.</Attribute>
+            <Attribute name="comment">Ka uru atu, engari ehara noa ko: te whakarapopototanga korero, te ihirangi, te tohutanga o te kaupapa ma te whakaahua, te whakaaturanga kore kupu ranei, o te kauapapa.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Description</Attribute>
+            <Attribute name="definition">Une description du contenu de la ressource.</Attribute>
+            <Attribute name="comment">Une Description peut contenir, mais ce n&apos;est pas limitatif: un rÃ©sumÃ©, une table des matiÃšres, une rÃ©fÃ©rence Ã  une reprÃ©sentation graphique du contenu, ou un texte libre sur le contenu.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÐ¿ÐžÑÐ°ÐœÐžÐµ</Attribute>
+            <Attribute name="definition">Ð¡ÐŸÐŸÐ±ÑÐµÐœÐžÐµ ÐŸ ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÐž ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÐ¿ÐžÑÐ°ÐœÐžÐµ ÐŒÐŸÐ¶ÐµÑ Ð±ÑÑÑ Ð¿ÑÐµÐŽÑÑÐ°Ð²Ð»ÐµÐœÐŸ (Ð¿ÐŸ ÐœÐµÐŸÐ±Ñ
+ÐŸÐŽÐžÐŒÐŸÑÑÐž) Ð² Ð²ÐžÐŽÐµ: ÑÐµÑÐµÑÐ°ÑÐ°, ÐŸÐ³Ð»Ð°Ð²Ð»ÐµÐœÐžÑ, ÑÑÑÐ»ÐºÐž ÐœÐ° Ð³ÑÐ°ÑÐžÑÐµÑÐºÐŸÐµ Ð¿ÑÐµÐŽÑÑÐ°Ð²Ð»ÐµÐœÐžÐµ ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ ÐžÐ»Ðž Ð¿ÑÐŸÑÑÐŸÐ³ÐŸ ÑÐµÐºÑÑÐŸÐ²ÐŸÐ³ÐŸ ÐžÐ·Ð»ÐŸÐ¶ÐµÐœÐžÐµ ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">DescripciÃ³n</Attribute>
+            <Attribute name="definition">Una descripciÃ³n textual del recurso, tal como un resumen en el caso de un documento o una descripciÃ³n del contenido en el caso de un documento visual.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙÙØµÙ</Attribute>
+            <Attribute name="definition">ÙÙ ÙØµÙ ÙØµÙ  ÙÙ
+Ø­ØªÙÙ Ø§ÙÙ
+ØµØ¯Ø±, ÙÙØ¶Ù
+ Ø§ÙÙ
+ÙØ®ØµØ§Øª ÙÙ Ø­Ø§ÙØ© Ø§ÙÙØ«Ø§ØŠÙ Ù
+Ø«Ù Ø§ÙØ§ØŽÙØ§Ø¡ Ø§ÙÙ
+ÙØªÙØšØ© Ø§Ù ØªÙØµÙÙ Ø§ÙÙ
+Ø­ØªÙÙ ÙÙ Ø­Ø§ÙØ© Ø§ÙÙ
+ØµØ§Ø¯Ø± Ø§ÙÙ
+Ø±ØŠÙØ©</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">è¯Žæ</Attribute>
+            <Attribute name="definition">èµæºå
+å®¹çè§£é</Attribute>
+            <Attribute name="comment">è¯Žæå¯ä»¥å
+æ¬äœäžéäºä»¥äžå
+å®¹ïŒææãç®åœãå¯¹ä»¥åŸåœ¢æ¥æ­ç€ºå
+å®¹çèµæºèèšçæå­è¯Žæãæè
+äž    äžªæå
+³èµæºå
+å®¹çèªç±ææ¬æè¿°ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">Popis</Attribute>
+            <Attribute name="definition">VysvÄtlenÃ­ obsahu zdroje.</Attribute>
+            <Attribute name="comment">Popis mÅ¯ÅŸe obsahovat (mimo jinÃ©): abstrakt, obsah, odkaz na grafickÃ© nebo volnÃ© textovÃ© vyjÃ¡dÅenÃ­ obsahu.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Omschrijving</Attribute>
+            <Attribute name="definition">Een omschrijving van de inhoud van de Internetbron. Abstracts of inhoudsomschrijvingen.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Description</Attribute>
+            <Attribute name="definition">Un description del contento del ressource.</Attribute>
+            <Attribute name="comment">Le description pote includer, ma non se limita a: summario, indice, referentia a un representation graphic del contento o un texto libere a proposito del contento.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€µà€°à¥à€£à€š</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à¥, à€à¥à€à€Ÿà€šà€žà€Ÿà€§à€šà€Ÿà€à¥à€µà€°à¥à€£à€š</Attribute>
+            <Attribute name="comment">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à¥ à€šà€¿à€µà¥à€Šà€š, à€à€²à¥à€, à€à€¿à€€à¥à€°à€°à¥à€ª</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Publisher" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Publisher</Attribute>
+            <Attribute name="definition">An entity responsible for making the resource available.</Attribute>
+            <Attribute name="comment">Examples of a Publisher include a person, an organisation, or a service. Typically, the name of a Publisher should be used to indicate the entity.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Kaiwhakaputa</Attribute>
+            <Attribute name="definition">Te putahi nana i whakaputa te rauemi.</Attribute>
+            <Attribute name="comment">Ko te tangata, he putahitanga, he ratonga ranei etahi tauira Kaiwhakaputa. Ko te tikanga, ka whakamahia te ingoa o te Kaiwhakaputa hei tohu i te putahi.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Editeur</Attribute>
+            <Attribute name="definition">L&apos;entitÃ© responsable de la diffusion de la ressource, dans sa forme actuelle, tels, un dÃ©partement universitaire, une entreprise.</Attribute>
+            <Attribute name="comment">Exemples d&apos;Editeurs incluent une personne, une organisation, ou un service. Typiquement, le nom d&apos;une maison d&apos;Ã©dition devrait Ãªtre utilisÃ© ici.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÐ·ÐŽÐ°ÑÐµÐ»Ñ</Attribute>
+            <Attribute name="definition">ÐÐžÑÐŸ, ÐŸÑÐ²ÐµÑÑÑÐ²ÐµÐœÐœÐŸÐµ Ð·Ð° Ð²Ð²ÐŸÐŽ ÑÐµÑÑÑÑÐ° Ð² ÐŸÐ±ÑÐ°ÑÐµÐœÐžÐµ.</Attribute>
+            <Attribute name="comment">ÐÑÐžÐŒÐµÑÑ ÐÐ·ÐŽÐ°ÑÐµÐ»Ñ Ð²ÐºÐ»ÑÑÐ°ÑÑ Ð¿ÐµÑÑÐŸÐœÑ, ÐŸÑÐ³Ð°ÐœÐžÐ·Ð°ÑÐžÑ ÐžÐ»Ðž ÑÐ»ÑÐ¶Ð±Ñ. ÐÐ±ÑÑÐœÐŸ ÐžÐŒÑ ÐÐ·ÐŽÐ°ÑÐµÐ»Ñ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÑÐµÑÑÑ ÐŽÐ»Ñ ÐžÐœÐŽÐžÐºÐ°ÑÐžÐž ÐŸÐ±ÑÐµÐºÑÐ°.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Editor</Attribute>
+            <Attribute name="definition">&gt;La entidad responsable de hacer que el recurso se encuentre disponible en la red en su formato actual, por ejemplo la empresa editora, un departamento universitario u otro tipo de organizaciÃ³n.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙÙØ§ØŽØ±</Attribute>
+            <Attribute name="definition">ÙÙ Ø§ÙÙÙØŠØ© Ø§ÙÙ
+Ø³Ø€ÙÙØ© Ø¹Ù ØµÙØ§Ø¹Ø© Ø§ÙÙ
+ØµØ¯Ø± Ø§ÙÙ
+ØªÙÙØ± ÙÙ Ø­Ø§ÙØªÙ Ø§ÙØ­Ø§Ø¶Ø±Ø©, Ù
+Ø«Ù Ø¯Ø§Ø± Ø§ÙÙØŽØ±, ÙØ³Ù
+ Ø¬Ø§Ù
+Ø¹Ù Ø§Ù Ù
+Ø€Ø³Ø³Ø© Ø§Ø¹Ù
+Ø§Ù</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">åºçè
+</Attribute>
+            <Attribute name="definition">äœ¿èµæºæäžºå¯ä»¥è·åŸå¹¶å¯çšçèŽ£ä»»è
+ã</Attribute>
+            <Attribute name="comment">åºçè
+çå®äŸå
+æ¬äžªäœïŒç»ç»ïŒææå¡ãäžè¬èèšïŒåºè¯¥çšåºçè
+çåç§°æ¥æ è¯è¿äžæ¡ç®ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">Vydavatel</Attribute>
+            <Attribute name="definition">Entita odpovÄdnÃ¡ za zpÅÃ­stupnÄnÃ­ zdroje.</Attribute>
+            <Attribute name="comment">PÅÃ­klady Vydavatele zahrnujÃ­ osobu, organizaci nebo sluÅŸbu. K oznaÄenÃ­ entity se typicky pouÅŸÃ­vÃ¡ jmÃ©no vydavatele.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Uitgever</Attribute>
+            <Attribute name="definition">De entiteit die verantwoordelijk is voor het beschikbaarstellen van de Internetbron in de huidig vorm. Bijvoorbeeld een uitgeversbedrijf, een universiteitsafdeling.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Editor</Attribute>
+            <Attribute name="definition">Un entitate responsabile pro disponibilizar le ressource.</Attribute>
+            <Attribute name="comment">Exemplos de editor include un persona, un organization, o un servicio. Typicamente se utiliza un nomine de editor pro indicar le entitate.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€ªà¥à€°à€à€Ÿà€¶à€</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à€Ÿ  à€à€ªà€²à€¬à¥à€§ à€à€°à¥à€š à€Šà¥à€£à€Ÿà€°à€Ÿ</Attribute>
+            <Attribute name="comment">à€à€Šà€Ÿ.à€ à€ªà¥à€°à€à€Ÿà€¶à€ , à€ªà¥à€°à€à€Ÿà€¶à€š  à€žà€à€žà¥à€¥à€Ÿ, à€žà¥à€µà€Ÿ    à€®à€Ÿà€¹à€¿à€€à¥ à€à€Ÿà€ªà¥à€² à€°à¥à€ªà€Ÿà€€  à€
+à€¥à€µà€Ÿ à€à€à€à€°à€šà¥à€ à€µà€° à€à€ªà€²à€¬à¥à€§ à€à€°à¥à€š à€Šà¥à€£à€Ÿà€°à€Ÿ</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Contributor" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Contributor</Attribute>
+            <Attribute name="definition">An entity responsible for making contributions to the content of the resource.</Attribute>
+            <Attribute name="comment">Examples of a Contributor include a person, an organisation, or a service. Typically, the name of a Contributor should be used to indicate the entity.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Kaiwhakaaro</Attribute>
+            <Attribute name="definition">Te putahi nana, na ratou ranei nga whakakaupapatanga whakaaro o te rauemi.</Attribute>
+            <Attribute name="comment">Ko te tangata, he putahitanga, he ratonga ranei etahi tauira Kaiwhakaaro. Ko te tikanga ka whakamahia te ingoa o te Kaiwhakaaro hei tohu i te putahi.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Contributeur</Attribute>
+            <Attribute name="definition">Une entitÃ© qui a contribuÃ© Ã  la crÃ©ation du contenu de la ressource.</Attribute>
+            <Attribute name="comment">Exemples de Contributeur incluent une personne, une organisation, ou un service. Typiquement, le nom d&apos;un contributeur devrait Ãªtre utilisÃ© ici pour dÃ©signer l&apos;entitÃ©.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">Ð¡ÐŸÐžÑÐ¿ÐŸÐ»ÐœÐžÑÐµÐ»Ñ</Attribute>
+            <Attribute name="definition">ÐÐžÑÐŸ, Ð²ÐœÐµÑÑÐµÐµ Ð²ÐºÐ»Ð°ÐŽ Ð² ÑÐŸÐ·ÐŽÐ°ÐœÐžÐµ ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÑÐžÐŒÐµÑÑ Ð¡ÐŸÐžÑÐ¿ÐŸÐ»ÐœÐžÑÐµÐ»Ñ Ð²ÐºÐ»ÑÑÐ°ÑÑ Ð¿ÐµÑÑÐŸÐœÑ, ÐŸÑÐ³Ð°ÐœÐžÐ·Ð°ÑÐžÑ ÐžÐ»Ðž ÑÐ»ÑÐ¶Ð±Ñ. ÐÐ±ÑÑÐœÐŸ ÐžÐŒÑ Ð¡ÐŸÐžÑÐ¿ÐŸÐ»ÐœÐžÑÐµÐ»Ñ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÑÐµÑÑÑ ÐŽÐ»Ñ ÐžÐœÐŽÐžÐºÐ°ÑÐžÐž ÐŸÐ±ÑÐµÐºÑÐ°.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Otros Colaboradores</Attribute>
+            <Attribute name="definition">Una persona u organizacion que haya tenido una contribuciÃ³n intelectual significativa en la creaciÃ³n del recurso pero cuyas contribuciones son secundarias en comparaciÃ³n a las de las personas u organizaciones especificadas en el elementeo Creator (por ejemplo, editor, ilustrador y traductor).</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙÙ
+Ø³Ø§ÙÙ
+ Ø§ÙØ§Ø®Ø±</Attribute>
+            <Attribute name="definition">ÙÙ Ø§ÙØŽØ®Øµ Ø§Ù Ø§ÙÙ
+Ø€Ø³Ø³Ø© Ø§ÙØºÙØ± Ù
+Ø°ÙÙØ± ØµØ±Ø§Ø­Ø© ÙÙ Ø¹Ø§Ù
+Ù &quot; Ø§ÙÙ
+ØšØ¯Ø¹ &quot; Ù Ø§ÙØ°Ù ÙØ¯Ù
+ Ù
+Ø³Ø§ÙÙ
+Ø§Øª ÙÙØ±ÙØ© ÙØ§Ù
+Ø© ÙÙÙ
+ØµØ¯Ø±, ÙÙÙ Ù
+Ø³Ø§ÙÙ
+ØªÙØªØšÙÙ    Ø«Ø§ÙÙÙØ© Ù
+ÙØ§Ø±ÙØ© Ù
+Ø¹ Ø§ÙØŽØ®Øµ Ø£Ù Ø§ÙÙ
+Ø€Ø³Ø³Ø© Ø§ÙÙ
+Ø°ÙÙØ±Ø© ÙØµØ§ ÙÙ Ø¹Ø§Ù
+Ù &quot; Ø§ÙÙ
+ÙØŽØŠ &quot; Ù
+Ø«ÙØ§Ù Ù
+ØµØ­Ø­, Ø§ÙÙ
+ØªØ±Ø¬Ù
+, Ø§Ù Ø§ÙÙ
+ÙØ³Ø±</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">å
+¶ä»èŽ£ä»»è
+</Attribute>
+            <Attribute name="definition">å¯¹èµæºçå
+å®¹äœåºèŽ¡ç®çå
+¶ä»å®äœã</Attribute>
+            <Attribute name="comment">å
+¶ä»èŽ£ä»»è
+çå®äŸå¯å
+æ¬äžªäººãç»ç»ææé¡¹æå¡ãäžè¬èèšïŒçšå
+¶ä»èŽ£ä»»è
+çåå­æ¥æ è¯è¿äžæ¡ç®ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">PÅispÄvatel</Attribute>
+            <Attribute name="definition">Entita, kterÃ¡ pÅispÄla k vytvoÅenÃ­ obsahu zdroje.</Attribute>
+            <Attribute name="comment">PÅÃ­klady PÅispÄvatele zahrnujÃ­ osobu, organizaci nebo sluÅŸbu. K oznaÄenÃ­ entity se typicky pouÅŸÃ­vÃ¡ jmÃ©no pÅispÄvatele.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Andere medewerkers</Attribute>
+            <Attribute name="definition">Een persoon of organisatie die een belangrijke bijdrage heeft geleverd, maar die secondair is aan de persoon of organisatie die bij &quot;Creator&quot; genoemd wordt. Gedacht kan worden aan editors, vertalers en illustrators.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Contribuente</Attribute>
+            <Attribute name="definition">Un entitate responsabile pro facer contributiones al contento del ressource.</Attribute>
+            <Attribute name="comment">Exemplos de contribuente include un persona, un organization, o un servicio. Typicamente se utiliza un nomine de contribuente pro indicar le entitate.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier"> à€žà€¹à€¯à¥à€à€, à€žà€¹à€¯à¥à€à¥, à€žà€¹à€Ÿà€¯à¥à€¯à€</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à€Ÿ à€žà€à€à€²à¥à€€ à€à€°à€£à¥à¥à€Ÿà€ž  à€®à€Šà€€ à€à€°à€£à€Ÿà€°à¥ à€µà¥à€¯à€à¥à€€à¥</Attribute>
+            <Attribute name="comment">à€à€Šà€Ÿ.à€ à€µà¥à€¯à€à¥à€€à¥, à€žà¥à€µà€Ÿ, à€žà€à€žà¥à€¥à€Ÿ</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Date" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Date</Attribute>
+            <Attribute name="definition">A date associated with an event in the life cycle of the resource.</Attribute>
+            <Attribute name="comment">Typically, Date will be associated with the creation or availability of the resource.  Recommended best practice for encoding the date value is defined in a profile of ISO 8601 and follows the YYYY-MM-DD format.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Ra</Attribute>
+            <Attribute name="definition">He ra e whai panga ana ki te huringa ora o te rauemi.</Attribute>
+            <Attribute name="comment">Ko te tikanga, ka whai panga te ra ki te hanganga, te wateatanga ranei, o te rauemi. Ko te huarahi tino pai hei tohu i te uara o te ra (date value) kua whakaritea i roto i te whakaritenga IS0 8601 [W3CDTF], a, e whai atu ana ki te whakatakotoranga YYYY-MM-DD.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Date</Attribute>
+            <Attribute name="definition">Une date associÃ©e avec un Ã©vÃ©nement dans le cycle de vie de la ressource.</Attribute>
+            <Attribute name="comment">Typiquement, une date sera associÃ©e Ã  la crÃ©ation ou Ã  la publication d&apos;une ressource. Il est fortement recommandÃ© d&apos;encoder la valeur de la date en utilisant le format dÃ©fini par l&apos;ISO 8601 [W3CDTF] sous la forme AAAA-MM-JJ.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÐ°ÑÐ°</Attribute>
+            <Attribute name="definition">ÐÐ°ÑÐ°, ÑÐ²ÑÐ·Ð°ÐœÐœÐ°Ñ Ñ ÑÐŸÐ±ÑÑÐžÐµÐŒ Ð² Ð¶ÐžÐ·ÐœÐµÐœÐœÐŸÐŒ ÑÐžÐºÐ»Ðµ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÐ±ÑÑÐœÐŸ ÐÐ°ÑÐ° Ð°ÑÑÐŸÑÐžÐžÑÑÐµÑÑÑ Ñ ÑÐŸÐ·ÐŽÐ°ÐœÐžÐµÐŒ ÐžÐ»Ðž ÐŽÐŸÑÑÑÐ¿ÐœÐŸÑÑÑÑ ÑÐµÑÑÑÑÐ°. ÐÐ° Ð¿ÑÐ°ÐºÑÐžÐºÐµ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ ÐŽÐ»Ñ ÐºÐŸÐŽÐžÑÐŸÐ²ÐºÐž Ð·ÐœÐ°ÑÐµÐœÐžÑ ÐŽÐ°ÑÑ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÑÑ ÐŸÐ¿ÑÐµÐŽÐµÐ»ÐµÐœÐžÐµ Ð¿ÑÐŸÑÐžÐ»Ñ ISO 8601 (Ð€ÐŸÑÐŒÐ°ÑÑ ÐŽÐ°ÑÑ Ðž Ð²ÑÐµÐŒÐµÐœÐž W3C), ÐºÐŸÑÐŸÑÐŸÐµ Ð¿ÐŸÐŽÐŽÐµÑÐ¶ÐžÐ²Ð°ÐµÑ ÑÐŸÑÐŒÐ°Ñ ÐÐÐÐ-ÐÐ-ÐÐ.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Fecha</Attribute>
+            <Attribute name="definition">Una fecha en la que el recurso se puso a disposiciÃ³n del usuario en su forma actual. Esta fecha no ha de confundirse con la que pertenece al elemento Coverage, que serÃ­a asociada con el recurso sÃ³lo en la medida en que el contenido intelectual estÃ¡ de algÃºn modo relacionado con esa fecha. Recomendamos la utiliazaciÃ³n de uno de los formatos definidos en el documento &quot;Date and Time Formats&quot;, http://www.w3.org/TR/NOTE-datetime basado en la norma ISO 8601 que incluye, entre otras, fechas en el formato AAAA y AAAA-MM-DD. De esta forma la fecha 1994-11-05 corresponderÃ­a al 5 de Noviembre de 1994.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙØªØ§Ø±Ø®</Attribute>
+            <Attribute name="definition">ÙÙ Ø§ÙØªØ§Ø±ÙØ® Ø§ÙÙ
+ØªØ¹ÙÙ ØšÙÙØª ÙØŽØŠ Ø£Ù ØªÙÙØ± Ø§ÙÙ
+ØµØ¯Ø± . Ù ÙØ¬Øš Ø£Ù ÙØ§ ÙØ®ÙØ· ÙØ°Ø§ Ø§ÙØªØ§Ø±ÙØ® Ø§ÙØ¹Ø§ØŠØ¯ ÙØ¹Ø§Ù
+Ù Ø§ÙØªØºØ·ÙØ© , Ù Ø§ÙØ° Ù ÙØ¬Øš Ø£Ù    ÙÙØ­Ù ØšØ§ÙÙ
+ØµØ¯Ø± ÙÙØ· Ù
+Ù ÙØ§Ø­ÙØ© Ø§ÙÙ
+Ø­ØªÙÙØ§ÙÙÙØ±Ù ÙÙÙÙÙ ÙÙØ¹Ø§ Ù
+Ø§ ÙÙ ÙØ°Ø§ Ø§ÙØªØ§Ø±ÙØ®. Ø§ÙØµÙØºØ© Ø§ÙÙ
+Ø³Ø«Ø­Ø³ÙØ© ÙÙØ§Ø­Ø³Ù Ø§ÙÙ
+ØªØ¹Ø§Ø±Ù Ø¹ÙÙÙ    Ø¹ÙØ¯ Ø§ÙØªØ·ØšÙÙ ÙÙ Ø§ÙØµÙØºØ© Ø§ÙÙ
+Ø¹ØªÙ
+Ø¯Ø© ÙÙ ØªØŽÙÙÙ (ISO 8601) ØµÙØºØ© ØªØ§Ø±ÙØ® Ø§ÙÙÙÙ
+ Ù Ø§ÙÙÙØª ) Ø§Ø¹ØªÙ
+Ø§Ø¯Ø§ Ø¹ÙÙ (ISO 8601) Ø§ÙÙ
+ÙØ§Ø­ØžØ© Ø§ÙÙÙÙØ© http://www.w3.org/TR/NOTE-datetime, W3C. ÙÙÙ    ÙØ°Ø§ Ø§ÙÙØ³Ù , Ù
+Ø«ÙØ§, ØªØ§Ø±ÙØ® Ø§ÙÙÙÙ
+ 1994-11-04 ÙÙØ§ØžØ± ÙÙÙ
+ 5 ÙÙÙÙ
+ØšØ± 1994</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">æ¥æ</Attribute>
+            <Attribute name="definition">äžèµæºçåœåšæäž­çäžäžªäºä»¶çžå
+³çæ¶éŽã</Attribute>
+            <Attribute name="comment">äžè¬èèšïŒæ¥æåºäžèµæºçåå»ºæåºçæ¥æçžå
+³ãå»ºè®®éçšçæ¥ææ ŒåŒåºç¬ŠåISO 8601 [W3CDTF]è§    èïŒå¹¶äœ¿çšYYYY-MM-DDçæ ŒåŒã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">Datum</Attribute>
+            <Attribute name="definition">Datum spojenÃ© s urÄitou udÃ¡lostÃ­ bÄhem existence zdroje.</Attribute>
+            <Attribute name="comment">Datum bude typicky spojeno s vytvoÅenÃ­m nebo zpÅÃ­stupnÄnÃ­m zdroje. DoporuÄenÃœ postup pro kÃ³dovÃ¡nÃ­ hodnoty data je definovÃ¡n v ISO 8601 [W3CDTF]: formÃ¡t RRRR-MM-DD.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Datum</Attribute>
+            <Attribute name="definition">De datum van de totstandkoming of beschikbaarstelling van een Internetbron. Deze datum moet niet verward worden met de datum in &quot;Coverage&quot;. De datum in &quot;Coverage&quot; geeft de tijdsperiode van de inhoud van de Internetbron aan. Voorgeschreven wordt de ISO 8601 standaard voor datum, zoals beschreven in W3C Technical Note http://www.w3.org/TR/NOTE-datetime. Hierin wordt het formaat YYYY-MM-DD beschreven. Het formaat YYYY-MM-DD wordt de voorgeschreven standaard. 3 September 1998 wordt in dit geval 1998-09-03.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Data</Attribute>
+            <Attribute name="definition">Un data associate a un evento in le cyclo vital del ressource.</Attribute>
+            <Attribute name="comment">Typicamente le data es associate al creation o disponibilization del ressource. Le practica recommendate pro codificar le valor del datas es definite in un profilo de ISO 8601 [W3CDTF] e seque le formato AAAA-MM-DD.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€€à€Ÿà€°à¥à€,  à€Šà€¿à€šà€Ÿà€à€</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à€Ÿ à€€à€¯à€Ÿà€° à€à¥à€²à¥à€¯à€Ÿà€à¥ à€€à€Ÿà€°à¥à€</Attribute>
+            <Attribute name="comment">à€€à€Ÿà€°à¥à€  à€²à€¿à€¹à¥à€£à¥à€¯à€Ÿà€à¥ à€žà¥à€µà€°à¥à€ª à€ à€µà€°à¥à€·. à€®à€¹à€¿à€šà€Ÿ. à€Šà€¿à€µà€ž à¥§à¥¯à¥«à¥Š. à¥Šà¥ª. à¥Šà¥ª</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Type" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Resource Type</Attribute>
+            <Attribute name="definition">The nature or genre of the content of the resource.</Attribute>
+            <Attribute name="comment">Type includes terms describing general categories, functions, genres, or aggregation levels for content. Recommended best practice is to select a value from a controlled vocabulary (for example, the working draft list of Dublin Core Types). To describe the physical or digital manifestation of the resource, use the FORMAT element.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Tumomo</Attribute>
+            <Attribute name="definition">Te ahua, te tu-ahuatanga ranei o nga kaupapa o te rauemi.</Attribute>
+            <Attribute name="comment">Kei roto i te Tumomo nga kupu whakaatu i nga wehewehenga whanui, nga aheinga, nga tu-ahuatanga, te whakaritenga ranei o nga taumata o te/ nga kaupapa. Ko te huarahi tino pai kua tohua, ko te tipako i tetahi uara mai i nga kupu kua whakaritea (hei tauira, ko te tauira rarangi e whakamahia ana o nga Dublin Core Types [DCT1]. Hei whakaatu i te whakatinanatanga o te rauemi, whakamahia ko te huanga WHAKATAKOTORANGA (FORMAT).</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Type</Attribute>
+            <Attribute name="definition">La nature ou le genre du contenu de la ressource.</Attribute>
+            <Attribute name="comment">Type inclut des termes dÃ©crivant des catÃ©gories, fonctions ou genres gÃ©nÃ©raux pour le contenu, ou des niveaux d&apos;agrÃ©gation. Il est recommandÃ© de choisir la valeur du type dans une liste de vocabulaire contrÃŽlÃ© (par exemple, la liste provisoire de Types du Dublin Core[DCT1]). Pour dÃ©crire la matÃ©rialisation physique ou digitale de la ressource, il faut utiliser l&apos;Ã©lÃ©ment Format.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">Ð¢ÐžÐ¿ ÑÐµÑÑÑÑÐ°</Attribute>
+            <Attribute name="definition">ÐÑÐžÑÐŸÐŽÐ° ÐžÐ»Ðž Ð¶Ð°ÐœÑ ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">Ð¢ÐžÐ¿ Ð²ÐºÐ»ÑÑÐ°ÐµÑ ÑÐµÑÐŒÐžÐœÑ, ÐŸÐ¿ÐžÑÑÐ²Ð°ÑÑÐžÐµ ÐŸÐ±ÑÐžÐµ ÐºÐ°ÑÐµÐ³ÐŸÑÐžÐž, ÑÑÐœÐºÑÐžÐž, Ð¶Ð°ÐœÑÑ ÐžÐ»Ðž ÐŸÐ±ÑÐµÐŽÐžÐœÐµÐœÐœÑÐµ ÑÑÐŸÐ²ÐœÐž ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ. ÐÐ»Ñ Ð¿ÑÐ°ÐºÑÐžÑÐµÑÐºÐŸÐ³ÐŸ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÐœÐžÑ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ Ð²ÑÐ±ÐžÑÐ°ÑÑ Ð·ÐœÐ°ÑÐµÐœÐžÐµ ÐžÐ· ÐºÐŸÐœÑÑÐŸÐ»ÐžÑÑÐµÐŒÐŸÐ³ÐŸ ÑÐ»ÐŸÐ²Ð°ÑÑ (ÐœÐ°Ð¿ÑÐžÐŒÐµÑ, ÑÐ°Ð±ÐŸÑÐµÐ³ÐŸ Ð¿ÑÐŸÐµÐºÑÐ° ÑÐ¿ÐžÑÐºÐ° Ð¢ÐžÐ¿ÐŸÐ² Dublin Core DCT1). ÐÐ»Ñ ÐŸÐ¿ÐžÑÐ°ÐœÐžÑ ÑÐžÐ·ÐžÑÐµÑ-ÐºÐŸÐ³ÐŸ ÐžÐ»Ðž ÑÐžÑÑÐŸÐ²ÐŸÐ³ÐŸ Ð¿ÑÐµÐŽÑÑÐ°Ð²Ð»ÐµÐœÐžÑ ÑÐµÑÑÑÑÐ° ÐžÑÐ¿ÐŸÐ»ÑÐ·ÑÐµÑÑÑ ÑÐ»ÐµÐŒÐµÐœÑ Ð€ÐŸÑÐŒÐ°Ñ.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Tipo del Recurso</Attribute>
+            <Attribute name="definition">La categorÃ­a del recurso, por ejemplo pÃ¡gina personal, romance, poema, minuta, diccionario. Para asegurar la interoperabilidad, Type deberÃ­a ser seleccionado de entre una lista de valores que actualmente se encuentra bajo desarrollo en un grupo de trabajo. En http://sunsite.berkeley.edu/Metadata/types.html se puede consultar el estado actual de la discusiÃ³n en torno a este tema.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">ÙÙØ¹ Ø§ÙÙ
+ØµØ¯Ø±</Attribute>
+            <Attribute name="definition">ÙÙ ÙØŠØ© Ø§ÙÙ
+ØµØ¯Ø± , Ù
+Ø«ÙØ§ Ø§ÙØµÙØ­Ø© Ø§ÙØ§Ù
+, Ø±ÙØ§ÙØ© , ÙØ·Ø¹Ø© ØŽØ¹Ø±ÙØ© , ÙØ±ÙØ© Ø¹Ù
+Ù , ØªÙØ±ÙØ± ÙÙÙ , Ù
+ÙØ§Ù , ÙØ§Ù
+ÙØ³ . Ù Ù
+Ù Ø£Ø¬Ù Ø§ÙØªØ¹Ø§Ù
+Ù Ø§ÙÙ
+ØŽØªØ±Ù    ÙØ¬Øš Ø£Ù ÙØ®ØªØ§Ø± Ø§ÙÙÙØ¹ Ù
+Ù Ø§ÙÙØ§ØŠÙ
+Ø© Ø§ÙÙ
+Ø±ÙÙ
+Ø© ÙØ§ÙØªÙ ÙÙÙ
+ Ø§Ø¹Ø¯Ø§Ø¯ÙØ§ Ø­Ø§ÙÙØ§ Ø¶Ù
+Ù Ø­ÙÙØ§Øª ÙØ±ØŽØ© Ø¹Ù
+Ù</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">èµæºç±»å</Attribute>
+            <Attribute name="definition">èµæºå
+å®¹çç¹åŸæç±»åã</Attribute>
+            <Attribute name="comment">èµæºç±»åå
+æ¬æè¿°èµæºå
+å®¹çäžè¬èçŽïŒåèœïŒç§å±ïŒæèç±»å±æ¬¡çæ¯è¯­ãå»ºè®®éçšæ¥èªäºåæ§è¯è¡š    äž­çåŒïŒäŸåŠDCMIç±»åè¯æ±è¡š[DCMITYPE]ïŒãèŠæè¿°èµæºçç©çææ°å­åè¡šç°åœ¢åŒïŒè¯·äœ¿çšâæ ŒåŒïŒFORMATïŒâå
+çŽ ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">Typ zdroje</Attribute>
+            <Attribute name="definition">Povaha nebo druh obsahu zdroje.</Attribute>
+            <Attribute name="comment">Typ obsahuje termÃ­ny popisujÃ­cÃ­ obecnÃ© kategorie, funkce, druhy nebo agregaÄnÃ­ ÃºrovnÄ obsahu. DoporuÄuje se vybÃ­rat hodnotu z ÅÃ­zenÃ©ho slovnÃ­ku (napÅ. pracovnÃ­ nÃ¡vrh seznamu TypÅ¯ Dublin Core [DCT1]). K popisu fyzickÃ© nebo digitÃ¡lnÃ­ reprezentace zdroje uÅŸijte prvek FormÃ¡t.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Bestands type</Attribute>
+            <Attribute name="definition">Het soort Internetbron, bijvoorbeeld home page, gedicht, working paper, technical report, essay, woordenboek etc. De DC working groups zijn momenteel bezig met twee voorstellen; een minimalist draft: http://sunsite.berkeley.edu/Metadata/minimalist.html en een structuralist draft: http://sunsite.berkely.edu/Metadata/structuralist.html. Het wordt sterk aanbevolen om &quot;Type&quot; van deze lijsten te selecteren.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Typo del ressource</Attribute>
+            <Attribute name="definition">Le natura o genere del contento del ressource.</Attribute>
+            <Attribute name="comment">Le typo del ressource include terminos que describe categorias general, functiones, generes, o nivellos de aggregation pro le contento. Le practica recommendate es selectionar un valor a partir de un vocabulario controlate (per exemplo, le lista de schizzos de travalio de typos de Dublin Core [DCT1]). Pro describer le manifestation physic o digital del ressource, utiliza le elemento Formato.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€ªà¥à€°à€à€Ÿà€°</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à€Ÿà€ªà¥à€°à€à€Ÿà€°</Attribute>
+            <Attribute name="comment">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à¥ à€µà€°à¥à€à¥à€à€°à€£, à€µà€°à¥à€à€µà€Ÿà€°à¥à€®à€§à¥à€¯à¥ à€à€à€Ÿà€Šà¥à€¯à€Ÿ à€šà¥à€à€Šà¥à€à€Ÿ à€®à¥à€à¥à€¯ à€à€à€ªà¥à€°à€à€Ÿà€°</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Format" occurances="31" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Format</Attribute>
+            <Attribute name="definition">The physical or digital manifestation of the resource.</Attribute>
+            <Attribute name="comment">Typically, Format may include the media-type or dimensions of the resource. Format may be used to determine the software, hardware or other equipment needed to display or operate the resource. Examples of dimensions include size and duration. Recommended best practice is to select a value from a controlled vocabulary (for example, the list of Internet Media Types [MIME] defining computer media formats).</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Whakatakotoranga</Attribute>
+            <Attribute name="definition">Te whakatinanatanga, te whakaputanga a-mati o te rauemi.</Attribute>
+            <Attribute name="comment">Ko te tikanga, ka taea te Whakatakotoranga te whakamahi hei whakarite i te rawa-ngohe (software), te rawa-maro (hardware), ma etahi taputapu ranei me matua whiwhi, hei whakahaere i te rauemi. Ko te rahi me te roanga etahi tauira hanga. Ko te tino huarahi kua tohua ko te tipako uara mai i tetahi whakaritenga kupu (hei tauira, te rarangi o nga Tumomo Papaho Ipurangi (Internet Media Types [MIME]) e whakaatu ana i nga whakatakotoranga papaho rorohiko.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Format</Attribute>
+            <Attribute name="definition">La matÃ©rialisation physique ou digitale de la ressource.</Attribute>
+            <Attribute name="comment">Typiquement, Format peut inclure le media ou les dimensions de la ressource. Format peut Ãªtre utilisÃ© pour prÃ©ciser le logiciel, le matÃ©riel ou autre Ã©quipement nÃ©cessaire pour afficher ou faire fonctionner la ressource. Exemples de dimensions incluent la taille et la durÃ©e. Il est recommandÃ© de choisir la valeur du format dans une liste de vocabulaire contrÃŽlÃ©(par exemple, la liste des types de media dÃ©finis sur Internet [MIME]).</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">Ð€ÐŸÑÐŒÐ°Ñ</Attribute>
+            <Attribute name="definition">Ð€ÐžÐ·ÐžÑÐµÑÐºÐŸÐµ ÐžÐ»Ðž ÑÐžÑÑÐŸÐ²ÐŸÐµ Ð¿ÑÐµÐŽÑÑÐ°Ð²Ð»ÐµÐœÐžÐµ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÐ±ÑÑÐœÐŸ Ð€ÐŸÑÐŒÐ°Ñ ÐŒÐŸÐ¶ÐµÑ Ð²ÐºÐ»ÑÑÐ°ÑÑ ÑÐžÐ¿ Ð°ÑÐŽÐžÐŸÐ²ÐžÐ·ÑÐ°Ð»ÑÐœÐŸÐ¹ ÐžÐœÑÐŸÑÐŒÐ°ÑÐžÐž (ÐŒÐµÐŽÐžÐ°-ÑÐžÐ¿) ÐžÐ»Ðž Ð²ÐµÐ»ÐžÑÐžÐœÑ ÑÐµÑÑÑÑÐ°. Ð€ÐŸÑÐŒÐ°Ñ ÐŒÐŸÐ¶ÐµÑ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÑÑÑÑ ÐŽÐ»Ñ ÐŸÐ¿ÑÐµÐŽÐµÐ»ÐµÐœÐžÑ Ð°Ð¿Ð¿Ð°ÑÐ°ÑÐœÐŸÐ³ÐŸ, Ð¿ÑÐŸÐ³ÑÐ°ÐŒÐŒÐœÐŸÐ³ÐŸ ÐŸÐ±ÐµÑÐ¿ÐµÑÐµÐœÐžÑ ÐžÐ»Ðž ÐŽÑÑÐ³ÐŸÐ³ÐŸ ÐŸÐ±ÐŸÑÑÐŽÐŸÐ²Ð°ÐœÐžÑ, ÐœÐµÐŸÐ±Ñ
+ÐŸÐŽÐžÐŒÐŸÐ³ÐŸ ÐŽÐ»Ñ Ð²ÐŸÑÐ¿ÑÐŸÐžÐ·Ð²ÐµÐŽÐµÐœÐžÑ ÐžÐ»Ðž ÑÐ°Ð±ÐŸÑÑ Ñ ÑÐµÑÑÑÑÐŸÐŒ. ÐÑÐžÐŒÐµÑÑ Ð²ÐµÐ»ÐžÑÐžÐœÑ Ð²ÐºÐ»ÑÑÐ°ÑÑ ÑÐ°Ð·ÐŒÐµÑ Ðž Ð¿ÑÐŸÐŽÐŸÐ»Ð¶ÐžÑÐµÐ»ÑÐœÐŸÑÑÑ. ÐÐ»Ñ Ð¿ÑÐ°ÐºÑÐžÑÐµÑÐºÐŸÐ³ÐŸ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÐœÐžÑ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ Ð²ÑÐ±ÐžÑÐ°ÑÑ Ð·ÐœÐ°ÑÐµÐœÐžÐµ ÐžÐ· ÐºÐŸÐœÑÑÐŸÐ»ÐžÑÑÐµÐŒÐŸÐ³ÐŸ ÑÐ»ÐŸÐ²Ð°ÑÑ (ÐœÐ°Ð¿ÑÐžÐŒÐµÑ, ÑÐ¿ÐžÑÐºÐ° ÐÐµÐŽÐžÐ°-ÑÐžÐ¿ÐŸÐ² ÐÐœÑÐµÑÐœÐµÑ MIME, ÐŸÐ¿ÑÐµÐŽÐµÐ»ÑÑÑÐµÐ³ÐŸ ÐºÐŸÐŒÐ¿ÑÑÑÐµÑÐœÑÐµ ÑÐŸÑÐŒÐ°ÑÑ Ð°ÑÐŽÐžÐŸÐ²ÐžÐ·ÑÐ°Ð»ÑÐœÐŸÐ¹ ÐžÐœÑÐŸÑÐŒÐ°ÑÐžÐž).</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Formato</Attribute>
+            <Attribute name="definition">El formato de datos de un recurso, usado para identificar el software y posiblemente, el hardware que se necesitarÃ­a para mostrar el recurso. Para asegurar la interoperabilidad, los valores de Format deberÃ­an ser seleccionados de entre una lista de valores que actualmente se encuentra bajo desarrollo en un grupo de trabajo.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙØµÙØºØ©</Attribute>
+            <Attribute name="definition">ÙØ°Ù ØµÙØºØ© Ø§ÙÙ
+Ø¹ÙÙÙ
+Ø© Ø§ÙØ®Ø§ØµØ© ØšØ§ÙÙ
+ØµØ¯Ø± , Ù ØªØ³ØªØ®Ø¯Ù
+ ÙÙØªØ¹Ø±ÙÙ ØšØ§ÙØšØ±Ù
+Ø¬ÙØ§Øª ÙØ±ØšÙ
+Ø§ Ø§ÙØµÙØš ÙÙØ­Ø§Ø³ÙØš Ù Ø§ÙØªÙ ÙÙ
+ÙÙ Ø£Ù ÙØ­ØªØ§Ø¬    ÙÙØ§ ÙØ¹Ø±Ø¶ Ø£Ù ØªØŽØºÙÙ Ø§ÙÙ
+ØµØ¯Ø± . Ù
+Ù Ø£Ø¬Ù Ø§ÙØªØ¹Ø§Ù
+Ù Ø§ÙÙ
+ØŽØªØ±Ù, ÙØ¬Øš Ø£Ù ØªØ®ØªØ§Ø± Ø§ÙØµÙØºØ© Ù
+Ù Ø§ÙÙØ§ØŠÙ
+Ø© Ø§ÙÙ
+Ø±ÙÙ
+Ø© Ù Ø§ÙØªÙ ÙØªÙ
+ Ø§Ø¹Ø¯Ø§Ø¯ÙØ§    Ø­Ø§ÙÙØ§ Ø¶Ù
+Ù Ø­ÙÙØ§Øª ÙØ±ØŽØ© Ø¹Ù
+Ù</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">æ ŒåŒ</Attribute>
+            <Attribute name="definition">èµæºçç©çææ°å­è¡šç°åœ¢åŒã</Attribute>
+            <Attribute name="comment">äžè¬èèšïŒæ ŒåŒå¯èœå
+æ¬èµæºçåªäœç±»åæèµæºçå€§å°ïŒæ ŒåŒå
+çŽ å¯ä»¥çšæ¥å³å®å±ç€ºææäœèµæºæé    çèœ¯ç¡¬ä»¶æå
+¶ä»çžåºè®Ÿå€ïŒäŸåŠå€§å°å
+æ¬èµæºæå çå­åšç©ºéŽåæç»­æ¶éŽãå»ºè®®éçšæ¥èªäºåæ§è¯è¡š    äž­çåŒïŒïŒäŸåŠInternetåªäœç±»å[MIME]å®ä¹è®¡ç®æºåªäœæ ŒåŒïŒã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">FormÃ¡t</Attribute>
+            <Attribute name="definition">FyzickÃ¡ nebo digitÃ¡lnÃ­ reprezentace zdroje.</Attribute>
+            <Attribute name="comment">Typicky mÅ¯ÅŸe FormÃ¡t obsahovat typ mÃ©dia nebo rozmÄry zdroje. FormÃ¡t lze pouÅŸÃ­vat k urÄenÃ­ softwaru, hardwaru nebo dalÅ¡Ã­ho zaÅÃ­zenÃ­ potÅebnÃ©ho k zobrazenÃ­ nebo k manipulaci se zdrojem. PÅÃ­klady rozmÄrÅ¯ zahrnujÃ­ velikost a dobu trvÃ¡nÃ­. DoporuÄuje se vybÃ­rat hodnotu z ÅÃ­zenÃ©ho slovnÃ­ku (napÅ. seznam typÅ¯ internetovÃœch mÃ©diÃ­ [MIME] definujÃ­cÃ­ formÃ¡ty poÄÃ­taÄovÃœch mÃ©diÃ­).</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Format</Attribute>
+            <Attribute name="definition">Het data formaat van het Internetbestand. Dit gegeven kan gebruikt worden om systeemvereisten (hard- en software) te identificeren die nodig zijn voor raadpleging of bediening van de Internetbron. &quot;Format&quot; is nog in ontwikkeling bij de DC workshop. Uit compatibiliteitsoverwegingen wordt aanbevolen formaatgegevens te selecteren uit een gecontroleerde lijst. Formaten kunnen van de Internet Media Types (MIME types) lijst gekozen worden: http://www.isi.edu/in-notes/iana/assignments/media-types/media-types</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Formato</Attribute>
+            <Attribute name="definition">Le manifestation physic o digital del ressource.</Attribute>
+            <Attribute name="comment">Typicamente le formato pote includer le typo de medio o dimensiones del ressource. Le formato pote esser utilizate pro determinar le software o le equipamento necessari pro exhibir o operar le ressource. Exemplos de dimensiones include grandessa e duration. Le practica recommendate es selectionar un valor de un vocabulario controlate (per exemplo, le lista de typos de medios de Internet [MIME] que defini formatos de medios).</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€°à€à€šà€Ÿ</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à¥ à€°à€à€šà€Ÿ, à€šà€®à¥à€šà€Ÿà€¬à¥à€Š à€°à€à€šà€Ÿ</Attribute>
+            <Attribute name="comment">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à¥ à€žà¥à€µà€°à¥à€ª, à€°à€à€šà€Ÿà€à€Šà€Ÿ. à€€à¥à€¯à€Ÿà€à¥ à€°à¥à€ª à€à€žà¥ à€ªà¥à€žà¥à€€à€à€°à¥à€ª, à€žà€à€à€£à€à¥à€¯ à€°à¥à€ª, à€µà€¿à€Šà¥à€¯à¥à€€ à€ªà€°à€®à€Ÿà€£à¥à€à€à¥à€¯à€Ÿ à€žà€¹à€Ÿà€¯à¥à€¯à€Ÿà€šà¥ à€žà€à€à€£à€à¥à€à¥à€€ à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à€Ÿ</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Identifier" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Resource Identifier</Attribute>
+            <Attribute name="definition">An unambiguous reference to the resource within a given context.</Attribute>
+            <Attribute name="comment">Recommended best practice is to identify the resource by means of a string or number conforming to a formal identification system. Example formal identification systems include the Uniform Resource Identifier (URI) (including the Uniform Resource Locator (URL)), the Digital Object Identifier (DOI) and the International Standard Book Number (ISBN).</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Taututanga</Attribute>
+            <Attribute name="definition">He tohutoro e hangai ana ki te rauemi i roto i tetahi horopaki.</Attribute>
+            <Attribute name="comment">Ko te tino huarahi kua tohua, ko te tautu i te rauemi ma tetahi aho (string), tau ranei, e hangai ana ki tetahi punaha taututanga okawa. Ko etahi punaha taututanga okawa ko te Taututanga Rauemi Orite (Uniform Resource Identifier - URI), te Taututanga Rauemi Tohu-wahi (Uniform Resource Locator - URL), Te Mea A-mati (Digital Object Identifier - DOI) me te Tau Pukapuka Aro Whanui o te Ao (International Standard Book Number - ISBN).</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Identifiant</Attribute>
+            <Attribute name="definition">Une rÃ©fÃ©rence non ambiguÃ« Ã  la ressource dans un contexte donnÃ©</Attribute>
+            <Attribute name="comment">Il est recommandÃ© d&apos;identifier la ressource par une chaÃ®ne de caractÃšre ou un nombre conforme Ã  un sytÃšme formel d&apos;identification. Exemples de systemes formels d&apos;identification incluent le &quot;Uniform Resource Identifier&quot; (URI) (qui inclut le &quot;Uniform Resource Locator&quot; (URL)), le &quot;Digital Object Identifier&quot;(DOI) et le &quot;International Standard Book Number&quot;(ISBN).</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐŸÑ ÑÐµÑÑÑÑÐ°</Attribute>
+            <Attribute name="definition">ÐÐŽÐœÐŸÐ·ÐœÐ°ÑÐœÐ°Ñ ÑÑÑÐ»ÐºÐ° ÐœÐ° ÑÐµÑÑÑÑ Ð² Ð¿ÑÐµÐŽÐµÐ»Ð°Ñ
+ ÐŽÐ°ÐœÐœÐŸÐ³ÐŸ ÐºÐŸÐœÑÐµÐºÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÐ»Ñ Ð¿ÑÐ°ÐºÑÐžÑÐµÑÐºÐŸÐ³ÐŸ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÐœÐžÑ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ ÐžÐŽÐµÐœÑÐžÑÐžÑÐžÑÐŸÐ²Ð°ÑÑ ÑÐµÑÑÑÑ Ð¿ÐŸÑÑÐµÐŽÑÑÐ²ÐŸÐŒ ÑÑÑÐŸÐºÐž ÐžÐ»Ðž ÑÐžÑÐ»Ð°, ÑÐŸÐŸÑÐ²ÐµÑÑÑÐ²ÑÑÑÐµÐ³ÐŸ ÑÐŸÑÐŒÐ°Ð»ÑÐœÐŸÐ¹ ÐžÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐžÐŸÐœÐœÐŸÐ¹ ÑÐžÑÑÐµÐŒÐµ. ÐÑÐžÐŒÐµÑÑ ÑÐŸÑÐŒÐ°Ð»ÑÐœÑÑ
+ ÐžÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐžÐŸÐœÐœÑÑ
+ ÑÐžÑÑÐµÐŒ Ð²ÐºÐ»ÑÑÐ°ÑÑ Ð£ÐœÐžÑÐžÑÐžÑÐŸÐ²Ð°ÐœÐœÑÐ¹ ÐÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐŸÑ Ð ÐµÑÑÑÑÐ° (URI), (Ð²ÐºÐ»ÑÑÐ°Ñ Ð£ÐœÐžÑÐžÑÐžÑÐŸÐ²Ð°ÐœÐœÑÑÐ¹ ÐÐŸÐºÐ°ÑÐŸÑ Ð ÐµÑÑÑÑÐ° URL), ÐÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐŸÑ ÐŠÐžÑÑÐŸÐ²ÐŸÐ³ÐŸ ÐÐ±ÑÐµÐºÑÐ° (DOI) Ðž ÐÐµÐ¶ÐŽÑÐœÐ°ÑÐŸÐŽÐœÑÐ¹ Ð¡ÑÐ°ÐœÐŽÐ°ÑÑÐœÑÐ¹ ÐÐœÐžÐ¶ÐœÑÐ¹ ÐÐŸÐŒÐµÑ (ISBN).</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Identificador del Recurso</Attribute>
+            <Attribute name="definition">Secuencia de caracteres usados para identificar unÃ­vocamente un recurso. Ejemplos para recursos en lÃ­nea pueden ser URLs y URNs (cuando estÃ©n implementados). Para otros recursos pueden ser usados otros formatos de identificadores, como por ejemplo ISBN (&quot;International Standard Book Number&quot; - NÃºmero Internacional Normalizado para Libros)</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ù
+Ø¹Ø±Ù Ø§ÙÙ
+ØµØ¯Ø±</Attribute>
+            <Attribute name="definition">ÙÙ Ù
+Ø¬Ù
+ÙØ¹Ø© Ø­Ø±ÙÙØ© Ø£Ù Ø±ÙÙ
+ ÙØ³ØªØ®Ø¯Ù
+ ÙØªØ¹Ø±ÙÙ Ø§ÙÙ
+ØµØ¯Ø± Ø§Ø­Ø¯ÙØ§ : Ø§ÙØ§Ù
+Ø«ÙØ© ÙØ°Ø§ÙÙ ÙÙ Ø§ÙÙ
+ØµØ§Ø¯Ø± Ø§ÙØŽØšÙÙØ©ØªØ¶Ù
+ ) URNs, URLs Ø¹ÙØ¯ ØšÙØ§ØŠÙØ§ (    ÙØ°ÙÙ ÙÙ
+ÙÙ Ø§Ø¹ØªØšØ§Ø± Ø§ÙÙ
+Ø¹Ø±ÙØ§Øª Ø§ÙØ¹Ø§ÙÙ
+ÙØ© Ø§ÙØ§Ø­Ø§Ø¯ÙØ© Ù
+Ø«Ù Ø§ÙØ±ÙÙ
+ Ø§ÙØ¯ÙÙÙ ÙØªØµÙÙÙ Ø§ÙÙØ§ØªØš (ISBN) Ù
+Ø±ØŽØ­Ø© ÙÙØ°Ø§ Ø§ÙØ¹Ø§Ù
+Ù</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">èµæºæ è¯ç¬Š</Attribute>
+            <Attribute name="definition">åšç¹å®çèåŽå
+ç»äºèµæºçäžäžªæç¡®çæ è¯ã</Attribute>
+            <Attribute name="comment">å»ºè®®å¯¹èµæºçæ è¯éçšç¬Šåæäžæ­£åŒæ è¯äœç³»çå­ç¬Šäž²åæ°å­ç»åãäŸåŠæ­£åŒçæ è¯äœç³»å
+æ¬ç»äžèµ    æºæ è¯ç¬Š(URI) (å
+æ¬åäžèµæºå®äœç¬ŠURL)ãæ°å­å¯¹è±¡æ è¯ç¬Š(DOI)ååœé
+æ åä¹Šå·(ISBN)ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">IdentifikÃ¡tor zdroje</Attribute>
+            <Attribute name="definition">JednoznaÄnÃœ odkaz na zdroj v rÃ¡mci danÃ©ho kontextu.</Attribute>
+            <Attribute name="comment">DoporuÄuje se identifikovat zdroj znakovÃœm ÅetÄzcem nebo ÄÃ­slem odpovÃ­dajÃ­cÃ­m nÄkterÃ©mu z formÃ¡lnÃ­ch identifikaÄnÃ­ch systÃ©mÅ¯. PÅÃ­klady formÃ¡lnÃ­ch identifikaÄnÃ­ch systÃ©mÅ¯ zahrnujÃ­ Uniform Resource Identifier (URI) (vÄetnÄ Uniform Resource Locator (URL)), Digital Object Identifier (DOI) a MezinÃ¡rodnÃ­ standardnÃ­ ÄÃ­slo knihy (ISBN).</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Bestandsidentificatie</Attribute>
+            <Attribute name="definition">Een unieke string of nummer ter identificatie van de Internetbron. Voorbeelden zijn URL&apos;s of URN&apos;s Andere voorbeelden zijn International Standard Book Number (ISBN) of International Standard Serial Number (ISSN)</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Identificator del ressource</Attribute>
+            <Attribute name="definition">Un referentia inambigue al ressource intra un date contexto.</Attribute>
+            <Attribute name="comment">Se recommenda identificar le ressource per medio de un catena de characteres o numero conforme a un systema formal de identification. Exemplos de systemas formal de identification include le Uniform Resource Identifier (URI) (includente le Uniform Resource Locator (URL)), le Digital Object Identifier (DOI) e le International Standard Book Number (ISBN).</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€à€³à€</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à€Ÿ à€à€ à€
+à€°à¥à€¥à¥ à€žà€à€Šà€°à¥à€­</Attribute>
+            <Attribute name="comment">à€à€Šà€Ÿ. à€®à€Ÿà€¹à€¿à€€à¥à€à€Ÿà€³à¥à€¯à€Ÿà€µà€°à¥à€² à€ªà€€à¥à€€à€Ÿ, à€µà€¿à€¶à€¿à€·à¥à€  à€žà¥à€¥à€³,  à€ªà¥à€žà¥à€€à€à€Ÿà€à€Ÿ à€à€à€€à€°à€°à€Ÿà€·à¥à€à¥à€°à¥à€¯  à€®à€Ÿà€šà€ à€à¥à€°à€®à€Ÿà€à€,  à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à¥ à€à€³à€ à€ªà€à€µà€¿à€£à€Ÿà€°à€Ÿ à€à€à€à€°à€šà¥à€ à€µà€°à¥à€² à€ªà€€à¥à€€à€Ÿ</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Source" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Source</Attribute>
+            <Attribute name="definition">A Reference to a resource from which the present resource is derived.</Attribute>
+            <Attribute name="comment">The present resource may be derived from the Source resource in whole or in part.  Recommended best practice is to reference the resource by means of a string or number conforming to a formal identification system.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Matapuna</Attribute>
+            <Attribute name="definition">He tohutoro ki tetahi rauemi koira te matapuna o te rauemi e tirohia ana.</Attribute>
+            <Attribute name="comment">Tera pea i puta te katoa, tetahi wahanga ranei o te rauemi, e tirohia ana, mai i te Matapuna rauemi. Ko te tino huarahi kua tohua ko te tohutoro ki te rauemi ma te aho, ma te tau ranei e hangai ana ki tetahi punaha taututanga okawa.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Source</Attribute>
+            <Attribute name="definition">Une rÃ©fÃ©rence Ã  une ressource Ã  partir de laquelle la ressource actuelle a Ã©tÃ© dÃ©rivÃ©e.</Attribute>
+            <Attribute name="comment">La ressource actuelle peut avoir Ã©tÃ© dÃ©rivÃ©e d&apos;une autre ressource source, en totalitÃ© ou en partie. Il est recommandÃ© de refÃ©rencer cette source par une chaÃ®ne de caractÃšre ou un nombre conforme Ã  un systÃšme formel d&apos;identification.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÑÑÐŸÑÐœÐžÐº</Attribute>
+            <Attribute name="definition">Ð¡ÑÑÐ»ÐºÐ° ÐœÐ° ÑÐµÑÑÑÑ, ÐžÐ· ÐºÐŸÑÐŸÑÐŸÐ³ÐŸ ÐžÐ·Ð²Ð»ÐµÑÐµÐœ ÐœÐ°ÑÑÐŸÑÑÐžÐ¹.</Attribute>
+            <Attribute name="comment">ÐÐ°ÑÑÐŸÑÑÐžÐ¹ ÑÐµÑÑÑÑ ÐŒÐŸÐ¶ÐµÑ Ð±ÑÑÑ ÐžÐ·Ð²Ð»ÐµÑÐµÐœ ÐžÐ· ÐÑÑÐŸÑÐœÐžÐºÐ° ÑÐµÐ»ÐžÐºÐŸÐŒ ÐžÐ»Ðž ÑÐ°ÑÑÐžÑÐœÐŸ. ÐÐ»Ñ Ð¿ÑÐ°ÐºÑÐžÑÐµÑÐºÐŸÐ³ÐŸ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÐœÐžÑ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ ÐžÐŽÐµÐœÑÐžÑÐžÑÐžÑÐŸÐ²Ð°ÑÑ ÑÐµÑÑÑÑ Ð¿ÐŸÑÑÐµÐŽÑÑÐ²ÐŸÐŒ ÑÑÑÐŸÐºÐž ÐžÐ»Ðž ÑÐžÑÐ»Ð°, ÑÐŸÐŸÑÐ²ÐµÑÑÑÐ²ÑÑÑÐµÐ³ÐŸ ÑÐŸÑÐŒÐ°Ð»ÑÐœÐŸÐ¹ ÐžÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐžÐŸÐœÐœÐŸÐ¹ ÑÐžÑÑÐµÐŒÐµ.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Fuente</Attribute>
+            <Attribute name="definition">Secuencia de caracteres utilizado para identificar unÃ­vocamente un trabajo a partir del cual proviene el recurso actual. Por ejemplo, es posible usar Source con la fecha de 1603 como descripciÃ³n de una pelÃ­cula basada en una obra de Shakespeare, pero es preferible, en ese caso, usar Relation &quot;IsBasedOn&quot; con una referencia a un recurso distinto cuya descripciÃ³n contenga el elemento Date con valor 1603.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙÙ
+ØµØ¯Ø±</Attribute>
+            <Attribute name="definition">Ø§ÙÙ
+Ø¹ÙÙÙ
+Ø§Øª Ø§ÙØ®Ø§ØµØ© ØšÙ
+ØµØ¯Ø± Ø«Ø§ÙÙ Ù Ø§ÙØ°Ù Ø§Ø³ØªÙ
+Ø¯ Ù
+ÙÙ Ø§ÙÙ
+ØµØ¯Ø± Ø§ÙØ­Ø§ÙÙ. Ù
+Ø¹ Ø£ÙÙ Ù
+Ù Ø§ÙÙ
+ÙØµÙ ØšÙ Ø£Ù ØªÙØ¯Ù
+ Ø§ÙØ¹ÙØ§Ù
+Ù    Ù
+Ø¹ÙÙÙ
+Ø§Øª Ø¹Ù Ø§ÙÙ
+ØµØ¯Ø± Ø§ÙØ­Ø§ÙÙ ÙÙØ· , ÙÙÙ
+ÙÙ Ø£Ù ÙØ­ÙÙ ÙØ°Ø§ Ø§ÙØ¹Ø§Ù
+Ù Ø§ÙØªØ§Ø±ÙØ®, Ø§ÙÙ
+ÙØŽØŠ , Ø§ÙØµÙØºØ© , Ø§ÙÙ
+Ø¹Ø±Ù , Ø§Ù Ø§ÙØ© Ù
+ÙØ© - Ù
+Ø¹ÙÙÙ
+Ø§Øª Ø§Ø®Ø±Ù ÙÙÙ
+ØµØ¯Ø± Ø§ÙØ«Ø§ÙÙ Ø¹ÙØ¯Ù
+Ø§ ØªØ¹ØªØšØ± Ù
+ÙÙ
+Ø© ÙØ§ÙØªØŽØ§Ù Ø§ÙÙ
+ØµØ¯Ø± Ø§ÙØ­Ø§ÙÙ , Ù ÙØ°Ø§ÙÙ ÙÙØµÙ Ø¹ÙØ¯ Ø§ÙØªØ·ØšÙÙÙÙ Ø§Ø­Ø³Ù     Ø§ÙÙ
+ØªØ¹Ø§Ø±Ù Ø¹ÙÙÙ ØšØ§Ø³ØªØ®Ø¯Ø§Ù
+ Ø¹Ø§Ù
+Ù Ø§ÙØ¹ÙØ§ÙØ©</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">æ¥æº</Attribute>
+            <Attribute name="definition">ç°æèµæºæ¥æºçåç
+§ã</Attribute>
+            <Attribute name="comment">åœåèµæºå¯èœéšåæå
+šéšæºèªè¯¥å
+çŽ ææ è¯çèµæºïŒå»ºè®®å¯¹è¿äžèµæºçæ è¯éçšäžäžªç¬Šåæ­£åŒæ è¯ç³»    ç»çå­äž²åæ°å­ç»å ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">Zdroj</Attribute>
+            <Attribute name="definition">Odkaz na zdroj, z nÄhoÅŸ je popisovanÃœ zdroj odvozen.</Attribute>
+            <Attribute name="comment">PopisovanÃœ zdroj mÅ¯ÅŸe bÃœt zcela nebo zÄÃ¡sti odvozen ze zdroje uvedenÃ©ho v prvku Zdroj. DoporuÄuje se odkazovat zdroj znakovÃœm ÅetÄzcem nebo ÄÃ­slem odpovÃ­dajÃ­cÃ­m nÄkterÃ©mu z formÃ¡lnÃ­ch identifikaÄnÃ­ch systÃ©mÅ¯.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Bron</Attribute>
+            <Attribute name="definition">Informatie over een tweede bron waar de huidige Internetbron is van afgeleid. Bij &quot;Source&quot; mag een datum, auteur of maker, formaat, identificatie of andere metadata voor de tweede bron worden ingevuld. Voorbeeld: het is mogelijk om een &quot;Source&quot; datum 1603 in een omschrijving van een 1996 film bewerking van een Shakespeare stuk te gebruiken. &quot;Source&quot; is niet bruikbaar wanneer de huidige bron de orginele is.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Fonte</Attribute>
+            <Attribute name="definition">Un referentia a un ressource del qual se deriva le ressource presente.</Attribute>
+            <Attribute name="comment">Le ressource presente pote derivar se del ressource-fonte in toto o in parte. Le practica recommendate es facer referentia al ressource per medio de un catena de characteres o un numero conforme a un systema formal de identification.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€à€à€®</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€à€Ÿ à€à€à€® à€žà€Ÿà€à€à€£à€Ÿà€°à€Ÿ à€à€à€
+à€°à¥à€¥à¥ à€žà€à€Šà€°à¥à€­</Attribute>
+            <Attribute name="comment">à€à€Šà€Ÿ. à€ªà¥à€žà¥à€€à€, à€®à€Ÿà€žà€¿à€,  à€®à€Ÿà€¹à€¿à€€à¥à€à€Ÿà€³à¥à€¯à€Ÿà€µà€°à¥à€² à€ªà€€à¥à€€à€Ÿà€¯à€Ÿà€à€à€Ÿ à€žà€à€Šà€°à¥à€­</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Language" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Language</Attribute>
+            <Attribute name="definition">A language of the intellectual content of the resource.</Attribute>
+            <Attribute language="en" name="comment">Recommended best practice for the values of the Language element is defined by RFC 1766 which includes a two-letter Language Code (taken from the ISO 639 standard, followed optionally, by a two-letter Country Code (taken from the ISO 3166 standard). For example, &apos;en&apos; for English, &apos;fr&apos; for French, or &apos;en-uk&apos; for English used in the United Kingdom.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Reo</Attribute>
+            <Attribute name="definition">Te reo o te whakakaupapatanga o nga matauranga o te rauemi.</Attribute>
+            <Attribute name="comment">Ko te tino huarahi kua tohua mo nga uara o te huanga Reo kua whakaritea ki te RFC 1766 [RFC1766] kei roto te Tohu Reo kupu-rua (two-letter Language Code) (no te aro whanui ISO 639 [ISO639], ka taea e tetahi tohu kupu-rua te whai atu (no te aro whanui ISO 3166) [ISO366]). Hei tauira, te &apos;en&apos; mo te English, te &apos;fr&apos; mo te French, &apos;te en-uk&apos; mo te English e whakamahia ana i Ingarangi (UK).</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Langue</Attribute>
+            <Attribute name="definition">La langue du contenu intellectuel de la ressource.</Attribute>
+            <Attribute name="comment">Il est recommandÃ© d&apos;utiliser comme valeur de l&apos;Ã©lÃ©ment Langue celles definies par la RFC 1766 [RFC1766] qui comprend un code de langage Ã  deux caractÃšres(venant du standard ISO 639 [ISO639]), Ã©ventuellement suivi d&apos;un code Ã  deux lettres pour le pays (venant du standard ISO 3166 [ISO3166] ou en franÃ§ais [ISO3166]). Par exemple, &apos;en&apos; pour l&apos;anglais, &apos;fr&apos; pour le franÃ§ais, ou &apos;en-uk&apos; pour l&apos;anglais utilisÃ© au Royaume-Uni.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">Ð¯Ð·ÑÐº</Attribute>
+            <Attribute name="definition">Ð¯Ð·ÑÐº ÐžÐœÑÐµÐ»Ð»ÐµÐºÑÑÐ°Ð»ÑÐœÐŸÐ³ÐŸ ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÐ»Ñ Ð¿ÑÐ°ÐºÑÐžÑÐµÑÐºÐŸÐ³ÐŸ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÐœÐžÑ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ Ð·ÐœÐ°ÑÐµÐœÐžÐµ ÑÐ»ÐµÐŒÐµÐœÑÐ° Ð¯Ð·ÑÐº, ÐŸÐ¿ÑÐµÐŽÐµÐ»ÑÐµÐŒÐŸÐµ RFC 1766 (Ð¢ÑÐ³Ðž ÐŽÐ»Ñ ÐžÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐžÐž ÑÐ·ÑÐºÐ°), Ð²ÐºÐ»ÑÑÐ°ÑÑÐžÐŒ ÐŽÐ²ÑÑ
+Ð±ÑÐºÐ²ÐµÐœÐœÑÐ¹ ÐºÐŸÐŽ ÑÐ·ÑÐºÐ° (Ð²Ð·ÑÑÑÐ¹ ÐžÐ· ÑÑÐ°ÐœÐŽÐ°ÑÑÐ° ISO 639 (ÐÐŸÐŽÑ ÐŽÐ»Ñ Ð¿ÑÐµÐŽÑÑÐ°Ð²Ð»ÐµÐœÐžÑ ÐœÐ°Ð·Ð²Ð°ÐœÐžÐ¹ ÑÐ·ÑÐºÐŸÐ²)), Ð·Ð° ÐºÐŸÑÐŸÑÑÐŒ ÑÐ»ÐµÐŽÑÐµÑ (Ð¿ÑÐž ÐœÐµÐŸÐ±Ñ
+ÐŸÐŽÐžÐŒÐŸÑÑÐž) ÐŽÐ²ÑÑ
+Ð±ÑÐºÐ²ÐµÐœÐœÑÐ¹ ÐºÐŸÐŽ ÑÑÑÐ°ÐœÑ (Ð²Ð·ÑÑÑÐŒÐž ÐžÐ· ÑÑÐ°ÐœÐŽÐ°ÑÑÐ° ISO 3166 (ÐÐŸÐŽÑ ÐŽÐ»Ñ Ð¿ÑÐµÐŽÑÑÐ°Ð²Ð»ÐµÐœÐžÑ ÐœÐ°Ð·Ð²Ð°ÐœÐžÐ¹ ÑÑÑÐ°Ðœ)). ÐÐ°Ð¿ÑÐžÐŒÐµÑ, &quot;en&quot; - ÐŽÐ»Ñ Ð°ÐœÐ³Ð»ÐžÐ¹ÑÐºÐŸÐ³ÐŸ, &quot;fr&quot; - ÐŽÐ»Ñ ÑÑÐ°ÐœÑÑÐ·ÑÐºÐŸÐ³ÐŸ, &quot;en-uk&quot; - ÐŽÐ»Ñ Ð°ÐœÐ³Ð»ÐžÐ¹ÑÐºÐŸÐ³ÐŸ, ÐžÑÐ¿ÐŸÐ»ÑÐ·ÑÐµÐŒÐŸÐ³ÐŸ Ð² ÐÐµÐ»ÐžÐºÐŸÐ±ÑÐžÑÐ°ÐœÐžÐž.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Lengua</Attribute>
+            <Attribute name="definition">Lengua/s del contenido intelectual del recurso. Practicamente el contenido de este campo deberÃ­a coincidir con los de la RFC 1766 (Tags para la identificaciÃ³n de lenguas, http://ds.internic.net/rfc/rfc1766.txt); por ejemplo: en, es, de, fi, ja y zh.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙÙØºØ©</Attribute>
+            <Attribute name="definition">ÙØ°Ù ÙÙ ÙØºØ© Ø§ÙÙ
+Ø­ØªÙÙ Ø§ÙÙÙØ±Ù ÙÙÙ
+ØµØ¯Ø± . ÙÙÙ
+Ø§ ÙØ§Ù  Ø¹Ù
+ÙÙØ§ , Ù
+Ø­ØªÙÙ ÙØžØ§ Ø§ÙØ­ÙÙ ÙØ¬Øš Ø£Ù ÙØªØ·Ø§ØšÙ Ù
+Ø¹ RFC 1766    ] Ø§ÙØ§Ù
+Ø«ÙØ© ØªØ¶Ù
+ th, ja, fr, es, fi, de, en Ù zh ÙØ±Ù
+ÙØ² ÙÙØªØ¹Ø±ÙÙ ØšØ§ÙÙØºØ© [</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">è¯­ç§</Attribute>
+            <Attribute name="definition">æè¿°èµæºç¥è¯å
+å®¹çè¯­ç§ã</Attribute>
+            <Attribute name="comment">å»ºè®®æ¬å
+çŽ çåŒéçšRFC 3066[RFC3066]ïŒè¯¥æ åäžISO 639 [ISO639]äžèµ·å®ä¹äºç±äž€äžªåäžäžªè±    æå­æ¯ç»æçäž»è¯­èšæ ç­Ÿåå­æ ç­ŸäŸåŠå
+æ¬âenâæâengâæ¥è¡šç€ºEnglish, &quot;akk&quot; æ¥è¡šç€º    &quot;en-GB&quot;è¡šç€ºè±åœè±è¯­ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">Jazyk</Attribute>
+            <Attribute name="definition">Jazyk intelektuÃ¡lnÃ­ho obsahu zdroje.</Attribute>
+            <Attribute name="comment">DoporuÄenÃœ postup pro hodnoty prvku Jazyk je definovÃ¡n v RFC 1766 [RFC1766]: dvouznakovÃœ kÃ³d jazyka (pÅevzatÃœ z normy ISO 639 [ISO639]) volitelnÄ nÃ¡sledovanÃœ dvouznakovÃœm kÃ³dem zemÄ (pÅevzatÃœm z normy ISO 3166 [ISO3166]). NapÅÃ­klad &apos;en&apos; pro angliÄtinu, &apos;fr&apos; pro francouzÅ¡tinu, &apos;cs&apos; pro ÄeÅ¡tinu, nebo &apos;en-uk&apos; pro angliÄtinu uÅŸÃ­vanou ve SpojenÃ©m krÃ¡lovstvÃ­.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Taal</Attribute>
+            <Attribute name="definition">De taal waarin het document is beschreven. Voorgeschreven wordt de ISO639-1 norm, een twee karakter taalcode van de ISO 639(639-1 en 639-2) norm. Taalcodes kunnen van een lijst worden gekozen: http://www.ics.uci.edu/pub/ietf/http/related/iso639.txt, Eventueel kan ISO3166 (landencodes) gebruikt worden om aan te geven in welk gebied de taal wordt gesproken. Deze kunnen ook van een lijst worden gekozen:  http://www.ics.uci.edu/pub/ietf/http/related/iso3166.txt.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Lingua</Attribute>
+            <Attribute name="definition">Le lingua del contento intellectual del ressource.</Attribute>
+            <Attribute name="comment">Le practica recommendate pro le valores del elemento lingua es definite per RFC 1766 [RFC1766], que include un codice de lingua de duo litteras (prendite del standard ISO 639 [ISO639]), sequite optionalmente per un codice de pais de duo litteras (prendite del standard ISO 3166 [ISO3166]). Per exemplo, &apos;ia&apos; pro interlingua, &apos;fr&apos; pro francese, o &apos;en-uk&apos; pro le anglese del Regno Unite.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€­à€Ÿà€·à€Ÿ</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à¥ à€­à€Ÿà€·à€Ÿ</Attribute>
+            <Attribute name="comment">à€à€Šà€Ÿ. à€®à€°à€Ÿà€ à¥ - à€­à€Ÿà€°à€€à¥à€¯ à€­à€Ÿà€·à€Ÿ</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Relation" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Relation</Attribute>
+            <Attribute name="definition">A reference to a related resource.</Attribute>
+            <Attribute name="comment">Recommended best practice is to reference the resource by means of a string or number conforming to a formal identification system.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Whai Panga</Attribute>
+            <Attribute name="definition">He tohutoro ki tetahi rauemi whai panga.</Attribute>
+            <Attribute name="comment">Ko te tino huarahi kua tohua, ko te tohutoro ki te rauemi ma te aho, te tau ranei, e hangai ana ki te punaha taututanga okawa.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Relation</Attribute>
+            <Attribute name="definition">Une rÃ©fÃ©rence Ã  une autre ressource qui a un rapport avec cette ressource.</Attribute>
+            <Attribute name="comment">Il est recommandÃ© de rÃ©fÃ©rencer cette ressource par une chaÃ®ne de caractÃšres ou un numÃ©ro conforme Ã  un systÃšme formel d&apos;identification.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÑÐœÐŸÑÐµÐœÐžÐµ</Attribute>
+            <Attribute name="definition">ï¿œÐµÐœÐœÑÐ¹ ÑÐµÑÑÑÑ.</Attribute>
+            <Attribute name="comment">ÐÐ»Ñ Ð¿ÑÐ°ÐºÑÐžÑÐµÑÐºÐŸÐ³ÐŸ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÐœÐžÑ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ ÐžÐŽÐµÐœÑÐžÑÐžÑÐžÑÐŸÐ²Ð°ÑÑ ÑÐµÑÑÑÑ Ð¿ÐŸÑÑÐµÐŽÑÑÐ²ÐŸÐŒ ÑÑÑÐŸÐºÐž ÐžÐ»Ðž ÑÐžÑÐ»Ð°, ÑÐŸÐŸÑÐ²ÐµÑÑÑÐ²ÑÑÑÐµÐ³ÐŸ ÑÐŸÑÐŒÐ°Ð»ÑÐœÐŸÐ¹ ÐžÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐžÐŸÐœÐœÐŸÐ¹ ÑÐžÑÑÐµÐŒÐµ.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">RelaciÃ³n</Attribute>
+            <Attribute name="definition">Un identificador de un segundo recurso y su relaciÃ³n con el recurso actual. Este elemento permite enlazar los recursos relacionados y las descripciones de los recursos. Por ejemplo: IsVersionOf - Incluye la ediciÃ³n de un trabajo, IsBasedOn - La traducciÃ³n de un trabajo, IsPartOf - Un capÃ­tulo de un libro, IsFormatOf - Un mecanismo de transformaciÃ³n de un conjunto de datos en una imagen. Para asegurar la interoperabilidad, las relaciones deberÃ­an ser seleccionadas de una lista de elementos que actualmente se encuentra bajo desarrollo en un grupo de trabajo.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙØ¹ÙØ§ÙØ©</Attribute>
+            <Attribute name="definition">ÙØ°Ø§ Ù
+Ø¹Ø±Ù ÙÙÙ
+ØµØ¯Ø± Ø§ÙØ«Ø§ÙÙ Ù Ø¹ÙØ§ÙØªÙ ØšØ§ÙÙ
+ØµØ¯Ø± Ø§ÙØ­Ø§ÙÙ . ÙØ³Ù
+Ø­ ÙØ°Ø§ Ø§ÙØ¹Ø§Ù
+Ù ØšØªÙØ¶ÙØ­ Ø§ÙØ±ÙØ§ØšØ· ØšÙÙ Ø§ÙÙ
+ØµØ§Ø¯Ø± Ø§ÙÙ
+ØªØ¹ÙÙØ©     ØšØšØ¹Ø¶ÙØ§ Ù ØªÙØµÙÙ Ø§ÙÙ
+ØµØ¯Ø± . Ø§ÙØ§Ù
+Ø«ÙØ© ØªØ¶Ù
+ Ø·ØšØ¹Ø© Ø§ÙØ¹Ù
+Ù ) ÙØ³Ø®Ø© Ù
+Ù ( ØªØ±Ø¬Ù
+Ø© Ø¹Ù
+Ù ) Ø§Ø¹ØªÙ
+Ø§Ø¯Ø§ Ø¹ÙÙ ( ÙØµÙ Ù
+Ù ÙØªØ§Øš ) Ø¬Ø²Ø¡ Ù
+Ù (    Ù ØªØ­ÙÙÙÙ Ù
+ÙÙØ§ÙÙÙÙØ© ÙÙ
+Ø¬Ù
+ÙØ¹Ø© Ù
+Ø¹ÙÙÙ
+Ø§ØªÙØ© Ø§ÙÙ ØµÙØ±Ø© ) ØµÙØºØ© Ù
+Ù ( Ù
+Ù Ø£Ø¬Ù Ø§ÙØªØ¹Ø§Ù
+Ù Ø§ÙÙ
+ØŽØªØ±Ù , ÙØ¬Øš Ø§Ø®ØªÙØ§Ø± Ø§ÙØ¹ÙØ§ÙØ§Øª Ù
+Ù    Ø§ÙÙØ§ØŠÙ
+Ø© Ø§ÙÙ
+Ø±ÙÙ
+Ø© Ù Ø§ÙØªÙ ÙØªÙ
+ Ø§Ø¹Ø¯Ø§Ø¯ÙØ§ Ø­Ø§ÙÙØ§ Ø¶Ù
+Ù Ø­ÙÙØ§Øª ÙØ±ØŽØ© Ø¹Ù
+Ù</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">å
+³è</Attribute>
+            <Attribute name="definition">æ¶åççžå
+³èµæºã</Attribute>
+            <Attribute name="comment">èåœçžå
+³èµæºæ¶ïŒå»ºè®®äœ¿çšç¬Šåæ­£åŒæ è¯ç³»ç»çå­ç¬Šäž²æè
+æ°å­ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">Vztah</Attribute>
+            <Attribute name="definition">Odkaz na pÅÃ­buznÃœ zdroj.</Attribute>
+            <Attribute name="comment">DoporuÄuje se odkazovat zdroj znakovÃœm ÅetÄzcem nebo ÄÃ­slem odpovÃ­dajÃ­cÃ­m nÄkterÃ©mu z formÃ¡lnÃ­ch identifikaÄnÃ­ch systÃ©mÅ¯.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Relatie</Attribute>
+            <Attribute name="definition">Een identificatie van een tweede bron en de relatie met de huide Internetbron. Voorbeelden zijn een editie van een werk (IsVersionOf), een vertaling van een werk (IsBasedOn), een hoofdstuk van een boek (IsPartOf) en een mechanische transformatie van een dataset in een plaatje (IsFormatOf). De DC Working Groups zijn bezig met een lijst met de meest verwachte relaties. Aanbevolen wordt om de relaties van deze lijst te gebruiken: http://purl.oclc.org/metadata/dublin_core/wrelationdraft.html.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="definition">Relation</Attribute>
+            <Attribute name="definition">Un referentia a un ressource correlate.</Attribute>
+            <Attribute name="comment">Le practica recommendate es facer referentia al ressource per medio de un catena de characteres o numero conforme a un systema de identification formal.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€šà€Ÿà€€à¥ , à€žà€à€¬à€à€§</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€¶à¥ à€žà€à€¬à€à€§ à€Šà€Ÿà€à€µà€£à€Ÿà€°à€Ÿ à€žà€à€Šà€°à¥à€­</Attribute>
+            <Attribute name="comment">à€à€Šà€Ÿ.  à€®à€Ÿà€¹à€¿à€€à¥ à€à€Ÿà€³à¥à€¯à€Ÿà€µà€°à¥à€² à€ªà€€à¥à€€à€Ÿ(URL)</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Coverage" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Coverage</Attribute>
+            <Attribute name="definition">The extent or scope of the content of the resource.</Attribute>
+            <Attribute name="comment">Coverage will typically include spatial location (a place name or geographic coordinates), temporal period (a period label, date, or date range) or jurisdiction (such as a named administrative entity). Recommended best practice is to select a value from a controlled vocabulary (for example, the Thesaurus of Geographic Names [TGN]) and that, where appropriate, named places or time periods be used in preference to numeric identifiers such as sets of coordinates or date ranges.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Kapitanga</Attribute>
+            <Attribute name="definition">Te roanga, te whanuitanga ranei o te whakakaupapatanga o te rauemi.</Attribute>
+            <Attribute name="comment">Ko te tikanga, ka uru atu te wahi mokowa (te ingoa o tetahi wahi, whakapiritanga matawhenua ranei), whakaritenga wa (he tapatanga wa (period label, ra, whakatakotoranga whanui o nga ra), te whakaritenga ture (penei i te putahi whakahaere). Ko te tino huarahi kua tohua, ko te tipako uara mai i tetahi whakaritenga kupu (hei tauira, i tetahi Puna Kupu Ingoa Matawhenua (Geographic Names [TGN] i nga wahi tika, ko nga wahi me nga whakaritenga wa ka whakamahia i mua i te whakamahitanga o nga taututanga tau penei i nga huinga whakapiritanga me nga whakatakotoranga whanui o nga ra.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Couverture</Attribute>
+            <Attribute name="definition">La portÃ©e ou la couverture spatio-temporelle de la ressource.</Attribute>
+            <Attribute name="comment">La couverture typiquement inclut une position gÃ©ographique (le nom d&apos;un lieu ou ses coordonnÃ©es), une pÃ©riode de temps (un nom de pÃ©riode, une date, ou un intervalle de temps) ou une juridiction (telle que le nom d&apos;une entitÃ© administrative). Il est recommandÃ© de choisir la  valeur de Couverture dans un vocabulaire contrÃŽlÃ© (par exemple, un thÃ©saurus de noms gÃ©ographiques, comme[TGN]) et, quand cela est appropriÃ©, des noms de lieux ou de pÃ©riodes plutÃŽt que des identifiants numÃ©riques tels que des coordonnÃ©es ou des intervalles de dates. </Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÑ
+Ð²Ð°Ñ</Attribute>
+            <Attribute name="definition">ÐÑÐŸÑÑÐ¶ÐµÐœÐœÐŸÑÑÑ Ðž Ð³ÑÐ°ÐœÐžÑÑ ÑÐŸÐŽÐµÑÐ¶Ð°ÐœÐžÑ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÑ
+Ð²Ð°Ñ ÐŸÐ±ÑÐºÐœÐŸÐ²ÐµÐœÐœÐŸ Ð²ÐºÐ»ÑÑÐ°ÐµÑ Ð¿ÑÐŸÑÑÑÐ°ÐœÑÑÐ²ÐµÐœÐœÐŸÐµ ÐŒÐµÑÑÐŸÐœÐ°Ñ
+ÐŸÐ¶ÐŽÐµÐœÐžÐµ (ÐœÐ°Ð·Ð²Ð°ÐœÐžÐµ ÐŒÐµÑÑÐœÐŸÑÑÐž ÐžÐ»Ðž Ð³ÐµÐŸÐ³ÑÐ°ÑÐžÑÐµÑÐºÐžÐµ ÐºÐŸÐŸÑÐŽÐžÐœÐ°ÑÑ), Ð²ÑÐµÐŒÐµÐœÐœÐŸÐ¹ Ð¿ÑÐŸÐŒÐµÐ¶ÑÑÐŸÐº (ÑÐºÐ°Ð·Ð°ÐœÐžÐµ Ð¿ÐµÑÐžÐŸÐŽÐ°, ÐŽÐ°ÑÐ° ÐžÐ»Ðž ÑÑÐŽ ÐŽÐ°Ñ) ÐžÐ»Ðž ÑÑÐžÑÐŽÐžÐºÑÐžÑ (ÑÐºÐ°Ð·Ð°ÐœÐžÐµ ÐµÐŽÐžÐœÐžÑÑ Ð°ÐŽÐŒÐžÐœÐžÑÑÑÐ°ÑÐžÐ²ÐœÐŸÐ³ÐŸ ÐŽÐµÐ»ÐµÐœÐžÑ). ÐÐ° Ð¿ÑÐ°ÐºÑÐžÐºÐµ ÑÐµÐºÐŸÐŒÐµÐœÐŽÑÐµÑÑÑ Ð²ÑÐ±ÐžÑÐ°ÑÑ Ð·ÐœÐ°ÑÐµÐœÐžÐµ ÐžÐ· ÐºÐŸÐœÑÑÐŸÐ»ÐžÑÑÐµÐŒÐŸÐ³ÐŸ ÑÐ»ÐŸÐ²Ð°ÑÑ (ÐœÐ°Ð¿ÑÐžÐŒÐµÑ, Ð¢ÐµÐ·Ð°ÑÑÑÑÐ° Ð³ÐµÐŸÐ³ÑÐ°ÑÐžÑÐµÑÐºÐžÑ
+ ÐœÐ°Ð·Ð²Ð°ÐœÐžÐ¹ TGN), Ðž, ÐµÑÐ»Ðž ÑÑÐŸ ÑÐŒÐµÑÑÐœÐŸ, Ð¿ÑÐµÐŽÐ¿ÐŸÑÑÐµÐœÐžÐµ ÐŸÑÐŽÐ°ÐµÑÑÑ ÑÐºÐ°Ð·Ð°ÐœÐžÑÐŒ ÐŒÐµÑÑÐœÐŸÑÑÐµÐ¹ ÐžÐ»Ðž Ð²ÑÐµÐŒÐµÐœÐœÑÑ
+ Ð¿ÑÐŸÐŒÐµÐ¶ÑÑÐºÐŸÐ² Ð²ÐŒÐµÑÑÐŸ ÑÐžÑÑÐŸÐ²ÑÑ
+ ÐžÐŽÐµÐœÑÐžÑÐžÐºÐ°ÑÐŸÑÐŸÐ², ÐºÐ°Ðº, ÐœÐ°Ð¿ÑÐžÐŒÐµÑ, ÑÐžÑÑÐµÐŒ ÐºÐŸÐŸÑÐŽÐžÐœÐ°Ñ ÐžÐ»Ðž Ð²ÑÐµÐŒÐµÐœÐœÑÑ
+ ÑÑÐŽÐŸÐ².</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Cobertura</Attribute>
+            <Attribute name="definition">La caracterÃ­stica de cobertura espacial y/o temporal del contenido intelectual del recurso. La cobertura espacial se refiere a una regiÃ³n fÃ­sica (por ejemplo, sector celestial); uso de coordenadas (por ejemplo, longitud y latitud) o nombres de lugares extraidos de una lista controlada. La cobertura temporal se refiere al contenido del recurso en vez de a cuando fue creado o puesto accesible ya que este Ãºltimo pertenece al elemento Date. Se usa el mismo formato basado en http://www.w3.org/TR/NOTE-datetime.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø§ÙØªØºØ·ÙØ©</Attribute>
+            <Attribute name="definition">ÙÙ Ø§ÙØ®ØµØ§ØŠØµ Ø§ÙÙ
+ÙØ§ÙÙØ© Ø§Ù Ø§ÙØ²Ù
+ÙÙØ© ÙÙÙ
+Ø­ØªÙÙ Ø§ÙÙÙØ±Ù ÙÙÙ
+ØµØ¯Ø± . Ø§ÙØªØºØ·ÙØ© Ø§ÙÙ
+ÙØ§ÙÙØ© ØªØŽÙØ± Ø§ÙÙ Ø¬ÙØ© Ø·ØšÙØ¹ÙØ© )Ù
+Ø«Ù , ÙØ·Ø§Ø¹ Ø³Ù
+Ø§ÙÙ (    Ø§Ø³ØªØ®Ø¯Ø§Ù
+ Ø§ÙØ§Ø­Ø¯Ø§Ø«ÙØ§Øª ) Ù
+Ø«Ù  Ø®Ø· Ø§ÙØ·ÙÙ Ù Ø®Ø· Ø§ÙØ¹Ø±Ø¶ ( ÙÙ Ø£Ø³Ù
+Ø§Ø¡ Ø§Ù
+ÙÙØ© Ù
+Ø³ØªØ­ÙÙ
+Ø© Ø§Ù Ù
+ØªØ¬ÙØ§Øª ØšØ§ÙÙØ§Ù
+Ù . Ø§ÙØªØºØ·ÙØ© Ø§ÙØ²Ù
+ÙÙØ©    Ø«Ø¹ÙØ¯ Ø§ÙÙ Ù
+Ø§ ÙØ±Ø¬Ø¹ Ø§ÙÙÙ Ø§ÙÙ
+ØµØ¯Ø± Ù ÙÙØ³ Ø§Ù Ù
+ØªÙ ØªÙ
+ ØªÙÙÙØ±Ù ) Ø§ÙØ§Ø®ÙØ± ÙØªØ¹ÙÙ ØšØ¹Ø§Ù
+Ù Ø§ÙØªØ§Ø±ÙØ® ( Ø§Ø³ØªØ®Ø¯Ø§Ù
+ ÙÙØ³ ØµÙØºØ© Ø§ÙØªØ§Ø±ÙØ®  Ø§Ù Ø§ÙÙÙØª    ) Ø¹Ø§Ø¯Ø© Ù
+Ø¯Ù ] ( ØµÙØ§ØºØ§Øª Ø§ÙÙÙÙ
+ Ù Ø§ÙÙÙØª ) Ø§Ø¹ØªÙ
+Ø§Ø¯Ø§ Ø¹ÙÙ (ISO 8601 Ø§ÙÙ
+ÙØ§Ø­ØžØ© Ø§ÙÙÙÙØ© [http://www.w3.org/TR/NOTE-datetime, W3C    ÙÙ
+Ø§ ÙÙ Ù
+ÙØµÙ ØšÙ ÙØ¹Ø§Ù
+Ù Ø§ÙØªØ§Ø±ÙØ® Ø§Ù ÙØªØ±Ø§Øª Ø²Ù
+ÙÙØ© Ù
+Ù ÙØ§ØŠÙ
+Ø© Ù
+Ø³ØªØ­ÙÙ
+Ø© Ø§Ù Ù
+ØªØ¬ÙØ§Øª ØšØ§ÙÙØ§Ù
+Ù</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">èŠçèåŽ</Attribute>
+            <Attribute name="definition">èµæºå
+å®¹ææ¶åçå€å»¶äžèŠçèåŽ</Attribute>
+            <Attribute name="comment">èŠçèåŽäžè¬å
+æ¬ç©ºéŽäœçœ®ïŒäžäžªå°åæå°çåæ ïŒãæ¶éŽåºéŽïŒäžäžªæ¶éŽæ è¯ïŒæ¥ææäžäžªæ¥æè    åŽïŒãæè
+æéïŒæ¯åŠåœåçææå®äœïŒæšèèŠçèåŽæå¥œæ¯åèªäºäžäžªåæ§è¯è¡šïŒäŸåŠå°åè¯åº    [TGN]ïŒïŒå¹¶åºå°œå¯èœå°äœ¿çšç±æ°å­è¡šç€ºçåæ ææ¥æåºéŽæ¥æè¿°å°åäžæ¶éŽæ®µã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">PokrytÃ­</Attribute>
+            <Attribute name="definition">Rozsah nebo zÃ¡bÄr obsahu zdroje.</Attribute>
+            <Attribute name="comment">PokrytÃ­ bude typicky obsahovat prostorovÃ© umÃ­stÄnÃ­ (jmÃ©no mÃ­sta nebo zemÄpisnÃ© souÅadnice), ÄasovÃ© obdobÃ­ (oznaÄenÃ­ obdobÃ­, datum nebo ÄasovÃœ interval) nebo jurisdikci (napÅ. jmÃ©no administrativnÃ­ jednotky). DoporuÄuje se vybÃ­rat hodnotu z ÅÃ­zenÃ©ho slovnÃ­ku (napÅ. Thesaurus of Geographic Names [TGN]) a tam, kde je to vhodnÃ©, uvÃ¡dÄt mÃ­sta nebo ÄasovÃ© Ãºseky spÃ­Å¡e jmÃ©nem neÅŸ ÄÃ­selnÃœmi identifikÃ¡tory jako jsou soubory souÅadnic nebo ÄasovÃ© intervaly.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Dekking</Attribute>
+            <Attribute name="definition">De ruimtelijke of tijdelijke karakteristieken van de intellectuele inhoud van de Internetbron. Ruimtelijke dekking verwijst naar een geografisch gebied. Gebruik coordinaten (longitude (lengtegraad) en latitude (breedtegraad)) of plaatsnamen die van een gecontroleerde lijst komen of volledig uitgeschreven zijn. Dekking in de tijd geeft de tijdsperiode aan waarop de inhoud van de Internetbron betrekking heeft en niet wanneer de Internetbron is gemaakt of beschikbaar is gesteld (dit laatste hoort ingevult te worden bij &quot;Date&quot;). Gebruik dezelfde datum/tijd formaat als bij &quot;Date&quot;; W3C Technical Note http://www.w3.org/TR/NOTE-datetime of tijdsperioden die van een gecontroleerde lijst komen of volledig uitgeschreven zijn. Coverage is in ontwikkeling bij de Dublin Core Working group http://www.alexandria.ucsb.edu/docs/metadata/dc_coverage.html.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Copertura</Attribute>
+            <Attribute name="definition">Le extension physic o abstracte del contento del ressource.</Attribute>
+            <Attribute name="comment">Le copertura typicamente include un location spatial (un nomine de localitate o coordinatas geographic), un periodo de tempore (un etiquetta de periodo, data, o gamma de datas), o un jurisdiction (tal como un entitate administrative nominate). Le practica recommendate es selectionar un valor a partir de un vocabulario controlate (per exemplo, le Thesaurus of Geographical Names [TGN]) e que, quando appropriate, localitates o periodos de tempore nominate sia utilizate in preferentia a identificatores numeric tales como collectiones de coordinatas o gammas de datas.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€µà¥à€¯à€Ÿà€ªà¥à€€à¥</Attribute>
+            <Attribute name="definition">à€®à€Ÿà€¹à€¿à€€à¥à€žà€Ÿà€ à¥à€¯à€Ÿà€à¥ à€­à¥à€à¥à€²à€¿à€  à€®à€Ÿà€¹à€¿à€€à¥</Attribute>
+            <Attribute name="comment">à€à€Šà€Ÿ. à€­à¥à€à¥à€²à€¿à€ à€µà¥à€¯à€Ÿà€ªà¥à€€à¥</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+    <Element name="Rights" remember_values="true">
+        <!-- English -->
+        <Language code="en">
+            <Attribute name="identifier">Rights Management</Attribute>
+            <Attribute name="definition">Information about rights held in and over the resource.</Attribute>
+            <Attribute name="comment">Typically, a Rights element will contain a rights management statement for the resource, or reference a service providing such information. Rights information often encompasses Intellectual Property Rights (IPR), Copyright, and various Property Rights. If the Rights element is absent, no assumptions can be made about the status of these and other rights with respect to the resource.</Attribute>
+        </Language>
+        <!-- Maori -->
+        <Language code="mi">
+            <Attribute name="identifier">Motika</Attribute>
+            <Attribute name="definition">Ko nga mohiohio ki nga motika o tetahi rauemi.</Attribute>
+            <Attribute name="comment">Ko te tikanga, kei te huanga Motika e pupuri ana he korero mo te whakaritenga motika mo te rauemi, he ratonga tohutoro e whakarato ana ranei i enei tumomo mohiohio. He nui nga wa, puta ai i roto i te mohiohio Motika te Mana Whakairo Hinegaro (Intellectual Property Rights - (IPR)), te Manatarua me nga Tuahua Mana Taonga (Property Rights). Ki te kore te huanga Motika, kaore e taea te pohehe noa ki te mana o enei, nga motika ranei e pa ana ki te rauemi.</Attribute>
+        </Language>
+        <!-- French -->
+        <Language code="fr">
+            <Attribute name="identifier">Droits</Attribute>
+            <Attribute name="definition">Information sur les droits sur et au sujet de la ressource.</Attribute>
+            <Attribute name="comment">Typiquement, un Ã©lÃ©ment Droits contiendra un Ã©tat du droit Ã  gÃ©rer une ressource, ou la refÃ©rence Ã  un service fournissant cette information. Ces droits souvent couvrent les droits de propriÃ©tÃ© intellectuelle (IPR), Copyright, et divers droits de propriÃ©tÃ©. Si l&apos;Ã©lÃ©ment Droits est absent, aucune hypothÃšse ne peut Ãªtre faite sur l&apos;Ã©tat de ces droits, ou de tout autre, par rapport Ã  la ressource.</Attribute>
+        </Language>
+        <!-- Russian -->
+        <Language code="ru">
+            <Attribute name="identifier">ÐÑÐ°Ð²ÐŸÐ²ÐŸÐµ ÑÐµÐ³ÑÐ»ÐžÑÐŸÐ²Ð°ÐœÐžÐµ</Attribute>
+            <Attribute name="definition">ÐÐœÑÐŸÑÐŒÐ°ÑÐžÑ ÐŸ Ð¿ÑÐ°Ð²Ð°Ñ
+ ÐžÑÐ¿ÐŸÐ»ÑÐ·ÐŸÐ²Ð°ÐœÐžÑ, ÑÐŸÐŽÐµÑÐ¶Ð°ÑÐ°ÑÑÑ Ð²ÐœÑÑÑÐž Ðž Ð²ÐœÐµ ÑÐµÑÑÑÑÐ°.</Attribute>
+            <Attribute name="comment">ÐÐ±ÑÑÐœÐŸ ÑÐ»ÐµÐŒÐµÐœÑ ÐÑÐ°Ð²Ð° ÑÐŸÐŽÐµÑÐ¶ÐžÑ Ð¿ÐŸÐ»ÐŸÐ¶ÐµÐœÐžÐµ ÐŸ Ð¿ÑÐ°Ð²ÐŸÐ²ÑÑ
+ ÐœÐŸÑÐŒÐ°Ñ
+, ÑÐµÐ³ÑÐ»ÐžÑÑÑÑÐžÑ
+ ÑÑÐœÐºÑÐžÐŸÐœÐžÑÐŸÐ²Ð°ÐœÐžÐµ ÑÐµÑÑÑÑÐ° ÐžÐ»Ðž ÑÑÑÐ»ÐºÑ ÐœÐ° ÑÐ»ÑÐ¶Ð±Ñ, Ð¿ÑÐµÐŽÐŸÑÑÐ°Ð²Ð»ÑÑÑÑÑ ÑÑÑ ÐžÐœÑÐŸÑÐŒÐ°ÑÐžÑ. ÐÑÐ°Ð²ÐŸÐ²Ð°Ñ ÐžÐœÑÐŸÑÐŒÐ°ÑÐžÑ ÐŸÐ±ÑÑÐœÐŸ Ð²ÐºÐ»ÑÑÐ°ÐµÑ ÑÐ²ÐµÐŽÐµÐœÐžÑ ÐŸ ÐÑÐ°Ð²Ð°Ñ
+ ÐžÐœÑÐµÐ»Ð»ÐµÐºÑÑÐ°Ð»ÑÐœÐŸÐ¹ ÑÐŸÐ±ÑÑÐ²ÐµÐœÐœÐŸÑÑÐž, ÐÐ²ÑÐŸÑÑÐºÐŸÐŒ Ð¿ÑÐ°Ð²Ðµ Ðž ÐŽÑÑÐ³ÐžÑ
+ ÐÐŒÑÑÐµÑÑÐ²ÐµÐœÐœÑÑ
+ Ð¿ÑÐ°Ð²Ð°Ñ
+. ÐÑÑÑÑÑÑÐ²ÐžÐµ ÑÐ»ÐµÐŒÐµÐœÑÐ° ÐÑÐ°Ð²Ð° ÐœÐµ ÐŒÐŸÐ¶ÐµÑ ÑÐ²Ð»ÑÑÑÑÑ ÐŸÑÐœÐŸÐ²Ð°ÐœÐžÐµÐŒ ÐŽÐ»Ñ ÐºÐ°ÐºÐžÑ
+-Ð»ÐžÐ±ÐŸ Ð¿ÑÐµÐŽÐ¿ÐŸÐ»ÐŸÐ¶ÐµÐœÐžÐ¹ ÐŸ Ð¿ÑÐ°Ð²ÐŸÐ²ÐŸÐŒ ÑÑÐ°ÑÑÑÐµ Ðž ÐŽÑÑÐ³ÐžÑ
+ Ð¿ÑÐ°Ð²Ð°Ñ
+, ÐºÐ°ÑÐ°ÑÑÐžÑ
+ÑÑ ÑÐµÑÑÑÑÐ°.</Attribute>
+        </Language>
+        <!-- Spanish -->
+        <Language code="es">
+            <Attribute name="identifier">Derechos</Attribute>
+            <Attribute name="definition">Una referencia (URL, por ejemplo) para una nota sobre derechos de autor, para un servicio de gestiÃ³n de derechos o para un servicio que darÃ¡ informaciÃ³n sobre tÃ©rminos y condiciones de acceso a un recurso. Una especificaciÃ³n formal del elemento Rights se encuentra catualmente en discusiÃ³n y por lo tanto su uso se considera experimental.</Attribute>
+        </Language>
+        <!-- Arabic -->
+        <Language code="ar">
+            <Attribute name="identifier">Ø­ÙÙÙ Ø§ÙØ§Ø¯Ø§Ø±Ø©</Attribute>
+            <Attribute name="definition">ÙÙ Ø§ÙØ§Ø¯Ø© Ø­ÙÙÙ Ø§ÙØ§Ø¯Ø§Ø±Ø© , Ù
+Ø¹Ø±Ù Ù
+Ø±ØªØšØ· ØšØ§ÙØ§Ø¯Ø© Ø­ÙÙÙ Ø§ ÙØ§Ø¯Ø§Ø±Ø© , Ù
+Ø¹Ø±Ù Ù
+Ø±ØªØšØ· ØšØ®Ø¯Ù
+Ø© ØªÙØ¯Ù
+ Ù
+Ø¹ÙÙÙ
+Ø§Øª Ø¹Ù Ø­ÙÙÙ Ø§ÙØ§Ø¯Ø§Ø±Ø© Ø§ÙØ®Ø§ØµØ© ØšØ§ÙÙ
+ØµØ¯Ø±</Attribute>
+        </Language>
+        <!-- Chinese - Simplified -->
+        <Language code="cn">
+            <Attribute name="identifier">æé</Attribute>
+            <Attribute name="definition">æå
+³èµæºæ¬èº«ææçæè¢«èµäºçæéä¿¡æ¯</Attribute>
+            <Attribute name="comment">äžè¬èèšïŒæéå
+çŽ åºå
+æ¬äžäžªå¯¹èµæºçæéå£°æïŒæè
+æ¯å¯¹æäŸè¿äžä¿¡æ¯çæå¡çåç
+§ãæéäžè¬    å
+æ¬ç¥è¯äº§æ(IPR)ïŒçææå
+¶ä»åç§åæ ·çäº§æãåŠææ²¡ææéå
+çŽ çæ æ³šïŒäžå¯ä»¥å¯¹äžèµæºçžå
+³    çäžè¿°æå
+¶ä»æå©çæ
+åµäœåºä»»äœåå®ã</Attribute>
+        </Language>
+        <!-- Czech -->
+        <Language code="cs">
+            <Attribute name="identifier">PrÃ¡va</Attribute>
+            <Attribute name="definition">Informace o prÃ¡vech vztahujÃ­cÃ­ch se k popisovanÃ©mu zdroji.</Attribute>
+            <Attribute name="comment">Prvek PrÃ¡va bude typicky obsahovat ustanovenÃ­ o sprÃ¡vÄ autorskÃœch/vlastnickÃœch prÃ¡v ke zdroji nebo odkaz na sluÅŸbu poskytujÃ­cÃ­ takovÃ©to informace. Informace o prÃ¡vech Äasto zahrnujÃ­ prÃ¡va duÅ¡evnÃ­ho vlastnictvÃ­ (IPR), autorskÃ© prÃ¡vo a rÅ¯znÃ¡ vlastnickÃ¡ prÃ¡va. JestliÅŸe prvek PrÃ¡va chybÃ­, nelze odvozovat ÅŸÃ¡dnÃ© pÅedpoklady o stavu tÄchto a jinÃœch prÃ¡v vztahujÃ­cÃ­ch se k popisovanÃ©mu zdroji.</Attribute>
+        </Language>
+        <!-- Dutch -->
+        <Language code="nl">
+            <Attribute name="identifier">Copyright</Attribute>
+            <Attribute name="definition">Een copyright verklaring of een link naar een copyright verklaring of een link naar een service die informatie geeft over de copyright van de Internetbron.</Attribute>
+        </Language>
+        <!-- Finnish -->
+        <Language code="fi">
+            <Attribute name="identifier"/>
+            <Attribute name="definition"/>
+            <Attribute name="comment"/>
+        </Language>
+        <!-- Interlingua -->
+        <Language code="ia">
+            <Attribute name="identifier">Gestion de derectos</Attribute>
+            <Attribute name="definition">Information super derectos detenite super e a proposito del ressource.</Attribute>
+            <Attribute name="comment">Typicamente le elemento derectos continera un declaration de gestion de derectos pro le ressource, o un referentia a un servicio que provide tal information. Information de derectos frequentemente involve derectos de proprietate intellectual (IPR), copyright e varie derectos de proprietate. Si le elemento Derectos es absente, necun hypothese pote esser facite quanto al stato de iste e altere derectos concernente ressource.</Attribute>
+        </Language>
+        <!-- Marathi -->
+        <Language code="mr">
+            <Attribute name="identifier">à€¹à€à¥à€</Attribute>
+            <Attribute name="definition">à€¬à¥à€§à¥à€Šà€¿à€ à€žà€à€ªà€Šà¥à€à€Ÿà€¹à€à¥à€</Attribute>
+            <Attribute name="comment">à€žà¥à€µà€€à€à€¹à€Ÿà€à¥ à€²à¥à€à€š à€à€Ÿà€ªà¥à€š à€
+à€¥à€µà€Ÿ à€®à€Ÿà€¹à€¿à€€à¥à€à€Ÿà€³à¥à€¯à€Ÿà€µà€° à€ªà¥à€°à€à€Ÿà€¶à€¿à€€ à€à€°à€£à¥à€¯à€Ÿà€à€Ÿ à€²à¥à€à€ à€
+à€¥à€µà€Ÿ à€²à¥à€à€¿à€à¥à€à€Ÿ à€¬à¥à€§à¥à€Šà€¿à€ à€žà€à€ªà€Šà¥à€à€Ÿà€¹à€à¥à€</Attribute>
+        </Language>
+        <!-- Non-language specific -->
+        <Attribute name="version">1.1</Attribute>
+        <Attribute language="en" name="registration_authority">Dublin Core Metadata Initiative</Attribute>
+        <Attribute name="obligation">Optional</Attribute>
+        <Attribute name="datatype">Charater String</Attribute>
+        <Attribute name="maximum_occurance">Unlimited</Attribute>
+    </Element>
+</MetadataSet>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/ex.mds
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/ex.mds	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/ex.mds	(revision 18423)
@@ -0,0 +1,212 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE MetadataSet [
+
+  <!-- The outer tag of any metadata set. Contains some number of elements.             -->
+  <!-- @param contact     A contact address for the creator.                            -->
+  <!-- @param creator     The name of the entity resposibly for this set.               -->
+  <!-- @param family      The name of this sets family.                                 -->
+  <!-- @param lastchanged The full date, user name and machine name of the last editor. --> 
+  <!--   uses the form:                                                                 -->
+  <!--   Day Mon(th) dd hh:mm:ss yyyy '-' <username> on <machine>                       -->
+  <!-- @param namespace   The namespace of this metadata set.                           -->
+  <!ELEMENT MetadataSet ((Name|Description|Element)+)>
+  <!ATTLIST MetadataSet
+				contact     CDATA #REQUIRED
+				creator     CDATA #REQUIRED
+				description CDATA #REQUIRED
+            family      CDATA #REQUIRED
+				lastchanged CDATA #REQUIRED
+            name        CDATA #REQUIRED
+				namespace   CDATA #REQUIRED>
+
+  <!-- The name of a metadata set. Is language specific. -->
+  <!ELEMENT Name (#PCDATA)>
+  <!ATTLIST Name
+            language CDATA "en">
+
+  <!-- The description of a metadata set. Is language specific. -->
+  <!ELEMENT Description (#PCDATA)>
+  <!ATTLIST Description
+            language CDATA "en">
+
+  <!-- An element in the metadata set. -->
+  <!ELEMENT Element (Attribute*,OptionList?)>
+  <!ATTLIST Element
+            name       CDATA #REQUIRED
+				occurances CDATA "0">
+
+  <!-- Each element has several attribute children. -->
+  <!ELEMENT Attribute (#PCDATA)>
+  <!ATTLIST Attribute
+            name CDATA #REQUIRED>
+
+  <!-- For listing predefined values for this element. -->
+  <!ELEMENT OptionList (Value+)>
+  <!ATTLIST OptionList
+            restricted (true|false) "false">
+]>
+<MetadataSet contact="nzdl.org" creator="New Zealand Digital Libraries Project: Greenstone" family="Extracted Greenstone" lastchanged="Tue May 20 10:30:32 2003 - jmt12 on narya" namespace="ex">
+    <Name language="en">Extracted Greenstone Metadata 1.0</Name>
+    <Description language="en">This document is the reference description, version 1.0 of the automatically extracted Greenstone Metadata Element Set.</Description>
+    <Element name="Encoding" occurances="564">
+        <Attribute language="en" name="comment">Not always available.</Attribute>
+        <Attribute language="en" name="definition">The encoding of the imported document as extracted by Greenstone.</Attribute>
+        <Attribute language="en" name="identifier">Encoding</Attribute>
+    </Element>
+    <Element name="Language" occurances="564">
+        <Attribute language="en" name="comment">Not always available.</Attribute>
+        <Attribute language="en" name="definition">The language of the imported document as extracted by Greenstone.</Attribute>
+        <Attribute language="en" name="identifier">Language</Attribute>
+    </Element>
+    <Element name="Source" occurances="1032">
+        <Attribute language="en" name="comment">Hidden in the Librarian Interface as it already shown by the various file trees.</Attribute>
+        <Attribute language="en" name="definition">The filename of the document imported by Greenstone.</Attribute>
+        <Attribute language="en" name="identifier">Source</Attribute>
+    </Element>
+    <Element name="Title" occurances="836">
+        <Attribute language="en" name="comment">Not always available.</Attribute>
+        <Attribute language="en" name="definition">The title of the imported document as extracted by Greenstone.</Attribute>
+        <Attribute language="en" name="identifier">Title</Attribute>
+    </Element>
+    <Element name="Plugin" occurances="822">
+        <Attribute language="en" name="identifier">Plugin</Attribute>
+    </Element>
+    <Element name="mp3" occurances="14">
+        <Attribute language="en" name="identifier">mp3</Attribute>
+    </Element>
+    <Element name="srcurl" occurances="14">
+        <Attribute language="en" name="identifier">srcurl</Attribute>
+    </Element>
+    <Element name="FileFormat" occurances="258">
+        <Attribute language="en" name="identifier">FileFormat</Attribute>
+    </Element>
+    <Element name="srclink" occurances="368">
+        <Attribute language="en" name="identifier">srclink</Attribute>
+    </Element>
+    <Element name="srcicon" occurances="368">
+        <Attribute language="en" name="identifier">srcicon</Attribute>
+    </Element>
+    <Element name="/srclink" occurances="368">
+        <Attribute language="en" name="identifier">/srclink</Attribute>
+    </Element>
+    <Element name="GENERATOR" occurances="88">
+        <Attribute language="en" name="identifier">GENERATOR</Attribute>
+    </Element>
+    <Element name="Publisher">
+        <Attribute language="en" name="identifier">Publisher</Attribute>
+    </Element>
+    <Element name="Subject">
+        <Attribute language="en" name="identifier">Subject</Attribute>
+    </Element>
+    <Element name="MarcIdentifier">
+        <Attribute language="en" name="identifier">MarcIdentifier</Attribute>
+    </Element>
+    <Element name="Description">
+        <Attribute language="en" name="identifier">Description</Attribute>
+    </Element>
+    <Element name="Type">
+        <Attribute language="en" name="identifier">Type</Attribute>
+    </Element>
+    <Element name="mp3:copyright" occurances="0">
+        <Attribute language="en" name="identifier">mp3:copyright</Attribute>
+    </Element>
+    <Element name="mp3:stereo" occurances="0">
+        <Attribute language="en" name="identifier">mp3:stereo</Attribute>
+    </Element>
+    <Element name="mp3:padding" occurances="0">
+        <Attribute language="en" name="identifier">mp3:padding</Attribute>
+    </Element>
+    <Element name="mp3:frame_length" occurances="0">
+        <Attribute language="en" name="identifier">mp3:frame_length</Attribute>
+    </Element>
+    <Element name="mp3:size" occurances="0">
+        <Attribute language="en" name="identifier">mp3:size</Attribute>
+    </Element>
+    <Element name="mp3:frequency" occurances="0">
+        <Attribute language="en" name="identifier">mp3:frequency</Attribute>
+    </Element>
+    <Element name="mp3:mm" occurances="0">
+        <Attribute language="en" name="identifier">mp3:mm</Attribute>
+    </Element>
+    <Element name="mp3:bitrate" occurances="0">
+        <Attribute language="en" name="identifier">mp3:bitrate</Attribute>
+    </Element>
+    <Element name="mp3:layer" occurances="0">
+        <Attribute language="en" name="identifier">mp3:layer</Attribute>
+    </Element>
+    <Element name="mp3:ms" occurances="0">
+        <Attribute language="en" name="identifier">mp3:ms</Attribute>
+    </Element>
+    <Element name="mp3:frames" occurances="0">
+        <Attribute language="en" name="identifier">mp3:frames</Attribute>
+    </Element>
+    <Element name="mp3:time" occurances="0">
+        <Attribute language="en" name="identifier">mp3:time</Attribute>
+    </Element>
+    <Element name="mp3:version" occurances="0">
+        <Attribute language="en" name="identifier">mp3:version</Attribute>
+    </Element>
+    <Element name="mp3:mode" occurances="0">
+        <Attribute language="en" name="identifier">mp3:mode</Attribute>
+    </Element>
+    <Element name="mp3:secs" occurances="0">
+        <Attribute language="en" name="identifier">mp3:secs</Attribute>
+    </Element>
+    <Element name="mp3:ss" occurances="0">
+        <Attribute language="en" name="identifier">mp3:ss</Attribute>
+    </Element>
+    <Element name="mp3:vbr" occurances="0">
+        <Attribute language="en" name="identifier">mp3:vbr</Attribute>
+    </Element>
+    <Element name="mp3:Artist" occurances="14">
+        <Attribute language="en" name="identifier">mp3:Artist</Attribute>
+    </Element>
+    <Element name="mp3:Genre" occurances="10">
+        <Attribute language="en" name="identifier">mp3:Genre</Attribute>
+    </Element>
+    <Element name="mp3:Tagversion" occurances="0">
+        <Attribute language="en" name="identifier">mp3:Tagversion</Attribute>
+    </Element>
+    <Element name="mp3:Title" occurances="14">
+        <Attribute language="en" name="identifier">mp3:Title</Attribute>
+    </Element>
+    <Element name="mp3:Tracknum" occurances="0">
+        <Attribute language="en" name="identifier">mp3:Tracknum</Attribute>
+    </Element>
+    <Element name="mp3:Album" occurances="0">
+        <Attribute language="en" name="identifier">mp3:Album</Attribute>
+    </Element>
+    <Element name="Image" occurances="34">
+        <Attribute language="en" name="identifier">Image</Attribute>
+    </Element>
+    <Element name="ImageType" occurances="34">
+        <Attribute language="en" name="identifier">ImageType</Attribute>
+    </Element>
+    <Element name="ImageWidth" occurances="34">
+        <Attribute language="en" name="identifier">ImageWidth</Attribute>
+    </Element>
+    <Element name="ImageHeight" occurances="34">
+        <Attribute language="en" name="identifier">ImageHeight</Attribute>
+    </Element>
+    <Element name="ImageSize" occurances="34">
+        <Attribute language="en" name="identifier">ImageSize</Attribute>
+    </Element>
+    <Element name="ThumbType" occurances="34">
+        <Attribute language="en" name="identifier">ThumbType</Attribute>
+    </Element>
+    <Element name="Thumb" occurances="34">
+        <Attribute language="en" name="identifier">Thumb</Attribute>
+    </Element>
+    <Element name="thumbicon" occurances="34">
+        <Attribute language="en" name="identifier">thumbicon</Attribute>
+    </Element>
+    <Element name="ThumbWidth" occurances="34">
+        <Attribute language="en" name="identifier">ThumbWidth</Attribute>
+    </Element>
+    <Element name="ThumbHeight" occurances="34">
+        <Attribute language="en" name="identifier">ThumbHeight</Attribute>
+    </Element>
+    <Element name="unknown_file" occurances="210">
+        <Attribute language="en" name="identifier">unknown_file</Attribute>
+    </Element>
+</MetadataSet>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/profile.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/profile.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_large/metadata/profile.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE Profiles [
+<!ELEMENT Profiles (Action*)>
+<!ELEMENT Action (#PCDATA)>
+<!ATTLIST Action
+                collection CDATA #REQUIRED
+                source     CDATA #REQUIRED
+                target     CDATA "">
+]>
+<Profiles/>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/aharddaysnight.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/aharddaysnight.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/aharddaysnight.htm	(revision 18423)
@@ -0,0 +1,300 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>A HARD DAY'S NIGHT</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	<table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64UKaharddaysnightBIG.gif" alt="A HARD DAY'S NIGHT" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>A HARD DAY'S NIGHT</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 10/07/1964 (MONO) Parlophone PMC1230<br>
+            10/07/1964 (STEREO) Parlophone PCS3058<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46437<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1983 MFSL 1-103<br>
+			<br>
+            CD release<br>
+            26 /02/1987 (MONO) Parlophone CDP7464372<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>A Hard Day's Night</li>
+              <li>I Should Have Known Better</li>
+              <li>If I Fell</li>
+              <li>I'm Happy Just To Dance With You</li>
+              <li>And I Love Her</li>
+              <li>Tell Me Why</li>
+              <li>Can't Buy Me Love</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Any Time At All</li>
+              <li>I'll Cry Instead</li>
+              <li>Things We Said Today</li>
+              <li>When I Get Home</li>
+              <li>You Can't Do That</li>
+              <li>I'll Be Back</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/aharddaysnightUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/aharddaysnightUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/aharddaysnightUS.htm	(revision 18423)
@@ -0,0 +1,294 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>A HARD DAY'S NIGHT - SoundTrack</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/64USaharddaysnightBIG.gif" alt="A HARD DAY'S NIGHT - SoundTrack" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>A HARD DAY'S NIGHT - SoundTrack</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 26/06/1964 (MONO) United Artists UA6366<br>
+            26/06/1964 (STEREO) United Artists UAS6366<br>
+			12/03/1979 Capitol SW-11921<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>A Hard Day's Night</li>
+              <li>Tell Me Why</li>
+              <li>I'll Cry Instead </li>
+              <li>I Should Have Known Better (Instrumental)</li>
+              <li>I'm Happy Just To Dance With You</li>
+              <li>And I Love Her (Instrumental)</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>I Should Have Known Better </li>
+              <li>If I Fell</li>
+              <li>And I Love Her</li>
+              <li>Ringo&#8217;s Theme (This Boy) (Instrumental)</li>
+              <li>Can't Buy Me Love</li>
+              <li>A Hard Day's Night (Instrumental)</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology1.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology1.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology1.htm	(revision 18423)
@@ -0,0 +1,342 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>ANTHOLOGY 1</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/95anthology1BIG.gif" alt="ANTHOLOGY 1" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>ANTHOLOGY 1</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>21/11/1995 Apple CDPCSP727 (CD)<br>
+            22/11/1995 Apple PCSP727 (LP)<br>
+            <br>
+            US release<br>
+            21/11/1995 Capitol CDP 8 34445 2 (CD)<br>
+			??/11/1995 Capitol 8-34445 (LP)<br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD 1</p>
+            <ul>
+              <li>Free As A Bird</li>
+              <li>We were four guys, that's all <em>(Speech)</em></li>
+              <li>That'll Be The Day</li>
+              <li>In Spite Of All The Danger</li>
+              <li>Sometimes I'd Borrow <em>(Speech)</em></li>
+              <li>Hallelujah, I Love Her So</li>
+              <li>You'll Be Mine</li>
+              <li>Cayenne</li>
+              <li>First Of All <em>(Speech)</em></li>
+              <li>My Bonnie</li>
+              <li>Ain't She Sweet</li>
+              <li>Cry For A Shadow</li>
+              <li>Brian was a beautiful guy <em>(Speech)</em></li>
+              <li>I Secured Them <em>(Speech)</em></li>
+              <li>Searchin'</li>
+              <li>Three Cool Cats</li>
+              <li>The Sheik Of Araby</li>
+              <li>Like Dreamers Do</li>
+              <li>Hello Little Girl</li>
+              <li>Well, the recording test ... <em>(Speech)</em></li>
+              <li>Besame Mucho</li>
+              <li>Love Me Do</li>
+              <li>How Do You Do It</li>
+              <li>Please Please Me</li>
+              <li>One After 909 (Sequence)</li>
+              <li>One After 909 (Complete)</li>
+              <li>Lend Me Your Comb</li>
+              <li>I'll Get You</li>
+              <li>We were performers <em>(Speech)</em></li>
+              <li>I Saw Her Standing There</li>
+              <li>From Me To You</li>
+              <li>Money</li>
+              <li>You Really Got A Hold On Me</li>
+              <li>Roll Over Beethoven</li>
+            </ul>
+            <p>CD 2</p>
+            <ul>
+              <li>She Love's You</li>
+              <li>Till There Was You</li>
+              <li>Twist And Shout</li>
+              <li>This Boy</li>
+              <li>I Want To Hold Your Hand</li>
+              <li>Boys, what I was thinking ... <em>(Speech)</em></li>
+              <li>Moonlight Bay</li>
+              <li>Can't Buy Me Love</li>
+              <li>All My Loving</li>
+              <li>You Can't Do That</li>
+              <li>And I Love Her</li>
+              <li>A Hard Day's Night</li>
+              <li>I Wanna Be Your Man</li>
+              <li>Long Tall Sally</li>
+              <li>Boys</li>
+              <li>Shout</li>
+              <li>I'll Be Back (Take 2)</li>
+              <li>I'll Be Back (Take 3)</li>
+              <li>You Know What To Do</li>
+              <li>No Reply (Demo)</li>
+              <li>Mr Moonlight</li>
+              <li>Leave My Kitten Alone</li>
+              <li>No Reply</li>
+              <li>Eight Days A Week (Sequence)</li>
+              <li>Eight Days A Week (Complete)</li>
+              <li>Kansas City / Hey Hey Hey Hey</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology2.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology2.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology2.htm	(revision 18423)
@@ -0,0 +1,328 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>ANTHOLOGY 2</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/96anthology2BIG.gif" alt="ANTHOLOGY 2" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>ANTHOLOGY 2</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>18/03/1996 Apple CDPCSP728 (CD)<br>
+            18/03/1996 Apple PCSP728 (LP)<br>
+            <br>
+            US release<br>
+            18/03/1996 Capitol CDP 8 34448 2 (CD)<br>
+			??/??/1996 Capitol C1-34448 (LP) <br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD 1</p>
+            <ul>
+              <li>Real Love</li>
+              <li>Yes It Is</li>
+              <li>I'm Down</li>
+              <li>You've Got To Hide Your love Away</li>
+              <li>If You've Got Trouble</li>
+              <li>That Means A Lot</li>
+              <li>Yesterday</li>
+              <li>It's Only Love</li>
+              <li>I Feel Fine</li>
+              <li>Ticket To Ride</li>
+              <li>Yesterday</li>
+              <li>Help!</li>
+              <li>Everybody's trying To Be My Baby</li>
+              <li>Norwegian Wood (This Bird Has Flown)</li>
+              <li>I'm Looking Through You</li>
+              <li>12-Bar Original</li>
+              <li>Tomorrow Never Knows</li>
+              <li>Got To Get You Into My Life</li>
+              <li>And Your Bird Can Sing</li>
+              <li>Taxman</li>
+              <li>Eleanor Rigby <em>(Strings Only)</em></li>
+              <li>I'm Only Sleeping <em>(Rehearsal)</em></li>
+              <li>I'm Only Sleeping <em>(Take 1)</em></li>
+              <li>Rock And Roll Music</li>
+              <li>She's A Woman</li>
+            </ul>
+            <p>CD 2</p>
+            <ul>
+              <li>Strawberry Fields Forever <em>(Demo Sequence)</em></li>
+              <li>Strawberry Fields Forever <em>(Take 1)</em></li>
+              <li>Strawberry Fields Forever <em>(Take 7 and Edit Piece)</em></li>
+              <li>Penny Lane</li>
+              <li>A Day In The Life</li>
+              <li>Good Morning Good Morning</li>
+              <li>Only A Northern Song</li>
+              <li>Being For The Benefit Of Mr Kite! <em>(Take 1 and 2)</em></li>
+              <li>Being For The Benefit Of Mr Kite! <em>(Take 7)</em></li>
+              <li>Lucy In The Sky With Diamonds</li>
+              <li>Within You Without You <em>(Instrumental)</em></li>
+              <li>Sgt. Pepper's Lonely Hearts Club Band (Reprise)</li>
+              <li>You Know My Name (Look Up The Number)</li>
+              <li>I Am The Walrus</li>
+              <li>The Fool On The Hill <em>(Demo)</em></li>
+              <li>Your Mother Should Know</li>
+              <li>The Foll On The Hill <em>(Take 4)</em></li>
+              <li>Hello, Goodbye</li>
+              <li>Lady Madonna</li>
+              <li>Across The Universe</li>
+            </ul>
+          </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology3.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology3.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/anthology3.htm	(revision 18423)
@@ -0,0 +1,332 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>ANTHOLOGY 3</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/96anthology3BIG.gif" alt="ANTHOLOGY 3" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>ANTHOLOGY 3</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>28/10/1996 Apple CDPCSP729 (CD)<br>
+            28/10/1996 Apple PCSP729 (LP)<br>
+            <br>
+            US release<br>
+            28/10/1996 Capitol CDP 8 34451 2 (CD)<br>
+			30/10/1966 Capitol C1-34451 (LP)<br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD 1</p>
+            <ul>
+              <li>A Beginning</li>
+              <li>Happiness Is A Warm Gun</li>
+              <li>Helter Skelter</li>
+              <li>Mean Mr Mustard</li>
+              <li>Polythene Pam</li>
+              <li>Glass Onion</li>
+              <li>Junk</li>
+              <li>Piggies</li>
+              <li>Honey Pie</li>
+              <li>Don't Pass Me By</li>
+              <li>Ob-La-Di Ob-La-Da</li>
+              <li>Good Night</li>
+              <li>Cry Baby Cry</li>
+              <li>Blackbird</li>
+              <li>Sexy Sadie</li>
+              <li>While My Guitar Gently Weeps</li>
+              <li>Hey Jude!</li>
+              <li>Not Guilty</li>
+              <li>Mother's Nature Son</li>
+              <li>Glass Onion</li>
+              <li>Rocky Rackoon</li>
+              <li>What's The New Mary Jane</li>
+              <li>Step Inside Love / Los Paranoias</li>
+              <li>I'm So Tired</li>
+              <li>I Will</li>
+              <li>Why Don't We Do It In The Road</li>
+              <li>Julia</li>
+            </ul>
+            <p>CD 2</p>
+            <ul>
+              <li>I've Got A Feeling</li>
+              <li>She Came In Through The Bathroom Window</li>
+              <li>Dig A Pony</li>
+              <li>Two Of Us</li>
+              <li>For You Blue</li>
+              <li>Teddy Boy</li>
+              <li>Medley: Rip It Up / Shake, rattle &amp; Roll / Blue Suede Shoes</li>
+              <li>The Long And Winding Road</li>
+              <li>Oh! Darling</li>
+              <li>All Thing Must Pass</li>
+              <li>Mailman, Bring Me No More Blues</li>
+              <li>Get Back</li>
+              <li>Old Brown Shoes</li>
+              <li>Octopus's Garden</li>
+              <li>Maxwell's Silver Hammer</li>
+              <li>Something</li>
+              <li>Come Together</li>
+              <li>Come And Get It</li>
+              <li>Ain't She Sweet</li>
+              <li>Because</li>
+              <li>Let It Be</li>
+              <li>I Me Mine</li>
+              <li>The End</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/beatles.css
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/beatles.css	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/beatles.css	(revision 18423)
@@ -0,0 +1,33 @@
+table {
+	background-color : #4898D2;
+}
+.menu {
+	border-color : Black;
+	font-family : Verdana, Geneva, Arial, Helvetica, sans-serif;
+	font-size : 11px;
+	color: #000000;
+	background-color : #4898D2;
+}
+.disco {
+	font-family : Verdana, Geneva, Arial, Helvetica, sans-serif;
+	font-size : 11px; color: #000000;
+	background-color : #367CC2;
+}
+p {
+	font-family : Verdana, Geneva, Arial, Helvetica, sans-serif;
+	font-size : 13px;
+	color: Black;
+}
+h1 {
+	font-family : Verdana, Geneva, Arial, Helvetica, sans-serif;
+	font-size : 15px;
+	color: #000000;
+}
+A:link, A:visited {
+    text-decoration: none;
+	color: Yellow;
+}
+A:hover { 
+    text-decoration: none;
+	color: #ffcc00;
+}
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/earlybeatles.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/earlybeatles.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/earlybeatles.htm	(revision 18423)
@@ -0,0 +1,293 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE EARLY BEATLES</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65USearlybeatlesBIG.gif" alt="THE EARLY BEATLES" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>THE EARLY BEATLES</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 22/03/1965 (MONO) Capitol T-2309<br>
+            22/03/1965 (STEREO) Capitol ST-2309<br>
+			28/07/1988 Capitol C1-90451<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li> Love Me Do</li>
+              <li>Twist And Shout</li>
+              <li>Anna (Go To Him)</li>
+              <li>Chains</li>
+              <li>Boys</li>
+              <li>Ask Me Why</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Please Please Me</li>
+              <li>P.S. I Love You</li>
+              <li>Baby It's You</li>
+              <li>A Taste Of Honey</li>
+              <li>Do You Want To Know A Secret</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/help.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/help.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/help.htm	(revision 18423)
@@ -0,0 +1,301 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>HELP!</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65UKhelpBIG.gif" alt="HELP!" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>HELP!</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 06/08/1965 (MONO) Parlophone PMC1255<br>
+            06/08/1965 (STEREO) Parlophone PCS3071<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46439<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1983 MFSL 1-105<br>
+			<br>
+            CD release<br>
+            30 /04/1987 (STEREO) Parlophone CDP7464392<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Help!</li>
+              <li>The Night Before</li>
+              <li>You've Got To Hide Your Love Away</li>
+              <li>I Need You</li>
+              <li>Another Girl</li>
+              <li>You're Going To Lose That Girl</li>
+              <li>Ticket To Ride</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Act Naturally</li>
+              <li>It's Only Love</li>
+              <li>You Like Me Too Much</li>
+              <li>Tell Me What You See</li>
+              <li>I've Just Seen A Face</li>
+              <li>Yesterday</li>
+              <li>Dizzy Miss Lizzy</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/helpUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/helpUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/helpUS.htm	(revision 18423)
@@ -0,0 +1,294 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>HELP! - SoundTrack (US Version)</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/65UShelpBIG.gif" alt="HELP! - SoundTrack (US Version)" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>HELP! - SoundTrack (US Version)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 13/08/1965 (MONO) Capitol MAS-2386<br>
+            13/08/1965 (STEREO) Capitol SMAS-2386<br>
+			28/07/1988 Capitol C1-90454<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Help!</li>
+              <li>The Night Before</li>
+              <li>From Me to You Fantasy (Instrumental)</li>
+              <li>You've Got To Hide Your Love Away</li>
+              <li> I Need You</li>
+              <li>In The Tyrol (Instrumental)</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Another Girl</li>
+              <li>Another Hard Day's Night (Instrumental)</li>
+              <li>Ticket To Ride</li>
+              <li>The Bitter End/You Can&#8217;t Do That (Instrumental)</li>
+              <li>You're Going To Lose That Girl</li>
+              <li>The Chase (Instrumental)</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/heyjude.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/heyjude.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/heyjude.htm	(revision 18423)
@@ -0,0 +1,290 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>HEY JUDE</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/79UKheyjudeBIG.gif" alt="HEY JUDE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>HEY JUDE</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 11/05/1979 Parlophone PCS7184<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Can't Buy Me Love</li>
+              <li>I Should Have Known Better</li>
+              <li>Paperback Writer</li>
+              <li>Rain</li>
+              <li>Lady Madonna</li>
+              <li>Revolution</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Hey Jude</li>
+              <li>Old Brown Shoe</li>
+              <li>Don't Let Me Down</li>
+              <li>The Ballad Of John And Yoko</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/heyjudeUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/heyjudeUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/heyjudeUS.htm	(revision 18423)
@@ -0,0 +1,292 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>HEY JUDE!</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/70USheyjudeBIG.gif" alt="HEY JUDE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>HEY JUDE! (a.k.a. &quot;The Beatles Again&quot;)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 26/02/1970 (STEREO) Apple SW-385<br>
+            26/02/1970 (STEREO) Apple SO-385<br>
+			28/07/1988 Capitol C1-90442<br>
+			<br>
+            CD release<br>
+            <em>never released</em><br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Can't Buy Me Love</li>
+              <li>I Should Have Known Better</li>
+              <li>Paperback Writer</li>
+              <li>Rain</li>
+              <li>Lady Madonna</li>
+              <li>Revolution</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Hey Jude</li>
+              <li>Old Brown Shoe</li>
+              <li>Don't Let Me Down</li>
+              <li>The Ballad of John and Yoko</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/letitbe.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/letitbe.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/letitbe.htm	(revision 18423)
@@ -0,0 +1,302 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>LET IT BE</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/70letitbeBIG.gif" alt="LET IT BE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>LET IT BE</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 08/05/1970 (STEREO) Apple (Parlophone) PXS1 (Box Set Version)<br>
+            06/11/1970 (STEREO) Apple (Parlophone) PCS 7096 (Album Version)<br>
+			 ??/12/1979 Parlophone PCS 7096 (White Vinile Edition)<br>
+			 <br>
+            US release<br>
+            18/05/1970 (STEREO) Apple (Capitol) AR34001<br>
+			12/03/1979 Capitol SW-11922<br>
+			 28/07/1988 Capitol C1-46447<br>
+			 <br>
+			MOBILE FIDELITY release<br>
+            ??/06/1984 MFSL 1-109<br>
+			<br>
+            CD release<br>
+            19/10/1987 (STEREO) Parlophone CDP7464472<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Two Of Us</li>
+              <li>Dig A Pony</li>
+              <li>Across The Universe</li>
+              <li>I Me Mine</li>
+              <li>Dig It</li>
+              <li>Let It Be</li>
+              <li>Maggie Mae</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>I've Got A Feeling</li>
+              <li>One After 909</li>
+              <li>The Long And Winding Road</li>
+              <li>For You Blue</li>
+              <li>Get Back</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/magicalmisterytour.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/magicalmisterytour.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/magicalmisterytour.htm	(revision 18423)
@@ -0,0 +1,295 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>MAGICAL MISTERY TOUR</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/76magicalmisterytourBIG.gif" alt="MAGICAL MISTERY TOUR" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>MAGICAL MISTERY TOUR</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>19/11/1976 Apple (Parlophone) PCTC 255<br>
+		    ??/05/1979 Parlophone PCTC 255 (Yellow Vinyl Edition)<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/02/1981 MFSL 1-047<br>
+			<br>
+            CD release<br>
+            21/09/1987 Parlopohone CDP7480622<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Magical Mystery Tour</li>
+              <li>The Fool On The Hill</li>
+              <li>Flying</li>
+              <li>Blue Jay Way</li>
+              <li>Your Mother Should Know</li>
+              <li> Am The Walrus</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Hello, Goodbye</li>
+              <li>Strawberry Fields Forever</li>
+              <li>Penny Lane</li>
+              <li>Baby, You're A Rich Man</li>
+              <li>All You Need Is Love</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/magicalmisterytourUS.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/magicalmisterytourUS.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/magicalmisterytourUS.htm	(revision 18423)
@@ -0,0 +1,293 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>MAGICAL MISTERY TOUR</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/67USmagicalmisterytourBIG.gif" alt="MAGICAL MISTERY TOUR" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>MAGICAL MISTERY TOUR</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 27/11/1967 (MONO) Capitol MAL-2835<br>
+            27/11/1967 (STEREO) Capitol SMAL-2835<br>
+			01/07/1988 Capitol C1-48062<br>
+			<br>
+            CD release<br>
+            21/09/1987 Parlopohone CDP7480622<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Magical Mystery Tour</li>
+              <li>The Fool On The Hill</li>
+              <li>Flying</li>
+              <li>Blue Jay Way</li>
+              <li>Your Mother Should Know</li>
+              <li> Am The Walrus</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Hello, Goodbye</li>
+              <li>Strawberry Fields Forever</li>
+              <li>Penny Lane</li>
+              <li>Baby, You're A Rich Man</li>
+              <li>All You Need Is Love</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/one.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/one.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/one.htm	(revision 18423)
@@ -0,0 +1,305 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>1</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/00oneBIG.gif" alt="1" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>1</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td>13/11/2000 Apple 7243 5 29970 2 (CD)<br>
+            15/11/2000 Apple 7243 5 29324 1 1 (LP)<br>
+			<br>
+            US release<br>
+            14/11/2000 Capitol CDP 5 29325 2 (CD)<br>
+			<br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>CD</p>
+            <ul>
+              <li>Love Me Do</li>
+              <li>From Me To You</li>
+              <li>She Loves You</li>
+              <li>I Want To Hold Your Hand</li>
+              <li>Can't Buy Me Love</li>
+              <li>A Hard Day's Night</li>
+              <li>I Feel Fine</li>
+              <li>Eight Days A Week</li>
+              <li>Ticket To Ride</li>
+              <li>Help!</li>
+              <li>Yesterday</li>
+              <li>Day Tripper</li>
+              <li>We Can Work It Out</li>
+              <li>Paperback Writer</li>
+              <li>Yellow Submarine</li>
+              <li>Eleanor Rigby</li>
+              <li>Penny Lane</li>
+              <li>All You Need Is Love</li>
+              <li>Hello, Goodbye</li>
+              <li>Lady Madonna</li>
+              <li>Hey Jude</li>
+              <li>Get Back</li>
+              <li>The Ballad Of John And Yoko</li>
+              <li>Something</li>
+              <li>Come Together</li>
+              <li>Let It Be</li>
+              <li>The Long And Winding Road</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/pleasepleaseme.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/pleasepleaseme.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/pleasepleaseme.htm	(revision 18423)
@@ -0,0 +1,298 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>PLEASE PLEASE ME</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	  <table class="disco" width="100%">
+        <tr> 
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/63UKpleasepleasemeBIG.gif" alt="PLEASE PLEASE ME" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td><h1>PLEASE PLEASE ME</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td>22/03/1963 (MONO) Parlophone PMC1202<br>
+            26/04/1963 (STEREO) Parlophone PCS3042<br>
+			<br>
+            US release<br>
+            21/07/1987 Capitol CLJ46435<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1983 MFSL 1-101<br>
+			<br>
+            CD release<br>
+            26/02/1987 (MONO) Parlophone CDP7464352<br> <br> </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr> 
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>I Saw Her Standing There</li>
+              <li>Misery</li>
+              <li>Anna (Go To Him)</li>
+              <li>Chains</li>
+              <li>Boys</li>
+              <li>Ask Me Why</li>
+              <li>Please Please Me</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Love Me Do</li>
+              <li>P.S. I Love You</li>
+              <li>Baby, It's You</li>
+              <li>Do You Want To Know A Secret</li>
+              <li>A Taste Of Honey</li>
+              <li>There's A Place</li>
+              <li>Twist And Shout</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table> </td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/sgtpepperlonelyheartsclubband.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/sgtpepperlonelyheartsclubband.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/sgtpepperlonelyheartsclubband.htm	(revision 18423)
@@ -0,0 +1,306 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>Sgt. PEPPER'S LONELY HEARTS CLUB BAND</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/67sgtpepperBIG.gif" alt="Sgt. PEPPER'S LONELY HEARTS CLUB BAND" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>Sgt. PEPPER'S LONELY HEARTS CLUB BAND</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 01/06/1967 (MONO) Parlophone PMC7027<br>
+            01/06/1967 (STEREO) Parlophone PCS7027<br>
+              16/01/1979 (STEREO) Parlophone PHO 7027 (Picture Disc Edition)<br>
+			  <br>
+            US release<br>
+            02/06/1967 (MONO) Capitol MAS2653<br>
+            02/06/1967 (STEREO) Capitol SMAS2653<br>
+            ??/08/1978 (STEREO) Capitol SEAX-11840 (Picture Disc Edition)<br>
+			??/??/198? Capitol C1-46442<br>
+			<br>
+			MOBILE FIDELITY release<br>
+			??/??/1981 UHQR 1-100 (UHQR Series)<br>
+            ??/06/1983 MFSL 1-100<br>
+			<br>
+              CD release<br>
+            01/06/1987 (STEREO) Parlophone CDP7464422<br>
+              <br>
+            </p></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Sgt.Pepper's Lonely Hearts Club Band</li>
+              <li>With A Little Help From My Friends</li>
+              <li>Lucy In The Sky With Diamonds</li>
+              <li>Getting Better</li>
+              <li>Fixing A Hole</li>
+              <li>She's Leaving Home</li>
+              <li>Being For The Benefit Of Mr. Kite!</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Within You Without You</li>
+              <li>When I'm Sixty-Four</li>
+              <li>Lovely Rita</li>
+              <li>Good Morning Good Morning</li>
+              <li>Sgt.Pepper's Lonely Hearts Club Band (reprise)</li>
+              <li>A Day In The Life</li>
+            </ul>
+          </td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/thebeatles.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/thebeatles.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/thebeatles.htm	(revision 18423)
@@ -0,0 +1,327 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE BEATLES</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+    </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/68whitealbumBIG.gif" alt="THE BEATLES White Album" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>THE BEATLES (a.k.a. &quot;White Album&quot;)</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 22/11/1968 (MONO) Apple (Parlophone) PMC7067-7068<br>
+            22/11/1968 (STEREO) Apple (Parlophone) PCS7067-7068<br>
+             ??/08/1978 (STEREO) Apple (Parlophone) PCS7067-7068 (White Vinyl Edition)<br>
+			 <br>
+            US release<br>
+            25/11/1968 (STEREO) Apple (Capitol) SWBO101<br>
+			  ??/08/1978 (STEREO) Apple (Capitol) SEBX-11841 (White Vinyl Edition)<br>
+			  25/08/1987 Capitol C1-46443<br>
+			  <br>
+			MOBILE FIDELITY release<br>
+            ??/01/1982 MFSL 2-072<br>
+			<br>
+              CD release<br>
+            24/08/1987 (STEREO) Parlophone CDP7464438<br>
+            23/11/1998 <em>special edition</em> (STEREO) Parlophone CDP4968952<br>
+              <br>
+            </p></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Back In The U.S.S.R.</li>
+              <li>Dear Prudence</li>
+              <li>Glass Onion</li>
+              <li>Ob-La-Di Ob-La-Da</li>
+              <li>Wild Honey Pie</li>
+              <li>The Continuing Story Of Bungalow Bill </li>
+              <li>While My Guitar Gently Weeps</li>
+              <li>Happiness Is A Warm Gun</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Martha My Dear</li>
+              <li>I'm So Tired</li>
+              <li>Blackbird</li>
+              <li>Piggies</li>
+              <li>Rocky Raccoon</li>
+              <li>Don't Pass Me By</li>
+              <li>Why Don't We Do It In The Road</li>
+              <li>I Will</li>
+              <li>Julia</li>
+            </ul>
+            <p>Side C</p>
+            <ul>
+              <li>Birthday</li>
+              <li>Yer Blues</li>
+              <li>Mother Nature's Son</li>
+              <li>Everybody's Got Something To Hide Except For Me And My Monkey</li>
+              <li>Sexy Sadie</li>
+              <li>Helter Skelter</li>
+              <li>Long, Long, Long</li>
+            </ul>
+            <p>Side D</p>
+            <ul>
+              <li>Revolution 1</li>
+              <li>Honey Pie</li>
+              <li>Savoy Truffle</li>
+              <li>Cry Baby Cry</li>
+              <li>Revolution 9</li>
+              <li>Good Night</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/yellowsubmarine.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/yellowsubmarine.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/discography/www.thebeatlesarchive.com/discography/yellowsubmarine.htm	(revision 18423)
@@ -0,0 +1,301 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>YELLOW SUBMARINE</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<META NAME="keywords" CONTENT="Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, discography, Parlophone, Capitol, EMI">
+<META NAME="description" CONTENT="Beatles Discography">
+<link href="beatles.css" rel="stylesheet" type="text/css">
+</head>
+<body>
+<table width="100%">
+  <tr>
+    <td width="24%">&nbsp;</td>
+    <td width="52%"><div align="center"><a href="http://www.thebeatlesarchive.com/index.htm"><img src="title.gif" alt="The Beatles Archive" width="275" height="141" border="0"></a> 
+      </div></td>
+    <td width="24%">&nbsp;</td>
+  </tr>
+  <tr>
+   <td valign="top">
+	<!-- Inizio Tabella SINISTRA -->
+	<table class="menu" width="100%">
+      <tr>
+        <td><div align="center">OFFICIAL BRITISH DISCOGRAPHY</div></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1963</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="pleasepleaseme.htm">Please Please Me</a></td>
+      </tr>
+      <tr>
+        <td><a href="withthebeatles.htm">With The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1964</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="aharddaysnight.htm">A Hard Day's night (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesforsale.htm">Beatles for Sale</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1965</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="help.htm">Help! (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rubbersoul.htm">Rubber Soul (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1966</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="revolver.htm">Revolver (UK version)</a></td>
+      </tr>
+      <tr>
+        <td><a href="acollectionofbeatlesoldies.htm">A Collection Of Beatles Oldies (But Goldies)</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1967</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="sgtpepperlonelyheartsclubband.htm">Sgt. Pepper's Lonely Hearts Club Band</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1968</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="thebeatles.htm">The Beatles</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1969</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarine.htm">Yellow Submarine</a></td>
+      </tr>
+      <tr>
+        <td><a href="abbeyroad.htm">Abbey Road</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1970</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="letitbe.htm">Let It Be</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1971 - 1979</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="19621966.htm">1962-1966 (Red Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="19671970.htm">1967-1970 (Blue Album)</a></td>
+      </tr>
+      <tr>
+        <td><a href="rockandrollmusic.htm">Rock &amp; Roll Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="magicalmisterytour.htm">Magical Mistery Tour</a></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesatthehollywoodbowl.htm">The Beatles at the Hollywood Bowl</a></td>
+      </tr>
+      <tr>
+        <td><a href="lovesongs.htm">Love Songs</a></td>
+      </tr>
+      <tr>
+        <td><a href="heyjude.htm">Hey Jude!</a></td>
+      </tr>
+      <tr>
+        <td><a href="rarities.htm">Rarities</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1980 - 1989</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="beatlesballads.htm">The Beatles Ballads</a></td>
+      </tr>
+      <tr>
+        <td><a href="reelmusic.htm">Reel Music</a></td>
+      </tr>
+      <tr>
+        <td><a href="twentygreatsethits.htm">20 Greatest Hits</a></td>
+      </tr>
+      <tr>
+        <td><a href="pastmasters.htm">The Beatles Past Masters - Volume I &amp; II</a></td>
+      </tr>
+      <tr>
+        <td><div align="center"><strong>1990 - present</strong></div></td>
+      </tr>
+      <tr>
+        <td><a href="liveatthebbc.htm">Live at the BBC</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology1.htm">Anthology I</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology2.htm">Anthology II</a></td>
+      </tr>
+      <tr>
+        <td><a href="anthology3.htm">Anthology III</a></td>
+      </tr>
+      <tr>
+        <td><a href="yellowsubmarinesongtrack.htm">Yellow Submarine Songtrack</a></td>
+      </tr>
+      <tr>
+        <td><a href="one.htm">1</a></td>
+      </tr>
+      <tr>
+        <td><a href="letitbenaked.htm">Let It Be... Naked</a></td>
+      </tr>
+    </table>
+	<!-- Fine Tabella SINISTRA -->
+	  </td>
+    <td valign="top">
+	 <table class="disco" width="100%">
+        <tr>
+          <td width="10%">&nbsp;</td>
+          <td width="80%"><div align="center"><img src="imagesBIG/69yellowsubmarineBIG.gif" alt="YELLOW SUBMARINE" width="300" height="300"></div></td>
+          <td width="10%">&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><h1>YELLOW SUBMARINE</h1></td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td> 17/01/1969 (MONO) Apple (Parlophone) PMC7070<br>
+            17/01/1969 (STEREO) Apple (Parlophone) PCS7070<br>
+			<br>
+            US release<br>
+            13/01/1969 (STEREO) Apple (Capitol) SW153<br>
+			25/08/1987 Capitol C1-46445<br>
+			<br>
+			MOBILE FIDELITY release<br>
+            ??/06/1984 MFSL 1-108<br>
+			<br>
+            CD release<br>
+            24/08/1987 (STEREO) Parlophone CDP7464452<br>
+            <br>
+	      </td>
+          <td>&nbsp;</td>
+        </tr>
+        <tr>
+          <td>&nbsp;</td>
+          <td><p>Side A</p>
+            <ul>
+              <li>Yellow Submarine</li>
+              <li>Only A Northern Song</li>
+              <li>All Together Now</li>
+              <li>Hey Bulldog</li>
+              <li>It's All Too Much</li>
+              <li>All You Need Is Love</li>
+            </ul>
+            <p>Side B</p>
+            <ul>
+              <li>Pepperland</li>
+              <li>Sea Of Time</li>
+              <li>Sea Of Holes</li>
+              <li>Sea Of Monsters</li>
+              <li>March Of The Meanies</li>
+              <li>Pepperland Laid Waste</li>
+              <li>Yellow Submarine in Pepperland</li>
+            </ul></td>
+          <td>&nbsp;</td>
+        </tr>
+      </table>
+	</td>
+   <td valign="top">
+	<!-- Inizio Tabella DESTRA -->
+	<table class="menu" width="100%">
+        <tr> 
+          <td> <div align="center">ONLY AMERICAN DISCOGRAPHY</div></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1963</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="introducingthebeatles.htm">Introducing The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1964</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="meetthebeatles.htm">Meet The Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlessecondalbum.htm">The Beatles second Album</a></td>
+        </tr>
+        <tr> 
+          <td><a href="aharddaysnightUS.htm">A Hard Day's Night (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="somethingnew.htm">Something New</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesstory.htm">The Beatles' Story</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatles65.htm">Beatles '65</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1965</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="earlybeatles.htm">The Early Beatles</a></td>
+        </tr>
+        <tr> 
+          <td><a href="beatlesvi.htm">Beatles VI</a></td>
+        </tr>
+        <tr> 
+          <td><a href="helpUS.htm">Help! (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="rubbersoulUS.htm">Rubber Soul (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1966</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="yesterdayandtoday.htm">Yesterday And Today</a></td>
+        </tr>
+        <tr> 
+          <td><a href="revolverUS.htm">Revolver (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1967</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="magicalmisterytourUS.htm">Magical Mistery Tour</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1970</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="heyjudeUS.htm">Hey Jude!</a></td>
+        </tr>
+        <tr> 
+          <td><div align="center"><strong>1971 - present</strong></div></td>
+        </tr>
+        <tr> 
+          <td><a href="raritiesUS.htm">Rarities (US version)</a></td>
+        </tr>
+        <tr> 
+          <td><a href="twentygreatsethitsUS.htm">20 Greatest Hits (US version)</a></td>
+        </tr>
+      </table>
+	  <!-- Fine Tabella DESTRA -->
+    </td>
+  </tr>
+  <tr>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+    <td>&nbsp;</td>
+  </tr>
+</table>
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ahard_day.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ahard_day.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ahard_day.htm	(revision 18423)
@@ -0,0 +1,87 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Thursday 15 October 1998 at 6:34 AM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>A Hard Day's Night</title>
+
+<meta name="Microsoft Border" content="none, default">
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font FACE="Times New Roman CE" SIZE="6"><b>A Hard Day's Night</b></font></strong>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocals: Lennon and McCartney</i><br>
+<br>
+<br>
+It's been a hard day's night, and I been working like a dog <br>
+It's been a hard day's night, I should be sleeping like a log <br>
+But when I get home to you I find the things that you do <br>
+Will make me feel alright <br>
+<br>
+You know I work all day to get you money to buy you things <br>
+And it's worth it just to hear you say you're going to give me everything <br>
+So why on earth should I moan, 'cause when I get you alone <br>
+You know I feel ok <br>
+<br>
+When I'm home everything seems to be right <br>
+When I'm home feeling you holding me tight, tight <br>
+<br>
+It's been a hard day's night, and I been working like a dog <br>
+It's been a hard day's night, I should be sleeping like a log <br>
+But when I get home to you I find the things that you do <br>
+Will make me feel alright Owww! <br>
+<br>
+So why on earth should I moan, 'cause when I get you alone <br>
+You know I feel ok <br>
+<br>
+When I'm home everything seems to be right <br>
+When I'm home feeling you holding me tight, tight <br>
+<br>
+It's been a hard day's night, and I been working like a dog <br>
+It's been a hard day's night, I should be sleeping like a log <br>
+But when I get home to you I find the things that you do <br>
+Will make me feel alright <br>
+You know I feel alright <br>
+You know I feel alright </p>
+
+<p>&nbsp;</p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_my_loving.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_my_loving.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/all_my_loving.htm	(revision 18423)
@@ -0,0 +1,80 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Thursday 15 October 1998 at 9:06 AM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>All My Loving</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">All My Loving</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+Close your eyes and I'll kiss you, <br>
+Tomorrow I'll miss you; <br>
+Remember I'll always be true. <br>
+And then while I'm away, <br>
+I'll write home everyday, <br>
+And I'll send all my loving to you <br>
+<br>
+I'll pretend that I'm kissing, <br>
+the lips I am missing <br>
+And hope that my dreams will come true. <br>
+And then while I'm away, <br>
+I'll write home everyday, <br>
+And I'll send all my loving to you. <br>
+<br>
+All my loving I will send to you. <br>
+All my loving, darling I'll be true. <br>
+<br>
+Close your eyes and I'll kiss you, <br>
+Tomorrow I'll miss you; <br>
+Remember I'll always be true. <br>
+And then while I'm away, <br>
+I'll write home everyday, <br>
+And I'll send all my loving to you. <br>
+<br>
+All my loving I will send to you. <br>
+All my loving, darling I'll be true. <br>
+All my loving, All my loving ooh, <br>
+All my loving I will send to you. </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cantbuy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cantbuy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/cantbuy.htm	(revision 18423)
@@ -0,0 +1,79 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Thursday 15 October 1998 at 3:27 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Can't Buy Me Love</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Can't Buy Me Love</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+Can't buy me love, love <br>
+Can't buy me love <br>
+<br>
+I'll buy you a diamond ring my friend if it makes you feel alright <br>
+I'll get you anything my friend if it makes you feel alright <br>
+'cause I don't care too much for money, and money can't buy me love <br>
+<br>
+I'll give you all I got to give if you say you'll love me too <br>
+I may not have a lot to give but what I got I'll give to you <br>
+I don't care too much for money, money can't buy me love <br>
+<br>
+Can't buy me love, everybody tells me so <br>
+Can't buy me love, no, no, no, no <br>
+<br>
+Say you don't need no diamond ring and I'll be satisfied <br>
+Tell me that you want the kind of thing that money just can't buy <br>
+I don't care too much for money, money can't buy me love <br>
+Owww! <br>
+<br>
+Can't buy me love, everybody tells me so <br>
+Can't buy me love, no, no, no, no <br>
+<br>
+Say you don't need no diamond ring and I'll be satisfied <br>
+Tell me that you want the kind of thing that money just can't buy <br>
+I don't care too much for money, money can't buy me love <br>
+Can't buy me love, love <br>
+Can't buy me love </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eleanor.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eleanor.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/eleanor.htm	(revision 18423)
@@ -0,0 +1,87 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Thursday 15 October 1998 at 4:20 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Eleanor Rigby</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Eleanor Rigby</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+Ah, look at all the lonely people <br>
+Ah, look at all the lonely people <br>
+<br>
+Eleanor Rigby picks up the rice in the church where a wedding has been <br>
+Lives in a dream <br>
+Waits at the window, wearing the face that she keeps in a jar by the door <br>
+Who is it for? <br>
+<br>
+All the lonely people <br>
+Where do they all come from? <br>
+All the lonely people <br>
+Where do they all belong? <br>
+<br>
+Father McKenzie writing the words of a sermon that no one will hear <br>
+No one comes near <br>
+Look at him working. Darning his socks in the night when there's nobody there <br>
+What does he care? <br>
+<br>
+All the lonely people <br>
+Where do they all come from? <br>
+All the lonely people <br>
+Where do they all belong? <br>
+<br>
+Ah, look at all the lonely people <br>
+Ah, look at all the lonely people <br>
+<br>
+Eleanor Rigby died in the church and was buried along with her name <br>
+Nobody came <br>
+Father McKenzie wiping the dirt from his hands as he walks from the grave <br>
+No one was saved <br>
+<br>
+All the lonely people <br>
+Where do they all come from? <br>
+All the lonely people <br>
+Where do they all belong? </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fool.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fool.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/fool.htm	(revision 18423)
@@ -0,0 +1,95 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Saturday 17 October 1998 at 5:02 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>The Fool On The Hill</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">The Fool On The Hill</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+Day after day alone on the hill <br>
+The man with the foolish grin is keeping perfectly still <br>
+But nobody wants to know him, <br>
+The can see that he's just a fool <br>
+And he never gives an answer <br>
+<br>
+But the fool on the hill <br>
+Sees the sun going down <br>
+And the eyes in his head <br>
+See the world spinning round <br>
+<br>
+Well on the way, head in a cloud <br>
+The man of a thousand voices talking perfectly loud <br>
+But nobody ever hears him <br>
+Or the sound he appears to make <br>
+And he never seems to notice <br>
+<br>
+But the fool on the hill <br>
+Sees the sun going down <br>
+And the eyes in his head <br>
+See the world spinning round <br>
+<br>
+And nobody seems to like him <br>
+They can tell what he wants to do <br>
+And he never shows his feelings <br>
+<br>
+But the fool on the hill <br>
+Sees the sun going down <br>
+And the eyes in his head <br>
+See the world spinning round <br>
+<br>
+Oh round, round, round, round, round <br>
+<br>
+And he never listens to them <br>
+He know that they're the fool <br>
+They don't like him <br>
+<br>
+The fool on the hill <br>
+Sees the sun going down <br>
+And the eyes in his head <br>
+See the world spinning round <br>
+<br>
+Oh round, round, round, round, oh </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_back.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_back.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/get_back.htm	(revision 18423)
@@ -0,0 +1,82 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Thursday 15 October 1998 at 4:46 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Get Back</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Get Back</font></strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+Jojo was a man who thought he was a loner <br>
+But he knew it wouldn't last <br>
+Jojo left his home in Tucson, Arizona <br>
+For some California grass <br>
+Get back, get back <br>
+Get back to where you once belonged <br>
+Get back, get back <br>
+Get back to where you once belonged <br>
+Get back Jojo. Go home <br>
+<br>
+Get back, get back <br>
+Get back to where you once belonged <br>
+Get back, get back <br>
+Get back to where you once belonged <br>
+Get back Jo <br>
+<br>
+Sweet Loretta Martin thought she was a woman <br>
+But she was another man <br>
+All the girls around her say she's got it coming <br>
+But she gets it while she can <br>
+Oh get back, get back <br>
+Get back to where you once belonged <br>
+Get back, get back <br>
+Get back to where you once belonged <br>
+Get back Loretta. Go home <br>
+<br>
+Oh get back, Yeah get back <br>
+Get back to where you once belonged <br>
+Yeah get back, get back <br>
+Get back to where you once belonged </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/help.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/help.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/help.htm	(revision 18423)
@@ -0,0 +1,85 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Thursday 15 October 1998 at 5:11 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Help!</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Help!</font></strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+<br>
+<br>
+Help, I need somebody, <br>
+Help, not just anybody, <br>
+Help, you know I need someone, help. <br>
+<br>
+When I was younger, so much younger than today, <br>
+I never needed anybody's help in any way. <br>
+But now these days are gone, I'm not so self assured, <br>
+Now I find I've changed my mind and opened up the doors. <br>
+<br>
+Help me if you can, I'm feeling down <br>
+And I do appreciate you being round <br>
+Help me, get my feet back on the ground, <br>
+Won't you please, please help me. <br>
+<br>
+And now my life has changed in oh so many ways, <br>
+My independence seems to vanish in the haze. <br>
+But every now and then I feel so insecure, <br>
+I know that I just need you like I've never done before. <br>
+<br>
+Help me if you can, I'm feeling down <br>
+And I do appreciate you being round. <br>
+Help me, get my feet back on the ground, <br>
+Won't you please, please help me. <br>
+<br>
+When I was younger, so much younger than today, <br>
+I never needed anybody's help in any way. <br>
+But now these days are gone, I'm not so self assured, <br>
+No I find I've changed my mind and opened up the doors. <br>
+<br>
+Help me if you can, I'm feeling down <br>
+And I do appreciate you being round. <br>
+Help me, get my feet back on the ground, <br>
+Won't you please, please help me, help me, help me, oh. </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/jude.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/jude.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/jude.htm	(revision 18423)
@@ -0,0 +1,95 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Thursday 15 October 1998 at 5:25 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Hey Jude</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Hey Jude</font></strong><br>
+<br>
+Hey Jude, don't make it bad<br>
+take a sad song and make it better<br>
+Remember to let her into your heart<br>
+Then you can start to make it better<br>
+<br>
+Hey Jude, don't be afraid<br>
+You were made to go out and get her<br>
+The minute you let her under your skin<br>
+The you begin to make it better<br>
+<br>
+And anytime you feel the pain<br>
+Hey Jude refrain<br>
+don't carry the world upon your shoulders<br>
+For now you know that it's a fool<br>
+who plays it cool<br>
+By marking his world a little colder<br>
+Da da da da da<br>
+da da da da<br>
+<br>
+Hey Jude don't let me down<br>
+You have found her, now go and get her<br>
+Remember to let get into your heart<br>
+then you can start to make it better<br>
+<br>
+So let it out and let it in<br>
+Hey Jude begin<br>
+You're waiting for someone to perform with<br>
+And don't you know that it's just you<br>
+Hey Jude, you'll do<br>
+The movement you need is on your shoulder<br>
+Da da da da da<br>
+da da da da yeah<br>
+<br>
+Hey Jude<br>
+Hey Jude, don't make it bad<br>
+take a sad song and make it better<br>
+Remember to let her under your skin<br>
+Then you can begin to make it better<br>
+Better, better, better, better, better, oh<br>
+<br>
+Da, da da da da da da<br>
+da da da da, hey Jude<br>
+Da, da da da da da da<br>
+da da da da, hey Jude<br>
+Da, da da da da da da<br>
+da da da da, hey Jude</p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lucy.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lucy.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/lucy.htm	(revision 18423)
@@ -0,0 +1,93 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Friday 16 October 1998 at 10:50 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Lucy In The Sky With Diamonds</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Lucy In The Sky With Diamonds</font></strong>
+&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+<br>
+<br>
+Picture yourself in a boat on a river, <br>
+With tangerine trees and marmalade skies <br>
+Somebody calls you, you answer quite slowly, <br>
+A girl with kaleidoscope eyes. <br>
+Cellophane flowers of yellow and green, <br>
+Towering over your head. <br>
+Look for the girl with the sun in her eyes, <br>
+And she's gone. <br>
+<br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds. Ah <br>
+<br>
+Follow her down to a bridge by a fountain <br>
+Where rocking horse people eat marshmallow pies, <br>
+Everyone smiles as you drift past the flowers, <br>
+That grow so incredibly high. <br>
+Newspaper taxis appear on the shore, <br>
+Waiting to take you away. <br>
+Climb in the back with your head in the clouds, <br>
+And you're gone. <br>
+<br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds. Ah <br>
+<br>
+Picture yourself on a train in a station, <br>
+With plasticine porters with looking glass ties, <br>
+Suddenly someone is there at the turnstile, <br>
+The girl with the kaleidoscope eyes. <br>
+<br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds. Ah <br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds. Ah <br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds <br>
+Lucy in the sky with diamonds </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/magical.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/magical.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/magical.htm	(revision 18423)
@@ -0,0 +1,80 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Saturday 17 October 1998 at 10:40 AM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Magical Mystery Tour</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Magical Mystery Tour</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+Roll up, roll up for the mystery tour <br>
+Step right this way <br>
+<br>
+Roll up, roll up for the mystery tour <br>
+Roll up, roll up for the mystery tour <br>
+<br>
+Roll up, and that's an invitation, roll up for the mystery tour <br>
+Roll up, to make a reservation, roll up for the mystery tour <br>
+The magical mystery tour is waiting to take you away <br>
+Waiting to take you away <br>
+<br>
+Roll up, roll up for the mystery tour <br>
+Roll up, roll up for the mystery tour <br>
+<br>
+Roll up, we've got everything you need, roll up for the mystery tour <br>
+Roll up, satisfaction guaranteed, roll up for the mystery tour <br>
+The magical mystery tour is hoping to take you away <br>
+<br>
+Roll up, roll up for the mystery tour <br>
+Roll up, roll up for the mystery tour <br>
+<br>
+Roll up, and that's an invitation, roll up for the mystery tour <br>
+Roll up, to make a reservation, roll up for the mystery tour <br>
+The magical mystery tour is coming to take you away <br>
+Coming to take you away <br>
+<br>
+The magical mystery tour is dying to take you away, <br>
+Dying to take you away, take you today. </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/obladi.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/obladi.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/obladi.htm	(revision 18423)
@@ -0,0 +1,102 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Saturday 17 October 1998 at 3:00 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Ob-la-di, Ob-la-da</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Ob-la-di, Ob-la-da</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+Desmond has a barrow in the market place <br>
+Molly is the singer in a band <br>
+Desmond says to Molly-girl I like your face <br>
+And Molly says this as she takes him by the hand. <br>
+<br>
+Ob-la-di, Ob-la-da life goes on bra <br>
+La-la how the life goes on <br>
+Ob-la-di, Ob-la-da life goes on bra <br>
+La-la how the life goes on. <br>
+<br>
+Desmond takes a trolley to the jewelers store <br>
+Buys a twenty carat golden ring <br>
+Takes it back to Molly waiting at the door <br>
+And as he gives it to her she begins to sing. <br>
+<br>
+Ob-la-di, Ob-la-da life goes on bra <br>
+La-la how the life goes on <br>
+Ob-la-di, Ob-la-da life goes on bra <br>
+La-la how the life goes on. <br>
+<br>
+In a couple of years they have built <br>
+A home sweet home <br>
+With a couple of kids running in the yard <br>
+Of Desmond and Molly Jones. <br>
+<br>
+Happy ever after in the market place <br>
+Molly lets the children lend a hand <br>
+Desmond stays at home and does his pretty face <br>
+And in the evening she's a singer with the band. <br>
+<br>
+Ob-la-di, Ob-la-da life goes on bra <br>
+La-la how the life goes on <br>
+Ob-la-di, Ob-la-da life goes on bra <br>
+La-la how the life goes on. <br>
+<br>
+In a couple of years they have built <br>
+A home sweet home <br>
+With a couple of kids running in the yard <br>
+Of Desmond and Molly Jones. <br>
+<br>
+Happy ever after in the market place <br>
+Molly lets the children lend a hand <br>
+Desmond stays at home and does his pretty face <br>
+And in the evening she's a singer with the band. <br>
+<br>
+Ob-la-di, Ob-la-da life goes on bra <br>
+La-la how the life goes on <br>
+Ob-la-di, Ob-la-da life goes on bra <br>
+La-la how the life goes on. <br>
+Chorus: And if you want some fun-take Ob-La-Di, B-La-Da </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/penny.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/penny.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/penny.htm	(revision 18423)
@@ -0,0 +1,91 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Saturday 17 October 1998 at 3:15 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Penny Lane</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Penny Lane</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+In Penny Lane there is a barber showing photographs <br>
+Of every head he's had the pleasure to know <br>
+And all the people that come and go <br>
+Stop and say hello <br>
+<br>
+On the corner is a banker with a motorcar <br>
+The little children laugh at him behind his back <br>
+And the banker never wears a mack <br>
+In the pouring rain, very strange <br>
+<br>
+Penny Lane is in my ears and in my eyes <br>
+There beneath the blue suburban skies <br>
+I sit, and meanwhile back <br>
+<br>
+In Penny Lane there is a fireman with an hourglass <br>
+And in his pocket is a portrait of the Queen <br>
+He likes to keep his fire engine clean <br>
+It's a clean machine <br>
+<br>
+Penny Lane is in my ears and in my eyes <br>
+Full of fish and finger pies <br>
+In summer, meanwhile back <br>
+<br>
+Behind the shelter in the middle of a roundabout <br>
+The pretty nurse is selling poppies from a tray <br>
+And though she feels as if she's in a play <br>
+She is anyway <br>
+<br>
+In Penny Lane the barber shaves another customer <br>
+We see the banker sitting waiting for a trim <br>
+And then the fireman rushes in <br>
+From the pouring rain, very strange <br>
+<br>
+Penny Lane is in my ears and in my eyes <br>
+There beneath the blue suburban skies <br>
+I sit, and meanwhile back <br>
+Penny Lane is in my ears and in my eyes <br>
+There beneath the blue suburban skies <br>
+Penny Lane </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolut.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolut.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolut.htm	(revision 18423)
@@ -0,0 +1,84 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Saturday 17 October 1998 at 3:39 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Revolution</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Revolution</font></strong><br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+<br>
+<br>
+You say you want a revolution <br>
+Well you know <br>
+We all want to change the world <br>
+You tell me that it's evolution <br>
+Well you know <br>
+We all want to change the world <br>
+But when you talk about destruction <br>
+Don't you know you can count me out in <br>
+Don't you know it's gonna be alright <br>
+Alright...Alright <br>
+<br>
+You say you got a real solution <br>
+Well you know <br>
+we'd all love to see the plan <br>
+You ask me for a contribution <br>
+Well you know <br>
+We're doing what we can <br>
+But if you want money for people with minds that hate <br>
+All I can tell you brother you have to wait <br>
+Don't you know it's gonna be alright <br>
+Alright...Alright <br>
+<br>
+You say you'll changes the constitution <br>
+Well you know <br>
+we all love to change your head <br>
+You tell me it's the institution <br>
+Well you know <br>
+You better free your mind instead <br>
+But if you go carrying pictures of Chairman Mao <br>
+You ain't gong to make it with anyone anyhow <br>
+Don't you know it's gonna be alright <br>
+Alright...Alright </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution.htm	(revision 18423)
@@ -0,0 +1,92 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Saturday 17 October 1998 at 3:39 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Revolution 1</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Revolution 1</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+<br>
+<br>
+You say you want a revolution <br>
+Well you know <br>
+We all want to change the world <br>
+You tell me that it's evolution <br>
+Well you know <br>
+We all want to change the world <br>
+But when you talk about destruction <br>
+Don't you know you can count me out in <br>
+Don't you know it's gonna be alright <br>
+Alright...Alright <br>
+<br>
+You say you got a real solution <br>
+Well you know <br>
+we'd all love to see the plan <br>
+You ask me for a contribution <br>
+Well you know <br>
+We're doing what we can <br>
+But if you want money for people with minds that hate <br>
+All I can tell you brother you have to wait <br>
+Don't you know it's gonna be alright <br>
+Alright...Alright <br>
+<br>
+You say you'll changes the constitution <br>
+Well you know <br>
+we all love to change your head <br>
+You tell me it's the institution <br>
+Well you know <br>
+You better free your mind instead <br>
+But if you go carrying pictures of Chairman Mao <br>
+You ain't gong to make it with anyone anyhow <br>
+Don't you know it's gonna be alright <br>
+Alright...Alright <br>
+Don't you know it's gonna be alright <br>
+Alright...Alright <br>
+Don't you know it's gonna be alright <br>
+Alright...Alright <br>
+Al..al..al..al..al..<br>
+al..al..al..al..al..alright<br>
+Alright...alright..alright..alright..alright..<br>
+alright..alright..alright..alright..alright..</p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution9.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution9.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/revolution9.htm	(revision 18423)
@@ -0,0 +1,236 @@
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1250">
+<title>Revolution 9</title>
+</head>
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<dl>
+  <dt><big><big><big><strong>Revolution 9</strong></big></big></big></dt>
+</dl>
+
+<dl>
+  <dt><em>(Lennon/McCartney) (montage of tape loops and spoken words)</em></dt>
+  <dt>&nbsp;</dt>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>Number 9 Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>...then there's this Welsh rarebit wearing some brown underpants</dt>
+  <dt>...about the shortage of grain in Hertfordshire.</dt>
+</dl>
+
+<dl>
+  <dt>Every one of them knew that as time went by they'd get a little bit</dt>
+  <dt>older and a little bit slower but...</dt>
+</dl>
+
+<dl>
+  <dt>It's all the same thing, in this cas manufactured by someone who's</dt>
+  <dt>always umpteen times [ ? ]. You're father's giving it diddly-i-dee </dt>
+  <dt>district was leaving... Intended to die. [ ? ] Ottoman... [ ? ] </dt>
+  <dt>...long gone through... [ ? ] I've got to say, irritably and... </dt>
+  <dt>[ ? ] floors, hard enough to put on [ ? ] per day's MD in our </dt>
+  <dt>district. There was not really enought light to get down, and </dt>
+  <dt>ultimately [ ? ] slumped down. Suddenly...</dt>
+</dl>
+
+<dl>
+  <dt>They may stop the funding...</dt>
+  <dt>Place your bets. The original. Afraid she'll die</dt>
+  <dt>[ ?] great colours for the season...</dt>
+</dl>
+
+<dl>
+  <dt>Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>Who's to know?</dt>
+  <dt>Who was to know?</dt>
+  <dt>&nbsp;</dt>
+  <dt>Number 9 Number 9 Number 9</dt>
+  <dt>Number 9 Number 9 Number 9</dt>
+  <dt>Number 9 Number 9 Number 9</dt>
+  <dt>Number 9 Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>I sustained nothing worse than [ ? ]</dt>
+</dl>
+
+<dl>
+  <dt>Also, for example</dt>
+  <dt>Whatever you're doing</dt>
+  <dt>A business deal falls through.</dt>
+</dl>
+
+<dl>
+  <dt>I informed him on the third night, when fortune gives...</dt>
+  <dt>People ride, people ride, ride, ride, ride, ride, ride.</dt>
+</dl>
+
+<dl>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>Ri-i-i-i-de! Ri-i-i-i-i-i-i-ide!!</dt>
+</dl>
+
+<dl>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>[ ? ] I've missed all of that.</dt>
+  <dt>It makes me a few days late</dt>
+  <dt>Compared with, like, wow!</dt>
+  <dt>And weird stuff like that...</dt>
+</dl>
+
+<dl>
+  <dt>[ ? ] taking our sides sometimes</dt>
+  <dt>[ ? ] Floral bark.</dt>
+  <dt>Rogue doctors have brought this specimen.</dt>
+  <dt>I have nobody's short-cuts, aha</dt>
+  <dt>Nine, Number 9</dt>
+  <dt>[ ? ] with the situation</dt>
+  <dt>They are standing still.</dt>
+</dl>
+
+<dl>
+  <dt>The plan, the telegram...</dt>
+  <dt>Number 9 Number...</dt>
+</dl>
+
+<dl>
+  <dt>A man without terros from beard to false, as the headmaster reported</dt>
+  <dt>to my son. He really can try, as they do, to find function...Tell</dt>
+  <dt>what he was saying, and his voice was low and his hive high, and his</dt>
+  <dt>eyes were low...</dt>
+  <dt>Alright!</dt>
+  <dt>It was on fire and his glasses were the same.</dt>
+</dl>
+
+<dl>
+  <dt>This thing knows if it was tinted, but you know it isn't. To m it is..</dt>
+  <dt>&nbsp;</dt>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9</dt>
+  <dt>Number 9 Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>So the wife called and we'd better go to see a surgeon, to price it</dt>
+  <dt>[ ? ] yellow undercloths. So, any road, we went to see the dentist</dt>
+  <dt>instead, who gave her a pair of teeth which wasn't any good at all.</dt>
+  <dt>So I said I'd marry, join the fucking Navy and went to sea.</dt>
+</dl>
+
+<dl>
+  <dt>In my broken chair, my wings are broken and so is my hair.</dt>
+  <dt>I am not in the mood for whirling. How? Dogs for dogging, hands </dt>
+  <dt>for clapping, birds for birding and fish for fishing, them for </dt>
+  <dt>themming and when for whimming. ...only to find the night-watchman </dt>
+  <dt>unaware of his presence in the building.</dt>
+</dl>
+
+<dl>
+  <dt>Number 9 Number 9 Number 9</dt>
+  <dt>Number 9 Number 9 Number 9</dt>
+</dl>
+
+<dl>
+  <dt>Industry allows financial imbalance.</dt>
+  <dt>Thrusting it between his shoulder blades.</dt>
+</dl>
+
+<dl>
+  <dt>The Watusi, the Twist, Eldorado</dt>
+  <dt>Take this brother, may it server you well</dt>
+</dl>
+
+<dl>
+  <dt>Maybe it's nothing</dt>
+  <dt>What? What? Oh...</dt>
+</dl>
+
+<dl>
+  <dt>Maybe, even then, </dt>
+  <dt>impervious to London</dt>
+</dl>
+
+<dl>
+  <dt>[ ? ] could be difficult thing...It's quick like to rush for peace</dt>
+  <dt>is because it's so much like being naked</dt>
+</dl>
+
+<dl>
+  <dt>It's alright, it's alright</dt>
+  <dt>It's alright, it's alright</dt>
+</dl>
+
+<dl>
+  <dt>It's alright, it's alright,</dt>
+  <dt>It's alright, it's alright, it's alright</dt>
+  <dt>If, you become naked.</dt>
+</dl>
+<!--webbot bot="Include" U-Include="../_private/footer.htm" TAG="BODY" startspan -->
+
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small> &nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+
+
+<!--webbot bot="Include" endspan i-checksum="34003" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ride.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ride.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/ride.htm	(revision 18423)
@@ -0,0 +1,108 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Saturday 17 October 1998 at 5:20 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Ticket To Ride</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Ticket To Ride</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+<br>
+<br>
+I think I'm gonna be sad, <br>
+I think it's today, yeah. <br>
+The girl that's driving me mad <br>
+Is going away. <br>
+<br>
+She's got a ticket to ride, <br>
+She's got a ticket to ride, <br>
+She's got a ticket to ride, <br>
+But she don't care. <br>
+<br>
+She said that living with me <br>
+Is bringing her down yeah. <br>
+For she would never be free <br>
+When I was around. <br>
+<br>
+She's got a ticket to ride, <br>
+She's got a ticket to ride, <br>
+She's got a ticket to ride, <br>
+But she don't care. <br>
+<br>
+I don't know why she's ridin' so high, <br>
+She ought to think twice, <br>
+She ought to do right by me. <br>
+Before she gets to saying goodbye, <br>
+She ought to think twice, <br>
+She ought to do right by me. <br>
+<br>
+I think I'm gonna be sad, <br>
+I think it's today yeah. <br>
+The girl that's driving me mad <br>
+Is going away, yeah. <br>
+<br>
+She's got a ticket to ride, <br>
+She's got a ticket to ride, <br>
+She's got a ticket to ride, <br>
+But she don't care. <br>
+<br>
+I don't know why she's ridin' so high, <br>
+She ought to think twice, <br>
+She ought to do right by me. <br>
+Before she gets to saying goodbye, <br>
+She ought to think twice, <br>
+She ought to do right by me. <br>
+<br>
+She said that living with me, <br>
+Is bringing her down, yeah. <br>
+For she would never be free <br>
+When I was around. <br>
+<br>
+Ah, she's got a ticket to ride, <br>
+She's got a ticket to ride, <br>
+She's got a ticket to ride, <br>
+But she don't care. <br>
+My baby don't care, my baby don't care. <br>
+My baby don't care, my baby don't care. <br>
+My baby don't care, my baby don't care. </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sun.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sun.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/sun.htm	(revision 18423)
@@ -0,0 +1,61 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Saturday 17 October 1998 at 4:40 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Sun King</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Sun King</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+<br>
+<br>
+Here comes the sun king <br>
+Here comes the sun king <br>
+Everybody's laughing <br>
+Everybody's happy <br>
+Here comes the sun king <br>
+<br>
+Quando paramucho mi amore de felice corazon <br>
+Mundo paparazzi me amore chica ferdy parasol <br>
+Cuesto obrigado tanta mucho que can eat it carousel </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/walrus.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/walrus.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/walrus.htm	(revision 18423)
@@ -0,0 +1,92 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Thursday 15 October 1998 at 6:01 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>I Am The Walrus</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">I Am The Walrus</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: Lennon</i><br>
+<br>
+<br>
+I am he as you are he as you are me and we are all together <br>
+See how they run like pigs from a gun, see how they fly <br>
+I'm crying <br>
+<br>
+Sitting on a cornflake, waiting for the van to come <br>
+Corporation tee-shirt, stupid bloody Tuesday <br>
+Man, you been a naughty boy, you let your face grow long <br>
+I am the eggman, they are the eggmen <br>
+I am the walrus, goo goo g'joob <br>
+<br>
+Mister City Policeman <br>
+sitting pretty little policemen in a row <br>
+See how they fly like Lucy in the sky, see how they run <br>
+I'm crying, I'm crying <br>
+I'm crying, I'm crying <br>
+<br>
+Yellow matter custard, dripping from a dead dog's eye <br>
+Crabalocker fishwife, pornographic priestess, <br>
+Boy, you been a naughty girl you let your knickers down <br>
+I am the eggman, they are the eggmen <br>
+I am the walrus, goo goo g'joob <br>
+<br>
+Sitting in an English garden waiting for the sun <br>
+If the sun don't come, you get a tan <br>
+From standing in the English rain <br>
+I am the eggman, they are the eggman <br>
+I am the walrus, goo goo g'joob, g'gooo goo g'joob <br>
+<br>
+Expert textpert choking smokers <br>
+Don't you think the joker laughs at you? <br>
+See how they smile like pigs in a sty <br>
+See how they snied <br>
+I'm crying <br>
+<br>
+Semolina pilchard, climbing up the Eiffel Tower <br>
+Elementary penguin singing Hari Krsihna <br>
+Man, you should have seen them kicking Edgar Allan Poe <br>
+I am the eggman, they are the eggmen <br>
+I am the walrus, goo goo g'joob, g'goo goo g'joob <br>
+Goo goo g'joob, g'goo goo g'joob, g'goo </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yellow.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yellow.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yellow.htm	(revision 18423)
@@ -0,0 +1,90 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Sunday 18 October 1998 at 3:08 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Yellow Submarine</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Yellow Submarine</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: Starr</i><br>
+<br>
+<br>
+In the town where I was born <br>
+Lived a man who sailed to sea <br>
+And he told us of his life <br>
+In the land of submarines <br>
+<br>
+So we sailed up to the sun <br>
+'Till we found the sea of green <br>
+And we lived beneath the waves <br>
+In our yellow submarine <br>
+<br>
+We all live in a yellow submarine <br>
+Yellow submarine, yellow submarine <br>
+We all live in a yellow submarine <br>
+Yellow submarine, yellow submarine <br>
+<br>
+And our friends are all on board <br>
+Many more of them live next door <br>
+And the band begins to play <br>
+<br>
+We all live in a yellow submarine <br>
+Yellow submarine, yellow submarine <br>
+We all live in a yellow submarine <br>
+Yellow submarine, yellow submarine <br>
+<br>
+As we live a life of ease <br>
+Everyone of us has all we need <br>
+Sky of blue and sea of green <br>
+In our yellow submarine <br>
+<br>
+We all live in a yellow submarine <br>
+Yellow submarine, yellow submarine <br>
+We al live in a yellow submarine <br>
+<br>
+Yellow submarine, yellow submarine <br>
+We all live in a yellow submarine <br>
+Yellow submarine, yellow submarine <br>
+We all live in a yellow submarine <br>
+Yellow submarine, yellow submarine </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yesterday.htm
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yesterday.htm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/html_lyrics/www.boskowan.com/www/jirka/beatles/beatles/yesterday.htm	(revision 18423)
@@ -0,0 +1,74 @@
+<!-- HTML document created using Webford 2.01's Web Page Wizard -->
+<!-- on Sunday 18 October 1998 at 3:13 PM -->
+<!-- Document information -->
+<html>
+
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>Yesterday</title>
+</head>
+<!-- Page background, colours etc. -->
+
+<body>
+<!--webbot bot="Include" U-Include="../_private/header.htm" TAG="BODY" startspan -->
+<font face="Times New Roman" size="6"><b>
+
+</font>
+
+<table border="0" width="1" align="left" cellspacing="0" cellpadding="0">
+  <tr>
+    <td width="100%"><script language="JavaScript"><!--
+if (escape(top.document.referrer))
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+else
+	document.write("<IMG SRC=\"http://www.boskowan.com/a_boskowan/counter.asp?cAdresa=" + location.href  + "&cOdkud=direct" + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// --></script><!-- Na vrcholu -->
+<IMG SRC="http://www.navrcholu.cz/cgi-bin/4web/nvhit.pl?id=00026445" WIDTH="1"HEIGHT="1" ALT="" BORDER="0">
+<SCRIPT LANGUAGE="JavaScript">
+<!-- document.write("<IMG SRC=\"http://www.navrcholu.cz/cgi-bin/4web/nv_referer?id=00026445&ref=" + escape(top.document.referrer) + "\" WIDTH=1 HEIGHT=1 ALT=\"\" BORDER=0>");
+// -->
+</SCRIPT>
+<!-- Na vrcholu - konec -->
+</td>
+  </tr>
+</table>
+
+
+<!--webbot bot="Include" endspan i-checksum="49471" -->
+
+
+<p><strong><font SIZE="6">Yesterday</font></strong>&nbsp;&nbsp;&nbsp;&nbsp; <br>
+<br>
+<i>(Lennon/McCartney) Lead Vocal: McCartney</i><br>
+<br>
+<br>
+Yesterday, all my troubles seemed so far away <br>
+Now it looks as though they're here to stay <br>
+Oh, I believe in yesterday. <br>
+<br>
+Suddenly, I'm not half the man I used to be, <br>
+There's a shadow hanging over me. <br>
+Oh, yesterday came suddenly. <br>
+<br>
+Why she had to go I don't know she wouldn't say. <br>
+I said something wrong, now I long for yesterday. <br>
+<br>
+Yesterday, love was such an easy game to play. <br>
+Now I need a place to hide away. <br>
+Oh, I believe in yesterday. <br>
+<br>
+Why she had to go I don't know she wouldn't say. <br>
+I said something wrong, now I long for yesterday. <br>
+<br>
+Yesterday, love was such an easy game to play. <br>
+Now I need a place to hide away. <br>
+Oh, I believe in yesterday. <br>
+Mm mm mm mm mm mm mm. </p>
+<!--webbot bot="Include" U-Include="_private/footer1.htm" TAG="BODY" startspan -->
+
+<p align="center"><strong>Copyright © 2003 by <a href="mailto:wag@volny.cz">Jirka Wagner,
+Jr.</a></strong><small><small>&nbsp;&nbsp; </small></small><strong>All Rights Reserved.</strong></p>
+<!--webbot bot="Include" endspan i-checksum="5922" -->
+
+</body>
+</html>
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/marc/locbeatles50.marc
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/marc/locbeatles50.marc	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/marc/locbeatles50.marc	(revision 18423)
@@ -0,0 +1,1345 @@
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+02aVJ-1085bVee-Jay
+  a(OCoLC)33448757 
+  aDLCcDLCdDLC
+00aVee-Jay VJ-1085
+04aThe Beatles and Frank Ifield on stageh[sound recording].
+  a[S.l.] :bVee-Jay,c[1964?]
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles and Frank Ifield.
+0 aPlease, please me -- Any time -- Lovesick blues -- I'm smiling now -- Nobody's darling -- From me to you -- I remember you -- Ask me why -- Thank you girl -- The wayward wind -- Unchained melody -- I listen to my heart.
+  aBrief record.
+ 0aPopular musicy1961-1970.
+1 aIfield, Frank.4prf
+2 aBeatles.4prf
+  aTA28
+  a9511
+  bc-RecSoundhVee-Jay VJ-1085wMUSIC
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+  a   92758636 
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+02aJS 102-CDbJoplin & Sweeney Music
+  aDLCcDLC
+00aSDA 73765
+02aA Beatles collectionh[sound recording].
+  aLos Gatos, CA :bJoplin & Sweeney Music,cp1989.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aNeil Hogan, solo guitar.
+0 aHere, there and everywhere -- I'll follow the sun -- Girl -- The long and winding road -- Penny Lane -- If I fell -- Things we said today -- Because -- When I'm 64.
+  aBrief record.
+ 0aPopular musicy1981-1990.
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+32aNO90548bWise Publications
+32aHL00673228bH. Leonard Pub. Corp.
+  aDLCcDLC
+  ae-uk-en
+00aM1741.18b.B36 1993
+04aThe Beatles :bcomplete scores.
+  aLondon ;aNew York :bWise Publications ;aMilwaukee, WI :bExclusive distributors for U.S.A. and Canada, H. Leonard Pub. Corp.,cc1993.
+  a1 score (1136 p.) :bill. ;c27 cm.
+  a"Full transcriptions from the original recordings : every song written & recorded by the Beatles"--Cover.
+  aStaff and tablature notation; includes chord symbols.
+  aDiscography: p. 1131-1136.
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+  a[1st American ed.
+  aNew York,bDelacorte Press,c1969]
+  a2 v.billus. (part col.)c29 cm.
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+  aNew York :bBlack Dog & Leventhal Publishers :bDistributed by Workman Pub. Co.,c[1999?]
+  a267 p. :bill. (chiefly col.) ;c29 cm.
+  aOriginally published: London : MacDonald, 1969.
+  aIncludes index.
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+04aThe Beatles illustrated lyrics /cedited by Alan Aldridge.
+  aBoston :bHoughton Mifflin/Seymour Lawrence,c[1991], c1969.
+  a267 p. :bill. (some col.) ;c28 cm.
+  aIncludes index.
+ 0aRock musicy1961-1970xTexts.
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+00a784.5/405219
+04aThe Beatles illustrated lyrics /cJulian Allen ... [et al.] ; edited by Alan Aldridge.
+  aNew York, N.Y. :bDell Pub. Co.,c[1980]
+  a2 v. :bill. (some col.) ;c28 cm.
+  a"A Delta/Seymour Lawrence book."
+  aReprint of the 1969 ed. published by Delacorte Press, New York.
+  aPublished in 1974 under title: The Beatles lyrics complete; published in 1975 under titles: The Beatles lyrics; The Beatles lyrics illustrated.
+ 0aRock musicy1961-1970xTexts.
+1 aAldridge, Alan.
+2 aBeatles.
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+  aengjpn
+  ae-uk---
+00aCQA 0480-0482 (arch neg)
+00aFTA 1469-1470 (neg trk)
+00aBeatles in Japan /cNTV.
+  aJapan.
+  aJapan :bNTV,c1966-07-01.
+  a3 reels (ca. 4300 ft.) :bsi., col. ;c35 mm. arch neg.
+  a2 reels (ca. 1500 ft.) :bsd. ;c16 mm. neg trk.
+  aMain title, credits, and end title lacking.5DLC
+  aTitle taken from can.
+0 aPerformers: Beatles.
+  aThe 16 mm. neg trk goes with the 35 mm. archival neg.5DLC
+  aIntroduction in Japanese and songs in English and Japanese.
+  aAppears to be footage of a Beatles concert given on 6/30/66 at the Nippon Budokan Hall, Tokyo, Japan; concert was filmed on 6/30/66 and broadcast in color by NTV (Japanese television) on 7/1/66, but cannot determine if ever shown by NBC per Fred Gilmore, Science Librarian, Univ. of Michigan Engineering/Transportation Library, 10/7/91; dates of 3/15/68 and 3/18/68 appear on cans, but cannot determine to what these dates refer.
+  aNBC inventory box no. 67 and 1184.5DLC
+  aOperation no. 68-369.
+  aRestricted;3videocassettes only may be viewed; no physical handling by researchers.
+  aReference sources used: Wiener, A. The Beatles : a recording history, p. 99; Lewisohn, M. The Beatles live, p. 192, 199.
+  dReceived: 7/16/86;3arch neg and neg trk;cgift;aNBC Television Collection.
+ 0aRock musiczGreat Britainy1961-1970.
+ 7aTelevision.2mim
+ 7aMusic.2mim
+2 aBeatles.
+2 aNBC Television Collection (Library of Congress)5DLC
+  aScreened for credits only.
+  aTE01
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+04aThe Beatles in Richard Lester's A hard day's night :ba complete pictorial record of the movie /ceditor, J. Philip Di Franco ; introd., Andrew Sarris.
+  aHarmondsworth, Eng. ;aNew York :bPenguin Books,c1978, c1977.
+  axvi, 297 p. :bill. ;c28 cm.
+  aReprint of the ed. published by Chelsea House Publishers, New York.
+ 0aHard day's night. [Motion picture]
+1 aLester, Richard,d1932-
+1 aDi Franco, J. Philip.
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+  aNew York :bChelsea House Publishers,c1977.
+  axvi, 297 p. :bill. ;c29 cm.
+ 0aHard day's night. [Motion picture]
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+00aBeatles in their own words /ccompiled by Miles ; edited by Pearce Marchbank.
+  aNew York :bDelilah/Putnam :bDistributed by the Putnam Pub. Group,cc1978.
+  a125 p. :bill. ;c26 cm.
+20aBeatles.
+ 0aRock musicianszEnglandxBiography.
+1 aMiles, Barry,d1943-
+1 aMarchbank, Pearce.
+2 aBeatles.
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+  aLondon ;aNew York :bOmnibus Press,cc1978.
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+  a(OCoLC)31995193 
+  aDLCcDLC
+00aPickwick BAN-90051
+00aBeatles live.nVol. 1h[sound recording].
+  aMinneapolis, MN :bPickwick,cp1978.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aRoll over Beethoven -- Hippy hippy shake -- Falling in love again -- Lend me your comb -- Sheila -- Red sails in the sunset -- Matchbox -- I'm gonna sit right down and cry over you -- Be-bop-a-lula -- Hallelujah I love her so -- 'Til there was you -- Besame mucho -- A taste of honey.
+  aBrief record.
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+00aBAN-90061bPickwick
+  a(OCoLC)31995250 
+  aDLCcDLC
+00aPickwick BAN-90061
+00aBeatles live.nVol. 2h[sound recording].
+  aMinneapolis, MN :bPickwick,cp1978.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aAin't nothing shakin' -- Everybody's trying to be my baby -- Matchbox -- Talkin' 'bout you -- Long tall Sally -- Little Queenie -- Red sails in the sunset -- To know her is to love her -- Shimmy shake -- I remember you -- Kansas City ; Hey hey hey hey -- Roll over Beethoven.
+  aBrief record.
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+04aThe Beatles lyrics complete
+04aThe Beatles lyrics illustrated /cintroduction by Richard Brautigan.
+  aNew York :bDell Pub. Co.,c1975.
+  a208 p., [32] leaves of plates :b104 ports. ;c18 cm.
+  aFirst ed. published in 1974 under title: The Beatles lyrics complete.
+  aIncludes index.
+0 aBeatlemania (1962-5)--The Sergeants' mystery tour (1965-8)--The Apple years (1968-70)
+ 0aRock musicxTexts.
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+04aThe Beatles lyrics /cwith an introduction by Jimmy Savile.
+  aLondon :bFutura Publications,c1975.
+  a208 p., [64] p. of plates :bill., ports. ;c20 cm.
+0 aAn Omega book
+  aCover title: The Beatles illustrated lyrics.
+  aFirst published in 1969 under title: The Beatles illustrated lyrics; published in 1974 under title: The Beatles lyrics complete.
+  aIncludes index.
+ 0aRock musicy1961-1970xTexts.
+2 aBeatles.
+0 aBeatles illustrated lyrics.
+  bc-MusichML54.6.B4iI4tCopy 1wBOOKS
+
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+921008q19701979caurcn              eng d
+  9(DLC)   92772508
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   92772508 
+02aSEBX-11841bCapitol
+  a(OCoLC)6464550
+  aTMcDLCdDLC
+  alccopycat
+00aCapitol SEBX-11841
+04aThe Beatlesh[sound recording].
+  aHollywood, Calif. :bCapitol,c[197-?]
+  a2 sound discs :banalog, 33 1/3 rpm, stereo. ;c12 in.
+  aSongs chiefly by John Lennon and Paul McCartney.
+0 aPerformed by the Beatles.
+0 aBack in the U.S.S.R. -- Dear Prudence -- Glass onion -- Ob-la-di, ob-la-da -- Wild honey pie -- The continuing story of Bungalow Bill -- While my guitar gently weeps -- Happiness is a warm gun -- Martha my dear -- I'm so tired -- Blackbird -- Piggies -- Rocky Racoon -- Don't pass me by -- Why don't we do it in the road -- I will -- Julia -- Birthday -- Yer blues -- Mother nature's son -- Everybody's got something to hide except me and my monkey -- Sexy Sadie -- Helter skelter -- Long, long, long -- Revolution 1 -- Honey pie -- Savoy truffle -- Cry baby cry -- Revolution 9 -- Good night.
+ 0aRock musicy1961-1970.
+1 aMcCartney, Paul.
+1 aLennon, John,d1940-1980.
+2 aBeatles.
+  aNew
+  aTA28
+  bc-RecSoundhCapitol SEBX-11841wMUSIC
+
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+12147625
+20020626181341.0
+sd|zsngnnmmned
+000817s1995    cau  n                  d
+02aDACD60020bDove Audio
+  a(DLC)   00524842
+00aSDA 16559
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a   00524842 
+  a0787104361
+1 a2291760020
+00aDACD60020bDove Audio
+  a(OCoLC)ocm46719604 
+  aWRScWRSdDLC
+  alcderive
+04aThe Beatlesh[sound recording] :bthe lost tapes, a parody.
+3 aLive from the pound :bthe Beatles
+  aBeverly Hills, Calif :bDove Audio,c1995.
+  a1 sound disc (29 min. 18 sec.): :bdigital,c4 3/4 in.
+  aAt head of title: Live from the pound.
+  aBeatle songs accompanied by animal sounds.
+  aProduced by Gene Pierson.
+  aCompact disc.
+0 aI want to hold your hand -- Love me do -- Ob-la di, ob-la da -- We can work it out -- I saw her standing there -- I feel fine -- Can't buy me love -- All my loving -- Day tripper -- She loves you -- A hard day's night -- Paperback writer.
+ 0aRock music.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  ato MBRS/RS vn42 08-17-00
+  cOCLCesrreplace 2002-02
+
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+sd|zsngnnmmned
+010927s1995    cau  n                  d
+02aDACD60020bDove Audio
+  a(DLC)   2001576553
+00aSDA 37803
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a  2001576553
+  a0787104361
+1 a2291760020
+00aDACD60020bDove Audio
+  a(OCoLC)ocm46719604 
+  aWRScWRSdDLC
+  alcderive
+04aThe Beatlesh[sound recording] :bthe lost tapes, a parody.
+3 aLive from the pound :bthe Beatles
+  aBeverly Hills, Calif :bDove Audio,c1995.
+  a1 sound disc (29 min. 18 sec.): :bdigital,c4 3/4 in.
+  aAt head of title: Live from the pound.
+  aBeatle songs accompanied by animal sounds.
+  aProduced by Gene Pierson.
+  aCompact disc.
+0 aI want to hold your hand -- Love me do -- Ob-la di, ob-la da -- We can work it out -- I saw her standing there -- I feel fine -- Can't buy me love -- All my loving -- Day tripper -- She loves you -- A hard day's night -- Paperback writer.
+ 0aRock music.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  avn17 2001-09-27 to MBRS/RS
+  cOCLCesrreplace 2002-04
+
+01193cjm  22003134a 4500001000900000005001700009007001500026008004100041906004500082925004200127955005400169010001700223040001800240042000800258050002400266245004000290260007500330300005000405500007600455511004400531500009000575500003000665650001600695610001300711700002300724710001800747710006600765710004800831
+12955415
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+021002s1980    caurcn              eng  
+  a7bcbccorigcopd4encipf20gy-soundrec
+0 aacquireb1 shelf copyxpolicy default
+  avz03 2002-10-02ivz03 2002-10-02evz03 2002-10-02
+  a  2002600493
+  aDLCcDLCdDLC
+  apcc
+00aLPA 98955-LPA 98958
+00aBeatles specialh[sound recording].
+  a[Los Angeles] :bAmerican Forces Radio and Television Service,c[1980]
+  a4 sound discs :banalog, 33 1/3 rpm ;c12 in.
+  aMusic of the Beatles; includes interviews and biographical information.
+0 aBob Eubanks, host; Beatles, performers.
+  aAFRTS edition of a commercial radio program; contains information spot announcements.
+  aDuration: 55:00 per disc.
+ 0aRock music.
+20aBeatles.
+1 aEubanks, Bob.4hst
+2 aBeatles.4prf
+1 aUnited States.bAmerican Forces Radio and Television Service.
+2 aAFRTS Collection (Library of Congress)5DLC
+
+01125cim  22003491a 4500001000900000005001700009007001500026008004100041035002300082050001400105906004500119010001700164024001700181028002200198035002300220040002500243042001300268245003900281246006600320246002900386260004300415300005900458511005000517610002500567650004800592710001300640925003800653952001200691952001300703955003100716985002800747
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+010814p19921964waunnn         t    eng d
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+00aSDA 31270
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a  2001567010
+1 a739497700628
+02aJRCD 7006bJerden
+  a(OCoLC)ocm32678104
+  aOKIcOKIdOCLCQdDLC
+  alcderive
+00aBeatles tapes Ih[sound recording]
+1 iContainer title:aBeatles tapes: the Beatles in the northwest
+30aBeatles in the northwest
+  aSeattle, WA :bJerden Records,cp1992.
+  a1 sound disc (25 min., 8 sec.) :bdigital ;c4 3/4 in.
+0 aInterviews with The Beatles in 1964 and 1966.
+20aBeatlesvInterviews.
+ 0aRock musiczEnglandxHistory and criticism.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  amuzerec
+  aspokenwd
+  avn40 2001-08-14 to MBRS/RS
+  cOCLCesrreplace 2002-04
+
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+602604
+19910710161242.0
+910213s1989    ck af    bkq  001 0 spa  
+  9(DLC)   91117848
+  a7bcbccorignewd4encipf19gy-gencatlg
+  avk13 02-28-91; vk90, 04-17-91
+  a   91117848 
+  aDLCcDLCdDLC
+1 aspaheng
+  ae-uk-en
+00aML54.6b.B39 1989
+00a782.42164/0268220
+04aThe Beatles :bversiones libres /ccompilado y comentado por Gustavo Gómez Córdoba.
+  a[1. ed.].
+  a[Bogotá, Colombia :bs.n.,c1989]
+  a289 p., [9] p. of plates :bill. (some col.) ;c27 cm.
+  aSpanish translations of 211 Beatles song texts.
+  aDiscography: p. 237-253.
+  aFilmography: p. 260-263.
+  aIncludes bibliographical references (p. 279).
+  aIncludes index.
+  aErrata slip inserted.
+ 0aPopular musiczEnglandy1961-1970xTextsxTranslations into Spanish.
+20aBeatles.
+2 aGómez Córdoba, Gustavo.
+2 aBeatles.
+  aap
+  a*vk06 140 07-10-91
+  bc-MusichML54.6i.B39 1989tCopy 1mCasewBOOKS
+
+01820njm  2200493 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002000163035002000183040001900203042001400222050001900236245006100255260004000316300005600356500001900412511002100431505039800452650003000850700003700880700002300917700002200940710001800962710002100980710002701001740002301028740001801051740002401069740002301093740002201116740001901138740003701157740002301194740002101217740001201238740002101250952000801271953000901279991003801288
+5638356
+19911211095959.5
+sdubmmennmplu
+911023s1964    pauppn              eng d
+  9(DLC)   91759576
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   91759576 
+02aT-2125bCapitol
+  a(OCoLC)13857024
+  aOBgUcDLCdDLC
+  alccopycat
+00aCapitol T-2125
+04aThe Big hits from England and U.S.A.h[sound recording].
+  a[Scranton, Pa.] :bCapitol,c[1964]
+  a1 sound disc :banalog, 33 1/3 rpm, mono. ;c12 in.
+  aPopular music.
+0 aVarious artists.
+0 aCan't buy me love (The Beatles) -- I get around (The Beach Boys) -- A world without love (Peter and Gordon) -- You can't do that (The Beatles) -- Don't worry baby (The Beach Boys) -- Nobody I know (Peter and Gordon) -- I don't want to be hurt anymore (Nat King Cole) -- Suffer now I must (Cilla Black) -- Tears and roses (Al Martino) -- People (Nat King Cole) -- You're my world (Cilla Black).
+ 0aPopular musicy1961-1970.
+1 aCole, Nat King,d1917-1965.4prf
+1 aBlack, Cilla.4prf
+1 aMartino, Al.4prf
+2 aBeatles.4prf
+2 aBeach Boys.4prf
+2 aPeter and Gordon.4prf
+0 aCan't buy me love.
+0 aI get around.
+0 aWorld without love.
+0 aYou can't do that.
+0 aDon't worry baby.
+0 aNobody I know.
+0 aI don't want to be hurt anymore.
+0 aSuffer now I must.
+0 aTears and roses.
+0 aPeople.
+0 aYou're my world.
+  aNew
+  aTA28
+  bc-RecSoundhCapitol T-2125wMUSIC
+
+02042cjm  22005291a 4500001000900000005001700009007001500026008004100041028002700082035002300109050001400132906004500146010001700191024001700208024001700225028002100242033001300263035002300276040002300299042001300322245004600335260003300381300005100414306001100465511006600476500001800542518005400560505045300614650003001067700002101097700002101118700002101139700001701160700001701177700002001194700002301214700001801237700001901255700001901274700002601293710002601319710002301345925003801368952001201406955006601418985002801484
+12699666
+20020717131202.0
+sd|zsngnnmmned
+020311p20022001ohubln                  d
+02aCD-83553bTelarc Blues
+  a(DLC)   2002563429
+00aSDA 44910
+  a0bibcccopycatd3encipf20gy-genmusic
+  a  2002563429
+10a089408355325
+1 a089408355325
+02aCD-83553bTelarc
+00a200106--
+  a(OCoLC)ocm49270538
+  aUOJcUOJdJEDdDLC
+  alcderive
+04aThe blues white albumh[sound recording].
+  aCleveland :bTelarc,cp2002.
+  a1 sound disc (51 min.) :bdigital ;c4 3/4 in.
+  a005119
+0 aVarious artists covering songs from The Beatles' White album.
+  aCompact disc.
+  aRecorded at The Studio, Portland, Me., June 2001.
+00tWhy don't we do it in the road? /rJimmy Thackery & the Drivers --tYer blues /rLucky Peterson --tHappiness is a warm gun /rAnders Osborne --tRevolution /rKenny Neal, Lucky Peterson, Tab Benoit --tOb-la-di, ob-la-da /rMaria Muldaur --tWhile my guitar gently weeps /rJoe Louis Walker --tDon't pass me by /rT-Bone Walker --tI'm so tired /rChris Duarte --tBlackbird /rColin Linden --tDear Prudence /rCharlie Musselwhite, Colin Linden.
+ 0aBlues (Music)y1991-2000.
+1 aThackery, Jimmy.
+1 aPeterson, Lucky.
+1 aOsborne, Anders.
+1 aNeal, Kenny.
+1 aBenoit, Tab.
+1 aMuldaur, Maria.
+1 aWalker, Joe Louis.
+1 aWolk, T-Bone.
+1 aDuarte, Chris.
+1 aLinden, Colin.
+1 aMusselwhite, Charlie.
+2 aDrivers (Blues group)
+2 aBeatles.tBeatles.
+0 aacquireb2 copiesxpolicy default
+  amuzerec
+  avn03 2002-03-11 to MBRS/RSevn23 2002-07-17 copy 2 to MBRS/RS
+  cOCLCesrreplace 2002-05
+
+01150ncm  2200325 a 4500001000800000005001700008008004100025035002100066906004500087010001700132020002100149040001800170043001200188045001700200050002400217245013000241260006100371300003700432500001100469500008900480504003300569504002800602505004000630650003600670700002300706710001300729952002500742953000900767991004800776
+5579071
+19880706000000.0
+880225s1981    oncrca   a     n    eng  
+  9(DLC)   81066605
+  a7bcbccorignewd2encipf19gy-genmusic
+  a   81066605 
+  a0553013297 (set)
+  aDLCcDLCdDLC
+  ae-uk-en
+2 bd1950bd1970
+00aM1741.18b.C65 1981
+04aThe Compleat Beatles /cproduced by Delilah Communications/ATV Music Publications ; music arranged and edited by Milton Okun.
+  aToronto ;aNew York :bA Delilah/ATV/Bantam Book,c1981.
+  a1 score (2 v.) :bill. ;c32 cm.
+  aSongs.
+  aFor piano, with interlinear words; includes chord symbols and guitar chord diagrams.
+  aFilmography: v. 1, p. 86-91.
+  aIncludes discographies.
+0 av. 1. 1962-1966 -- v. 2. 1966-1970.
+ 0aRock musiczEnglandy1961-1970.
+1 aOkun, Milton.4arr
+2 aBeatles.
+  aISBN from container.
+  aTA28
+  bc-MusichM1741.18i.C65 1981tCopy 1wMUSIC
+
+01079njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002300173035002100196040001300217050002200230245005100252260003500303300004900338511008900387505019000476500001800666650001600684710001800700953000900718985000900727991004100736
+5749286
+19950204073643.4
+sdubumennmpluu
+950203s1981    xx uun              eng  
+  9(DLC)   95774124
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn22
+  a   95774124 
+00a38356bPac Records
+  a(OCoLC)31926039 
+  aDLCcDLC
+00aPac Records 38356
+00aDawn of the silver Beatlesh[sound recording].
+  a[S.l.] :bPac Records,cp1981.
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles (John Lennon, Paul McCartney, George Harrison, Peter Best).
+0 aLove of the loved -- Sure to fall -- Money -- Talke good care of my baby -- Three cool cats -- Like dreamers do -- Searchin' -- Crying, waiting, hoping -- Till there was you -- Memphis.
+  aBrief record.
+ 0aRock music.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPac Records 38356wMUSIC
+
+01822cjm  22003612a 4500001000900000005001700009007001500026008004100041035002300082906004500105955009600150010001700246024001500263028003800278033001300316040001800329042001300347050001400360245008400374260005200458300006000510306001100570500002400581511002100605518006300626500001800689500003200707505061900739650002701358710001301385710003301398985002901431
+12068267
+20030808160213.0
+sdufsngnnmmneu
+940302s1992    nyurcn              eng d
+  a(OCoLC)ocm29938701
+  a7bcbcccopycatd3encipf19gy-soundrec
+  avn00 2003-08-07evn34 2003-08-07 retro CD update to MBRSevn34 2003-08-08 copy 2 to MBRS/RS
+  a   99587427 
+1 a3582800113
+02aKFWCD-113bKnitting Factory Works
+  b3804cN4
+  aPULcPULdDLC
+  alcderive
+00aSDA 73844
+00aDowntown does the Beatles live at the Knitting Factory, 1992h[sound recording]
+  aNew York, NY :bKnitting Factory Works,cp1992.
+  a1 sound disc (48 min.) :bdigital, stereo. ;c4 3/4 in.
+  a004728
+  aTitle from booklet.
+0 aVarious artists.
+  aAll songs recorded live at the Knitting Factory, New York.
+  aCompact disc.
+  aProgram notes in container.
+0 aBeing for the benefit of Mr. Kite / Les Miserables Brass Band (2:36) -- Come together / Defunkt (5:56) -- I wanna hold your hand / Alex Chilton (2:23) -- Why don't we do it in the road / Lydia Lunch (3:31) -- Day in the life / Eugene Chadbourne (4:40) -- Dear Prudence / Samm Bennett and Chunk (4:40) -- We can work it out / King Missile (2:13) -- Taxman / Fred Longerg-Holm (5:54) -- Blue jay way / Buddha Pest (5:30) -- Don't let me down / Arto Lindsay, Mark Ribot, Syd Straw, Joe Baron, Greg Cohn (3:35) -- Revolution #9 / Kurt Hoffman's Band of Weeds (2:54) -- Eleanor Rigby / Les Miserables Brass Band (5:30).
+ 0aRock musicy1991-2000.
+2 aBeatles.
+2 aKnitting Factory (Nightclub)
+  cOCLCeClaimed Recordings
+
+01585cjm  2200349 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002300163035002000186040001700206042001400223050002200237245008400259260004000343300005800383500001900441500007200460511006100532505046100593650003001054700003001084700002101114700002901135710001301164952000801177953000901185991004101194
+5677124
+20020523154210.0
+sdubsmennmplu
+930427s1973    nyuppn              eng d
+  9(DLC)   93709825
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   93709825 
+02aKC 32525bColumbia
+  a(OCoLC)11663640
+  aTMcDLCdDLC
+  alccopycat
+00aColumbia KC 32525
+00aEasy listening Beatlesh[sound recording] :bfor people who hate rock and roll.
+  aNew York, N.Y. :bColumbia,cp1973.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+  aPopular music.
+  aWords and music by John Lennon, Paul McCartney and George Harrison.
+0 aArranged and performed by various artists and ensembles.
+0 aHey Jude (Ray Conniff) -- Fool on the hill (Percy Faith, his orchestra and chorus) -- Yesterday (Ray Conniff) -- Eleanor Rigby (Johnny Mathis) -- You've got to hide your love away (Percy Faith and his orchestra) -- My sweet Lord (Johnny Mathis) -- Something (Peter Nero) -- The long and winding road (Andre Kostelanetz) -- Michelle (Andre Kostelanetz and his orchestra) -- Variations on the theme "Ob-la-di ob-la-da" (Peter Nero) -- Let it be (Jerry Vale).
+ 0aPopular musicy1971-1980.
+1 aLennon, John,d1940-1980.
+1 aMcCartney, Paul.
+1 aHarrison, George,d1943-
+2 aBeatles.
+  aNew
+  aTA28
+  bc-RecSoundhColumbia KC 32525wMUSIC
+
+01093cjm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028001600173035002100189040001800210050001500228245004100243260003900284300004900323511005000372505021700422500001800639650002500657650002700682710001800709953000900727985000900736991003400745
+5726097
+19970702113207.9
+sdubumennmpluu
+950106q19601969xxuuun              eng  
+  9(DLC)   94767779
+  a7bcbccorignewd3encipf19gy-genmusic
+  avk15
+  a   94767779 
+00a4347BbMore
+  a(OCoLC)31773455 
+  aDLCcDLCdDLC
+00aMore 4347B
+00aGet back sessionh[sound recording].
+  a[United States?] :bMore,c[196-?]
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aThe Beatles, vocal and instrumental ensemble.
+0 aMaxwell's silver hammer -- Besame mucho -- Two of us -- One after 909 -- Shake, rattle & roll -- Get back -- Dig a pony -- Whole lotta shakin' -- Suzie parker -- I me mine -- Dig a pony -- Paul raps -- Let it be.
+  aBrief record.
+ 0aRock musicyTo 1961.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9501
+  bc-RecSoundhMore 4347BwMUSIC
+
+01548cmm  2200325 a 4500001000800000005001700008008004100025035002100066906004500087955001800132010001700150020001500167040001800182050001700200082001500217245004100232246007000273256003100343260003300374300006600407538026800473500002700741520028900768630003801057650001901095650001901114710002101133710001801154991005001172
+5002322
+19990108085452.6
+961108s1993    nyu        m        eng  
+  9(DLC)   96802497
+  a7bcbccorignewduencipf19gy-gencompf
+  avb22 11-08-96
+  a   96802497 
+  a1559402652
+  aDLCcDLCdDLC
+00aPN1997.H2593
+10a791.43212
+02aA hard day's nighth[computer file].
+1 iTitle on front cover of container:aBeatles in A hard day's night
+  aComputer data and program.
+  aNew York :bVoyager,cc1993.
+  a1 computer laser optical disc ;c4 3/4 in. +e1 user's guide.
+  aSystem requirements: Macintosh; 4MB RAM; System 6.0.7 or later; 256-color (thirteen-inch or larger) or 256-grayscale (twelve-inch or larger) monitor; QuickTime-compatible CD-ROM drive. Apple twelve-inch RGB color monitors support video, but not supplemental text.
+  aTitle from disc label.
+  aPresents a full-length film in which the Beatles escape the harassment of their manager and Paul's grandfather by taking a train from Liverpool to London. Includes original script; profiles of the Beatles, cast, and crew; clips from the director's early work; and word search feature.
+00aHard day's night (Motion picture)
+ 0aFeature films.
+ 0aMusical films.
+2 aVoyager Company.
+2 aBeatles.4prf
+  bc-MRChPN1997.H2593i[1996 01505]tCopy 1wCF
+
+02908cgm  22006017a 4500001000900000005001700009007001000026007001000036008004100046035002100087906004500108010001700153017003500170035002200205035002500227040002700252042001400279050002800293050003600321245011500357246005700472257000900529260012700538300007600665300008500741440003100826500005600857500010300913508003701016511006301053500005101116520011501167500016001282500003001442500018201472541008501654541009101739610002001830655001901850655001901869700004001888700003401928700003301962700003501995710002102030710001702051710001302068710005402081710005202135953000902187991005102196991005902247
+11671072
+19991122121438.0
+vdubgaizu
+vdubgaizu
+960325s1987    xxk090            vleng d
+  9(DLC)   96505748
+  a7bcbcccopycatduencipf19gy-movingim
+  a   96505748 
+  aLP28626bU.S. Copyright Office
+  a(CSt)notisACP8002
+  a(CStRLIN)CSUG90-F860
+  aCStcCStdCStRLINdDLC
+  alccopycat
+00aDAA 0814 (viewing copy)
+00aDAA 1138 (viewing copy, copy 2)
+02aA hard day's night /cUnited Artist ; director, Richard Lester ; producer, Walter Shenson ; writer, Alun Owen.
+0 iTitle on disc jacket:aBeatles in A hard day's night
+  aU.K.
+  aGreat Britain :bUnited Artist,c1964 ;aUnited States :bUnited Artist,c1964 ;aUnited States :bVoyager Company,c1987.
+  a2 videodiscs of 2 (laser) (90 min.) :bsd., b&w ;c12 in. viewing copy.
+  a2 videodiscs of 2 (laser) (90 min.) :bsd., b&w ;c12 in. viewing copy (copy 2).
+ 0aCriterion collection ;v20
+  aCopyright: Proscenium Films, Ltd.; 6Jul64; LP28626.
+  aCopyright notice on videodisc jacket: 1964 Proscenium Films, Ltd. ; 1987 The Criterion Collection.
+  aMusical director, George Martin.
+0 aJohn Lennon, Paul McCartney, George Harrison, Ringo Starr.
+  aOriginally produced as motion picture in 1964.
+  aHarassed by their manager and Paul's grandpa, the Beatles embark from Liverpool by train for a London TV show.
+  aIncludes special features: Richard Lester's first film: The running jumping & standing still film; video interview with Richard Lester; theatrical trailer.
+  aOn disc jacket:  CC1113L.
+  aSources used: videodisc jacket; New York times film review, 8/12/64; The films of Richard Lester, 1985, p. 164; Catalog of copyright entries, motion pictures, 1960-1969, p. 239.
+  dReceived: bet. 1982 and 1990;3viewing copy;cpurchase;aLC Purchase Collection.
+  dReceived: 9/90;3viewing copy, copy 2;ccopyright deposit--407;aCopyright Collection.
+20aBeatlesxDrama.
+ 7aFeatures.2mim
+ 7aMusicals.2mim
+1 aLester, Richard,d1932-edirection.
+1 aShenson, Walter,eproduction.
+1 aOwen, Alun,d1930-ewriting.
+1 aMartin, George,d1926-emusic.
+2 aVoyager Company.
+2 aJanus Films.
+2 aBeatles.
+2 aLC Purchase Collection (Library of Congress)5DLC
+2 aCopyright Collection (Library of Congress)5DLC
+  aTE01
+  bc-MP&TVhDAA 0814 (viewing copy)wMUMS VM File
+  bc-MP&TVhDAA 1138 (viewing copy, copy 2)wMUMS VM File
+
+01653cjm  2200313 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028001700163035002000180040001700200042001400217050001600231245011800247260003500365300004100400511012700441500001800568505064700586650001601233700001501249710001801264710001301282953000901295991003501304
+5654266
+19940414162606.6
+sduzsnznnmlne
+920723s1992    mnurcn              eng d
+  9(DLC)   92764948
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   92764948 
+02a60072bK-tel
+  a(OCoLC)25664171
+  aWMcDLCdDLC
+  alccopycat
+00aK-tel 60072
+00aHooked on, a Beatles tributeh[sound recording] :b31 nonstop hits /cperformed by Dr. Fink and the Mystery Band.
+  aPlymouth, MN :bK-tel,cp1992.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aDamian Paul, vocals ; Dr. Fink, bass, keyboards, and drums ; James Behringer, guitars ; Hiram Titus, additional keyboards.
+  aCompact disc.
+0 aPlease me. Please please me ; All my loving ; Eight days a week ; A hard day's night ; Can't buy me love -- Help me. Help! ; Ticket to ride ; Day tripper ; Paperback writer ; Got to get you into my life -- Drive me. Lady Madonna ; Drive my car ; Nowhere man ; Taxman ; Eleanor Rigby -- The tribute. Sgt. Pepper's Lonely Hearts Club Band ; Lucy in the sky with diamonds ; Magical mystery tour ; I am the walrus ; Strawberry fields forever -- The window. Ob-la-di, Ob-la-da ; Get back ; Back in the U.S.S.R. ; Polythene Pam ; She came in through the bathroom window -- The end. If I fell ; Michelle ; Yesterday ; Blackbird ; Hey Jude ; The end.
+ 0aRock music.
+1 aFink,cDr.
+2 aMystery Band.
+2 aBeatles.
+  aTA28
+  bc-RecSoundhK-tel 60072wMUSIC
+
+01178njm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002900173035002100202040001300223050002800236245006300264260005300327300005800380511008100438505018900519500001800708650001600726710004400742710001300786953000900799985000900808991004700817
+5751829
+19950304073733.2
+sdubsmennmpluu
+950303s1977    ncuuun              eng  
+  9(DLC)   95776699
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn23
+  a   95776699 
+00a7904bPied Piper Records
+  a(OCoLC)32079450 
+  aDLCcDLC
+00aPied Piper Records 7904
+00aHot as sunh[sound recording] :ba tribute to the Beatles.
+  aChapel Hill, N.C. :bPied Piper Records,cp1977.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Original Marauders, in the style and manner of the Beatles.
+0 aBack in the U.S.S.R. -- I'm happy just to dance with you -- And your bird can sing -- All together now -- I'll keep you satisfied -- Bad to me -- I'll be on my way -- Step inside love.
+  aBrief record.
+ 0aRock music.
+2 aOriginal Marauders (Musical group)4prf
+2 aBeatles.
+  aTA28
+  a9503
+  bc-RecSoundhPied Piper Records 7904wMUSIC
+
+01244cim  22003254a 4500001000900000005001700009007001500026008004100041906004500082925004200127955005400169010001700223040001800240042000800258050002400266245005100290246007300341260007200414300005000486511002400536500009000560500002200650600004200672650001600714700002400730700003500754710001800789710006300807710004800870
+12951212
+20030501195547.0
+sd bumennmplue
+020930s1992    caunnn         t    eng  
+  a7bcbccorignewd4encipf20gy-soundrec
+0 aacquireb1 shelf copyxpolicy default
+  avz17 2002-09-30ivz17 2002-09-30evz17 2002-09-30
+  a  2002593672
+  aDLCcDLCdDLC
+  apcc
+00aLPA 98621-LPA 98624
+00aLennon--the last interviewh[sound recording].
+1 iTitle from audition:aLennon, his last interview, his greatest music
+  a[Los Angeles] :bArmed Forces Radio and Television Service,c[1992]
+  a4 sound discs :banalog, 33 1/3 rpm ;c12 in.
+0 aEarle Bailey, host.
+  aAFRTS edition of a commercial radio program; includes information spot announcements.
+  aDuration: 220:00.
+10aLennon, John,d1940-1980vInterviews.
+ 0aRock music.
+1 aBailey, Earle.4hst
+1 aLennon, John,d1940-1980.4prf
+2 aBeatles.4prf
+1 aUnited States.bArmed Forces Radio and Television Service.
+2 aAFRTS Collection (Library of Congress)5DLC
+
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+11592261
+00000000000000.0
+920108s1981    xxu080            vlund  
+  9(DLC)   92500347
+  a0bibccorignewduencipf19gy-movingim
+  a   92500347 
+v| ||||||
+  aLP37960bU.S. Copyright Office
+  aDLCcDLCeamim
+00aDAA 0348 (viewing copy)
+00aDAA 0349 (viewing copy, copy 2)
+00aLet it be /cUnited Artists ; directed by Michael Lindsay-Hogg ; produced by Neil Aspinall.
+  a[United States :bMagnetic Video,c1981]
+  a1 videodisc of 1 (laser) (80 min.) :bsd., col. ;c12 in. viewing copy.
+  a1 videodisc of 1 (laser) (80 min.) :bsd., col. ;c12 in. viewing copy (copy 2).
+  aCopyright: Apple Films, Ltd.; 13May70; LP37960.
+0 aWith: The Beatles.
+  aRelease date for original: 1970.
+  aReference source used: videodisc jacket.
+  dReceived: 7-8-83;3viewing copies 1 and 2;cpurchase, purchse order no. 0124326;aLC Purchase Collection.
+1 aLindsay-Hogg, Michael,edirection.
+2 aBeatles.
+2 aLC Purchase Collection (Library of Congress)5DLC
+ 7aVideodiscs.2gmgpc
+  aNot viewed; may be additional film and/or video material M/B/RS.
+  aTE01
+  bc-MP&TVhDAA 0348 (viewing copy)wMUMS VM File
+  bc-MP&TVhDAA 0349 (viewing copy, copy 2)wMUMS VM File
+
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+5719999
+19941013102521.1
+sduzsnznnmlneu
+941012s1991    xx uun              eng  
+  9(DLC)   94761339
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn33
+  a   94761339 
+00aBUR 9103bMulti Coloured Music
+  a(OCoLC)31273712 
+  aDLCcDLCdDLC
+00aMulti Coloured Music BUR 9103
+00aLive performancesh[sound recording] :b1962-1963.
+  a[S.l.] :bMulti Coloured Music,cp1991.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aBeatles.
+0 aBesame mucho -- How do you do it -- One afther [sic] 909 -- I be on my way -- Some other guy -- Too much monkey business -- I got to find my baby -- Youngblood -- A shot of rhythm and blues -- Sure to fall -- That's allright mama -- Carol -- Soldier of love -- Lend me your comb -- Clarabel[l]a -- Sweet little sixteen.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9410
+  bc-RecSoundhMulti Coloured Music BUR 9103wMUSIC
+
+01115cam  2200301 a 4500001000800000005001700008008004100025035002100066906004500087955006500132010001700197020001500214040001800229043001200247050002200259082002700281245010700308260003200415300003500447500011300482504006400595610001300659650004100672700002400713700001700737710001300754991004600767
+1125501
+20021119081211.0
+940712s1994    nyua     b    001 0ceng  
+  9(DLC)   94029575
+  a7bcbccorignewd1eocipf19gy-gencatlg
+  apc18 to vp00 07-12-94; vk09 07-13-94; CIP ver. vl19 06-15-95
+  a   94029575 
+  a0525938184
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML421.B4bA5 1994
+00a782.42166/092/2aB220
+04aThe lost Beatles interviews /cGeoffrey Giuliano and Brenda Giuliano ; afterword by Dr. Timothy Leary.
+  aNew York :bDutton,cc1994.
+  axiii, 398 p. :bill. ;c24 cm.
+  aTranscripts of interviews with the Beatles and their associates, conducted 1963-1993 by Giuliano and others.
+  aIncludes bibliographical references (p. 385-386) and index.
+20aBeatles.
+ 0aRock musicianszEnglandvInterviews.
+1 aGiuliano, Geoffrey.
+1 aDevi, Vrnda.
+2 aBeatles.
+  bc-MusichML421.B4iA5 1994tCopy 1wBOOKS
+
+01180cjm  22003017a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002100163040001800184050002000202050003700222245004200259260004500301300005800346511003000404505024700434500001800681650002700699650003000726710001800756953000900774991003900783991005600822
+5657985
+19920911150500.7
+sdubsmennmplu
+920904s1964    cauuun              eng  
+  9(DLC)   92769313
+  a7bcbucorignewd5encipf19gy-genmusic
+  a   92769313 
+02aST-2047bCapitol
+  aDLCcDLCdDLC
+00aCapitol ST-2047
+00aCapitol ST-2047 (White House B3)
+00aMeet the Beatles!h[sound recording].
+  a[Hollywood, Calif.] :bCapitol,c[1964?]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aI want to hold your hand -- I saw her standing there -- This boy -- It won't be long -- All I've got to do -- All my loving -- Don't bother me -- Little child -- Till there was you -- Hold me tight -- I wanna be your man -- Not a second time.
+  aBrief record.
+ 0aRock musicy1961-1970.
+ 0aPopular musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  bc-RecSoundhCapitol ST-2047wMUSIC
+  bc-RecSoundhCapitol ST-2047 (White House B3)wMUSIC
+
+00822njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002200173035002100195040001300216050002100229245003400250260002900284300004100313511003000354505001500384500001800399650002700417710001800444953000900462985000900471991004000480
+5787722
+19970617093519.0
+sdufungnnmmned
+970617s1996    cauuun              eng  
+  9(DLC)   97750602
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn30
+  a   97750602 
+00aDPRO-11187bApple
+  a(OCoLC)37135390 
+  aDLCcDLC
+00aApple DPRO-11187
+00aReal loveh[sound recording].
+  a[S.l.] :bApple,cp1996.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aPerformed by the Beatles.
+0 aReal love.
+  aBrief record.
+ 0aRock musicy1971-1980.
+2 aBeatles.4prf
+  aTA28
+  a9706
+  bc-RecSoundhApple DPRO-11187wMUSIC
+
+01200cjm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028003100173035002100204040001800225050003000243245005800273260004600331300005800377511005000435505024600485500001800731650002500749650002700774710001800801953000900819985000900828991004900837
+5755557
+19950828153018.0
+sdubsmennmplue
+950516q19601969xx uun              eng  
+  9(DLC)   95780537
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn37
+  a   95780537 
+00a726bRenaissance Minstrels
+  a(OCoLC)32483355 
+  aDLCcDLCdDLC
+00aRenaissance Minstrels 726
+00aRenaissance minstrels.nVolume IIh[sound recording].
+  a[S.l.] :bRenaissance Minstrels,c[196-?]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aThe Beatles, vocal and instrumental ensemble.
+0 aThe walk -- Teddy boy -- Two of us on the way home -- I've got a feelin' -- Long and winding road -- For you blue -- Dig a pony -- Across the universe -- Inner light -- Let it be -- Don't let me down -- Get back -- I'm down -- Instant karma.
+  aBrief record.
+ 0aRock musicyTo 1961.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9505
+  bc-RecSoundhRenaissance Minstrels 726wMUSIC
+
+01084njm  22002897a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028001900173035002100192040001300213050001800226245005300244260004000297300005800337511003000395505026000425500001800685650002700703710001800730953000900748991003700757
+5699134
+19940701063550.0
+sdubsmennmpluu
+940113s1976    enkuun              eng  
+  9(DLC)   93853246
+  a7bcbccorignewd3encipf19gy-genmusic
+  ans32
+  a   93853246 
+00aMFP 50507bMFP
+  a(OCoLC)29623998 
+  aDLCcDLC
+00aMFP MFP 50507
+00aRock 'n' roll music.nVol. 2h[sound recording].
+  aMiddlesex [England] :bMFP,cp1976.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aDizzy Miss Lizzy -- Anytime at all -- Drive my car -- Everybody's trying to be my baby -- The night before -- I'm down -- Revolution -- Back in the U.S.S.R. -- Helter skelter -- Taxman -- Got to get you into my life -- Hey bulldog -- Birthday -- Get back.
+  aBrief record.
+ 0aRock musicy1971-1980.
+2 aBeatles.4prf
+  aTA28
+  bc-RecSoundhMFP MFP 50507wMUSIC
+
+00995njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002400173035002100197040001300218050002300231245004800254260004200302300004900344511003000393505014700423500001800570650002700588710001800615953000900633985000900642991004200651
+5750584
+19950215074543.2
+sdubsmennmpluu
+950214s1982    nyuuun              eng  
+  9(DLC)   95775435
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn30
+  a   95775435 
+00aPHX 353bPhoenix 10
+  a(OCoLC)31989340 
+  aDLCcDLC
+00aPhoenix 10 PHX 353
+00aSilver Beatles.nVol. 2h[sound recording].
+  aNew York, N.Y. :bPhoenix 10,cp1982.
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles.
+0 aSearchin' -- Take good care of my baby -- Money -- To know him is to love him -- Three cool cats -- September rain -- Crying, waiting, hoping.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPhoenix 10 PHX 353wMUSIC
+
+00824cjm  22002897a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002400173035002100197040001800218050002300236245004800259260003300307300004100340511002500381500001800406650003200424710001800456953000900474985000900483991004200492
+5724501
+19970702132354.0
+sduzunznnmlneu
+941130q19901994enkuun              eng  
+  9(DLC)   94766149
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn06
+  a   94766149 
+00aCBAK 4024bBaktobak
+  a(OCoLC)31534460 
+  aDLCcDLCdDLC
+00aBaktobak CBAK 4024
+00aTalk downunder.nVol. Ih[sound recording].
+  aLondon :bBaktabak,c[199-?]
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aBeatles, interviews.
+  aBrief record.
+ 0aRock musiciansxInterviews.
+2 aBeatles.4prf
+  aTA28
+  a9411
+  bc-RecSoundhBaktobak CBAK 4024wMUSIC
+
+01044cam  2200289 a 4500001000800000005001700008008004100025035002100066906004500087955013700132010001700269020004000286040001800326043001200344050002200356082002700378245009200405260004100497300003500538500002000573610002500593650004100618650004100659700002400700700001700724710001300741
+2123138
+20021119081139.0
+970501s1998    maua          001 0ceng  
+  9(DLC)   97002579
+  a7bcbccorignewd1eocipf19gy-gencatlg
+  apc01 to VP00 05-01-97; vk06 05-01-97; vk05 05-02-97; CIP ver. vl16 02-20-01; vl20 to BCCD 02-20-01evl20 2001-12-12 2nd copy to BCCD
+  a   97002579 
+  a1558506381 (paperback : alk. paper)
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML421.B4bA5 1997
+00a782.42166/092/2aB221
+00aThings we said today :bconversations with the Beatles /cGeoffrey and Brenda Giuliano.
+  aHolbrook, MA :bAdams Media,cc1998.
+  axiii, 274 p. :bill. ;c24 cm.
+  aIncludes index.
+20aBeatlesvInterviews.
+ 0aRock musicianszEnglandvInterviews.
+ 0aRock musicianszEnglandvQuotations.
+1 aGiuliano, Geoffrey.
+1 aDevi, Vrnda.
+2 aBeatles.
+
+00987cam  2200289 a 4500001000800000005001700008008004100025035002100066906004500087010001700132020001500149040001800164043001200182050001700194082001800211245013800229260004500367300003900412504003100451650003500482650004900517610001300566700002800579700003000607710001300637991004700650
+4192096
+19900618170644.9
+810520s1980    miuh     b    000 0 eng  
+  9(DLC)   80083203
+  a7bcbccorignewd2eopcnf19gy-gencatlg
+  a   80083203 
+  a0876501048
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML54.6b.T37
+00a784.5/405219
+00aThings we said today :bthe complete lyrics and a concordance to the Beatles' songs, 1962-1970 /cby Colin Campbell and Allan Murphy.
+  a[Ann Arbor, MI] :bPierian Press,c1980.
+  axlii, 386 p. :bfacsims. ;c29 cm.
+  aDiscographies: p. 381-386.
+ 0aPopular musiczEnglandxTexts.
+ 0aPopular musiczEnglandxTextsxConcordances.
+20aBeatles.
+1 aCampbell, Colin,d1940-
+1 aMurphy, Allanq(Allan R.)
+2 aBeatles.
+  bc-MusichML54.6i.T37tCopy 1mCasewBOOKS
+
+01241njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028003200173035002100205040001300226050003100239245003800270260003900308300005800347511003000405505037300435500001800808650002700826710001800853953000900871985000900880991005000889
+5778143
+19960316050636.3
+sdubsmennmplue
+960315s1964    xx uun              eng  
+  9(DLC)   96791979
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn23
+  a   96791979 
+00a2 WRMB 326bWizardo Records
+  a(OCoLC)34373380 
+  aDLCcDLC
+00aWizardo Records 2 WRMB 326
+00aWords of loveh[sound recording].
+  a[S.l.] :bWizardo Records,c[1964]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aLove me do -- Please please me -- From me to you -- I saw her standing there -- Misery -- Do you want to know a secret -- There's a place -- Anna -- Chains -- Boys -- She loves you -- Till there was you -- Roll over Beethoven -- You really got a hold on me -- She's got the devil in her heart -- Money -- Long tall Sally -- Honey don't -- Kansas City -- Words of love.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9603
+  bc-RecSoundhWizardo Records 2 WRMB 326wMUSIC
+
+01343cjm  22003491a 4500001000900000005001700009007001500026008004100041035002300082906004500105010001700150024001500167028002000182040002400202042001300226050001900239245012100258260002900379300006400408505019200472511011700664650001600781700003000797700002100827700001800848700002500866700002200891700001900913700001900932710001300951985002900964
+12052014
+20000617180748.0
+sdrbsmenn-----
+840418s1983    nyuppn                   
+  a(OCoLC)ocm10640105
+  a0bcbcccopycatd3encipf19gy-soundrec
+  a   99574428 
+1 a7863546061
+02aCPL 1-4606bRCA
+  aDLCcIWdOCoLCdDLC
+  alcderive
+00aRCA CPL 1-4606
+00aYesterdayhsound recording ;ba recollection of the Beatles /call selections by [John] Lennon and [Paul] McCartney.
+  aNew York :bRCA,cc1983.
+  a1 sound disc (ca. 29 min.) :b33 1/3 rpm, stereo. ;c12 in.
+0 aYesterday -- All my loving -- Eleanor Rigby -- Norwegian Wood --Can't buy me love -- Here, there and everywhere -- Michelle -- Hey Jude -- The long and winding road -- A hard day's night.
+0 aElena Duran, flute; Stephane Grappelli, violin; Laurie Holloway, piano; Allen Walley, basss; Alan Ganley, drums.
+ 0aRock music.
+1 aLennon, John,d1940-1980.
+1 aMcCartney, Paul.
+1 aDuran, Elena.
+1 aGrappelli, Stéphane.
+1 aHolloway, Laurie.
+1 aWalley, Allen.
+1 aGanley, Allan.
+22aBeatles.
+  cOCLCeClaimed Recordings
+
+02433njm  22003737a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002900163028002700192028002700219028002700246028002700273028002700300028002700327040001300354050004500367245007200412260004600484300005900530440003200589511005600621505117200677500001801849650003201867650003001899710004401929710001301973953000901986991006401995
+5673930
+19930324081815.9
+sdubsmennmplu
+930318s1972    nyuuun              eng  
+  9(DLC)   93706173
+  a7bcbccorignewd5encipf19gy-genmusic
+  a   93706173 
+00aP6S 5748bColumbia House
+00aDS 937bColumbia House
+00aDS 938bColumbia House
+00aDS 939bColumbia House
+00aDS 940bColumbia House
+00aDS 941bColumbia House
+00aDS 942bColumbia House
+  aDLCcDLC
+00aColumbia House P6S 5748 (DS 937--DS 942)
+00aYesterdayh[sound recording] :bthe wonderful music of the Beatles.
+  aNew York, N.Y. :bColumbia House,cp1972.
+  a6 sound discs :banalog, 33 1/3 rpm, stereo. ;c12 in.
+ 2aA Columbia musical treasury
+0 aPerformed by the Terry Baxter Orchestra and Chorus.
+0 aMichelle -- A hard day's night -- If I fell -- All my loving -- Can't buy me love -- Eleanor Rigby -- I call your name -- Lucy in the sky with diamonds -- Yellow submarine -- Good day sunshine -- Love -- What is life? -- My sweet Lord -- Let it be -- Here, there and everywhere -- Ob la di-- ob la da -- Here comes the sun -- Mother nature's son -- Something -- You never give me your money -- Ticket to ride -- Norwegian wood -- Blackbird -- She's leaving home -- We can work it out -- This boy -- Rocky Raccoon -- Bangla Desh -- Come together -- From me to you -- Get back -- She loves you -- Strawberry fields forever -- Imagine -- You're gonna lose that girl -- When I'm 64 -- Help -- Tell me why -- A day in the life -- Lovely Linda -- The fool on the hill -- All you need is love -- Long and winding road -- Paperback writer -- Lady Madonna -- Carry that weight -- I will -- It don't come easy -- Maybe I'm amazed -- Sgt. Pepper's Lonely Heart's Club Band -- With a little help from my friends -- Hey Jude -- And I love her -- Penny Lane -- Uncle Albert -- Day tripper -- Magical mystery tour -- You've got to hide your love away -- Yesterday -- Hello, goodbye.
+  aBrief record.
+ 0aOrchestral music, Arranged.
+ 0aPopular musicy1971-1980.
+2 aTerry Baxter Orchestra and Chorus.4prf
+2 aBeatles.
+  aTA28
+  bc-RecSoundhColumbia House P6S 5748 (DS 937--DS 942)wMUSIC
+
+01064njm  2200313 a 4500001000800000005001700008007001500025008004100040035002100081906004500102010001700147028002500164040001300189050001300202245004900215260004500264300005800309440002200367500004400389500006100433500002100494505010700515500001800622650002900640650002700669710001300696953000900709991003200718
+5735623
+19950501154350.2
+ssulsnjlcnnncu
+950501s1985    nyuuun              eng  
+  9(DLC)   95702292
+  a7bcbccorignewd5encipf19gy-genmusic
+  a   95702292 
+00aPS 005bPocket Songs
+  aDLCcDLC
+00aRZA 3880
+00aYou sing The Beatles.n1h[sound recording].
+  aIrvington, N.Y. :bPocket Songs,cp1985.
+  a1 sound cassette :banalog, stereo., Dolby processed.
+ 0aYou sing the hits
+  aRenditions not by the original artists.
+  aSide B has background version of songs in reverse order.
+  aLyrics enclosed.
+0 aShe loves you -- Love me do -- All my lovin' -- We can work it out -- Hard day's night -- I feel fine.
+  aBrief record.
+ 0aRecorded accompaniments.
+ 0aRock musicy1961-1970.
+2 aBeatles.
+  aTA28
+  bc-RecSoundhRZA 3880wMUSIC
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/allmy.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/allmy.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/allmy.txt	(revision 18423)
@@ -0,0 +1,88 @@
+ALL MY LOVING
+transcribed by MaxxDaddy
+
+This song is a great practice song for rhythmic consistency.
+The chords are strummed very quickly in a triplet pattern:
+
+F#m               B                 E                 C#m
+/// /// /// /// | /// /// /// /// | /// /// /// /// | /// /// /// ///
+
+Verse Chords:
+ F#m B  E   C#m A   F#m D  B7
+-2---2--4---4---5---2---2--2-
+-2---4--5---5---5---2---3--0-
+-2---4--4---6---6---2---2--2-
+-4---4--6---6---7---4---0--1-
+-4---2----------7---4------2-
+-2--------------5---2--------
+
+Chorus Chords:
+
+ C#m C#mdim7  E
+-4---4--------4-
+-5---5--------5-
+-6---5--------4-
+-6---6--------6-
+----------------
+----------------
+
+Solo:
+ E          A                        E   
+--------------5~-------9--9---7--5---4--0-
+-------------------5----------------------
+--------------6~-------9--9---8--6---4--1-
+-2-----------------7----------------------
+------------------------------------------
+---0--2--4--5-----------------------------
+
+           F#m          B7           E
+-7--5--4---2-------2----9----5---9---0--------0-----0-
+-5--4----------2--------7--------7--------------------
+-------4---------------------6-------1----0h1---0h1---
+------------------------------------------------------
+------------------------------------------------------
+------------------------------------------------------
+
+
+Lyrics:
+            F#m           B
+Close your eyes and I'll kiss you
+   E           C#m
+Tomorrow I'll miss you
+    A           F#m       D   B7
+Remember I'll always be true
+          F#m        B
+And then while I'm away
+           E          C#m
+I'll write home every day
+           A          B7        E
+And I'll send all my loving to you
+
+        F#m           B
+I'll pretend that I'm kissing 
+    E         C#m
+the lips I am missing
+    A            F#m               D   B7
+And hope that my dreams will come true
+            F#m       B
+And then while I'm away
+           E          C#m
+I'll write home every day
+           A          B7        E
+And I'll send all my loving to you
+
+CHORUS:
+         C#m   C#d7           E
+All my loving I will send to you
+          C#m    C#d7            E
+All my loving, darling I'll be true
+
+VERSE ONE
+CHORUS
+
+         C#m            E
+All my loving, all my loving 
+           C#m   
+Woo all my loving 
+               E   
+I will send to you
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/andilove.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/andilove.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/andilove.txt	(revision 18423)
@@ -0,0 +1,104 @@
+AND I LOVE HER 
+transcribed by MaxxDaddy
+
+Intro:
+           F#m             E6              F#m
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+------7--6--4---------7--6--4---------7--6--4----------------
+---7---------------7---------------7-------------------------
+
+Verse 1:
+F#m        C#m           F#m           C#m
+I give her all my love    That's all I do
+F#m        C#m             A             B7
+And if you saw my love    You'd love her too
+       E
+And I love her
+Verse 2:
+  F#m                          C#m
+----------9--------------9------------9-----------9----------
+------10-----10------10-----10-----9-----9-----9-----9-------
+--11-------------11-------------9-----------9----------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+         She    gives  me       every     thing
+   F#m                          C#m
+----------9--------------9------------9-----------9----------
+------10-----10------10-----10-----9-----9-----9-----9-------
+--11-------------11-------------9-----------9----------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+           And     tender        ly
+    F#m                          C#m
+----------9--------------9------------9-----------9----------
+------10-----10------10-----10-----9-----9-----9-----9-------
+--11-------------11-------------9-----------9----------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+           The     kiss my       lover     brings
+    A                           B7
+---------9-------------9--------------11---------------------
+-----10-----10-----10-----10------10------10-----------------
+--9-------------9-------------11-----------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+          She    brings to      me
+                    E6
+----------11------------9-----------9-----------9------------
+------10------10-----9-----9-----9-----9-----9-----9---------
+--11--------------9-----------9-----------9-----------9------
+-------------------------------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+       And  I  love    her
+Middle:
+C#m          B      C#m        G#m
+A love like ours    could never die
+C#m       G#m            B7
+As long as I   have you near me
+Verse 3:
+F#m             C#m               F#m         C#m
+Bright are the stars that shine   Dark is the sky
+F#m         C#m             A          B7
+I know this love of mine   Will never die
+        E
+And I love her
+
+Guitar Solo:
+    Gm       Dm           Gm       Dm            Gm       Dm
+-----------------------------------------------------------------------
+-----------------------------------------------------------------------
+-----------9--7/10---------------9--9\7-----------------9--7/10--------
+--5--7--8---------------5--7--8----------------5--7--8-----------------
+-----------------------------------------------------------------------
+-----------------------------------------------------------------------
+
+    Bb        C7               F                     Gm
+-----------------------------------------------------------------------
+-----------------------------------------------------------------------
+--10--7----------------------------------------------------------------
+---------8--7--7\5--------------/7-------------------------------------
+-----------------------5--3--5--------3--------------------------------
+------------------------------------------5--3--1--1/3-----------------
+Verse 4: (guitar plays arpeggios shown for verse 2, one fret higher)
+Gm              Dm                Gm          Dm
+Bright are the stars that shine   Dark is the sky
+Gm          Dm              Bb         C7
+I know this love of mine   Will never die
+        F
+And I love her
+Ending:
+            Gm               F              Gm             D  
+----------------------------------------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+------8--7--5---------8--7--5---------8--7--5--------8--7--5----
+---8---------------8---------------8--------------8-------------
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/andyour.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/andyour.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/andyour.txt	(revision 18423)
@@ -0,0 +1,109 @@
+AND YOUR BIRD CAN SING BY THE BEATLES
+transcribed by MaxxDaddy
+
+
+Intro:
+(can be played on one or two guitars)
+
+  E
+------------------------------------------------------------------------
+----9-7-5-7-5-4-5-4-2-0-------0-2-9-9-9(10)-9----------12-12-------------
+----9-8-6-8-6-4-6-4-2-1-2-1-2-1-2-9-9-9(10)-9-9------9-11-13-11p9--------
+------------------------4-2-4------------------9-11--------------11-9---
+-----------------------------------------------------------------12-11--
+--0---------------------------------------------------------------------
+
+Verse:
+
+main chord:
+   E5
+---0---
+---0---
+---9---
+---9---
+---7---
+---0---
+
+Fill riff:
+---------------------------
+--------12-12--------------
+------9-11(13)-11-9--------
+-9-11---------------11-9---
+--------------------12-11--
+---------------------------
+
+Bridge:
+  G#m                  G+                 B/F#                 C#/F
+-----------4--------------------3-------------------2--------------------1-
+-----2--4-----4--2--------2--4----4--2--------2--4-----4--2--------2--4----
+---4----------------4--4----------------4--4-----------------4--4----------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+
+          E                    F#m                                  B
+------------------0---------------------2-------------------2------------2-
+-2-------------0-----0---------------2-----2--------------2---2--------4---
+----1-------1-----------1---------2-----------2--------2--------2----4-----
+-------3--2----------------2---4-----------------4--4--------------4-------
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+
+Guitar Solo:
+  E
+-----------------------------------------------------7-7--------
+----9-7-5-7-5-4-5-4-2-0-------0-2-9-9-9(10)9-------5-7(9)7-5----
+----9-8-6-8-6-4-6-4-2-1-2-1-2-1-2-9-9-9(10)9-9-4-6-----------6--
+------------------------4-2-4-----------------------------------
+----------------------------------------------------------------
+----------------------------------------------------------------
+
+ F#m              A                E
+--2-4-5-7-5-4-2-0---0-2-4-5-6-9-11-12-12-12(14)12---------------
+------------------4-------------------------------12------------
+--2-4-6-8-6-4-2-1---1-2-4-6-8-9-11-13-13-13(14)13-13-13---------
+------------------4----------------------------------14-14------
+--------------------------------------------------------14------
+----------------------------------------------------------------
+
+Outro:
+    E                                                  A
+-----------------------------------------------------------
+----9-7-5-7-5-4-5-----9-7-5-7-5-4-5-----9-7-5-7-5-4-5--2---
+----9-8-6-8-6-4-6-----9-8-6-8-6-4-6-----9-8-6-8-6-4-6--2---
+-------------------------------------------------------2---
+-----------------------------------------------------------
+--0-----------------0-----------------0--------------------
+
+
+Lyrics:
+E      
+You tell me that you've got every thing you want  And your bird can sing
+                  F#m  A            E
+But you don't get me  You don't get me
+     E
+You say you've seen seven wonders And your bird is green
+                  F#m  A             E
+But you can't see me   You can't see me
+
+G#m                 G+       B/F#              C#/F
+When your prize possessions start to weigh you down 
+ E           F#m                               B
+Look in my direction I'll be 'round I'll be 'round
+
+(solo)
+
+G#m                 G+     B/F#               C#/F
+When your bird is broken   Will it bring you down?
+ E          F#m                               B
+You may be awoken   I'll be 'round   I'll be round
+
+
+E
+Tell me that you've heard every sound there is   And your bird can swing
+                   F#m  A              E   
+But you can't hear me   You can't hear me
+
+(Repeat guitar solo)
+
+(outro)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/dontlet.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/dontlet.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/dontlet.txt	(revision 18423)
@@ -0,0 +1,100 @@
+DON'T LET ME DOWN 
+transcribed by MaxxDaddy
+
+Intro riff:
+ E
+-------------------------
+-------------------------
+-------9-9----9----------
+-9--9--9-9h11-9-9-----9~-
+-9h11-----------9-12-11~-
+-------------------------
+
+Chorus:
+ F#m7   F#m7/B 
+--9--------9---
+--10-------10--
+--9--------9---
+--11-------9---
+--9--------9---
+---------------
+
+Verse:
+"like she does: 
+          F#m7                                              Emaj7  Esus E
+-----------14\12--12--12\9---9---9----------------------------7-----7---0-
+-----------14\12--12--12\10--10--10---------------------------9-----10--0-
+-------------------------------------11\9--9--9--9\6--6--6----8-----9---1-
+--------------------------------------------------------------9-----9---2-
+--------------------------------------------------------------7-----7---2-
+------------------------------------------------------------------------0-
+
+"like she do me"
+           F#m7                                               Emaj7 Esus  E  
+-----------14\12--12--12\9---9---9------------------------------------------
+-----------14\12--12--12\10--10--10--10-----------------------9-------9-9---
+-------------------------------------11--11-11-11-9--9\6-6/9--9--9----9-9-9-
+-----------------------------------------11-11-11-9-----------9--9h11-----9-
+----------------------------------------------------------------------------
+----------------------------------------------------------------------------
+
+Bridge:
+"for the first time"                             
+  E                                             B7  
+---------------------------------------------------------------------------
+---------------------------------------------------------------------------
+----------------9--8--9--6--9-----9-----9-----9----------------------------
+-------------------------------9-----6--------------------7-----6----------
+-------------7-----------------------------9--------9--6-----9-----7--9--6-
+-------------------------------------------------7-------------------------
+                                               E   A  E
+----------------------------------------------
+----------------------------------------------
+----------------------------------------------
+--------------------7-----6-------------------
+-7-----6------9--6-----9-----7--9--6--7-----6-
+----7------7-----------------------------7----
+
+Lyrics:
+
+(*-intro riff)
+
+
+Chorus:
+
+*
+
+               F#m7   F#m7/B        E* A  E
+  Don't let me down   Don't let me down             
+             F#m7   F#m7/B        E*  A  E
+Don't let me down   Don't let me down
+
+
+E                             F#m7 
+Nobody ever loved me like she does  
+                     F#m/B      Emaj7 Esus  E
+oo she does  yes she does
+E                                      F#m7              
+And if somebody ever loved me like she do me  
+                      F#m/B      Emaj7  Esus  E 
+oo she do me, yes she does
+
+(chorus)
+
+E                                       F#m7 
+And from the first time that she really done me   
+                            F#m/B      Emaj7 Esus  E
+oo she done me, she done me good
+E                          F#m7 
+I guess nobody ever really done me  
+                            F#m/B      Emaj7 Esus  E
+oo she done me, she does me good
+
+(chorus)
+
+E                                                          B7
+I'm in love for the first time  Don't you know it's gonna last
+                                                           E *  A  E
+It's a love that lasts forever,   It's a love that had no past
+
+(chorus)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/flying.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/flying.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/flying.txt	(revision 18423)
@@ -0,0 +1,28 @@
+FLYING BY THE BEATLES
+transcribed by Maxxdaddy
+guitar 1 plays a 12 bar progression in C - (C C sus C Csus C F7  G7  F  C)
+
+F7 riff
+----------------------------
+-----------/6--5--3--1-0--1-
+----5---5--/7--5--3--2-0--0-
+-/3---3-------------------2-
+----------------------------
+----------------------------
+
+G7 turnaround
+-12\10--8--7\5--3--1--0--1/3--3--1/3--3--1--0-----0---------------
+-----------------------------------------------1-----1--1---------
+-12\10--9--7\5--4--2--0--2/4--4--2/4--4--3--0-----0---------------
+-----------------------------------------------2-----2--2---------
+-----------------------------------------------------------3p0----
+---------------------------------------------------------------3--
+
+melody
+   (2x)
+||---------------||---------------------------------------------
+||----------3-5~-||---------------------3-5~-----8~--6~--5~--3~-
+||----4--5-------||---4-5-4-2~-----4-5-----------7~--5~--5~--4~-
+||-5-------------||-3-----------5-------------------------------
+||---------------||---------------------------------------------
+||---------------||---------------------------------------------
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/foryou.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/foryou.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/foryou.txt	(revision 18423)
@@ -0,0 +1,125 @@
+FOR YOU BLUE 
+transcribed by MaxxDaddy
+
+guitar capoed up to 5th fret
+
+Intro:
+                    D7                    G7 
+---------------------------------------------------------
+-----------------------------------------------1--1-1--1-
+--------------------------------------------2--2--2-2--2-
+------2p0-----------2--2-2--2-2--2-------------0--0-0--0-
+--------------0--2--0--0-0--0-0--0-----------------------
+---0-------3------------------------0--1--2--------------
+
+            E7                A7     
+------------2--2-2--2-2--2--------0--------0---------0-------0------
+------------0--0-0--0-0--0-------------3-------3---------3-------3--
+------------2--2-2--2-2--2----0h1----------------0h1----------------
+---------1--1--1-1--1-1--1------------------------------------------
+---0-1-2----2--2-2--2-2--2------------------------------------------
+------------------------------------0----0---0---------0---0---0----
+
+
+verse:
+
+open D7 tuning
+
+E--D
+B--C
+G--F#
+D--D
+A--D
+E--D
+
+played with slide on steel string acoustic
+
+(twelve bar blues in D)
+
+  D7               G7             D7
+-/12----12---12---/5----5----5---/12--12--12----12----/12---12---12-
+-/12----12---12---/5----5----5---/12--12--12----12----/12---12---12-
+-/12----12---12---/5----5----5---/12--12--12----12----/12---12---12-
+-/12----12---12---/5----5----5---/12--12--12----12----/12---12---12-
+--------------------------------------------------------------------
+--------------------------------------------------------------------
+
+ G7                              D7 
+-/5--5---5---5----/5--5---5---5--/12--12--12----12----/12---12--12-
+-/5--5---5---5----/5--5---5---5--/12--12--12----12----/12---12--12-
+-/5--5---5---5----/5--5---5---5--/12--12--12----12----/12---12--12-
+-/5--5---5---5----/5--5---5---5--/12--12--12----12----/12---12--12-
+-------------------------------------------------------------------
+-------------------------------------------------------------------
+
+ A7                G7            D7                      A7
+-/7---7---7---7---/5--5---5--5---0---0------------------/7--7--7-
+-/7---7---7---7---/5--5---5--5---0---0------------------/7--7--7-
+-/7---7---7---7---/5--5---5--5---0---0------------------/7--7--7-
+-/7---7---7---7---/5--5---5--5---0---0------------------/7--7--7-
+-----------------------------------------------------0-----------
+----------------------------------------0---4--5--6--------------
+
+
+solo:
+  D7                G7            D7
+-----12-------------5-------------12------------------12-----------
+--------12------------5---------------12--------------12--12-------
+-----------12------------5---/12----------12\----------------12----
+-/12------------/5-----------/12--------------------------------12-
+-----------------------------/12--------------0--------------12----
+-------------------------------------------------/12---------------
+  G7                           D7
+-----5------------5------------12----------------------------------
+-/5-----5-----------5------------------12--------------------------
+-/5--------5----------5------------12-------12--12--12--12--12--12-
+-/5-----------/5----------/12--------------------------------------
+-/5----------------------------------------------------------------
+-------------------------------------------------------------------
+ A7                  G7          D7                 A7  
+--------7---------------5--------------------------/7--7--7--7-
+-/7--7-----7--------/5----5------------------------/7--7--7--7-
+-/7--7--------7-----/5-------5---0-----------------/7--7--7--7-
+-/7--7--------------/5-----------------------------/7--7--7--7-
+-----------------7------------------------------0--------------
+------------------------------------0--4--5--6-----------------
+  D7              G7 
+-/12---------------------------
+-/12---12--12----/17---17---17-
+-/12----12--12---/17---17---17-
+-/12---12--12----/17---17---17-
+-------------------------------
+-------------------------------
+etc. 
+continue throughout piano solo in verse format
+
+
+
+ending:
+-------------------/12-
+-------------------/12-
+-------------------/12-
+-------------------/12-
+----------------0------
+-0--1--2--3--4---------
+
+
+Lyrics:
+Because you're sweet and lovely girl I love you
+Because you're sweet and lovely girl it's true
+I love you more than ever girl I do
+
+I want you in the morning girl  I love you
+I want you at the moment I feel blue
+I'm living every moment girl for you
+
+(spoken)
+Walk 
+Walk cat walk
+go Johnny go
+same old tale of blues
+Elmore James got nothin' on this baby
+
+I loved you from the moment I saw you
+You looked at me and that's all you had to do
+I feel it now I hope you feel it too
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/hardday.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/hardday.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/hardday.txt	(revision 18423)
@@ -0,0 +1,97 @@
+HARD DAY'S NIGHT 
+transcribed by MaxxDaddy
+
+Intro Chord:
+ Gsus
+--3~-
+--3~-
+--5~-
+--5~-
+--5~-
+--3--
+
+Verse:
+play G C G like this:
+
+ G   C   G
+-3---3---3-
+-3---3---3-
+-0---0---0-
+-0---2---0-
+-2---3---2-
+-3-------3-
+
+Solo (played on electric 12-string):
+ G    C       G    F                     G
+--------------------------------------------
+--------------------------------------------
+--------------------------------------------
+----------------------3---3---3---3---------
+------1-3-1-3/5~---3h5-3h5-3h5-3h5-5\3-1----
+-3--3------------------------------------3~-
+
+ G    C       G    F                     G
+--------------------------------------------
+--------------------------------------------
+--------------------------------------------
+----------------------3---3---3---3---------
+------1-3-1-3/5~---3h5-3h5-3h5-3h5-5\3-1----
+-3--3------------------------------------3~-
+
+Outro:
+F9/D    F/D     F9/D    F/D     F9/D    F/D     F9/D    F/D
+-3-------1-------3-------1-------3-------1-------3-------1-
+---1---1---1---1---1---1---1---1---1---1---1---1---1---1---
+-----2-------2-------2-------2-------2-------2-------2-----
+-----------------------------------------------------------
+-----------------------------------------------------------
+-----------------------------------------------------------
+
+
+LYRICS:
+
+Gsus
+
+             G    C      G                   F              G
+It's been a hard day's night, and I've been working like a dog,
+             G    C      G                 F               G
+It's been a hard day's night, I should be sleeping like a log,
+            C                            D   
+But when I get home to you, I find the things that you do,
+              G   C7   G
+Will make me feel alright.
+            G    C   G               F                   G
+You know I work all day, to get you money to buy you things,
+           G              C        G                  F            G
+And it's worth it just to hear you say, you're gonna give me everything.
+           C                              D
+So why I love to come home, 'cause when I get you alone,
+              G  C  G
+You know I'll be okay.
+          Bm   Em                      Bm
+When I'm home, everything seems to be right;
+          G     Em                     C7      D7
+When I'm home, feeling you holding me tight, tight, yeah.
+             G    C      G                   F              G
+It's been a hard day's night, and I've been working like a dog,
+             G    C      G                  F              G
+It's been a hard day's night, I should be sleeping like a log,
+            C                            D   
+But when I get home to you, I find the things that you do,
+              G    C7  G
+Will make me feel alright.
+
+(solo)
+           C                              D
+So why I love to come home, 'cause when I get you alone,
+              G  C  G
+You know I feel  o kay
+
+            G    C    G
+You know I feel all right,
+            G    C    F9/D  F/D
+You know I feel all right
+
+F9/D  F/D  F9/D  F/D  F9/D  F/D
+
+(fade out)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/herecomes.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/herecomes.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/herecomes.txt	(revision 18423)
@@ -0,0 +1,69 @@
+HERE COMES THE SUN
+transcribed by Maxxdaddy
+Capo on 7th fret
+
+Intro/Chorus:
+  D                                 G           A7       
+------2-----0--2---------2-0-----------------------------0---
+----3----3---------3---3-----3------0-----3-0---2-----3------
+------2----------2-------2------------0-----------0--------2-
+--0---------0--------0---------0--------0-----0-----2--------
+------------------------------------------------0-------0----
+------------------------------------3------3-----------------
+
+  D                                 Gmaj7        E7         D
+------2-----0--2---------2-0---0-2-----2---0-2---------0--------2-0--------
+----3----3---------3---3-----3-------0---0-------3--------3---3-------3----
+------2----------2-------2-------------------------1------------2-------2--
+--0---------0--------0---------0-------0------0------0------0-------0------
+---------------------------------------------------------------------------
+------------------------------------3-------3----0-------0-----------------
+
+*D/F#     Em7                 D        A 
+-------0--------0----------0--------0-------------
+----3--------3--------3----------3-----3p2--------
+-/4--------2--------0----------2------------4p2---
+--------------------------------------------------
+--------------------------------------------------
+--------------------------------------------------
+
+Bridge:
+ A     F     C     G            D  
+----------------------------------
+-----------1--------------------3-
+---------2-------0-------0---0--2-
+-----2-3-------2-------0---0----0-
+-0-4---------3-------2------------
+-------------------3--------------
+
+Lyrics:
+
+Chorus:
+D                                  G              E7
+Here comes the sun doo doo doo doo Here comes the sun
+       D               *D/F# Em7 D A 
+and I say It's alright
+
+
+Verse:
+
+D                                      G      A7
+Little darling, it's been a long cold lonely winter
+D                              G                      A7
+Little darling, it seems like years since you've been here
+
+(Chorus)
+
+Little darling, the smiles returning to their faces
+Little darling, it seems like years since you've been here
+
+Bridge:
+F    C    G            D
+Sun, sun, sun, here it comes.
+
+Little darling, I feel that ice is slowly melting
+Little darling, it seems like years since its been clear
+
+(Bridge)
+
+(Chorus)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/letitbe.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/letitbe.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/letitbe.txt	(revision 18423)
@@ -0,0 +1,121 @@
+LET IT BE BY THE BEATLES
+transcribed by MaxxDaddy
+
+
+First Solo:
+
+Keyboard part:
+
+ F  C/E  G7/D  C  Bb  F/A  G  F  C   F   C   G  F  C
+-5---3----1----0-----------------------------3--1--0-
+-6---5----3----1--3----1---0-----1---1---1---0--1--1-
+------------------3----2---0--2--0---2---0---0--2--0-
+------------------------------3--2---3---2---0--3--2-
+---------------------------------3---3---3---2--3--3-
+-------------------------------------1-------3--1----
+
+ C                    G               Am        F    C            
+---------------------------------------------------------8---------
+-------------------------------------------------------------------
+-5----5-----------------------------5-7(9)-(9)7-5~---7/9---9\7-5h7-
+-5h7--5----------------5-5---5--5/7--------------------------------
+---------7-5--3--3-5/7-----7---------------------------------------
+-------------------------------------------------------------------
+
+ G               F                C                        G  
+------5----------------------------------------------------------------
+--------------------------------------------------------8------8-----8-
+-7(9)----(9)7-5----------------------------5--5---5-7/9----7/9---7/9---
+-----------------7p5-7p5--------------5h7-------7----------------------
+--------------------------7\5-3h5-3------------------------------------
+-----------------------------------------------------------------------
+
+ Am         F                   C     G         F                     C
+----------8-10(12)--(12)10-8h10-8----(17)15------------------------------
+-10--8h10--------------------------0--------(17)15p13-15-(17)15p13h15-13-
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+-------------------------------------------------------------------------
+
+Second Solo(played during last chorus):
+
+        C            Am         C/G               F       C  
+------------------------------------------5----------------------
+----------------------------------------------------------8-8--8-
+-5--5---5--5--5---5-----5-----5-----5-7(9)--(9)7--5-7-7/9--------
+----5h7-------5h7----5h7---5h7--5h7------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+        C         G          F        C  
+-----------------------------------------
+-15(13)-10-8h10-8------------------------
+------------------9\7-5-7(9)-5------5-5~-
+--------------------------------5h7------
+-----------------------------------------
+-----------------------------------------
+
+outro(as played on keyboard)
+
+ F  C/E  G7/D  C  Bb  F/A  G  F  C 
+-5---3----1----0-----------------0-
+-6---5----3----1--3----1---0-----1-
+------------------3----2---0--2--0-
+------------------------------3--2-
+---------------------------------3-
+-----------------------------------
+
+
+Lyrics:
+
+C  G  Am  Fmaj7  F6  C  G  F  C
+
+       C              G                 Am          Fmaj7    F6
+When I find myself in times of trouble, Mother Mary comes to me
+   C                 G              F  C
+Speaking words of wisdom, let it be
+    C              G                 Am              Fmaj7    F6
+And in my hour of darkness, She is standing right in front of me
+   C                 G              F  G
+Speaking words of wisdom, Let it be
+       Am         C/G         F          C
+Let it be, let it be, let it be, let it be
+C                G              F  C
+Whisper words of wisdom, let it be
+
+     C              G                 Am          Fmaj7    F6
+And when the broken hearted people, Living in the world agree
+   C                 G              F  C
+There will be an answer, let it be
+       C              G                 Am                  Fmaj7    F6
+But though they may be parted, There is still a chance that they may see
+   C                 G              F  C
+There will be an answer, let it be
+
+       Am         C/G         F          C
+Let it be, let it be, let it be, let it be
+C                G              F  C
+There will be an answer, let it be
+       Am         C/G         F          C
+Let it be, let it be, let it be, let it be
+C                G              F  C
+Whisper words of wisdom, let it be
+				
+F C/E G7/D C Bb F/A G F C  F  C  G F C
+
+(Solo)
+
+       Am         C/G         F          C
+Let it be, let it be, let it be, let it be
+C                G              F  C
+Whisper words of wisdom, let it be
+     C                 G                 Am                Fmaj7    F6
+And when the night is cloudy, There is still a light that shines on me
+   C                 G              F  C
+Shine on till tomorrow, let it be
+       C              G                 Am          Fmaj7    F6
+I wake up to the sound of music, Mother Mary comes to me
+   C                 G              F  C
+Speaking words of wisdom, let it be
+
+F C/E G7/D C Bb F/A G F C
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/lucy.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/lucy.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/lucy.txt	(revision 18423)
@@ -0,0 +1,92 @@
+LUCY IN THE SKY WITH DIAMONDS BY THE BEATLES
+transcribed by MaxxDaddy
+
+Intro (as played by keyboard):
+ A          A/G         A/F#        A/F
+--------12------12--------------12------10p9-----
+----10--------------10------10----------------10-
+-9----------12----------11----------10-----------
+-------------------------------------------------  
+-------------------------------------------------
+-------------------------------------------------
+
+Verse:
+repeat intro throughout first half of verse
+guitar 2 strums chords
+
+guitar 2 w/slide, guitar 1 strums:
+"Cellophane..."
+ C                                F                       Bb 
+-----------------------------------------------------------
+-----------------------------------------------------------
+-5/7--7~--7--7--7--7\5~--7--7~--5/7--7--7--7--7--7--7\5--3-
+-----------------------------------------------------------
+-----------------------------------------------------------
+-----------------------------------------------------------
+   C                   G                 D 
+--------------------------------------------
+--------------------------------------------
+-5/7--7--7--7--7--7--5/7--7--7--7--5--4--2~-
+--------------------------------------------
+--------------------------------------------
+--------------------------------------------
+
+Chorus:
+(guitar 2 echoes bassline while guitar 1 strums)
+(3X)
+ G           C        D    
+--------------------------------------
+--------------------------------------
+--------------------------------------
+----------------0--2--0--0--0--0--0-0-
+-------0--2--3------------------------
+-3--3---------------------------------
+
+
+Lyrics:
+
+ A          A/G       A/F#        A/F
+Picture yourself in a boat on a river 
+      A         A/G      A/F#        A/F
+With tangerine trees and marmalade skies
+ A        A/G           A/F#         A/F
+Somebody calls you, you answer quite slowly
+   A          A/G        A/F#    Dm    Dm/C
+A girl with kaleidiscope eyes
+Bb                        C                   F                      Bb
+Cellophane  flowers  of  yellow and green    towering over your head
+C                          G                            D
+Look for the girl with the sun  in  her  eyes and she's gone
+
+
+G           C        D          G           C        D
+Lucy in the Sky with Diamonds.  Lucy in the Sky with Diamonds
+G           C        D          D           
+Lucy in the Sky with Diamonds.  Ahhhhhhhhhhh
+
+
+ A          A/G       A/F#        A/F
+Follow her down to a bridge by a fountain 
+      A             A/G        A/F#        A/F
+Where rocking horse people eat marshmallow pies
+ A        A/G          A/F#           A/F
+Everyone smiles as you drift past the flowers 
+      A          A/G    A/F#   Dm    Dm/C
+That grow so incredibly high
+Bb                 C                 F                       Bb
+Newspaper taxis appear on the shore waiting to take you away
+C                            G                             D
+Climb in the back with your head in the clouds and you're gone
+
+(chorus)
+
+ A          A/G       A/F#        A/F
+Picture yourself on a train in a station 
+       A          A/G        A/F#          A/F
+With plasticine porters with looking glass ties
+ A        A/G       A/F#         A/F
+Suddenly someone is there at the turnstile
+  A           A/G        A/F#   Dm
+A girl with kaleidoscope eyes
+
+(chorus)
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/michelle.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/michelle.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/michelle.txt	(revision 18423)
@@ -0,0 +1,38 @@
+MICHELLE 
+TAB BY MAXXDADDY
+
+Intro:
+-----8---8---8---8---8--6-----8-
+-----9---9---9---9---6--6--9--8-
+-/10---9---8---7-----6--------9-
+--------------------------------
+--------------------------------
+--------------------------------
+
+Verse:
+
+-8--8--9------9-------------------8----------8-
+-6--6--6--9----9----6---9--12--9--8---9------8-
+-5--5--6--6-----9---7--10--13-10--9-----10---9-
+-7--7--6--6--9------6---9--12--9------9----9---
+-----------------------------------------------
+-----------------------------------------------
+
+
+Chorus:
+ Fm   G#6   C#    C    Fm
+-8-----4----9-----8----8--
+-9-----6----9-----8----9--
+-10----5----10----9----10- go to intro
+-10----4----11----10---10-
+-8-----6----11----10---8--
+-------4----9-----8-------
+
+
+Solo:
+--------------------------------------------------------------------
+--------------------------------------------------------------------
+--------------------------------------------------------------------
+----------------------7~--8-10-11~--6~-5~-6-8-----5-6--------6------
+------7-8-10-8~--8-10-------------------------6-8-----5-7~-5---8-7~-
+-8-10---------------------------------------------------------------
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/please.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/please.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/please.txt	(revision 18423)
@@ -0,0 +1,64 @@
+PLEASE PLEASE ME 
+transcribed by MaxxDaddy
+
+
+Intro:
+-----------------------------------------------------------------0-
+-----------------------------------------------------------------0-
+-----------9---8--6-----6---------------9---8--6-----6-----------1-
+---9-----------------9-----9--6-------------------9----9---6-----2-
+-------7---------------------------7-----------------------------2-
+-----------------------------------------------------------------0-
+
+Verse:
+E                                   A  E     G  A  B
+--0----0-----0--0----0----0-----0---0--0-----3--5--7--------------------
+--5----4-----2--0----2----0---------2--0-----3--5--7--------------------
+--------------------------------1---2--1-----4--6--8--------------------
+---------------------------------------------5--7--9--------------------
+---------------------------------------------5--7--9--------------------
+---------------------------------------------3--5--7--------------------
+ Last night  I said these words to my girl
+E                              A   E
+--0--0----0---0----0--0----0---0---0-----------------------------------
+--5--4----2---0----2--0--------2---0-----------------------------------
+---------------------------1---2---1-----------------------------------
+---------------------------------------------------2--2----------------
+---------------------------------------------------------2-------------
+---------------------------------------------0--0----------------------
+  I know you ne - ver e - ven try girl
+
+Chorus:
+     A              F#m             C#m              A
+Come on         Come on         Come on         Come on
+        Come on         Come on         Come on         Come on
+          E           A       B         E  
+Please please me oh yeah like I please you.
+
+(intro riff)
+
+E                                      G A B
+You don't need me to show the way girl
+E
+Why do I always have to say girl
+
+(chorus)
+
+Bridge:
+A                 
+I don't want to sound complaining
+ B                                  E
+But you know there's always rain in my heart
+A    
+I do all the pleasing with you
+ B                           E
+It's so hard to reason with you
+     A       B               E  
+Oh yeah, why do you make me blue?
+
+Third verse same as the first,
+
+Repeat chorus, but second line of chorus is repeated three times, then :
+
+Ending chords are:
+E   G   C   B   E
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/revolution.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/revolution.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/revolution.txt	(revision 18423)
@@ -0,0 +1,170 @@
+REVOLUTION 
+transcribed by MaxxDaddy
+
+Intro:
+(triplets)
+-5/7-7-7--7-7-7--7-7-7--7-7-7----5/7-7-7--7-7-7--7-7-7--7-7-7----
+-5/7-7-7--7-7-7--7-7-7--7-7-7----5/7-7-7--7-7-7--7-7-7--7-7-7----
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+
+-5/7-7-7--7-7-7--7-7-7--7-7-7--------------------------12~----
+-5/7-7-7--7-7-7--7-7-7--7-7-7----/10~-----10--12b(14)---------
+--------------------------------------11----------------------
+--------------------------------------------------------------
+--------------------------------------------------------------
+--------------------------------------------------------------
+
+Verse (standard 12 bar blues):
+     B              
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----9----9---9h11--9--9-----9h11--9--9--9h11--9--9--9h11--9--9--
+-----7----7---7-----7--7-----7-----7--7--7-----7--7--7-----7--7--
+ You say you want   a  rev   o     lu    ti  on      well     you
+
+     E                          
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----------------------------------------------------------------
+-----9----9---9h11--9--9-----9h11--9--9--9h11--9--9--9h11--9--9--
+-----7----7---7-----7--7-----7-----7--7--7-----7--7--7-----7--7--
+-----------------------------------------------------------------
+    know                                 we  all want to change the...
+
+Guitar 2 strums chords
+
+Chorus:
+Guitar 2:(3X)
+               B             E
+-------------------------------------------------------11--------------
+---------------4-4-4----4---------------------------9--12--12-----12~--
+---------------4-4-4----4------------------9--9h11---------11h13--11~--
+---------------4-4-4h6--4---------9--9h11------------------------------
+-----------------------------------------------------------------------
+-----------------------------------------------------------------------
+... it's gonna be         alright
+
+
+  F#7
+-----------------------------------------------
+-----------------------------------------------
+-----------------------------------------------
+-------------2----------4----------2---------2-
+--------2h4--------4h6--------2h4--------2h4---
+--2--2----------2----------2----------2--------
+
+
+Guitar 2 play this repeatedly over the A B G# part in the last chorus:
+||-----------14--||
+||--14b(16)------||
+||---------------||
+||---------------||
+||---------------||
+||---------------||
+
+Solo:
+
+Guitar 2 plays this over the keyboard solo:
+                              (4X)
+---7-6-------------9-----7--||--------------------||
+-------10-9-8-7------7-9----||--7-----7-----7-----||
+-7--------------9-----------||--9(11)-9(11)-9(11)-||
+----------------------------||--------------------||
+----------------------------||--------------------||
+----------------------------||--------------------||
+
+Outro:
+
+Guitar 2 plays this repeatedly over the "Alright" part 
+||--9-------||
+||--12b(14)-||
+||----------||
+||----------||
+||----------||
+||----------||
+
+end:         C6 B6 
+-------------8---7~---
+--9(10)9--7--10--9~---
+-------------9---8~---
+-------------8---7~---
+-------------10--9~---
+-------------8---7~---
+
+
+Lyrics:
+     B                                    E
+You say you want a revolution   well you know
+                            B
+We all want to change the world
+     B                                     E
+You tell me that it's evolution  well you know
+                           F#
+We all want to change the world
+C#m                        F#
+But when you talk about destruction
+C#m                           A   B  G#   F#
+Don't you know that you can count me out 
+
+
+                          B       E
+Don't you know it's gonna be   Alright
+                          B       E
+Don't you know it's gonna be   Alright
+                          B       E     F#7
+Don't you know it's gonna be   Alright
+
+
+    B                                      E
+You say you got a real solution   well you know
+                         B  
+We'd all love to see the plan
+    B                                    E  
+You ask me for a contribution   well you know
+                    B
+We're doing what we can
+C#m                                     F#
+But when you want money for people with minds that hate
+C#m                                 A   B  G#   F#
+All I can tell you is brother you have to wait
+
+(chorus)
+
+    B                                           E  
+You say you'll change the constitution well you know
+                           B
+We all want to change your head
+    B                                     E
+You tell me it's the institution well you know
+                             B
+You better free your mind instead
+C#m                                F#
+But if you go carrying pictures of Chairman Mao
+C#m                                 A B G#   F#
+You ain't gonna make it with anyone anyhow
+
+(chorus)
+
+F#   
+Allright
+B
+Allright
+E
+Allright
+B
+Allright
+E
+Allright
+B
+Allright
+E
+Allright
+F#
+Allright
+
+B C6 B6
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/sgtpepper.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/sgtpepper.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/sgtpepper.txt	(revision 18423)
@@ -0,0 +1,82 @@
+SGT. PEPPER'S LONELY HEART CLUB BAND 
+transcribed by MaxxDaddy
+
+Intro:
+
+A7#9         C7                  G7
+------------------------8-10----------
+---8-10-10--------8-10-------8-6-8----
+-9--------------9------------------7~-
+--------------------------------------
+--------------------------------------
+
+       G7                 A7        C7                        G7  
+It was twenty years ago today, Sgt. Pepper taught the band to play
+             G7                  A7
+They've been going in and out of style 
+            C7                    G7
+But they're guaranteed to raise a smile.
+   A7                         C7 
+So may I introduce to you the act you've know for all these years,
+G7            C7                 G7    
+Sgt. Pepper's Lonely Hearts Club Band
+
+horn break:
+    C7                    F7                     C7       
+-----------------------|----------------------|---------------------
+------11-10-8----------|----------------------|-8----13-11-10-8-----
+---9----------9-----9--|-10----10---10--------|----------------10-9-
+----------------10-10--|-7--10-7--8-10--7---7-|-7-------10-10-------
+-----------------------|------------------8---|---7--10-------------
+-----------------------|----------------------|---------------------
+
+ D7
+-----------------------------------|------------------------10~-
+---------10-13------------------10-|-13------------------10-----
+----9-11-------------9-11----11----|----------9-11----11--------
+-12---------12-11-12------12-------|-12-11-12------12-----------
+-----------------------------------|----------------------------
+-----------------------------------|----------------------------
+
+      G             Bb      C7         G      
+We're Sgt. Pepper's Lonely Hearts Club Band, 
+   C7                      G7
+We hope you will enjoy the show,
+      G             Bb     C7          G         
+We're Sgt. Pepper's Lonely Hearts Club Band, 
+    A7                       D7  
+Sit back and let the evening go.
+C7                    G7  
+Sgt. Pepper's Lonely, Sgt. Pepper's Lonely, 
+A7                   C7      C7   G7
+Sgt. Pepper's Lonely Heart's Club Band.
+
+     C7                         F7   
+It's wonderful to be here, it's certainly a thrill.  
+       C7                           D7 
+You're such a lovely audience, We'd like to take you home with us,
+
+We'd love to take you home
+
+        G7                      A7 
+I don't really want to stop the show, 
+      C7                             G7   
+But I thought that you might like to know,
+    G7                       A7
+The singer's going to sing a song, 
+       C7                     G7 
+And he wants you all to sing along.
+   A7                          C7      
+So let me introduce to you The one and only Billy Shears
+    G7           C7                 G7
+And Sgt. Peppers Lonely Hearts Club Band.
+
+operative chords:
+
+A7#9   G7     A7     C7        D7    Bb
+-8-----3------5-----0----8-----------6---
+-8-----3------5-----1----8-----7-----6---
+-6-----4------6-----3-or-9-----5-----7---
+-5-----3------5-----2----8-----4-----8---
+-7-----5------7-----3----10----5-----8---
+-5-----3------5----------8-----------6---
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/sheloves.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/sheloves.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/sheloves.txt	(revision 18423)
@@ -0,0 +1,99 @@
+SHE LOVES YOU 
+transcribed by MaxxDaddy
+
+
+Riff 1:
+
+-------------------------
+-3-----------------------
+-3-----3--5/6\5--3-------
+-3-----3--5/6\5--3-----3-
+----5---------------5----
+-------------------------
+
+Riff 2:
+-3~---2~---0~-
+-0~---0~---0~-
+-0~---0~---0~-
+-5~---4~---2~-
+--------------
+--------------
+
+Riff 3:
+------------
+------------
+------------
+----0-------
+------------
+-3-----2--0-
+
+Outro:
+"yeah yeah yeah.."
+ Em6            C           G6
+-3~--2~--0~-----3~--2~--0~--------
+-2~--2~--2~-----1~--1~--1~---1p0~-
+-0~--0~--0`-----0~--0~--0~-----0~-
+----------------------------------
+----------------------------------
+----------------------------------
+
+
+Lyrics:
+
+    Em                                A7 
+She loves you, yeah, yeah, yeah. She loves you, yeah, yeah, yeah.
+    C                             G  
+She loves you, yeah, yeah, yeah, yeah.
+
+(Riff 1)
+
+    G                        Em7        Bm           D7
+You think you've lost your love when I saw her yesterday.
+     G                  Em7        Bm              D7
+It's you she's thinking of and she told me what to say.
+             G                                    Em
+She says she loves you and you know that can't be bad.
+(Riff 2)
+        Cm                                         D7
+Yes she loves you and you know you should be glad. Oooh.
+
+(Riff 1)
+
+    G                Em7           Bm           D7
+She said you were to know that she almost lost her mind.
+     G                Em7         Bm              D7
+And now she says she knows you're not the hurting kind.
+             G                                    Em
+She says she loves you and you know that can't be bad.
+(riff 2)
+        Cm                                         D7
+Yes she loves you and you know you should be glad. Oooh.
+
+(Chorus)
+
+    G             Em7    Bm              D7
+And now its up to you, I think it's only fair.
+   G                 Em7   Bm           D7
+If I should hurt you too, apologize to her.
+             G                                    Em
+Because she loves you, and you know that can't be bad.
+(riff 2)
+        Cm                                         D7
+Yes she loves you and you know you should be glad. Oooh.
+
+    Em                                A7 
+She loves you, yeah, yeah, yeah. She loves you, yeah, yeah, yeah.
+           Cm                 D7                  G   Em 
+And with a love like that you know you should be glad
+(riff 3)
+           Cm                 D7                  G   Em 
+And with a love like that you know you should be glad
+(riff 3)
+           Cm                 D7                  G   
+And with a love like that you know you should be glad
+(riff 2)
+
+Em6
+yeah yeah yeah
+C              G6
+yeah yeah yeah yeah
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/something.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/something.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/something.txt	(revision 18423)
@@ -0,0 +1,101 @@
+Something by the Beatles
+transcribed by Maxxdaddy
+
+Intro and signature riff:
+   F                  Eb  G   C
+-----------------------------------
+--10--12(13)12--10----11--12--13---
+-----------------------------------
+-----------------------------------
+-----------------------------------
+-----------------------------------
+
+Verse:
+   C                      Cmaj7
+Something in the way she moves
+C7                          F
+Attracts me like no other lover
+   D                      G
+Something in the way she woos me
+   Am                     Amdim7
+I don't want to leave her now
+     C/G               D   F  Eb  G  C
+You know I believe in how  (sig riff)
+
+Somewhere in her smile she knows
+That I don't need no other lover
+Something in her style that shows me
+I don't want to leave her now
+You know I believe in how
+(sig riff, but end with A instead of C)
+
+  A           C#m              F#m
+You're asking me will my love grow
+A/E      D     G        A   G#  G  F#  F  E
+I don't know   I don't know
+ A          C#m              F#m
+You stick around and it may show
+A/E      D     G        C   C B A# A  
+I don't know   I don't know
+
+(Solo)
+
+Something in the way she knows
+And all I have to do is think of her
+Something in the things she shows me
+I don't want to leave her now
+You know I believe in how
+
+(Outro)
+
+Guitar solo:
+     C            Cmaj7                C7
+-------------------------------------------------------------
+----------------------------------------8--10--8--11/13--13--
+--------12-------------12(14)12--9--7/9----------------------
+--12h14----14~---12h14---------------------------------------
+-------------------------------------------------------------
+-------------------------------------------------------------
+
+             F                                                
+--------------------------------------------------------------------
+--13(15)13--15(17)15--13-----------13--13---------------------------
+--------------------------14--/14----------14-------12--12----------
+-----------------------------------------------/14----------14------
+----------------------------------------------------------------12--
+--------------------------------------------------------------------
+
+  D                                   G
+---------------------------------------------------------------------
+---------------------------------------------------------------------
+-------------------11--11--14(16)14--14(16)14--14(16)14--12----------
+--------------/12----------------------------------------------------
+--12--14--12---------------------------------------------------------
+---------------------------------------------------------------------
+
+                           Am               G#+ 
+----------------------------------------------------------------------
+------14--13--12/16--15--14-------------------------------------------
+--12-------------------------b(9)7--b(9)7--5--b(9)7--b(9)7--b(9)7--5--
+----------------------------------------------------------------------
+----------------------------------------------------------------------
+----------------------------------------------------------------------
+
+  C/G                      D                    F                 Eb  G   C
+---------------------------10/12--10--8--10--8-------------------------------
+------------------------8-----------------------10--12(13)12--10--11--12--13-
+--7(9)7--7(9)7--5--7/9-------------------------------------------------------
+-----------------------------------------------------------------------------
+-----------------------------------------------------------------------------
+-----------------------------------------------------------------------------
+
+
+Ending:
+  F                 Eb  G   A                   F                 Eb  G   C
+------------------------------------16--15--14--------------------------------
+--10--12(13)12--10--11--12--14--14--------------10--12(13)12--10--11--12--14--
+------------------------------------------------------------------------------
+------------------------------------------------------------------------------
+------------------------------------------------------------------------------
+------------------------------------------------------------------------------
+
Index: /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/strawberry.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/strawberry.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/advbeat_small/tablature_txt/members.aol.com/way2smug/strawberry.txt	(revision 18423)
@@ -0,0 +1,78 @@
+Strawberry Fields Forever
+transcribed by Maxxdaddy
+
+guitar tuned down 1 full step
+
+Intro:
+   G    Gmaj7  G7    Am E    Am        G       F     C
+-------------------------------------------------------
+---3--3--3--3--3--3--1--0--------1--------0---------1--
+---4--4--4--4--4--4--2--1------2--------0------2----0--
+---5-----4-----3--3----------2--------0--------3----2--
+--------------------------------------------------3----
+-------------------------------------------------------
+
+Chorus:
+C                                   Gm7
+Let me take you down cos' I'm going to  Strawberry fields
+A7
+Nothing is real
+F               A7
+And nothing to get hung about
+F                 C
+Strawberry fields forever
+
+-1p0-----------------
+------1--------------
+--------3p0----------
+------------3p2------
+-----------------3---
+---------------------
+
+G         Gmaj7     G7          Am E
+Living is easy with eyes closed
+Am        Am/G               F
+Misunderstanding all you see
+F            G               C                   Am    
+It's getting hard to be someone but it all works out
+F          G               F  C
+It doesn't matter much to me
+
+(Chorus)
+
+No one I think is in my tree
+I mean it must be high or low
+That is you can't you know tune in but it's alright
+That is I  think it's not too bad
+
+(Chorus)
+
+Always, no, sometimes think it's me
+But you know I know when it's a dream
+I think a no I mean a yes but it's all wrong
+That is I think I disagree
+
+(Chorus)
+
+-5p3---1--0h1p0h1p0--------
+----------------------3-3--
+---------------------------
+---------------------------
+---------------------------
+---------------------------
+
+-----------------------------------------1--0h1p0h1p0h1p0h1p0--
+---------------------------------------------------------------
+-----------5------2--------------------------------------------
+--------------3-5---3----2-3-5---------------------------------
+--3/1---3--------------5-------3-------3-----------------------
+---------------------------------------------------------------
+
+-------------------------------12--------------13--12--12---------15--13--
+-----------13--11-----11-----------13--11------------------11-------------
+---10--12-----------------12---------------12------------------12---------
+--------------------------------------------------------------------------
+--------------------------------------------------------------------------
+--------------------------------------------------------------------------
+
+fade out
Index: /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/audio_tweak.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/audio_tweak.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/audio_tweak.txt	(revision 18423)
@@ -0,0 +1,9 @@
+<td valign=top>
+{If}{[dc.Format] eq 'Audio',
+[srclink][srcicon][/srclink],
+{If}{[dc.Format] eq 'Images', 
+[srclink][thumbicon][/srclink], 
+[link][icon][/link]}}</td>
+<td valign=top>[highlight]
+{Or}{[dls.Title],[dc.Title],[Title],Untitled}
+[/highlight]{If}{[ex.Source],<br><i>([ex.Source])</i>}</td>
Index: /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/multi_icons.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/multi_icons.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/multi_icons.txt	(revision 18423)
@@ -0,0 +1,18 @@
+<td valign=top>
+ {If}{[numleafdocs],[link][icon][/link]}
+ {If}{[dc.Format] eq 'Lyrics',[link]_iconlyrics_[/link]}
+ {If}{[dc.Format] eq 'Discography',[link]_icondisc_[/link]}
+ {If}{[dc.Format] eq 'Tablature',[link]_icontab_[/link]}
+ {If}{[dc.Format] eq 'MARC',[link]_iconmarc_[/link]}
+ {If}{[dc.Format] eq 'Images',[srclink][thumbicon][/srclink]}
+ {If}{[dc.Format] eq 'Supplementary',[srclink][srcicon][/srclink]}
+ {If}{[dc.Format] eq 'Audio',[srclink]{If}{[FileFormat] eq 'MIDI',_iconmidi_,_iconmp3_}[/srclink]}
+</td>
+<td>
+  {If}{[numleafdocs],([numleafdocs])}
+</td>
+<td valign=top>
+  [highlight] 
+    {Or}{[dls.Title],[dc.Title],[Title],Untitled} 
+  [/highlight]
+</td>
Index: /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/show_num_docs.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/show_num_docs.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/beatles/format_tweaks/show_num_docs.txt	(revision 18423)
@@ -0,0 +1,11 @@
+
+<td valign=top>
+{If}{[dc.Format] eq 'Audio',
+[srclink][srcicon][/srclink],
+{If}{[dc.Format] eq 'Images', 
+[srclink][thumbicon][/srclink], 
+[link][icon][/link]}}</td>
+<td>{If}{[numleafdocs],([numleafdocs])}</td>
+<td valign=top>[highlight]
+{Or}{[dls.Title],[dc.Title],[Title],Untitled}
+[/highlight]</td>
Index: /documentation/trunk/tutorial_sample_files/custom/style-blue.css
===================================================================
--- /documentation/trunk/tutorial_sample_files/custom/style-blue.css	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/custom/style-blue.css	(revision 18423)
@@ -0,0 +1,172 @@
+/* bluish colour theme - Alternate stylesheet for greenstone.
+   Written by John McPherson, 2006. Feel free to copy/modify this for
+   any purpose.
+*/
+
+body {
+  background: #80a0fb; /* light blue */
+  color: #000000;
+}
+
+a:link { color: #006666; } 
+
+a:hover { color: #000066; }
+
+a:visited { color: #666633; } 
+
+img.link { border: 0; }
+
+/* for unesco/human info etc logos on home page */
+img.logo {
+  border: 0;
+  float: right;
+  margin-left: 10px;
+}
+
+div.v_list {
+  padding: 10px;
+  font-size: smaller;
+}
+/* specific columns, named in the format string */
+div.vlist_entry {
+  clear: both; /* comes after any previous floating divs */
+  border-bottom: 1px grey solid;
+  margin-top: 10px;
+  margin-bottom: 5px;
+}
+div.vlist_entry div {
+  width: 15%;
+  padding-left: 1%;
+  padding-right: 1%;
+  float: left;
+}
+
+div.vlist_entry div.descr { width: 45% }
+
+#banner {
+  margin-bottom: 5px;
+}
+/* this div contains the bannerlinks and bannerimage paragraphs */
+div.pageinfo {
+  float: right;
+  text-align: right;
+}
+/* home, help, preferences links */
+p.bannerlinks {
+  font-family: arial;
+  font-size: 10pt;
+  font-weight: bold;
+}
+/* the image based on the page action */
+p.bannerimage {
+  display: none;
+}
+/* the image for the collection, shown in the banner */
+div.collectimage {
+  text-align: left;
+  float: left;
+  height: 100%; /* for IE5/6 to make containing div the full height */
+}
+/* link for collection name - will have text if there is no image */
+div.collectimage a {
+  text-decoration: none;
+  color: #666666;
+}
+
+/* make sure this is shown under the other divs (which may be floating) */
+div.bannerextra {clear:both;}
+
+/* blankiconbar */
+div.section p.bar {
+  text-align: center;
+}
+
+div.navbar {
+  background: #39657b;
+  white-space: nowrap; 
+  border-left: 1px solid white;
+  border-top: 1px solid white;
+  border-bottom: 1px solid black;
+  border-right: 1px solid black;
+  margin: 0px;
+  min-width: 400px; /* stop it wrapping in skinny windows */
+  font-size: 10pt;
+}
+
+div.divbar { /* for "select a collection" */
+  font-family: arial;
+  font-size: 10pt;
+  font-weight: bold;
+  text-align: top;
+  border: 0;
+}
+p.navbar { /* opt navbar text inside a divbar div */
+  text-align: center;
+  margin: 0px;
+}
+
+a.navlink {
+  padding: 0 10px;
+  background: #508090;
+  color: black;
+  text-decoration: none;
+}
+
+a.navlink:visited {
+  color: black;
+}
+
+a.navlink:hover {
+  background: #6090a0;
+}
+
+
+/* content inside the pages */
+/* this contains everything - all the other divs */
+div#page {}
+
+/* document content after nav bar */
+div.document {
+  border: 5px #cccccc solid;
+  padding: 5px;
+  background: #aae;
+  margin-top: 5px;
+}
+
+img.icon { border: 0; }
+
+div.queryform {
+  text-align: center;
+}
+span.textselect { white-space: nowrap; }
+
+div.section p {
+  text-align: justify;
+}
+
+div.h_list {
+  text-align: right;
+  padding: 5px;
+  background: #637d7d;
+}
+
+/* A-Z entries other than the current one */
+span.h_item a {
+  text-decoration: none;
+  color: #cccccc;
+}
+span.h_item a:hover {
+  text-decoration: none;
+  color: red;
+}
+
+/* for the home page - auto-generated _homeextra_ macro */
+table.collections {
+  width: 100%;
+  max-width: 800px;
+  text-align: center;
+  /* centres a block element for gecko and opera. (IE 5.5 needs parent
+   * text-align) */
+  margin-left:auto; margin-right:auto;
+}
+
Index: /documentation/trunk/tutorial_sample_files/dspace/1/contents
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/1/contents	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/1/contents	(revision 18423)
@@ -0,0 +1,2 @@
+1.doc	bundle:ORIGINAL
+1.pdf	bundle:ORIGINAL
Index: /documentation/trunk/tutorial_sample_files/dspace/1/dublin_core.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/1/dublin_core.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/1/dublin_core.xml	(revision 18423)
@@ -0,0 +1,13 @@
+<dublin_core>
+  <dcvalue element="contributor">Ian Witten</dcvalue>
+  <dcvalue element="contributor">Rodger McNab</dcvalue>
+  <dcvalue element="contributor">Stefan Boddie</dcvalue>
+  <dcvalue element="contributor">David Bainbridge</dcvalue>
+  <dcvalue element="date" qualifier="accessioned">2005-01-10T02:48:06Z</dcvalue>
+  <dcvalue element="date" qualifier="available">2005-01-10T02:48:06Z</dcvalue>
+  <dcvalue element="date" qualifier="issued">2005-01-10T02:48:06Z</dcvalue>
+  <dcvalue element="format" qualifier="mimetype">application/msword</dcvalue>
+  <dcvalue element="format" qualifier="mimetype">application/pdf</dcvalue>
+  <dcvalue element="language" qualifier="iso">en</dcvalue>
+  <dcvalue element="title" qualifier="none">Greenstone: A Comprehensive Open-Source Digital Library System</dcvalue>
+</dublin_core>
Index: /documentation/trunk/tutorial_sample_files/dspace/2/contents
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/2/contents	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/2/contents	(revision 18423)
@@ -0,0 +1,1 @@
+2.rtf	bundle:ORIGINAL
Index: /documentation/trunk/tutorial_sample_files/dspace/2/dublin_core.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/2/dublin_core.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/2/dublin_core.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<dublin_core>
+  <dcvalue element="contributor">Sally Jo Cunningham</dcvalue>
+  <dcvalue element="contributor">Stuart M. Dillon</dcvalue>
+  <dcvalue element="date" qualifier="accessioned">2005-01-10T02:49:40Z</dcvalue>
+  <dcvalue element="date" qualifier="available">2005-01-10T02:49:40Z</dcvalue>
+  <dcvalue element="date" qualifier="issued">2005-01-10T02:49:40Z</dcvalue>
+  <dcvalue element="format" qualifier="mimetype">application/rtf</dcvalue>
+  <dcvalue element="language" qualifier="iso">en</dcvalue>
+  <dcvalue element="title" qualifier="none">Authorship Patterns in Information Systems</dcvalue>
+</dublin_core>
Index: /documentation/trunk/tutorial_sample_files/dspace/3/contents
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/3/contents	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/3/contents	(revision 18423)
@@ -0,0 +1,1 @@
+3.pdf	bundle:ORIGINAL
Index: /documentation/trunk/tutorial_sample_files/dspace/3/dublin_core.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/3/dublin_core.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/3/dublin_core.xml	(revision 18423)
@@ -0,0 +1,13 @@
+<dublin_core>
+  <dcvalue element="contributor">Ian Witten</dcvalue>
+  <dcvalue element="contributor">Sally Jo Cunningham</dcvalue>
+  <dcvalue element="contributor">Bill Rogers</dcvalue>
+  <dcvalue element="contributor">Rodger McNab</dcvalue>
+  <dcvalue element="contributor">Stefan Boddie</dcvalue>
+  <dcvalue element="date" qualifier="accessioned">2005-01-10T02:51:09Z</dcvalue>
+  <dcvalue element="date" qualifier="available">2005-01-10T02:51:09Z</dcvalue>
+  <dcvalue element="date" qualifier="issued">2005-01-10T02:51:09Z</dcvalue>
+  <dcvalue element="format" qualifier="mimetype">application/pdf</dcvalue>
+  <dcvalue element="language" qualifier="iso">en</dcvalue>
+  <dcvalue element="title" qualifier="none">Distributing Digital Libraries on the Web, CD-ROMs, and Intranets: Same information, same look-and-feel, different media</dcvalue>
+</dublin_core>
Index: /documentation/trunk/tutorial_sample_files/dspace/4/contents
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/4/contents	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/4/contents	(revision 18423)
@@ -0,0 +1,1 @@
+4.doc	bundle:ORIGINAL
Index: /documentation/trunk/tutorial_sample_files/dspace/4/dublin_core.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/4/dublin_core.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/4/dublin_core.xml	(revision 18423)
@@ -0,0 +1,9 @@
+<dublin_core>
+  <dcvalue element="contributor">New Zealand Digital Library Project</dcvalue>
+  <dcvalue element="date" qualifier="accessioned">2005-01-10T02:52:27Z</dcvalue>
+  <dcvalue element="date" qualifier="available">2005-01-10T02:52:27Z</dcvalue>
+  <dcvalue element="date" qualifier="issued">2005-01-10T02:52:27Z</dcvalue>
+  <dcvalue element="format" qualifier="mimetype">application/msword</dcvalue>
+  <dcvalue element="language" qualifier="iso">en</dcvalue>
+  <dcvalue element="title" qualifier="none">1997-00 Listing of Working Papers</dcvalue>
+</dublin_core>
Index: /documentation/trunk/tutorial_sample_files/dspace/5/contents
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/5/contents	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/5/contents	(revision 18423)
@@ -0,0 +1,2 @@
+5.doc	bundle:ORIGINAL
+5.pdf	bundle:ORIGINAL
Index: /documentation/trunk/tutorial_sample_files/dspace/5/dublin_core.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/dspace/5/dublin_core.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/dspace/5/dublin_core.xml	(revision 18423)
@@ -0,0 +1,10 @@
+<dublin_core>
+  <dcvalue element="contributor">Kristine Turner</dcvalue>
+  <dcvalue element="date" qualifier="accessioned">2005-01-10T02:46:14Z</dcvalue>
+  <dcvalue element="date" qualifier="available">2005-01-10T02:46:14Z</dcvalue>
+  <dcvalue element="date" qualifier="issued">2005-01-10T02:46:14Z</dcvalue>
+  <dcvalue element="format" qualifier="mimetype">application/msword</dcvalue>
+  <dcvalue element="format" qualifier="mimetype">application/pdf</dcvalue>
+  <dcvalue element="language" qualifier="iso">en</dcvalue>
+  <dcvalue element="title" qualifier="none">Information Seeking, Retrieving, Reading, and Storing Behaviour of Library Users</dcvalue>
+</dublin_core>
Index: /documentation/trunk/tutorial_sample_files/hobbits/Frodo.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/hobbits/Frodo.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/hobbits/Frodo.html	(revision 18423)
@@ -0,0 +1,176 @@
+<html><head><title>Lord of the Rings Frodo</title>
+
+<link href="mailto:webmaster@lordotrings.com" rev="made">
+<meta content="Lord of the Rings,Tolkien,Middle earth,Movie,Movies,The Hobbit,The Silmarillion,J.R.R. Tolkien,Tolkien Art,Specials,Merchandize,Quiz,Shop,Tours,Guided Tours,Media,Reviews,Paintings,Trilogy,Fantasy,Community,Links,Award,Hobbit,Elves,Dwarves,Shire,Mordor,Gondor,Rohan,Bilbo,Frodo,Gandalf,Aragorn,Sauron,Gimli,Legolas,Balrog,One Ring" name="keywords">
+<meta content="The Lord of the Rings Site for and by Tolkien Fanatics: Guided Tours of Middle-Earth, 111-Question-Quiz, Art Collections, Creative and Product Specials, Sound clips, Merchandize Shop, Time Lines, Community and much more..." name="description">
+<meta content="Philip G. Kooijman" name="author">
+<meta content="ALL" name="ROBOTS">
+<style>
+<!--
+A {text-decoration: none;font-weight: bold ;color: #443D0C;font-size: 9pt;font-family: Arial}
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+</style></head>
+
+<body bgcolor="#ffffd2" alink="#443d0c" vlink="#443d0c" link="#443d0c" topmargin="0" marginheight="0" marginwidth="0" rightmargin="0" leftmargin="0">
+
+<table border="0" width="100%" height="77" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td height="77" valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="77" width="204" src="Frodo_files/head1ad.gif">
+</td>
+<td align="center" valign="top" background="Frodo_files/headlineads.gif" width="100%">
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/weapons.asp"><img alt="Lord of the Rings Swords &amp; Bows" border="0" heigh="66" width="450" src="Frodo_files/ban-swords.gif"></a>
+</td>
+<td valign="top">
+<img border="0" align="top" alt="Tolkien and Hobbits" height="77" width="103" src="Frodo_files/head2ad.gif">
+</td>
+</tr></tbody></table>
+
+<table border="0" width="100%" height="100%" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td background="Frodo_files/sideline3.gif" width="150" valign="top">
+<img border="0" align="top" alt="Lord of the Rings" height="94" width="150" src="Frodo_files/sidenew.gif">
+<font size="3" color="white" face="arial">
+<a class="menu" href="http://www.lordotrings.com/noflash/default.asp">&nbsp;&nbsp;Home</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/writer.asp">&nbsp;&nbsp;The Writer</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/books.asp">&nbsp;&nbsp;The Books</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/movies.asp">&nbsp;&nbsp;The Movies</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/tour.asp">&nbsp;&nbsp;Guided Tours</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/quiz.asp">&nbsp;&nbsp;Quest Quiz</a><br>
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+<a class="menu" href="http://www.lordotrings.com/noflash/specials.asp">&nbsp;&nbsp;Specials</a><br>
+<a class="menu" target="_blank" href="http://www.lordotringsshop.com/">&nbsp;&nbsp;Merchandise Shop</a><br>
+<a class="menu" target="_blank" href="http://www.lotrplaza.com/">&nbsp;&nbsp;Fanatics Plaza</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/community.asp">&nbsp;&nbsp;Community</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/award.asp">&nbsp;&nbsp;Award Winners</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/about.asp">&nbsp;&nbsp;About Us</a>
+</font>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/pipes.asp"><img alt="Lord of the Rings Pipes" border="0" heigh="123" width="150" src="Frodo_files/pipes.gif"></a><br>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/weapons.asp"><img alt="Lord of the Rings Swords" border="0" heigh="123" width="150" src="Frodo_files/glamdring.gif"></a>
+
+</td>
+<td valign="top" rowspan="2">
+
+<table border="0" cellpadding="0" cellspacing="8" width="100%" height="100%">
+<tbody><tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">
+<span class="head1">People of Middle-Earth: Frodo</span>
+</font><hr color="#443d0c" size="1">
+<table cellpadding="5" border="0">
+<tbody><tr>
+<td valign="top" rowspan="6"><img height="167" width="91" border="0" alt="frodo" src="Frodo_files/frodo.gif"></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Full Name:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Frodo Baggins</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Date of Birth:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">T.A. 22 September 2968</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Parents:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Drogo Baggins, Primula Brandybuck</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Race:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Hobbit</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Weapon:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Sting</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Buy One:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Frodo figures are sold <a target="_blank" href="http://www.lordotringsshop.com/lotrshop/figures.asp">Here!</a></font></td></tr>
+</tbody></table>
+<hr color="#443d0c" size="1">
+<table vspace="10" bgcolor="#443d0c" align="right" cellpadding="5" border="2">
+<tbody><tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>In The Movie</b></font></td></tr>
+<tr>
+<td valign="top"><img height="189" width="149" border="0" alt="frodo" src="Frodo_files/frodomov.gif"></td></tr>
+<tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>Elijah Wood</b></font></td></tr>
+</tbody></table>
+<font color="#443d0c" size="2" face="Arial">(<a target="_blank" href="http://www.lordotrings.com/noflash/artmedia/sound1.asp">AUDIO: Frodo accepts the Quest of the Ring</a>)<br>
+"Frodo is the cousin of Bilbo Baggins who adopts him when Bilbo is 99
+years old. As Bilbo's heir Frodo received the One Ring and accepted the
+quest of the Ring during the Council of Elrond. He then became the Ring
+Bearer. He was one of the four Hobbits that were part of the Fellowship
+of the Ring. At the breaking of the Fellowship it was Frodo who decided
+to continue the quest alone and enter the land of Mordor. He was caught
+by Sam, however, and together they journeyed to Mount Doom. At the
+Cracks of Doom Frodo could no longer resist the power of the One Ring
+and decided to claim the rings for himself. He was attacked by Gollum
+who bit of Frodo's middle finger with the rings still in it. Gollum
+fell into the Cracks of Doom destroying the ring and ending the quest.
+Frodo and Sam were then rescued by Gwaihir, the Lord of the Eagles and
+Gandalf who took them to safety. At the end Frodo leaves Middle-Earth
+together with Bilbo, Gandalf, Elrond and Galadriel."<br><br>
+<b>Quote:</b><br><i>
+'If the ring is to set out, it must go soon. But those who go with it
+must not count on their errand being aided by war or force. They must
+pass into the domain of the Enemy far from aid. Do you still hold your
+word, Frodo, that you will be the Ring-bearer?'<br>
+'I do,' said Frodo. 'I will go with Sam.'</i>
+<br><br>
+"Shall we continue to our next character: Sam Gamgee?"<br><br>
+<a href="http://www.lordotrings.com/noflash/tour/sam.asp">Sure Bilbo, let's meet the next Hero...</a><br>
+<a href="http://www.lordotrings.com/noflash/tour/charchange.asp">Show me the character list again, I want to meet someone else...</a><br>
+<a href="http://www.lordotrings.com/noflash/default.asp">I am getting tired, let's stop this tour...</a><br>
+<br></font><hr color="#443d0c" size="1">
+<font color="#443d0c" size="2" face="Arial">Top Image of Frodo: Greg &amp; Tim Hildebrandt<br>
+Bottom Image of Frodo: <a target="_blank" href="http://www.lordoftherings.net/">http://www.lordoftherings.net</a>
+</font>
+</td></tr>
+<tr>
+<td valign="bottom" height="100%"><font color="#443d0c" size="2" face="Arial">
+<hr size="1" color="#443d0c">
+<span class="Footer">
+This site is maintained and updated by fans of The Lord of the Rings, and is in no way affiliated with <a class="href2" target="_blank" href="http://www.tolkien-ent.com/">Tolkien Enterprises</a>
+or the Tolkien Estate. Copyrights and trademarks for the books, films,
+articles, and other promotional materials are held by their respective
+owners and their use is allowed under the <a class="href2" target="_blank" href="http://liimirror.warwick.ac.uk/uscode/17/107.html">fair use clause</a>
+of the Copyright Law. Design and original photography however are
+copyright © 2001--2003, Lord of the Rings Fanatics Network© 2001-2003.
+All Rights Reserved.
+<br><br>
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+<br><br>
+</span></font></td></tr></tbody></table>
+</td>
+
+<td background="Frodo_files/sideline2.gif" width="21" height="100%" valign="top" rowspan="2">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="104" width="21" src="Frodo_files/side2.gif"></td></tr>
+
+<tr>
+<td background="Frodo_files/sideline3.gif" width="150" height="100%" valign="bottom"><img border="0" alt="Hobbit House" height="66" width="150" src="Frodo_files/side3.gif"></td></tr></tbody></table>
+
+<table border="0" width="100%" height="22" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td valign="top">
+<img border="0" align="top" alt="Hobbit House" height="22" width="259" src="Frodo_files/bottom.gif">
+</td>
+<td background="Frodo_files/bottomline.gif" width="100%">&nbsp;</td>
+<td valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="22" width="21" src="Frodo_files/bottom2.gif">
+</td></tr></tbody></table>
+
+</body></html>
Index: /documentation/trunk/tutorial_sample_files/hobbits/bilbo.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/hobbits/bilbo.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/hobbits/bilbo.html	(revision 18423)
@@ -0,0 +1,200 @@
+<html><head><title>Lord of the Rings Fanatics Tour: Bilbo Baggins</title>
+
+<link href="mailto:webmaster@lordotrings.com" rev="made">
+<meta content="Lord of the Rings,Tolkien,Middle earth,Movie,Movies,The Hobbit,The Silmarillion,J.R.R. Tolkien,Tolkien Art,Specials,Merchandize,Quiz,Shop,Tours,Guided Tours,Media,Reviews,Paintings,Trilogy,Fantasy,Community,Links,Award,Hobbit,Elves,Dwarves,Shire,Mordor,Gondor,Rohan,Bilbo,Frodo,Gandalf,Aragorn,Sauron,Gimli,Legolas,Balrog,One Ring" name="keywords">
+<meta content="The Lord of the Rings Site for and by Tolkien Fanatics: Guided Tours of Middle-Earth, 111-Question-Quiz, Art Collections, Creative and Product Specials, Sound clips, Merchandize Shop, Time Lines, Community and much more..." name="description">
+<meta content="Philip G. Kooijman" name="author">
+<meta content="ALL" name="ROBOTS">
+<style>
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+
+<table border="0" width="100%" height="77" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td height="77" valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="77" width="204" src="bilbo_files/head1ad.gif">
+</td>
+<td align="center" valign="top" background="bilbo_files/headlineads.gif" width="100%">
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/jewelry.asp"><img alt="Lord of the Rings Jewelry" border="0" heigh="66" width="450" src="bilbo_files/ban-jewelry.gif"></a>
+</td>
+<td valign="top">
+<img border="0" align="top" alt="Tolkien and Hobbits" height="77" width="103" src="bilbo_files/head2ad.gif">
+</td>
+</tr></tbody></table>
+
+<table border="0" width="100%" height="100%" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td background="bilbo_files/sideline3.gif" width="150" valign="top">
+<img border="0" align="top" alt="Lord of the Rings" height="94" width="150" src="bilbo_files/sidenew.gif">
+<font size="3" color="white" face="arial">
+<a class="menu" href="http://www.lordotrings.com/noflash/default.asp">&nbsp;&nbsp;Home</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/writer.asp">&nbsp;&nbsp;The Writer</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/books.asp">&nbsp;&nbsp;The Books</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/movies.asp">&nbsp;&nbsp;The Movies</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/tour.asp">&nbsp;&nbsp;Guided Tours</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/quiz.asp">&nbsp;&nbsp;Quest Quiz</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/artmedia.asp">&nbsp;&nbsp;Arts &amp; Media</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/specials.asp">&nbsp;&nbsp;Specials</a><br>
+<a class="menu" target="_blank" href="http://www.lordotringsshop.com/">&nbsp;&nbsp;Merchandise Shop</a><br>
+<a class="menu" target="_blank" href="http://www.lotrplaza.com/">&nbsp;&nbsp;Fanatics Plaza</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/community.asp">&nbsp;&nbsp;Community</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/award.asp">&nbsp;&nbsp;Award Winners</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/about.asp">&nbsp;&nbsp;About Us</a>
+</font>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/caps.asp"><img alt="Lord of the Rings Caps" border="0" heigh="123" width="150" src="bilbo_files/caps.gif"></a><br>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/videogames.asp"><img alt="Lord of the Rings Videogames" border="0" heigh="123" width="150" src="bilbo_files/videogames.gif"></a>
+
+</td>
+<td valign="top" rowspan="2">
+
+<table border="0" cellpadding="0" cellspacing="8" width="100%" height="100%">
+<tbody><tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">
+<span class="head1">People of Middle-Earth: Bilbo Baggins</span>
+</font><hr color="#443d0c" size="1">
+<table cellpadding="5" border="0">
+<tbody><tr>
+<td valign="top" rowspan="6"><img border="0" alt="Bilbo Baggins" hspace="10" vspace="5" align="right" height="144" width="114" src="bilbo_files/bilbo.gif"></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Full Name:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Bilbo Baggins</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Date of Birth:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">September 22, 2890 T.A.
+</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Parents:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Bungo Baggins, Beladonna Took</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Race:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Hobbit</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Weapon:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Sting</font></td></tr>
+</tbody></table>
+<hr color="#443d0c" size="1">
+<table vspace="10" bgcolor="#443d0c" align="right" cellpadding="5" border="2">
+<tbody><tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>In The Movie</b></font></td></tr>
+<tr>
+<td valign="top"><img height="186" width="145" border="0" alt="Bilbo" src="bilbo_files/bilbo2.gif"></td></tr>
+<tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>Ian Holm</b></font></td></tr>
+</tbody></table>
+<font color="#443d0c" size="2" face="Arial">(<a target="_blank" href="http://www.lordotrings.com/noflash/artmedia/sound15.asp">AUDIO: Bilbo about Bag End</a>)<br>
+"Well, I am Bilbo Baggins your Tour Guide and I will start by further
+introducing myself. I can still remember how my big adventure began. I
+was just sitting in my hobbit hole when Gandalf visited me. Before I
+knew it I was playing host for 13 dwarves and soon after I would begin
+an adventure that would take me half way across Middle-Earth to the
+lair of Smaug the Dragon. It was me who found the One Ring in the orc
+caverns where Gollum also lived at that time. I had to do a riddle game
+with Gollum which I eventually won by asking what I had in my pocket. I
+barely escaped all the adventures with the dwarves and I returned to
+the Shire carying the One Ring with me as a treasure. It was many years
+later that I found out what the true nature was of the Ring and that
+was the beginning of the adventure my nephew Frodo had to undertake.
+After the War of the Ring I left middle-earth together with Frodo,
+Gandalf, Elrond and Galadriel."<br><br>
+<b>Quote:</b><br><i>
+'Very well, very well, Master Elrond! said Bilbo suddenly. 'Say no
+more! It is plain enough what you are poiting at. Bilbo the silly
+Hobbit started this affair, and Bilbo had better finish it, or
+himself.'
+</i>
+<br><br><br><br><br>
+<table cellpadding="0" cellspacing="1" bgcolor="black" border="0">
+<tbody><tr>
+<td bgcolor="#d9c64f" valign="top" colspan="2"><font color="#443d0c" size="2" face="Arial">&nbsp;
+<strong>Lord of the Rings Merchandise related to Bilbo Baggins:</strong>
+</font></td></tr>
+<tr>
+<td valign="top">
+<table cellpadding="5" cellspacing="0" bgcolor="black" border="0">
+<tbody><tr>
+<td bgcolor="white" align="center" valign="top">
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/jewelry.asp">
+<img hspace="10" width="120" align="left" border="0" src="bilbo_files/jewel7.gif">
+</a></td>
+<td bgcolor="white" valign="top"><font color="#443d0c" size="2" face="Arial">
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/jewelry.asp">
+The One Ring</a><br>We
+sell many versions of the One Ring in our Fanatics Shop in Gold,
+Silver, Plate Gold and.... Plastic! You can check them out if you want.
+</font></td></tr>
+</tbody></table>
+</td></tr>
+</tbody></table>
+
+<br><br><br>
+
+
+"Shall we continue to our next character: Frodo ?"<br><br>
+<a href="http://www.lordotrings.com/noflash/tour/Frodo.asp">Sure Bilbo, let's meet the next Hero...</a><br>
+<a href="http://www.lordotrings.com/noflash/tour/charchange.asp">Show me the character list again, I want to meet someone else...</a><br>
+<a href="http://www.lordotrings.com/noflash/default.asp">I am getting tired, let's stop this tour...</a><br>
+<br></font><hr color="#443d0c" size="1">
+<font color="#443d0c" size="2" face="Arial">Top Image of Bilbo: Alan Lee<br>
+Bottom Image of Bilbo: <a target="_blank" href="http://www.lordoftherings.net/">http://www.lordoftherings.net</a>
+</font>
+</td></tr>
+<tr>
+<td valign="bottom" height="100%"><font color="#443d0c" size="2" face="Arial">
+<hr size="1" color="#443d0c">
+<span class="Footer">
+This site is maintained and updated by fans of The Lord of the Rings, and is in no way affiliated with <a class="href2" target="_blank" href="http://www.tolkien-ent.com/">Tolkien Enterprises</a>
+or the Tolkien Estate. Copyrights and trademarks for the books, films,
+articles, and other promotional materials are held by their respective
+owners and their use is allowed under the <a class="href2" target="_blank" href="http://liimirror.warwick.ac.uk/uscode/17/107.html">fair use clause</a>
+of the Copyright Law. Design and original photography however are
+copyright © 2001--2003, Lord of the Rings Fanatics Network© 2001-2003.
+All Rights Reserved.
+<br><br>
+<a class="href6" href="http://www.lordotrings.com/default-fl.asp">Flash</a> |
+<a class="href2" target="_blank" href="http://www.lordotrings.com/">Lord of the Rings Home</a> |
+<a class="href2" target="_blank" href="http://www.lordotringsshop.com/">Lord of the Rings Shop</a> |
+<a class="href2" target="_blank" href="http://www.lotrplaza.com/">Lord of the Rings Plaza</a> |
+<a class="href2" href="http://www.lordotrings.com/noflash/sitemap.asp">Sitemap</a> |
+<a class="href2" href="http://www.lordotrings.com/noflash/siteinfo.asp">Network Info</a> |
+<a class="href2" href="http://www.lordotrings.com/noflash/contact.asp">Contact Us</a><br><br>
+We need your Support!:<br><br>
+<a class="href6" href="http://www.lordotrings.com/noflash/support.asp">How to Support the LotR Fanatics Network</a> |
+<a class="href2" target="_blank" href="http://click.tolkienworld.com/?account=1008096918">Vote at TolkienWorld</a> |
+<a class="href2" target="_blank" href="http://www.listsitepro.com/cgi-bin/lsgold/lsgold.cgi?id=gimli&amp;click=991219878">Vote at Tolkien Top 100</a>
+<br><br>
+</span></font></td></tr></tbody></table>
+</td>
+
+<td background="bilbo_files/sideline2.gif" width="21" height="100%" valign="top" rowspan="2">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="104" width="21" src="bilbo_files/side2.gif"></td></tr>
+
+<tr>
+<td background="bilbo_files/sideline3.gif" width="150" height="100%" valign="bottom"><img border="0" alt="Hobbit House" height="66" width="150" src="bilbo_files/side3.gif"></td></tr></tbody></table>
+
+<table border="0" width="100%" height="22" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td valign="top">
+<img border="0" align="top" alt="Hobbit House" height="22" width="259" src="bilbo_files/bottom.gif">
+</td>
+<td background="bilbo_files/bottomline.gif" width="100%">&nbsp;</td>
+<td valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="22" width="21" src="bilbo_files/bottom2.gif">
+</td></tr></tbody></table>
+
+</body></html>
Index: /documentation/trunk/tutorial_sample_files/hobbits/merry.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/hobbits/merry.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/hobbits/merry.html	(revision 18423)
@@ -0,0 +1,182 @@
+<html><head><title>Lord of the Rings Merry</title>
+
+<link href="mailto:webmaster@lordotrings.com" rev="made">
+<meta content="Lord of the Rings,Tolkien,Middle earth,Movie,Movies,The Hobbit,The Silmarillion,J.R.R. Tolkien,Tolkien Art,Specials,Merchandize,Quiz,Shop,Tours,Guided Tours,Media,Reviews,Paintings,Trilogy,Fantasy,Community,Links,Award,Hobbit,Elves,Dwarves,Shire,Mordor,Gondor,Rohan,Bilbo,Frodo,Gandalf,Aragorn,Sauron,Gimli,Legolas,Balrog,One Ring" name="keywords">
+<meta content="The Lord of the Rings Site for and by Tolkien Fanatics: Guided Tours of Middle-Earth, 111-Question-Quiz, Art Collections, Creative and Product Specials, Sound clips, Merchandize Shop, Time Lines, Community and much more..." name="description">
+<meta content="Philip G. Kooijman" name="author">
+<meta content="ALL" name="ROBOTS">
+<style>
+<!--
+A {text-decoration: none;font-weight: bold ;color: #443D0C;font-size: 9pt;font-family: Arial}
+A:hover {color: darkred;text-decoration: underline}
+.first {font-size: 16pt; color: #443D0C;font-weight: bold;font-family: Arial;background:#D9C64F }
+.sec {font-size: 16pt; color: #443D0C;font-weight: bold;font-family: Arial;}
+.Footer {color: #443D0C;font-size: 8pt;font-family:Arial}
+.href2 {color: #443D0C;font-size: 8pt;font-family:Arial}
+.href3 {color: #D9C64F;font-size: 8pt;font-family:Arial}
+.href4 {color: #443D0C;font-size: 7pt;font-family:Arial}
+.href5 {color: #D9C64F;font-size: 12pt;font-family:Arial}
+.href6 {color: #443D0C;background:#D9C64F;font-size: 8pt;font-family:Arial}
+.href7 {color: white;font-size: 8pt;font-family:Arial}
+.menu {color: white;font-size: 11pt;font-family:Arial}
+.head1 {font-family:Arial;color: #443D0C;font-size: 16pt;font-weight: bold }
+.butstyle1 {background: #D9C64F;color: #443D0C;font-weight: bold}
+//-->
+</style></head>
+
+<body bgcolor="#ffffd2" alink="#443d0c" vlink="#443d0c" link="#443d0c" topmargin="0" marginheight="0" marginwidth="0" rightmargin="0" leftmargin="0">
+
+<table border="0" width="100%" height="77" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td height="77" valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="77" width="204" src="merry_files/head1ad.gif">
+</td>
+<td align="center" valign="top" background="merry_files/headlineads.gif" width="100%">
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/videogames.asp"><img alt="Lord of the Rings Videogames" border="0" heigh="66" width="450" src="merry_files/ban-games.gif"></a>
+</td>
+<td valign="top">
+<img border="0" align="top" alt="Tolkien and Hobbits" height="77" width="103" src="merry_files/head2ad.gif">
+</td>
+</tr></tbody></table>
+
+<table border="0" width="100%" height="100%" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td background="merry_files/sideline3.gif" width="150" valign="top">
+<img border="0" align="top" alt="Lord of the Rings" height="94" width="150" src="merry_files/sidenew.gif">
+<font size="3" color="white" face="arial">
+<a class="menu" href="http://www.lordotrings.com/noflash/default.asp">&nbsp;&nbsp;Home</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/writer.asp">&nbsp;&nbsp;The Writer</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/books.asp">&nbsp;&nbsp;The Books</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/movies.asp">&nbsp;&nbsp;The Movies</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/tour.asp">&nbsp;&nbsp;Guided Tours</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/quiz.asp">&nbsp;&nbsp;Quest Quiz</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/artmedia.asp">&nbsp;&nbsp;Arts &amp; Media</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/specials.asp">&nbsp;&nbsp;Specials</a><br>
+<a class="menu" target="_blank" href="http://www.lordotringsshop.com/">&nbsp;&nbsp;Merchandise Shop</a><br>
+<a class="menu" target="_blank" href="http://www.lotrplaza.com/">&nbsp;&nbsp;Fanatics Plaza</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/community.asp">&nbsp;&nbsp;Community</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/award.asp">&nbsp;&nbsp;Award Winners</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/about.asp">&nbsp;&nbsp;About Us</a>
+</font>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/weapons.asp"><img alt="Lord of the Rings Axes" border="0" heigh="123" width="150" src="merry_files/axe.gif"></a><br>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/sideshow.asp"><img alt="Lord of the Rings SideShow Statues &amp; Busts" border="0" heigh="123" width="150" src="merry_files/statues.gif"></a>
+
+</td>
+<td valign="top" rowspan="2">
+
+<table border="0" cellpadding="0" cellspacing="8" width="100%" height="100%">
+<tbody><tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">
+<span class="head1">People of Middle-Earth: Merry</span>
+</font><hr color="#443d0c" size="1">
+<table cellpadding="5" border="0">
+<tbody><tr>
+<td valign="top" rowspan="6"><img height="170" width="81" border="0" alt="Merry" src="merry_files/merry.gif"></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Full Name:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Meriadoc Brandybuck</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Date of Birth:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">1382 S.R.
+</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Parents:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Saradoc Brandybuck, Esmeralada Took</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Race:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Hobbit</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Weapon:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Short Sword</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Buy One:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Merry figures are sold <a target="_blank" href="http://www.lordotringsshop.com/lotrshop/figures.asp">Here!</a></font></td></tr>
+</tbody></table>
+<hr color="#443d0c" size="1">
+<table vspace="10" bgcolor="#443d0c" align="right" cellpadding="5" border="2">
+<tbody><tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>In The Movie</b></font></td></tr>
+<tr>
+<td valign="top"><img height="187" width="144" border="0" alt="Merry" src="merry_files/merrymov.gif"></td></tr>
+<tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>Dominic Monaghan</b></font></td></tr>
+</tbody></table>
+<font color="#443d0c" size="2" face="Arial">"Merry was a friend of
+Frodo and agreed to join him to Rivendell. At the end he was permitted
+to join the Fellowship of the Ring together with Pippin to make the
+total number of nine walkers. When the Fellowship broke up, Merry and
+Pippin were captured by orcs who wanted to bring them to Isengard.
+Thanks to Eomer and his men they escaped and went to Fangorn forest.
+There they met Treebeard and convinced the Ents to fight Saruman in
+Isengard. After the battle was won, Merry became the esquire of King
+Theoden of Rohan, who he saw as a father. He was secretly taken to the
+Pelennor fields by Dernhelm who turned out to be Eowyn. Merry helped
+Eowyn slay the Lord of the Nazgul by attacking him from behind and
+stabbing him behind the knee. After the War of the Ring he went back to
+the Shire but returned to Gondor. His grave is in Rath Dinen besides
+King Elessar and Pippin "<br><br>
+<b>Quote:</b><br><i>
+'I have a sword,' said Merry, climbing from his seat, and drawing from
+its black sheath his small blade. Filled suddenly with love for this
+old man, he knelt on one knee, and took his hand and kissed it. 'May I
+lay the sword of Meriadoc of the Shire on your lap, Theoden King?' He
+cried. 'Recieve my service, if you will!'<br>
+'Gladly will I take it,' said the king; and laying his long old hands
+upon the brown hair of the hobbit, he blessed him. 'Rise now, Meriadoc,
+esquire of Rohan of the household of Meduseld!' he said. 'Take your
+sword and bear it to good fortune!'<br>
+'As a father you shall be to me,' said Merry.<br>
+'For a little while', said Theoden.
+</i><br><br>
+"Shall we continue to our next character: Pippin ?"<br><br>
+<a href="http://www.lordotrings.com/noflash/tour/pippin.asp">Sure Bilbo, let's meet the next Hero...</a><br>
+<a href="http://www.lordotrings.com/noflash/tour/charchange.asp">Show me the character list again, I want to meet someone else...</a><br>
+<a href="http://www.lordotrings.com/noflash/default.asp">I am getting tired, let's stop this tour...</a><br>
+<br></font><hr color="#443d0c" size="1">
+<font color="#443d0c" size="2" face="Arial">Top Image of Merry: Greg &amp; Tim Hildebrandt<br>
+Bottom Image of Merry: <a target="_blank" href="http://www.lordoftherings.net/">http://www.lordoftherings.net</a>
+</font>
+</td></tr>
+<tr>
+<td valign="bottom" height="100%"><font color="#443d0c" size="2" face="Arial">
+<hr size="1" color="#443d0c">
+<span class="Footer">
+This site is maintained and updated by fans of The Lord of the Rings, and is in no way affiliated with <a class="href2" target="_blank" href="http://www.tolkien-ent.com/">Tolkien Enterprises</a>
+or the Tolkien Estate. Copyrights and trademarks for the books, films,
+articles, and other promotional materials are held by their respective
+owners and their use is allowed under the <a class="href2" target="_blank" href="http://liimirror.warwick.ac.uk/uscode/17/107.html">fair use clause</a>
+of the Copyright Law. Design and original photography however are
+copyright © 2001--2003, Lord of the Rings Fanatics Network© 2001-2003.
+All Rights Reserved.
+<br><br>
+<a class="href6" href="http://www.lordotrings.com/default-fl.asp">Flash</a> |
+<a class="href2" target="_blank" href="http://www.lordotrings.com/">Lord of the Rings Home</a> |
+<a class="href2" target="_blank" href="http://www.lordotringsshop.com/">Lord of the Rings Shop</a> |
+<a class="href2" target="_blank" href="http://www.lotrplaza.com/">Lord of the Rings Plaza</a> |
+<a class="href2" href="http://www.lordotrings.com/noflash/sitemap.asp">Sitemap</a> |
+<a class="href2" href="http://www.lordotrings.com/noflash/siteinfo.asp">Network Info</a> |
+<a class="href2" href="http://www.lordotrings.com/noflash/contact.asp">Contact Us</a><br><br>
+We need your Support!:<br><br>
+<a class="href6" href="http://www.lordotrings.com/noflash/support.asp">How to Support the LotR Fanatics Network</a> |
+<a class="href2" target="_blank" href="http://click.tolkienworld.com/?account=1008096918">Vote at TolkienWorld</a> |
+<a class="href2" target="_blank" href="http://www.listsitepro.com/cgi-bin/lsgold/lsgold.cgi?id=gimli&amp;click=991219878">Vote at Tolkien Top 100</a>
+<br><br>
+</span></font></td></tr></tbody></table>
+</td>
+
+<td background="merry_files/sideline2.gif" width="21" height="100%" valign="top" rowspan="2">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="104" width="21" src="merry_files/side2.gif"></td></tr>
+
+<tr>
+<td background="merry_files/sideline3.gif" width="150" height="100%" valign="bottom"><img border="0" alt="Hobbit House" height="66" width="150" src="merry_files/side3.gif"></td></tr></tbody></table>
+
+<table border="0" width="100%" height="22" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td valign="top">
+<img border="0" align="top" alt="Hobbit House" height="22" width="259" src="merry_files/bottom.gif">
+</td>
+<td background="merry_files/bottomline.gif" width="100%">&nbsp;</td>
+<td valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="22" width="21" src="merry_files/bottom2.gif">
+</td></tr></tbody></table>
+
+</body></html>
Index: /documentation/trunk/tutorial_sample_files/hobbits/pippin.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/hobbits/pippin.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/hobbits/pippin.html	(revision 18423)
@@ -0,0 +1,178 @@
+<html><head><title>Lord of the Rings Pippin</title>
+
+<link href="mailto:webmaster@lordotrings.com" rev="made">
+<meta content="Lord of the Rings,Tolkien,Middle earth,Movie,Movies,The Hobbit,The Silmarillion,J.R.R. Tolkien,Tolkien Art,Specials,Merchandize,Quiz,Shop,Tours,Guided Tours,Media,Reviews,Paintings,Trilogy,Fantasy,Community,Links,Award,Hobbit,Elves,Dwarves,Shire,Mordor,Gondor,Rohan,Bilbo,Frodo,Gandalf,Aragorn,Sauron,Gimli,Legolas,Balrog,One Ring" name="keywords">
+<meta content="The Lord of the Rings Site for and by Tolkien Fanatics: Guided Tours of Middle-Earth, 111-Question-Quiz, Art Collections, Creative and Product Specials, Sound clips, Merchandize Shop, Time Lines, Community and much more..." name="description">
+<meta content="Philip G. Kooijman" name="author">
+<meta content="ALL" name="ROBOTS">
+<style>
+<!--
+A {text-decoration: none;font-weight: bold ;color: #443D0C;font-size: 9pt;font-family: Arial}
+A:hover {color: darkred;text-decoration: underline}
+.first {font-size: 16pt; color: #443D0C;font-weight: bold;font-family: Arial;background:#D9C64F }
+.sec {font-size: 16pt; color: #443D0C;font-weight: bold;font-family: Arial;}
+.Footer {color: #443D0C;font-size: 8pt;font-family:Arial}
+.href2 {color: #443D0C;font-size: 8pt;font-family:Arial}
+.href3 {color: #D9C64F;font-size: 8pt;font-family:Arial}
+.href4 {color: #443D0C;font-size: 7pt;font-family:Arial}
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+.href6 {color: #443D0C;background:#D9C64F;font-size: 8pt;font-family:Arial}
+.href7 {color: white;font-size: 8pt;font-family:Arial}
+.menu {color: white;font-size: 11pt;font-family:Arial}
+.head1 {font-family:Arial;color: #443D0C;font-size: 16pt;font-weight: bold }
+.butstyle1 {background: #D9C64F;color: #443D0C;font-weight: bold}
+//-->
+</style></head>
+
+<body bgcolor="#ffffd2" alink="#443d0c" vlink="#443d0c" link="#443d0c" topmargin="0" marginheight="0" marginwidth="0" rightmargin="0" leftmargin="0">
+
+<table border="0" width="100%" height="77" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td height="77" valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="77" width="204" src="pippin_files/head1ad.gif">
+</td>
+<td align="center" valign="top" background="pippin_files/headlineads.gif" width="100%">
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/weapons.asp"><img alt="Lord of the Rings Swords &amp; Bows" border="0" heigh="66" width="450" src="pippin_files/ban-swords.gif"></a>
+</td>
+<td valign="top">
+<img border="0" align="top" alt="Tolkien and Hobbits" height="77" width="103" src="pippin_files/head2ad.gif">
+</td>
+</tr></tbody></table>
+
+<table border="0" width="100%" height="100%" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td background="pippin_files/sideline3.gif" width="150" valign="top">
+<img border="0" align="top" alt="Lord of the Rings" height="94" width="150" src="pippin_files/sidenew.gif">
+<font size="3" color="white" face="arial">
+<a class="menu" href="http://www.lordotrings.com/noflash/default.asp">&nbsp;&nbsp;Home</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/writer.asp">&nbsp;&nbsp;The Writer</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/books.asp">&nbsp;&nbsp;The Books</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/movies.asp">&nbsp;&nbsp;The Movies</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/tour.asp">&nbsp;&nbsp;Guided Tours</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/quiz.asp">&nbsp;&nbsp;Quest Quiz</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/artmedia.asp">&nbsp;&nbsp;Arts &amp; Media</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/specials.asp">&nbsp;&nbsp;Specials</a><br>
+<a class="menu" target="_blank" href="http://www.lordotringsshop.com/">&nbsp;&nbsp;Merchandise Shop</a><br>
+<a class="menu" target="_blank" href="http://www.lotrplaza.com/">&nbsp;&nbsp;Fanatics Plaza</a><br>
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+<a class="menu" href="http://www.lordotrings.com/noflash/award.asp">&nbsp;&nbsp;Award Winners</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/about.asp">&nbsp;&nbsp;About Us</a>
+</font>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/sideshow.asp"><img alt="Lord of the Rings Gollum Statues" border="0" heigh="123" width="150" src="pippin_files/gollum.gif"></a><br>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/costumes.asp"><img alt="Lord of the Rings Costumes and Wigs" border="0" heigh="123" width="150" src="pippin_files/costumes.gif"></a>
+
+</td>
+<td valign="top" rowspan="2">
+
+<table border="0" cellpadding="0" cellspacing="8" width="100%" height="100%">
+<tbody><tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">
+<span class="head1">People of Middle-Earth: Pippin</span>
+</font><hr color="#443d0c" size="1">
+<table cellpadding="5" border="0">
+<tbody><tr>
+<td valign="top" rowspan="6"><img height="170" width="76" border="0" alt="Pippin" src="pippin_files/pippin.gif"></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Full Name:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Peregrin Took</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Date of Birth:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">1390 S.R.
+</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Parents:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Paladin II Took, Eglatine Banks</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Race:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Hobbit</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Weapon:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Short Sword</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Buy One:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Pippin figures are sold <a target="_blank" href="http://www.lordotringsshop.com/lotrshop/figures.asp">Here!</a></font></td></tr>
+</tbody></table>
+<hr color="#443d0c" size="1">
+<table vspace="10" bgcolor="#443d0c" align="right" cellpadding="5" border="2">
+<tbody><tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>In The Movie</b></font></td></tr>
+<tr>
+<td valign="top"><img height="186" width="147" border="0" alt="Pippin" src="pippin_files/pippinmov.gif"></td></tr>
+<tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>Billy Boyd</b></font></td></tr>
+</tbody></table>
+<font color="#443d0c" size="2" face="Arial">"Pippin was also a friend
+of Frodo and agreed to join him to Rivendell. At the end he was
+permitted to join the Fellowship of the Ring together with Merry to
+make the total number of nine walkers. When the Fellowship broke up,
+Merry and Pippin were captured by orcs who wanted to bring them to
+Isengard. Thanks to Eomer and his men they escaped and went to Fangorn
+forest. There they met Treebeard and convinced the Ents to fight
+Saruman in Isengard. After the battle was won, Pippin went to Minas
+Tirith together with Gandalf. In Minas Tirith he was interrogated by
+Denethor about the death of Boromir. He then swore loyalty to Gondor
+and became a Guard of Minas Tirith. He followed the armies of Gondor to
+Mordor where he lost conscience during the final battle. After the War
+of the Ring he went back to the Shire but returned to Gondor. His grave
+is in Rath Dinen besides King Elessar and Merry. "<br><br>
+<b>Quote:</b><br><i>
+The old man laid the sword along his lap, and Pippin put his hand to the hilt, and slowly said after Denethor:<br>
+'Here do I swear fealty and service to Gondor, and to the Lord and
+Steward of the realm, to speak and to be silent, to do and to let be,
+to come and to go, in need or plenty, in peace or war, in living or
+dying, from this hour henceforth, until my lord release me, or death
+take me, or the world end. So say I, Peregrin son of Paladin, of the
+Shire of the Halflings.'
+</i><br><br>
+"Shall we continue to our next character: Gandalf ?"<br><br>
+<a href="http://www.lordotrings.com/noflash/tour/gandalf.asp">Sure Bilbo, let's meet the next Hero...</a><br>
+<a href="http://www.lordotrings.com/noflash/tour/charchange.asp">Show me the character list again, I want to meet someone else...</a><br>
+<a href="http://www.lordotrings.com/noflash/default.asp">I am getting tired, let's stop this tour...</a><br>
+<br></font><hr color="#443d0c" size="1">
+<font color="#443d0c" size="2" face="Arial">Top Image of Merry: Greg &amp; Tim Hildebrandt<br>
+Bottom Image of Merry: <a target="_blank" href="http://www.lordoftherings.net/">http://www.lordoftherings.net</a>
+</font>
+</td></tr>
+<tr>
+<td valign="bottom" height="100%"><font color="#443d0c" size="2" face="Arial">
+<hr size="1" color="#443d0c">
+<span class="Footer">
+This site is maintained and updated by fans of The Lord of the Rings, and is in no way affiliated with <a class="href2" target="_blank" href="http://www.tolkien-ent.com/">Tolkien Enterprises</a>
+or the Tolkien Estate. Copyrights and trademarks for the books, films,
+articles, and other promotional materials are held by their respective
+owners and their use is allowed under the <a class="href2" target="_blank" href="http://liimirror.warwick.ac.uk/uscode/17/107.html">fair use clause</a>
+of the Copyright Law. Design and original photography however are
+copyright © 2001--2003, Lord of the Rings Fanatics Network© 2001-2003.
+All Rights Reserved.
+<br><br>
+<a class="href6" href="http://www.lordotrings.com/default-fl.asp">Flash</a> |
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+We need your Support!:<br><br>
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+<br><br>
+</span></font></td></tr></tbody></table>
+</td>
+
+<td background="pippin_files/sideline2.gif" width="21" height="100%" valign="top" rowspan="2">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="104" width="21" src="pippin_files/side2.gif"></td></tr>
+
+<tr>
+<td background="pippin_files/sideline3.gif" width="150" height="100%" valign="bottom"><img border="0" alt="Hobbit House" height="66" width="150" src="pippin_files/side3.gif"></td></tr></tbody></table>
+
+<table border="0" width="100%" height="22" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td valign="top">
+<img border="0" align="top" alt="Hobbit House" height="22" width="259" src="pippin_files/bottom.gif">
+</td>
+<td background="pippin_files/bottomline.gif" width="100%">&nbsp;</td>
+<td valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="22" width="21" src="pippin_files/bottom2.gif">
+</td></tr></tbody></table>
+
+</body></html>
Index: /documentation/trunk/tutorial_sample_files/hobbits/sam.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/hobbits/sam.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/hobbits/sam.html	(revision 18423)
@@ -0,0 +1,176 @@
+<html><head><title>Lord of the Rings Sam</title>
+
+<link href="mailto:webmaster@lordotrings.com" rev="made">
+<meta content="Lord of the Rings,Tolkien,Middle earth,Movie,Movies,The Hobbit,The Silmarillion,J.R.R. Tolkien,Tolkien Art,Specials,Merchandize,Quiz,Shop,Tours,Guided Tours,Media,Reviews,Paintings,Trilogy,Fantasy,Community,Links,Award,Hobbit,Elves,Dwarves,Shire,Mordor,Gondor,Rohan,Bilbo,Frodo,Gandalf,Aragorn,Sauron,Gimli,Legolas,Balrog,One Ring" name="keywords">
+<meta content="The Lord of the Rings Site for and by Tolkien Fanatics: Guided Tours of Middle-Earth, 111-Question-Quiz, Art Collections, Creative and Product Specials, Sound clips, Merchandize Shop, Time Lines, Community and much more..." name="description">
+<meta content="Philip G. Kooijman" name="author">
+<meta content="ALL" name="ROBOTS">
+<style>
+<!--
+A {text-decoration: none;font-weight: bold ;color: #443D0C;font-size: 9pt;font-family: Arial}
+A:hover {color: darkred;text-decoration: underline}
+.first {font-size: 16pt; color: #443D0C;font-weight: bold;font-family: Arial;background:#D9C64F }
+.sec {font-size: 16pt; color: #443D0C;font-weight: bold;font-family: Arial;}
+.Footer {color: #443D0C;font-size: 8pt;font-family:Arial}
+.href2 {color: #443D0C;font-size: 8pt;font-family:Arial}
+.href3 {color: #D9C64F;font-size: 8pt;font-family:Arial}
+.href4 {color: #443D0C;font-size: 7pt;font-family:Arial}
+.href5 {color: #D9C64F;font-size: 12pt;font-family:Arial}
+.href6 {color: #443D0C;background:#D9C64F;font-size: 8pt;font-family:Arial}
+.href7 {color: white;font-size: 8pt;font-family:Arial}
+.menu {color: white;font-size: 11pt;font-family:Arial}
+.head1 {font-family:Arial;color: #443D0C;font-size: 16pt;font-weight: bold }
+.butstyle1 {background: #D9C64F;color: #443D0C;font-weight: bold}
+//-->
+</style></head>
+
+<body bgcolor="#ffffd2" alink="#443d0c" vlink="#443d0c" link="#443d0c" topmargin="0" marginheight="0" marginwidth="0" rightmargin="0" leftmargin="0">
+
+<table border="0" width="100%" height="77" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td height="77" valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="77" width="204" src="sam_files/head1ad.gif">
+</td>
+<td align="center" valign="top" background="sam_files/headlineads.gif" width="100%">
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/sideshow.asp"><img alt="Lord of the Rings Statues" border="0" heigh="66" width="450" src="sam_files/ban-statues.gif"></a>
+</td>
+<td valign="top">
+<img border="0" align="top" alt="Tolkien and Hobbits" height="77" width="103" src="sam_files/head2ad.gif">
+</td>
+</tr></tbody></table>
+
+<table border="0" width="100%" height="100%" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td background="sam_files/sideline3.gif" width="150" valign="top">
+<img border="0" align="top" alt="Lord of the Rings" height="94" width="150" src="sam_files/sidenew.gif">
+<font size="3" color="white" face="arial">
+<a class="menu" href="http://www.lordotrings.com/noflash/default.asp">&nbsp;&nbsp;Home</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/writer.asp">&nbsp;&nbsp;The Writer</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/books.asp">&nbsp;&nbsp;The Books</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/movies.asp">&nbsp;&nbsp;The Movies</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/tour.asp">&nbsp;&nbsp;Guided Tours</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/quiz.asp">&nbsp;&nbsp;Quest Quiz</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/artmedia.asp">&nbsp;&nbsp;Arts &amp; Media</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/specials.asp">&nbsp;&nbsp;Specials</a><br>
+<a class="menu" target="_blank" href="http://www.lordotringsshop.com/">&nbsp;&nbsp;Merchandise Shop</a><br>
+<a class="menu" target="_blank" href="http://www.lotrplaza.com/">&nbsp;&nbsp;Fanatics Plaza</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/community.asp">&nbsp;&nbsp;Community</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/award.asp">&nbsp;&nbsp;Award Winners</a><br>
+<a class="menu" href="http://www.lordotrings.com/noflash/about.asp">&nbsp;&nbsp;About Us</a>
+</font>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/jewelry.asp"><img alt="Lord of the Rings Jewelry" border="0" heigh="123" width="150" src="sam_files/nenya.gif"></a><br>
+<a target="_blank" href="http://www.lordotringsshop.com/lotrshop/weapons.asp"><img alt="Lord of the Rings Swords" border="0" heigh="123" width="150" src="sam_files/glamdring.gif"></a>
+
+</td>
+<td valign="top" rowspan="2">
+
+<table border="0" cellpadding="0" cellspacing="8" width="100%" height="100%">
+<tbody><tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">
+<span class="head1">People of Middle-Earth: Sam</span>
+</font><hr color="#443d0c" size="1">
+<table cellpadding="5" border="0">
+<tbody><tr>
+<td valign="top" rowspan="6"><img height="163" width="123" border="0" alt="Sam" src="sam_files/sam.gif"></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Full Name:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Sam Gamgee</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Date of Birth:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">1380 S.R.
+</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Parents:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Hamfast Gamgee, Bell Goodchild</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Race:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Hobbit</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Weapon:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Short Sword</font></td></tr>
+<tr>
+<td valign="top"><font color="#443d0c" size="2" face="Arial"><b>Buy One:</b></font></td>
+<td valign="top"><font color="#443d0c" size="2" face="Arial">Sam figures are sold <a target="_blank" href="http://www.lordotringsshop.com/lotrshop/figures.asp">Here!</a></font></td></tr>
+</tbody></table>
+<hr color="#443d0c" size="1">
+<table vspace="10" bgcolor="#443d0c" align="right" cellpadding="5" border="2">
+<tbody><tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>In The Movie</b></font></td></tr>
+<tr>
+<td valign="top"><img height="182" width="148" border="0" alt="Sam" src="sam_files/sammov.gif"></td></tr>
+<tr>
+<td align="center" valign="top"><font color="#d9c64f" size="2" face="Arial"><b>Sean Austin</b></font></td></tr>
+</tbody></table>
+<font color="#443d0c" size="2" face="Arial">(<a target="_blank" href="http://www.lordotrings.com/noflash/artmedia/sound10.asp">AUDIO: Sam and Faramir</a>)<br>
+"Sam was the gardner of Bag End, serving both Bilbo and Frodo Baggins.
+When the conspiracy was unmasked it became clear that it was Sam all
+along who had been keeping an eye out on Frodo. During the Council of
+Elrond there was no doubt that he should join Frodo and the Fellowship
+of the Ring on their quest. Sam caught Frodo as he was trying to leave
+the Fellowship behind to enter Mordor all by himself. So it came that
+Frodo and Sam went to Mordor together. After the confrontation with
+Shelob, who Sam killed using Sting, Frodo was taken by orcs and Sam had
+to pursue them to free his master. After he freed his master they
+proceded to Mount Doom together and he saw how Gollum bit the One Ring
+of the finger of Frodo and fell into the Cracks of Doom. After the
+quest was over Sam married Rose Cotton and became Thain of the Shire.
+After Rose died he left middle-earth as he had also been a Ring Bearer.
+"<br><br>
+<b>Quote:</b><br><i>
+'No indeed!' said Elrond, turning towards him with a smile. 'You at
+least shall go with him. It is hardly possible to seperate you from
+him, even when he is summoned to a secret coucil and you are not.'<br>
+Sam sat down, blushing and muttering. 'A nice pickle we have landed ourselves in, Mr. Frodo!' he said, shaking his head.
+</i><br><br>
+"Shall we continue to our next character: Merry?"<br><br>
+<a href="http://www.lordotrings.com/noflash/tour/merry.asp">Sure Bilbo, let's meet the next Hero...</a><br>
+<a href="http://www.lordotrings.com/noflash/tour/charchange.asp">Show me the character list again, I want to meet someone else...</a><br>
+<a href="http://www.lordotrings.com/noflash/default.asp">I am getting tired, let's stop this tour...</a><br>
+<br></font><hr color="#443d0c" size="1">
+<font color="#443d0c" size="2" face="Arial">Top Image of Sam: Greg &amp; Tim Hildebrandt<br>
+Bottom Image of Sam: <a target="_blank" href="http://www.lordoftherings.net/">http://www.lordoftherings.net</a>
+</font>
+</td></tr>
+<tr>
+<td valign="bottom" height="100%"><font color="#443d0c" size="2" face="Arial">
+<hr size="1" color="#443d0c">
+<span class="Footer">
+This site is maintained and updated by fans of The Lord of the Rings, and is in no way affiliated with <a class="href2" target="_blank" href="http://www.tolkien-ent.com/">Tolkien Enterprises</a>
+or the Tolkien Estate. Copyrights and trademarks for the books, films,
+articles, and other promotional materials are held by their respective
+owners and their use is allowed under the <a class="href2" target="_blank" href="http://liimirror.warwick.ac.uk/uscode/17/107.html">fair use clause</a>
+of the Copyright Law. Design and original photography however are
+copyright © 2001--2003, Lord of the Rings Fanatics Network© 2001-2003.
+All Rights Reserved.
+<br><br>
+<a class="href6" href="http://www.lordotrings.com/noflash/default.asp">Non-Flash</a> |
+<a class="href2" target="_blank" href="http://www.lordotrings.com/">Lord of the Rings Home</a> |
+<a class="href2" target="_blank" href="http://www.lordotringsshop.com/">Lord of the Rings Shop</a> |
+<a class="href2" target="_blank" href="http://www.lotrplaza.com/">Lord of the Rings Plaza</a> |
+<a class="href2" href="http://www.lordotrings.com/sitemap.asp">Sitemap</a> |
+<a class="href2" href="http://www.lordotrings.com/siteinfo.asp">Network Info</a> |
+<a class="href2" href="http://www.lordotrings.com/contact.asp">Contact Us</a><br><br>
+We need your Support!:<br><br>
+<a class="href6" href="http://www.lordotrings.com/support.asp">How to Support the LotR Fanatics Network</a> |
+<a class="href2" target="_blank" href="http://click.tolkienworld.com/?account=1008096918">Vote at TolkienWorld</a> |
+<a class="href2" target="_blank" href="http://www.listsitepro.com/cgi-bin/lsgold/lsgold.cgi?id=gimli&amp;click=991219878">Vote at Tolkien Top 100</a>
+<br><br>
+</span></font></td></tr></tbody></table>
+</td>
+
+<td background="sam_files/sideline2.gif" width="21" height="100%" valign="top" rowspan="2">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="104" width="21" src="sam_files/side2.gif"></td></tr>
+
+<tr>
+<td background="sam_files/sideline.gif" width="150" height="61" valign="bottom"><img border="0" alt="Hobbit House" height="66" width="150" src="sam_files/side3.gif"></td></tr></tbody></table>
+
+<table border="0" width="100%" height="22" cellpadding="0" cellspacing="0">
+<tbody><tr>
+<td valign="top">
+<img border="0" align="top" alt="Hobbit House" height="22" width="259" src="sam_files/bottom.gif">
+</td>
+<td background="sam_files/bottomline.gif" width="100%">&nbsp;</td>
+<td valign="top">
+<img border="0" align="top" alt="Lord of the Rings Fanatics Site" height="22" width="21" src="sam_files/bottom2.gif">
+</td></tr></tbody></table>
+
+</body></html>
Index: /documentation/trunk/tutorial_sample_files/isis/format_tweaks/document_text.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/isis/format_tweaks/document_text.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/isis/format_tweaks/document_text.txt	(revision 18423)
@@ -0,0 +1,6 @@
+<p>[Text]</p>
+{If}{_cgiargshowrecord_,
+<p><b>CDS Record:</b><br/><tt>[ISISRawRecord]</tt></p>
+<center><a href=\'_gwcgi_?e=_cgiarge_&a=d&d=_cgiargd_\'>Hide CDS Record</a></center>,
+<center><a href=\'_gwcgi_?e=_cgiarge_&a=d&d=_cgiargd_&showrecord=1\'>Show CDS Record</a></center>
+}
Index: /documentation/trunk/tutorial_sample_files/isis/slide.fdt
===================================================================
--- /documentation/trunk/tutorial_sample_files/isis/slide.fdt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/isis/slide.fdt	(revision 18423)
@@ -0,0 +1,12 @@
+W:SLIDE VIDE  
+F:SLIDE SLIDPR
+S:SLIDE 
+***
+Program                                           650 250 0 0
+Photographer                                      700 250 0 1
+Country                                           651 999 0 0
+Task number                                       491 99 0 1
+SOPAC Report #                                    440 999 0 0
+Notes                                             500 999 0 0
+Year                                              260 8 0 0
+Month & Date                                      262 15 0 0
Index: /documentation/trunk/tutorial_sample_files/marc/locbeatles50.marc
===================================================================
--- /documentation/trunk/tutorial_sample_files/marc/locbeatles50.marc	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/marc/locbeatles50.marc	(revision 18423)
@@ -0,0 +1,1345 @@
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+5745525
+19970714083147.0
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+  a7bcbccorignewd3encipf19gy-genmusic
+  avn31
+  a   95768890 
+02aVJ-1085bVee-Jay
+  a(OCoLC)33448757 
+  aDLCcDLCdDLC
+00aVee-Jay VJ-1085
+04aThe Beatles and Frank Ifield on stageh[sound recording].
+  a[S.l.] :bVee-Jay,c[1964?]
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles and Frank Ifield.
+0 aPlease, please me -- Any time -- Lovesick blues -- I'm smiling now -- Nobody's darling -- From me to you -- I remember you -- Ask me why -- Thank you girl -- The wayward wind -- Unchained melody -- I listen to my heart.
+  aBrief record.
+ 0aPopular musicy1961-1970.
+1 aIfield, Frank.4prf
+2 aBeatles.4prf
+  aTA28
+  a9511
+  bc-RecSoundhVee-Jay VJ-1085wMUSIC
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+  a   92758636 
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+02aJS 102-CDbJoplin & Sweeney Music
+  aDLCcDLC
+00aSDA 73765
+02aA Beatles collectionh[sound recording].
+  aLos Gatos, CA :bJoplin & Sweeney Music,cp1989.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aNeil Hogan, solo guitar.
+0 aHere, there and everywhere -- I'll follow the sun -- Girl -- The long and winding road -- Penny Lane -- If I fell -- Things we said today -- Because -- When I'm 64.
+  aBrief record.
+ 0aPopular musicy1981-1990.
+1 aHogan, Neil.4prf
+2 aBeatles.
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+  bc-RecSoundhJoplin & Sweeney JS 102-CDwMUSIC
+
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+  a0793518326 (U.S.)
+32aNO90548bWise Publications
+32aHL00673228bH. Leonard Pub. Corp.
+  aDLCcDLC
+  ae-uk-en
+00aM1741.18b.B36 1993
+04aThe Beatles :bcomplete scores.
+  aLondon ;aNew York :bWise Publications ;aMilwaukee, WI :bExclusive distributors for U.S.A. and Canada, H. Leonard Pub. Corp.,cc1993.
+  a1 score (1136 p.) :bill. ;c27 cm.
+  a"Full transcriptions from the original recordings : every song written & recorded by the Beatles"--Cover.
+  aStaff and tablature notation; includes chord symbols.
+  aDiscography: p. 1131-1136.
+ 0aRock musiczEngland.
+2 aBeatles.
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+  a2 v.billus. (part col.)c29 cm.
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+  a267 p. :bill. (chiefly col.) ;c29 cm.
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+  aNew York, N.Y. :bDell Pub. Co.,c[1980]
+  a2 v. :bill. (some col.) ;c28 cm.
+  a"A Delta/Seymour Lawrence book."
+  aReprint of the 1969 ed. published by Delacorte Press, New York.
+  aPublished in 1974 under title: The Beatles lyrics complete; published in 1975 under titles: The Beatles lyrics; The Beatles lyrics illustrated.
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+  aJapan.
+  aJapan :bNTV,c1966-07-01.
+  a3 reels (ca. 4300 ft.) :bsi., col. ;c35 mm. arch neg.
+  a2 reels (ca. 1500 ft.) :bsd. ;c16 mm. neg trk.
+  aMain title, credits, and end title lacking.5DLC
+  aTitle taken from can.
+0 aPerformers: Beatles.
+  aThe 16 mm. neg trk goes with the 35 mm. archival neg.5DLC
+  aIntroduction in Japanese and songs in English and Japanese.
+  aAppears to be footage of a Beatles concert given on 6/30/66 at the Nippon Budokan Hall, Tokyo, Japan; concert was filmed on 6/30/66 and broadcast in color by NTV (Japanese television) on 7/1/66, but cannot determine if ever shown by NBC per Fred Gilmore, Science Librarian, Univ. of Michigan Engineering/Transportation Library, 10/7/91; dates of 3/15/68 and 3/18/68 appear on cans, but cannot determine to what these dates refer.
+  aNBC inventory box no. 67 and 1184.5DLC
+  aOperation no. 68-369.
+  aRestricted;3videocassettes only may be viewed; no physical handling by researchers.
+  aReference sources used: Wiener, A. The Beatles : a recording history, p. 99; Lewisohn, M. The Beatles live, p. 192, 199.
+  dReceived: 7/16/86;3arch neg and neg trk;cgift;aNBC Television Collection.
+ 0aRock musiczGreat Britainy1961-1970.
+ 7aTelevision.2mim
+ 7aMusic.2mim
+2 aBeatles.
+2 aNBC Television Collection (Library of Congress)5DLC
+  aScreened for credits only.
+  aTE01
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+  aHarmondsworth, Eng. ;aNew York :bPenguin Books,c1978, c1977.
+  axvi, 297 p. :bill. ;c28 cm.
+  aReprint of the ed. published by Chelsea House Publishers, New York.
+ 0aHard day's night. [Motion picture]
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+00aBeatles in their own words /ccompiled by Miles ; edited by Pearce Marchbank.
+  aNew York :bDelilah/Putnam :bDistributed by the Putnam Pub. Group,cc1978.
+  a125 p. :bill. ;c26 cm.
+20aBeatles.
+ 0aRock musicianszEnglandxBiography.
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+1 aMarchbank, Pearce.
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+  auc16 to cat 12-12-95; vl00 02-15-96; vl19 03-26-96; vl16 04-03-98
+  a   95233484 
+  a0860015408
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML421.B4bB43 1978b
+00a782.42166/092/2aB220
+00aBeatles in their own words /ccompiled by Miles ; edited by Pearce Marchbank ; designed by Perry Neville.
+  aLondon ;aNew York :bOmnibus Press,cc1978.
+  a125 p. :bill. ;c26 cm.
+20aBeatles.
+ 0aRock musicianszEnglandxBiography.
+1 aMiles, Barry,d1943-
+1 aMarchbank, Pearce.
+2 aBeatles.
+  acf
+  bc-MusichML421.B4iB43 1978btCopy 1wBOOKS
+
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+  9(DLC)   95775621
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn31
+  a   95775621 
+00aBAN-90051bPickwick
+  a(OCoLC)31995193 
+  aDLCcDLC
+00aPickwick BAN-90051
+00aBeatles live.nVol. 1h[sound recording].
+  aMinneapolis, MN :bPickwick,cp1978.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aRoll over Beethoven -- Hippy hippy shake -- Falling in love again -- Lend me your comb -- Sheila -- Red sails in the sunset -- Matchbox -- I'm gonna sit right down and cry over you -- Be-bop-a-lula -- Hallelujah I love her so -- 'Til there was you -- Besame mucho -- A taste of honey.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPickwick BAN-90051wMUSIC
+
+01134njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002400173035002100197040001300218050002300231245004600254260004100300300005800341511003000399505028000429500001800709650002700727710001800754953000900772985000900781991004200790
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+sdubsmennmpluu
+950215s1978    mnuuun              eng  
+  9(DLC)   95775622
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn31
+  a   95775622 
+00aBAN-90061bPickwick
+  a(OCoLC)31995250 
+  aDLCcDLC
+00aPickwick BAN-90061
+00aBeatles live.nVol. 2h[sound recording].
+  aMinneapolis, MN :bPickwick,cp1978.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aAin't nothing shakin' -- Everybody's trying to be my baby -- Matchbox -- Talkin' 'bout you -- Long tall Sally -- Little Queenie -- Red sails in the sunset -- To know her is to love her -- Shimmy shake -- I remember you -- Kansas City ; Hey hey hey hey -- Roll over Beethoven.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPickwick BAN-90061wMUSIC
+
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+2712184
+19910502163735.1
+760812r19751974nyucf         001 0 eng  
+  9(DLC)   76370457
+  a7bcbccorignewd5encipf19gy-gencatlg
+  a   76370457 
+  bPbk. :c$1.75
+  aDLCcDLCdDLC
+00aML54.6.B4bL9 1975
+04aThe Beatles lyrics complete
+04aThe Beatles lyrics illustrated /cintroduction by Richard Brautigan.
+  aNew York :bDell Pub. Co.,c1975.
+  a208 p., [32] leaves of plates :b104 ports. ;c18 cm.
+  aFirst ed. published in 1974 under title: The Beatles lyrics complete.
+  aIncludes index.
+0 aBeatlemania (1962-5)--The Sergeants' mystery tour (1965-8)--The Apple years (1968-70)
+ 0aRock musicxTexts.
+2 aBeatles.
+  bc-MusichML54.6.B4iL9 1975tCopy 1wBOOKS
+
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+  9(DLC)   76374170
+  a7bcbccorignewd3encipf19gy-gencatlg
+  a   76374170 
+  aGB76-00260
+  a0860077306 :c£1.50
+  aDLCcDLCdDLC
+00aML54.6.B4bI4
+00a784/.3
+04aThe Beatles lyrics /cwith an introduction by Jimmy Savile.
+  aLondon :bFutura Publications,c1975.
+  a208 p., [64] p. of plates :bill., ports. ;c20 cm.
+0 aAn Omega book
+  aCover title: The Beatles illustrated lyrics.
+  aFirst published in 1969 under title: The Beatles illustrated lyrics; published in 1974 under title: The Beatles lyrics complete.
+  aIncludes index.
+ 0aRock musicy1961-1970xTexts.
+2 aBeatles.
+0 aBeatles illustrated lyrics.
+  bc-MusichML54.6.B4iI4tCopy 1wBOOKS
+
+01555cjm  2200325 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002400163035001900187040001700206042001400223050002300237245003600260260004300296300005900339500005300398511003000451505059800481650002701079700002101106700003001127710001301157952000801170953000901178991004201187
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+19971008093926.7
+sdubsmennmplu
+921008q19701979caurcn              eng d
+  9(DLC)   92772508
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   92772508 
+02aSEBX-11841bCapitol
+  a(OCoLC)6464550
+  aTMcDLCdDLC
+  alccopycat
+00aCapitol SEBX-11841
+04aThe Beatlesh[sound recording].
+  aHollywood, Calif. :bCapitol,c[197-?]
+  a2 sound discs :banalog, 33 1/3 rpm, stereo. ;c12 in.
+  aSongs chiefly by John Lennon and Paul McCartney.
+0 aPerformed by the Beatles.
+0 aBack in the U.S.S.R. -- Dear Prudence -- Glass onion -- Ob-la-di, ob-la-da -- Wild honey pie -- The continuing story of Bungalow Bill -- While my guitar gently weeps -- Happiness is a warm gun -- Martha my dear -- I'm so tired -- Blackbird -- Piggies -- Rocky Racoon -- Don't pass me by -- Why don't we do it in the road -- I will -- Julia -- Birthday -- Yer blues -- Mother nature's son -- Everybody's got something to hide except me and my monkey -- Sexy Sadie -- Helter skelter -- Long, long, long -- Revolution 1 -- Honey pie -- Savoy truffle -- Cry baby cry -- Revolution 9 -- Good night.
+ 0aRock musicy1961-1970.
+1 aMcCartney, Paul.
+1 aLennon, John,d1940-1980.
+2 aBeatles.
+  aNew
+  aTA28
+  bc-RecSoundhCapitol SEBX-11841wMUSIC
+
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+12147625
+20020626181341.0
+sd|zsngnnmmned
+000817s1995    cau  n                  d
+02aDACD60020bDove Audio
+  a(DLC)   00524842
+00aSDA 16559
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a   00524842 
+  a0787104361
+1 a2291760020
+00aDACD60020bDove Audio
+  a(OCoLC)ocm46719604 
+  aWRScWRSdDLC
+  alcderive
+04aThe Beatlesh[sound recording] :bthe lost tapes, a parody.
+3 aLive from the pound :bthe Beatles
+  aBeverly Hills, Calif :bDove Audio,c1995.
+  a1 sound disc (29 min. 18 sec.): :bdigital,c4 3/4 in.
+  aAt head of title: Live from the pound.
+  aBeatle songs accompanied by animal sounds.
+  aProduced by Gene Pierson.
+  aCompact disc.
+0 aI want to hold your hand -- Love me do -- Ob-la di, ob-la da -- We can work it out -- I saw her standing there -- I feel fine -- Can't buy me love -- All my loving -- Day tripper -- She loves you -- A hard day's night -- Paperback writer.
+ 0aRock music.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  ato MBRS/RS vn42 08-17-00
+  cOCLCesrreplace 2002-02
+
+01408cjm  22003731a 4500001000900000005001700009007001500026008004100041028002600082035002300108050001400131906004500145010001700190020001500207024001500222028002600237035002400263040001800287042001300305245006400318246003900382260004700421300005900468500004300527500004700570508003000617500001800647505024300665650001600908710001300924925003800937955003100975985002801006
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+20020628210652.0
+sd|zsngnnmmned
+010927s1995    cau  n                  d
+02aDACD60020bDove Audio
+  a(DLC)   2001576553
+00aSDA 37803
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a  2001576553
+  a0787104361
+1 a2291760020
+00aDACD60020bDove Audio
+  a(OCoLC)ocm46719604 
+  aWRScWRSdDLC
+  alcderive
+04aThe Beatlesh[sound recording] :bthe lost tapes, a parody.
+3 aLive from the pound :bthe Beatles
+  aBeverly Hills, Calif :bDove Audio,c1995.
+  a1 sound disc (29 min. 18 sec.): :bdigital,c4 3/4 in.
+  aAt head of title: Live from the pound.
+  aBeatle songs accompanied by animal sounds.
+  aProduced by Gene Pierson.
+  aCompact disc.
+0 aI want to hold your hand -- Love me do -- Ob-la di, ob-la da -- We can work it out -- I saw her standing there -- I feel fine -- Can't buy me love -- All my loving -- Day tripper -- She loves you -- A hard day's night -- Paperback writer.
+ 0aRock music.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  avn17 2001-09-27 to MBRS/RS
+  cOCLCesrreplace 2002-04
+
+01193cjm  22003134a 4500001000900000005001700009007001500026008004100041906004500082925004200127955005400169010001700223040001800240042000800258050002400266245004000290260007500330300005000405500007600455511004400531500009000575500003000665650001600695610001300711700002300724710001800747710006600765710004800831
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+021002s1980    caurcn              eng  
+  a7bcbccorigcopd4encipf20gy-soundrec
+0 aacquireb1 shelf copyxpolicy default
+  avz03 2002-10-02ivz03 2002-10-02evz03 2002-10-02
+  a  2002600493
+  aDLCcDLCdDLC
+  apcc
+00aLPA 98955-LPA 98958
+00aBeatles specialh[sound recording].
+  a[Los Angeles] :bAmerican Forces Radio and Television Service,c[1980]
+  a4 sound discs :banalog, 33 1/3 rpm ;c12 in.
+  aMusic of the Beatles; includes interviews and biographical information.
+0 aBob Eubanks, host; Beatles, performers.
+  aAFRTS edition of a commercial radio program; contains information spot announcements.
+  aDuration: 55:00 per disc.
+ 0aRock music.
+20aBeatles.
+1 aEubanks, Bob.4hst
+2 aBeatles.4prf
+1 aUnited States.bAmerican Forces Radio and Television Service.
+2 aAFRTS Collection (Library of Congress)5DLC
+
+01125cim  22003491a 4500001000900000005001700009007001500026008004100041035002300082050001400105906004500119010001700164024001700181028002200198035002300220040002500243042001300268245003900281246006600320246002900386260004300415300005900458511005000517610002500567650004800592710001300640925003800653952001200691952001300703955003100716985002800747
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+010814p19921964waunnn         t    eng d
+  a(DLC)   2001567010
+00aSDA 31270
+  a7bcbcccopycatd3encipf20gy-genmusic
+  a  2001567010
+1 a739497700628
+02aJRCD 7006bJerden
+  a(OCoLC)ocm32678104
+  aOKIcOKIdOCLCQdDLC
+  alcderive
+00aBeatles tapes Ih[sound recording]
+1 iContainer title:aBeatles tapes: the Beatles in the northwest
+30aBeatles in the northwest
+  aSeattle, WA :bJerden Records,cp1992.
+  a1 sound disc (25 min., 8 sec.) :bdigital ;c4 3/4 in.
+0 aInterviews with The Beatles in 1964 and 1966.
+20aBeatlesvInterviews.
+ 0aRock musiczEnglandxHistory and criticism.
+2 aBeatles.
+0 aacquireb2 copiesxpolicy default
+  amuzerec
+  aspokenwd
+  avn40 2001-08-14 to MBRS/RS
+  cOCLCesrreplace 2002-04
+
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+602604
+19910710161242.0
+910213s1989    ck af    bkq  001 0 spa  
+  9(DLC)   91117848
+  a7bcbccorignewd4encipf19gy-gencatlg
+  avk13 02-28-91; vk90, 04-17-91
+  a   91117848 
+  aDLCcDLCdDLC
+1 aspaheng
+  ae-uk-en
+00aML54.6b.B39 1989
+00a782.42164/0268220
+04aThe Beatles :bversiones libres /ccompilado y comentado por Gustavo Gómez Córdoba.
+  a[1. ed.].
+  a[Bogotá, Colombia :bs.n.,c1989]
+  a289 p., [9] p. of plates :bill. (some col.) ;c27 cm.
+  aSpanish translations of 211 Beatles song texts.
+  aDiscography: p. 237-253.
+  aFilmography: p. 260-263.
+  aIncludes bibliographical references (p. 279).
+  aIncludes index.
+  aErrata slip inserted.
+ 0aPopular musiczEnglandy1961-1970xTextsxTranslations into Spanish.
+20aBeatles.
+2 aGómez Córdoba, Gustavo.
+2 aBeatles.
+  aap
+  a*vk06 140 07-10-91
+  bc-MusichML54.6i.B39 1989tCopy 1mCasewBOOKS
+
+01820njm  2200493 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002000163035002000183040001900203042001400222050001900236245006100255260004000316300005600356500001900412511002100431505039800452650003000850700003700880700002300917700002200940710001800962710002100980710002701001740002301028740001801051740002401069740002301093740002201116740001901138740003701157740002301194740002101217740001201238740002101250952000801271953000901279991003801288
+5638356
+19911211095959.5
+sdubmmennmplu
+911023s1964    pauppn              eng d
+  9(DLC)   91759576
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   91759576 
+02aT-2125bCapitol
+  a(OCoLC)13857024
+  aOBgUcDLCdDLC
+  alccopycat
+00aCapitol T-2125
+04aThe Big hits from England and U.S.A.h[sound recording].
+  a[Scranton, Pa.] :bCapitol,c[1964]
+  a1 sound disc :banalog, 33 1/3 rpm, mono. ;c12 in.
+  aPopular music.
+0 aVarious artists.
+0 aCan't buy me love (The Beatles) -- I get around (The Beach Boys) -- A world without love (Peter and Gordon) -- You can't do that (The Beatles) -- Don't worry baby (The Beach Boys) -- Nobody I know (Peter and Gordon) -- I don't want to be hurt anymore (Nat King Cole) -- Suffer now I must (Cilla Black) -- Tears and roses (Al Martino) -- People (Nat King Cole) -- You're my world (Cilla Black).
+ 0aPopular musicy1961-1970.
+1 aCole, Nat King,d1917-1965.4prf
+1 aBlack, Cilla.4prf
+1 aMartino, Al.4prf
+2 aBeatles.4prf
+2 aBeach Boys.4prf
+2 aPeter and Gordon.4prf
+0 aCan't buy me love.
+0 aI get around.
+0 aWorld without love.
+0 aYou can't do that.
+0 aDon't worry baby.
+0 aNobody I know.
+0 aI don't want to be hurt anymore.
+0 aSuffer now I must.
+0 aTears and roses.
+0 aPeople.
+0 aYou're my world.
+  aNew
+  aTA28
+  bc-RecSoundhCapitol T-2125wMUSIC
+
+02042cjm  22005291a 4500001000900000005001700009007001500026008004100041028002700082035002300109050001400132906004500146010001700191024001700208024001700225028002100242033001300263035002300276040002300299042001300322245004600335260003300381300005100414306001100465511006600476500001800542518005400560505045300614650003001067700002101097700002101118700002101139700001701160700001701177700002001194700002301214700001801237700001901255700001901274700002601293710002601319710002301345925003801368952001201406955006601418985002801484
+12699666
+20020717131202.0
+sd|zsngnnmmned
+020311p20022001ohubln                  d
+02aCD-83553bTelarc Blues
+  a(DLC)   2002563429
+00aSDA 44910
+  a0bibcccopycatd3encipf20gy-genmusic
+  a  2002563429
+10a089408355325
+1 a089408355325
+02aCD-83553bTelarc
+00a200106--
+  a(OCoLC)ocm49270538
+  aUOJcUOJdJEDdDLC
+  alcderive
+04aThe blues white albumh[sound recording].
+  aCleveland :bTelarc,cp2002.
+  a1 sound disc (51 min.) :bdigital ;c4 3/4 in.
+  a005119
+0 aVarious artists covering songs from The Beatles' White album.
+  aCompact disc.
+  aRecorded at The Studio, Portland, Me., June 2001.
+00tWhy don't we do it in the road? /rJimmy Thackery & the Drivers --tYer blues /rLucky Peterson --tHappiness is a warm gun /rAnders Osborne --tRevolution /rKenny Neal, Lucky Peterson, Tab Benoit --tOb-la-di, ob-la-da /rMaria Muldaur --tWhile my guitar gently weeps /rJoe Louis Walker --tDon't pass me by /rT-Bone Walker --tI'm so tired /rChris Duarte --tBlackbird /rColin Linden --tDear Prudence /rCharlie Musselwhite, Colin Linden.
+ 0aBlues (Music)y1991-2000.
+1 aThackery, Jimmy.
+1 aPeterson, Lucky.
+1 aOsborne, Anders.
+1 aNeal, Kenny.
+1 aBenoit, Tab.
+1 aMuldaur, Maria.
+1 aWalker, Joe Louis.
+1 aWolk, T-Bone.
+1 aDuarte, Chris.
+1 aLinden, Colin.
+1 aMusselwhite, Charlie.
+2 aDrivers (Blues group)
+2 aBeatles.tBeatles.
+0 aacquireb2 copiesxpolicy default
+  amuzerec
+  avn03 2002-03-11 to MBRS/RSevn23 2002-07-17 copy 2 to MBRS/RS
+  cOCLCesrreplace 2002-05
+
+01150ncm  2200325 a 4500001000800000005001700008008004100025035002100066906004500087010001700132020002100149040001800170043001200188045001700200050002400217245013000241260006100371300003700432500001100469500008900480504003300569504002800602505004000630650003600670700002300706710001300729952002500742953000900767991004800776
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+880225s1981    oncrca   a     n    eng  
+  9(DLC)   81066605
+  a7bcbccorignewd2encipf19gy-genmusic
+  a   81066605 
+  a0553013297 (set)
+  aDLCcDLCdDLC
+  ae-uk-en
+2 bd1950bd1970
+00aM1741.18b.C65 1981
+04aThe Compleat Beatles /cproduced by Delilah Communications/ATV Music Publications ; music arranged and edited by Milton Okun.
+  aToronto ;aNew York :bA Delilah/ATV/Bantam Book,c1981.
+  a1 score (2 v.) :bill. ;c32 cm.
+  aSongs.
+  aFor piano, with interlinear words; includes chord symbols and guitar chord diagrams.
+  aFilmography: v. 1, p. 86-91.
+  aIncludes discographies.
+0 av. 1. 1962-1966 -- v. 2. 1966-1970.
+ 0aRock musiczEnglandy1961-1970.
+1 aOkun, Milton.4arr
+2 aBeatles.
+  aISBN from container.
+  aTA28
+  bc-MusichM1741.18i.C65 1981tCopy 1wMUSIC
+
+01079njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002300173035002100196040001300217050002200230245005100252260003500303300004900338511008900387505019000476500001800666650001600684710001800700953000900718985000900727991004100736
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+19950204073643.4
+sdubumennmpluu
+950203s1981    xx uun              eng  
+  9(DLC)   95774124
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn22
+  a   95774124 
+00a38356bPac Records
+  a(OCoLC)31926039 
+  aDLCcDLC
+00aPac Records 38356
+00aDawn of the silver Beatlesh[sound recording].
+  a[S.l.] :bPac Records,cp1981.
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles (John Lennon, Paul McCartney, George Harrison, Peter Best).
+0 aLove of the loved -- Sure to fall -- Money -- Talke good care of my baby -- Three cool cats -- Like dreamers do -- Searchin' -- Crying, waiting, hoping -- Till there was you -- Memphis.
+  aBrief record.
+ 0aRock music.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPac Records 38356wMUSIC
+
+01822cjm  22003612a 4500001000900000005001700009007001500026008004100041035002300082906004500105955009600150010001700246024001500263028003800278033001300316040001800329042001300347050001400360245008400374260005200458300006000510306001100570500002400581511002100605518006300626500001800689500003200707505061900739650002701358710001301385710003301398985002901431
+12068267
+20030808160213.0
+sdufsngnnmmneu
+940302s1992    nyurcn              eng d
+  a(OCoLC)ocm29938701
+  a7bcbcccopycatd3encipf19gy-soundrec
+  avn00 2003-08-07evn34 2003-08-07 retro CD update to MBRSevn34 2003-08-08 copy 2 to MBRS/RS
+  a   99587427 
+1 a3582800113
+02aKFWCD-113bKnitting Factory Works
+  b3804cN4
+  aPULcPULdDLC
+  alcderive
+00aSDA 73844
+00aDowntown does the Beatles live at the Knitting Factory, 1992h[sound recording]
+  aNew York, NY :bKnitting Factory Works,cp1992.
+  a1 sound disc (48 min.) :bdigital, stereo. ;c4 3/4 in.
+  a004728
+  aTitle from booklet.
+0 aVarious artists.
+  aAll songs recorded live at the Knitting Factory, New York.
+  aCompact disc.
+  aProgram notes in container.
+0 aBeing for the benefit of Mr. Kite / Les Miserables Brass Band (2:36) -- Come together / Defunkt (5:56) -- I wanna hold your hand / Alex Chilton (2:23) -- Why don't we do it in the road / Lydia Lunch (3:31) -- Day in the life / Eugene Chadbourne (4:40) -- Dear Prudence / Samm Bennett and Chunk (4:40) -- We can work it out / King Missile (2:13) -- Taxman / Fred Longerg-Holm (5:54) -- Blue jay way / Buddha Pest (5:30) -- Don't let me down / Arto Lindsay, Mark Ribot, Syd Straw, Joe Baron, Greg Cohn (3:35) -- Revolution #9 / Kurt Hoffman's Band of Weeds (2:54) -- Eleanor Rigby / Les Miserables Brass Band (5:30).
+ 0aRock musicy1991-2000.
+2 aBeatles.
+2 aKnitting Factory (Nightclub)
+  cOCLCeClaimed Recordings
+
+01585cjm  2200349 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002300163035002000186040001700206042001400223050002200237245008400259260004000343300005800383500001900441500007200460511006100532505046100593650003001054700003001084700002101114700002901135710001301164952000801177953000901185991004101194
+5677124
+20020523154210.0
+sdubsmennmplu
+930427s1973    nyuppn              eng d
+  9(DLC)   93709825
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   93709825 
+02aKC 32525bColumbia
+  a(OCoLC)11663640
+  aTMcDLCdDLC
+  alccopycat
+00aColumbia KC 32525
+00aEasy listening Beatlesh[sound recording] :bfor people who hate rock and roll.
+  aNew York, N.Y. :bColumbia,cp1973.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+  aPopular music.
+  aWords and music by John Lennon, Paul McCartney and George Harrison.
+0 aArranged and performed by various artists and ensembles.
+0 aHey Jude (Ray Conniff) -- Fool on the hill (Percy Faith, his orchestra and chorus) -- Yesterday (Ray Conniff) -- Eleanor Rigby (Johnny Mathis) -- You've got to hide your love away (Percy Faith and his orchestra) -- My sweet Lord (Johnny Mathis) -- Something (Peter Nero) -- The long and winding road (Andre Kostelanetz) -- Michelle (Andre Kostelanetz and his orchestra) -- Variations on the theme "Ob-la-di ob-la-da" (Peter Nero) -- Let it be (Jerry Vale).
+ 0aPopular musicy1971-1980.
+1 aLennon, John,d1940-1980.
+1 aMcCartney, Paul.
+1 aHarrison, George,d1943-
+2 aBeatles.
+  aNew
+  aTA28
+  bc-RecSoundhColumbia KC 32525wMUSIC
+
+01093cjm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028001600173035002100189040001800210050001500228245004100243260003900284300004900323511005000372505021700422500001800639650002500657650002700682710001800709953000900727985000900736991003400745
+5726097
+19970702113207.9
+sdubumennmpluu
+950106q19601969xxuuun              eng  
+  9(DLC)   94767779
+  a7bcbccorignewd3encipf19gy-genmusic
+  avk15
+  a   94767779 
+00a4347BbMore
+  a(OCoLC)31773455 
+  aDLCcDLCdDLC
+00aMore 4347B
+00aGet back sessionh[sound recording].
+  a[United States?] :bMore,c[196-?]
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aThe Beatles, vocal and instrumental ensemble.
+0 aMaxwell's silver hammer -- Besame mucho -- Two of us -- One after 909 -- Shake, rattle & roll -- Get back -- Dig a pony -- Whole lotta shakin' -- Suzie parker -- I me mine -- Dig a pony -- Paul raps -- Let it be.
+  aBrief record.
+ 0aRock musicyTo 1961.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9501
+  bc-RecSoundhMore 4347BwMUSIC
+
+01548cmm  2200325 a 4500001000800000005001700008008004100025035002100066906004500087955001800132010001700150020001500167040001800182050001700200082001500217245004100232246007000273256003100343260003300374300006600407538026800473500002700741520028900768630003801057650001901095650001901114710002101133710001801154991005001172
+5002322
+19990108085452.6
+961108s1993    nyu        m        eng  
+  9(DLC)   96802497
+  a7bcbccorignewduencipf19gy-gencompf
+  avb22 11-08-96
+  a   96802497 
+  a1559402652
+  aDLCcDLCdDLC
+00aPN1997.H2593
+10a791.43212
+02aA hard day's nighth[computer file].
+1 iTitle on front cover of container:aBeatles in A hard day's night
+  aComputer data and program.
+  aNew York :bVoyager,cc1993.
+  a1 computer laser optical disc ;c4 3/4 in. +e1 user's guide.
+  aSystem requirements: Macintosh; 4MB RAM; System 6.0.7 or later; 256-color (thirteen-inch or larger) or 256-grayscale (twelve-inch or larger) monitor; QuickTime-compatible CD-ROM drive. Apple twelve-inch RGB color monitors support video, but not supplemental text.
+  aTitle from disc label.
+  aPresents a full-length film in which the Beatles escape the harassment of their manager and Paul's grandfather by taking a train from Liverpool to London. Includes original script; profiles of the Beatles, cast, and crew; clips from the director's early work; and word search feature.
+00aHard day's night (Motion picture)
+ 0aFeature films.
+ 0aMusical films.
+2 aVoyager Company.
+2 aBeatles.4prf
+  bc-MRChPN1997.H2593i[1996 01505]tCopy 1wCF
+
+02908cgm  22006017a 4500001000900000005001700009007001000026007001000036008004100046035002100087906004500108010001700153017003500170035002200205035002500227040002700252042001400279050002800293050003600321245011500357246005700472257000900529260012700538300007600665300008500741440003100826500005600857500010300913508003701016511006301053500005101116520011501167500016001282500003001442500018201472541008501654541009101739610002001830655001901850655001901869700004001888700003401928700003301962700003501995710002102030710001702051710001302068710005402081710005202135953000902187991005102196991005902247
+11671072
+19991122121438.0
+vdubgaizu
+vdubgaizu
+960325s1987    xxk090            vleng d
+  9(DLC)   96505748
+  a7bcbcccopycatduencipf19gy-movingim
+  a   96505748 
+  aLP28626bU.S. Copyright Office
+  a(CSt)notisACP8002
+  a(CStRLIN)CSUG90-F860
+  aCStcCStdCStRLINdDLC
+  alccopycat
+00aDAA 0814 (viewing copy)
+00aDAA 1138 (viewing copy, copy 2)
+02aA hard day's night /cUnited Artist ; director, Richard Lester ; producer, Walter Shenson ; writer, Alun Owen.
+0 iTitle on disc jacket:aBeatles in A hard day's night
+  aU.K.
+  aGreat Britain :bUnited Artist,c1964 ;aUnited States :bUnited Artist,c1964 ;aUnited States :bVoyager Company,c1987.
+  a2 videodiscs of 2 (laser) (90 min.) :bsd., b&w ;c12 in. viewing copy.
+  a2 videodiscs of 2 (laser) (90 min.) :bsd., b&w ;c12 in. viewing copy (copy 2).
+ 0aCriterion collection ;v20
+  aCopyright: Proscenium Films, Ltd.; 6Jul64; LP28626.
+  aCopyright notice on videodisc jacket: 1964 Proscenium Films, Ltd. ; 1987 The Criterion Collection.
+  aMusical director, George Martin.
+0 aJohn Lennon, Paul McCartney, George Harrison, Ringo Starr.
+  aOriginally produced as motion picture in 1964.
+  aHarassed by their manager and Paul's grandpa, the Beatles embark from Liverpool by train for a London TV show.
+  aIncludes special features: Richard Lester's first film: The running jumping & standing still film; video interview with Richard Lester; theatrical trailer.
+  aOn disc jacket:  CC1113L.
+  aSources used: videodisc jacket; New York times film review, 8/12/64; The films of Richard Lester, 1985, p. 164; Catalog of copyright entries, motion pictures, 1960-1969, p. 239.
+  dReceived: bet. 1982 and 1990;3viewing copy;cpurchase;aLC Purchase Collection.
+  dReceived: 9/90;3viewing copy, copy 2;ccopyright deposit--407;aCopyright Collection.
+20aBeatlesxDrama.
+ 7aFeatures.2mim
+ 7aMusicals.2mim
+1 aLester, Richard,d1932-edirection.
+1 aShenson, Walter,eproduction.
+1 aOwen, Alun,d1930-ewriting.
+1 aMartin, George,d1926-emusic.
+2 aVoyager Company.
+2 aJanus Films.
+2 aBeatles.
+2 aLC Purchase Collection (Library of Congress)5DLC
+2 aCopyright Collection (Library of Congress)5DLC
+  aTE01
+  bc-MP&TVhDAA 0814 (viewing copy)wMUMS VM File
+  bc-MP&TVhDAA 1138 (viewing copy, copy 2)wMUMS VM File
+
+01653cjm  2200313 a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028001700163035002000180040001700200042001400217050001600231245011800247260003500365300004100400511012700441500001800568505064700586650001601233700001501249710001801264710001301282953000901295991003501304
+5654266
+19940414162606.6
+sduzsnznnmlne
+920723s1992    mnurcn              eng d
+  9(DLC)   92764948
+  a7bcbcccopycatd4encipf19gy-genmusic
+  a   92764948 
+02a60072bK-tel
+  a(OCoLC)25664171
+  aWMcDLCdDLC
+  alccopycat
+00aK-tel 60072
+00aHooked on, a Beatles tributeh[sound recording] :b31 nonstop hits /cperformed by Dr. Fink and the Mystery Band.
+  aPlymouth, MN :bK-tel,cp1992.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aDamian Paul, vocals ; Dr. Fink, bass, keyboards, and drums ; James Behringer, guitars ; Hiram Titus, additional keyboards.
+  aCompact disc.
+0 aPlease me. Please please me ; All my loving ; Eight days a week ; A hard day's night ; Can't buy me love -- Help me. Help! ; Ticket to ride ; Day tripper ; Paperback writer ; Got to get you into my life -- Drive me. Lady Madonna ; Drive my car ; Nowhere man ; Taxman ; Eleanor Rigby -- The tribute. Sgt. Pepper's Lonely Hearts Club Band ; Lucy in the sky with diamonds ; Magical mystery tour ; I am the walrus ; Strawberry fields forever -- The window. Ob-la-di, Ob-la-da ; Get back ; Back in the U.S.S.R. ; Polythene Pam ; She came in through the bathroom window -- The end. If I fell ; Michelle ; Yesterday ; Blackbird ; Hey Jude ; The end.
+ 0aRock music.
+1 aFink,cDr.
+2 aMystery Band.
+2 aBeatles.
+  aTA28
+  bc-RecSoundhK-tel 60072wMUSIC
+
+01178njm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002900173035002100202040001300223050002800236245006300264260005300327300005800380511008100438505018900519500001800708650001600726710004400742710001300786953000900799985000900808991004700817
+5751829
+19950304073733.2
+sdubsmennmpluu
+950303s1977    ncuuun              eng  
+  9(DLC)   95776699
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn23
+  a   95776699 
+00a7904bPied Piper Records
+  a(OCoLC)32079450 
+  aDLCcDLC
+00aPied Piper Records 7904
+00aHot as sunh[sound recording] :ba tribute to the Beatles.
+  aChapel Hill, N.C. :bPied Piper Records,cp1977.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Original Marauders, in the style and manner of the Beatles.
+0 aBack in the U.S.S.R. -- I'm happy just to dance with you -- And your bird can sing -- All together now -- I'll keep you satisfied -- Bad to me -- I'll be on my way -- Step inside love.
+  aBrief record.
+ 0aRock music.
+2 aOriginal Marauders (Musical group)4prf
+2 aBeatles.
+  aTA28
+  a9503
+  bc-RecSoundhPied Piper Records 7904wMUSIC
+
+01244cim  22003254a 4500001000900000005001700009007001500026008004100041906004500082925004200127955005400169010001700223040001800240042000800258050002400266245005100290246007300341260007200414300005000486511002400536500009000560500002200650600004200672650001600714700002400730700003500754710001800789710006300807710004800870
+12951212
+20030501195547.0
+sd bumennmplue
+020930s1992    caunnn         t    eng  
+  a7bcbccorignewd4encipf20gy-soundrec
+0 aacquireb1 shelf copyxpolicy default
+  avz17 2002-09-30ivz17 2002-09-30evz17 2002-09-30
+  a  2002593672
+  aDLCcDLCdDLC
+  apcc
+00aLPA 98621-LPA 98624
+00aLennon--the last interviewh[sound recording].
+1 iTitle from audition:aLennon, his last interview, his greatest music
+  a[Los Angeles] :bArmed Forces Radio and Television Service,c[1992]
+  a4 sound discs :banalog, 33 1/3 rpm ;c12 in.
+0 aEarle Bailey, host.
+  aAFRTS edition of a commercial radio program; includes information spot announcements.
+  aDuration: 220:00.
+10aLennon, John,d1940-1980vInterviews.
+ 0aRock music.
+1 aBailey, Earle.4hst
+1 aLennon, John,d1940-1980.4prf
+2 aBeatles.4prf
+1 aUnited States.bArmed Forces Radio and Television Service.
+2 aAFRTS Collection (Library of Congress)5DLC
+
+01526ngm  22003615a 4500001000900000005001700009008004100026035002100067906004500088010001700133007001000150017003500160040001900195050002800214050003600242245009600278260004500374300007600419300008500495500005200580511002300632500003700655500004500692541011000737700003900847710001300886710005400899655002300953952006900976953000901045991005101054991005901105
+11592261
+00000000000000.0
+920108s1981    xxu080            vlund  
+  9(DLC)   92500347
+  a0bibccorignewduencipf19gy-movingim
+  a   92500347 
+v| ||||||
+  aLP37960bU.S. Copyright Office
+  aDLCcDLCeamim
+00aDAA 0348 (viewing copy)
+00aDAA 0349 (viewing copy, copy 2)
+00aLet it be /cUnited Artists ; directed by Michael Lindsay-Hogg ; produced by Neil Aspinall.
+  a[United States :bMagnetic Video,c1981]
+  a1 videodisc of 1 (laser) (80 min.) :bsd., col. ;c12 in. viewing copy.
+  a1 videodisc of 1 (laser) (80 min.) :bsd., col. ;c12 in. viewing copy (copy 2).
+  aCopyright: Apple Films, Ltd.; 13May70; LP37960.
+0 aWith: The Beatles.
+  aRelease date for original: 1970.
+  aReference source used: videodisc jacket.
+  dReceived: 7-8-83;3viewing copies 1 and 2;cpurchase, purchse order no. 0124326;aLC Purchase Collection.
+1 aLindsay-Hogg, Michael,edirection.
+2 aBeatles.
+2 aLC Purchase Collection (Library of Congress)5DLC
+ 7aVideodiscs.2gmgpc
+  aNot viewed; may be additional film and/or video material M/B/RS.
+  aTE01
+  bc-MP&TVhDAA 0348 (viewing copy)wMUMS VM File
+  bc-MP&TVhDAA 0349 (viewing copy, copy 2)wMUMS VM File
+
+01194cjm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028003500173035002100208040001800229050003400247245005500281260004400336300004100380511001300421505032400434500001800758650002700776710001800803953000900821985000900830991005300839
+5719999
+19941013102521.1
+sduzsnznnmlneu
+941012s1991    xx uun              eng  
+  9(DLC)   94761339
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn33
+  a   94761339 
+00aBUR 9103bMulti Coloured Music
+  a(OCoLC)31273712 
+  aDLCcDLCdDLC
+00aMulti Coloured Music BUR 9103
+00aLive performancesh[sound recording] :b1962-1963.
+  a[S.l.] :bMulti Coloured Music,cp1991.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aBeatles.
+0 aBesame mucho -- How do you do it -- One afther [sic] 909 -- I be on my way -- Some other guy -- Too much monkey business -- I got to find my baby -- Youngblood -- A shot of rhythm and blues -- Sure to fall -- That's allright mama -- Carol -- Soldier of love -- Lend me your comb -- Clarabel[l]a -- Sweet little sixteen.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9410
+  bc-RecSoundhMulti Coloured Music BUR 9103wMUSIC
+
+01115cam  2200301 a 4500001000800000005001700008008004100025035002100066906004500087955006500132010001700197020001500214040001800229043001200247050002200259082002700281245010700308260003200415300003500447500011300482504006400595610001300659650004100672700002400713700001700737710001300754991004600767
+1125501
+20021119081211.0
+940712s1994    nyua     b    001 0ceng  
+  9(DLC)   94029575
+  a7bcbccorignewd1eocipf19gy-gencatlg
+  apc18 to vp00 07-12-94; vk09 07-13-94; CIP ver. vl19 06-15-95
+  a   94029575 
+  a0525938184
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML421.B4bA5 1994
+00a782.42166/092/2aB220
+04aThe lost Beatles interviews /cGeoffrey Giuliano and Brenda Giuliano ; afterword by Dr. Timothy Leary.
+  aNew York :bDutton,cc1994.
+  axiii, 398 p. :bill. ;c24 cm.
+  aTranscripts of interviews with the Beatles and their associates, conducted 1963-1993 by Giuliano and others.
+  aIncludes bibliographical references (p. 385-386) and index.
+20aBeatles.
+ 0aRock musicianszEnglandvInterviews.
+1 aGiuliano, Geoffrey.
+1 aDevi, Vrnda.
+2 aBeatles.
+  bc-MusichML421.B4iA5 1994tCopy 1wBOOKS
+
+01180cjm  22003017a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002100163040001800184050002000202050003700222245004200259260004500301300005800346511003000404505024700434500001800681650002700699650003000726710001800756953000900774991003900783991005600822
+5657985
+19920911150500.7
+sdubsmennmplu
+920904s1964    cauuun              eng  
+  9(DLC)   92769313
+  a7bcbucorignewd5encipf19gy-genmusic
+  a   92769313 
+02aST-2047bCapitol
+  aDLCcDLCdDLC
+00aCapitol ST-2047
+00aCapitol ST-2047 (White House B3)
+00aMeet the Beatles!h[sound recording].
+  a[Hollywood, Calif.] :bCapitol,c[1964?]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aI want to hold your hand -- I saw her standing there -- This boy -- It won't be long -- All I've got to do -- All my loving -- Don't bother me -- Little child -- Till there was you -- Hold me tight -- I wanna be your man -- Not a second time.
+  aBrief record.
+ 0aRock musicy1961-1970.
+ 0aPopular musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  bc-RecSoundhCapitol ST-2047wMUSIC
+  bc-RecSoundhCapitol ST-2047 (White House B3)wMUSIC
+
+00822njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002200173035002100195040001300216050002100229245003400250260002900284300004100313511003000354505001500384500001800399650002700417710001800444953000900462985000900471991004000480
+5787722
+19970617093519.0
+sdufungnnmmned
+970617s1996    cauuun              eng  
+  9(DLC)   97750602
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn30
+  a   97750602 
+00aDPRO-11187bApple
+  a(OCoLC)37135390 
+  aDLCcDLC
+00aApple DPRO-11187
+00aReal loveh[sound recording].
+  a[S.l.] :bApple,cp1996.
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aPerformed by the Beatles.
+0 aReal love.
+  aBrief record.
+ 0aRock musicy1971-1980.
+2 aBeatles.4prf
+  aTA28
+  a9706
+  bc-RecSoundhApple DPRO-11187wMUSIC
+
+01200cjm  22003137a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028003100173035002100204040001800225050003000243245005800273260004600331300005800377511005000435505024600485500001800731650002500749650002700774710001800801953000900819985000900828991004900837
+5755557
+19950828153018.0
+sdubsmennmplue
+950516q19601969xx uun              eng  
+  9(DLC)   95780537
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn37
+  a   95780537 
+00a726bRenaissance Minstrels
+  a(OCoLC)32483355 
+  aDLCcDLCdDLC
+00aRenaissance Minstrels 726
+00aRenaissance minstrels.nVolume IIh[sound recording].
+  a[S.l.] :bRenaissance Minstrels,c[196-?]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aThe Beatles, vocal and instrumental ensemble.
+0 aThe walk -- Teddy boy -- Two of us on the way home -- I've got a feelin' -- Long and winding road -- For you blue -- Dig a pony -- Across the universe -- Inner light -- Let it be -- Don't let me down -- Get back -- I'm down -- Instant karma.
+  aBrief record.
+ 0aRock musicyTo 1961.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9505
+  bc-RecSoundhRenaissance Minstrels 726wMUSIC
+
+01084njm  22002897a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028001900173035002100192040001300213050001800226245005300244260004000297300005800337511003000395505026000425500001800685650002700703710001800730953000900748991003700757
+5699134
+19940701063550.0
+sdubsmennmpluu
+940113s1976    enkuun              eng  
+  9(DLC)   93853246
+  a7bcbccorignewd3encipf19gy-genmusic
+  ans32
+  a   93853246 
+00aMFP 50507bMFP
+  a(OCoLC)29623998 
+  aDLCcDLC
+00aMFP MFP 50507
+00aRock 'n' roll music.nVol. 2h[sound recording].
+  aMiddlesex [England] :bMFP,cp1976.
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aDizzy Miss Lizzy -- Anytime at all -- Drive my car -- Everybody's trying to be my baby -- The night before -- I'm down -- Revolution -- Back in the U.S.S.R. -- Helter skelter -- Taxman -- Got to get you into my life -- Hey bulldog -- Birthday -- Get back.
+  aBrief record.
+ 0aRock musicy1971-1980.
+2 aBeatles.4prf
+  aTA28
+  bc-RecSoundhMFP MFP 50507wMUSIC
+
+00995njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002400173035002100197040001300218050002300231245004800254260004200302300004900344511003000393505014700423500001800570650002700588710001800615953000900633985000900642991004200651
+5750584
+19950215074543.2
+sdubsmennmpluu
+950214s1982    nyuuun              eng  
+  9(DLC)   95775435
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn30
+  a   95775435 
+00aPHX 353bPhoenix 10
+  a(OCoLC)31989340 
+  aDLCcDLC
+00aPhoenix 10 PHX 353
+00aSilver Beatles.nVol. 2h[sound recording].
+  aNew York, N.Y. :bPhoenix 10,cp1982.
+  a1 sound disc :banalog, 33 1/3 rpm ;c12 in.
+0 aPerformed by the Beatles.
+0 aSearchin' -- Take good care of my baby -- Money -- To know him is to love him -- Three cool cats -- September rain -- Crying, waiting, hoping.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9502
+  bc-RecSoundhPhoenix 10 PHX 353wMUSIC
+
+00824cjm  22002897a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028002400173035002100197040001800218050002300236245004800259260003300307300004100340511002500381500001800406650003200424710001800456953000900474985000900483991004200492
+5724501
+19970702132354.0
+sduzunznnmlneu
+941130q19901994enkuun              eng  
+  9(DLC)   94766149
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn06
+  a   94766149 
+00aCBAK 4024bBaktobak
+  a(OCoLC)31534460 
+  aDLCcDLCdDLC
+00aBaktobak CBAK 4024
+00aTalk downunder.nVol. Ih[sound recording].
+  aLondon :bBaktabak,c[199-?]
+  a1 sound disc :bdigital ;c4 3/4 in.
+0 aBeatles, interviews.
+  aBrief record.
+ 0aRock musiciansxInterviews.
+2 aBeatles.4prf
+  aTA28
+  a9411
+  bc-RecSoundhBaktobak CBAK 4024wMUSIC
+
+01044cam  2200289 a 4500001000800000005001700008008004100025035002100066906004500087955013700132010001700269020004000286040001800326043001200344050002200356082002700378245009200405260004100497300003500538500002000573610002500593650004100618650004100659700002400700700001700724710001300741
+2123138
+20021119081139.0
+970501s1998    maua          001 0ceng  
+  9(DLC)   97002579
+  a7bcbccorignewd1eocipf19gy-gencatlg
+  apc01 to VP00 05-01-97; vk06 05-01-97; vk05 05-02-97; CIP ver. vl16 02-20-01; vl20 to BCCD 02-20-01evl20 2001-12-12 2nd copy to BCCD
+  a   97002579 
+  a1558506381 (paperback : alk. paper)
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML421.B4bA5 1997
+00a782.42166/092/2aB221
+00aThings we said today :bconversations with the Beatles /cGeoffrey and Brenda Giuliano.
+  aHolbrook, MA :bAdams Media,cc1998.
+  axiii, 274 p. :bill. ;c24 cm.
+  aIncludes index.
+20aBeatlesvInterviews.
+ 0aRock musicianszEnglandvInterviews.
+ 0aRock musicianszEnglandvQuotations.
+1 aGiuliano, Geoffrey.
+1 aDevi, Vrnda.
+2 aBeatles.
+
+00987cam  2200289 a 4500001000800000005001700008008004100025035002100066906004500087010001700132020001500149040001800164043001200182050001700194082001800211245013800229260004500367300003900412504003100451650003500482650004900517610001300566700002800579700003000607710001300637991004700650
+4192096
+19900618170644.9
+810520s1980    miuh     b    000 0 eng  
+  9(DLC)   80083203
+  a7bcbccorignewd2eopcnf19gy-gencatlg
+  a   80083203 
+  a0876501048
+  aDLCcDLCdDLC
+  ae-uk-en
+00aML54.6b.T37
+00a784.5/405219
+00aThings we said today :bthe complete lyrics and a concordance to the Beatles' songs, 1962-1970 /cby Colin Campbell and Allan Murphy.
+  a[Ann Arbor, MI] :bPierian Press,c1980.
+  axlii, 386 p. :bfacsims. ;c29 cm.
+  aDiscographies: p. 381-386.
+ 0aPopular musiczEnglandxTexts.
+ 0aPopular musiczEnglandxTextsxConcordances.
+20aBeatles.
+1 aCampbell, Colin,d1940-
+1 aMurphy, Allanq(Allan R.)
+2 aBeatles.
+  bc-MusichML54.6i.T37tCopy 1mCasewBOOKS
+
+01241njm  22003017a 4500001000800000005001700008007001500025008004100040035002100081906004500102955000900147010001700156028003200173035002100205040001300226050003100239245003800270260003900308300005800347511003000405505037300435500001800808650002700826710001800853953000900871985000900880991005000889
+5778143
+19960316050636.3
+sdubsmennmplue
+960315s1964    xx uun              eng  
+  9(DLC)   96791979
+  a7bcbccorignewd3encipf19gy-genmusic
+  avn23
+  a   96791979 
+00a2 WRMB 326bWizardo Records
+  a(OCoLC)34373380 
+  aDLCcDLC
+00aWizardo Records 2 WRMB 326
+00aWords of loveh[sound recording].
+  a[S.l.] :bWizardo Records,c[1964]
+  a1 sound disc :banalog, 33 1/3 rpm, stereo. ;c12 in.
+0 aPerformed by the Beatles.
+0 aLove me do -- Please please me -- From me to you -- I saw her standing there -- Misery -- Do you want to know a secret -- There's a place -- Anna -- Chains -- Boys -- She loves you -- Till there was you -- Roll over Beethoven -- You really got a hold on me -- She's got the devil in her heart -- Money -- Long tall Sally -- Honey don't -- Kansas City -- Words of love.
+  aBrief record.
+ 0aRock musicy1961-1970.
+2 aBeatles.4prf
+  aTA28
+  a9603
+  bc-RecSoundhWizardo Records 2 WRMB 326wMUSIC
+
+01343cjm  22003491a 4500001000900000005001700009007001500026008004100041035002300082906004500105010001700150024001500167028002000182040002400202042001300226050001900239245012100258260002900379300006400408505019200472511011700664650001600781700003000797700002100827700001800848700002500866700002200891700001900913700001900932710001300951985002900964
+12052014
+20000617180748.0
+sdrbsmenn-----
+840418s1983    nyuppn                   
+  a(OCoLC)ocm10640105
+  a0bcbcccopycatd3encipf19gy-soundrec
+  a   99574428 
+1 a7863546061
+02aCPL 1-4606bRCA
+  aDLCcIWdOCoLCdDLC
+  alcderive
+00aRCA CPL 1-4606
+00aYesterdayhsound recording ;ba recollection of the Beatles /call selections by [John] Lennon and [Paul] McCartney.
+  aNew York :bRCA,cc1983.
+  a1 sound disc (ca. 29 min.) :b33 1/3 rpm, stereo. ;c12 in.
+0 aYesterday -- All my loving -- Eleanor Rigby -- Norwegian Wood --Can't buy me love -- Here, there and everywhere -- Michelle -- Hey Jude -- The long and winding road -- A hard day's night.
+0 aElena Duran, flute; Stephane Grappelli, violin; Laurie Holloway, piano; Allen Walley, basss; Alan Ganley, drums.
+ 0aRock music.
+1 aLennon, John,d1940-1980.
+1 aMcCartney, Paul.
+1 aDuran, Elena.
+1 aGrappelli, Stéphane.
+1 aHolloway, Laurie.
+1 aWalley, Allen.
+1 aGanley, Allan.
+22aBeatles.
+  cOCLCeClaimed Recordings
+
+02433njm  22003737a 4500001000800000005001700008007001400025008004100039035002100080906004500101010001700146028002900163028002700192028002700219028002700246028002700273028002700300028002700327040001300354050004500367245007200412260004600484300005900530440003200589511005600621505117200677500001801849650003201867650003001899710004401929710001301973953000901986991006401995
+5673930
+19930324081815.9
+sdubsmennmplu
+930318s1972    nyuuun              eng  
+  9(DLC)   93706173
+  a7bcbccorignewd5encipf19gy-genmusic
+  a   93706173 
+00aP6S 5748bColumbia House
+00aDS 937bColumbia House
+00aDS 938bColumbia House
+00aDS 939bColumbia House
+00aDS 940bColumbia House
+00aDS 941bColumbia House
+00aDS 942bColumbia House
+  aDLCcDLC
+00aColumbia House P6S 5748 (DS 937--DS 942)
+00aYesterdayh[sound recording] :bthe wonderful music of the Beatles.
+  aNew York, N.Y. :bColumbia House,cp1972.
+  a6 sound discs :banalog, 33 1/3 rpm, stereo. ;c12 in.
+ 2aA Columbia musical treasury
+0 aPerformed by the Terry Baxter Orchestra and Chorus.
+0 aMichelle -- A hard day's night -- If I fell -- All my loving -- Can't buy me love -- Eleanor Rigby -- I call your name -- Lucy in the sky with diamonds -- Yellow submarine -- Good day sunshine -- Love -- What is life? -- My sweet Lord -- Let it be -- Here, there and everywhere -- Ob la di-- ob la da -- Here comes the sun -- Mother nature's son -- Something -- You never give me your money -- Ticket to ride -- Norwegian wood -- Blackbird -- She's leaving home -- We can work it out -- This boy -- Rocky Raccoon -- Bangla Desh -- Come together -- From me to you -- Get back -- She loves you -- Strawberry fields forever -- Imagine -- You're gonna lose that girl -- When I'm 64 -- Help -- Tell me why -- A day in the life -- Lovely Linda -- The fool on the hill -- All you need is love -- Long and winding road -- Paperback writer -- Lady Madonna -- Carry that weight -- I will -- It don't come easy -- Maybe I'm amazed -- Sgt. Pepper's Lonely Heart's Club Band -- With a little help from my friends -- Hey Jude -- And I love her -- Penny Lane -- Uncle Albert -- Day tripper -- Magical mystery tour -- You've got to hide your love away -- Yesterday -- Hello, goodbye.
+  aBrief record.
+ 0aOrchestral music, Arranged.
+ 0aPopular musicy1971-1980.
+2 aTerry Baxter Orchestra and Chorus.4prf
+2 aBeatles.
+  aTA28
+  bc-RecSoundhColumbia House P6S 5748 (DS 937--DS 942)wMUSIC
+
+01064njm  2200313 a 4500001000800000005001700008007001500025008004100040035002100081906004500102010001700147028002500164040001300189050001300202245004900215260004500264300005800309440002200367500004400389500006100433500002100494505010700515500001800622650002900640650002700669710001300696953000900709991003200718
+5735623
+19950501154350.2
+ssulsnjlcnnncu
+950501s1985    nyuuun              eng  
+  9(DLC)   95702292
+  a7bcbccorignewd5encipf19gy-genmusic
+  a   95702292 
+00aPS 005bPocket Songs
+  aDLCcDLC
+00aRZA 3880
+00aYou sing The Beatles.n1h[sound recording].
+  aIrvington, N.Y. :bPocket Songs,cp1985.
+  a1 sound cassette :banalog, stereo., Dolby processed.
+ 0aYou sing the hits
+  aRenditions not by the original artists.
+  aSide B has background version of songs in reverse order.
+  aLyrics enclosed.
+0 aShe loves you -- Love me do -- All my lovin' -- We can work it out -- Hard day's night -- I feel fine.
+  aBrief record.
+ 0aRecorded accompaniments.
+ 0aRock musicy1961-1970.
+2 aBeatles.
+  aTA28
+  bc-RecSoundhRZA 3880wMUSIC
+
Index: /documentation/trunk/tutorial_sample_files/niupepa/formats/adv_doc_heading.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/formats/adv_doc_heading.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/formats/adv_doc_heading.txt	(revision 18423)
@@ -0,0 +1,7 @@
+<div class="heading_title">{Or}{[parent(Top):ex.Title],[ex.Title]}</div>
+<div class="buttons" id="toc_buttons">
+{If}{[srcicon],_document:viewfullsize_}
+{If}{[screenicon],_document:viewpreview_}
+{If}{[Text] ne 'This document has no text. ',_document:viewtext_}
+</div>
+<div class="toc">[DocTOC]</div>
Index: /documentation/trunk/tutorial_sample_files/niupepa/formats/adv_doc_text.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/formats/adv_doc_text.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/formats/adv_doc_text.txt	(revision 18423)
@@ -0,0 +1,3 @@
+{If}{_cgiargp_ eq 'fullsize',[srcicon],
+{If}{_cgiargp_ eq 'preview',[screenicon],
+{If}{[Text] ne \'This document has no text. \',[Text],[screenicon]}}}
Index: /documentation/trunk/tutorial_sample_files/niupepa/formats/doc_tweak.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/formats/doc_tweak.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/formats/doc_tweak.txt	(revision 18423)
@@ -0,0 +1,5 @@
+<table><tr>
+<td valign=top>[srclink][screenicon][/srclink]</td>
+<td valign=top>[Text]</td>
+</tr></table>
+
Index: /documentation/trunk/tutorial_sample_files/niupepa/formats/search_tweak.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/formats/search_tweak.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/formats/search_tweak.txt	(revision 18423)
@@ -0,0 +1,9 @@
+<td valign="top">[link][icon][/link]</td>
+<td valign="top">
+{If}{[parent:ex.Title],[parent:ex.Title]
+{If}{[parent:ex.Volume],Volume [parent:ex.Volume] }
+{If}{[parent:ex.Number],Number [parent:ex.Number]}: Page [ex.Title],
+[ex.Title] {If}{[ex.Volume], Volume [ex.Volume] }
+{If}{[ex.Number], Number [ex.Number] }}
+<br/><i>({Or}{[parent:ex.Date],[ex.Date]})</i></td>
+</td>
Index: /documentation/trunk/tutorial_sample_files/niupepa/formats/titles_tweak.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/formats/titles_tweak.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/formats/titles_tweak.txt	(revision 18423)
@@ -0,0 +1,7 @@
+<td valign="top">[link][icon][/link]</td>
+<td valign="top">
+{If}{[numleafdocs],[ex.Title] ([numleafdocs]),
+{If}{[ex.Volume],Volume [ex.Volume] }
+{If}{[ex.Number],Number [ex.Number] }
+{If}{[ex.Date], [ex.Date]}}
+</td>
Index: /documentation/trunk/tutorial_sample_files/niupepa/macros/extra.dm
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/macros/extra.dm	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/macros/extra.dm	(revision 18423)
@@ -0,0 +1,20 @@
+package document
+
+_textfullsize_ {FULLSIZE}
+_textpreview_ {PREVIEW}
+_textfulltext_ {TEXT}
+
+_textviewfullsize_ {View the fullsize image of this page}
+_textviewpreview_ {View the preview image of this page}
+_textviewfulltext_ {View the text of this page}
+
+_viewfullsize_ {<div class="button"><span class="button"><a href="_httpcurrentdocument_&p=fullsize" title="_textviewfullsize_">_textfullsize_</a></span></div>}
+_viewpreview_ {<div class="button"><span class="button"><a href="_httpcurrentdocument_&p=preview" title="_textviewpreview_">_textpreview_</a></span></div>}
+_viewtext_ {<div class="button"><span class="button"><a href="_httpcurrentdocument_&p=text" title="_textviewfulltext_">_textfulltext_</a></span></div>}
+
+# Greenstone 2.62 and earlier
+#_viewfullsize_{_gsimage_(_httpcurrentdocument_&p=fullsize,_httpcollection_/images/efiof.gif,_httpcollection_/images/efion.gif,fi,_document:textviewfullsize_)}
+#_viewpreview_ {_gsimage_(_httpcurrentdocument_&p=preview,_httpcollection_/images/epiof.gif,_httpcollection_/images/epion.gif,pi,_document:textviewpreview_)}
+#_viewtext_ {_gsimage_(_httpcurrentdocument_&p=text,_httpcollection_/images/etextof.gif,_httpcollection_/images/etexton.gif,text,_document:textviewfulltext_)}
+
+
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_1.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_1.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_1.txt	(revision 18423)
@@ -0,0 +1,95 @@
+
+  TE HAEATA
+  TE UTU MO TE TAU }
+KOTAHI 2s 6d}               " Tatou ka haere i to Ihowa Maramatanga."       { TE  MO TE PUKAPUKA
+																																																		KOTAHI 3d
+   VOL. 111.1                    AKARANA,     HEPETEMA      2, 1861.                     [No. 6.
+   MARAMATAKA   MO HEPETEMA.
+
+  Hei te 5 o nga ra Hua ai te Mamma.
+  Hei te 19 o nga ra Kowiti ai te Marama.
+
+
+ 1   Ra Tapu    Waiata 1 o.
+ 2  Manei    
+ 3   Turei     
+ 4  Wenerei    
+ 5  Taroi     
+ 6  Parairei
+ 7  Hatarei
+
+ 8  Ra Tapu    Waiata 58, 59. 40.
+ 9   Manei
+10  Turei
+11  Wenerei
+12  Tarei
+13  Parairei
+14  Hatarei
+
+15  Ra Tapu    Waiata .
+16   Manei   
+17   Turei   
+18  Wenerei
+19  Tarei    
+20  Parairei   
+21   Hatarei   
+                                               
+22   Ra Tapu   Waiata 107.
+23   Manei    
+24  Turei      
+25   Wenerei   
+26  Tarei
+27   Parairei
+28   Hatarei   
+
+29   Ra Tapu    Waiata .
+30   Manei
+
+
+E taia ana Te Haeata i te tahi o nga ra
+o nga marama katoa.
+Te utu  mo  tenei niupepa hia rua hereni
+mo te  Tau te kau ma  rua nga niupepa e
+taia i te tau kotahi.
+Ko nga tangata e mea ana kia taia o ratou
+whakaaro ki tenei niupepa, me tuhituhi a ratou
+pukapuka ki te Kai-Tuhi o Te Haeata, ara ki a
+Te Patara, kei Onehunga.  Ko  te tangata
+e hiahia ana  kia taia tona panuitanga ki
+te Haeata nei, me kawe i tana pukapuka kia
+Te  Wirihana ki te Whare  Perehi o "The
+New  Zealander," ma Te Wirihana e whaka-
+rite utu mo te panuitanga ka taia. 
+
+TE   HAEATA.
+
+      AKARANA, HEPETEMA 2, 1861.
+   NGA TIKANGA  E MUTU AI TE
+              WHAWHAI.
+
+                    NA  RONGOMAU.
+I   III. Ko nga Tikanga e mutu ai te Wha-
+ whai. Kei mea  mai te tangata, kahore
+ he tikanga e mutu ai te whawhai. Ka-
+: ore, he ukanga ano. Kere, i penei o ma-
+ tou tupuna i mua me koutou, otiia, kua
+ mutu ke o matou whawhai penei me a
+, koutou. Ahakoa, Mano tini nga Pakeha,
+he iwi nui rawa, kua mahue noa atu
+| ona pakanga whenua, ona pakinga Maori
+i nei. He iwi maia ano ki te whawhai me
+ ka pokanoa te kino io a ratou, he iwi ma-
+ ia ki te whawhai kaipuke i waenga mo-
+ ana, ki te whawhai parekura i te tua-
+ whenua; otiia, ekore ratou e whawhai ki
+i a ratou ano, pena me komou. Na te aha
+ koia i pai ai? Na te Whakapono. Na  te
+ Mahara !
+    1 Na te  Whakapaho.   Koia tenei ko
+ te kino putake tenei o nga tikanga ka-
+ toa, o mutu  ai te whawhai.   E ki ana a
+ Paora, "E pai ana (e whakapono mo nga
+ mea  katoa, kei reira hoki te korero o te
+ oranga  mo naianei nei, 
+
+
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_2.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_2.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_2.txt	(revision 18423)
@@ -0,0 +1,197 @@
+                                     TE HAEATA.
+tena, te kura, te mahi Pakeha, te mohio-
+tanga o te Pakeha. Kahore he Kura i o
+koutou matua, kuare ana ratou, tupu ku-
+are ana  koutou.  Engari tenei, kua wai
+kura mo a koutou tamariki, kura Maori,
+kura Pakeha, kura pukapuka, kura tuhi-
+tuhi, kura whika, kura whakaatu i nga ti-
+kanga  katoa o te moni, o te rakau, o te
+taonga, o te hoko, o nga mea katoa. Na,
+kia aroha koutou ki te kura mo a koutou
+tamariki, kia ngakau nui ki tena mea.
+Kia mea  he kura ki nga kainga katoa.
+Kia  tika hoki te whakaaro ki te kai-wha
+kaako: e mahi ana ia i te kura mo a kou-
+tou tamariki, e mahi ana koutou i te ora-
+nga mona.   "He  utu ki a ia, e tika nei
+te utu."  Kati te hoko paura, pu, mata;
+engari, ko o koutou taonga kia rongoatia.
+hei utu mea  mo te kura, kia pono ai te
+kura mo  a koutou tamariki.
+   Tetahi: Tukua a koutou  tamariki kia
+akona ratou ki nga mahi Pakeha; kia
+meinga ai ratou he tohunga Pakeha. He
+aha te pai o te tohunga Maori? Kahore
+ra hoki. Heoti ano  tona tohungatanga,
+he kuwaretanga. Ka  ngaro tena tohu-
+ngatanga.  Engari te tohungatanga Pa-
+keha e nui haere ana. Koia ahau ka mea
+ai. kei ngaro o koutou tamariki i te ku-
+waretanga ; tukua kia whakaakona ratou
+e te Pakeha, kia waiho ratou i muri i u
+koutou, hei tohunga mo  te ao nei; hei
+tohunga hanga kaipuke, hei tohunga hu-
+nga whare, hei tohunga ruri whenua, hei
+tohunga mahi rongoa, hei tohunga whatu
+kakahu, hei tohunga tui hu, hei tohunga
+tahu toki, hei tohunga hoki mo nga tini
+mahi  a te Pakeha. Na,  kia tika hoki te
+whakaaro ki nga Kai-tohutohu. E wha-
+kaako ana ia i a koutou tamariki, e mahi
+ana koutou i te oranga mona. He utu ki
+a ia e tika nei te utu." Kati te hoko pau-
+ra, pu mata, ko o koutou taonga, me ro-
+ngoa, hei hoko mea mo o koutou tamariki,
+mo  ta ratou mahi hou, mo ta ratou mahi
+tohunga.
+  Tenei  hoki tetahi. Ko nga mohiota-
+nga o te Pakeha kia riro i u koutou ta-
+mariki : te reo Pakeha, te tuhituhi Pake-
+ha, nga pukapuka Pakeha, nga mohiota-
+nga o te Pakeha ki nga tini mea katoa. E
+taea te korero ena  mohiotanga? Titiro
+ki ona kaipuke tima, ki ona kaata tima,
+ki ona mira, ki ona karaka, ki ona perehi
+ta pukapuka, ki ona mea katoa, kia maha,
+mana  noa atu.  Na ! kia riro enei mea i
+a koutou tamariki, ka tahi ka tino ranga-
+tira, kia ki o ratou ngakau i enei mea, na
+ka tahi ka mutu te whawhai, aro, ka tahi
+ka  kore rawa te ngakau tutu, te hiahia
+whawhai.  Kei mea koutou e kore enei
+mea  e riro i a koutou tamariki, kahore,
+ka riro ano  i a ratou ki te ako. E tika
+ana, e kore e riro katoa i te tau kotahi,
+otiia, rae mahi, me ako, me kura, me ma-
+nawanui, me  ngakau nui. Kua mohio
+ano etahi ki etahi o enei mea, kua mohio
+ki te kamura ware, kua mohio ki te mahi
+paamu,  ki te mahi whiti, ki te huri para-
+oa, ina, kia whai ngakau koutou ki enei
+mea,  ka kitea katoatia. E hoa  ma, kia
+penei ta tatou mahara ki a koutou tama-
+riki, kia whakatupu Pakeha.
+   2. Kia tika hoki te mahara ki o koutou
+kainga, ara, ki o koutou nohoanga.  Ti-
+tiro ki o te Pakeha kainga, e noho huihui
+ana, ara e noho taone ana ; otiia, e noho
+tika ana, he whare ano mo tena tangata
+me  tona hoa, me o rana tamariki, he ru-
+ma ano mo nga, matua. he ruma ano mo
+ia tamariki, mo ia tamariki, he ruma ano
+mo  te manuhiri ; e kore e moe huihui,
+koia tena e te whanau, kia pena koutou.
+Waihoki,  ko nga kai tiaki, ko nga katipa,
+ko  nga kai-whakawa, hei pehi i te kino.
+Ka tino tetahi tangata, ka tahae ranei, kai
+kohuru  ranei, e kore e oho katoa te ta-
+ngata ; e whakaaro ana  ki nga katipa,
+nga kai-whakawa, kua  oti te whakarite
+hei rami i te kino. Haere arm nga katipa,
+hopu  marie ana i te tangata hara, kawe
+marie ana ki te kai-whakawa, whakawha-
+kia marietia ana e ia, whakarite marie
+ana i te utu mo ana kino; heoi ano, ko te
+mano  o nga tangata o te taone, e mahi
+tonu ana  ia tangata, ia tangata, i tana
+mahi  ake ano.  E kore e oho katoa te 
+kainga mo  te hara o  te tangata kotahi, 
+Waihoki, e te. whanau, kia penei he taone
+mo koutou, kia penei he whare mo kou-
+tou, ahakoa, he whare raupo, e pai una.
+kei a koutou hoki te rakau, te toetoe te
+raupo, te harakeke katoa ; kia tika ai te
+noho, kia tika ai te moe: kati te moe hui-
+hui, kia kore ai tenei take o te whawhai.
+Whakaritea  marietia o koutou tamahine, 
+o koutou  taitama, kia marenatia tikatia,
+kia pai hoki he whare mo raua; kia pai
+ai te noho, kia tika ai. Me  ki atu hoki
+ki te Pakeha, kia whakaritea he katipa,
+he kai-whakakawa mo  o koutou taone.
+Ko etahi o o koutou tangata, hei katipa,
+ko o koutou Rangatira, hei whakawa, hei
+pehi i te kino.  Otiia, kia tika te whaka-
+aro o te tangata  ki te inana o te katipa,
+o te kai-whakawa, kia rongo, kia tupato,
+kia whakaao., kaua e whakakake, kaua e
+turi, kaua e pakeke.  Kia penei, e kore
+e tupu te kino i roto i a koutou.
+
+   TE TIKANGA    O TE  NOHO   PUKU.
+HE  mahi tika tenei te noho puku, ki te
+mania  tikatia e te tangata. I whakaritea
+tenei mahi e nga iwi o namata hei tohu
+ripeneta, hei whakamamae i te ngakau,
+hei whakaiti i te tangata.  I whakaritea
+tenei e te Karaiti i tona nohoanga i te
+ao, e whakaritea ana hoki tenei mahi e
+nga  tangata pai inaianei hei whakanui i
+to ratou mahi ki te Atua.
+  Tenei  nga ritenga e tika ai te noho
+ puku, e paingia ai tenei mahi e te Atua.
+  Tetahi, kia pono te mahi, kia kaua te
+ tangata e  kai i te ra e  whakaritea  ;»i
+ tenei mea.  Ka ara po  te iwi ki te tao
+ kai, kai marire ana, a awatea noa e kai
+ ana, kaiahi ka whakamui u, mea tonu iho,
+ e noho puku ana, kahore matou e mo-
+ hio he  noho puku  tenei.  Huaatu, he
+ whakarite kau tena, e tango kau ana i te
+ kupu noho puku, i te mea e ki ana te
+ kopu i te kainoho puku ana i runga i
+ te kopu ki. Engari, ka noho puku, kaua
+ e kai i te ata a ahiahi noa, kei whakarite
+ ngutu kau i tenei mahi tapu. I pera a
+ Ninewe: te kupu  tenei, "Kei  pa kai
+ ratou, me he  aha, me he aha, kei kai,
+ kei inu wai."
+   Tetahi, me whakarite tenei moa i runga
+ i te ngakau ripeneta ki te Atua. Tona
+ tikanga tenei, he tohu ripeneta, e whaka-
+ mamae  ana i te tinana kia rite ki to te
+wairua  mamae,  kua  koingo nei, kua
+ pouri mo ana kino. Na, ko te tangata e
+ mahi tika ana i tenei mahi, e mahi ana i
+ runga i te ngakau pouri mo ana hara,
+ mo nga hara o tona iwi, e kohikohi anu
+ i una kino, e whakina ana ki te aroaro o
+ te Atua, e whakanui ana i tana mahi
+ inoi kia murua nga kino e te Atua. Mo
+ konei te kupu mo Ninewe. kia hipokina
+ te tangata ki  te kakahu  taratara, kiu
+ kaha to ratou karanga ki te Atua. Nu,
+ ko te tangata e mahi kau ana i tenei mahi
+i runga i te whakapehapeha, i te pakeke,
+i te ngakau mahara kore, koingo kore, e
+ mahi a Parihi ana, he mahi tinihanga hoki
+tana ki le aroaro o te Ama.
+   Tetahi, me tahuri ke te iwi e noho puku
+ana i tana ara kino, me whakarere hoki
+ nga he katoa. Ko  tetahi tikanga tenei i
+roto i tenei mahi, he whakaaetanga no te
+ngakau  kia tahuri ke i tana ara kino, kia
+whakarerea.  Ka  kaiponuhia ana he, ka
+purutia tonutia, ka kati tonu ano i runga
+i ana  huarahi haere ai, he horihori to
+noho  puku, e mamingaminga ana ki te
+Atua.  Engari ta Ninewe:  mea ana te
+ kingi, "Kia hoki atu ano hoki nga tangata
+ i tana ara kino i tana ara kino, i te unu
+ ano hoki o o ratou ringaringa." " A te
+ kitenga o te Atua i a ratou mahi, kua
+ tahuri atu ratou i to ratou ara kino, na,
+ ka ripeneta te Atua ki te kino 5 kiia e ia
+ kia meatia ki a ratou, kihai hoki i meatia."
+ Tena ka noho puku te tangata i runga i
+ te he, ka pupuru tonu i ana lake he, me
+ana pakanga, me nga taonga pahua, me
+ nga mauahara, me nga aha noa, he mahi
+ pehea ranei tona ki to aroaro o te Atua?
+ Ma te Poropiti ma Ihaia tatou e korero :
+ tirohia te 58 o nga upoko o tana poropiti-
+ tanga, e ki ana, " Nana, i tera.e noho
+ puku ai koutou e kitea ana e koutou te
+ ahuareka, e akiakina ana hoki e koutou a
+ koutou mea whakamauiui katoa. Nana
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_3.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_3.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_3.txt	(revision 18423)
@@ -0,0 +1,2 @@
+TE  HAEATA.
+Ki te Kai-tuhituhi o te Haeata Waikato NA TE MANIHERA Burmah 		
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_4.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_4.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/12/text/12_3_6_4.txt	(revision 18423)
@@ -0,0 +1,163 @@
+                                    TE  HAEATA.
+TE IWI 1 A IA NGA KARAIPITURE.
+
+  TE TAKIWA o NEHEMIA o TE KARAITI.
+KUA  kite tatou na nga kingi o Pahia nga
+Hurai  i whakahoki atu ki to ratou whe-
+nua.  Na Hairuha  hoki, na Tariuha, na
+Arataherehe  Ringaroa.  Na, pai tonu te
+mahi a nga Pahi ki nga Hurai tae noa ki
+te wa i kore ai to ratou rangatiratanga.
+  Muri iho i te matenga o Nehemia, i te
+tau 408 ki a te Karaiti, i hanga tetahi te-
+mepara ki runga  ki maunga Kerihimi,
+kei Hamana, na Hanaparata Horoni taua 
+whare.  Te take o tenei temepara, ko te
+painga a Nehemia i a Manahe, hunaonga
+o Hanaparata-  Ko  taua Manahe, he ta-
+ma ia na Toara, na te tino tohunga, a ka-
+hore i tika kia marena ia i te wahine iwi
+ke.  Riri rawa atu a Hanaparata, a, i te
+mea kua mate a Nehemia, hanga ana e ia
+tona  temepara, whakaturia ana e ia a
+Manahe  hei tino tohunga. Tu ana taua
+whare  hei rerenga atu ma nga tangata
+tatu o Hiruharama.  Heoiano nga Ka-
+raipiture i whakaaetia e nga Hamari ko
+nga pukapuka a Mohi.  Tirohia te kupu
+a te wahine o Hamaria, Hoani, 4, 20.
+   * "533  nga tau  ki a  te Karaiti, ka
+ puta mai tetahi kingi nui i te taha ki te
+ hauauru, a Arekahanara, kingi o Kariki,
+ e haere atu ana ki te rawhiti, whawhai
+ ai ki nga Pahi, ki nga rangatira o nga
+ Hurai.   Puta mai ana  ki Taira, ki tetahi
+ pa nui ki te taha o te moana nui. i te taha
+ ki te nota o Kanaana. Horo ana i a ia.
+ Na, ko te ahunga mai ki te tonga, te
+ tino wehinga o nga Hurai. Tonoa mai
+ ana e ratou a ratou tangata nunui me te
+ tino tohunga, a Tarua, hei whakamarie
+ i a Arekahanara.
+   "Te  kitenga a taua kingi i te ingoa o
+ Ihowa  e piri ana ki te potae o te tino
+ tohunga, tuohu ana ia ki taua ingoa i
+ tae atu nei te rongo ki a ia. Na, wha-
+ kakitea ana e ratou ki a ia nga kupu a
+ Kamera  mona, ara, te whakaritenga a ta-
+ ua  poropiti i a ia, i mua, ki te koati toa
+ e haere mai ana i te taha ki te hauauru,
+ e rere atu ana ki te hipi toa, ara, ki nga
+ Pahi, e tu ana i te taha o te awa, o Upa-
+ rati, whawhai ai, a hinga ana i a ia.
+    "Te kitenga o Arekehanara i aua ko-
+ rero a ta ratou poropiti, whakapai tonu
+ atu ki nga Hurai;  whakaorangia ake e
+ ia. Haere  tonu atu, riro tonu atu i a ia
+ nga Pahi me nga iwi maha o era wahi i
+  tera taha o Uparati.
+    "Tona  matenga, ka riro a Kanaana i
+  te kingi o Hiria.  Kihai i taro kua riro
+  ano hoki i te kingi o Ihipa. Horo ana
+  a Hiruharama i a ia. Tini noa iho nga
+  Hurai i whakaekea  atu e ia ki tetahi pa
+  i hunga e Arekahanara ki Ihipa, ara, ki
+ Arekehanara."
+
+    *No Te  "Whakapapa"  tenei wahi o te korero.
+  Ko Toreme  Hotere te ingoa o taua ki-
+ngi i Ihipa, nana nga Hurai i whakaeke
+ki Arekehanara.  I te rima o nga tau o
+tona kingitanga i whakaturia a Haimona
+Tika hei tino tohunga  ki Hiruharama.
+E iwa nga tau i mahi ai ia ki te mahi to-
+hunga.  He tangata pai a Haimona, he
+tangata mohio.  Nana nga pukapuka a
+aua tangata, a Nehemia, a Etera, a Ma-
+raki, i apiti ki nga Karaipiture. (292 ki
+a te Karaiti.)
+  Te matenga o Hotere, ka tu ko tona ta-
+maiti, ko Toreme Pirarepena. Na tenei
+te tikanga i tuhituhia nga Karaipiture ki
+te reo Kariki. He  reo Hiperu  hoki le
+reo o nga  Hurai; kahore i mohiotia e
+nga iwi ke atu.  Engari te reo Kariki i
+mohiotia.  E whitu  tekau ma  rua nga
+Hurai nana  nga Karaipiture i whaka-
+maori  ki te reo Kariki.  Ko  Ereatara,
+teina o Haimona Tika, to ratou kauma-
+tua.  Ko  te Hepetuakuniti (Septuagint),
+te ingoa i karangatia ki taua whakamao-
+ritanga mata ati o nga Karaipiture. Te
+tau o tenei whakamaoritanga, 254 ki a te
+Karaiti.  Ko te pukapuka tenei i kore-
+rotia e Paora ma.   He  mahi pai tenei
+whakamaoritanga, no te mea ka tahi ka
+taea e nga tangata iwi ko te korero i nga
+kupu  a te Atua pono.   Ko tetahi mahi
+tenei i whakatikaia nga ora a to tatou
+Ariki a te Karaiti.
+
+  KEI WHAKAWIRIA    KETIA NGA
+          KARAIPITURE.
+
+
+
+
+ano taua mahi i ahu mai i te Atua, he
+pokanoa  hoki na Iharaira. Rokohanga
+mai he kingi ano to ratou ko Ihowa hoki,
+ titiro ano ratou ka whakahawea ki to
+ratou Kingi nui ki a Ihowa, ka mea me
+tangata ano hei kingi mo  ratou.  Kihai
+a Ihowa  i pai i te tuatahi, otiia tohe ana
+ te iwi tutu, kaiahi ia ka whakaaewha-
+kaae ana i runga i te pakeke, whakahe-
+ngia iho, (tirohia 1 Hamuera 10. 18. 19;
+upoko  12, rarangi 17  hoki.  Oti me
+ tango tatou i nga tikanga katoa a Iharaira
+ hei tauira mo tatou ?  Nga tikanga tutu,
+amuamu,  puremu, karakia whakapakoko,
+aha, aha? Kahore,  ekore e tika. Kihai
+ era i tuhituhia kia tauiratia e tatou, engari
+ hei whakatupato era i a tatou, kia tirohia
+ nga ho, kia tirohia nga utu. kei pera tahi.
+ Waihoki   ta ratou tangi ki to kingi mo
+ ratou, ehara i le tauira mo tatou.
+   Te  tuatoru o nga he.  Te kapenga o
+ tetahi wahi o le kupu : e ki ana taua ture
+ a Mohi ki a Iharaira, "Ko ta Ihowa ta
+ tou Atua e whiriwhiri ai ko ia anake tau
+ e mea ai hei kingi mou." Na te Atua ta
+ ratou kingi i whiriwhiri, ka mutu, tonoa
+ ana e ia a Hamuera poropiti ki le whaka-
+ wahi, ki te whakaatu ano ki a Iharaira
+ tana i pai ai. Kihai i waiho ma te tangata
+ e whiriwhiri, ma te tangata e whakaatu.
+ Engari mana ano e whiriwhiri, mana ano,
+ a a, ma tana pononga ma Hamuera e
+ whakaatu.  Tena kowai te poropiti kua
+ tae mai ki nga tangata Maori korero mai
+ ai, me pera ratou, me whakatu a mea
+ hei kingi?
+   Kati te whakawiri ke i nga kupu a te
+ Atua, kei penatia tatou me   nga iwi o
+ namatawhakawiria  ketia ana nga kupu,
+ a "' ngaro iho ratou," e ai ta Pita. Aua
+ te tangata kuare e tango noa i nga kupu
+ tapu, whakangaua ketia e ia ona ritenga;
+ engari me rapu marire ki ona kai-wha-
+ kaako ki nga mea mohio nga mea ngaro.
+ Kei arahi matapo ia i nga tangata, kei
+ tokomaha  ratou ki te he, hinga tahi ana
+ ki le waikeri.
+
+ E KOWHIUWHIU  ana tatou i te witi, otiia e
+ tahuna ana nga papapa ki le ahi. Wai-
+ ho ko te Atua e whiu ana i ana tamariki
+ kia whai hua.  Otiia e whiu ana i te ta-
+ ngata he kia mate.
+i NA te nui o te waipuke i hoki ai te kuku-
+
+
+  
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/23__1.item
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/23__1.item	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/23__1.item	(revision 18423)
@@ -0,0 +1,17 @@
+<PagedDocument>
+  <Metadata name="Title">Matariki 1881</Metadata>
+  <Metadata name="Date">18810423</Metadata>
+  <Metadata name="Number">1</Metadata>
+  <PageGroup>
+    <Metadata name="Title">Supplementary Material</Metadata>
+    <Page txtfile="abstracts/23__1abstract.txt">
+      <Metadata name="Title">Abstract</Metadata>
+    </Page>
+  </PageGroup>
+  <PageGroup>
+    <Metadata name="Title">Newspaper pages</Metadata>
+    <Page pagenum="1" imgfile="images/23__1_1.gif" txtfile="text/23__1_1.txt"/>
+    <Page pagenum="2" imgfile="images/23__1_2.gif" txtfile="text/23__1_2.txt"/>
+    <Page pagenum="3" imgfile="images/23__1_3.gif" txtfile="text/23__1_3.txt"/>
+  </PageGroup>
+</PagedDocument>
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/23__2.item
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/23__2.item	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/23__2.item	(revision 18423)
@@ -0,0 +1,35 @@
+<PagedDocument>
+  <!-- The overall document starts with PagedDocument tag - this should 
+  be the first line in the file -->
+  <!-- This file should be encoded as UTF-8-->
+  <!-- Metadata specified here applies to the whole document -->
+  <Metadata name="Title">Matariki 1881</Metadata>
+  <Metadata name="Date">18810515</Metadata>
+  <Metadata name="Number">2</Metadata>
+  <!-- a PageGroup is used to group pages or groups together, and 
+  shows up as a node in the document tree hierarchy -->
+  <PageGroup>
+    <!-- A PageGroup should have a Title -->
+    <Metadata name="Title">Supplementary Material</Metadata>
+    <!-- A Page in the document. This page only has a text file -->
+    <Page txtfile="abstracts/23__2abstract.txt">
+      <!-- Pages can have metadata too -->
+      <Metadata name="Title">Abstract</Metadata>
+    </Page>
+  </PageGroup>
+  <PageGroup>
+    <Metadata name="Title">Newspaper pages</Metadata>
+    <!-- These pages have an image file and a textfile. 
+    pagenum gets stored as PageNum metadata, and will be used as the 
+    page Title if no Title metadata is specified -->
+    <Page pagenum="1" imgfile="images/23__2_1.gif" txtfile="text/23__2_1.txt">
+      <Metadata name="Title">Page One</Metadata></Page>
+    <Page pagenum="2" imgfile="images/23__2_2.gif" txtfile="text/23__2_2.txt">
+      <Metadata name="Title">Page Two</Metadata></Page>
+    <Page pagenum="3" imgfile="images/23__2_3.gif" txtfile="text/23__2_3.txt">
+      <Metadata name="Title">Page Three</Metadata></Page>
+    <Page pagenum="4" imgfile="images/23__2_4.gif" txtfile="text/23__2_4.txt">
+      <Metadata name="Title">Page Four</Metadata></Page>
+  </PageGroup>
+</PagedDocument>
+
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/abstracts/23__1abstract.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/abstracts/23__1abstract.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/abstracts/23__1abstract.txt	(revision 18423)
@@ -0,0 +1,53 @@
+Matariki
+
+Editorial explaining the principle of the newspaper as to be an
+evening star watching and reporting the deeds of the land-hungry.
+
+Advises that Maori who possess crown grants should retain those lands
+in individual titles rather than place them in trusteeship with a
+committee, trust or company because the lands will be sold with all
+their resources.
+
+A new law for trustees
+
+Subtitled: A defence against wrong.  Reports an article from the
+Herald of Gisborne concerning the devastation brought on Maori from
+misdeeds by trustees of the land.  Describes the introduction of
+legislation regarding succession by a public trust, to land formerly
+possessed by those who left no will.
+
+Judgement of the Supreme Court regarding Pouawa
+
+Report of a court case against Te Riihi [William Lee Rees] and two
+associates who acted as trustees for the Maori land block known as
+Pouawa.  Case overseen by Judges Te Hiira and Oparaina, and assessor
+Retireti Tapihana [Tapsell].  Judgement against the defendants with Te
+Riihi appealing to the Supreme Court, which supports the Maori Land
+Court judgement.
+
+A spider web
+
+Discussion of new legislation for corporatising Maori land, which is
+described as a Pakeha wrong.
+
+To all the Maori people of this land
+
+Notice of the Supreme Court judgement regarding the case between
+Tareha Te Moananui and Te Riihi [William Lee Rees], concerning Rees
+charging Tareha 819pounds 19s 3d as legal costs in relation to land.
+Judgement made against Rees, who is ordered to repay the amount
+immediately.  Writer requests readers submit names of ethical lawyers.
+
+To our Maori friends of the East Coast
+
+Notice from Panera and Paerana, Gisborne, goods for sale.
+
+The sale of Whataupoko
+
+Notice from H.J.Wiini, lawyer, regarding 12,400 acres of the
+Whataupoko land block in the district of Gisborne, Poverty Bay, being
+available for sale.
+
+Notice from H.J.Wiini, lawyer, Gisborne, on behalf of Perihiwa Paaka
+to Wiremu Rii Riihi [William Lee Rees], Wiremu Pere and Riperata
+Kahutia, that land registered as 13175 is for sale.
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/abstracts/23__2abstract.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/abstracts/23__2abstract.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/abstracts/23__2abstract.txt	(revision 18423)
@@ -0,0 +1,45 @@
+The saviour in a dying land
+
+Editorial discussing benefits promised to Maori by a lawyer [William
+Lee Rees] for administering their land, which have not eventuated.
+Cites as examples the case of Paaka [Parker] and Makitanara
+[MacDonald], the Whataupoko land block debacle.  Questions the ethics
+of lawyers' charges for administration of Maori land and asserts that
+60,000 pounds charged for one block, had gone up in smoke.  Names
+other land blocks where Maori had suffered similar detrimental
+effects.  Questions the unnamed lawyer's ability to be a trustee for
+Maori land.
+
+A trustee for the trustees
+
+Discusses the role of a trustee and advises against the establishment
+of landholding companies.  Advises about the authority of government
+to purchase Maori land and the untrustworthiness of land-grabbers.
+
+Raetotara
+
+A story for children about a minister who becomes a lawyer to
+represent Maori in land deals.
+
+A story.  The doctor and the oysters
+
+An entertaining story about a doctor, his trainee and the result of
+possible ways to diagnose a patient's illness.
+
+To all the Maori people of this land
+
+Notice of the Supreme Court judgement regarding the case between
+Tareha Te Moananui and Te Riihi [William Lee Rees].
+
+Notice from H.J.Wiini, lawyer, Gisborne, on behalf of Perihiwa Paaka
+to Wiremu Rii Riihi [William Lee Rees], Wiremu Pere and Riperata
+Kahutia, that land registered as 13175 is for sale.
+
+To our Maori friends of the East Coast
+
+Notice from Panera and Paerana, Gisborne, goods for sale.
+
+The sale of Whataupoko
+
+Notice from H.J.Wiini, lawyer, that the Whataupoko land block is
+available for sale.
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_1.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_1.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_1.txt	(revision 18423)
@@ -0,0 +1,155 @@
+MATARIKI.
+
+
+
+" KO IA HE TARINGA ONA HEI WHAKARONGO ME WHAKARONGO."
+
+NO. 1. SUPPLEMENT TO THE " AUCKLAND FREE LANCE," APRIL 23, 1881.
+
+
+
+MATARIKI
+
+APERIRA 23, 1881.
+
+
+
+Ko ahau, ko MATARIKI, te whetu o te
+ahiahi, e tarewa atu nei i runga i te pae,
+
+e titiro atu ana, e whakina atu ana tau
+
+whetu ki nga mahi a nga Kaiwhakamate
+
+i a koutou whenua. E ara tonu ana
+ahau i te ra, i te po, e heteri aua ahau, i
+nga mahi kino, e mahi ana ki runga ki a
+koutou whenua. E karanga atu ana
+hoki ahau. Aue! E hika ma E! Ka
+mate koutou! Ka mate koutou! Ara
+o koutou whenua.
+
+E rite ana ki tetahi pukapuka u kore-
+rotia ana e koutou, i pena taku mohio-
+tanga ki to korero kia koutou i nga wha-
+kaaro a nga kaiwhakamate i o koutou
+whenua.
+
+I roto i nga tau kua pahure ake noi
+he nui nga mate mo nga whenua i kitea
+atu. I kitea atu e au nga tane, nga
+wahine, nga tamariki, nga pani, nga
+pouaru e tuku atu ana o ratou whenua
+ki te ringaringa o tetahi tangata ke pu-
+puri ai. Kia ki atu ahau, kaore e mau
+Aka hoki atu ano kia koutou.
+
+Whakina atu ana hoki taku whetu ki
+ana pononga-utu, e haere ana ki roto i a
+koutou, e whakawai ana ia koutou, e
+mea ana kia koutou " Tuhi tuhi! tuhi
+" tuhi! Kia matou pukapuka. Kei
+" konei he oranga mo a koutou whenua.
+" Ma reira hoki ka puta nui te moni kia
+" koutou. Ka pena tonu te nui o te
+
+" moni, me te hirere wai e maringi mai
+'' ana i runga i nga maunga."
+
+Katahi ano, ka tiro atu, E! Ka koa
+nga ngakau u tu hunga whakawai, a,
+mai ra.
+
+No taku kitenga atu i enei mahi he
+ki runga ki au, no tu mea, ko to koutou
+matua tenei i te ao nui, ku u koutou
+whenua, hei oranga mo koutou, ara, mo
+o koutou tamariki e tupu aku ana i rutu
+i te takiwa o tu Pakeha. Koia anu
+hoki te mea hei whakarangatira ia ratou
+hei whangai i a ratou, E mohio ana
+huki koutou ki nga tu tangata kaore
+nei o ratou whenua e haere noa aua i
+nga rori, a, kaore he taunga iho mona
+ki raro, a, matu noa ia. Na, E hika
+ma, ko taku mua, kia pena koutou inai-
+anei. Kaore he aroha e te tangata ke
+kia koutou. Kua hoatu e te Kawana-
+tanga he Karauna Karaati ki koutou,
+
+mo o koutou whenua. Puritia nga wahi
+hei oranga mo koutou. Ko nga wahi e
+toe ana, me he mea ka hiahia koutou ki
+te tuku, he huarahi marama ano mo
+tena. Kaua e tuku atu i o koutou
+whenua, ki etahi Komiti, ki etahi kaiti-
+aki noa iho ranei Kaua ano hoki e tuku
+i o koutou whenua i runga i nga ritenga
+Kamupene. Kia ki atu ahau kia kou-
+tou, he mate ano kei roto i ena mahi.
+Te mea tika anake ina ka hoko atu te
+whenua, me noti, me koura, me hirivva,
+Haere atu ana te whenua, haere mai ana
+te moni. Inakoa i runga i tetahi wha-
+kataua kia o koutou tupuna,' " Haere
+maaha, Waiho maaha." Tena, ko te
+
+tuku atu ki nga tangata ke noa iho wha-
+kahaere ai, kaore he tika mo koutou i
+roto. Ko te whenua te rawe i pahure?
+
+
+
+He Ture hou mo nga Kai-
+tiaki.
+
+He arai atu i te he.
+
+
+
+KUA kitea nuitia te he o te mea o to kai-
+tiaki. He nui nga tangata e mate ana i
+runga i tu ratou tukunga atu i o ratou
+whenua, taonga, ki etahi tangata hei tiaki
+ui. Kitea iho ana, tino pau atu aua whenua
+me nga huanga o roto i; ma kaitiaki. Ko
+nga tangata nona eke nga whenua, nga
+taonga, tino mate atu. Ko te mate hoki
+ra tenei, i tino poharu rawa atu nga ta-
+ngata nona tu whenua i runga i te whaka-
+haere he a nga kaitiaki.
+
+E ki ami te nupepa Pakeha, tu Herald
+o Turanga, kei te mohio noa atu nga ta-
+ngata o taua kainga ki nga mahi he i
+mahia e etahi o nga kaitiaki o Nui Tireni.
+E ki ana hoki taua niupepa, he nui rawa
+atu to mate o nga tangata nona nga
+whenua, ngu taonga, i runga i te pokanoa
+o nga kaitiaki ki te kai ngaro i nga moni
+u puta ana i roto i nga whenua nga taonga
+ranei e tiakina o ratou. Na, i tenei, ka
+titiro to Paremata a tenei tau, i enei he.
+Ka tu te Paremata, ia Mei ia Hune ranei e
+haere aku nei ka tahuri ratou ki te hanga
+i tetahi ritenga hou, mo tenei mahi, hei
+whakaora i nga tangata e tukuna atu ana
+o ratou whenua ki nga kaitiaki noa iho,
+kia taea ai hoki to titiro ki te tika ki te he
+ranei o nga mahi a nga kaitiaki noa iho.
+
+He whakaatu atu tenei ki nga Maori,
+tenei ano Te Tino Kaitiaki a te Kawana-
+tanga, he Kaitiaki mo Te Katoa, ara, mo
+nga tangata e mate wira-kore ana, mo nga
+tamariki e ona whanaunga kore ana, mo
+ngu whenua, me nga whenua taonga ranei
+kaore e mohiotia, nowai ranei, no wai
+ranei. Me hemea ka ho te mahi a taua
+Tino Kaitiaki ma te koroni tonu o Nui
+Tireni e utu to hunga no ratou te whenua
+tiaki i mahia hetia. Na, ko etahi kaitiaki
+noa iho, me he mea ka he o ratou, whaka-
+haere, mehemea ka tangohia ketia nga
+moni. mehemea kaore a ratou moni hei niu
+ia ratou hara, katahi ka tino mate rawa
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_2.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_2.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_2.txt	(revision 18423)
@@ -0,0 +1,216 @@
+MATARIKI.
+
+koutouara, te hunga na ratou i whaka-
+tu nga kaitiaki.
+
+Koia ra te takehei arai atu i tenei, tu
+mate, i whakaarohia nuitia, kia hangaia e
+te Paremata, tetahi ritenga hou, kia ahei
+ai te whiu i nga kaitiaki e mahi he ana.
+Ko te ritenga hou tenei; Mehemea ka
+tuku atu tetahi tono ki te Tino Kaitiaki
+mo te Katoa e whakaatu atu ana kiaaia
+nga take, katahi ka whaimana ia ki te tono
+atu ki aua kaitiaki kia whakaatutia mai e
+ratou kiaia, a ratou mahi Tiaki katoa, me
+nga moni katoa i riro mai kia ratou, me
+nga tikanga katoa o te ratou whakahaere.
+
+Na, mehemea, e kite ana, he e te wha-
+kahaere a aua Kaitiaki noa iho, ka whai-
+mana te Tino Kaitiaki kia tuku atu ratou
+kia tino whakawa kia, kia homai utu ranei
+aua kaitiaki noa iho mo a ratou he, kia
+tukuna atu ranei ratou ki te whareherehere
+mo to a ratou hara.
+
+Akuanei ka piri te ngakau o nga kaiti-
+aki e mahi he ana.
+
+
+
+Whakatunga a te Hupirimi
+Kooti mo Pouawa
+
+
+
+I ENEI ra kua hori ake i tuhituhi etahi
+tangata Maori no ratou Pouawa o ratou
+ingoa ki tetahi Pukapuka Tiaki e whaka-
+tutia ana ko Te Riihi me ona hoa tokorua
+hei kaitiaki mo taua whenua. Na, no te
+taenga mai o nga Kaiwhakawa o te Kooti
+Whenua Maori ki Turanganui katahi ka
+tono atu Te Ruhi kia wehewehe a taua
+whenua, kia whakataua ki a ia me ona hoa
+tokorua te kau ma rua mano eka o taua
+Poraka. He roa te whakarongotanga a
+nga kaiwhakawa ko Te Hiira raua ko Opa-
+raina, me to raua hoa Retireti Tapihana te
+Ateha ki nga korero a Te Riihi. Ko ta Te
+Riihi i tohe atu ai ki te Kooti, ko taua
+Pukapuka Tiaki a nga Maori ki a ia me
+ona hoa tokonui nga kaitiaki mo Pouawa,
+he tino hoko tika i runga i nga ritenga o te
+Ture. A, kia whakapumautia tonutia kia
+ratou tokotoru taua wahi, me te mea no
+ratou tonu ake te kainga. Heoi. Kaore
+te Kooti Whenua Maori e whakaae ki te
+tono a te Riihi. Na, ka tahi ka whakaaro
+te Riihi ki haere ki te Hupirimi Kooti, ma
+reira e whakamana mai ona tikanga
+Ehara. Kore ana te Hupirimi Kooti e
+whakaae. Ko te whakataunga a te Hupi-
+rimi kaore e whaimana taua Pukapuka.
+
+
+
+He Tukutuku Pungawere-
+ware.
+
+KUA rongo matou ko te tikanga hou e wha-
+kaarohia ana inaianei mo te taha ki nga
+whenua Maori, he mahi Kamupene. He
+Pakeha he. Maori nga tangata o taua
+hunga. Ma nga Maori e tuku atu o ratou
+whenua ki tana hunga. Na, he hoa ma,
+ko te mahi tenei a tenei hanga, te pure-
+hua, Ae rere tonu ki runga ki nga kanara i
+te tukuia e ka ana.
+
+
+
+Ki nga tangata Maori katoa
+o te Motu nei.
+
+HE whakaatu tenei kia kite mai koutou i
+te whakataunga a te Hupirimi  Kooti i te
+whakawa a TAREHA TE MOANANUI
+mua ko TE RUHI, Roia.
+
+Kotahi tau o tenei whakawa e haere anu
+i Poneke, a, tae mai ki Nepia. Na, whiri-
+whiritia ana e te Hupirimi Kooti, kitea ana
+KO TE RUHI TE MEA I HE. I TINO
+WHAKAHENGIA TE RUHI E TE
+HUPIRIMI KOOTI mo nga moni a Tare-
+ha i riro kia aia, ara, i puritia e iatana
+kii mo ana mahi roia, mo nga whenua a
+Tareha. Na, ki ana Te Hupirimi Kooti,
+me Tareha hoki, he he taua puritanga i
+taua moni, ara, i te waru rau pauna, i te te
+kau ma iwa hereni, me etoru kapa
+£819 19s 3d.
+
+Ko te kupu tenei a Te Hupirimi Kooti,
+kia utua e ia, e Te Riihi tenei moni £819
+198 3d kia Tareha INAIANEI.
+
+Kua tae atu hoki kia Te "Riihi, i Tura-
+nganui te tino tono a te Hupirimi Kooti
+kia utua taua monime te kupu ki hoki
+a Te Hupirimi Kooti kia Te Riihi, kaore e
+tika tana mau i te £819 19s 3d moni a
+Tareha.
+
+I ki ano hoki Te Hupirimi Kooti,
+Kaore i marama nga mahi i kiia e Te
+Riihi i mahia e ia ma Tareha.
+
+Kaore i marama te ra, te marama, te tau
+ranei, i mahia ai e Te Riihi ana mahi mo
+Tareha.
+
+Kaore hoki i marama i mahia ranei taua
+mahi mo Tareha, mo etahi Maori ke atu
+ranei.
+
+Kaore hoki i marama mo te
+whenua, mo te whenua ranei, aua
+mahi a te Riihi.
+
+I whakakorea rawatea e Tareha aua mahi
+a Te Riihi ki runga ki a ia. 1 ki hoki taua
+kaumatua, kaore rawa a ia i whakatu te
+Riihi hei mahi i nga mahi mo te taha ki te
+waru rau pauna. Na, tae noa ki ta kai-
+whakamaori a te Riihi o mua, ara, kia Te
+Waiti kaumatua, he kaiwhakawa hoki aia.
+Ko tona kupu tenei ki te Hupirimi Kooti,
+i tino whakakorea rawatia a Te Riihi e
+Tareha i runga i aua mahi.
+
+No muri mai i taua whakakoretanga
+tohetohe tonu te Riihi ki te tono utu kia
+Tareha, A, kitea ana e Te Hupirimi Kooti,
+e he ana te mahi a te Ruhi.
+
+KATI, KO TE TINO WHAKATAU-
+NGA TENEI A TE HUPIRIMI KOOTI
+ME UTU E TE RIIHI. KIA TARE-
+HA INAIANEI EWARU RAU PAUNA
+TE EAU MA IWI HERENI ME TE
+TORU KAPA£819 198 3d
+
+Na Tareha taua moni na Te Riihi i pu-
+puri pokanoa.
+
+Na, e haere atu ana tenei panui, i te
+Tonga nei. E ahu atu ana ki o ratou
+whanaunga ki o matou hoa i te Tai Ra-
+whiti, a rauna noa te Motu nei.
+
+E hoa ma i Kia noho tatou i runga i
+te matauranga, i te mohiotanga, Mehemea
+ana ka tono tatou ki te tahi roia kia mahia
+e ia a tatou mahi, tonoa ki a ia, kia mara
+
+ma tana utu mo tana mahi i te tuatahi, a,
+ka tiro atu tatou e pai ana, a, tuhia rawa-
+tia ki te pukapuka tana whakaaetanga-a-
+
+katahi tatou ka whakaae. Tenei, ko te
+kuhu noa i roto i te pouritanga. AUE!
+E hika ma E! Ka mate tatou! Ka mate
+tatou! Ko totatou tino takanga tena ki
+te ahi whanariki, mamae mutunga kore,
+ake tonu atu.
+
+
+
+KIA O MAUA HOA MAORI O TE TA
+RAWHITI.
+
+Ehoa ma,Tena koutou kua tae ki te
+takiwa he pupuhi manu. Na, Kanui te manu
+o tenei tau. Ka nui te momona. Kati Kia
+kaha koutou ki te pupuhi manu i tenei tau.
+Ki te hiahia koutou ki te Paura, ki te Hota,
+ki te Tingara, me haere mai koutou ki te
+whare maitai o Panera raua ko Paerana hoko
+ai. Kei a maua hoki nga pu tino pai, hei
+pupuhi manu, he pu tupara, he pu haki
+mana, me etahi tu pu atu. Mehemea e hia-
+hia ana koutou kia whakapaitia a koutou pu
+me haere mai ano koutou ki a Panera raua
+ko Panera. He maha hoki nga pu kei a
+maua. He ngawari te utu. Kia mohio
+koutou me haere mai koutou kia maua, kia
+Panera raua ko Paerena i te whare maita
+i Kihipane. Ko te tino whare tenei o te
+Tai Rawhiti hei hoko i nga Paura, Hota,
+Tingara, Pu, me aua tu mea katoa. Kei a
+maua hoki nga Kakahu Wahine, Kakahu
+tane, Kakahu tamariki nga hu tane nga hu
+wahine me nga nohoanga tane nohoanga wa-
+hine, me te Te Huka, Paraoa. Kei a maua
+hoko nga pamu, nga rakuraku me aua tu
+mea katoa hei mahi paamu.
+
+ENGAWARI ANA TE UTU.
+
+Kei wareware koutou, na o koutou hoa, na
+PANERA RAUA KO PAERANA,
+
+I TE WHARE MAITAI,
+KIHIPANE.
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_3.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_3.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__1_3.txt	(revision 18423)
@@ -0,0 +1,130 @@
+MATARIKI.
+
+TE HOKO O WHATAUPOKO.
+Ka tino hokona rawatia to
+
+12,400 nga eke o Whataupoko
+Poraka, nui atu, iti iho
+ranei.
+
+Ko taua whenua e takoto ana i te takiwa
+o Papati Pei, e tutata ana ki te taone o Kihi-
+pane.
+
+Ko tenei hoko i runga i te tono o Paaka,
+te kaitango mokete. Ka haere hoki tenei
+hoko i runga i te whakahaere o te Kai Rehi-
+ta o te Hupirimi Kooti i Nepia i raro i nga
+tikanga o te Ture whakatikatika i te ture
+hoko whenua, 1860, i raro hoki i nga tikanga
+o te Tare, 1870, e whakamana ana nga kai-
+tango mokete ki te hoko i nga whenua i
+moketetia kia ratou.
+
+Na, kua tae atu te tono ki a PITI raua ko
+PENETI, na Paora A.F. Paata, kai Rehita
+o te Hupirimi Kooti o Nepia i tuku atu taua
+tono kia rana I RUNGA I TE WHAKAAE-
+TANGA o ke kaitango o te mokete kia ho-
+kona, kia maketetia mutia i ta raua
+whare makete i te taone o Kihipane a
+TE PARAIRE, te 29 o nga ra o APEREIRA,
+1881, i te rua haora me te hawhe i muri iho
+i te tina.
+
+WAHI TUATAHI e hokona ana.
+Katoa o taua piihi whenua tona nuinga
+12, 400 nga eka, nui atu iti iho ranei, tetahi
+wahi o
+
+WHATAUPOKO,
+
+i te takiwa o Turanga, Papati Pei. Koia te
+
+whenua i whakahuatia i roto i tetahi puka-
+puka, a, i raro i te mana o taua pukapuka, i
+runga hoki i ana tikanga e hokona ana e te
+kai tango i te Mokete e PAAKA taua whenua.
+
+KO TE WAHI TUARUA.
+
+Te whaitaketanga, me te paanga tera e
+riro mai ki te kai tango i te mokete i runga
+i tetahi kotahi mano eka kaore i uru ki roto
+ki te 12, 400, i muri mai i te utunga atu i nga
+moni £6600 me nga inatareti i whakata
+turutia ki tetahi tangata ke (ko te wahi tenei
+e mohiotia ana kei a Makitanara) e nga kai
+tuku i te mokete.
+
+KO WHATAUPOKO
+
+Ko tenei whenua e hokona ana i runga i te
+tono a PAAKA e takoto ana ki te hangai-
+taunga ki te taone, a, ko te awa o Waimate
+te rohe i Waenganui i taua whenua, me nga
+whenua e mohiotia nuitia ana ko Pouawa me
+kaiti.
+
+Ko nga ritenga enei mo te hoko. Kotahi
+wahi o nga wahanga e wha o te moni, ara
+tetahi koata ka utua tonutia i te takiwa tonu
+ka hokona te whenua ko WHATAUPOKO.
+Ko te toenga o te moni me utu i te whakao-
+tinga o te pukapuka tuku i roto, i nga ra i
+whakaritetia i runga i nga tikanga o te hoko.
+
+Eo nga tangata e hiahia ana ki te patai mo
+nga tikanga mo te taha ki te hoko, me ui
+atu ratou ki te Roia mo Paaka i Kihipane
+ara kia.
+
+H. 3. WIINI,
+
+Roia, Kihipane.
+
+Kia WIREMU RII RIIHI, no
+Nepia aia i mua, engari, no Kihi-
+pane, Papete Pei, inaianei, i roto
+i te koroni o Nui Tireni, roia, kia
+WIREMU PERE, kia RIPE-
+RATA KAHUTIA, no tana
+Papeti Pei, ano raua, he tangata
+Maori.
+
+KIA MOHIO KOUTOU, kia kotahi
+marama i muri i ho i te panuitanga
+i tenei panui i roto i nga nupepa erua i taia
+i Kihipane me nga niupepa erua i taia i
+Poneke, ka hokona e au ka tukuna atu
+ranei e au kia hokona kia maketetia, nga
+whenua i whakaatutia i roto i tetaki puka-
+puka mokete i tuhia i te 25 o nga ra o Pepuere,
+1879, (i rehitatia i te tari Rehita Pukapuka
+i Nepia i raro i te nama 13175). Ko taua
+pukapuka i waenganui ia koutou o tetahi
+taha, me au ko PEREHIWA PAAKA, i
+whakahuatia i raro iho nei o tetahi taha.
+Na, ka hokona, ka makete tia aua whenua,
+ki te kore, koutou e utu mai ki au nga tino
+moni pukai i whakatuturitia mai ki au i runga
+i taua pukapuka mokete, te toenga ranei, me
+nga inataretenga moni whakapiki katoa,
+e tika ana kia utua ki au i runga i taua puka-
+puka, mokete.
+
+Na, tenei ano hoki tetahi, kia mohio
+koutou, ko te take i tukuna atu e au tenei
+panui kia panuitia, koia tenei,ara,kaore
+ano koutou i atu mai ki au nga tino moni
+pukai me nga moni inatereti  nga moni
+whakapiki i whakaaetia i ranga i nga ritenga
+i whakaatutia i roto i taua pukapuka mokete.
+
+I tuhia i tenei te 12 o nga ra o Maehe
+1881.
+
+NA PERIHIWA PAAKA.
+HIU J. WUNI,
+
+Roia, Kihipane.
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_1.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_1.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_1.txt	(revision 18423)
@@ -0,0 +1,172 @@
+MATARIKI
+
+" KO IA HE TARINGA ONA HEI WHAKARONGO ME WHAKARONGO."
+
+No. 2. TAURANGANUI, MEI 14, 1881.
+
+
+
+Matariki.
+
+MEI 14, 1881.
+
+
+
+Te Kaiwhakaora i nga
+Whenua mate.
+
+I nga tau e toru kua hori ake nei, ka
+tae mai te Roia hei whakahaere i nga
+Maori o tenei takiwa, ara, o Turanga.
+
+I ki ia i reira, he pirau rawa nga
+tikanga hoko i nga whenua Maori o
+tenei takiwa. A, hei mea, kia taea ai
+te tika me te pono, koia te take i kara-
+ngatia ai ia kia haere mai, mana e
+whakatikatika aua mea katoa, kia
+takoto ai nga mahi pera mo a muri ake
+i runga i nga huarahi marama. I mea
+ano ia " e hara taku i te whakahe, i te
+whakararuraru, erangi, he whakatika-
+tika i nga he katoa u mua, a, he hapai
+hoki i nga mea i tika."
+
+Na, e hoa ma, e haere ana tenei ki te
+toru o nga tau, He aha te mea kua
+pahure i a ia? Kaore noa iho. I pau
+tena takiwa roa i a ia ki te mahi wha-
+kawa tekateka noa iho i nga tangata e
+whakatete ana ki aia. He kai pakari
+nana te maua hara. Kua kitea he
+parati tona rupahu. I te tuatahi ra he
+tangata ia e mau ana ki te rangimarie. 
+He aha ra i hoa riri ai nga tangata o
+nga wahi kotoa ki aia? He aha ra i
+kore ai e taea e ia te whakaotioti nga
+mahi nunui i tangohia nei e ia ki roto
+ki tona ringaringa i tona taenga mai?
+Kua rite ano ranei ana mea i korero ai
+mo Whataupoko?
+
+I mangai nui ia, i ki, kaore rawa i tika
+te take o Paaka raua ko Makitanara,
+erangi ko te whenua ka hoki katoa mai
+i a ia. He aha ra i kore ai e tutuki
+tera kupu ana? Ehara ia nei i te mea
+na tona kore-roro ki te whakahaere
+ritenga mo runga i taua whenua i hore
+ai e puta ake he pai ki runga ki nga
+Maori?
+
+I whakaatu tetahi tino tohunga-mahi-
+whika i mua ra, he nui te mate mo nga
+Maori i roto i aua whakaritenga, no te
+mea, i runga i te haua o te Kaiwhaka-
+rite, tau ke ana te painga ki te taha
+Pakeha. A, tika tonu taua kupu. Kei
+whea koki a Whataupoko inaianei?
+Kei whea hoki ra te £60, 000 i kiia nei e
+taua Wahahuka, ka puta mai i roto i
+tana mahi, a,, ka whakahaerea hei oranga 
+mo nga tangata o te Karaati o Whatau-
+poko? Me he auahi te whakangaro-
+manga atu!te kitea
+
+Otira, ka pena katoa nga mahi a tena
+tangata i whakatu noa nei i a ia hei
+Kaitiaki. - Ko nga tangata kua ate
+mataki taki i nga mahi a tena Pakeha
+i nga wahi katoa e noho ana ia, kei te
+tino mohio he pera anake nga mahi e
+hangaia ana i roto i a Ia, ara, kaore rawa
+atu he paku kiko o roto. Kaore ia e
+mohio ki te whakahaere tikanga mo te
+ora. Ki tana mahara pena tonu te
+titiro atu a te katoa ki ana ritenga, me
+tana tonu ake. Nowhea hoki e pena te
+tangata marama? Ko nga tangata
+kore whakaaro anake e raru ana i tana
+tinihanga.* A, ko nga Maori ano hoki
+tetahi i te mea, kaore ano ratou i whi-
+whi ki nga matauranga o te Pakeha.
+Kaore e ahei ia ratou te whiriwhiri, te
+utu tika mo ana rawa. Heoi mo Wha-
+taupoko.
+
+Tena! He aha te oranga, te painga
+ranei, kua puta ki nga Maori i runga i
+Pakowai, i whakaaetia e Te Honehana
+kia whaka hokitia tonutia ki nga Maori
+hei whenua tuturu mo ratou Kei a
+wai a Pakowai inaianei? Kei nga
+Maori? Ehara. He aha te oranga, te
+painga ranei kua puta ki nga Maori i
+runga i Maraetaha, Te Kuri Te Kaiparo,
+nga poraka whenua Matawhero, ara, nga
+whenua katoa i tukuna e nga Maori kia
+ whakahaeretia e taua roia. Kei whea
+nga Heke i haere mai nei i tawahi hei
+noho mo Pouawa? A whea ra oti ai a
+Kaiti? Kua hoki ano ki nga Maori
+nga whenua i hokona nei kia Te Rire
+kua mate?"E hara i a nei hoki." Ka-
+tahi ano te waha huka, ko te Pakeha e
+
+tiaki nei i nga whenua o nga Maori,
+nana hoki te ki ka Taea katoatia e ia
+era mahi. Heoi. " E kore hoki te ra-
+kau ataahua e hua i te hua kino; e kore
+ano hoki te rakau kino e hua i te hua
+ataahua."
+
+
+
+He Kai Tiaki Mo Nga Kai
+Tiaki.
+
+No te nui rawa o te tikanga o rotu i
+tenei mea i te Kaitiaki, kitea ana e te
+Kawanatanga e tika ana kia whakaturia
+tetahi tangata whakaaro rangatira, whi-
+whi  matauranga hoki, hei tiaki, hei
+whakahaere i o nga rawa o era tangata, e
+noho haua ana, kaore nei e kaha ki te
+whakahaere ia ratou taonga. I peneitia
+te tikanga, no te mea i kitea te whaka-
+haere kino a nga kaitiaki whakatunoa 
+iho nei, ara, te tahuri ki te whakawhiwhi
+i nga tangata e whakahaera ana e ratou
+i runga i te tiaki, anga ke aua te kaitiaki 
+ki te whakapau, ki te whakangaro, ki te
+kai noa iho i nga mea i tukua ra ki te
+ratou ringa pupuri ai. No reira ka kitea
+
+he tikanga nui kei roto i tenei mea u
+Kai tiaki. He mana nui kei roto i tera 
+mea. E taea ana e te ngakau kino te 
+whakahaere kino, e te ngakau pai te
+whakahaere pai. Ko nga mea e hiahia
+ana ki te hoko i o ratou whenua, me
+hanga tonu te haere ki te kai hoko me
+riro rawa mai ki o ratou ringaringa te 
+utu o te ratou whenua, me nooti, ma
+hiriwa, me koura ranei. Kia tupato
+rawa i nga mahi. Kamupene, e noho
+nei he pukapuka ke, he kupu a waha ke 
+
+te moni ia ratou.
+
+Kaua rawa e moumou i nga moni utu
+o o koutou whenua. Ko nga whapu, ko
+nga pereti, ko nga mea hei painga mo te
+katoa, a, ma nga tangata katoa e utu,
+no te mea, ko te Kawanatanga ke to
+hunga whakahaere i era mea; a, ma nga
+tangata katoa, Pakeha, Maori, e whai
+kohaki a ia mo aua mahi.
+
+Ko nga tangata e whakahau aua ia
+koutou kia mahi i era mahi, a ma koutou
+tonu e utu, he kohuru tena ia koutou, e
+hara i te mea he whai ta ratou kia ora
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_2.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_2.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_2.txt	(revision 18423)
@@ -0,0 +1,265 @@
+MATARIKI.
+
+koutouKaorehe mea ke, kia whiwhi
+ko ratou, kia mate ko koutou.
+
+Heoi. Kia tupato i te wa e taea ana;
+
+kei maro tonu te haere, te whai okioki-
+nga, te aha.
+
+Whakakorea atu nga tikanga Kaitiaki
+inaianei tonu kei taka rawa ake ki ona
+ra a pouri nei, kua tureiti, te whai mahara.
+
+
+Rae-Totara.
+
+Rae-Totara. He korero tara mo nga
+tamariki.
+
+UPOKO I.
+
+Tena, ka noho matou, a, ka tahi ratou
+ka haere ki te moana ki te hi ika. Hi ana,
+a, ka ahiahi ka hoki mai. To matou unga
+mai ki uta ka totoia o matou waka ki
+tahaki. Ka tahi matou ka haere ki te
+kainga, me a matou ika. Haere atu ana, e
+ka ana nga hangi. Ka tae atu hoki nga
+ika, a, ka whakataona. Ka tao nga umu,
+ka tahi ka hui matou ki roto ki te whare
+runanga.
+
+Ka rokohanga atu o matou tetahi
+kaumatua, ko Te Toonga Ra tona ingoa,
+e korero ana tona korero ki te iwi kainga.
+Ka tae Ia tenei kupu, nana, " E hikama, i
+au e haere ana i te whenua i mua ra; ka
+rongo au i te korero mo tetahi tangata i
+whakaturia hei minita karakia.
+
+Na, mahi ana taua minita i taua mahi.
+A, kitea ana e tona hahi, tona he. Ka tahi
+ka nui te riri o nga tangata ki a ia. Ka
+tahi a ia ka whakatakatia  ki raro i te torona.
+Na, E hika ma, ka hinga taua tangata i
+runga i tona mahi karakia.
+
+Ko te ingoa o taua tangata ko RAE-
+TOTARA.
+
+UPOKO II.
+
+No te mutunga o te mahi a, Rae-Totara i
+reto o te hahi, katahi pa mai te wehi ki a
+ia. Katahi ka whakaaro a ia, " Me pehea
+ra, he oranga moku, ina hoki, kua hinga au
+i era i mahi karakia oku."
+
+UPOKO III.
+
+Na, i tahuri a ia kite mahi roia, ma reira
+ka whiwhi ai ki tatahi oranga mona. Na,
+mahi ana a ia i tana mahi. Kitea ana e
+nga tangata o tona iwi he he ana mahi.
+
+No te mohiotanga o nga tangata o tona
+
+ iwi ki a ia, katahi ka riri atu ratou ki a ia.
+Katahi ka omaoma haere a ia ki ia kainga,
+ki ia kainga. Na wai ra hoha noa iho taua
+roia i te nui o te whakatete ki a ia. Kaore
+he taunga iho mo ona waewae i te nui o te
+riri.
+
+UPOKO IV.
+Na, i te whenua i mahi ai taua roia.
+
+minita i tana mahi roia, e rua nga tino iwi e
+noho ana i* reira. Ko te Iwi Tawhito, ko
+te Iwi Hou. No te Iwi Hou Rae-Totara.
+Otira kihai tona iwi ake i whakaaro nui ki
+a ia. Kua marama hoki te take.
+
+Katahi ka pena te whakaaro a Rae-Totara
+
+Kua mutu taku mahi minita. Kua kore
+
+toku iwi i pai mai ki au, hei kaiwhakaako
+mo ratou i runga i taku mahi roia. Heoi.
+Me pehea ra ahau."
+
+UPOKO V.
+
+Ko taua iwi ko Iwi Tawhito nui noa atu
+to ratou, matauranga ki o ratou tikanga
+whakahaere, ki o ratou ture ake Otira,
+ngaro ana ia ratou etahi o nga tikanga nui
+o te Iwi Hou, koia hoki te tino iwi o aua
+iwi erua.
+
+Na, whakatika ana a Rae - Totara,
+whakaaro ana a ia i roto i aia, '"Kaore toku
+iwi ake i pai mai ki au hei minita hei kai
+whakaako ranei mo ratou. Heoi ka huri
+au ki te Iwi Tawhito ki te Iwi kaore ano
+mohio ki te kino o taku Iwi ki au."
+
+A haere atu ana a ia ki tetahi wahi ke, i
+roto i te Iwi Tawhito kauhau ai. Ko tona
+arero tona hoari.
+
+Ka mea atu aia ki te Iwi Tawhito i te
+kino o te mahi a tona iwi kia ratou. I mea
+atu ano hoki a ia kua tinihangatia ratou o
+te Iwi Hou, ara etahi o tona iwi ake. Ki
+tana ki i whanakotia  e etahi o ratou nga
+whenua o te Iwi Tawhito he kore kaore
+ratou e mohio ki nga ture o to Iwi Hou.
+
+A, tetahi ki ano ana, koia ko Rae-Totara
+te tangata kaha ki te whakaora i o ratou
+whenua mate, ara i nga whenua i tangohia
+hetia etona iwi ia ratou. I ki atu ano hoki
+a ia Ko te Atua Kaha Rawa tona hoa
+tautoko, ma te Atua a ia e whakakaha i
+runga i tana mahi whakatika i nga he o
+mua.
+
+UPOKO VI.
+
+Na, i to takiwa i uru ai a Rae-Totara i
+roto i nga mahi kauhau ki te Iwi Tawhito,
+kei te noho marire tatou, tena hapu i tona
+kainga, tena hapu i tona kainga.
+
+Kaore ho tangata i te mato. Erangi he
+torutoru ratou i te noho whakatete ki
+tetahi tangata kotahi o te Iwi mohio, mo
+etahi whenua. E ki ana tetahi nana etahi
+wahi o aua whenua; ki ta tetahi i ki
+na ratou. Otira, ko te iwi nui tonu, ora noa
+atu ratou i taua takiwa. Nui noa atu te
+whenua hei kainga noho mo ratou me o
+ratou tamariki i muri ia ratou
+
+UPOKO VII
+
+Pena ana te ahua o nga ritenga i te wa i
+whakatika ai a Rae-Totara ki te mahi whai-
+korero ki te Iwi Tawhito, ki to whakaora
+i o ratou mate.
+
+Korero nui ana a ia kia ratou. Huihui
+mai ana nga hapu katoa o taua iwi ki te
+whakarongo ki ana korero.
+
+Ko te tu o ana korero katoa koia tenei.
+" Ehoa ma o te Iwi Tawhito! Ka nui to
+koutou mate, ara, o koutou whenua.
+Kaore koutou e mohio ko enei papa whenua
+pai e whakaarohia ana e koutou kua riro
+ki te Iwi Mohio, a, e nohoia ano hoki e
+ratou, Na Koutou tonu ake aua whenua, nga
+whenua o koutou tipuna. He he te noho a
+taua iwi ki runga ki a koutou whenua.
+Maku o koutou whenua e whakaora e
+whakahoki.
+
+Me tuku mai ki au te whakahaere kia
+whiti mai ano te ra ki runga i a koutou,
+Te Iwi i arohaina nuitia e au. Na, i runga
+i taku mahi ka puta nui ai te moni mo
+koutou a muri atu. Ko te tangata, kaore
+he hikipene i roto i tana pakete ka whai
+
+koura a ia; ko te tangata kaore ona piihi
+whenua kotahi, ka whai eka a ia. Koia
+kaore he rapaki, ka riro ki a ia, he whare,
+he kiki, he kakahu. Ko nga tangata e
+mea ana kia haere i runga rerewe, ka
+hangaia ano he rerewe mo ratou. Ko nga
+tangata, e mea ana, mo nga whapu, hei
+unga kaipuke, timu, aha ranei, ka nui to
+ratou he, ki te kore ratou e haere wawe atu
+ki a ia, whakaatu ki a ia i o ratou mea
+katoa e hiahia ana kia meatia e ia."
+
+Ko nga korero ena a Rae-Totara ki te
+Iwi Tawhito.
+
+UPOKO VIII.
+
+No te rongonga o te Iwi Tawhito ki nga
+korero a Rae-Totara, mihi nui ana ratou ki
+te pai.
+
+Manawa reka ana ratou i tona kupu mo
+to nui o te moni kia puta mai kia ratou i
+runga i tona whakahaere i o ratou whenua,
+i o ratou taonga. Katahi ano ka marama
+kia ratou te nui o te he a ta Iwi hou e tau
+ana kia ratou mo to taha ki o ratou
+whenua.
+
+Kihai i roa o whiriwhiri ana, whakaae
+ana te nuinga o nga tangata o te Iwi
+Tawhito o taua takiwa ki nga korero katoa
+a Rae-Totara. Me te whakaae ano kia
+hoatu o ratou whenua mate, o ratou whenua
+ora, mo a ratou mea katoa ki a ia,
+whakahaere ai, pupuri ai, mo ratou.
+
+UPOKO IX.
+
+Na, i taua whenua i mahi nei a Rae-Totara
+i tana mahi, he nui nga taniwha o reira.
+Engari ho tu taniwha ke atu i a Pekehaua,
+ia Hotupuku, ia Kataore. Ko nga taniwha
+horo tangata enei o mua. Ko tetahi o nga
+tino Taniwha o te whenua i noho nei a
+Rae-Totara, ko tona ingoa ko te HUPI-
+RIMI KOOTI. Ko taua taniwha he mahi
+tika anake tana mahi. Ma taua taniwha
+e ki, kia pena, ka pena,kia
+pera, ka pera Kaore i kitea e ia te
+mahi he. Ko nga iwi katoa i noho ra a
+Rae-Totara i to ratou kainga e tino wha-
+karongo ana aua iwi katoa ki ki taua Tani-
+
+wha. Ko nga taniwha i raro iho i tenei
+ko HOKO, ko RETI, ko MOKETE me etahi
+atu. Ko HOKO, ko RETI, he taniwha ahua
+pai ano aua taniwha  Ko MOKETE, he
+taniwha whaiwhakaaro tora ki nga iwi u
+taua whenua. He taniwha whakaputa
+moni kia ratou. Otira, ko tona he, he nui
+rawa te pakeke o ana ritenga katoa.
+
+Me ho mea ka hoatu etahi moni ki te
+tangata, a, me he mea ka kore e whakaho- 
+kitia a tonutia aua moni i te takiwa tonu i
+whakaritetia ai; mehemea ka whakapuku-
+riritia ranei a ia, he tino autaia a ia, he tino
+nanakia, he taniwha horo whenua.
+
+Nui atu nga tangata i tae atu ki a ia i
+mate i runga i te pukuriritanga o taua
+taniwha o Mokete. Koia ano te take i
+ahua wehi ai nga tangata mohio ki te wha-
+katata atu ki a ia, kei mato ratou i a ia, kei
+horomia e ia o ratou whenua.
+
+UPOKO X
+
+Riro katoa ana ki te ringaringa o Rae-
+
+Totara nga whenua mate, me nga whenua
+ora o etahi o nga hapu rangatira o te Iwi
+Tawhito, i runga i nga ritenga whakahaere
+mo ratou.
+
+A, no te rironga mai ki a ia i aua whenua
+a te Iwi Tawhito, katahi ka haere tonu atu
+a ia ki te Ana o te taniwha Mokete.
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_3.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_3.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_3.txt	(revision 18423)
@@ -0,0 +1,307 @@
+MATARIKI.
+
+Tomo rawa atu a ia ki roto i taua Aua.
+UPOKO XI
+
+Heoi.
+
+Ka tohetohe, ka tohetohe a Rae-Totara
+
+ki te taniwha ki a Mokete kia hoatu he
+
+moni ki a ia. Kaore te taniwha e pai.
+
+I ki atu a Mokete ki a ia, "E Rae-Totara
+
+E matau ana ahau ki a koe, ki ou mahi
+
+kino katoa, ki ou mahi patipati ki te Iwi
+
+Tawhito, ki ou mahi tinihanga ki a ratou,
+
+mo o ratou whenua. E mohio ana hoki
+wha Tika, e te Hupuirimi Kooti mo ou
+
+hara.
+UPOKO XII.
+
+Pouri Kerekere te ngakau o Rae-Totara
+ki tenei korero a Te Taniwha ki a ia.
+
+Kaore rawa atu he moni a Rae-Totara,
+hei hoko kai mana, kaore he whare ona
+kaore he hoiho, kaore he kiki, he aha
+ranei. 
+
+Ka haere atu a ia, a, ka hoki atu ano a
+ia ki tu Taniwha  kia Mokete.
+
+Ka tahi ka whakaatu atu a Rae-Totara
+
+ki te Taniwha i etahi pukapuka he mea
+
+tuhituhi ki runga. Ka ki atu Rae-Totara
+
+ki te Taniwha, "Tirohia! Kia mohio koe
+
+ko enei pukapuka, na Te Iwi Tawhito i tuhi
+
+o ratou ingoa ki roto. Kua tukua mai 
+
+e ratou kia au o ratou whenua katoa, me
+
+nga mana whakahaere katoa, me te mea
+
+tonu naku tonu ake te whenua. Ka hiahia
+ahau ki etahi moni, heoi, ka hoatu enei
+pukapuka e au, ka tahi ka riro mai te moni
+ki au. Mawai hoki e whakaatu atu ki a
+ratou He tangata mohio hoki ahau ki
+nganga kopikopikotanga o te ture."
+
+Ka rongo te Taniwha ki enei korero, ka
+noho puku a ia. Ahua pouri ana a ia ki
+ena korero a Rae-Totara. He aroha nona
+ki te Iwi Tawhito, ki te iwi, na ratou i
+tuku atu o ratou whenua ki te roia-minita.
+
+UPOKO XIII.
+
+Katahi rawa ka whai kupu tu Taniwha.
+Ka ki atu a ia kia Rae-Totara, '' Kia
+mohio koe ka hoatu e au nga moni katoa e
+hiahiata ana e koe i runga i enei pukapuka
+tuku a te Iwi Tawhito i o ratou whenua ki
+a koe. Mau te whakaaro, mau to tikanga
+kia ratou. Kia mohio ana hoki Koe, ki te
+kore koe e whakahokimai i aku moni
+koura katoa e hoatu ana e au kia koe, tera
+ranei au e hoatu ki a koe i te ra tonu i
+whakaritetia e tana. Kore rawa atu toku
+ngakau aroha. Ka hamama toka waha, ka
+horomia e au nga whenua a te Iwi Ta-
+whito.
+
+Mo ratou, me a ratou tamariki a muri
+tonu atu te mate. E hara hoki "i au to
+ratou KAITIAKI."
+
+UPOKO XIV
+
+Na, tangohia ana e Rae-Totara, nga
+peeke koura, e hia ranei miriona pauna te
+moni, e hia ranei, a, haere atu ana.
+
+E ngari, puritia ana e Te Taniwha nga
+pukapuka tuku katoa mo te wa hei whaka-
+hokitanga mai i nga koura, nga moni katoa
+i namai a Rae-Totara.
+
+UPOKO XV
+
+Rekareka ana te manawa o Rae-Totara
+
+ki te nuinga o te moni i riro mai ki aia.
+Katahi ano a ia ka whiwhi ki te moni.
+Katahi ano ka noho a ia i roto i tetahi
+
+whare pai. Katahi ano ia ka haere i
+
+runga kiki hoiho ranei.
+
+E hika ma, ko Horomia i roto i ana
+
+kororia katoa kihai rawa i rite ki a Rae-
+
+Totara i nga takiwa e nama ana i nga
+
+moni ki te Taniwha Mokete i runga i nga 
+
+whenua o te Iwi Tawhito.
+
+UPOKO XVI
+
+"Rekareka, rangi tahi, ko Kararu tona
+
+mutunga iho."
+
+Pau katoa ia Rae_Totara nga moni i riro
+
+mai ki a ia i te Taniwha Mokete. 
+
+UPOKO XVII. 
+
+Tera ano etahi tino Taniwha i tana
+whenua kaore nei i whakahuatia i konei.
+
+Ko tetahi o ratou ko KAIWHAKAATU-
+HARA tona ingoa. Tetahi ingoa ona, ko
+NIUPEPA -PEREHI, he taniwha mohio ia.
+
+Na, pa mai ana te mataku kia Rae-
+Totara. Nui rawa atu tonu wehi koi
+whaaki atu te taniwha Nuipepa-Perehi i ona
+hara ki tu ao katoa. Tetahi kei whakatika
+ te taniwha tika ko Te Hupirimi Kooti ki te
+putu i a ia mo ona he. Kihai taua taniwha
+i aro mai kia Rae-Totara  ki ona mahi ranei.
+
+ UPOKO XVIII.
+
+No te taenga atu ki te? ra hei whaka hoki-
+tanga i nga moni kia Mokete, Aue!
+Tiro tiro kau una! Tahuri kau ana!
+Paki paki kau ana ki nga pakeke.
+Nowhea to pene kotahi? Kua rere noa
+atu ra hoki te weta o te mahi, o nga
+whenua hoki.
+
+Ko te rarunga tenei o te Iwi Tawhito.
+
+Riro ana o ratou whenua katoa ki te
+Taniwha Mokete hei whakangata  i tona
+puku. E hia ranei poraka nunui i horo-
+mia o ia, o hia ranei?
+
+Mate rawa atu te iwi i te Minita-Roia.
+UPOKO XIX.
+
+Ko te pakanga nui i taua whenua i muri
+ko te riri a te Taniwha ko Te Hupirimi  
+Kooti kia Rae-Totara, mo ona hara ki
+runga ki te Iwi Tawhito.
+
+A, mate ana ko Rae-Totara.
+UPOKO XX.
+
+No te mutunga o nga korero a Taonga-
+Ra, katahi ka whiriwhiri te iwi kainga.
+A, Ka tohe atu ratou ki a ia kia korero atu
+a tetahi po etahi korero atu mo nga mea i
+kitea e ia i ona haerenga. Whakaae ana
+a Te Toonga-Ra.
+
+
+
+He Korero Tara.
+Ko te Takuta me nga Tio.
+
+Na e noho ana ki tetahi Takuta, tetahi
+tamaiti tane, e akona ana a ia e Tu Takuta
+ki nga mahi rongoa, ki etahi mahi Takuta
+hoki. I whakatika taua Takuta i haere ki
+te toro) i tetahi turoro. I haere tahi raua
+ko taua tamaiti. Tae atu raua ki roto kia
+kite i taua turoro. Ka titiro te Takuta,
+katahi ka ki atu ki a ia, " E hoa, whatero
+to arero." Na, no te kitenga o te Takuta
+i te arero o taua turoro, katahi ka ki atu te
+Takuta ki a ia " E hoa, akuanei koe ka tino
+mate rawa atu. I te kai tio koe." Katahi,
+ka nai te wehi o te turoro. Ka '? wiriwiri
+tona tinana katoa. No te hokinga atu o te
+Takuta raua ko tona hoa te tamaiti raka,
+katahi ka patai atu te tamaiti ki te Takuta;
+
+" E hoa, na te aha koe i mohio ai i te kai
+tio te turoro." Katahi, ka kata atu taua
+
+Takuta  i a ia "Te take i mohio ai ahau, i
+kitea e au nga anga e tawheta una i raro i
+tona moenga.'' Katahi ka noho mohio
+tamaiti.
+
+Na, muri iho i tena, katahi ka tonoa atu
+te Takuta ki te toro i te turoro ra i etahi
+rangi noa o muri mai. Te taenga atu te
+tamaiti ra, ka ui atu a ia ki te turoro. '" E
+hoa kei te pewhea to mate." Katahi ki
+atu te tamaiti - 
+
+ki atu " E hoa, akuanei koe ka mate rawa
+atu, no te mea, i te kai hoiho koe, ki taku
+titiro atu ki te ahua o tou arero." Katahi
+ka tino mataku rawa taua turoro, muri iho
+ka puku riri. Ka tahi ka whakatika mai
+nga whanaunga' a taua turoro, me tona
+wahine, ka pana i taua tamaiti. Ka tahi ka
+hoki tangi tana tamaiti, ki tona rangatira,
+ara ki te tino Takuta. Te taenga atu o
+tiwa. tamaiti ki tona rangatira puhipuhi ana
+nga kanohi o te tamaiti. Katahi ka patai
+
+ano te Takuta ki a ia "E hika, heaha to
+
+mate, i puhipuhi na o kanohi? Me te
+
+mea tonu i te tangi koe" Katahi ano ka
+
+ki atu tana tamaiti ki tona rangatira. "E
+
+koro E! He mate tonu. No taku taenga
+
+atu kia kite i te turoro, katahi au ka ki atu,
+
+kia whatero tona arero. No tona whate-
+
+rotanga katahi au ka ki atu. "E hoa,
+
+akuanei koe ka tino mate rawa atu. Katahi
+
+ka ki mai te turoro ra ki au, na te aha koe
+
+i mohio ai. Ka ki atu au, i te kai hoiho
+
+koe." Katahi te Takuta ka ki atu ki tona
+
+tamaiti. Na te aha koe i -
+
+korero pena ki te whakawehi te turoro
+ra." Katahi te tamaiti ka ki atu. "E hoa
+
+he kitenga atu naku i tetahi nohoanga
+
+hoiho me te paraire i raro i te moenga ra o
+
+te turoro ra. Pena hoki me tahau i ki mai
+
+ki au i runga i taku patai ki a koe. "Na
+
+te aha koe e mohio ai, i te kai tio te turoro
+
+ra." A, ka ki mai ra koe ki au, no te
+
+kitenga atu i nga anga i raro i tona moenga.
+
+Ka waihoki me tenei, na reira au i mohio
+
+ki te korero pena ki taua turoro. Mai ra,
+
+ko ahau raru ana ahau te patu.
+
+
+Ki nga tangata Maori katoa
+o te Motu nei.
+
+HE whakaatu tenei kia kite mai koutou i
+tu whakataunga .1 te Hupirimi Kooti i te
+whakawa a TAREHA TE MOANANUI
+rami ko TE RIIHI, Roia.
+
+Kotahi tau o tenei whakawa e haere ana
+i Poneke, a. tao mai ki Nepia. Na, whiri-
+whiritia ana e te Hupirimi Kooti, kitea ana
+KO TE RIIHI TE MEA I HE. I TINO
+WHAKAHENGIA TE RUHI E TE
+HUPIRIMI KOOTI mo nga moni a Tare-
+ha i riro kia aia, ani, i puritia e iatana
+kii mo ana, mahi roia, mo nga whenua a
+Tareha. Na, ki ana Te Hupirimi Kooti,
+me Tareha hoki, he he tana puritanga e ia-tana
+taua moni, ara, i te waru rau pauna, i te te
+kau ma iwa hereni, me etoru kapa-
+£819 198 3 (d.
+
+Ko tu kupu tenei; i Te Hupirimi Kooti,
+kia utua e ia, o To Riihi tenei moni 819
+193 3d kia Tareha INAIANEI.
Index: /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_4.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_4.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/new_papers/xml/23/text/23__2_4.txt	(revision 18423)
@@ -0,0 +1,233 @@
+MATARIKI.
+
+Kua tae atu hoki kia Te Riihi, i Tura-
+nganui te tino tono a te Hupirimi Kooti
+kia utua taua monime te kupu hoki
+a Te Hupirimi Kooti kia Te Ruhi, kaore e
+tika taua mau i te £819 19s 3d moni a
+Tareha.
+
+I ki ano hoki Te Hupirimi Kooti,
+
+Kaore i marama nga mahi i kiia e To
+Ruhi i mahia e ia ma Tareha.
+
+Kaore i marama te ra, te marama, te tau
+ranei, i mahia ai e i Te Riihi ana mahi mo 
+Tareha.
+
+Kaore hoki i marama i mahia ranei taua
+mahi mo Tareka, mo etahi Maori ke atu
+ranei.
+
+Kaore hoki i marama mo te
+whenua, mo te ahu ranei, aua
+mahi a te Riihi.
+
+I whakakorea rawatia e Tareha aua mahi
+a Te Riihi ki runga ki a ia. 1 ki hoki taua
+kaumatua, kaore rawa a ia i whakatu i a te
+Ruhi hei mahi i nga mahi mo te taha ki te
+waru rau pauna. Na, tae noa ki te kai
+
+whakamaori a te Riihi o mua, ara, kia Te
+Waiti kaumatua, he kaiwhakawa hoki ia.
+Ko taua kupu tenei ki te Hupirimi Kooti,
+i tino whakakorea rawatia a Te Riihi e
+Tareha i runga i aua mahi.
+
+No muri mai i taua whakakoretanga 
+tohe tonu te Ruhi ki te tono utu kia
+Tareha, A, kitea ana e Te Hupirimi Kooti,
+ehe ana te mahi a te Riihi.
+
+KATI, KO TE TINO WHAKATAU-
+NGA TENEI A TE HUPIRIMI KOOTI
+ME UTU E TE RUHI. KIA TARE-
+HA INAIANEI -
+
+Na Tareha taua moni ua Te Riihi i pu-
+puri pokanoa.
+
+Na, e haere atu ana tenei panui, i te
+Tonga nei. E ahu atu ana ki o matou
+whanaunga ki o matou hoa i te Tai Ra-
+whiti, a rauna noa te Motu nei.
+
+E hoa ma! Kia noho tatou i runga i
+te matauranga, i te mohiotanga,Mehemea
+ka tono tatou ki te tahi roia kia mahia
+e ia a tatou mahi, tonoa ki a ia, kia mara
+
+ma tana utu mo tana mahi i to tuatahi, a,
+ka tiro atu tatou e pai ana, a, tuhia rawa-
+tia ki te pukapuka tana whakaaetanga-a-
+katahi tatou ka whakaae. Tenei, ko te
+kahu noa i roto i te pouritanga. AUE!
+E hika ma E! Ka mate tatou! Ka mate
+tatou! Ko totatou tino takanga tena ki
+te ahi-whanariki, mamae mutunga kore,
+ake tonu atu.
+
+Kia WIREMU RU RIIHI, no
+Nepia aia i mua, engari, no Kihi-
+pane, Papete Pei, inaianei, i roto
+i te koroni o Nui Tireni, roia, kia
+WIREMU PERE, kia RIPE-
+RATA KAHUTU, no taua
+Papeti Pei, ano raua, he tangata
+Maori.
+
+KIA MOHIO KOUTOU, kia kotahi
+marama i muri iho i te panuitanga
+i tenei panui i roto i nga nupepa erua i taia
+i Kihipane me nga niupepa erua i taia i
+Poneke, ka hokona e au ka tukuna atu
+ranei e au kia hokona kia maketetia, nga
+whenua i whakaatutia i roto i tehaki puka-
+puka mokete i tuhia i te 26 o nga ra o Pepuere,
+1879, (i rehitatia i te tari Rehita Pukapuka
+i Nepia i raro i te nama 13175). Ko taua
+pukapuka i waenganui ia koutou o tetahi
+taha, me au ko PEREHIWA PAAKA, i
+whakahuatia i raro iho nei o tetahi taha.
+Na, ka hokona, ka maketetia aua whenua,
+kite kore koutou e utu mai ki au i nga tino
+moni pukai i whakatuturitia mai ki au i runga
+i taua pukapuka mokete, te toenga ranei, me
+nga inateretinga moni whakapiki katoa,
+e tika ana kia uta ki au i runga i taua puka-
+puka mokete. 
+
+Na, tenei ano hoki tetahi, kia mohio
+koutou, ko te take i tukuna atu e au tenei
+panui kia panuitia, koia tenei,arakaore
+ano koutou i utu mai ki au i nga tino moni
+pukai me nga moni inateretinga moni
+whakapiki i whakaaetia i runga i nga ritenga
+i whakaatutia i roto i taua pukapuka mokete.
+
+I tuhia i tenei te 12 o nga ra o Maehe
+1881.
+
+NA PEREHIWA PAAKA.
+Hiu J. WIINI.
+Roia, Kihipane.
+
+KI O MAUA HOA MAORI O TE TAI
+RAWHITI.
+
+Ehoa ma,Tena koutou kua tae ki te
+takiwa pupuhi manu. Na, Kanui te manu
+o tenei tau. Ka nui te momona. Kati Kia
+kaha koutou ki te pupuhi manu i tenei tau.
+Ki te hiahia koutou ki te Paura, ki te Hota,
+ki te Tingara, me haere mai koutou ki te
+whare maitai o Panera rana ko Paerana hoko
+ai. Kei a maua hoki nga pu tino pai, hei
+pupuhi manu, he pu tupara, he pu haki
+mana, me etahi tu pu atu. Mehemea e hia-
+hia ana koutou kia whakapaitia a koutou pu
+me haere mai ano koutou ki a Panera raua
+ko Paerana. He maha hoki nga pu kei a
+maua. He ngawari te utu. Kia mohio
+koutou me haere mai koutou kia maua, kia
+Panera raua ko Paerana i te whare maita
+i Kihipane. Ko te tino whare tenei o te
+Tai Rawhiti hei hoko i nga Paura, Hota,
+Tingara, Pu, me aua tu mea katoa. Kei a
+maua hoki nga Kakahu Wahine, Kakahu
+tane, Kakahu tamariki nga hu tane nga hu
+wahine me nga nohoanga tane nohoanga wa-
+hine, me te Te Huka, Paraoa. Kei a maua
+hoki nga parau, nga rakuraku me aua tu
+mea katoa hei mahi paamu.
+
+ENGAWARI ANA TE UTU,
+
+Kei wareware koutou, na o koutou hoa, na
+PANERA RAUA KO PAERANA,
+I TE WHARE MAITAI,
+KIHIPANE.
+
+TE HOKO O WHATAUPOKO
+Ka tino hokona rawatia
+
+12,400 nga eka o Whataupoko
+ Poraka, nui atu, iti iho
+ranei.
+
+Ko taua whenua e takoto ana i te takiwa
+o Papati Pei, e tutata ana ki te taone o Kihi-
+pane.
+
+Ko tenei hoko i runga i te tono o Paaka,
+te kaitango mokete. Ka haere hoki tenei
+hoko i ronga i te whakahaere o te Kai Rehi-
+ta o te Hupirimi Kooti i Nepia i raro i nga
+tikanga o te Tare whakatikatika i te ture
+hoko whenua, 1860, i raro hoki i nga tikanga
+o te Ture, 1870, e whakamana ana i nga kai-
+tango mokete ki te hoko i nga whenua i
+moketetia kia ratou.
+
+Na, kua tae atu te tono ki a PITI raua ko
+PENETI, na Paora A. F. Paata, kai Rehita
+o te Hupirimi  Kooti o Nepia i tuku atu taua
+tono kia raua I RUNGA I TE WHAKAAE-
+TANGA o ke kaitango o te mokete, e kia ho-
+kona, kia maketetia  nuitia i ta raua
+whare makete i te taone o Kihipane a
+TE PARAIRE, te 29 o nga ra o APEREIRA,
+1881, i te rua haora me te hawhe i muri iho
+i te tina.
+
+WAHI TUATAHI e hokona ana.
+Katoa o taua piihi whenua tona nuinga
+12, 400 nga eka, nui atu iti iho ranei, tetahi
+wahi o
+
+WHATAUPOKO,
+
+i te takiwa o Turanga, Papati Pei. Koia te
+whenua i whakahuatia i roto i tetahi puka-
+puka, a, i raro i te mana o taua pukapuka, i
+runga hoki i ana tikanga e hokona ana e te
+kai tango i te Mokete e PAAKA, taua whenua
+
+KO TE WAHI TUARUA.
+
+Te whaitaketanga, me te paanga, tera e
+riro mai ki te kai tango i te mokete i runga
+i tetahi kotahi mano eka kaore i uru ki roto
+ki te 12, 400, i muri mai i te utunga atu i nga
+moni 6500 me nga inatereti i whakatu
+turutia ki tetahi tangata ke (kote wahi tenei
+e mohiotia ana kei a Makitanara) e nga kai
+tuku i te mokete.
+
+KO WHATAUPOKO
+
+Ko tenei whenua e hokona aua i runga i te
+tono a PAAKA e takoto ana ki te hangai-
+tanga ki te taone, a, ko te awa o Waimate
+te rohe i Waenganui i taua whenua, me nga
+whenua e mohiotia nuitia ana ko Pouawa me
+Kaiti.
+
+Ko nga ritenga enei mo te hoko. Kotahi
+wahi o nga wahanga e wha o te moni, ara
+tetahi koata ha utua tonutia i te takiwa tonu
+ka hokona te whenua ko WHATAUPOKO
+Ko te toenga o te moni me utu i te whakao-
+tinga o te pukapuka tuku i roto, i nga ra i
+whakaritetia i runga i nga tikanga o te hoko.
+
+Ko nga tangata e hiahia ana ki te patai mo
+nga tikanga mo te taha ki te hoko. me ui
+atu ratou ki te Roia mo Paaka i Kihipane
+ara kia.
+
+H. J. WIINI.
+
+Roia, Kihipane.
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/09/09_1_1.item
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/09/09_1_1.item	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/09/09_1_1.item	(revision 18423)
@@ -0,0 +1,8 @@
+<Title>Te Waka o Te Iwi
+<Date>185710
+<Volume>1
+<Number>1
+1:images/09_1_1_1.gif
+2:images/09_1_1_2.gif
+3:images/09_1_1_3.gif
+4:images/09_1_1_4.gif
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/09/09_1_2.item
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/09/09_1_2.item	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/09/09_1_2.item	(revision 18423)
@@ -0,0 +1,8 @@
+<Title>Te Waka o Te Iwi
+<Date>185711
+<Volume>1
+<Number>2
+5:images/09_1_2_5.gif
+6:images/09_1_2_6.gif
+7:images/09_1_2_7.gif
+8:images/09_1_2_8.gif
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_1.item
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_1.item	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_1.item	(revision 18423)
@@ -0,0 +1,8 @@
+<Title>Te Whetu o Te Tau
+<Date>18580601
+<Volume>1
+<Number>1
+1:images/10_1_1_1.gif:text/10_1_1_1.txt
+2:images/10_1_1_2.gif:text/10_1_1_2.txt
+3:images/10_1_1_3.gif:text/10_1_1_3.txt
+4:images/10_1_1_4.gif:text/10_1_1_4.txt
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_2.item
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_2.item	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_2.item	(revision 18423)
@@ -0,0 +1,9 @@
+<Title>Te Whetu o Te Tau
+<Date>18580701
+<Volume>1
+<Number>2
+5:images/10_1_2_5.gif:text/10_1_2_5.txt
+6:images/10_1_2_6.gif:text/10_1_2_6.txt
+7:images/10_1_2_7.gif:text/10_1_2_7.txt
+8:images/10_1_2_8.gif:text/10_1_2_8.txt
+9:images/10_1_2_9.gif:text/10_1_2_9.txt
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_3.item
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_3.item	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/10_1_3.item	(revision 18423)
@@ -0,0 +1,9 @@
+<Title>Te Whetu o Te Tau 
+<Date>18580901
+<Volume>1
+<Number>3
+10:images/10_1_3_10.gif:text/10_1_3_10.txt
+11:images/10_1_3_11.gif:text/10_1_3_11.txt
+12:images/10_1_3_12.gif:text/10_1_3_12.txt
+13:images/10_1_3_13.gif:text/10_1_3_13.txt
+14:images/10_1_3_14.gif:text/10_1_3_14.txt
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_1.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_1.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_1.txt	(revision 18423)
@@ -0,0 +1,140 @@
+TE WHETU O TE TAU.
+No. 1.
+AKARANA, HUNE 1, 1858.
+VOL. 1.
+HAERE atu ra e taku aroha i runga i nga hihi o te ra
+ki nga tangata katoa,ahakoa tane, ahakoa wahine,
+ahakoa tamariki,i aroha ki au, i atawhai ki au, i
+toku haerenga i roto o Waikato, o Rangiaohia, o Mo-
+kau. Haere e taku aroha ki nga tangata o Pukorokoro,
+ki nga tangata o Nakunaku, ki nga tangata o Takinga-
+wairua, ki nga tangata o Meremere, ki nga tangata o
+Rangiriri, ki nga tangata o Paetai, ki nga tangata o
+Kupakupa, ki nga tangata o Te Whakapaku, ki nga
+tangata o Karakariki, ki nga tangata o Whatawhata,
+ki nga tangata o Tiongahemo ki nga tangata o Kihi-
+kihi, ki nga tangata o Rangiaohia ki nga tangata o Te
+Kopua, ki nga tangata o Hangatiki hui katoa.
+E tai ma, tena ra ko koutou i runga i te atawhai o
+te Atua nana nei tatou i tiaki, i tohutohu taeanoatia
+tenei takiwa o to tatou haerenga manenetanga, i runga
+i te mata o te whenua.
+Na, kia rongo mai koutou ki taku, kahore aku utu
+ki a koutou mo ta koutou atawhai nui ki au. Heoi
+ano te utu ki a koutou ko te kupu o te Karaiti, e ki
+nei, " A, ko ia, e whakainu ana i tetahi o enei hunga
+nonohi ki to oko wai matao anake i runga i te ingoa o
+te akonga, he pono, e mea atu nei ahau ki a koutou,
+Kore rawa e kahore i a ia tona utu."Matiu x 42.
+E tai ma, i toka haerenga i roto i a koutou, i kite au
+i te tika, i kite au i te he; i kite au i te pai, i kite au
+i te kino; i kite au i te matau, i kite au i te kuare.
+Heoi, e rapu ana au i te take 1 whakauru ai te he ki
+te tika, i whakauru ai te kino ki te pai, i whakauru ai
+te kuaretanga ki te matauranga. Ki au ano e tai ma,
+tuhituhi "Kia tika koutou me to koutou matua i te
+rangi e tika ana.Matiu, v 48.
+E hoa ma, ekore au e hamu i nga he katoa i kitea e
+au, engari ko te he nui i pouri ai toku wairua, ko o
+koutou pakanga. I nga wa o te kuaretanga, i hoe te
+tangata, whaka-te-ihu etahi, i hoe whaka-te-kei etahi;
+ko tenei, he ao hou me ona ritenga ano. Tenei te kupu
+a Paora, "Kotahi ia taku, wareware ake i au nga mea o
+muri, totoro atu ana au ki nga mea o mua."Piripai
+iiii 13. ^ '
+Ko tenei e oku hoa aroha, me whakarere te he, me
+hopu nui i te tika; me whakarere te kino, mo hopu
+nui i te pai; me whakarere te kuaretanga, me hopu
+nui te matauranga. Kia maia, hia whaingoi, kia tara
+ki te rapu i nga tikanga e nui ai koutou. Kati te titiro
+ki te Pakeha hei tauira, engari kia mana ta te Atua i
+a koutou. Ko reira koutou e oku hoa aroha whiwhi ai
+ki te ngakau marama, ki to ngakau koa, ki te ngakau
+kaha. "
+Kia toa ki te inoi, a, taria ta te Atua 1 runga i te
+ngakau whakapono, ka oti hoki te tuhituhi "Ko ratou e
+tatari ana kia Ihowa ka hira ke ake to ratou kaha; ka
+rere whakarunga ratou i to parirau, me te ehara ; ka
+oma ratou, ekore e ruwha, ka haere ratou, ekore e
+ngaikore Ihaia, xi., 31.
+Heoi ano enei kupu. Kia tau ki a koutou te ata-
+whai o te Ariki.
+Akarana,' Mei 1858.
+NA HARE REWETI.
+KO NGA PUKAPUKA O NGA IWI.
+Kua roa tenei takiwa kihai nei i puta ki nga iwi
+"Te Waka o te Iwi." E hara i te mangere noku, ehara
+i to mahara kore noku; engari, he ware no nga kai ta
+ki te tini o a ratou nei mahi. Ko tenei, ekore-e
+mohiotia nga ra e tu ai tenei nupepa nga ra  take ai
+
+
+
+
+
+
+
+ra nei; ahakoa ra u a te iwi me timata te mahi i  te
+mea e ao ana te ra, e rere whakawairua mai nei te po
+e mutu ai te mahi o te kai tuhituhi, o te kai korero
+hoki. Ahakoa kotahi kupu ua nga hoa me tuku atu.
+Na Hare Reweti.]
+Makiri, Hanuere 29, 1858.
+Haere atu ra e to maua nei aroha ki a Hare Reweti
+e tae koe ki a ia, mihi atu ki a ia, a, korero atu ki a
+ia kua oti to whakatakoto he tikanga mo aotearoa.
+E hoa e Hare Reweti kua takoto to matou kapa ki
+waenga nui o nga iwi, puta ana £10 18s. U hui ki
+nga mea kua rongo koe i mua £28 13s.1d. Ka titiro
+te iwi katoa ka whiu i ta ratou kapa ki runga i taua
+moni kua takoto, puta ana £80 1s 1d pena ano me ta
+matou kohinga moni i Ihumatao
+E hoa, tenei matou ko te iwi te tu nei i roto i ta
+atawhai o to Atua, i te kaha o to Atua, i te aroha, o te
+Atua.
+E hoa tena koe. E Hare kia tika te tia i te waka,
+kei pakia e te ngaru. Kia maia, kia kaha, kia toa;
+koi tahuri te waka i te kaha o te ngaru. E pa, kia tu
+koe i runga i te kaha o te Atua, kia mau ai te tia o te
+waka o te iwi. E pa, kei te inoi te iwi ki te Atua mea.
+Kua tau te aroha o nga Hahi ki runga ki a koe.
+Heoi ano to maua aroha ki a koe.
+NA WIREMU TAMIHANA TARAPIPIPI.
+NA TE WETINI TAIPORUTU. 
+Ki a Hare Reweti kei Akarana.
+[Ka ora ianei te ngakau i nga korero aroha o tenei
+reta a Wiremu raua ko Te Wetini. He mea iti te
+moni he mea iti te taonga tena ko te aroha mawai ia
+e whakaiti? na Hare Reweti.]  
+Pakanae Hokianga, Hanuere 16, 1858.
+E mara e Hare Reweti, tena ra ko koa. KUA tae
+mai to pukapuka ki a Hemi. Ka miharo te hinengaro
+o te tangata, Erua nga kupu o to pukapuka. Ko te
+taha ki te Atua kua tika, i te Hahi ki Pakanae 200
+tangata, ka runangatia te ritenga o to kupu whakanui
+i Hokianga. Kia kaha mai koe ki te tuku mai i nga
+painga o tou whenua. Mau te whakaaro mo matou."
+NA RAWIRI TUKIATA.
+Ki a Haro Reweti, kei Akarana.
+Pakanae, Hokianga, Hanuere 16, 1858.
+E mara e Hare Reweti, tena ra ko koe. Kia rongo
+mai koe ki taku whakaaro. Ko nga kupu o te Atua
+kua oti nei te tuku mai e koe hei tiaki mo toku tinana,
+me toku wairua katoa, me toku kaha katoa. E hoa,
+ko nga tamariki me nga kaumatua koi runga kei te
+ritenga o to pukapuka.
+NA HORI TE HAUORA.
+Ki a Hare Reweti, kei Akarana.
+Pakanae, Hokianga, Hanuere 18, 1858.
+E mara o Hare Reweti, tena ra ko koe. Tene; ano
+to aroha to takoto nei i te ngakau, Kore hoki a taua
+noi whakaaro e mahue. Hei tiaki moku, tau kupu, i
+te roa o te tau;otira, mo matou katoa ko nga tama-
+riki e whakaaro aua ki a koe; otira, mo nga tangata e
+noho ana i runga i te ngakau tatu. Heoi ano te
+whakaaro, ko to Atua, inahoki, kua tae mai nei tau
+aroha ki a matou katoa. Kua oti nga awaawa katoa
+to whakaki ki te rongo pai. Heoi ano taku whakaaro.
+NA HEMI PIPIKO,
+KAIWHAKAAKONO PAKANAE
+Ki a Hare Reweti, kei Akarana.
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_2.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_2.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_2.txt	(revision 18423)
@@ -0,0 +1,156 @@
+
+
+TE WHETU O TE TAU.
+Nimaru, Waikato
+E hoa e Hare Reweti, tena koe Ka nui to matou
+aroha ki a koe E hoa, kua tae mai to nupepa ki a
+matou, kua kite matou. E pai ana nga korero o roto
+E hoa he raruraru to matou, kua rongo pea koe, mo
+Ngaruawahia otiia, kua oti He raruraru ano kei
+Rangiaohia kei i a Hoani Papata raua ko Toma Ka
+nui te raruraru ki Waikato ki Rangiriri, ki a te
+Ngaungau, ki te Matetakahia E hoa, me tahuri
+mai hoki koe me mahi ki enei hara, ta te mea hoki
+kua mo ko koe hei upoko mo enei tikanga pai. E
+hoa, kia kaha koe ki te patu i enei raruraru, o to iwi,
+ta te mea, ko koe hei kai whakatika mo matou mahi
+Heoi ano .Na o hoa aroha,
+NA TAKEPEI Te Rau
+NA PANAPA NOAUMU
+NA TE REWETI
+Ki a Hare Reweti, kei Akarana
+HE PUPURU WHENUA
+Whangape
+E hoa e Hare Reweti tena koe i runga i te atawhai
+o te Ariki, koia nei hoki te kai whakatika a o nga wha
+kawa Kua tae mai nei tau kupu ki ahau me tou aroha
+ka taea mai noi ahau e koe te rapu mai i te whenua
+tawhiti rawa E hoa, ho korero tenei naku u ki muri
+whenua, Epupuru ana ahau i taua pihi ki ahau, ua
+te mea, i matau ahau. no aku tupuna ia whenua
+Kore au e pai ma te tangata e tuku i tena whenua
+Tenei taku tikanga maku ano te ae te kahore ra nei
+Te mea i penei ai au, poto noa aka whenua te hoko
+hoko kahore i hoki mai ki au tetahi, koia taku e pupuru
+nei. E hoa purutia mai, ki te korero te tangata kia
+tukua kahaka e whakaaetia Mau e whakamau enei kupu
+ki te nupepa. Ko nga tangata enei e noho ana i tau i
+whenua i Muriwhenua 50, ko Te Hira te rangatira
+me ana tamariki Kei Ahipara etahi, kei Hokinga
+etahi Ka huihuia enei tangata katoa he nui noa atu
+Ko te iwi tenei o te whenua; no taua iwi ahau, koia
+au i pakeke ai ki taua whenua Ka mutu
+Na to hoa aroha,
+NA TE ANGA TE Huhu
+Ki a Hare Reweti kei Akarana
+[Ka tika te mahi o toku hoa o Te Anga, me panui ano
+kia ata kitea e te mano nga korero Na. Hare Reweti]
+TE WHETU O TE TAU.
+AKARANA, HUNE 1, 1858
+Ko " Te Waka o te Iwi " kua oti te to kauta Ko
+nga ra e manu ai ano ki ta moana, ekore e kitea
+Otiia, e takoto pai ana, kua oti te hipoki Ko ngakau
+o runga kua whakaratohia ki nga iwi, kua pakeha i a
+ratou, a, e kua mai nei ki te taringa, ko te ha o nga
+kai e mau tonu ana i te waha E pai ana na te iwi
+Na he whetu tenei ka ara i te takiwa o te rangi
+He hira nga whetu, ko Tawera, ko Meremere, ko Rehua,
+ko Matariki me te tini atu, otiia, i pokara noatia tenei,
+ko "Te Whetu o Te Tau " Ko te torengitanga ekore e
+matauria. Kowai ano tena tohunga ki te titiro i nga
+hau o te rangi ? I poka noa ake tana tiaho i te po,
+mawai e mihi tana rerenga ki te pae ? Ki te mea ka
+marama te huarahi o tetahi ruruhi, tamaiti ia nei i nga
+hihi o "Te Whetu o Te Tau" he mahi tena, a, i roto
+i taua mahi, ka koa te ngakau mona i "hikitia ki te
+ripa "
+TE HAERENGA A REWI RAUA KO Te- Wahere
+Me T0 RAUA PAKEHA
+No te 16 o nga ra o Maehe ka eke matou i te
+kaipuke o Ngatimaniapoto a "Aotearoa ' i Akarana,
+ahiahi rawa ake ka u ki Taupo hika atu e uhunga
+ana, ko Enoka te tupapaku he rangatira no Ngatipaoa
+
+
+
+
+
+
+
+Ka mutu ki te tupapaku, kei runga ko Hori Pokai
+Te Ruinga, kei runga ko Patara, kei runga ko
+Wiremu Te Raurowha wha, kei runga ko Patene, kei
+runga ko Ahipene, me ara atu rangatira o Ngatipaoa
+Ka mea i ratou,Ka tika kia tangi nga, manu o uta
+ki nga manu o tai, kia tangi o tai ki nga manu o uta
+Me whakatahe te wai o Waikato ki Hauraki Me
+moe te wahine, marena i aku ringaringa kei mahi
+totoro atu Ko Waikato te awa, ko Io Rauanganga
+te tangata, ko Taupiri te maunga ko Potatau te
+tangata, ko Taupo te whenua ko Ko Haupa me
+tangata Haere mai haere mai ki uta haere mai e
+Waikato, haere mai e to matou matua e Hare Reweti
+haere mai ki te kainga, haere mai ki te iwi
+Kei runga ko Hare RewetiKarangatia e te iwi
+e aku matua e aku tuakana, e aku teina 1 enei
+te haere nei He haere aha ta te he haere " kei nga 
+rangatira te korero Kaore au i kite i te tika i te
+tai tonga, i te tai marangai i te tai hauauru ra nei ko
+taku i matau ai ko te taura e maio iho ia e te rangi
+tatu noa ki te whenua Ko enei e to iwi kia mau
+ki te whakapono
+Muri iho o tenei ka tu te kohikohi mo te perehi
+No te putanga mai a Ngatipaoa ki a Tamati 
+te ruru ki te kawe nga moni ka whakahua te
+nge",
+Ko Tu.ko Rongo koia ko ngatai
+Ko Tu ko Rongo koia ko ngatai
+Potehe, potehe e potehe te kai -
+Ki te whenua potehe
+Na Ngatipaoa ki o te Paraone ngeri
+i te kawenga moni mai mo te penei!!
+Ka mate au ka mate au
+Ka mate au i te whakama
+I te kai kore o te oneone
+I te tuaruatanga ki te piwaiwai
+Piwai atu piwai atu
+Na Patene Puhina tenei i te -
+moni 
+te koha a rua tu mutu a tautahi
+Na Ngatipaoa ki a kini tenei ngeri i te-
+tanga o a ratou moni 
+Mawai ta ngaowhea
+Hei topetope ariki
+Ki moeiho ki te po ka ao te ra
+"Whiua te paipa ki a Kona rara 
+Tumu kau ana te kuku
+Ketekete kau ana te kaka
+Teoteo kau ana te kotare Teo 
+Haere ake nga moni £22 6
+Ka rere to matou kaipuke i te 180 nga ra tu rawa
+atu i Pohokuwao te motutere i mate nei nga ope a
+Ngapuhi i mua ai tukua ana i konei nga kai keri
+koma ki uta, haere ana etahi o matou ki te korero ki
+a Paoa Te Putu mo aua kai keu he tangata Maori
+Ka ai tika te a mahi a matou, ka rere ki Pukorokoro
+ki a Te Paraone tumukere ma .No te wiki ka 
+noa iho to matou puke, ki waho ake o -
+Haere ana etahi o matou kia -ki te
+karakia hoki
+No te a a o te mine Pukorokoro haere tonu
+i taua rangi, moe tawa ata i Matapu i waenga ara,
+ko Paraone to matou hoa haere i te ata, i te 5 o nga
+haora ka koke ano, kihai i mataka te haerenga 
+marere ki te awa o Maramarua Tae rawa atu
+tatahi, kaore he waka Na ka atarakina i -
+e to matou hoa o Tipene, a no te - i
+o tera ka tae matou ka Nakunaku -
+Piripi Te Aho raua ko tou i tuahine Ka tukua te kai
+nei a te tuna ki a matou ehara i te hanga Ka haere
+ka maruahiahi, ka marere ki tatahi ka eke ka te waka
+i te awa o Whakangutu Hoe tonu i te atarau a
+Meremere moe roa iho ki te waka kua mo hoki ika
+tangata o te kainga e whakarapopoto ana hoki nga
+iwi ki te whakawa whenua i Ranginui
+No te 21 u Maehe ka u matou ki Rangiriri a taua ra
+ka tu a Harepata ka mea 
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_3.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_3.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_3.txt	(revision 18423)
@@ -0,0 +1,169 @@
+TE WHETU O TE TAU.
+Haere mai e aku potiki, kawea mai te taonga
+kawea mai kiuta, kawea mai ki Waikato, kawea
+kia kite nga iwi. Haere mai e Hare Reweti,
+haere mai ki Waikato, haere mai ki to iwi; kawea
+mai te tika; kawea mai te marama. Haere mai kiuta
+haere mai te pai.
+Ka tu ko Hare Reweti;  "Karangatia e taku
+tamaiti karangatia. He tika ano kia tangi mai nga
+manu o tai ki nga manu o uta; he tika kia rere te
+waimaori ki te waitai. Ko Maramarua ano toku
+kaha, e whakaae ana au ki ta te iwi.
+" Hore te tukituki te tahu o taku
+A te whakama ra e tahu nei a
+Ku kamo aku rongo au raki
+Te makau a Torengi taku rawhi
+Nga mai te ngu i tona ihu e pono
+Tikanga kia hoe i runga ra ngonge
+Kei te here te hipi ra i a Rewi
+Nuku mai ki ahau he whakahau
+Ka pakaru ka wehe taku kiri
+Ho tunga ka ana mai nau e Hare
+Pata ki tahau tikanga hore ko a
+Ku mahi ka tuia e te ngutu te ao
+O ta ko runga ka pehi ki
+Te tonga wai roro tu ana te ngaru
+Ki kai waka rite i te tinana ka wai rori ianei."
+No te mutunga o te waiata ka haere ki te karakia.
+Moe iho ao ake ka kareretia mai matou e nga
+rangatira o Paetai. No taua ra ano ka haere matou,
+no te tatanga ki nga paenga kainga ka pa te karanga:
+Haere mai e te manuwhiri tuarangi
+Na taku potiki koe i tiki atu ki
+To taha tu o to rangi kukume mai ai
+Haere mai!
+No to matou taonga atu ki te nohoanga ka tu nga
+rangatira ki te ruru, me to ratou Pakeha me Amutiti 
+E tare ana nga kara a Kuini, e pao ana te mano
+Noho kau ano matou kei runga ko Te Wharepu:
+Haere mai, haere mai e Hare Reweti te matua o nga
+iwi; haere mai kiuta, haere mai ki Waikato kawea
+mai te maramatanga Kawea mai to ora haere mai. E
+te matua o nga iwi, kahore he whakaaro ke atu; koia
+ano tena; kei i a koe te whakaaro o te iwi. Haere
+mai iana kia kite i to iwi, takahia mai i Hauraki
+kawea mai te pai.
+Kei runga ko Hare Reweti:-Karangatia e taku
+tamaiti e Te Wharepu, karangatia. Tenei te haere
+nei. He haere aha ta te mokai? He whakarite kau
+tenei i te kupu o te iwi, kia mihi ki nga owha o nga
+tupuna i waiho iho. E ki te tangata ki a koe, te mea
+ra meatia, he teka rawa koe nei. Waiho atu ki a ia
+ona he; ko koe e taku tamaiti hei pai anake ano mou.
+titiro ki te rangi e heke mai ana i reira te tomairangi
+ki tenei otaota, ki tenei otaota; koia hoki ko tenei, ko
+te matua mo taua kei runga. E taku tamaitito taua
+matua, kia u te pupuri, ahu whakarunga te titiro.
+ehara i te ara pungawerewere i piki ai a Tawhaki
+engari kua maro to taua ara i a te Karaiti.
+Kei runga ko Waikato:-Haere mai te matua o te
+maramatanga, haere mai e Hare Reweti, ki Waikato
+haere mai te whetu marama o te ata. Haere mai; ka
+nga to haere mai kia kite koe i nga iwi. Haere mai
+ki Taupiri haere mai ki Pirongia ka ora tenei,
+ka kite atu na matou i a koe. Haere atu he
+iwi, haere atu he iwi, kawea to tika, a  te
+ngutu ra ano o te manu. [Ko te waiata pai a Waikato
+kihai i mohiotia kihai i tuhituhia
+Kei runga ko Hare Reweti Karanga mai o taku
+tamaiti, karanga mai ana. Ki au ano e taku tamaiti
+ne kupapa noa iho, ka po, he tangata aha te haua. E
+ki ana koe me haere au, a,-te ngutu ra ano o te manu.
+He whakaaetanga tenei naku ki to kupu Ko aku
+koiwi tenei kua oti te pupu, kua kawea mai ki a koe.
+E taea teaha?-Kua eke tenei kei runga kei o turi.
+E taku tamaiti ko te tika kei runga; ko te taonga nui
+ano tena ko te kupu o to matua i te rangi.
+E wero e te tonga wero tonu ki te kiri
+Katahi te mamae kaata rangona iho
+Ngau kinikini ana ki taku tinana nei
+
+
+
+
+
+
+
+
+
+
+
+Na Tiki ra e nana i hahau
+roa te taha tika i kawea mai ai
+Nga rae ka wero o Taupo i waho
+E peka kauta ra kiata tirohia
+He tuhinga pukapuka nau o Patene
+i Ka ai ha tutara ina te rau e pae"
+Ka mene ki awhea ko au tonu ano
+Te hara taua nei ki to poti o te ngutu
+Hui rua o te iwi te rongo whai makau
+Naku i kawe atu te whare i a Te Rau
+E hira taku rongo te rongo haere mai
+I a Po i uta e angi ana mai
+Kaiana ki te tihi o Taupiri i runga
+Mei tata ki te mate ka koraweke au
+Ka itiitiano aku rangi ki te ao
+Ka huri nei au ki taku moenga ia.
+Ka mutu te waiata a Hare Reweti ka tonoa ki te
+whare ka tukua ta kai. Muri ihowa tonoa matou e Te
+Wharepu kia haere kia kite i a Te Kihiringi Te Kanawa
+Tae atu ka korero a Te Wharepu, a Karaka Te Tani-
+wha me ara atu rangatira. Kei runga ko Te Kihi-
+ringi;Haere mai e Hare Reweti, haere mai ki Wai-
+kato, haere mai ki Kawhia, haere mai kiuta eto matou
+matua. Kawea mai te tika ki o tamariki. E pa e
+Hare Reweti, ko te tikanga tena kei i a koe
+Ka whakahua te waiata, kaore i matauria.
+Koi runga ko Hare Reweti:Ae e taku papa, ae,
+karangatia. He tangata aha ia i karangatia ai o koe.
+Me pewhea koa ianei i te aroha ki te iwi;' Kahore ho
+tikanga ke atu, kuia ano tena. E ki ana au ko te tika
+tenei. E ai ana tika i tenei hanga i to pakanga?E
+taea taeha ua taku papa
+Tera nga rae rehurehu ana mai e
+Kakarauri e ki Rewatemura e
+Kore e kitea atu i te korehutanga e
+I te ahi whakapo ki Waikato raia e
+Taua to pai kei tawhiti rawa, i.
+I te aonga ake o te ra ka tu te whakawa mo Rangi*
+riri, haere ake ana te Ngaungau ki Rangiriri; a,
+aratakina ana e Ngatimahuta ki runga ki te toropuke,
+e tu ana nga kara, e pae ana te Kaimatakitaki. Tenei
+nga korero o taua whakawakanga nui.
+Rangiriri, Maehe 26, 1858.
+Ko nga korero o te whakawakanga o Kumukumu.
+Ka rupeke ki te nohoanga, ka whakatika a Maneha
+Te Rotorua ka mea; ki a Kihi, "Haere mai e taku matua,
+haere mai, ta te mea, nau te take o te he. Ko tenei
+ki a koe te whenua." Ka mutu ta Maneha. Kei
+runga ko Waata Kukutai ka mea, "Kahore he kai
+korero i naianei, ko au anake. Whakarongo mai e
+aku matua, ko te tamaiti nei tenei, kua whanau hu
+tamaroa; kua tupu nga niho, kua kai i te kai. Na
+te Wairua Tapu pea tenei tamaiti; titiro hoki, kua
+haere tu." Ka patai a Waata ki a Wiremu Te
+Kumete, ka mea "E Wi, ki awai te tamaiti nei?"
+Ka ki atu a Wiremu "Ki a komako Kihi." Ka mea
+atu a Waata, "E aku matua ko te tamaiti nei tenei e
+hikitia atu nei e au Na, i naianei, ki a koutou te
+tamaiti nei; kia pai te atawhai, ta, te mea, he kauma-
+tua koutou, Ko te tamaiti nei, me oti atu ki a kou-
+tou." Ka mutu a Waata. Kei runga ko Te Kau,
+ka haere tuohu, ka mea. "Ehara au i te Kai whakawa
+kia kia te mai, kahore ano i tika noa taku tuara, no
+te toru o aku haerenga ka tika taku tuara, ka tu nei
+au ki runga. Ko tenei e taku potiki, ki a koe ano te
+whenua." Ka mutu. a Te Kau. Kei runga ko Wai-
+kato,' ka mea "Kaua e whakaroaina te korero, ka
+pahoahoa nga matenga i te ngaunga o to ra. Ka ora
+au, rara! ka ora au, ka ora au! Ko tenei tamaiti ka
+hemo i te kai, kahore aku waiu, engari me whakahoki
+ki tona whaea, kei taetae nga u o te whaea, ka mate."
+Ka mea ano a Waikato, "E Kihi, tangaengaetia to
+mokopuna." Ka tahuri a Waikato ki a Maneha, ka
+mea, "E toma ki a koe ano te tamaiti nei. Kei pa te
+he ki tenei tamaiti, ako, ake Amene." Ka mutu.
+Kei runga ko Kihi, ka mea, "E mea ma, e whakaae
+tika ana ra nei te tangata nei kia - taku moko-
+puna;'"' Ka oho -ake'"Ae." Ka patai ano. a Kihi,
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_4.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_4.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_1_4.txt	(revision 18423)
@@ -0,0 +1,213 @@
+TE WHETU O TE TAU.
+
+"Koia e whakaae tika ana kia tangaengaetia taku moko-
+puna?" Ka karanga ake"Ae." Ka patai ano a Kihi, "Me
+iriiri e au taku mokopuna,ne?" Ka oho katoa "Ae."
+
+Ka tu a Kihi i konei ka tuhi, ka tangaengae i te tamai-
+ti, ka tu ta tuahu ka whakahua i ana karakia, ana
+waiata:
+
+E tama kimihanga rau na te tini
+Tikina kahauria ki tawhiti i pu
+I tupu mai ai te ewa te muru
+Ka kukune & 
+Ka whakahua ano i tetahi:
+Homai, homai taku tamaiti
+Kia hikihiki au ki runga
+I aku turi, aue' ka mate au nei
+1 te whakataute 
+
+Ka mutu a Kihi, kei runga ko To Kereihi ka mea,
+"Heoi ano. Ka ora au i te pikitanga, haere tonu ake
+te wai ora i raro i taku waitohi mauri, ka ora au.
+"Tera te whetu takina mai o te ruru
+
+Ko taku tau pea tenei ka hoki mai e 1.
+
+Ki mai ki au kia hokona koe ki
+
+Toroa whakaura kai o tuakana
+
+Hei hoko akahu waero moho ki to uru e i
+
+Wetewete mai ra taku komutu karamea
+
+Nonutuai te tonga ma rau rangi e
+
+Haramai mana e homai horahia
+
+Mai taku taonga kia rahiri au e.
+Ka mutu a te Kereihi
+
+Na ko te hiri nei tenei; ko te kawanata nei tenei;
+
+ko te oati nei tenei- Na To Kau, na Waikato na Te
+Kihiringi tenei hiri o to tika. Ekore matou e pai kia
+wahia ake ake amene noa, ahakoa raruraru noa i muri
+iho, ekore rawa e pai kia wahia, no te mea he tikanga
+pai tenei, he tikanga whakaora tangata,
+
+(Tera atu ano te hiku o tenei korero.)
+
+TE HAHI O TE KARAITI ME ONA MANGANGATANGA
+
+He tokomaha nga rangatira. Maori kua ki mai ki au
+kia taia ki te nupepa, nga ingoa o nga Hahi i roto i te
+Pakeha. He whakaaetanga tenei ki. to tatou kupu.
+Na, kei poauau te whakaaro o nga iwi Maori ki te tika-
+
+nga o enei tini Hahi e tuahae nei, e ngangau nei ki a
+ratou ano; ehara i te mea i ahu mai i te Atua; a, ko
+te whakamangangatanga  o te Hahi o te Karaiti kihai
+i ritea mai i a ia, inahoki te kupu o tona pononga o
+Paora e mea nei"Ko taku korero tenei; o mea ana
+koutou, No Paora ahau; ko ahau no A? oro; no Kipa
+ahau; ko ahau no te Karaiti; Kua oti koia a te
+Karaiti te wehewehe? i ripekatia ra nei a Paora mo
+koutou? i mina ra nei koutou ki te ingoa o Paora?"
+1. Koroiti i12, 13.
+
+Waihoki," ko te whakarangatiratanga o nga minita
+o nga Hahi i a ratou ano, kihai i ahu mai i to Atua:
+
+engari, no te kikokiko tera ritenga, no te rewera hoki.
+Tenei te kupu, "Ko koe ia o te tama o te Atua, oma
+atu i enei; a, whaia te tika, te karakia pai, te whaka-
+pono, te aroha, ta manawanui, te ngakau marie."
+1. Timoti vi11.
+Ko nga ingoa o etahi o nga Hahi koia enei:
+
+1. Nga Hapariana 18. Nga Inipenara  
+
+2. Nga Materiarite 19. Nga Paraonihi
+
+3. Nga Karawinihi  20. Nga Papita
+
+4. Nga Aminiana 21. Nga Kueka
+
+5. Nga Paketenana 22. Nga Morewiana
+
+6. Nga Nehitoriana 23 Nga Weteriana Meterika
+
+7. Te Hahi Kirika 
+
+8. Te Hahi Pikopo 24. Nga Mohorika Niu
+
+9. Nga Ruteriana 25. Nga Meterika Pirimita
+
+10. Nga Hakaenota 26 Nga Hamipa
+
+11. Te Hahi o Ingarangi 27. Nga Hapateriana
+
+12. Nga Nonihuro 28. Nga Hutihoniana
+
+13. Nga Tihoneta 29. Nga Tungikora
+
+14. To Hahi o Katarangi 30. Nga Weronipohiana
+
+15. Te Hainora Rihama 31. Nga Iwingaiti
+
+16. Nga Hihira 32. Te Hahi Katorika Heamani-
+
+17. Te Hainora Riwhi
+
+
+
+
+
+
+
+
+
+ 
+
+[Ko enei e kitea nuitia ana; tera atu ano etahi.
+Ahakoa he tini ke enei Hahi, kihai i takina paitia te
+whakapono; e tupu nui ana te taru i roto i te witi.]
+
+KO TE HAHI O TE KARAITI Me Ona MANGANGATANGA
+
+UPOKO I,
+
+Ko te take o te Hahi tapu puta noa i te ao, ko Ihu
+Karaiti te tama a te Atua. I te takiwa i whakaritea ai
+
+e te Atua, i te mangai o ana Poropiti, ka puta a Ihu'
+te Ariki ki tenei ao. Tenei ano te kupu:"Otira, ka
+tino rite nga wa, ka tonoa mai e te Atua tona tamaiti
+i meatia e te wahine, i meatia i raro i te ture." iv4.
+
+I mahi ano a to Karaiti, i te tamarikitanga ai, i nga
+tikanga o tona matua i te rangi, inahoki, mo te 12 o
+ona tau, i rokohanga, e tona whaea, e Meri, i roto i te
+temepara o te Atua e patai ana ki nga kaumatua o nga
+Hurai, Pukai!46. Otira, no te 30 o nga tau o te
+Ariki ki tenei ao, ka timata 
+
+tana mahi kauwhau haere.
+
+Etoru nga tau o to Karaiti i rui haere ai i ana tika-
+nga whakaora tangata, ki whakawatea e nga Hurai ki
+Hiruharama Ko te tangata i whakaae ia ai ta reo i
+
+nga Hurai kia ripekatia a Ihu, ko Ponana Pirata, he
+Kawana ia no Huna, na Roma i whakanoho ki reira i
+te tau o te Ariki 27. E rua nga iwi i tino whakaao
+kia mate a te Karaiti, ko nga Hurai, ko Roma. Ko
+te tangata nana noi a te Karaiti i hoko, ko Hura, 
+Hurai; ko to tangata nana nei i whakaae kia kohu-
+ruhia) ko Parate, no Roma. Ko tenei hunga tokorua,
+ehara i to ringa tangata i mate ai; a, kihai raua i.
+mate kongenge, engari, na o raua ringa ake raua i patu.
+Ko Hura he mea tarona e ia ano ki Huna; ko Pirata,
+he mea wero ki to hoari, e ia ano, ki Rawhiti, i Parani,
+
+te whenua o nga Wiwi; no Romi ia taua whenua i
+tera takiwa.
+
+E 33 o nga tau o te Karaiti 3 hoki marama ka mate
+ia No te aranga i to mate, ka noho i te ao, ka whaka-
+kitekite ia ki ona akonga i nga ra 40. No te 6 o nga ra
+o Mei, i to Taite, ka arahina nga akonga, e te Karaiti,
+ki Maunga Oriwa; a, ka mutu tana mihi ki a ratou,
+me tana whakapai, "ka tangohia atu ia, a, na te kapua
+ia i whakangaro i o ratou kanohi."Nga Mahi i9
+Otira, kake rawa ako a Ihu ki te rangi, ki te noho i
+to ringaringa matau o tona matua kua waiho tika o ia
+nga ritenga o te whakapono ki ona akonga. Whaka-
+rongo ki te kupu o to Ariki:"Ko to mana katoa i to
+rangi, i te whenua, ka oti te tuku mai ki au. Mo
+konei ra, Haere koutou, akona nga tauiwi katoa,
+ratou ki te ingoa o to Matua, o te Tamaiti, o to Wairua
+Tapu: Akona ratou kia rongo ki nga mea katoa i
+korerotia e ahau ki a koutou: a. e noho ana i a
+koutou i nga ra katoa, taea noatia te -
+Matiu xxviii -18, 19, 20.
+
+NGA RONGO O TAWHITI.
+
+Kua manu ki te moana to tima nui o Ingarangi  
+te roa 692 putu, ko to raununui  83 putu.
+
+Whano mate a Ponupata te kohuru, no Roma nga
+tangata i whakangakau nei ki te kohura i a ia.
+
+Kua oti to whakawa te Kingi o Inia, kua wairua e te
+Ingarihi ki te motutere noho ai.
+
+Ko nga moni o tetahi peke i riro i te korero tini-
+hanga o tetahi keia,, £ 20, 000.
+
+Ko te pakanga a Haina raua ko Ingarangi kahore
+ano i oti noa, kotahi pa nui o Haina kua horo.
+
+Kua tao mai nga nupepa whakaatu o te hurihanga
+ru ki Nepara, haere ake nga taumata i mate, 30, 000;
+
+haere ake nga whare i hinga 50, 000.
+
+Ko nga tangata o Inia,te whenua e whawhai mai
+nei ki Ingarangi60; 000, 000.
+
+I taia tenei e Piripi Kuaha, ki Akarana.
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_5.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_5.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_5.txt	(revision 18423)
@@ -0,0 +1,175 @@
+
+
+TE WHETU O TE TAU.
+
+N0.2.
+
+AKARANA, HURAU. 1858.
+
+VOL. 1.
+
+Kenana, Maketu.
+
+Ki a Hare Reweti, ko te kai-atawhai i te tutua
+i te pani, i te pouaru, i te rawakore. Roma
+xiii8.
+
+E hoa tena ra ko koe i runga i te mahi tohu
+a to tatou matua i te rangi. E hoa, kua tae mai
+tau pukapuka ki ahau; kua kite ahau i au wha-
+karitenga tika; a, e hari ana toku ngakau ki tou
+rongo pai e takahi mai nei, i runga i nga ngaru
+whakaporaruraru o tenei ao;i runga i nga
+ritenga a te tangata, a te Pakeha.
+
+Ko tenei, e hoa, kia kaha koe, ki te whaka-
+marama i nga tikanga ki te ao. Matiu, ^
+15, 16. Ma te Atua koe o whakakaha;, mana
+koe e tiaki; mana koe e whakaora,
+
+Ka hari koe ki te mahi, ki nga mahi a tou
+rangatira. Matiu, xxi^46. Matiu, xx^16,
+
+ 17. Matiu, xx^21.
+
+Ko tenei, e hoa, ka tika to arahanga i nga
+matapo. Ki te kahore e arahina, ka mate, ekore
+e tika, i i te huarahi. Matiu, xv14.
+
+E hoa, tena ra ko koe. Kia manawanui ki nga
+anea whakapouri, kia tohe ki te inoi. Roma,
+xii1: 2.
+
+He waiata tangi tenei naku ki a koe
+
+Kia kaha ake ra to piko ki te ao
+Kai tamia koe te whakaruhia
+Patuparehe, to taonga i kimi ai ki tawhiti.
+I rangahaua e, o karihi ki te putere,
+O tapu tinitiaia mai te manu a
+Te Tipua ka purotu hine, te waka takohe-
+kohe rai.
+Naku na to hoa aroha,
+
+NA PAORA PARUHI.
+
+[Ka nui te aroha a o toku ngakau ki nga korero
+pai a Paora Paruhi, tapoko ana ki te hinengaro,
+me he kowhitanga marama te panga mai kei
+ahau.Na Hare Reweti.]
+
+Waiomio, Peiwhairangi, Hanuere 18, 1858.
+E hoa,
+
+Tenei taku kupu ki a koe,kia tukua e koe
+
+enei korero ki te perehi hei matakitaki mo nga
+iwi katoa, o runga, o raro nei. Otira, e hoa,
+kihai, i pau atu aku kupu; maku ano e rapu i
+muri nei, he 'kupu pono, kia mutu tenei mahi,
+te mahinga o te kara; ko reira ano matou huihui
+ai, whakaoti" ai i tenei mahi. Heoi ano ena kupu
+ki a koe.
+
+Kia tau te rangimarietanga ki a koe, i roto
+i nga ra katoa, ma te Ata» koe e tiaki, ake ake.
+E hoa tena koe. Tenei ano toku aroha ki a koe.
+Heoi ano tena kupu a tou hoa aroha.
+
+A MAIHI PARAONE KAWITI.
+
+Ki a Hare Reweti, kei Akarana.
+
+Peiwhairangi, Hanuere 18, 1858.
+No te huihuinga o Ngapuhi -ki Kororareka
+i te whakaarahanga o te kara ki Maiki, enei
+korero. I te putanga o te mahi & tenei ranga-tira, 
+
+Maihi Paraone Kawiti To Kuhanga, i tona
+
+
+
+
+
+
+
+
+
+
+
+whakaaro nui i taea ai e ia te rapu nga whakaaro
+e tupu ai te pai ki runga ki te whenua. Kia
+rongo ra e te iwi katoa, i te kupu a Maihi
+Paraone Kawiti. Ka peia atu e ia e te Atua
+te kino ki te pouritanga i waho ko te wahi tera
+o te tangihanga, me te teteatanga o nga niho
+Matiu viii.12. Engari me tahuri nga iwi katoa,
+me tango i te kupu o te Atua kia tika ai to tatou
+awhi tanga atu ki a te Kuini, me toa araitanga
+mai ki a tatou.
+
+He kaha no tenei tangata ki te rapu i tetahi
+whakaaro e ora ai tenei motu, e tau ai te mahi
+tohu a te Atua, ki nga tauiwi katoa. Koia a
+Maihi Paraone Kawiti i mea ai, ko nga iwi katoa
+o tenei motu me tomo atu ki roto ki te ture o te
+Kuini.
+
+Ko nga tangata enei i whakaae ki Maiki kia
+whakaarahia te kara, 1379. Ko nga hapu enei
+32; ko nga moni enei £86 188. 3d. Heoi ano.
+NA MAIHI PARAONE KAWITI ENEI
+WHAKATAKI.
+
+Pakanae, Hokianga, Hanuere 16, 1858.
+
+E hoa e Hare Reweti, tena ra ko koe. Tenei
+ano taku kupu ki a koe- mo taku korero kua tae
+atu ki a koe i mua. Ekore e Hare Reweti, tena
+ra ko koe, i runga i te kaha o te Atua Heoi ano,
+NA TE MANGUMANGU KAIWHAKAWA.
+Ki a Hare Reweti, kei Akarana.
+
+Whangaruru, Hanuere 15, 1858.
+E hoa e Hare Reweti, tena ra ko koe. Ka nui
+
+toku aroha ki a koe ki tau kupu, i ho mai nei i
+
+tau pukapuka.
+
+Tekoreotehangameheumutuhiekeiia
+
+"Waiarikikarawetakuringateataotepiau
+
+TaongakiInienahakutaiterarangaitu
+
+KiaurutomoautewhareoHareRewitimekore
+
+Eriromaiemekoparetetaitongakawhiwhi
+
+Karawekahokiauei.
+
+NA WIREMU KOROKORO.
+NA PITORE HU.
+NA PEPENE.
+
+Ki a Hare Reweti, kei Akarana.
+
+Emara e Hare Reweti, tena ra ko koe. Etahi
+toku aroha atu ki a koe. Ko te rua tenei o aku
+taonga mai, kahore ano aku kupu ki a koe, katahi
+ano. Kei nga tai o te korekore ka whakaputa
+te toka i Rangitahu. Ehoa e Reweti, he huna
+ra nei te marama, he tirea ra nei te marama, he
+mawaru ra nei, he rakau nui ra nei. Ka hua te
+kai, ka hua te kupu. He waiata.
+
+Tenei e whakangaoko ana ra te ngakau
+Ka hara mai te ra a ka wananga kia uru
+Koutou i te hinga o kai, ka uru
+Rapea koutou, i te tokitokinga o kai.
+
+Heoi ano, ka mutu
+
+NA PARATENE TE MANU.
+Ki a Hare Reweti kei Akarana.
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_6.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_6.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_6.txt	(revision 18423)
@@ -0,0 +1,42 @@
+                        TE WHETU O TE TAU.
+
+        K  tama kimihanga rau na to tini
+        Tikina hahauria ki tawhiti i pu
+        I tupu mai ai te e wa to rauru
+       Ka kukune &c.
+   Ka whakahua ano i tetahi:
+       Homai, homai tuku tamaiti
+        Kia  hikihiki au ki runga
+        I aku turi, aue ! ka mato au nei
+        1 te whakataute &c.
+  Ka  mutu a Kihi, kei runga ko Te Kereihi, ka mea,
+''Heoi ano.  Ka ora au i te pikitanga, haere tonu ake
+te wai ora i raro i taku wai tohi mauri, ka ora au
+       "Tera  to whetu  takina mai o to ruru
+        Ko taku tau poa tenei ka hoki mai e i.
+        Ki mai ki au kia hokona koe; ki
+        Toroa  whakaura kei o tuakana
+        
+
+
+ 1. Timoti vi11.
+   Ko nga ingoa o etahi o nga Hahi koia enei :
+  1. Nga Hapariana      1S. Nga Inipenara
+  2. Nga Materiarite     1D. Nga  Paraonihi
+  3. Nga Karawinihi     20. Nga Papita
+  4. Nga Aminiana       21. Nga Kaeka
+  5. Nga Paketenana       21  Nga  Morewiana
+  G. Nga  Nehitoriana     23 Nga  Weteriana  Mete-
+  7. Te Hahi Kiriki          rika
+  8. Te Hahi Pikopo      24. Nga Metorika Niu
+  9. Nga  Ruteriana       25. Nga Motorike. Pirimita
+ 10. Nga Hukuenota     2 i. Nga Hamipa
+ 11. To Hahi o Ingarangi 27. Nga Hapateriana
+ 12. Nga Nonihuro       28. Nga Hutihoniana
+ 13. Nga Tiheneta        20. Nga Tungikera
+
+
+
+
+
+  
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_7.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_7.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_7.txt	(revision 18423)
@@ -0,0 +1,40 @@
+                    TE WHETU   O TE TAU
+  TE  HAERENGA A REWI RAUA  KO   TE
+      WAITERE ME TO RAUA   PAKEHA.
+
+   
+
+ Wiremu 
+
+
+
+Whatawhata
+
+
+ Waikato.
+
+
+Kawhia
+
+
+ Hare Reweti
+
+
+Mangapouri
+
+
+ Rewi o To Katea, 
+ ki a Hoani Papita raua ko Toma, ki te pehi i tera
+ pakanga whenua.
+  
+
+Hare Reweti
+
+
+
+
+
+
+  TE  WHETU   O TE  TAU,
+           AKARANA,  
+
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_8.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_8.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_8.txt	(revision 18423)
@@ -0,0 +1,110 @@
+TE WHETU  O TE TAU
+
+NGA RONGO O TENEI MOTU
+
+Ko Potatau Te Wherowhero kua hoki ki
+
+Waikato ki tona iwi, ko Ngaruawahia te kainga e
+
+noho ana.
+
+TE MAHI HIPI
+
+Ko nga iwi e pupuru nei i te whenua, ka tika
+kia karanga koutou ki te mahi hipi ma koutou
+
+anake ano tena karanga, ta te mea hoki, e whiu
+papa ana hei haerenga Erua nga painga o te
+hui) i, ko nga tinana hei hoko ki nga taone, ko nga
+huruhuru hoki i roto i nga tau katoa Kia
+
+ te whakanoho i nga hipi, kia wawe kou
+tou te whiwhi ki nga painga e ahu mai ana i
+tenei tu mahi
+
+NGA KURA MAORI
+
+Kua tu te Kura Maori kei Whatawhata, e wha
+ te kua o nga tamariki Ko te whenua, na
+te tangata Maori ko nga kai me nga kakahu na
+te tangata Maori Ko nga whakaako he
+tangata Maori, ko Hami Ngai  ko Pera, ko
+Hohepa Kua tu to ratou whare pa', kua nga
+kia paina nga marae o te kainga Kahore he
+ a nga Pakeha i taua, kura Ka tia i ano e
+mara ma, ka tika.
+
+NGA TAONE MAORI
+
+E rua nga taone Maori i roto o Waikato kui
+rangona, ko Ngaruawahia, ko Te Kopua Ko te
+ -Ngaruawahia hei mahinga kai, kua ata
+kitea Ko maramarua, te awa mo nga kai o Nga a
+ ko. Maupu te ara mai ki Hauraki
+Ko nga whare o te taone ki te Kopua he
+papa ko enei ki Ngaruawahia he pipi etahi, he
+ Ka purero ano iwi Maori, ka purero
+
+
+
+
+
+
+
+
+
+
+
+
+
+TE HOKO PUKU I TE WHENUA
+I roto i tenei mahi whakatau pakanga, i te
+hoko puku i te whenua, na te tangata Maori ra
+nei te he, na te Pakeha ra nei Ko tehea taringa,
+ano o te Pakeha kia rongo? Kua ti nga taringa
+i te korerotanga atu, ehara i te tangata kotahi te
+whenua, Kua rongo tuturu i ratou, no nga tangata
+katoa te whenua No nga rangatira, no nga
+tu ua, no nga tane, no nga wahine, no nga
+ tamariki I runga i tana
+mohiotanga i ta te Pakeha, ka anga, ka tuku
+moni ki nga tangata poka noa ki te tuku whenua
+Ki te mei ki mau te whenua kauaka ia e riri,
+e he ana hoki i tana ki te mea ka pau
+ki atu ina moni, auaka
+ano, i a te Pakeha te he
+
+TE HE O TE NAMA
+He mahi he te nanu He tikanga whaka
+he tikanga whakangoikore i nga ringaringa, he
+tikanga whakapouri i te wairua, he tikanga
+ tikanga whakamana
+ pakanga Ko koutou katoa e pai ana ki enei he nunui haere ki te
+nama ko koutou  katoa e kino ana ki enei he,
+whakamama  mahi nama, ahakoa
+ i nama taonga
+
+KO TE HAHI O TE KARAITI ME ONA
+
+UPOKO 11
+
+Hiruharama i runga i te inoi ki te Atua, i runga
+ i te ahua ki te kupu o te Ariki   atu ki a ratou,
+"Maku e tuku itu  a koutou te mea  korero
+me taku Mahu i otiia, kia noho koutou,  te pa,
+  nama, kia whiwhi ra ano koutou  te
+kaha o aunga" Ruki xx 1749 Kotahi te kau
+o nga ra i noho tatari 11 nga Apotoro  te kupu
+o te Ariki,  muri iho o te kakenga, a, no te 16
+o nga ra o Mei,  te wiki, "Puta whakarere mai
+ana  hau matangi  te tangi, ano he hau wha
+kaha ra e kii ana, a,  katoa te whare  noho
+ai ratou A, ka puta mai  i tatou nga arero
+manganga, ano ue ahi, tiu iho ana  a tatou
+katoa, a, whakaki! a  ana tatou kite
+Wairua Tapu Nga Mahi 112, 3, 4
+noa  nga 100 o nga tauiwi Kihai  roa 
+rangona taua mea ui iti iro, a, ka huihui te mano
+ki te aroaro o nga Apotoro Kotahi  tawai 
+nga akonga o, ka ana enei
+(unreadable text)
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_9.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_9.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_2_9.txt	(revision 18423)
@@ -0,0 +1,202 @@
+TE WHETU O TE TAU.
+
+Tapu, kua ringihia mai tenei e kite nei, o rongo
+nei koutou " Nga Mahi 1133
+
+Ko te kauwhau a Pita mana tonu, i reira, aue
+ana to mano, i te mamae mo a ratou hara, kara
+nga tonu mai ki a Pita ki nga Apotoro katoa, ' E
+nga tangata, me nga tuakana, me pehea e ma
+tou ? ' Nga Mahi 1136 Ka rongo a Pita ki
+enei kupu, ka mea atu ki te mano, "Ripeneta,
+kia mira koutou katoa, i te ingoa o Ihu Karaiti
+mo te murunga hara, a, ka riro mai ki a koutou
+te horomatanga o te Wairua Tapu ' Nga Mahi
+1138
+
+Whakaae ana te mano i konei ki te kupu o te
+Atua i whakapuakina ra e Pita, a, "Ko ratou i
+tango hari i te kupu, i mira, a huihuia ana ki a
+matene toru mano o nga wairua" Ngatahi
+1141
+
+UPOKO HI
+
+Na, ka kite nei tatou, ko Hiruharama te Hahi
+tuatahi, te matua o nga Hahi katoa o te ao, a,
+ka kite hoki tatou i te tika o nga minita i whaka
+rerea iho e te Karaiti, hei hapai i tana kupu
+No te mahinga paotanga o te Hahi ki Harahara
+ma, ka wawahi nga Apotoro Kawea ana te
+rongo pai ki Anatioka, ki etahi atu whenua o
+Ahia, ko etahi i pakaru mai ki Oropi, ki nga
+whenua o Kirihi, ki Roma, ki Paniora, ki Inga
+rangi hoki Haunga te taonga o te kupu ki
+Kateiha, me etahi atu whenua o Awherika.
+
+Ko te pihopa tuatahi o te Hahi i Hiruharama,
+ko Hemi tama a Arapiu he teina a Hemi ki te
+Ariki I taua takiwa, he kupu noa iho nei te
+pihopa, kahore i ahua ke nga kakahu, me nga
+tikanga, i rite te whakaaro o te Hahi katoa, a,
+ko nga pihopa me nga kaumatua i whakapononga
+i a ratou, na te Karaiti hoki tera tikanga pai i
+whakatakoto i mua atu o te matenga I tau-
+tohetohe hoki nga akonga i mea, ko tehea ra hei
+rangatira mo ratou Ka rongo te Ariki, ka mea
+atu, "Ko nga kingi o nga tauiwi hei rangatira mo
+ratou, ko o ratou kai tohutohu e meinga ana
+he hunga mahi pai Otira, kaua koutou e pena,
+engari, ko te mea nui o koutou hei muringa, a,
+ko te rangatira, kia pera mo ia e whakapononga
+ana " Ruka xxii25, 26
+
+Ko te runanga tuatahi o te Hahi o te Ariki, i
+tuna ki Hiruharama, i reira a Paora, a Pita, a
+Panapa, me te tini atu, ko Hemi ia te upoko o
+taua runanga, i a ia te kupu whakamutunga, a,
+ko tana kupu i mana i te mano Nga Hahi xv
+
+13 Ko te tau i tu ai tenei runanga, ko te 51
+Ko te take i tu ai taua runanga he korero no
+etahi o nga Parihi ki te Hahi o Anatioka, "ki te
+kore koutou e kotea ki te ritenga a Mohi, ekore
+koutou e ora " Nga Maki xv1
+
+Noho noa nei a Hemi hei kaumatua mo te
+
+Hahi matua i Hiruharama, taea noatia te tau 62,
+Ka mate ia, he mea kohuru na nga Hurai Tonoa
+ana e nga rangatira o nga Hurai, i kino nei ki te
+rongo pai, kia kake a Hemi ki tetahi o nga keo
+koanga o te temepara whakapuaki ai i ana kupu
+kia ata rangona e te mano No te ekenga, ka
+whakataka iho o ratou, a, akona ana ki te kohatu
+Ka whakaaio a Hemi ka mate ia, ka tuturi nga
+tini, kawea, "E te Ariki te Atua te Matua, ka
+mai atu nei ahau mo ratou, no te mea, ekore
+
+
+
+
+
+
+
+
+
+
+
+ratou e matau ki tenei mahi a ratou ' Puta kau
+ano enei kupu i te mangai o Hemi, ka rere atu
+he tangata me te pouwhenua, akona ana ki te
+matenga Na taua rakau, na te kohatu whiu
+mai o te tokomaha, ka mate a Hemi te Tika i to
+whenua i kohurutia ai tona Ariki a Ihu Ko te
+
+ roa tenei o nga Hemi i mate ki Hiruharama, i o
+Hemi te tama a Heperi, na Herora te kingi
+patu Nga Mahi xii2
+
+Ka mate a Hemi te Tika, ka tangotango wha
+kaaro te Hahi ki tetahi tangata hei whakakapi
+mo tona turanga, hei upoko mo te Hahi matua
+Ko ta ratou tangata i pai ai, ko Hamiora, tama
+a Kereopa raua ko Meri Ko nga tau i Kawana
+ai a Haimona i te Hahi i Hiruharama 43, no
+te tau o te Ariki 107 ka mate a Haimona te tua
+rua onga pihopa o Hiruharama, i kohurutia he
+mea ripeka Otira ko te mana anake o te Hahi
+i Hiruharama i kitea i te tau 107, ko te mana o
+te iwi kua ngaro noa atu kia rite ai hoki te
+poropititanga o te Ariki e kii nei, ' E tae mai nga
+ia ki a koe, e tu ai te maioro a o hoa riri i waho
+ake i a koe; a, ka kamapotia koe, a, ka tauaraitia
+koe i tetahi taha, i tetahi taha A, ka whaka
+horoa koe ki raro ki te whenua, me ou tamariki
+i roto i a koe, a, ekore e waiho tetahi kamaka i
+runga i tetahi kamaka i roto i a koe, no te mea
+kihai koe i matau ki te wa a to tirohanga '
+Ruka x1x43, 44.
+
+TE TANGI A RAWIRI MO HAORA RAUA KO
+
+HONOTANA
+
+Hinga ana te ataahua o Iharaira,
+
+Ki runga ra ki ou wahi tiketike,
+
+Ano te hinganga o nga nui'
+
+Kauraka ra e korerotia ki Kata,
+
+Kauaka ra nge e panuitia ki nga ara o Ahakorono
+
+Kei hari ra e nga tamahine a nga Parihitini
+
+Kei whakakoakoa nga tamahine a te kokoti kore
+
+E nga maunga o Karapoa, kauraka he tomairangi
+
+Kauaka ra he ua ki runga ki a koutou,
+
+Nga mara hoki mo nga whakahere,
+
+Na te mea koa, i whiua kinotia ki rena
+
+Te tauarai o nga nui, te tauarai o Haora,
+
+Engia ano ia kihai ia i whakamahia ki te hinu
+
+I te toto o nga mea mate, i te ngako e nga nui
+
+Kahore i hoki ki muri te kopere a Honatana,
+
+Te hoari ra a Haora kaore i hoki kau mai
+
+Ko Haora raua ko Honatana i humarie,
+
+I ahuareka i te oranga ai,
+
+A, i to raua matenga, kihai i wehewehea
+
+Hira ake to raua roto i nga nehera,
+
+Rahi ake te kaha i nga raiona
+
+E nga tamahine o Iharaira,
+
+Tangihia mai a Haora,
+
+Nana nei koma i hipoki
+
+Ki nga mei pakurakura,
+
+Me etahi atu whakahari,
+
+I whakapiri ki o korua kakahu
+
+Nga koma hei whakapai iho
+
+Ano te hinganga o nga nui,
+
+I waenga parekura'
+
+Patua iho koe e Honatana
+
+Ki ou wahi tiketike
+
+i, koera ana au ki a koe,
+
+E toku tuakana e Honatana
+
+Nui atu to ahuareka ki au,
+
+He aroha whakamiharo tau ki ahau,
+
+Hua ake i to aroha wahine
+
+Ano te hinganga o nga nui '
+
+Nga patu hoki o te whainga ngaro noa ia e
+
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_10.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_10.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_10.txt	(revision 18423)
@@ -0,0 +1,176 @@
+TE WHETU O TE TAU.
+
+No. 3.
+
+AKARANA, HEPETEMA 1, 1858.
+
+VOL 1.
+
+Haere atu ra e taku kupu i runga i te aroha wha-
+katohua ki oku hoa Maori katoa. E hoa ma, tena
+koutou. Kia mau mai te whakaaro ki te Atua,
+no te mea hoki, ko te matua ia mo te tangata.
+Tenei tana kupu. "E haere mai ratou i runga i
+te tangi, a, ka arahina e au i runga i te inoi; ka
+meinga ratou o ahau kia haere i te taha o nga
+awa wai, i roto i te ara tika, ekore e tutuki te
+wae i reira, no te mea, ko au hei Matua mo Iha-
+raira, ko Eparaina ano hei matamua ki ahau."
+Heremaia xxxi9.
+
+Ko tenei e oku hoa aroha kia piri pu ki te
+whakapono kia rokohanga noatanga e te he e
+noho tika ana i te aroaro o te Atua, i te aroaro o
+te tangata, ka oti hoki te tuhituhi, "E mau ki
+nga mea whawhai katoa a te Atua, kia taea ai e
+koutou te tu atu ki te riri i te ra kino a, te oti-
+nga o nga mea katoa kia tu."Epeha vi13.
+
+Kia tau ki a koutou katoa te atawhai o to tatou
+Ariki, ma ona toto tapu e horoi o koutou hara
+katoa, mana koutou katoa e whakawhiwhi ki tona
+Wairua Tapu, kia waiho ai koutou hei mangaro te
+Waina Pono i tenei ao, a, hei Tohunga, hei Kingi
+i tera ao atu. Ko taku inoi tenei mo koutou
+katoa.
+
+NA HARE REWETI.
+
+Akarana, Akuhata, 1858.
+
+KO NGA PUKAPUKA O NGA RANGATIRA.
+
+E hoa e Hare Reweti, tena koe. Ka nui toku
+aroha ki a koe no te mea koa tauwehe o taua
+tinana. E hoa o te whetu o te ata, tena koe.
+Tena koe te tangata nana i tui te waka kia mau.
+E hoa, e mohio ana koe ki nga tangata katoa. E
+hoa tena koe.
+
+NA POTATAU TE WHEROWHERO.
+Ki a Hare Reweti, kei Akarana.
+
+Rangiaohia.
+
+Haere ra e taku aroha ki a Hare Rewiti
+E hoa e Hare Reweti, tena koe. Ka nui taku
+mihi ki a koe i roto i nga marama i nga ra. E
+hoa tena koe, te mahi mai na i nga mahi tohu o
+te Atua. He waiata aroha.
+
+Taku turanga kei te ihi o te whare
+
+Me te kai aohia te roimata i ahau,
+
+Aroha i mahuki ki te tau ka wehea
+
+Ka ngaro ki te kore
+
+Naku koe i tuku atu i te mata i rarau
+
+Te rehia i te ara koa
+
+Te ringa toro, i te ringa horahora.
+
+Heoi ano,
+
+Na to hoa aroha,
+
+NA HOHEPA TAMAMUTU,
+
+Kei Taupo.
+
+Haere atu ra e taku aroha i nga hihi o te
+marama ka rakaunuitia ki a Hare Reweti. E
+hoa e Hare Reweti, tena koe. Ka nui toku aroha
+ki a koe. Katahi ano au ka tao mai i te kawe i te
+aroha kua honea e te Karaiti ki te ao ki a tatou
+hoa i Taranaki e mahi aua i nga ritenga pouri o
+
+
+
+
+
+
+
+
+
+ 
+
+te ao. E pa, i haere au i runga i nga ture i
+whakatakotoria  hei mahi mo nga tangata katoa
+kia whiwhi ki te kotahitanga. E ki ana hoki a
+Paora ko te mea nui ano o enei ko te aroha
+Koriniti xiii13. Me te kupu e mea ana, ka
+kawea hoki matou e te aroha o te Karaiti. Na
+konei au i mea ai kia mahia nga mahi pai ki to
+tangata. E hoa tena koe i roto i te ture atawhai.
+He waiata aroha.
+
+I muri ahiahi ka tata mai te aroha
+
+Ki te tau ra e i whakaepa
+
+I taku ohinga kei te ruru au
+
+E ko reira huaki nei to kai e anga
+
+Te wero hope te maringi nei
+
+Nana nei i hokirua mai ki te whare
+
+Taku whakara ki ngai mua ra
+
+I nga rangi raia.
+
+Heoi ano,
+
+Na to hoa aroha,
+
+NA KEREI KATEA.
+
+Kihikihi, 1858.
+
+Haere ra e taku rota ki a Hare Reweti. E
+hoa tena koe. Kia mau mai te whakaaro ki au
+tamariki i atawhainga ai e koe, i to po i te ao,
+ara i runga i te atawhai o te Ariki. Heoi ka
+mau tonu nei te aroha ki a koe me te tumanako
+tonu o te ngakau ki a koe i te po i to ao kia kite
+ra ano au i a Koe e Hare Reweti.
+
+NA HONE TERI TE PAERATA.
+Ki a Hare Reweti, kei Akarana.
+
+Rangiaohia, Mei 26, 1858.
+Nau mai ra e taku reta ki toku matua aroha
+ki a Hare Reweti. E pa tena ra koe te noho mai
+na i tou kainga. E hoa, kotahi te mea kua kitea
+e matou ko ta te Atua kupu i ki ai ia "rapua e
+koutou nga Karaipiture kei reira te orangatonu-
+tanga mo koutou." Kia rongo mai koe kua
+whakakahore matou i etahi o nga tikanga Pakeha
+i runga i to matou whenua ta te mea kua kite te
+Atua ko te moni te putake o nga kino katoa. E
+hoa kia mau mai te aroha ki nga tangata Maori
+katoa. Heoi ano
+
+NA PAORA MATENGA TE PAHUPAHU.
+Ki a Hare Reweti, kei Akarana,
+
+[Ae e te hoa aroha e Paora, mo rapu tonu te
+tangata i nga karaipiture ko te ora kei reira, ko
+te tika, ko te pai]
+
+Warau, Hurae 1, 1858.
+
+E hoa e Te Reweti, tena koe. E hoa ko au
+anake kei te pupuru i ta taua tikanga; otira, ko
+nga rangatira o Ngatitamatea  o Ngatimaru o
+pupuri nei i ta tatou tika. E hoa kia kaha mai.
+Ki a Te Reweti,
+
+Ngaruawahia.
+
+E hoa e Hare Reweti, tena koe i roto i te ata-
+whai o te Ariki.
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_11.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_11.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_11.txt	(revision 18423)
@@ -0,0 +1,169 @@
+TE WHETU O TE TAU.
+
+tonu nei ki a koe, no te mea, kua piri mai koe ki
+a matou i runga i te aroha o te Atua. E hoa,
+ekore e mutu taku whakawhetai mo tana homai-
+tanga i tenei pai e mahia nei e nga runanga. E
+hoa kua tae mai tau reta, ara tau kupu e rapu
+nei koe i te tika mo to iwi, to matou kitenga i
+tau reta hari ana etahi, ka pouri etahi no te mea
+e ngaro ana koe i o ratou kanohi. E hoa tena
+koe. Ko taku kupu ki a koe ka mau toku nga-
+kau ki a koe. E hoa ekore au e wareware ki a
+koe.
+
+NA TIPENE TAHATIKA,
+
+Kaiwhakaako.
+Ki a Hare Reweti, kei Akarana.
+
+[Kei hea hoki te mea nui u a te hoa u a Tipene,
+ka mea au koia ano tena ko te aroha.Na HARE
+REWETI.]
+
+No Mangere.
+
+E tama e Hare Reweti, tena koe, te whaka-
+puta na i te aroha, i te marama, o runga, i
+te wahi pouri o nga tangata; ara, o te whenua.
+E tama, kia rongo mai koe i taku whakaaro mo
+nga Maori. Rere! ka rito pea te Maori ki nga
+manu, ki nga ika. To nga ika wahi to nga manu,
+to nga kiore, to nga ngarara;he mea whaka-
+rite ano e te Atua o ratou whare. To te ika
+haerenga, he wai; to te manu he ngaherehere;
+
+to te kiore, he rua oneone. Ko onei mea katoa,
+kihai i rite te matau ki te tangata. Na, ki ta te
+manu mohio, he ngaherehere; kai ana, inu ana,
+hauhau ana, korero ana. Tena huakina te nga-
+here, ahu kau ana nga manu. Kua mutu te
+koroki o te manu i te ata, hua tangi 
+kao. Ko te rite tenei mo nga Maori. Ka mea,
+no nga Pakeha te he; kaore no ratou ano te he.
+He mea pea kia rite ki nga manu e haerere ana i
+te taha tai. Kua pari te tai, kua nekeneke kiuta;
+
+kua timu, kua matara atu te haerenga. Tera
+ano te tai punaha te haere mai ra, ngaro aua nga
+tahuna, ka kimi i te wahi hei nohoanga mo
+ratou:kua kitea te wahi i purero, kua popo ki
+reira, ke! ke! kau ana. Mou enei korero, e te
+tangata hoko whenua. E pai kia whiwhi koe ki
+te moni hei utu eka mou. E pai kia uri kore
+koe. Kua tupu o uri, o mokopuna, kua rongo
+ratou, no te Maori ano tenei whenua, i mua mo
+tau kupu e ki na koe, "Hei oneone mawai kia
+puritia, ka mate nei au." E tama e Hare
+Reweti, e penei ana nga whakaaro o te tangata
+hoko whenua. Kua reka hoki te maunu ki te
+waha. E hoa tena koe, E tama he whakaaro
+enei naku. Me he mea pea, e rongo ana nga
+tangata, ka riri ra nei, ka pai ra nei.
+Heoi ano.
+
+NA TO HOA TATA KEI MANGERE.
+
+Ki a Hare Reweti, o Niu Tireni, o Ingarangi, ra
+nei. E mahara ana au no tawahi ano pea
+koe i whanau ai, no konei ano ra nei.
+[Ekore e toku hoa tata, no tawahi ano au; he
+heka au nei ki tenei whenua ki Niu Tireni.Na
+HAKE REWETI.]
+
+Mangere, 1858.
+
+Tenei ano te Atua o namata ko Uenuku.
+Kahore he Hurihanga o te whakaaro o mua;
+
+
+
+
+
+
+
+
+
+
+
+kotahi tonu te tikanga. E hoa ma, me tuku atu
+taku kupu i te muri raro, kia kite koutou katoa i
+taku timatanga, nohoanga ki te pakeha 1835 o
+nga tau. Ka noho au i runga i te ritenga
+pakeha. Ehara te matua poriro; engari tona
+matua tupu. Titiro hoki; no te Atua te wairua,
+no te Atua hoki te tinana. He whakaaro tupu
+enei korero. He waiata:
+
+Ra paki au ki runga ki te tawa
+
+Kia marama hau te titiro ki
+
+Wharekahokaho ki te tauira engia
+
+Ki te haramaitanga o te pai,
+
+Rakau ka tairi ia taua.
+
+Heoi ano
+
+NA HEMI KARENA,
+
+Kei Mangere.
+Ki a Hare Reweti, kei Akarana.
+
+TE HAERENGA A REWI RAUA KO TE -WAI
+
+TERE ME TO RAUA PAKEHA.
+(He roanga no tera nupepa.)
+
+Ko te atawhai a Hoani Papita, me tona hoa
+wahine, me nga tangata katoa me nga wahine,
+nui atu. Patua ana e Hoani he poaka ma matou,
+tukua ana te paraoa me era atu kai, ko te aporo
+he ope noa mai.
+
+No te otinga o nga korero ka hoki ki Kihikihi,
+ka noho ki te kainga a Rewi, ka tukua a Te
+Waitete kia haere ki Te Kopua ki Hangatiki ki
+te tirotiro i te iwi.
+
+No to matou nohoanga Ki .Kihikihi ka tu te
+runanga, etoru te kau o nga tane ki taua runanga
+ko; kupu nei waewae; ko nga Kai whakapono
+karaipiture tokorua, ko Hemi, ko Epiha hei
+ringaringa era; ko nga pane ko Te Katea, ko Te
+Ngahuru, ko Rewi; ko Manuera te kai tuhituhi
+Ka tu te runanga tuatahi he wahine puremu,
+puta ana nga moai £15 wahia ana mo te runanga
+etahi mo to tane o te wahine i he etahi. No te
+rua o nga turanga he hoiho te hara, puta ana ko
+te hoiho ko te wati. Ko te wati i te runanga ko
+te hoiho i te tangata nana te he. Ko te tuatoru
+he tahae, puta ana £5 wahia ana mo te runanga,
+mo te tangata nana te he. Te tuawha he ekenga
+no tetahi i te hoiho o tona hoa, puta ana erima
+hereni, wahia ana era. He tini nga ture i mahia
+e tenei runanga i to matou nohoanga ki reira,
+mo te waipiro, mo te korero teka, mo te puremu
+me te tini atu.
+
+He nui noa iho te mahi o tenei iwi i te ao i te
+po ki te whakatakoto tikanga hei pehi mo te he,
+hei whakatu mo te tika. I whakaae ano matou
+ki te kaha me te marama o ta ratou mahi.
+
+Ko te atawhai o nga tangata katoa o Kihikihi
+ki a matou heaha ra i korerotia ai! Kahore he
+mea i mahue, ko nga poaka, ko nga paraoa, ko
+nga heihei, ko nga ti, ko nga huka, me te tini atu
+o te kai he whiu noa mai tiketike ana. Ko to
+taonga nei ko te wahine ki te taka kai ma matou,
+ko tana mahi maori tera. Ko te hoa a Manuera
+ko etahi iho, ko etahi iho. Nawai hoki tau aroha
+e Kihikihi ki tenei hanga ki te Pakeha I
+
+No te po ka whakatomokia  te whare te tane,
+te wahine, te tamariki erua pea rau tangata. Ka
+puta te mihi o tana iwi, ka waiata mai ki a Hare
+Reweti.
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_12.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_12.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_12.txt	(revision 18423)
@@ -0,0 +1,191 @@
+TE WHETU O TE TAU.
+
+Kei runga ko Mare:
+
+Haere mai e Hare Reweti, haere mai e aku
+matua, kawea mai to kiri ma ki au ki to kiri
+pango. Katahi ano au ka mohio tenei te aroha
+nei te kiri ma ki au ki te kiri mangu, ki Niu
+Tireni. Kawea mai tou aroha e taku papa, ae,
+hei papa ano koe ki au.
+
+E titi te kowhiti tiaho i runga ra o
+
+Au ki raro nei whakaraupeka a i e
+
+Me pewhea ra e he mahara mahaku, e
+
+Me tahu tonu ra ki te ahi totara e
+
+Ki te ahi kapana ki a kawa i roto ra e
+
+Me aha koa ra nga mahi a te pito e
+
+Maku nei e titiro tautoru i runga ra e
+
+Matariki rahi nui ko te ahua ia e
+
+Ka whakapaiori au ka takoto kei te whare ra i a
+
+Kei runga ko Pahata;
+Haere mai e Hare Reweti me tou teina me
+Neri kawea mai nga pai. Haere mai ki te iwi
+i hutia ake i roto i te he. Haere mai te papa o
+nga iwi Maori.
+
+[Pa katoa i konei ki te waiata, te tane te
+wahine me te tamariki, ano te reo o te tangata
+me nga wai maha.]
+
+Kahore te aroha ki te kororia tapu
+
+E wawae ake ana i te ara kuiti,
+
+Nau mai e Hare ka haere taua
+
+Ki a Ihaia, kia monitatia,
+
+Kia huihui tatou koe nohoanga nui
+
+Kia hopukia iho te kupu o te Atua
+
+Kia ahu taua ki a Ihu Karaiti
+
+Kia murua te hara i taku tinana nei.
+
+Ka mutu tenei waiata ka tu ano etahi ki te
+korero, mo te tika o te mahi, me te aroha, mo te
+tapu, kia kauaka te he e tomo mai ki nga runa-
+nga. A ka whakahua tenei waiata tangi, te
+katoa te iti me te rahi.
+
+E ao mauru e rere pokai nei
+Tangi kau ana au ki aku nei tamariki e
+Ka wehe ra i nga tau ka wehe ra i nga nohoanga
+Tahuri mai ki muri kei te mihia atu koe
+Patua a i te moana tara i te rangi
+KIA maori kia puta taua  tai a Kupe
+Kai te tai hauhuru
+E mihi ana 'au e tangi ana au
+Ki taku tane naku i mataati i nga rangi ra
+Nau mai ra ka tu kia kawhakina koe
+E hara te kuri he iti tangata
+Tena te hanga kei tai e patu ana.
+
+Tenei ano tetahi:
+
+E au mahara iti e au mahara kore
+Ki te rau o te kaho e takoto mai noi
+Naku koe mau mai hei matua moku
+Hei whakawehi mai te tauranga kiuta
+Te atua i a koe te pa rawa mai
+To reo kia whitirere ake ko taku mauri ora
+Ki runga, ka riro ra koe i runga te au heke
+Te pae matua o Hawaiki
+
+Te hauhunuitanga awatea
+
+Ka tangi te aweawe i runga
+Mo ko uru ko ngangana
+Ka tau ana ko tawhiti, hoatu ai au
+I te tapuwae o taku waka, tuhikitia,
+Tahapainga atu, ka rere i opiki ake ai au
+Ki runga o "Whitireia ki te taumata o te ra
+Me te marama, i whatetu ai te uiratanga mai
+Tupe rawa atu au tupe i nuku
+Tupe i rangi, hihi haha, te uru
+O Tangaroa kiuta mangai nuku
+Mangai rangi, mangai papa, mangai tauaia
+Io tauranga te kutikuti ai
+Te tauranga te aweawe, aweawe nui o rangi
+Ka tapu au ka hoka ka hokahoka te manu "
+Nui a Tane tupea mai kia piri,
+Tupea mai kia tata, ka whitirere i manu
+Ka whiwhi au, ha rawe au, ka mau.
+
+
+
+
+
+
+
+
+
+
+
+NGA RONGO O TAWAHI.
+
+Ko te whainga i Inia e ngahau tonu ana, e kiia
+ana ekore e oti wawe.
+
+Kotahi pa nui o Inia i horo, ko Pokeno; i
+takiri te tangata whenua.
+
+Kua tae mai nga nupepa e ki ana, ka tata ka
+whawhai te Wiwi raua ko TE INGARIHI; kua manu
+nga manuwao.
+
+Ko te whawhai ki Haina e kaha tonu ana; ko
+te Wiwi raua ko te Ingarihi nga hoa riri o Haina.
+
+Kua puta mai nga rongo whawhai o Marikena
+raua ko Ingarangi.
+
+Kua whakahoa a Ruhia raua ko te Wiwi, e rere
+mai ana nga manuwao o Ruhia ki Parani.
+
+Kua hinga te parekura ki Monetenikoro, 2, 000
+o Takei i mate; ko te Wiwi kua whakakoa ki
+Monetenikoro.
+
+E riri puku ana a Ateria raua ko te Wiwi, o
+meinga ana ka tata te pakanga.
+
+KO TE HAHI O TE KARAITI Me ONA
+MANGANGATANGA.
+
+UPOKO IV.
+I te tau o te Ariki 67 ka hapainga mai te taua
+o Roma ki te patu i nga Hurai; ko nga rangatira
+o tenei ope, ko Weteriana, ko Titaha, tama ano
+ona. Ko nga hoia o to raua ope 60, 000. No te
+horonga o Kariri, me etahi atu wahi, i Huna, ka
+hoki a Weteriana ki Roma, waiho iho ana te
+tikanga a te taua ki tana tama, ki a Titaha. Ka
+taea etahi o nga pa e te ope o Roma, ka tae atu
+ki te tau i Hiruharama; a karapotia ana e ratou
+taua pa, keria ana ki te maioro a waho, te puta
+te tangata whenua ki te rapu kai. I ia whakae-
+kenga, i ia whakaekenga, ka hinga te parekura,
+mano tini ki te moenga o tetahi o tetahi. Nawai
+ra ka taea te taiepa tuatahi, te tuarua, te tuatoru.
+Nui atu te kaha o nga Hurai, me to ratou maia;
+
+ka taea tetahi wahi o te pa, rewa ana te toto,
+kauika ana te tupapaku, ka whati iti atu, ka
+tupu ano te whana. E toru marama, tango atu
+ki te wha, i kakawa ai i roto i te pa, ka tae nga
+hoia o Roma ki te taiepa kohatu o te Temepara.
+Ko tetahi mate o to tangata whenua i roto i tenei
+whawhai, ho hiakai. Ota noa to tangata i nga
+mea kai e takoto ana, hamu noa etahi ki nga
+otaota, ki nga paru o nga huarahi, a, ko etahi i
+kai tangata. No konei koa i rite ai te porotiti-
+tanga a Mohi i mua i ki nei, "A, ka kai koe i te
+hua o to kopu, i te kikokiko o o tama, o o tama-
+hine, i homai e Ihowa e tou Atua ki a koe, i te
+whakapaenga, i to kopaninga hoki o kopania ai
+koe e ou hoa riri." Tiuteronomi xx^iii53.
+Ko tetahi ho i roto i tenei whainga, he putu no
+nga Hurai i a ratou ano; puke ana te toto i roto
+i te pa i ta ratou mahi kohuru i a ratou ano.
+
+No te timatanga o te whawhai ka mahara nga
+akonga ki te kupu o to Ariki, i ki nei, "Ka kite
+koutou i te whakarikarika whakamarakerake i
+korerotia e Raniera te poropiti, e tu ana i to
+wahi tapu (ko ia e titiro pukapuka ana, ki a
+matau ia). Hei reira ko ratou i Huria, me  rere
+ki nga maunga." Matiu xxi^15, 16. A, oma
+ana ratou' ki tetahi pa i nga maunga, ko Pera
+tona ingoa, ka ora i te riri o te taua waiho iho
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_13.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_13.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_13.txt	(revision 18423)
@@ -0,0 +1,171 @@
+TE WHETU O TE TAU.
+
+nga he ki nga Hurai kihai nei i whakapono kiate
+Karaiti.
+
+No te marama o Mei, ka taea e te ope o Roma,
+te pito ki raro o te pa; a, no nga ra o Akuhata
+ka horo te pito i tu ai te temepara. No te eke-
+nga a nga hoia ki reira, ka whiua atu e tetahi he
+mounga ahi ki roto ki taua whare, inamata! ka
+pongere, ka mura, tinei noa etahi o ratou, kihai
+i mate, pa tonu atu te ahi ki nga rakau whaka'
+iro, ki nga koura, me nga hiriwa, a, haruru haere
+ana te ahi i roto i nga ruma katoa, i te wahi
+tapu hoki. I te toronga o to temepara he mano
+nga tangata i piki ki runga ki nga keokeonga, ki
+te tuanui, tena e tae ake te ahi ki reira, ka horo
+te tuanui, pau tonu ake ratou i te kapura. Hau-
+nga nga tangata i kohurutia i roto i te temepara,
+e tere ana te toto o nga Hurai, ano he wai i roto
+i te whare o te Atua.
+
+No te patunga o tenei hunga ki te temepara,
+ka rere nga morehu ki te pito whakarunga o te
+pa, tangi ana te aru e te taua, a, horoa ana tera
+wahi. Ka patua nei te tane, te wahine, te tama-
+riki, me te awa nei te toto, a, mano tini ki te
+moenga i nga marae o nga kainga, puta ana te
+haunga, kahore hoki he kai tanu. Ara i patu
+nga hoia o Roma, i patu, ka hoha noa iho, nge-
+nge aua te ringa i te patunga. Takoto rawa iho
+kotahi miri ona kotahi rau mano, 1, 100, 000; ko
+nga herehere hei hoko mo Roma, eiwa te kau ma
+whitu mano 97, 000. Na, murua ana nga tao-
+nga katoa i toe, tahutahu rawa nga whare katoa,
+turakina ana nga pa kohatu, whakahoroa katoatia
+ana nga whare taua, pakira kau ana taua pa, en-
+gia ano kihai i nohoia tera wahi e te tangata. Pa
+ana te he nui ki nga iwi o Hiruharama, whaka-
+ritea ana e te Atua ta ratou kupu i ki atu Ki a
+Pirato, "Ko ona toto, hei runga i a matou, me o
+matou tamariki." Matiu xx^u25.
+
+UPOKO V
+No te mutunga o to whawhai, ka, hoki a Ti-
+taha ki Roma ki te kawe i o ratou taonga, i nga
+herehere hoki. Ko nga hoia i waiho iho e Hiha
+hei tiaki mo Hiruharama, 800; ko te wahi i tu
+ai to ratou whare tiaki, ko maunga mona. A i
+roto i aua ra ka hapainga e nga Kiriki e nga
+Ratini hanga ana he pa mo ratou ki Hiruharama,
+tapa iho taua pa, ko Ena Kapitorina. I a ratou
+e noho ana, ka ngoki atu etahi o nga Hurai ki
+reira noho ai, takitahi nei.
+
+Noho noi nga Hurai i nga taone i pahaki atu i
+Hiruharama, a, ka whakatika tetahi tangata i
+roto i a ratou, ko Haimona Pukarara te ingoa.
+Mea ai taua tangata ko te Karaiti ia, whai tonu
+atu nga Hurai i a ia, haere rawa ake taea ope
+erua rau mano 200, 000. Huaki tonu atu taua
+ope ki Hiruharama, nohoia ana e aua Hurai te
+pa, me nga whare taua, me nga taone o reira.
+Ka rongo a Roma, ka hapainga mai e Hewara.
+Ka whakaekea e te taua, ka horo ho pa, ka horo
+he pa, a, turia ana ki waho, mimiti ana nga
+Hurai i a Roma, takoto rawa iho erima rau,
+e waru te kau mano 580, 000 haunga nga mea i
+tahuna ki te ahi, me nga mea i mato i te kai
+kore.
+
+I muri mai o tenei i nga ra o Anatonina Paura
+i te tau o te Ariki 138 ka waiho nga Hurai kia
+noho marire ana i etahi o nga whenua o Huria
+
+
+
+
+
+
+
+
+
+
+
+otira, kihai a Hiha i whakaae kia noho ratou ki
+te pa o Hiruharama. I te tau 806 ka puta ki te
+karauna o Roma a Kanitaina nui. I whakaae tenei
+Ehara ki te whakapono, a, i roto i tana Ehara-
+tanga, mano tini te tangata i tahuri ki te Hahi.
+Tokorua raua ko tona whaea ko Herena ki te
+whakamana i te whakapono. Haere atu ana a
+Herena ki Hiruharama ki te titiro i nga wahi i
+haerea e te Karaiti, a, whakahaua iho e ia kia
+hanga he whare karakia ki te tini o te wahi i
+Hiruharama. Whakatakariri noa nga Hurai i to
+ratou kitenga i nga whare karakia o nga Karaiti-
+ana; otira, kahore he toa i kitea e ratou hei taki-
+taki i to ratou mate.
+
+I te Eparatanga o Huriana, i te tau 361 ka
+koa nga Hurai, no te mea, kahore tera Epara i
+whakaae ki a te Karaiti. I mea a Huriana kia
+whakakahoretia e ia nga korero poropiti o te
+Ariki, whakahaua ana e ia nga kai mahi kia
+hanga he temepara ki runga ki Maunga Moria;
+
+ko te ahua kia poka ke ake i te whare karakia i
+hanga e Herena ki runga ki Maunga Kaware.
+Ka rongo nga Hurai ki te whakaaro o Huriana te
+Ehara o Roma, ka whakarapopoto i a ratou ki
+Hiruharama ki te hanga i te temepara. Otira,
+kahore i puta ta ratou whakaaro, ko te whare
+karakia i tu ki Maunga Moria, na Takei, a, e tu
+mai nei ano. No konei i rite ai te kupu poro-
+piti o te Ariki i mea nei, "A ka takahia a Hiru-
+harama e nga tauiwi, kia rite ra ano te wa o nga
+tauiwi."-'Ruka xxi24.
+
+WAIATA A RAWIRI.
+
+Tau ana te manaakitanga ki te tangata
+
+Kaore e haere i roto i te korerotanga
+
+O te hunga kino,
+
+A, kaore e turia te ara
+
+O te hunga hara;
+
+A, kaore e nohoia te nohoanga
+O nga whakahihi.
+
+Otira, ko tana whakaahuarekatanga
+Kei te ture a Ihowa,
+
+A, ko ia e whakaaro ana ki. tona ture,
+I te ao, i te po,
+
+E pera ia we te rakau whakato
+Ki te parenga o nga awa wai,
+E puta nei nga hua i ona tau;
+
+Kaore he memengetanga o tona rau
+
+A, e mana nga mea katoa,
+
+E mahia ana e ia.
+
+Ko te hunga kino ia, ekore e penei,
+
+E rite ana ki te papapa
+
+E kahakina nei e te hau;
+
+Mo konei ra, kaore he turanga
+
+O te hunga kino, ki te whakawakanga;
+
+O te hunga hara hoki
+
+Ki te menenga o te hunga tika;
+
+E matau ana hoki a Ihowa
+Ki te ara o te hunga tika;
+
+Ko te huarahi ia o te hunga kino,
+E ngaro noa iho.
+
+I taia tenei e PIRIPI KUNITA, ki Akarana.
Index: /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_14.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_14.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/niupepa/sample_items/10/text/10_1_3_14.txt	(revision 18423)
@@ -0,0 +1,2 @@
+TE WHETU O TE TAU.
+nga he ki nga Hurai kihai nei i whakapono kiate Karaiti. No te marama o Mei, ka taea e te ope o Koma, te pito ki raro o te pa ; a, no nga ra o Akuhata ka horo te pito i tu ai te temepara. No te eke-nga a nga hoia ki reira, ka whiua ata e tetahi he mounga ahi ki roto ki taua whare, inamata ! ka pongere, ka mura, tinei noa etahi o ratou, kihai i mate, pa tonu atu te ahi ki nga rakau whaka-iro, ki nga koura, me nga hiriwa, a, haruru haere ana te ahi i roto i nga ruma katoa, i te wahi tapu hoki. I te toronga o to temepara be mano nga tangata i piki ki runga ki nga keokeonga, ki te tuanui, tena e tae ake te ahi ki reira, ka horo te tuanui, pau tonu ake ratou i te kapura. Hau-nga nga tangata i kohurutia i roto i te temepara, e tere ana te toto o nga Hurai, ano he wai i roto i te whare o te Atua. No te patunga o tenei hunga ki te temepara, ka rere nga morehu ki te pito whakarunga o te pa, tangi ana te ara e te taua, a, horoa ana tera wahi. Ka patua nei te tane, te wahine, te tama-riki, me te awa nei te toto, a, mano tini ki te moenga i nga marae o nga kainga, puta ana te haunga, kahore hoki he kai tanu. Ara i patu nga hoia o Roma, i patu, ka hoha noa iho, nge-nge ana te ringa i te patunga. Takoto rawa iho kotahi miri ona kotahi rau mano, 1,100,000 ; ko nga herehere hei hoko mo Roma, eiwa te kau ma whitu mano 97,000. Na, murua ana nga tao-nga katoa i toe, tahutahu rawa nga whare katoa, turakina ana nga pa kohatu, whakahoroa katoatia ana nga whare taua, pakira kau ana taua pa, en-gia ano kihai i nohoia tera wahi e te tangata. Pa ana te he nui ki nga iwi o Hiruharama, whaka-ritea ana e te Atua ta ratou kupa i ki atu ki a Pi ra to, "Ko ona toto, hei runga i a matou, me o matou tamariki." Matiu xxvii 25. UPOKO V. No te mutunga o to whawhai, ka hoki a Ti-taha ki Roma ki te kawe i o ratou taonga, i nga herehere hoki. Ko nga hoia i waiho iho e Hiha hei tiaki mo Hiruharama, 800 ; ko te wahi i tu ai to ratou whare tiaki, ko maunga Hiona. A i Toto i aua ra ka hapainga e nga Kiriki e nga Ratini, hanga ana he pa mo ratou ki Hiruharama, tapa iho taua pa, ko Eria Kapitorina. I a ratou e noho ana, ka ngoki ata etahi o nga Hurai ki reira noho ai, takitahi nei. Noho ooi nga Hurai i nga taone i pahaki ata i Hiruharama, a, ka whakatika tetahi tangata i roto i a ratou, ko Haimona Pukapara te ingoa. Mea ai taua tangata ko te Karaiti ia, whai toua atu nga Hurai i a ia, haere rawa ake tana ope erua rau mano 200,000. Huaki tonu atu taua ope ki Hiruharama, nohoia ana e aua Hurai te pa, me nga whare taua, me nga taone o reira. ka rongo a Roma, ka hapainga mai e Hewara. Ka whakaekea e te taua, ka horo ho pa, ka horo he pa, a, turia ana ki waho, mimiti ana nga Hurai i a Roma, takoto rawa iho erima rau, e waru te kau mano 580,000 haunga nga mea i tahuna ki te ahi, me nga mea i mato i te kai kore. I muri mai o tenei i nga ra o Anatonina Piura i te tau o te Ariki 138 ka waiho nga Hurai kia noho marire ana i etahi o nga whenua o Huria ;	otira, kihai a Hiha i whakaae kia noho ratou ki te pa o Hiruharama. I te tau 306 ka pata ki te karauna o Roma a Kanitaina nui. I whakaae tenei Epara ki te whakapono, a, i roto i tana Epara-tanga, mano tini te tangata i tahuri ki te Hahi. Tokorua raua ko tona whaea ko Herena ki te whakamana i te whakapono. Haere atu ana a Herena ki Hiruharama ki te titiro i nga wahi i haerea e te Karaiti, a, whakahaua iho e ia kia hanga he whare karakia ki te tini o te wahi i Hiruharama. Whakatakariri noa nga Hurai i to ratou kitenga i nga whare karakia o nga Karaiti-ana ; otira, kahore he toa i kitea e ratou hei taki-taki i to ratou mate. I te Eparatanga o Huriana, i te tau 361 ka koa nga Hurai, no te mea, kahore tenei Epara i whakaae ki a te Karaiti. I mea a Huriana kia whakakahore tia e ia nga korero poropiti o te Ariki, whakahaua ana e ia nga kai mahi kia hanga be temepara ki runga ki Maunga Moria ; ko te ahua kia poka ke ake i te whare karakia i hanga e Herena ki runga ki Maunga Kaware. Ka rongo nga Hurai ki te whakaaro o Huriana te Epara o Roma, ka whakarapopoto i a ratou ki Hiruharama ki te hanga i te temepara. Otira, kahore i puta ta ratou whakaaro, ko te whare karakia i tu ki Maunga Moria, na Takei, a, e tu mai nei ano. No konei i rite ai te kupu poro-piti o te Ariki i mea nei, "A ka takahia a Hiru-harama e nga tauiwi, kia rite ra ano te wa o nga tauiwi. "-'Ruka xxi  24. WAIATA A RAWIRI. TE I. Tau ana te manaakitanga ki te tangata Kaore e haere i roto i te korerotanga O te hunga kino, A, kaore e turia te ara O te hunga hara; A, kaore e nohoia te nohoanga O nga -whakahihi. Otira, ko tana whakaahuarekatanga Kei te ture a Ihowa, A, ko ia e whakaaro ana ki tona ture, I te ao, i te po E pera ia me te rakau whakato Ki te parenga o nga awa wai, E puta nei nga hua i ona tau; Kaore he memengetanga o tona rau A, e mana nga mea katoa, E mahia ana e ia. Ko te hunga kino ia, ekore e penei, E rite ana ki te papapa E kahakina nei e te hau ; Mo konei ra, kaore he turanga O te hunga kino, ki te whakawakanga . O te hunga hara hoki Ki te menenga o te hunga tika ; E matau ana hoki a Ihowa Ki te ara o te hunga tika; Ko te huarahi ia o te hunga kino, E ngaro noa iho. I taia tenei e PIRIPI KUNITA, ki Akarana.
Index: /documentation/trunk/tutorial_sample_files/oai/format_tweaks/doctext_tweak.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/format_tweaks/doctext_tweak.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/format_tweaks/doctext_tweak.txt	(revision 18423)
@@ -0,0 +1,10 @@
+<center><table width=_pagewidth_ border=1>
+  <tr><td colspan=2 align=center>
+    <a href=[OrigURL]>[screenicon]</a></td></tr>
+  <tr><td>Caption:</td><td> <i>[Description]</i> <br>
+    (<a href=[OrigURL]>original [ImageWidth]x[ImageHeight] [ImageType] available</a>)
+    </td></tr>
+  <tr><td>Subject:</td><td> [Subject]</td></tr>
+  <tr><td>Publisher:</td><td> [Publisher]</td></tr>
+  <tr><td>Rights:</td><td> [Rights]</td></tr>
+</table></center>
Index: /documentation/trunk/tutorial_sample_files/oai/format_tweaks/vlist_tweak.txt
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/format_tweaks/vlist_tweak.txt	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/format_tweaks/vlist_tweak.txt	(revision 18423)
@@ -0,0 +1,6 @@
+<td>
+  {If}{[numleafdocs],[link][icon][/link],[link][thumbicon][/link]}
+</td>
+<td valign=middle>
+  {If}{[numleafdocs],[Title],<i>[Description]</i>}
+</td>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla1.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla1.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla1.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:28:39-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla1</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla1</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla1</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>conference patricipants and attendees</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla1.jpg</OrigURL>
+   <identifier>srcdocs/01dla1.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla10.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla10.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla10.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:29:47-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla10</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla10</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla10</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>more VT people</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla10.jpg</OrigURL>
+   <identifier>srcdocs/01dla10.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla11.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla11.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla11.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:29:59-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla11</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla11</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla11</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>Ian Witten joining "No Strings Attached" to add to the festive atmosphere</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla11.jpg</OrigURL>
+   <identifier>srcdocs/01dla11.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla12.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla12.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla12.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:30:05-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla12</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla12</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla12</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>more Ian Witten</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla12.jpg</OrigURL>
+   <identifier>srcdocs/01dla12.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla13.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla13.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla13.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:30:10-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla13</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla13</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla13</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>the very orange Volunteer t-shirt :)</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla13.jpg</OrigURL>
+   <identifier>srcdocs/01dla13.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla14.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla14.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla14.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:30:18-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla14</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla14</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla14</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>Chad Schennum and others chilling after a long day</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla14.jpg</OrigURL>
+   <identifier>srcdocs/01dla14.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla15.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla15.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla15.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:30:25-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla15</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla15</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla15</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>Fernando Das Neves caught off-guard</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla15.jpg</OrigURL>
+   <identifier>srcdocs/01dla15.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla2.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla2.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla2.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:28:48-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla2</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla2</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla2</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>conference patricipants and attendees</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla2.jpg</OrigURL>
+   <identifier>srcdocs/01dla2.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla3.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla3.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla3.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:28:59-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla3</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla3</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla3</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>conference patricipants and attendees</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla3.jpg</OrigURL>
+   <identifier>srcdocs/01dla3.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla4.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla4.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla4.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:29:08-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla4</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla4</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla4</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>Paul Mather and Ghaleb Abdulla</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla4.jpg</OrigURL>
+   <identifier>srcdocs/01dla4.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla5.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla5.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla5.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:29:11-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla5</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla5</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla5</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>conference patricipants and attendees</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla5.jpg</OrigURL>
+   <identifier>srcdocs/01dla5.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla6.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla6.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla6.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:29:22-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla6</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla6</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla6</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>Robert France kicking off the evenings proceedings</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla6.jpg</OrigURL>
+   <identifier>srcdocs/01dla6.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla7.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla7.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla7.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:29:27-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla7</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla7</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla7</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>Ed Fox, general chair of JCDL, welcoming everyone</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla7.jpg</OrigURL>
+   <identifier>srcdocs/01dla7.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla8.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla8.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla8.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:29:33-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla8</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla8</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla8</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>Dean Bates welcoming the participants on behalf of Virginia Tech</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla8.jpg</OrigURL>
+   <identifier>srcdocs/01dla8.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla9.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla9.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200101dla9.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:29:39-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200101dla9</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200101dla9</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dla9</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day One</subject>
+   <description>conference patricipants and attendees</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-24</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla9.jpg</OrigURL>
+   <identifier>srcdocs/01dla9.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb1.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb1.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb1.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:44-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb1</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb1</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb1</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>Keynote venue</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb1.jpg</OrigURL>
+   <identifier>srcdocs/01dlb1.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb10.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb10.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb10.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:27:08-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb10</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb10</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb10</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb10.jpg</OrigURL>
+   <identifier>srcdocs/01dlb10.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb11.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb11.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb11.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:27:15-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb11</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb11</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb11</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb11.jpg</OrigURL>
+   <identifier>srcdocs/01dlb11.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb12.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb12.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb12.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:27:22-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb12</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb12</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb12</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb12.jpg</OrigURL>
+   <identifier>srcdocs/01dlb12.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb13.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb13.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb13.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:27:29-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb13</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb13</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb13</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb13.jpg</OrigURL>
+   <identifier>srcdocs/01dlb13.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb14.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb14.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb14.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:27:43-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb14</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb14</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb14</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb14.jpg</OrigURL>
+   <identifier>srcdocs/01dlb14.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb15.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb15.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb15.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:27:54-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb15</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb15</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb15</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb15.jpg</OrigURL>
+   <identifier>srcdocs/01dlb15.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb16.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb16.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb16.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:28:02-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb16</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb16</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb16</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb16.jpg</OrigURL>
+   <identifier>srcdocs/01dlb16.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb17.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb17.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb17.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:28:09-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb17</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb17</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb17</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb17.jpg</OrigURL>
+   <identifier>srcdocs/01dlb17.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb18.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb18.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb18.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:28:16-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb18</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb18</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb18</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb18.jpg</OrigURL>
+   <identifier>srcdocs/01dlb18.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb19.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb19.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb19.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:28:25-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb19</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb19</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb19</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb19.jpg</OrigURL>
+   <identifier>srcdocs/01dlb19.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb2.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb2.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb2.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:51-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb2</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb2</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb2</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>Brewster Kahle speaks while Ed Fox looks on</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb2.jpg</OrigURL>
+   <identifier>srcdocs/01dlb2.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb20.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb20.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb20.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:28:32-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb20</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb20</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb20</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb20.jpg</OrigURL>
+   <identifier>srcdocs/01dlb20.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb3.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb3.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb3.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:59-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb3</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb3</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb3</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>a rapt and rather large audience</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb3.jpg</OrigURL>
+   <identifier>srcdocs/01dlb3.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb4.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb4.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb4.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:26:09-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb4</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb4</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb4</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>Jeff Young speaking as part of the panel on OAI</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb4.jpg</OrigURL>
+   <identifier>srcdocs/01dlb4.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb5.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb5.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb5.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:26:22-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb5</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb5</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb5</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>panelists representing the OAI</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb5.jpg</OrigURL>
+   <identifier>srcdocs/01dlb5.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb6.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb6.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb6.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:26:31-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb6</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb6</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb6</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>another audience shot</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb6.jpg</OrigURL>
+   <identifier>srcdocs/01dlb6.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb7.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb7.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb7.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:26:43-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb7</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb7</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb7</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb7.jpg</OrigURL>
+   <identifier>srcdocs/01dlb7.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb8.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb8.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb8.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:26:51-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb8</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb8</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb8</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb8.jpg</OrigURL>
+   <identifier>srcdocs/01dlb8.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb9.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb9.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200102dlb9.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:27:00-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200102dlb9</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200102dlb9</identifier>
+<datestamp>2001-06-26</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlb9</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Two</subject>
+   <description>demonstration and poster session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-25</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb9.jpg</OrigURL>
+   <identifier>srcdocs/01dlb9.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc1.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc1.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc1.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:24:17-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc1</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc1</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc1</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>SMETE Panel</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc1.jpg</OrigURL>
+   <identifier>srcdocs/01dlc1.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc10.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc10.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc10.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:28-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc10</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc10</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc10</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>coffee break</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc10.jpg</OrigURL>
+   <identifier>srcdocs/01dlc10.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc11.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc11.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc11.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:35-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc11</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc11</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc11</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>Pamela Samuelson, keynote speaker on Digital Rights Management</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc11.jpg</OrigURL>
+   <identifier>srcdocs/01dlc11.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc12.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc12.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc12.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:39-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc12</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc12</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc12</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>more of Pamela Samuelson</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc12.jpg</OrigURL>
+   <identifier>srcdocs/01dlc12.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc2.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc2.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc2.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:24:24-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc2</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc2</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc2</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>SMETE Panel</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc2.jpg</OrigURL>
+   <identifier>srcdocs/01dlc2.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc3.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc3.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc3.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:24:30-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc3</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc3</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc3</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>a typical paper session</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc3.jpg</OrigURL>
+   <identifier>srcdocs/01dlc3.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc4.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc4.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc4.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:24:42-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc4</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc4</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc4</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>registration desk during a quiet moment</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc4.jpg</OrigURL>
+   <identifier>srcdocs/01dlc4.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc5.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc5.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc5.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:24:51-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc5</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc5</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc5</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>hob-nobbing in the foyer, complete with wireless network access</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc5.jpg</OrigURL>
+   <identifier>srcdocs/01dlc5.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc6.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc6.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc6.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:24:58-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc6</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc6</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc6</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>Unmil Karadkar, networking coordinator at the coffee break</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc6.jpg</OrigURL>
+   <identifier>srcdocs/01dlc6.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc7.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc7.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc7.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:07-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc7</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc7</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc7</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>coffee break</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc7.jpg</OrigURL>
+   <identifier>srcdocs/01dlc7.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc8.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc8.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc8.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:15-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc8</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc8</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc8</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>coffee break</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc8.jpg</OrigURL>
+   <identifier>srcdocs/01dlc8.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc9.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc9.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200103dlc9.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:25:21-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200103dlc9</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200103dlc9</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dlc9</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Three</subject>
+   <description>coffee break</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc9.jpg</OrigURL>
+   <identifier>srcdocs/01dlc9.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld1.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld1.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld1.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:20:39-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld1</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld1</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld1</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>the O-gauge model train ... some LoC people skirting the exhibit while others pay more attention to the food</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld1.jpg</OrigURL>
+   <identifier>srcdocs/01dld1.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld10.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld10.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld10.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:21:53-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld10</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld10</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld10</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>more conference attendees</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld10.jpg</OrigURL>
+   <identifier>srcdocs/01dld10.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld11.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld11.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld11.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:22:00-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld11</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld11</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld11</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>even more conference attendees</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld11.jpg</OrigURL>
+   <identifier>srcdocs/01dld11.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld12.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld12.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld12.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:22:08-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld12</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld12</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld12</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>Ed Fox introducing the evening's activities</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld12.jpg</OrigURL>
+   <identifier>srcdocs/01dld12.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld13.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld13.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld13.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:22:16-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld13</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld13</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld13</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>Dennis Kafura, chair of VT-CS, welcoming participants</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld13.jpg</OrigURL>
+   <identifier>srcdocs/01dld13.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld14.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld14.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld14.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:22:26-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld14</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld14</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld14</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>Rob Acksyn speaking on the history of the JCDL merger</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld14.jpg</OrigURL>
+   <identifier>srcdocs/01dld14.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld15.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld15.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld15.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:22:35-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld15</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld15</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld15</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>... and how Hector Garcia-Molina had sworn to "eat his slide" if the merger was ever pulled off ...</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld15.jpg</OrigURL>
+   <identifier>srcdocs/01dld15.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld16.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld16.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld16.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:22:42-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld16</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld16</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld16</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>... and version 2 of the slide - a "slide cake"</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld16.jpg</OrigURL>
+   <identifier>srcdocs/01dld16.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld17.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld17.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld17.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:22:49-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld17</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld17</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld17</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>... presented by Robert France</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld17.jpg</OrigURL>
+   <identifier>srcdocs/01dld17.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld18.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld18.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld18.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:22:58-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld18</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld18</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld18</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>Rob Acksyn, the sponsor of the Vannevar Bush award, introducing the award</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld18.jpg</OrigURL>
+   <identifier>srcdocs/01dld18.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld19.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld19.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld19.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:23:06-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld19</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld19</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld19</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>Christine Borgman speaking about the process of selecting the awardee</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld19.jpg</OrigURL>
+   <identifier>srcdocs/01dld19.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld2.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld2.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld2.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:20:48-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld2</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld2</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld2</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>more of the train and more people</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld2.jpg</OrigURL>
+   <identifier>srcdocs/01dld2.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld20.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld20.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld20.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:23:14-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld20</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld20</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld20</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>people looking on</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld20.jpg</OrigURL>
+   <identifier>srcdocs/01dld20.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld21.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld21.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld21.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:23:22-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld21</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld21</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld21</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>more people looking on</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld21.jpg</OrigURL>
+   <identifier>srcdocs/01dld21.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld22.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld22.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld22.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:23:30-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld22</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld22</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld22</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>even more people looking on</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld22.jpg</OrigURL>
+   <identifier>srcdocs/01dld22.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld23.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld23.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld23.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:23:39-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld23</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld23</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld23</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>getting the award ready ...</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld23.jpg</OrigURL>
+   <identifier>srcdocs/01dld23.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld24.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld24.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld24.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:23:47-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld24</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld24</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld24</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>presentation of the Vannevar Bush award</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld24.jpg</OrigURL>
+   <identifier>srcdocs/01dld24.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld25.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld25.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld25.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:23:54-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld25</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld25</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld25</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>a few words from the awardee</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld25.jpg</OrigURL>
+   <identifier>srcdocs/01dld25.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld26.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld26.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld26.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:24:01-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld26</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld26</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld26</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>Erich Neuhold, the man who brought everyone together</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld26.jpg</OrigURL>
+   <identifier>srcdocs/01dld26.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld27.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld27.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld27.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:24:10-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld27</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld27</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld27</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>the winners of the Vannevar Bush award of 2001</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld27.jpg</OrigURL>
+   <identifier>srcdocs/01dld27.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld3.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld3.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld3.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:20:56-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld3</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld3</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld3</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>students and student volunteers tucking in</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld3.jpg</OrigURL>
+   <identifier>srcdocs/01dld3.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld4.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld4.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld4.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:21:05-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld4</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld4</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld4</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>Robert France and Christine Borgman</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld4.jpg</OrigURL>
+   <identifier>srcdocs/01dld4.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld5.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld5.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld5.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:21:15-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld5</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld5</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld5</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>at the performance arena</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld5.jpg</OrigURL>
+   <identifier>srcdocs/01dld5.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld6.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld6.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld6.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:21:23-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld6</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld6</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld6</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>and inside the main building</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld6.jpg</OrigURL>
+   <identifier>srcdocs/01dld6.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld7.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld7.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld7.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:21:31-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld7</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld7</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld7</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>food, music and good company ...</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld7.jpg</OrigURL>
+   <identifier>srcdocs/01dld7.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld8.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld8.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld8.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:21:38-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld8</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld8</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld8</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>the band hard at work at their Irish folk music</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld8.jpg</OrigURL>
+   <identifier>srcdocs/01dld8.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld9.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld9.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200104dld9.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:21:45-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200104dld9</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200104dld9</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dld9</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Banquet</subject>
+   <description>conference attendees</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-26</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld9.jpg</OrigURL>
+   <identifier>srcdocs/01dld9.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle1.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle1.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle1.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:19:42-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200105dle1</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200105dle1</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dle1</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Four</subject>
+   <description>Jim French and Unmil Karadkar over lunch</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-27</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200105dle/01dle1.jpg</OrigURL>
+   <identifier>srcdocs/01dle1.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle2.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle2.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle2.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:19:50-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200105dle2</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200105dle2</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dle2</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Four</subject>
+   <description>lunch break</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-27</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200105dle/01dle2.jpg</OrigURL>
+   <identifier>srcdocs/01dle2.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle3.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle3.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle3.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:19:58-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200105dle3</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200105dle3</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dle3</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Four</subject>
+   <description>lunch break</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-27</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200105dle/01dle3.jpg</OrigURL>
+   <identifier>srcdocs/01dle3.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle4.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle4.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle4.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:20:05-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200105dle4</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200105dle4</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dle4</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Four</subject>
+   <description>lunch break</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-27</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200105dle/01dle4.jpg</OrigURL>
+   <identifier>srcdocs/01dle4.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle5.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle5.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle5.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:20:12-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200105dle5</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200105dle5</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dle5</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Four</subject>
+   <description>the most exciting and possibly most spoken about aspect of the conference - wireless networking :)</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-27</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200105dle/01dle5.jpg</OrigURL>
+   <identifier>srcdocs/01dle5.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle6.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle6.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle6.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:20:17-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200105dle6</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200105dle6</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dle6</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Four</subject>
+   <description>Ed Fox seeking assistance from the able volunteers</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-27</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200105dle/01dle6.jpg</OrigURL>
+   <identifier>srcdocs/01dle6.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle7.oai
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle7.oai	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/200105dle7.oai	(revision 18423)
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<GetRecord xmlns="http://www.openarchives.org/OAI/1.1/OAI_GetRecord" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/1.1/OAI_GetRecord http://www.openarchives.org/OAI/1.1/OAI_GetRecord.xsd">
+
+<responseDate>2003-12-04T22:20:29-05:00</responseDate>
+<requestURL>http://rocky.dlib.vt.edu:80/~jcdlpix/cgi-bin/OAI1.1/jcdlpix.pl?verb=GetRecord&amp;metadataPrefix=oai_dc&amp;identifier=oai%3AJCDLPICS%3A200105dle7</requestURL>
+
+<record>
+<header>
+<identifier>oai:JCDLPICS:200105dle7</identifier>
+<datestamp>2001-06-27</datestamp>
+</header>
+<metadata>
+<dc xmlns="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://www.openarchives.org/OAI/1.1/dc.xsd" >
+   <title>01dle7</title>
+   <creator>Hussein Suleman</creator>
+   <subject>JCDL Day Four</subject>
+   <description>conference staff hard at work in the office</description>
+   <publisher>JCDL</publisher>
+   <date>2001-06-27</date>
+   <type>image</type>
+   <format>image/jpeg</format>
+   <OrigURL>http://rocky.dlib.vt.edu/~jcdlpix/pictures/200105dle/01dle7.jpg</OrigURL>
+   <identifier>srcdocs/01dle7.jpg</identifier>
+   <language>en-us</language>
+   <rights>unrestricted</rights>
+</dc>
+</metadata>
+</record>
+
+</GetRecord>
Index: /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/srcdocs/metadata.xml
===================================================================
--- /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/srcdocs/metadata.xml	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/oai/sample_small/oai/JCDLPICS/srcdocs/metadata.xml	(revision 18423)
@@ -0,0 +1,2839 @@
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE GreenstoneDirectoryMetadata SYSTEM "http://greenstone.org/dtd/GreenstoneDirectoryMetadata/1.0/GreenstoneDirectoryMetadata.dtd">
+<GreenstoneDirectoryMetadata>
+    <FileSet>
+        <FileName>01dld12.jpg</FileName>
+        <Description>
+            <XMetadata name="Image">01dld12.jpg</XMetadata>
+            <XMetadata name="Source">01dld12.jpg</XMetadata>
+            <XMetadata name="ImageType">JPEG</XMetadata>
+            <XMetadata name="ImageWidth">1280</XMetadata>
+            <XMetadata name="ImageHeight">960</XMetadata>
+            <XMetadata name="ImageSize">200704</XMetadata>
+            <XMetadata name="srclink">&lt;a href=_httpcollection_/index/assoc/[assocfilepath]/[Image]&gt;</XMetadata>
+            <XMetadata name="/srclink">&lt;/a&gt;</XMetadata>
+            <XMetadata name="srcicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Image] width=100&gt;</XMetadata>
+            <XMetadata name="ThumbType">gif</XMetadata>
+            <XMetadata name="Thumb">thumbnail.gif</XMetadata>
+            <XMetadata name="thumbicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Thumb] width=[ThumbWidth] height=[ThumbHeight&gt;</XMetadata>
+            <XMetadata name="ThumbWidth">100</XMetadata>
+            <XMetadata name="ThumbHeight">75</XMetadata>
+            <XMetadata name="ScreenWidth">300</XMetadata>
+            <XMetadata name="ScreenHeight">225</XMetadata>
+            <XMetadata name="ScreenType">jpg</XMetadata>
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+            <XMetadata name="screenicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Screen] width=[ScreenWidth] height=[ScreenHeight&gt;</XMetadata>
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+            <XMetadata name="Creator">Hussein Suleman</XMetadata>
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+            <XMetadata name="OrigURL">http://rocky.dlib.vt.edu/~jcdlpix/pictures/200103dlc/01dlc2.jpg</XMetadata>
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+            <XMetadata name="Rights">unrestricted</XMetadata>
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+            <XMetadata name="thumbicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Thumb] width=[ThumbWidth] height=[ThumbHeight&gt;</XMetadata>
+            <XMetadata name="ThumbWidth">100</XMetadata>
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+            <XMetadata name="ScreenType">jpg</XMetadata>
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+            <XMetadata name="screenicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Screen] width=[ScreenWidth] height=[ScreenHeight&gt;</XMetadata>
+            <XMetadata name="Description">Robert France and Christine Borgman</XMetadata>
+            <XMetadata name="Creator">Hussein Suleman</XMetadata>
+            <XMetadata name="Language">en-us</XMetadata>
+            <XMetadata name="OrigURL">http://rocky.dlib.vt.edu/~jcdlpix/pictures/200104dld/01dld4.jpg</XMetadata>
+            <XMetadata name="Title">01dld4</XMetadata>
+            <XMetadata name="Subject">JCDL Banquet</XMetadata>
+            <XMetadata name="Format">image/jpeg</XMetadata>
+            <XMetadata name="Publisher">JCDL</XMetadata>
+            <XMetadata name="Rights">unrestricted</XMetadata>
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+            <XMetadata name="Thumb">thumbnail.gif</XMetadata>
+            <XMetadata name="thumbicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Thumb] width=[ThumbWidth] height=[ThumbHeight&gt;</XMetadata>
+            <XMetadata name="ThumbWidth">100</XMetadata>
+            <XMetadata name="ThumbHeight">75</XMetadata>
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+            <XMetadata name="ScreenHeight">225</XMetadata>
+            <XMetadata name="ScreenType">jpg</XMetadata>
+            <XMetadata name="Screen">screenview.jpg</XMetadata>
+            <XMetadata name="screenicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Screen] width=[ScreenWidth] height=[ScreenHeight&gt;</XMetadata>
+            <XMetadata name="Description">panelists representing the OAI</XMetadata>
+            <XMetadata name="Creator">Hussein Suleman</XMetadata>
+            <XMetadata name="Language">en-us</XMetadata>
+            <XMetadata name="OrigURL">http://rocky.dlib.vt.edu/~jcdlpix/pictures/200102dlb/01dlb5.jpg</XMetadata>
+            <XMetadata name="Title">01dlb5</XMetadata>
+            <XMetadata name="Subject">JCDL Day Two</XMetadata>
+            <XMetadata name="Format">image/jpeg</XMetadata>
+            <XMetadata name="Publisher">JCDL</XMetadata>
+            <XMetadata name="Rights">unrestricted</XMetadata>
+            <XMetadata name="Date">2001-06-25</XMetadata>
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+        </Description>
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+        <FileName>01dla12.jpg</FileName>
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+            <XMetadata name="srclink">&lt;a href=_httpcollection_/index/assoc/[assocfilepath]/[Image]&gt;</XMetadata>
+            <XMetadata name="/srclink">&lt;/a&gt;</XMetadata>
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+            <XMetadata name="thumbicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Thumb] width=[ThumbWidth] height=[ThumbHeight&gt;</XMetadata>
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+            <XMetadata name="screenicon">&lt;img src=_httpcollection_/index/assoc/[assocfilepath]/[Screen] width=[ScreenWidth] height=[ScreenHeight&gt;</XMetadata>
+            <XMetadata name="Description">more Ian Witten</XMetadata>
+            <XMetadata name="Creator">Hussein Suleman</XMetadata>
+            <XMetadata name="Language">en-us</XMetadata>
+            <XMetadata name="OrigURL">http://rocky.dlib.vt.edu/~jcdlpix/pictures/200101dla/01dla12.jpg</XMetadata>
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+            <XMetadata name="Type">image</XMetadata>
+        </Description>
+    </FileSet>
+</GreenstoneDirectoryMetadata>
Index: /documentation/trunk/tutorial_sample_files/tudor/DOWNLOAD.sh
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/DOWNLOAD.sh	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/DOWNLOAD.sh	(revision 18423)
@@ -0,0 +1,1 @@
+wget -m -np -k http://englishhistory.net/tudor/contents.html
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/index.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/index.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/index.html	(revision 18423)
@@ -0,0 +1,75 @@
+<html>
+
+<head>
+<meta name="page_topic" content="index page for EnglishHistory.net gateway to John Keats Lord Byron Tudor England">
+<meta name="content" content="index page for EnglishHistory.net gateway to John Keats Lord Byron Tudor England">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>EnglishHistory.net: John Keats, Lord Byron, Tudor England</title>
+<style fprolloverstyle>A:hover {color: #5E0000; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#5E0000" vlink="#5E0000" alink="#5E0000" bgcolor="#000000">
+
+<p>&nbsp;</p>
+
+<table border="0" cellpadding="6" cellspacing="0" width="100%">
+  <tr>
+    <td bgcolor="#996600"></td>
+    <td bgcolor="#CCCC66"></td>
+    <td nowrap bgcolor="#CCCC66">
+    <p align="center">
+    &nbsp;</td>
+    <td bgcolor="#CCCC66"></td>
+    <td bgcolor="#666600"></td>
+  </tr>
+  <tr>
+    <td valign="top" width="18%" bgcolor="#996600">
+    <p align="center"><a href="http://englishhistory.net/keats.html">
+    <img border="0" src="http://englishhistory.net/indexkeats.jpg" alt="click here to visit the John Keats website" width="160" height="200"></a><p align="center">
+    <a href="http://englishhistory.net/byron.html">
+    <img border="0" src="http://englishhistory.net/indexbyron.jpg" alt="click here to visit the Lord Byron site" width="150" height="200"></a><p>&nbsp;</td>
+    <td width="8" bgcolor="#CCCC66"></td>
+    <td valign="top" width="54%" bgcolor=#CCCC66>
+      <p align="left"><b><font face="Arial">Hello.&nbsp; This page is a gateway of sorts to 
+      my four websites.</font></b></p>
+      <p align="left"><b><font face="Arial">You can visit my two never-ending 
+      website tributes to the wonderful poets
+      <a href="http://englishhistory.net/keats.html">John Keats</a> and
+      <a href="http://englishhistory.net/byron.html">Lord Byron</a>, as well as 
+      my <a href="http://englishhistory.net/tudor.html">Tudor England</a> site.</font></b></p>
+      <p align="left"><b><font face="Arial">You can also visit
+      <a href="http://www.marileecody.com/images.html">Tudor England: Images</a> 
+      and view portraits of 16th century kings, queens, and various courtiers.&nbsp; 
+      It's a reasonably entertaining way to pass the time.&nbsp; Indeed, a study 
+      of Henry VIII's progression from handsome young king to bloated tyrant 
+      leads one to all sorts of reflections, most of them unpleasant.</font></b></p>
+      <p align="left"><b><font face="Arial">The websites were originally posted 
+      in June 1997.&nbsp; Of the three, the Keats site is my personal favorite.&nbsp; 
+      The Tudor site gets the most visitors, with Byron in second place and 
+      Keats in third.</font></b></p>
+      <p align="left"><b><font face="Arial">The visitors (such as you) are the 
+      main reason I haven't taken the sites down.&nbsp; When thousands of people 
+      visit your work each month, you start to feel unaccountably responsible 
+      and mature about things.&nbsp; So I can't keep a goldfish or plant alive, 
+      but my websites are still around.&nbsp; Impressive.</font></b></p>
+      <p align="center"><b><font face="Arial">Enjoy your visit.<br><i>-Marilee</i></font></b></td>
+    <td width="8" bgcolor="#CCCC66"></td>
+    <td valign="top" width="18%" bgcolor="#666600">
+    &nbsp;<p>&nbsp;</p>
+    <p>&nbsp;</p>
+    <p align="center"><a href="http://englishhistory.net/tudor.html">
+    <img border="0" src="http://englishhistory.net/indextudor1.jpg" alt="click here to visit the Tudor England site" width="150" height="201"></a></p>
+    <p>&nbsp;</p>
+    <p>&nbsp;<p>&nbsp;<p align="center">&nbsp;</td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082528" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082528" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor.html	(revision 18423)
@@ -0,0 +1,53 @@
+<html>
+
+<head>
+<meta name="content" content="Tudor England: 1485 to 1603: Biographies, Portraits, Primary Sources and more King Henry VIII Anne Boleyn Queen Elizabeth I Mary Queen of Scots etc history of Tudor England 16th century English history">
+<meta name="page_topic" content="Tudor England: 1485 to 1603: Biographies, Portraits, Primary Sources and more King Henry VIII Anne Boleyn Queen Elizabeth I Mary Queen of Scots etc">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor England: 1485 to 1603: Biographies, Portraits, Primary Sources and 
+more</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body bgcolor="#000000" link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%">
+      <p align="center">
+      <map name="FPMap0">
+      <area href="http://englishhistory.net/tudor/contents.html" shape="rect" coords="19, 14, 430, 499">
+      </map>
+      <img border="0" src="http://englishhistory.net/tudorroyalarms1.jpg" width="434" height="500" alt="the royal arms of the Tudor dynasty, from a stained glass window" usemap="#FPMap0"></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">&nbsp;<p><br>
+      <a href="http://englishhistory.net/tudor/contents.html">
+      <img border="0" src="http://englishhistory.net/yearscastellar.gif" width="451" height="347"></a></p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082527" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082527" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/1535exec.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/1535exec.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/1535exec.html	(revision 18423)
@@ -0,0 +1,81 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="1535.gif" width="519" height="79"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><p>
+    <font size="2">Th</font><font size="-1">e account at right was written by 
+    the Tudor chronicler Edward Hall.</font><p>
+    <font size="-1">The summer of 1535 was one of the bloodiest of King Henry 
+    VIII's reign.&nbsp; The deaths of John Fisher, bishop of Rochester, and Sir 
+    Thomas More shocked and appalled Europe.&nbsp; Henry's reputation never 
+    recovered and was further blemished when he later executed two wives.</font><p>
+    &nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">This year on 11 June were arraigned in the king's bench at
+Westminster three monks of the Charterhouse of London, and there condemned
+of high treason against the king, and sentenced to be drawn, hanged, disemboweled,
+beheaded and quartered.&nbsp; One of them was called Francis Nitigate,
+another Master Exmew, storekeeper of the same place, and the third was
+called Master Middlemore, vicar of the same place.&nbsp; This year also
+on 17 June was arraigned at Westminster in the king's bench John Fisher,
+bishop of Rochester, for treason against the king, and he was condemned
+there by a jury of knights and esquires (the lord chancellor sitting as
+high judge), who passed this sentence on him - that the said John Fisher
+should go from thence to the place where he came from, which was the Tower
+of London, and from thence to be drawn through the City of London to Tyburn,
+there to be hanged, cur down alive, his bowels taken out of his body and
+burnt before him, his head cut off, and his body be divided into four parts
+and his head and body be set in such places as the king should assign.&nbsp;
+The effect of the treason was denying the king to be Supreme Head of the
+Church of England, according to a statute, The Act of Supremacy, made in
+the last session of Parliament.
+<p>On 19 June, a Saturday, the three monks of the Charterhouse, aforementioned,
+were drawn from the Tower to Tyburn, and there executed according to their
+sentence, and their heads and bodies hung at different gates around the
+city.
+<p>Also on 22 June, Tuesday, John Fisher, bishop of Rochester, was beheaded
+at Tower Hill, and the rest of his execution pardoned.&nbsp; His body was
+buried in Barking churchyard, next to the Tower of London, and his head
+was set on London Bridge.
+<p>This year also on 1 July, being Thursday, Sir Thomas More, sometime
+chancellor of England, was arraigned at Westminster for high treason and
+there condemned, and the Tuesday after, being 6 July, he was beheaded at
+Tower Hill and his body was buried within the chapel in the Tower of London,
+and his head was set on London Bridge.&nbsp; The effect of his death was
+for the same cause that the bishop of Rochester died for.
+<br>&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082599" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082599" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ab-percy.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ab-percy.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ab-percy.html	(revision 18423)
@@ -0,0 +1,304 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The romance between Anne Boleyn and Henry Percy, 1523</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="1523.gif" alt="Primary Sources: 1523: The romance between Anne Boleyn &amp; Henry Percy" width="417" height="101"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">The account 
+      at right </font><font size="-1">was written by George Cavendish, Cardinal Wolsey's gentleman-usher.</font><p>
+    <img SRC="anne2.jpg" ALT="portrait of Anne Boleyn" BORDER=0 height=194 width=139 align=LEFT></p>
+      <p><font size="2">Anne Boleyn was the second wife of King Henry VIII.&nbsp; 
+      The year of her birth is unknown; it was possibly 1501 or 1507.&nbsp; She 
+      spent her adolescence at the French court but returned home to England in 
+      1522.&nbsp; As the daughter of an ambitious courtier and niece of the duke 
+      of Norfolk, she was invited to serve at court as lady-in-waiting to 
+      Katharine of Aragon.&nbsp; It was here that she caught the attention of 
+      King Henry.&nbsp; Anne, however, had fallen in love with Lord Henry Percy, 
+      heir to the earl of Northumberland.&nbsp; They were secretly engaged and 
+      planned to marry.&nbsp; As Cavendish's account makes plain, Henry ordered 
+      Cardinal Wolsey to end the engagement.&nbsp; The Cardinal did so, thus 
+      earning Anne's lasting enmity.</font></p>
+      <p><font size="2">Henry's 'secret love' for Anne was highly controversial, 
+      and not merely because he was already married.&nbsp; Kings did, after all, 
+      have mistresses.&nbsp; But he had already had an open affair (and possibly 
+      a son) with her sister, Mary.&nbsp; His relationship with Anne, however, 
+      was far more serious.&nbsp; In love and desperate for a legitimate male 
+      heir, Henry planned to annul his marriage to Katharine of Aragon and marry 
+      Anne.&nbsp; The pope's refusal to help eventually led Henry to break with 
+      the church of Rome and declare himself supreme head of a new English 
+      church.</font></p>
+      <p><font size="2">It was all for naught.&nbsp; Anne did not give Henry a 
+      surviving son and she was executed on 19 May 1536.</font></p>
+      <p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+    <p>    I will tell you as best I can how the king's love came about and what 
+    followed thereafter.&nbsp; When this lady, Mistress Anne Boleyn, was very 
+    young she was sent to France to be a lady-in-waiting to the French queen.&nbsp; 
+    When the queen died she was sent back to her father who arranged for her to 
+    become a lady-in-waiting to queen Catherine, wife of Henry.&nbsp; Such was 
+    her success in this post, shown both by her exemplary behavior and excellent 
+    deportment that she quickly outshone all the others.&nbsp; To such an 
+    extent, in fact, that the flames of desire began to burn secretly in the 
+    king's breast, unknown to all, least of all to Anne herself. </p>
+
+<p>At this time Lord Percy, the son and heir of the earl of Northumberland,
+
+was aide and secretary to Wolsey, the lord cardinal, and whenever the lord
+
+cardinal happened to be at court Lord Percy would pass the time in the
+
+queen's quarters where he would dally with the ladies-in-waiting.&nbsp;
+
+Of these, he was most familiar with mistress Anne Boleyn, to such an extent
+
+that a secret love grew up between them and they pledged that, in time,
+
+they intended to wed.&nbsp; When knowledge of this reached the king's ears
+
+he was greatly distraught.&nbsp; Realizing that he could no longer hide
+
+his secret love, he revealed all to the lord cardinal and discussed with
+
+him ways of sundering the couple's engagement to each other.
+
+<p>When the lord cardinal had left the court and returned to Westminster,
+
+he remembered Henry's request and summoned Lord Percy to his presence,
+
+saying in front of us, his servants: 'I am amazed at your foolishness in
+
+getting entangled, even engaged, to this silly girl at court - I mean Anne
+
+Boleyn.&nbsp; Have you not considered your position?&nbsp; After the death
+
+of your noble father you stand to inherit one of the greatest earldoms
+
+in the country.&nbsp; It would thus have been more proper if you had sought
+
+the consent of your father in this affair and to have made his highness
+
+the king privy to it, requesting his royal blessing.&nbsp; Had you done
+
+so, he was not only have welcomed your request but would, I can assure
+
+you, have promoted you to a position more suited to your noble estate.&nbsp;
+
+And thence you might have gained the king's favor by your conduct and wise
+
+council and and thus risen further still in his estimation.
+
+<p>'But now look what you have done by your thoughtlessness.&nbsp; You
+
+have not only offended your own father but also your sovereign and pledged
+
+yourself to someone whom neither would agree to be suitable.&nbsp; And
+
+do not doubt that I shall send for your father and when he comes he will
+
+break off this engagement or disinherit you forever.&nbsp; The king himself
+
+will make a complaint to your father and demand no less an action than
+
+I have suggested.&nbsp; Indeed, I happen to know that the king has already
+
+promised this lady to someone else and that though she is not yet aware
+
+of it, the arrangements are already far advanced.&nbsp; The king however,
+
+being a man of great prudence and diplomacy, is confident that, once she
+
+is aware of the situation, she will agree to the union gladly.'
+
+<p>'Sir,' said Lord Percy, weeping, 'I knew nothing of the king's involvement
+
+in all this, and I am sorry to have incurred his displeasure.&nbsp; I considered
+
+myself to be of sufficient age and in a good enough situation to be able
+
+to take a wife of my own choosing and never doubted that my father would
+
+have accepted my decision.&nbsp; And though she is just a simple maid and
+
+her father is only a knight, yet she is of very noble descent.&nbsp; On
+
+her mother's side she has Norfolk blood and on her father's side she is
+
+a direct descendant of the earl of Ormond.&nbsp; Why then, sir, should
+
+I query the suitability of the match when her pedigree is of equal worth
+
+to mine?&nbsp; Thus I humbly beg your favor in this matter and ask you
+
+to beg the king to be benevolent concerning this issue of my engagement,
+
+which I cannot deny, still less break it off?'
+
+<p>'See, gentlemen,' said the lord cardinal to us, 'what nonsense there
+
+is in this willful boy's head!&nbsp; I though that when you heard me explain
+
+the king's involvement in this business you would have relented in your
+
+suit and have submitted yourself to the king's will, allowing his highness
+
+to decide on the matter as he thinks fit.'
+
+<p>'Sir, and so I would,' said Lord Percy, 'but in this matter I have gone
+
+so far that I am no longer able to renounce my commitment in full conscience.'
+
+<p>'What?' said the cardinal, 'Do you think that the king and I do not
+
+know what to do in such a serious matter as this?&nbsp; One thing's for
+
+sure, I can see no point in your making any further pleas in this case.'
+
+<p>'Very well,' said Lord Percy, 'if it please you, I will submit myself
+
+completely to the king's will in this matter and will release my conscience
+
+from the heavy burden of the engagement.'
+
+<p>'So be it, then,' said the cardinal, 'I will send for your father in
+
+the north, and he, the king and I will take whatever measure for the annulment
+
+of this hasty folly the king thinks necessary.&nbsp; And in the meantime,
+
+I order you - and in the king's name command you - not to see her again
+
+if you intend to avoid the full wrath of his majesty.'&nbsp; Having said
+
+this, he got up and went off to his study.
+
+<p>Then the earl of Northumberland was sent for, who, learning of the request
+
+being at the king's command, made great speed to court.&nbsp; his first
+
+port of call after leaving the north was to lord cardinal, by whom he was
+
+briefed about the cause of his hasty summons and with whom he spent a considerable
+
+time in secret discussions.&nbsp; After their long talk, the cardinal ordered
+
+some wine and after they had drunk together the meeting broke up and the
+
+earl left.
+
+<p>As he was leaving, he sat down on a bench that the servants used and
+
+called his son Lord Percy to him, saying, in our presence: 'Son, you have
+
+always been a proud, presumptuous, headstrong wastrel.&nbsp; And you have
+
+so proved yourself once more.&nbsp; What possible joy, comfort, pleasure
+
+or solace could I ever receive from you who have so misconducted yourself
+
+without discretion and in such secrecy.&nbsp; With no regard for your own
+
+father, nor for your sovereign to whom all honest and loyal subjects give
+
+faithful and humble obedience, nor even for your own noble estate, you
+
+have ill-advisedly become engaged to this girl and thereby incurred the
+
+king's displeasure - an action intolerable in any of his subjects!
+
+<p>'If it wasn't for the wisdom of the king and his benevolence towards
+
+your empty-headedness and willful stupidity, his wrath would have been
+
+sufficient to cast me and all my family for generations to come into abject
+
+poverty and desolation.&nbsp; But by the supreme goodness of his grace
+
+and the worthy lord cardinal, I have been excused your transgression -
+
+they have decided to pity your stupidity rather than blame it - and have
+
+presented me with a command concerning you and your future conduct.
+
+<p>'I pray to God that this may serve as sufficient warning to you to conduct
+
+yourself with more care hereafter, for I can assure you that, if you do
+
+not amend your ways, you will be the last earl of Northumberland if I have
+
+anything to do with it.&nbsp; You do nothing but waste and consume everything
+
+that all your ancestors have built up and cherished with great honor.&nbsp;
+
+But in the name of the good and gracious king, I intend - God willing -
+
+so to arrange my succession that you will benefit from it but little.&nbsp;
+
+For I have no intention, I can assure you, of making you my heir.&nbsp;
+
+I have, after all, praise be to God, a wide choice of sons who will, I
+
+am sure, prove themselves worthier than you and abler to conduct themselves
+
+as true nobles should.&nbsp; And from these I will choose the best as my
+
+successor.
+
+<p>'Now gentlemen,' he said to us servants, 'it may so happen that when
+
+I am dead you will see these things that I have spoken of to my son prove
+
+to be the case.&nbsp; Yet in the meantime, I would be grateful if you could
+
+be his friends and tell him when he strays from the path or is at fault.'&nbsp;
+
+And with that he took his leave of us and said to his son: 'Go on your
+
+way and serve the lord cardinal, your master, and make sure you carry out
+
+your duty.'&nbsp; And thus he departed and went down through the hall and
+
+out to his barge.
+
+<p>After much debate and consultation about lord Percy's case it was finally 
+decided that his engagement to Anne Boleyn should be dissolved and that he 
+should instead marry one of the earl of Shrewsbury's daughters, Mary Talbot, 
+which he later did.<p>&nbsp;<p align="center">
+    <a href="monarchs/boleyn.html">
+    <font size="2">to the Anne 
+    Boleyn website</font></a></p>
+    <p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082595" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Contemporary Descriptions of Anne Boleyn</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+    <img border="0" src="annedesc.gif" alt="Contemporary Descriptions of Anne Boleyn" width="374" height="171"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><p>
+    <font size="2">
+    <img border="0" src="anne2.jpg" alt="portrait of Anne Boleyn" align="left" width="139" height="194">Contemporary descriptions of 
+    Henry VIII's infamous second wife vary widely.&nbsp; Even her 
+    admirers and supporters found it difficult to praise her physical 
+    appearance.&nbsp; She was striking but not beautiful; her sister Mary was 
+    considered the beauty of the Boleyn family.</font><p><font size="2">There were occasional comments from hostile sources
+that Anne had the attributes of a witch - a large mole on her neck, possibly
+an extra finger.&nbsp; The latter is probably true.</font><p><font size="2">When reading the following comments, 
+      remember
+that most observers at Henry's court were not friendly with Anne.&nbsp;
+Naturally, their descriptions of her were colored by their dislike. </font>
+
+<p><font size="2">Also, contemporary views about her lifestyle were
+influenced by one overriding fact: most people believed she was the sole
+force behind the Henrician reformation.&nbsp; Katharine of Aragon was popular 
+and respected.&nbsp; Cast as the interloper, Anne was suitably despised.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+  <p><b><font color="#990000">In the early 1530s, the Venetian ambassador 
+  Savorgnano wrote:</font>
+<br></b>Anne was 'a young woman of noble birth, though many say of bad character,
+whose will is law to him, and he is expected to marry her should the divorce
+take place, which it is supposed will not be effected, as the peers of
+the realm.... and the people are opposed to it.'
+<br>&nbsp; </p>
+
+<p><b><font color="#990000">The Abbot of Whitby describes the
+political situation in 1530:</font>
+<br></b>'The King's Grace is ruled by one common stewed whore, Anne Boleyn,
+who makes all the spirituality to be beggared, and the temporality also.'
+<br>&nbsp;
+<p><b><font color="#990000">Henry VIII ordered Katharine of
+Aragon to relinquish certain jewels (property of the crown) to Anne Boleyn;
+Katharine replied:</font>
+<br></b>'I will not give them up to a person who is the scandal of Christendom
+and a disgrace to you.'
+<br>&nbsp;
+<p><b><font color="#990000">In 1532, a new Venetian ambassador described Anne 
+thusly:</font>
+<br></b>'not one of the handsomest women in the world.&nbsp; She is of middling
+stature, with a swarthy complexion, long neck, wide mouth, bosom not much
+raised, and in fact has nothing but the King's great appetite, and her
+eyes, which are black and beautiful - and take great effect on those who
+served the Queen when she was on the throne.&nbsp; She lives like a queen,
+and the King accompanies her to Mass - and everywhere.'
+<br>&nbsp;
+<p><b><font color="#990000">And the French ambassador contradicts Anne's 
+enemies; he reports that she is controlled by the king:</font>
+<br></b>'....all that the Lady does is by the king's order.'
+<br>&nbsp;
+<p><b><font color="#990000">The Imperial ambassador, Eustace Chapuys, described circumstances in early 1533 to his master, Charles V:</font>
+<br></b>'Your Majesty must root out the Lady and her adherents.... This accursed
+Anne has her foot in the stirrup, and will do the Queen and the Princess
+all the harm she can.&nbsp; She has boasted that she will make the Princess
+her lady-in-waiting, or marry her to some varlet.'
+<br>&nbsp;
+<p><b><font color="#990000">Chapuys describes Anne's attendance
+at Mass on 14 April 1533:</font>
+<br></b>'It looks like a dream, and even those who take her part know not whether
+to laugh or to cry.'
+<br>&nbsp;
+<p><b><font color="#990000">Henry and Anne's conversation at
+her coronation procession was reported by Chapuys:</font>
+<br></b>'How liked you the look of the City?' Henry asked.
+<br>Anne replied, 'Sir, I liked the City well enough - but I saw a great
+many caps on heads, and heard but few tongues.'
+<br>&nbsp;
+<p><b><font color="#990000">Thomas Cranmer, Archbishop of Canterbury,
+was Anne's friend and champion.&nbsp; When news reached him of her arrest,
+he bravely wrote to Henry VIII protesting - only to think better of offending
+Henry.&nbsp; Cranmer added a suitably apologetic postscript to the letter.&nbsp;
+Here are excerpts in which he describes Anne:</font>
+<br></b>'If it be true that is openly reported of the Queen's Grace... I am
+in such perplexity that my mind is clean amazed; for I never had better
+opinion in woman than I had in her; which maketh me to think that she should
+not be culpable...&nbsp; Next to Your Grace, I was most bound to her of
+all creatures living... I wish and pray for her that she may declare herself
+inculpable and innocent... I loved her not a little for the love which
+I judged her to bear towards God and His Gospel.'
+    
+    <p align="center">&nbsp;</p>
+    <p align="center">
+    <a href="monarchs/boleyn.html">
+    <font size="2">to the Anne 
+    Boleyn website</font></a></p>
+    <p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082598" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082598" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/art.html
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+<html>
+
+<head>
+<meta name="author" content="Marilee Mongello">
+<meta name="page_topic" content="museum art reproductions right to display public domain images Bridgeman vs Corel copyright">
+<meta name="content" content="right to display public domain images Bridgeman vs Corel copyright">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>The Right to Display Public Domain Images: Copyright and fair use, 
+Bridgeman vs Corel, museums vs the public, etc</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="14%" height="29"></td>
+    <td valign="top" width="73%" height="29">&nbsp;</td>
+    <td width="13%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="14%" height="3"></td>
+    <td width="73%" height="3" bgcolor="#000000">&nbsp;</td>
+    <td width="13%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="14%" height="610"></td>
+    <td valign="top" width="73%" height="610">
+    <p align="center"><br>
+    <img border="0" src="copyrightba.gif" width="422" height="162"></p>
+    <blockquote>
+      <hr>
+    <P align=left><FONT size=2 face="Arial">I created this page in 1999 as a common sense 
+      <I>introduction</I> to copyright terms.&nbsp; It also discusses the Bridgeman vs 
+    Corel decision and public domain issues.</FONT></P>
+      <P align=left><font face="Arial" size="2">The issue of copyright was most 
+      eloquently discussed - and the concept of public domain most eloquently 
+      defended - by the historian Thomas Macaulay in 1841.&nbsp; Please
+      <a href="http://www.baen.com/library/palaver4.htm">read his speeches</a>.</font></P>
+      <P align=left><font face="Arial"><font color="#FF0000"><b>updated 1 
+      October 2004:</b></font>&nbsp; I had to share this news with public domain 
+      advocates.&nbsp; I was reading through some of the Congressional speeches 
+      regarding copyright and came across this gem - Congresswoman Mary Bono 
+      (whose late husband pushed through one of the most disastrous copyright 
+      laws ever) was reminded that the US Constitution prohibits perpetual 
+      intellectual property rights.&nbsp; Her response?&nbsp; The copyright term 
+      should be &quot;forever minus one day&quot;.</font></P>
+      <P align=left><font face="Arial">I'm serious.</font></P>
+      <P align=left><font face="Arial">If that doesn't offend and alarm you, 
+      what will?&nbsp; If she had her way, you wouldn't be able to read The 
+      Bible for free.&nbsp; Please consider this issue when you vote.&nbsp; This 
+      is one of the great unreported stories in the US, Europe and now, sadly, 
+      Australia.&nbsp; Yes, the Aussies signed (August 2004) a free-trade 
+      agreement with the US which required that Australia accept our draconian 
+      copyright laws.</font></P>
+      <hr>
+    </blockquote>
+      <p><font face="Arial"><B><FONT size=4>Definition of terms used on this 
+      page -</FONT></B></font></p>
+
+      <P><font face="Arial"><B>COPYRIGHT - </B>The legal right given to a writer, composer, artist, 
+      or a distributor to exclusive production, sale, or distribution of their 
+      work. <BR><B>Why does COPYRIGHT exist?</B> <BR>It allows artists to profit 
+      from their work.&nbsp; Profit, in turn, creates an incentive to work and 
+      distribute the work.</font></P>
+
+      <P>&nbsp;</P>
+
+      <P><font face="Arial"><B>PUBLIC DOMAIN</B> - the status of publications, products, and 
+      processes that are not protected under patent or copyright.&nbsp; All 
+      images at this site are in the public domain, and have been for several 
+      hundred years. <BR><B>Why does PUBLIC DOMAIN exist?</B> <BR>It exists to 
+      allow the free exchange of knowledge.&nbsp; If it did not, museums would 
+      be allowed to keep images under perpetual copyright, thus denying everyone 
+      the opportunity to view, critique, or otherwise examine works. <BR>Please 
+      note that most 20th century works of art are not yet considered part of 
+      the PUBLIC DOMAIN. <BR><FONT size=-1>Click
+      <a href="http://www.unc.edu/~unclng/public-d.htm">here</a> to view a chart of 
+      when works pass into the public domain.</FONT> </font></P>
+
+      <P>&nbsp;</P>
+
+      <P><font face="Arial"><B>FAIR USE</B> - Fair use is a limitation on the exclusive rights of 
+      the copyright owner; in other words, it allows reasonable public access to 
+      copyrighted works. <BR>The idea is an important part of the English 
+      common-law tradition. <BR><B>Why does FAIR USE exist?</B> <BR>FAIR USE 
+      allows people to use images and written works without compensating the 
+      original writer/creator, as long as they act in good faith and do not 
+      profit from reproducing the work.&nbsp; Education, parody, criticism, news 
+      reporting, etc are all examples of fair use. <BR>The idea of FAIR USE has 
+      guided the use of reproductions of works for years.&nbsp; In most cases, 
+      the lack of commercial gain is necessary for a claim of fair use.&nbsp; If 
+      you are a non-profit website designed for educational purposes, you are in 
+      the perfect position to claim FAIR USE of images which are already in the 
+      PUBLIC DOMAIN. </font></P>
+      <blockquote>
+      <HR width="100%">
+
+      </blockquote>
+
+      <P align="center"><i><font face="Arial">
+      <img border="0" src="copyrightelizabeth.jpg" align="left" alt="Wm Scrots's portrait of 13 year old Princess Elizabeth, c1546" width="250" height="334"></font></i></P>
+
+      <P><i><font face="Arial">Yes, we live in a world where the Scrots portrait 
+      of the future Queen Elizabeth I is considered to be under copyright - but 
+      Elizabeth's own letters / speeches / poetry have been in the public domain 
+      for centuries....&nbsp; Funny.</font></i></P>
+
+      <P><font face="Arial">For a long time, the FAIR USE doctrine occupied a grey area of law, 
+      usually decided on a case-by-case basis.&nbsp; Typically, if someone were 
+      profiting from another person's work which was not in the PUBLIC DOMAIN, 
+      it was not considered fair use.&nbsp; Museums typically did not sue 
+      non-profit websites which reproduced images for educational 
+      purposes.&nbsp; If they had, the court would have forced them to prove a 
+      substantial loss of profit from the use.&nbsp; Understandably, such proof 
+      would not exist and the court would not look favorably upon such a 
+      vindictive case, particularly since the images were already in the public 
+      domain. </font> </P>
+      <P><font face="Arial">However, on 18th February 1999, the grey area was cleared 
+      considerably.&nbsp; Fair Use was no longer a murky legal issue to be 
+      debated by webmasters and museums.&nbsp; The United States District Court 
+      for the Southern District of New York decided the following case -
+      </font> 
+</P>
+      <CENTER>
+      <P><font face="Arial"><B>The Bridgeman Art Library, Ltd., Plaintiff, - versus - Corel 
+      Corporation, et ano., Defendants.</B> <BR><B>97 Civ. 6232 
+      (LAK)</B></font></P></CENTER>
+      <P><font face="Arial"><B>Their decision was one of the most important copyright decision 
+      affecting museums ever filed.&nbsp; The decision was based on both US and 
+      UK copyright law.</B> </font> </P>
+      <P><font face="Arial"><B>WHO WAS INVOLVED IN THE CASE &amp; WHAT WAS IT ABOUT?</B> <BR>The 
+      Bridgeman Art Library had made photographic reproductions of famous works 
+      of art from museums around the world (works already in the public 
+      domain.)&nbsp; The Corel Corporation used those reproductions for an 
+      educational CD-ROM without paying Bridgeman.&nbsp; Bridgeman claimed 
+      copyright infringement. </font> </P>
+      <P><font face="Arial"><B>WHAT DID THE COURT DECIDE?</B> <BR>The Court ruled that 
+      reproductions of images in the public domain are not protected by 
+      copyright if the reproductions are slavish or lacking in originality.
+      </font> </P>
+      <P><font face="Arial">In their opinion, the Court noted:&nbsp; ''There is little doubt that many 
+      photographs, probably the overwhelming majority, reflect at least the 
+      modest amount of originality required for copyright protection....&nbsp; 
+      But 'slavish copying', although doubtless requiring technical skill and 
+      effort, does not qualify.'' </font> </P>
+      <P><font face="Arial"><B>In other words, an exact reproduction of an image in the public 
+      domain does not possess creativity itself.&nbsp; Therefore, the 
+      reproduction is not protected under copyright law.</B> </font> </P>
+      <P><font face="Arial"><B>WHY IS THIS IMPORTANT?</B> <BR>It's important to me because it 
+      allows me to share the beautiful images at my sites.&nbsp; But it's 
+      important to everyone because it means that museums cannot assert 
+      perpetual copyright to works.&nbsp; In other words, museums cannot take a 
+      picture of an old painting about to become part of the public domain, 
+      claim a new copyright through the reproduction, and do the same process 
+      over and over so that the painting never truly enters the public 
+      domain.&nbsp; They would simply be taking the work from one private domain 
+      to another, thus invalidating the spirit of copyright law. <BR>In short, 
+      simply transferring an exact image from one medium to another does not 
+      create a new copyright. </font> </P>
+      <P><font face="Arial"><B>WHAT DOES THE DECISION COVER?</B> <BR>This decision concerns only 
+      reproductions of two-dimensional works (like paintings or drawings.)&nbsp; 
+      Reproductions of three-dimensional works, such as sculpture, possess the 
+      necessary creativity for a separate copyright - after all, the 
+      photographer must choose an angle to shoot from, lighting, backdrop, 
+      etc&nbsp; In other words, he is not merely reproducing an exact image.
+      </font> 
+</P>
+      <P><font face="Arial">Also, please note that a non-exact reproduction of 
+      an image is not covered.&nbsp; </font> </P>
+      <P><font face="Arial">This is an important point - only EXACT COPIES of the paintings are 
+      affected by the decision.&nbsp; The decision is based upon the correct 
+      premise that 'slavish copies' do not possess any originality or creativity 
+      of their own, and are thus ineligible for copyright. </font> </P>
+      <P><font face="Arial">The Court explained this point further: <BR>''There has been no 
+      independent creation, no distinguishable variation from pre-existing 
+      works, nothing recognizably the author's own contribution''....</font></P>
+      <P><font face="Arial">This merely reflected an earlier ruling by the Supreme Court which 
+      stated that "sweat of the brow" (for example, the act of reproducing a 
+      work) is not the "creative spark" which deserves copyright.</font></P>
+      <P><font face="Arial"><B>THE ENTIRE TEXT OF THE COURT'S RULING IS AVAILABLE ONLINE at the 
+      First Amendment Law Library -</B> <BR><B><A 
+      href="http://www.constitution.org/1ll/court/fed/bridgman.html">http://www.constitution.org/1ll/court/fed/bridgman.html</A></B>
+      </font> 
+      </P>
+      <P><font face="Arial">I encourage visitors to read the decision.&nbsp; Judge Kaplan is 
+      remarkably concise, particularly when compared to other jurists.&nbsp; 
+      (Note: the original decision has been replaced by Judge Kaplan's 
+      memorandum opinion after Bridgeman moved for reargument and 
+      reconsideration following his summary judgment.)</font></P>
+      <P></P>
+      <blockquote>
+      <HR width="100%">
+
+      </blockquote>
+
+      <P><font face="Arial">It is interesting to note that many museums, and the American 
+      Association of Museums, were unhappy that Bridgeman brought the case 
+      against Corel, surmising (correctly, it turned out) that the Court would 
+      not rule in their favor.&nbsp; In fact, the Court quoted a former general 
+      counsel from the Museum of Modern Art, New York in rendering its decision<FONT size=4>.&nbsp; </FONT><BR>
+      Museum directors, like everyone else, knew that exact reproductions did 
+      not possess the necessary creativity to have their own copyright.&nbsp; 
+      After all, if such a standard did exist, I could copy out John Keats's 
+      poetry word-for-word and then claim I was entitled to a copyright to the 
+      poems.&nbsp; Such an idea is ludicrous.&nbsp; Keats's poetry 
+      is in the public domain.</font></P>
+      <P><font face="Arial">And if his original poems are in the public domain, why aren't 
+      portraits of him painted at the same time?&nbsp; </font> </P>
+      <P><font face="Arial">Exactly.&nbsp; They are - museums would just prefer otherwise.</font></P>
+      <P><B><FONT size=4 face="Arial">In closing, I would like to point out three things - 
+      </FONT></B></P>
+      <P><font face="Arial"><B>First, the Bridgeman vs Corel decision will not bankrupt 
+      museums.&nbsp;</B> It is true that museums make money selling 
+      reproductions of the images in their collections.&nbsp; However, 
+      commercial publishers will still want a high quality reproduction of the 
+      image which can only truly be provided by the museum which controls access 
+      to the painting; publishers don't care much about copyright, only the 
+      best-looking image.&nbsp; Webmasters, at best, can only scan reproductions 
+      and even the best scanner cannot capture the quality of a museum-approved 
+      reproduction.&nbsp; And webmasters are not selling reproductions which 
+      claim to be made by the museums which own the original work; that would be 
+      fraudulent and illegal.&nbsp; </font> </P>
+      <P><font face="Arial"><B>Second, most museums hold their collections in the public trust and 
+      exist primarily as educational/cultural facilities.&nbsp; </B>The public domain 
+      images in their collections are exactly that - in the public domain, and 
+      we are the public.&nbsp; Most museums also receive money and special tax 
+      breaks from the cities/states/countries in which they are located.&nbsp; 
+      Why?&nbsp; Because they are public institutions.&nbsp; </font> </P>
+      <P><font face="Arial"><B>Third - and perhaps most importantly - copyrights and public domain 
+      and fair use are all terms which exist together for a reason. 
+      </B><BR><B>Copyrights are necessary because</B> they allow artists/writers 
+      to profit from their own work.&nbsp; And profit, of course, provides 
+      incentive to create more work. <BR><B>Public Domain is necessary 
+      because</B> it allows for the free exchange of ideas, a necessary part of 
+      life in a free society. <BR><B>Fair Use is necessary because</B> it allows 
+      the public some access to copyrighted work, as long as they do not profit 
+      from it.&nbsp; After all, you should not be allowed to essentially steal 
+      money for another person's hard work.&nbsp; However, fair use allows news 
+      reporting, book reviews, research reports, educational works, etc to 
+      discuss the work. </font> </P>
+      <P><font face="Arial"><B>Or, as the US Supreme Court put it:</B> <BR><B>"Creative work is to 
+      be encouraged and rewarded, but private motivation must ultimately serve 
+      the cause of promoting broad public availability of literature, music, and 
+      the other arts. The immediate effect of our copyright law is to secure a 
+      fair return for an "author's" creative labor. But the ultimate aim is, by 
+      this incentive, to stimulate artistic creativity for the general public 
+      good."</B></font></P>
+      <P><b><font face="Arial">Or, as I put it:<br>Why should a museum's 
+      copyright exceed the artist's personal copyright?&nbsp; Yes, that's right 
+      - artists and their descendants do not receive money from museums making 
+      reproductions of their works.&nbsp; Why?&nbsp; Because the works are in 
+      the public domain.&nbsp; Copyright has passed for the artist!&nbsp; They 
+      can no longer profit from their work.&nbsp; Yet museums are claiming they 
+      possess an endless copyright of the work simply because they own the 
+      original (which is in the public domain.)&nbsp; If it sounds absurd, well, 
+      it is absurd.&nbsp; It's absurd and offensive and illegal.</font></b></P>
+      <P><b><font face="Arial">Take a moment to imagine Van Gogh's heirs suing 
+      over all those coffee mugs with his famous sunflowers, or the endless 
+      posters of his starry skies.&nbsp; Exactly.&nbsp; You would laugh at the 
+      news.&nbsp; Now take a moment to laugh at museums.&nbsp; </font></b></P>
+      <blockquote>
+      <HR width="100%">
+
+      </blockquote>
+
+      <P><font face="Arial">In a perfect world, the artist profits from their work for a very 
+      lengthy period of time and then the work becomes part of our cultural 
+      heritage. </font></P>
+
+      <P><font face="Arial">In our imperfect world, however, museums often attempt to 
+      intimidate webmasters and others into either paying large sums for 
+      reproduction rights, or to remove the images entirely.&nbsp; They count 
+      upon webmasters having neither the legal knowledge to defend their rights 
+      or having money to hire legal counsel.&nbsp; Most museums, of course, have 
+      large budgets and numerous attorneys.&nbsp; And they know it's far easier 
+      to intimidate the 'little guy' rather than a wealthy company which can tie 
+      a case up in court for many expensive years.</font></P>
+
+      <P><font face="Arial">They also know that 
+      Bridgeman vs Corel has clarified the formerly vague concept of fair 
+      use.&nbsp; Before, they could shape fair use to their own needs.&nbsp; Now, 
+      however, fair use has been quite clearly defined. </font></P>
+
+      <P><font face="Arial">It is important to 
+      remember that museums were first created in the 18th century to allow the 
+      public free access to their cultural treasures, not to make money selling 
+      t-shirts, mugs, posters, etc&nbsp; I understand that they wish to raise 
+      funds for their work, but - as I explained earlier - Bridgeman vs Corel 
+      will not bankrupt museums.&nbsp; After all, in the early 1980s, the movie 
+      industry believed VCRs would destroy Hollywood.&nbsp; Obviously, that 
+      hasn't happened.</font></P>
+
+      <P><font face="Arial">In light of the Bridgeman vs Corel decision, museums 
+      have decided to focus on controlling access rather than subverting the 
+      concept of public domain.&nbsp; This, too, has led to some rather 
+      questionable practices.&nbsp; Think about it for a moment - if a unique 
+      work of art is in the public domain and the museum willfully disallows 
+      access to the work (for reproduction purposes), aren't they guilty of 
+      creating a monopoly?&nbsp; And of attempting to create an illegal 
+      perpetual copyright?&nbsp; Just a few points to ponder, among many others.</font></P>
+      <blockquote>
+      <HR width="100%">
+
+      </blockquote>
+
+      <P><font face="Arial">I have (very quickly) created this page to help webmasters understand 
+      their rights.&nbsp; I apologize if something is explained badly, or not at 
+      all.</font></P>
+      <P><font face="Arial"><B>Please keep in mind that the all-important Bridgeman vs Corel 
+      decision applies only to exact reproductions of two-dimensional works of 
+      art already in the public domain.</B> <BR>And so drawings of 
+      Winnie-the-Pooh, for example, which are still under copyright, cannot be 
+      reproduced on your webpage; neither can a book written in 1970, or a song 
+      recorded in 1950, or painting made in 1945.&nbsp; Unfortunately, copyright 
+      extensions are a fact of life throughout most of the world.&nbsp; In the 
+      US, for example, copyright has been extended 11 times in the last 40 
+      years.&nbsp; However, all works prior to the 20th century are in the 
+      public domain.&nbsp; <a href="http://www.unc.edu/~unclng/public-d.htm">
+      Check the charts</a> for 20th century works.</font></P>
+      <P><font face="Arial">Remember - when in doubt, ask.&nbsp; <A 
+      href="http://www.nolo.com/">Nolo.com</A> has a great legal advice section.
+      </font> 
+      </P>
+      <P><font face="Arial">And give thanks to the US District Court for the 
+      Southern District of New York.&nbsp; In our age of increasing mergers 
+      between large, global multi-media companies and the pre-eminence of a few 
+      large museums, it's possible that - one day - a handful of 
+      companies/museums could control access to most of the great works of art 
+      in human history.&nbsp; Public domain guarantees us access to those works, 
+      and without it we would be....&nbsp; Well, we would be stuck at the table 
+      of mediocrity, denied our right to explore the best parts of our heritage. </font></P>
+      <P align="center"><font face="Arial">-<i>Marilee</i><br></font></P>
+      <blockquote>
+      <hr>
+      </blockquote>
+      <P align=center><b><font face="Arial">Updates and Links</font></b></P>
+      <P align=left><FONT size=2 face="Arial">For now (October 2004), the Bridgeman decision 
+      stands.&nbsp; If anything changes, I will post it here.</FONT></P>
+      <P align=left><font face="Arial" size="2">Please note that 
+      <a href="http://www.iht.com/articles/114102.html">recent EU-sponsored 
+      copyright changes</a> further extend copyright terms of 20th century works.&nbsp; 
+      Books, music, etc which might have been scheduled to pass into the public 
+      domain are now protected for several more decades.&nbsp; (Yet another 
+      sell-out to the growing 'content industry'....)&nbsp; If you live in 
+      Europe, please research the new terms.&nbsp; If the above link has 
+      expired, simply type 'EU copyright law 2003' into a search engine and 
+      start exploring.&nbsp; Though most articles focus on digital music and 
+      film, the law applies to all creative works.&nbsp; It's even worse than the DMCA.&nbsp; 
+      Egads!&nbsp; I never thought a law could be worse than the DMCA.</font></P>
+      <P align=left><font face="Arial" size="2">Please
+      <a href="http://www.cni.org/Hforums/cni-copyright/1999-02/0084.html">click 
+      here</a> to read an interesting 'question and answer' about Bridgeman.&nbsp; 
+      Professor Ochoa's response is reasonable and apt, particularly this 
+      comment: 'Where the public does not have access to the original painting, 
+      the ONLY way it has to reproduce the painting itself is to reproduce a 
+      reproduction of it. Unless we hold that the Bridgeman photographs can be 
+      freely copied, the painting, as a practical matter, is not in the public 
+      domain.'&nbsp; <br>In other words, unless museums are willing to allow 
+      people to photograph the original work, the paintings are not truly in the 
+      public domain.&nbsp; I do disagree with his closing comment, in which he 
+      attempts to distinguish between US copyright law and other nations.&nbsp; 
+      The concepts of 'fair use' and 'public domain' are recognized on an 
+      international level.&nbsp; Also, is a person making a slavish photographic 
+      reproduction of a work of art truly the <i>author</i> of the photograph?&nbsp; 
+      This point was discussed in the Bridgeman decision.&nbsp; The term <i>
+      copyist</i> is far more appropriate, despite the amount of work involved 
+      in taking the photograph.&nbsp; An apt comparison is this (earlier 
+      discussed with the example of Keats's poetry) - if a 
+      photographer who merely reproduces a work of art is the <i>author</i> of 
+      the reproduction, then someone who copies a novel out word-for-word is 
+      also its <i>author</i>.&nbsp; Clearly, this cannot be the case.&nbsp; Yet 
+      the amount of work required to photograph the painting is the same as the 
+      work involved in copying out a book by hand.&nbsp; <b>In other words, <i>
+      labor</i> does not imply originality, or a creative spark.</b>&nbsp; You 
+      can take three minutes or three days to make a reproduction.&nbsp; You can 
+      use a camera or Martian technology.&nbsp; It doesn't matter.&nbsp; You are 
+      merely copying the work.&nbsp; If it 
+      seems as though I'm being simplistic here, rest assured that I am - and it 
+      is deliberate.&nbsp; This issue is very simple and analogies help reveal 
+      the simplicity.</font></P>
+      <P align=left><font face="Arial" size="2">In any case, Bridgeman vs Corel 
+      was not concerned with the <i>processes</i> of reproduction 
+      since those are covered by patent law.&nbsp; It was concerned with 
+      copyright.&nbsp; Copyright exists to reward the creative spark / 
+      originality.&nbsp; It does not exist to reward labor.&nbsp; </font></P>
+      <P align=left><font face="Arial" size="2">You may wonder why I'm going on 
+      and on about the photography angle.&nbsp; It's because museums have made 
+      it their new argument for copyright protection and against Bridgeman.&nbsp; 
+      They claim the court did not fully understand or appreciate the labor 
+      involved in making photographic reproductions.&nbsp; But they are being 
+      disingenuous, as my above paragraph demonstrates.&nbsp; Also, Judge Kaplan 
+      most assuredly considered the labor involved.&nbsp; No one is denying that 
+      photographers labor to create the reproduction.&nbsp; But why should that 
+      work be used to create a perpetual copyright for something in the public 
+      domain?!&nbsp; Museums are mute on that point.&nbsp; The photographers are 
+      paid for their labor.&nbsp; The museums deny the public access to the 
+      works and therefore control the 'licensing' of the best reproductions.&nbsp; 
+      They are paid for the licenses.&nbsp; Who suffers in this situation?&nbsp; 
+      The public!&nbsp; By law, we should be able to go to a museum and demand 
+      access to a painting in the public domain so we can take photographs.&nbsp; 
+      But museums won't let us!&nbsp; I know this because I've tried it.&nbsp; 
+      Museums simply don't want competition for their 'officially-licensed' 
+      merchandise.&nbsp; It's all about profit, - if they were concerned with 
+      'artistic integrity', they would allow the public right of access or 
+      provide an approved, high-quality reproduction to anyone who asked.&nbsp; 
+      Don't hold your breath waiting for that to happen....&nbsp; </font></P>
+      <P align=left><font face="Arial" size="2">If the concept of public domain 
+      is to have any meaning at all, then exact photographic reproductions 
+      cannot be given copyright.&nbsp; It's a matter of principle - and common 
+      sense - and public interest.</font></P>
+    <p align="center"><br>
+    <font face="Arial"><font size="2">
+      <a href="http://homepages.law.asu.edu/~dkarjala/OpposingCopyrightExtension/">Opposing Copyright Extension, 
+      Protecting the Public Domain</a><br></font><font size="1">The best source 
+      on the internet.&nbsp; It contains information on the disastrous Jan 2003 Eldred 
+      ruling by the US Supreme Court.</font></font></p>
+      <P align="center"><a href="http://englishhistory.net">
+      <font size="2" face="Arial">to EnglishHistory.net</font></a></P>
+      </td>
+    <td width="13%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082656" alt="setstats" border="0" width="1" height="1"></noscript>
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+<head>
+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="page_topic" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter VIII</title>
+<style>
+</style>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+.3text {font-size: 12 px;}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER VIII</b><br>
+      <b>THE PROTECTORATE OF THE NETHERLANDS: 1584-86</b></div>
+    <p align="left">WE are now approaching the great crisis of the reign, some 
+    may think of English history--the grand struggle with Spain; a struggle 
+    which, if Elizabeth had allowed herself to be guided by her most celebrated 
+    counsellors, would have been entered upon a quarter of a century earlier. 
+    England was then unarmed and weighed down with a load of debt, the legacy of 
+    three thriftless and pugnacious reigns. The population was still mainly 
+    Catholic. The great nobles still thought themselves a match for the crown, 
+    and many of them longed to make one more effort to assert their old position 
+    in the State. Trade and industry were languishing. The poorer classes were 
+    suffering and discontented. Scotland was in the hands of a most dangerous 
+    enemy, whose title to the English crown was held by many to be better than 
+    Elizabeth's. Philip II., as yet unharassed by revolt, seemed almost to have 
+    drawn England as a sort of satellite into the vast orbit of his empire. </p>
+    <p align="left">Nearly a generation had now passed away since Elizabeth 
+    ascended the throne. Every year of it had seen some amendment in the 
+    condition of the country. Under a pacific and thrifty Government taxation 
+    had been light beyond precedent. All debts, even those of Henry VIII., had 
+    been honourably paid off. While the lord of American gold mines and of the 
+    richest commercial centres in Europe could not raise a loan on any terms, 
+    Elizabeth could borrow when she pleased at five per cent. But she had ceased 
+    to borrow, for she had a modest surplus stored in her treasury, a department 
+    of the administration managed under her own close personal supervision. A 
+    numerous militia had been enrolled and partially trained. Large magazines of 
+    arms had been accumulated. A navy had been created; not a large one indeed; 
+    but it did not need to be large, for the warship of those days did not 
+    differ from the ordinary vessel of commerce, nor was its crew differently 
+    trained. The royal navy could therefore be indefinitely increased if need 
+    arose. Philip's great generals, Alva and Parma, had long come to the 
+    conclusion that the conquest of England would be the most difficult 
+    enterprise their master could undertake. The wealth of landed proprietors 
+    and traders had increased enormously. New manufactures had been started by 
+    exiles from the Netherlands. New branches of foreign commerce had been 
+    opened up. The poor were well employed and contented. I believe it would be 
+    impossible to find in the previous history of England, or, for that matter, 
+    of Europe, since the fall of the Roman Empire, any instance of peace, 
+    prosperity, and good government extending over so many years. </p>
+    <p align="left">Looking abroad we find that in all directions the strength 
+    and security of Elizabeth's position had been immensely increased. Her 
+    ministers, especially Walsingham--for Burghley in his old age came at last 
+    to see more with the eyes of his mistress--believed that by a more spirited 
+    policy Scotland might have been converted into a submissive and valuable 
+    ally. Elizabeth alone saw that this was impossible; that, so treated, 
+    Scotland would become to England what Holland was to Philip, what &quot;the 
+    Spanish ulcer&quot; was afterwards to Napoleon--a fatal drain on her strength and 
+    resources. It was enough for Elizabeth if the northern kingdom was so 
+    handled as to be harmless; and this, as I have shown, was in fact its 
+    condition from the moment that the only Scottish ruler who could be really 
+    dangerous was locked up in England. </p>
+    <p align="left">The Dutch revolt crippled Philip. The conquest of England 
+    was postponed till the Dutch revolt should be suppressed. Why then, it has 
+    been asked, did not Elizabeth support the Dutch more vigorously? The answer 
+    is a simple one. If she had done so the suppression of the Dutch revolt 
+    would have been postponed to the conquest of England. This is proved by the 
+    events now to be related. Elizabeth was obliged by new circumstances to 
+    intervene more vigorously in the Netherlands, and the result was the Armada. 
+    If the attack had come ten or fifteen years earlier the fortune of England 
+    might have been different. </p>
+    <p align="left">Elizabeth's foreign policy has been judged unfavourably by 
+    writers who have failed to keep in view how completely it turned on her 
+    relations with France. Though her interests and those of Henry III cannot be 
+    called identical, they coincided sufficiently to make it possible to keep up 
+    a good understanding which was of the highest advantage to both countries. 
+    But to maintain this good understanding there was need of the coolest temper 
+    and judgment on the part of the rulers; for the two peoples were hopelessly 
+    hostile. They were like two gamecocks in adjoining pens. The Spaniards were 
+    respected and liked by our countrymen. Their grave dignity, even their stiff 
+    assumption of intrinsic superiority, were too like our own not to awake a 
+    certain appreciative sympathy. Whereas all Englishmen from peer to peasant 
+    would at any time have enjoyed a tussle with France, until its burdens began 
+    to be felt. </p>
+    <p align="left">Henry III, with whom the Valois dynasty was about to expire, 
+    was far from being the incompetent driveller depicted by most historians. He 
+    had good abilities, plenty of natural courage when roused, and a thorough 
+    comprehension of the politics of his day. His aims and plans were well 
+    conceived. But with no child to care for, and immersed in degrading 
+    self-indulgence, he wearied of the exertions and sacrifices necessary for 
+    carrying them through. Short spells of sensible and energetic action were 
+    succeeded by periods of unworthy lassitude and pusillanimous surrender. 
+    Before he came to the throne he had been the chief organiser of the 
+    Bartholomew Massacre. As King he naturally inclined, like Elizabeth, William 
+    of Orange, and Henry of Navarre, to make considerations of religion 
+    subordinate to considerations of State. Both he and Navarre would have been 
+    glad to throw over the fanatical or factious partisans by whom they were 
+    surrounded, and rally the <i>Politiques</i> to their support. But it was a 
+    step that neither as yet ventured openly to take. The one was obliged to 
+    affect zeal for the old religion, the other for the new. </p>
+    <p align="left">Elizabeth's ministers, with short-sighted animosity, had 
+    been urging her throughout her reign to give vigorous support to the 
+    Huguenots. She herself took a broader view of the situation. She preferred 
+    to deal with the legitimate government of France recognised by the vast 
+    majority of Frenchmen. Henry III., as she well knew, did not intend or 
+    desire to exterminate the Huguenots. If that turbulent faction had been 
+    openly abetted in its arrogant claims by English assistance, he would have 
+    been obliged to become the mere instrument of Elizabeth's worst enemies, 
+    Guise and the Holy League. France would have ceased to be any counterpoise 
+    to Spain. The English Queen had so skilfully played a most difficult and 
+    delicate game that Henry of Navarre had been able to keep his head above 
+    water; Guise had upon the whole been held in check; the royal authority, 
+    though impaired, had still controlled the foreign policy of France, and so, 
+    since 1572, had given England a firm and useful ally. As long as this 
+    balanced situation could be maintained, England was safe. </p>
+    <p align="left">But the time was now at hand when this nice equilibrium of 
+    forces would be disturbed by events which neither Elizabeth nor any one else 
+    could help. Alençon, the last of the Valois line, was dying. When he should 
+    be gone, the next heir to the French King would be no other than the 
+    Huguenot Henry of Bourbon, King of the tiny morsel of Navarre that lay north 
+    of the Pyrenees. Henry III. wished to recognise his right. But it was 
+    impossible that Guise or Philip, or the French nation itself, should 
+    tolerate this prospect. Thus the great war of religion which Elizabeth had 
+    so carefully abstained from stirring up was now inevitable. The French 
+    alliance, the key-stone of her policy, was about to crumble away with the 
+    authority of the French King which she had buttressed up. He would be 
+    compelled either to become the mere instrument of the Papal party or to 
+    combine openly with the Huguenot leader. In either case, Guise, not Henry 
+    III., would be the virtual sovereign, and Elizabeth's alliance would not be 
+    with France but with a French faction. She would thus be forced into the 
+    position which she had hitherto refused to accept--that of sole protector of 
+    French and Dutch Protestants, and open antagonist of Spain. The more showy 
+    part she was now to play has been the chief foundation of her glory with 
+    posterity. It is a glory which she deserves. The most industrious 
+    disparagement will never rob her of it. But the sober student will be of 
+    opinion that her reputation as a statesman has a more solid basis in the 
+    skill and firmness with which during so many years she staved off the 
+    necessity for decisive action. </p>
+    <p align="left">Although the discovery of the Throgmorton plot (November 
+    1583), and the consequent expulsion of the Spanish ambassador, Mendoza, were 
+    not immediately followed by open war between England and Spain, yet the 
+    course of events thenceforward tended directly to that issue. Elizabeth 
+    immediately proposed to the Dutch States to form a naval alliance against 
+    Spain, and to concert other measures for mutual defence. </p>
+    <p align="left">Orange met the offer with alacrity, and pressed Elizabeth to 
+    accept the sovereignty of Holland, Zealand, and Utrecht. Perhaps there was 
+    no former ruler of England who would not have clutched at such an 
+    opportunity of territorial aggrandisement. For Elizabeth it had no charms. 
+    Every sensible person now will applaud the sobriety of her aims. But though 
+    she eschewed territory, she desired to have military occupation of one or 
+    more coast fortresses, at all events for a time, both as a security for the 
+    fidelity of the Dutch to any engagements they might make with her, and to 
+    enable her to treat on more equal terms with France or Spain, if the 
+    Netherlands were destined, after all, to fall into the hands of one of those 
+    powers. </p>
+    <p align="left">While these negotiations were in progress, William of Orange 
+    was murdered (1584). Alençon had died a month earlier. The sovereignty of 
+    the revolted Netherlands was thus vacant. Elizabeth advised a joint 
+    protectorate by France and England. But the Dutch had small confidence in 
+    protectorates, especially of the joint kind. What they wanted was a 
+    sovereign, and as Elizabeth would not accept them as her subjects they 
+    offered themselves to Henry III. But after nibbling at the offer for eight 
+    months Henry was obliged to refuse it. His openly expressed intention to 
+    recognise the King of Navarre as his heir had caused a revival of the Holy 
+    League. During the winter 1584-5 its reorganisation was busily going on. 
+    Philip promised to subsidise it. Mendoza, now ambassador at Paris, was its 
+    life and soul. The insurrection was on the point of breaking out. Henry III 
+    knew that the vast majority of Frenchmen were Catholics. To accept the Dutch 
+    offer would, he feared, drive them all into the ranks of the Holy League. He 
+    therefore dismissed the Dutch envoys with the recommendation that they 
+    should apply to England for protection (1585). The manifesto of the Leaguers 
+    appeared at the end of March (1585). Henry of Navarre was declared 
+    incapable, as a Protestant, of succeeding to the crown. Henry III. was 
+    summoned to extirpate heresy. To enforce these demands the Leaguers flew to 
+    arms all over France. Had Henry III. been a man of spirit he would have 
+    placed himself at the head of the loyal Catholics and fought it out. But by 
+    the compact of Nemours he conceded all the demands of the League (1585). </p>
+    </font>
+    </font>
+    <font face="Times New Roman">
+    <p>Thus began the last great war of religion, which lasted till Henry of 
+    Navarre was firmly seated on the throne of France. </p>
+    <p align="left">Elizabeth had now finally lost the French alliance, the 
+    sheet-anchor of her policy since 1572, and she prepared for the grand 
+    struggle which could no longer be averted. As France failed her, she must 
+    make the best of the Dutch alliance. She did not conceal from herself that 
+    she would have to do her share of the fighting. But she was determined that 
+    the Dutch should also do theirs. Deprived of all hope of help from France 
+    they wished for annexation to the English crown, because solidarity between 
+    the two countries would give them an unlimited claim upon English resources. 
+    Elizabeth uniformly told them, first and last, that nothing should induce 
+    her to accept that proposal. She would give them a definite amount of
+    </font>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font face="Times New Roman">
+    assistance in men and money. But every farthing would have to be repaid when 
+    the war was over; and in the meantime she must have Flushing and Brill as 
+    security. They must also bind themselves to make proper exertions in their 
+    own defence. Gilpin, her agent in Zealand, had warned her that if she showed 
+    herself too forward they would simply throw the whole burden of the war upon 
+    her. Splendid as had often been the resistance of separate towns when 
+    besieged, there had been, from the first, lamentable selfishness and apathy 
+    as to measures for combined defence. The States had less than 6000 men in 
+    the field--half of them English volunteers--at the very time when they were 
+    assuring Elizabeth that, if she would come to their assistance, they could 
+    and would furnish 15,000. She was justified in regarding their fine promises 
+    with much distrust. </p>
+    <p align="left">While this discussion was going on, Antwerp was lost. The 
+    blame of the delay, if blame there was, must be divided equally between the 
+    bargainers. The truth is that, cavil as they might about details, the 
+    strength of the English contingent was not the real object of concern to 
+    either of them. Each was thinking of something else. Though Elizabeth had so 
+    peremptorily refused the sovereignty offered by the United Provinces, they 
+    were still bent on forcing it upon her. She, on the other hand, had not 
+    given up the hope that her more decisive intervention would drive Philip to 
+    make the concessions to his revolted subjects which she had so often urged 
+    upon him. In her eyes, Philip's sovereignty over them was indefeasible. They 
+    were, perhaps, justified in asserting their ancient constitutional rights 
+    But if those were guaranteed, continuance of the rebellion would be 
+    criminal. Moreover, she held that elected deputies were but amateur 
+    statesmen, and had better leave the <i>haute politique</i> to princes to 
+    settle. &quot;Princes,&quot; she once told a Dutch deputation, &quot;are not to be charged 
+    with breach of faith if they sometimes listen to both sides; for they 
+    transact business in a princely way and with a princely understanding such 
+    as private persons cannot have.&quot; Her promise not to make peace behind their 
+    backs was not to be interpreted as literally as if it had been made to a 
+    brother prince. It merely bound her--so she contended--not to make peace 
+    without safeguarding their interests; that is to say, what she considered to 
+    be their true interests. Conduct based on such a theory would not be 
+    tolerated now, and was not tamely acquiesced in by the Dutch then. But to 
+    speak of it as base and treacherous is an abuse of terms. </p>
+    <p align="left">It would be impossible to follow in detail the peace 
+    negotiations which went on between Elizabeth and Parma up to the very 
+    sailing of the Armada (1586-8). The terms on which the Queen was prepared to 
+    make peace never varied substantially from first to last. We know very well 
+    what they were. She claimed for the Protestants of the Netherlands (who were 
+    a minority, perhaps, even in the rebel provinces) precisely the same degree 
+    of toleration which she allowed to her own Catholics. They were not to be 
+    questioned about their religion; but there was to be no public worship or 
+    proselytising. The old constitution, as before Alva, was to be restored, 
+    which would have involved the departure of the foreign troops. These terms 
+    would not have satisfied the States, and if Philip could have been induced 
+    to grant them, the States and Elizabeth must have parted company. But, as he 
+    would make no concessions, the Anglo-Dutch alliance could, and did, 
+    continue. The cautionary towns she was determined never to give up to any 
+    one unless (first) she was repaid her expenses for which they had been 
+    mortgaged, and (secondly) the struggle in the Netherlands was brought to an 
+    end on terms which she approved. There was, therefore, never any danger of 
+    their being surrendered to Philip, and they did, in fact, remain in 
+    Elizabeth's hands till her death. </p>
+    <p align="left">Elizabeth has been severely censured for selecting Leicester 
+    to command the English army in the Netherlands. It is certain that he was 
+    marked out by public opinion as the fittest person. The Queen's choice was 
+    heartily approved by all her ministers, especially by Walsingham, who kept 
+    up the most confidential relations with Leicester, and backed him 
+    throughout. Custom prescribed that an English army should be commanded, not 
+    by a professional soldier, but by a great nobleman. Among the nobility there 
+    were a few who had done a little soldiering in a rough way in Scotland or 
+    Ireland, but no one who could be called a professional general. The 
+    momentous step which Elizabeth was taking would have lost half its 
+    significance in the eyes of Europe if any less conspicuous person than 
+    Leicester had been appointed. Moreover, it was essential that the nobleman 
+    selected should be able and willing to spend largely out of his own 
+    resources. By traditional usage, derived from feudal times, peers who were 
+    employed on temporary services not only received no salary, but were 
+    expected to defray their own expenses, and defray them handsomely. Never did 
+    an English nobleman show more public spirit in this respect than Leicester. 
+    He raised every penny he could by mortgaging his estates. He not only paid 
+    his own personal expenses, but advanced large sums for military purposes, 
+    which his mistress never thought of repaying him. If he effected little as a 
+    general, it was because he was not provided with the means. Serious mistakes 
+    he certainly made, but they were not of a military kind. </p>
+    <p align="left">Leicester was now fifty-four, bald, white-bearded, and 
+    red-faced, but still imposing in figure, carriage, and dress. To Elizabeth 
+    he was dear as the friend of her youth, one who, she was persuaded, had 
+    loved her for herself when they were both thirty years younger, and was 
+    still her most devoted and trustworthy servant. Burghley she liked and 
+    trusted, and all the more since he had become a more docile instrument of 
+    her policy. Walsingham, a keener intellect and more independent character, 
+    she could not but value, though impatient under his penetrating suspicion 
+    and almost constant disapproval. Leicester was the intimate friend, the 
+    frequent companion of her leisure hours. None of her younger favourites had 
+    supplanted him in her regard. By long intimacy he knew the <i>molles aditus 
+    et tempora</i> when things might be said without offence which were not 
+    acceptable at the council-board. The other ministers were glad to use him 
+    for this purpose. There can be no question that his appointment to the 
+    command in the Netherlands was meant as the most decisive indication that 
+    could be given of Elizabeth's determination to face open war with Philip 
+    rather than allow him to establish absolute government in that country. </p>
+    <p align="left">Since the deaths of Alençon and William of Orange, the 
+    United Provinces had been without a ruler. The government had been 
+    provisionally carried on by the &quot;States,&quot; or deputies from each province. 
+    Leicester had come with no other title than that of LieutenantGeneral of the 
+    Queen's troops. But what the States wanted was not so much a military leader 
+    as a sovereign ruler. They therefore urged Leicester to accept the powers 
+    and title of Governor-General, the office which had been held by the 
+    representatives of Philip. From this it would follow, both logically and 
+    practically, that Elizabeth herself stood in the place of Philip--in other 
+    words, that she was committed to the sovereignty which she had so 
+    peremptorily refused. </p>
+    <p align="left">The offer was accepted by Leicester almost immediately after 
+    his arrival (14/24 January 1586). There can be little doubt that it was a 
+    preconcerted plan between the States and Elizabeth's ministers, who had all 
+    along supported the Dutch proposals. Leicester, we know, had contemplated it 
+    before leaving England. Davison, who was in Holland, hurried it on, and 
+    undertook to carry the news to Elizabeth. Burghley and Walsingham maintained 
+    that the step had been absolutely necessary, and implored her not to undo 
+    it. Elizabeth herself had suspected that something of the sort would be 
+    attempted, and had strictly enjoined Leicester at his departure to accept no 
+    such title. It was not that she wished his powers--that is to say, her own 
+    powers--to be circumscribed. On the contrary, she desired that they should 
+    in practice be as large and absolute as possible. What she objected to was 
+    the title, with all the consequences it involved. And what enraged her most 
+    of all was the attempt of her servants to push the thing through behind her 
+    back, on the calculation that she would be obliged to accept the 
+    accomplished fact. Her wrath vented itself on all concerned, on her 
+    ministers, on the States, and on Leicester. To the latter she addressed a 
+    characteristic letter:-- </p>
+    <blockquote>
+      <p align="left">To my Lord of Leicester from the Queen by Sir Thomas 
+      Heneage. </p>
+      <p align="left">&quot;How contemptuously we conceive ourself to have been used 
+      by you, you shall by this bearer understand, whom we have expressly sent 
+      unto you to charge you withal. We could never have imagined, had we not 
+      seen it fall out in experience, that a man raised up by ourself and 
+      extraordinarily favoured by us above any other subject of this land, would 
+      have in so contemptible [contemptuous] a sort, broken our commandment, in 
+      a cause that so greatly toucheth us in honour; whereof although you have 
+      showed yourself to make but little account, in most undutiful a sort, you 
+      may not therefore think that we have so little care of the reparation 
+      thereof as we mind to pass so great a wrong in silence unredressed. And 
+      therefore our express pleasure and command is that, all delays and excuses 
+      laid apart, you do presently, on the duty of your allegiance, obey and 
+      fulfil whatsoever the bearer hereof shall direct you to do in our name. 
+      Whereof fail not, as you will answer the contrary at your uttermost 
+      peril.&quot; </p>
+    </blockquote>
+    <p align="left">Nor were these cutting reproaches reserved for his private 
+    perusal. She severely rebuked the States for encouraging &quot;a creature of her 
+    own&quot; to disobey her injunctions, and, as a reparation from them and from 
+    him, she required that he should make a public resignation of the government 
+    in the place where he had accepted it. </p>
+    <p align="left">It is not to be wondered at that Elizabeth should think the 
+    vindication of her outraged authority to be the most pressing requirement of 
+    the moment. But the result was unfortunate for the object of the expedition. 
+    The States had conferred &quot;absolute&quot; authority upon Leicester, and would have 
+    thought it a cheap price to pay if, by their adroit manuvre, they had 
+    succeeded in forcing the Queen's hand. But they did not care to intrust 
+    absolute powers to a mere general of an English contingent. After long 
+    discussion, Elizabeth was at length persuaded that the least of evils was to 
+    allow him to retain the title which the States had conferred on him ( June 
+    1586). But in the meantime they had repented of their haste in letting power 
+    go out of their own hands. Their efforts were thenceforth directed to 
+    explain away the term &quot;absolute.&quot; The long displeasure of the Queen had 
+    destroyed the principal value of Leicester in their eye. He himself had soon 
+    incurred their dislike. Impetuous and domineering, he could not endure 
+    opposition. Every man who did not fall in with his plans was a malicious 
+    enemy, a traitor, a tool of Parma, who ought to be hanged. He still enjoyed 
+    the favour of the democratic and bigoted Calvinist party, especially in 
+    Utrecht, and he tried to play them off against the States, thereby promoting 
+    the rise of the factions which long afterwards distracted the United 
+    Provinces. The displeasures of the Queen had taken the shape of not sending 
+    him money, and his troops were in great distress and unable to move. 
+    Moreover, rumours of the secret peace negotiations were craftily spread by 
+    Parma, who, knowing well that they would come to nothing, turned them to the 
+    best account by leading the States to suspect that they were being betrayed 
+    to Spain. </p>
+    <p align="left">Elizabeth had sent her army abroad more as a warning to 
+    Philip than with a view to active operations. It was no part of her plan to 
+    recover any of the territory already conquered by Parma, even if it had lain 
+    in her power. She knew that the majority of its inhabitants were Catholics 
+    and royalists. She knew also that Parma's attenuated army was considerably 
+    outnumbered by the Anglo-Dutch forces, and that he was in dire distress for 
+    food and money. The recovered provinces were completely ruined by the war. 
+    Their commerce was swept from the sea. The mouths of their great rivers were 
+    blockaded. The Protestants of Flanders and Brabant had largely migrated to 
+    the unsubdued provinces, whose prosperity, notwithstanding the burdens of 
+    war, was advancing by leaps and bounds. Their population was about two 
+    millions. That of England itself was little more than four. Religion was no 
+    longer the only or the chief motive of their resistance. For even the 
+    Catholics among them, who were still very numerous--some said a majority 
+    --keenly relished the material prosperity which had grown with independence. 
+    Encouraged by English protection, the States were in no humour to listen to 
+    compromise. But a compromise was what Elizabeth desired. She was therefore 
+    not unwilling that her forces should be confined to an attitude of 
+    observation, till it should appear whether her open intervention would 
+    extract from Philip such concessions as she deemed reasonable. </p>
+    <p align="left">Leicester was eager to get to work, and he was warmly 
+    supported by Walsingham. Burghley's conduct was less straightforward. He had 
+    long found it advisable to cultivate amicable relations with the favourite. 
+    He had probably concurred in the plan for making him Governor-General. Even 
+    now he was professing to take his part. In reality he was not sorry to see 
+    him under a cloud; and though he sympathised as much as ever with the Dutch, 
+    he cared more for crippling his rival. Hence his activity in those obscure 
+    peace negotiations which he so carefully concealed from Leicester and 
+    Walsingham. To keep Walsingham long in the dark, on that or any other 
+    subject, was indeed impossible. It was found necessary at last to let him be 
+    present at an interview with the agents employed by Burghley and Parma, 
+    which brought their backstairs diplomacy to an abrupt conclusion. &quot;They that 
+    have been the employers of them,&quot; he wrote to Leicester, &quot;are ashamed of the 
+    matter.&quot; The negotiations went on through other channels, but never made any 
+    serious progress. </p>
+    <p align="left">To compel Philip to listen to a compromise, without at the 
+    same time emboldening the Dutch to turn a deaf ear to it--such was the 
+    problem which Elizabeth had set herself. She therefore preferred to apply 
+    pressure in other quarters. Towards the end of 1585, Drake appeared on the 
+    coast of Spain itself, and plundered Vigo. Then crossing the Atlantic, he 
+    sacked and burned St. Domingo and Carthagena. Again in 1587, he forced his 
+    way into Cadiz harbour, burnt all the shipping and the stores collected for 
+    the Armada, and for two months plundered and destroyed every vessel he met 
+    off the coast of Portugal. </p>
+    <p align="left">Philip had so long and so tamely submitted to the many 
+    injuries and indignities which Elizabeth heaped upon him, that it is not 
+    wonderful if she had come to think that he would never pluck up courage to 
+    retaliate. This time she was wrong. The conquest of England had always had 
+    its place in his overloaded programme. But it was to be in that hazy 
+    ever-receding future, when he should have put down the Dutch rebellion and 
+    neutralised France. Elizabeth's open intervention in the Netherlands at 
+    length induced him to change his plan. England, he now decided, must be 
+    first dealt with. </p>
+    <p align="left">In the meantime, Parma's operations in the Netherlands were 
+    starved quite as much as Leicester's. Plundering excursions, two or three 
+    petty combats not deserving the name of battles, half-a-dozen small towns 
+    captured on one side or the other--such is the military record from the date 
+    of Elizabeth's intervention to the arrival of the Armada. Parma had somewhat 
+    the best of this work, such as it was. But the war in the Netherlands was 
+    practically stagnant. </p>
+    <p align="left">At the end of the first year of Leicester's government, 
+    events of the highest importance obliged him to pay a visit to England ( 
+    Nov. 1586). The Queen of Scots had been found guilty of conspiring to 
+    assassinate Elizabeth, and Parliament had been summoned to decide upon her 
+    fate. </p>
+    </font>
+    <hr>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychapternine.html">to Chapter 
+    IX: The Execution of the Queen of Scots: 1584-1587</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter XI</title>
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+    <td valign="top" width="50%" height="29">&nbsp;</td>
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+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
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+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Times New Roman"></font>
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+    <div align="left">
+      <b>CHAPTER XI</b><br>
+      <b>DOMESTIC AFFAIRS: 1588-1601</b></div>
+    <p align="left"><font size="3">IT was a boast of Elizabeth that when once 
+    her servants were chosen she did not lightly displace them. Difference of 
+    opinion from their mistress, or from one another, did not involve 
+    resignation or dismissal, because, though they were free to speak their 
+    minds, all had to carry out with fidelity and even zeal, whatever policy the 
+    Queen prescribed. This condition they accepted; not only the astute and 
+    compliant Burghley, but the more eager and opinionated Walsingham; and 
+    therefore they had practically a life-tenure of office. Soon after the 
+    Armada the first generation of them began to disappear. Bacon, Sussex, and 
+    Bedford were already gone. Leicester died in 1588; his brother Warwick, and 
+    Mildmay in 1589; Walsingham and Randolph in 1591; Hatton in 1592; Grey de 
+    Wilton in 1593; Knollys and Hunsdon in 1596. Of the trusty servants with 
+    whom she began her reign, Burghley alone remained. The leading men of the 
+    new generation were Robert Cecil, the Treasurer's second son, trained to 
+    business under his father's eye, and of qualities similar, though inferior; 
+    Nottingham (formerly Howard of Effingham), a straightforward man of no great 
+    ability, but acceptable to the Queen for his father's services and his own 
+    (and not the less so for his fine presence); the accomplished Buckhurst; the 
+    brilliant Raleigh; and, younger than the rest, Essex. The last was the son 
+    of a man much favoured by Elizabeth. Leicester was his step-father, Knollys 
+    his grandfather, Hunsdon his great-uncle, Walsingham his father-in-law, 
+    Burghley his guardian. Ardent, impulsive, presumptuous, a warm friend, a 
+    rancorous enemy, profuse in expense, lawless in his amours, jealous of his 
+    equals, brooking no superior, impatient of all rule or order that delayed 
+    him from leaping at once to the highest place,--he was possessed with a most 
+    exaggerated notion of his own capacity, which appears to have been only 
+    moderate. As the ward of Burghley he had been much in the company of his 
+    future enemy, Robert Cecil, whose sly prim ways were most unlike his own. 
+    The contrast did him no harm with the public, to whom the younger man was a 
+    Tom Jones and the elder a Blifil. Two vastly abler men, Francis Bacon and 
+    Raleigh, less advantageously placed, but unhampered with any scruples, were 
+    busily trying to profit by the all-pervading animosity of Cecil and Essex.
+    </font></p>
+    <p align="left"><font size="3">Belonging, as Essex did by his connections, 
+    to the inner circle who stood closest to Elizabeth, it was natural that she 
+    should take an interest in him, and give him opportunities for turning his 
+    showy qualities to account. In 1586 he was sent to the Low Countries as 
+    general of cavalry under his step-father, Leicester. He distinguished 
+    himself by his fiery valour in the expeditions to Spain, and as commander of 
+    the English army in France, though he does not seem to have had any real 
+    military talent. But Elizabeth's regard for him was soon shaken by his 
+    presumptuous and unruly behaviour. When he fought a duel with Sir Charles 
+    Blount because she had conferred some favour on the latter, she swore &quot;by 
+    God's death it were fitting some one should take him down and teach him 
+    better manners, or there were no rule with him.&quot; He displeased her by his 
+    quarrels with Cecil and Effingham, and his discontented grumbling. She was 
+    highly dissatisfied with his management of the Azores expedition in 1597. In 
+    July 1598, at a meeting of the Council, she was provoked by his insolence to 
+    strike him; and though after three months he obtained his pardon, he never 
+    regained her favour. </font></p>
+    <p align="left"><font size="3">It was at this time that Burghley died (4 
+    August), in his seventy-eighth year. Elizabeth, though she could call him &quot;a 
+    froward old fool&quot; about a trifling matter ( March 1596), could not but feel 
+    that much was changed when she lost the able and faithful servant who had 
+    worked with her for forty years. &quot;She seemeth to take it very grievously, 
+    shedding of tears and separating herself from all company.&quot; Buckhurst was 
+    the new Treasurer. </font></p>
+    <p align="left"><font size="3">Essex had for some time cast his eyes on 
+    Ireland as a field where glory and power might be won. There can be little 
+    doubt that he was already speculating on the advantage that the possession 
+    of an army might give him in any difficulty with his rivals or with the 
+    Queen herself. Cecil perfidiously advocated his appointment to a post which 
+    had been the grave of so many reputations. The Queen at length consented, 
+    though reluctantly. Essex was a popular favourite. He had managed--it is not 
+    very clear how--to win the confidence of both Puritans and Papists. The 
+    general belief was that, for the first time since she had mounted the 
+    throne, Elizabeth was afraid of one of her subjects. </font></p>
+    <p align="left"><font size="3">During the whole of the reign Ireland had 
+    been a cause of trouble and anxiety. Elizabeth's treatment of that unhappy 
+    country was not more creditable or successful than that of other English 
+    statesmen before and after her. There was the same absence of any systematic 
+    policy steadily carried out, the same wearisome and disreputable alternation 
+    between bursts of savage repression and intervals of pusillanimity, 
+    concession, and neglect. In the competition of the various departments of 
+    the public service for attention and expenditure, Ireland generally came 
+    last. All other needs had to be served first whether at home or abroad.
+    </font></p>
+    <p align="left"><font size="3">In the early years of the reign the chief 
+    trouble lay in Ulster, then the most purely Celtic part of Ireland, and 
+    practically retouched by English conquest. Twice, in her weariness of the 
+    struggle with Shan O'Neill, Elizabeth conceded to him something like a 
+    subkingship of Ulster in return for his nominal submission. In the end he 
+    was beaten, and his head was fixed on the walls of Dublin Castle (1566). But 
+    nothing further was done to anglicise Ulster. During the attempt of the 
+    Devonshire adventurers to colonise South Munster (1569-71), and the 
+    consequent rebellion, the northern province remained an unconcerned 
+    spectator. Nor did it join in the great Desmond rising (1579-83), which, 
+    with the insurrection of the Catholic lords of the Pale and the landing of 
+    the Pope's Italians at Smerwick, was the Irish branch of the threefold 
+    attack on Elizabeth directed by Gregory XIII. The attempt of the elder Essex 
+    to colonise Antrim (1573-75) was a disastrous failure, and Ulster still 
+    remained practically independent of the Dublin Government. </font></p>
+    <p align="left"><font size="3">The most successful Deputy of the reign was 
+    Perrot (1584-87), a valiant soldier and strict ruler, who, after long 
+    experience in the Irish wars, had come to the conclusion that what Ireland 
+    most wanted was justice. The native chiefs, released from the constant dread 
+    of spoliation, and finding that English encroachment was repressed as 
+    inflexibly as Irish disorder, became quiet and friendly. But this system did 
+    not suit the dominant race. The Deputy was accused to the Queen of seeking 
+    to betray the country to the Irish and the Spaniard. Recalled, and put upon 
+    his trial for treason, he was found guilty on suborned evidence, and 
+    sentenced to death. It is usually said that his real offence was some 
+    disrespectful language about the Queen, which he confessed. But it seems 
+    that she forbore to take his life precisely because she would not have it 
+    thought that she was influenced by personal resentment. </font></p>
+    <p align="left"><font size="3">His successor, Fitzwilliam, was a Deputy of 
+    the old sort--greedy, violent, careless of consequences, and always acting 
+    on the principle that, as against an Englishman, a Celt had no rights. The 
+    execution of MacMahon in Monaghan, and the confiscation of his lands on a 
+    trivial pretext, alarmed the North. Ulster had not been bled white like the 
+    rest of Ireland. The O'Neills had a nephew of their old hero Shan for their 
+    chief, who had been brought up at the English Court and made Earl of Tyrone 
+    by Elizabeth. An educated and remarkably able man, he had none of his 
+    uncle's illusions. He clung to his ancestral rights and dignity, but he 
+    hoped to preserve them by zealously discharging his obligations as a vassal 
+    of the Queen. He served in the war against Desmond, and exerted himself to 
+    maintain order in Ulster. But he had no mind to sink into the position of a 
+    mere dignified land-owner like the English nobles; nor indeed, under such a 
+    Deputy as Fitzwilliam, was he likely to preserve even his lands if he lost 
+    his power. Rather than that, he determined to enter into what he knew was a 
+    most unequal struggle, on the off-chance of pulling through by help from 
+    Spain. It is clear that he was driven into rebellion against his 
+    inclination. But when he had once drawn the sword he maintained the struggle 
+    against one Deputy after another with wonderful tenacity and resource. For 
+    the first time in Irish history, the rebel forces were disciplined and armed 
+    like those of the crown, and stood up to them in equal numbers on equal 
+    terms. At length, in August 1598, Tyrone inflicted upon Sir Henry Bagnall 
+    near Armagh the severest defeat that the English had ever suffered in 
+    Ireland; slaying 1500 of his men, and capturing all his artillery and 
+    baggage. Insurrections at once broke out all over Ireland. </font></p>
+    <p align="left"><font size="3">This was the situation with which Essex 
+    undertook to deal. He had loudly blamed other Deputies for not vigorously 
+    attacking Tyrone in his own country. Vigour was the one military quality 
+    which he himself possessed. He went with the title of Lieutenant and 
+    Governor-General, and with extraordinary powers, at the head of 21,000 
+    men--such an army as had never been sent to Ireland (April 1599). The Queen, 
+    who trembled at the expense, and did not wish to see any of her nobles, 
+    least of all Essex, permanently established in a great military command, 
+    enjoined him to push at once into Ulster, as he had himself proposed, and 
+    finish the war. Instead of doing this, he went south into districts that had 
+    been depopulated and desolated by the savage warfare of the last thirty 
+    years. Even here he met with discreditable reverses. When he got back to 
+    Dublin (July) his army was reduced by disease and desertion to less than 
+    5000 men. Disregarding the Queen's express prohibition, he made his friend 
+    Southampton General of horse. When she censured his bad management, he 
+    replied with impertinent complaints about the favour she was showing to 
+    Cecil, Raleigh, and Cobham, and began to consult with his friends about 
+    carrying selected troops over to England to remove them. Rumours of his 
+    intention to return reached the Queen. &quot;We do charge you,&quot; she wrote, &quot;as 
+    you tender our pleasure, that you adventure not to come out of that 
+    kingdom.&quot; He declared that he could not invade Ulster without 
+    reinforcements. They were sent, and at length he marched into Louth 
+    (September). There he was met by Tyrone, who, in an interview, completely 
+    twisted him round his finger, and obtained a cessation of arms and the 
+    promise of concessions amounting to what would now be called Home Rule. A 
+    few days later, on receipt of an angry letter from the Queen forbidding him 
+    to grant any terms without her permission, he deserted his post and hurried 
+    to England. The first notice Elizabeth received of this astounding piece of 
+    insubordination was his still more astounding incursion into her bedroom, 
+    all muddy from his ride, before she was completely dressed (28 September 
+    1599). </font></p>
+    <p align="left"><font size="3">Elizabeth seems to have been so much taken 
+    aback by the Earl's unparalleled presumption, that she did not blaze out as 
+    might have been expected. She gave him audience an hour or two later, and 
+    heard what he had to say. Probably he adopted an injured tone as usual, and 
+    inveighed against &quot;that knave Raleigh&quot; and &quot;that sycophant Cobham.&quot; But his 
+    insubordination had been gross, and no talking could make it anything else. 
+    It was more dangerous than Leicester's disobedience in 1586, because it came 
+    from a vastly more dangerous person. The same afternoon the Queen referred 
+    the matter to the Council. Essex was put under arrest, and never saw her 
+    again. The more she reflected, the more indignant and alarmed she became. 
+    &quot;By God's son,&quot; she said to Harington, &quot;I am no Queen; this man is above 
+    me.&quot; After a delay of nine months, occasioned by his illness, the fallen 
+    favourite was brought before a special Commission on the charge of contempt 
+    and disobedience, and sentenced to be suspended from his offices and 
+    confined to his house during the Queen's pleasure (June 1600). In a few 
+    weeks he was released from arrest, but he could not obtain permission to 
+    appear at court, though he implored it in most abject letters. </font></p>
+    <p align="left"><font size="3">There are persons who consider themselves to 
+    be intolerably wronged and persecuted if they cannot have precedence and 
+    power over their fellow-citizens. Essex was such a person. Instead of being 
+    thankful that he had escaped the punishment which under most sovereigns he 
+    would have suffered, he entered into criminal plots for coercing, if not 
+    overthrowing, the Queen. He urged the Scotch King to enforce the recognition 
+    of his title by arms. He tried to persuade Mountjoy, his successor in 
+    Ireland, to carry his army to Scotland to co-operate with James. These 
+    intrigues were not known to the Government. But it did not escape 
+    observation that he was collecting men of the sword in the neighbourhood of 
+    his house; that he was holding consultations with suspected nobles and 
+    gentlemen (some of whom were afterwards engaged in the Gunpowder Plot); that 
+    the Puritan clergy were preaching and praying for his cause; and that there 
+    was a certain ferment in the city. Essex was therefore summoned to attend 
+    before the Council. Instead of obeying, he flew to arms, with Lords 
+    Southampton, Rutland, Sandys, Cromwell, and Monteagle, and about 300 
+    gentlemen. But the citizens of London did not respond to his appeal, and the 
+    insurrection was easily suppressed, less than a dozen persons being slain on 
+    both sides (8 February 1601). A more senseless and profligate attempt to 
+    overthrow a good government it would be difficult to find in history. It was 
+    not dignified by any semblance of principle, and it would sufficiently stamp 
+    the character of its author, even if it stood alone as an evidence of his 
+    vanity, egotism, and want of common sense. </font></p>
+    <p align="left"><font size="3">The trial and execution of the principal 
+    malefactor followed as a matter of course and without delay (February 25). 
+    It would have been scandalous to spare him. Elizabeth had once been fond of 
+    him, and had no reason to be ashamed of it. To talk of her &quot;passion&quot; and her 
+    &quot;amorous inclination,&quot; as Hume and others have done, is revolting and 
+    malignant nonsense. It is creditable to old age when it can take pleasure in 
+    the unfolding of bright and promising youth. But royal favour was not good 
+    for such a man as Essex. It developed the worst features in his showy but 
+    faulty character. As he steadily deteriorated, her regard cooled; but so 
+    much of it remained that she tried to amend him by chastisement, &quot;ad 
+    correctionem,&quot; as she said, &quot;non ad ruinam.&quot; She had long before warned him 
+    that, though she had put up with much disrespect to her person, he must not 
+    touch her sceptre, or he would be dealt with according to the law of 
+    England. She was as good as her word, and, though the memory of it was 
+    painful to her, there is not the smallest evidence that she ever repented of 
+    having allowed the law to take its course. Only three of the accomplices of 
+    Essex were punished capitally. The five peers, none of them powerful or 
+    formidable, experienced Elizabeth's accustomed clemency. </font></p>
+    <p align="left"><font size="3">It has been suggested by an admirer of Essex 
+    that he failed in Ireland because his &quot;sensitively attuned nature&quot; shrank 
+    from the systematic desolation and starvation afterwards employed by his 
+    successor. No evidence is offered for this suggestion. In a letter to the 
+    Queen (25 June 1599) he advocates &quot;burning and spoiling the country <i>in 
+    all places</i>,&quot; which method &quot;shall starve the rebels in one year.&quot; This 
+    course Mountjoy carried out. With means far inferior to those of Essex, and 
+    notwithstanding the landing of 3000 Spaniards at Kinsale (September 1601), 
+    he was the first Englishman who completely subdued Ireland. Tyrone 
+    surrendered a few days before the Queen's death. </font></p>
+    <p align="left"><font size="3">Little has been said in these pages about 
+    parliamentary proceedings. The real history of the reign does not lie there. 
+    The country was governed wholly by the Queen, with the advice of her 
+    Council, and not at all by Parliament. In the forty-five years of her reign 
+    there were only thirteen sessions of Parliament. The functions of Parliament 
+    were to vote grants of money when the ordinary revenues of the crown were 
+    insufficient, and to make laws. Its right in these matters was unquestioned. 
+    If the Queen had never wanted subsidies or penal laws against her political 
+    and religious opponents (of other laws she often said there were more than 
+    enough already), it would never have been summoned at all; nor is there any 
+    reason to suppose that the country would have complained as long as it was 
+    governed with prudence and success. In fact, to do without Parliaments was 
+    distinctly popular, because it meant doing without subsidies. </font></p>
+    <p align="left"><font size="3">In the thirty years preceding the Armada--the 
+    sessions of Parliament being nine--Elizabeth applied for only eight 
+    subsidies, and of one of them a portion was remitted. By her economy she not 
+    only defrayed the expenses of government out of the ordinary revenue, which, 
+    at the end of the reign was about £300,000 a year, but paid off old debts. 
+    It was not till the twenty-fourth year of her reign that she discharged the 
+    last of her father's debts, up to which time she had been paying interest on 
+    it. Subsequently she even accumulated a small reserve, which, as she told 
+    Parliament, was a most necessary thing if she was not to be driven to borrow 
+    on sudden emergency. But this reserve vanished immediately she became 
+    involved in the great war with Spain; and during the last fifteen years of 
+    her life, although she received twelve subsidies, she was always in 
+    difficulty for money. She had to sell crown lands to the value of £372,000. 
+    Parliament, which had voted the usual single subsidies without complaint, 
+    grumbled and pretended poverty when she asked for three and even four. 
+    Bacon's famous outburst (1593) about gentlemen having to sell their plate 
+    and farmers their brass pots to pay the tax, was a piece of claptrap. The 
+    nation was, relatively to former times, rolling in wealth. But the old 
+    belief had still considerable strength--that government being the affair of 
+    the King, not of his subjects, he should provide for its expenses out of his 
+    hereditary income, just as they paid their private expenses out of their 
+    private incomes; that he had no more claim to dip into their pockets than 
+    they had to dip into his; and that a subsidy, as its name imports, was an 
+    occasional and extraordinary assistance furnished as a matter not of duty 
+    but of good-will. </font></p>
+    <p align="left"><font size="3">This might have been healthy doctrine when 
+    kings were campaigning on the Continent for personal or dynastic objects. It 
+    was out of place when a large expenditure was indispensable for the 
+    interests and safety of the country. The grumbling, therefore, about 
+    taxation towards the end of the reign was unreasonable and discreditable to 
+    the grumblers. The Queen met them with her usual good sense. She explained 
+    to them--though, as she correctly said, she was under no constitutional 
+    obligation to do so--how the money went, what she had spent on the Spanish 
+    war, on Ireland, and in loans to the Dutch and the French King. The plea was 
+    unanswerable. Her private expenditure was on a very modest scale. In 
+    particular she had never indulged in that besetting and costly sin of 
+    princes, palace-building; and this at a time when the noble mansions which 
+    still testify to the wealth of the England of that day were rising in every 
+    county. Her only extravagance was dress. Some have carped at her collection 
+    of jewelry. But jewels, like the silver balustrades of Frederick William I., 
+    were a mode of hoarding, and in her later years she reconverted jewels into 
+    money to meet the expenses of the State. Modern writers, who so airily blame 
+    her for not subsidising more liberally her Scotch, Dutch, and French allies, 
+    would find it difficult, if they condescended to particulars, to explain how 
+    she was able to give them as much money as she did. </font></p>
+    <p align="left"><font size="3">It is common to make much of the debate on 
+    monopolies in the last Parliament of Elizabeth (1601), as showing the rise 
+    of a spirit of resistance to the royal prerogative. I do not think that the 
+    report of that debate would convey such an impression to any one reading it 
+    without preconceived views. None of the speakers contested the prerogative. 
+    They only complained that it was being exercised in a way prejudicial to the 
+    public interest. If the monopolies had been unimportant, or if the patentees 
+    had used their privilege less greedily, there would evidently have been no 
+    complaint as to the principle involved. No course of action was decided on, 
+    because the Queen intervened by a message in which she stated that she had 
+    not been aware of the abuses prevailing, that she was as indignant at them 
+    as Parliament could be, and that she would put a stop, not to monopolies, 
+    but to such as were injurious. With this message the House of Commons was 
+    more than satisfied. As a matter of fact monopolies went on till dealt with 
+    by the declaratory statute in the twenty-first year of James I. </font></p>
+    <p align="left"><font size="3">If the last Tudor handed down the English 
+    Constitution to the first Stuart as she had received it from her 
+    predecessors, unchanged either in theory or practice, it was far otherwise 
+    with the English Church. There are two conflicting views as to the 
+    historical position of the Church in this country. According to one it was, 
+    all through the Middle Age, National as well as Catholic. The changes which 
+    took place at the Reformation made no difference in that respect, and 
+    involved no break in its continuity. It is not a Protestant Church. It is 
+    still National and still Catholic, resting on precisely the same 
+    foundations, and existing by the same title as it did in the days of Dunstan 
+    and Becket. According to the other view, the epithets National and Catholic 
+    are contradictory. A Church which undergoes radical changes of government, 
+    worship, and doctrine is no longer the same Church but a new one, and must 
+    be held to have been established by the authority which prescribed these 
+    changes, which, in this case, was the Queen and Parliament. The word 
+    &quot;Protestant&quot; was avoided in its formularies to make conformity easier for 
+    Catholics; but it is a Protestant Church all the same. Whichever of these 
+    views is nearer to the truth, it cannot be denied that, by the legislation 
+    of Elizabeth the English Church became--what it was not in the Middle Age--a 
+    spiritual organisation entirely dependent on the State. This it remains 
+    still; the supremacy having been virtually transferred from the crown to 
+    Parliament in the next century. I shall not venture to inquire how far this 
+    condition of dependence has affected its ability and inclination to perform 
+    the part of a true spiritual power. It is enough to say that no act of will 
+    on the part of any English statesman has had such important and lasting 
+    consequences, for good or for evil, as the decision of Elizabeth to make the 
+    Church of England what it is. </font></p>
+    <p align="left"><font size="3">We have seen that the government and worship 
+    of the Church were established by <i>Act of Parliament in 1559</i>, and its 
+    doctrines in 1571. But when once Elizabeth had placed her ecclesiastical 
+    powers beyond dispute, by obtaining statutory sanction for them, she allowed 
+    no further interference by Parliament. All its attempts, even at mere 
+    discussion of ecclesiastical matters, she peremptorily suppressed. She 
+    supplied any further legislation that was needed by virtue of her supremacy, 
+    and she exercised her ecclesiastical government by the Court of High 
+    Commission. The new Anglican model was acquiesced in by the majority of the 
+    nation. But it had, at first, no hearty support except from the Government. 
+    The earnest religionists were either Catholics or Puritans. The object of 
+    Elizabeth was to compel these two extreme parties to outward conformity of 
+    worship. What their real beliefs were she did not care. </font></p>
+    <p align="left"><font size="3">The large majority of the Catholics showed a 
+    loyal and patriotic spirit at the time of the Armada. But they were not 
+    treated with confidence by the Government. Great numbers of them were 
+    imprisoned or confined in the houses of Protestant gentlemen, by way of 
+    precaution, when the Armada was approaching. No Catholic, I believe, was 
+    intrusted with any command either by land or sea; and after the danger was 
+    over, the persecution, in all its forms, became sharper than ever. There was 
+    the less reason for this, inasmuch as it was no secret that the secular 
+    priests and the great majority of the English Catholics had become bitterly 
+    hostile to the small Jesuitical faction whose treasonable conspiracies had 
+    brought so much trouble on their loyal co-religionists. </font></p>
+    <p align="left"><font size="3">The term &quot;Puritan&quot; is used loosely, though 
+    conveniently, to designate several shades of belief, By far the larger 
+    number of those to whom it is applied were, and meant to remain, members of 
+    the Established Church. They objected to certain ceremonies and vestments. 
+    They hoped to procure the abolition of these, and, in the meantime, evaded 
+    them when they could. They were what would now be called the Evangelical or 
+    Low Church party. They held Calvin's distinctive doctrines on 
+    predestination, as indeed did most of the bishops; but though preferring his 
+    Presbyterian organisation, or something like it, they did not treat it as 
+    essential. They were broadly distinguished from the Brownists or 
+    Independents, then an insignificant minority, who held each congregation to 
+    be a church, and therefore protested against the establishment of any 
+    national church. </font></p>
+    <p align="left"><font size="3">Though Elizabeth persecuted the Catholics 
+    with a severity steadily increasing in proportion as they became less 
+    numerous and formidable, she remained to the last anxious to make conformity 
+    easy for them. This was her reason for so obstinately refusing the 
+    concessions in the matter of ritual and vestments-trifling as they appear to 
+    the modern mind--which would have satisfied almost the whole of the Puritan 
+    party. This policy (for policy it assuredly was rather than conviction), 
+    which drove the most earnest Protestants into an attitude of opposition 
+    destined in the next two reigns to have such serious consequences, has been 
+    severely censured. But there can be no question that it did answer the 
+    purpose she had in view, which for the moment was most important. It did 
+    induce great numbers of Catholics to conform. She avoided a civil war in her 
+    own time between Catholics and Anglicans at the price of a civil war later 
+    on between Anglicans and Puritans. Looking at the great drama as a whole, 
+    perhaps the Puritans of the Great Rebellion might congratulate themselves on 
+    the part that Elizabeth chose to play in its earlier acts. It cannot be 
+    doubted that a civil war in the sixteenth century between Catholics and 
+    Protestants would have been waged with far more ferocity than was displayed 
+    by either Cavaliers or Roundheads, and would have been attended with the 
+    horrors of foreign invasion. To conciliate the earnest religionists on both 
+    sides was impossible. Elizabeth chose the <i>via media</i>, and the 
+    successful equilibrium which she maintained during nearly half a century 
+    proves that she hit upon what in her own day was the true centre of gravity.
+    </font></p>
+    <p align="left"><font size="3">But while doing justice to Elizabeth's 
+    insight and prudence, we may not excuse her extreme severity to the 
+    nonconformists of either party. It was not necessary. It seems to have been 
+    even impolitic. It arose from her arbitrary temper--from a quality, that is 
+    to say, valuable in a ruler, but apt, in great rulers, to be somewhat in 
+    excess. I have condemned her persecution of the Catholics. Her persecution 
+    of the Protestant nonconformists was marked by even greater injustice. 
+    Against the Catholics it might at least be urged that their opinions 
+    logically led to disloyalty. But the Independents, Barrow, Greenwood, and 
+    Penry, were indisputably loyal men. They were put to death nominally for 
+    spreading writings which, contrary to common sense, were held to be 
+    seditious, but really for their religious opinions, which, in the case of 
+    the first two, were extracted from them by the interrogatories of Archbishop 
+    Whitgift, an Inquisitor as strenuous and merciless as Torquemada. Some of 
+    the Council, especially Burghley and Knollys, were strongly opposed to 
+    Whitgift's proceedings. It must therefore be assumed that he had the Queen's 
+    personal approval. She had committed herself to a struggle with intrepid and 
+    obstinate men. The crowded gaols were a visible demonstration that she could 
+    not compel them to submit; and to hang them all was out of the question. An 
+    Act was therefore passed in 1593, by which those who would not promise to 
+    attend church were to be banished the country. Thus most of the Independents 
+    were at last got rid of. The non-separatist Puritans, who aimed at less 
+    radical changes, and hoped to effect them, if not under their present 
+    sovereign, yet under her successor, kept on the windy side of the law, 
+    attending church once a month, and not entering till the service was nearly 
+    over. Thus, at the end of her reign, Elizabeth perhaps flattered herself 
+    that she was within measurable distance of religious uniformity. </font></p>
+    </font>
+    <hr>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychaptertwelve.html">to Chapter 
+    XII: Last Years and Death: 1601-1603</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter V</title>
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+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER V</b><br>
+      <b>ARISTOCRATIC PLOTS: 1568-1572</b></div>
+    <p align="left"><font size="3">FROM the beginning of the reign Cecil had 
+    never ceased to impress upon his mistress that a French or Spanish invasion 
+    on behalf of the Pope might at any time be expected, and that she should 
+    hurry to meet it by forming a league with the foreign Protestants of both 
+    Confessions, and vigorously assisting them to carry on a war of religion on 
+    the Continent. He was assuredly too well informed to believe that France and 
+    Spain would cease to counteract each other's designs on England, or that 
+    Lutherans and Calvinists would heartily combine for mutual defence. The 
+    enemies he really feared were his Catholic countrymen, with whom he would 
+    have to fight for his head if Elizabeth should die. He therefore desired to 
+    force on the struggle in her lifetime, when they would be rebels, and he 
+    would wield the power of the Crown. </font></p>
+    <p align="left"><font size="3">Elizabeth, on the other hand, was against 
+    interference on the Continent, because it would be the surest way to bring 
+    upon England the calamity of invasion. She saw as plainly as Cecil did that 
+    it would compel her to throw herself into the arms of her own Protestants 
+    and to become, like her two predecessors, the mere chief of a party; whereas 
+    she meant to be the Queen of all Englishmen, and to tranquillise the natural 
+    fears of each party by letting it see that it would not be sacrificed to the 
+    violence of the other. Moreover the unbridled ascendancy of the Protestants 
+    would mean such alterations in the established worship as would have driven 
+    from the parish churches thousands of the most military class, peers, 
+    squires and their tenantry, who were enduring Anglicanism with its 
+    episcopate, its semi-Catholic prayer-book, and its claim to belong to the 
+    Universal Apostolic Church, because they could persuade themselves that its 
+    variations from the old religion were unimportant and temporary. And this 
+    again would increase the probability of foreign invasion. For, though to 
+    Philip all forms of heresy were equally damnable and equally marked out for 
+    extermination sooner or later, yet he was in much less hurry to begin with 
+    the politically harmless Lutherans or Anglicans than with the dangerous 
+    levellers who derived their inspiration from Geneva. Now for Elizabeth to 
+    gain time was everything. She had gained ten precious years already by her 
+    moderation. She was to gain twenty more before the slow-moving Spaniard 
+    decided to launch the great Armada. </font></p>
+    <p align="left"><font size="3">But though Elizabeth shunned war with Spain 
+    she nevertheless resognised that Philip was the enemy, and that all ways of 
+    damaging him short of war were for her advantage. English and Huguenot 
+    corsairs swarmed in the Channel. Spanish ships were seized. The crews were 
+    hanged or made to walk the plank; the prizes were carried into English 
+    ports, and there sold without disguise or rebuke. These outrages were 
+    represented as reprisals for cruelties inflicted on English sailors who 
+    occasionally fell into the hands of the Inquisition. Practically a ship with 
+    a valuable cargo was treated as fair game whatever its nationality. But 
+    while in the case of other countries it was only individual traders who 
+    suffered, to Spain it meant obstruction of her high road to her Belgic 
+    dominions, then simmering with disaffection. </font></p>
+    <p align="left"><font size="3">The English nobles of the old blood disliked 
+    these proceedings. Even Cecil did not conceal from himself that they 
+    fostered a spirit of lawlessness. What the corsairs were doing he would have 
+    preferred to see done by the royal navy. To that Elizabeth would not 
+    consent. The activity of the corsairs gave her all the advantage she could 
+    hope to have from war, without any of its disadvantages. Instead of laying 
+    out her treasure on a navy, she was deriving an income from the piratical 
+    ventures of Hawkins and Drake; while the ships and sailors of this volunteer 
+    navy would be available for the defence of the country whenever the need 
+    should arise. Whatever may be thought of the morality of her plan, there can 
+    be no question as to its efficiency and economy. </font></p>
+    <p align="left"><font size="3">Since even these outrages, exasperating as 
+    they were, had not goaded Philip to the point of declaring war, a still more 
+    daring provocation now followed. Some ships, conveying a large sum of money 
+    borrowed by Philip in Genoa for the payment of Alva's army, having put into 
+    English ports to avoid the corsairs, Elizabeth, with the hearty approval of 
+    Cecil, took possession of the money, and said she would herself borrow it 
+    from the Genoese (December 1568). The Minister hoped this would bring on a 
+    war. The Queen audaciously but more correctly anticipated that Philip's 
+    resentment would still stop short of that extremity. He remonstrated: he 
+    threatened: he seized all English ships and sailors in his ports. Elizabeth, 
+    undismayed, swept all the Spaniards and Flemings whom she could find in 
+    London into her prisons, and seized their goods, to a value far greater than 
+    that of the English property in Philip's grasp. </font></p>
+    <p align="left"><font size="3">In striking contrast with this unflinching 
+    attitude towards Spain was the behaviour of Elizabeth when threatened with 
+    war by France, unless she undertook to close her harbours to the Huguenots, 
+    and to forbid her own corsairs to prey on French commerce. The summons was 
+    promptly obeyed. Full satisfaction was made (April 1569). Yet France was at 
+    the moment a far less formidable antagonist than Spain. The French 
+    government did not possess the means of invading England. On this side of 
+    the Channel the old anti-French feeling was so persistent that all parties 
+    were ready and willing for the fray. The defeat of the Huguenots at Jarnac 
+    (April 1569) may have had something to do with Elizabeth's compliance. But 
+    what influenced her still more was her perception that war with France would 
+    compel her to place herself under the protection of Spain; whereas she 
+    desired to keep Spain at arm's-length, and to maintain a good understanding 
+    with France, as did Eliot, Pym, and Cromwell afterwards, regardless of the 
+    rooted prejudices of their countrymen. Elizabeth probably stood alone in her 
+    judgment on this occasion. </font></p>
+    <p align="left"><font size="3">The quarrel with Philip had more serious 
+    results at home than abroad. It was indirectly the cause of the only English 
+    rebellion that disturbed the long reign of Elizabeth. </font></p>
+    <p align="left"><font size="3">Most of the nobility and gentry, even when 
+    professedly Protestants, regretted the alienation of England from the 
+    Universal Church. If they had all pulled together they must have had their 
+    way, for they were the military and political class. But their discontent 
+    varied widely in its intensity. There were nobles like Sussex who were 
+    resolved to serve their Queen loyally and zealously, but who, all the same, 
+    wished her to cultivate a good understanding with Philip, to marry the 
+    Archduke, to abstain from assisting the Huguenots, to give no countenance to 
+    the rovers, to recognise Mary as her heir-presumptive and marry her to 
+    Norfolk. There were others like Norfolk, Montagu, Arundel, and Southampton, 
+    who had treasonable relations with the Spanish ambassador, and aimed at 
+    overthrowing Cecil, marrying Mary to Norfolk, and compelling the Queen to 
+    restore the Catholic worship, or at least to make such changes in the 
+    Anglican model as would facilitate a reunion with Rome when Mary should 
+    succeed. A third party, headed by the Catholic lords of the north, was 
+    plotting to depose Elizabeth in favour of Mary, and to marry the latter to 
+    Don John of Austria. </font></p>
+    <p align="left"><font size="3">With these powerful nobles in opposition, 
+    who, before the Reformation, could have hurled any sovereign from his 
+    throne, where was Elizabeth to look for support? The town populations were 
+    Protestant --too Protestant indeed for her taste. But the town populations 
+    were a minority, and less military than the landowners and their tenants. 
+    She had her Cecils, Bacons, Walsinghams, Hunsdons, Knollyses, Sadlers, 
+    Killegrews, Drurys, capable and devoted servants, but new men without 
+    territorial wealth or influence, and with no force except what they 
+    possessed as wielding the power of the Crown. It would be difficult to name 
+    more than half-a-dozen peers who zealously promoted her policy. Most of them 
+    looked on it coldly, and would support her only as long as she seemed to be 
+    strongest. </font></p>
+    <p align="left"><font size="3">Mary's rejection of Elizabeth's terms 
+    coincided with the quarrel with Philip (December 1568). The disaffected 
+    nobles thought that the time was now come for striking a blow. Conscious 
+    that the feudal devotion of the gentry and yeomanry to their local chiefs 
+    had in Tudor times been largely superseded by awe of the central government, 
+    they were importuning Philip to give them the signal for rebellion by 
+    sending a division of Alva's army from the Netherlands. Philip, cautious as 
+    usual, and afraid of driving England into alliance with France, declined to 
+    send a soldier until either the Norfolk party had overthrown Cecil, or the 
+    northern lords had carried off Mary. Between these two sets of conspirators 
+    there was much jealousy and distrust. The Spanish ambassador thought the 
+    southern scheme the most feasible. Not without difficulty he persuaded the 
+    northern lords to wait till it should be seen whether the Queen could be 
+    induced or compelled to sanction the marriage of Mary with Norfolk. If she 
+    refused, they were to make a dash on Wingfield, a seat of Lord Shrewsbury's 
+    in Derbyshire where Mary was staying, while Norfolk was to raise the eastern 
+    counties. </font></p>
+    <p align="left"><font size="3">All through the summer of 1569 these plots 
+    were brewing. Three times Norfolk and his father-in-law Arundel went to the 
+    Council with the intention of arresting Cecil. Three times their hearts 
+    failed them. The northern lords, who were not members of the Council, came 
+    up to London to see Norfolk bell the cat, but went back, more suspicious 
+    than ever, to make their own preparations. Cecil himself seems to have been 
+    hedging. In his private advice to the Queen he was opposing the Norfolk 
+    marriage, pointing out that free or in prison, married or single, in England 
+    or in Scotland, Mary must always be dangerous, and breathing for the first 
+    time the suggestion that she might lawfully be put to death in England for 
+    complicity in English plots. In the Council he concurred in a vote that she 
+    should be married to an Englishman --in other words, to Norfolk. </font></p>
+    <p align="left"><font size="3">If Elizabeth could have felt any confidence 
+    in Norfolk's loyalty, it seems probable that much as she disliked the 
+    marriage she would have yielded to the almost unanimous pronouncement of the 
+    nobility in its favour. But a sure instinct warned her of her danger. &quot;If 
+    she consented she would be in the Tower before four months were over.&quot; After 
+    much deliberation she commanded the Duke on his allegiance to renounce his 
+    project. He gave his promise, but soon retired to his own county, and sent 
+    word to the northern earls that &quot;he would stand and abide the venture.&quot; But 
+    while he was shivering and hesitating, Elizabeth, for once, was all 
+    promptitude and decision. </font></p>
+    <p align="left"><font size="3">Mary was hurried to Tutbury Castle. Arundel 
+    and Pembroke were summoned to Windsor, and kept under surveillance. Norfolk 
+    himself came in quietly, and was lodged in the Tower. Thus the southern 
+    conspiracy collapsed (September-October 1569). </font></p>
+    <p align="left"><font size="3">The Catholic lords and gentlemen of the north 
+    who had been awaiting Norfolk's signal, were staggered by his tame 
+    surrender. Sussex, who was in command at York, and who, being of the old 
+    blood himself, did not care to see old houses crushed, advised Elizabeth to 
+    wink at their half-begun treason, and be thankful it had not come to 
+    fighting. She winked at the attempted flight to Alva of Southampton and 
+    Montagu, and even affected to trust the latter with the command of the 
+    militia called out in Sussex. She could afford to ignore the disaffection of 
+    a southern noble. A Sussex squire or yeoman, even if he was not a 
+    Protestant, would think twice before he cast in his lot with rebellion. The 
+    northern counties were mainly Catholic. They were much behind the south in 
+    civilisation. The Tudor sovereigns were never seen there. Great families 
+    were still looked up to. Elizabeth knew that though rebellion might be 
+    adjourned, might possibly never come off, it was a constant menace, which 
+    crippled her policy. She determined therefore to have done with it, once for 
+    all, and summoned Northumberland and Westmoreland to London. </font></p>
+    <p align="left"><font size="3">Thus driven into a corner, the two earls 
+    burst into rebellion. They entered Durham in arms, overthrew the communion 
+    table in the cathedral, set up the old altar, and had mass said (14 November 
+    1569). Next day they marched south, with the object of rescuing Mary from 
+    Tutbury. But when they were within fifty miles of that place, Shrewsbury and 
+    Huntingdon, in obedience to hurried orders from London, conveyed her to 
+    Coventry. Having thus missed their spring, the rebel earls halted 
+    irresolutely for three days, and then turned back. Their followers dropped 
+    away from them. Clinton and Warwick were on their track, with the musters of 
+    the Midlands; and before the end of December they were fain to fly across 
+    the Border. Northumberland was arrested by Moray. Two years later he was 
+    given up to Elizabeth, and executed. Westmoreland, after being protected for 
+    a time by Ker of Ferniehirst, escaped to the Netherlands, where he died. 
+    England was not again disturbed by rebellion till the great civil war.
+    </font></p>
+    <p align="left"><font size="3">The failure of the northern earls to kindle a 
+    general rebellion was due to the cautious and temporising policy for which 
+    Elizabeth has been so severely blamed by heated partisans. The powerful 
+    party which preferred a Spanish alliance, disliked religious innovation, and 
+    looked forward to the succession of Mary, had not been driven to despair of 
+    accomplishing those ends in a lawful way. Their avowed policy had not been 
+    proscribed--had not even been repudiated. Some of their chief leaders were 
+    on the Council--as we should say, were members of the Government; others 
+    were employed and trusted and visited by the Queen. They objected to being 
+    hurried into civil war by the northern lords, who were not of the Council, 
+    who kept away from London, and were rebels by inheritance and tradition. 
+    They would have nothing to do with the ill-advised movement; and, as in 
+    those days neutrality in the presence of open insurrection was no more 
+    permissible to a nobleman than it would be now to an officer in the army, 
+    they had no choice but to range themselves on the side of the Government. If 
+    Elizabeth had openly branded the Queen of Scots as a murderess, if she had 
+    pointed to Huntingdon or the son of Catherine Grey as her successor, if she 
+    had put herself at the head of a Protestant league, she might possibly have 
+    come victorious out of a civil war. But a civil war it would have been, and 
+    of the worst kind: one party calling in the Spaniard, and the other, in all 
+    probability, driven to call in the Frenchman. </font></p>
+    <p align="left"><font size="3">The assassination of Moray a few weeks later 
+    (23 January 1570) was a severe blow to Elizabeth, and an irreparable 
+    disaster to his own country. An attempt has been made to create an 
+    impression that the English Queen was somehow responsible for his death, 
+    because she did not march an army into Scotland to support him. He no more 
+    wished to receive an English army into Scotland than Elizabeth wished to 
+    send one. Therein they were both of them wiser than the critics of their own 
+    day, or this. What he did ask for was money, and the recognition of James. 
+    The request for money Elizabeth was willing to consider, though, as a rule, 
+    she did not believe in paying for any work she could get done gratis. The 
+    recognition of James seems a very simple thing to the critics. But it was as 
+    difficult for Elizabeth as the recognition of the Prince of Bulgaria is now 
+    to Austria, and for similar reasons. She was under no obligation whatever to 
+    Moray. His own interest compelled him to play her game. But she well knew 
+    his value. On hearing of his death she shut herself up in her chamber, 
+    exclaiming, with tears, that she had lost the best friend she had in the 
+    world. </font></p>
+    <p align="left"><font size="3">As long as Moray lived, and was able to keep 
+    the Marian lords in some sort of check, Elizabeth judged, and rightly, that 
+    she had more to lose than to gain by any open interference in Scotland. It 
+    was no business of hers to put down anarchy there. Scotch anarchy did not 
+    imperil England. What would imperil England would be the appearance of 
+    French troops in Scotland; and she judged that nothing would be so likely to 
+    bring them there as any pretension to establish an English protectorate. Her 
+    Protestant councillors fretted at her <i>laisser faire</i> policy. But then 
+    they, for personal or at least for sectarian reasons, were eager for that 
+    general European conflagration which she, with superior discernment and 
+    larger patriotism, was trying to avert. </font></p>
+    <p align="left"><font size="3">The death of Moray so weakened the King's 
+    party that it became necessary to give them a little help. Elizabeth gave it 
+    in such a way as she thought would be least likely to excite the jealousy of 
+    France. She told the new Regent Lennox that, though she could not send an 
+    army to support him, she would send one to chastise the Hamiltons and the 
+    Borderers, who were harbouring her rebel the Earl of Westmoreland, and, 
+    along with him, making raids into England. This was done sharply and 
+    thoroughly. The robber holds on the Border, and Hamilton Castle itself, were 
+    one after another taken and blown up by the English Wardens of the Marches 
+    (April and May 1570). </font></p>
+    <p align="left"><font size="3">What Elizabeth desired more than anything 
+    else was to settle Scotch affairs, in conjunction with France, on the terms 
+    that neither power should interfere in Scotland. To Cecil this was 
+    unsatisfactory, because the restoration of Mary, on any terms whatever, 
+    would, if she survived Elizabeth, ensure her succession to the English 
+    throne, and the ruin of Cecil himself. He did not want to conciliate 
+    Catholics at home or abroad. He wanted to commit his mistress to an 
+    internecine war with them. In an angry dispute with Arundel at the Council 
+    board about this time, he blurted out his doctrine, that the Queen had no 
+    friends but the Protestants, and that if she restored Mary she would lose 
+    them all. No language could have been more displeasing to Elizabeth, 
+    especially in the presence of crypto-Catholic lords, and she snubbed him 
+    unmercifully. &quot;Mr Secretary, I mean to have done with this business; I shall 
+    listen to the proposals of the French King. I am not going to be tied any 
+    longer to you and your brethren in Christ.&quot; </font></p>
+    <p align="left"><font size="3">The peace of St. Germain between the French 
+    court and the Huguenots (August 8, 1570), and the disgrace of the Guises, 
+    were followed by negotiations for a tripartite treaty between England, 
+    France, and Scotland on the basis of the restoration of Mary. Elizabeth, of 
+    course, insisted on the guarantees she had often sketched out. She was 
+    willing--nay, anxious--to leave Scotland alone, if the French would do the 
+    same. The French, on the other hand, felt that the equality of such an 
+    arrangement was more seeming than real, because there were always English 
+    troops lying at Berwick, within sixty miles of Edinburgh. They haggled over 
+    the guarantees, and in the meantime, notwithstanding the real desire of 
+    Catherine and Charles IX. to conclude an alliance with Elizabeth against 
+    Philip, they continued to send money and encouragement to the Marian lords 
+    in Scotland. For if, for any reason, the English alliance should not come 
+    off, they meant to take up Mary's cause in earnest, and detach her from her 
+    Guise relations by marrying her to the Duke of Anjou, afterwards Henry III.
+    </font></p>
+    <p align="left"><font size="3">All this was known to Elizabeth, and in her 
+    extreme anxiety for the tripartite treaty, she thought the moment was come 
+    to dangle the bait which she always reserved for occasions of special 
+    importance. She informed the French ambassador that she was ready to marry 
+    Anjou herself. It is not to be supposed that she had the least intention of 
+    doing so. She had settled with herself from the first how she would get out 
+    of her proposal when it had served its turn. </font></p>
+    <p align="left"><font size="3">A minor motive for this move was the hope 
+    that it would reconcile her Protestant councillors to the restoration of 
+    Mary. She did not succeed with all of them. Some continued to mutter that 
+    Anjou was a Papist, that tripartite treaties were a delusion, and that the 
+    only safe course was to grasp the Scotch nettle and uphold James with the 
+    whole force of England. But upon Cecil the effect was almost comical. He 
+    jumped at the plan. Anything that was likely to make Elizabeth a mother 
+    would be salvation to him. Whether the Queen at the mature age of 
+    thirty-seven was likely to be happy with a husband of twenty was a question 
+    that did not give him a moment's concern. She was not too old to have two or 
+    three children, and, that result once achieved, Mary might go to Scotland or 
+    anywhere else for what he cared, and do her worst. The sanguine man already 
+    saw visions of a converted Valois heading an Anglo-French crusade against 
+    Philip, and establishing the reformed faith throughout Europe. Walsingham 
+    his right-hand man, then ambassador at Paris, was equally bitten. This was 
+    in the year before the massacre of St. Bartholomew. </font></p>
+    <p align="left"><font size="3">The overture of Elizabeth was very welcome to 
+    the French court. Negotiations for the match were soon opened, and continued 
+    during the first six months of 1571. At the same time, both the Scotch 
+    factions were summoned to accept the tripartite arrangement. Mary was at 
+    first eager for it, and instructed her agent, the Bishop of Ross, to swallow 
+    every condition that might be imposed. She looked on it as the only means of 
+    obtaining her release. But there is ample proof that she intended to throw 
+    its stipulations to the winds and fight for her own cause when once she 
+    should get back to Scotland. In playing this perfidious game, she had 
+    confidently counted on the help of France. The Regent's party, however, 
+    declined the treaty. They dreaded Mary's return, and they had no wish to 
+    shake hands with the Marian lords or admit them to a share in the 
+    Government. The tripartite scheme thus fell through. Mary herself ceased to 
+    care for it as soon as she heard of the projected match between Elizabeth 
+    and Anjou. She saw that if France was going to co-operate heartily with 
+    England, her sovereignty in Scotland would be merely nominal. She might 
+    almost as well remain with Lord Shrewsbury. </font></p>
+    <p align="left"><font size="3">To remain quietly in England and be content 
+    with her position as heir-presumptive to the English crown was indeed the 
+    best and safest course open to her. She had only to acquiesce in it and give 
+    up plotting, and she might have lived here in considerable magnificence, and 
+    with as much freedom as she could desire. If she wished for a husband, she 
+    might have married any Englishman of whose loyalty Elizabeth could feel 
+    assured. It was of the greatest importance to both countries that she should 
+    bear more children. For it must be remembered that if James had died in his 
+    childhood, his next heir was a Hamilton, who had no title to the English 
+    throne. </font></p>
+    <p align="left"><font size="3">If the proposed Anjou match had not produced 
+    the full results which Elizabeth hoped, it had at least defeated the plans 
+    and disorganised the party of her rival. It had served its turn; and all 
+    that now remained was to get out of it as decently as possible. The old 
+    pretext for breaking off the Austrian match was reproduced. Anjou could not 
+    be allowed to have a private mass; and when, in its eagerness, the French 
+    court seemed disposed to give way on this point, Elizabeth began to talk 
+    about a restitution of Calais. Ruefully did poor Cecil watch the vanishing 
+    of his dream. It was to no purpose that he tried to frighten Elizabeth by 
+    representing that a jilted prince would be converted into an angry enemy. 
+    She knew better. Anjou comprehended that she did not mean to have him, and, 
+    to avoid the indignity of a refusal, himself broke off negotiations. But, as 
+    Elizabeth had calculated, the new alliance did not suffer. The French King 
+    went out of his way to say that &quot;for her upright dealing he would honour the 
+    Queen of England during his life,&quot; and Catherine, most unsentimental of 
+    women, had another suitor to offer--her youngest son Alençon, then just 
+    turned seventeen! </font></p>
+    <p align="left"><font size="3">While the negotiations for the Anjou match 
+    were going on, what is known as the Ridolfi Plot was hatching against 
+    Elizabeth. Ridolfi, an Italian banker in London, and secretly an agent of 
+    the Pope, was in close relations with Norfolk and the other peers who for 
+    two years had been dabbling in treason. They were still pressing Philip to 
+    invade England; but he and Alva were less than ever disposed to undertake 
+    the venture since the pitiful collapse of the northern insurrection. In 
+    order to impress Philip with the importance of the conspiracy, Ridolfi went 
+    to Madrid, and showed Philip a letter purporting to be written by Norfolk, 
+    to which was attached a list of noblemen stated to be favourable to the 
+    cause. It contained the names of forty out of the sixty-seven peers then 
+    existing, while, of the rest, some were marked as neutral, and fifteen at 
+    most as true to Elizabeth. The classification was on the face of it absurdly 
+    untrustworthy. But correct or incorrect, it did not weigh with Philip. He 
+    wanted deeds, not lists of names, and Ridolfi was informed that, unless 
+    Elizabeth were first assassinated or imprisoned, not a Spanish soldier could 
+    be sent to England. </font></p>
+    <p align="left"><font size="3">Whatever secret disaffection might prevail 
+    among the peers, the temper displayed by the new House of Commons, elected 
+    in the spring of 1571, was not of a kind to encourage Elizabeth's enemies at 
+    home or abroad. So far as can be judged from its proceedings and debates, it 
+    was not only entirely Protestant, but largely Puritan.(1) A bill was passed 
+    by which any person refusing, on demand, to acknowledge Elizabeth's right to 
+    the crown was made incapable of succeeding her; a provision which, though it 
+    did not name Mary, could apply to no one else. It was made high treason to 
+    deny that the inheritance of the crown could be determined by the Queen and 
+    Parliament. To affirm in writing that any particular person was entitled to 
+    succeed the Queen, except the Queen's issue, or some one established by 
+    Parliament, was made punishable with imprisonment for life, and forfeiture 
+    of all property for the second offence. </font></p>
+    <p align="left"><font size="3">The plot which Ridolfi was so busily pushing 
+    in 1571 was, in fact, a continuation of the twin aristocratic conspiracies, 
+    one of which had exploded in the northern insurrection. By forcing that 
+    insurrection to break out before the southern conspirators had made up their 
+    minds what to do, the Government had effectually destroyed what chances of 
+    success the disaffected nobles had ever had. Alva was right in his judgment 
+    that, if the Percys, Nevilles, and Dacres could do so little, the Howard 
+    group, whose estates, vast as they were, lay, for the most part, in more 
+    orderly and civilised parts of the country, could do still less. There was, 
+    indeed, some talk among them of seizing the Queen at the opening of the 
+    Parliament of 1571, just as there had been a talk of arresting Cecil two 
+    years before. But the truth was that insurrection was a played-out game in 
+    England; and if Norfolk had been a ten-times abler and bolder man than he 
+    was, it would have made no difference. </font></p>
+    <p align="left"><font size="3">The true history of the time is not to be 
+    read in the croakings and wailings privately exchanged between Cecil, 
+    Walsingham, and the rest of the Protestant junto, angry and alarmed because 
+    Elizabeth would not let them play her cards for her. It is a strange 
+    perversity which persists in adopting their view that she was on the brink 
+    of ruin, when the patent fact is that Protestantism was making rapid 
+    strides, that the Queen's personal popularity was increasing every day, and 
+    that Spain, France, and Scotland, the only countries with which she was 
+    concerned, were all humble suitors for her alliance on almost any terms that 
+    it might please her to exact. The correspondence of Philip with Alva is 
+    there to prove, that while writhing under the repeated aggressions of 
+    England, he was obliged to put up with them because a war would imperil his 
+    hold on the Netherlands. To all the invitations of the Norfolks and 
+    Northumberlands, the able and well-informed Alva turned a deaf ear, because 
+    he believed Elizabeth too strong to be overthrown. A French alliance she 
+    could always have as long as the Guises were excluded from power. If they 
+    regained their influence the Huguenots would keep them fully occupied. 
+    Scotland, unless foreign troops made their appearance there, could be no 
+    source of danger to England. </font></p>
+    <p align="left"><font size="3">Elizabeth's policy was thus, in its broad 
+    lines, as simple as it was successful. At home it was her wisdom to wink as 
+    long as possible at the disaffection of the few, to win the affection of the 
+    many by economical government, to reserve the persecuting laws for special 
+    cases, while preventing any general and sweeping application of them, and, 
+    lastly, to drive no party to desperation by a too pronounced encouragement 
+    of its opponents. Spain, as being the centre of reaction and the hope of her 
+    disloyal nobles, she meant to harass and weaken as far as she could do so 
+    without bringing on an open war. With Charles IX. and his mother she desired 
+    a defensive alliance, and an understanding that neither country should send 
+    troops into Scotland or permit Spain to do so. In its general conception, I 
+    repeat, this policy was simple and coherent. How it succeeded we know. There 
+    was nothing sentimental about it, though, where individuals were concerned, 
+    Elizabeth's judgment was sometimes warped by sentiment. Upon the whole, she 
+    kept herself at the English point of view. Whereas Cecil was compelled by 
+    personal considerations to place himself too much at the point of view of 
+    his &quot;brethren in Christ,&quot; both at home and abroad. </font></p>
+    <p align="left"><font size="3">However, a plot there was, and it was 
+    necessary that it should be unravelled and punished. Almost from its 
+    inception, Cecil (created Lord Burghley February 1571), had been more or 
+    less on the scent of it. Hints had come from abroad: spies had been 
+    employed: suspected persons had been closely watched: inferior agents had 
+    been imprisoned, questioned, racked: and enough had been discovered to make 
+    it certain that Englishmen of the highest rank were plotting treason. Who 
+    they were might be suspected, but was not ascertained until a lucky arrest 
+    put the Minister in possession of evidence incriminating Norfolk, Arundel, 
+    Southampton, Lumley, Cobham, the Spanish ambassador, the Bishop of Ross, and 
+    Mary herself (September 1571). Norfolk was sent to the Tower, and the other 
+    peers placed under arrest. The ambassador was dismissed. The Bishop made 
+    ample confessions. Mary, who had hitherto lived as the guest of Lord 
+    Shrewsbury, enjoying field-sports, receiving her friends and corresponding 
+    with whom she would, was confined to a single room, and carefully cut off, 
+    for a time, from all communication with the outer world. Both in England and 
+    abroad it was universally expected that she would be brought to trial and 
+    executed. James was at length officially styled &quot;King&quot; and his mother &quot;late 
+    Queen.&quot; Her partisans in Edinburgh Castle were informed that she would never 
+    be restored, and that, if they did not surrender the Castle to the Regent 
+    Mar, an English force would be sent to take it. The casket letters had 
+    hitherto been withheld from publication under pressure from Elizabeth; they 
+    were now at last given to the world in the famous &quot;Detection&quot; of Buchanan.
+    </font></p>
+    <p align="left"><font size="3">Under any other Tudor, or under the Stuarts, 
+    all the peers arrested would undoubtedly have lost their heads. Norfolk 
+    alone was brought to trial (January 1572). There was much in the proceedings 
+    which, according to modern notions, was unfair to the accused. But the peers 
+    who tried him felt sure that he was guilty, and they were right. Subsequent 
+    investigations have established beyond a doubt that he had conspired to 
+    bring a foreign army into the country--the worst form that treason can take. 
+    He had done this with contemptible hypocrisy, for a purely selfish object, 
+    and after the most lenient and generous construction had been placed on his 
+    first steps in crime. And yet historians have been found to make light of 
+    the offence, and to pity the malefactor as the victim of a romantic 
+    attachment to a woman whom he had never seen, and whom he believed to be an 
+    adulteress and a murderess. </font></p>
+    <p align="left"><font size="3">During the spring of 1572 Elizabeth hesitated 
+    to let justice take its course. She had reigned fourteen years without 
+    taking the life of a single noble. The scaffold on Tower Hill from such long 
+    disuse was falling to pieces, and Norfolk's sentence had made it necessary 
+    to erect a new one. Elizabeth was loath to break the spell. </font></p>
+    <p align="left"><font size="3">Not knowing with any certainty how many of 
+    her nobles might have given more or less approval to the Ridolfi plot, but 
+    confident that she could cow them by letting the voice of the untitled 
+    aristocracy and middle class be heard, she called a new Parliament (May 
+    1572). The response went beyond her expectation. Of Mary's well-wishers, 
+    once so numerous, all except a few fanatics had now given her up. Two 
+    alternative courses of action with respect to her were submitted for 
+    consideration, with the intimation that the Queen would accept whichever of 
+    them Parliament should approve. The first was attainder. The second was that 
+    she should be disabled from succession to the crown; that if she attempted 
+    treason again she should &quot;suffer pains of death without further trouble of 
+    Parliament;&quot; and that it should be treason if she assented to any enterprise 
+    to deliver her out of prison. Both houses at once voted to proceed with the 
+    attainder. Elizabeth, we may be sure, was not sorry for this unmistakable 
+    exhibition of feeling. It would open the eyes of her enemies both at home 
+    and abroad. But she had no intention of proceeding to such extremities this 
+    time. Mary should have fair warning. Accordingly Parliament was desired to 
+    &quot;defer&quot; the bill of attainder, and to proceed with the second measure. But 
+    the Commons were in grim earnest. They immediately resolved that the second 
+    bill would be useless and even mischievous, as it would imply that at 
+    present Mary had a right of succession, whereas she was already disabled by 
+    law; and that they therefore preferred to proceed with the attainder. With 
+    this resolution the Lords concurred. </font></p>
+    <p align="left"><font size="3">Here they were on dangerous ground. To rake 
+    up the law empowering Henry VIII. to determine the succession was to disable 
+    all the Stuarts, James included, and so to throw away the opportunity of 
+    uniting the crowns. Elizabeth had always, for excellent reasons, refused to 
+    allow this question to be raised. Accordingly she again directed the House 
+    to defer the attainder; she would not have the Scottish Queen &quot;either 
+    enabled or disabled to or from any manner of title to the crown,&quot; nor &quot;any 
+    other <i>title</i> to the same whatsoever touched at all;&quot; to make sure of 
+    which she would have the second bill drawn by her own law officers. To the 
+    repeated demands of the Commons for the execution of Norfolk, she at length 
+    gave way, and a few days later he was beheaded (2 June 1572). The second 
+    bill, as drawn by the law officers, passed both Houses. Its exact terms are 
+    not known, for it never received the royal assent. </font></p>
+    <p align="left"><font size="3">Burghley who was of opinion (as some one 
+    afterwards said about Strafford) that &quot;stone dead hath no fellow,&quot; bemoaned 
+    himself privately to Walsingham on the disappointment of their hopes; and 
+    modern historians, with whom his authority is final, are loud in their 
+    condemnation of Elizabeth's vacillation and blindness. Vacillation there was 
+    really none. She had determined from the first not to allow Mary to be 
+    punished. She had gained all she wanted when the temper of Parliament had 
+    been ascertained and displayed to the world. There have always been plenty 
+    of people to accuse her of treachery and cruelty because she put Mary to 
+    death fifteen years later, for complicity in an assassination plot. How 
+    would her name have gone down to posterity if the Scottish Queen had been 
+    executed in 1572 merely for inviting a foreign army to rescue her from 
+    captivity? </font></p>
+    </font>
+    <hr>
+    </font>
+    <font face="Times New Roman">
+    <p align="left"><b>Notes:</b> 1. The oath of supremacy imposed on members of 
+    the House of Commons in 1562 practically excluded conscientious Catholics. </p>
+    </font>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychaptersix.html">to Chapter 
+    VI: Foreign Affairs: 1572-1583</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="page_topic" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter IV</title>
+<style>
+</style>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
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+
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+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font face="Times New Roman">
+    <div align="left">
+      <b>CHAPTER IV</b><br>
+      <b>ELIZABETH AND MARY STUART: 1559-1568</b></div>
+    <p align="left"><font size="3">WHEN Elizabeth mounted the throne, it was 
+    taken for granted that she was to marry, and marry with the least possible 
+    delay. This was expected of her, not merely because in the event of her 
+    dying without issue there would be a dispute whether the claim of Mary 
+    Stuart or that of Catherine Grey was to prevail, but for a more general 
+    reason. The rule of an unmarried woman, except provisionally during such 
+    short interval as might be necessary to provide her with a husband, was 
+    regarded as quite out of the question. It was the custom for the husbands of 
+    heiresses to step into the property of their wives and stand in the shoes, 
+    so to speak, of the last male proprietor, in order to perform those duties 
+    which could not be efficiently performed by a woman. Elizabeth's sister, 
+    while a subject, had no thought of marrying. But her accession was 
+    considered by herself and every one else to involve marriage. If the nobles 
+    of England could have foreseen that Elizabeth would elude this obligation, 
+    she would probably never have been allowed to mount the throne. Her marriage 
+    was thought to be as much a matter of course, and as necessary, as her 
+    coronation. </font></p>
+    <p align="left"><font size="3">Accordingly the House of Commons, which met a 
+    month after her accession, immediately requested her to select a husband 
+    without delay. Her declaration that she had no desire to change her state 
+    was supposed to indicate only the real or affected coyness to be expected 
+    from a young lady. There was no lack of suitors, foreign or English. The 
+    Archduke Charles, son of the Emperor and cousin of Philip, would have been 
+    welcomed by all Catholics and acquiesced in by political Protestants like 
+    Cecil. The ardent Protestants were eager for Arran, and Cecil, till he saw 
+    it was useless, worked his best for him, regardless of the personal 
+    sacrifice his mistress must make in wedding a man who was not always quite 
+    sane and eventually became a confirmed lunatic. </font></p>
+    <p align="left"><font size="3">Not many months of the new reign had passed 
+    before it began to be suspected that Elizabeth's partiality for Lord Robert 
+    Dudley had something to do with her evident distaste for all her suitors. To 
+    her Ministers and the public this partiality for a married man became a 
+    cause of great disquietude. They not unnaturally feared that with a young 
+    woman who had no relations to advise and keep watch over her, it might lead 
+    to some disastrous scandal incompatible with her continuance on the throne. 
+    Marriage with Dudley at this time was out of the question. But within four 
+    months of her accession, the Spanish ambassador mentions a report that 
+    Dudley's wife had a cancer, and that the Queen was only waiting for her 
+    death to marry him. </font></p>
+    <p align="left"><font size="3">About the humble extraction of Elizabeth's 
+    favourite much nonsense was talked in his lifetime by his ill-wishers, and 
+    has been duly repeated since. He was as well born as most of the peerage of 
+    that time; very few of whom could show nobility of any antiquity in the male 
+    line. The Duke of Norfolk being the only Duke at Elizabeth's accession, and 
+    in possession of an ancient title, was looked on as the head of his order. 
+    Yet it was only seventy-five years since a Howard had first reached the 
+    peerage in consequence of having had the good fortune to marry the heiress 
+    of the Mowbrays. Edmund Dudley, Minister of Henry VII. and father of 
+    Northumberland, was grandson of John, fourth Lord Dudley; and 
+    Northumberland, by his mother's side, was sole heir and representative of 
+    the ancient barony of De L'Isle, which title he bore before he received his 
+    earldom and dukedom. In point of wealth and influence, indeed, the favourite 
+    might be called an upstart. The younger son of an attainted father, he had 
+    not an acre of land or a farthing of money which he did not owe either to 
+    his wife or to the generosity of Elizabeth. This it was that moved the 
+    sneers and ill-will of a people with whom nobility has always been a 
+    composite idea implying, not only birth and title, but territorial wealth. 
+    Moreover his grandfather, though of good extraction, was a simple esquire, 
+    and had risen by helping Henry VII. to trample on the old nobility. After 
+    his fall his son had climbed to power under Henry VIII. and Edward VI. in 
+    the same way. Lord Robert Dudley, again, had to begin at the bottom of the 
+    ladder. </font></p>
+    <p align="left"><font size="3">No one will claim for Elizabeth's favourite 
+    that he was a man of distinguished ability or high character. He had a fine 
+    figure and a handsome face. He bore himself well in manly exercises. His 
+    manners were attractive when he wished to please. To these qualities he 
+    first owed his favour with Elizabeth, who was never at any pains to conceal 
+    her liking for good-looking men and her dislike of ugly ones. Finding 
+    himself in favour, and inheriting to the full the pushing audacity of his 
+    father and grandfather, he professed for the Queen a love which he certainly 
+    did not feel, in order to serve his soaring ambition. Elizabeth, it is my 
+    firm conviction, never loved Dudley or any other man, in any sense of the 
+    word, high or low. She had neither a tender heart nor a sensual temperament. 
+    But she had a more than feminine appetite for admiration; and the more she 
+    was, unhappily for herself, a stranger to the emotion of love, the more 
+    restlessly did she desire to be thought capable of inspiring it. She was 
+    therefore easily taken in by Dudley's professions, and, though she did not 
+    care for him enough to marry him, she liked to have him as well as several 
+    other handsome men, dangling about her, &quot;like her lap-dog,&quot; to use her own 
+    expression. Further she believed--and here came in the mischief --that his 
+    devotion to her person would make him a specially faithful servant. </font>
+    </p>
+    <p align="left"><font size="3">We know, though Elizabeth did not, that in 
+    1561, Dudley was promising the Spanish ambassador to be Philip's humble 
+    vassal, and to do his best for Catholicism, if Philip would promote his 
+    marriage with the Queen; that, in the same year, he was offering his 
+    services to the French Huguenots for the same consideration; that at one 
+    time he posed as the protector of the Puritans, while at another he was 
+    intriguing with the captive Queen of Scots; whom, again, later on, he had a 
+    chief share in bringing to the block. But we must remember that very few 
+    statesmen, English or foreign, in the sixteenth century could have shown a 
+    record free from similar blots. Those who, like Elizabeth and Cecil, were 
+    undeniably actuated on the whole by public spirit, or by any principle more 
+    respectable than pure selfishness, never hesitated to lie or play a double 
+    game when it seemed to serve their turn. William of Orange is the only 
+    eminent statesman, as far as I know, against whom this charge cannot be 
+    made. When this was the standard of honour for consistent politicians and 
+    real patriots, what was to be expected of lower natures? Dudley's conduct on 
+    several occasions was bad and contemptible; and he must be judged with the 
+    more severity, because he sinned not only against the code of duty binding 
+    on the ordinary man and citizen, but against his professions of a tender 
+    sentiment by means of which he had acquired his special influence. I have 
+    said that he was not a man of great ability. But neither was he the 
+    empty-headed incapable trifler that some writers have depicted him. He was 
+    not so judged by his contemporaries. That Elizabeth, because she liked him, 
+    would have selected a man of notorious incapacity to command her armies, 
+    both in the Netherlands and when the Armada was expected, is one of those 
+    hypotheses that do not become more credible by being often repeated. Cecil 
+    himself, when it was not a question of the marriage--of which he was a 
+    determined opponent--regarded him as a useful servant of the Queen. I do not 
+    doubt that Elizabeth estimated his capacity at about its right value. What 
+    she over-estimated was his affection for on, he had a chief share in 
+    bringing to the block. But we must remember that very few statesmen, English 
+    or foreign, in the sixteenth century could have shown a record free from 
+    similar blots. Those who, like Elizabeth and Cecil, were undeniably actuated 
+    on the whole by public spirit, or by any principle more respectable than 
+    pure selfishness, never hesitated to lie or play a double game when it 
+    seemed to serve their turn. William of Orange is the only eminent statesman, 
+    as far as I know, against whom this charge cannot be made. When this was the 
+    standard of honour for consistent politicians and real patriots, what was to 
+    be expected of lower natures? Dudley's conduct on several occasions was bad 
+    and contemptible; and he must be judged with the more severity, because he 
+    sinned not only against the code of duty binding on the ordinary man and 
+    citizen, but against his professions of a tender sentiment by means of which 
+    he had acquired his special influence. I have said that he was not a man of 
+    great ability. But neither was he the empty-headed incapable trifler that 
+    some writers have depicted him. He was not so judged by his contemporaries. 
+    That Elizabeth, because she liked him, would have selected a man of 
+    notorious incapacity to command her armies, both in the Netherlands and when 
+    the Armada was expected, is one of those hypotheses that do not become more 
+    credible by being often repeated. Cecil himself, when it was not a question 
+    of the marriage--of which he was a determined opponent--regarded him as a 
+    useful servant of the Queen. I do not doubt that Elizabeth estimated his 
+    capacity at about its right value. What she over-estimated was his affection 
+    for herself, and consequently his trustworthiness. Sovereigns--and 
+    others--often place a near relative in an important post, not as being the 
+    most capable person they know, but as most likely to be true to them. 
+    Elizabeth had no near relatives. If we grant--as we must grant--that she 
+    believed in Dudley's love, we cannot wonder that she employed him in 
+    positions of trust. A female ruler will always be liable to make these 
+    mistakes, unless her Ministers and captains are to be of her own sex. </font>
+    </p>
+    <p align="left"><font size="3">On the 3rd of September 1560, two months 
+    after the Treaty of Leith, Elizabeth told De Quadra that she had made up her 
+    mind to marry the Archduke Charles. On the 8th, Lady Robert Dudley died at 
+    Cumnor Hall. On the 11th, Elizabeth told De Quadra that she had changed her 
+    mind. Dudley neglected his wife, and never brought her to court. We cannot 
+    doubt that he fretted under a tie which stood in the way of his ambition. 
+    Her death had been predicted. It is not strange, therefore, that he should 
+    have been suspected of having caused it. Nevertheless, not a particle of 
+    evidence pointing in that direction has ever been produced, and it seems 
+    most probable that the poor deserted creature committed suicide. A coroner's 
+    jury investigated the case diligently, and, it would seem, with some animus 
+    against Foster, the owner of Cumnor Hall, but returned a verdict of 
+    accidental death. </font></p>
+    <p align="left"><font size="3">Anyhow, Dudley was now free. The Scotch 
+    Estates were eagerly pressing Arran's suit, and the English Protestants were 
+    as eagerly backing them. The opportunity was certainly unique. Though 
+    nothing was said about deposing Mary, yet nothing could be more certain than 
+    that, if this marriage took place, the Queen of France would never reign in 
+    Scotland. </font></p>
+    <p align="left"><font size="3">At her wits' end how to escape a match so 
+    desirable for the Queen, so repulsive to the woman, Elizabeth had announced 
+    her willingness to espouse the Archduke in order to gain a short 
+    breathing-time. Vienna was at least further than Edinburgh, and difficulties 
+    were sure to arise when details began to be discussed. At this moment, by 
+    the sudden death of his wife, Dudley became marriageable. If Elizabeth had 
+    been free to marry or not, as she pleased, it seems to me in the highest 
+    degree improbable that she would ever have thought of taking Dudley. But 
+    believing that a husband was inevitable, and expecting that she would be 
+    forced to take some one who was either unknown to her or positively 
+    distasteful, it was most natural that she should ask herself whether it was 
+    not the least of evils to put this cruel persecution to an end by choosing a 
+    man whom at least she admired and liked, who loved her, as she thought, for 
+    her own sake, and would be as obedient &quot;as her lap-dog.&quot; When nations are 
+    ruled by women, and marriageable women, feelings and motives which belong to 
+    the sphere of private life, and should be confined to it, are apt to invade 
+    the domain of politics. If Elizabeth's subjects expected their sovereign to 
+    suppress all personal feelings in choosing a consort, they ought to have 
+    established the Salic law. No woman, queen or not queen, can be expected 
+    voluntarily to make such a sacrifice. Her happiness is too deeply involved.
+    </font></p>
+    <p align="left"><font size="3">In the autumn, then, of 1560, when Elizabeth 
+    had been not quite two years on the throne, she seriously thought of 
+    marrying Dudley. It is difficult to say how long she continued to think of 
+    it seriously. With him, as with other suitors, she went on coquetting when 
+    she had perfectly made up her mind that nothing was to come of it. Perhaps 
+    we shall be right in saying that, as long as there was any question of the 
+    Archduke Charles, she looked to Dudley as a possible refuge. This would be 
+    till about the beginning of 1568. It seems to be always assumed, as a matter 
+    of course, that Cecil played the part of Elizabeth's good genius in 
+    persistently dissuading her from marrying Dudley. I am not so sure of this. 
+    If she had been a wife and a mother many of her difficulties would have at 
+    once disappeared, and the weakest points in her character would have no 
+    longer been brought out. It ended in her not marrying at all. I am inclined 
+    to think that another enemy of Dudley, the Earl of Sussex, showed more good 
+    sense and truer patriotism when he wrote in October 1560:-- </font></p>
+    <blockquote>
+      <p align="left"><font size="3">&quot;I wish not her Majesty to linger this 
+      matter of so great importance, but to choose speedily; and therein to 
+      follow so much her own affection as [that], by the looking upon him whom 
+      she should choose, omnes ejus sensus titillarentur; which shall be the 
+      readiest way, with the help of God, to bring us a blessed prince which 
+      shall redeem us out of thraldom. If I knew that England had other rightful 
+      inheritors I would then advise otherwise, and seek to serve the time by a 
+      husband's choice [seek for an advantageous political alliance]. But seeing 
+      that she is ultimum refugium, and that no riches, friendship, foreign 
+      alliance, or any other present commodity that might come by a husband, can 
+      serve our turn, without issue of her body, if the Queen will love anybody, 
+      let her love where and whom she lists, so much thirst I to see her love. 
+      And whomsoever she shall love and choose, him will I love, honour, and 
+      serve to the uttermost.&quot; </font></p>
+    </blockquote>
+    <p align="left"><font size="3">Perhaps I may be excused for expressing the 
+    opinion that the ideal husband for Elizabeth, if it had been possible, would 
+    have been Lord James Stuart, afterwards Earl of Moray. Of sufficient 
+    capacity, kindly heart, undaunted resolution, and unswerving rectitude of 
+    purpose, he would have supplied just those elements that were wanting to 
+    correct her defects. King of Scotland he perhaps could not be. Regent of 
+    Scotland he did become. If he could, at the same time, have been Elizabeth's 
+    husband, the two crowns might have, in the next generation, been worn by a 
+    Stuart of a nobler stock than the son of Mary and Darnley. </font></p>
+    <p align="left"><font size="3">When Mary Stuart, on the death of her husband 
+    Francis II., returned to her own kingdom (August 1561), she found the 
+    Scotch nobles sore at the rejection of Arran's suit. Bent on giving a 
+    sovereign to England, in one way or another, they were now ready, 
+    Protestants as well as Catholics, to back Mary's demand that she should be 
+    recognised as Elizabeth's heir-presumptive. To this the English. Queen could 
+    not consent, for the very sufficient reason, that not only would the 
+    Catholic party be encouraged to hold together and give trouble, but the more 
+    bigoted and desperate members of it would certainly attempt her life, lest 
+    she should disappoint Mary's hopes by marrying. &quot;She was not so foolish,&quot; 
+    she said, &quot;as to hang a winding-sheet before her eyes or make a funeral 
+    feast whilst she was alive,&quot; but she promised that she would neither do 
+    anything nor allow anything to be done by Parliament to prejudice Mary's 
+    title. To this undertaking she adhered long after Mary's hostile conduct had 
+    given ample justification for treating her as an enemy. </font></p>
+    <p align="left"><font size="3">Openly Mary was claiming nothing but the 
+    succession. In reality she cared little for a prospect so remote and 
+    uncertain. What she was scheming for was to hurl Elizabeth from her throne. 
+    This was an object for which she never ceased to work till her head was off 
+    her shoulders. Her aims were more sharply defined than those of Elizabeth, 
+    and she was remarkably free from that indecision which too often marred the 
+    action of the English Queen. In ability and information she was not at all 
+    inferior to Elizabeth; in promptitude and energy she was her superior. These 
+    masculine qualities might have given her the victory in the bitter duel, but 
+    that, in the all-important domain of feeling, her sex indomitably asserted 
+    itself, and weighted her too heavily to match the superb self-control of 
+    Elizabeth. She could love and she could hate; Elizabeth had only likes and 
+    dislikes, and therefore played the cooler game. When Mary really loved, 
+    which was only once, all selfish calculations were flung to the winds; she 
+    was ready to sacrifice everything, and not count the cost--body and soul, 
+    crown and life, interest and honour. When she hated, which was often, 
+    rancour was apt to get the better of prudence. And so at the fatal 
+    turning-point of her career, when mad hate and madder love possessed her 
+    soul, she went down before her great rival never to rise again. Here was a 
+    woman indeed. And if, for that reason, she lost the battle in life, for that 
+    reason too she still disputes it from the tomb. She has always had, and 
+    always will have, the ardent sympathy of a host of champions, to whom the 
+    &quot;fair vestal throned by the west&quot; is a mere politician, sexless, coldblooded, 
+    and repulsive. </font></p>
+    <p align="left"><font size="3">In 1564 Mary, as yet fancy-free, was seeking 
+    to match herself on purely political grounds. She was not so fastidious as 
+    Elizabeth, for she does not seem to have troubled herself at all about 
+    personal qualities, if a match seemed otherwise eligible. The Hamiltons 
+    pressed Arran upon her. But he was a Protestant. He was not heir to any 
+    throne but that of Scotland; and, though a powerful family in Scotland, the 
+    Hamiltons could give her no help elsewhere. Philip, who, now that the Guises 
+    had become his protégés, was less jealous of her designs, wished her to 
+    marry his cousin, the Archduke Charles of Austria. But this prince, whom 
+    Elizabeth professed to find too much of a Catholic, was, in the eyes of 
+    'Mary and her more bigoted co-religionists, too nearly a Lutheran; and she 
+    doubted whether Philip cared enough for him to risk a war for establishing 
+    him and herself upon the English throne. For this reason the husband on whom 
+    she had set her heart was Don Carlos, Philip's own son, a sort of wild 
+    beast. But Philip received her overtures doubtfully; the fact being that he 
+    could not trust Don Carlos, whom he eventually put to death. Catherine de' 
+    Medici loved Mary as little as she did the other Guises, but the prospect of 
+    the Spanish match filled her with such terror that she proposed to make the 
+    Scottish Queen her daughter-in-law a second time by a marriage with Charles 
+    IX., a lad under thirteen, if she would wait two years for him. </font></p>
+    <p align="left"><font size="3">On the other hand, Elizabeth impressed upon 
+    Mary that, unless she married a member of some Reformed Church, the English 
+    Parliament would certainly demand that her title to the succession, whatever 
+    it was, should be declared invalid. The House of Commons was strongly 
+    Protestant, and had with difficulty been prevented from addressing the Queen 
+    in favour of the succession of Lady Catherine Grey. Apart from religion 
+    there was deep irritation against the whole Scotch nation. Sir Ralph Sadler, 
+    who had been much employed in Scotland, denounced them as &quot;false, beggarly, 
+    and perjured, whom the very stones in the English streets would rise 
+    against.&quot; When Elizabeth was dangerously ill in October 1562, the Council 
+    discussed whom they should proclaim in the event of her death. Some were for 
+    the will of Henry VIII. and Catherine Grey. Others, sick of female rulers, 
+    were for taking the Earl of Huntingdon, a descendant of the Duke of 
+    Clarence. None were for Mary or Darnley. Mary's chief friends--Montagu, 
+    Northumberland, Westmoreland, and Derby--were not on the Council. </font>
+    </p>
+    <p align="left"><font size="3">Parliament and the Council being against her, 
+    Mary could not afford to quarrel with the Queen. Elizabeth told her that she 
+    would regard a marriage with any Spanish, Austrian, or French prince as a 
+    declaration of war. Help from those quarters was far away, and at the mercy 
+    of winds and waves: the Border fortresses were near, and their garrisons 
+    always ready to march. Besides, whichever of the two she might 
+    obtain--Charles IX. or the Archduke--she drove the other into the arms of 
+    Elizabeth. </font></p>
+    <p align="left"><font size="3">But there was another possible husband who 
+    had crossed her mind from time to time; not a prince indeed, yet of royal 
+    extraction in the female line, and, what was more, not without pretensions 
+    to that very succession which she coveted. Henry Lord Darnley, son of 
+    Matthew Stuart, Earl of Lennox, was, by his father's side, of the royal 
+    family of Scotland, while his mother was the daughter of Margaret Tudor, 
+    sister of Henry VIII., by her second husband, the Earl of Angus. Born and 
+    brought up in England, where his father had been long an exile, he was 
+    reckoned as an Englishman, which, in the opinion of many lawyers, was 
+    essential as a qualification for the crown. He was also a Catholic, and if 
+    Elizabeth had died at this time, it was perhaps Darnley, rather than Mary, 
+    whom the Catholics would have tried to place on the throne. Elizabeth had 
+    promised that, if Mary would marry an English nobleman, she would do her 
+    best to get Mary's title recognised by Parliament. To Elizabeth, therefore, 
+    Mary now turned, with the request that she would point out such a nobleman, 
+    not without a hope that she would name Darnley (March 1564). But, to Mary's 
+    mortification, she formally recommended Lord Robert Dudley. </font></p>
+    <p align="left"><font size="3">This recommendation has often been treated as 
+    if it was a sorry joke perpetrated by Elizabeth, who had never any intention 
+    of furthering, or even permitting, such a match. But nothing is more certain 
+    than that Elizabeth was most anxious to bring it about; and it affords a 
+    decisive proof that her feeling for Dudley, whatever name she herself may 
+    have put to it, was not what is usually called love. Cecil and all her most 
+    intimate advisers entertained no doubt that she was sincere. She undertook, 
+    if Mary would accept Dudley, to make him a duke; and, in the meantime, she 
+    created him Earl of Leicester. She regarded him, so she told Mary's envoy 
+    Melville, as her brother and her friend; if he was Mary's husband she would 
+    have no suspicion or fear of any usurpation before her death, being assured 
+    that he was so loving and trusty that he would never permit anything to be 
+    attempted during her time. &quot;But,&quot; she said, pointing to Darnley, who was 
+    present, &quot;you like better yonder long lad.&quot; Her suspicion was correct. 
+    Melville had secret instructions to procure permission for Darnley to go to 
+    Scotland. However, he answered discreetly that &quot;no woman of spirit could 
+    choose such an one who more resembled a woman than a man.&quot; </font></p>
+    <p align="left"><font size="3">How was Elizabeth to be persuaded to let 
+    Darnley leave England? There was only one way to disarm suspicion: Mary 
+    declared herself ready to marry Leicester (January 1565). Darnley 
+    immediately obtained leave of absence for three months ostensibly to recover 
+    the forfeited Lennox property. In Scotland the purpose of his coming was not 
+    mistaken, and it roused the Protestants to fury. The Queen's chapel, the 
+    only place in the Lowlands where mass was said, was beset. Her priests were 
+    mobbed and maltreated. Moray, who till lately had supported his sister with 
+    such loyalty and energy that Knox had quarrelled with him, prepared, with 
+    the other Lords of the Congregation, for resistance. Elizabeth, and Cecil 
+    also, had been completely overreached. A prudent player sometimes gets into 
+    difficulties by attributing equal prudence to a daring and reckless 
+    antagonist. Elizabeth, as a patriotic ruler, desired nothing but peace and 
+    security for her own kingdom. If she could have that, she had no wish to 
+    meddle with Scotland. Mary, caring nothing for the interests of her 
+    subjects, was facing civil war with a light heart; and, for the chance of 
+    obtaining the more brilliant throne, was ready to risk her own. </font></p>
+    <p align="left"><font size="3">Undeterred by Elizabeth's threats, Mary 
+    married Darnley (29 July 1565). Moray and Argyll, having obtained a 
+    promise of assistance from England, took arms; but most of the Lords of the 
+    Congregation showed themselves even more powerless or perfidious than they 
+    had been five years before. Morton, Ruthven, and Lindsay, stoutest of 
+    Protestants, were related to Darnley, and were gratified by the elevation of 
+    their kinsman. Moray failed to elicit a spark of spirit out of the 
+    priest-baiting citizens of Edinburgh, and the Queen, riding steel cap on 
+    head and pistols at saddle-bow, chased him into England. Lord Bedford, who 
+    was in command at Berwick, could have stepped across the Border and 
+    scattered her undisciplined array without difficulty. He implored Elizabeth 
+    to let him do it; offered to do it on his own responsibility, and be 
+    disavowed. But he found, to his mortification, that she had been playing a 
+    game of brag. She had hoped that a threatening attitude would stop the 
+    marriage. But as it was an accomplished fact she was not going to draw the 
+    sword. </font></p>
+    <p align="left"><font size="3">This was shabby treatment of Moray and his 
+    friends, and to some of her councillors it seemed not only shameful but 
+    dangerous to show the white feather. But judging from the course of events, 
+    Elizabeth's policy was the safe one. The English Catholics--some of them at 
+    all events, as will be explained presently--were becoming more discontented 
+    and dangerous. The northern earls were known to be disaffected. Mary 
+    believed that in every country in England the Catholics had their 
+    organisation and their leaders, and that, if she chose, she could march to 
+    London. No doubt she was much deceived. In reluctance to resort to violence 
+    and respect for constituted authority, England, even north of the Humber, 
+    was at least two centuries ahead of Scotland, and, if she had come attended 
+    by a horde of savage Highlanders and Border ruffians, &quot;the very stones in 
+    the streets would have risen against them.&quot; It was Elizabeth's rule--and a 
+    very good rule too--never to engage in a war if she could avoid it. From 
+    this rule she could not be drawn to swerve either by passion or ambition, or 
+    that most fertile source of fighting, a regard for honour. All the old 
+    objections to an invasion of Scotland still subsisted in full strength, and 
+    were reinforced by others. It was better to wait for an attack which might 
+    never come than go half-way to meet it. An invasion of Scotland might drive 
+    the northern earls to declare for Mary, which, unless compelled to choose 
+    sides, they might never do. Some people are more perturbed by the 
+    expectation and uncertainty of danger than by its declared presence. Not so 
+    Elizabeth. Smouldering treason she could take coolly as long as it only 
+    smouldered. As for the betrayal of the Scotch refugees, Elizabeth never 
+    allowed the private interests of her own subjects, much less those of 
+    foreigners, to weigh against the interests of England. Moray, one of the 
+    most magnanimous and self-sacrificing of statesmen, evidently felt that 
+    Elizabeth's course was wise, if not exactly chivalrous. He submitted to her 
+    public rebuke without publicly contradicting her, and waited patiently in 
+    exile till it should be convenient for her to help him and his cause. Mary, 
+    too, though elated by her success, and never abandoning her intention to 
+    push it further, found it best to halt for a while. Philip wrote to her that 
+    he would help her secretly with money if Elizabeth attacked her, but not 
+    otherwise, and warned her against any premature clutch at the English crown. 
+    Elizabeth's seeming tameness could hardly have received a more complete 
+    justification. </font></p>
+    <p align="left"><font size="3">Mary had determined to espouse Darnley, 
+    before she had set eyes on him, for purely political reasons. There is no 
+    reason to suppose she ever cared for him. It is more likely, as Mr. Froude 
+    suggests, that for a great political purpose she was doing an act which in 
+    itself she loathed. A woman of twenty-two, already a widow, mature beyond 
+    her years, exceptionally able, absorbed in the great game of politics, and 
+    accustomed to admiration, was not likely to care for a raw lad of nineteen, 
+    foolish, ignorant, ill-conditioned, vicious, and without a single manly 
+    quality. One man we know she did love later on--loved passionately and 
+    devotedly, no slim girl-faced youngster, but the fierce, stout-limbed, 
+    dare-devil Bothwell; and Bothwell gradually made his way to her heart by his 
+    readiness to undertake every desperate service she required of him. What 
+    Mary admired, nay envied, in the other sex was the stout heart and the 
+    strong arm. She loved herself to rough it on the war-path. She surprised 
+    Randolph by her spirit:--&quot;Never thought I that stomach to be in her that I 
+    find. She repented nothing but, when the Lords and others came in the 
+    morning from the watches, that she was not a man, to know what life it was 
+    to lie all night in the fields or to walk upon the causeway with a jack and 
+    a knapscap, a Glasgow buckler and a broadsword.&quot; &quot;She desires much,&quot; says 
+    Knollys, &quot;to hear of hardiness and valiancy, commending by name all approved 
+    hardy men of her country, although they be her enemies; and she concealeth 
+    no cowardice even in her friends.&quot; Valuable to Mary as a man of action, 
+    Bothwell was not worth much as an adviser. For advice she looked to the 
+    Italian Rizzio, in whom she confided because, with the detachment of a 
+    foreigner, he regarded Scotch ambitions, animosities, and intrigues only as 
+    so much material to be utilised for the purpose of the combined onslaught on 
+    Protestantism which the Pope was trying to organise. Bothwell was at this 
+    time thirty, and Rizzio, according to Lesley, fifty. </font></p>
+    <p align="left"><font size="3">In spite of all the prurient suggestions of 
+    writers who have fastened on the story of Mary's life as on a savoury 
+    morsel, there is no reason whatever for thinking that she was a woman of a 
+    licentious disposition, and there is strong evidence to the contrary. There 
+    was never anything to her discredit in France. Her behaviour in the affair 
+    of Chastelard was irreproachable. The charge of adultery with Rizzio is 
+    dismissed as unworthy of belief even by Mr. Froude, the severest of her 
+    judges. Bothwell indeed she loved, and, like many another woman who does not 
+    deserve to be called licentious, she sacrificed her reputation to the man 
+    she loved. But the most conclusive proof that she was no slave to appetite 
+    is afforded by her nineteen years' residence in England, which began when 
+    she was only twenty-five. During almost the whole of that time she was 
+    mixing freely in the society of the other sex, with the fullest opportunity 
+    for misconduct had she been so inclined. It is not to be supposed that she 
+    was fettered by any scruples of religion or morality. Yet no charge of 
+    unchastity is made against her. </font></p>
+    <p align="left"><font size="3">When Darnley found that his wife, though she 
+    conferred on him the title of King, did not procure for him the crown 
+    matrimonial or allow him the smallest authority, he gave free vent to his 
+    anger. No less angry were his kinsmen, Morton, Ruthven, and Lindsay. They 
+    had deserted the Congregation in the expectation that when Darnley was King 
+    they would be all-powerful. Instead of this they found themselves neglected; 
+    while the Queen's confidence was given to Catholics and to Bothwell, who, 
+    though nominally a Protestant, always acted with the Catholics. The 
+    Protestant seceders had in fact fallen between two stools. It was against 
+    Rizzio that their rage burnt fiercest. Bothwell was only a bull-headed, 
+    blundering swordsman. Rizzio was doubly detestable to them as the brain of 
+    the Queen's clique and as a low-born foreigner. Rizzio, therefore, they 
+    determined to remove in the time-honoured Scottish fashion. Notice of the 
+    day fixed for the murder was sent to the banished noblemen in England, so 
+    that they might appear in Edinburgh immediately it was accomplished. </font>
+    </p>
+    <p align="left"><font size="3">Randolph, the English ambassador, and 
+    Bedford, who commanded on the Border, were also taken into the secret, and 
+    they communicated it to Cecil and Leicester. </font></p>
+    <p align="left"><font size="3">It is unnecessary here to repeat the 
+    well-known story of the murder of Rizzio. It was part of a large scheme for 
+    bringing back the exiled Protestant lords, closing the split in the 
+    Protestant party, and securing the ascendancy of the Protestant religion. At 
+    first it appeared to have succeeded. Bedford wrote to Cecil that &quot;everything 
+    would now go well.&quot; But Mary, by simulating a return of wifely fondness, 
+    managed to detach her weak husband from his confederates. By his aid she 
+    escaped from their hands. Bothwell and her Catholic friends gathered round 
+    her in arms. In a few days she re-entered Edinburgh in triumph, and Rizzio's 
+    murderers had to take refuge in England. </font></p>
+    <p align="left"><font size="3">But if the Protestant stroke had failed, Mary 
+    was obliged to recognise that her plan for re-establishing the Catholic 
+    ascendancy in Scotland could not be rushed in the high-handed way she had 
+    proposed as a mere preliminary to the more important subjugation of England. 
+    At the very moment when she seemed to stand victorious over all opposition, 
+    the ground had yawned under her feet, and, while she was dreaming of 
+    dethroning Elizabeth, she had found herself a helpless captive in the hands 
+    of her own subjects. The lesson was a valuable one, and if she could profit 
+    by it her prospects had never been so good. The barbarous outrage of which, 
+    in the sixth month of pregnancy, she had been the object could not but 
+    arouse widespread sympathy for her. She had extricated herself from her 
+    difficulties with splendid courage and clever-ness. The loss of such an 
+    adviser as Rizzio was really a stroke of luck for her. All she had to do was 
+    to abandon, or at all events postpone, her design of reestablishing the 
+    Catholic religion in Scotland, and to discontinue her intrigues against 
+    Elizabeth. </font></p>
+    <p align="left"><font size="3">Her prospects in England were still further 
+    improved when she gave birth to a son (19 June 1566). Once more there was 
+    an heir-male to the old royal line, and, as Elizabeth continued to evade 
+    marriage, most people who were not fierce Protestants began to think it 
+    would be more reasonable and safe to abide by the rule of primogeniture than 
+    by the will of Henry VIII., sanctioned though it was by Act of Parliament. 
+    There can be no doubt that this was the opinion and intention of Elizabeth, 
+    though she strongly objected to having anything settled during her own 
+    lifetime. But she had herself gone a long way towards settling it by her 
+    treatment of Mary's only serious competitor. Catherine Grey had contracted a 
+    secret marriage with the Earl of Hertford, son of the Protector Somerset. 
+    Her pregnancy necessitated an avowal. The clergyman who had married them was 
+    not forthcoming, and Hertford's sister, the only witness, was dead. 
+    Elizabeth chose to disbelieve their story, though she would not have been 
+    able to prove when, where, or by whom her own father and mother had been 
+    married. She had a right to be angry; but when she sent the unhappy couple 
+    to the Tower, and caused her tool, Archbishop Parker, to pronounce the union 
+    invalid and its offspring illegitimate, she was playing Mary's game. The 
+    House of Commons elected in 1563 was still undissolved. It was strongly 
+    Protestant, and it favoured Catherine's title even after her disgrace. In 
+    its second session, in the autumn of 1566, it made a determined effort to 
+    compel Elizabeth to marry, and in the meanwhile to recognise Catherine as 
+    the heirpresumptive. The zealous Protestants knew well that the Peers were 
+    in favour of the Stuart title, and they feared that a new House of Commons 
+    might agree with the Peers. To get rid of their pertinacity Elizabeth 
+    dissolved Parliament, not without strong expressions of displeasure (2 January 1567). Cecil himself earned the thanks of Mary for his attitude on this 
+    occasion. It cannot be doubted that he dreaded her succession; but he saw 
+    which way the tide was running, and he thought it prudent to swim with it.
+    </font></p>
+    <p align="left"><font size="3">It was at this moment that Mary flung away 
+    all her advantage, and entered oh the fatal course which led to her ruin. 
+    Her loathing for Darnley, her fierce desire to avenge on him the insults and 
+    outrage she had suffered, left no room in heart or mind for considerations 
+    of policy. She would have been glad to obtain a divorce. But the Catholic 
+    Church does not grant divorce for misconduct after marriage. Some pretext 
+    must be found for alleging that the marriage was null from the beginning. 
+    This did not suit Mary. It would have made her son illegitimate, and would 
+    have placed her in exactly the position of Catherine Grey. A mere separation 
+    a toro would not have suited her any better, for it would not have enabled 
+    her to contract another marriage. </font></p>
+    <p align="left"><font size="3">When Mary's reliance on Bothwell grew into 
+    attachment, when her attachment warmed into love, it is impossible to fix 
+    with any exactness. Her infatuation presented itself to him as a grand 
+    opening for his daring ambition. A notorious profligate, he loved her--if 
+    the word is to be so degraded--as much or as little as he had loved twenty 
+    other women. What, however, he desired in her case, was marriage. A more 
+    sensible man would have foreseen that marriage would mean certain ruin for 
+    himself and the Queen. But he was accustomed to despise all difficulties in 
+    his path, being intellectually incapable of measuring them, and believing in 
+    nothing but audacity and brute force. Husband of the Queen, why should he 
+    not be master of the kingdom? Why not King? When such an idea had once 
+    occurred to Bothwell, Darnley's expectancy of life would be much the same as 
+    that of a calf in the presence of the butcher. </font></p>
+    <p align="left"><font size="3">The wretched victim had alienated all his 
+    friends among the nobility. Some owed him a deadly grudge for his treachery. 
+    Others had been offended by his insolence. To all he was an encumbrance and 
+    a nuisance. Several, therefore, of the leading personages were more or less 
+    engaged in the compact for putting him out of the way. Moray, Argyll, and 
+    Maitland offered to assist in ridding Mary of her husband by way of a 
+    Protestant sentence of divorce, on condition that Morton and his friends in 
+    exile should be pardoned and recalled. The bargain was struck, and Mary 
+    assented to it. Nothing was said about murder. No one had any interest in 
+    murder except Mary and Bothwell, whose project of marriage was as yet 
+    unsuspected. At the same time, if Bothwell liked to kill Darnley on his own 
+    responsibility, as no doubt he made it pretty plain that he would--why, so 
+    much the better. It relieved the other lords of all trouble. It was a 
+    simple, thorough, old-fashioned expedient, which had never been attended 
+    with any discredit in Scotland, and had only one inconvenience --that it 
+    usually saddled the murderer with a blood feud. In the present case Lennox 
+    was the only peer who would feel the least aggrieved; and he was in no 
+    condition to wage blood-feuds. Anyhow, that was Bothwell's look-out. </font>
+    </p>
+    <p align="left"><font size="3">So obvious was all this that it was hardly 
+    worth while to observe secrecy except as to the exact occasion and mode of 
+    execution. Many persons were more or less aware of what was going to be 
+    done; but none cared to interfere. Moray was an honourable and conscientious 
+    man, if judged by the standard of his environment--the only fair way of 
+    estimating character. But Moray chose to leave Edinburgh the morning before 
+    the deed; and thought it sufficient to be able to say afterwards that &quot;if 
+    any man said he was present when purposes [talk] were held in his audience 
+    tending to any unlawful or dishonourable end, he spoke wickedly and 
+    untruly.&quot; The inner circle of the plot consisted of Bothwell, Argyll, Huntly, 
+    Maitland, and Sir James Balfour. </font></p>
+    <p align="left"><font size="3">That Darnley was murdered by Bothwell is not 
+    disputed. That Mary was cognisant of the plot, and lured him to the 
+    shambles, has been doubted by few investigators at once competent and 
+    unbiassed. She lent herself to this part not without compunction. Bothwell 
+    had the advantage over her that the loved has over the lover; and he used it 
+    mercilessly for his headlong ambition, hardly taking the trouble to pretend 
+    that he cared for the unhappy woman who was sacrificing everything for him. 
+    He in fact cared more for his lawful wife, whom he was preparing to divorce, 
+    and to whom he had been married only six months. Mary was tormented by 
+    jealousy of her after the divorce as well as before. </font></p>
+    <p align="left"><font size="3">The murder of Darnley (10 February 1567) was 
+    universally ascribed to Mary at the time by Catholics as well as Protestants 
+    at home and abroad, and it fatally damaged her cause in England and the rest 
+    of Europe. In Scotland itself--such was the backward and barbarous state of 
+    the country--it would probably not have shaken her throne if she had 
+    followed it up with firm and prudent government. She might even have 
+    indulged her illicit passion for Bothwell, with little pretence of 
+    concealment, if she had not advanced him in place and power above his 
+    equals. There was probably not a noble in Scotland, from Moray downwards, 
+    who would have scrupled to be her Minister. The Protestant commonalty 
+    indeed, who with all the national laxity as to the observance of the sixth 
+    commandment, were shocked by any trifling with the seventh, would no doubt 
+    have made their bark heard. But their bite had not yet become formidable; 
+    and in any case they were not to be propitiated. </font></p>
+    <p align="left"><font size="3">What brought sudden and irretrievable ruin on 
+    Mary was not the murder of Darnley, but the infatuation which made her the 
+    passive instrument of Bothwell's presumptuous ambition. The lords, Catholic 
+    and Protestant alike, allowed the murder to pass uncondemned and unpunished; 
+    but they were furious when they found that Darnley had only been removed to 
+    make room for Bothwell, and that they were to have for their master a noble 
+    of by no means the highest lineage, bankrupt in fortune, and generally 
+    disliked for his arrogant and bullying demeanour. The project of marriage 
+    was not disclosed till ten weeks after the murder (19 April 1567). Five 
+    days later, Bothwell, fearing lest he should be frustrated by public 
+    indignation or interference from England, carried off the Queen, as had been 
+    previously arranged between them. His idea was that, when Mary had been thus 
+    publicly outraged, it would be recognised as impossible that she should 
+    marry any one but the ravisher. In this coarse expedient, as in the clumsy 
+    means employed for disposing of Darnley, we see the blundering foolhardiness 
+    of the man. The marriage ceremony was performed as soon as Bothwell's 
+    divorce could be managed (15 May). Just a month later Mary surrendered to 
+    the insurgent lords at Carberry Hill, and Bothwell, flying for his life, 
+    disappears from history. </font></p>
+    <p align="left"><font size="3">The feelings with which Elizabeth had 
+    contemplated the course of events in Scotland during the last six months 
+    were no doubt of a mixed nature. At the beginning of 1567, her seven-years' 
+    duel with Mary appeared to be ending in defeat. The last bold thrust, aimed 
+    in her interest if not by her hand --the murder of Rizzio--had not improved 
+    her position. It seemed that she would soon be obliged to make her choice 
+    between two equally dreaded alternatives: she must either recognise Mary as 
+    her heir or take a husband. From this unpleasant dilemma she was released by 
+    the headlong descent of her rival in the first six months of 1567. But all 
+    other feelings were soon swallowed up in alarm and indignation at the 
+    spectacle of subjects in revolt against their sovereign. As tidings came in 
+    rapid succession of Mary's surrender at Carberry Hill, of her return to 
+    Edinburgh amidst the insults and threats of the Calvinist mob, of her 
+    imprisonment at Loch Leven, of the proposal to try and execute her, 
+    Elizabeth's anger waxed hotter, and she told the Scotch lords in her most 
+    imperious tones that she could not, and would not, permit them to use force 
+    with their sovereign. If they deposed or punished her, she would revenge it 
+    upon them. If they could not prevail on her to do what was right, they must 
+    &quot;remit themselves to Almighty God, in whose hands only princes' hearts 
+    remain.&quot; </font></p>
+    <p align="left"><font size="3">This language, addressed as it was to the 
+    only men in Scotland who were disposed to support the English interest, was 
+    imprudent. In her fellow-feeling for a sister sovereign, and her keen 
+    perception of the revolutionary tendencies of the time, Elizabeth spoilt an 
+    unique opportunity of placing her relations with Scotland on a footing of 
+    permanent security, of providing for the English succession in a way at once 
+    advantageous to the nation and free from risk to her own life, and lastly, 
+    of escaping from the constant worry about her own marriage. She had seen 
+    clearly enough what might be made of the situation. Throgmorton had been 
+    despatched to Scotland with instructions to do his best to get the infant 
+    Prince confided to her care. Once in England, she would virtually have 
+    adopted him. She would have possessed a son and heir without the 
+    inconvenience of marriage. To a Parliamentary recognition, indeed, of his 
+    title she would assuredly not have consented. It would have made him 
+    independent and dangerous. But if he behaved well to her, his succession 
+    would be more certain than any Act of Parliament could make it. Mary, if 
+    released and restored to power, would no longer be formidable. If she were 
+    deposed or put to death, Elizabeth would indirectly govern Scotland, at all 
+    events, till James should be of age. </font></p>
+    <p align="left"><font size="3">This splendid opportunity Elizabeth lost by 
+    her peremptory and domineering language. The old Scotch pride took fire. The 
+    Anglophile lords, who would have been glad enough to send the young Prince 
+    to England, could not afford to appear less patriotic than the Francophiles. 
+    Throgmorton's attempt to get hold of James was as unsuccessful as that of 
+    the Protector Somerset to get hold of James's mother had been twenty years 
+    before. He was told that, before the Prince could be sent to England, his 
+    title to the English succession must be recognised; a condition which 
+    Elizabeth could not grant. Her claim that Mary should be restored without 
+    conditions was equally unacceptable to the Anglophile lords. They might have 
+    been induced to release her if she would have consented to give up Bothwell, 
+    or if they could have caught and hanged him. But such was her devotion to 
+    him, that no threats or promises availed to shake it. It was in vain that 
+    they offered to produce letters of his to the divorced Lady Bothwell, in 
+    which he assured her that he regarded her still as his lawful wife, and Mary 
+    only as his concubine. The unhappy Queen had been aware even before her 
+    marriage--as a pathetic letter to Bothwell shows--that her passionate love 
+    was not returned. Two days after the marriage, his unkindness had driven her 
+    to think of suicide. But nothing they could say could shake her constancy. 
+    &quot;She would not consent by any persuasion to abandon the Lord Bothwell for 
+    her husband. She would live and die with him. If it were put to her choice 
+    to relinquish her crown and kingdom or the Lord Bothwell, she would leave 
+    her kingdom and dignity to go as a simple damsel with him; and she will 
+    never consent that he shall fare worse or have more harm than herself. Let 
+    them put Bothwell and herself on board ship to go wherever fortune might 
+    carry them.&quot; This temper made it difficult for the Anglophile lords to know 
+    what to do with the prisoner of Loch Leven. They were disappointed and angry 
+    that Elizabeth, instead of approving their enterprise, and sending the money 
+    for which, as usual, they were begging, should treat them as rebels, and 
+    even secretly urge the Hamiltons to rescue Mary by force. The Hamiltons were 
+    in arms at Dumbarton. They wanted either that the Prince should be 
+    proclaimed King, with the Duke of Chatelherault for Regent, or that Mary 
+    should be divorced from Bothwell and married to Lord John Hamilton, the 
+    Duke's second son, and, in default of the crazy Arran, his destined 
+    successor. With Argyll, too, disgust at Mary's crime was tempered by a 
+    desire to marry her to his brother. Lady Douglas of Loch Leven herself, for 
+    whom Sir Walter Scott has invented such magnificent tirades, desired nothing 
+    better than to be her mother-in-law. </font></p>
+    <p align="left"><font size="3">The prompt action of the confederate lords 
+    foiled these schemes. By the threat of a public trial on the charge of 
+    complicity in her husband's murder, or, as her advocates believe, by the 
+    fear of instant death, Mary was compelled to abdicate in favour of her son, 
+    and to nominate Moray Regent (29 July 1567). Elizabeth would not recognise 
+    him; partly from a natural fear lest she should be suspected of having been 
+    in collusion with him all along, partly from genuine abhorrence of such 
+    revolutionary proceedings. The French Government, on the other hand, casting 
+    principle and sentiment alike to the winds, courted his alliance. He might 
+    keep his sister in prison, or put her to death, or send her to be immured in 
+    a French convent: only let him embrace the French interests, and an army 
+    should be sent to support him --a Huguenot army if he did not like 
+    Catholics. But Moray turned a deaf ear to these solicitations, and waited 
+    patiently till Elizabeth's ill-humour should give way to more statesmanlike 
+    considerations. </font></p>
+    <p align="left"><font size="3">The escape of Mary from Loch Leven (2 May 
+    1568), and the rising of the Hamiltons in her favour, were largely due to 
+    the unfriendly attitude assumed by Elizabeth to the Regent's government. 
+    After the defeat of Langside (13 May) it would perhaps have been difficult 
+    for the fugitive Queen to make her way to France or Spain. But it was not 
+    the difficulty which deterred her from making the attempt. Both Catherine 
+    and Philip, later on, were disposed to befriend her, or, rather, to make use 
+    of her; but at the time of her escape from Scotland, she had nothing to 
+    expect from them but severity. Elizabeth was the only sovereign who had 
+    tried to help her. Moreover, Mary had always laboured under the delusion 
+    that because most Englishmen regarded her as the next heir to the crown, and 
+    a great many preferred the old religion to the new, she had as good a party 
+    in England as Elizabeth herself, if not a better. During her prosperity, she 
+    had made repeated applications to be allowed to visit the southern kingdom. 
+    She was convinced that, if she once appeared on English ground, Elizabeth's 
+    throne would be shaken; and Elizabeth's unwillingness to receive the visit 
+    had confirmed her in her belief. If she now crossed the Solway without 
+    waiting for the permission which she had requested by letter, it was not 
+    because she was hard pressed. The Regent had gone to Edinburgh after the 
+    battle. At Dundrennan, among the Catholic Maxwells, Lord Herries guaranteed 
+    her safety for forty days; and, at an hour's notice, a boat would place, her 
+    beyond pursuit. Her haste was rather prompted by the expectation that 
+    Elizabeth, alarmed by her application, would refuse to receive her. To 
+    Elizabeth the arrival of the Scottish Queen was, indeed, as unwelcome as it 
+    was unexpected. For ten years she had governed successfully, because she had 
+    managed to hold an even course between conflicting principles and parties, 
+    and to avoid taking up a decisive attitude on the most burning questions. 
+    The very indecision, which was the weak spot in her character, and which so 
+    fretted her Ministers, had, it must be confessed, contributed something to 
+    the result. </font></p>
+    <p align="left"><font size="3">Cecil might groan over a policy of letting 
+    things drift. But it may be doubted whether they had not often drifted 
+    better than Cecil would have steered them if he might have had his way. To 
+    do nothing is not, indeed, the golden rule of statesmanship. But at that 
+    time, England's peculiar position between France and Spain, and between 
+    Calvinism and Catholicism, enabled her ruler to play a waiting game. This 
+    was the general rule applicable to the situation. Elizabeth apprehended it 
+    more clearly than her Ministers did, and she fell back on it again and 
+    again, when they flattered themselves that they had committed her to a 
+    forward policy. It was safe. It was cheap. It required coolness and 
+    intrepidity--qualities with which Elizabeth was well furnished by nature. 
+    But it was not spirited: it was not showy. Hence it has not found favour 
+    with historians, who insist that it ought to have ended in disaster. As a 
+    matter of fact, England was carried safely through unparalleled 
+    difficulties; and, when all is said, Elizabeth is entitled to be judged by 
+    the general result of her long reign. </font></p>
+    <p align="left"><font size="3">Mary's arrival was unwelcome to Elizabeth, 
+    because it seemed likely to force her hand. To do nothing would be no longer 
+    possible. The Catholic nobles and gentry of the north flocked to Carlisle to 
+    pay court to the heiress of the English crown. It was not that they believed 
+    her innocent of her husband's murder. The suspicion of her complicity was at 
+    that time universal. But they supposed that it would never amount to more 
+    than a suspicion. They did not expect that the charge would ever be formally 
+    made. They were not aware that it could be supported by overwhelming 
+    evidence. Later on, when the proofs were produced, they had already 
+    committed themselves to her cause, and were bound not to be convinced.
+    </font></p>
+    <p align="left"><font size="3">If the attitude of these Catholics be thought 
+    to indicate some moral callousness, it may be fairly argued that it was less 
+    cynical than that of Elizabeth herself, who, while not unwilling that Mary 
+    should be suspected, would not allow her to be convicted. Steady to her main 
+    purpose, though hesitating, and even vacillating, in the means she adopted, 
+    she still adhered, notwithstanding all that had lately taken place, to her 
+    intention that Mary, if her survivor, should be her successor. Like all the 
+    greatest statesmen of her time, she placed secular interests before 
+    religious opinions. She was persuaded that the maintenance of the principle 
+    of authority was all-important. Nothing else could hold society together or 
+    prevent the rival fanaticisms from tearing each other to pieces. For 
+    authority there was no other basis left than the principle of hereditary 
+    succession by primogeniture. This principle must, therefore, be treated as 
+    something sacred--not to be set aside or tampered with in a short-sighted 
+    grasping at any seeming immediate utility. To allow it to be called in 
+    question was to shake her own title. Already, in France, the Jesuits were 
+    preaching that orthodoxy and the will of the people were the only legitimate 
+    foundation of sovereignty. Few English Catholics had learned that doctrine; 
+    but they would not be slow to learn it if the hereditary claim of Mary was 
+    to be set aside. </font></p>
+    <p align="left"><font size="3">If Mary had been content to claim what 
+    primogeniture gave her--the right to the succession--there would have been 
+    no quarrel between her and Elizabeth. But it was notorious that she had all 
+    along been plotting to substitute herself for Elizabeth. Never had she 
+    cherished that dream with more confidence than when the Percys and Nevilles 
+    crowded round her at Carlisle. In her sanguine imagination, she already saw 
+    herself mistress of a finer kingdom than that which had just expelled her, 
+    and marching, at the head of her new subjects, to wreak vengeance on her old 
+    ones. She seemed likely to be no less dangerous as an exile in England than 
+    as a Queen in Scotland. </font></p>
+    </font><font style="font-family: Arial, Helvetica, sans-serif">
+    <font face="Times New Roman">
+    <p align="left"><font size="3">Elizabeth had now reason to regret the 
+    unnecessary warmth with which she had espoused Mary's cause. To suppose that 
+    she had any sentimental feelings for one whom she knew to be her deadly 
+    enemy is, in my judgment, ridiculous. Elizabeth was not a generous 
+    woman--especially towards other women; and in this case generosity would 
+    have been folly, and culpable folly. She did not hate Mary--she was too cool 
+    and self-reliant to hate an enemy--but she disliked her. She was jealous, 
+    with a small feminine jealousy, of her beauty and fascinations. The 
+    consciousness of this unworthy feeling made her all the more anxious not to 
+    betray it. And so, at a time when she did not expect to have Mary on her 
+    hands, she had been tempted to use language implying a pity, sympathy, and 
+    affection which assuredly she did not feel, and which it would not have been 
+    creditable to her to feel. Petty insincerities of this kind have usually to 
+    be paid for sooner or later. She had now to exchange the language of 
+    sympathy for the language of business with what grace she could; and she has 
+    not escaped the charge, certainly undeserved, of deliberate treachery. It 
+    was awkward, after such exaggerated professions of sympathy, to be obliged 
+    to hold the fugitive at arm's-length, and even to put restraint on her 
+    movements. But no other course was possible. No sovereign, at any time in 
+    history, has allowed a pretender to the crown to move about freely in his 
+    dominions and make a party among his subjects. </font></p>
+    <p align="left"><font size="3">Wince as she might, and did, under the 
+    reproach of treachery, Elizabeth was not going to allow her unwise words to 
+    tie her to unwise action. Only one arrangement appeared to her to be at once 
+    admissible in principle and prudent in practice. Mary must be restored to 
+    the Scottish throne; but in such a way that she should thenceforth be 
+    powerless for mischief. She must be content with the title of Queen. The 
+    real government must be in the hands of Moray. Thus the principle of 
+    legitimacy and the sacredness of royalty would be saved, and the English 
+    Catholics would be content to bide their time. </font></p>
+    <p align="left"><font size="3">Cecil, for his part, was also anxious to see 
+    Mary back in Scotland; but not as Queen. Though regarded in Catholic circles 
+    as a desperate heretic, he was really a <i>politique</i>, a worldly-minded 
+    man--I mean the epithet to be laudatory--and he would probably have admitted 
+    in the abstract the wisdom of Elizabeth's opinion--that it was of more 
+    importance to England to have a legitimate sovereign than a gospel religion. 
+    But he was not prepared to submit frankly to the application of this 
+    principle. His personal prospects were too deeply concerned. It was all very 
+    well for Elizabeth to lay down a principle in which she might be said to 
+    have a life-interest. She was thirteen years his junior; but she might 
+    easily predecease him; and, with Mary on the throne, his power would 
+    certainly go, and, not improbably, his head with it. It was not in human 
+    nature, therefore, that he should cherish the principle of primogeniture as 
+    his mistress did; and, as far as his dread of her displeasure would allow 
+    him, he was always casting about for some means of defeating Mary's 
+    reversion. Her sudden plunge into crime was to him a turn of good fortune 
+    beyond his dreams. If he could have had his will she would have been 
+    promptly handed over to the Regent on the understanding that she was to be 
+    consigned to perpetual imprisonment, or, still better, to the scaffold.
+    </font></p>
+    <p align="left"><font size="3">In order to carry out her plan, Elizabeth 
+    called on Mary and the Regent to submit their respective cases to a 
+    Commission, consisting of the Duke of Norfolk, the Earl of Sussex, and Sir 
+    Ralph Sadler. Mary was extremely reluctant, as she well might be, to face 
+    any investigation; but she was told that, until her character was formally 
+    cleared, she could not be admitted to Elizabeth's presence; and she was at 
+    the same time privately assured that her restoration should, in any case, be 
+    managed without any damage to her honour. Moray received an equally positive 
+    assurance that if his sister was proved guilty, she should not be restored. 
+    The two statements were not absolutely irreconcilable, because Elizabeth 
+    intended to prevent the worst charges from being openly proved. Her sole 
+    object--and we can hardly blame her--was to obtain security for herself and 
+    her own kingdom. She did not wish the Queen of Scots to be proved a 
+    murderess in open court; but she did desire that the charge should be made, 
+    and also that the Commissioners should see the originals of the casket 
+    letters. Any public disclosure of the evidence might be prevented, and some 
+    sort of ambiguous acquittal pronounced, on grounds which all the world would 
+    see to be nugatory: such, for instance, as the culprit's own solemn denial 
+    of the charge; which was, in fact, the only answer Mary intended to make. 
+    What was known to the Commissioners would come to be more or less known to 
+    all persons of influence in England, and would surely discredit Mary to such 
+    a degree that even her warmest partisans would cease to conspire in her 
+    favour. Mary herself (so Elizabeth hoped), when made aware that this 
+    terrible weapon was in reserve, and could at any moment be used against her, 
+    would be permanently humbled and crippled, and would be glad to accept such 
+    terms as Elizabeth would impose. </font></p>
+    <p align="left"><font size="3">The Commissioners opened their court at York 
+    (October 1568). But they had not been sitting long before Elizabeth 
+    discovered that Norfolk was scheming to marry Mary, and that the project was 
+    approved by many of the English nobility. Their purpose was not, as yet, 
+    disloyal. They thought that, married to the head of the English peerage, and 
+    residing in England, Mary would have to give up her plots with France, while 
+    her presence would strengthen the Conservative party, which desired to keep 
+    up the old alliance with Spain, and looked for the re-establishment sooner 
+    or later of the old religion. This scheme, though not disloyal, was 
+    extremely alarming to Elizabeth. Norfolk was nominally a Protestant. But she 
+    had placed him on the Commission as a representative of the Conservative 
+    party, believing that, while he would lend himself to hushing up Mary's 
+    guilt, his eyes would be opened to her real character. Yet here he was, like 
+    the Hamiltons, Campbells, and Douglases, ready to take her with her smirched 
+    reputation, simply for the chance of her two crowns. It was not a case of 
+    love, for he had never seen her. He seems to have been staggered for a 
+    moment by the sight of the casket letters, and to have doubted whether it 
+    was for his honour or even his safety to marry such a woman. But in the end, 
+    as we shall see, he swallowed his scruples. </font></p>
+    <p align="left"><font size="3">On discovering Norfolk's intrigue, Elizabeth 
+    hastily revoked the Commission, and ordered another investigation to be held 
+    by the most important peers and statesmen of England. The casket letters and 
+    the depositions were submitted to them. Mary's able and zealous advocate, 
+    the Bishop of Ross, could say nothing except that his mistress had sent him 
+    on the supposition that Moray was to be the defendant: let her appear in 
+    person before the Queen, and she would give reasons why Moray ought not to 
+    be allowed to advance any charges against her. To make no better answer than 
+    this was virtually to admit that the charges against her were unanswerable.
+    </font></p>
+    <p align="left"><font size="3">It was thought that she was now sufficiently 
+    frightened to be ready to accept Elizabeth's terms, and they were 
+    unofficially communicated to her. Her return to Scotland was no longer 
+    contemplated, for Moray had absolutely declined to charge her openly with 
+    the murder or produce the letters unless she were detained in England. But 
+    in order to get rid of the revolutionary proceedings at Loch Leven she 
+    herself, as it were of her own free will, and on the ground that she was 
+    weary of government, was to confer the crown on her son and the regency on 
+    Moray. James was to be educated in England. She herself was to reside in 
+    England as long as Elizabeth should find it convenient. It was not mentioned 
+    in the communication, but it was probably intended, that she should marry 
+    some Englishman of no political importance, in order to produce more 
+    children who would succeed James if, as was likely enough, he should die in 
+    his infancy. If she would accept these conditions the charges against her 
+    should be &quot;committed to perpetual silence;&quot; if not, the trial must go on, 
+    and the verdict could not be doubtful (December 1568). </font></p>
+    <p align="left"><font size="3">A woman less daring and less keen-sighted 
+    than Mary would assuredly, at this point, have given up the game, and 
+    thankfully accepted the conditions offered. They would not have prevented 
+    her from ascending the English throne if she had outlived Elizabeth. But 
+    that was a delay which she had always scouted as intolerable, and she was 
+    one to whom life was worth nothing if it meant defeat, retirement, even for 
+    a time, from the public scene, and the abandonment of long-cherished 
+    ambitions. Moreover her quick wit had divined that Elizabeth was using a 
+    threat which she did not mean to put into execution. There would be no 
+    verdict--not even any publication to the world of the evidence. Guilty 
+    therefore as she was, and aware that her guilt could be proved, she coolly 
+    faced &quot;the great extremities&quot; at which Elizabeth had hinted, and rejected 
+    the conditions. </font></p>
+    <p align="left"><font size="3">Perhaps even Mary's daring would have 
+    flinched from this bold game but for a quarrel between Elizabeth and Philip, 
+    to be mentioned presently. Hitherto Philip, much to his credit, had declined 
+    to interfere in Mary's behalf. To him, as to every one else, Catholic as 
+    well as Protestant, her guilt seemed evident. She had been only a scandal 
+    and embarrassment to the Catholic cause. But if there was to be war with 
+    England, every enemy of Elizabeth was a weapon to be used. Accordingly he 
+    now began, though reluctantly, to think of helping the Queen of Scots, and 
+    even of marrying her to his brother Don John of Austria. With the prospect 
+    of such backing it was not wonderful that she declined to own herself 
+    beaten. </font></p>
+    <p align="left"><font size="3">Elizabeth's calculations, though reasonable, 
+    were thus disappointed. The inquiry was dropped without any decision. The 
+    Regent was sent home with a small sum of money, and Mary remained in England 
+    (January 1569). </font></p>
+    </font><hr>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychapterfive.html">to Chapter 
+    V: Aristocratic Plots: 1568-1572</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="page_topic" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter IX</title>
+<style>
+</style>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
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+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER IX</b><br>
+      <b>EXECUTION OF THE QUEEN OF SCOTS: 1584-1587</b></div>
+    <p align="left"><font size="3">THROGMORTON'S plot--of which the Queen of 
+    Scots was undoubtedly cognisant, though it was not pressed against 
+    her--brought home to every one the danger in which Elizabeth stood (1584). 
+    To the Catholic conspiracy, the temptation to take her life was enormous. It 
+    was becoming clear that, while she lived, the much talked of insurrection 
+    would never come off. The large majority of Catholics would have nothing to 
+    do with it --still less with foreign invasion. They would obey their lawful 
+    sovereign. But if once Elizabeth were dead, by whatever means, their lawful 
+    sovereign would be Mary. The rebels would be the Protestants, if they should 
+    try to place any one else on the throne. The Protestants had no organisation. 
+    They had no candidate for the crown ready. It was to be feared that no great 
+    noble would step forward to lead them. Burghley himself, though longing as 
+    much as ever for Mary's head, had with a prudent eye to all eventualities, 
+    contrived some time before to persuade her that he was her well-wisher. 
+    Houses of Commons, it is true, had shown themselves strongly and 
+    increasingly Protestant. But with the demise of the crown, Parliament, if in 
+    being at the time, would be <i>ipso facto</i> dissolved. The Privy Council, 
+    in like manner, would cease to have any legal existence. Burghley, 
+    Walsingham, and the other new men of whom it was mostly composed, had no 
+    power or weight, except as instruments of the sovereign. Her death would 
+    leave them helpless. The country would take its direction not from them, but 
+    from the great nobles of large ancestral possessions. Nor could they provide 
+    for such an emergency by privately selecting a Protestant successor 
+    beforehand, and privately organising their partisans. It would have been as 
+    much as their lives were worth if their mistress had caught them doing 
+    anything of the kind. </font></p>
+    <p align="left"><font size="3">In this dilemma an ingenious plan suggested 
+    itself to them. They drew up a &quot;Bond of Association,&quot; by which the 
+    subscribers engaged that, if the Queen were murdered, they would never 
+    accept as successor any one &quot;by whom <i>or for whom</i>&quot; such act should be 
+    committed, but would &quot;prosecute such person to death.&quot; </font></p>
+    <p align="left"><font size="3">This was a hypothetical way of excluding Mary 
+    and organising a Protestant resistance to which Elizabeth could make no 
+    objection. But the ministers knew that, as a merely voluntary association 
+    without Parliamentary sanction, it would add little strength or confidence 
+    to the Protestant party. It would not even test their numbers; for no Marian 
+    ventured to refuse the oath. Mary herself desired to be allowed to take it. 
+    The bond was therefore converted into a Statute by Parliament, though not 
+    without some important alterations (March 1585). It was enacted that if the 
+    realm was invaded, or a rebellion instigated, by <i>or for</i> any one 
+    pretending a title to the succession, or if the Queen's murder was plotted 
+    by any one, or with the privity of any one that pretended title, such 
+    pretender, <i>after ezamination and judgment</i> by an extraordinary 
+    commission to be nominated by the Queen, and consisting of at least 
+    twenty-four privy councillors and lords of Parliament assisted by the chief 
+    judges, should be excluded from the succession, and that, on proclamation of 
+    the sentence and direction by the Queen, all subjects might and should 
+    pursue the offender to death. If the Queen were murdered, the lords of the 
+    Council at the time of her death, or the majority of them, should join to 
+    themselves at least twelve other lords of Parliament not making title to the 
+    crown, and the chief judges; and if, after examination, they should come to 
+    the above-mentioned conclusion, they should without delay, by all forcible 
+    and possible means, prosecute the guilty persons to death, and should have 
+    power to raise and use such forces as should in that behalf be needful and 
+    convenient; and no subjects should be liable to punishment for anything done 
+    according to the tenor of the Statute. </font></p>
+    <p align="left"><font size="3">Here, then, was a legal way provided by which 
+    the Protestant ministers might act against Mary if Elizabeth were murdered. 
+    They were in fact created a Provisional Government, with power to exclude 
+    Mary from the throne. Whether they would have the courage or strength to do 
+    so remained to be seen; but they would at least have formal law on their 
+    side. </font></p>
+    <p align="left"><font size="3">It had never entered into Mary's plans to 
+    wait for Elizabeth's natural death. She therefore read the new Act as a 
+    sentence of exclusion. Another blow soon fell on her. In 1584, elated by her 
+    son's victory over the raiders of Ruthven, and believing that he was willing 
+    to recognise her joint sovereignty and cooperate with a Guise invasion, she 
+    had scornfully refused the last overtures that Elizabeth ever made to her. 
+    She now learnt that he had never intended to accept association with her, 
+    and that he had urged Elizabeth not to release her. In the following year he 
+    had accepted an annual pension of £4000 with some grumbling at its amount; 
+    and a defensive alliance was at length concluded between the two countries, 
+    Mary's name not being mentioned in the treaty (July 1586). </font></p>
+    <p align="left"><font size="3">As the prospects of the Scottish Queen became 
+    darker both in England and her own country, she grew more desperate and 
+    reckless. Early in 1586, Walsingham contrived a way of regularly inspecting 
+    all her most secret correspondence. He soon discovered that she was 
+    encouraging Babington's plot for assassinating Elizabeth. Some of the 
+    conspirators, though avowed Catholics, had offices in the royal household; 
+    such was Elizabeth's easy-going confidence. It was hoped that Parma would at 
+    the moment of the murder land troops on the east coast. Mendoza, now Spanish 
+    ambassador in Paris, warmly encouraged the project. </font></p>
+    <p align="left"><font size="3">The Scottish Queen was now in the case 
+    contemplated by the Statute of the previous year. But it required all the 
+    urgency of the Council to prevail with Elizabeth to have her brought to 
+    trial. Elizabeth's whole conduct shows that she would even now have 
+    preferred to deal with her rival as she did in the inquiry into the Darnley 
+    murder. She would have been content to discredit her, to expose her guilt, 
+    and, if possible, to bring her to her knees confessing her crimes and 
+    pleading for mercy. But Mary was not of the temper to confess. Humiliation 
+    and effacement were to her worse than death. She chose to brazen it out with 
+    a well-grounded confidence that, as long as she asserted her innocence, 
+    people would always be found to believe in it, let the evidence be what it 
+    would. Besides, long impunity had convinced her that Elizabeth did not dare 
+    to take her life. </font></p>
+    <p align="left"><font size="3">There was nothing for it, therefore, but to 
+    bring her to trial. A Special Commission was nominated under the provisions 
+    of the Statute of 1585, consisting of forty-five persons--peers, privy 
+    councillors, and judges--who proceeded to Fotheringay Castle, whither Mary 
+    had been removed. She at first refused their jurisdiction; but on being 
+    informed that they would proceed in her absence, she appeared before them 
+    under protest (14 October 1586). After sitting at Fotheringay for two days, 
+    the Court adjourned to Westminster, where it pronounced her guilty (25 
+    October). A declaration was added that her disqualification for the 
+    succession, which followed by the Statute, did not affect any rights that 
+    her son might possess. The verdict was immediately known; but its 
+    proclamation was deferred till Parliament could be consulted. </font></p>
+    <p align="left"><font size="3">A general election had been held while the 
+    trial was going on, and Parliament met four days after its conclusion (29 
+    October). The whole evidence was gone into afresh. Not a word seems to have 
+    been said in Mary's favour; and an address was presented to the Queen 
+    praying for execution. If precedents were wanted for the capital punishment 
+    of an anointed sovereign, there were the cases of Agag, Jezebel, Athaliah, 
+    Deiotarus, king of Galatia, put to death by Julius Cæsar, Rhescuporis, king 
+    of Thrace, by Tiberius, and Conradin by Charles of Anjou. In vain did 
+    Elizabeth request them to reconsider their vote, and devise some other 
+    expedient. Usually so deferential to her suggestions, they reiterated their 
+    declaration that &quot;the Queen's safety could no way be secured as long as the 
+    Queen of Scots lived.&quot; </font></p>
+    <p align="left"><font size="3">Elizabeth's hesitation has been generally set 
+    down to hypocrisy. It has been taken for granted that she desired Mary's 
+    death, and was glad to have it pressed upon her by her subjects. I believe 
+    that her reluctance was most genuine. If not of generous disposition, 
+    neither was she revengeful or cruel. She had no animosity against her 
+    enemies. She lacked gall. She was never in any hurry to punish the 
+    disaffected, or even to weed them out of her service. She rather prided 
+    herself on employing them even about her person. Since her accession only 
+    two English peers had been put to death, though several had richly deserved 
+    it. She could affirm with perfect truth that, for the last fifteen years, 
+    she, and she alone, had stood between Mary and the scaffold, and this at 
+    great and increasing risk to her own life. </font></p>
+    <p align="left"><font size="3">There had, perhaps, been a time when to 
+    destroy the prospect of a Catholic succession would have driven the 
+    Catholics into rebellion. But that time had long gone by, as every one knew. 
+    Elizabeth had only two dangers now to fear, invasion and assassination, the 
+    latter being the most threatening. There would be little inducement to 
+    attempt it if Mary were not alive to profit by it. Yet Elizabeth hesitated. 
+    The explanation of her reluctance is very simple. She flinched from the 
+    obloquy, the undeserved obloquy, which she saw was in store for her. 
+    Careless to an extraordinary degree about her personal danger, she would 
+    have preferred, as far as she was herself concerned, to let Mary live. It 
+    was her ministers and the Protestant party who, for their own interest, were 
+    forcing her to shed her cousin's blood; and it seemed to her unfair that the 
+    undivided odium should fall, as she foresaw it would fall, on her alone.
+    </font></p>
+    <p align="left"><font size="3">The suspense continued through December and 
+    January. In the meantime it became abundantly clear that no foreign court 
+    would interfere actively to save Mary's life. While she had been growing old 
+    in captivity, new interests had sprung up, fresh schemes had been formed in 
+    which she had no place. She stood in the way of half-a-dozen ambitions. 
+    Everybody was weary of her and her wrongs and her pretensions. The Pope had 
+    felt less interest of late in a princess whose rights, if established, would 
+    pass to a Protestant heir. Philip could not intercede for her even if he had 
+    desired to save her life. He was already at war with England, and, if she 
+    had known it, not with any intention of supporting her claims. James by his 
+    recent treaty with England had tacitly treated his mother as an enemy. Her 
+    scheme for kidnapping and disinheriting him, found among her papers at 
+    Chartley, had been promptly communicated to him. Decency required that he 
+    should make a show of remonstrance and menace. But he had every reason to 
+    desire her death, and his only thought was to use the opportunity for 
+    extorting from Elizabeth a recognition of his title to the English crown and 
+    an increase of his pension. He sent the Master of Gray to drive this 
+    bargain. The very choice of his envoy, the man who had persuaded him to 
+    break with his mother, showed Elizabeth how the land lay, and she did not 
+    think it worth her while to bribe him in either way. The Marian nobles 
+    blustered and called for war. Not one of them wanted to see Mary back in 
+    Scotland or cared what became of her; but they had got an idea that Philip 
+    would pay them for a plundering raid into England, and the doubly lucrative 
+    prospect was irresistible. James, however, though pretending resentment and 
+    really sulky at his rebuff, knew his own interests too well to quarrel with 
+    England. What the action of the French King was is less certain. Openly he 
+    remonstrated with considerable vigour and persistence; not entering into the 
+    question of Mary's guilt, but protesting against the punishment of a Queen 
+    and a member of his family. Probably his efforts, so far as they went, were 
+    sincere, for he instructed his ambassador to bribe the English ministers if 
+    possible to save her life. But it was evident that, however offended Henry 
+    III might be by the execution of his sister-in-law, he would not be provoked 
+    into playing the game of Spain. </font></p>
+    <p align="left"><font size="3">A warrant for the execution had been drawn 
+    soon after the adjournment of Parliament, and all through December and 
+    January Elizabeth's ministers kept urging her to sign it. At length, when 
+    the Scotch and French ambassadors were gone, and with them the last excuse 
+    for delay, she signed it in the presence of Davison (who had lately been 
+    made co-secretary with Walsingham), and directed him to have it sealed (1 
+    February). What else passed between them on that occasion must always remain 
+    uncertain, because Davison's four written statements, and his answers at his 
+    trial, differ in important particulars not only from the Queen's account but 
+    from one another. So much, however, will to most persons who examine the 
+    evidence be very clear. Elizabeth meant the execution to take place. There 
+    is no reason to doubt Davison's statement that she &quot;forbade him to trouble 
+    her any further, or let her hear any more thereof till it was done, seeing 
+    that for her part she had now performed all that either in law or reason 
+    could be required of her.&quot; But signing the warrant, as both of them knew, 
+    was not enough. The formal delivery of it to some person, with direction to 
+    carry it out, was the final step necessary. This, by Davison's own 
+    admission, the Queen managed to evade. He saw that she wished to thrust the 
+    responsibility upon him and Walsingham, and he suspected that she meant to 
+    disavow them. Although, therefore, she had enjoined strict secrecy, he laid 
+    the matter before Hatton and Burghley. </font></p>
+    <p align="left"><font size="3">Burghley assembled in his own room the Earls 
+    of Derby and Leicester, Lords Howard of Effingham, Hunsdon, and Cobham, 
+    Knollys, Hatton, Walsingham, and Davison (3 February). (1) These ten were 
+    probably the only privy councillors then at Greenwich. He laid before them 
+    Davison's statement of what had passed between the Queen and himself at both 
+    interviews. He said that she had done as much as could be expected of her; 
+    that she evidently wished her ministers to take whatever responsibility 
+    remained upon themselves without informing her; and that they ought to do 
+    so. His proposal was agreed to. A letter was written to the Earls of Kent 
+    and Shrewsbury instructing them to carry out the execution. This letter all 
+    the ten signed, and it was at once despatched along with the warrant. They 
+    quite understood that Elizabeth would disavow them. They saw that she wished 
+    to have a pretext for saying that Mary had been put to death without her 
+    knowledge, and before she had finally made up her mind. They were willing to 
+    furnish her with this pretext. Of course there would be more or less of a 
+    storm to keep up the make-believe. But ten privy councillors acting together 
+    could not well be punished. </font></p>
+    <p align="left"><font size="3">On Thursday (9 February) the news of the 
+    execution arrived. Elizabeth now learnt for the first time that the 
+    responsibility which she had intended to fix on the two secretaries, one a 
+    nobody and the other no favourite, had been shared by eight others of the 
+    Council, including all its most important members. Storm at them the might 
+    and did, and all the more furiously because they had combined for 
+    self-protection. But to punish she whole ten was out of the question. Yet if 
+    no one were punished, with what face could she tender her improbable 
+    explanation to foreign courts? The unlucky Davison was singled out. He could 
+    be charged with divulging what he had been ordered to keep secret and 
+    misleading the others. He was tried before a Special Commission, fined 
+    10,000 marks, and imprisoned for some time in the Tower. The fine was 
+    rigidly exacted, and it reduced him to poverty. Burghley, whose tool he had 
+    been almost as much as Elizabeth's, took pains to make his disgrace 
+    permanent, because he wanted the secretaryship for his son, Robert Cecil.
+    </font></p>
+    <p align="left"><font size="3">The strange thing is, that Elizabeth not only 
+    expected her transparent falsehoods to be formally accepted as satisfactory, 
+    but hoped that they would be really believed. Her letter to James was an 
+    insult to his understanding. &quot;I would you knew (though not felt) the extreme 
+    dolour that overwhelms my mind, for that miserable accident which (far 
+    contrary to my meaning) hath befallen. . . . I beseech you that as God and 
+    many more know how innocent I am in this case, so you will believe me that 
+    if I had bid [bidden] ought I would have bid [abided] by it. . . . Thus 
+    assuring yourself of me that as I know this [the execution] was deserved, 
+    yet if I had meant it I would never lay it on others' shoulders, no more 
+    will I not damnify myself that thought it not.&quot; </font></p>
+    <p align="left"><font size="3">Little as James cared what became of his 
+    mother, it was impossible that he should not feel humiliated when he was 
+    expected to swallow such a pill as this --and ungilded too. He had no 
+    intention of going to war with the country of which he might now at any 
+    moment become the legitimate King. But to let Elizabeth see that unless he 
+    was paid he could be disagreeable, he winked at raids across the border and 
+    coquetted with the faction who were inviting Philip to send a Spanish army 
+    to Scotland. It was but a passing display of temper. The end of the year 
+    (1587) saw him again drawing close to Elizabeth, and she was able to give 
+    her undivided attention to the coming Armada. </font></p>
+    <p align="left"><font size="3">It cannot be seriously maintained that 
+    because Mary was not an English subject she could not be lawfully tried and 
+    punished for crimes committed in England. Those, if any there now be, who 
+    adopt her own contention that, being an anointed Queen, she was not amenable 
+    to any earthly tribunal, but to God alone, are beyond the reach of earthly 
+    argument. The English government had a right to detain her as a dangerous 
+    public enemy. She, on the other hand, had a right to resist such restraint 
+    if she could, and she might have carried conspiracy very far without 
+    incurring our blame. But for good reasons we draw a line at conspiracy to 
+    murder. No government ever did or will let it pass unpunished. If Napoleon 
+    at St. Helena had engaged in conspiracies for seizing the island, no one 
+    could have blamed him, even though they might have involved bloodshed. But 
+    if he had been convicted of plotting the assassination of Sir Hudson Lowe, 
+    he would assuredly have been hanged. </font></p>
+    <p align="left"><font size="3">That the execution was a wise and opportune 
+    stroke of policy can hardly be disputed. It broke up the Catholic party in 
+    England at the moment when their disaffection was about to be tempted by the 
+    appearance of the Armada. There had been a time when they had hopes of 
+    James. But he was now known to be a stiff Protestant. Only the small 
+    Jesuitical faction was prepared to accept Philip either as an heir of John 
+    of Gaunt or as Mary's legatee. There was no other Catholic with a shadow of 
+    a claim. The bulk of the party therefore ceased to look forward to a 
+    restoration of the old religion, and rallied to the cause of national 
+    independence. </font></p>
+    <div align="center">
+      <u><b>NOTE ON PAULET'S ALLEGED REFUSAL TO MURDER MARY</b></u></div>
+    <p align="left"><font size="3">I have not alluded in the text to the story, 
+    generally repeated by historians, that Elizabeth urged Paulet and Drury to 
+    murder Mary privately. There is no doubt that, after the signature of the 
+    warrant, Walsingham and Davison, by Elizabeth's direction, urged Paulet and 
+    Drury to put Mary to death, and that they refused. But was it a private 
+    murder that was meant or a public execution without delivery of the warrant? 
+    There is nothing in any of Davison's statements inconsistent with the latter 
+    and far more probable explanation. The blacker charge is founded solely on 
+    the two letters which are generally accepted as being those which passed 
+    between the secretaries and Paulet, but which may be confidently set down as 
+    impudent forgeries. They were first given to the world in 1722 by Dr. George 
+    Mackenzie, a violent Marian, who says that <i>a copy</i> of them was sent 
+    him by Mr. Urry of Christ Church, Oxford, and that they had been found among 
+    Paulet's papers. Two years later they were printed by Hearne, an Oxford 
+    Jacobite and Nonjuror, who says he got them from <i>a ropy</i> furnished him 
+    by a friend unnamed (Urry?), who told him he had <i>copied</i> them in 1717 
+    from a MS. letter-book of Paulet's. There is also a MS. <i>copy</i> in the 
+    Harleian collection, which contains erasures and emendations--an 
+    extraordinary thing in a copy. It is said to be in the handwriting of the 
+    Earl of Oxford himself. There is nothing to show whence he copied it. </font>
+    </p>
+    <p align="left"><font size="3">No one has ever seen the originals of these 
+    letters. Neither has any one, except Hearne's unnamed friend, seen the &quot;letterbook&quot; 
+    into which Paulet it; supposed to have copied them. Where had this 
+    &quot;letter-book&quot; been before 1717? Where was it in 1717? What became of it 
+    after 1717? To none of these questions is there any answer. The most 
+    rational conclusion is that the &quot;letter-book&quot; never existed, and that the 
+    letters were fabricated in the reign of George I. by some Oxford Jacobite, 
+    who thought it easier and more prudent to circulate <i>copies</i> than to 
+    attempt an imitation of Paulet's well-known handwriting, with all the other 
+    difficulties involved in forging a manuscript. </font></p>
+    <p align="left"><font size="3">But it may be said, Do not the letters fit in 
+    with Davison's narrative? Of course they do. It was for the very purpose of 
+    putting an odious meaning on that narrative that they were fabricated. It 
+    was known that letters about putting Mary to death had passed. The real 
+    letters had never been seen, and had doubtless been destroyed. Here 
+    therefore was a fine opportunity for manufacturing spurious ones.</font></p>
+    </font>
+    <hr>
+    <p align="left"><font style="font-family: Times New Roman"><b>Notes:</b> 1. 
+    The remaining Privy Councillors were Archbishop Whitgift, Lord Chancellor 
+    Bromley, the Earls of Shrewsbury and Warwick, Lord Buckburst, Sir James 
+    Crofts, Sir Ralph Sadler, Sir Walter Mildmay, Sir Amyas Pualet, and the 
+    Latin Secretary, Wolley.</font></p>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychapterten.html">to Chapter 
+    X: War with Spain: 1587-1603</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082627" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="page_topic" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter I</title>
+<style>
+</style>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+.3text {font-size: 12 px;}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER <font class="highlight_yellow">I</font></b><br>
+      <b>EARLY LIFE: 1533-1558</b></div>
+    <p class="3text" align="left"><font class="highlight_yellow"><font size="3">
+    I</font></font><font size="3"> HAVE to deal, under strict limitations of 
+    space, with a long life, almost the whole of its adult period passed in the 
+    exercise of sovereignty--a life which is in effect the history of England 
+    during forty-five years, abounding at the same time in personal interest, 
+    and the subject, both in its public and private aspects, of fierce and 
+    probably interminable controversies. Evidently a bird's-eye view is all that 
+    can be attempted; and the most important episodes alone can be selected for 
+    consideration. </font></p>
+    <p class="3text" align="left"><font size="3">The daughter of Henry VIII and 
+    Anne Boleyn was born on 6 September 1533. Anne was niece of Thomas, third 
+    Duke of Norfolk, and all the great Howard kinsmen attended at the baptism 
+    four days afterwards. <font class="highlight_yellow">Elizabeth</font> was 
+    two years and eight months old when her mother was beheaded, and she herself 
+    was declared illegitimate by Act of Parliament. It is not recorded that in 
+    after years she expressed any opinion about her mother or ever mentioned her 
+    name. She never took any steps to get the Act of Attainder repealed; but 
+    perhaps she indirectly showed her belief in Anne's innocence by raising the 
+    son of Norris, her alleged paramour, to the peerage, and by the great favour 
+    she always showed to his family. </font></p>
+    <p class="3text" align="left"><font size="3">During her father's life 
+    Elizabeth lived chiefly at Hatfield with her brother Edward, under a 
+    governess. Henry had been empowered by Parliament in 1536 to settle the 
+    succession by his will. In 1544 he caused an Act to be passed placing Mary 
+    and Elizabeth next in order of succession after Edward. By his will, made a 
+    few days before his death, he repeated the provisions of the Act of 1544, 
+    and placed next to Elizabeth the daughters of his younger sister, the 
+    Duchess of Suffolk, tacitly passing over his elder sister, the Queen of 
+    Scotland. </font></p>
+    <p class="3text" align="left"><font size="3">After her father's death 
+    (January 1547) Elizabeth, then a girl of thirteen, went to reside with the 
+    Queen Dowager Catherine, who had not been many weeks a widow before she 
+    married her old lover Thomas Seymour, the Lord Admiral, brother of the 
+    Protector Somerset, described as &quot;fierce in courage, courtly in fashion, in 
+    personage stately, in voice magnificent, but somewhat empty of matter.&quot; The 
+    romping that soon began to go on between this dangerous man and Elizabeth 
+    was of such a nature that early in the next year Catherine found it 
+    necessary to send her away somewhat abruptly. From that time she resided 
+    chiefly at Hatfield. </font></p>
+    <p class="3text" align="left"><font size="3">In August 1548 Catherine died, 
+    and the Admiral at once formed the project of marrying Elizabeth. This and 
+    other ambitious designs brought him to the scaffold (March 1549). It does 
+    not appear that Elizabeth saw or directly corresponded with him after he was 
+    a widower. But she listened to his messages, and dropped remarks of an 
+    encouraging kind which she meant to be repeated to him. She knew perfectly 
+    well that the marriage would not be permitted. She was only flirting with a 
+    man old enough to be her father just as she afterwards flirted with men 
+    young enough to be her sons. We already get a glimpse of the utter absence 
+    both of delicacy and depth of feeling which characterised her through life. 
+    When she heard of the Admiral's execution she simply remarked, &quot;This day 
+    died a man with much wit and very little judgment.&quot; With Elizabeth the heart 
+    never really spoke, and if the senses did, she had them under perfect 
+    control. And this was why she never loved or was loved, and never has been 
+    or will be regarded with enthusiasm by either man or woman. For some time 
+    after this scandal she was evidently somewhat under a cloud. She lived at 
+    her manor-houses of Ashridge, Enfield, and Hatfield, diligently pursuing her 
+    studies under the celebrated scholar Ascham. </font></p>
+    <p class="3text" align="left"><font size="3">When Edward died (6 July 1553) 
+    Elizabeth was nearly twenty. Although Mary's cause was her own, she remained 
+    carefully neutral during the short queen-ship of Jane. On its collapse she 
+    hastened to congratulate her sister, and rode by her side when she made her 
+    entry into London. During the early part of Mary's reign her life hung by a 
+    thread. The slightest indiscretion would have been fatal to her. Wyatt's 
+    insurrection was made avowedly in her favour. But neither to that nor any 
+    other conspiracy did she extend the smallest encouragement. Her prudent and 
+    blameless conduct gave her the more right in after years to deal severely 
+    with Mary Stuart, whose behaviour under precisely similar circumstances was 
+    so very different. </font></p>
+    <p class="3text" align="left"><font size="3">Renard, the Spanish ambassador, 
+    demanded her execution as the condition of the Spanish match, and Mary 
+    assured him that she would do her best to satisfy him. In the time of Henry 
+    VIII. such an intention on the part of the sovereign would have been 
+    equivalent to a sentence of death. But Mary was far from being as powerful 
+    as her father. The Council had to be reckoned with, and in the Council 
+    independent and even peremptory language was now to be heard. It was not 
+    without strong protests on the part of some of the Lords that Elizabeth was 
+    sent to the Tower, Sussex, a noble of the old blood, who was charged to 
+    conduct her there, took upon him to delay her departure, that she might 
+    appeal to the Queen for an interview. Mary was furious: &quot;For their lives,&quot; 
+    she said, &quot;they durst not have acted so in her father's time; she wished he 
+    was alive and among them for a single month.&quot; But it was usless to storm. 
+    The absolute monarchy had seen its best days. Sussex, fearing foul play, 
+    warned the Lieutenant of the Tower to keep within his written instructions. 
+    Howard of Effingham, the Lord Admiral, had done more than any one else to 
+    place Mary on the throne. But he was Elizabeth's great-uncle, and he angrily 
+    insisted that her food in the Tower should be prepared by her own servants. 
+    A proposal in Parliament to give the Queen the power to nominate a successor 
+    was received with such disfavour that it had to be withdrawn. Finally the 
+    judges declared that there was no evidence to convict Elizabeth. Sullenly 
+    therefore the Queen had to give way. </font></p>
+    <p class="3text" align="left"><font size="3">Elizabeth was sent to 
+    Woodstock, where she resided for about a year under guard. This was only 
+    reasonable. An heir to the throne, in whose favour there had been plots, 
+    could not expect complete freedom. In October 1555 she was allowed to go to 
+    Hatfield under the surveillance of Sir Thomas Pope. During the rest of the 
+    reign she escaped molestation by outward conformity to the Catholic 
+    religion, and by taking no part whatever in politics. But as it became clear 
+    that her accession was at hand there can be no doubt that she was engaged in 
+    studying the problems with which she would have to deal. She was already in 
+    close intimacy with Cecil, and it is evident that she mounted the throne 
+    with a policy carefully thought out in its main lines. </font></p>
+    <p class="3text" align="left"><font size="3">When Mary was known to be 
+    dying, the Spanish ambassador, Feria, called on Elizabeth, and told her that 
+    his master had exerted his influence with the Queen and Council on her 
+    behalf, and had secured her succession. But she declined to be patronised, 
+    and told him that the people and nobility were on her side. </font></p>
+    </font>
+    <hr>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychaptertwo.html">to Chapter 
+    II: The Change of Religion: 1559</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082620" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="page_topic" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter VII</title>
+<style>
+</style>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER VII</b><br>
+      <b>THE PAPAL ATTACK: 1570-1583</b></div>
+    <p align="left">SOVEREIGNS and statesmen in the sixteenth century are to be 
+    honoured or condemned according to the degree in which they aimed on the one 
+    hand at preserving political order, and on the other at allowing freedom of 
+    opinion. It was not always easy to reconcile these two aims. The first was a 
+    temporary necessity, and yet was the more urgent--as indeed is always the 
+    case with the tasks of the--statesman. He is responsible for the present; it 
+    is not for him to attempt to provide for a remote future. Political order 
+    and the material well-being of nations may be disastrously impaired by the 
+    imprudence or weakness of a ruler. Thought, after all, may be trusted to 
+    take care of itself in the long-run. </p>
+    <p align="left">To the modern Liberal, with his doctrine of absolute 
+    religious equality, toleration seems an insult, and anything short of 
+    toleration is regarded as persecution. In the sixteenth century the most 
+    advanced statesmen did not see their way to proclaim freedom of public 
+    worship and of religious discussion. It was much if they tolerated freedom 
+    of opinion, and connived at a quiet, private propagation of other religions 
+    than those established by law. It would be wrong to condemn and despise them 
+    as actuated by superstition and narrow-minded prejudice. Their motives were 
+    mainly political, and it is reasonable to suppose that they knew better than 
+    we do whether a larger toleration was compatible with public order. </p>
+    <p align="left">We have seen that under the Act of Supremacy, in the first 
+    year of Elizabeth, the oath was only tendered to persons holding office, 
+    spiritual or temporal, under the crown, and that the penalty for refusing it 
+    was only deprivation. But in her fifth year (1563), it was enacted that the 
+    oath might be tendered to members of the House of Commons, schoolmasters, 
+    and attorneys, who, if they refused it, might be punished by forfeiture of 
+    property and perpetual imprisonment. To those who had held any 
+    ecclesiastical office, or who should openly disapprove of the established 
+    worship, or celebrate or hear mass, the oath might be tendered a second 
+    time, with the penalties of high treason for refusal. </p>
+    <p align="left">That this law authorised an atrocious persecution cannot be 
+    disputed, and there is no doubt that many zealous Protestants wished it to 
+    be enforced. But the practical question is, Was it enforced? The government 
+    wished to be armed with the power of using it, and for the purpose of 
+    expelling Catholics from offices it was extensively used. But no one was at 
+    this time visited with the severer penalties, the bishops having been 
+    privately forbidden to tender the oath a second time to any one without 
+    special instructions. </p>
+    <p align="left">The Act of Uniformity, passed in the first year of 
+    Elizabeth, prohibited the use of any but the established liturgy, whether in 
+    public or private, under pain of perpetual imprisonment for the third 
+    offence, and imposed a fine of one shilling on recusants--that is, upon 
+    persons who absented themselves from church on Sundays and holidays. To what 
+    extent Catholics were interfered with under this Act has been a matter of 
+    much dispute. Most of them, during the first eleven years of Elizabeth, 
+    either from ignorance or worldliness, treated the Anglican service as 
+    equivalent to the Catholic, and made no difficulty about attending church, 
+    even after this compliance with the law had been forbidden by Pius IV in the 
+    sixth year of Elizabeth. Only the more scrupulous absented themselves, and 
+    called in the ministrations of the &quot;old priests,&quot; who with more or less 
+    secrecy said mass in private houses. Some of these offenders were certainly 
+    punished before Elizabeth had been two years on the throne. The enforcement 
+    of laws was by no means so uniform in those days as it is now. Much depended 
+    on the leanings of the noblemen and justices of the peace in different 
+    localities. Both from disposition and policy Elizabeth desired, as a general 
+    rule, to connive at Catholic nonconformity when it did not take an 
+    aggressive and fanatical form. But she had no scruple about applying the 
+    penalties of these Acts to individuals who for any reason, religious or 
+    political, were specially obnoxious to her. </p>
+    <p align="left">So things went on till the northern insurrection: the laws 
+    authorising a searching and sanguinary persecution; the Government, much to 
+    the disgust of zealous Protestants, declining to put those laws in 
+    execution. Judged by modern ideas, the position of the Catholics was 
+    intolerable; but if measured by the principles of government then 
+    universally accepted, or if compared with the treatment of persons ever so 
+    slightly suspected of heresy in countries cursed with the Inquisition, it 
+    was not a position of which they had any great reason to complain; nor did 
+    the large majority of them complain. </p>
+    <p align="left">Pope Pius IV (1559-1566) was comparatively cautious and 
+    circumspect in his attitude towards Elizabeth. But his successor Pius V 
+    (1566-1572), having made up his mind that her destruction was the one thing 
+    necessary for the defeat of heresy in Europe, strove to stir up against her 
+    rebellion at home and invasion from abroad. A bull deposing her, and 
+    absolving her subjects from their allegiance, was drawn up. But while Pius, 
+    conscious of the offence which it would give to all the sovereigns of 
+    Europe, delayed to issue it, the northern rebellion flared up and was 
+    trampled out. The absence of such a bull was by many Catholics made an 
+    excuse for holding aloof from the rebel earls. When it was too late the bull 
+    was issued (February 1570). Philip and Charles IX--sovereigns first and 
+    Catholics afterwards--refused to let it be published in their dominions. </p>
+    <p align="left">After the northern insurrection the Queen issued a 
+    remarkable appeal to her people, which was ordered to be placarded in every 
+    parish, and read in every church. She could point with honest pride to 
+    eleven years of such peace abroad and tranquillity at home as no living 
+    Englishman could remember. Her economy had enabled her to conduct the 
+    government without any of the illegal exactions to which former sovereigns 
+    had resorted. &quot;She had never sought the life, the blood, the goods, the 
+    houses, estates or lands of any person in her dominions.&quot; This happy state 
+    of things the rebels had tried to disturb on pretext of religion. They had 
+    no real grievance on that score. Attendance at parish church was indeed 
+    obligatory by law, though, she might have added, it was very loosely 
+    enforced. But she disclaimed any wish to pry into opinions, or to inquire in 
+    what sense any one understood rites or ceremonies. In other words, the 
+    language of the communion service was not incompatible with the doctrine of 
+    transubstantiation, and loyal Catholics were at liberty, were almost 
+    invited, to interpret it in that sense if they liked. </p>
+    <p align="left">This compromise between their religious and political 
+    obligations had in fact been hitherto adopted by the large majority of 
+    English Catholics. But a time was come when it was to be no longer possible 
+    for them. They were summoned to make their choice between their duty as 
+    citizens and their duty as Catholics. The summons had come, not from the 
+    Queen, but from the Pope, and it is not strange that they had thenceforth a 
+    harder time of it. Many of them, indignant with the Pope for bringing 
+    trouble upon them, gave up the struggle and conformed to the Established 
+    Church. The temper of the rest became more bitter and dangerous. The Puritan 
+    Parliament of 1571 passed a bill to compel all persons not only to attend 
+    church, but to receive the communion twice a year; and another making formal 
+    reconciliation to the Church of Rome high treason both for the convert and 
+    the priest who should receive him. Here we have the persecuting spirit, 
+    which was as inherent in the zealous Protestant as in the zealous Catholic. 
+    Attempts to excuse such legislation, as prompted by political reasons, can 
+    only move the disgust of every honest-minded man. The first of these bills 
+    did not receive the royal assent, though Cecil--just made Lord Burghley--had 
+    strenuously pushed it through the Upper House. Elizabeth probably saw that 
+    its only effect would be to enable the Protestant zealots in every parish to 
+    enjoy the luxury of harassing their quiet Catholic neighbours, who attended 
+    church but would scruple to take the sacrament. </p>
+    <p align="left">The Protestant spirit of this House of Commons showed itself 
+    not only in laws for strengthening the Government and persecuting the 
+    Catholics, but in attempts to puritanise the Prayer-book, which much 
+    displeased the Queen. Strickland, one of the Puritan leaders, was forbidden 
+    to attend the House. But such was the irritation caused by this invasion of 
+    its privileges, that the prohibition was removed after one day. It was in 
+    this session of Parliament that the doctrines of the Church of England were 
+    finally determined by the imposition on the clergy of the Thirty-nine 
+    Articles, which, as every one knows, are much more Protestant than the 
+    Prayer-book. Till then they had only had the sanction of Convocation. </p>
+    <p align="left">During the first forty years or so, from the beginning of 
+    the Reformation, Protestantism spread in most parts of Europe with great 
+    rapidity. It was not merely an intellectual revolt against doctrines no 
+    longer credible. The numbers of the reformers were swelled, and their force 
+    intensified by the flocking in of pious souls, athirst for personal 
+    holiness, and of many others who, without being high-wrought enthusiasts, 
+    were by nature disposed to value whatever seemed to make for a purer 
+    morality. The religion which had nurtured Bernard and À Kempis was deserted, 
+    not merely as being untrue, but as incompatible with the highest spiritual 
+    life--nay, as positively corrupting to society. This imagination, of course, 
+    had but a short day. The return to the Bible and the doctrines of primitive 
+    Christianity, the deliverance from &quot;the Bishop of Rome and his detestable 
+    enormities,&quot; were not found to be followed by any general improvement of 
+    morals in Protestant countries. He that was unjust was unjust still; he that 
+    was filthy was filthy still. The repulsive contrast too often seen between 
+    sanctimonious professions and unscrupulous conduct contributed to the 
+    disenchantment. </p>
+    <p align="left">In the meanwhile a great regeneration was going on within 
+    the Catholic Church itself. Signs of this can be detected quite as early as 
+    the first rise of Protestantism. It is, therefore, not to be attributed to 
+    Protestant teaching and example, though doubtless the rivalry of the younger 
+    religion stimulated the best energies of the older. No long time elapsed 
+    before this regeneration had worked its way to the highest places in the 
+    Church. The Popes by whom Elizabeth was confronted were all men of pure 
+    lives and single-hearted devotion to the Catholic cause. </p>
+    <p align="left">The last two years of the Council of Trent (1562-3) were the 
+    starting-point of the modern Catholic Church. Many proposals had been made 
+    for compromise with Protestantism. But the Fathers of Trent saw that the 
+    only chance of survival for a Church claiming to be Catholic was to remain 
+    on the old lines. By the canons and decrees of the Council, ratified by Pius 
+    IV., the old doctrines and discipline were confirmed and definitely 
+    formulated. One branch indeed of the Papal power was irretrievably gone. 
+    Royal authority had become absolute, and the kings, including Philip II., 
+    refused to tolerate any interference with it. The Papacy had to acquiesce in 
+    the loss of its power over sovereigns. But as regards the bishops and 
+    clergy, and things strictly appertaining to religion, its spiritual 
+    autocracy, which the great councils of the last century had aimed at 
+    breaking, was re-established, and has continued. The new situation, though 
+    it seemed to place the Popes on a humbler footing than in the days of 
+    Gregory VII. or Innocent III., was a healthy one. It confined them to their 
+    spiritual domain, and drove them to make the best of it. </p>
+    <p align="left">Until the decrees of the Council of Trent, the split between 
+    Protestants and Catholics was not definitely and irrevocably decided. Many 
+    on both sides had shrunk from admitting it. The Catholic world might seem to 
+    be narrowed by the defection of the Protestant States. But all the more 
+    clearly did it appear that a Church claiming to be universal is not 
+    concerned with political boundaries. The resistance to the spread of heresy 
+    had hitherto consisted of many local struggles, in which the repressive 
+    measures had emanated from the orthodox sovereigns, and had therefore been 
+    fitful and unconnected. But not long after the Tridentine reorganisation, 
+    the Pope appears again as commander-in-chief of the Catholic forces, 
+    surveying and directing combined operations from one end of Europe to the 
+    other. Pius IV. had been with difficulty prevented by Philip from 
+    excommunicating Elizabeth. Pius V had launched his bull, as we have seen, a 
+    few months too late (1570); and even then it was not allowed to be published 
+    in either Spain or France. The life of that Pope was wasted in earnest 
+    remonstrances with the Catholic sovereigns for not executing the sentence of 
+    the Church against the heretic Queen. Gregory XIII, who succeeded him just 
+    before the Bartholomew Massacre, took the attack into his own hands. He was 
+    a warm patron of the Jesuits, who were especially devoted to the 
+    centralising system re-established at Trent. He and they had made up their 
+    minds that England was the key of the Protestant position; that until 
+    Elizabeth was removed no advance was to be hoped for anywhere. </p>
+    <p align="left">The decline of a religion may be accompanied by a positive 
+    increase of earnestness and activity on the part of its remaining votaries, 
+    deluding them into a belief that they are but passing through, or have 
+    successfully passed through, a period of temporary depression and eclipse. 
+    Among the Catholics of the latter part of the sixteenth century there was 
+    all the enthusiasm of a religious revival. In no place did this show itself 
+    more than at Oxford. There the weak points of popular movements have never 
+    been allowed to pass without challenge, and what is really valuable or 
+    beautiful in time worn faiths has been sure of receiving fair-play and 
+    something more. The gloss of the Reformation was already worn off. The 
+    worldly and carnal were its supporters and directors. It no longer demanded 
+    enthusiasm and sacrifice. It walked in purple and fine linen. Young men of 
+    quick intellect and high aspirations who, a generation earlier, would have 
+    been captivated by its fair promise and have thrown themselves into its 
+    current, yielded now to the eternal spell of the older Church, cleansed as 
+    she was of her pollutions, and purged of her dross by the discipline of 
+    adversity. </p>
+    <p align="left">The leader of these Oxford enthusiasts was a young fellow of 
+    Oriel, William Allen. In the third year of Elizabeth, at the age of 
+    twenty-eight, he resigned the Principalship of St. Mary Hall. The next eight 
+    years were spent partly abroad, partly in secret missionary work in England, 
+    carried on at the peril of his life. The old priests, who with more or less 
+    concealment and danger continued to exercise their office among the English 
+    Catholics, were gradually dying off. In order to train successors to them, 
+    Allen founded an English seminary at Douai (1568). To this important step it 
+    was mainly due that the Catholic religion did not become extinct in this 
+    country. In the first five years of its existence the college at Douai sent 
+    nearly a hundred priests to England. </p>
+    <p align="left">It was the aim of Allen to put an end to the practical 
+    toleration allowed to Catholic laymen of the quieter sort. The Catholic who 
+    began by putting in the compulsory number of attendances at his parish 
+    church was likely to end by giving up his faith altogether. If he did not, 
+    his son would. Allen deliberately preferred a sweeping persecution--one that 
+    would make the position of Catholics intolerable, and ripen them for 
+    rebellion. He wanted martyrs. The ardent young men whom he trained at Douai 
+    and (after 1578) at Rheims, went back to their native land with the clear 
+    understanding that of all the services they could render to the Church the 
+    greatest would be to die under the hangman's knife. </p>
+    <p align="left">Gregory XIII hoped great things from Allen's seminary, and 
+    furnished funds for its support. In 1579 Allen went to Rome, and enlisted 
+    the support of Mercurian, General of the Jesuits. Two English Jesuits, 
+    Robert Parsons and Edward Campion, exfellows of Balliol and St. John's, were 
+    selected as missionaries. Campion was eight years younger than Allen. He had 
+    had a brilliant career at Oxford, being especially distinguished for his 
+    eloquence. He was at that time personally known to both Cecil and the Queen, 
+    and enjoyed their favour. He took deacon's orders in 1568, but not long 
+    afterwards joined Allen at Douai, and formally abjured the Anglican Church. 
+    He had been six years a Jesuit when he was despatched on his dangerous 
+    mission to England. </p>
+    <p align="left">Tired of waiting for the initiative of Philip, Gregory XIII. 
+    and the Jesuits had planned a threefold attack on Elizabeth in England, 
+    Scotland, and Ireland. In England a revivalist movement was to be carried on 
+    among the Catholics by the missionaries. Catholic writers have been at great 
+    pains to argue that this was a purely religious movement, prosecuted with 
+    the single object of saving souls. The Jesuits have always known their men 
+    and employed them with discrimination. Saving of souls was very likely the 
+    simple object of a man of Campion's saintly and exalted nature. He himself 
+    declared that he had been strictly forbidden to meddle with worldly concerns 
+    or affairs of State, and nothing inconsistent with this declaration was 
+    proved against him at his trial. But without laying any stress on statements 
+    extracted from prisoners under torture, we cannot doubt that his employers 
+    aimed at re-establishing Catholicism in England by rebellion and foreign 
+    invasion. This was thoroughly understood by every missionary who crossed the 
+    sea; and if Campion never alluded to it even in his most familiar 
+    conversations he must have had an extraordinary control over his tongue. </p>
+    <p align="left">The evidence that the assassination of the Queen was a 
+    recognised part of the Jesuit plan, determined by the master spirits and 
+    accepted by all the subordinate agents, is perhaps not quite conclusive. If 
+    proved, it would only show that they were not more scrupulous than most 
+    statesmen and politicians of the time. Lax as sixteenth century notions were 
+    about political murder, there were always some consciences more tender than 
+    others. It is likely enough that Campion personally disapproved of such 
+    projects, and that they were not thrust upon his attention. But he can 
+    hardly have avoided being aware that they were contemplated by the less 
+    squeamish of his brethren. </p>
+    <p align="left">Campion and Parsons came to England in disguise in the 
+    summer of 1580. Their mission was not a success. It only served to show how 
+    much more securely Elizabeth was seated on her throne than in the earlier 
+    years of her reign. In his letters to Rome, Campion boasts of the welcome he 
+    met with everywhere, the crowds that attended his preaching, the ardour of 
+    the Catholics, and the disrepute into which Protestantism was falling. He 
+    had evidently worked himself up to such a state of ecstasy that he was 
+    living in a world of his own imagination, and was no competent witness of 
+    facts. He crept about England in various disguises, and when he was in 
+    districts where the nobles and gentry favoured the old religion, he preached 
+    with a publicity which seems extraordinary to us in these days when the laws 
+    are executed with prompt uniformity by means of railways, telegraphs, and a 
+    well-organised police. In the sixteenth century England had nothing that can 
+    be called an organised machinery for the prevention and detection of crime. 
+    If an outbreak occurred the Government collected militia, and trampled it 
+    out with an energy that took no account of law and feared no consequences. 
+    But in ordinary times it had to depend on the local justices of the peace 
+    and parish constables, and if they were remiss the laws were a dead letter. 
+    There were no newspapers. The high-roads were few and bad. One parish did 
+    not know what was going on in the next. Campion could be passed on from one 
+    gentleman's house to another on horses quite as good as any officer of the 
+    Government rode, and could travel all over England without ever using a 
+    high-road or showing his face in a town. If he preached to a hundred people 
+    in some Lancashire village, Lord Derby did not want to know it, and before 
+    the news reached Burghley or Walsingham he would be in another county, or 
+    perhaps back in London--then, as now, the safest of all hiding-places. Thus, 
+    though a warrant was issued for his arrest as soon as he arrived in England, 
+    it was not till July in the next year (1581) that he was taken, after an 
+    unusually public and pro. tracted appearance in the neighbourhood of Oxford.
+    </p>
+    <p align="left">He had little or nothing to show for his twelve months' 
+    tour, and this although the Government had, as Allen hoped, allowed itself 
+    to be provoked into an increase of severity which seems to have been quite 
+    unnecessary. The large majority of Catholic laymen would evidently have 
+    preferred that both Seminarists and Jesuits should keep away. They did not 
+    want civil war. They did not want to be persecuted. They were against a 
+    foreign invasion, without which they knew very well that Elizabeth could not 
+    be deposed. They were even loyal to her. They were content to wait till she 
+    should disappear in the course of nature and make room for the Queen of 
+    Scots. Mendoza writes to Philip that &quot;they place themselves in the hands of 
+    God, and are willing to sacrifice life and all in the service, <i>but 
+    scarcely with that burning zeal which they ought to show</i>.&quot; </p>
+    <p align="left">By the bull of Pius V, Englishmen were forbidden to 
+    acknowledge Elizabeth as their Queen; in other words, they were ordered to 
+    expose themselves to the penalties of treason. If the Pope would be 
+    satisfied with nothing less than this, it was quite certain that he would 
+    alienate most of his followers in England. Gregory XIII therefore had 
+    authorised the Jesuits to explain that although the Protestants, by <i>
+    willingly</i> acknowledging the Queen, were incurring the damnation 
+    pronounced by the bull, Catholics would be excused for <i>unwillingly</i> 
+    acknowledging her until some opportunity arrived for dethroning her. 
+    Protestant writers have exclaimed against this distinction as treacherous. 
+    It was perfectly reasonable. It represents, for instance, the attitude of 
+    every Alsatian who accords an unwilling recognition to the German Emperor. 
+    But the English Government intolerantly and unwisely made it the occasion 
+    for harassing the consciences of men who were most of them guiltless of any 
+    intention to rebel. </p>
+    <p align="left">Amongst other persecuting laws passed early in 1581, was one 
+    which raised the fine for non-attendance at church to twenty pounds a month. 
+    Such a measure was calculated to excite much more wide-spread disaffection 
+    than the hanging of a few priests. It was not intended to be a <i>brutum 
+    fulmen</i>. The names of all recusants in each parish were returned to the 
+    Council. They amounted to about 50,000, and the fines exacted became a not 
+    inconsiderable item in the royal revenue. That number certainly formed but a 
+    small portion of the Catholic population. But if all the rest had been in 
+    the habit of going to church, contrary to the Pope's express injunction, 
+    rather than pay a small fine, the Government ought to have seen that they 
+    were not the stuff of which rebels are made. </p>
+    <p align="left">Campion, after being compelled by torture to disclose the 
+    names of his hosts in different counties, was called on to maintain the 
+    Catholic doctrines in a three days' discussion before a large audience 
+    against four Protestant divines, who do not seem to have been ashamed of 
+    themselves. He was offered pardon if he would attend once in church. As he 
+    steadfastly refused, he was racked again till his limbs were dislocated. 
+    When he had partially recovered he was put on his trial, along with several 
+    of his companions, not under any of the recent anti-catholic laws but under 
+    the ordinary statute of Edward III., for &quot;compassing and imagining the 
+    Queen's death&quot;--such a horror had the Burghleys and Walsinghams of anything 
+    like religious persecution! Being unable to hold up his hand to plead Not 
+    Guilty, &quot;two of his companions raised it for him, first kissing the broken 
+    joints.&quot; According to Mendoza (whom on other occasions we are invited to 
+    accept as a witness of truth), his nails had been torn from his fingers. 
+    Apart from his religious belief nothing treasonable was proved against him 
+    in deed or word. He acknowledged Elizabeth for his rightful sovereign, as 
+    the new interpretation of the papal bull permitted him to do, but he 
+    declined to give any opinion about the Pope's right to depose princes. This 
+    was enough for the judge and jury, and he was found guilty. At the place of 
+    execution he was again offered his pardon if he would deny the papal right 
+    of deposition, or even hear a Protestant sermon. He wished the Queen a long 
+    and quiet reign and all prosperity, but more he would not say. At the 
+    quartering &quot;a drop of blood spirted on the clothes of a youth named Henry 
+    Walpole, to whom it came as a divine command. Walpole, converted on the 
+    spot, became a Jesuit, and soon after met the same fate on the same spot.&quot;
+    </p>
+    <p align="left">Mr. Froude's comment is that &quot;if it be lawful in defence of 
+    national independence to kill open enemies in war, it is more lawful to 
+    execute the secret conspirator who is teaching doctrines in the name of God 
+    which are certain to be fatal to it.&quot; It would perhaps be enough to remark 
+    that this reasoning amply justifies some of the worst atrocities of the 
+    French Revolution. Hallam and Macaulay have condemned it by anticipation in 
+    language which will commend itself to all who are not swayed by religious, 
+    or, what is more offensive, anti-religious bigotry.</p>
+    <p align="left">Cruel as the English criminal law was, and long remained, it 
+    never authorised the use of torture to extract confession. The rack in the 
+    Tower is said to have made its appearance, with other innovations of 
+    absolute government, in the reign of Edward IV But it seems to have been 
+    little used before the reign of Elizabeth, under whom it became the ordinary 
+    preliminary to a political trial. For this the chief blame must rest 
+    personally on Burghley. Opinions may differ as to his rank as a statesman, 
+    but no one will contest his eminent talents as a minister of police. In the 
+    former capacity he had sufficient sense of shame to publish a Pecksniffian 
+    apology for his employment of the rack. &quot;None,&quot; he says, &quot;of those who were 
+    at any time put to the rack were asked, during their torture, any question 
+    as to points of doctrine, but merely concerning their plots and 
+    conspiracies, and the persons with whom they had dealings, and <i>what was 
+    their own opinion</i> as to the Pope's right to deprive the Queen of her 
+    crown.&quot; What was this but a point of doctrine? The wretched victim who 
+    conscientiously believed it (as all Christendom once did), but wished to 
+    save himself by silence, was driven either to tell a lie or to consign 
+    himself to rope and knife. &quot;The Queen's servants, the warders, whose office 
+    and act it is to handle the rack, were ever, by those that attended the 
+    examinations, specially charged to use it in so charitable a manner as such 
+    a thing might be.&quot; It may be hoped that there are not many who would dissent 
+    from Hallam's remark that &quot;such miserable excuses serve only to mingle 
+    contempt with our detestation.&quot; He adds: &quot;It is due to Elizabeth to observe 
+    that she ordered the torture to be disused.&quot; I do not know what authority 
+    there is for this statement. Three years later the Protestant Archbishop of 
+    Dublin was puzzled how to torture the Catholic Archbishop of Cashel, because 
+    there was no &quot;rack or other engine&quot; in Dublin. Walsingham, on being 
+    consulted, suggested that his feet might be toasted against the fire, which 
+    was accordingly done. Some of the Anglican bishops, as might be expected 
+    from fanatics, were forward in recommending torture. But Cecil was no more 
+    of a fanatic than his mistress. What both of them cared for was not a 
+    particular religious belief--they bad both of them conformed to Popery under 
+    Queen Mary--but the sovereign's claim to prescribe religious belief, or 
+    rather religious profession, and they were provoked with the missionaries 
+    for thwarting them. Provoking it was, no doubt. But everything seems to show 
+    that it would have been better to pursue the earlier policy of the reign; to 
+    be content with enacting severe laws which practically were not put into 
+    execution. </p>
+    <p align="left">The English branch of the Jesuit attack was, for political 
+    purposes, a dead failure. A few persons of rank, who at heart were Catholics 
+    before, were formally reconciled to the Pope. Mendoza claims that among them 
+    were six peers whose names he conceals. These peers, if he is to be 
+    believed, were treasonable enough in their designs. But, even by his 
+    account, they were determined not to stir unless a foreign army should have 
+    first entered England. </p>
+    <p align="left">How far Mendoza's master was from seeing his way to attack 
+    England at this time was strikingly shown by his behaviour under the most 
+    audacious outrage that Elizabeth had yet inflicted on him. Some twelve 
+    months before (October 1580), Drake had returned from his famous voyage 
+    round the world. That voyage was nothing else than a piratical expedition, 
+    for which it was notorious that the funds had been mainly furnished by 
+    Elizabeth and Leicester. On sea and land Drake had robbed Philip of gold, 
+    silver, and precious stones to the value of at least £750,000. In vain did 
+    Mendoza clamour for restitution and talk about war. Elizabeth kept the 
+    booty, knighted Drake, and openly showed him every mark of confidence and 
+    favour. When Mendoza told her that as she would not hear words, they must 
+    come to cannon and see if she would hear them, she replied (&quot;quietly in her 
+    most natural voice&quot;) that, if he used threats of that kind, she would throw 
+    him into prison. The correspondence between the Spanish ambassador and his 
+    master shows that, however big they might talk about cannon, they felt 
+    themselves paralysed by Elizabeth's intimate relations with France. She had 
+    managed to keep free from any offensive alliance with Henry III. But at the 
+    first sound of the Spanish cannon she could have it. She was, therefore, 
+    secure. Probably the whole history of diplomacy does not show another 
+    instance of such a complicated balance of forces so dexterously manipulated.
+    </p>
+    <p align="left">The Irish branch of the Papal attack, the landing of the 
+    legate Sanders, the insurrection of Desmond (1579-1583), the massacre of the 
+    Pope's Italian soldiers at Smerwick (1580), must be passed over here. It is 
+    enough to say that, in Ireland, too, the Catholics were beaten. We turn now 
+    to their attempt to get hold of Scotland (1579-1582). </p>
+    <p align="left">Scotland was in a state of anarchy, from which it could only 
+    be rescued by an able and courageous king. The nobles, instead of becoming 
+    weaker, as elsewhere, had acquired a strength and independence greater even 
+    than their fathers had enjoyed. Thirty years earlier, the Church had 
+    possessed quite half the land of the country, and had steadily supported the 
+    crown. Almost the whole of this wealth had been seized in one form or 
+    another by the nobles. And though, as compared with English noblemen, they 
+    were still poor in money, they were much bigger men relatively to their 
+    sovereign. The power of the crown was extensive enough in theory. What was 
+    wanted was a king who should know how to convert it into a reality. That was 
+    more than any regent could do. Even Moray had not succeeded. The house of 
+    Douglas was one of the most powerful in Scotland, and Morton, who had been 
+    looked on as its head during the minority of the Earl of Angus, was an able 
+    and daring man. But he had not the large views, the public spirit, or the 
+    integrity of Moray. He was feared by all, hated by many, respected by none. 
+    As a mere party chief, no one would have been better able to hold his own. 
+    As representing the crown, he had every man's hand against him. To subsidise 
+    such a man was perfectly useless. If Elizabeth was to make his cause her 
+    own, she might just as well undertake the conquest of Scotland at once. </p>
+    <p align="left">The essence of the good understanding between England and 
+    France was that both countries should keep their hands off Scotland. 
+    Elizabeth, knowing that if worst came to worst, she could always be 
+    beforehand with France in the northern kingdom, could afford to respect this 
+    arrangement, and she did mean to respect it, France, on the other hand, 
+    being also well aware of the advantage given to England by geographical 
+    situation, was always tempted to steal a march on her, and even when most 
+    desirous of her alliance, never quite gave up intrigues in Scotland. This 
+    was equally the case whatever party was uppermost at the French court, 
+    whether its policy was being directed by the King or by the Duke of Guise.
+    </p>
+    <p align="left">The Jesuits looked on Guise as their fighting man, who was 
+    to do the work which they could not prevail on crowned heads to undertake. 
+    James, though only thirteen, had been declared of age. It was too late to 
+    think of deposing him. If his character was feeble, his understanding and 
+    acquirements were much beyond his years, and his preferences were already a 
+    force to be reckoned with in Scotch politics. His interests were evidently 
+    opposed to those of his mother. But the Jesuits hoped to persuade him that 
+    his seat would never be secure unless he came to a compromise with her on 
+    the terms that he was to accept the crown as her gift and recognise her 
+    joint-sovereignty. This would throw him entirely into the hands of the 
+    Catholic nobles, and would be a virtual declaration of war against 
+    Elizabeth. He would have to proclaim himself a Catholic, and call in the 
+    French. It was hoped that Philip, jealous though he had always been of 
+    French interference, would not object to an expedition warranted by the 
+    Jesuits and commanded by Guise, who was more and more sinking into a tool of 
+    Spain and Rome. A combined army of Scotch and French would pour across the 
+    Border. It would be joined by the English Catholics. Elizabeth would be 
+    deposed, and Mary set on the throne. </p>
+    <p align="left">It was a pretty scheme on paper, but certain to break down 
+    in every stage of its execution. James might chaffer with his mother; but, 
+    young as he was, he knew well that she meant to overreach him. He would be 
+    glad enough to get rid of Morton, but he did not want to be a puppet in the 
+    hands of the Marians. He did not like the Presbyterian preachers; but the 
+    young pedant already valued himself on his skill in confuting the apologists 
+    of Popery. He resented Elizabeth's lectures; but he knew that his succession 
+    to the English crown depended on her good will, and he meant to keep on good 
+    terms with her. No approval of the scheme could be obtained from Philip, and 
+    if he did not peremptorily forbid the expedition, it was because he did not 
+    believe it would come off. If a French army had appeared in Scotland, it 
+    would have been treated as all foreigners were in that country. And finally, 
+    if, <i>per impossibile</i>, the French and Scotch had entered England, they 
+    would have been overwhelmed by such an unanimous uprising of the English 
+    people of all parties and creeds as had never been witnessed in our history.
+    </p>
+    <p align="left">Historians, who would have us believe that Elizabeth was 
+    constantly bringing England to the verge of ruin by her stinginess and want 
+    of spirit, represent this combination as highly formidable. It required 
+    careful watching; but the only thing that could make it really dangerous was 
+    rash and premature employment of force by England--the course advocated not 
+    only by Burghley, but by the whole Council. Elizabeth seems to have stood 
+    absolutely alone in her opinion; but here, as always, though she allowed her 
+    ministers to speak their minds freely, she did not fear to act on her own 
+    judgment against their unanimous advice. </p>
+    <p align="left">To carry out their schemes, Guise and the Jesuits sent to 
+    Scotland a nephew of the late Regent Lennox, Esmé Stuart, who had been 
+    brought up in France, and bore the title of Count d'Aubigny (September 
+    1579). He speedily won the heart of the King, who created him Earl, and 
+    afterwards Duke of Lennox. Elizabeth soon obtained proof of his designs, and 
+    urged Morton to resist them by force. But the favourite, professing to be 
+    converted to Protestantism, enlisted the preachers on his side, and, by this 
+    unnatural coalition, Morton was brought to the scaffold (June 1581). During 
+    the interval between his arrest and execution, the English Council were 
+    urgent with Elizabeth to invade Scotland, rescue the Anglophile leader, and 
+    crush Lennox. She went all lengths in the way of threats. Lord Hunsdon was 
+    even ordered to muster an army on the Border. But this last step at once 
+    produced an energetic protest from the French ambassador; and in Scotland 
+    there was a general rally of all parties against the &quot;auld enemies.&quot; 
+    Elizabeth had never meant to make her threats good, and Morton was left to 
+    his fate. She was quite right not to invade Scotland; but, that being her 
+    intention, she should not have tempted Morton to treason by the promise of 
+    her protection. No male statesman would have been so insensible to dishonour.
+    </p>
+    <p align="left">The death of the man who, next to Moray, had been the 
+    mainstay of the Reformation and the scourge of the Marian party, was 
+    received with a shout of exultation from Catholic Europe. Already in their 
+    heated imaginations the Jesuits saw the Kirk overthrown and the vantage 
+    ground gained for an attack on England. Some modern historians--with less 
+    excuse, since they have the sequel before their eyes --make the same 
+    blunder. The situation was really unchanged. Morton, who had the true 
+    antipathy of a Scottish noble to clerics of all sorts, had plundered the 
+    Kirk ministers, and tried to bring them under the episcopal yoke. He had 
+    quarrelled with most of his old associates of the Congregation. It was their 
+    enmity quite as much as the attack of Lennox that had pulled him down. When 
+    he was out of the way they naturally reverted to an Anglophile policy. The 
+    weakness of the Catholic party was plainly shown by the fact that Lennox 
+    himself, the pupil of the Jesuits, never ventured to throw off the disguise 
+    of a heretic. </p>
+    <p align="left">The further development of the Jesuit scheme met with 
+    difficulties on all sides. Most even of the Catholic lords were alarmed by 
+    the suggestion that James should hold the crown by the gift of his mother, 
+    because it would imply that hitherto he had not been lawful King; and this 
+    would invalidate their titles to all the lands they had grabbed from Church 
+    and crown during the last fourteen years. It would seem therefore that, if 
+    they had harassed the Government during all that time, it was from a liking 
+    for anarchy rather than from attachment to Mary. Two Jesuits, Crichton and 
+    Holt, who were sent in disguise to Scotland, found Lennox desponding. He was 
+    obliged to confess that, greatly as he had fascinated the King, he could not 
+    move him an inch in his religious opinions. On the contrary, James imagined 
+    that his controversial skill had converted Lennox, and was extremely proud 
+    of the feat. The only course remaining was to seize him, and send him to 
+    France or Spain, Lennox in the meantime administering the Government in the 
+    name of Mary. But to carry out this stroke, Lennox said he must have a 
+    foreign army. In view of the mutual jealousy of France and Spain it was 
+    suggested that, if Philip would furnish money underhand, the Pope might send 
+    an Italian army direct to Scotland, via the Straits of Gibraltar. Crichton 
+    went to Rome to arrange this precious scheme, and Holt was proceeding to 
+    Madrid. But Philip forbade him to come. If Lennox could convert James, or 
+    send him to Spain, well and good. But until one of these preliminaries was 
+    accomplished he was to expect no help from Philip. Nor were prospects more 
+    hopeful on the side of France. Mary from her prison implored Guise to 
+    undertake the long-planned expedition. But he would not venture it without 
+    the assent of his own sovereign and the King of Spain. While he was 
+    hesitating, the Anglophiles patched up their differences and got possession 
+    of the King's person (Raid of Ruthven, August 1582). His tears were 
+    unavailing. &quot;Better bairns greet,&quot; said the Master of Glamis, &quot;than bearded 
+    men.&quot; The favourite fled to France, where he died in the next year. </p>
+    <p align="left">Thus once more had it been clearly shown that if the 
+    Anglophiles were left to depend on themselves they would not fail to do all 
+    that was necessary to safeguard English interests. &quot;Anglophiles&quot; is a 
+    convenient appellation. But, strictly speaking, there was no party in 
+    Scotland that loved England. There was a religious party to whom it was of 
+    the highest importance that Elizabeth should be safe and powerful. She was 
+    therefore certain of its co-operation. This party would not be always 
+    uppermost; for Scottish nobles were too selfish, too treacherous, too much 
+    interested in disorder to permit any stability. But, whether in power or in 
+    opposition, it would be able and it would be obliged to serve English 
+    interests. There was only one way in which it could be paralyzed or 
+    alienated, and that was by a recurrence on the part of England to the 
+    traditions of armed interference inherited by Elizabeth's councillors from 
+    Henry VIII, and the Protector Somerset. </p>
+    <p align="left">Such is the plain history of this Jesuit and Papal scheme 
+    which we are asked to believe was so dangerous to England and so 
+    inadequately handled by Elizabeth. She had not shown much concern for her 
+    honour. But her coolness, her intrepidity, her correct estimate of the 
+    forces with which she had to deal, her magnificent confidence in her own 
+    judgment, saved England from the endless expenditure of blood and treasure 
+    into which her advisers would have plunged, and prolonged the formal peace 
+    with her three principal neighbours, a peace of already unexampled duration, 
+    and of incalculable advantage to her country. </p>
+    <p align="left">The policy which Elizabeth had thus deliberately adopted 
+    towards Scotland she persisted in. The successful Anglophiles clamoured for 
+    pensions, and her ministers were for gratifying them. She was willing to 
+    give a moderate pension to James, but not a penny to the nobles. &quot;Her 
+    servants and favourites,&quot; she said, &quot;professed to love her for her high 
+    qualities, Alençon for her beauty, and the Scots for her crown; but they all 
+    wanted the same thing in the end; they wanted nothing but her money, and 
+    they should not have it.&quot; She had ascertained that James regarded his mother 
+    as his rival for the crowns of both kingdoms, and that, whatever he might 
+    sometimes pretend, his real wish was that she should be kept under lock and 
+    key. She had also satisfied herself that the Scottish noblemen on whom Mary 
+    counted would, with very few exceptions, throw every difficulty in the way 
+    of her restoration, out of regard for their own private interest--the only
+    <i>datum</i> from which it was safe to calculate in dealing with a Scottish 
+    nobleman. She therefore felt herself secure. By communicating her knowledge 
+    to Mary she could show her the hopelessness of her intrigues in Scotland; 
+    while a resumption of friendly negotiations for her restoration would always 
+    be a cheap and effectual way of intimidating James. Thus she could look on 
+    with equanimity when his new favourite Stewart, Earl of Arran, again chased 
+    the Anglophiles into England ( December 1583). Arran himself urgently 
+    entreated her to accept him and his young master as the genuine Anglophiles. 
+    Walsingham's voice was still for war. But, with both factions at her feet 
+    and suing for her favour, Elizabeth had good reason to be satisfied with her 
+    policy of leaving the Scottish nobles to worry it out among themselves.</p>
+    </font>
+    <hr>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychaptereight.html">to Chapter 
+    VIII: The Protectorate of the Netherlands: 1584-1586</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="page_topic" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter VI</title>
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+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER VI</b><br>
+      <b>FOREIGN AFFAIRS : 1572-1583</b></div>
+    <p align="left"><font size="3">THE year 1572 witnessed two events of capital 
+    importance in European history: the rising in the Netherlands, which 
+    resulted in the establishment of the Dutch Republic (April); and the 
+    massacre of St. Bartholomew, which marked the decisive rejection of 
+    Protestantism by France (August). </font></p>
+    <p align="left"><font size="3">In the beginning of that year--a few weeks 
+    before the proceedings in Parliament just narrated--Elizabeth had at last 
+    concluded the defensive alliance with France for which she had been so long 
+    negotiating (19 April). It cannot be too often repeated that this was the 
+    corner-stone of her foreign policy. For the sake of its superior importance 
+    she had abstained from the interference in Scotland which her Ministers were 
+    always urging. The more she interfered there the more she would have to 
+    interfere, till it would end in her having a rebellious province on her 
+    hands in addition to the hostility of both France and Spain; whereas an 
+    alliance with France would give her security on all sides, Scotland 
+    included. In the treaty it was agreed that if either country were invaded 
+    &quot;under any pretence or cause, none excepted,&quot; the other should send 6000 
+    troops to its assistance. This was accompanied with an explanation, in the 
+    King's handwriting, that &quot;any cause &quot; included religion. The article 
+    relating to Scotland is not less significant. The two sovereigns &quot;shall make 
+    no innovations in Scotland, but defend it against foreigners, not suffering 
+    strangers to enter, or foment the factions in Scotland; but it shall be 
+    lawful for the Queen of England to chastise by arms the Scots who shall 
+    countenance the English rebels now in Scotland.&quot; Mary was not mentioned. 
+    France therefore tacitly renounced her cause. Immediately after the 
+    conclusion of the treaty Charles IX. formally proposed a marriage between 
+    Elizabeth and his youngest brother, Alençon. This proposal she managed to 
+    encourage and elude for eleven years. </font></p>
+    <p align="left"><font size="3">It was just at this moment that the seizure 
+    of Brill by some Dutch rovers, who had taken refuge on the sea from the 
+    cruelty of Alva, caused most of the towns of Holland and Zealand to blaze 
+    into rebellion (1 April). Thus began the great war of liberation, which was 
+    to last thirty-seven years. The Protestant party in England hailed the 
+    revolt with enthusiasm. Large subscriptions were made to assist it, and 
+    volunteers poured across to take part in the struggle. Charles IX. and his 
+    mother, full of schemes of conquest in the Netherlands, urged Elizabeth to 
+    join them in a war against Philip. But, with a sagacity and self-restraint 
+    which do her infinite honour, she refused to be drawn beyond the lines laid 
+    down in the recent defensive alliance. Security, economy, fructification of 
+    the tax-payers' money in the tax-payers' pocket--such were the guiding 
+    principles of her policy. She was not to be dragged into dangerous 
+    enterprises either ambitious or Quixotic. Schemes for the partition of the 
+    Netherlands were laid before her. Zealand, it was said, would indemnify her 
+    for Calais. What Englishman with any common sense does not now see that she 
+    was right to reject the bribe? </font></p>
+    <p align="left"><font size="3">To Elizabeth no rebellion against a 
+    legitimate sovereign could be welcome in itself. Since Philip was so 
+    possessed by religious bigotry as to be dangerous to all Protestant States, 
+    she was not sorry that he should wear out his crusading ardour in the 
+    Netherlands; and she was ready to give just as much assistance to the Dutch, 
+    in an underhand way, as would keep him fully occupied without bringing a 
+    declaration of war upon herself. But she would have vastly preferred that he 
+    should repress Catholic and Protestant fanatics alike, and get along quietly 
+    with the mass of his subjects as his father had done before him. Charles IX. 
+    was eager to strike in if she would join him. Those who blame her so 
+    severely for her refusal seem to forget that a French conquest of the 
+    Netherlands would have been far more dangerous to this country than their 
+    possession by Spain. To keep them out of French hands has indeed been the 
+    traditional policy of England during the whole of modern history. </font>
+    </p>
+    <p align="left"><font size="3">But, it is said, such a war would have 
+    clinched the alliance recently patched up between the French court and the 
+    Huguenots; there would have been no Bartholomew Massacre; &quot;on Elizabeth 
+    depended at that moment whether the French Government would take its place 
+    once for all on the side of the Reformation.&quot; </font></p>
+    <p align="left"><font size="3">Whether it would have been for the advantage 
+    of European progress in the long-run that France should settle down into 
+    Calvinism, I will forbear to inquire. Fortunately for the immediate 
+    interests of England, Elizabeth understood the situation in France better 
+    than some of her critics do, even with the results before their eyes. The 
+    Huguenots were but a small fraction of the nation. Whatever importance they 
+    possessed they derived from their rank, their turbulence, and the ambition 
+    of their leaders. In a few towns of the south and south-west they formed a 
+    majority of the population. But everywhere else they were mostly noblemen, 
+    full of the arrogance and reckless valour of their class, anything but 
+    puritans in their morals, and ready to destroy the unity of the kingdom for 
+    political no less than for religious objects. They had been losing ground 
+    for several years. The mass of the people abhorred their doctrines, and 
+    protested against any concession to their pretensions. Charles and his 
+    mother were absolutely careless about religion. Their feud with the Guises 
+    and their designs on the Netherlands had led them to invite the Huguenot 
+    chiefs to court, and so to give them a momentary influence in shaping the 
+    policy of France. It was with nothing more solid to lean on than this 
+    ricketty and short-lived combination that Burghley and Walsingham were eager 
+    to launch England into a war with the most powerful monarchy in Europe.
+    </font></p>
+    <p align="left"><font size="3">The massacre of St. Bartholomew (24 August) 
+    was a rude awakening from these dreams. That thunderclap did not show that, 
+    in signing the treaty with England and in proposing an attack on Philip, the 
+    French Government had been playing a treacherous game all along, in order to 
+    lure the Huguenots to the shambles. But it did show that when the Catholic 
+    sentiment in France was thoroughly roused, the dynasty itself must bend 
+    before it or be swept away. England might help the Huguenots to keep up a 
+    desultory and harassing civil war; she could no more enable them to control 
+    the policy of the French nation and wield its force, than she could at the 
+    present day restore the Bourbons or Bonapartes. </font></p>
+    <p align="left"><font size="3">The first idea of Elizabeth and her 
+    ministers, on receiving the news of the massacre, naturally was that the 
+    French Government had been playing them false from the first, that the 
+    Catholic League for the extirpation of heresy in Europe, which had been so 
+    much talked of since the Bayonne interview in 1565, was after all a reality, 
+    and that England might expect an attack from the combined forces of Spain 
+    and France. Thanks to the prudent policy of Elizabeth, England was in a far 
+    better position to meet all dangers than she had been in 1565. The fleet was 
+    brought round to the Downs. The coast was guarded by militia. An expedition 
+    was organised to co-operate with the Dutch insurgents. Money was sent to the 
+    Prince of Orange. Huguenot refugees were allowed to fit out a flotilla to 
+    assist their co-religionists in Rochelle. The Scotch Regent Mar was 
+    informed, with great secrecy, that if he would demand the extradition of 
+    Mary, and undertake to punish her capitally for her husband's murder, she 
+    should be given up to him. </font></p>
+    <p align="left"><font size="3">A few weeks sufficed to show that there was 
+    no reason for panic. Confidence, indeed, between the French and English 
+    Governments had been severely shaken. Each stood suspiciously on its guard. 
+    But the alliance was too well grounded in the interests of both parties to 
+    be lightly cast aside. The French ambassador was instructed to excuse and 
+    deplore the massacre as best he could, and to press on the Alençon marriage. 
+    Elizabeth, dressed in deep mourning, gave him a stiff reception, but let him 
+    see her desire to maintain the alliance. The massacre did not restore the 
+    ascendancy of the Guises. To the Huguenots, as religious reformers, it gave 
+    a blow from which they did not recover. But as a political faction they were 
+    not crushed. Nay, their very weakness became their salvation, since it 
+    compelled them to fall into the second rank behind the <i>Politiques</i>, 
+    the true party of progress, who were before long to find a victorious leader 
+    in Henry of Navarre. </font></p>
+    <p align="left"><font size="3">Philip, for his part, was equally far from 
+    any thought of a crusade against England. Sir Humphrey Gilbert, commanding 
+    several companies of English volunteers, with the hardly concealed sanction 
+    of his government, was fighting against the Spaniards in Walcheren and 
+    hanging all his prisoners. Sir John Hawkins, with twenty ships, had sailed 
+    to intercept the Mexican treasure fleet. Yet Alva, though gnashing his 
+    teeth, was obliged to advise his master to swallow it all, and to be 
+    thankful if he could get Elizabeth to reopen commercial intercourse, which 
+    had been prohibited on both sides since the quarrel about the Genoese 
+    treasure. A treaty for this purpose was in fact concluded early in 1573. 
+    Thus the chief result of the Bartholomew Massacre, as far as Elizabeth was 
+    concerned, was to show how strong her position was, and that she had no need 
+    either to truckle to Catholics or let her hand be forced by Protestants. A 
+    balance of power on the Continent was what suited her, as it has generally 
+    suited this country. Let her critics say what they will, it was no business 
+    of hers to organise a Protestant league, and so drive the Catholic 
+    sovereigns to sink their mutual jealousies and combine against the common 
+    enemy. </font></p>
+    <p align="left"><font size="3">The Scotch Regent was quite ready to 
+    undertake the punishment of Mary, but only on condition that Elizabeth would 
+    send the Earl of Bedford or the Earl of Huntingdon with an army to be 
+    present at the execution and to take Edinburgh Castle. It need hardly be 
+    said that there was also a demand for money. Mar died during the 
+    negotiations, but they were continued by his successor Morton. Elizabeth was 
+    determined to give no open consent to Mary's execution. She meant, no doubt, 
+    as soon as it should be over, to protest, as she did fifteen years 
+    afterwards, that there had been an unfortunate mistake, and to lay the blame 
+    of it on the Scotch Government and her own agents. This part of the 
+    negotiation therefore came to nothing. But money was sent to Morton, which 
+    enabled him to establish a blockade of Edinburgh Castle, and by the 
+    mediation of Elizabeth's ambassador, the Hamiltons, Gordons, and all the 
+    other Marians except those in the Castle, accepted the very favourable terms 
+    offered them, and recognised James. </font></p>
+    <p align="left"><font size="3">All that remained was to reduce the Castle. 
+    Its defenders numbered less than two hundred men. The city and the 
+    surrounding country were--as far as preaching and praying went--vehemently 
+    anti-Marian. The Regent had now no other military task on his hands. 
+    Elizabeth might well complain when she was told that unless she sent an army 
+    and paid the Scotch Protestants to co-operate with it, the Castle could not 
+    be taken. For some time she resisted this thoroughly Scotch demand. But at 
+    last she yielded to Morton's importunity. Sir William Drury marched in from 
+    Berwick, did the job, and marched back again (May 1573). Among the captives 
+    were the brilliant Maitland of Lethington, once the most active of 
+    Anglophiles, and Kirkaldy of Grange, who had begun the Scottish Reformation 
+    by the murder of Cardinal Beaton, and had taken Mary prisoner at Carberry 
+    Hill. A politician who did not turn his coat at least once in his life was a 
+    rare bird in Scotland. Maitland died a few days after his capture, probably 
+    by his own hand. Kirkaldy was hanged by his old friend Morton. </font></p>
+    <p align="left"><font size="3">By taking Edinburgh Castle Elizabeth did not 
+    earn any gratitude from the party who had called her in. What they wanted, 
+    and always would want, was money. Morton himself, treading in the steps of 
+    his old leader Moray, remained an unswerving Anglophile. But his coadjutors 
+    told the English ambassador plainly that, if they could not get money from 
+    England, they could and would earn it from France. Elizabeth's councillors 
+    were always teasing her to comply with these impudent demands. If there had 
+    been a grown-up King on the throne, a man with a will of his own, and whose 
+    right to govern could not be contested, it might have been worth while to 
+    secure his good-will by a pension; and this was what Elizabeth did when 
+    James became real ruler of the country. But she did not believe in paying a 
+    clique of greedy lords to call themselves the English party. An English 
+    party there was sure to be, if only because there was a French party. Their 
+    services would be neither greater nor smaller whether they were paid or 
+    unpaid. The French poured money into Scotland, and were worse served than 
+    Elizabeth, who kept her money in her treasury. It was no fault of Elizabeth 
+    if the conditions of political life in Scotland during the King's minority 
+    were such that a firmly established government was in the nature of things 
+    impossible. </font></p>
+    <p align="left"><font size="3">As Mary was kept in strict seclusion during 
+    the panic that followed on the Bartholomew Massacre, she did not know how 
+    narrow was her escape from a shameful death on a Scottish scaffold. When the 
+    panic subsided she was allowed to resume her former manner of life as the 
+    honoured guest of Lord Shrewsbury, with full opportunities for communication 
+    with all her friends at home and abroad. Any alarm she had felt speedily 
+    disappeared. If Elizabeth had for a moment contemplated striking at her life 
+    or title by parliamentary procedure, that intention was evidently abandoned 
+    when the Parliament of 1572 was prorogued without any such measure becoming 
+    law. The public assumed, and rightly, that Elizabeth still regarded the 
+    Scottish Queen as her successor. Peter Wentworth in the next session (1576) 
+    asserted, and probably with truth, that many who had been loud in their 
+    demands for severity repented of their forwardness when they found that Mary 
+    might yet be their Queen, and tried to make their peace with her. 
+    Wentworth's outburst (for which he was sent to the Tower) was the only 
+    demonstration against Mary in that session. She told the Archbishop of 
+    Glasgow that her prospects had never been better, and when opportunities for 
+    secret escape were offered her she declined to use them, thinking that it 
+    was for her interest to remain in England. </font></p>
+    <p align="left"><font size="3">The desire of the English Queen to reinstate 
+    her rival arose principally from an uneasy consciousness that, by detaining 
+    her in custody, she was fatally impairing that religious respect for 
+    sovereigns which was the main, if not the only, basis of their power. The 
+    scaffold of Fotheringay was, in truth, the prelude to the scaffold of 
+    Whitehall. But as year succeeded year, and Elizabeth became habituated to 
+    the situation which had at first given her such qualms, she could not shut 
+    her eyes to the fact that, troublesome and even dangerous as Mary's presence 
+    in England was, the trouble and the danger had been very much greater when 
+    she was seated on the Scottish throne. The seething caldron of Scotch 
+    politics had not, indeed, become a negligible quantity. It required 
+    watching. But experience had shown that, while the King was a child, the 
+    Scots were neither valuable as friends nor formidable as foes. This was a 
+    truth quite as well understood at Paris and Madrid as at London, though the 
+    French, no less keen in those days than they are now to maintain that 
+    shadowy thing called &quot;legitimate French influence&quot; in countries with which 
+    they had any historical connection, continued to intrigue and waste their 
+    money among the hungry Scotch nobles. It was a fixed principle with 
+    Elizabeth, as with all English statesmen, not to tolerate the presence of 
+    foreign troops in Scotland. But she believed--and her belief was justified 
+    by events-that a French expedition was not the easy matter it had been when 
+    Mary of Guise was Regent of Scotland and Mary Tudor Queen of England. And, 
+    more important still, in spite of much treachery and distrust, the French 
+    and English Governments were bound together by a treaty which was equally 
+    necessary to each of them. Scotland, therefore, was no longer such a cause 
+    of anxiety to Elizabeth as it had been during the first ten years of her 
+    reign. Her ministers had neither her coolness nor her insight. Yet modern 
+    historians, proud of having unearthed their croaking criticisms, ask us to 
+    judge Elizabeth's policy by prognostications which turned out to be false 
+    rather than by the known results which so brilliantly justified it. </font>
+    </p>
+    <p align="left"><font size="3">How to deal with the Netherlands was a much 
+    more complicated and difficult problem. Here again Elizabeth's ministers 
+    were for carrying matters with a high hand. In their view, England was in 
+    constant danger of a Spanish invasion, which could only be averted by openly 
+    and vigorously supporting the revolted provinces. They would have had 
+    Elizabeth place herself at the head of a Protestant league, and dare the 
+    worst that Philip could do. She, on the other hand, believed that every year 
+    war could be delayed was so much </font></p>
+    <p align="left"><font size="3">gained for England. There were many ways in 
+    which she could aid the Netherlands without openly challenging Philip. A 
+    curious theory of international relations prevailed in those days--an 
+    English Prime Minister, by the way, found it convenient not long ago to 
+    revive it--according to which, to carry on warlike operations against 
+    another country was a very different thing from going to war with that 
+    country. Of this theory Elizabeth largely availed herself. English generals 
+    were not only allowed, but encouraged, to raise regiments of volunteers to 
+    serve in the Low Countries. When there, they reported to the English 
+    Government, and received instructions from it with hardly a pretence of 
+    concealment. Money was openly furnished to the Prince of Orange. English 
+    fleets-also nominally of volunteers--were encouraged to prey on Spanish 
+    commerce, Elizabeth herself subscribing to their outfit and sharing in the 
+    booty. </font></p>
+    <p align="left"><font size="3">We are not to suppose, because the revolt of 
+    the Netherlands crippled Philip for any attack on England, that Elizabeth 
+    welcomed it, or that she contemplated the prolongation of the struggle with 
+    cold-blooded satisfaction. Its immediate advantage to this country was 
+    obvious. But Elizabeth had a sincere abhorrence of war and disorder. She was 
+    equally provoked with Philip for persecuting the Dutch Protestants into 
+    rebellion, and with the Dutch for insisting on religious concessions which 
+    Philip could not be expected to grant, and which she herself was not 
+    granting to Catholics in England. At any time during the struggle, if Philip 
+    would have guaranteed liberty of conscience (as distinguished from liberty 
+    of public worship), the restoration of the old charters, and the removal of 
+    the Spanish troops, Elizabeth would not only have withheld all help from the 
+    Dutch, but would have put pressure on them to submit to Philip. The presence 
+    of Spanish veterans opposite the mouth of the Thames was a standing menace 
+    to England. &quot;As they are there,&quot; argued Burghley, we must help the Dutch to 
+    keep them employed. &quot;If the Dutch were not such impracticable fanatics,&quot; 
+    rejoined Elizabeth, &quot;the Spanish veterans need not be there at all.&quot; </font>
+    </p>
+    <p align="left"><font size="3">The &quot;Pacification of Ghent&quot; (November 1576), 
+    by which the Belgian Netherlands, for a short time, made common cause with 
+    Holland and Zealand, relieved Elizabeth, for a time, from the necessity of 
+    taking any decisive step. Philip was still recognised as sovereign, but he 
+    was required to be content with such powers as the old constitution gave 
+    him. It seemed likely that Catholic bigots would have to give up 
+    persecuting, and Protestant bigots to acquiesce in the official 
+    establishment of the old religion. This was precisely the settlement 
+    Elizabeth had always desired. It would get rid of the Spanish troops. It 
+    would keep out the French. It would relieve her from the necessity of 
+    interfering. If it put some restriction on the open profession of Calvinism 
+    she would not be sorry. </font></p>
+    <p align="left"><font size="3">If this arrangement could have been carried 
+    out, would it in the long-run have been for the benefit of Europe? Those who 
+    hold that the conflict between Protestantism and Catholicism was simply a 
+    conflict between truth and falsehood will, of course, have no difficulty in 
+    giving their answer. Others may hold that freedom of conscience was all that 
+    was needed at the time, and they may picture the many advantages which 
+    Europe would have reaped during the last three centuries from the existence 
+    of a united Netherlands, independent, as it must soon have become, of Spain, 
+    and able to make its independence respected by its neighbours. </font></p>
+    <p align="left"><font size="3">Short-lived as the coalition was destined to 
+    be, it secured for the Dutch a breathing-time when they were most sorely 
+    pressed, and enabled Elizabeth to avoid quarrelling with Spain. The first 
+    step of the newly allied States was to apply to her for assistance and a 
+    loan of money. The loan they obtained-£40,000--a very large sum in those 
+    days. But she earnestly advised them that if the new Governor, Don John of 
+    Austria, would accept the Pacification, they should use the money to pay the 
+    arrears of the Spanish troops; otherwise they would refuse to leave the 
+    country for Don John or any one else. This was done. Don John had treachery 
+    in his heart. But the departure of the Spaniards was a solid gain; and if 
+    the Protestants and Catholics of the Netherlands had been able to tolerate 
+    each other, they would have achieved the practical independence of their 
+    country, and achieved it by their own unaided efforts. </font></p>
+    <p align="left"><font size="3">But Don John, the crusader, the victor of 
+    Lepanto, the half-brother of Philip, was a man of soaring ambition. His 
+    dream was to invade England, marry the Queen of Scots, and seat himself with 
+    her on the English throne. It was in vain that Philip, who never wavered in 
+    his desire to conciliate Elizabeth, and was jealous of his showy brother, 
+    had strictly enjoined him to leave England alone. He persisted in his 
+    design, and sent his confidant Escovedo to persuade Philip that to conquer 
+    the Netherlands it was necessary to begin by conquering England. </font></p>
+    <p align="left"><font size="3">For a pair of determined enemies, Elizabeth 
+    and Philip were just now upon most amicable, not to say affectionate, terms. 
+    She knew well that he had incited assassins to take her life, and that 
+    nothing would at any time give him greater pleasure than to hear that one of 
+    them had succeeded. But she bore him no malice for that. She took it all in 
+    the way of business, and intended, for her part, to go on robbing and 
+    damaging him in every way she could short of going to war. Philip bore it 
+    all meekly. Alva himself insisted that he could not afford to quarrel with 
+    her. Diplomatic relations by means of resident ambassadors, which had been 
+    broken off by the expulsion of De Espes in 1571, were resumed; and English 
+    heretics in the prisons of the Inquisition were released in spite of the 
+    outcries of the Grand Inquisitor. </font></p>
+    <p align="left"><font size="3">In the summer of 1557 it seemed as if Don 
+    John's restless ambition would interrupt this pacific policy which suited 
+    both monarchs. He had sent for the Spanish troops again. He was known to be 
+    projecting an invasion of England. He was said to have a promise of help 
+    from Guise. Elizabeth's ministers, as usual, believed that she was on the 
+    brink of ruin, and implored her to send armies both to the Netherlands and 
+    to France. But she refused to be hustled into any precipitate action, and 
+    reasons soon appeared for maintaining an expectant attitude. The treaty of 
+    Bergerac between Henry III. and Henry of Navarre (September 1557) showed 
+    once more that the French King had no intention of letting the Huguenots be 
+    crushed. The invitation of the Archduke Matthias by the Belgian nobles 
+    showed that they were deeply jealous of English interference. Here, surely, 
+    was matter for reflection. The most Elizabeth could be got to do was to 
+    become security for a loan of £100,000 to the States, on condition that 
+    Matthias should leave the real direction of affairs to William of Orange, 
+    and to promise armed assistance (January 1578). At the same time she 
+    informed Philip that she was obliged to do this for her own safety; that she 
+    had no desire to contest his sovereignty of the Netherlands; on the 
+    contrary, she would help him to maintain it if he would govern reasonably; 
+    but he ought to remove Don John, who was her mortal enemy, and to appoint 
+    another Governor of his own family; in other words, Matthias. Her policy 
+    could not have been more candidly set forth, and Philip showed his 
+    disapproval of Don John's designs in a characteristic way--by causing 
+    Escovedo to be assassinated. Don John himself died in the autumn, of a fever 
+    brought on by disappointment, or, as some thought, of a complaint similar to 
+    Escovedo's (September 1578). </font></p>
+    <p align="left"><font size="3">When Elizabeth feared that Don John's scheme 
+    was countenanced by his brother, she had risked an open rupture by promising 
+    to send an army to the Netherlands. The murder of Escovedo and the arrival 
+    of the Spanish ambassador Mendoza (March 1578) reassured her. Philip was 
+    evidently pacific to the point of tameness. Instead, therefore, of sending 
+    an English army, she preferred to pay John Casimir, the Count Palatine, to 
+    lead a German army to the assistance of the States. As far as military 
+    strength went, they were probably no losers by the change. But what they 
+    wanted was to see Elizabeth committed to open war with Philip, and that was 
+    just what she desired to avoid. Indirect and underhand blows she was 
+    prepared to deal him, for she knew by experience that he would put up with 
+    them. Thus in the preceding autumn she had despatched Drake on his famous 
+    expedition to the South Pacific. </font></p>
+    <p align="left"><font size="3">Don John was succeeded by his nephew, 
+    Alexander of Parma. The fine prospects of the revolted provinces were now 
+    about to be dashed. In the arts which smooth over difficulties and 
+    conciliate opposition, Parma had few equals. He was a head and shoulders 
+    above all contemporary generals; and no soldiers of that time were 
+    comparable to his Spanish and Italian veterans. When he assumed the command, 
+    he was master of only a small corner of the Low Countries. What he effected 
+    is represented by their present division between Belgians and Dutch. The 
+    struggle in the Netherlands continued, therefore, to be the principal object 
+    of Elizabeth's attention. </font></p>
+    <p align="left"><font size="3">Shortly before the death of Don John, the 
+    Duke of Alençon, (1) brother and heir-presumptive of Henry III. had been 
+    invited by the Belgian nobles to become their Protector, and Orange, in his 
+    anxiety for union, had accepted their nominee. Alençon was to furnish 12,000 
+    French troops. It was hoped and believed that, though Henry had ostensibly 
+    disapproved of his brother's action, he would in the end give him open 
+    support, thus resuming the enterprise which had been interrupted six years 
+    before by the Bartholomew Massacre. </font></p>
+    <p align="left"><font size="3">Now, how was Elizabeth to deal with this new 
+    combination? The Protectorship of Alençon might bring on annexation to 
+    France, the result which most of all she wished to avoid. For a moment she 
+    thought of offering her own protection (which Orange would have much 
+    preferred), and an army equal to that promised by Alençon. But upon further 
+    reflection, she determined to adhere to the policy of not throwing down the 
+    glove to Philip, and to try whether she could not put Alençon in harness, 
+    and make him do her work. One means of effecting this would be to allow him 
+    subsidies--the means employed on such a vast scale by Pitt in our wars with 
+    Napoleon. But Elizabeth intended to spend as little as possible in this way. 
+    She relied chiefly on a revival of the marriage comedy--now to be played 
+    positively for the last time; the lady being forty-five, and her wooer 
+    twenty-four. </font></p>
+    <p align="left"><font size="3">A dignified policy it certainly was not. All 
+    that was ridiculous and repulsive in her coquetry with Henry had now to be 
+    repeated and outdone with his younger brother. To overcome the incredulity 
+    which her previous performances had produced, she was obliged to exaggerate 
+    her protestations, to admit a personal courtship, to simulate amorous 
+    emotion, and to go through a tender pantomime of kisses and caresses. But 
+    Elizabeth never let dignity stand in the way of business. What to most women 
+    would have been an insupportable humiliation did not cost her a pang. She 
+    even found amusement in it. From the nature of the case, she could not take 
+    one of her counsellors into her confidence. There was no chance of imposing 
+    upon foreigners unless she could persuade those about her that she was in 
+    earnest. They were amazed that she should run the risk of establishing the 
+    French in the Netherlands. She had no intention of doing so. When Philip 
+    should be brought so low as to be willing to concede a constitutional 
+    government, she could always throw her weight on his side and get rid of the 
+    French. </font></p>
+    <p align="left"><font size="3">The match with Alençon had been proposed six 
+    years before. It had lately slumbered. But there was no difficulty in 
+    whistling him back, and making it appear that the renewed overture came from 
+    his side. After tedious negotiations, protracted over twelve months, he at 
+    length paid his first visit to Elizabeth ( August 1579). He was an 
+    under-sized man with an over-sized head, villainously ugly, with a face 
+    deeply seamed by smallpox, a nose ending in a knob that made it look like 
+    two noses, and a croaking voice. Elizabeth's liking for big handsome men is 
+    well known. But as she had not the least intention of marrying Alençon, it 
+    cost her nothing to affirm that she was charmed with his appearance, and 
+    that he was just the sort of man she could fancy for a husband. The only 
+    agreeable thing about him was his conversation, in which he shone, so that 
+    people who did not thoroughly know him always at first gave him credit for 
+    more ability than he possessed. Elizabeth, who had a pet name for all 
+    favourites, dubbed him her &quot;frog&quot;; and &quot;Grenouille&quot; he was fain to subscribe 
+    himself in his love-letters. This first visit was a short one, and he went 
+    away hopeful of success. </font></p>
+    <p align="left"><font size="3">The English people could only judge by 
+    appearances, and for the first time in her reign Elizabeth was unpopular. 
+    The Puritan Stubbs published his <i>Discovery of a Gaping Gulf wherein 
+    England is like to be swallowed by another French Marriage</i>. But the 
+    excitement was by no means confined to the Puritans. Hatred of Frenchmen 
+    long remained a ruling sentiment with most Englishmen. Elizabeth vented her 
+    rage on Stubbs, who had been so rude as to tell her that childbirth at her 
+    age would endanger her life. He was sentenced to have his hand cut off. &quot;I 
+    remember,&quot; says Camden, &quot;being then present, that Stubbs, after his right 
+    hand was cut off, put off his hat with his left, and said with a loud voice, 
+    'God save the Queen.' The multitude standing about was deeply silent.&quot;
+    </font></p>
+    <p align="left"><font size="3">Not long after Alençon's visit, a treaty of 
+    marriage was signed (November 1579), with a proviso that two months should 
+    be allowed for the Queen's subjects to become reconciled to it. If, at the 
+    end of that time, Elizabeth did not ratify the treaty, it was to be null and 
+    void. The appointed time came and went without ratification. Burghley, as 
+    usual, predicted that the jilted suitor would become a deadly enemy, and 
+    drew an alarming picture of the dangers that threatened England, with the 
+    old exhortation to his mistress to form a Protestant league and subsidise 
+    the Scotch Anglophiles. But in 1572 she had slipped out of the Anjou 
+    marriage, and yet secured a French alliance. She confided in her ability to 
+    play the same game now. Though she had not ratified the marriage treaty, she 
+    continued to correspond with Alençon and keep up his hopes, urging him at 
+    the same time to lead an army to the help of the States. This, however, he 
+    was unwilling to do till he had secured the marriage. The French King was 
+    ready, and even eager, to back his brother. But he, too, insisted on the 
+    marriage, and that Elizabeth should openly join him in war against Spain.
+    </font></p>
+    <p align="left"><font size="3">In the summer of 1580, Philip conquered 
+    Portugal, thus not only rounding off his Peninsular realm, but acquiring the 
+    enormous transmarine dominions of the Portuguese crown. All Europe was 
+    profoundly impressed and alarmed by this apparent increase of his power. 
+    Elizabeth incessantly lectured Henry on the necessity of abating a 
+    preponderance so dangerous to all other States, and tried to convince him 
+    that it was specially incumbent on France to undertake the enterprise. But 
+    she preached in vain. Henry steadily refused to stir unless England would 
+    openly assist him with troops and money, of which the marriage was to be the 
+    pledge. He did not conceal his suspicion that, when Elizabeth had pushed him 
+    into war, she would &quot;draw her neck out of the collar&quot; and leave him to bear 
+    the whole danger. </font></p>
+    <p align="left"><font size="3">This was, in fact, her intention. She 
+    believed that a war with France would soon compel Philip to make proper 
+    concessions to the States; whereupon she would interpose and dictate a 
+    peace. &quot;Marry my brother,&quot; Henry kept saying, &quot;and then I shall have 
+    security that you will bear your fair share of the fighting, and expenses.&quot; 
+    &quot;If I am to go to war,&quot; argued Elizabeth, &quot;I cannot marry your brother; for 
+    my subjects will say that I am dragged into it by my husband, and they will 
+    grudge the expense. Suppose, instead of a marriage, we have an alliance not 
+    binding me to open war; then I will furnish you with money <i>underhand</i>. 
+    You know you have got to fight. You cannot afford to let Philip go on 
+    increasing his power.&quot; </font></p>
+    <p align="left"><font size="3">Henry remained doggedly firm. No marriage, no 
+    war. At last, finding she could not stir him, Elizabeth again concluded a 
+    treaty of marriage, but with the extraordinary proviso that six weeks should 
+    be left for private explanations by letter between herself and Alençon. It 
+    soon appeared what this meant. In these six weeks Elizabeth furnished her 
+    suitor with money, and incited him to make a sudden attack on Parma, who was 
+    then besieging Cambray, close to the French frontier. Alençon, thinking 
+    himself now sure of the marriage, collected 15,000 men; and Henry, though 
+    not openly assisting him, no longer prohibited the enterprise. But, as soon 
+    as Elizabeth thought they were sufficiently committed, she gave them to 
+    understand that the marriage must be again deferred, that her subjects were 
+    discontented, that she could only join in a defensive alliance, but that she 
+    would furnish money &quot;in reasonable sort&quot; <i>underhand</i>. </font></p>
+    <p align="left"><font size="3">All this is very unscrupulous, very 
+    shameless, even for that shameless age. Hardened liars like Henry and 
+    Alençon thought it too bad. <i>They</i> were ready for violence as well as 
+    fraud, and availed themselves of whichever method came handiest. Elizabeth 
+    also used the weapon which nature had given her. Being constitutionally 
+    averse from any but peaceful methods, she made up for it by a double dose of 
+    fraud. <i>Dente lupus, cornu taurus</i>. It would have been useless for a 
+    mate statesman to try to pass himself off as a fickle impulsive, susceptible 
+    being, swayed from one moment to another in his political schemes by 
+    passions and weaknesses that are thought natural in the other sex. This was 
+    Elizabeth's advantage, and she made the most of it. She was a masculine 
+    woman simulating, when it suited her purpose, a feminine character. The men 
+    against whom she was matched were never sure whether they were dealing with 
+    a crafty and determined politician, or a vain, flighty, amorous woman. This 
+    uncertainty was constantly putting them out in their calculations. Alençon 
+    would never have been so taken in if he had not told himself that any folly 
+    might be expected from an elderly woman enamoured of a young man. </font>
+    </p>
+    <p align="left"><font size="3">On this occasion Elizabeth scored, if not the 
+    full success she had hoped from her audacious mystification, yet no 
+    inconsiderable portion of it. Henry managed to draw back just in time, and 
+    was not let in for a big war. But Alençon, at the head of 15,000 men, and 
+    close to Cambray, could not for very shame beat a retreat. Parma retired at 
+    his approach, and the French army entered Cambray in triumph (August 1581). 
+    Alençon therefore had been put in harness to some purpose. </font></p>
+    <p align="left"><font size="3">Though Henry III. had good reason to complain 
+    of the way he had been treated, he did not make it a quarrel with Elizabeth. 
+    His interests, as she saw all along, were too closely bound up with hers to 
+    permit him to think of such a thing. On the contrary, he renewed the 
+    alliance of 1572 in an ampler form, though it still remained strictly 
+    defensive. Alençon, after relieving and victualling Cambray, disbanded his 
+    army, and went over to England again to press for the marriage (November 
+    1581). Thither he was followed by ambassadors from the States. By the advice 
+    of Orange they had resolved to take him as their sovereign, and they were 
+    now urgently pressing him to return to the Netherlands to be installed. 
+    Elizabeth added her pressure; but he was unwilling to leave England until he 
+    should have secured the marriage. For three months (November 1581 to 
+    February 1582) did Elizabeth try every art to make him accept promise for 
+    performance. She was thoroughly in her element. To win her game in this way, 
+    not by the brutal arbitrament of war, or even by the ordinary tricks of 
+    vicarious diplomacy, but by artifices personally executed, feats of cajolery 
+    that might seem improbable on the stage,--this was delightful in the highest 
+    degree. The more distrustful Alençon showed himself, the keener was the 
+    pleasure of handling him. One day he is hidden behind a curtain to view her 
+    elegant dancing; not, surely, that he might be smitten with it, but that he 
+    might think she desired him to be smitten. Another day she kisses him on the 
+    lips (<i>en la boca</i>) in the presence of the French ambassador. She gives 
+    him a ring. She presents him to her household as their future master. She 
+    orders the Bishop of Lincoln to draw up a marriage service. It is a 
+    repulsive spectacle; but, after all, we are not so much disgusted with the 
+    elderly woman who pretends to be willing to marry the young man, as with the 
+    young man who is really willing to marry the elderly woman. Unfortunately 
+    for Elizabeth, her acting was so realistic that it not only took in 
+    contemporaries, but has persuaded many modern writers that she was really 
+    influenced by a degrading passion. </font></p>
+    <p align="left"><font size="3">Henry III. himself was at last induced to 
+    believe that Elizabeth was this time in earnest. But he could not be driven 
+    from his determination to risk nothing till he saw the marriage actually 
+    concluded. Pinart, the French Secretary of State, was accordingly sent over 
+    to settle the terms. Elizabeth demanded one concession after another, and 
+    finally asked for the restitution of Calais. There was no mistaking what 
+    this meant. Pinart, in the King's name, formally forbade Alençon to proceed 
+    to the Netherlands except as a married man, and tried to intimidate 
+    Elizabeth by threatening that his master would ally himself with Philip. But 
+    she laughed at him, and told him that she could have the Spanish alliance 
+    whenever she chose, which was perfectly true. Alençon himself gave way. He 
+    felt that he was being played with. He had come over here, with a <i>fatuilé</i> 
+    not uncommon among young Frenchmen, expecting to bend a love-sick Queen to 
+    serve his political designs. He found himself, to his intense mortification, 
+    bent to serve hers. Ashamed to show his face in France without either his 
+    Belgian dominions or his English wife, he was fain to accept Elizabeth's 
+    solemn promise that she would marry him as soon as she could, and allowed 
+    himself to be shipped off under the escort of an English fleet to the 
+    Netherlands (February 1582). </font></p>
+    <p align="left"><font size="3">According to Mr. Froude, &quot;the Prince of 
+    Orange intimated that Alençon was accepted by the States only as a pledge 
+    that England would support them; if England failed them, they would not 
+    trust their fortunes to so vain an idiot.&quot; This statement appears to be 
+    drawn from the second-band tattle of Mendoza, and is probably, like much 
+    else from that source, unworthy of credit. But whether Orange sent such an 
+    &quot;intimation&quot; or not, it cannot be allowed to weigh against the ample 
+    evidence that Alençon was accepted by him and by the States mainly for the 
+    sake of the French forces he could raise on his own account, and the 
+    assistance which he undertook to procure from his brother. Neither Orange 
+    nor any one else regarded him as an idiot. Orange had not been led to expect 
+    that he would bring any help from England except money supplied underhand; 
+    and money Elizabeth did furnish in very considerable quantities. But the 
+    Netherlanders now expected everything to be done for them, and were backward 
+    with their contributions both in men and money. Clearly there is something 
+    to be said for the let-alone policy to which Elizabeth usually leant. </font>
+    </p>
+    <p align="left"><font size="3">The States intended Alençon's sovereignty to 
+    be of the strictly constitutional kind, such as it had been before the 
+    encroachments of Philip and his father. This did not suit the young 
+    Frenchman, and at the beginning of 1583 he attempted a <i>coup d'état</i>, 
+    not without encouragement from some of the Belgian Catholics. At Antwerp his 
+    French troops were defeated with great bloodshed by the citizens, and the 
+    general voice of the country was for sending him about his business. But 
+    both Elizabeth and Orange, though disconcerted and disgusted by his 
+    treachery, still saw nothing better to be done than to patch up the breach 
+    and retain his services. Both of them urged this course on the 
+    States--Orange with his usual dignified frankness; Elizabeth in the crooked, 
+    blustering fashion which has brought upon her policy, in so many instances, 
+    reproach which it does not really deserve. Norris, the commander of the 
+    English volunteers, had discountenanced the <i>coup-d'état</i> and taken his 
+    orders from the States. Openly Elizabeth reprimanded him, and ordered him to 
+    bring his men back to England. Secretly she told him he had done well, and 
+    bade him remain where he was. Norris was in fact there to protect the 
+    interests of England quite as much against the French as against Spain. 
+    There is not the least ground for the assertion that in promoting a 
+    reconciliation with Alençon, Orange acted under pressure from Elizabeth. 
+    Everything goes to show that he, the wisest and noblest statesman of his 
+    time, thought it the only course open to the States, unless they were 
+    prepared to submit to Philip. Both Elizabeth and Orange felt that the first 
+    necessity was to keep the quarrel alive between the Frenchman and the 
+    Spaniard. The English Queen therefore continued to feed Alençon with hopes 
+    of marriage, and the States patched up a reconciliation with him (March 
+    1583). But his heart failed him. He saw Parma taking town after town. He 
+    knew that he had made himself odious to the Netherlanders. He was covered 
+    with shame. He was fatally stricken with consumption. In June 1583 he left 
+    Belgium never to return. Within a twelvemonth he was dead. </font></p>
+    </font>
+    <hr>
+    </font>
+    <font face="Times New Roman">
+    <p align="left"><b>Notes:</b>
+    </font>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman">1. He had received the Duchy of 
+    Anjou in addition to that of Alençon, and some historians call him by the 
+    former title.</font></p>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychapterseven.html">to Chapter 
+    VII The Papal Attack: 1570-1583</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter X</title>
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+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER X</b><br>
+      <b>WAR WITH SPAIN: 1587-1603</b></div>
+    <p align="left">ELIZABETH is not seen at her best in war. She did not easily 
+    resign herself to its sacrifices. It frightened her to see the money which 
+    she had painfully put together, pound by pound, during so many years, by 
+    many a small economy, draining out at the rate of £17,000 a month into the 
+    bottomless pit of military expenditure. When Leicester came back she simply 
+    stopped all remittances to the Netherlands, making sure that if she did not 
+    feed her soldiers some one else would have to do it. She saw that Parma was 
+    not pressing forward. And though rumours of the enormous preparations in 
+    Spain, which accounted for his inactivity, continued to pour in, she still 
+    hoped that her intervention in the Netherlands was bending Philip to 
+    concessions. All this time Parma was steadily carrying out his master's 
+    plans for the invasion. His little army was to be trebled in the autumn by 
+    reinforcements principally from Italy. In the meantime he was collecting a 
+    flotilla of flat-bottomed boats. As soon as the Armada should appear they 
+    were to make the passage under its protection. </p>
+    <p align="left">It would answer no useful purpose, even if my limits 
+    permitted it, to enter into the particulars of Elizabeth's policy towards 
+    the United Provinces during the twelve months that preceded the appearance 
+    of the Armada. Her proceedings were often tortuous, and by setting them 
+    forth in minute detail her detractors have not found it difficult to 
+    represent them as treacherous. But, living three centuries later, what have 
+    we to consider but the general scope and drift of her policy? Looking at it 
+    as a whole we shall find that, whether we approve of it or not, it was 
+    simple, consistent, and undisguised. She had no intention of abandoning the 
+    Provinces to Philip, still less of betraying them. But she did wish them to 
+    return to their allegiance, if she could procure for them proper guarantees 
+    for such liberties as they had been satisfied with before Philip's tyranny 
+    began. If Philip had been wise he would have made those concessions. 
+    Elizabeth is not to be over-much blamed if she clung too long to the belief 
+    that he could be persuaded or compelled to do what was so much for his own 
+    interest. If she was deceived so was Burghley. Walsingham is entitled to the 
+    credit of having from first to last refused to believe that the negotiations 
+    were anything but a blind. </p>
+    <p align="left">Though Elizabeth desired peace, she did not cease to deal 
+    blows at Philip. In the spring of 1587 (April-June), while she was most 
+    earnestly pushing her negotiations with Parma, she despatched Drake on a new 
+    expedition to the Spanish coast. He forced his way into the harbours of 
+    Cadiz and Corunna, destroyed many ships and immense stores, and came back 
+    loaded with plunder. The Armada had not been crippled, for most of the ships 
+    that were to compose it were lying in the Tagus. But the concentration had 
+    been delayed. Fresh stores had to be collected. Drake calculated, and as it 
+    proved rightly, that another season at least would be consumed in repairing 
+    the loss, and that England, for that summer and autumn, could rest secure of 
+    invasion. </p>
+    <p align="left">The delay was most unwelcome to Philip. The expense of 
+    keeping such a fleet and army on foot through the winter would be enormous. 
+    Spain was maintaining not only the Armada but the army of Parma; for the 
+    resources of the Netherlands, which had been the true El Dorado of the 
+    Spanish monarchy, were completely dried up. So impatient was Philip 
+    --usually the slowest of men--that he proposed to despatch the Armada even 
+    in September, and actually wrote to Parma that he might expect it at any 
+    moment. But, as Drake had calculated, September was gone before everything 
+    was ready. The naval experts protested against the rashness of facing the 
+    autumnal gales, with no friendly harbour on either side of the Channel in 
+    which to take refuge. Philip then made the absurd suggestion that the army 
+    from the Netherlands should cross by itself in its flat-bottomed boats. But 
+    Parma told him that it was absolutely out of the question. Four English 
+    ships could sink the whole flotilla. In the meantime his soldiers, waiting 
+    on the Dunkirk Downs and exposed to the severities of the weather, were 
+    dying off like flies. Philip and Elizabeth resembled one another in this, 
+    that neither of them had any personal experience of war either by land or 
+    sea. For a Queen this was natural. For a King it was unnatural, and for an 
+    ambitious King unprecedented. They did not understand the proper adaptation 
+    of means to ends. Yet it was necessary to obtain their sanction before 
+    anything could be done. Hence there was much mismanagement on both sides. 
+    Still England was in no real danger during the summer and autumn of 1587, 
+    because Philip's preparations were not completed; and before the end of the 
+    year the English fleet was lying in the Channel. But the Queen grudged the 
+    expense of keeping the crews up to their full complement. The supply of 
+    provisions and ammunition was also very inadequate. The expensiveness of war 
+    is generally a sufficient reason for not going to war; but to attempt to do 
+    war cheaply is always unwise. &quot;Sparing and war,&quot; as Effingham observed, 
+    &quot;have no affinity together.&quot; </p>
+    <p align="left">Drake strongly urged that, instead of trying to guard the 
+    Channel, the English fleet should make for the coast of Spain, and boldly 
+    assail the Armada as soon as it put to sea. This was the advice of a man who 
+    had all the shining qualities of Nelson, and seems to have been in no 
+    respect his inferior. It was no counsel of desperation. He was confident of 
+    success. Lord Howard of Effingham, the Admiral, was of the same opinion. The 
+    negotiations were odious to him. For Burghley, who clings to them, he has no 
+    more reverence than Hamlet had for Polonius. &quot;Since England was England,&quot; he 
+    writes to Walsingham, &quot;there was never such a stratagem and mask to deceive 
+    her as this treaty of peace. I pray God that we do not curse for this a long 
+    grey beard with a white head witless, that will make all the world think us 
+    heartless. You know whom I mean.&quot; </p>
+    <p align="left">With the hopes and fears of these sea-heroes, it is 
+    instructive to compare the forecast of the great soldier who was to conduct 
+    the invasion. Always obedient and devoted to his sovereign, Parma played his 
+    part in the deceptive negotiations with consummate skill. But his own 
+    opinion was that it would be wise to negotiate in good faith and accept the 
+    English terms. Though prepared to undertake the invasion, he took a very 
+    serious view of the risks to be encountered. He tells Philip that the 
+    English preparations are formidable both by land and sea. Even if the 
+    passage should be safely accomplished, disembarkation would be difficult. 
+    His army, reduced by the hardships of the winter from 30,000 men, which he 
+    had estimated as the proper number, to less than 17,000, was dangerously 
+    small for the work expected of it. He would have to fight battle after 
+    battle, and the further he advanced the weaker would his army become both 
+    from losses and from the necessity of protecting his communications. </p>
+    <p align="left">Parma had carefully informed himself of the preparations in 
+    England. From the beginning of Elizabeth's reign, attention had been paid to 
+    the organisation, training, and equipment of the militia, and especially 
+    since the relations with Spain had become more hostile. On paper it seems to 
+    have amounted to 117,000 men. Mobilisation was a local business. Sir John 
+    Norris drew up the plan of defence. Beacon fires did the work of the 
+    telegraph. Every man knew whither he was to repair when their blaze should 
+    be seen. The districts to be abandoned, the positions to be defended, the 
+    bridges to be broken, were all marked out. Three armies, calculated to 
+    amount in the aggregate to 73,000 men, were ordered to assemble in July. 
+    Whether so many were actually mustered is doubtful. But Parma would 
+    certainly have found himself confronted by forces vastly superior in numbers 
+    to his own, and would have had, as he said, to fight battle after battle. 
+    The bow had not been entirely abandoned, but the greater part of the 
+    archers--two-thirds in some counties--had lately been armed with calivers. 
+    What was wanting in discipline would have been to some extent made up by the 
+    spontaneous cohesion of a force organised under its natural leaders, the 
+    nobles and gentry of each locality, not a few of whom had seen service 
+    abroad. But, after all, the greatest element of strength was the free spirit 
+    of the people. England was, and had long been, a nation of freemen. There 
+    were a few peers, and a great many knights and gentlemen. But there was no 
+    noble caste, as on the Continent, separated by an impassable barrier of 
+    birth and privilege from the mass of the people. All felt themselves 
+    fellow-countrymen bound together by common sentiments, common interests, and 
+    mutual respect. </p>
+    <p align="left">This spirit of freedom--one might almost say of 
+    equality--made itself felt still more in the navy, and goes far to account 
+    for the cheerful energy and dash with which every service was performed. 
+    &quot;The English officers lived on terms of sympathy with their men unknown to 
+    the Spaniards, who raised between the commander and the commanded absurd 
+    barriers of rank and blood which forbade to his pride any labour but that of 
+    fighting. Drake touched the true mainspring of English success when he once 
+    (in his voyage round the world) indignantly rebuked some coxcomb 
+    gentlemen-adventurers with, 'I should like to see the gentleman that will 
+    refuse to set his hand to a rope. I must have the gentlemen to hale and draw 
+    with the mariners.&quot; Drake, Hawkins, Frobisher were all born of humble 
+    parents. They rose by their own valour and capacity. They had gentlemen of 
+    birth serving under them. To Howard and Cumberland and Seymour they were 
+    brothers-in-arms. The master of every little trading vessel was fired by 
+    their example, and hoped to climb as high. </p>
+    <p align="left">It is the pleasure of some writers to speak of Elizabeth's 
+    naval preparations as disgracefully insufficient, and to treat the 
+    triumphant result as a sort of miracle. To their apprehension, indeed, her 
+    whole reign is one long interference by Providence with the ordinary 
+    relations of cause and effect. The number of royal ships as compared with 
+    those of private owners in the fleet which met the great Armada-34 to 
+    161--is represented as discreditably small. By Englishmen of that day, it 
+    was considered to be. creditably large. Sir Edward Coke (who was thirtyeight 
+    at the time of the Armada), writing under Charles I., when the royal navy 
+    was much larger, says: &quot;In the reign of Queen Elizabeth (I being then 
+    acquainted with this business) there were thirty-three [royal ships] besides 
+    pinnaces, which so guarded and regarded the navigation of the merchants, as 
+    they had safe vent for their commodities, and trade and traffic flourished.&quot;<a onclick="return pageTxt_href_onClick(this,true);" href="beeslychapterten.html#2">
+    </a></p>
+    <p align="left">It seems to be overlooked that the royal navy, such as it 
+    was, was almost the creation of Elizabeth. Her father was the first English 
+    king who made any attempt to keep a standing navy of his own. He established 
+    the Admiralty and the first royal dockyard. Under Edward and Mary the navy, 
+    like everything else, went to ruin. Elizabeth's ship-building, humble as it 
+    seems to us, excited the admiration of her subjects, and was regarded as one 
+    of the chief advances of her reign. The ships, when not in commission, were 
+    kept in the Medway. The Queen personally paid the greatest attention to 
+    them. They were always kept in excellent condition, and could be fitted out 
+    for sea at very short notice. Economy was enforced in this, as in other 
+    departments, but not at the expense of efficiency. The wages of officers and 
+    men were very much augmented; but in the short periods for which crews were 
+    enlisted, and in the victualling, there seems to have been unwise parsimony 
+    in 1588. The grumbling of alarmists about unpreparedness, apathy, 
+    stinginess, and red-tape was precisely what it is in our own day. We know 
+    that some allowance is to be made for it. </p>
+    <p align="left">The movements of the Armada were perfectly well known in 
+    England, and all the dispositions to meet it at sea were completed in a 
+    leisurely manner. Conferences were still going on at Ostend between English 
+    and Spanish commissioners. On the part of Elizabeth there was sincerity, but 
+    not blind credulity nor any disposition to make unworthy concessions. 
+    Conferences quite as protracted have often been held between belligerents 
+    while hostilities were being actively carried on. The large majority of 
+    Englishmen were resolved to fight to the death against any invader. But, as 
+    against Spain, there was not that eager pugnacity which a war with France 
+    always called forth, except, perhaps, among the sea-rovers; and even they 
+    would have contented themselves, if it had been possible, with the 
+    unrecognized privateering which had so long given them the profits of war 
+    with the immunities of peace. The rest of the nation respected their Queen 
+    for her persevering endeavour to find a way of reconciliation with an 
+    ancient ally, and to limit, in the meantime, the area of hostilities. They 
+    were confident, and with good reason, that she would surrender no important 
+    interest, and that aggressive designs would be met, as they had always been 
+    met, more than half-way. </p>
+    <p align="left">The story of the great victory is too well known to need 
+    repetition here. But some comments are necessary. It is usual, for one 
+    reason or other, to exaggerate the disparity of the opposing fleets, and to 
+    represent England as only saved from impending ruin by the extraordinary 
+    daring of her seamen, and a series of fortunate accidents. The final 
+    destruction of the Armada, after the pursuit was over, was certainly the 
+    work of wind and sea. But if we fairly weigh the available strength on each 
+    side, we shall see that the English commanders might from the first feel, as 
+    they did feel, a reasonable assurance of defeating the invaders. </p>
+    <p align="left">Let us first compare the strength of the fleets: <i>--I will 
+    insert this graphic as soon as possible--Marilee</i></p>
+    <p align="left">The Armada carried besides 21,855 soldiers. The first thing 
+    that strikes us is the immense preponderance in tonnage on the part of the 
+    Spaniards, and in sailors on the part of the English. This really goes far 
+    to explain the result. Nothing is more certain than that the Spanish ships, 
+    notwithstanding their superior size, were for fighting and sailing purposes 
+    very inferior to the English. It had always been believed that, to withstand 
+    the heavy seas of the Atlantic, a ship should be constructed like a lofty 
+    fortress. The English builders were introducing lower and longer hulls and a 
+    greater spread of canvas. Their crews, as has always been the case in oar 
+    navy, were equally handy as sailors and gunners. The Spanish ships were 
+    under-manned. The soldiers were not accustomed to work the guns, and were of 
+    no use unless it came to boarding, which Howard ordered his captains to 
+    avoid. The English guns, if fewer than the Spanish, were heavier and worked 
+    by more practised men. Their balls not only cut up the rigging of the 
+    Spaniards but tore their hulls (which were supposed to be cannon-proof), 
+    while the English ships were hardly touched. The slaughter among the 
+    wretched soldiers crowded between decks was terrible. Blood was seen pouring 
+    out of the leescuppers. &quot;The English ships,&quot; says a Spanish officer, &quot;were 
+    under such good management that they did with them what they pleased.&quot; The 
+    work was done almost entirely by the Queen's ships.&quot; If you had seen,&quot; says 
+    Sir William Winter, &quot;the simple service done by the merchants and coast 
+    ships, you would have said we had been little helped by them, otherwise than 
+    that they did make a show.&quot; </p>
+    <p align="left">The principal and final battle was fought off Gravelines.
+    </font>
+    </font>
+    <font face="Times New Roman">
+    The Armada therefore did arrive at its destination, but only to show that 
+    the general plan of the invasion was an impracticable one. The superiority 
+    in tonnage and number of guns on the morning of that day, though not what it 
+    had been when the fighting began a week before, was still immense, if 
+    superiority in those particulars had been of any use. But with this battle 
+    the plan of Philip was finally shattered. So far from being in a condition 
+    to cover Parma's passage, the Spanish admiral was glad to escape as best he 
+    could from the English pursuit. </p>
+    <p align="left">During the eight days' fight, be it observed, the Armada had 
+    experienced no unfavourable weather or other stroke of ill-fortune. The wind 
+    had been mostly in the west, and not tempestuous. After the last battle, 
+    when the crippled Spanish ships were drifting upon the Dutch shoals, it 
+    opportunely shifted, and enabled them to escape into the North Sea. </p>
+    <p align="left">It would not be easy to find any great naval engagement in 
+    which the victors suffered so little. In the last battle, when they came to 
+    close quarters, they had about sixty killed. During the first seven days 
+    their loss seems to have been almost nil. One vessel only-not belonging to 
+    the Queen--became entangled among the enemy, and succumbed. Except the 
+    master of this vessel not one of the captains was killed from first to last. 
+    Many men of rank were serving in the fleet. It
+    </font>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font face="Times New Roman">
+    is not mentioned that one of them was so much as wounded. </p>
+    <p align="left">Looking at all these facts, we can surely come to only one 
+    conclusion. Philip's plan was hopeless from the first. Barring accidents, 
+    the English were bound to win. On no other occasion in our history was our 
+    country so well prepared to meet her enemies. Never was her safety from 
+    invasion so amply guaranteed. The defeat of the Great Armada was the 
+    deserved and crowning triumph of thirty years of good government at home and 
+    wise policy abroad; of careful provision for defence and sober abstinence 
+    from adventure and aggression. </p>
+    <p align="left">Of the land preparations it is impossible to speak with 
+    equal confidence, as they were never put to the test. If the Spaniards had 
+    landed, Leicester's militia would no doubt have experienced a bloody defeat. 
+    London might have been taken and plundered. But Parma himself never expected 
+    to become master of the country without the aid of a great Catholic rising. 
+    This, we may affirm with confidence, would not have taken place on even the 
+    smallest scale. Overwhelming forces would soon have gathered round the 
+    Spaniards. They would probably have retired to the coast, and there 
+    fortified some place from which it would have been difficult to dislodge 
+    them as long as they retained the command of the sea. </p>
+    <p align="left">Such seems to have been the utmost success which, in the 
+    most favourable event, could have attended the invasion. A great disaster, 
+    no doubt, for England, and one for which Elizabeth would have been judged by 
+    history with more severity than justice; for Englishmen have always chosen 
+    to risk it, down to our own time.(1) No government which insisted on making 
+    adequate provision for the military defence of the country would have been 
+    tolerated then, or, to all appearance, would be tolerated now. We have 
+    always trusted to our navy. It were to be wished that our naval superiority 
+    were as assured now as when we defeated the Armada. </p>
+    <p align="left">The arrangements for feeding the soldiers and sailors were 
+    very defective. A praiseworthy system of control had been introduced to 
+    check waste and peculation in time of peace. Of course it did not easily 
+    adapt itself to the exigencies of war. Military operations are sure to 
+    suffer where a certain, or rather uncertain, amount of waste and peculation 
+    is not risked. We have not forgotten the &quot;horrible and heart-rending&quot; 
+    sufferings of our army in the Crimea, which, like those of Elizabeth's 
+    fleet, had to be relieved by private effort. In the sixteenth century the 
+    lot of the soldier and sailor everywhere was want and disease, varied at 
+    intervals by plunder and excess. Philip's soldiers and sailors were worse 
+    off than Elizabeth's, though he grudged no money for purposes of war. </p>
+    <p align="left">Those who profess to be scandalised by the appointment of 
+    Leicester to the command of the army should point out what fitter choice 
+    could have been made. He was the only great nobleman with any military 
+    experience; and to suppose that any one but a great nobleman could have been 
+    appointed to such a command is to show a profound ignorance of the ideas of 
+    the time. He had Sir John Norris, a really able soldier, as his marshal of 
+    the camp. After all, no one has alleged that he did not do his duty with 
+    energy and intelligence. The story that the Queen thought of making him her 
+    &quot;Lieutenant in the government of England and Ireland,&quot; but was dissuaded 
+    from it by Burghley and Hatton, rests on no authority but that of Camden, 
+    who is fond of repeating spiteful gossip about Leicester. No sensible person 
+    will believe that she meant to create a sort of Grand Vizier. She may have 
+    thought of making him what we should call &quot;Commander-in-Chief.&quot; There would 
+    be much to say for such a concentration of authority while the kingdom was 
+    threatened with invasion. The title of &quot;Lieutenant&quot; was a purely military 
+    one, and began to be applied under the Tudors to the commanders of the 
+    militia in each county. Leicester's title for the time was &quot;Lieutenant and 
+    Captain-General of the Queen's armies and companies.&quot; But we find him 
+    complaining to Walsingham that the patent of Hunsdon, the commander of the 
+    Midland army, gave him independent powers. &quot;I shall have wrong if he 
+    absolutely command where my patent doth give me power. You may easily 
+    conceive what absurd dealings are likely to fall out if you allow two 
+    absolute commanders&quot; (28 July). Camden's story is probably a confused echo 
+    of this dispute. </p>
+    <p align="left">Writers who are loth to admit that the trust, the gratitude, 
+    the enthusiastic loyalty which Elizabeth inspired were the first and most 
+    important cause of the great victory, have sought to belittle the grandest 
+    moment of her life by pointing out that the famous speech at Tilbury was 
+    made after the battle of Gravelines. But the dispersal of the Armada by the 
+    storm of August 5th was not yet known in England. Drake, writing on the 8th 
+    and 10th, thinks that it is gone to Denmark to refit, and begs the Queen not 
+    to diminish any of her forces. The occasion of the speech on the 10th seems 
+    to have been the arrival of a post on that day, while the Queen was at 
+    dinner in Leicester's tent, with a false alarm that Parma had embarked all 
+    his forces, and might be expected in England immediately.</p>
+    <p align="left">But the Lieutenant-General had reached the end of his 
+    career. Three weeks after the Tilbury review he died of &quot;a continued fever,&quot; 
+    at the age of fifty-six. He kept Elizabeth's regard to the last, because she 
+    believed--and during the latter part of his life, not wrongly--in his 
+    fidelity and devotion. There is no sign that she at any time valued his 
+    judgment or suffered him to sway her policy, except so far as he was the 
+    mouthpiece of abler advisers; nor did she ever allow his enmities, violent 
+    as they were, to prejudice her against any of her other servants. His 
+    fortune was no doubt much above his deserts, and he has paid the usual 
+    penalty. There are few personages in history about whom so much malicious 
+    nonsense has been written. </p>
+    <p align="left">We cannot help looking on England as placed in a quite new 
+    position by the defeat of the Armada--a position of security and 
+    independence. In truth, what was changed was not so much the relative 
+    strength of England and Spain as the opinion of it held by Englishmen and 
+    Spaniards, and indeed by all Europe. The loss to Philip in mere ships, men, 
+    and treasure was no doubt considerable. But his inability to conquer England 
+    was demonstrated rather than caused by the destruction of the Armada. Philip 
+    himself talked loftily about &quot;placing another fleet upon the seas.&quot; But his 
+    subjects began to see that defence, not conquest, was now their 
+    business--and had been for some time if they had only known it: </p>
+    <blockquote>
+      <p align="left"><i>Cervi, luporum preda rapacium,<br>
+      Sectamur ultro quos opimus<br>
+      Fallere et effugere eat triumphus</i>. </p>
+    </blockquote>
+    <p align="left">Elizabeth's attitude to Philip underwent a marked change. 
+    Till then she had been unwilling to abandon the hope of a peaceful 
+    settlement. She had dealt him not a few stinging blows, but always with a 
+    certain restraint and forbearance, because they were meant for the purpose 
+    of bringing him to reason. Thirty years of patience on his part had led her 
+    to believe that he would never carry retaliation beyond assassination plots. 
+    At last, in his slow way, he had gathered up all his strength and essayed to 
+    crush her. Thenceforward she was a convert to Drake's doctrine that attack 
+    was the surest way of defence. She had still good reasons for devolving this 
+    work as much as possible on the private enterprise of her subjects. The 
+    burden fell on those who asked nothing better than to be allowed to bear it. 
+    Thus arose that system, or rather practice, of leaving national work to be 
+    executed by private enterprise, which has had so much to do with the 
+    building up of the British Empire. Private gain has been the mainspring of 
+    action. National defence and aggrandisement have been almost incidental 
+    results. With Elizabeth herself national and private aims could not be 
+    dissevered. The nation and she had but one purse. She was cheaply defending 
+    England, and she shared in the plunder. </p>
+    <p align="left">The favourite cruising-ground of the English adventurers was 
+    off the Azores, where the Spanish treasure fleets always halted for fresh 
+    water and provisions, on their way to Europe. Some of these expeditions were 
+    on a large scale. But they were not so successful or profitable, in 
+    proportion to their size, as the smaller ventures of Drake and Hawkins 
+    earlier in the reign. The Spaniards were everywhere on the alert. The 
+    harbours of the New World, which formerly lay in careless security, were put 
+    into a state of defence. Treasure fleets made their voyages with more 
+    caution. &quot;Not a grain of gold, silver, or pearl, but what must be got 
+    through the fire.&quot; The day of great prizes was gone by. </p>
+    <p align="left">Two of these expeditions are distinguished by their 
+    importance. The first was a joint-stock venture of Drake and Norris--the 
+    foremost sailor and the foremost soldier among Englishmen of that day--in 
+    the year after the great Armada (April 1589). They and some private backers 
+    found most of the capital. The Queen contributed six royal ships and 
+    £20,000. This fleet carried no less than 11,000 soldiers, for the aim was to 
+    wrest Portugal from the Spaniard and set up Don Antonio, a representative of 
+    the dethroned dynasty. </p>
+    <p align="left">Stopping on their way at Corunna, they took the lower town, 
+    destroyed large stores, and defeated in the field a much superior force 
+    marching to the relief of the place. Norris mined and breached the walls of 
+    the upper town; but the storming parties having been repulsed with great 
+    loss, the army re-embarked and pursued its voyage. Landing at Peniché, 
+    Norris marched fifty miles by Vimiero and Torres Vedras, names famous 
+    afterwards in the military annals of England, and on the seventh day arrived 
+    before Lisbon. But he had no battering train; for Drake, who had brought the 
+    fleet round to the mouth of the Tagus, judged it dangerous to enter the 
+    river. Nor did the Portuguese rise, as had been hoped. The army therefore, 
+    marching through the suburbs of Lisbon, rejoined the fleet at Cascaes, and 
+    proceeded to Vigo. That town was burnt, and the surrounding country 
+    plundered. This was the last exploit of the expedition. Great loss and 
+    dishonour had been inflicted on Spain; but no less than half of the soldiers 
+    and sailors had perished by disease; and the booty, though said to have been 
+    large, was a disappointment to the survivors. </p>
+    <p align="left">The other great expedition was in 1596. The capture of 
+    Calais in April of that year by the Spaniards, had renewed the alarm of 
+    invasion, and it was determined to meet the danger at a distance from home. 
+    A great fleet, with 6000 soldiers on board, commanded by Essex and Howard of 
+    Effingham sailed straight to Cadiz, the principal port and arsenal of Spain. 
+    The harbour was forced by the fleet, the town and castle stormed by the 
+    army, several men-of-war taken or destroyed, a large merchant-fleet burnt, 
+    together with an immense quantity of stores and merchandise; the total value 
+    being estimated at twenty millions of ducats. This was by far the heaviest 
+    blow inflicted by England upon Spain during the reign, and was so regarded 
+    in Europe; for though the great Armada had been signally defeated by the 
+    English fleet, its subsequent destruction was due to the winds and waves. 
+    Essex was vehemently desirous to hold Cadiz; but Effingham and the Council 
+    of War appointed by the Queen would not hear of it. The expedition 
+    accordingly returned home, having effectually relieved England from the fear 
+    of invasion. The burning of Penzance by four Spanish galleys (1595) was not 
+    much to set against these great successes. </p>
+    <p align="left">One reason for the comparative impunity with which the 
+    English assailed the unwieldy empire of Philip was the insane pursuit of the 
+    French crown, to which he devoted all his resources after the murder of 
+    Henry III. In 1598, with one foot in the grave, and no longer able to 
+    conceal from himself that, with the exception of the conquest of Portugal, 
+    all the ambitious schemes of his life had failed, he was fain to conclude 
+    the peace of Vervins with Henry IV. Henry was ready to insist that England 
+    and the United Provinces should be comprehended in the treaty. Philip 
+    offered terms which Elizabeth would have welcomed ten years earlier. He 
+    proposed that the whole of the Low Countries should be constituted a 
+    separate sovereignty under his son-in-law the Archduke Albert. The Dutch, 
+    who were prospering in war as well as in trade, scouted the offer. English 
+    feeling was divided. There was a war-party headed by Essex and Raleigh, 
+    personally bitter enemies, but both athirst for glory, conquest, and empire, 
+    believing in no right but that of the strongest, greedy for wealth, and 
+    disdaining the slower, more laborious, and more legitimate modes of 
+    acquiring it. They were tired of campaigning it in France and the Low 
+    Countries, where hard knocks and beggarly plunder were all that a soldier 
+    had to look to. They proposed to carry a great English army across the 
+    Atlantic, to occupy permanently the isthmus of Panama, and from that central 
+    position to wrestle with the Spaniard for the trade and plunder of the New 
+    World. The peace party held that these ambitious schemes would bring no 
+    profit except possibly to a few individuals; that the treasury would be 
+    exhausted and the country irritated by taxation and the pressing of 
+    soldiers; that to re-establish the old commercial intercourse with Spain 
+    would be more reputable and attended with more solid advantage to the nation 
+    at large; and finally, that the English arms would be much better employed 
+    in a thorough conquest of Ireland. These were the views of Burghley; and 
+    they were strongly supported by Buckhurst, the best of the younger statesmen 
+    who now surrounded Elizabeth. </p>
+    <p align="left">Elizabeth always encouraged her ministers to speak their 
+    minds; but, as Buckhurst said on this occasion, &quot;when they have done their 
+    extreme duty she wills what she wills.&quot; She determined to maintain the 
+    treaty of 1585 with the Dutch. but she took the opportunity of getting it 
+    amended in such a way as to throw upon them a larger share of the expenses 
+    of the war, and to provide more definitely for the ultimate repayment of her 
+    advances. </p>
+    <p align="left">We have seen that three years before the Armada Elizabeth 
+    had lost the French alliance, which had till then been the key-stone of her 
+    policy. Since then, though aware that Henry III. wished her well, and that 
+    he would thwart the Spanish faction as much as he dared, she had not been 
+    able to count on him. He might at any moment be pushed by Guise into an 
+    attack on England, either with or without the concurrence of Spain. The 
+    accession, therefore, of Henry IV. afforded her great relief. In him she had 
+    a sure ally. It is true that, like her other allies the Dutch, he was more 
+    in a condition to require help than to afford it. But the more work she 
+    provided for Philip in Holland or France, the safer England would be. The 
+    armies of the Holy League might be formidable to Henry; but as long as he 
+    could hold them at bay they were not dangerous to England. She had never 
+    quite got over her scruple about helping the Dutch against their lawful 
+    sovereign. But Henry IV. was the legitimate King of France, and she could 
+    heartily aid him to put down his rebels. From 2000 to 5000 English troops 
+    were therefore constantly serving in France down to the peace of Vervins.
+    </p>
+    <p align="left">Philip, in defiance of the Salic law, claimed the crown of 
+    France for his daughter in right of her mother, who was a sister of Henry 
+    III. To Brittany he alleged that she had a special claim, as being descended 
+    from Anne of Brittany, which the Bourbons were not. Brittany, therefore, he 
+    invaded at once by sea. Elizabeth, alarmed by the proximity of this Spanish 
+    force, desired that her troops in France should be employed in expelling it, 
+    and that they should be vigorously supported by Henry IV. Henry, on the 
+    other hand, was always drawing away the English to serve his more pressing 
+    needs in other parts of France. This brought upon him many harsh rebukes and 
+    threats from the English Queen. But she had, for the first time, met her 
+    match. He judged, and rightly, that she would not desert him. So, with 
+    oft-repeated apologies, light promises, and well-turned compliments, he just 
+    went on doing what suited him best, getting all the fighting he could out of 
+    the English, and airily eluding Elizabeth's repeated demands for some coast 
+    town, which could be held, like Brill and Flushing, as a security for her 
+    heavy subsidies. </p>
+    <p align="left">When Henry was reconciled to the Catholic Church, Elizabeth 
+    went through the form of expressing surprise and regret at a step which she 
+    must have long expected, and must have felt to be wise (1593). Her alliance 
+    with Henry was not shaken. It was drawn even closer by a new treaty, each 
+    sovereign engaging not to make peace without the consent of the other. This 
+    engagement did not prevent Henry from concluding the separate peace of 
+    Vervins five years later, when he judged that his interest required it 
+    (1598). Elizabeth's dissatisfaction was, this time, genuine enough. But 
+    Henry was no longer her protégé, a homeless, landless, penniless king, 
+    depending on English subsidies, roaming over the realm he called his own 
+    with a few thousands, or sometimes hundreds, of undisciplined cavaliers, who 
+    gathered and dispersed at their own pleasure. He was master of a re-united 
+    France, and could no longer be either patronised or threatened. Elizabeth 
+    might expostulate, and declare that &quot;if there was such a sin as that against 
+    the Holy Ghost it must needs be ingratitude:&quot; gratitude was a sentiment to 
+    which she was as much a stranger as Henry. The only difference between them 
+    was the national one: the Englishwoman preached; the Frenchman mocked. What 
+    made her so sore was that he had, so to speak, stolen her policy from her. 
+    His predecessor had always suspected her--and with good reason--of intending 
+    &quot;to draw her neck out of the collar&quot; if once she could induce him to 
+    undertake a joint war. The joint war had at length been undertaken by Henry 
+    IV., and it was he who had managed to slip out of it first, while Elizabeth, 
+    who longed for peace, was obliged to stand by the Dutch. </p>
+    <p align="left">The two sovereigns, however, knew their own interests too 
+    well to quarrel. Henry gave Elizabeth to understand that his designs against 
+    Spain had undergone no change; he was only halting for breath; he would help 
+    the Dutch underhand--just what she used to say to Henry III. She had now to 
+    deal with a French King as sagacious as herself, and a great deal more 
+    prompt and vigorous in action; not the man to be made a cat's-paw by any 
+    one. She had to accept him as a partner, if not on her own terms, then on 
+    his. Both sovereigns were thoroughly veracious--in Carlyle's sense of the 
+    word. That is to say, their policy was determined not by passion, or vanity, 
+    or sentiment of any kind, but by enlightened self-interest, and was 
+    therefore calculable by those who knew how to calculate. </p>
+    </font>
+    <hr>
+    <font face="Times New Roman">
+    <p align="left"><b>Notes: </b>1.
+    </font>
+    <font style="font-family: Times New Roman">The Earl of Sussex, after 
+    inspecting the preparations for defence in Hampshire towards the end of 
+    1587, writes to the Council that he had found nothing ready. The &quot;better 
+    sort&quot; said, &quot;We are much charged many ways, and when the enemy comes we will 
+    provide for him; but he will not come yet.&quot; </p>
+    </font>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychaptereleven.html">to Chapter 
+    XI: Domestic Affairs: 1588-1601</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter III</title>
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+</style>
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+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER III<br>FOREIGN RELATIONS: 1559-1563</b></div>
+    <p align="left">THE successful wars waged by Edward III and Henry V are 
+    apt to cause an exaggerated estimate of the strength of England under the 
+    Tudors. The population--Wales included--was probably not much more than four 
+    millions. That of France was perhaps four times as large, and the 
+    superiority in wealth was even greater. Before the reign of Louis XI., 
+    France, weakened by feudal disunion, had been an easy prey to her smaller 
+    but better-organised neighbour. The work of concentration effected by the 
+    greatest of French kings towards the close of the fifteenth century, and the 
+    simultaneous rise of the great Spanish empire, caused England to fall at 
+    once into the rank of a second-rate power. Such she really was under Henry 
+    VIII., notwithstanding the rather showy figure he managed to make by 
+    adhering alternately to Charles v. and Francis I. Under the bad government 
+    of Edward and Mary the fighting strength of England declined not only 
+    relatively, but absolutely, until in the last year of Mary it touched the 
+    lowest point in our history. Although we were at war with France, there were 
+    no soldiers, no officers, no arms, no fortresses that could resist 
+    artillery, few ships, a heavy debt, and deep discouragement. The loss of 
+    Calais, which had been held for 200 years, was the simple and natural 
+    consequence of this prostration. Justice will not be done to the great 
+    recovery under Elizabeth unless we understand how low the country had sunk 
+    when she came to the throne. </p>
+    <p align="left">During the early years of her reign, it was the universal 
+    opinion at home and abroad that without Spanish protection she could not 
+    preserve her throne against a French invasion in the interests of Mary 
+    Stuart. Henry II. meant that, by the marriage of the Dauphin Francis with 
+    Mary, the kingdoms of England and Scotland should be united to one another 
+    and eventually to France. Philip would thus lose the command of the sea 
+    route to the Netherlands, and the hereditary duel with the House of Austria 
+    would be decided. This scheme could not seem fantastic in a century which 
+    had seen such immense agglomerations of territory effected by political 
+    marriages. Philip, on the other hand, made sure that the danger from France 
+    must necessarily throw Elizabeth and England into his arms. Notwithstanding 
+    the warnings he received from his ambassador Feria that Elizabeth was a 
+    heretic, he felt certain that she would not venture to alter religion at the 
+    risk of offending him. The only question with him was whether he should 
+    marry her himself or bestow her on some sure friend of his house. That she 
+    would refuse both himself and his nominee was a contingency he never 
+    contemplated. </p>
+    <p align="left">Elizabeth, from the first, made up her mind that the cards 
+    in her hand could be played to more advantage than Philip supposed. England, 
+    no doubt, needed his protection for the present. But could he please himself 
+    about granting it? Her bold calculation was that his own interests would 
+    compel him, in any case, to prevent the execution of the Stuart-Valois 
+    scheme, and that consequently she might settle religion without reference to 
+    his wishes. </p>
+    <p align="left">The offer of marriage came in January 1559. In his letter to 
+    Feria, Philip spoke as if Elizabeth would of course jump at it. After 
+    dwelling on its many inconveniences, he said he had decided to make the 
+    sacrifice on condition that Elizabeth would uphold the Catholic religion; 
+    but she must not expect him to remain long with her; he would visit England 
+    occasionally. Feria foolishly allowed this letter to be seen, and the 
+    contents were reported to Elizabeth. She was as much amused as piqued. Their 
+    ages were not unsuitable. Philip was thirty-two, and Elizabeth was 
+    twenty-five. But she was as fastidious about men as her father was about 
+    women; and for no political consideration would she have tied herself to her 
+    ugly, disagreeable, little brother-in-law. After some fencing, she replied 
+    that she did not mean to marry, and that she was not afraid of France. </p>
+    <p align="left">Before the death of Mary, negotiations for a peace between 
+    France, Spain, and England had already begun. Calais was almost the only 
+    difficulty remaining to be settled. Our countrymen have never been able </p>
+    <p align="left">to understand how their possession of a fortress within the 
+    natural boundaries of another country can be disagreeable to its 
+    inhabitants. Elizabeth shared the national feeling, and she wanted Philip to 
+    insist on the restitution of Calais. He would have done so if she had 
+    pleased him as to other matters. Even as it was, the presence of a French 
+    garrison in Calais was so inconvenient to the master of the Netherlands that 
+    he was ready to fight on if England would do her part. But Elizabeth would 
+    only promise to fight Scotland--a very indirect and, indeed, useless way of 
+    supporting Philip. When once this point was made clear, peace was soon 
+    concluded between the three powers at Câteau, near Cambray (March 1559); 
+    appearances being saved by a stipulation that Calais should be restored in 
+    eight years, or half a million of crowns be forfeited. </p>
+    <p align="left">In thus giving way Elizabeth showed her good sense. To have 
+    fought on would have meant deeper debt, terrible exhaustion, and, what was 
+    worse, dependence on Philip. Moreover, Calais could only have been recovered 
+    by reducing France to helplessness, which would have been fatal to the 
+    balance of power on which Elizabeth relied to make herself independent of 
+    both her great neighbours. The peace of Câteau Cambresis was attended with a 
+    secret compact between Philip II. and Henry II., that each monarch should 
+    suppress heresy in his own dominions and not encourage it in those of his 
+    neighbour. By the accession of Elizabeth, and the Scotch Reformation which 
+    immediately followed, Protestantism reached its highwater mark in Europe. 
+    The long wars of Charles V with France had enabled it to spread. Francis I. 
+    had intrigued with the Protestant princes of the Empire, and Charles had 
+    been obliged to humour them. Protestantism was victorious in Britain, 
+    Scandinavia, North Germany, the Palatinate, and Swabia. It had spread widely 
+    in Poland, Hungary, the Netherlands, and France. This rapid growth was now 
+    about to be checked. In some of these countries the new religion was 
+    destined to succumb; in some entirely to disappear. Men who could remember 
+    the first preachings of Luther lived to see not only the high-water, but the 
+    ebb, of the Protestant tide. The revolutionary tendencies inherent in 
+    Protestantism began to alarm the sovereigns; and all the more because the 
+    Church in Catholic, hardly less than in Protestant, countries was becoming a 
+    department of the State. Kings had been jealous of the spiritual power when 
+    it belonged to the Popes. They became jealous for it when it was annexed to 
+    the throne. </p>
+    <p align="left">Notwithstanding its secret stipulations, the peace of Câteau 
+    Cambresis relieved England from the most pressing and immediate perils by 
+    which she was threatened. Neither French nor Spanish troops had made their 
+    appearance on our soil. A breathing-time at least had been gained, during 
+    which something might be done towards putting the country in a state of 
+    defence, and restoring the finances. </p>
+    <p align="left">But the danger from France was by no means at an end. In the 
+    treaty with England, the title of Elizabeth had been acknowledged. But in 
+    that with Spain, the Dauphin had styled himself &quot;King of Scotland, England, 
+    and Ireland.&quot; He and Mary had also assumed the English arms. If a French 
+    army invaded England, it would come by way of Scotland. The English 
+    Catholics, who had for the most part frankly accepted the succession of 
+    Elizabeth, were disappointed and irritated by the change of religion. If 
+    Mary should go to Scotland with a French force, it was to be apprehended 
+    that a rebellion would immediately break out in the northern counties. 
+    Philip, no doubt, would land in the south to drive out the Dauphiness. But 
+    the remedy would be worse than the disease. For he was deeply discontented 
+    with the conduct of Elizabeth, and would probably take the opportunity of 
+    deposing her. To establish, therefore, her independence of both her powerful 
+    neighbours, Elizabeth had to begin by destroying French influence in 
+    Scotland. </p>
+    <p align="left">The wisest heads in Scotland had long seen the advantage of 
+    uniting their country to England by marriage. The blundering and bullying 
+    policy of the Protector Somerset had driven the Scotch to renew their 
+    ancient alliance with France. But the attempts of the Regent Mary of Guise 
+    to increase French influence, and to establish a small standing army, in 
+    order at once to strengthen her authority, and to serve the designs of Henry 
+    II. against England, had again made the French connection unpopular, and 
+    caused a corresponding revival of friendly feeling towards England. </p>
+    <p align="left">Nowhere was the Church so wealthy, relatively to the other 
+    estates, as in Scotland. It was supposed to possess half the property of the 
+    country. Nowhere were the clergy so immoral. Nowhere was superstition so 
+    gross. But the doctrines of the Reformation were spreading among the common 
+    people, and in 1557 some of the nobles, hungering for the wealth of the 
+    Church, put themselves at the head of the Protestant movement. They were 
+    known as the &quot;Lords of the Congregation.&quot; </p>
+    <p align="left">The Scotch Reformation began not from the Government, as in 
+    England, but from the people. Hence, while change of supremacy was the main 
+    question in England, change of doctrine and worship took the lead in 
+    Scotland. The two parties were about equal in numbers, the Protestants being 
+    strongest in the Lowlands. But, with the exception of the murder of Beaton 
+    in 1546, there had, as yet, been no appeal to force, nor any attempt to 
+    procure a public change of religion. The accession of Elizabeth emboldened 
+    the Protestants. At Perth they took possession of the churches and burnt a 
+    monastery. On the other hand, after the peace of Câteau Cambresis, Henry II. 
+    directed the Regent to put down Protestantism, both in pursuance of the 
+    agreement with Philip, and in order to prepare for the Franco-Scottish 
+    invasion of England. The result was that the Protestants rose in open 
+    rebellion (June 1559). The Lords of the Congregation occupied Perth, 
+    Stirling, and Edinburgh. All over the Lowlands abbeys were wrecked, monks 
+    harried, churches cleared of images, the Mass abolished, and King Edward's 
+    service established in its place. In England the various changes of religion 
+    in the last thirty years had always been effected legally by King and 
+    Parliament. In Scotland the Catholic Church was overthrown by a simultaneous 
+    popular outbreak. </p>
+    <p align="left">The catastrophe came later than in England; but popular 
+    feeling was more prepared for it; and what was now cast down was never set 
+    up again. </p>
+    <p align="left">It seemed at first as if the Regent and her handful of 
+    regular troops, commanded by d'Oysel, would be swept away. But d'Oysel had 
+    fortified Leith, and was even able to take the field. A French army was 
+    expected. The tumultuary forces of the needy Scotch nobles could not be kept 
+    together long, and it became clear that, unless supported by Elizabeth, the 
+    rebellion would be crushed as soon as the French reinforcements should 
+    arrive, if not sooner. </p>
+    <p align="left">Thus early did Elizabeth find herself confronted by the 
+    Scottish difficulty, which was to cause her so much anxiety throughout the 
+    greater part of her reign. The problem, though varying in minor details, was 
+    always essentially the same. There was a Protestant faction looking for 
+    support to England, and a Catholic faction looking to France. Two or three 
+    of the Protestant leaders--Moray, Glencairn, Kirkaldy--did really care 
+    something about a religious reformation. The rest thought more of getting 
+    hold of Church lands and pursuing old family feuds. In the experience of 
+    Elizabeth, they were a needy, greedy, treacherous crew, always sponging on 
+    her treasury, and giving her very little service in return for her money. 
+    Besides, the whole Scotch nation was so touchy in its patriotism, so jealous 
+    of foreign interference, that foreign soldiers present on its soil were sure 
+    to be regarded with an evil eye, no matter for what purpose they had come, 
+    or by whom they had been invited. </p>
+    <p align="left">The Lords of the Congregation invoked the protection of 
+    Elizabeth. They suggested that she should marry the Earl of Arran, and that 
+    he and she should be King and Queen of Great Britain. Arran was the eldest 
+    son of the Duke of Chatelherault, who, Mary being as yet childless, was 
+    heir-presumptive to the Scottish crown. There were many reasons why 
+    Elizabeth should decline interference. It was throwing down the glove to 
+    France. Interference in Scotland had always been disastrous. It might drive 
+    the English Catholics to despair, as cutting off the hope of Mary's 
+    succession to the English crown. To make a Protestant match would irritate 
+    Philip. He might invade England to forestall the French. Almost all her 
+    Council--even Bacon--advised her to leave Scotland alone, marry the Archduke 
+    Charles, and trust to the Spanish alliance for the defence of England. </p>
+    <p align="left">These were serious considerations; and to them was to be 
+    joined another which with Elizabeth always had great weight--more, 
+    naturally, than it had with any of her advisers. She shrank from doing 
+    anything which might have the practical effect of weakening the common cause 
+    of monarchs. She felt instinctively that with Protestants reverence for the 
+    religious basis of kingship must tend to become weaker than with Catholics. 
+    She did not desire to encourage this tendency or to familiarise her own 
+    subjects with it. Knox <i>First Blast of the Trumpet against the Monstrous 
+    Regimen of Women</i> had been directed against Mary. The Blasts that were to 
+    follow had been dropped; but the first could not be treated as unblown. And 
+    the arrogant preacher did not mend matters by writing to Elizabeth that she 
+    was to consider her case as an exception &quot;contrary to nature,&quot; allowed by 
+    God &quot;for the comfort of His kirk,&quot; but that if she based her title on her 
+    birth or on law, &quot;her felicity would be short.&quot; </p>
+    <p align="left">Nevertheless Elizabeth adopted the bolder course. The Lords 
+    of the Congregation were assured that England would not see them crushed by 
+    French arms. A small supply of money was sent to them. As to the marriage 
+    with Arran, no positive answer was given; but he was sent for to be looked 
+    at. When he came, he was found to be even a poorer creature than his father; 
+    at times, indeed, not quite right in his mind. It was hard upon the 
+    Hamiltons, among whom were so many able and daring men, that, with the crown 
+    almost in their grasp, their chiefs should be such incapables. To Elizabeth 
+    it was no doubt a relief to find that Arran was an impossible husband. </p>
+    <p align="left">In the meantime 2000 French had arrived, and the Lords were 
+    urgent in their demands for help. But Elizabeth determined, and rightly, 
+    that they must do their own work if they could. She was willing to give them 
+    such pecuniary help as was necessary. But the demand for troops was 
+    unreasonable. Fighting men abounded in Scotland. Why should English troops 
+    be sent to do their fighting for them, with the certainty of earning black 
+    looks rather than thanks? If a large army was despatched from France, she 
+    would attack it with her fleet. If it landed, she would send an English 
+    army. But if the Lords of the Congregation did not beat the handful of 
+    Frenchmen at Leith it must be because they were either weak or treacherous. 
+    In either case Elizabeth might have to give up the policy she preferred, 
+    leave Scotland alone, and fall back upon an alliance with Philip. </p>
+    <p align="left">In order therefore to preserve this second string to her 
+    bow, and to let the Scotch Anglophiles see that she possessed it, she 
+    reopened negotiations for the Austrian marriage. Charles, in his turn, was 
+    invited to come and be looked at. Much as she disliked the idea of marriage, 
+    she knew that political reasons might make it necessary. But, come what 
+    would, she would never marry a man who was not to her fancy as a man. She 
+    would take no one on the strength of his picture. She had heard that Charles 
+    was not overwise, and that he had an extraordinarily big head, &quot;bigger than 
+    the Earl of Bedford's.&quot; </p>
+    <p align="left">The Scotch Lords, finding that Elizabeth was determined to 
+    have some solid return for her money, went to work with more vigour. They 
+    proclaimed the deposition of the Regent, drove her from Edinburgh, and 
+    besieged her and her French garrison in Leith. But this burst of energy was 
+    soon over. The Protestants were more ready to pull down images and harry 
+    monks than make campaigns. Leith was not to be taken. In three weeks their 
+    army dwindled away, and the little disciplined force of Frenchmen re-entered 
+    Edinburgh. </p>
+    <p align="left">The position had become very critical for Elizabeth. A 
+    French army of 15,000 men was daily expected at Leith. If once it landed, 
+    the Congregation would be crushed; the Hamiltons would make their peace; and 
+    the disciplined army of d'Elbuf, swelled by hordes of hungry Scotchmen, 
+    would pour over the Border, and proclaim Mary in the midst of the Catholic 
+    population which ten years later rose in rebellion under the northern Earls.
+    </p>
+    <p align="left">In this difficulty the Spanish Ministers in the Netherlands 
+    were consulted. If Elizabeth expelled the garrison at Leith, and so brought 
+    upon herself a war with France, could she depend on Philip's assistance? The 
+    reply was menacing. Their master, for his own interest, could not allow the 
+    Queen of France and Scotland to enforce her title to the throne of England. 
+    But he would oppose it in his own way. If a French army entered England from 
+    the north, a Spanish army would land on the south coast. Turning to her own 
+    Council for advice, Elizabeth found no encouragement. They recommended her 
+    to take Philip's advice, and even to retrace some of her steps in the matter 
+    of religion in order to propitiate him. She made a personal appeal to the 
+    Duke of Norfolk to take the command of the forces on the Border. But he 
+    declined to be the instrument of a policy which he disapproved. </p>
+    <p align="left">We need not wonder if Elizabeth hesitated for a while. Some 
+    of these councillors were not too well affected to her. But most of them 
+    were thoroughly loyal, and there was really much to be said for the more 
+    cautious policy. She herself was an eminently cautious politician, inclined 
+    by nature to shrink from risky courses. Never, therefore, in her whole 
+    career did she give greater proof of her large-minded comprehension of the 
+    main lines of policy which it behoved her to follow than when she determined 
+    to override the opinions of so many prudent advisers, and expel the French 
+    force from the northern kingdom. </p>
+    <p align="left">England was not quite in the helpless, disabled position 
+    that it pleased the Spaniards to believe. Twelve months of careful and 
+    energetic administration had already done wonders. There had been wise 
+    economy and wise expenditure. Money had been scraped together, and, though 
+    there was still a heavy debt, the legacy of three wasteful reigns, the 
+    confidence of the Antwerp money-lenders had revived, and they were willing 
+    to advance considerable sums. A fleet had been equipped and manned; 
+    shiploads of arms had been imported; forces had been collected on the south 
+    coasts. The Border garrisons had been quietly raised in strength till they 
+    were able to furnish an expeditionary force at a moment's notice. </p>
+    <p align="left">The smallest energy on the part of the Congregation might 
+    have finished the war without the presence of an English force. Elizabeth 
+    had a right to be angry. The Scotch Protestants expected to have the hardest 
+    part of the work done for them, and to be paid for executing their own share 
+    of it. Lord James and a few of the leaders were in earnest, but others were 
+    selfish time-servers. As for the lower class, their Calvinism was still new. 
+    It had not yet bred that fierce spirit of independence which before long was 
+    to outweigh the force of nobles and gentry. But if the weakness of the 
+    Anglophile party was disappointing, it had at all events shown that 
+    Elizabeth must depend upon herself to ward off danger on that side; and 
+    after some reasonable hesitation she decided to put through the work she had 
+    begun. </p>
+    <p align="left">It says much for the patriotism of Elizabeth's Council that 
+    when they found she had made up her mind they did not stand sulkily aloof, 
+    but co-operated heartily and vigorously in carrying out the policy they had 
+    opposed. Norfolk himself accepted the command of the Border army, and acted 
+    throughout the affair with fidelity and diligence. He was not a man 
+    distinguished by ability of any kind, and the actual fighting was to be done 
+    by Lord Grey, a firm and experienced, though not brilliant, commander. But 
+    that the natural leader of the Conservative nobility should be seen at the 
+    head of Elizabeth's army was a useful lesson to traitors at home and enemies 
+    abroad, who were telling each other that her throne was insecure. </p>
+    <p align="left">An agreement between the English Queen and the Lords of the 
+    Congregation was drawn up (27 February), with scrupulous care to avoid the 
+    appearance of dictation and encroachment which had gathered all Scotland to 
+    Pinkie Cleugh eleven years before. It set forth that the English troops were 
+    entering Scotland for no other object than to assist the Duke of 
+    Chatelherault, the heir-presumptive to the throne, and the other nobles, to 
+    drive out the foreign invaders. They would build no fortress. There was no 
+    intention to prejudice Mary's lawful authority. Cecil appears to have wanted 
+    to add something about &quot;Christ's true religion;&quot; but Elizabeth struck it 
+    out. Circumstances might compel her to be the protector of foreign 
+    Protestants; but neither then nor at any other time did she desire to pose 
+    in that character. </p>
+    <p align="left">A month later (28 March) Lord Grey crossed the Border, and 
+    marched to Leith. The siege of that place proved to be tedious. The Lords of 
+    the Congregation gave very insufficient assistance; and, when an assault had 
+    been repulsed with heavy loss, the citizens of Edinburgh would not receive 
+    the wounded into their houses. At last, when food was running short in the 
+    town, an envoy from France arrived with power to treat on behalf of the 
+    Queen of Scots. Her mother, the Regent, had died during the siege. After 
+    much haggling a treaty was signed. No French troops were in future to be 
+    kept in Scotland. Offices of State were to be held only by natives. The 
+    government during Mary's absence was to be vested in a Council of twelve 
+    noblemen; seven nominated by her and five by the Estates. Elizabeth's title 
+    to the kingdoms of England and Ireland was recognised (July 1560). </p>
+    <p align="left">Such was the Treaty of Edinburgh, or of Leith, as it is 
+    sometimes called, one of the most successful achievements of a successful 
+    reign. It was gained by wise counsel and bold resolve; and its fruits, 
+    though not completely fulfilling its promise, were solid and valuable. It 
+    was not ratified by Mary. But her nonratification in the long-run injured no 
+    one but herself, besides putting her in the wrong, and giving Elizabeth a 
+    standing excuse for treating her as an enemy. England was permanently free 
+    from the menace of a disciplined French army in the northern kingdom. 
+    Nothing was settled in the treaty about religion. But this was equivalent to 
+    a confirmation of the violent change that had recently taken place; in 
+    itself a guarantee of security to England. </p>
+    <p align="left">The moral effect of this success was even greater than its 
+    more tangible results. It had been very generally believed, at all events 
+    abroad, that Elizabeth was tottering on her throne; that the large majority 
+    were on the point of rising to depose her; that, wriggle as she might, she 
+    would find she was a mere <i>protégée</i> of Philip, with no option but to 
+    follow his directions and square her policy to his. Whatever small basis of 
+    fact underlay this delusive estimate had been ridiculously exaggerated in 
+    the reports sent to Philip by his ambassador De Quadra, a man who evidently 
+    paid more attention to hole-and-corner tattle than to the broad forces of 
+    English politics. </p>
+    <p align="left">All these imaginings were now proved to be vain. Elizabeth 
+    had shown that she could protect herself by her own strength and in her own 
+    way. She had civilly ignored Philip's advice, or rather his injunctions. She 
+    had thrown down the glove to France, and France had not taken it up. She had 
+    placed in command of her armies the very man whom she was supposed to fear, 
+    and he had done her bidding, and done it well. England once more stood 
+    before Europe as an independent power, able to take care of itself, aid its 
+    friends, and annoy its enemies. </p>
+    <p align="left">It is true that, as far as Elizabeth personally is 
+    concerned, her Scotch policy had not always in its execution been as prompt 
+    and firm as could be desired. Those who follow it in greater detail than is 
+    possible here will find much in it that is irresolute and even vacillating. 
+    This defect appears throughout Elizabeth's career, though it will always be 
+    ignored, as it ought to be ignored, by those who reserve their attention for 
+    what is worth observing in the course of human affairs. </p>
+    <p align="left">In her intellectual grasp of European politics as a whole, 
+    and of the interests of her own kingdom, Elizabeth was probably superior to 
+    any of her counsellors.</p>
+    <p align="left">No one could better than she think out the general idea of a 
+    political campaign. But theoretical and practical qualifications are seldom, 
+    if ever, combined in equal excellence. Not only are the qualities themselves 
+    naturally opposed, but the constant exercise of either increases the 
+    disparity. Her sex obliged Elizabeth to leave the large field of execution 
+    to others. Her practical gifts therefore, whatever they were, deteriorated 
+    rather than advanced as she grew older. In men, who every day and every hour 
+    of the day are engaged in action, the habit of prompt decision and 
+    persistence in a course once adopted, even if it be not quite the best, is 
+    naturally formed and strengthened. It is a habit so valuable, so 
+    indispensable to continued success, that in practice it largely compensates 
+    for some inferiority in conception and design. Elizabeth's irresolution and 
+    vacillation were therefore a consequence of her position--that of an 
+    extremely able and well-informed woman called upon to conduct a government 
+    in which so much had to be decided by the sovereign at her own discretion. 
+    The abler she was, the more disposed to make her will felt, the less 
+    steadiness and consistency in action were to be expected from her. As the 
+    wife of a king, upon whom the final responsibility would have rested--her 
+    inferior perhaps in intellect and knowledge, but with the masculine habit of 
+    making up his mind once for all, and then steering a straight course--she 
+    would have been a wise and enlightened adviser, not afraid of consistently 
+    maintaining principles, when the time, mode, and degree of their application 
+    rested with another. As it was, Cecil and other able statesmen who served 
+    her No one could better than she think out the general idea of a political 
+    campaign. But theoretical and practical qualifications are seldom, if ever, 
+    combined in equal excellence. Not only are the qualities themselves 
+    naturally opposed, but the constant exercise of either increases the 
+    disparity. Her sex obliged Elizabeth to leave the large field of execution 
+    to others. Her practical gifts therefore, whatever they were, deteriorated 
+    rather than advanced as she grew older. In men, who every day and every hour 
+    of the day are engaged in action, the habit of prompt decision and 
+    persistence in a course once adopted, even if it be not quite the best, is 
+    naturally formed and strengthened. It is a habit so valuable, so 
+    indispensable to continued success, that in practice it largely compensates 
+    for some inferiority in conception and design. Elizabeth's irresolution and 
+    vacillation were therefore a consequence of her position--that of an 
+    extremely able and well-informed woman called upon to conduct a government 
+    in which so much had to be decided by the sovereign at her own discretion. 
+    The abler she was, the more disposed to make her will felt, the less 
+    steadiness and consistency in action were to be expected from her. As the 
+    wife of a king, upon whom the final responsibility would have rested--her 
+    inferior perhaps in intellect and knowledge, but with the masculine habit of 
+    making up his mind once for all, and then steering a straight course--she 
+    would have been a wise and enlightened adviser, not afraid of consistently 
+    maintaining principles, when the time, mode, and degree of their application 
+    rested with another. As it was, Cecil and other able statesmen who served 
+    her against the heretics of all countries. To this appeal he replied by 
+    formally summoning Catherine to put down heresy in France. An accidential 
+    collision at Vassy, in which a number of Huguenots were slain, brought on 
+    the first of those wars of religion which were to desolate France for the 
+    next thirty years (March 1562). Both factions, equally dead to patriotism, 
+    opened their country to foreigners. The Guises called in the forces of Spain 
+    and the Pope. Condé applied to Elizabeth and the Protestant princes of 
+    Germany. </p>
+    <p align="left">It was necessary to give the Huguenots just so much help as 
+    would prevent them from being crushed. Aggressive in appearance, such 
+    interference was in reality legitimate self-defence. But unfortunately 
+    neither Elizabeth nor her Council had forgotten Calais, and they extorted 
+    from Condé the surrender of Havre as a pledge for its restoration. In the 
+    case of Scotland they had come, as we have seen, to recognise that to 
+    establish a permanent raw by holding fortified posts on the territory of 
+    another nation is poor statesmanship. The possession of Calais was of little 
+    military value as against France. It is true that it would enable England to 
+    make sea communication between Spain and the Netherlands very insecure, and 
+    would thus give Philip a powerful motive for desiring to stand well with 
+    this country. But such a calculation had less weight with Englishmen at that 
+    moment than pure Jingoism--the longing to be again able to crow over their 
+    French enemy. </p>
+    <p align="left">The occupation of Havre (October 1562) gave to the Huguenot 
+    cause the minimum of assistance, and brought upon it the maximum of odium. A 
+    hollow reconciliation was soon patched up between the rival factions (March 
+    1563), and Elizabeth was summoned to evacuate Havre. She refused, loudly 
+    complaining of the Huguenots for deserting her. She &quot;had come to the quiet 
+    possession of Havre without force or any other unlawful means, and she had 
+    good reason to keep it.&quot; Up to this time the fiction of peace between the 
+    two nations had been maintained. It was now open war. It is only fair to 
+    Elizabeth to say that all her Council and the whole nation were even hotter 
+    than she was. The garrison of Havre, with their commander Warwick, were 
+    eager for the fray. They would &quot;make the French cock cry Cuck,&quot; they would 
+    &quot;spend the last drop of their blood before the French should fasten a foot 
+    in the town.&quot; The inhabitants were all expelled, and the siege began, Condé 
+    as well as the Catholics appearing in the Queen-mother's army. After a 
+    valiant defence the English, reduced to a handful of men by typhus, sailed 
+    away (28 July 1563). Peace was concluded early in the next year (April 
+    1564). Elizabeth did not repeat her mistake. Thenceforward to the end of her 
+    reign we shall find her carefully cultivating friendly relations with every 
+    ruler of France. </p>
+    </font>
+    <hr>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychapterfour.html">to Chapter 
+    IV: Elizabeth and Mary Stuart: 1559-1568</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="page_topic" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter XII</title>
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+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER XII</b><br>
+      <b>LAST YEARS AND DEATH: 1601-1603</b></div>
+    <p align="left">THE death of Mary Stuart did something to simplify parties 
+    in Scotland; and, if her son had possessed the qualities of a ruler, he 
+    would have had a better chance of reducing his kingdom to order than any of 
+    his predecessors, because a middle class was at length rising into 
+    importance. As far as knowledge and discernment went, he was an able 
+    politician, and on several occasions he showed not only skill in his 
+    combinations, but--what he is not generally credited with by those who study 
+    only his career in England -- considerable energy and courage. But he was 
+    wanting in perseverance, and a slave to idle pleasures. He had always some 
+    favourite upon whom he lavished any money that came into his hands. What was 
+    needed in his own interest and that of his country was that he should 
+    exercise rigid economy, develop all the forces that made for order, ally 
+    himself with the burghs and lower barons, cultivate good relations with the 
+    Kirk, industriously attend to all the details of government, and seize every 
+    opportunity to humble the great nobles of whatever party or creed. Instead 
+    of this, he tried to maintain himself by balancing rival parties, and 
+    employing one nobleman to execute his vengeance on another. Instead of 
+    honestly and zealously seconding the policy of Elizabeth, and so deserving 
+    her confidence and support, which would have been of the utmost value to 
+    him, he tried to levy blackmail on her by coquetting with Spain and the 
+    Catholics. </p>
+    <p align="left">Elizabeth is accused of deliberately encouraging Scottish 
+    factions in order to keep the northern kingdom weak. She certainly supported 
+    Stewart, Earl of Bothwell, a turbulent and unprincipled man, while he was 
+    the antagonist of the Catholic nobles who were inviting the Spaniard. But it 
+    is plain that she desired nothing so much as to see James crush all 
+    aristocratic disorder, and make himself master of his kingdom. Her 
+    exhortations to him on this subject are full of wisdom, and expressed in 
+    most stirring language. But they only produced petitions for money. 
+    Notwithstanding her own difficulties, she long allowed him £3000 a year, 
+    which, in 1600, was increased to £6000. But ten times that amount would have 
+    done him no good, because he would immediately have squandered it. </p>
+    <p align="left">As Elizabeth grew old, James naturally became absorbed in 
+    the prospect of his succession to the English crown. All Scotchmen shared 
+    his eagerness. In England, feeling was almost unanimous in his favour, 
+    though some of the Catholics continued to talk of the Infanta or Arabella 
+    Stuart the niece of Darnley. By teasing Elizabeth to recognise his title, 
+    intriguing with her courtiers, and calling on his own subjects to furnish 
+    him with the means of asserting his rights, James irritated the English 
+    Queen. But she had always intended that he should succeed her, and she did 
+    nothing to prejudice his claim. </p>
+    <p align="left">The two leading men at the English court--Cecil and 
+    Raleigh--who had been united in their hostility to Essex, were now secretly 
+    competing for the favour of James. Each warned the Scottish King against the 
+    other, and represented himself as the only trustworthy adviser. Cecil, from 
+    his confidential relations with the Queen, had the most difficult game to 
+    play, and it was not till her health was evidently failing that he ventured 
+    to open private communications with James. Even then he did not dare to 
+    correspond with him directly, but it was understood that everything written 
+    by Lord Henry Howard (brother of the last Duke of Norfolk) was to be taken 
+    as written by Cecil. To make up for his previous backwardness, he lent James 
+    £10,000--a pledge of fidelity which it was out of his rival's power to 
+    emulate. </p>
+    <p align="left">The long career of Elizabeth was now drawing to its close. 
+    Her sun might seem to be going down in calm splendour. She had triumphed 
+    over all her enemies. She might say with Virgil's heroine-- </p>
+    <blockquote>
+      <p align="left">&quot;<i>Vixi, et quem dederat cursum fortuna, peregi;<br>
+      Et nunc magna mei sub terras ibit imago</i>.&quot; </p>
+    </blockquote>
+    <p align="left">The mighty Philip had gone to his grave five years before 
+    her (1598), a beaten man, having failed in Holland, failed in France, failed 
+    against England. Of the three great champions who withstood him, Elizabeth, 
+    if not the most distinguished by high qualities, had yet, perhaps, the 
+    largest share in saving Europe from the retrograde tyranny which menaced it. 
+    The glorious resistance of William of Orange covered only sixteen years 
+    (1568-84). That of Henry IV can hardly be said to have had any European 
+    importance before his accession to the French throne, from which date to the 
+    peace of Vervins and the death of Philip is a period of nine years 
+    (1589-98). But the whole of Elizabeth's long reign was spent in abating the 
+    power of Spain. It was the persistent, never-relaxing pressure from an 
+    unassailable enemy which wore out Philip, as it afterwards wore out 
+    Bonaparte. Elizabeth had found England weak and distracted: she was leaving 
+    it united and powerful. Nor was she of those to whom their due meed of 
+    praise is denied during life, and accorded only by the tardy justice of 
+    posterity. Her wisdom and courage were the admiration not of her own people 
+    alone, but of all Europe. &quot;Her very enemies,&quot; says a French historian, 
+    &quot;proclaimed her the most glorious and fortunate of all women who ever wore a 
+    crown.&quot; From the point of view of public life, little or nothing was 
+    wanting--so Bacon thought--to fill up the full measure of her felicity. </p>
+    <p align="left">Yet it seems that the last months of her life were clouded 
+    by melancholy, and deformed by a querulous ill-temper. Some have suggested 
+    that she suffered from remorse for her severity to Essex; others that she 
+    felt herself out of sympathy with the Puritan tendencies of the time. It is 
+    not necessary to resort to these unfounded or far-fetched suppositions to 
+    account for her gloom. If we turn from her public to her private life, what 
+    situation could be more profoundly pitiable? Honour and obedience, indeed, 
+    still surrounded her. But that which also should accompany old age, love and 
+    troops of friends, she might not look to have. Near relations she had none. 
+    Alone she had chosen to live, and alone she must die. As her time 
+    approached, she was haunted by the consciousness that, among all those who 
+    treated her with so much reverence, there was not one who had any reason to 
+    be attached to her or to care that her life should be prolonged. Those who 
+    have not loved when they were young must not expect to find love when they 
+    are old. While health and strength remained, she had tasted the satisfaction 
+    of living her own life and playing the great game of politics, for which she 
+    was exceptionally gifted. But to a woman who has passed through life without 
+    knowing what it is to love or be loved, who has no memory of even an 
+    unrequited affection to feed on, who has never shared a husband's joys and 
+    sorrows, never borne the sweet burden of maternity, never suckled babe or 
+    rocked cradle, who must finish her journey alone, sitting in the solemn 
+    twilight before the last dark hour uncared for and uncaring, without the 
+    cheer of children or the varied interests that gather round the family--to 
+    such a one, what avails it that she has tasted the excitement of public 
+    life, that she has borne a share in politics or business--what even that her 
+    aims have been high or that she has done the State some service, if she has 
+    renounced the crown of womanhood, and turned from their appointed use those 
+    numbered years within which the female heart can find present joy and lay up 
+    store of calm satisfaction for declining age? </p>
+    <p align="left">Elizabeth had always enjoyed good health, thanks to her 
+    &quot;exact temperance both as to wine and diet, which, she used to say, was the 
+    noblest part of physic,&quot; and her active habits. In capacity for resisting 
+    bodily fatigue and freedom from nervous ailments, she was like a man. It was 
+    not till the beginning of 1602 that those about her noticed any signs of 
+    failing strength. She still went on hunting and dancing. In dancing she 
+    excelled, and she kept it up for exercise, as many an old man keeps up his 
+    skating or tennis without being exposed to ill-natured remarks. In December 
+    1602 her godson Harington, an amusing person, whose company she enjoyed, 
+    found her &quot;in most pitiable state,&quot; both in body and mind. &quot;She held in her 
+    hand a golden cup which she often put to her lips; but in sooth her heart 
+    seemeth too full to lack more filling.&quot; He read her some verses he had 
+    written, &quot;whereat she smiled once,&quot; but said, &quot;When thou dost feel creeping 
+    Time at thy gate, these fooleries will please thee less. I am past my relish 
+    for such matters. Thou seest my bodily meat doth not suit me well. I have 
+    eaten but one ill-tasted cake since yesternight.&quot; Harington hastened to send 
+    a present to the King of Scots, with the inscription, &quot;<i>Domine memento mei 
+    cum veneris in regnum</i>.&quot; </p>
+    <p align="left">In the same month Robert Carey, son of her cousin Lord 
+    Hunsdon, visited her, and professed to think her looking well. &quot;No, Robin,&quot; 
+    she said, &quot;I am not well,&quot; and then &quot;discoursed of her indisposition, and 
+    that her heart had been sad and heavy for ten or twelve days, and in her 
+    discourse she fetched not so few as forty or fifty great sighs. . . . 
+    Hereupon I wrote to the King of Scots.&quot;(1) Her melancholy was not caused by 
+    any weakening of her mind. A long letter to James, dated 5 January 1603, 
+    though hardly legible, is very vigorous and characteristic. </p>
+    <p align="left">At the beginning of March1603 she became much worse. There 
+    was some disease of the throat, attended with swelling and a distressing 
+    formation of phlegm, which made speaking difficult. The only relatives about 
+    her were Robert Carey and his sister Lady Scrope, watching keenly that they 
+    might be the first to inform James of her death. She could not be brought by 
+    any of her Council to take food or go to bed. When in bed she had been 
+    troubled by a visual illusion; &quot;she saw her body exceedingly lean and 
+    fearful in a light of fire.&quot; At last Nottingham, the Admiral, who was 
+    mourning the recent death of his wife, was sent for. He was a second cousin 
+    of Anne Boleyn, and was the one person to whom the dying Queen seemed to 
+    cling with some trust. He induced her to take some broth. &quot;For any of the 
+    rest,&quot; says her maid-of-honour, Mistress Southwell, &quot;she would not answer 
+    them to any question, but said softly to my Lord Admiral's earnest 
+    persuasions that if he knew what she had seen in her bed he would not 
+    persuade her as he did. And Secretary Cecil, overhearing her, asked if her 
+    Majesty had seen any spirits; to which she said she scorned to answer him so 
+    idle a question. Then he told her how, to content the people, her Majesty 
+    must go to bed. To which she smiled, wonderfully contemning him, saying that 
+    the word must was not to be used to princes; and thereupon said, 'Little 
+    man, little man, if your father had lived ye [he?] durst not have said so 
+    much: but thou knowest I must die, and that maketh thee so presumptuous.' 
+    And presently commanding him and the rest to depart her chamber, willed my 
+    Lord Admiral to stay; to whom she shook her head, and with a pitiful voice 
+    said, 'My Lord, I am tied with a chain of iron about my neck.' He alleging 
+    her wonted courage to her, she replied, 'I am tied, and the case is altered 
+    with me.'&quot; At last, &quot;what by fair means,&quot; says Carey, &quot;what by force, he got 
+    her to bed.&quot; </p>
+    <p align="left">It was perfectly understood that she meant James to be her 
+    successor. The Admiral now told his colleagues that she had confided her 
+    intention to him just before her illness took a serious turn. Two years 
+    before, in conversation with Rosni, the minister of Henry IV., she had 
+    spoken of the approaching union of the Scotch and English crowns as a matter 
+    of course. But it was not till a few hours before her death that her 
+    councillors ventured to question her on the subject. They gave out that she 
+    indicated James by a sign; and this is also asserted by Carey, who, however, 
+    does not seem to have been present, though probably his sister was. Mistress 
+    Southwell seems to write as an eye-witness, but betrays a Catholic bias, 
+    which may cast some doubt on her testimony. &quot;The Council sent to her the 
+    bishop of Canterbury and other of the prelates, upon sight of whom she was 
+    much offended, cholericly rating them, bidding them be packing, saying she 
+    was no atheist, but knew full well they were hedgepriests, and took it for 
+    an indignity that they should speak to her. Now being given over by all, and 
+    at the last gasp, keeping still her sense in everything and giving ever when 
+    she spoke apt answers, though she spake very seldom, having then a sore 
+    throat, she desired to wash it, that she might answer more freely to what 
+    the Council demanded; which was to know whom she would have king; but they, 
+    seeing her throat troubled her so much, desired her to hold up her finger 
+    when they named whom liked her. Whereupon they named the king of France, the 
+    king of Scotland, at which she never stirred. They named my lord Beauchamp, 
+    (2) whereto she said, 'I will have no rascal's son in my seat, but one 
+    worthy to be a king.' Hereupon instantly she died.&quot; (23 March, afternoon.)
+    </p>
+    <p align="left">It is certain, however, that she lived several hours after 
+    this characteristic outburst. Carey says that at six o'clock in the evening 
+    he went into her room with the Archbishop; that, though speechless, she 
+    showed by signs that she followed his prayers, and twice desired him to 
+    remain when he was going away. She died in the early hours of Thursday, 24 
+    March. </p>
+    <p align="left">There have been many greater statesmen than Elizabeth. She 
+    was far from being an admirable type of womanhood. She does not, in my 
+    opinion, stand first even among female sovereigns, for I should put that 
+    able ruler and perfect woman, Isabella of Castile, above her. I admit, 
+    however, that such comparisons are apt to be unjust. Few rulers have had to 
+    contend with such formidable and complicated difficulties as the English 
+    Queen. Few have surmounted them so triumphantly. This is the criterion, and 
+    the sufficient criterion, which determines the judgment of practical men. 
+    Research, if applied with fairness and common sense, may perhaps modify, it 
+    can never set aside, the popular verdict. There are writers who have made 
+    the discovery that Elizabeth was a very poor ruler, selfish and wayward, 
+    shortsighted, easily duped, fainthearted, rash, miserly, wasteful, and 
+    swayed by the pettiest impulses of vanity, spite, and personal inclination. 
+    They have not explained, and never will, how it was that a woman with all 
+    these disqualifications for government should have ruled England with signal 
+    success for forty-four years. Statesmen are indebted to good luck 
+    occasionally, like other people. But when this explanation is offered again 
+    and again with dull regularity, we are compelled to say, with one who had at 
+    once the best opportunity and the highest capacity for estimating the 
+    greatness of Elizabeth: &quot;It is not to closet penmen that we are to look for 
+    guidance in such a case; for men of that order being keen in style, poor in 
+    judgment, and partial in feeling, are no faithful witnesses as to the real 
+    passages of business. It is for ministers and great officers to judge of 
+    these things, and those who have handled the helm of government and been 
+    acquainted with the difficulties and mysteries of State business.&quot; (Bacon,
+    <i>In felicem memoriam Elizabeth.)</i></p>
+    <p align="left">The judgment of those who have handled the helm of 
+    government is to be found in the words of her contemporary, the great 
+    Henry--&quot;She was my other self:&quot; and of a greater still in the next 
+    generation-&quot;Queen Elizabeth of famous memory; we need not be ashamed to call 
+    her so!&quot; (Carlyle, <i>Letters and Speeches of Oliver Cromwell</i>, Speech 
+    V.)</p>
+    </font>
+    <hr>
+    </font>
+    <font face="Times New Roman">
+    <p align="left"><b>Notes:</b> 1. Elizabeth made large use of the courage and 
+    fidelity of her kinsmen on the Boleyn side, but she did little to advance 
+    them either in rank or wealth. Hunsdon had set his heart on regaining the 
+    Boleyn Earldom of Wiltshire. When he was dying, Elizabeth brought the patent 
+    and robes of in earl, and laid them on his bed; but the choleric old man 
+    replied, &quot;Madam, seeing you counted me not worthy of this honour while I was 
+    living, I count myself unworthy of it now I am dying.&quot; 2. Son of Catherine 
+    Grey by the Earl of Hertford. &quot;Rascal&quot; at that time meant a person of low 
+    birth. </p>
+    </font>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
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+<meta name="content" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
+<meta name="page_topic" content="biography of Queen Elizabeth I (1533-1603) by Edward Spencer Beesly, 1892">
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+<title>Secondary Sources: Queen Elizabeth by Edward Spencer Beesly, 1892: 
+Chapter II</title>
+<style>
+</style>
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+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center"><b><font size="7">Queen Elizabeth<br></font></b>
+    <font size="4">by Edward Spencer Beesly, 1892</font></p>
+    <p align="center">
+    <img border="2" src="eliz1-ermine.jpg" width="400" height="478" alt="'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas Hilliard"><p align="center">
+    <i><font size="2">'The Ermine Portrait' of Elizabeth I, c1585, by Nicholas 
+    Hilliard;<br>from the <a href="http://www.marileecody.com/eliz1-images.html">Portraits of Queen Elizabeth I</a> website</font></i></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman"></font>
+    <font style="font-family: Times New Roman">
+    <div align="left">
+      <b>CHAPTER II</b><br>
+      <b>THE CHANGE OF RELIGION: 1559</b></div>
+    <p align="left"><font size="3">MARY died on the 17th of November 1558. 
+    Parliament was then sitting, and, in communicating the event to both Houses, 
+    Archbishop Heath frankly took the initiative in recognising
+    <font class="highlight_yellow">Elizabeth</font>, &quot;of whose most lawful right 
+    and title in the succession of the Crown, thanks be to God, we need not to 
+    doubt.&quot; He was a staunch Catholic, and two months later refused to officiate 
+    at her coronation. But he was an Englishman, and even the most convinced 
+    Catholics, though looking forward with uneasiness to the religious policy of 
+    the new <font class="highlight_yellow">Queen</font>, were sincerely glad 
+    that there was no danger of a disputed succession. Besides, it was by no 
+    means clear that <font class="highlight_yellow">Elizabeth</font> would not 
+    accept the ecclesiastical constitution as established in the late reign. 
+    That there would be an end of burnings, and of the harassing tyranny of the 
+    bishops, every one felt certain; but it seemed quite upon the cards that
+    <font class="highlight_yellow">Elizabeth</font> would continue to recognise 
+    the headship of the Pope in a formal way and maintain the Mass. It must be 
+    remembered that the religious changes had only begun some thirty years 
+    before. All middle-aged men could remember the time when the ecclesiastical 
+    fabric stood to all appearance unbroken, as it had stood for centuries. Only 
+    twenty-four years had passed since the Act of Supremacy had transferred the 
+    headship of the Church from the Pope to the King; only eleven since the 
+    Protestant doctrine and worship had been forced on the country by the 
+    Protector Somerset, to the horror and disgust of the great majority of 
+    Englishmen. The nation had sorrowed for the death of Edward VI., because it 
+    darkened the prospects of the succession, and seemed likely sooner or later 
+    to bring on a civil war. But apart from the hot Protestant minority, chiefly 
+    to be found in London, the mass of the nation was conservative, and welcomed 
+    the reestablishment of the old religion as a return to order and common 
+    sense after a short and bitter experience of revolutionary anarchy. There 
+    was a rooted objection to restore the old meddlesome tyranny of the bishops, 
+    and the nobles and squires who had got hold of the abbey lands would not 
+    hear of giving them up. But the return to communion with the Catholic Church 
+    and the recognition of the Pope as its head gave satisfaction to 
+    three-fourths, perhaps to five-sixths, of the nation, and to a still larger 
+    proportion of its most influential class, the great landed proprietors. 
+    Mary's accession was the great and unique opportunity for the old Church. If 
+    Mary and Pole had been coolheaded politicians instead of excitable fanatics, 
+    if they had contented themselves with restoring the old worship, depriving 
+    the few Protestant clergy of their benefices, and punishing only outrageous 
+    attacks on the State religion, Elizabeth would not have had the power, it 
+    may be doubted whether she would have had the inclination, to undo her 
+    sister's work. </font></p>
+    <p align="left"><font size="3">This great opportunity was thrown away. 
+    Mary's bishops came back brooding over the long catalogue of humiliations 
+    and indignities which their Church had suffered, and thirsting to avenge 
+    their own wrongs. For six years they had their fling, and contrived to make 
+    the country forget the period of Protestant misgovernment. England had never 
+    before known what it was to be governed by clergymen. It was a sort of rule 
+    as hateful to most Catholic laymen as to Protestants. Catholics therefore 
+    for the most part, as well as Protestants, hailed the accession of 
+    Elizabeth. At any rate there would be an end of the clerical tyranny. Nor 
+    were they without hope that she would maintain the old worship. She had 
+    conformed to it for the last five years, and Philip had given the word that 
+    she was to be supported. </font></p>
+    <p align="left"><font size="3">We are now accustomed to the Papal <i>non 
+    possumus</i>. No nation or Church can hope that the smallest deviation from 
+    Roman doctrine or discipline will be tolerated. But in 1558 the hard and 
+    fast line had not yet been drawn. France was still pressing for such changes 
+    as communion in both kinds, worship in the vulgar tongue, and marriage of 
+    priests. The Council of Trent, it is true, had already in 1545 decided that 
+    Catholic doctrine was contained in the Bible <i>and tradition</i>, and in 
+    1551 had defined transubstantiation and the sacraments. But in 1552 the 
+    Council was prorogued, and it did not resume till 1562. Doctrine and 
+    discipline therefore might be, and were still considered to be, in the 
+    melting-pot, and no one could be certain what would come out. If Elizabeth 
+    had contented herself with the French programme, and had joined France in 
+    pressing it, the other sovereigns, who really cared for nothing but 
+    uniformity, would probably have forced the Pope to compromise. The Lutheran 
+    doctrine of consubstantiation might have been tolerated. The Anglican 
+    formulæ have been held by many to be compatible with a belief in the Real 
+    Presence. The formal severance of England from Catholic unity might thus 
+    have been postponed--possibly avoided--in the same sense that it has been 
+    avoided in France. After the completion of the Council of Trent (1562-3) it 
+    was too late. </font></p>
+    <p align="left"><font size="3">Two years after her accession Elizabeth told 
+    the Spanish ambassador, De Quadra, that her belief was the belief of all the 
+    Catholics in the realm; and on his asking her how then she could have 
+    altered religion in 1559, she said she had been compelled to act as she did, 
+    and that, if he knew how she had been driven to it, she was sure he would 
+    excuse her. Seven years later she made the same statement to De Silva. 
+    Elizabeth was habitually so regardless of truth that her assertions can be 
+    allowed little weight when they are improbable. No doubt, as a matter of 
+    taste and feeling, she preferred the Catholic worship. She was not pious. 
+    She was not troubled with a tender conscience or tormented by a sense of 
+    sin. She did not care to cultivate close personal relations with her God. A 
+    religion of form and ceremony suited her better. But her training had been 
+    such as to free her from all superstitious fear or prejudice, and her 
+    religious convictions were determined by her sense of what was most 
+    reasonable and convenient. There is not the least evidence that she was a 
+    reluctant agent in the adoption of Protestantism in 1559. Who was there to 
+    coerce her? The Protestants could not have set up a Protestant competitor. 
+    The great nobles, though opposed to persecution and desirous of minimising 
+    the Pope's authority, would have preferred to leave worship as it was. But 
+    upon one thing Elizabeth was determined. She would resume the full 
+    ecclesiastical supremacy which her father had annexed to the Crown. She 
+    judged, and she probably judged rightly, that the only way to assure this 
+    was to make the breach with the old religion complete. If she had placed 
+    herself in the hands of moderate Catholics like Paget, possessed with the 
+    belief that she could only maintain herself by the protection of Philip, 
+    they would have advised her to be content with the practical authority over 
+    the English Church which many an English king had known how to exercise. 
+    That was not enough for her. She desired a position free from all ambiguity 
+    and possibility of dispute, not one which would have to be defended with 
+    constant vigilance and at the cost of incessant bickering. </font></p>
+    <p align="left"><font size="3">From the point of view of her foreign 
+    relations the moment might seem to be a dangerous one for carrying out a 
+    religious revolution, and many a statesman with a deserved reputation for 
+    prudence would have counselled delay. But this disadvantage was more than 
+    counterbalanced by the unpopularity which the cruelties and disasters of 
+    Mary's last three years had brought upon the most active Catholics. Again, 
+    Elizabeth no doubt recognised that the Catholics, though at present the 
+    strongest, were the declining party. The future was with the Protestants. It 
+    was the young men who had fixed their hopes upon her in her sister's time, 
+    and who were ready to rally round her now. By her natural disposition, and 
+    by her culture, she belonged to the Renaissance rather than to the 
+    Reformation. But obscurantist as Calvinism essentially was, the Calvinists, 
+    as a minority struggling for freedom to think and teach what they believed, 
+    represented for a time the cause of light and intellectual emancipation. Was 
+    she to put herself at the head of reaction or progress? She did not love the 
+    Calvinists. They were too much in earnest for her. Their narrow creed was as 
+    tainted with superstition as that of Rome, and, at bottom, was less humane, 
+    less favourable to progress. But whom else had she to work with? The 
+    reasonable, secular-minded, tolerant sceptics are not always the best 
+    fighting material; and at that time they were few in number and tending--in 
+    England at least--to be ground out of existence between the upper and nether 
+    millstones of the rival fanaticisms. If she broke with Catholicism she would 
+    be sure of the ardent and unwavering support of one-third of the nation; so 
+    sure, that she would have no need to take any further pains to please them. 
+    As for the remaining two-thirds, she hoped to conciliate most of them by 
+    posing as their protector against the persecution which would have been 
+    pleasing to Protestant bigots. </font></p>
+    <p align="left"><font size="3">In the policy of a complete breach with Rome, 
+    Cecil was disposed to go as far as the Queen, and further. Cecil was at this 
+    time thirty-eight. For forty years he continued to be the confidential and 
+    faithful servant of Elizabeth. One of those new men whom the Tudors most 
+    trusted, he was first employed by Henry VIII. Under Edward he rose to be 
+    Secretary of State, and was a pronounced Protestant. On the fall of his 
+    patron Somerset he was for a abort time sent to the Tower, but was soon in 
+    office again--sooner, some thought, than was quite decent--under his 
+    patron's old enemy, Northumberland. He signed the letters patent by which 
+    the crown was conferred on Lady Jane Grey; but took an early opportunity of 
+    going over to Mary. During her reign he conformed to the old religion, and, 
+    though not holding any office, was consulted on public business, and was one 
+    of the three commissioners who went to fetch Cardinal Pole to England. 
+    Thoroughly capable in business, one of those to whom power naturally falls 
+    because they know how to use it, a shrewd balancer of probabilities, without 
+    a particle of fanaticism in his composition and detesting it in others, 
+    though ready to make use of it to serve his ends, entirely believing that &quot;whate'er 
+    is best administered is best,&quot; Cecil nevertheless had his religious 
+    predilections, and they were all on the side of the Protestants. Moreover he 
+    had a personal motive which, by the nature of the case, was not present to 
+    the Queen. She might die prematurely; and if that event should take place 
+    before the Protestant ascendancy was firmly established his power would be 
+    at an end, and his very life would be in danger. A time came when he and his 
+    party had so strengthened themselves, if not in absolute numerical 
+    superiority, yet by the hold they had established on all departments of 
+    Government from the highest to the lowest, that they were in a condition to 
+    resist a Catholic claimant to the throne, if need were, sword in hand. But 
+    during the early years of the reign Cecil was working with the rope round 
+    his neck. Hence he could not regard the progress of events with the 
+    imperturbable <i>sang-froid</i> which Elizabeth always displayed; and all 
+    his influence was employed to push the religious revolution through as 
+    rapidly and completely as possible. </font></p>
+    <p align="left"><font size="3">The story that Elizabeth was influenced in 
+    her attitude to Rome by an arrogant reply from Pope Paul IV. to her official 
+    notification of her accession, though refuted by Lingard and Hallam in their 
+    later editions, has been repeated by recent historians. Her accession was 
+    notified to every friendly sovereign except the Pope. He was studiously 
+    ignored from the first. Equally unsupported by facts are all attempts to 
+    show that during the early weeks of her reign she had not made up her mind 
+    as to the course she would take about religion. All preaching, it is true, 
+    was suspended by proclamation; and it was ordered that the established 
+    worship should go on &quot;until consultation might be had in Parliament by the 
+    Queen and the three Estates.&quot; In the meantime she had herself crowned 
+    according to the ancient ritual by the Catholic Bishop of Carlisle. But this 
+    is only what might have been expected from a strong ruler who was not 
+    disposed to let important alterations be initiated by popular commotion or 
+    the presumptuous forwardness of individual clergymen. The impending change 
+    was quite sufficiently marked from the first by the removal of the most 
+    bigoted Catholics from the Council and by the appointment of Cecil and Bacon 
+    to the offices of Secretary and of Lord Keeper. The new Parliament, 
+    Protestant candidates for which had been recommended by the Government, met 
+    as soon as possible (25 January 1559). When it rose (8 May) the great change 
+    had been legally and decisively accomplished. </font></p>
+    <p align="left"><font size="3">The government, worship, and doctrine of the 
+    Established Church are the most abiding marks left by Elizabeth on the 
+    national life of England. Logically it might have been expected that the 
+    settlement of doctrine would precede that of government and worship. It is 
+    characteristic of a State Church that the inverse order should have been 
+    followed. For the Queen the most important question was Church government; 
+    for the people, worship. Both these matters were disposed of with great 
+    promptitude at the beginning of 1559. Doctrine might interest the clergy; 
+    but it could wait. The Thirty-nine Articles were not adopted by Convocation 
+    till 1563, and were not sanctioned by Parliament till 1571. </font></p>
+    <p align="left"><font size="3">The government of the Church was settled by 
+    the <i>Act of Supremacy (April 1559)</i>. It revived the Act of Henry VIII., 
+    except that the Queen was styled Supreme Governor of the Church instead of 
+    Supreme Head, although the nature of the supremacy was precisely the same. 
+    The penalties were relaxed. Henry's oath of supremacy might be tendered to 
+    any subject, and to decline it was high treason; Elizabeth's oath was to be 
+    obligatory only on persons holding spiritual or temporal office under the 
+    Crown, and the penalty for declining was the loss of such office. Those who 
+    chose to attack the supremacy were still liable to the penalties of treason 
+    on the third offence. </font></p>
+    <p align="left"><font size="3">Worship was settled with equal expedition by 
+    the <i>Act of Uniformity (April 1559)</i>, which imposed the second or more 
+    Protestant Prayer-book of Edward VI., but with a few very important 
+    alterations. A deprecation in the Litany of &quot;the tyranny of the Bishop of 
+    Rome and all his detestable enormities,&quot; and a rubric which declared that by 
+    kneeling at the Communion no adoration was intended to any real and 
+    essential presence of Christ, were expunged. The words of administration in 
+    the present communion service consist of two sentences. The first sentence, 
+    implying real presence, belonged to Edward's first Prayer-book; the second, 
+    implying mere commemoration, belonged to his second Prayer-book. The 
+    Prayerbook of 1559 simply pieced the two together, with a view to satisfy 
+    both Catholics and Protestants. Lastly, the vestments prescribed in Edward's 
+    first Prayer-book were retained till further notice. These alterations of 
+    Edward's second Prayer-book, all of them designed to propitiate the 
+    Catholics, were dictated by Elizabeth herself. In all this legislation 
+    Convocation was entirely ignored. Both its houses showed themselves strongly 
+    Catholic. But their opinion was not asked, and no notice was taken of their 
+    remonstrances. </font></p>
+    <p align="left"><font size="3">While determining that England should have a 
+    purely national Church, and for that reason casting in her lot with the 
+    Protestants, Elizabeth, as we have seen, made very considerable sacrifices 
+    of logic and consistency in order to induce Catholics to conform. Like a 
+    strong and wise statesman, she did not allow herself to be driven into one 
+    concession after another, but went at once as far as she intended to go. At 
+    the same time the coercion applied to the Catholics, while sufficient to 
+    influence the worldly-minded majority, was, during the early part of her 
+    reign, very mild for those times. She wished no one to be molested who did 
+    not go out of his way to invite it. Outward conformity was all she wanted. 
+    And of this mere attendance at church was accepted as sufficient evidence. 
+    The principal difficulty, of course, was with the clergy. From them more 
+    than a mere passive conformity had to be exacted. To sign declarations, take 
+    oaths, and officiate in church was a severer strain on the conscience. It is 
+    said that less than 200 out of 9400 sacrificed their benefices rather than 
+    conform, and that of these about 100 were dignitaries. The number must be 
+    under-stated; for the chief difficulty of the new bishops, for a long time, 
+    was to find clergymen for the parish churches. But we cannot doubt that the 
+    large majority of the parish clergy stuck to their livings, remaining 
+    Catholics at heart, and avoiding, where they could, and as long as they 
+    could, compliance with the new regulations. It must not be supposed that the 
+    enactment of religious changes by Parliament was equivalent, as it would be 
+    at the present day, to their immediate enforcement throughout the country; 
+    especially in the north where the great proprietors and justices of the 
+    peace did not carry out the law. A certain number of the ejected priests 
+    continued to celebrate the ancient rites privately in the houses of the more 
+    earnest Catholics; for which they were not unfrequently punished by 
+    imprisonment. </font></p>
+    <p align="left"><font size="3">Of course this was persecution. But according 
+    to the ideas of that day it was a very mild kind of persecution; and where 
+    it occurred it seems to have been due to the zeal of some of the bishops, 
+    and to private busybodies who set the law in motion, rather than to any 
+    systematic action on the part of the Government.</font></p>
+    </font>
+    <hr>
+    <p align="left"><font style="font-family: Times New Roman" size="2">From <i>
+    Queen Elizabeth</i> by Edward Spencer Beesly.&nbsp; Published in London by 
+    Macmillan and Co., 1892.</font></p>
+    </font>
+    <font face="Times New Roman" size="2">
+  </blockquote>
+</blockquote>
+
+    <p align="center">
+    <a href="beeslychapterthree.html">to Chapter 
+    III: Foreign Relations: 1559-1563</a></p>
+    <p align="center">
+    <a href="monarchs/eliz1.html">to the Queen 
+    Elizabeth I website</a>&nbsp; /&nbsp;
+    <a href="relative/maryqos.html">to the Mary, 
+    queen of Scots website</a></p>
+    <p align="center"><a href="secondary.html">
+    to Secondary Sources</a></p>
+    </font>
+  
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082621" alt="setstats" border="0" width="1" height="1"></noscript>
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+
+<head>
+<meta name="page_topic" content="books about English history">
+<meta name="content" content="books about 16th century Tudor history">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor England: Bibliography</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%">
+      <p align="center">
+      <b><font face="Times New Roman">
+      <img border="0" src="biblio.gif" width="257" height="113" alt="Tudor England: Bibliography"></font></b></p>
+      <blockquote>
+        <hr>
+
+        </blockquote>
+
+    <p align="center"><font face="Times New Roman">Over the years, I've read most 
+    of the Tudor books, fiction and nonfiction, I could find.&nbsp; Countless 
+    books.&nbsp; Good books, a few great ones, and lots of bad ones.&nbsp; This 
+    page currently lists my favorite Tudor works.</font></p>
+
+      <blockquote>
+
+        <hr>
+        <p align="left">&nbsp;</p>
+        <p align="left">&nbsp;</p>
+        </blockquote>
+      <DIV style="TEXT-ALIGN: center">
+      <P><FONT size=2 face="Times New Roman">
+      <a href="contents.html">to Tudor 
+      England: Contents</a></FONT></P></DIV>
+        <p align="center">
+      &nbsp;</p>
+        <blockquote>
+      <p align="left">&nbsp;</p>
+      </blockquote>
+      <p align="center">&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+    <P align="left">
+    <img border="0" src="favoritebooks.gif" alt="My favorite Tudor books" width="415" height="77"><P align="left">
+        <font face="Times New Roman" size="4">When people ask me what 
+        Tudor-related books to read, these are the ones I list:</font><P align="left">
+        <font face="Times New Roman">
+        <img border="0" src="pavane.gif" align="left" width="100" height="152"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0345440919/tudorengla148-20>Pavane</A>">PAVANE 
+
+    by Keith Roberts</A> <BR>Eventually I will be at a loss 
+
+    for superlatives when describing my favorite books.&nbsp; PAVANE is a 
+
+    beautiful book, written by one of the masters of 1960s science 
+
+    fiction.&nbsp; It is a work of alternative history, one of the first of that 
+
+    genre and perhaps the best.&nbsp; It begins in 1588 with the assassination 
+
+    of Queen Elizabeth I and the subsequent supremacy of the Catholic faith in 
+
+    England.&nbsp; From there, PAVANE evolves into a truly entrancing book which 
+        explores freedom, communication, religion, etc&nbsp; Like The Fifth Queen, it 
+
+    has a superb ending.&nbsp; If you haven't read this, please please please 
+
+    check it out.&nbsp; It's recently been reissued and it's simply 
+
+    wonderful.&nbsp; Few books strike me as deeply imagined, most walk over 
+
+    familiar ground - PAVANE is a true original. <BR>&nbsp; </font> 
+
+    <P align="left">
+    <font face="Times New Roman">
+    <img border="0" src="fifthqueen.gif" align="left" width="100" height="156"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0141181303/tudorengla148-20>The%20Fifth%20Queen%20(Penguin%20Classics)</A>">THE 
+
+    FIFTH QUEEN by Ford Madox Ford</A> <BR>I love this 
+
+    book.&nbsp;  Ford uses the life of Henry VIII's fifth queen to explore the culture of 
+
+    fear, treachery, and paranoia which characterized the Tudor court.&nbsp; 
+
+    Catherine battles Thomas Cromwell in an attempt to prevent further religious 
+
+    and political change.&nbsp; The book is divided into three parts and 
+
+    contains engrossing portraits of familiar Tudor figures; Princess Mary, 
+
+    Henry VIII, Cromwell, Norfolk, Catherine herself - all are beautifully 
+
+    brought to life.&nbsp;  Ford spent years researching this 
+
+    book but it is a work of fiction; liberties are taken, characterizations may 
+    not be historically correct, etc&nbsp; I think it's one of the best works of historical 
+
+    fiction ever written - and the ending is fantastic.&nbsp; As for the 
+    'character' of Catherine, Ford creates an interesting / complex figure from 
+    scant historical sources.<BR>&nbsp; </font> 
+
+    <P align="left">
+    <font face="Times New Roman">
+    <img border="0" src="candlemass.gif" align="left" width="100" height="153"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/1585790230/tudorengla148-20>The%20Candlemass%20Road%20(Common%20Reader...</A>">THE 
+
+    CANDLEMASS ROAD by George MacDonald Fraser</A> <BR>Fraser 
+
+    is justly famous as author of the Flashman novels, among the best (and 
+
+    certainly the funniest) historical fiction ever.&nbsp; But his talent is 
+
+    more expansive than even Flashman would suggest.&nbsp; Everything he writes 
+
+    turns to gold, at least in my opinion (even the flawed 'Pyrates' had great 
+    moments.)&nbsp; Long fascinated by the history 
+
+    of his native Scotland, in THE CANDLEMASS ROAD, Fraser recounts the story of 
+
+    Lady Margaret Dacre and her perilous life along the English-Scottish 
+
+    border during Elizabeth I's reign.&nbsp; The writing is superb; I expect nothing less from 
+
+    Fraser.&nbsp; My one quibble is that the book is so short - I didn't want it 
+
+    to end. <BR>&nbsp; </font> 
+
+    <P align="left"><font face="Times New Roman"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/1585790257/tudorengla148-20>The%20Steel%20Bonnets%20(Common%20Reader...</A>">THE 
+
+    STEEL BONNETS by George MacDonald Fraser</A> <BR>This work 
+
+    of history is concerned with the outlaws and Border lords (reivers) who 
+
+    fought along the English and Scottish frontier for several hundred 
+
+    years.&nbsp; It's a wonderful work of history and makes me wish more great 
+
+    writers would turn to the genre; if nothing else, you're guaranteed good 
+
+    writing.&nbsp; And this was such a fascinating time period - I'm thrilled 
+
+    that one of my favorite novelists wrote its definitive history. 
+
+    <BR>And if you haven't read any <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0452259614/tudorengla148-20>Flashman:%20From%20the%20Flashman%20Papers,...</A>">Flashman</A>, 
+
+    it's never too late to start.... <BR>&nbsp; </font> 
+
+    <P align="left">
+    <font face="Times New Roman">
+    <img border="0" src="deathofthefox.gif" align="left" width="100" height="155"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0156863030/tudorengla148-20>The%20Succession:%20A%20Novel%20of%20Elizabeth%20and...</A>">THE 
+
+    SUCCESSION: A NOVEL OF ELIZABETH AND JAMES</A> <BR><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0156287951/tudorengla148-20>Entered%20from%20the%20Sun:%20The%20Murder%20of...</A>">ENTERED 
+
+    FROM THE SUN: THE MURDER OF MARLOWE</A> <BR><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0156252333/tudorengla148-20>Death%20of%20the%20Fox:%20A%20Novel%20of%20Elizabeth...</A>">DEATH 
+
+    OF THE FOX: A NOVEL OF ELIZABETH AND RALEIGH</A> <BR>by George 
+
+    Garrett <BR>It's not enough for me that a book is set in the 16th century.&nbsp; I want 
+    it to be a great book which just happens to be set in the 16th century.&nbsp; Every time I slumber 
+
+    or groan my way through the latest awful Tudor fiction full of heaving 
+
+    bosoms and Egads!-worthy dialogue, I think fondly of Fraser and 
+    Ford and this trilogy by George Garrett.... <br>Garrett's books should be read by 
+    anyone with an interest in 16th century England.&nbsp; But they aren't read 
+    by many, which I think is very sad - even more so when one considers the 
+    popularity of terrible Tudor fiction.&nbsp; Of this trilogy, my favorite is 
+    DEATH OF THE 
+
+    FOX; Garrett brings the complex and fascinating Walter Raleigh to 
+
+    life.&nbsp; But all three works are wonderful.&nbsp;&nbsp;  ENTERED FROM THE SUN 
+
+    is a nice companion piece to Anthony Burgess's <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0786703210/tudorengla148-20>A%20Dead%20Man%20in%20Deptford</A>">A 
+
+    DEAD MAN IN DEPTFORD</A>, another good work of historical fiction.&nbsp; 
+
+    (Burgess also wrote <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/039331507X/tudorengla148-20>Nothing%20Like%20the%20Sun:%20A%20Story%20of...</A>">NOTHING 
+
+    LIKE THE SUN</A>, a fictional look at Shakespeare's love life.)&nbsp; And 
+
+    though THE SUCCESSION has less to do with Elizabeth and James than the title 
+
+    implies, it's still a fun exploration of Tudor life.&nbsp; I can't do these 
+    books justice - just read them.<BR><BR>&nbsp; </font> 
+
+    <P align="left"><font face="Times New Roman">
+    <img border="0" src="maskofroyalty.gif" align="left" width="100" height="166">A TUDOR TRAGEDY: THE LIFE AND TIMES OF CATHERINE HOWARD <BR><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0897330560/tudorengla148-20>Henry%20VIII:%20The%20Mask%20of%20Royalty</A>">HENRY 
+
+    VIII: THE MASK OF ROYALTY</A> <BR><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0316801534/tudorengla148-20>Elizabeth%20Tudor:%20Portrait%20of%20a%20Queen</A>">ELIZABETH 
+
+    TUDOR: PORTRAIT OF A QUEEN</A> <BR>by Lacey Baldwin Smith 
+
+    <BR>I've been raving about LB Smith since I started this 
+
+    website.&nbsp; When visitors write and ask what is essential to read, I 
+
+    point them to Smith's work.&nbsp; Unfortunately, two of the above works are 
+
+    out of print.&nbsp; Yeah, I know - there's plenty of room for junk on 
+
+    bookshelves but apparently no room for great works of history.&nbsp; Well, 
+
+    go to Amazon.com or Barnes &amp; Noble.com and order them used.&nbsp; Smith's bio of Catherine Howard 
+
+    is the only one ever written which concerns Henry VIII's ill-fated 'Rose 
+
+    Without a Thorn'.&nbsp; He collects the scant historical knowledge of her 
+
+    life and creates a compelling portrait of a misguided girl and her ambitious 
+
+    family (the sprawling Norfolk clan).&nbsp; His bio of Henry VIII is simply 
+
+    the best available on the second Tudor king.&nbsp; It has great 
+
+    psychological insight and a sharp sense of humor.&nbsp; After a lifetime of 
+
+    studying Henry, Smith is still fascinated by the king and determined to 
+
+    understand his contradictory character.&nbsp; But read it only after reading 
+
+    a general bio of Henry VIII; the author assumes some knowledge of the Tudor 
+
+    court and its cast of characters.&nbsp; And his brief bio of Elizabeth Tudor 
+
+    is a persuasive sketch of England's most fascinating and accomplished queen.&nbsp; <BR> <BR>&nbsp;
+    </font> 
+
+    <P align="left"><font face="Times New Roman">
+    <img border="0" src="cranmer.gif" align="left" width="100" height="154"><a href="http://www.amazon.com/exec/obidos/ASIN/0300074484%20/tudorengla148-20%3EThomas%20Cranmer%3C/A%3E">THOMAS 
+    CRANMER by Diarmaid MacCulloch</a><br>
+    This is the definitive 
+    biography of the father of English Protestantism.&nbsp; Cranmer was the 
+    archbishop of Canterbury from 1533 to 1556; he presided over the Reformation 
+    and the creation of the Anglican Book of Common Prayer.&nbsp; He was burnt 
+    at the stake as a heretic during the reign of Mary I.&nbsp; MacCulloch's 
+    book is dense, literally and figuratively.&nbsp; But it is also a 
+    beautifully written study of one of the most compelling lives of the 16th 
+    century.&nbsp; Cranmer was a conflicted and courageous man, and deserved 
+    such a monumental biography.&nbsp; MacCulloch uses sources never mentioned 
+    in previous studies; he charts the evolution of Protestantism with an eye 
+    for the telling detail.&nbsp; Personally, I am always surprised by the 
+    number of Tudor enthusiasts who are familiar with the story of Thomas More 
+    but have only a vague idea of Cranmer's life.&nbsp; Perhaps it's the 
+    enduring popularity of A Man for All Seasons?&nbsp; I don't know.&nbsp; But 
+    both men deserve recognition and study.</font><P align="left">
+        <font face="Times New Roman"><br>
+    <a href="http://www.amazon.com/exec/obidos/ASIN/0553212567/tudorengla148-20%3EThe%20Prince%20and%20the%20Pauper%3C/A%3E">THE 
+
+    PRINCE AND THE PAUPER by Mark Twain</a> <BR>This is 
+
+    Twain's famous tale of Prince Edward, only son of King Henry VIII, and Tom 
+
+    Canty, a pauper boy who is his physical twin.&nbsp; Twain wrote my favorite 
+
+    book of all time (Huckleberry Finn) so I am biased, but this is still a 
+
+    great book.&nbsp; The story is very entertaining and fun and there are 
+
+    moments of genuine suspense and pathos.&nbsp; Some people classify this book 
+
+    as children's literature; in fact, they say that about lots of Twain's 
+
+    work.&nbsp; Why?&nbsp; He's a natural storyteller and perfect for adults. <BR>&nbsp;
+        </font> 
+
+    <P align="left">
+
+    <font face="Times New Roman">
+
+    <IMG height=140 src="youngbess.jpg" width=91 
+
+    align=left alt="Young Bess by Margaret Irwin"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/074900357X/tudorengla148-20>Young%20Bess</A>">YOUNG 
+
+    BESS</A> <BR><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0749003898/tudorengla148-20>Elizabeth,%20Captive%20Princess</A>">ELIZABETH, 
+
+    CAPTIVE PRINCESS</A> <BR><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0749004088/tudorengla148-20>Elizabeth%20and%20the%20Prince%20of%20Spain</A>">ELIZABETH 
+
+    AND THE PRINCE OF SPAIN</A> <BR>by Margaret Irwin <BR>Elizabeth Tudor has brought out the best in many writers, but 
+
+    perhaps none more so than Margaret Irwin.&nbsp; This trilogy has recently 
+
+    been reissued, thus earning the publisher my enduring gratitude.&nbsp; She 
+
+    creates a vivid portrait of Elizabeth's entire life and there is the usual 
+
+    colorful cast of supporting characters.&nbsp; Of the three books, my 
+
+    favorite is the last but all are excellent.&nbsp; Her writing is evocative 
+
+    and often very beautiful.&nbsp; I'll be reading along and think, What a 
+
+    perfect sentence!&nbsp; If you want a persuasive and compelling portrait of 
+
+    the Virgin Queen, read Irwin.&nbsp; No one else comes close. 
+
+    <BR>&nbsp; </font> 
+
+    <P align="left">
+    <font face="Times New Roman">
+    <img border="0" src="elizessex.gif" align="left" width="100" height="153"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0156283107/tudorengla148-20>Elizabeth%20and%20Essex:%20A%20Tragic%20History...</A>">ELIZABETH 
+
+    AND ESSEX: A TRAGIC HISTORY</A> by Lytton Strachey <BR>This is one of my favorite books about Queen Elizabeth I.&nbsp; Strachey 
+
+    always writes like a dream, with style and wit, and in this work he explores 
+
+    the complex relationship between the Virgin Queen and the infamous earl of 
+
+    Essex.&nbsp; Essex was the great favorite of Elizabeth's later years, but he 
+
+    rebelled against the queen (his petulance was exceeded only by his 
+
+    ingratitude.)&nbsp; Like Strachey's equally good <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0156286971/tudorengla148-20>Eminent%20Victorians</A>">Eminent 
+
+    Victorians</A>, this biographical study is primarily psychological.&nbsp; 
+
+    Strachey wants to know why Elizabeth and Essex acted as they did - their 
+
+    motivations, desires, flaws....&nbsp; There is much room for disagreement 
+
+    and often his analysis of Elizabeth's personality makes one want to analyze 
+
+    Strachey himself, but this is still a great book.&nbsp; It brings Elizabeth 
+
+    and her court to life and it pulls you deep into the story of the queen and 
+
+    Essex.&nbsp; It also discusses the always intriguing Sir Francis 
+
+    Bacon.&nbsp; What a fascinating bit of history! <BR>And 
+
+    once again, let me emphasize the beautiful writing.&nbsp; Style counts with 
+
+    me.&nbsp; If I want a dry, boring recitation of facts, then I can pick up an 
+
+    encyclopedia or, sadly, most modern histories/biographies.&nbsp; It's like 
+
+    that famous Mark Twain quote - 'The difference between the almost right word and the right word is really a large matter; it's the 
+
+    difference between the lightning bug and the lightning.'&nbsp; 
+
+    Exactly.&nbsp; All of the books I've listed here are full of the right words.&nbsp; Anyone can tell you that Elizabeth Tudor was born 
+
+    in 1533 and her mother was executed in 1536 and blah blah blah.&nbsp; It's 
+
+    easy enough.&nbsp; But can the writer create a compelling story worthy of 
+
+    their subject?&nbsp; Can they bring history to life?&nbsp; I hate picking up 
+
+    books which are full of facts but written like - oh, they're written in a&nbsp; 
+
+    perfectly acceptable manner.&nbsp; But who wants perfectly acceptable things 
+
+    all the time?&nbsp; You want a gripping, fun, fascinating book.<BR>&nbsp;
+    </font> 
+
+    <P align="left"><font face="Times New Roman"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0226504654/tudorengla148-20>Elizabeth%20I:%20Collected%20Works</A>">ELIZABETH 
+
+    I: COLLECTED WORKS</A> <BR>The great queen in her own 
+
+    words - letters, poems, and speeches are gathered here for our admiring 
+
+    perusal.&nbsp; This selection is arranged in chronological order and 
+
+    reasonably priced. <BR>&nbsp; </font> 
+
+    <P align="left">
+    <font face="Times New Roman">
+    <img border="0" src="tudorfashion.gif" align="left" width="100" height="150"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0486298450/tudorengla148-20>Tudor%20Costume%20and%20Fashion</A>">TUDOR 
+
+    COSTUME AND FASHION</A> by Herbert Norris <BR>Most people 
+
+    believe that Janet Arnold's '<A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0901286206/tudorengla148-20>Queen%20Elizabeth's%20Wardrobe%20Unlock'd:%20The...</A>">Queen 
+
+    Elizabeth's Wardrobe Unlock'd</A>' is the best work on Tudor fashion.&nbsp; 
+
+    And it is certainly the best guide to making an Elizabethan costume.&nbsp; 
+
+    But it's also very expensive.&nbsp; Norris covers the entire Tudor dynasty 
+
+    and includes several color sketches; the book is published by Dover so it's 
+
+    reasonably priced.&nbsp; If you want to learn about all the different styles 
+
+    of hats/hoods and skirts and shoes, etc, this is the book for you.&nbsp; If 
+
+    you actually want to make a Tudor costume, search out Arnold or any of the 
+
+    <A href="http://www.renfaire.com/Costume/index.html">excellent Renaissance 
+
+    Festival sites</A>. <BR><BR>&nbsp; </font> 
+
+    <P align="left">
+    <font face="Times New Roman">
+    <img border="0" src="erasmus.gif" align="left" width="100" height="155"><A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/048641762X/tudorengla148-20>Erasmus%20and%20the%20Age%20of%20Reformation</A>">ERASMUS 
+
+    AND THE AGE OF REFORMATION</A> by Johan Huizinga <BR>This 
+
+    is the best biography I have read of Erasmus, the great Dutch philosopher 
+
+    and friend of Thomas More.&nbsp; He also spoke for many bookworms when he 
+
+    wrote, 'When I get a little money I buy books; and if any is left I buy food 
+
+    and clothes.'&nbsp; Those are nice words to remember when you're torn 
+
+    between purchasing <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0714837156/tudorengla148-20>Bernini:%20The%20Sculptor%20of%20the%20Roman...</A>">the 
+
+    Bernini catalogue</A> or a new outfit.&nbsp; Go with the books.&nbsp; You 
+
+    can always borrow clothes from more fashionable friends and relatives.&nbsp; 
+
+    And there are already enough well-dressed people out there.&nbsp; Wouldn't 
+
+    you rather have a nice personal library?<br>Often you finish a biography and are happy you've 
+
+    never met its subject (I always finish biographies of Bluff King Hal in that 
+
+    mood), but sometimes it's different.&nbsp; Huizinga brings Erasmus and his 
+    times to compelling life.&nbsp; The book includes numerous letters and 
+    illustrations, and these are especially valuable since Erasmus corresponded 
+    with many 16th century luminaries.</font><P align="left">
+<br>    <font color="#0000FF">THE ROYAL PALACES OF TUDOR ENGLAND</font> and other works by Simon Thurley<br>I<font face="Times New Roman"> 
+enjoy all of Thurley's work - his most recent is a comprehensive study of 
+Hampton Court - but this is easily the best study of Tudor royal architecture 
+ever.&nbsp; It is beautifully illustrated and includes floor plans of various 
+palaces.&nbsp; It also has a brief glossary.&nbsp; This book isn't simply 
+indispensable, - it's also well-written and entertaining.&nbsp; There are lots 
+of quirky facts interspersed throughout, and it does a wonderful job of 
+explaining various aspects of the royal household.&nbsp; It's expensive, yes, 
+but worth it.&nbsp; And it will make you read most Tudor fiction with a 
+jaundiced eye.<BR>&nbsp;
+    </font> 
+
+    <P align="left">
+
+    <HR align="left">
+
+    <p align="left">
+
+    <FONT face="Times New Roman">There are some works I haven't listed, like Tillyard's <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0394701623/tudorengla148-20>Elizabethan%20World%20Picture</A>">Elizabethan 
+
+    World Picture</A> and AL Rowse's <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/1566633168/tudorengla148-20>The%20Elizabethan%20Renaissance</A>">two-volume 
+
+    study</A> of Elizabethan society.&nbsp; I've also left off Alison Plowden's 
+
+    '<A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0750921927/tudorengla148-20>Young%20Elizabeth:%20The%20First%20Twenty-Five...</A>">Elizabethan 
+
+    Quartet</A>', which are wonderful introductory books on Elizabeth.&nbsp; 
+
+    Plowden wrote the <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0531150003/tudorengla148-20>Lady%20Jane%20Grey%20and%20the%20House%20of%20Suffolk</A>">best 
+
+    book</A> I've read about Mary Tudor and Jane Grey, but it's 
+
+    out-of-print.&nbsp; And I haven't mentioned Roy Strong's <A 
+
+    href="http://www.amazon.com/exec/obidos/ASIN/0851153771/tudorengla148-20>The%20Tudor%20and%20Stuart%20Monarchy:...</A>">entertaining 
+
+    study</A> of Tudor portraits.&nbsp; There are lots that I enjoyed which I 
+
+    haven't listed.&nbsp; I will add them eventually.</FONT></p>
+
+      </td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082546" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082546" ALT=1 WIDTH=1 HEIGHT=1>
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===================================================================
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/citizens.html	(revision 18423)
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+<html>
+
+<head>
+<meta name="content" content="Tudor Citizens: Charles Brandon, The Boleyn Family, Mary Boleyn, Thomas Wolsey, Thomas Cromwell, Thomas Cranmer, St Thomas More">
+<meta name="page_topic" content="Tudor Citizens: Charles Brandon, The Boleyn Family, Mary Boleyn, Thomas Wolsey, Thomas Cromwell, Thomas Cranmer, St Thomas More">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor Citizens: Biographies, Portraits, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<p>&nbsp;</p>
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="0" width="100%%">
+    <tr>
+      <td align="center" valign="top" colspan="5" width="100%">
+      <p align="center">
+<IMG height=53 alt="Tudor Citizens" 
+src="citizens/citizens-morpheus.gif" width=284></td>
+    </tr>
+    <tr>
+      <td width="30%"></td>
+      <td width="5%"></td>
+      <td width="30%"></td>
+      <td width="5%"></td>
+      <td width="30%"></td>
+    </tr>
+    <tr>
+      <td valign="top" width="30%">&nbsp;<p>The Tudor citizens profiled here 
+      lived through a century of incredible change; their lives reflect the 
+      tumultuous spirit of Tudor England.&nbsp; They also provide insight into 
+      the personalities and politics of the Tudor monarchs.</p>
+      <p>Follow the links on this page to learn more about these fascinating men 
+      and women.&nbsp; 
+      You can also visit <a href="http://www.marileecody.com/images.html">Tudor England: Images</a> to view portraits of the 
+      courtiers.&nbsp;
+      <a href="primary.html">Primary Sources</a> includes contemporary 
+      chronicles and letters.</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+            <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+      <td width="5%"></td>
+      <td valign="top" width="30%">&nbsp;<p align="center">
+      <img border="2" src="cranmercitizens.jpg" alt="portrait of Thomas Cranmer" width="235" height="313"><p align="center">
+      &nbsp;<p align="center">
+      &nbsp;<p align="center">
+      &nbsp;<P align="center"><FONT size=-1><A href="http://englishhistory.net/tudor.html">to Tudor 
+England</A></FONT><P align="center"><FONT size=-2>the above portrait is of Thomas Cranmer</FONT></td>
+      <td width="5%"></td>
+      <td valign="top" width="30%">&nbsp;<BLOCKQUOTE>
+  <p></p>
+      </BLOCKQUOTE>
+                <P align=left><FONT face="Times New Roman" size="4"><A 
+                href="relative/brandon.html">
+                Charles Brandon<br> </A> </FONT>
+                <FONT face="Times New Roman" size="2">duke of Suffolk </FONT>
+                <FONT face="Times New Roman" size="4"> <BR>&nbsp; </FONT>
+                <P align=left><FONT face="Times New Roman" size="4"><A 
+                href="citizens/boleyn.html">The 
+                Boleyn Family</A> <BR>&nbsp; </FONT>
+                <CENTER>
+                <P align=left><FONT face="Times New Roman" size="4"><A 
+                href="citizens/wolsey.html">Thomas 
+                Wolsey</A><BR></FONT>
+                <FONT face="Times New Roman" size="2">Cardinal and Lord 
+                Chancellor</FONT><CENTER>
+                <P align=left><br><FONT face="Times New Roman" size="4"><A 
+                href="citizens/cromwell.html">
+                Thomas Cromwell</A><BR> </FONT>
+                <FONT face="Times New Roman" size="2">Lord 
+                Chancellor and earl of Essex </FONT>
+                <FONT face="Times New Roman" size="4"> <BR>&nbsp; </FONT>
+                <CENTER>
+                <P align=left><FONT face="Times New Roman" size="4"><A 
+                href="http://englishhistory.net/tudor/citizens/cranmer.html">Thomas 
+                Cranmer</A><BR> </FONT>
+                <FONT face="Times New Roman" size="2">archbishop of Canterbury 
+                and martyr</FONT><font face="Times New Roman" size="4"><BR>&nbsp;
+                </font>
+                <CENTER>
+                <P align=left><FONT face="Times New Roman" size="4"><A 
+                href="citizens/more.html">St 
+                Thomas More</A> <BR></FONT>
+                <FONT face="Times New Roman" size="2">Lord 
+                Chancellor, author, and martyr</FONT></CENTER></CENTER></CENTER></CENTER></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082530" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082530" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/citizens/boleyn.html
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@@ -0,0 +1,462 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Mary Boleyn: Biography, Portrait, Primary Sources
+</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">&nbsp;</p>
+    <p align="center">
+    <img border="0" src="../maryboleyn.gif" alt="Mary Boleyn" width="493" height="144"></p>
+    <p align="center">
+    <img border="2" src="maryboleynunknown.jpg" width="359" height="480" alt="portrait of Mary Boleyn by an unknown artist"></p>
+    <blockquote>
+      <p align="left"><br><font face="Arial" size="4">Mary Boleyn was the sister of 
+      King Henry VIII's second wife, the infamous Anne Boleyn.&nbsp; But she was 
+      also the king's mistress before her sister's ascendancy.&nbsp; She may also have given birth 
+      to Henry's son.</font></p>
+      <hr>
+    </blockquote>
+    <blockquote>
+      <p align="left">&nbsp;</p>
+    </blockquote>
+    </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+
+
+
+<p>Information about the life of Mary Boleyn is sketchy at best.&nbsp;
+
+Before her sister's ascendancy, Mary was the most famous member of her
+
+family, a dubious honor since it was based upon her adulterous affair with
+
+King Henry VIII.&nbsp; There has been great debate over the exact year
+
+of her birth, with many researchers unable to agree on which Boleyn sister
+
+was older.&nbsp; Some speculate Anne was born in 1501 or 1502; others place
+
+it at 1507.&nbsp; The most recent scholarship supports 1507 as the year
+
+of Anne's birth.&nbsp; Mary was born a year later, in 1508.&nbsp; Their
+
+only surviving sibling was an older brother George, born in 1503.
+
+<p>&nbsp;&nbsp;&nbsp; Mary was born at Hever Castle, the family seat.&nbsp;
+
+She was named after Princess Mary Tudor, the youngest child of Henry VII
+
+and Elizabeth of York.&nbsp; Her family was loyal to the Tudor dynasty
+
+but had Yorkist connections.&nbsp; Her mother was Elizabeth Howard, daughter
+
+of Thomas, earl of Surrey.&nbsp; His father, the 1st duke of Norfolk, had
+
+died fighting for Richard III against Henry VII.&nbsp; Mary's father, Thomas
+
+Boleyn, could trace his ancestry only to the 13th century.&nbsp; His family
+
+was originally from Norfolk where they lived as tenant farmers.&nbsp; In
+
+1457, a Sir Geoffrey Boleyn was serving as Lord Mayor of London.&nbsp;
+
+He wed Anne, heiress of Lord Hoo and Hastings, and - through her - acquired
+
+Hever Castle in Kent and Blickling Hall in Norfolk.&nbsp; His son became
+
+a knight under Richard III and a baron under Henry VII.&nbsp; He married
+
+a great heiress as well; she was Margaret, daughter of Thomas Butler, 7th
+
+earl of Ormond.&nbsp; He was incredibly wealthy and bequeathed Margaret
+
+36 manors.&nbsp; Their eldest child was Thomas Boleyn, Mary's father.&nbsp;
+
+Thomas had married Elizabeth Howard by 1501.&nbsp; Their three surviving
+
+children were born within the next 10 years.
+
+<p>&nbsp;&nbsp;&nbsp;&nbsp; In 1512, Thomas was one of three envoys assigned
+
+to the regent of Netherlands court.&nbsp; His skill in speaking French
+
+and his family connections secured the appointment.&nbsp; Once there, he
+
+was a great success with the regent, Margaret, archduchess of Austria.&nbsp;
+
+He used this friendship to secure a prestigious appointment for his eldest
+
+daughter, Anne; she was to reside with the regent's wards, sharing their
+
+royal education.&nbsp; This is the primary evidence that Anne was the elder
+
+sister.&nbsp; In such cases, the elder sister would receive the opportunity
+
+first.
+
+<p>&nbsp;&nbsp;&nbsp; However, Mary was married before Anne - an unusual
+
+occurrence and one which led many to believe Mary was older.&nbsp; However,
+
+it is completely plausible that Anne was not married first because she
+
+was still in Europe, gaining a royal education and hoping to wed a foreign
+
+nobleman.&nbsp; Mary, on the other hand, wed a man named William Carey,
+
+a gentleman of the royal privy chamber on 4 February 1520.&nbsp; Though
+
+he was not a titled lord, his duties meant he had intimate contact with
+
+the king on a daily basis.&nbsp; He would be a valuable connection for
+
+the Boleyns.&nbsp; Henry used his attendants, with whom he spent his leisure
+
+hours, to carry out government work.&nbsp; Carey was 24 years old and Mary
+
+not quite twelve, young even for 16th century marriage.&nbsp; The consummation
+
+of the marriage was probably delayed for a few years.
+
+<p>&nbsp;&nbsp;&nbsp; Mary's wedding was held a few weeks before her father
+
+returned from a mission abroad.&nbsp; This indicates that Thomas Boleyn
+
+had planned the marriage well in advance.&nbsp; The king gave the newlyweds
+
+a cash present - 6s.8d.; this was undoubtedly welcome since William Carey
+
+was a younger son and lacked money and lands.&nbsp; Henry's favor (and,
+
+more particularly, Mary's affair with Henry) helped in this respect - before
+
+his death in 1528, William had received two keeperships, a stewardship,
+
+an annuity, and manors in two counties.&nbsp; As to William's ancestry,
+
+he could trace his descent from Edward III; his mother was a cousin of
+
+Margaret Beaufort, Henry VII's mother.&nbsp; His aunt Catherine Spencer
+
+was married to Henry, fifth earl of Northumberland.
+
+<p>&nbsp;&nbsp;&nbsp; As William's wife, Mary had lodgings at court, information
+
+about royal policies, and the great opportunity to participate in all court
+
+events.&nbsp; Their first child, Catherine, was born about 1524 when Mary
+
+was just sixteen.&nbsp; Meanwhile, her family continued its ascendancy
+
+during these years.&nbsp; Personally, she and her sister Anne were two
+
+of eight women who participated in a celebration at York Place, Cardinal
+
+Wolsey's home.&nbsp; Anne played Perseverance and Mary was Kindness; they
+
+were clothed in white satin with bejeweled headdresses.&nbsp; This was
+
+in 1522; Mary was just fourteen.&nbsp; By the time she was seventeen, Mary
+
+was a first-time mother and Henry VIII's mistress.&nbsp; There is much
+
+circumstantial evidence to support this:
+
+<blockquote>
+  <p>* in 1527, Henry was planning to marry Anne Boleyn.&nbsp; He
+
+sought and received a papal dispensation to marry the sister of a woman
+
+with whom he had engaged in illicit/unlawful intercourse.&nbsp; Anne had
+
+only one sister - Mary. </p>
+
+<p>* Reginald Pole reported the following - in 1528, a member of Parliament
+
+insulted the king's morals by accusing Henry of sleeping with Anne's mother
+
+<i>and</i>
+
+sister.&nbsp; Undoubtedly flustered, the king replied:&nbsp; "Never with
+
+her mother."
+
+<p>* the affair was known of in diplomatic circles - in 1532, Francis I
+
+of France met Mary face-to-face when she accompanied Henry and Anne to
+
+Calais.&nbsp; He mentioned her infamous behavior with her sister's spouse
+
+<i>before</i>
+
+the marriage to Anne.</blockquote>
+
+    <p>&nbsp;&nbsp;&nbsp; The affair was brief, ending in mid-1525 (probably July.)&nbsp;
+
+On 4 March 1526, Mary gave birth to a son, called Henry.&nbsp; He was widely
+
+assumed to be the king's son.&nbsp; He physically resembled the king, a&nbsp;
+
+fact often remarked upon.&nbsp; In 1535, for example, a man called 'young
+
+Master Carey' the king's son. </p>
+
+<p>&nbsp;&nbsp;&nbsp; Perhaps more telling, Henry granted the Careys actual
+
+manors and estates during the affair and immediately before the child's
+
+birth.&nbsp; Before, the Careys had been granted rather minor offices.&nbsp;
+
+(You may recall that Henry publicly acknowledged another illegitimate son,
+
+born in 1519.&nbsp; This boy was called <a href="../fitzroy.html">Henry
+
+Fitzroy</a> - the surname traditionally given to royal bastards - and was
+
+ennobled, given the title duke of Richmond.&nbsp; If Henry Carey was also
+
+his son, why didn't Henry do the same for him?&nbsp; The answer lies in
+
+his determination to divorce Katharine of Aragon and marry <a href="../monarchs/boleyn.html">Anne
+
+Boleyn</a>, the child's aunt.&nbsp; It is likely that even Henry VIII would
+
+have been too embarrassed to recognize his bastard son by his fiancee's
+
+younger sister.)&nbsp;  Henry Carey was eventually ennobled as Lord Hunsdon by 
+Elizabeth I, the queen who may have been his half-sister and was undoubtedly his 
+cousin.&nbsp; Though he served her ably, Elizabeth only offered Hunsdon a title 
+upon his deathbed.&nbsp; To this dubious honor, the old man aptly replied that 
+if the queen hadn't thought him worth it while he was in health, he would not 
+accept it while ill.<p>&nbsp;&nbsp;&nbsp; Mary Boleyn was referenced in <a href="../lovelett.html">Henry's
+
+love letters to Anne</a> in 1528, the year her husband died.&nbsp; William
+
+had asked Mary to seek her sister's influence with the king; his elder
+
+sister, Eleanor, wanted the position of abbess at St Edith's Nunnery.&nbsp;
+
+The nuns wanted their prioress elevated to the position instead.&nbsp;
+
+Anne asked the king to intervene.&nbsp; In the end, Eleanor's dubious moral
+
+destroyed her chances.&nbsp; But the episode demonstrates Anne's willingness
+
+to help Mary; also, Mary clearly expected to benefit from her sister's
+
+closeness to the king.
+
+<p>&nbsp;&nbsp;&nbsp; William Carey died on 23 June 1528 and Henry VIII
+
+promptly granted Anne Boleyn the wardship of her nephew (and possibly his
+
+son), two-year-old Henry Carey.&nbsp; In another letter to Anne, Henry
+
+remarked upon Mary's easy virtue.&nbsp; He and Anne were concerned that,
+
+after William's death, Mary's behavior would degenerate; in other words,
+
+she would be an embarrassment to the king and his intended wife.
+
+<p>&nbsp;&nbsp;&nbsp; In November 1530, Henry gave Anne 20 pds to redeem
+
+a jewel from Mary; it was probably a gambling debt.&nbsp; Two years later,
+
+Mary was one of thirty ladies who accompanied Henry and Anne on a visit
+
+to France (colorfully known to history as 'The Field of the Cloth of Gold'.)&nbsp;
+
+They stayed in Calais in late October, attending various events with Francis
+
+I; ostensibly, they were celebrating a new peace agreement.&nbsp; But it
+
+was also a chance to present Anne to a foreign king.&nbsp; When Henry wed
+
+Anne in 1533, Mary became a lady-in-waiting to her sister.&nbsp; It was
+
+only in 1534 that she and Anne had a serious conflict.
+
+<p>&nbsp;&nbsp;&nbsp; In 1534, Mary secretly married William Stafford.&nbsp;
+
+He was the younger son of Humphrey Stafford of Blatherwick in Northampton.&nbsp;
+
+This marriage was a disaster for her, excepting her personal happiness.&nbsp;
+
+Mary undoubtedly loved Stafford, a soldier she had met at Calais (he had
+
+been part of Henry VIII's retinue.)&nbsp; But her relatives - all newly
+
+ennobled and very self-conscious about their status - were outraged.&nbsp;
+
+He was a commoner, not fit for the queen's sister.&nbsp; Accordingly, Mary
+
+and her new husband were banished from court.&nbsp; (It is quite possible
+
+that her relatives planned to wed Mary to a nobleman, further cementing
+
+their rise to prominence; instead, her marriage was a step backwards socially.)&nbsp;
+
+In late 1534, while her father and brother received numerous grants, titles,
+
+and other gifts, Mary was reduced to begging Thomas Cromwell for assistance.&nbsp;
+
+Would he speak to Henry on her behalf?&nbsp; Mary hoped Henry would persuade
+
+Anne to forgive her but her former lover was less than helpful.&nbsp; So
+
+Mary asked Cromwell to speak to her father, her uncle, and her brother.
+
+<p>&nbsp;&nbsp;&nbsp;&nbsp; Meanwhile, her son was still living with his
+
+aunt, Queen Anne.&nbsp; He was being tutored by the great French poet,
+
+Nicholas Bourbon, clearly benefiting from the wardship.&nbsp; His mother's
+
+life between 1534 and her sister's execution in 1536 is difficult to trace.&nbsp;
+
+She seems to have resided at Rochford, Essex from the time of her disgrace
+
+to her death on 19 July 1543.&nbsp; When her sister fell into disfavor
+
+and Henry sought a divorce, his earlier affair with Mary was mentioned.&nbsp;
+
+Perhaps this would justify an annulment, even as Katharine of Aragon's
+
+marriage to his brother had?&nbsp; But no one seriously considered this
+
+(after all, there had been a papal dispensation) and it was more expedient
+
+to press other charges.&nbsp; Mary did not visit her sister when Anne was
+
+imprisoned in the Tower.&nbsp; Nor did she visit their brother George,
+
+also condemned to death.&nbsp; There is no evidence that she wrote to them,
+
+either.&nbsp; Like their uncle, the duke of Norfolk, she may have thought
+
+it wise to avoid association with her disgraced relatives.
+
+<p>&nbsp;&nbsp;&nbsp; Mary lived to see her children gain some royal favor.&nbsp;
+
+Her teenage daughter Catherine (born 1524) was appointed a maid of honor
+
+to Anne of Cleves, Henry VIII's fourth wife.&nbsp; Sometime in 1540, she
+
+made a good match, marrying Sir Francis Knollys.&nbsp; He was a member
+
+of Henry VIII's household.&nbsp; She also became one of her cousin Elizabeth
+
+Tudor's closest friends.&nbsp; Her daughter, Lettice Knollys, would later
+
+marry Elizabeth's great love, Robert Dudley; her son, the earl of Essex,
+
+would also be one of Elizabeth's favorites (though eventually executed
+
+for treason.)&nbsp; Henry Carey, whose paternity was the subject of such
+
+speculation, would be ennobled as Lord Hunsdon in Elizabeth's reign.&nbsp;
+
+Elizabeth was kind to her Boleyn relatives, especially Mary's children.&nbsp;
+
+Twenty-two years after Anne Boleyn's execution, a Boleyn was sole ruler
+
+of England.&nbsp; It was a triumph few could have predicted.<p>&nbsp;<hr WIDTH="100%">
+
+    <p>
+
+<font size="2">Some other stuff about Mary Boleyn that I've found: </font>
+    </p>
+
+<p><font size="2">* Mary was considered more conventionally beautiful than Anne but lacked
+
+her sister's style and wit.
+
+<br>* As a child, Mary was taught French by Mademoiselle Semmonet;&nbsp;
+
+she also studied music (practicing on the lute, harp, viol, and virginals.)
+
+<br>* Mary also spent time in Archduchess Margaret's service; she was removed
+
+in 1518/19 by her father and placed in Katharine of Aragon's service.
+
+<br>* Anne and George Boleyn were very close and reportedly had little
+
+use for their sister, Mary.&nbsp; (This was reported by several foreign
+
+ambassadors.) </font>
+
+<p><font size="2">Note:&nbsp; I have read that Mary Boleyn accompanied Princess Mary Tudor
+
+to France, as a lady-in-waiting.&nbsp; However, the trip occurred in 1515;
+
+Mary would have been just 7 years old - so the assertion seems unlikely. </font>
+
+<p><font size="2">So the following questions remain:
+
+<br>&nbsp;&nbsp;&nbsp; * did she accompany Mary to France?
+
+<br>&nbsp;&nbsp;&nbsp; * did she use her influence with Mary Tudor to get
+
+Anne a position as lady-in-waiting to Katharine of Aragon (thus allowing
+
+Henry VIII and Anne to meet?)&nbsp; This has been mentioned in several
+
+books but, as I stated, it would mean Mary was a lady-in-waiting at the
+
+age of seven. </font>
+
+<p><font size=-1>I have used the spelling 'Boleyn' instead of 'Bullen'
+
+for one simple reason - it is how the family chose to spell it when they
+
+first rose to prominence.&nbsp; Certainly they thought 'Boleyn' was more
+
+elegant - I'll stay mum on that issue, but since most history texts also
+
+use 'Boleyn', it remains less confusing than switching between two surnames.</font><p align="center"><b>
+<font face="Times New Roman">
+    <a href="../monarchs/boleyn.html">Visit the 
+    Anne Boleyn website</a>.</font></b></p>
+
+<center>
+
+<p><font size=-1><a href="../citizens.html">to
+
+Tudor Citizens</a></font><br><font size=-1><a href="http://englishhistory.net/tudor.html">to Tudor
+
+England</a></font></center>
+
+  </blockquote>
+</blockquote>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082580" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
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+<head>
+<meta name="content" content="Charles Brandon, duke of Suffolk and Princess Mary Tudor: Biography, Portrait, Primary Sources Mary Tudor sister of King Henry VIII grandmother of Lady Jane Grey">
+<meta name="page_topic" content="Charles Brandon, duke of Suffolk and Princess Mary Tudor: Biography, Portrait, Primary Sources">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Charles Brandon, duke of Suffolk and Princess Mary Tudor: Biography, 
+Portrait, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <img border="0" src="brandon1.gif" alt="Cloth of Gold and Cloth of Frieze" width="492" height="116"></p>
+    <p align="center">
+    <img border="0" src="brandon2.gif" alt="Charles Brandon and Princess Mary Tudor" width="494" height="65"></p>
+    <blockquote>
+      <hr>
+    </blockquote>
+    <p align="center">
+    <img border="2" src="brandonpage2.jpg" alt="The marriage portrait of Charles Brandon and Princess Mary Tudor" width="324" height="363"><br></p>
+    <blockquote>
+      <p align="left"><FONT size=+1 face="Arial">Charles Brandon, duke of Suffolk, was Henry VIII's closest 
+
+friend.&nbsp; Brandon's father was Henry VII's standard-bearer at the Battle of 
+
+Bosworth Field and died defending the future king.&nbsp; Henry VII repaid his 
+
+loyalty by educating young Charles with his own children, and from the beginning 
+
+Charles and the future Henry VIII were devoted friends.&nbsp; But their 
+
+friendship was sorely tested when Brandon secretly married Henry's favorite 
+
+sister, the beautiful Princess Mary Tudor.&nbsp; At this page, you can learn 
+
+more about their romantic story and its aftermath.</FONT></p>
+    </blockquote>
+    </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <p>&nbsp;</p>
+
+<P><font face="Times New Roman">Charles Brandon had an inauspicious beginning and his rise to wealth and 
+prominence was due largely to two things: his father's death at Bosworth Field 
+and his own personal magnetism.&nbsp; Upon his death in 1545, Brandon was 
+perhaps the only person in England who had successfully retained Henry VIII's 
+affection for over forty turbulent years. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; His father was William Brandon, Henry Tudor's standard 
+bearer at Bosworth Field in 1485.&nbsp; He was reportedly killed there by 
+Richard III himself.&nbsp; Around 1480 or so, William had married the daughter 
+and heiress of Sir Henry Bruyn of South Ockendon in Essex.&nbsp; But unlike his 
+respectable, middle-class forebears who had led exemplary and cautious 
+lives, William had a tasste for politics.&nbsp; When the Duke of Gloucester 
+seized the throne in 1483 and declared himself Richard III, William and his 
+younger brother Thomas decided to make a stand.&nbsp; They joined the duke of 
+Buckingham's rebellion; it failed and the brothers fled to Brittany where they 
+joined other Lancastrian exiles who supported Henry Tudor, the earl of Richmond.
+</font> 
+
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; When William fled England, his wife was already 
+pregnant.&nbsp; Charles Brandon was born sometime in late 1483 or early 
+1484.&nbsp; His mother died in childbirth and, upon his grandfather's death in 
+1491, the orphaned boy went to the royal court.&nbsp; This was the custom of the 
+time but since Brandon was not heir to an important title or great wealth, his 
+case was decided more on sentiment.&nbsp; He had a claim on Henry Tudor's affections 
+since his father had died in his service.&nbsp; That demonstration of loyalty at 
+Bosworth meant a great deal to the first Tudor king.&nbsp; Since Charles was 
+just two years older than Henry's first son, Prince Arthur, it is probable that 
+they were playmates. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; When Arthur married the Spanish princess Katharine of 
+Aragon in 1502, his court moved to Ludlow Castle in the Welsh Marches, the 
+traditional seat of the Prince of Wales.&nbsp; Charles did not accompany the 
+royal couple but remained in London as companion to Arthur's younger 
+brother, Henry duke of York. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Though seven years older than Henry, Charles shared his 
+most prominent characteristics - natural athleticism, robust physical health 
+(unlike the delicate Arthur), and a devotion to all sports (wrestling, hunting, 
+tilting and jousting, etc.)&nbsp; During these adolescent years, the two boys 
+laid the foundation for a lifelong friendship.&nbsp; Arthur died just months 
+after his wedding and, in 1509, the duke of York succeeded to the throne.&nbsp; 
+This marked the real beginning of Charles Brandon's rise to prominence and 
+privilege. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; But before 1509, young Charles had undergone an 
+embarrassing marital situation which revealed his ambition and 
+callousness.&nbsp; In 1505, he had become engaged to Anne Browne, a young woman 
+of impressive lineage; her father was  Anthony Browne, Governor of Calais, 
+and her mother was Lucy Neville, niece of the 'Kingmaker.'&nbsp; Charles and 
+Anne were betrothed <I>per verba de praesenti</I>, a binding contract under 
+canon law.&nbsp; In such cases, there was no ceremony or witnesses; as one can 
+imagine, this led to several unpleasant cases of men and (more rarely) women 
+repudiating their betrothed <I>if</I> they lacked proper respect for church 
+law.&nbsp; Charles apparently did.&nbsp; He and Anne slept together, as 
+evidenced by the birth of a daughter in 1506, but he did not marry her.&nbsp; 
+Instead, he married her aunt, a very wealthy widow named Margaret Neville 
+Mortimer.&nbsp; The marriage was never taken seriously due to its mercenary 
+nature and, more importantly, legal action begun by Anne's angry family.&nbsp; 
+Eventually, the Mortimer marriage was annulled due to the previous contract and 
+Charles married Anne in a well-attended public ceremony.&nbsp; They had another 
+daughter in 1510; Anne Browne died just two years later. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; By late 1512, Charles had recovered from his grief enough 
+to contemplate yet another union.&nbsp; This was perhaps even more mercenary 
+since his betrothed was an eight-year-old orphan.&nbsp; It was common practice 
+for the Crown to assume guardianship of an orphaned minor child who had 
+inherited property.&nbsp; The Crown then sold the guardianship to the highest 
+bidder, often the child's own relatives who wanted to receive the property 
+revenues until the child came of age and decide whom they would marry.&nbsp; 
+Charles had been given the wardship of Elizabeth Grey, the heiress to Lord Lisle 
+of Sparsholt in Berkshire.&nbsp; This, along with various offices, grants &amp; 
+pensions, was a mark of Henry's continued favor.&nbsp; In early 1513, Charles 
+announced his engagement to the girl and, on 15 May 1513, the king created him 
+Viscount Lisle, in right of his betrothed wife.&nbsp; Charles Brandon finally 
+had a noble title and even more property. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; That same year, the new Lord Lisle accompanied the king to 
+France and also helped entertain the Hapsburg Emperor Maximilian and his 
+twice-widowed, 33-year-old daughter, Margaret, Regent of the Netherlands.&nbsp; 
+For Henry, the meeting was also a diplomatic necessity since, in 1508, his 
+father had entered into a formal contract of marriage between his youngest 
+daughter, Mary, and Maximilian's son, Charles of Castile.&nbsp; But over the 
+next few years, little mention had been made of the contract.&nbsp; Henry used 
+the visit to broach the subject; the end result was an agreement that Princess Mary and Charles 
+would wed in 1514, after Charles had reached his 14th birthday. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Meanwhile, Lord Lisle made a fool of himself by flirting 
+with Margaret.&nbsp; There is little chance she truly favored him, and certainly 
+none that she planned to marry him, but they flirted, Henry translating for his 
+friend.&nbsp; Once again, Charles Brandon was demonstrating his heavy-handed 
+flair for the ladies.&nbsp; In the end, he greatly offended Margaret by 
+encouraging gossip about their meeting.&nbsp; In particular, it stressed her 
+attraction to him and a possible marriage.&nbsp; As a Hapsburg princess, she was 
+not amused and Henry VIII was forced to make a public apology.&nbsp; But he was 
+not angry with his friend; on 1 February 1514, he created Charles the duke of 
+Suffolk, the title once held by the Yorkist de la Poles.&nbsp; He also received 
+the majority of their confiscated estates.&nbsp; This elevation was remarkable; 
+it meant that Suffolk was one of only three dukes in the kingdom.&nbsp; The 
+other two were Thomas Howard, duke of Norfolk (reinstated to the title after his 
+victory at Flodden in 1513), and Edward Stafford, duke of Buckingham and 
+descendant of Edward III.&nbsp; Of course, many were surprised that a yeoman's 
+son was now one of their greatest peers but Brandon's friendship with Henry 
+explained matters.&nbsp; In Europe, it was said that 
+<a href="wolsey.html">Cardinal Wolsey</a> and Brandon truly 
+ruled England through influence upon Henry VIII. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; In 1514 as well, the usual tangle of European diplomacy 
+had made Henry distrustful of the Hapsburgs.&nbsp; Also, the deadline for 
+Charles of Castile's marriage to Princess Mary had come and passed with only 
+dismissive explanations from the emperor.&nbsp; So when Louis XII of France 
+offered a peace treaty to England, Henry was eager to accept it.&nbsp; Louis 
+considerably sweetened the offer by offering to wed the Princess Mary.&nbsp; For 
+Henry, this was a diplomatic coup.&nbsp; For his sister, of course, it was 
+considerably different. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary Tudor, born 18 March 1495, was the baby of the Tudor 
+family and widely considered the most beautiful princess of her time.&nbsp; She 
+shared her brother Henry's exuberance for spectacle and was the star of his 
+court.&nbsp; Like him, she loved dancing, masques, and parties; they were also 
+close emotionally.&nbsp; So when Henry told her that she would marry the widowed 
+King of France, a man in his fifties with gout and a pock-marked face, she 
+poured out her heart.&nbsp; Certainly she would do her duty as a Princess, she 
+told Henry, but when the marriage was over, she wanted to choose her next spouse 
+- and choose him for love alone.&nbsp; Itt was an extraordinary demand for any 
+woman of that time but Henry VIII loved his sister and he agreed.&nbsp; 
+Why?&nbsp; Partly because he loved her but also because he wanted her to leave 
+for France peacefully and willingly; and also, perhaps more troubling, because 
+she had confessed her secret love to him.&nbsp; It was none other than his best friend, Charles 
+Brandon. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary had enjoyed unprecedented freedom at Henry VIII's 
+court.&nbsp; Just fourteen when her father died, she had spent the next five 
+years virtually unchaperoned in his hectic court, her brother openly encouraging 
+her participation in every event.&nbsp; In 1514, she was nineteen years old, 
+very beautiful, and very willful.&nbsp; She had developed an attachment to 
+Charles Brandon; she had known him all her life.&nbsp; It may have begun as a 
+child's awe of a robust, attractive man, successful in all sports (so important 
+at the Tudor court) and very charming.&nbsp; But it had changed into something 
+more and, by 1514, most of the king's inner circle knew of her affection.&nbsp; 
+There was no scandal, however.&nbsp; Mary believed her brother's promise and 
+married the aged Louis XII at Greenwich Palace on 13 August 1514.&nbsp; The Duc 
+de Longueville acted as the king's proxy in every respect; he even lay down on a 
+bed with Mary and touched her body with his naked leg, thus 'consummating' the 
+marriage.</font><P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary enjoyed herself at her wedding festivities and its 
+attendant celebrations.&nbsp; It would have been impossible to feel 
+otherwise.&nbsp; She had a splendid trousseau, marvelous jewels sent over from 
+France, and all the honors due to the queen of France.&nbsp; All contemporary 
+accounts remark on her great beauty, particularly her clear complexion and long 
+red-gold hair, the Tudor trademark.&nbsp; Her husband was eager to see her, 
+telling the English ambassador that he had many gifts for his bride and expected 
+a kiss for each one. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary eventually traveled from Dover to Boulogne on 2 
+October, after waiting weeks for stormy weather to end.&nbsp;  She actually left in the 
+midst of more storms since Henry VIII had grown bored waiting for them to 
+end.&nbsp; Upon her departure, she kissed her brother and reminded him of his 
+promise about her future.&nbsp; Henry, eager to leave, committed her to God and 
+her husband and left.&nbsp; There were fourteen ships in Mary's retinue but the 
+weather was so terrible that only four reached port on time; the rest docked at 
+various ports on the French coast.&nbsp; Poor Mary, suffering from seasickness 
+and constant rain, was carried ashore by one of her gentlemen, Sir Christopher 
+Garnish.&nbsp; She journeyed from Montreuil to Abbeville and contemporary 
+chroniclers recorded her outfit; they were much impressed with her beauty and 
+charm.&nbsp; She wore cloth of gold on crimson with tight sleeves in the English style and a 
+hat of crimson silk which she wore cocked over one eye.&nbsp; Her husband met 
+her at a carefully arranged 'accident' outside Abbeville and, on 9 October, they 
+married in that city. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; The marriage lasted for eighty-two days.&nbsp; On 31 
+December 1514, Louis died quite abruptly.&nbsp; Despite his ill health, he had 
+been notably active during his marriage.&nbsp; This may have contributed to 
+his demise; he boasted that on their wedding night, he had 'crossed the river' 
+three times.&nbsp; Before his death, he was visited by the duke of Suffolk on a 
+diplomatic trip and Charles wrote to Henry that his sister was discreet and 
+dignified.&nbsp; This undoubtedly relieved both men; they had perhaps wondered 
+how Mary would greet her true love.&nbsp; Mary, however, was aware of her 
+position as Queen of France and, during her brief marriage, conducted herself 
+with aplomb. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; The King of France's death changed her world 
+considerably.&nbsp; Now a queen dowager in a foreign country she had barely 
+begun to settle in, she was suddenly pushed into strict seclusion for 40 
+days.&nbsp; This was French custom; after all, the widowed queen might be 
+pregnant and the child's paternity must be certain.&nbsp; Mary was not pregnant 
+but she was sent to the Hotel de Cluny for her period of mourning, without even 
+the comfort of her English attendants.&nbsp; The new king, Francois, had 
+appointed several Frenchwomen to attend her and dismissed her women.&nbsp; May 
+was undoubtedly terrified.&nbsp; She was closed off from the world, shut behind 
+heavy black drapes, and once more a pawn for her brother.&nbsp; Would Henry 
+arrange another marriage or would he keep his promise?&nbsp; Frantic, Mary wrote 
+to him from Cluny in early January 1515, just two weeks after her husband's 
+death; she begged him to contact Francois and have her sent home to England and 
+reminded him:&nbsp; "Sir, I beseech your grace that you will keep all the 
+promises that you promised me when I took my leave of you by the 
+waterside.&nbsp; Sir, your grace knoweth well that I did marry for your pleasure 
+at this time and now I trust you will suffer me to marry as me liketh for to 
+do... wherefore I beseech your grace for to be a good lord and brother unto 
+me."&nbsp; If Henry did not keep his promise, Mary said she would enter a 
+nunnery and "never no man shall know joy of me." </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary also had to deal with visits from the new French 
+king, Francois I.&nbsp; He was twenty-one and knew the English-French alliance 
+was breaking down.&nbsp; He did not want Mary wed by Henry to some Hapsburg 
+prince.&nbsp; He suggested two of his own kinsmen as husbands and then hinted 
+that Henry was trying to marry her to Charles of Castile again.&nbsp; Alone and 
+in a fragile state, Mary was terribly frightened; Francois's words touched on 
+her greatest fears.&nbsp; She eventually confessed her love for Suffolk to 
+Francois.&nbsp; Surprisingly, she found him sympathetic and kind.&nbsp; He 
+promised to help secure her future happiness, a promise which Mary found 
+generous and Francois found opportunistic.&nbsp; For, by this time, he knew the 
+duke of Suffolk was on his way to France to bargain for Mary's return, 
+specifically the return of her jewels, plate, and dower rights.&nbsp; With the 
+dowager queen's confession, Francois had a powerful bargaining tool <i>and</i> peace 
+of mind - if Mary wed her English duke, she was no longer Henry's political 
+pawn. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Charles had been sent to France by Henry, specifically 
+promising to keep his relations with the widow on a formal basis.&nbsp; Henry 
+had no reason to distrust him.&nbsp; Charles was his creation, dependent on him 
+for everything, and also ambitious.&nbsp; Why would he bite the hand that so 
+generously fed him?&nbsp; So Suffolk departed on his most important mission 
+ever; it was well-known that the matter would be complicated.&nbsp; The French 
+would not want to surrender any property to Mary and she would naturally want 
+her rightful share.&nbsp; Beyond that, perhaps Henry meant to keep his 
+promise.&nbsp; After all, he knew his sister's feelings - and now he sent her 
+true love to bring her home.&nbsp; But rattled by Francois's suggestions of a 
+Hapsburg marriage, Mary was set on a course which nearly ruined her and Suffolk.
+</font> 
+
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Suffolk arrived on 27 January; five days later, he met 
+Francois at Senlis.&nbsp; Francois summoned Suffolk to a private audience and 
+bluntly dropped his bombshell - the duke had come to marry the Dowager Queen, 
+had he not?&nbsp; Poor Suffolk was taken aback and protested vehemently.&nbsp; 
+Francois went on to share Mary's confession and reassure the duke.&nbsp; He was 
+their friend, Francois said, and he would write to the English king and explain 
+all.&nbsp; Suffolk took no chances; he dashed off his own account of the 
+interview to Wolsey and then went to see Mary.&nbsp; It was a most emotional 
+reunion.&nbsp; She accused him of taking her to England only to have her married 
+off again against her will.&nbsp; He protested but she would have none of 
+it.&nbsp; She issued an ultimatum - either marry me now or never marry me at 
+all.&nbsp; There would be no better time, she said, for he had jealous enemies 
+on the Privy Council who would prevent it in England.&nbsp; She had her 
+brother's explicit promise that she could follow her heart and Henry knew her 
+greatest desire.&nbsp; What was the risk for him, anyway?&nbsp; She was a 
+princess and queen, very beautiful, and imperious.&nbsp; Why would any man deny 
+her?&nbsp; Suffolk was understandably torn between his obedience to Henry and 
+his desire for Mary. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; But he was always ambitious and rarely foolish.&nbsp; He 
+knew that Mary would be a great prize; after all, he harbored no overt dynastic 
+ambitions but six years of marriage had produced no living child for Henry 
+VIII.&nbsp; Perhaps Suffolk and Mary would create a new royal line.&nbsp; And 
+she was a royal princess and queen, just twenty years old and madly in love with 
+him.&nbsp; Suffolk was swayed by tears and ambition and, sometime in February 
+1515, they married secretly at the Cluny chapel. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; The consequences were rapid and hardly comforting.&nbsp; 
+Francois demanded Suffolk's acquiescence in several disputes over Mary's dowry 
+as payment for their 'secret.'&nbsp; Meanwhile, <A 
+href="http://www.englishhistory.net/tudor/citizens/wolsey.html">Wolsey</A> and 
+Henry wanted the duke to be firm and reject all the French king's demands.&nbsp; 
+Furthermore, news of the wedding was circulating throughout Paris and Mary 
+suspected she might be pregnant.&nbsp; Suffolk knew he could no longer delay 
+confession and wrote to Wolsey, now Archbishop of York.&nbsp; He wanted to 
+arrange a more public wedding ceremony since he knew their secret wedding could 
+easily be invalidated; certainly he knew that better than most.&nbsp; And he 
+feared that the king's council was urging an annulment.&nbsp; Many didn't 
+consider Suffolk a fit match for a princess and others wanted to promote 
+pro-Hapsburg policy of which Mary's remarriage could play a part. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; But most important was Henry's reaction.&nbsp; How would 
+he consider the betrayal of his best friend and favorite sister?</font><P>&nbsp;<P>
+<HR width="100%">
+
+<P><font face="Times New Roman">Henry's reaction was not favorable.&nbsp; Brandon had written to Wolsey for 
+support and he received a prompt reply but it hardly comforted him; the king 
+could not believe his most trusted friend had betrayed him but, if it were true, 
+the newlyweds had to pay a stiff penalty - literally.&nbsp; They must pay back 
+Mary's marriage portion in annual installments of 4000 pds, leaving her just 
+6000 pds to live on.&nbsp; She must return all the plate and jewels she had 
+taken to France as her dowry as well as the many gifts King Louis had given her.
+</font> 
+
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Beyond that, they must hasten to beg the king for 
+forgiveness.&nbsp; Suffolk and Mary did just that, both blaming her for the 
+hasty marriage.&nbsp; Suffolk wrote:&nbsp; "Sir, for the passion of God, let it 
+not be in your heart against me, and rather than you should hold me in mistrust, 
+strike off my head and let me not live."&nbsp; Mary knew her brother well so, 
+along with her letter, she sent him the most sumptuous jewel Louis had given her 
+- a diamond called the Mirror of Naples wwhich formed part of the French crown 
+jewels.&nbsp; She assured her brother that she had not acted out of 'sensual 
+appetite'; instead, she had been subject to 'consternation, fear and doubt' 
+which made her force Suffolk's hand.&nbsp; Henry did not reply.&nbsp; Francois 
+eventually allowed her to keep some of Louis's gifts and, on 16 April, they set 
+out for the French coast.&nbsp; Mary wrote to Henry again at Calais, telling him 
+that she was now under his jurisdiction since Calais was an English possession 
+and that she would not sail for England until he gave permission.&nbsp; She 
+reminded him of 'the great and tender love' they had always shared and promised 
+to remain in Calais if that is what he wished. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; It was not.&nbsp; Henry sent permission for them to cross the 
+Channel in early May and met them privately at the manor of Barking outside 
+London.&nbsp; There is no record of that meeting, of course, and one must assume 
+that Wolsey had perhaps exaggerated Henry's displeasure since he wanted 
+Suffolk's gratitude.&nbsp; Henry was willing enough to forgive his best friend 
+and favorite sister, <i>after</i> she turned over all her jewels and plate from France 
+and signed a contract to repay the 24000 pds spent on her first marriage in the 
+annual installments of 4000 pds.&nbsp; It was obvious that Henry was not 
+surprised by the marriage; he was mostly angry at Suffolk for breaking his word.</font><P>
+    <img border="2" src="brandonpage1.jpg" alt="another version of the Brandon marriage portrait" align="left" width="300" height="363"><P>
+    <font face="Times New Roman">&nbsp;&nbsp;&nbsp; Suffolk and Mary were wed again at Greenwich Palace on 13 
+May with Henry and
+<a href="../monarchs/aragon.html">Katharine of Aragon</a> 
+in attendance.&nbsp; There was feasting and celebration but it was strictly a 
+family affair and foreign ambassadors wondered if they should congratulate the 
+couple.&nbsp; After all, the situation was odd and there were some (mostly on 
+the king's council) who disapproved of the match.&nbsp; But, for the most part, 
+there were no hard feelings or grudges.&nbsp; Suffolk was a popular man, 
+good-looking and charming, and few - even in Tudor England - could resist such a 
+grand love story.&nbsp; After all, they had risked everything to be 
+together.&nbsp; Before long, the Suffolks were back in the king's good 
+graces.&nbsp; They are recorded as extending all the great court celebrations of 
+the next few years.&nbsp; Mary's pregnancy in France had been a false alarm but 
+she did become pregnant a few months later.&nbsp; In fact, she was now pregnant 
+along with her sister-in-law Katharine.&nbsp; Due to the queen's history of 
+miscarriages and stillbirths, few were hopeful of the outcome; but, on 18 
+February 1516, she gave birth to her only surviving child, a princess called 
+Mary after her aunt.&nbsp; The new duchess of Suffolk, however, was more 
+fortunate - on 11 March 1516, she gave birth to a healthy baby boy called Henry 
+after the king.&nbsp; Henry and Wolsey stood as the child's godfathers. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary and Henry's older sister Margaret of Scotland visited 
+that summer, bringing her six-month-old daughter, Lady Margaret Douglas.&nbsp; 
+She had been in Scotland for thirteen years but her visit was pleasant 
+enough.&nbsp; Henry had never tired of lecturing Margaret on morality (she had 
+married the Earl of Angus after James of Scotland's death at Flodden); this, of 
+course, is laughable when one considers his own matrimonial career.&nbsp; But 
+Margaret's visit was some ten years before Anne Boleyn entered Henry's 
+life.&nbsp; In 1516, the king was just seven years into his reign, still 
+handsome and bluff.&nbsp; Still, Margaret had little in common with her siblings 
+after her years away; also, her first husband had been killed by the English at 
+Flodden Field. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary Tudor was far closer to her foreign sister-in-law 
+than to Margaret.&nbsp; After all, she and Katharine had spent their formative 
+years together.&nbsp; When, in 1517, Katharine went on a pilgrimage to pray for 
+a son, Mary accompanied her.&nbsp; Both Mary and Brandon understood the queen's 
+ 
+heartfelt desire to bear her husband a prince and successor and were 
+sympathetic supporters.&nbsp; There was a passing cloud in 1516 - Mary's revenues 
+from France had fallen off and she was behind in payment of her debt - but the 
+cloud passed quickly.&nbsp; In early summer 1517, they were at Richmond Palace 
+again.&nbsp; Mary was once more pregnant and, on 16 July 1517, she went into 
+labor on her way home.&nbsp; A daughter was born, called Frances after the 
+French king; the Suffolks 
+had another daughter, Eleanor, in 1519. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; In 1518, Mary and Suffolk were at court again, attending 
+the betrothal of the infant Princess Mary to the infant dauphin of France.&nbsp; 
+And they attended the famous Field of Cloth of Gold at Guines, near 
+Calais in 1520.&nbsp; Mary was widely considered the most beautiful woman there.&nbsp; 
+A French admiral commented, "Madame, you are the rose of Christendom.&nbsp; You 
+should have stayed in France.&nbsp; We would have appreciated you."&nbsp; Mary 
+was now in her mid-twenties and, when Katharine of Aragon was pregnant or ill, acted 
+as her brother's hostess. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Back in England, however, things began to change.&nbsp; In 
+the new year of 1522, Mary first met
+<a href="../monarchs/boleyn.html">Anne Boleyn</a>.&nbsp; 
+She knew Anne's older sister Mary quite well for she had been one of her 
+ladies-in-waiting when Mary Tudor wed Louis XII in France.&nbsp; She had also remained 
+in France until dismissed by Francois.&nbsp; Anne wanted to join Queen 
+Katharine's household as a lady-in-waiting, a much-sought-after position.&nbsp; 
+It is likely that Mary repaid Mary Boleyn's service by helping Anne.&nbsp; 
+Certainly she may have liked the girl; Anne had spent time at the French court 
+and was fashionable and high-spirited, much like Mary. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Anne entered Katharine's service but was sent home in 
+disgrace for three years.&nbsp; In just a matter of months, she had managed to 
+attract the attention of Henry Percy, heir to the powerful Earl of 
+Northmberland.&nbsp; The young couple entered into an understanding but Percy was under the guardianship of Wolsey.&nbsp; The king's most trusted 
+advisor and Percy's powerful father were understandably angry at the secret 
+romance.&nbsp; <a href="../ab-percy.html">Anne and Percy were brought to heel</a>; 
+there were better matches for him and she had overstepped her bounds.&nbsp; Anne 
+was openly furious, so much that she was banished from court.&nbsp; However, she 
+was allowed back in late 1525, around the time that Henry VIII was first 
+beginning to contemplate his lack of heirs. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Katharine of Aragon had delivered the Princess Mary in 
+1516, when she was thirty-one years old.&nbsp; Since then, there had been no other 
+surviving children.&nbsp; In 1525, she was forty and it was obvious she would 
+have no further children.&nbsp; Her husband was nervous; his dynasty was just forty 
+years old.&nbsp; It would not survive with just one princess as heir.&nbsp; He 
+knew the problem was not his fault - after all, in 1519, a mistress called 
+Bessie Blount had born a son.&nbsp; In summer 1525, this child, called Henry 
+Fitzroy, was made the duke of Richmond and Somerset.&nbsp; Suffolk was present 
+at the grand ceremony.&nbsp; Katharine was normally a patient, dignified wife 
+but the lavish ceremony, involving all the important nobility, offended 
+her.&nbsp; She argued with Henry, telling him it insulted her and their daughter 
+Mary.&nbsp; Henry was unused to such criticism and responded by dismissing three 
+of her favorite ladies.&nbsp; The Suffolks were not critical of their benefactor 
+since Henry had created his nephew the Earl of Lincoln at the same 
+ceremony.&nbsp; Also, Mary's repayment of her debt was still in limbo. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; She was also in failing health.&nbsp; She had suffered 
+through the sweating sickness in 1518 and never completely recovered.&nbsp; She may also have been exhibiting the first signs of the 
+disease which eventually killed her; most historians believe it was 
+cancer.&nbsp; She was present at several court functions over the next few years 
+(a summer 1526 party for European ambassadors, for example) but came to court 
+with less and less frequency.&nbsp; Her physical condition was deteriorating but 
+she was also uncomfortable with her brother's course of action. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; In 1527, Henry's infatuation with Anne Boleyn had 
+begun.&nbsp; He was determined to annul his marriage to Katharine, arguing that 
+it had never been legal in the first place.&nbsp; He asserted that Katharine and 
+Arthur had consummated their marriage and, once again, his old friend Suffolk 
+acted in the king's interest.&nbsp; He dug out some heretofore-lost memories 
+that hinted at consummation.&nbsp; Meanwhile, Wolsey had lost Henry's trust 
+because of the many delays in the annulment; the king used Suffolk to openly 
+attack his once powerful advisor.&nbsp; At a public hearing on the case, Suffolk banged his fist on 
+the table and shouted "It was never merry in England whilst we had cardinals 
+among us."&nbsp; Of course, Suffolk would not have dared to attack Wolsey 
+without Henry's implicit support.&nbsp; It was the downfall of the Cardinal.
+</font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; In 1531, Henry banished Katharine of Aragon from 
+court.&nbsp; He and Anne were constantly together and he made no secret of his 
+intention to marry her.&nbsp; The Suffolks were not happy about this but what 
+could they do?&nbsp; They depended on Henry for everything.&nbsp; Mary made a 
+cutting remark about Anne sometime in early 1532 and refused to accompany Henry 
+and Anne on a state visit to France.&nbsp; Her husband warned Henry that Anne 
+may have slept with Sir Thomas Wyatt.&nbsp; But that is all they dared.&nbsp; 
+They were concerned about their own family. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; By this time, Suffolk's daughters with Anne Browne were 
+wed to titled men.&nbsp; His eldest daughter with Mary, the lady Frances, was 
+engaged to Henry Grey third Marquess of Dorset, descendent of the famous <A 
+href="http://www.englishhistory.net/plant/queens/elizwood.html">Elizabeth 
+Woodville</A>; before Edward IV, she had been married to a Grey and had two sons 
+by him.&nbsp; It was from the elder son that Henry Grey was descended.&nbsp; Frances and Henry were the parents of
+<a href="../relative/janegrey.html">Lady Jane 
+Grey</a>.&nbsp; The celebration of Frances's wedding to Henry Grey was held at 
+the Suffolk home in London.&nbsp; It was Mary's last visit to the city.&nbsp; 
+She was increasingly ill and also uncomfortable with her brother.&nbsp; His 
+favor was no longer certain.&nbsp; He had married the pregnant Anne Boleyn in a 
+secret ceremony.&nbsp; Suffolk was put in charge of the new queen's <A 
+href="http://www.englishhistory.net/tudor/primary.html">coronation</A>.&nbsp; 
+Therefore, he was not with his wife when she passed away quietly at their home 
+in Westhorpe on 26 June 1533.&nbsp; She was thirty-eight years old.&nbsp; Her 
+death was not considered important news since most people were concerned with 
+the impending birth of Anne Boleyn's child, destined to be 
+<a href="../monarchs/eliz1.html">Elizabeth I</a>.&nbsp; 
+Mary had seen her husband in early May but his duties kept him busy; it was a 
+hurried visit and she simply wasted away in the next few weeks. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Her brother ordered requiem masses to be sung at 
+Westminster Abbey but showed no other sign of mourning.&nbsp; He was, after all, 
+in the midst of the Reformation.&nbsp; Charles Brandon did not attend the 
+funeral but it was a marvelous affair.&nbsp; The coffin lay in state for a month 
+at Westhorpe and was interred at the church of Bury St Edmunds on 22 July.&nbsp; 
+The abbey church and her monument were destroyed during the dissolution of the 
+monasteries.&nbsp; Her coffin was saved, however, and moved to a nearby church 
+called St Mary.&nbsp; In 1784, it was moved yet again within that church.&nbsp; 
+The movers ghoulishly opened the coffin; they found a good set of teeth and two 
+feet of hair which was still red-gold.&nbsp; Souvenir hunters cut off pieces of 
+the hair. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary's death was perhaps most mourned in Suffolk county 
+where she had been a popular and respected figure.&nbsp; Her husband replaced 
+her quickly enough - and, as was typical of Brandon, with aplomb.&nbsp; He 
+decided to marry his son's betrothed.&nbsp; The girl was called Catherine 
+Willoughby and she as a baroness in her own right, heiress to 15000 ducats a 
+year.&nbsp; She was also just fourteen-years-old, the same age as his youngest 
+child.&nbsp; Brandon himself was almost fifty.&nbsp; But he needed money badly 
+and she was very rich; he married her quite rapidly.&nbsp; The exact date is unknown.&nbsp; 
+His and Mary's son, the eighteen-year-old Henry Brandon, Earl of Lincoln, would 
+be betrothed elsewhere easily enough.&nbsp; But that was not to be.&nbsp; After 
+his father's wedding, the young earl died, probably of the Tudor scourge, 
+tuberculosis.&nbsp; Brandon was not particularly grieved; six months after his 
+death, he and Catherine had a son and named him Henry Brandon.&nbsp; This usage 
+of a dead child's name was common practice in England. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Suffolk remained in Henry's favor.&nbsp; The king gave his 
+old friend the unpleasant task of persuading Katharine of Aragon to accept the 
+break with Rome and the new title Princess Dowager.&nbsp; He was also to move 
+her to Somersham near Cambridge, a manor known for its dank and unhealthy 
+atmosphere.&nbsp; Katharine would not be bullied; she told Suffolk that he would 
+have to bind her in ropes if he wanted to move her anywhere.&nbsp; After a week 
+of such talks, Suffolk left, having accomplished precious little. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; He never saw Katharine again.&nbsp; He did attend all the 
+momentous events of the 1530s - he sat at the trials of
+<a href="more.html">Thomas More</a> 
+and Anne Boleyn, he was even present at the scaffold when <A 
+href="http://www.englishhistory.net/tudor/primary.html">she was 
+beheaded</A>.&nbsp; He also helped lead forces to end the <A 
+href="http://www.englishhistory.net/tudor/primary.html">Pilgrimage of Grace</A>, 
+one of the most serious problems of Henry's reign.&nbsp; Meanwhile, his wife 
+gave birth to a second son called Charles and his daughter Frances, after two 
+still-births, gave birth to a healthy baby girl, named <A 
+href="http://www.englishhistory.net/tudor/relative/janegrey.html">Jane Grey</A>, 
+probably after Queen Jane Seymour.&nbsp; The exact date of birth is not known, 
+but it was probably October and eclipsed by the birth - finally! - of Henry's 
+son, <a href="../monarchs/edward6.html">Prince Edward</a>.&nbsp; Suffolk acted as godfather to the new prince.
+</font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; The last years of his life were quite happy.&nbsp; He and 
+Catherine Willoughby were affectionate, they had two healthy sons, and the 
+dissolution of the monasteries allowed the king to grant him more lands and 
+pensions.&nbsp; He and his wife entertained the king and his new wife 
+<a href="../monarchs/howard.html">Catherine 
+Howard</a>; and, of course, Suffolk was one the men who arrested and extracted a 
+confession from that queen.&nbsp; He died quite suddenly on 22 August 1545, his 
+last official business being plans for an invasion of France.&nbsp; But he was 
+sixty years old, a good age at the time, and - once the news was known - it was 
+not suurprising.</font><P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Suffolk requested a quiet funeral but the king would have 
+none of it - he ordered a lavish ceremony at St George's Chapel in 
+Windsor.&nbsp; Henry planned and paid for the service.&nbsp; It was undoubtedly 
+an emotional occasion for him; after all, Charles Brandon had been his companion 
+for virtually his entire life.&nbsp; In fact, Suffolk was one of the few men who 
+could still remember the Bluff King Hal of legend.&nbsp; Henry was now 
+overweight, bald, and suffering from a variety of physical ailments.&nbsp; He 
+would only outlive his friend by about eighteen months.&nbsp; In that time, he 
+had good cause to regret the death of his one true friend.</font><CENTER>
+<P>&nbsp;<P><font face="Times New Roman">
+<a href="../relative/janegrey.html">Learn about 
+Charles and Mary's granddaughter, Lady Jane Grey, who was queen of England for 
+nine days in 1553</a>.</font><P><font face="Times New Roman"><FONT size=-1><A href="../relatives.html">to 
+Tudor Relatives</A></FONT><BR><FONT size=-1><A 
+href="../citizens.html">to Tudor 
+Citizens</A></FONT></font><P><FONT size=-1 face="Times New Roman"><A href="http://englishhistory.net/tudor.html">
+to Tudor England</A></FONT></CENTER>
+  </blockquote>
+</blockquote>
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+   <meta name="Author" content="Marilee Mongello">
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+   <title>Tudor Citizens - Thomas Cromwell</title>
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+
+<center><img SRC="cromwell.gif" ALT="Thomas Cromwell" height=59 width=313>
+<br>born c.1485 in Putney
+<br>executed 28 July 1540 in London
+<p><b><font size=+1>"A good household manager, but not fit to meddle in
+the affairs of kings."</font></b>
+<br><font size=-1>May 1538, Henry VIII describes Cromwell to the French
+ambassador</font></center>
+
+<p><img SRC="cromwell-small.jpg" ALT="portrait of Cromwell as the earl of Essex" BORDER=2 height=264 width=220 align=LEFT>&nbsp;&nbsp;&nbsp;
+Thomas Cromwell was as great a statesman as England has ever seen and,
+in his decade of power, permanently changed the course of English history.&nbsp;
+Unlike his mentor, Cardinal Wolsey, Cromwell was not a priest or a papist.&nbsp;
+He was a lawyer determined to impose his own character - methodical, detached,
+and calculating - upon government.
+<p>&nbsp;&nbsp;&nbsp; Cromwell wanted government to be effective and efficient;
+to achieve this, he had to end the chaos of feudal privilege and ill-defined
+jurisdictions.&nbsp; He was blessed with a logical mind in an age sadly
+devoid of them.&nbsp; And unlike his royal master, he did not let his emotions
+interfere with his position.&nbsp; He was the ideal statesman for Tudor
+England and, just months after his execution in 1540, Henry VIII was bemoaning
+his loss.
+<p>&nbsp;&nbsp;&nbsp; Cromwell was introduced to government service as
+a secretary for <a href="wolsey.html">Cardinal
+Wolsey</a>.&nbsp; His abilities won him the older man's respect and soon
+Cromwell was his most trusted servant and principal secretary.&nbsp; But
+Cromwell managed to distance himself from Wolsey immediately after the
+Cardinal fell from grace and soon had taken his place as Henry's most valuable
+advisor.&nbsp; Before entering Wolsey's service, Cromwell lived an adventurous
+life.&nbsp; His father had been a brewer and blacksmith known for permanent
+drunkenness and illegal activities.&nbsp; From this inauspicious beginning,
+his son went on to indulge his curiosity and practical nature by traveling
+through Europe.&nbsp; Over the course of several years, he was a soldier
+in Europe, a banker in Italy, clerk in the Netherlands, and a lawyer in
+London.&nbsp; Like so many ambitious men, he was in Wolsey's service in
+the mid-1520s.&nbsp; His most important work was the suppression of 29
+religious houses whose monies Wolsey used to endow colleges at Ipswich
+and Oxford.&nbsp; When Wolsey fell from grace in 1529, Cromwell was hurriedly
+elected burgess for Taunton so he could remain in government service.
+<p>&nbsp;&nbsp;&nbsp; There were striking similarities between the two
+men - both managed to remain favorites of the mercurial Henry VIII for
+years; both were despised by the older nobility who coveted their influence
+with the king; both sought to reform the creaky medieval bureaucracy of
+Tudor government; both were highly intelligent and well-versed in international
+affairs.&nbsp; And both, ultimately, fell from Henry's favor with spectacular
+speed.&nbsp; In the end, the king preferred to listen to the old nobility.
+<p>&nbsp;&nbsp;&nbsp; But Cromwell and Wolsey were also markedly different
+in many ways.&nbsp; Cromwell was the man responsible for the Henrician
+reformation while Wolsey fell because he served two masters, the king of
+England and the Pope.&nbsp; Though Henry had ejected Rome from his nation,
+he still practiced the Roman Catholic religion.&nbsp; The king's religious
+tendencies were never reformist and many historians have made the mistake
+of painting him as one of the first Protestant kings.&nbsp; Henry was never
+a Protestant and he wrote treatises vilifying Martin Luther for which he
+was titled 'Defender of the Faith' by the Pope.&nbsp; Rather, he was an
+opportunist who disliked papal authority and interference in his realm
+and wanted some of the vast wealth the English church possessed.&nbsp;
+For Henry, often desperately short of money, it was near-blasphemy for
+his subjects to pay taxes directly to Rome; he wanted the money for his
+government.&nbsp; He also wanted an annulment from a devoutly Catholic
+wife, Katharine of Aragon, and when the Pope, held hostage by the Holy
+Roman Emperor, refused to rule in his favor, he found it most expedient
+to simply disregard the papacy.&nbsp; But throughout it all, Henry was
+unaware of the forces he had unleashed when he declared himself head of
+the English church.&nbsp; Trained for the church as a child, he remained
+staunchly Catholic for his entire life though the Catholic church deemed
+him a heretic.
+<center>
+<p><b><u><font color="#000000">a discussion of the Henrician reformation</font></u></b></center>
+
+<p>&nbsp;&nbsp;&nbsp; It is important to remember that during Henry's reign,
+at least half of his subjects were under the age of eighteen.&nbsp; Henry's
+court swarmed with young people - pages, scullery maids, and the like.&nbsp;
+English culture celebrated youth; tournaments, hunts, glorious warfare
+were all the province of the young and strong.&nbsp; And while Henry was
+young, he joined these events with a gusto sadly lacking in his father
+or son.&nbsp; But time does not stop, not even for a despotic monarch determined
+to have his way in all things.&nbsp; During his 'great matter', Henry was
+in his thirties and changing from 'Bluff King Hal' into an overweight and
+balding hypochondriac.&nbsp; He had rid himself of Rome to gain wealth
+and a son.&nbsp; He gained both and, once he had, continually toyed with
+the idea of making peace with the pope.&nbsp; He didn't relish excommunication
+and it is likely that he persuaded himself that he wasn't disobeying Christ's
+vicar but rather the Emperor's puppet.
+<p>&nbsp;&nbsp;&nbsp; But he misjudged the mood of his people, particularly
+his nobles.&nbsp; Educated and by nature inquisitive and acquisitive, the
+new Protestant teachings intrigued them; they also sought the vast monastic
+lands which Henry planned to sell.&nbsp; This was the paradox of the Henrician
+reformation.&nbsp; It was motivated by greed and genuine religious turmoil.&nbsp;
+As time passed, the new generation of nobles were Protestant because it
+was expedient and philosophically appealing.&nbsp; And with each year,
+more Englishmen were born who were further and further away from the old
+days of Roman domination.&nbsp; Henry, in his forties, could remember the
+papist ways but, as the years passed, fewer and fewer of his subjects did.
+<p>&nbsp;&nbsp;&nbsp; In terms of the practical effect the reformation
+had on everyday Englishmen, the situation is more difficult to gauge.&nbsp;
+Unlike the wealthy noblemen, they couldn't bid on the seized monastic properties.&nbsp;
+And in many towns and villages, the parish church was the community center,
+where births, weddings, and deaths were officiated over by a priest.&nbsp;
+But they undoubtedly enjoyed not paying their tax to Rome.&nbsp; Once again,
+a paradox emerged - an excommunicated nation which found itself torn between
+loyalty to the sovereign and loyalty to the papacy.&nbsp; Also, since Henry's
+marriage to Anne Boleyn could only be recognized if one accepted his annulment
+from Katharine - which in itself meant a rejection of papal authority -
+and it was treason to <i>not</i> recognize his marriage to Anne, then many
+people were swayed by the threat of execution.&nbsp; In other words, accept
+Henry's decisions or die.&nbsp; Of course, I cannot discuss all aspects
+of the reformation at this site; I recommend L.B. Smith's <i>Henry VIII</i>
+which studies Henry's own theological beliefs.
+<p>&nbsp;&nbsp;&nbsp; There was opposition to the reformation which probably
+had more to do with the attendant loss of independence in north England.&nbsp;
+In 1536, a northern uprising which came to be called the Pilgrimage of
+Grace, gathered over 40,000 men and marched through England.&nbsp; It eventually
+destroyed itself by internal division and lack of clear purpose but one
+of the rebels' demands was a warning for Cromwell - they want their king
+to be advised by <i>noble</i> councilors who understand the people's wishes,
+not common men like Cromwell.&nbsp; Henry was angry at their presumption
+- how dare his ignorant subjects rebel annd then tell him how to run the
+country! - but he was persuaded to show mercy and pardon those involved.&nbsp;
+And he continued to listen to Cromwell.
+<p>&nbsp;&nbsp;&nbsp; The <a href="../primary.html">Pilgrimage
+of Grace</a> was largely motivated not by religious concerns but by Cromwell's
+determination to dissolve the monasteries and improve the royal tax collecting
+methods.&nbsp; For example, the movement began in Louth, in Lincolnshire,
+and began with the murder of two tax collectors, one of whom was hanged
+and the other sewn into a sack and thrown to a pack of hungry dogs!
+<p>&nbsp;&nbsp;&nbsp; So the common people might grumble somewhat but they
+were ultimately more influenced by practical matters.&nbsp; Had Henry's
+excommunication been followed by a terrible harvest or bad weather, it
+may have been otherwise.&nbsp; During his daughter Mary's reign, such signs
+were taken to mean God was angry with her for attempting to reinstate Catholicism.&nbsp;
+But not only did Henry enjoy good weather, he had a brilliant servant.&nbsp;
+Cromwell was the one who gave force to Henry's grand declarations.&nbsp;
+The king declared that Rome had no authority in England and Cromwell instituted
+the reforms which would make it so.&nbsp; The king declared that all monastic
+lands were forfeit and Cromwell set out to close the monasteries, assess
+their value, and sell them to the highest bidder.&nbsp; For a decade, this
+partnership worked marvelously.
+<p>&nbsp;&nbsp;&nbsp; Also, Henry and Cromwell both recognized a fundamental
+truth of the English people; the government could do what it liked as long
+as traditional religious views were not upset too much.&nbsp; Certainly
+Henry did not upset his own.&nbsp; The name of the pope was omitted in
+their prayers but not much else.&nbsp; Henry's break with Rome was really
+a legal reformation rather than one of real religious content.&nbsp; England
+practiced Catholicism without a pope and, in his place, was their king.&nbsp;
+This situation suited Cromwell.&nbsp; Like many, he recognized that the
+Church had lost its way, remaining a ponderous medieval institution concerned
+with wealth and influence.&nbsp; But Europe was no longer medieval; countries
+were becoming nation-states, patriotic and immune to the cultural unity
+which Rome promoted.&nbsp; The pope envisioned a collection of nations
+joined beneath the cloak of Christendom with him at its head; but, particularly
+in xenophobic England, there were mutterings that the church was dominated
+by other nations.&nbsp; Also, the church claimed authority over its subjects;
+no priest or cleric could be tried by their sovereign nation.&nbsp; They
+would answer only to Rome.&nbsp; This problem had angered Henry II centuries
+before and resulted in Thomas Becket's murder.&nbsp; In Henry's time, it
+had grown worse.&nbsp; Also, as king, he believed himself ruler of <i>all</i>
+his subjects, priest and commoner alike.
+<p>&nbsp;&nbsp;&nbsp; One must also mention the corruption of the church,
+sadly evident to everyone.&nbsp; Certainly there were Godly men who struggled
+to enforce the tenets of their faith.&nbsp; But there were also bishops
+and cardinals more interested in business and finance than theology.&nbsp;
+The church preached that the surest path to heaven was through good works,
+particularly at a monastery or abbey, but every Englishmen knew that only
+the wealthy could afford to endow or board at them.&nbsp; Furthermore,
+an increasing number of churchmen were absent from their posts.&nbsp; Cardinal
+Wolsey embodied this avaricious streak; he was bishop, archbishop, abbot,
+and cardinal yet the affairs of state kept him from his duties.&nbsp; Instead
+of tending to his flock, he tended to his purse.&nbsp; He sired illegitimate
+children and collected nearly 50,000 pds a year from his vast holdings.
+<p>&nbsp;&nbsp;&nbsp; Wolsey represented the church as it had become; certainly
+such abuses may not have turned most Englishmen from their faith.&nbsp;
+But when confronted with the forces of Protestantism, the church found
+precious few willing to die for their beliefs.&nbsp; After all, why would
+anyone die for a faith they didn't respect?&nbsp; When the king styled
+himself head of the church, many were perhaps relieved.&nbsp; Henry made
+no claim to a holy life, not like the churchman Wolsey; he also was shrewd
+enough to endow his monarchy with papal apparatus.&nbsp; From the 1530s
+on, the Tudor dynasty was even more divine and the machinery of state could
+enforce its divinity.
+<center>
+<p><b><u><font color="#000000">Cromwell's revolution in government</font></u></b></center>
+
+<p>&nbsp;&nbsp;&nbsp; Cromwell's rise to power was extraordinary and occurred
+just when Henry needed a minister of great administrative imagination and
+genius, uninterested in the squabbles of his council and determined to
+empower the machinery of state.&nbsp; Cromwell entered royal service in
+early 1530 and, from then on, rose rapidly.&nbsp; In late 1530 he was sworn
+into the King's Council and, just a year later, began to attract unfavorable
+attention from Wolsey's old rivals.&nbsp; These were Stephen Gardiner,
+bishop of Winchester, Thomas Howard, duke of Norfolk, and Charles Brandon,
+duke of Suffolk.&nbsp; Gardiner had worked with Wolsey but, like Norfolk
+and Suffolk, viewed the Cardinal's fall as a chance to take his place.&nbsp;
+From 1529 to about 1533, they enjoyed the king's confidence even as Cromwell
+rose to overtake them all.&nbsp; His career progressed as follows:
+<br><b><font color="#990000">1531</font></b> - member of the privy council
+<br><b><font color="#990000">1532</font></b> - Master of Court of Wards
+and Master of Jewel House
+<br><b><font color="#990000">1533</font></b> - Chancellor of the Exchequer
+<br><font color="#990000"><b>1534</b> </font>- King's Secretary and Master
+of the Rolls
+<br><b><font color="#990000">1535</font></b> - Vicar-General
+<br><b><font color="#990000">1536</font></b> - Lord Privy Seal and Baron
+Cromwell of Oakham
+<br><b><font color="#990000">1537</font></b> - Knight of the Garter and
+Dean of Wells
+<br><b><font color="#990000">1539</font></b> - Lord Great Chamberlain
+<br><b><font color="#990000">1540</font></b> - created Earl of Essex
+<p>&nbsp;&nbsp;&nbsp; As the above list shows, Henry never forgot the fallen
+Wolsey.&nbsp; He had heaped honors upon him with extravagant generosity
+and had written to the pope recommending religious promotion.&nbsp; In
+the end, Henry believed himself betrayed.&nbsp; Not only had Wolsey accumulated
+obscene wealth, but he had grown arrogant and eventually treasonous.&nbsp;
+And so Cromwell, despite his years of diligence and genius, was eventually
+rewarded with an earldom but only a short time before his execution.
+<p>&nbsp;&nbsp;&nbsp; His influence upon the 1530s, one of the most influential
+and vital decades in English history, was enormous.&nbsp; One needs only
+to study the 1540s to realize how the loss of Cromwell affected Tudor government.&nbsp;
+He also came to power during Anne Boleyn's ascendancy.&nbsp; It was a symbolic
+changing of the guard - the old Katharine of Aragon thrust aside for the
+young, ambitious Anne Boleyn and Wolsey disgraced and replaced by his prot&eacute;g&eacute;
+Cromwell.&nbsp; Cromwell supported Anne until she, like Wolsey, became
+a liability.&nbsp; Among his immediate accomplishments were the following:
+<br><b><font color="#990000">1</font></b> - the dissolution of the monasteries
+and establishment of the royal supremacy
+<br><b><font color="#990000">2</font></b> - founded the ministries of Augmentations
+and First Fruits to handle income from the dissolution
+<br><b><font color="#990000">3</font></b> - founded the two courts of Wards
+and Surveyors which allowed more efficient taxation and leasing
+<br><b><font color="#990000">4 </font></b>- politically integrated the
+kingdom by extending sovereign authority into northern England, Wales &amp;
+Ireland (actions which angered the great feudal lords)
+<br><b><font color="#990000">5</font></b> - used the power of that relatively
+new invention, the printing-press and thus spearheaded the first propaganda
+campaign in English history.
+<p>&nbsp;&nbsp;&nbsp; In the 1530s, he had instituted reforms of the English
+government which earned enmity from the nobility.&nbsp; Cromwell recognized
+the basic inefficiency of feudal government and, from it, struggled to
+create a more logical system.&nbsp; Instead of offices held solely because
+of birth, he wanted trained servants with expertise in their field.&nbsp;
+He built a bureaucracy of professionals outside the royal household.&nbsp;
+He began the first era of parliamentary control of England, using the institution
+to dissolve the monasteries which made up a quarter of all arable land
+and validate his other decisions.
+<p>&nbsp;&nbsp;&nbsp; From the above list, one will note that most of the
+'accomplishments' were motivated by financial need.&nbsp; Like his predecessors
+in government ministry, Cromwell needed to provide secure and regular income.&nbsp;
+This alone necessitated an assault on the church's wealth.&nbsp; Cromwell
+also developed a novel, and very unpopular idea - in the past, taxes were
+created to support warfare; in 1534, he developed a new tax.&nbsp; Its
+basis?&nbsp; The king's maintenance of peace.&nbsp; These measures did
+not help his reputation but, by 1547, had brought nearly 2,000,000 pds
+to Henry's treasury.&nbsp; Of course, Henry would use the entire windfall
+to finance his increasingly complicated foreign policy.&nbsp; At the time
+of Henry's death, all the wealth Cromwell had accumulated was gone and
+Edward VI was left with debased currency and massive debts.
+<p>&nbsp;&nbsp;&nbsp; In 1534, however, Henry was prepared to reap the
+benefits of his new anti-clerical policies.&nbsp; He had appointed his
+friend Thomas Cranmer to the venerable and powerful position of Archbishop
+of Canterbury.&nbsp; Cranmer was like Cromwell in many ways - both owed
+their rise to prominence entirely to Henry's mercurial favor; both came
+from humble backgrounds; both were despised by the traditional nobility.&nbsp;
+Cranmer had come to Henry's attention by first suggesting a solution to
+the divorce problem - petition learned churchmen for their opinion, assuming
+they agreed with Henry.&nbsp; Like Cromwell, Cranmer benefited directly
+from the fall of Katharine of Aragon and the Imperial alliance and the
+rise of Anne Boleyn and her Norfolk relations.&nbsp; Henry's midlife crisis
+provided fertile ground for ambitious men.&nbsp; Cranmer and Cromwell liked
+one another and became friends, though Cranmer was careful to distance
+himself once Cromwell's ruin was assured.
+<p>&nbsp;&nbsp;&nbsp; In 1535, Henry appointed Cromwell Vicar General and,
+over the next five years, the honors increased - Lord Privy Seal, titled
+Baron Cromwell of Oakham, Knight of the Garter and Dean of Wells, and finally
+Lord Great Chancellor and ennoblement as Earl of Essex.&nbsp; The last
+was Cromwell's greatest ambition and long before justified by his superior
+service to the crown.&nbsp; During the accumulation of these honors, however,
+Cromwell began to recognize the flaws in his success.
+<p>&nbsp;&nbsp;&nbsp; First, he had accompanied Anne Boleyn on her rise
+to power; yet, in 1536, he helped engineer her disgrace and execution on
+charges of adultery, incest, and witchcraft.&nbsp; Why?&nbsp; Cromwell
+recognized Henry's dissatisfaction with the marriage - after several years,
+Anne's sharp tongue had offended many and, even worse, she had not produced
+a male heir.&nbsp; Furthermore, Henry had become infatuated with Anne's
+lady-in-waiting, Mistress Jane Seymour.&nbsp; Tiring of his wife, he wanted
+to be rid of her.&nbsp; Divorce was only briefly considered before being
+pushed aside.&nbsp; As he had with Katharine of Aragon, Henry became convinced
+his marriage was invalid, only this time because of adultery, and he retained
+his absolute conviction in her guilt even as he truly believed his and
+Katharine's marriage was invalid.&nbsp; To rid himself of Anne, he turned
+to the ever-ready Cromwell.&nbsp; Soon enough, Anne was on trial with her
+brother and two male servants.&nbsp; They were all executed, despite spirited
+defenses and the widely-held belief that it was judicial murder.
+<p>&nbsp;&nbsp;&nbsp; Cromwell betrayed his former patron because she no
+longer held the king's favor.&nbsp; In the rough world of Tudor politics,
+friendships were lost in the struggle for prestige and survival.&nbsp;
+And now Cromwell turned to Mistress Jane Seymour and her relatively obscure
+family for support.&nbsp; The Seymours, however, never warmed to Cromwell
+as had the Boleyns, largely because they didn't trust him or his influence
+over the king.&nbsp; Cromwell was careful to press Jane's cause to the
+king though Henry needed little urging.&nbsp; Just days after Anne Boleyn's
+execution, Jane Seymour became his third wife, dying eighteen months later
+after delivering the longed-for son, Prince Edward.&nbsp; Cromwell busied
+himself with auctioning off church properties to various noblemen and further
+reforming the archaic machinery of Tudor government.&nbsp; In doing so,
+he continued to ignore Henry's council of noble peers.&nbsp; When the council
+did meet, Cromwell dominated the meetings and disregarded most suggestions.&nbsp;
+To his credit, he was right on most counts; the nobility was quite distanced
+from the changing nature of government.&nbsp; They were fiercely protective
+of their own 'inalienable' rights as landowners and peers and notoriously
+difficult when these rights were impugned (this conflict between the nobility
+and monarchy was centuries-old - simply remember the 13th century <i>Magna
+Carta</i>, when the nobles forced King John I to recognize their 'natural'
+rights.)
+<p>&nbsp;&nbsp;&nbsp; As discussed earlier, the nobility resented Cromwell's
+influence with the king and his pro-monarchy, anti-nobility policy.&nbsp;
+And while many of the nobles benefited from the sale of clerical lands,
+many others had relatives dedicated to religious service.&nbsp; Also, reverence
+for the church and its servants was as deeply-held as reverence for the
+monarchy.&nbsp; Henry's attacks upon the church struck many as unnatural
+and wrong; since they could not turn on the king, they turned on Cromwell
+and blamed him for every unpopular policy.&nbsp; Henry VIII, who relished
+his popularity, allowed his faithful servant to be impugned.&nbsp; Thus,
+Henry could meet with his nobles, listen to their complaints, and even
+agree with them since many were his dearest friends.&nbsp; The king remained
+popular while his chief minister became increasingly despised and isolated.&nbsp;
+It is worth noting that one of Cromwell's friends, Richard Moryson, argued
+that merit and not birth should be the only qualification for entry into
+the privy council.&nbsp; Moryson eventually became a member himself.
+<p>&nbsp;&nbsp;&nbsp; It is also important to note that years of listening
+to anti-Cromwell gossip eventually affected Henry.&nbsp; Even the king
+did not exist in a vacuum and, as his temper became increasingly erratic,
+he was easily swayed by inflamed opinion.&nbsp; Thus, Cromwell suffered
+from a lapse in Henry's temper and one which the king almost immediately
+regretted.&nbsp; Chief among Cromwell's enemies were the highest nobles
+in the land, once Wolsey's great enemies and led by the dukes of Suffolk
+and Norfolk.&nbsp; These men had pushed Wolsey from favor after years of
+effort and were determined to do the same to his prot&eacute;g&eacute;.&nbsp;
+The perfect opportunity arrived when Queen Jane died two weeks after childbirth,
+in October 1537.&nbsp; Henry VIII was genuinely bereaved at her death but
+almost immediately the search began for a new queen.&nbsp; After all, Jane
+had delivered a son but one male heir was not enough in the sixteenth century.&nbsp;
+Henry's council began to search for a new consort with the king's enthusiastic
+support.
+<p>&nbsp;&nbsp;&nbsp; For Cromwell, this was a chance to further extend
+his influence while thwarting the English nobility.&nbsp; Henry's second
+and third wives had been English noblewomen whose families directly profited
+from their rise to power.&nbsp; The influence of these families naturally
+troubled Cromwell.&nbsp; As their influence rose, his own suffered - so
+he was opposed to the idea of another English wife.&nbsp; Also, as an intelligent
+statesman, he recognized the diplomatic power of royal marriages.&nbsp;
+Henry's troublesome foreign policy could be soothed if he chose a foreign
+wife - a princess or duchess of one of the great European families.&nbsp;
+Kings were meant to marry other royalty and Cromwell immediately searched
+for possible candidates.
+<p>&nbsp;&nbsp;&nbsp; While searching, he was careful to avoid Catholic
+candidates.&nbsp; Cromwell's rise to power was directly connected to the
+fall of Catholicism in England and he wanted to keep England on the path
+of Protestantism.&nbsp; Therefore, he sought a Protestant ally for Henry
+VIII.&nbsp; Naturally, his gaze turned to the Protestant states of Germany,
+birthplace of the Lutheran revolution.&nbsp; Meanwhile, Henry VIII was
+concerned with more aesthetic matters, sending artists (most famously,
+Hans Holbein the Younger) to France and Milan to paint potential brides.&nbsp;
+Among those painted was Christina, duchess of Milan and niece of the Holy
+Roman Emperor; she famously remarked that she would be happy to marry Henry
+- if she had two heads!&nbsp; Henry also  considered Marie de Guise, a widowed
+cousin of the French king.&nbsp; Marie, however, chose to marry Henry's
+nephew, James V of Scotland, thus creating a French-Scottish alliance along
+Henry's troublesome northern border.&nbsp; Their only surviving child is
+famous in history as the tragic Mary queen of Scots.
+<p>&nbsp;&nbsp;&nbsp; Cromwell was well aware that if France and the Holy
+Roman Empire ended hostilities, as seemed likely, England would be left
+out in the diplomatic cold.&nbsp; He was quite happy when the French and
+Imperial marriage negotiations fell apart.&nbsp; But as the search wound
+on, Henry became increasingly desperate for a wife.&nbsp; No doubt he was
+lonely; also, his court needed a queen to be complete.&nbsp; A king was
+not meant to be a bachelor, as every European monarch knew.&nbsp; Finally,
+Cromwell found a Protestant ally with two available sisters - the duke
+of Cleves, whose lands were strategically located and wealthy.&nbsp; He
+had two sisters not yet wed called Anne and Amelia.&nbsp; As the eldest,
+Anne was chosen as the possible bride and Holbein immediately went to Cleves
+to paint her portrait.&nbsp; <a href="http://www.geocities.com/athens/forum/9194/cleves1.jpg">This
+painting</a> would become of paramount importance in the coming year.&nbsp;
+Henry was determined to have a beautiful wife and specifically asked his
+various ambassadors probing questions - does Marie de Guise have wide hips
+for childbearing? is Christina of Milan pock-marked? does Anne of Cleves
+play the lute?&nbsp; Holbein's famous portrait of Anne cannot be adequately
+judged in our time; after all, standards of beauty have changed.&nbsp;
+However, it is amusing to note that she - so maligned in her own time as
+the ugliest of Henry's wives - is the most attractive by twentieth-century
+standards.
+<p>&nbsp;&nbsp;&nbsp; Holbein's portrait showed a perfectly attractive
+young woman - and, on that basis, Cromwell was able to secure the marriage
+alliance with a Protestant ally.&nbsp; Anne set sail for England, little
+realizing what lay ahead.&nbsp; The king, meanwhile, was ecstatic that
+after almost three years as a widower he would be a husband again, able
+to play one of his favorite roles.&nbsp; The entire country was thrilled
+at the news, in fact, and after Anne arrived, Cromwell finally secured
+his greatest ambition - an earldom.&nbsp; He was titled earl of Essex by
+Henry VIII on 18 April 1540 after the marriage treaty was finalized.
+<p>&nbsp;&nbsp;&nbsp; During this time, he also attempted to placate the
+nobility by redistributing lands to the great magnates, providing them
+with near-autonomous controls of great sections of land.&nbsp; For example,
+the duke of Suffolk traded East Anglian lands for lands in Lincolnshire
+- the duke of Norfolk already held lands  in Anglia while Lincolnshire needed
+a strong leader.&nbsp; Earlier, Cromwell had attempted to befriend Henry's
+oldest child, the stubbornly Catholic Princess Mary.&nbsp; She rebuffed
+his attention, largely on religious grounds.
+<p>&nbsp;&nbsp;&nbsp; Two years of marriage-brokering were often interrupted
+by rumors of rebellion.&nbsp; The Pilgrimage of Grace had made Henry more
+sensitive to popular sentiment.&nbsp; While Cromwell searched for a wife,
+rumors spread that the king planned new taxes.&nbsp; Also, the last remnants
+of the legitimate Plantagenet line - the Nevilles, Poles, and Courtenays
+- were suspected of encouraging rebellionn and Henry used this convenient
+excuse to order more executions.&nbsp; But popular unrest needed to be
+assuaged in some manner so Cromwell engineered the passing of the Six Articles
+at Parliament in April 1539.&nbsp; These articles attempted to stamp a
+more conservative gloss on the Henrician reformation, thus placating conservative
+European nobles - and the Catholic nations in Europe, now forced to concede
+Henry was not so great a heretic after all.&nbsp; It was a supreme example
+of Cromwell's talent for diffusing domestic tension.&nbsp; In effect, it
+was all talk and no action; it didn't alter the course of the reformation
+one bit.
+<p>&nbsp;&nbsp;&nbsp; Finally, on 6 October 1539, the marriage treaty with
+Cleves was finalized just two months after Holbein delivered his portrait.&nbsp;
+Princess Anne, once betrothed to the duke of Lorraine, was now destined
+to be queen of England.&nbsp; It was the fulfillment of Cromwell's domestic
+and foreign policies.&nbsp; On 11 December, Anne was at Calais waiting
+for a favorable wind to carry her to Dover.&nbsp; She was there for almost
+two weeks while Henry waited at Greenwich.&nbsp; Finally, on 27 December
+she landed at Deal and then traveled to Dover and Canterbury before arriving
+at Rochester on 1 January 1540.&nbsp; Henry, desperate to see his bride
+in person, rushed in disguise to meet her 'to thus nourish love', he told
+Cromwell.&nbsp; Their comical first meeting is described at the <a href="../primary.html">Primary
+Sources</a> section.
+<p>&nbsp;&nbsp;&nbsp; The meeting was an unmitigated disaster and the beginning
+of Cromwell's end.&nbsp; The New Year gifts Henry had brought for Anne
+were delivered the next day by a courier with a brief note of welcome.&nbsp;
+'I am ashamed that men have so praised her as they have done, and I like
+her not', the king said ominously; he told Cromwell that Anne was 'nothing
+so well as she was spoken of' and, if he had known the truth of her appearance,
+she would never have come to England.&nbsp; The next day, his betrothed
+arrived in Greenwich and the marriage, scheduled for that day, was delayed
+for two days while Henry sought escape.&nbsp; But there was none to be
+had - the Holy Roman Emperor was in Paris meeting with the French king
+and Henry, locked out by those two great powers, could not risk offending
+the German princes who approved the union with Anne.&nbsp; They were, after
+all, his only allies at the moment.&nbsp; So Anne was not sent back and
+Henry moaned that he must 'put my neck in the yoke'.&nbsp; He wrote to
+Cromwell, 'My lord, if it were not to satisfy the world and my realm, I
+would not do that I must do this day for none earthly thing'.
+<p>&nbsp;&nbsp;&nbsp; Poor Anne of Cleves - barely able to speak English,
+in a foreign land, and despised by her intended husband!&nbsp; The confused
+woman was led to a private marriage ceremony at Greenwich and, then, to
+her equally humiliating marriage-bed.&nbsp; The union was not consummated,
+a subject upon which Henry never wavered.&nbsp; He spoke openly of how
+disgusted he was by Anne's appearance; 'struck to the heart' by distaste,
+he 'left her as good a maid as he found her'.&nbsp; They lay together for
+the entire length of their marriage but were never physically intimate.&nbsp;
+After a few months had passed, the French-Imperial alliance showed signs
+of cooling and Henry's natural boldness had returned.&nbsp; He wanted out
+of this fourth marriage and told Cromwell to arrange it.
+<p>&nbsp;&nbsp;&nbsp; What were Cromwell's options?&nbsp; There were two
+ways to nullify the marriage (in essence, arrange a divorce) - Henry had
+not consented to the marriage (this was proved by his failure to consummate
+it) and Anne had not consented to the marriage (this was proved by Anne's
+precontract to the duke of Lorraine.)&nbsp; Henry had long been concerned
+with the latter problem - but had been assured that the contract was completely
+repudiated.&nbsp; Still, the day before his marriage to Anne, he called
+the Clevian ambassadors to him and raised the issue.&nbsp; They were astonished,
+and rightly so, and offered to remain as prisoners in England until the
+formal repudiation papers were delivered from Cleves.&nbsp; Meanwhile,
+Thomas Cranmer told the king that Anne could simply swear that the betrothal
+had been repudiated - no official documents were necessary.&nbsp; His friend
+Cromwell 'travailed on him [Henry] to pass the matter over'; he hoped that
+once Henry was married to Anne, the king would resign himself to the marriage.
+<p>&nbsp;&nbsp;&nbsp; But instead Henry turned to the precontract when
+his distaste could not be overcome.&nbsp; On 9 July, Parliament declared
+the marriage null and void and Anne, surprising Henry and the court, was
+content to be called 'sister' and receive a handsome income and household
+in England.&nbsp; She had no desire to return to Cleves, where she would
+remain under her brother's thumb and perhaps married again.&nbsp; It is
+also possible she found Henry as unattractive as he found her.&nbsp; Henry
+was so pleased with this unexpected docility that he gave her status second
+only to his daughters, Princesses Mary and Elizabeth, both of whom came
+to befriend Anne.&nbsp; Anne's letter to Henry, in which she accepts the
+dissolution of their marriage, can be read at '<a href="../letters.html">Letters
+of the Six Wives of Henry VIII</a>'.
+<p>&nbsp;&nbsp;&nbsp; However, the time had come to search for a convenient
+scapegoat - the person responsible for the disastrous union.&nbsp; Henry
+railed against his ambassadors who had so misled him with descriptions
+of her beauty - though, in truth, the ambassador's descriptions had been
+honest.&nbsp; It was soon alleged that Cromwell had kept them from the
+king, for fear of discouraging the union.&nbsp; Now, Cromwell was arrested
+on 10 June 1540, at 3pm on a Saturday, while at a Privy Council meeting.&nbsp;
+This was a full month before the marriage was nullified.&nbsp; Henry and
+Cromwell's enemies were in the midst of finding scapegoats for the marriage,
+while not yet assured of its outcome.&nbsp; Henry, in a fit of temper and
+pique, complained bitterly that his minister had betrayed him while trying
+to further his own influence; the nobility were only too happy to encourage
+such thoughts.&nbsp; They urged Henry to arrest Cromwell and teach the
+upstart his final lesson - namely, that it does not pay to mislead a king.
+<p>&nbsp;&nbsp;&nbsp; So the captain of the guard arrived at the council
+chamber and arrested Cromwell, while a table of his enemies looked on.&nbsp;
+The moment the guard entered the room, Cromwell recognized the danger -
+and threw his hat upon the table in rage.&nbsp; Norfolk and Southampton
+stripped his decorations from his robe of state and Cromwell was then escorted
+to a barge - and, then, the Tower of London.&nbsp; The events which follow
+are far from clear - Cromwell's fall and execution are among the most mysterious
+events of Henry VIII's reign and cannot be easily understood.&nbsp; I have
+yet to read a history which offers an adequate explanation.&nbsp; In truth,
+Henry became increasingly mercurial and tempermental in his later years,
+and Cromwell was just one of many victims of the king's ever-changing whims.
+<p><font size=+1>&nbsp;</font> First, if Cromwell fell from favor because
+of the Cleves marriage, as most believe, why did Henry title him earl of
+Essex in April 1540 - months after the marriage had been finalized and
+while negotiations for divorce were underway?&nbsp; Second, if Cromwell
+was executed because his government policies angered the king, as has been
+alleged, why did Henry give his voluntary approval to all of Cromwell's
+legislation?&nbsp; Third, is his enemies were in the ascendancy, why had
+Henry only recently shown the duke of Norfolk (Cromwell's great enemy)
+open favor?&nbsp; After all, Norfolk had just been sent abroad on diplomatic
+work - away from the king.
+<p>&nbsp;&nbsp;&nbsp; What are we left with?&nbsp; The charges eventually
+listed in Cromwell's attainder <i>did not</i> list the above - Cromwell
+was not accused of misleading Henry on matters of policy, he was not held
+responsible for the disastrous marriage, and he was not charged with leading
+England into an unwanted Lutheran alliance.&nbsp; Instead, he was charged
+with selling export licenses illegally, granting passports and commissions
+without royal knowledge, freeing people suspected of treason and - of course
+- that he, base-born and ignoble, had usuurped and deliberately misused
+royal power.&nbsp; Most significantly, however, he was charged with heresy
+- this charge was the bulk of his attaindder and apparently swayed Henry
+decisively.&nbsp; Norfolk, allied with the Catholic bishops Cromwell had
+forced from power, engineered this charge.&nbsp; Cromwell, they charged,
+had encouraged and spread heretical literature, allowed heretics to preach,
+released them from prison, and allied himself against their enemies.&nbsp;
+Significantly, it was reported that in March 1539 Cromwell said that, even
+if Henry turned from Protestantism, 'yet I would not turn, and if the king
+did turn, and all his people, I would fight in this field in mine own person,
+with my sword in my hand <i>against him</i> and all other'.&nbsp; That
+was treason.
+<p>&nbsp;&nbsp;&nbsp; Shortly after his arrest, incriminating letters to
+Lutherans were found in Cromwell's home, placed there by agents of the
+duke of Norfolk; they were so inflammatory that the king was outraged.&nbsp;
+Cromwell's name, Henry swore, would be abolished forever.&nbsp; Cromwell
+wrote two desperate letters from the Tower; the one that survives is in
+tatters.&nbsp; He assured his monarch that he was a good, loyal servant
+and a faithful Christian.&nbsp; But Henry, surrounded by Cromwell's enemies
+and - more significantly - newly infatuated with Norfolk's niece, Catherine
+Howard, would hear nothing.&nbsp; Furthermore, Norfolk was shrewd enough
+to create a Lutheran conspiracy; three popular reformers, Robert Barnes,
+Thomas Garret, and William Jerome, were executed just days after Cromwell.&nbsp;
+None of the men were allowed an open trial.&nbsp; That would allow the
+public opportunity for them to dispute the false charges.&nbsp; Instead,
+they were condemned by Act of Attainder, a parliamentary tool which dispensed
+with justice in favor of speed.
+<p>&nbsp;&nbsp;&nbsp; The executed men were also neighbors of Cromwell,
+which was their only link to the earl.&nbsp; And they were as innocent
+as Cromwell of the charges against them - as evidenced by the confusion
+of contemporary chroniclers.&nbsp; Edward Hall, one of the great chroniclers
+of Tudor England, could find no real evidence against them although he
+'searched to know the truth'.
+<p>&nbsp;&nbsp;&nbsp; So Cromwell was executed privately on Tower Green
+on 28 July 1540, still protesting his innocence.&nbsp; He died with dignity
+- but the whole sordid affair of his deatth would not rest.&nbsp; For the
+volatile Henry VIII was soon despairing of his loss, just a few months
+after he allowed the execution.&nbsp; He raged at his council, accusing
+them of lying and deliberately destroying his 'most faithful servant'.&nbsp;
+Cromwell's destruction had been engineered on 'light pretexts' and against
+the king's wishes.&nbsp; In truth, Henry was a victim as well - of a determined
+group of nobles and clerics, led by Norfolk, who hated Cromwell and carried
+the king along on their path of destruction.&nbsp; Events were rapid and
+deliberately confused.&nbsp; By the time Henry realized what had happened,
+it was too late.&nbsp; He could only bemoan his loss, while never understanding
+exactly why it happened.
+<p>&nbsp;&nbsp;&nbsp; This was no comfort to Thomas Cromwell, however;
+after a lifetime of dedicated service, he met his end by execution and
+all of Henry's regrets could not bring him back to life.
+<center>
+<hr WIDTH="100%">
+<br><font size=-1><a href="../citizens.html">to
+Tudor Citizens</a></font>
+<br><font size=-1><a href="http://englishhistory.net/tudor.html">to Tudor
+England</a></font>
+<p><b><font size=-1>Want to learn more about Cromwell?</font></b>
+<br><font size=-1>Try these books (used as sources for my article) -</font>
+<br><font size=-1>The Cardinal and the Secretary: Thomas Wolsey and Thomas
+Cromwell</font>
+<br><font size=-1>by Neville Williams.</font>
+<br><font size=-1>Policy and Police: the enforcement of the Reformation
+in the Age of Thomas Cromwell</font>
+<br><font size=-1>by G. R. Elton.</font>
+<br><font size=-1>Reform and Renewal: Thomas Cromwell and the Common Weal</font>
+<br><font size=-1>by G. R. Elton.</font>
+<br><font size=-1>Thomas Cromwell and the English Reformation</font>
+<br><font size=-1>by A. G. Dickens.</font>
+<br><font size=-1>Thomas Cromwell: Tudor Minister</font>
+<br><font size=-1>by B. W. Beckingsale.</font></center>
+
+</body>
+</html>
+<!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082581" alt="setstats" border="0" width="1" height="1"></noscript>
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+<meta name="page_topic" content="Sir Thomas More: Biography, Portraits, Primary Sources">
+<meta name="content" content="Sir Thomas More: Biography, Portraits, Primary Sources">
+<meta name="author" content="Marilee Mongello">
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+<title>Sir Thomas More: Biography, Portraits, Primary Sources</title>
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+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+
+<IMG height=51 alt="Sir Thomas More" 
+
+src="more.gif" width=310></p>
+    <p align="center">
+    <img border="2" src="more.jpg" alt="portrait of Sir Thomas More" width="250" height="315"><p><FONT size=-1>Thomas More's most famous literary 
+
+work, <I>Utopia</I>, was first conceived in 1515 when More was sent on a 
+
+diplomatic mission to Flanders.&nbsp; The story, inspired by and modeled upon 
+
+Plato's <I>Republic</I>, has given its name to a whole genre of 
+
+literature.&nbsp; I do not wish to ignore More's literary and philosophical 
+
+accomplishments at this page, but I simply don't have the time to discuss 
+
+<I>Utopia</I> within the context of the following biography.&nbsp; I urge 
+
+readers to visit the following links to learn about More's work:</FONT><font size="2"> <BR>
+    </font><FONT size=-1> <A 
+
+href="gopher://gopher.cc.columbia.edu:71/11/miscellaneous/cubooks/offbooks/more">Read 
+
+the entire text of <I>Utopia</I> at this link</A></FONT><font size="2"> <BR>
+    </font><FONT 
+
+size=-1> <A 
+
+href="http://www.d-holliday.com/tmore/utopia.htm">Another electronic version of 
+
+the text</A></FONT></p>
+    <p><FONT 
+
+size=-1> <br>This website lists various 
+
+essays on <I>Utopia</I> available in electronic format:</FONT><font size="2">
+    </font> <FONT 
+
+size=-1>&nbsp;<A 
+
+href="http://www.d-holliday.com/tmore/more.htm">More about More</A></FONT><font size="2"> 
+
+<BR></font><a href="http://www.d-holliday.com/tmore/erasmus.htm"><font size="-1">Click 
+    here to read 
+    Erasmus's famous description of More in a letter from 1519</font></a><font size="2">.</font></p>
+    <p><font size="2"><br>
+    </font>
+    <b><font size="2">Other online biographies of Sir Thomas More:</font></b><FONT size=-1><br>William 
+    Roper was More's son-in-law;
+    <a href="http://www.fordham.edu/halsall/mod/16Croper-more.html">click here 
+    to read his famous biography</a> of More.<br>John Farrow's
+    <a href="http://www.cin.org/farmor.html">biography of More</a><br>The 
+    Catholic Encyclopedia's
+    <a href="http://www.newadvent.org/cathen/14689c.htm">biography of More</a></FONT></p>
+    <p><FONT size=-1><br>An <A 
+
+href="../1535exec.html">eyewitness account of 
+
+More's execution</A> can be read at the Primary Sources section.</FONT><font size="2"> 
+
+<BR></font><FONT size=-1>You can also read <A 
+
+href="../primore.html">More's final letter</A>, 
+
+written to his beloved daughter Margaret while he was imprisoned in the 
+
+Tower.</FONT></p>
+
+    <blockquote>
+
+<P align="left">&nbsp;<P align="left"><u><b><font size="-1">Chronology of major events in More's life:<br></font>
+</b></u><font size="2">Born 7 
+
+  February 1478 at Milk Street, London <BR>Entered Parliament in 1504 
+
+  <BR>Appointed undersheriff of London in 1510 <BR>Became a member of the Privy 
+
+  Council in 1518 <BR>Knighted in 1521 <BR>Made Speaker of the House of Commons 
+
+  in 1523 <BR>Made Lord Chancellor of England in 1529 <BR>Imprisoned in the 
+
+  Tower of London on charges of treason in 1534 <BR>Executed 6 July 1535 at 
+
+  Tower Hill, the Tower of London <BR>Canonized as a saint by the Catholic 
+
+  Church in 1935</font><P align="left">&nbsp;</blockquote>
+    </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <hr>
+  <p><font size="4">'[E]ven though we should have no word or deed to charge upon 
+  you, yet we have your silence, and that is a sign of your evil intention and a 
+  sure proof of malice.'&nbsp;&nbsp; </font><i><font size="2">Henry 
+
+    VIII's attorney-general at the trial of Thomas More, 1535</font></i></p>
+  <hr>
+  <blockquote>
+
+
+
+<BLOCKQUOTE>
+  <p>Thomas More is perhaps the most famous victim of Henry VIII's 
+
+  perverse judicial policies.&nbsp; He was England's most famous and respected 
+
+  intellectual, close friends with the great philosopher Erasmus, and beloved by 
+
+  his closely-knit family and wide circle of friends.&nbsp; He was that most 
+
+  rare of intellectuals - one who was humble, patient, and truly kind; he spent 
+
+  his life in ceaseless study, both intellectual and spiritual, and was a 
+
+  dedicated public servant.&nbsp; He was also an astute judge of character, and 
+
+  capable of witty, trenchant observations - he once said of his famous king, 
+
+  'If a lion knew his strength, it were hard for any man to hold him.'&nbsp; 
+
+  And, of course, when his son-in-law mentioned Henry VIII's fondness for More, 
+
+  the philosopher noted even more famously that if the king thought 'my head 
+
+  could win him a castle in France it should not fail to go!' </p>
+
+  <P>
+
+  <IMG height=236 alt="sketch of Thomas More as Lord Chancellor, by Holbein" 
+
+  src="moresketch1.jpg" width=175 align=left border=0>In the end, Henry did not want More's head in exchange for any French 
+
+  castles; he wanted it because More refused to recognize the king's sovereignty 
+
+  over the English church.&nbsp; But Henry had wanted More's approval 
+
+  desperately, and kept his former Lord Chancellor imprisoned for months in 
+
+  increasingly dire conditions, alternating between threats and flattery in 
+
+  desperate attempts to secure More's acknowledgment of the king's new 
+
+  role.&nbsp; Henry knew, none better, that More's approval would carry great 
+
+  weight throughout Europe, and he offered More his life in return for a few 
+
+  simple words.&nbsp; But More refused, and he learned the truth of the medieval 
+
+  adage that 'the king's wrath is death'. 
+
+  <P>More was the sole surviving son of Sir John More, a prominent lawyer and 
+
+  later judge, and Agnes Graunger.&nbsp; He was born on 7 February 1478 (some 
+
+  sources say 1477), and entered Parliament in 1504.&nbsp; One of his first acts 
+
+  in public life was to speak against one of Henry VII's more austere financial 
+
+  policies; as a result, Sir John was imprisoned and only released after a fine 
+
+  was paid and Thomas retired from public life.&nbsp; After the king's death in 
+
+  1509, however, Thomas once again entered public service.&nbsp; His early 
+
+  education had prepared him well for such a life.&nbsp; His father had sent him 
+
+  to St Anthony's School at Threadneedle Street, under the direction of Nicholas 
+
+  Holt; upon reaching adolescence, More was sent to the household of Cardinal 
+
+  Morton, then archbishop of Canterbury and Lord Chancellor of England.&nbsp; As 
+
+  Morton was the most powerful man in England next to the king, and the most 
+
+  prominent ecclesiastic, his household was an invigorating blend of political 
+
+  and religious life.&nbsp; It was undoubtedly here that More first learned how 
+
+  to reconcile a deeply spiritual character with a devotion to secular 
+
+  affairs.&nbsp; Morton was living proof that a religious leader did not have to 
+
+  be monkish or retiring; he was also an inveterate gossip, and his twisted tale 
+
+  of Richard III's brief reign inspired More's awful <I>Life</I> of the last 
+
+  Plantagenet king.&nbsp; That biography is the only blight upon More's literary 
+
+  career. 
+
+  <P>Morton was sufficiently impressed with his young charge to sponsor More at 
+
+  Oxford.&nbsp; The young man entered Canterbury Hall (now part of Christ 
+
+  Church) probably around 1492.&nbsp; His time at Oxford was well-spent; under 
+
+  the tutelage of great scholars such as Thomas Linacre, More studied the 
+
+  classics and classical languages, as well as the other liberal arts.&nbsp; He 
+
+  was a bright and engaging student, enthusiastic about learning but also 
+
+  accustomed to more basic pleasures (he loved to play upon the flute and viol, 
+
+  and began his lifelong passion for collecting pets - apparently his adult home 
+
+  in Chelsea was a veritable zoo.)&nbsp; But like many university students, More 
+
+  found himself constantly short of money, a ploy his father used to keep the 
+
+  young man's mind upon his studies and not other, less academic pursuits. 
+
+  <P>He returned to London after about two years at Oxford, and entered as a law 
+
+  student at the New Inn in late 1494; in early 1496 he was admitted to 
+
+  Lincoln's Inn as well, and then called to the outer bar and made a 
+
+  bencher.&nbsp; He was once again a successful student, now following in his 
+
+  father's footsteps.&nbsp; He was made a 'reader' (or tutor) at Furnival's Inn, 
+
+  and was successful enough to retain the appointment for three years.&nbsp; But 
+
+  the law was not his true passion, and perhaps More already recognized this 
+
+  fact; he wrote poetry in his spare time, and entered into correspondence with 
+
+  the great English intellectuals of his age.&nbsp; Most of these men were 
+
+  introduced to him through his former professor at Oxford, Thomas 
+
+  Linacre.&nbsp; More's own reputation as a man of learning and wit was already 
+
+  begun, but he was beginning to suffer great spiritual conflict.&nbsp; The law 
+
+  was not wholly satisfying to his character, but religious study might be, or 
+
+  so he thought.&nbsp; Perhaps his introduction to the famous Dutch humanist 
+
+  Desiderius Erasmus in 1497 spurred his intense personal examination; the men 
+
+  became fast friends, and corresponded until More's execution.&nbsp; Whatever 
+
+  the cause, it is certain that around the turn of the century, More turned his 
+
+  attention to religious matters; he delivered well-attended lectures on St 
+
+  Augustine's <I>The City of God</I>, and was seriously considering becoming a 
+
+  priest.&nbsp; He underwent a dramatic personal struggle, debating whether he 
+
+  had a true vocation, or calling, to be a priest; he left his comfortable home 
+
+  in Chelsea and moved near the London Charterhouse. 
+
+  <P>At the Charterhouse, More began to examine the possibility of a wholly 
+
+  religious life.&nbsp; He joined the monks in daily prayer, and wore a hair 
+
+  shirt; he wavered between joining the Franciscans or Carthusians, and both 
+
+  orders were particularly dedicated to lives of strictness and denial.&nbsp; 
+
+  Perhaps their extreme fervor dismayed More, for he possessed an ironic wit 
+
+  which would not rest easy with their single-minded worship.&nbsp; Or perhaps 
+
+  he remembered his comfortable home and lifestyle in London.&nbsp; Whatever the 
+
+  case, he decided to abandon his brief dream of becoming a priest. 
+
+  <P>(It is worth noting that Erasmus later referred to his friend's decision in 
+  a letter, writing that More 'chose, therefore, to be a chaste husband rather 
+
+  than an impure priest.'&nbsp; The implication is obvious, but sexual desires 
+
+  are normal enough in young men, and - even if Erasmus is correct - it does not 
+
+  speak ill of More's character.) 
+
+  <P>After finally deciding that the priesthood was not his true vocation, More 
+
+  returned to his law practice with a vengeance.&nbsp; He was soon enough 
+
+  elected to Parliament, and found himself firmly on the side of his friends, 
+
+  mostly London merchants, as they battled Henry VII's unjust 'grants'.&nbsp; As 
+
+  mentioned at the beginning of this biography, his speeches in defense of the 
+
+  merchants irked the king; as a result of More's persuasive oratory, Parliament 
+
+  lessened the amount from Henry's request of over £100,000 to about 
+
+  £30,000.&nbsp; Immediately, the temperamental king imprisoned More's father 
+
+  upon some pretext, and demanded that the hefty sum of £100 as a fine.&nbsp; 
+
+  More paid the fine, and thought it wise to disappear a bit from public 
+
+  life.&nbsp; He had other, more personal matters to occupy him anyway; in 1505, 
+
+  he married Jane, the eldest daughter of Master John Colte.&nbsp; It was a 
+
+  happy marriage, and Jane bore four children before her untimely death in 1511 
+
+  (daughters Margaret, Elizabeth, and Cecilia, and son John.)&nbsp; His 
+
+  son-in-law William Roper's biography implies that More married Jane out of 
+
+  pity; he preferred her younger sister, but thought it would bring shame upon 
+
+  the eldest daughter for her younger sister to be married before her.&nbsp; 
+
+  This anecdote was perhaps Roper's attempt to further enshrine More's generous 
+
+  character.&nbsp; In truth, More loved his wife deeply, and two decades after 
+
+  her death he called her 'uxorcula Mori'. 
+
+  <P>In any case, More was not a widower for long.&nbsp; He was left with four 
+
+  young children to care for, and soon decided to marry again.&nbsp; This time 
+
+  he chose a widow, Alice Middleton, seven years his senior.&nbsp; She had a 
+
+  good dowry and became exceptionally devoted to More and his children.&nbsp; The 
+
+  marriage was quite happy, and Alice maintained the household in London as a 
+
+  refuge for her busy, scholarly husband.&nbsp; More became a renowned 'family 
+
+  man', loathe to leave his home and kin, and truly dedicated to their 
+
+  happiness.<P align="center">
+  <img border="0" src="morefamilysmall.jpg" alt="Holbein's famous portrait of Sir Thomas More and his family" width="550" height="370"><P align="center">
+  <i><font size="2">Rowland Lockey's 1593 copy of Holbein's famous portrait of 
+  Sir Thomas More and his family</font></i><P>But More's love of family and learning were soon to become secondary to the 
+
+  desires of his king.&nbsp; Henry VIII was crowned in 1509, and More's 
+
+  reputation for learning and wit was already well-known.&nbsp; In 1510, he was 
+
+  made Under-Sheriff of London, and four years later the Lord Chancellor, 
+
+  <a href="wolsey.html">Cardinal Thomas Wolsey</a>, appointed More as ambassador to Flanders.&nbsp; The 
+
+  mission was close to More's heart for it involved the rights of London 
+
+  merchants.&nbsp; But he was unhappy in Flanders; the salary was insufficient 
+
+  for his needs, and he missed his family.&nbsp; But it was in Flanders that he 
+
+  first began his most famous literary work, <I>Utopia</I>; it was published 
+
+  shortly after his return to England and helped secure his fame throughout 
+
+  Europe. 
+
+  <P>Wolsey and Henry VIII were impressed enough by More's services that they 
+  offered him a position at Court.&nbsp; In 1516, after returning from Flanders, 
+  he was officially granted a pension of £100 for life, a significant sum at the 
+  time.&nbsp; In 1517, the government 
+
+  duties began in earnest - missions to the all-important Calais, and 
+
+  appointment to the Privy Council.&nbsp; Other honors soon followed; he 
+
+  attended Henry personally at the Field of the Cloth of Gold, was knighted and 
+
+  made treasurer to the king in 1521, and secured lands in Kent and 
+
+  Oxford.&nbsp; In 1523 Wolsey secured More's appointment as Speaker of the 
+
+  House of Commons, and a few years later More was appointed High Steward of 
+
+  Cambridge University and Chancellor of the duchy of Lancaster, all honorable 
+
+  and important offices. 
+
+  <P>It is obvious that both Henry VIII and Wolsey greatly favored More, though 
+
+  how More himself thought of his government service is unclear.&nbsp; He 
+
+  performed his offices with aplomb, but undoubtedly wished for 
+
+  more time with his family - and even more time with his studies.&nbsp; Life at 
+
+  court held little attraction for him; he was not ambitious (which intrigued 
+
+  the king and Wolsey) and he thought little of the gossip and mad scramble for 
+
+  power which characterized the Tudor court.&nbsp; But he did admire Henry and 
+
+  the king's intelligent and pious wife, Katharine of Aragon.&nbsp; For her 
+
+  part, Henry's queen once commented that, of all her husband's ministers, only 
+
+  Thomas More had deserved the title 'Lord Chancellor', a remarkable comment 
+
+  considering More was the first layman to hold the office. 
+
+  <P>More first purchased the land for his famous home in Chelsea in 1523; soon 
+
+  enough his mansion upon the Thames was built, complete with a large garden 
+
+  bordering the river.&nbsp; It was here that he retreated as often as possible 
+
+  from court; here, too, that he entertained his many friends, including 
+
+  Erasmus.&nbsp; Often the king would arrive unannounced for dinner and stroll 
+
+  about the garden with More.&nbsp; Despite his later decision to imprison and 
+
+  execute More, it is clear that the king was truly fond of his councilor.&nbsp; 
+
+  Henry enjoyed intellectual debate and More was arguably the most learned man 
+
+  in England; he was also witty and kind-hearted.&nbsp; And for a long while, he 
+
+  basked in the king's service. 
+
+  <P>The conflict within More between government service and personal time was 
+
+  never fully resolved, though for many successful years he remained a respected 
+
+  and influential friend to the king and an independent philosopher.&nbsp; It 
+
+  was simply that he and Henry, for a long while, shared similar philosophical 
+
+  and religious views.&nbsp; Henry had, after all, jumped to the defense of the 
+
+  Catholic faith with a religious treatise of his own, and thus won the title 
+
+  'Defender of the Faith' from the pope.&nbsp; More had little reason to suspect 
+
+  that Henry, originally raised as the second son destined for the church, would 
+
+  one day force papal power from England.&nbsp; But in the mid-1520s, More was 
+
+  aware - like everyone in England - that the king's long marriage to 
+  <a href="../monarchs/aragon.html">Katharine 
+
+  of Aragon</a> was unlikely to produce a male heir.&nbsp; Of the four sons 
+
+  Katharine had borne, all had died - and only the Princess Mary, born in 1516, 
+
+  survived as a viable heir for the Tudor throne.&nbsp; It was clear to everyone 
+
+  - especially the king - that something had to be done, though Henry never 
+
+  envisioned anything as drastic as what has come to be known as the '<a href="../faq.html">Henrician 
+
+  Reformation</a>'.&nbsp; It was only after years of frustration, delays, 
+
+  double-talk, and interference from Charles V that Henry finally denounced the 
+
+  pope's authority on religious matters. 
+
+  <P>Both the king and More had responded to the growing threat of Lutheranism 
+
+  with religious works (as mentioned above, Henry's work won special praise from the 
+
+  pope.)&nbsp; Today More's work strike us as bigoted and narrow-minded, but 
+
+  it should be read within the context of his time and beliefs, and it is often less inflammatory than other Catholic polemics.&nbsp; Also, the 
+
+  Lutherans were hardly decorous in their prose.&nbsp; More was eventually 
+
+  persuaded to write in English so he could reach a wider audience; he had also 
+
+  watched as the Lutheran 'heretics' wrote in the vernacular and attracted 
+
+  numerous followers. 
+
+  <P>But More's response to this new heresy was reinforced by the fall of 
+
+  Cardinal Wolsey, once his great patron.&nbsp; Henry's decision to annul his 
+
+  marriage to Katharine of Aragon was simple enough, and quite common among 
+
+  monarchs and other high nobles in Europe.&nbsp; It was a necessary way to end 
+
+  unsuccessful (i.e., childless) unions.&nbsp; Henry had every reason to expect 
+
+  that the pope would grant his petition for an annulment; he even had a 
+
+  stronger claim that most men.&nbsp; Henry could quote liberally from 
+
+  Leviticus, particularly the injunction against marrying a brother's 
+
+  wife.&nbsp; On grounds of strict theology, he certainly had a case for 
+
+  annulment.&nbsp; But he had two problems - a stubborn wife who refused to see 
+
+  reason, and her very powerful nephew, the Holy Roman Emperor Charles V, who 
+
+  virtually controlled the pope.&nbsp; As a result, the simple matter of an 
+
+  annulment became a major European political issue. 
+
+  <P>
+  <img border="0" src="../monarchs/anne2.jpg" alt="portrait of Anne Boleyn, whose marriage to King Henry VIII brought about More's downfall" align="left" width="139" height="194">Matters were complicated by Henry's growing - and 
+  scandalously open - passion for 
+  <a href="../monarchs/boleyn.html">Anne 
+
+  Boleyn</a>, the daughter of Thomas Boleyn and niece of the duke of Norfolk.&nbsp; More knew 
+
+  the Boleyns well enough for Thomas was an ambassador and well-liked; like 
+
+  More, he was from humble beginnings but used his skill and intelligence to 
+
+  rise quickly in Henry's service.&nbsp; His eldest daughter Mary had been 
+  Henry's mistress, and possibly borne his son.&nbsp; Anne, however, was more 
+  ambitious than her sister.&nbsp; She recognized 
+
+  the king's predicament; he needed heirs, and she was young and healthy.&nbsp; 
+
+  And Henry loved her passionately, at least for a time.&nbsp; But it is far too 
+
+  simplistic to argue, as many biographers have, that Henry defied the Catholic 
+
+  Church because of Anne Boleyn.&nbsp; The king was dissatisfied with his 
+
+  marriage before they met and there had been talk of an annulment as 
+
+  well.&nbsp; His love for Anne simply gave new impetus to an existing desire to 
+
+  break with Katharine. 
+
+  <P>
+
+  Wolsey's hatred of the Boleyns was spurred by jealousy.&nbsp; He had been the king's closest advisor and confidante 
+
+  until his failure to secure an annulment earned royal displeasure.&nbsp;  Anne and her supporters were quick to put distance between Henry 
+
+  and the elderly cardinal.&nbsp; Wolsey's time had passed, and he died while on 
+
+  the way to the Tower for trial.&nbsp; And so, in October of 1529, Thomas More 
+
+  became the first layperson appointed Lord Chancellor of England.&nbsp; He was 
+
+  now Keeper of the Great Seal, and second only to the king in power.&nbsp; It 
+
+  was a heady appointment, but More probably greeted the appointment with his 
+
+  usual ironic stance - particularly since he had just witnessed Wolsey's fall 
+
+  from grace. 
+
+  <P>More did not like the Boleyns.&nbsp; They represented a new generation at 
+
+  court - greedy, flamboyant, and openly ambitious.&nbsp; They were quick to 
+
+  make enemies, and difficult to please.&nbsp; More, who had no love of gossip 
+
+  and admired Katharine of Aragon's deep piety (the old queen spent several 
+
+  hours a day on her knees in prayer), was aware that Henry was drifting from 
+
+  him intellectually and spiritually.&nbsp; Anne Boleyn had come to represent 
+
+  the Lutheran cause in More's mind as well, though not because she was a 
+
+  Lutheran.&nbsp; It was simply that her marriage to Henry would mean defiance 
+
+  of papal law, and would place England in spiritual jeopardy.&nbsp; And so, to 
+
+  More and most Englishmen, Katharine represented the piety and virtues of the 
+
+  old faith, and Anne represented the startling spiritual changes sweeping 
+
+  throughout Europe. 
+
+  <P>More used his position as Lord Chancellor to wipe out as much of the new 
+
+  heresy as possible; he had always been a great lawyer and judge, and he used 
+
+  these talents formidably.&nbsp; He never equaled Wolsey's power or prestige, 
+
+  simply because Henry had temporarily lost his taste for all-powerful political 
+
+  advisors.&nbsp; But More was completely successful in ridding the English 
+
+  court of cases - he actually exhausted the case log!&nbsp; And, of course, he 
+
+  didn't simply judge cases; he also enforced the existing heresy laws with 
+
+  great zeal.&nbsp; One cannot condemn More for following the tenets of his own 
+
+  religious convictions, and it is worth noting that he specifically 
+
+  distinguished between the vice of heresy and the actual heretic.&nbsp; He 
+
+  hesitated to bring the full force of the law against heretics; he was 
+
+  scrupulous about offering them every possible opportunity to recant.&nbsp; In 
+
+  this he was successful, and only four people were actually executed for heresy 
+
+  during his tenure as Lord Chancellor. 
+
+  <P>More's religious views were shortly to conflict with his king's 
+
+  desires.&nbsp; Henry was frustrated with the pope's endless delays in deciding 
+
+  his case, and he was determined to establish some control over the church in 
+
+  England.&nbsp; He did not tell More of his plans, preferring to confide in 
+
+  more liberal members of his council and parliament.&nbsp; And so, just a few 
+
+  months after More's elevation to the position of lord chancellor, a new 
+
+  parliament began to pass the sweeping laws which would end the supremacy of 
+
+  the Roman Catholic Church in England.&nbsp; First there was a royal 
+
+  proclamation that all members of the clergy must acknowledge the king as 
+
+  'Supreme Head' of English affairs 'as far as the law of God will 
+
+  permit'.&nbsp; More realized the threat to his own spiritual beliefs and 
+
+  immediately proffered his resignation.&nbsp; Henry refused angrily, and 
+
+  promised More that he would never have to agree to anything proclamation that 
+
+  went against his conscience.&nbsp; Was this promise a deliberate lie on the 
+
+  king's part?&nbsp; Probably not, for Henry truly believed in the religious 
+
+  righteousness of his own cause and undoubtedly expected all to do the same. 
+
+  <P>But More could not hold out for long, and nor could Henry - whose designs 
+
+  were becoming more sweeping and offensive to the old faith - ignore his chief 
+
+  minister's open opposition.&nbsp; It was an embarrassment, and in May 1532 he 
+
+  finally accepted More's resignation.&nbsp; By this time, More had lost his 
+
+  close friendship with the king; there were no more impromptu dinner visits, or 
+
+  intense conversations about philosophical matters.&nbsp; It was clear to 
+
+  everyone that a line would soon be clearly drawn, and everyone would be either 
+
+  for or against the king - always remembering, of course, the old adage that 
+
+  'the king's wrath is death'. 
+
+  <P>More still had powerful friends and allies, and Henry was always far more 
+
+  eager to have More's cooperation than his disobedience.&nbsp; More was still, 
+
+  after all, the most famous English philosopher, widely read and respected on 
+
+  the continent.&nbsp; And in England he even had the friendship of Thomas 
+
+  Cranmer, the very Protestant archbishop of Canterbury and, along with Thomas 
+
+  Cromwell, the chief advisor to the king.&nbsp; But English Catholics, feeling 
+
+  their faith under siege, were also looking to More as their most prominent 
+
+  champion.&nbsp; And so he was faced with the simple fact that despite his own 
+
+  longing for retirement and personal peace, he was too much a public figure to 
+
+  fade into the background.&nbsp; His opinion mattered too much, and was sought 
+
+  by too many. 
+
+  <P>After resigning from the lord chancellorship, More had immediately lost a 
+
+  great deal of his income but he scaled back his lifestyle and happily returned 
+
+  to Chelsea.&nbsp; His greatest wish was to simply stay at home with his 
+
+  beloved family and write; he wanted no part in the politics of Henry's 
+
+  court.&nbsp; But he couldn't escape so easily.&nbsp; Still, it is worth 
+
+  remembering that More did not hurry toward his fate; he did not accept death 
+
+  as inevitable and put himself directly in opposition to the king.&nbsp; He 
+
+  wanted to live, and in the following years he did much to avoid his eventual 
+
+  fate - everything except betray his conscience. 
+
+  <P>For about eighteen months he was able to escape the king's wrath.&nbsp; He 
+
+  stayed away from Anne Boleyn's coronation, deliberately avoiding a public 
+
+  confrontation with the king.&nbsp; And when his nephew, William Rastell, wrote 
+
+  a pro-Catholic treatise, More immediately wrote to Cromwell and Henry denying 
+
+  any involvement.&nbsp; More specifically stressed that he knew his duty as a 
+
+  citizen, and supported his prince completely - too completely to criticize any 
+
+  of his decisions.&nbsp; But such dissembling - and from such a famous man - 
+
+  would not please Henry for long.&nbsp; Soon enough More's name was included in 
+
+  the Bill of Attainder against the Catholic mystic Elizabeth Barton, the Holy 
+
+  Maid of Kent.&nbsp; More had once visited the woman, but was too skeptical to 
+
+  believe in her increasingly dramatic 'visions'.&nbsp; He was brought before 
+
+  the Council and asked about his religious views; he explained that he had 
+
+  discussed his feelings to the king on various occasions, and never incurred 
+
+  Henry's wrath.&nbsp; More was popular enough, and quite innocent, and so Henry 
+
+  grudgingly removed his name from the bill.&nbsp; But he had intended the 
+
+  measure as a warning to More, and it was well-taken.&nbsp; The duke of 
+
+  Norfolk, Anne Boleyn's uncle, warned More that 'the king's wrath is death' and 
+
+  More replied wittily, 'Is that all, my lord?&nbsp; Then, in good faith, 
+
+  between your grace and me is but this - that I shall die today, and you 
+
+  tomorrow'.</BLOCKQUOTE>
+
+  </blockquote>
+  <hr> 
+
+    <P><font size="4">'Thou wilt give me this day a greater benefit than ever any mortal man 
+
+    can be able to give me.&nbsp; Pluck up thy spirits, man, and be not afraid 
+
+    to do thine office.&nbsp; My neck is very short: take heed, therefore, thou 
+
+    strike not awry for saving of thine honesty.'</font>&nbsp; <i> <FONT size=-1>&nbsp;Thomas 
+
+    More's last words to his executioner, 6 July 
+
+1535</FONT></i></P><hr>
+  <blockquote>
+
+
+
+<BLOCKQUOTE>
+
+  <P>Today came quickly for More; in March of 1534, just months after the birth 
+
+  of Henry and Anne's 
+  <a href="../monarchs/eliz.html">daughter</a>, the Act of Succession was passed which ordered 
+
+  everyone the government called upon to swear an oath acknowledging the 
+
+  legitimacy of Anne and Henry's heirs, and - most significantly - including a 
+
+  clause which repudiated the power of any 'foreign authority' in English 
+
+  affairs.&nbsp; On the 14th of April More was summoned from Chelsea to take the 
+
+  oath at Lambeth; he refused.&nbsp; He was turned over to the custody of the 
+
+  abbot of Westminster, and four days later taken to the Tower of London where he was 
+
+  lodged in the Bell Tower.&nbsp; Months passed, and the king both threatened 
+
+  and cajoled his former friend, sending various emissaries while also keeping 
+
+  More in increasingly dire conditions.&nbsp; More did not break.&nbsp; 
+
+  Imprisoned with John Fisher, the bishop of Rochester, More took strength from 
+
+  that great man's equal courage. 
+
+  <P>When not entertaining a rare visitor with his wit and charm, More engaged 
+
+  in prayer and writing.&nbsp; In the spring of 1535 Cromwell visited the Tower 
+
+  personally to ask More's opinion of recently-passed statutes which gave Henry 
+
+  the title 'Supreme Head of the Church of England'.&nbsp; More judiciously 
+
+  replied that he was a faithful servant of the king; in June, the 
+
+  solicitor-general interviewed him and reported to Henry and Cromwell that More 
+
+  had denied parliament's power to confer supreme ecclesiastical authority upon 
+
+  the king.&nbsp; Henry now turned both petty and cruel - he used the pretext of 
+
+  More and Fisher's occasional letters to one another to confiscate all of 
+
+  More's writing materials.&nbsp; He was now reduced to writing upon scraps with 
+
+  a stick of charcoal. 
+
+  <P>The king was further angered when the pope made Fisher a cardinal, 
+
+  essentially a prince of the church, even while the bishop was imprisoned for 
+
+  treason.&nbsp; The king caustically remarked that he would soon send Fisher's 
+
+  head to Rome so it could wear the red cardinal's hat.&nbsp; By now, Henry had 
+
+  pushed aside all thought of popular reaction; he was flush with his own power, 
+
+  and determined to have his way.&nbsp; More refused to submit to royal 
+
+  authority, and he would pay the ultimate price.&nbsp; And so, on the 1st of 
+
+  July 1535, he was indicted for high treason at Westminster Hall.&nbsp; More 
+
+  denied the chief charges and defended himself ably, but it was of no 
+
+  matter.&nbsp; The jury found him guilty and he was sentenced to hang at 
+
+  Tyburn.&nbsp; A few days later news arrived that the king would be merciful - 
+
+  More would instead be beheaded at Tower Hill.&nbsp; On the 6th of July, a bit 
+
+  before nine o'clock in the morning, More was executed; he met his end with 
+
+  great dignity, grace, and courage.&nbsp; His body was buried at the Tower 
+
+  church of St Peter ad Vincula, but his head was parboiled and stuck on a pike 
+
+  in Tower Bridge.&nbsp; His beloved daughter Margaret bribed a worker to give 
+
+  it to her and it was interred in the Roper family vault in Canterbury, 
+
+  Margaret having married William Roper some years before. 
+
+  <P>King Henry VIII was increasingly tyrannical and hated as his reign 
+  progressed.&nbsp; Anne Boleyn was beheaded less than a year after More on 
+  false charges of witchcraft, adultery and incest; the king would eventually 
+  marry four more times.&nbsp; His fifth wife, Catherine Howard, was also 
+  executed.</P> 
+
+  <P>On 29 December 1886, Pope Leo XIII formally beatified Thomas More, and his 
+
+  reputation for learning and saintliness has only grown.</P></BLOCKQUOTE>
+
+<HR width="100%">
+
+    <p>
+
+<font size="-1"><b>Note:</b> Modern studies of More often discuss his religious 
+conservatism and intolerance of more progressive views.&nbsp; He openly 
+denounced and persecuted members of the Protestant faith, and much of his 
+writing was both vitriolic and inflammatory on this point.&nbsp; But to condemn 
+More for his religious intolerance is unfair.&nbsp; He (and Bishop Fisher, et 
+al) represented the last gasp of Catholicism in England.&nbsp; After his death, 
+the faith never regained its intellectual breadth and stature.</font> <BR><FONT 
+
+size=-1>In our own increasingly secular age, it is easy to be cynical and 
+
+dismissive of deeply held religious beliefs.&nbsp; But to judge More by modern 
+
+standards is obviously wrong; the following books do an admirable job of placing 
+
+More in the context of his time, and I recommend them to students for further 
+
+study:</FONT></p>
+
+<CENTER>
+<p><i><FONT size=-1>The Life of Thomas More</FONT><BR></i><FONT size=-1>by Peter 
+
+Ackroyd.</FONT> <BR><i><FONT size=-1>The King's Good Servant but God's First: The 
+
+Life and Writings of Saint Thomas More</FONT><BR></i><FONT size=-1>by James 
+
+Monti.</FONT> <BR><i><FONT size=-1>Thomas More: A Biography</FONT><BR></i><FONT 
+
+size=-1>by Richard Marius.</FONT> <BR><i><FONT size=-1>Thomas More: A Portrait of 
+
+Courage</FONT><BR></i><FONT size=-1>by Gerard B. Wegemer.</FONT></p>
+    </CENTER>
+
+<p align="center"><FONT 
+
+size=-1><A href="../citizens.html">to Tudor 
+
+Citizens</A><A 
+
+href="http://englishhistory.net/tudor.html"><br>to Tudor England</A></FONT><p align="center">
+<font size="-1"><a href="http://www.marileecody.com/images.html">Visit <i>Tudor 
+England: Images</i> to view portraits of the Tudor monarchs and their courtiers</a>.</font></blockquote>
+</blockquote>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082582" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/citizens/wolsey.html
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+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
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+   <meta name="Author" content="Marilee Mongello">
+   <meta name="GENERATOR" content="Mozilla/4.61 [en] (Win98; I) [Netscape]">
+   <title>Tudor Citizens - Thomas Wolsey</title>
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+
+<center><img SRC="wolsey.gif" ALT="Thomas Wolsey" height=67 width=286>
+<br>born c. 1465 in Ipswich
+<br>died 29 November 1530 in Leicester</center>
+
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+He was a man
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Of an unbounded stomach, ever ranking
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Himself with princes...
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+His promises were, as he then was, mighty;
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+But his performance, as he is now, nothing...
+<br><font size=-1>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Shakespeare and Fletcher, <i>All Is True; the History of King Henry VIII</i>.</font>
+<br><font size=-1>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Katharine of Aragon is speaking of Cardinal Wolsey.</font>
+<blockquote>&nbsp;</blockquote>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+O Cromwell, Cromwell!
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Had I but served my God with half the zeal
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+I served my king, he would not in mine age
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Have left me naked to mine enemies.
+<br><font size=-1>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+<i>All Is True</i>. Wolsey's speech in act IV.</font>
+<br>&nbsp;
+<br>&nbsp;
+<p><img SRC="wolsey-small.jpg" ALT="Cardinal Wolsey" BORDER=0 height=296 width=190 align=LEFT>&nbsp;&nbsp;&nbsp;
+The life of Cardinal Wolsey is one of the great cautionary tales of Henry
+VIII's reign; like his prot&eacute;g&eacute;, Thomas Cromwell, Wolsey rose
+and fell by the whim of a conflicted and contradictory king.&nbsp; He was
+born in obscurity, the son of a butcher in Ipswich, a town in Suffolk.&nbsp;
+But he was intelligent and ambitious enough to attend the University of
+Oxford and in 1498 he was ordained a priest.&nbsp; Five years later, he
+became the chaplain to the deputy lieutenant of Calais, a nobleman named
+Sir Richard Nanfan.&nbsp; Nanfan recommended Wolsey's services to his king,
+Henry VII, but Wolsey did not leave Calais until Nanfan's death in 1507.&nbsp;
+Then he journeyed to London to begin his service to the king; Henry VII
+was as impressed with Wolsey as Nanfan had been and, shortly before his
+death in April 1509, appointed him dean of Lincoln.&nbsp; Upon Henry's
+death Wolsey, about thirty years of age and blessed with energy and confidence,
+found himself with a new master - an eighteen-year-old king determined
+to achieve as much glory and renown as possible.
+<p>&nbsp;&nbsp;&nbsp; Wolsey and Henry became close friends, or as close
+as one could be to a king.&nbsp; Both men were determined to leave their
+mark upon history but while Henry preferred costly wars and grandiloquent
+diplomacy, Wolsey was committed to financial and judicial reform in England
+and English-arbitrated European peace.&nbsp; Wolsey was always a churchman
+though this should not imply ignorance of the material world.&nbsp; He
+was determined to gain his own fortune, thus cementing his rise from obscurity,
+but he also possessed a great legal mind and a shrewd understanding of
+international affairs.&nbsp; He combined these attributes with his earlier
+spiritual training to dominate both the secular and spiritual aspects of
+English life.
+<p>&nbsp;&nbsp;&nbsp; Henry VIII was quick to recognize Wolsey's intelligence
+and appointed him royal almoner in November 1509 but, as the years passed,
+delegated more and more authority to Wolsey.&nbsp; The early years of Henry's
+reign were spent with the young monarch, regaled as the handsomest prince
+in Europe, jousting, hunting, and debating visiting scholars.&nbsp; And
+while Henry was interested in more practical affairs, he grew to depend
+on Wolsey's assistance.&nbsp; Wolsey's position, however, was completely
+changed by the French expedition of 1513.&nbsp; Henry VIII had long wanted
+to prove English strength in battle against this old
+<br>enemy.&nbsp; His wish is understandable; he was young and, like many
+young people, had chafed at his father's authority.&nbsp; When Henry VII
+died, his son saw this as an opportunity to reveal a new England to Europe.&nbsp;
+Under this new Henry, England would no longer be solvent but boring, dependable
+but not lively.&nbsp; Instead, it would be a court of artists, musicians,
+dancers, and scholars, all presided over by the new king.
+<p>&nbsp;&nbsp;&nbsp; Henry's plan to gain this European respect was simple:
+a successful military strike against France.&nbsp; After one failure, he
+went in person to achieve glory in August 1513 at the Battle of the Spurs.&nbsp;
+Only a month later, the English defeated the Scots at Flodden Field where
+Henry's brother-in-law James IV was killed.&nbsp; Of course, the English
+couldn't sustain a permanent presence in France so they decided on to make
+peace.&nbsp; Henry's youngest sister Mary was the sacrificial lamb.&nbsp;
+At eighteen, she was married to the sixty-year-old Louis XII of France.&nbsp;
+The bridegroom survived just three months of marriage and Mary angered
+her brother by secretly following her heart and marrying Henry's best friend
+Charles Brandon just weeks after Louis XII's death.&nbsp; Mary and Brandon
+were the grandparents of <a href="../relative/janegrey.html">Lady
+Jane Grey</a>.
+<p>&nbsp;&nbsp;&nbsp; Henry was exultant at his French victory; this success
+was Europe's true introduction to his reign.&nbsp; England would be taken
+seriously as a European power broker, courted by the French and Spanish
+and mediating between these nations and the vulnerable papacy.&nbsp; Henry
+was generous in rewarding Wolsey for his service.&nbsp; Upon Henry's recommendation,
+Pope Leo X made Wolsey bishop of Lincoln in February 1514 and, just nine
+months later, archbishop of York.&nbsp; But the honors did not end there.&nbsp;
+The next year he was made Cardinal and, in December 1515, lord chancellor
+of England.
+<p>&nbsp;&nbsp;&nbsp; Perhaps even more importantly for Wolsey, he was
+taken into Henry's complete confidence.&nbsp; He was friend, confidante,
+and advisor to a king increasingly conflicted in his personal life.&nbsp;
+Eventually, Henry would want a divorce from Katharine of Aragon to marry
+Anne Boleyn and secure his throne.&nbsp; Whether motivated solely by personal
+dissatisfaction or spiritual unrest or both, Henry was determined to end
+his marriage.&nbsp; And, once determined on his course, he was committed
+to it.&nbsp; Naturally enough, he turned to his most capable and trusted
+servant, Wolsey, for help.
+<p>&nbsp;&nbsp;&nbsp; Before the divorce issue, Wolsey had quickly established
+himself as second only to Henry in power.&nbsp; This naturally angered
+the old nobility who made up the privy council and dominated Parliament.&nbsp;
+They were indignant that Wolsey, son of a butcher, controlled access to
+the king.&nbsp; They were also angry that Wolsey refused to treat them
+as they deserved - simply put, they were nobility and he, despite the honors
+the king heaped upon him, was a commoner.&nbsp; In the natural order, he
+was their inferior.&nbsp; His refusal to act inferior was galling to them,
+particularly the powerful dukes.
+<p>&nbsp;&nbsp; Certainly Henry was even more proud that his nobles.&nbsp;
+That begs the question - was he ever insulted by Wolsey's supposedly overbearing
+arrogance?&nbsp; No; in fact, Henry displayed his typical cunning by selecting
+his advisor based on both ability and indebtedness.&nbsp; Wolsey was his
+creation - his to reward or, as he did eventually, destroy.
+<p>&nbsp;&nbsp;&nbsp; Wolsey was also careful to never offend or anger
+Henry.&nbsp; It was a careful dance and a tribute to his own intelligence
+that he succeeded in managing this most unmanageable king.&nbsp; (The complexity
+of Henry's character, both as man and monarch, cannot be adequately addressed
+here.&nbsp; I highly recommend L. B. Smith's <i>Henry VIII: The Mask of
+Royalty</i>, a wonderful study of the nature of kingship, life in 16th
+century England, and Henry's moral universe.)&nbsp; Wolsey appealed to
+Henry's vanity by crediting all success to the king and all failures to
+his own inadequacies.&nbsp; For a long while, there were no failures.&nbsp;
+In 1518, the pope made him a special papal representative a latere.&nbsp;
+With his incredible secular and ecclesiastical authority, Wolsey was able
+to achieve wealth and influence second only to the king.&nbsp; At Hampton
+Court Palace, over four hundred servants waited to attend him in their
+richly embroidered livery.&nbsp; People scurried to win his favor for they
+knew that the only way to Henry was through Wolsey.&nbsp; But his ties
+to Rome, including his religious training, would prove the Cardinal's undoing.&nbsp;
+He could not serve two masters.
+<p>&nbsp;&nbsp;&nbsp; Before his loyalties were divided between Rome and
+Henry, Wolsey was able to serve Henry's European interests.&nbsp; As stated
+before, they wanted England to be the balancing power in Europe.&nbsp;
+At the time, Europe was dominated by the two rival powers of France and
+the Holy Roman Empire of the Hapsburgs.&nbsp; The situation became even
+more complicated when Katharine of Aragon's nephew Charles became Holy
+Roman Emperor in 1519.&nbsp; Originally, Wolsey and Henry favored an alliance
+with the Imperial power.&nbsp; This was based on economics (English trade
+with the Lowlands), history (England was
+<br>rarely at peace with France), and also family (after all, Charles was
+Katharine's nephew.)&nbsp; Furthermore, Charles recognized Wolsey's ambition
+and intimated he could influence the papal elections in the Cardinal's
+favor.&nbsp; But first Wolsey tried his hand at peace by arranging meetings
+between Henry and the two rival monarchs in 1520.
+<p>&nbsp;&nbsp;&nbsp; The meetings were unsuccessful, however, and war
+broke out in 1521.&nbsp; In 1523 Henry and Wolsey agreed to support the
+Hapsburgs by sending troops to France.&nbsp; But war costs a great deal
+of money and then, as now, the way to raise money was to raise taxes.&nbsp;
+And then, as now, the decision was incredibly unpopular.&nbsp; This unpleasant
+task fell to Wolsey - Henry was careful to let Wolsey implement the collection
+and, accordingly, take the blame.
+<p>&nbsp;&nbsp;&nbsp; Also, the foreign policy which demanded this increased
+taxation became inconsistent and illogical.&nbsp; In 1528, the English
+were supporting their former enemy, France, against the Hapsburgs; in August
+1529, France and the Hapsburgs made peace and isolated England.&nbsp; It
+was a confusing and contradictory mess, further complicated when the hired
+troops of the Holy Roman Emperor sacked Rome in 1527.&nbsp; The Emperor
+Charles had to face the unpleasant task of explaining how he, the protector
+of Christendom, had allowed the Eternal City to be pillaged and the pope
+sent fleeing through an underground tunnel.&nbsp; However, Charles - and
+the rest of Europe - were quick to recognize that he now controlled Rome
+and the pope.
+<p>&nbsp;&nbsp;&nbsp; During this time, Wolsey was also reforming the English
+judicial system.&nbsp; The end result - Wolsey was despised by both ordinary
+Englishmen and the aristocracy alike.&nbsp; He was determined to extend
+justice to the nobility who were essentially lawless.&nbsp; Only their
+code of honor determined their behavior for Henry often excused rape and
+murder on the part of his fellow nobles; treason against him was another
+matter entirely.&nbsp; Wolsey used the power of the Star Chamber to impose
+his new laws, thus making the noble and the commoner - if not equal under
+the law - at least more equal than before.&nbsp; He also developed
+<br>committees to hear cases involving the poor; these became known as
+the Court of Requests in 1529.
+<p>&nbsp;&nbsp;&nbsp; His attempts to reform the English church were less
+successful.&nbsp; After all, he was unable to devote much time or effort
+to the cause since his duties as lord chancellor were so great.&nbsp; Also,
+his own life was, in many ways, at odds with his spiritual training and
+titles.&nbsp; His wealth was tremendous and ostentatious, he had two illegitimate
+children, and he struck many as greedy and vain.&nbsp; Undoubtedly, the
+ordinary churchman was not impressed with the moral foundations of Wolsey's
+leadership.&nbsp; But despite the appearance of hypocrisy, he did institute
+some reforms.&nbsp; Most notably, he suppressed nearly 30 monasteries to
+pay for Cardinal's College at Oxford, later called Christ Church.&nbsp;
+Understandably, these actions alienated the clergy and concerned the papacy.&nbsp;
+Wolsey had by now offended everyone except the king.&nbsp; And, ironically,
+most of his offensive policies were always implemented either at Henry's
+instigation or approval.&nbsp; Many historians have portrayed Henry VIII
+as a credulous monarch manipulated by Wolsey, Cromwell, and his unruly
+nobles.&nbsp; The truth is far more complex.
+<p>&nbsp;&nbsp;&nbsp; Henry did not turn on Wolsey until after the Cardinal's
+opulent lifestyle first aroused his envy.&nbsp; Jealousy planted a seed
+which Wolsey sensed too late; for example, he gave Hampton Court to Henry
+as a gift once the king remarked it was a finer palace than any of his
+own.&nbsp; In the late 1520s, Henry was not simply envious; he was also
+desperate for personal happiness, spiritual freedom, and a secure succession.&nbsp;
+His only hope was a divorce from Katharine of Aragon.&nbsp; Poor Wolsey
+- his spiritual master, the Pope, was a paawn of Emperor Charles V, and
+his temporal master wanted a divorce from the emperor's aunt.
+<p>&nbsp;&nbsp;&nbsp; The Pope had no choice but to obey Charles's wishes
+though he struggled to appease Henry as much as possible.&nbsp; He suggested
+that Henry's illegitimate son, Henry Fitzroy, duke of Richmond, should
+wed Katharine and Henry's daughter Mary.&nbsp; He told Henry to take Anne
+Boleyn as his mistress and promised to legitimize their children.&nbsp;
+The pope even suggested bigamy, advising the king to send Katharine to
+a nunnery and marry Anne.&nbsp; But Henry wanted no doubt of the legitimacy
+of his second marriage and its hoped-for offspring.&nbsp; From 1527 to
+1529, he was content to let Wolsey try the usual diplomatic and military
+solutions but these were unsuccessful.&nbsp; After all, England did not
+have the military might to force Charles from Italy and free the Pope to
+make an independent decision.&nbsp; Had he been free of Charles, the Pope
+would undoubtedly have ruled in Henry's favor; it had been done before
+for monarchs throughout Europe.&nbsp; In fact, though the term 'divorce'
+is most often used in this case, Henry wasn't actually seeking a divorce.&nbsp;
+He was actually seeking an annulment - he argued that he had never been
+legally married to Katharine.
+<p>&nbsp;&nbsp;&nbsp; Matters were further complicated because Wolsey lacked
+virtually any support at the English court.&nbsp; Henry's infatuation with
+Anne Boleyn had also cost the Cardinal for Anne, while kind to Wolsey when
+he was still powerful, recognized him as a rival - and, later, an obstacle
+to her and Henry's marriage.&nbsp; In fact, Wolsey's sympathies were probably
+torn between Katharine and Anne.&nbsp; Though portrayed as an enemy to
+both women, he was undoubtedly unable to choose which side to support.&nbsp;
+This, too, was a result of his conflicting loyalties to the Pope and Henry.&nbsp;
+Also, Wolsey had usually supported peace with the Hapsburgs and was loathe
+to offend the powerful emperor by helping Henry discard Katharine for an
+English knight's daughter.
+<p>&nbsp;&nbsp;&nbsp; But as Wolsey, near sixty-five, failed to secure
+an acceptable solution, Henry became impatient.&nbsp; He was now all too
+willing to listen to his outraged nobles; having suffered with Wolsey for
+so long, they used their king's impatience to secure his destruction.&nbsp;
+It was suddenly remembered that Wolsey's office of papal legate was in
+direct violation of the ancient Statute of Praemunire which outlawed direct
+papal jurisdiction.&nbsp; Of course, Henry had sanctioned Wolsey's legatine
+authority and so had broken the law himself.&nbsp; This did not matter.&nbsp;
+Wolsey was no longer useful to his increasingly ruthless master and on
+9
+<br>October 1529, he was deprived of everything but the archbishopric of
+York.&nbsp; He left London for York in April 1530.
+<p>&nbsp;&nbsp;&nbsp; But Wolsey's enemies wanted him completely destroyed
+and evidence, probably fabricated, was produced which showed he was corresponding
+with the French king.&nbsp; This was argued to be high treason; the Cardinal
+still believed himself to be invulnerable and fit to represent the king's
+majesty.&nbsp; On 4 November, Wolsey was arrested on charges of treason
+and taken from York Palace.&nbsp; On his way south to face dubious justice
+at the Tower of London, he grew ill.&nbsp; The group escorting him were
+concerned enough to stop at Leicester.&nbsp; There, Wolsey's condition
+quickly worsened and he died on 29 November.
+<br>His death was timely for it saved him from being executed as a traitor.
+<br>&nbsp;
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+This cardinal,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Though from an humble stock, undoubtedly
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Was fashion'd to much honor from his cradle.
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+He was a scholar, and a ripe and good one;
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Exceeding wise, fair-spoken, and persuading:
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Lofty and sour to them that loved him not;
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+But to those men that sought him sweet as
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+summer.
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+And though he were unsatisfied in getting
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Which was a sin, yet in bestowing, madam,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+He was most princely: ever witness for him
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Those twins of learning that he raised in you,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Ipswich and Oxford! one of which fell with
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+him,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Unwilling to outlive the good that did it;
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+The other, though unfinish'd, yet so famous,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+So excellent in art, and still so rising,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+That Christendom shall ever speak his virtue.
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+His overthrow heap'd happiness upon him;
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+For then, and not till then, he felt himself,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+And found the blessedness of being little:
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+And, to add greater honors to his age
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Than man could give him, he died fearing
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+God.
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<font size=-1>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Shakespeare and Fletcher, <i>All Is True</i>.</font>
+<br><font size=-1>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Griffith tells of Wolsey's death, Act IV.</font>
+<center>
+<p>Read a contemporary account of Wolsey's fall from grace at the <a href="../primary.html">Primary
+Sources</a> section.
+<br>
+<hr WIDTH="100%">
+<br><font size=-1><a href="../citizens.html">to
+Tudor Citizens</a></font>
+<br><font size=-1><a href="http://englishhistory.net/tudor.html">to Tudor
+England</a></font></center>
+
+</body>
+</html>
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="content"
+ content="Tudor England 1485 to 1603 images biographies primary sources">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="page_topic"
+ content="Tudor dynasty Henry VII, Henry VIII, The Six Wives of Henry VIII, Elizabeth I, Mary I, Edward VI, Lady Jane Grey, 16th century England">
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+  <title>Tudor England 1485 to 1603: Table of Contents</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-weight: bold}
+  </style>
+</head>
+<body link="#0000ff" vlink="#0000ff" alink="#0000ff">
+<div align="center">
+<center>
+<table border="0" cellpadding="0" cellspacing="4" width="94%">
+  <tbody>
+    <tr>
+      <td valign="bottom" colspan="3">&nbsp;</td>
+    </tr>
+    <tr>
+      <td><br>
+      </td>
+      <td><br>
+      </td>
+      <td><br>
+      </td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%">
+      <p align="center"> 
+      <img border="0"
+ src="tudorenglandcontents1.gif"
+ alt="Tudor England: Contents" width="316" height="181"></p>
+      <blockquote>
+        <hr>
+        <p align="center"><a href="news.html">
+        <font face="Times New Roman">What's New?</a><b><br>
+        </b><font size="2">Site News<br>New Exhibits, Books, Films etc<br>
+        <span style="font-weight: bold;">updated 29 September '04</span></font></font></p>
+        <hr>
+        <p align="center"> <font face="Times New Roman"> <img
+ height="354" alt="crowned Tudor rose"
+ src="http://englishhistory.net/tudorrosemain.jpg" width="190"
+ border="2"></font></p>
+        <p align="center">&nbsp;</p>
+        <p align="center"><font face="Times New Roman" size="2"> <a
+ href="http://englishhistory.net/tudor.html">to Tudor England main page</a></font></p>
+        <p align="center"><font face="Times New Roman" size="2"> <a
+ href="http://englishhistory.net">to EnglishHistory.net</a></font></p>
+        <p align="center">&nbsp;</p>
+        <p align="center">&nbsp;</p>
+        <p align="left">&nbsp;</p>
+      </blockquote>
+      <p>&nbsp;</p>
+      </td>
+      <td width="4%"><br>
+      </td>
+      <td valign="top" width="48%"> 
+      <img border="0"
+ src="biography.gif" width="124"
+ height="27" alt="Biographies"><br>
+      <a href="monarchs.html">MONARCHS</a>:
+      <font size="2" face="Times New Roman">&nbsp;King Henry VII - King
+Henry VIII - King Edward VI - Queen Mary I - Queen Elizabeth I</font>
+      <p> <font face="Times New Roman"> <a
+ href="monarchs/wives.html">THE SIX
+WIVES OF KING HENRY VIII</a>:&nbsp; <font size="2">Katharine of Aragon
+- Anne Boleyn - Jane Seymour - Anne of Cleves - Catherine Howard -
+Katharine Parr</font></font></p>
+      <p> <a href="relatives.html">ROYAL
+RELATIVES</a>:&nbsp; <font face="Times New Roman" size="2">Lady Jane
+Grey - Mary, Queen of Scots - Princess Mary Tudor - Princess Margaret
+Tudor - Lady Catherine Grey</font></p>
+      <p> <a href="citizens.html">TUDOR
+CITIZENS</a><font face="Times New Roman">:&nbsp; <font size="2">Sir
+Thomas More - The Boleyn Family - Thomas Wolsey - Thomas Cromwell -
+Thomas Cranmer - Charles Brandon, duke of Suffolk</font></font></p>
+      <p> <font size="4"><br>
+      <img border="0"
+ src="questions.gif" width="115"
+ height="26"><br>
+      </font>Visit the <a
+ href="faq.html">Tudor England FAQ</a>:<font
+ face="Times New Roman">&nbsp; Frequently Asked Questions, including a
+brief history of
+Tudor England.</font></p>
+      <p><br>
+      <img border="0"
+ src="portraits.gif" width="96"
+ height="22"><a href="http://www.marileecody.com/images.html"><br>
+      </a><font face="Times New Roman">Visit <a
+ href="http://www.marileecody.com/images.html">Tudor England: Images</a>
+to view portraits of the Tudors and their contemporaries.</font><font
+ face="Arial" size="1"><br>
+      </font><a href="primary.html"><br>
+      <br>
+      </a> <img border="0"
+ src="newquizzes.gif" width="80"
+ height="27"><font face="Times New Roman" size="2"><br>
+      </font><font face="Times New Roman">
+      <a href="tudor1.html">Test your
+knowledge of Tudor England</a> at the Quizzes page.</font></p>
+      <p><font size="4"><br>
+      <img border="0"
+ src="newsources.gif" width="81"
+ height="24"></font><br>
+      <a href="primary.html">PRIMARY
+SOURCES</a><font face="Times New Roman">:&nbsp; Read eyewitness
+accounts of people and events in Tudor England, including letters
+written by the six wives of Henry VIII.</font></p>
+      <p><a href="secondary.html">SECONDARY
+SOURCES</a>:&nbsp; Read <font face="Times New Roman">Biographies;
+Histories; Studies, etc about the Tudor era.</font></p>
+      <p><br>
+      <img border="0" src="newmedia.gif"
+ width="69" height="23"><br>
+      <a href="biblio.html">Bibliography</a>
+- <a href="films.html">Tudor Films</a>
+- <a href="links.html">Links</a></p>
+      <p><br>
+      <font face="Times New Roman"> <img border="0"
+ src="newsearch.gif" width="74"
+ height="21"><br>
+Can't find what you need?&nbsp; Visit <a
+ href="search.html">the Tudor England
+search engine</a>.</font></p>
+      <p><font face="Times New Roman"><br>
+      <img border="0" src="newemail.gif"
+ width="63" height="22"><br>
+Visit <a href="email.html">the Email
+page</a>.</font></p>
+      <p align="center">&nbsp;</p>
+      <p align="left"> <img border="0"
+ src="newconstruction.gif" width="205"
+ height="23"><br>
+You can also visit the incomplete <a
+ href="tudorlife.html">Life in Tudor
+England</a> and <a
+ href="genealogy.html"> Tudor Genealogy</a>
+webpages.&nbsp; Some information is available, including a graphic
+image of the Tudor family tree.</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      </td>
+    </tr>
+  </tbody>
+</table>
+</center>
+</div>
+<blockquote>
+  <center>
+  <p><font face="Times New Roman">Meet other Tudor enthusiasts at <a
+ href="http://quietly.still-inspired.com/tudor">Tudor Rose: The Tudor
+Dynasty Fanlisting</a>.<br>
+  <br>
+Would you like to learn more about Tudor
+England? <br>
+Visit the following sites - <br>
+  <a href="http://www.suite101.com/welcome.cfm/tudor">Suite101.com:
+Tudor England</a>&nbsp; -&nbsp; <a href="http://tudorhistory.org/">Tudorhistory.org</a>
+  <br>
+  <a href="http://www.geocities.com/CollegePark/2809/">Claire Webb's
+Tudor Website</a>&nbsp; -&nbsp; <a
+ href="http://www.tudor-portraits.com/">Tudor-Portraits.com</a></font></p>
+  </center>
+</blockquote>
+<center>
+<table cellspacing="0" cellpadding="0" width="338" border="0">
+  <tbody>
+  </tbody> <tbody>
+    <tr>
+      <th><font face="Times New Roman"><img height="86"
+ alt="Tudor History Web Ring"
+ src="http://englishhistory.net/graphic.jpg" width="189"> </font> </th>
+    </tr>
+    <tr>
+      <th><b><font face="Times New Roman">[<a
+ href="http://pub39.bravenet.com/sitering/nav.php?usernum=3350046640&amp;action=list&amp;siteid=%28siteid%29">List
+Sites</a>] [<a
+ href="http://pub39.bravenet.com/sitering/nav.php?usernum=3350046640&amp;action=random&amp;siteid=%28siteid%29">Random</a>]
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+ href="http://pub39.bravenet.com/sitering/nav.php?usernum=3350046640&amp;action=join&amp;siteid=%28siteid%29">Join</a>]</font></b></th>
+    </tr>
+  </tbody>
+</table>
+</center>
+<center>
+<p><font face="Times New Roman">This site created and
+maintained by Marilee <br>
+with help from the loveliest person in the world.<br>
+<a href="copyright.html"><font size="2"><br>
+Click
+here for copyright information</font></a><font size="2">.</font></font></p>
+</center>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082525" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/copyright.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/copyright.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/copyright.html	(revision 18423)
@@ -0,0 +1,73 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<!-- saved from url=(0046)http://englishhistory.net/tudor/copyright.html -->
+<HTML><HEAD><TITLE>Copyright Information</TITLE>
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+<META content="Marilee Mongello" name=Author>
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+</style>
+</HEAD>
+<BODY text=#000000 vLink=#800000 aLink=#C0C0C0 link=#800000 
+bgColor=#FFFFFF background="pageback.jpg">
+<p align="left"><font color="#000000"><b><font face="Arial" size="5">Copyright Information</font></b></font></p>
+<BLOCKQUOTE>
+  <p><font face="Arial"><font color="#000000">This is simply a copy of information posted on 
+  the </font> <a href="research.html">
+  <font color="#000000">Help for students 
+  conducting research</font></a><font color="#000000"> page.&nbsp; </font>
+  <a href="research.html"><font color="#000000">Visit there</font></a><font color="#000000"> to 
+  learn more about copyright, the correct Turabian/MLA style citation for 
+  internet sites, and more. </font> </font> 
+  <font color="#000000"></p>
+  <P><font face="Arial">Everything at this site was written by me (Marilee.)&nbsp;&nbsp; 
+  Therefore, I hold the copyright for all my original work. </font> 
+  <P><font face="Arial">And I take all the blame if it bores you to tears or 
+  confuses you endlessly.&nbsp; </font> 
+  <P></font><font face="Arial"><font color="#000000">The site was created in 1997 and is updated regularly.&nbsp; 
+  Visit the </font> <a href="http://englishhistory.net/tudor/new.html">
+  <font color="#000000">What's New?</font></a><font color="#000000"> 
+  page to find out the exact dates.</font></font><font color="#000000"><P><font face="Arial">If you need a 
+  last name to credit the site, please use Marilee Hanson.&nbsp; </font><P>
+  </font><font face="Arial">
+  <font color="#000000">I do not hold the sole copyright to anything at the
+  </font> <A 
+  href="primary.html"><font color="#000000">Primary Sources</font></A><font color="#000000"> 
+  section.&nbsp; Those are original historical documents in the public domain 
+  which I collected and transcribed.&nbsp; Yes, it was loads of work to type 
+  everything up, but they were simply transcribed (not written) by me.&nbsp; 
+  That is why they're called 'Primary Sources'. <BR>I do hold the copyright on 
+  the electronic version of the texts, which I typed.&nbsp; This is where the 
+  internet becomes confusing - essentially, the words are not mine but by virtue 
+  of transcribing them into electronic format, I own this particular version.&nbsp; 
+  So I would ask that no one copies my hard work, at least without asking 
+  permission and/or giving me credit. </font> </font> 
+  <font color="#000000"> 
+  <P><font face="Arial">As for graphics used here, copyright law allows the use of images for 
+  educational purposes, provided no profit is made and the image is not 
+  altered.&nbsp; And since I did go to the considerable trouble of scanning the 
+  images, I like to be asked before someone 'borrows' them.&nbsp; This simple 
+  act of courtesy goes a long way in the happy-go-lucky world of the internet.
+  </font> 
+  <P></font><font face="Arial"><font color="#000000">If you would like to learn more about the legal use of 
+  images, please click </font> <a href="art.html">
+  <font color="#000000">here</font></a><font color="#000000">.</font></font><P><font face="Arial">
+  <font color="#000000">If you have a history-related website of your own,
+  </font>
+  <a href="mailto:marilee@englishhistory.net?subject=Link">
+  <font color="#000000">please let me know</font></a><font color="#000000"> so I can add 
+  it to my Links page.&nbsp; Thanks.</font></font><CENTER>
+  <P><font face="Arial"><font color="#000000">In the end, your visit to this site makes my work worthwhile. <BR>
+  Thanks for visiting and </font>
+  <a href="mailto:marilee@englishhistory.net?subject=Copyright">
+  <font color="#000000">write to 
+  me</font></a><font color="#000000"> with any specific questions/comments. <BR>-Marilee</font></font></CENTER>
+</BLOCKQUOTE>
+<p align="center">&nbsp;</p>
+
+<p align="center"><font face="Arial"><FONT size=-1><A href="http://englishhistory.net/tudor.html">
+<font color="#000000">to 
+Tudor England</font></A></FONT><font color="#000000"> </font> </font> 
+</p>
+
+</BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082552" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/darthur.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/darthur.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/darthur.html	(revision 18423)
@@ -0,0 +1,104 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The death of Prince Arthur Tudor, 1502</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="arthurdeath.gif" alt="Primary Sources: 1502: The death of Prince Arthur" width="474" height="68"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">The first 
+      account listed at right was taken from a contemporary herald's report, 
+      first published in 1715.&nbsp; The second account was written by Tudor 
+      citizen Richard Grafton.&nbsp; Its spelling has been modernized.</font><p>
+      <font size="2">Arthur was the eldest son of King Henry VII and Elizabeth 
+      of York.&nbsp; He was born on 20 September 1486, barely a year after the 
+      pivotal battle of Bosworth Field, and died on 2 April 1502.&nbsp; Arthur 
+      was indeed named after the mythical King Arthur; Henry VII was Welsh and 
+      the legend was popular in medieval England.&nbsp; In fact, it was 
+      generally believed at the time that Winchester was built upon the ruins of 
+      Camelot.&nbsp; And so Elizabeth of York was sent to Winchester to give 
+      birth and Arthur was christened at its cathedral.&nbsp; He was titled 
+      Prince of Wales (and was the first to receive the title) when he was 3 
+      years old.</font></p>
+      <p><font size="2">Negotiations for his marriage to Katharine of Aragon, 
+      daughter of the famous Ferdinand and Isabella, began in 1488.&nbsp; The 
+      terms were settled in 1500 and the couple were married in London on 14 
+      November 1501.&nbsp; They journeyed to Ludlow Castle, the traditional seat 
+      of the Prince of Wales, and established a small court.&nbsp; However, 
+      Arthur died suddenly on 2 April 1502, possibly of tuberculosis.&nbsp; The 
+      two accounts at right record his parents' reaction to the news.</font></p>
+      <p align="center">&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">When his Grace [Henry VII] understood that 
+      sorrowful heavy tydings, he sent for the Queene [Elizabeth of York], 
+      saying that he and his Queene would take the painful sorrows together.&nbsp; 
+      After that she was come and saw the Kyng her Lord, and that naturall and 
+      paineful sorrowe, as I have heard saye, she with full great and constant 
+      comfortable words besought his Grace that he would first after God 
+      remember the weale of his own noble person, the comfort of his realme and 
+      of her.&nbsp; She then saied that my Lady his mother had never no more children 
+      but him only, and that God by his Grace had ever preserved him, and 
+      brought him where he was.&nbsp; Over that, howe that God had left him yet a 
+      fayre Prince, two fayre Princesses and that God is where he was, and we 
+      are both young ynoughe. <br>
+      ....Then his Grace of true gentle and faithful love, in good hast came and 
+      relieved her, and showed her howe wise counsell she had given him before, 
+      and he for his parte would thanke God for his sonn, and would she should 
+      doe in like wise. <br>
+&nbsp;<hr>
+    <p>When
+the king by his high policy had completed his alliance with Spain in this
+way, there suddenly came a lamentable mischance and loss to the king, queen
+and all the people.&nbsp; For that noble prince Arthur, the king's first
+begotten son, after he had been married to the Lady Catherine for five
+months, departed this transitory life at Ludlow on 2 April 1502. </p>
+<p>With great funeral obsequies he was buried in the cathedral church of
+Worcester.&nbsp; After his death the name of prince belonged to his brother
+the duke of York, since his brother died without his issue, and so without
+being thus created he ought to be called, unless some apparent cause was
+a let or obstacle to it.&nbsp; But the duke, suspecting that his brother's
+wife was with child, as was thought possible by the expert and wise men
+of the prince's council, was by a month or more delayed from his title,
+name and pre-eminence, in which time the truth might easily appear to women.
+<p align="left">It is reported that this lady Catherine thought and feared such an unhappy
+chance might come, for when she had embraced her father and taken leave
+of her noble and prudent mother, and sailed towards England, she was continually
+so tossed and tumbled hither and thither with boisterous winds that what
+with the raging of the water and the contrary winds her ship was prevented
+many times from approaching the shore and landing.<p align="left">&nbsp;<p align="center">
+<font size=-1><a href="primary.html">to
+Primary Sources</a></font></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082591" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ed1.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ed1.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ed1.html	(revision 18423)
@@ -0,0 +1,103 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: King Edward VI's journal, 1549-51</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="ed1.gif" width="489" height="76"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="-1">In the 
+      first journal entry to the right Edward VI records the results of an unsuccessful
+war in Scotland, civil disturbances in England and the execution of the 
+      Protector's brother who was also the king's uncle.&nbsp; It ends with the 
+      Protector's fall from power.</font><p><font size="-1">In the second 
+      journal entry Edward discusses a religious dispute with his older 
+      half-sister Princess Mary.&nbsp; She was under renewed pressure to end the 
+      illegal Mass in her household.</font><br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p><b>1549</b><p>In the meantime in England rose great stirs, likely to increase much
+if it had not been well foreseen.&nbsp; The council, about nineteen of
+them, were gathered in London, thinking to meet with the Lord Protector
+and to make him amend some of his disorders.&nbsp; He, fearing his position,
+caused the secretary in my name to be sent to the lords to know for what
+cause they gathered their powers together and, if they meant to talk with
+him, to say that they should come in a peaceable manner.&nbsp; The next
+morning, being 6 October and Saturday, he commanded the armour to be brought
+out of the armoury of Hampton Court, about 500 harnesses, to arm both his
+and my men with it, the gates of the house to be fortified, and people
+to be raised.&nbsp; People came abundantly to the house.&nbsp; That night
+with all the people at nine or ten o'clock at night I went to Windsor,
+and there watch and ward was kept every night.&nbsp; The lords sat in the
+open places of London, calling gentlemen before them and declaring the
+causes of accusing the lord protector, and caused the same to be proclaimed.
+<p>After which time few came to Windsor, but only the men of my own guard
+who the lords willed, fearing the rage of the people so lately quieted.&nbsp;
+Then the protector began to treat by letters, sending Sir Philip Hoby,
+lately come from his embassy in Flanders to see his family, who brought
+on his return a very gentle letter to the protector which he delivered
+to him, another to me, another to my household, to declare his faults,
+ambition, vainglory, entering into rash wars in my youth, negligence about
+Newhaven, enriching himself from my treasure, following his own opinions,
+and doing all by his own authority etc., which letters were openly read,
+and immediately the lords came to Windsor, took him and brought him through
+Holborn to the Tower.&nbsp; Afterwards I came to Hampton Court where they
+appointed by my consent six lords of the council to be attendant on me,
+at least two, and four knights.&nbsp; Lords - the marquis of Northampton,
+the earls of Warwick and Arundel, lords Russell, Sr John and Wentworth.&nbsp;
+Knights - Sir Andrew Dudley, Sir Edward Rogers, Sir Thomas Darcy, Sir Thomas
+Wroth.&nbsp; Afterwards I came through London to Westminster.&nbsp; Lord
+Warwick was made admiral of England.&nbsp; Sir Thomas Cheney was sent to
+the emperor for relief, which he could not obtain.&nbsp; Mr Nicholas Wootton
+was made secretary.&nbsp; The lord protector, by his own agreement and
+submission, lost his protectorship, treasureship, marshalship, all his
+movables and nearly 2,000 pds of lands, by act of Parliament.<p>&nbsp;<hr>
+
+<p><b>1551</b><p>The lady Mary, my sister, came to me to Westminster, where after greetings
+she was called with my council into a chamber where it was declared how
+long I had suffered her mass, in hope of her reconciliation, and how now,
+there being no hope as I saw by her letters, unless I saw some speedy amendment
+I could not bear it.&nbsp; She answered that her soul was God's and her
+faith she would not change, nor hide her opinion with dissembled doings.&nbsp;
+It was said I did not constrain her faith but willed her only as a subject
+to obey.&nbsp; And that her example might lead to too much inconvenience.
+<p>On 19 March the emperor's ambassador came with a short message from
+his master of threatened war, if I would not allow his cousin the princess
+to use her mass.&nbsp; No answer was given to this at the time.
+<p>The following day the bishops of Canterbury, London and Rochester, Thomas
+Cranmer, Nicholas Ridley and John Scory, concluded that to give licence
+to sin was sin; to allow and wink at it for a time might be born as long
+as all possible haste was used.<p align="center">&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082603" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ed6birth.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ed6birth.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/ed6birth.html	(revision 18423)
@@ -0,0 +1,63 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The announcement of Jane Seymour's pregnancy, 1536</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="ed6birth.gif" width="582" height="72"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>The account 
+      at right was written by the Tudor chronicler Edward Hall.</font><p>
+      <font size="-1">King Henry VIII's third marriage, made when he was almost 
+      forty-five, finally brought him the longed-for son.&nbsp; Edward's mother 
+      was Jane Seymour, the daughter of a Wiltshire knight.&nbsp; She died a 
+      fortnight after his birth in October.</font></p>
+      <p>
+<br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p>On 27 May 1537, Trinity Sunday, there was a <i>Te Deum</i>
+sung in St Paul's cathedral for joy at the queen's quickening of her child,
+my lord chancellor, lord privy seal and various other lords and bishops
+being then present; the mayor and aldermen with the best guilds of the
+city being there in their liveries, all giving laud and praise to God for
+joy about it.&nbsp; The bishop of Worcester, Dr Latimer, made an oration
+before all the lords and commons after the <i>Te Deum</i> was sung, explaining
+the reason for their assembly, which oration was marvelously fruitful to
+the hearers.&nbsp; And also the same night various great fires were made
+in London, with a hogshead of wine at every fire for the poor people to
+drink as long as it lasted.&nbsp; I pray Jesus, if it be his will, to send
+us a prince.<p>&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082602" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082602" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/eliz1-writings.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/eliz1-writings.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/eliz1-writings.html	(revision 18423)
@@ -0,0 +1,396 @@
+<!DOCTYPE doctype PUBLIC "-//w3c//dtd html 4.0 transitional//en">
+<html>
+<head>
+                
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=iso-8859-1">
+                
+  <meta name="Author" content="Marilee">
+                
+  <meta name="GENERATOR"
+ content="Mozilla/4.61 [en] (Win98; I) [Netscape]">
+  <title>Elizabeth I: Poetry</title>
+</head>
+  <body text="#000000" bgcolor="#ffffff" link="#990000" vlink="#990000"
+ alink="#000000">
+        
+<div align="left">   
+<div align="left">   
+<div align="center"><b>I am redesigning the Elizabethan <a
+ href="eliz1-writings.html#Speeches">speeches </a>- <a href="eliz1-writings.html#Letters">letters </a>- <a
+ href="eliz1-writings.html#Poetry">poetry</a> pages - as of 15 October 2002.<br>
+   Until I'm finished, all the text is posted here. &nbsp;Click the above 
+links  to visit the different sections.</b><br>
+   </div>
+     
+<p><b><a name="Poetry"></a>COMPOSED 1554-5&nbsp;</b></p>
+     
+<p>Much suspected by me, <br>
+   Nothing proved can be, <br>
+   Quoth Elizabeth prisoner. </p>
+     
+<p> </p>
+     
+<hr width="100%">    
+<p><b>WRITTEN ON A WALL AT WOODSTOCK, 1554-5&nbsp;</b></p>
+     
+<p>Oh Fortune, thy wresting wavering state <br>
+   Hath fraught with cares my troubled wit, <br>
+   Whose witness this present prison late <br>
+   Could bear, where once was joy's loan quit. <br>
+   Thou causedst the guilty to be loosed <br>
+   From bands where innocents were inclosed, <br>
+   And caused the guiltless to be reserved, <br>
+   And freed those that death had well deserved. <br>
+   But all herein can be nothing wrought, <br>
+   So God send to my foes all they have thought. </p>
+     
+<p> </p>
+     
+<hr width="100%">    
+<h3><small><small> </small></small></h3>
+     
+<h3><b><small> <font size="+0"><small>WRITTEN IN HER FRENCH PSALTER, 1554-5</small></font></small></b></h3>
+    No crooked leg, no bleared eye, <br>
+   No part deformed out of kind, <br>
+   Nor yet so ugly half can be <br>
+   As is the inward suspicious mind.<br>
+    </div>
+   </div>
+       
+<hr width="100%">     
+<p><b>THE DOUBT OF FUTURE FOES, 1568-70</b> </p>
+     
+<p>The doubt of future foes exiles my present joy, <br>
+   And wit me warns to shun such snares as threaten mine annoy; <br>
+   For falsehood now doth flow, and subjects' faith doth ebb, <br>
+   Which should not be if reason ruled or wisdom weaved the web. <br>
+   But clouds of joys untried do cloak aspiring minds, <br>
+   Which turn to rain of late repent by changed course of winds. <br>
+   The top of hope supposed the root upreared shall be, <br>
+   And fruitless all their grafted guile, as shortly ye shall see. <br>
+   The dazzled eyes with pride, which great ambition blinds, <br>
+   Shall be unsealed by worthy wights whose foresight falsehood finds. <br>
+   The daughter of debate that discord aye doth sow <br>
+   Shall reap no gain where former rule still peace hath taught to know.
+<br>
+   No foreign banished wight shall anchor in this port; <br>
+   Our realm brooks not seditious sects, let them elsewhere resort. <br>
+   My rusty sword through rest shall first his edge employ <br>
+   To poll their tops that seek such change or gape for future joy. </p>
+       
+<p> </p>
+     
+<hr width="100%">     
+<p><b>THAT WHICH OUR SOVEREIGN LADY WROTE IN DEFIANCE OF FORTUNE, 1568-70</b>
+  </p>
+     
+<p>Never think you fortune can bear the sway <br>
+   Where virtue's force can cause her to obey. </p>
+     
+<p> </p>
+     
+<hr width="100%">     
+<p><a href="http://englishhistory.net/tudor/monarchs/eliz/poetry.html"></a></p>
+     
+<p><b><font size="+0">ON MONSIEUR'S DEPARTURE, 1582</font></b> </p>
+     
+<p>I grieve and dare not show my discontent, <br>
+   I love and yet am forced to seem to hate, <br>
+   I do, yet dare not say I ever meant, <br>
+   I seem stark mute but inwardly do prate. <br>
+   &nbsp; I am and not, I freeze and yet am burned, <br>
+   &nbsp; Since from myself another self I turned. <br>
+   My care is like my shadow in the sun, <br>
+   Follows me flying, flies when I pursue it, <br>
+   Stands and lies by me, doth what I have done. <br>
+   His too familiar care doth make me rue it. <br>
+   &nbsp; No means I find to rid him from my breast, <br>
+   &nbsp; Till by the end of things it be supprest. <br>
+   Some gentler passion slide into my mind, <br>
+   For I am soft and made of melting snow; <br>
+   Or be more cruel, love, and so be kind. <br>
+   Let me or float or sink, be high or low. <br>
+   &nbsp; Or let me live with some more sweet content, <br>
+   &nbsp; Or die and so forget what love ere meant. </p>
+     
+<hr width="100%" size="2"><font size="+1"><br>
+   <a name="Speeches"></a>ELIZABETH'S MARRIAGE SPEECH TO PARLIAMENT, 1559</font>
+  <br>
+   <font size="-1">Elizabeth's Parliament thought to bully her into marriage.&nbsp;
+  From Henry VIII's accession in 1509 onwards, the Tudor dynasty was always
+  consumed by the problem of succession.&nbsp; For a hundred years, Englishmen
+  - and many Europeans - discussed the topic.&nbsp; It was of vital importance.&nbsp;
+  Elizabeth, however, would not be bullied and refused to marry.&nbsp; She
+ responded to Parliament's demand for her marriage with a wonderful extemporaneous
+ speech.&nbsp; This was in 1559, barely a year into her reign.</font>    
+<p>When the Assembly of Parliament was now to be dissolved, they all thought
+  good that the Third Estate, or Lower House, should advise the Queen to
+marry  betimes: yet would not the Temporal Lords joyn with them, lest any
+of them  might seem to propound it in hope to prefer himself. Thomas Gargrave
+therefore,  Speaker of the Lower House, with some few selected men, after
+leave obtained,  came unto the Queen, and making his excuse by his Office,
+the Queen's Courtesie,  and the Weightiness of the matter, went forward to
+this purpose: There is  nothing which with more ardent affection we beg of
+God in our daily prayers,  than that our Happiness hitherto received by your
+most gratious Government  may be perpetuated to the English Nation unto all
+eternity, Whilstin our mind and cogitation we cast many ways how this may
+be effected, we can find none at all, unless your Majesty should either reign
+for ever, (which to hope for is not lawfull;) or else by Marriage bring forth
+Children, Heirs both of their Mother's Vertue and Empire, (which God Almighty
+grant.) This is the single, the onely, the all-comprehending Prayer of all
+English-men. All other men, of what place and degree soever, but especially
+Princes, must have a care, that though themselves be mortal, yet the Commonwealth
+may continue  immortal. This immortality may your Majesty give to the English,
+if (as your  humane nature, Age, Beauty and Fortune do require,) you will
+take some man  to your Hus band, who may be a Comfort and Help unto you,
+and a Consort in  Prosperity and Adversity. For (questionless) more availeth
+the Help of one  onely Husband for the effecting of matters, than the joynt
+Industry of many  men. Nothing can be more contrary to the publick Respects,
+than that such  a Princess, in whose Marriage is comprehended the Safety
+and Peace of the  Commonwealth, should live unmarried, and as it were a Vestal
+Virgin. A Kingdom  received from Ancestours is to be left to Children, who
+will be both an Ornament  and Strength to the Realm. The Kings of England
+have never been more carefull  of any thing, than that the Royal Family might
+not fail of Issue. Hence it  was, that within our fresh memory Henry the
+VII. your Grandfather, provided  his Sons Arthur and Henry of Marriage even
+in their tender years. Hence it  was that your Father sought to procure Mary
+Queen of Scots to be a Wife for  his young Son Prince Edward, then scarce
+eight years old: and very lately  your Sister, Queen Mary, being well in
+years, married Philip of Spain . If  lack of Children use to be inflicted
+by God as a great Punishment as well  upon Royal as private Families; what
+and how great a Sin may it be, if the  Prince voluntarily pluck it upon himself, 
+whereby an infinite heap of Miseries  must needs overwhelm the Commonwealth 
+with all Calamities which the mind even dreadeth to remember? Which that it
+may not come to pass, not onely we few that are here to present, but even 
+all England , yea all English men, do prostrate our selves at your feet, and
+with humble voice and frequent Sighs do from the bottom of our hearts most
+submissively pray and beseech you. These things spake he eloquently and more
+amply. </p>
+     
+<p><font size="+1"><small>ELIZABETH'S REPLY:<small> <big>(</big></small></small></font><small>She 
+answered briefly:)</small> In a  matter most unpleasing, most pleasing to 
+me is the apparent Good will of you and my People, as proceeding from a very 
+good mind towards me and the Commonwealth. Concerning Marriage, which ye so
+earnestly move me to, I have been long since perswaded, that I was sent into
+this world by God to think and doe those things chiefly which may tend to
+his Glory. Hereupon have I chosen that kind of life which is most free from
+the troublesome Cares of this world, that I might attend the Service of God
+alone. From which if either the tendred Marriages of most Potent Princes, 
+or the danger of Death intended against me, could have removed me, I had long
+agone enjoyed the honour of an Husband. And these things have I thought upon
+when I was a private person. But now that the publick Care of governing the
+Kingdom is laid upon me, to draw upon me also the Cares of Marriage may seem
+a point of inconsiderate Folly. Yea, to satisfie you, I have already joyned
+my self in Marriage to an Husband, namely, the Kingdom of England. And behold
+(said she which I marvell ye have forgotten,) the Pledge of this my Wedlock
+and Marriage with my Kingdom. (And therewith she drew the Ring from her Finger,
+and shewed it, wherewith at her Coronation she had in a set form of words
+solemnly given her self in Marriage to her Kingdom.) Here having made a pause,
+And do not (saith she) upbraid me with miserable lack of Children: for every
+one of you, and as many as are Englishmen, are Children and Kinsmen to me;
+of whom if God deprive me not, (which God forbid) I cannot without injury
+be accounted Barren. But I commend you that ye have not appointed me an Husband,
+for that were most unworthy the Majesty of an absolute Princess, and unbeseeming
+your Wisedom, which are Subjects born. Nevertheless if it please God that
+I enter into another course of life, I promise you I will doe nothing which
+may be prejudicial  to the Commonwealth, but will take such a Husband, as
+near as may be, as will have as great a Care of the Commonwealth as my self.
+But if I continue in this kind of life I have begun, I doubt not but God
+will so direct mine own and your Counsels, that ye shall not need to doubt
+of a Successour which may be more beneficial to the Commonwealth than he
+which may be born of me, considering that the Issue of the best Princes many
+times degenerateth. And to me it shall be a full satisfaction, both for the
+memorial of my Name, and for my Glory also, if when I shall let my last breath,
+it be ingraven upon my Marble Tomb, Here lieth Elizabeth, which Reigned a
+Virgin, and died a Virgin. <br>
+   &nbsp;</p>
+     
+<hr width="100%" size="2"><br>
+   <font size="+1">ELIZABETH'S SPEECH AT TILBURY, 1588</font> <br>
+   <font size="-1">The English forces were gathered to fight the Spanish
+Armada;  their unlikely victory was one of the great highlights of Elizabeth's
+reign.</font>   <br>
+ <br>
+ My loving people, <br>
+   We have been persuaded by some that are careful of our safety, to take 
+heed  how we commit our selves to armed multitudes, for fear of treachery; 
+but I assure you I do not desire to live to distrust my faithful and loving 
+people.  Let tyrants fear, I have always so behaved myself that, under God, 
+I have  placed my chiefest strength and safeguard in the loyal hearts and 
+good-will  of my subjects; and therefore I am come amongst you, as you see, 
+at this time, not for my recreation and disport, but being resolved, in the 
+midst and heat of the battle, to live and die amongst you all; to lay down 
+for my God, and for my kingdom, and my people, my honour and my blood, even 
+in the dust. I know I have the body but of a weak and feeble woman; but I 
+have the heart and stomach of a king, and of a king of England too, and think 
+foul scorn that Parma or Spain, or any prince of Europe, should dare to invade 
+the borders of my realm; to which rather than any dishonour shall grow by 
+me, I myself will take up arms, I myself will be your general, judge, and 
+rewarder of every one of your virtues in the field. I know already, for your 
+forwardness you have deserved rewards and crowns; and We do assure you in 
+the word of a prince, they shall be duly paid you. In the mean time, my lieutenant 
+general shall be in my stead, than whom never prince commanded a more noble 
+or worthy subject; not doubting but by your obedience to my general, by your 
+concord in the camp, and your valour in the field, we shall shortly have a
+famous victory over those enemies of my God, of my kingdom, and of my  people.
+ <br>
+   &nbsp; <br>
+     
+<hr width="100%" size="2"><b><br>
+   <a name="Letters"></a>To King Edward VI, 15th May 1546.</b> <br>
+   <font size="-1"></font>    
+<p>Like as the rich man daily gathereth riches to riches, and one bag of
+money layeth a great sort till it come to infinite, so methinks your Majesty,
+not being sufficed with many benefits and gentleness showed to me afore this 
+ time, doth now increase them in asking and desiring where you may bid and 
+ command, requiring a thing not worthy the desiring for itself, but made worthy
+ for your Highness's request. My picture, I mean, in which if the inward
+good  mind toward your Grace might as well be declared as the outward face
+and countenance shall be seen, I would not have tarried the commandment but
+prevent it, nor have been the last to grant but the first to offer it. For
+the face, I grant, I might well blush to offer, but the mind I shall never
+be ashamed to present. For though from the grace of the picture the colours
+may fade by time, may give you weather, may be spotted by chance; yet the
+other nor time with her swift wings shall overtake, nor the misty clouds
+with their lowerings may darken, nor chance with her slippery foot may overthrow.
+Of this although yet the proof could not be great because the occasion hath
+been but small, notwithstanding as a dog hath a day, so may I perchance have
+time to declare it in deeds where now I do write them in words. And further
+I shall most humbly beseech your Majesty that when you shall look on my picture,
+you will vouchsafe to think that as you have but the outward shadow of the
+body before you, so my inward mind wisheth that the body itself were oftener
+in your presence; howbeit because both my so being I think could do your
+Majesty little pleasure, though myself great good; and again because I see
+as yet not the time agreeing thereunto, I shall learn to follow this saying
+of Horace, ' Feras non culpes quod vitari non potest.' And thus I will (troubling
+your Majesty I fear) end with my most humble thanks. <br>
+   &nbsp;&nbsp;&nbsp; Beseeching God long to preserve you to His Honour,
+to  your comfort, to the Realm's profit, and to my joy.&nbsp; From Hatfield 
+this  15th day of May. <br>
+   &nbsp;&nbsp;&nbsp; Your Majesty's most humble sister and servant, <br>
+   &nbsp;&nbsp;&nbsp; Elizabeth. </p>
+     
+<hr width="100%" size="2"><br>
+   <b>To the Dowager Queen Katharine Parr, 31st July 1548.</b> <br>
+   <font size="-1">This was written after Elizabeth had left Katharine's
+home  (after the Thomas Seymour debacle.)&nbsp; Katharine was due to deliver
+her  first child soon; she died shortly after childbirth.</font> Although
+your  Higness's letters be most joyful to me in absence, yet, considering
+what pain it is for you to write, your Grace being so sickly, your commendations 
+were enough in my Lord's letter. I much rejoice at your health, with the well
+liking of the country, with my humble thanks that your Grace wished me with
+you till you were weary of that country. Your Highness were like to be cumbered,
+if I should not depart till I were weary of being with you; although it were
+the worst soil in the world, your presence would make it pleasant. I cannot
+reprove my Lord for not doing your commendations in his letter, for he did
+it; and although he had not, yet I will not complain on him; for he shall
+be diligent to give me knowledge from time to time how his busy child doth;
+and if I were at his birth, no doubt I would see him beaten, for the trouble
+he hath put you to. Master Denny and my lady, with humble thanks, prayeth
+most entirely for your Grace, praying the Almighty  God to send you a most
+lucky deliverance, and my mistress wisheth no less,  giving your Highness
+most humble thanks for her commendations. <br>
+   &nbsp;&nbsp;&nbsp; Written with very little leisure this last day of July.
+  <br>
+   &nbsp;&nbsp;&nbsp; Your humble daughter, <br>
+   &nbsp;&nbsp;&nbsp; Elizabeth. <br>
+   <br>
+     
+<hr width="100%" size="2"><br>
+   <b>To Princess Mary, 27th October 15--.</b> Good Sister, as to hear of 
+your  sickness is unpleasant to me, so is it nothing fearful; for that I understand
+ it is your old guest that is wont oft to visit you, whose coming though
+it  be oft, yet is it never welcome, but notwithstanding it is comfortable 
+for  that iacula pr&aelig;uisa minus feriunt. And as I do understand your 
+need  of Jane Russel's service, so am I sorry that it is by my man's occasion 
+letted,  which if I had known afore, I would have caused his will give place 
+to need  of her service. For as it is her duty to obey his commandment, so 
+is it his  part to attend your pleasure; and, as I confess, it were meeter 
+for him to  go to her, since she attends upon you, so indeed he required the
+same, but  for that divers of his fellows had business abroad that made his
+tarrying  at home. <br>
+   Good Sister, though I have good cause to thank you for your oft sending
+ to me, yet I have more occasion to render hearty thanks for your gentle
+writing,  which how painful it is to you, I may well guess by myself; and
+you may well  see by my writing so oft, how pleasant it is to me. And thus
+I end to trouble  you, desiring God to send you as well to do, as you can
+think and wish, or  I desire or pray. From Ashridge, scribbled this 27th
+of October. <br>
+   &nbsp;&nbsp;&nbsp; Your loving sister, <br>
+   &nbsp;&nbsp;&nbsp; Elizabeth. <br>
+   <br>
+     
+<hr width="100%" size="2"><br>
+   <b>To Queen Mary, 16th March 1554.</b> <br>
+   <font size="-1">This was written when the order came that Elizabeth was
+ to be sent to the Tower, on suspicion that she was implicated by Wyatt's
+rebellion. Wyatt's correspondence with Elizabeth was seized, and amongst
+the evidence produced was an alleged copy of a letter written by Elizabeth
+to Henri II of France.&nbsp; It was a forgery.</font>    
+<p>If any ever did try this old saying, 'that a king's word was more than
+  another man's oath,' I most humbly beseech your Majesty to verify it to
+me, and to remember your last promise and my last demand, that I be not not
+condemned without answer and due proof, which it seems that I now am; for
+without cause proved, I am by your council from you commanded to go to the
+Tower, a place more wanted for a false traitor than a true subject, which
+though I know I desire it not, yet in the face of all this realm it appears
+proved. I pray to God I may die the shamefullest death that any ever died,
+if I may mean any such thing; and to this present hour I protest before God
+(Who shall judge my truth, whatsoever malice shall devise), that I never
+practised, counselled, nor consented to anything that might be prejudicial
+to your person anyway, or dangerous to the state by any means. And therefore
+I humbly beseech your Majesty to let me answer afore yourself, and not suffer
+me to trust to your Councillors, yea, and that afore I go to the Tower, if
+it be possible; if not, before I be further condemned. Howbeit, I trust assuredly
+your Highness will give me leave to do it afore I go, that thus shamefully
+I may not be cried out on, as I now shall be; yea, and that without cause.
+Let conscience move your Highness to pardon this my boldness, which innocency
+procures me to do, together with hope of your natural kindness, which I trust
+will not see me cast away without desert, which what it is I would desire
+no more of God but that you truly knew, but which thing I think and believe
+you shall never by report know, unless by yourself you hear. I have heard
+of many in my time cast away for want of coming to the presence of their
+Prince; and  in late days I heard my Lord of Somerset say that if his brother
+had been  suffered to speak with him he had never suffered; but persuasions
+were made to him so great that he was brought in belief that he could not
+live safely if the Admiral lived, and that made him give consent to his death.
+Though these persons are not to be compared to your Majesty, yet I pray to
+God the like evil persuasions persuade not one sister against the other,
+and all for that they have heard false report, and the truth not known. Therefore, 
+ once again, kneeling with humbleness of heart, because I am not suffered 
+to bow the knees of my body, I humbly crave to speak with your Highness, which
+I would not be so bold as to desire if I knew not myself most clear, as I
+know myself most true. And as for the traitor Wyatt, he might peradventure 
+ write me a letter, but on my faith I never received any from him. And as 
+for the copy of the letter sent to the French King, I pray God confound me 
+eternally if ever I sent him word, message, token, or letter, by any means, 
+and to this truth I will stand in till my death. <br>
+   &nbsp;&nbsp;&nbsp; Your Highness's most faithful subject, that hath been 
+ from the beginning, and will be to my end, <br>
+   &nbsp;&nbsp;&nbsp; Elizabeth. </p>
+   I humbly crave but only one word of answer from yourself. <font
+ size="-1">(added as a postscript)</font> <br>
+     
+<hr width="100%" size="2"><a
+ href="scot-letters.html"><br>
+   Read Elizabeth's last letter to Mary, queen of Scots and her letter to 
+King  James VI informing him of Mary's execution.<br>
+   </a><br>
+   <br>
+     
+<div align="center"><small><a
+ href="primary.html">to Primary Sources</a><br>
+   <a href="http://englishhistory.net/tudor.html">to Tudor England</a></small><br>
+   <br>
+   </div>
+     
+<p> </p>
+   <br>
+   <br>
+  <br>
+ <br>
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+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The death of Elizabeth of York and the betrothal of 
+Princess Margaret to the king of Scots, 1503</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="elizdeat.gif" width="609" height="140"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">The account 
+      at right was written by Tudor citizen Richard Grafton.&nbsp; Its spelling 
+      has been modernized.</font><p><font size="2">Elizabeth of York was born on 
+      11 February 1465 to King Edward IV and his queen, Elizabeth Woodville.&nbsp; 
+      After her father's death and her uncle Richard's usurpation, Elizabeth was 
+      the sole Yorkist heir to the English throne.&nbsp; Her two brothers, the 
+      infamous 'Princes in the Tower', had disappeared; their murders are 
+      alternately blamed upon Richard and Elizabeth's future husband, King Henry 
+      VII.</font></p>
+      <p><font size="2">Her marriage to Henry was planned by his mother, the 
+      formidable Lady Margaret Beaufort, and her mother.&nbsp; Richard was 
+      defeated in battle at Bosworth Field on 22 August 1485 and Henry was 
+      declared king of England.&nbsp; He postponed the marriage for several 
+      months, however; he did not wish his claim to the throne to be based upon 
+      Elizabeth's status as heiress of Edward IV.&nbsp; They married on 18 
+      January 1486 and their first child, a son called Arthur, was born nine 
+      months later.&nbsp; They eventually had eight children, four of whom 
+      survived infancy.&nbsp; She died in childbirth on her 38th birthday.&nbsp; 
+      Henry VII never married again.</font></p>
+      <p><font size="2">Princess Margaret Tudor was the eldest daughter of Henry 
+      VII and Elizabeth of York, born on 29 November 1489.&nbsp; She was married 
+      to the Scottish king James IV on 8 August 1503, in an attempt to establish 
+      peace between the two kingdoms.&nbsp; It did not work; James was killed at 
+      Flodden Field in 1513, during the reign of Margaret's younger brother, 
+      King Henry VIII.&nbsp; Margaret married twice more.&nbsp; Her 
+      great-grandson, King James VI of Scotland, became King James I of England 
+      in 1603, thus uniting the two countries.&nbsp; Margaret died on 18 October 
+      1541.</font></p>
+      <p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+    <p>....Queen Elizabeth, lying in the tower of London, was brought
+to bed on Candlemas day of a fair daughter who was there christened and
+named Catherine, and on 11 February, the most virtuous princess and gracious
+queen there died, and was with all funeral pomp carried through the City
+of London to Westminster, and there buried, whose daughter also lived but
+a little time after her mother. </p>
+<p>....All this winter preparation was made for the conveyance of Lady Margaret,
+betrothed to the king of Scots, into Scotland.&nbsp; And when all things
+were ready and prepared the king moved on the last day of June from Richmond,
+in the company of this daughter, and came to Colyweston, where his mother
+the countess of Richmond then was.&nbsp; And at the end of certain days
+of recreation the king gave her his blessing with a fatherly exhortation,
+and committed her conveyance to the king her husband's presence to the
+earl of Surrey: and Henry Algernon Percy, earl of Northumberland was appointed
+as Warden of the Marches, to deliver her at the border of both the Marches.
+<p>Thus this fair lady was conveyed with a great company of lords, ladies,
+knights, esquires and gentlemen until she came to Berwick and from there
+to a village called Lambton Kirk in Scotland where the king with the flower
+of Scotland was ready to receive her, to whom the earl of Northumberland
+according to his commission delivered her.
+<p>The Scots that day, I assure you, were not behind the English but far
+above, both in dress and rich jewels and weighty chains.
+<br>&nbsp;<p align="center">
+<font size=-1><a href="primary.html">to
+Primary Sources</a></font></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082592" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082592" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/email.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/email.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/email.html	(revision 18423)
@@ -0,0 +1,70 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor England: Email</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="7%" height="29"></td>
+    <td valign="top" width="84%" height="29">
+    <p align="center">
+      &nbsp;<p align="center">
+      <font face="Times New Roman">
+      <img border="0" src="newtudoremail.gif" alt="Tudor England: Email" width="283" height="137"></font><p align="center">
+      &nbsp;</td>
+    <td width="9%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="7%" height="3"></td>
+    <td width="84%" height="3" bgcolor="#000000">
+    <p align="center">&nbsp;</td>
+    <td width="9%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="7%" height="610"></td>
+    <td valign="top" width="84%" height="610">&nbsp;<p>
+    <img border="0" src="boleyn3sepia.jpg" alt="sepia-tinged sketch of Anne Boleyn (possibly) by Hans Holbein the Younger" align="left" width="216" height="382"></p>
+      <p><font face="Times New Roman">
+      <b> If you have Tudor-related questions</b>, please visit
+the <a href="faq.html">Tudor England
+FAQ</a>.&nbsp; It's a detailed list of questions and answers, including
+a brief history of Tudor England, why Mary I isn't the same person as
+Mary, queen of Scots, a discussion of the Reformation, etc</font></p>
+      <p><font face="Times New Roman">If you wish to comment upon the site - 
+      tell me Tudor-related news - exchange links - ask a question not included 
+      at the FAQ, etc, you have two options -
+      <a href="mailto:email@englishhistory.net?subject=Tudor England website">
+      click here to send me email</a> or
+      <a href="http://www.englishhistory.net/guestbook/addentry.php">sign the 
+      Guestbook</a>.</font></p>
+      <p><font face="Times New Roman">If you are a student using this
+website for research / writing, please visit the <a
+ href="http://englishhistory.net/keats/studentsqa.html">Information for
+Students</a> page at my John Keats site.</font></p>
+      <p>Two more things....</p>
+      <p><font face="Times New Roman">Any additions to the site are listed at
+      <a href="news.html">What's New?</a>&nbsp;
+      </font></p>
+      <p><font face="Times New Roman">As of 2004,  due to its surprising 
+      popularity, <i>Tudor England: Images</i> has
+      <a href="http://www.marileecody.com/images.html">its own website</a>.</font></p>
+      <p align="left"><font face="Times New Roman">Thanks for visiting,<br>
+      <i>-Marilee</i></font></p>
+      </td>
+    <td width="9%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082550" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082550" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exanne.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exanne.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exanne.html	(revision 18423)
@@ -0,0 +1,68 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The execution of Anne Boleyn, 1536</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="boleynex.gif" alt="Primary Sources: 1536: The execution of Anne Boleyn" width="372" height="167"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><p>
+<img border="0" src="monarchs/boleyn-sketch1.jpg" alt="sketch of Anne Boleyn by Hans Holbein the Younger" align="left" width="175" height="157"><font size=-1>This 
+    account of Anne Boleyn's speech at her execution was recorded in the <i>Annals of John Stow</i>.</font><p>
+    <font size="-1">The execution took place on 19 May 1536 at 8 o'clock in the 
+    morning.&nbsp; It was the first public execution of an English queen.</font><p>
+    <font size="-1">This account mentions the famous 'hangman of Calais' who was 
+    brought to London for the execution.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+      <p>
+All these being on a scaffold made there for the execution, the said
+Queen Anne said as followeth: Masters, I here humbly submit me to the law,
+as the law hath judged me, and as for mine offences, God knoweth them,
+I remit them to God, beseeching him to have mercy on my soul; and I beseech
+Jesu save my Sovereign and master the King, the most goodliest, and gentlest
+Prince that is, and long to reign over you, which words she spake with
+a smiling countenance: which done, she kneeled down on both her knees,
+and said, To Jesu Christ I commend my soul and with that word suddenly
+the hangman of Calais smote off her head at one stroke with a sword: her
+body with the head was buried in the choir of the Chapel in the Tower.</p>
+
+    <p align="center">
+    &nbsp;</p>
+    <p align="center">
+    <a href="monarchs/boleyn.html">
+    <font size="2">to the Anne 
+    Boleyn website</font></a></p>
+    <p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082600" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082600" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exjane.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exjane.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exjane.html	(revision 18423)
@@ -0,0 +1,90 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The executions of Lady Jane Grey and Lord Guildford 
+Dudley, 1554</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="exjane.gif" width="426" height="90"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">Lady Jane 
+      Grey and her husband, Lord Guildford Dudley, were executed on 12 February 
+      1554 at the Tower of London.&nbsp; The account at right was found in the 
+      anonymous </font><font size=-1> <i>Chronicle of Queen
+Jane and of Two Years of Queen Mary</i>.</font><p><font size="2">The decision to 
+      execute her cousin was not easy for Queen Mary I.&nbsp; But when Jane's 
+      father led another rebellion against her rule, she could no longer 
+      tolerate the Protestant threat.&nbsp; Also, Philip II of Spain would not 
+      come to England for their marriage until the rebels were defeated.</font></p>
+      <p>&nbsp;</p>
+      <p><br>
+      <br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+His [Guildford's] carcase thrown into a cart, and his head in a cloth,
+he was brought to the chapel within the Tower, where the Lady Jane, whose
+lodging was in Partidge's house, did see his dead carcase taken out of
+the cart, as well as she did see him before alive on going to his death
+- a sight to her no less than death.&nbsp;By this time was there a scaffold
+made upon the green over against the White Tower, for the said Lady Jane
+to die upon....&nbsp; The said lady, being nothing abashed....with a book
+in her hand whereon she prayed all the way till she came to the said scaffold....&nbsp;
+First, when she mounted the said scaffold she said to the people standing
+thereabout: 'Good people, I am come hither to die, and by a law I am condemned
+to the same.&nbsp; The fact, indeed, against the queen's highness was unlawful,
+and the consenting thereunto by me: but touching the procurement and desire
+thereof by me or on my behalf, I do wash my hands thereof in innocency,
+before God, and the face of you, good Christian people, this day' and therewith
+she wrung her hands, in which she had her book.&nbsp; And then, kneeling
+down, she turned to Feckenham [the dean of St Paul's] saying, 'Shall I
+say this psalm?'&nbsp; And he said, 'Yea.'&nbsp; Then she said the psalm
+of <i>Miserere mei Deus</i>, in English, in most devout manner, to the
+end.&nbsp; Then she stood up and gave...Mistress Tilney her gloves and
+handkercher, and her book to master Bruges, the lieutenant's brother; forthwith
+she untied her gown.&nbsp; The hangman went to her to help her therewith;
+then she desired him to let her alone, and also with her other attire and
+neckercher, giving to her a fair handkercher to knit about her eyes.
+<p>Then the hangman kneeled down, and asked her forgiveness, whom she gave
+most willingly.&nbsp; Then he willed her to stand upon the straw: which
+doing, she saw the block.&nbsp; Then she said, 'I pray you dispatch me
+quickly.'&nbsp; Then she kneeled down, saying, 'Will you take it off before
+I lay me down?' and the hangman answered her, 'No, madame.'&nbsp; She tied
+the kercher about her eyes; then feeling for the block said, 'What shall
+I do?&nbsp; Where is it?'&nbsp; One of the standers-by guiding her thereto,
+she laid her head down upon the block, and stretched forth her body and
+said: 'Lord, into thy hands I commend my spirit!'&nbsp; And so she ended.<p align="center">&nbsp;<p align="center">
+<font size="2"><a href="relative/janegrey.html">
+to the Lady Jane Grey website</a></font><p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082605" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082605" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exmary.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exmary.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/exmary.html	(revision 18423)
@@ -0,0 +1,130 @@
+<html>
+
+<head>
+<meta name="content" content="Primary Sources: The execution of Mary, queen of Scots, 1587">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The execution of Mary, queen of Scots, 1587</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="exmary.gif" width="321" height="110"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8">
+<font size=-1>
+      <img border="1" src="relative/maryqos1565cr.jpg" align="left" width="175" height="236">Mary Stuart 
+      was executed on 8 February 1587 at Fotheringhay Castle, after a trial 
+      whose outcome forever troubled Queen Elizabeth I.</font><p>
+<font size=-1>This famous account of the execution was written by Robert 
+      Wynkfielde.</font></p>
+      <p><font size="-1">Accounts such as these, and woodcuts of the scene, were 
+      very popular throughout Europe.&nbsp; The great scandals of Mary's life 
+      were forgotten and she was mourned as a Catholic martyr.&nbsp; The truth 
+      of her demise was not so simple.&nbsp; Mary <i>did</i> plot against 
+      Elizabeth's life; and Elizabeth did consistently reject petitions to 
+      execute Mary over the 19-year course of her imprisonment.&nbsp; 
+      Eventually, however, the Catholic threat was deemed too great and 
+      Elizabeth reluctantly signed the warrant for execution.</font></p>
+      <p><br>
+
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+
+
+Her [Mary queen of Scots] prayers being ended, the executioners, kneeling,
+desired her Grace to forgive them her death: who answered, 'I forgive you
+with all my heart, for now, I hope, you shall make an end of all my troubles.'&nbsp;
+Then they, with her two women, helping her up, began to disrobe her of
+her apparel: then she, laying her crucifix upon the stool, one of the executioners
+took from her neck the <i>Agnus Dei</i>, which she, laying hands off it,
+gave to one of her women, and told the executioner he should be answered
+money for it.&nbsp; Then she suffered them, with her two women, to disrobe
+her of her chain of pomander beads and all other her apparel most willingly,
+and with joy rather than sorrow, helped to make unready herself, putting
+on a pair of sleeves with her own hands which they had pulled off, and
+that with some haste, as if she had longed to be gone.
+<br>All this time they were pulling off her apparel, she never changed
+her countenance, but with smiling cheer she uttered these words, 'that
+she never had such grooms to make her unready, and that she never put off
+her clothes before such a company.'
+<br>Then she, being stripped of all her apparel saving her petticoat and
+kirtle, her two women beholding her made great lamentation, and crying
+and crossing themselves prayed in Latin.&nbsp; She, turning herself to
+them, embracing them, said these words in French, 'Ne crie vous, j'ay prome
+pour vous', and so crossing and kissing them, bade them pray for her and
+rejoice and not weep, for that now they should see an end of all their
+mistress's troubles.
+<br>Then she, with a smiling countenance, turning to her men servants,
+as Melvin and the rest, standing upon a bench nigh the scaffold, who sometime
+weeping, sometime crying out aloud, and continually crossing themselves,
+prayed in Latin, crossing them with her hand bade them farewell, and wishing
+them to pray for her even until the last hour.
+<br>This done, one of the women having a <i>Corpus Christi </i>cloth lapped
+up three-corner-ways, kissing it, put it over the Queen of Scots' face,
+and pinned it fast to the caule of her head.&nbsp; Then the two women departed
+from her, and she kneeling down upon the cushion most resolutely, and without
+any token or fear of death, she spake aloud this Psalm in Latin, <i>In
+Te Domine confido, non confundar in eternam</i>, etc.&nbsp; Then, groping
+for the block, she laid down her head, putting her chin over the block
+with both her hands, which, holding there still, had been cut off had they
+not been espied.&nbsp; Then lying upon the block most quietly, and stretching
+out her arms cried, <i>In manus tuas, Domine</i>, etc., three or four times.&nbsp;
+Then she, lying very still upon the block, one of the executioners holding
+her slightly with one of his hands, she endured two strokes of the other
+executioner with an axe, she making very small noise or none at all, and
+not stirring any part of her from the place where she lay: and so the executioner
+cut off her head, saving one little gristle, which being cut asunder, he
+lift up her head to the view of all the assembly and bade <i>God save the
+Queen</i>.&nbsp; Then, her dress of lawn falling from off her head, it
+appeared as grey as one of threescore and ten years old, polled very short,
+her face in a moment being so much altered from the form she had when she
+was alive, as few could remember her by her dead face.&nbsp; Her lips stirred
+up and down a quarter of an hour after her head was cut off.
+<br>Then Mr Dean [Dr Fletcher, Dean of Peterborough] said with a loud voice,
+'So perish all the Queen's enemies,' and afterwards the Earl of Kent came
+to the dead body, and standing over it, with a loud voice said, 'Such end
+of all the Queen's and the Gospel's enemies.'
+<br>Then one of the executioners, pulling off her garters, espied her little
+dog which was crept under her clothes, which could not be gotten forth
+but by force, yet afterward would not depart from the dead corpse, but
+came and lay between her head and her shoulders, which being imbrued with
+her blood was carried away and washed, as all things else were that had
+any blood was either burned or washed clean, and the executioners sent
+away with money for their fees, not having any one thing that belonged
+unto her.&nbsp; And so, every man being commanded out of the hall, except
+the sheriff and his men, she was carried by them up into a great chamber
+lying ready for the surgeons to embalm her.<p>&nbsp;</p>
+
+<p align="center"><nt><font size="2">
+<a href="relative/maryqos.html">to the Mary, 
+queen of Scots website</a></font><p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082608" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082608" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/faq.html
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/faq.html	(revision 18423)
@@ -0,0 +1,1116 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<html>
+<head>
+  <meta name="page_topic"
+ content="16th century England Tudor England FAQ Frequently Asked Questions about Tudor England">
+  <meta name="content"
+ content="16th century England Tudor England FAQ Frequently Asked Questions about Tudor England">
+  <title>Tudor England FAQ: Frequently Asked Questions about Tudor
+England</title>
+  <meta content="Marilee Mongello" name="author">
+  <meta content="Microsoft FrontPage 5.0" name="GENERATOR">
+  <meta content="FrontPage.Editor.Document" name="ProgId">
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=windows-1252">
+  <meta http-equiv="Content-Language" content="en-us">
+  <style fprolloverstyle="">A:hover {color: #FF0000; font-weight: bold}
+  </style>
+</head>
+<body vlink="#0000FF" alink="#0000FF" link="#0000FF" bgcolor="#ffffff">
+<table height="601" cellpadding="3" width="100%" border="0">
+  <tbody>
+    <tr>
+      <td width="14%" height="2"><br>
+      </td>
+      <td valign="top" width="71%" height="2">
+      <p align="center"></p>
+      <br>
+      </td>
+      <td width="15%" height="2"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="14%" height="21"><br>
+      </td>
+      <td width="71%" height="21" bgcolor="#000000"><br>
+      </td>
+      <td width="15%" height="21"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="14%" height="610"><br>
+      </td>
+      <td valign="top" width="71%" bgcolor="#ffffff" height="610">
+      <p align="center"> 
+<br>      
+<img border="0"
+ src="faqnew.gif" width="621"
+ height="129" alt="Tudor England FAQ Frequently Asked Questions"></p>
+      <p align="center"><b><font face="Arial" size="2">Simply click on
+a question and you will be taken to the answer.</font></b></p>
+      <p align="center">&nbsp;</p>
+        <p>
+        <img border="2" src="imagesbw.jpg" align="left" alt="black-and-white version of the van de Passe etching of Queen Elizabeth I" width="200" height="313"><a name="Top"></a><b><font face="Arial" size="+1">General
+Questions</font></b><br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#One">Who were the
+Tudors?</a></font></b><br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Two">When did they rule
+England?</a></font></b><br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Three">Why are they so
+famous?</a></font></b><br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Four">What did they
+accomplish?</a></font></b><br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Five">Can you give me a
+brief history of Tudor England?</a></font></b></p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Tree">Where can I view
+the Tudor family tree?</a></font></b><br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Six">Where can I look
+at portraits of the Tudors?</a></font></b><br>
+        <a href="faq.html#Rose"><b><font
+ face="Helvetica, Arial, sans-serif">What is the 'Tudor Rose'?</font></b></a></p>
+        <p>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-nine">Does this
+website have a search engine?</a></font></b><br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fifty">I am quoting
+from this website for my paper / report.&nbsp; How do I correctly cite
+the source?<br>
+        </a><a href="faq.html#Update">When
+was the site last updated?<br>
+        </a></font></b></p>
+        <p><font face="Arial"><b><font size="+1"><br>Specific Questions</font></b></font><b><font face="Arial,Helvetica"><a
+ href="faq.html#Seven"><br>
+Was Henry VII really a miser?</a><a
+ href="faq.html#Eight"><br>
+Did Elizabeth of York really hate Henry VII?</a><a
+ href="faq.html#Nine"><br>
+Did Prince Arthur and Katharine of Aragon consummate their marriage?</a></font></b>
+        </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Ten">Why did Henry VIII
+have six wives?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Ten-a">Who were the six
+wives?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Eleven">Did Henry VIII
+really murder all his wives?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Eleven-a">What was the
+'King's Great Matter'?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Eleven-b">What was the
+Reformation?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Twelve">How did Henry
+VIII die?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"> <a
+ href="faq.html#Thirteen">How did
+Katharine of Aragon die?</a><br>
+        </font><font face="Arial"> <a
+ href="faq.html#Thirteena">Why do you
+spell Katharine's name as you do?</a>&nbsp; (And why do you spell
+Catherine Howard and Katharine Parr's differently?)</font></b></p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourteen">Was Anne
+Boleyn really a witch?&nbsp; Did she have an extra finger?&nbsp; Did
+she really commit adultery and have an incestuous affair with her
+brother?&nbsp; How many times was she pregnant as Queen?</a></font></b>
+        <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fifteen">Where is Anne
+Boleyn buried?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Sixteen">Did Jane
+Seymour die of complications from a Caesarean section?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Seventeen">Was Anne of
+Cleves really that ugly?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Eighteen">What happened
+to Anne of Cleves after Henry divorced her?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Nineteen">Did Catherine
+Howard commit adultery while Queen of England?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty">Where is
+Catherine Howard buried?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-one">How many
+times was Katharine Parr married?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-two">Was
+Katharine Parr imprisoned by Henry VIII?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-three">What
+happened to Henry VIII's sisters, Margaret and Mary Tudor?</a></font></b>
+        </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-four">Did Henry
+VIII execute a lot of people?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-five">Did Henry
+VIII have a legitimate reason to divorce Katharine of Aragon?</a></font></b>
+        </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-six">How did
+Edward VI die?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Six-a">Who is the 'Nine
+Days Queen'?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-seven">Did Lady
+Jane Grey want to be Queen of England?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-eight">Did Lady
+Jane Grey love her husband?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Twenty-nine">Where is
+Lady Jane Grey buried?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty">Why is Mary I
+called 'Bloody Mary'?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-a">Are there two
+Mary Tudors at this site?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-one">Did Mary I
+really hate her half-sister, Elizabeth?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-two">Was Mary I
+ever pregnant during her marriage to Philip of Spain?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-three">What were
+Mary I's last words?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-four">Where is
+Mary I buried?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-five">Was
+Elizabeth I truly a great queen - or did her ministers do all the work?</a></font></b>
+        <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-six">How smart
+was Elizabeth I?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-seven">Did
+Elizabeth ever plan to marry anyone?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-eight">Was
+Elizabeth really a 'Virgin Queen'?&nbsp; Did she have secret lovers
+and/or children?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Thirty-nine">Why is the
+1588 battle with the Spanish Armada so famous?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty">Why are there
+so many portraits of Elizabeth I?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-one">Where is
+Elizabeth I buried?</a></font></b> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-two">Why was
+Mary, queen of Scots a prisoner in England?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-two-a">How long
+was Mary, queen of Scots a prisoner in England?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-three">Are Mary,
+queen of Scots and Mary Tudor the same person?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-four">Why did
+Elizabeth I have Mary, queen of Scots killed?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-five">Was Mary,
+queen of Scots guilty of the crimes for which she was executed?</a></font></b>
+        <br>
+        <b><font face="Arial,Helvetica"> <a
+ href="faq.html#Fourty-six">Where is
+Mary, queen of Scots buried?</a><br>
+        <a href="faq.html#Fourty-sixa">Why
+is Mary, queen of Scots's last name sometimes spelled 'Stewart' and
+other times 'Stuart'?</a></font></b><a
+ href="faq.html#Fourty-sixa"> </a> </p>
+        <p><b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-seven">Why did
+Elizabeth I leave her throne to James I of Scotland?</a></font></b> <br>
+        <b><font face="Arial,Helvetica"><a
+ href="faq.html#Fourty-eight">What
+dynasty followed the Tudors?</a></font></b></p>
+      <blockquote>
+        <hr width="100%"> </blockquote>
+      <p><br>
+      <a name="One"></a><b><font face="Arial,Helvetica">Who were the
+Tudors?</font></b> <br>
+      <font face="Arial,Helvetica">The Tudors were a Welsh-English
+family that ruled England from 1485 to 1603.&nbsp; Henry Tudor was the
+son of Margaret Beaufort, who was descended from King Edward III
+through an illegitimate line, and Edmund Tudor, the son of Princess
+Catherine of Valois and her second husband, Owen Tudor.&nbsp; Through
+Catherine of Valois, Jasper was the half-brother of the last
+Lancastrian king, Henry VI.&nbsp; The Yorkist branch of the Plantagenet
+dynasty would eventually seize the throne from the incompetent Henry
+VI, but their reign ended when Richard III was killed at the battle of
+Bosworth Field on 22 August 1485.&nbsp; Henry Tudor then claimed the
+throne as King Henry VII.&nbsp; He promptly married Elizabeth of York,
+daughter of the only successful Yorkist king, Edward IV, and niece of
+Richard III.</font> <br>
+      <font face="Arial,Helvetica">Henry VII and Elizabeth of York's
+second son, three of their grandchildren and one of their
+great-grandchildren, would rule England as part of the Tudor
+dynasty.&nbsp; When their rule ended, the throne passed to the Scottish
+branch of their family - James I was the great-grandson of their
+daughter, Margaret Tudor.</font></p>
+      <p><font face="Arial,Helvetica">Visit <a
+ href="http://englishhistory.net/tudor/genealog.html">Tudor Genealogy</a>
+for more information.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Two"></a><b><font face="Arial,Helvetica">When did
+they rule England?</font></b> <br>
+      <font face="Arial,Helvetica">The Tudors ruled England from 1485
+to 1603.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Three"></a><b><font face="Arial,Helvetica">Why are
+they so famous?</font></b> <br>
+      <font face="Arial,Helvetica">The Tudors are famous because their
+dynasty was full of colorful characters and big events.&nbsp; Henry
+VIII and his six wives.... the English reformation.... the tragic tale
+of Lady Jane Grey.... the great intelligence of Elizabeth I and the
+artistic accomplishments of her reign....&nbsp; During the sixteenth
+century, England emerged from the medieval world.&nbsp; It was a time
+of great change, most notably it marked the end of the Catholic church
+in England.&nbsp; There was an attendant rise in nationalism, a new
+spirit of confidence and patriotism swept the country.&nbsp; Great
+naval exploits began the great English seafaring tradition.&nbsp;
+Whether as pirates or officers or explorers, Elizabethan sailors
+controlled the seas.&nbsp; And besides the political and religious
+changes, the Tudors themselves were interesting and complex people.</font>
+      <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Four"></a><b><font face="Arial,Helvetica">What did
+they accomplish?</font></b> <br>
+      <font face="Arial,Helvetica">The Tudors were able to establish
+England as a world power.&nbsp; They did so by positioning their
+country as a peace-maker between the dueling powers of France and
+Spain/the Holy Roman Empire.&nbsp; They also gave England a century of
+dynastic stability.&nbsp; With the exception of Lady Jane Grey's brief
+reign and Catholic attempts to place Mary, queen of Scots on Elizabeth
+I's throne, most Tudor monarchs came to the throne - and remained on
+the throne - unchallenged.&nbsp; This lengthy period of peace allowed
+England a much-needed respite from the Lancastrian-Yorkist wars.&nbsp;
+Government ran more efficiently; royal power replaced that of
+aristocrats and there was a uniform system of justice and taxation
+throughout the country.&nbsp; And, as always in times of peace, the
+arts flourished.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Five"></a><b><font face="Arial,Helvetica">Can you
+give me a brief history of Tudor England?</font></b> <br>
+      <font face="Arial,Helvetica">Tudor England began when Henry VII
+became king in 1485.&nbsp; There were five Tudor monarchs, not counting
+Lady Jane Grey who ruled for just nine days.&nbsp; The monarchs were,
+in order, Henry VII (ruled from 1485 to 1509), his son Henry VIII
+(ruled from 1509 to 1547), Edward VI, son of Henry VIII (ruled from
+1547 to 1553), Mary I, daughter of Henry VIII (ruled from 1553 to
+1558), and Elizabeth I, daughter of Henry VIII (ruled from 1558 to
+1603.)&nbsp; The most powerful Tudor monarchs were Henry VIII and
+Elizabeth I, though she was far more beloved of the English
+people.&nbsp; Both were powerful personalities who were able to control
+their squabbling councilors and answer the demands of an increasingly
+vocal Parliament.&nbsp; Under Henry VII, the English government came to
+be more stabilized and centralized.&nbsp; Under Henry VIII, English
+authority was tested on the Continent, though even military victories
+were too costly to maintain.&nbsp; A great victory over Scotland early
+in his reign (1513) was most notable; the attendant confusion of its
+northern neighbor was beneficial for England.&nbsp; Henry VIII's
+desperate quest for a legitimate heir led to <a
+ href="faq.html#Eleven-b">the
+Reformation</a>; this was the end of the Catholic church's authority in
+England.&nbsp; The king, unable to obtain an annulment, declared
+himself Supreme Head of a new English church.&nbsp; He also sold or
+destroyed most church property in England.&nbsp; His son, Edward VI,
+was just a child when he inherited the throne but already known for his
+piety and serious nature.&nbsp; His councilors continued to strengthen
+the Protestant state, but their plans were dashed when Edward died at
+16 years of age.&nbsp; An attempt to place his Protestant cousin, Lady
+Jane Grey, on the throne instead of the Catholic Princess Mary
+failed.&nbsp; Mary was declared queen to great acclaim; she was
+originally very popular even with the Protestants.&nbsp; But a policy
+of religious persecution, a hated marriage with Philip of Spain, and
+bad agricultural conditions (as well as the debt she had inherited from
+her father and brother) soon made Mary broken-hearted and
+disliked.&nbsp; She was succeeded by her half-sister, Elizabeth, who
+was a religious pragmatist and passionately devoted to her
+country.&nbsp; Elizabeth's policy of toleration was extended to both
+the religious and political spheres.&nbsp; Above all else, she avoided
+extremism at all costs.&nbsp; She often prevaricated over major
+decisions, unwilling to commit to an action before all diplomatic
+attempts failed.&nbsp; This infuriated many of her advisors, but it
+also gave her country the religious and political peace it needed to
+thrive.&nbsp; Her reign was marked by the great victory over the
+Spanish Armada in 1588, the artistic achievements of men such as
+Shakespeare and Bacon, and English exploration and colonization of
+North America.</font><br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+      <br>
+      </p>
+      <p><b><font face="Arial"><a name="Tree"></a>Where can I view the
+Tudor family tree?</font></b><br>
+      <font face="Arial">Visit the <a
+ href="genealogy.html">Tudor Genealogy</a>
+site.&nbsp; It has a graphic image of the family tree and a more
+detailed text genealogy.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font></p>
+      <p><br>
+      </p>
+      <p><a name="Six"></a><b><font face="Arial,Helvetica">Where can I
+look at portraits of the Tudors?</font></b> <br>
+      <font face="Arial,Helvetica">You can visit the <a
+ href="http://www.marileecody.com/images.html">Images</a> section of my
+site.&nbsp; You can also visit <a href="http://tudorhistory.org/">Tudorhistory.org</a>
+and <a href="http://www.tudor-portraits.com/">Tudor-portraits.com</a>.</font>&nbsp;<br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font>&nbsp;</p>
+      <p><br>
+      <b><font face="Helvetica, Arial, sans-serif"><a name="Rose"></a>What
+is the 'Tudor Rose'?<br>
+      </font></b><font face="Helvetica, Arial, sans-serif">The Tudor
+Rose is the most famous symbol of the Tudor dynasty. &nbsp;You can see
+a beautiful example of it on <a
+ href="http://englishhistory.net/tudor.html">the main page</a>.
+&nbsp;It shows the petals of a red rose enfolding the petals of a white
+rose. &nbsp;The red rose was the symbol of the House of Lancaster and
+the white rose was the symbol of the House of York. &nbsp;Henry VII was
+the first Tudor king and a Lancastrian. &nbsp;He married Princess
+Elizabeth of York. &nbsp; Their marriage was the literal union of both
+houses, symbolized by the new 'Tudor Rose'. &nbsp;Also, the Wars of the
+Roses were thus called because they represented the 15th century
+struggle between Lancaster and York for the throne of England. &nbsp;<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font><br>
+      </p>
+      <p align="center"> <img height="225"
+ alt="sketch of Henry Tudor while he was exiled in France"
+ src="henry7faq.jpg" width="165"
+ border="1"></p>
+      <p align="center"><font face="Arial" size="1">sketch of the
+future King Henry VII while he was exiled in France<br>
+      </font></p>
+      <p><a name="Seven"></a><b><font face="Arial,Helvetica">Was Henry
+VII really a miser?</font></b> <br>
+      <font face="Arial,Helvetica">Henry VII, the first Tudor king, was
+tight-fisted with money.&nbsp; His tax inspectors were notorious and
+despised.&nbsp; However, the English treasury was nearly empty after
+years of wars.&nbsp; Henry was determined to create a stable government
+and all governments need money to run.&nbsp; It became something of an
+obsession with him, particularly in his later years.&nbsp; But to his
+credit, he left a healthy treasury to his son and heir, Henry VIII -
+which the latter promptly spent.</font> </p>
+      <p><font face="Arial">To learn more about Henry VII, <a
+ href="monarchs/henry7.html">visit his
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Eight"></a><b><font face="Arial,Helvetica">Did
+Elizabeth of York really hate Henry VII?</font></b> <br>
+      <font face="Arial,Helvetica">Many authors have argued that
+Elizabeth hated Henry because he took the throne from her family and
+she was forced to marry him.&nbsp; But all the contemporary accounts I
+have read indicate they had a pleasant enough marriage.&nbsp; Henry VII
+never had an affair and he genuinely mourned her death in 1503.&nbsp;
+Elizabeth's life as queen was primarily domestic.&nbsp; Her motto
+'Humble and Reverent' sums up her character.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Nine"></a><b><font face="Arial,Helvetica">Did Prince
+Arthur and Katharine of Aragon consummate their marriage?</font></b> <br>
+      <font face="Arial,Helvetica">This question was very important
+during Henry VIII's reign.&nbsp; He said his marriage to Katharine
+should be annulled because she had been his brother's wife.&nbsp; He
+disregarded the papal dispensation which had given them permission to
+wed in 1509 by arguing that the Pope could not disregard the Bible
+itself.&nbsp; There are passages in Leviticus which specifically forbid
+a man taking his brother's wife as his own.&nbsp; Katharine swore that
+she and Arthur had never consummated their marriage, as did her duenna.</font>
+      <br>
+      <font face="Arial,Helvetica">I have to support Katharine of
+Aragon on this one; her marriage to Arthur probably wasn't
+consummated.&nbsp; They were both young and Arthur was already very
+ill.&nbsp; Also, Katharine was deeply pious; it is difficult to believe
+she would lie to a papal legate about such a thing.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> </p>
+      <p align="center"> <img height="204"
+ alt="portrait of King Henry VIII, c1542"
+ src="henry8faq1.jpg" width="165"
+ border="2"></p>
+      <p align="center"><font face="Arial" size="1">portrait of King
+Henry VIII, c1542<br>
+      </font>&nbsp; </p>
+      <p><a name="Ten"></a><b><font face="Arial,Helvetica">Why did
+Henry VIII have six wives?</font></b> <br>
+      <font face="Arial,Helvetica">Henry had six wives because....</font>
+      <br>
+      <font face="Arial,Helvetica">He had the first wife because he was
+betrothed to her by his father.&nbsp; He had the second wife because he
+fell in love and also needed a legitimate male heir.&nbsp; He had the
+third wife because he still needed a male heir.&nbsp; He had the fourth
+wife because of diplomatic reasons.&nbsp; He had the fifth wife because
+he fell in love again.&nbsp; He had the sixth wife because he was old
+and sick and grouchy and needed a companion and nurse who wouldn't give
+him too much trouble.</font></p>
+      <p><font face="Arial"><a
+ href="monarchs/wives.html">To learn
+more about Henry VIII's six wives, visit their website.</a><br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Ten-a"></a><b><font face="Arial,Helvetica">Who were
+the six wives?</font></b> <br>
+      <font face="Arial,Helvetica">They were (in order) Katharine of
+Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard and
+Katharine Parr.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Eleven"></a><b><font face="Arial,Helvetica">Did Henry
+VIII really murder all his wives?</font></b> <br>
+      <font face="Arial,Helvetica">No, only two of the six wives were
+executed - the second wife, Anne Boleyn, and the fifth wife, Catherine
+Howard.&nbsp; His first wife died of natural causes.&nbsp; His third
+wife died from childbirth complications.&nbsp; His fourth wife was
+divorced and outlived him.&nbsp; And the sixth wife outlived him as
+well.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Eleven-a"></a><b><font face="Arial,Helvetica">What
+was the 'King's Great Matter'?</font></b> <br>
+      <font face="Arial,Helvetica">This refers to Henry VIII's attempts
+to annul his marriage Katharine of Aragon and marry Anne Boleyn.&nbsp;
+It consumed several years of his reign. &nbsp;</font><small><small><small><small><small><big><big><big><font
+ face="Helvetica, Arial, sans-serif"><br>
+      <font size="3">It also involved the dissolution of all Catholic
+monasteries in England.</font></font></big></big></big></small></small></small></small></small><br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Eleven-b"></a><b><font face="Arial,Helvetica">What
+was the Reformation?</font></b> <br>
+      <font face="Arial,Helvetica">The Reformation refers to a period
+in the early 16th century in which the Roman Catholic Church was
+challenged by a new form of Christianity collectively known as
+Protestantism.&nbsp; The Catholic Church was both a religious and
+political institution; by the 16th century, corruption was widespread
+and many Christians were disappointed in the excesses and abuses of
+church leaders.</font> <br>
+      <font face="Arial,Helvetica">The Reformation began in 1517 when a
+German priest named Martin Luther posted his Ninety-five Theses on the
+door of a royal church in Wittenberg.&nbsp; Luther did not want to
+start a new religion; he merely wanted to reform the papacy.&nbsp;
+However, a few years later, Pope Leo X excommunicated him.&nbsp;
+Luther's main philosophical idea was 'justification by faith', the idea
+that salvation is granted as a gift through God's grace and not through
+a priestly intermediary.&nbsp; He also advocated marriage for the
+clergy.&nbsp; His ideas were revolutionary and scandalous, but also
+very popular.&nbsp; They represented an attempt to bring religious
+faith back to the people and end long-standing corruption within the
+church.&nbsp; But the doctrine of 'justification by faith' also sharply
+curtailed the church's power over spirituality, making it a matter of
+personal debate and belief.&nbsp; As Lady Jane Grey, the Nine Days'
+Queen of England, wrote of her Protestant faith in 1554, 'I ground my
+faith upon God's word, and not upon the church....&nbsp; The faith of
+the church must be tried by God's word, and not God's word by the
+church; neither yet my faith.'</font> <br>
+      <font face="Arial,Helvetica">In England, the Reformation was
+mainly associated with Henry VIII's attempts to annul his marriage to
+Katharine of Aragon.&nbsp; When the papacy refused to annul their union
+due to the political pressure of Katharine's nephew, Holy Roman Emperor
+Charles V, Henry was outraged.&nbsp; He spent several years attempting
+to persuade the pope to change his mind.&nbsp; In the end, he simply
+declared himself Supreme Head of the Church of England and confiscated
+all church lands and money in his country.&nbsp; This is known to
+history as 'the dissolution of the monasteries.' &nbsp;However, Henry
+VIII remained a spiritual Catholic; he disliked Luther's ideas and was
+never a Protestant himself.&nbsp; He simply rejected Roman Catholic
+influence in England.&nbsp; But he had unwittingly opened up the door
+to dramatic changes.&nbsp; From 1533 onwards, the influence of the
+Roman Catholic Church in England declined while the new ideas of the
+Reformation began to slowly gain adherents.&nbsp; The resulting
+religious convulsions would consume most of Europe for the entire
+century.&nbsp; In Tudor England, the conflict between the old faith and
+the new consumed its rulers.&nbsp; Henry VIII was a lapsed Catholic;
+his successor Edward VI was a devout Protestant; his successor Mary I
+was a devout Catholic; her successor Elizabeth I was, understandably
+enough, a religious pragmatist.&nbsp; However, she came into conflict
+with her Catholic cousin, Mary, queen of Scots.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twelve"></a><b><font face="Arial,Helvetica">How did
+Henry VIII die?</font></b> <br>
+      <font face="Arial,Helvetica">Henry had been in ill health for
+some time.&nbsp; He was obese and this led to many complications in his
+health, such as fevers, headaches and ulcers.&nbsp; He died on 28
+January 1547 after suffering through a bad fever; he was bled during
+his illness, which undoubtedly contributed to his death.</font></p>
+      <p><font face="Arial"><a
+ href="monarchs/henry8.html">To learn
+more about Henry VIII's life, visit his website.</a><br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirteen"></a><b><font face="Arial,Helvetica">How did
+Katharine of Aragon die?</font></b> <br>
+      <font face="Arial,Helvetica">Contrary to rumor, Katharine was not
+poisoned by Henry VIII.&nbsp; If he had been that ruthless, he would
+have killed her years before and saved himself the whole trouble of his
+'Great Matter'.&nbsp; Most historians believe she died of cancer.</font></p>
+      <p><font face="Arial">To learn more about Katharine of Aragon, <a
+ href="monarchs/aragon.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp;</p>
+      <p><a name="Thirteena"></a><b><font face="Arial"> Why do you spell
+Katharine's name as you do?&nbsp; (And why do you spell Catherine
+Howard and Katharine Parr's differently?)</font></b><font face="Arial"><br>
+I spell Katharine of Aragon's name as it is spelled on her tomb at
+Peterborough.&nbsp; I chose to spell Catherine Howard's with a 'C'
+because it's spelled thus by LB Smith in his biography of Henry VIII's
+fifth queen.&nbsp; Katharine Parr's name is spelled that way to differentiate 
+      her from the wife who preceded her.</font><font
+ size="-2"><a href="faq.html#Top"><br>
+TOP</a></font> <br>
+&nbsp;</p>
+      <p><a name="Fourteen"></a><b><font face="Arial,Helvetica">Was
+Anne Boleyn really a witch?&nbsp; Did she have an extra finger?&nbsp;
+Did she really commit adultery and have an incestuous affair with her
+brother?&nbsp; How many times was she pregnant as Queen?</font></b> <br>
+      <font face="Arial,Helvetica">No, Anne Boleyn was not a
+witch.&nbsp; Yes, she did have a small growth on one hand which some
+have called an extra finger.&nbsp; No, she did not commit adultery or
+have an incestuous affair with her brother.&nbsp; Even her enemies
+admitted the charges were false, simply used as excuses to execute
+her.&nbsp; She was pregnant at least three times, but only gave birth
+to one living child - a baby girl who would grow up to be Elizabeth I.</font></p>
+      <p><font face="Arial">To learn more about Anne Boleyn, <a
+ href="monarchs/boleyn.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fifteen"></a><b><font face="Arial,Helvetica">Where is
+Anne Boleyn buried?</font></b> <br>
+      <font face="Arial,Helvetica">Anne Boleyn is buried at the chapel
+of St Peter ad Vincula at the Tower of London.&nbsp; She is not buried
+in a regular coffin, however, since one was not provided; instead, her
+body was forced into an old arrow chest.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font></p>
+      <p align="center"> <img height="165"
+ alt="miniature portrait of Jane Seymour by Lucas Horenbout"
+ src="seymourfaq.jpg" width="166"
+ border="0"></p>
+      <p align="center"><font face="Arial" size="1">miniature portrait
+of Jane Seymour by Lucas Horenbout<br>
+      </font>&nbsp; </p>
+      <p><a name="Sixteen"></a><b><font face="Arial,Helvetica">Did Jane
+Seymour die of complications from a Caesarean section?</font></b> <br>
+      <font face="Arial,Helvetica">This rumor has been around for a
+long time, but it's not true.&nbsp; Jane actually lived several days
+after the birth of her son, Edward, and was able to greet
+well-wishers.&nbsp; But she soon succumbed to a violent fever and
+died.&nbsp; Most historians believe she died from puerperal sepsis, an
+infection which killed many new mothers.&nbsp; Keep in mind that, even
+today, childbirth is a dangerous and bloody business.&nbsp; In the 16th
+century, standards of hygiene were very lax.&nbsp; Puerperal sepsis
+caused severe fevers and delusions; it was almost always fatal.</font> <br>
+      <font face="Arial,Helvetica">Henry VIII's sixth wife, Katharine
+Parr, would also die from it.</font> </p>
+      <p><font face="Arial">To learn more about Jane Seymour, <a
+ href="monarchs/seymour.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Seventeen"></a><b><font face="Arial,Helvetica">Was
+Anne of Cleves really that ugly?</font></b> <br>
+      <font face="Arial,Helvetica">It's ironic to me that, of all of
+Henry's six wives, the one who is most attractive to modern eyes is the
+one he divorced for being a 'Flanders mare'.&nbsp; You can <a
+ href="http://www.marileecody.com/images.htmll">look at portraits of
+Anne</a> (one is below this answer) and decide for yourself.&nbsp; It
+was probably a simple case of 'chemistry', or a lack thereof.&nbsp; You
+want to kiss some people and you don't want to kiss others - why?&nbsp;
+Henry VIII simply wasn't attracted to her but that doesn't mean she was
+ugly; it simply means she wasn't his type.</font></p>
+      <p><font face="Arial">To learn more about Anne of Cleves, <a
+ href="monarchs/cleves.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font></p>
+      <p align="center"> <img height="163"
+ alt="miniature portrait of Anne of Cleves by Hans Holbein"
+ src="clevesfaq.jpg" width="166"
+ border="0"></p>
+      <p align="center"><font face="Arial" size="1">miniature portrait
+of Anne of Cleves by Hans Holbein</font>&nbsp; </p>
+      <p><a name="Eighteen"><br>
+      </a><b><font face="Arial,Helvetica">What happened to Anne of
+Cleves after Henry divorced her?</font></b> <br>
+      <font face="Arial,Helvetica">Anne remained in England, where she
+was treated with great respect and honor.&nbsp; Henry called her his
+'sister' and she was given lots of money and lands in their divorce
+settlement.&nbsp; She came to court regularly and enjoyed the life of
+an independent, wealthy woman.&nbsp; She also became quite fond of
+English beer.&nbsp; I think we can agree that she was probably the
+happiest of the six wives.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Nineteen"></a><b><font face="Arial,Helvetica">Did
+Catherine Howard commit adultery while Queen of England?</font></b> <br>
+      <font face="Arial,Helvetica">Probably.&nbsp; You can read her
+letter to Thomas Culpeper <a
+ href="letter13.html">here</a>.</font> </p>
+      <p><font face="Arial">To learn more about Catherine Howard, <a
+ href="monarchs/howard.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty"></a><b><font face="Arial,Helvetica">Where is
+Catherine Howard buried?</font></b> <br>
+      <font face="Arial,Helvetica">She is buried at the chapel of St
+Peter ad Vincula, along with her cousin Anne Boleyn and other victims
+of Henry VIII.</font><br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty-one"></a><b><font face="Arial,Helvetica">How
+many times was Katharine Parr married?</font></b> <br>
+      <font face="Arial,Helvetica">Katharine was married four
+times.&nbsp; Henry VIII was her third husband.&nbsp; She had one child
+with her fourth husband, and died of puerperal sepsis shortly
+afterwards.</font> </p>
+      <p><font face="Arial">To learn more about Katharine Parr, <a
+ href="monarchs/parr.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty-two"></a><b><font face="Arial,Helvetica">Was
+Katharine Parr imprisoned by Henry VIII?</font></b> <br>
+      <font face="Arial,Helvetica">Almost, but her quick wit and
+instinct for survival saved her.&nbsp; Religious conservatives at
+Henry's court attempted to persuade the king his wife was a
+heretic.&nbsp; After being lectured one too many times on religious
+matters by Katharine, Henry was inclined to agree.&nbsp; Katharine was
+warned of the plot and, without letting on to the king, told him she
+was grateful to talk about such matters with him so he could guide her
+in the correct direction.&nbsp; His ego soothed, the king again favored
+her.&nbsp; When guards came to arrest Katharine, Henry personally
+berated them and protected her.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty-three"></a><b><font face="Arial,Helvetica">What
+happened to Henry VIII's sisters, Margaret and Mary Tudor?</font></b> <br>
+      <font face="Arial,Helvetica">Margaret married the king of
+Scotland, James IV, and upon his death, she married the earl of
+Angus.&nbsp; Mary wed the king of France and, upon his death, she wed
+the duke of Suffolk.</font></p>
+      <p><font face="Arial">To learn more about Mary Tudor, <a
+ href="citizens/brandon.html">visit her
+website</a>.&nbsp; To learn more about Margaret Tudor, <a
+ href="relative/margaret.html">visit
+her website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty-four"></a><b><font face="Arial,Helvetica">Did
+Henry VIII execute a lot of people?</font></b> <br>
+      <font face="Arial,Helvetica">He executed a lot of people on
+trumped-up charges, or what is commonly termed 'judicial murder'.&nbsp;
+He was very capricious and tyrannical, particularly as he grew
+older.&nbsp; He was also sensitive to other claims on the Tudor throne;
+for that reason, he imprisoned or executed most of his Plantagenet
+relatives.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty-five"></a><b><font face="Arial,Helvetica">Did
+Henry VIII have a legitimate reason to divorce Katharine of Aragon?</font></b>
+      <br>
+      <font face="Arial,Helvetica">Yes.&nbsp; Other queens were
+divorced for a lot less.&nbsp; The annulment would have been granted if
+Katharine's nephew had not been Holy Roman Emperor.&nbsp; His position
+gave him great influence over papal policy.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty-six"></a><b><font face="Arial,Helvetica">How
+did Edward VI die?</font></b> <br>
+      <font face="Arial,Helvetica">Edward died of tuberculosis.&nbsp;
+Recently, historians and doctors suggested that it may have been
+complicated by measles.</font></p>
+      <p><font face="Arial,Helvetica">To learn more about Edward VI, <a
+ href="monarchs/edward6.html">visit his
+website</a>.</font><br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Six-a"></a><b><font face="Arial,Helvetica">Who is the
+'Nine Days Queen'?</font></b> <br>
+      <font face="Arial,Helvetica">The description refers to Lady Jane
+Grey, the Tudor cousin who ruled England for just nine days in
+1553.&nbsp; She was later executed by Mary I.</font></p>
+      <p><font face="Arial">To learn more about Lady Jane Grey, <a
+ href="relative/janegrey.html">visit
+her website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty-eight"></a><b><font face="Arial,Helvetica">Did
+Lady Jane Grey want to be Queen of England?</font></b> <br>
+      <font face="Arial,Helvetica">No, she did not.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Twenty-nine"></a><b><font face="Arial,Helvetica">Did
+Lady Jane Grey love her husband?</font></b> <br>
+      <font face="Arial,Helvetica">No, quite the contrary.&nbsp; By all
+accounts, she disliked Guildford and refused to have him crowned king,
+though she appreciated his newfound maturity and composure upon their
+imprisonment.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p align="left"><a name="Twenty-nine"></a><b><font
+ face="Arial,Helvetica">Where is Lady Jane Grey buried?</font></b> <br>
+      <font face="Arial,Helvetica">At the chapel of St Peter ad
+Vincula, alongside Anne Boleyn and Catherine Howard.&nbsp; As at Anne's
+execution, there was no coffin provided for Jane's corpse.&nbsp; Her
+body lay beside the block for several hours before someone finally
+found a coffin.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> </p>
+      <p align="center"><br>
+      <img height="213"
+ alt="Mary Tudor as princess of England, by Master John, 1544"
+ src="mary1faq.jpg" width="165"
+ border="2"></p>
+      <p align="center"><font face="Arial" size="1">portrait of
+Princess Mary Tudor in 1544, by Master John</font></p>
+      <p></p>
+      <p><a name="Thirty"></a><b><font face="Arial,Helvetica">Why is
+Mary I called 'Bloody Mary'?</font></b> <br>
+      <font face="Arial,Helvetica">Several hundred Protestants were
+burned as heretics during her reign.&nbsp; Hence, she is called 'Bloody
+Mary'.</font></p>
+      <p><font face="Arial">To learn more about Mary I, <a
+ href="monarchs/mary1.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-a"></a><b><font face="Arial,Helvetica">Are
+there two Mary Tudors at this site?</font></b> <br>
+      <font face="Arial,Helvetica">Yes, one is Mary Tudor, sister of
+Henry VIII.&nbsp; The other is Mary Tudor, daughter of Henry VIII.</font>
+      <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-one"></a><b><font face="Arial,Helvetica">Did
+Mary I really hate her half-sister, Elizabeth?</font></b> <br>
+      <font face="Arial,Helvetica">Yes.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-two"></a><b><font face="Arial,Helvetica">Was
+Mary I ever pregnant during her marriage to Philip of Spain?</font></b>
+      <br>
+      <font face="Arial,Helvetica">No.</font>&nbsp; <font
+ face="Arial,Helvetica">She thought she was pregnant - she hoped she
+was - but it was probably an 'hysterical pregnancy'.&nbsp; Her
+menstrual cycle was always irregular and she had a distended stomach,
+possibly from a tumor.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-three"></a><b><font face="Arial,Helvetica">What
+were Mary's last words?</font></b> <br>
+      <font face="Arial,Helvetica">It is rumored she said that if her
+body was cut open, the words 'Calais' and 'Philip' would be found
+engraved upon her heart.&nbsp; It is an apocryphal story.&nbsp; Calais
+was the last English outpost on the continent, lost during her reign,
+and Philip was the beloved husband who had abandoned her.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-four"></a><b><font face="Arial,Helvetica">Where
+is Mary I buried?</font></b> <br>
+      <font face="Arial,Helvetica">In Westminster Abbey, beside her
+half-sister, Elizabeth I.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-five"></a><b><font face="Arial,Helvetica">Was
+Elizabeth I truly a great queen - or did her ministers do all the work?</font></b>
+      <br>
+      <font face="Arial,Helvetica">She was truly a great queen.&nbsp;
+Though she had good ministers, chief among them William Cecil,
+Elizabeth - like her father - was always in charge.</font></p>
+      <p><font face="Arial">To learn more about Elizabeth I, <a
+ href="monarchs/eliz.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font></p>
+      <p align="center"> <img height="217"
+ alt="the Armada Portrait of Queen Elizabeth I, by George Gower"
+ src="eliz2faq.jpg" width="165"
+ border="2"></p>
+      <p align="center"><font face="Arial" size="1">The Armada Portrait
+of Queen Elizabeth I, by George Gower<br>
+      </font>&nbsp; </p>
+      <p><a name="Thirty-six"></a><b><font face="Arial,Helvetica">How
+smart was Elizabeth I?</font></b> <br>
+      <font face="Arial,Helvetica">Very smart.&nbsp; She was
+undoubtedly one of the most (if not the most) intelligent monarchs to
+rule England.&nbsp; She was always a dedicated scholar and genuinely
+loved to study and learn.&nbsp; Her tutor Roger Ascham, and indeed
+everyone who met her, recognized and commented upon her
+intelligence.&nbsp; Of course, this was believed to be a 'masculine'
+trait and only acceptable because of her special position as queen.</font>
+      <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-seven"></a><b><font face="Arial,Helvetica">Did
+Elizabeth ever plan to marry anyone?</font></b> <br>
+      <font face="Arial,Helvetica">Probably not.&nbsp; She used
+marriage negotiations as political tools, and she personally loved
+Robert Dudley.&nbsp; But she was never enthusiastic about the prospect
+of marriage.&nbsp; And who can blame her?&nbsp; After the disastrous
+examples of her father and half-sister, Elizabeth had no reason to
+equate marriage with personal happiness.&nbsp; She also realized that
+any marriage would end her authority as queen in her own right.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-eight"></a><b><font face="Arial,Helvetica">Was
+Elizabeth really a 'Virgin Queen'?&nbsp; Did she have secret lovers
+and/or children?</font></b> <br>
+      <font face="Arial,Helvetica">She was probably a virgin.&nbsp;
+It's difficult to imagine any secret affair remaining secret for
+long.&nbsp; And birth control was tricky and untrustworthy in the 16th
+century.&nbsp; She knew that any affair would risk a pregnancy - and
+that would destroy her life.&nbsp; Furthermore, it is worth noting
+Elizabeth's own strict and methodical character, and the disdain she
+showed for women who could not control their feelings or appreciate the
+consequences of their actions.&nbsp; Consider her opinions of her two
+cousins, Mary, queen of Scots and Catherine Grey.&nbsp; Both rushed
+into hasty, inappropriate and passionate unions and both had disastrous
+results.&nbsp; Elizabeth looked down upon them both, remarking that
+they would do well to remember their high positions in life and its
+attendant responsibilities.</font> <br>
+      <font face="Arial,Helvetica">She lamented her lost opportunities
+for love and a family of her own.&nbsp; But she was queen and it was an
+exalted and lonely position.</font> <br>
+      <font face="Arial,Helvetica">No, she never had children.&nbsp;
+It's fun to read theories that she was the mother of Bacon - or
+Shakespeare - or was even Shakespeare himself.... but could she really
+keep a pregnancy secret?&nbsp; Foreign ambassadors paid her servants to
+learn every intimate detail of her life.&nbsp; Upon hearing some gossip
+about her relationship with Dudley, Elizabeth observed that a thousand
+eyes were always upon her so how could she do anything scandalous?</font>
+      <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Thirty-nine"></a><b><font face="Arial,Helvetica">Why
+is the 1588 battle with the Spanish Armada so famous?</font></b> <br>
+      <font face="Arial,Helvetica">Because England was a small nation
+with a little navy and they were facing the greatest power in the
+world.&nbsp; And they defeated it, with help from Mother Nature.&nbsp;
+It marked the beginning of England's mastery of the seas.&nbsp; The
+great history of the English navy began, as did serious English
+exploration and colonization.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty"></a><b><font face="Arial,Helvetica">Why are
+there so many portraits of Elizabeth I?</font></b> <br>
+      <font face="Arial,Helvetica">Because she ruled for such a long
+time (45 years) and because she understood the value of
+propaganda.&nbsp; Her portraits were iconographic; they represented the
+queen in all her majesty, triumphant and beautiful.&nbsp; They
+symbolized the confidence and pride of her nation.&nbsp; It was also a
+sign of loyalty to have portraits of the queen in your house.&nbsp;
+Many nobles commissioned portraits, or copies of official portraits.</font></p>
+      <p><font face="Arial">To view portraits of Elizabeth I, with
+commentary, <a href="http://www.marileecody.com/eliz1-images.html">visit
+the Elizabethan Images webpage</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty-one"></a><b><font face="Arial,Helvetica">Where
+is Elizabeth I buried?</font></b> <br>
+      <font face="Arial,Helvetica">In Westminster Abbey, beside her
+half-sister Mary I.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty-two"></a><b><font face="Arial,Helvetica">Why
+was Mary, queen of Scots a prisoner in England?</font></b> <br>
+      <font face="Arial,Helvetica">Mary fled to England after losing a
+battle against her Scottish foes.&nbsp; She was seeking Elizabeth's aid
+in restoring her to the throne of Scotland.</font></p>
+      <p><font face="Arial">To learn more about Mary, queen of Scots, <a
+ href="relative/maryqos.html">visit her
+website</a>.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty-two-a"></a><b><font face="Arial,Helvetica">How
+long was Mary, queen of Scots a prisoner in England?</font></b> <br>
+      <font face="Arial,Helvetica">Mary was imprisoned from 1568 to
+1587.&nbsp; She was just 25 years old when she arrived in England and
+44 years old when she was executed.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font></p>
+      <p align="center"> <img height="244"
+ alt="portrait of Mary, queen of Scots, c1558"
+ src="maryqosfaq.jpg" width="165"
+ border="2"></p>
+      <p align="center"><font face="Arial" size="1">portrait of Mary,
+queen of Scots, c1558<br>
+      </font>&nbsp; </p>
+      <p><a name="Fourty-two"></a><b><font face="Arial,Helvetica">Are
+Mary, queen of Scots and Mary Tudor the same person?</font></b> <br>
+      <font face="Arial,Helvetica">No.&nbsp; Mary Tudor was Henry
+VIII's sister.&nbsp; Mary, queen of Scots was the granddaughter of
+Margaret Tudor, Henry VIII's sister.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty-three"></a><b><font face="Arial,Helvetica">Why
+did Elizabeth I have Mary, queen of Scots killed?</font></b> <br>
+      <font face="Arial,Helvetica">Because she was conniving to have
+Elizabeth assassinated and herself made queen of England.&nbsp; In
+fairness to Mary, she only began plotting after being imprisoned for
+several years and it was clear she would never be released.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty-four"></a><b><font face="Arial,Helvetica">Was
+Mary, queen of Scots guilty of the crimes for which she was executed?</font></b>
+      <br>
+      <font face="Arial,Helvetica">Yes, probably.&nbsp; She even
+admitted to plotting against Elizabeth, but said it was only to gain
+her freedom.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty-six"></a><b><font face="Arial,Helvetica">Where
+is Mary, queen of Scots buried?</font></b> <br>
+      <font face="Arial,Helvetica">In Westminster Abbey.&nbsp; Her body
+was moved there by her son, James, who became king of England in 1603.</font>
+      <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font></p>
+      <p><b><font face="Arial,Helvetica"><br>
+      <a name="Fourty-sixa"></a>Why is Mary, queen of Scots's last name
+sometimes spelled 'Stewart' and other times 'Stuart'?<br>
+      </font></b> <font face="Arial">In Scotland, her family name was
+spelled 'Stewart'.&nbsp; However, Mary was half-French and spent her
+formative years in France.&nbsp; Therefore, she adopted the French
+spelling of Stewart, which was 'Stuart'.&nbsp; (She also signed her
+name 'Marie', which was the French spelling of her first name.)</font><br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font></p>
+      <p><br><a name="Fourty-seven"></a><b><font face="Arial,Helvetica">Why
+did Elizabeth I leave her throne to James I of Scotland?</font></b> <br>
+      <font face="Arial,Helvetica">James was Elizabeth's closest male
+relative.&nbsp; He was part Tudor as well, being the great-grandson of
+Margaret Tudor, eldest daughter of the first Tudor king, Henry VII.</font>
+      <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty-eight"></a><b><font face="Arial,Helvetica">What
+dynasty followed the Tudors?</font></b> <br>
+      <font face="Arial,Helvetica">The Stuart dynasty followed the
+Tudors, so called because their family name was Stuart/Stewart.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fourty-nine"></a><b><font face="Arial,Helvetica">Does
+this website have a search engine?</font></b> <br>
+      <font face="Arial,Helvetica">Yes, it does.&nbsp; <a
+ href="search.html">Click here</a> to
+visit the Tudor England search engine.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp; </p>
+      <p><a name="Fifty"></a><b><font face="Arial,Helvetica">I am
+quoting from this website for my paper / report.&nbsp; How do I
+correctly cite the source?</font></b> <br>
+      <font face="Arial,Helvetica">The correct format is based upon
+both the Turabian/Chicago and MLA styles.</font> <br>
+      <font face="Arial,Helvetica">Here is an example:</font> <br>
+      <font face="Arial,Helvetica">Hanson, Marilee. "Contemporary
+Descriptions of Anne Boleyn." <i>EnglishHistory.net.</i> 2004.
+http://englishhistory.net/tudor/annedesc.html (11 April 2004).</font> <br>
+      <font face="Arial,Helvetica" size="-1">Please note: you must use
+the year and date you read the source.</font> <br>
+      <font size="-2"><a
+ href="faq.html#Top">TOP</a></font> <br>
+&nbsp;<br>
+      </p>
+      <p><font face="Helvetica, Arial, sans-serif"><b><a name="Update"></a>When
+was the site last updated?</b><br>
+Please visit the <a href="news.html">Site
+News</a> page for the last update. &nbsp;I don't post routine
+maintenance there, only significant additions to the website.<br>
+      </font><font size="-2"><a
+ href="faq.html#Top">TOP</a></font></p>
+      <p><br>
+      </p>
+      <blockquote>
+        <hr width="100%" size="2">
+        <center>
+        <p><font face="Arial,Helvetica" size="-1"><a
+ href="http://englishhistory.net/tudor.html">to Tudor England</a></font></p>
+        </center>
+      </blockquote>
+      </td>
+      <td width="15%" height="610"><br>
+      </td>
+    </tr>
+  </tbody>
+</table>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082531" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082531" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/films.html
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+<html>
+
+<head>
+<meta name="content" content="films set in 16th century England and Europe">
+<meta name="page_topic" content="films set in 16th century England and Europe">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor England: Films</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%">
+      <p align="center">
+      <img border="0" src="films.gif" width="302" height="105" alt="Tudor England: Films"></p>
+      <blockquote>
+        <hr>
+        <p align="center">Information about new Tudor-related films can be found 
+        at <a href="media.html">Tudor Media News</a>.</p>
+        <hr>
+        <p>
+      <font face="Times New Roman">There have been many films made about the fascinating Tudors and they 
+      range from the sublime to the truly awful, rather like the many 
+      biographies which fill bookstores and bore readers.</font></p>
+        </blockquote>
+        <p align="center">
+      <img border="1" src="relative/maryqos-film.jpg" alt="Vanessa Redgrave and Timothy Dalton as Mary and Darnley from 1971's 'Mary Queen of Scots'" width="280" height="247"><br>
+      <font size="1">Vanessa 
+      Redgrave and Timothy Dalton as Mary and Darnley from 1971's 'Mary Queen of 
+      Scots'</font></p>
+      <blockquote>
+        <p>
+      <font face="Times New Roman"><br>Now if I could make a Tudor film, it would be 
+      a remake of 1971's 'Mary, Queen of Scots' (shown above) with Cate Blanchett as Elizabeth 
+      and Gwyneth Paltrow as Mary.&nbsp; Sadly, no one seems willing to loan me 
+      the money for such a project.....</font></p>
+        <p>
+      &nbsp;</p>
+        </blockquote>
+      <DIV style="TEXT-ALIGN: center">
+      <P><FONT size=-1 face="Times New Roman"><A href="http://englishhistory.net/tudor.html">to Tudor 
+      England: Contents</A></FONT></P></DIV>
+        <p align="center">
+      &nbsp;</p>
+        <blockquote>
+      <p align="left">&nbsp;</p>
+      </blockquote>
+      <p align="center">&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+        <p>
+      <font face="Times New Roman">The films are 
+      listed in chronological order and this list is not definitive.</font></p>
+        <p>
+      <font face="Times New Roman">
+      <IMG height=231 
+      alt="Joseph Fiennes and Cate Blanchett in 1998's 'Elizabeth'" 
+      src="films3.jpg" width=150 border=1 align="left"></font></p>
+
+      <P><font face="Times New Roman"><A href="http://us.imdb.com/Title?0282100">THE PRINCE 
+      AND THE PAUPER (1909 through 2000)</A> <BR><FONT size=-1>There 
+      have been numerous adaptations of the classic Mark Twain novel which 
+      begins during the final days of Henry VIII's reign.&nbsp; This link will 
+      take you to the most recent version.</FONT> <BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0024473">THE PRIVATE LIFE OF HENRY VIII 
+      (1933)</A></FONT> <BR><FONT size=-1>This film stars the great 
+      Charles Laughton as King Henry and beautiful Merle Oberon as Anne Boleyn.&nbsp; 
+      It's the first 'Tudor movie' I ever watched and still one of the best.&nbsp; 
+      It can be purchased on video.&nbsp; Interesting note - Laughlin's 
+      real-life wife, Elsa Lanchester, plays Anne of Cleves.&nbsp; The two later 
+      co-starred in Billy Wilder's superb adaptation of Agatha Christie's 
+      'Witness for the Prosecution', - check it out, it's a fun, suspenseful 
+      film with a different twist ending from the book.</FONT><BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0027948">MARY OF SCOTLAND 
+      (1936)</A></FONT> <BR><FONT size=-1>This film is based upon a 
+      Maxwell Anderson play, and stars Katharine Hepburn as Mary Stuart and the 
+      great Fredric March as Bothwell.&nbsp; It was directed by John Ford.&nbsp; 
+      It can't be purchased; check the cable listings.</FONT> <BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><A href="http://us.imdb.com/Title?0028872">FIRE OVER 
+      ENGLAND (1937)</A> <BR><FONT size=-1>Vivien Leigh and Laurence 
+      Olivier play lovers against the backdrop of Anglo-Spanish intrigue, with 
+      Flora Robson as Queen Elizabeth I.&nbsp; This is a nice, swashbuckling 
+      romance with intrigue and intelligent dialogue.&nbsp;</FONT> <BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0031826">THE PRIVATE LIVES OF ELIZABETH AND 
+      ESSEX (1939)</A></FONT> <BR><FONT size=-1>also called 
+      <I>Elizabeth and Essex </I>and <I>Elizabeth the Queen</I></FONT> <BR><FONT 
+      size=-1>This film is based upon the Maxwell Anderson play, as was <I>Anne 
+      of the Thousand Days</I> (below) and <I>Mary of Scotland</I> 
+      (above).&nbsp; It has an interesting cast - Bette Davis in her first 
+      incarnation as Queen Elizabeth, the great Errol Flynn as Essex, and Vincent Price 
+      (before he was typecast in horror films) as 
+      Walter Raleigh.&nbsp; It can't be purchased; check the cable 
+      listings.</FONT> <BR>&nbsp; </font> </P>
+      <P>
+      <font face="Times New Roman">
+      <IMG height=224 
+      alt="Gwyneth Paltrow and Joseph Fiennes in 1998's 'Shakespeare in Love'" 
+      src="films-main.jpg" width=171 border=1 align="left"><A href="http://us.imdb.com/Title?0046564">YOUNG BESS 
+      (1953)</A> <BR><FONT size=-1>Based upon the Margaret Irwin 
+      novel, which has recently been reissued, this film stars Jean Simmons as 
+      Elizabeth Tudor.&nbsp; Charles Laughton reprises his role as Henry VIII 
+      from <I>The Private Life of Henry VIII</I> (above).&nbsp; The plot is 
+      primarily concerned with Elizabeth's relationship with Thomas Seymour, and 
+      takes great historical liberties; it is entertaining and well done.&nbsp; 
+      It can be purchased on video.&nbsp; And read Irwin's work, too - she's 
+      incredible.</FONT> <BR>&nbsp; </font> 
+        </P>
+      <P>
+      <font face="Times New Roman">
+      <A href="http://us.imdb.com/Title?0046387">THE SWORD 
+      AND THE ROSE (1953)</A> <BR><FONT size=-1>This film tells the 
+      story of Henry VIII's youngest sister Mary and her forbidden love affair 
+      with Charles Brandon.&nbsp; I haven't seen it but several visitors have 
+      told me it's wonderful; you can purchase it on VHS.</FONT> <BR>&nbsp; </font> 
+        </P>
+      <P><font face="Times New Roman"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0048791">THE VIRGIN QUEEN 
+      (1955)</A></FONT> <BR><FONT size=-1>Once again, Bette Davis 
+      plays Queen Elizabeth; Richard Todd plays Raleigh and Joan Collins is his 
+      true love.&nbsp; I recently watched it again on AMC; it's colorized and 
+      the men wear a lot of wacky-colored clothes (which is actually realistic, 
+      though jarring.)&nbsp; The dialogue is 
+      witty and Bette Davis is always fun to watch.&nbsp; It can be purchased on 
+      video; also, check the cable listings.</FONT> <BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0060665">A MAN FOR ALL SEASONS 
+      (1966)</A></FONT> <BR><FONT size=-1>This film is based on 
+      Robert Bolt's play and stars Paul Scofield as Sir Thomas More, executed 
+      for refusing to recognize Henry VIII as head of the English church.&nbsp; 
+      This is a great film worth watching on its own merits, even without its 
+      Tudor connections.&nbsp; The story of More's refusal to betray his 
+      conscience is justly famous and the film is a wonderful tribute to his 
+      life and accomplishments.&nbsp; It is available on dvd.&nbsp; Look out for 
+      the uncredited cameo of Vanessa Redgrave as Anne Boleyn.</FONT><BR>&nbsp;
+      </font> 
+      </P>
+      <P>
+      <font face="Times New Roman">
+      <FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0064030">ANNE OF THE THOUSAND DAYS 
+      (1969)</A></FONT> <BR><FONT size=-1>This film stars Genevieve 
+      Bujold as Anne Boleyn and Richard Burton as Henry VIII.&nbsp; It's 
+      entertaining, the supporting actors are good, and Bujold's performance has 
+      grown on me; she shows the vulnerability beneath Anne's wit and charm.&nbsp; 
+      It's based upon Maxwell Anderson's play.&nbsp; If they remade this film, 
+      wouldn't Virginie Ledoyen be the perfect Anne?</FONT><BR>&nbsp; </font>  
+      </P>
+      <P>
+      <font face="Times New Roman">
+      <IMG height=258 
+      alt="Richard Burton and Genevieve Bujold in 1969's 'Anne of the Thousand Days'" 
+      src="films4.jpg" width=171 border=1 align="left"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0066714">THE SIX WIVES OF HENRY VIII 
+      (1971)</A></FONT> <BR><FONT size=-1>This is a great Masterpiece 
+      Theatre series which was shown on PBS in America.&nbsp; It stars Keith 
+      Michell as Henry VIII and is divided into six parts, one for each 
+      wife.&nbsp; It was recently released on dvd.&nbsp; I have written a review 
+      of the dvd at Amazon.com; <A 
+      href="http://www.amazon.com/exec/obidos/tg/cm/member-reviews/-/A18JIM9I1DKVJU/ref=cm_aya_rev_all/102-8493939-9158525">click 
+      here to read it</A>.&nbsp; </FONT><BR><FONT size=-1>Michell later appeared 
+      in <A href="http://us.imdb.com/Title?0070170">a film version of the 
+      series</A>, much shortened, of course, and with different actresses 
+      portraying the wives.</FONT> <BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0067402">MARY QUEEN OF SCOTS 
+      (1971)</A></FONT> <BR><FONT size=-1>I should admit that I am a 
+      fan of Vanessa Redgrave and thus suitably biased, but this is an 
+      entertaining movie.&nbsp; It also features the equally great Glenda Jackson 
+      as Queen Elizabeth, a role she reprised in the Masterpiece Theatre series, 
+      <I>Elizabeth R</I>.&nbsp; Redgrave was nominated for the Best Actress 
+      Oscar for her role.&nbsp; In the film there is a meeting between the two 
+      queenly cousins, - the meeting never occurred in real life, though Mary 
+      desperately wished for it.</FONT> <BR><FONT size=-1>Patrick McGoohan, aka 
+      Danger Man and Number Six, is 
+      suitably evil as Moray and Timothy Dalton is a thoroughly repulsive 
+      Darnley.&nbsp; (I think everyone can agree that playing Darnley is a 
+      thankless task.)&nbsp; The sets and costumes are a wonderful evocation of the 
+      Tudor era.&nbsp; The same production team made <I>Anne of the Thousand 
+      Days</I>.</FONT> <BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0066652">ELIZABETH R 
+      (1971)</A></FONT> <BR><FONT size=-1>This Masterpiece Theatre 
+      mini-series starring Glenda Jackson as Elizabeth is fantastic.&nbsp; And 
+      it was recently released on dvd, with lots of extras.&nbsp; I have written 
+      a review of the dvd at Amazon.com; <A 
+      href="http://www.amazon.com/exec/obidos/tg/cm/member-reviews/-/A18JIM9I1DKVJU/ref=cm_aya_rev_all/102-8493939-9158525">click 
+      here to read it</A>.&nbsp; It's worth the expense.</FONT><BR><FONT 
+      size=-1>Jackson is incomparable and the series itself is wonderful.&nbsp; 
+      The mini-series format gives the story enough time to unfold and what a 
+      fascinating, engrossing story it is - the great events of Elizabeth's 
+      reign, the facets of her character, her interminable marriage 
+      negotiations..... these are treated in detail and with commendable 
+      historical accuracy.&nbsp; The supporting actors - Mary, queen of Scots, 
+      Dudley, Cecil (William and Robert), Bacon, Essex, etc - are also superb.</FONT><BR>&nbsp; </font> </P>
+      <P>
+      <font face="Times New Roman">
+      <FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0091374">LADY JANE 
+      (1986)</A></FONT> <BR><FONT size=-1>This popular film stars 
+      Helena Bonham Carter as Lady Jane Grey and the very handsome Cary Elwes as Guilford Dudley.&nbsp; The movie, like many Tudor flicks, is less 
+      than accurate in the facts department, mostly concerning Jane and 
+      Guilford's marriage.&nbsp; But the invented 'love story' between them is 
+      well done and saves the film from being too depressing.&nbsp; I had the 
+      pleasure of seeing Jane Lapotaire, who plays Princess Mary in this film, 
+      portray Katharine of Aragon at a RSC production of 'Henry VIII'.</FONT> <BR><FONT size=-1><I>Lady Jane</I> is finally available on dvd.</FONT><BR>&nbsp; </font> </P>
+      <P>
+      <font face="Times New Roman">
+      <img border="1" src="films5.jpg" alt="Colin Firth and Judi Dench in 'Shakespeare in Love'" align="left" width="229" height="174"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0138097">SHAKESPEARE IN LOVE 
+      (1998)</A></FONT> <BR><FONT size=-1>This film stars Gwyneth Paltrow as the fictional Lady Viola de Lesseps and Joseph Fiennes as 
+      Shakespeare.&nbsp; Judi Dench appears briefly as Queen Elizabeth I; though 
+      her time on screen is short, she is unforgettable.&nbsp; There are 
+      numerous supporting actors who also shine.&nbsp; The costumes, sets, and 
+      musical score are also wonderful.</FONT> <BR><FONT size=-1>Paltrow and 
+      Fiennes are lovely together; the script is witty and fun; and the ending 
+      is spectacular.&nbsp; This is one of the few films I've seen that 
+      successfully mixes genres.&nbsp; And it's almost as if the actors themselves knew they were 
+      in a great film.&nbsp; Their performances are confident and 
+      enthusiastic.&nbsp; This is truly a joy to watch.</FONT> <BR><FONT 
+      size=-1>I went to see this film on a whim and then promptly forced family 
+      and friends to watch it with me.</FONT> <BR><font size="-1">Some naysayers have written to me in disagreement and all of their complaints 
+      are directed against Paltrow.&nbsp; I think she is perfect in the role; 
+      even her scenes as the cross-dressing Thomas Kent are great.&nbsp; But 
+      opinions can differ - and even if you dislike her performance, there is 
+      much else to recommend the film.<br>Both Shakespeare in Love and Elizabeth 
+      were released around the same time in 1998.&nbsp; Ironically, as it turned 
+      out, I was really looking forward to Elizabeth and didn't give SIL a 
+      thought.&nbsp;&nbsp; </font><BR><FONT size=-1>There are 
+      numerous <I>Shakespeare in Love</I> fan sites; <A 
+      href="http://www.geocities.com/Hollywood/Studio/5740/SILwebring.htm">visit 
+      their webring</A>.</FONT> <BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><FONT color="#000099"><A 
+      href="http://us.imdb.com/Title?0127536">ELIZABETH 
+      (1998)</A></FONT> <BR><FONT size=-1>This film  stars Cate Blanchett as the Virgin 
+      Queen.</FONT> <BR><FONT size=-1>I disliked this film when I first saw it, 
+      though I admired the visuals.&nbsp; The cinematography and costuming were 
+      excellent; some of the acting was impressive, particularly Blanchett and 
+      Christopher Eccleston as Norfolk.&nbsp; (When are they ever bad?)&nbsp; But I found the story and 
+      direction to be muddled and overwrought, as was the score.</FONT> 
+      <BR><FONT size=-1>Part of my disappointment was doubtless caused by my <A 
+      href="intro.html">Tudoritis</A>.&nbsp; I 
+      was looking forward to the film and wouldn't have been easily 
+      satisfied.&nbsp; But my movie-going companion, who does not suffer from 
+      Tudoritis, remarked, 'This isn't just a bad Tudor film.&nbsp; It's a bad 
+      film, period.'</FONT><BR><FONT size=-1>I recently watched it again.&nbsp; And 
+      again, I admired Blanchett's performance and the costumes were still 
+      spectacular.&nbsp; But 
+      I still wonder why they felt the need to rewrite one of the most 
+      compelling female lives of all time.&nbsp; And did Elizabeth live in a 
+      cathedral?!?</FONT><BR><FONT size=-1>The official website has been taken 
+      down, but Geocities.com hosts a
+      <a href="http://www.geocities.com/southbeach/keys/4122/">nice fan page</a>.</FONT></font></P>
+      <P><font face="Times New Roman"><a href="http://us.imdb.com/title/tt0357392/"><br>THE OTHER BOLEYN GIRL (2003)</a><font size="4"><b><br>
+      </b></font>
+      <font size="2">This film is an adaptation of Philippa Gregory's popular 
+      novel.&nbsp; It was produced by the BBC and stars Natasha McElhone as Mary 
+      Boleyn and Jodhi May as Anne.&nbsp; The film premiered in the UK in spring 
+      2003.&nbsp; As of October '03, it hasn't aired in the US and isn't currently scheduled for sale 
+      anywhere.&nbsp;
+      <a href="http://www.bbc.co.uk/drama/boleyn.shtml">Click here to visit the 
+      BBC's official website for the film</a>.&nbsp; Click the above IMDB.com 
+      link to check its release schedule.</font></font></P>
+      <P>&nbsp;</P>
+      <P><font face="Times New Roman"><B>
+      <img border="1" src="films6.jpg" alt="Drew Barrymore and Dougray Scott in 'Ever After'" align="left" width="275" height="181">Two other films set in the 16th century are also worth watching:</B></font></P>
+      <P><font face="Times New Roman"><A href="http://us.imdb.com/Title?0110963">LA REINE MARGOT (QUEEN 
+      MARGOT)(1994)</A> <BR><FONT size=-1>I love this French film starring 
+      the incomparable Isabelle Adjani as Marguerite, daughter of Catherine 
+      d'Medici and princess of France.&nbsp; It's a wonderful story with great 
+      historical accuracy.&nbsp; And can you believe Adjani was 38 when she made 
+      this film?&nbsp; Let's hope it will be released on dvd in the US 
+      soon.&nbsp; Until then, read the Alexandre Dumas novel upon which it's 
+      based.&nbsp; I think it's one of his more entertaining 
+      works.</FONT><BR>&nbsp; </font> </P>
+      <P><font face="Times New Roman"><A href="http://us.imdb.com/Title?0120631">EVER AFTER (1998)</A> 
+      <BR><FONT size=-1>This film is a retelling of the Cinderella story set in 
+      16th century France.&nbsp; Drew Barrymore plays the heroine who triumphs 
+      over the ugly stepsisters and evil stepmother.&nbsp; It's very 
+      entertaining; the 
+      performances are fun, the costumes beautiful, and the romance 
+      endearing.</FONT><BR><FONT size=-1>The official movie site is still up; <A 
+      href="http://www.foxmovies.com/everafter/">click here to 
+      visit</A>.</FONT></font></P>
+        <p>
+      &nbsp;</p>
+      <P align="center"><font face="Times New Roman" size="1">In order, the images are from 'Elizabeth', 
+      'Shakespeare in Love', 'Anne of the Thousand Days', 'Shakespeare in Love', 
+      'Ever After'.</font></P></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082548" alt="setstats" border="0" width="1" height="1"></noscript>
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+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+<html>
+<head>
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+   <meta name="Author" content="Marilee Mongello">
+   <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+   <title>Fitzroy/Stafford/Blount Genealogy</title>
+</head>
+<body text="#000000" bgcolor="#FFFFFF" link="#006600" vlink="#006600" alink="#000000">
+
+<center><img SRC="http://englishhistory.net/tudor/fitzroy.gif" ALT="Fitzroy Genealogy" height=48 width=328></center>
+
+<ul>
+<ul><font size=+1></font>&nbsp;
+<br><font size=+1>Elizabeth Stafford</font>
+<br>born ?
+<br>daughter of Henry Stafford, duke of Buckingham (led failed revolt against
+Richard III &amp; was executed for treason) and Catherine Woodville
+<br>married Thomas Howard, 3rd duke of Norfolk
+<br>died May 1532
+<br>buried in Essex</ul>
+<font color="#006600"><font size=+1>interesting notes:</font></font> Elizabeth
+Stafford's mother, Catherine Woodville, was the niece of Queen Elizabeth
+Woodville and daughter of Jacquetta of Luxembourg
+<br>also, Henry's illegitimate son with Elizabeth Blount married Elizabeth
+Stafford's daughter, Mary Howard!
+<br>&nbsp;</ul>
+
+<ul><font size=+1>Elizabeth Blount, known as Bessie Blount</font>
+<br>born about 1502
+<br>daughter of Sir John Blount of Shropshire
+<br>married Gilbert, Lord Talboys
+<br>mother of Henry Fitzroy, duke of Richmond (father was Henry VIII)
+<br>died 1539
+<br>&nbsp;
+<br>&nbsp;
+<ul>
+<ul><font size=+1>Henry Fitzroy</font>
+<br>born early June1519
+<br>son of Elizabeth Blount and Henry VIII, king of England
+<br>created duke of Richmond, duke of Somerset &amp; earl of Nottingham
+21 June 1524
+<br>married to Mary Howard 1533
+<br>died 1536/7
+<br>buried in Thetford (wrapped in lead rather than in a traditional coffin)</ul>
+<font color="#006600"><font size=+1>interesting note:</font></font> once,
+in an effort to work out the complicated Tudor succession while Henry &amp;
+Katharine were still married, some suggested Fitzroy marry his half-sister,
+Princess Mary Tudor.&nbsp; Oddly enough, the plan was endorsed by the pope!
+<br>&nbsp;
+<br>&nbsp;</ul>
+</ul>
+<font size=-1><a href="genealogy.html">to
+Tudor Genealogy</a></font>
+<br><font size=-1><a href="http://englishhistory.net/tudor.html">to Tudor
+England</a></font>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082713" alt="setstats" border="0" width="1" height="1"></noscript>
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+<head>
+<meta name="content" content="Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: Chapter One">
+<meta name="page_topic" content="Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: Chapter One">
+<meta name="author" content="Marilee Mongello">
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+<title>Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: 
+Chapter Four</title>
+<style>
+</style>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">&nbsp;</p>
+    <p align="center"><b><font size="7">The Divorce of<br>Catherine of Aragon</font></b><br>
+    <font size="5">by 
+    JA Froude, 1891</font></p>
+    <p align="center">
+    <img border="0" src="aragon-new1.jpg" alt="miniature portrait of Katharine of Aragon by Lucas Horenbout" width="325" height="321"></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font face="Times New Roman">
+    </font><font face="Times New Roman">
+    </font><font face="Times New Roman">
+    <div align="left">
+      <b><font size="4">CHAPTER FOUR</font></b></div>
+    <blockquote>
+      <p align="left"><font size="4">Anne Boleyn -- Letters to her from the
+      <font class="highlight_yellow">King</font> -- The Convent at Wilton -- The 
+      Divorce -- The Pope's promises -- Arrival of Campeggio in England -- 
+      Reception at the Bridewell Palace -- Proposal to Catherine to take the 
+      veil -- Her refusal -- Uncertainty of the succession -- A singular 
+      expedient -- Alarms of Wolsey -- The true issue -Speech of the
+      <font class="highlight_yellow">King</font> in the City -- Threats of the 
+      Emperor -- Defects in the Bull of Pope Julius -- Alleged discovery of a 
+      brief supplying them -- Distress of Clement. </font></p>
+    </blockquote>
+    <p align="left"><font size="3">THE marriage with Anne Boleyn was now a fixed 
+    idea in <font class="highlight_yellow">Henry</font>'s mind. He had become 
+    passionately attached to her, though not perhaps she to him. The evidence of 
+    his feeling remains in a series of letters to her -- how preserved for 
+    public inspection no one knows. Some of them were said to have been stolen 
+    by Campeggio. Perhaps they were sold to him; at any rate, they survive. A 
+    critic in the &quot;<i>Edinburgh Review</i>&quot; described them as such as &quot;might 
+    have been written by a pot-boy to his girl.&quot; The pot-boy must have been a 
+    singular specimen of his kind. One, at any rate, remains to show that, 
+    though <font class="highlight_yellow">Henry</font> was in love, he did not 
+    allow his love to blind him to his duty as a prince. The lady, though 
+    obliged to wait for the full gratification of her ambition, had been using 
+    her influence to advance her friends, while Wolsey brought upon himself the 
+    rebuke of his master by insufficient care in the distribution of Church 
+    patronage. The correspondence throws an unexpected light upon the
+    <font class="highlight_yellow">King</font>'s character. </font></p>
+    <p align="left"><font size="3">The Abbess of Wilton had died. The situation 
+    was a pleasant one. Among the sisters who aspired to the vacant office was a 
+    certain Eleanor Carey, a near connection of Anne, and a favourite with her. 
+    The appointment rested virtually with the Crown. The Lady Anne spoke to the 
+    King. The King deputed Wolsey to inquire into the fitness of the various 
+    candidates, with a favourable recommendation of Eleanor Carey's claims. The 
+    inquiry was made, and the result gives us a glimpse into the habits of the 
+    devout recluses in these sacred institutions.</font></p>
+    <p align="left"><font size="3">&quot;As for the matter of Wilton,&quot; wrote Henry to 
+    Anne, &quot;my Lord Cardinal here had the nuns before him, and examined them in 
+    the presence of Master Bell, who assures me that she whom we would have had 
+    Abbess has confessed herself to have had two children by two different 
+    priests, and has since been kept not long ago by a servant of Lord Broke 
+    that was. Wherefore I would not for all the gold in the world clog your 
+    conscience nor mine, to make her ruler of a house which is of so ungodly 
+    demeanour, nor I trust you would not that, neither for brother nor sister, I 
+    should so distain mine honour or conscience. And as touching the Prioress 
+    [Isabella Jordan] or Dame Eleanor's elder sister, though there is not any 
+    evident cause proved against them, and the Prioress is so old that of many 
+    years she could not be as she was named, yet notwithstanding, to do you 
+    pleasure I have done that neither of them shall have it, but that some other 
+    good and well-disposed woman shall have it, whereby the house shall be 
+    better reformed, whereof I assure you it hath much need, and God much the 
+    better served.&quot; </font></p>
+    <p align="left"><font size="3">This letter is followed by another to the 
+    Cardinal. Wolsey, in whose hands the King had left the matter, in a second 
+    letter which is lost, instead of looking out for the &quot;good and well-disposed 
+    woman,&quot; though IsaBella Jordan's reputation was doubtful, yet chose to 
+    appoint her, and the King's observations upon this action of his are worth 
+    attending to, as addressed by such a person as Henry is supposed to have 
+    been to a Cardinal Archbishop and Legate of the Holy See. Many of the 
+    letters signed by the King were the composition of his ministers and 
+    secretaries. This to Wolsey was his own. </font></p>
+    <p align="left"><font size="3">&quot;The great affection and love I bear you, 
+    causeth me, using the doctrine of my Master, <i>quem diligo castigo,</i> 
+    thus plainly as now ensueth to break to you my mind, ensuring you that 
+    neither sinister report, affection to my own pleasure, interest, nor 
+    mediation of any other body beareth part in this case, wherefore whatsoever 
+    I do say, I pray you think it spoken of no displeasure, but of him that 
+    would you as much good both of body and soul as you would yourself. </font>
+    </p>
+    <p align="left"><font size="3">&quot;Methinks it is not the right train of a 
+    trusty loving friend and servant when the matter is put by the master's 
+    consent into his arbitre and judgement -especially in a matter wherein his 
+    master hath both royalty and interest, to elect and choose a person who was 
+    by him defended. And yet another thing which displeaseth me more. That is to 
+    cloke your offence made by ignorance of my pleasure, saying that you 
+    expressly knew not my determinate mind in that behalf. Alas, my lord, what 
+    can be more evident or plainer than these words, specially to a wise man 
+    -'His Grace careth not who, but referreth it all to you, so that none of 
+    those who either be or have been spotted with incontinence, like as by 
+    report the Prioress hath been in her youth, have it;' and also in another 
+    place in the letter, 'And therefore his Highness thinketh her not meet for 
+    that purpose;' thirdly, in another place in the same letter by these words, 
+    'And though his Grace speaketh not of it so openly, yet meseemeth his 
+    pleasure is that in no wise the Prioress have it, nor yet Dame Eleanor's 
+    eldest sister, for many considerations the which your Grace can and will 
+    best consider.' </font></p>
+    <p align="left"><font size="3">&quot;Ah, my Lord, it is a double offence both to 
+    do ill and to colour it too; but with men that have wit it cannot be 
+    accepted so. Wherefore, good my Lord, use no more that way with me, for 
+    there is no man living that more hateth it. These things having been thus 
+    committed, either I must have reserved them <i>in pectore,</i> whereby more 
+    displeasure might happen to breed, or else thus soundly and plainly to 
+    declare them to you, because I do think that <i>cum amico et familiari 
+    sincere semper est agendum,</i> and especially the master to his best 
+    beloved servant and friend, for in so doing the one shall be more 
+    circumspect in his doing, the other shall declare and show the lothness that 
+    is in him to have any occasion to be displeased with him. </font></p>
+    <p align="left"><font size="3">&quot;And as touching the redress of Religion 
+    [convent discipline], if it be observed and continued, undoubtedly it is a 
+    gracious act. Notwithstanding, if all reports be true, <i>ab imbecillis 
+    imbecilla expectantur.</i> How be it, Mr. Bell hath informed me that the 
+    Prioress's age, personage and manner, <i>præ se fert gravitatem.</i> I pray 
+    God it be so indeed, seeing she is preferred to that room. I understand 
+    furthermore, which is greatly to my comfort, that you have ordered yourself 
+    to Godward as religiously and virtuously as any Prelate or father of 
+    Christ's Church can do, where in so doing and persevering there can be 
+    nothing more acceptable to God, more honour to yourself, nor more desired of 
+    your friends, among the which I reckon myself not the least. . . . </font>
+    </p>
+    <p align="left"><font size="3">&quot;I pray you, my Lord, think it not that it is 
+    upon any displeasure that I write this unto you. For surely it is for my 
+    discharge before God, being in the room that I am in, and secondly for the 
+    great zeal I bear unto you, not undeserved in your behalf. Wherefore I pray 
+    you take it so; and I assure you, your fault acknowledged, there shall 
+    remain in me no spark of displeasure, trusting hereafter you shall 
+    recompense that with a thing much more acceptable to me. And thus fare you 
+    well; advertising you that, thanked be God, I and all my folk be, and have 
+    been since we came to Ampthill, which was on Saturday last, July 11, in 
+    marvellous good health and clearness of air. </font></p>
+    <p align="left"><font size="3">&quot;Written with the hand of him that is, and 
+    shall be your loving Sovereign Lord and friend, -- Henry R.&quot;</font></p>
+    <p align="left"><font size="3">Campeggio meanwhile was loitering on his way 
+    as he had been directed, pretending illness, pretending difficulties of the 
+    road. In sending him at all the Pope had broken his promise to Charles. He 
+    engaged, however, that no sentence should be given which had not been 
+    submitted first to Charles's approval. The Emperor, anxious to avoid a 
+    complete rupture with England, let the Legate go forward, but he directed 
+    Mendoza to inform Wolsey that he must defend his aunt's honour; her cause 
+    was his and he would hold it as such. Wolsey, though afraid of the 
+    consequence of opposing the divorce to himself and the Church, yet at heart 
+    had ceased to desire it. Mendoza reported that English opinion was still 
+    unfavourable, and that he did not believe that the commission would have any 
+    result. The Pope would interpose delays. Wolsey would allow and recognise 
+    them. Both Legates would agree privately to keep the matter in suspense. The 
+    English Cardinal appeared to be against the Queen, but every one knew that 
+    secretly he was now on her side. Catherine only was seriously frightened. 
+    She had doubtless been informed of the secret decretal by which the Pope 
+    appeared to have prejudged her cause. She supposed that the Pope meant it, 
+    and did not understand how lightly such engagements sate upon him. The same 
+    Clement, when Benvenuto Cellini reproached him for breaking his word, 
+    replied, smiling, that the Pope had power to bind and to loose. Catherine 
+    came before long to know him better and to understand the bearings of this 
+    singular privilege; but as yet she thought that words meant what they seemed 
+    to say. When she heard that Campeggio was actually coming, she wrote 
+    passionately to the Emperor, flinging herself upon him for protection. 
+    Charles calmed her alarm. She was not, he said, to be condemned without a 
+    hearing. The Pope had assured him that the Legates should determine nothing 
+    to her detriment. The case should be decided at Rome, as she had desired. 
+    Campeggio's orders were to advise that it should be dropped. Apart from his 
+    present infatuation, the King was a good Christian and would act as one. If 
+    he persisted, she might rely on the Pope's protection. She must consent to 
+    nothing which would imply the dissolution of her marriage. If the worst 
+    came, the King would be made conscious of his duties.</font><a onclick="return pageTxt_href_onClick(this,true);" href="froudefour.html#1"><font size="3">
+    </font></a></p>
+    <p align="left"><font size="3">In the middle of October the Legate arrived. 
+    He had been ill in earnest from gout and was still suffering. He had to rest 
+    two days in Calais before he could face the Channel. The passage was wild. A 
+    deputation of Peers and Bishops waited to receive him at Dover. Respectful 
+    demonstrations had been prepared at the towns through which he was to pass, 
+    and a state ceremonial was to accompany his entrance into London. But he 
+    was, or pretended to be, too sick to allow himself to be seen. He was eight 
+    days on the road from the coast, and on reaching his destination he was 
+    carried privately in a state barge to the house provided for his residence. 
+    Wolsey called the next morning. The King was absent, but returned two days 
+    later to the Bridewell palace. There Campeggio waited on him, accompanied by 
+    Wolsey. The weather continued to frown. &quot;I wish,&quot; wrote Gerardo Molza to the 
+    Marchioness of Mantua, &quot;that you could have seen the two Cardinals abreast, 
+    one on his mule, the other carried in his chair, the rain falling fast so 
+    that we were all drenched.&quot; The King, simple man, believed that the 
+    documents which he held secured him. The Pope in sending the Legate had 
+    acted in the teeth of the Emperor's prohibition, and no one guessed how the 
+    affair had been soothed down. The farce was well played, and the language 
+    used was what Henry expected. Messer Floriano, one of Campeggio's suit, made 
+    a grand oration, setting out the storming of Rome, the perils of the Church, 
+    and the misery of Italy, with moving eloquence. The crowd was so dense in 
+    the hall of audience that some of the Italians lost their shoes, and had to 
+    step back barefoot to their lodgings through the wet streets. </font></p>
+    <p align="left"><font size="3">The Legate was exhausted by the exertion, but 
+    he was not allowed to rest, and the serious part of the business began at 
+    once behind the scenes. He had hoped, as the Emperor said, that the case 
+    might be dropped. He found Henry immoveable. &quot;An angel from heaven,&quot; he 
+    wrote on the 17th of October, &quot;would not be able to persuade the King that 
+    his marriage was not invalid. The matter had come to such a pass that it 
+    could no longer be borne with. The Cardinal of York and the whole kingdom 
+    insisted that the question must be settled in some way.&quot; One road out of the 
+    difficulty alone presented itself. The Emperor had insisted that the 
+    marriage should not be dissolved by Catherine's consent, objecting 
+    reasonably that a judgment invalidating it would shake other royal marriages 
+    besides hers. But no such judgment would be necessary if Catherine could be 
+    induced to enter &quot;lax religion,&quot; to take vows of chastity which, at her age 
+    and under her conditions of health, would be a mere form. The Pope could 
+    then allow Henry to take another wife without offence to any one. The 
+    legitimacy of the Princess would not be touched, and the King undertook that 
+    the succession should be settled upon her if he had no male heir. The Queen 
+    in consenting would lose nothing, for the King had for two years lived apart 
+    from her, and would never return to cohabitation. The Emperor would be 
+    delivered from an obligation infinitely inconvenient to him, and his own 
+    honour and the honour of Spain would be equally untouched. </font></p>
+    <p align="left"><font size="3">These arguments were laid before the Queen by 
+    both the Legates, and urged with all their eloquence. In the interests of 
+    the realm, in the interests of Europe, in the interests of the Church, in 
+    her own and her daughter's interest as well, it would have been wiser if she 
+    had complied. Perhaps she would have complied had the King's plea been 
+    confined, as at first, to the political exigencies of the succession. But 
+    the open and premature choice of the lady who was to take her place was an 
+    indignity not to be borne. She had the pride of her race. Her obstinacy was 
+    a match for her husband's. She was shaken for a moment by the impassioned 
+    entreaties of Campeggio, and she did not at once absolutely refuse. The 
+    Legate postponed the opening of his court. He referred to Rome for further 
+    instructions, complaining of the responsibility which was thrown upon him. 
+    Being on the spot he was able to measure the danger of disappointing the 
+    King after the secret commission, the secret decretal, and the Pope's 
+    private letter telling Henry that he was right. Campeggio wrote to Salviati, 
+    after his first interview with Catherine, that he did not yet despair. 
+    Something might be done if the Emperor would advise her to comply. He asked 
+    Fisher to help him, and Fisher seemed not wholly unwilling; but, after a few 
+    days' reflection, Catherine told him that before she would consent she would 
+    be torn limb from limb; she would have an authoritative sentence from the 
+    Pope, and would accept nothing else; nothing should make her alter her 
+    opinion, and if after death she could return to life, she would die over 
+    again rather than change it.</font></p>
+    <p align="left"><font size="3">Wolsey was in equal anxiety. He had set the 
+    stone rolling, but he could not stop it. If Clement failed the King now, 
+    after all that he had promised, he might not only bring ruin on Wolsey 
+    himself, but might bring on the overthrow of the temporal power of the 
+    Church of England. Catherine was personally popular; but in the middle 
+    classes of the laity, among the peers and gentlemen of England, the 
+    exactions of the Church courts, the Pope's agents and collectors, the 
+    despotic tyranny of the Bishops, had created a resentment the extent of 
+    which none knew better than he. The entire gigantic system of clerical 
+    dominion, of which Wolsey was himself the pillar and representative, was 
+    tottering to its fall. If the King was driven to bay, the favour of a 
+    good-natured people for a suffering woman would be a poor shelter either for 
+    the Church or for him. Campeggio turned to Wolsey for advice on Catherine's 
+    final refusal. The Pope, he said, had hoped that Wolsey would advise the 
+    King to yield. Wolsey had advised. He told Cavendish that he had gone on his 
+    knees to the King, but he could only say to Campeggio that &quot;the King -- 
+    fortified and justified by reasons, writings, and counsels of many learned 
+    men who feared God -- would never yield.&quot; If he was to find that the Pope 
+    had been playing with him, and the succession was to be left undetermined, 
+    &quot;the Church would be ruined and the realm would be in infinite peril.&quot;
+    </font></p>
+    <p align="left"><font size="3">How great, how real, was the dread of a 
+    disputed succession, appears from an extraordinary expedient which had 
+    suggested itself to Campeggio himself, and which he declares that some 
+    perplexed politicians had seriously contemplated. &quot;They have thought,&quot; he 
+    wrote on the 28th of October, &quot;of marrying the Princess Mary to the King's 
+    natural son [the Duke of Richmond] if it could be done by dispensation from 
+    His Holiness.&quot; The Legate said that at first he had himself thought of this 
+    as a means of establishing the succession; but he did not believe it would 
+    satisfy the King's desire. If anything could be more astonishing than a 
+    proposal for the marriage of a brother and sister, it was the reception 
+    which the suggestion met with at Rome. The Pope's secretary replied that 
+    &quot;with regard to the dispensation for marrying the son to the daughter of the 
+    King, if on the succession being so established the King would abandon the 
+    divorce, the Pope would be much more inclined to grant it.&quot;</font><a onclick="return pageTxt_href_onClick(this,true);" href="froudefour.html#2"><font size="3">
+    </font></a></p>
+    <p align="left"><font size="3">Clement's estimate of the extent of the 
+    dispensing power was large. But the situation was desperate. He had 
+    entangled himself in the meshes. He had promised what he had no intention of 
+    performing. He was finding that he had been trifling with a lion, and that 
+    the lion was beginning to rouse himself. Again and again Wolsey urged the 
+    dangers upon him. He wrote on the 1st of November to Casalis that &quot;the 
+    King's honour was touched, having been so great a benefactor to the Holy 
+    See. The Pope would alienate all faith and devotion to the Apostolic See. 
+    The sparks of opposition which had been extinguished with such care and 
+    vigilance would blaze out to the utmost anger of all, both in England and 
+    elsewhere.&quot;<a href="froudefour.html#3"> </a>Clement and his Cardinals heard, but 
+    imperfectly believed. &quot;He tells us,&quot; wrote Sanga, &quot;that if the divorce is 
+    not granted the authority of the Apostolic See in England will be 
+    annihilated; he is eager to save it because his own greatness is bound up 
+    with ours.&quot; The Curia was incredulous, and thought that Wolsey was only 
+    alarmed for himself. Wolsey, however, was right. </font></p>
+    <p align="left"><font size="3">Although opinions might have varied on the 
+    merits of the King's request, people were beginning to ask what value as a 
+    supreme judge a Pope could have, who could not decide on a point of canon 
+    law. </font></p>
+    <p align="left"><font size="3">The excitement was growing. Certain knowledge 
+    of what was going on was confined to the few who had access to the secret 
+    correspondence, and they knew only what was meant for their own eyes. All 
+    parties, English and Imperial alike, distrusted the Pope. He had impartially 
+    lied to both, and could be depended on by neither, except so far as they 
+    could influence his fears. Catherine was still the favourite with the London 
+    citizens. She had been seen accidentally in a gallery of the Palace, and had 
+    been enthusiastically cheered. The King found it necessary to explain 
+    himself. On the 8th of November he summoned the Lord Mayor and Aldermen, the 
+    Privy Council, and a body of Peers, and laid the situation before them from 
+    his own point of view. He spoke of his long friendship with the Emperor, and 
+    of his hope that it would not be broken, and again of his alliance with 
+    France, and of his desire to be at peace with all the world. &quot;He had 
+    wished,&quot; he said, &quot;to attach France more closely to him by marrying his 
+    daughter to a French prince, and the French Ambassador, in considering the 
+    proposal, had raised the question of her legitimacy. His own mind had long 
+    misgiven him on the lawfulness of his marriage. M. de Tarbes' words had 
+    added to his uneasiness. The succession to the crown was uncertain; he had 
+    consulted his bishops and lawyers, and they had assured him that he had been 
+    living in mortal sin. . . . He meant only to do what was right, and he 
+    warned his subjects to be careful of forming hasty judgments on their 
+    Prince's actions.&quot; </font></p>
+    <p align="left"><font size="3">Apart from the present question the King was 
+    extremely popular, and reports arriving from Spain touched the national 
+    pride. There was a talk of calling Parliament. Mendoza and Catherine again 
+    urged Charles to speak plainly. The Pope must inhibit Parliament from 
+    interfering. The Nuncio in London would present the order, and Parliament, 
+    they thought, would submit. They were mistaking the national temper. 
+    Mendoza's letters had persuaded the Spanish Council that the whole of 
+    England was in opposition to the King. The Spanish Chancellor had said 
+    publicly that if the cause was proceeded with there would be war, and &quot;the 
+    King would be dethroned by his own subjects.&quot; The words were reported to 
+    Wolsey, and were confirmed by an English agent, Sylvester Darius, who had 
+    been sent to Valladolid on business connected with the truce. Darius had 
+    spoken to the Chancellor on the probability of England taking active part 
+    with France. &quot;Why do you talk of the King of England?&quot; the Chancellor had 
+    answered; &quot;if we wished, we could expel him from his kingdom in three 
+    months. What force had the King? his own subjects would expel him. He knew 
+    how matters were.&quot; It was one thing for a free people to hold independent 
+    opinions on the arrangements of their own royal family. It was another to be 
+    threatened with civil war at the instigation of a foreign sovereign. Wolsey 
+    quoted the dangerous language at a public meeting in London; and a voice 
+    answered, &quot;The Emperor has lost the hearts of a hundred thousand 
+    Englishmen.&quot; A fresh firebrand was thrown into the flames immediately after. 
+    The national pride was touched on a side where it was already sensitive from 
+    interest. There were 15,000 Flemish artisans in London. English workmen had 
+    been jealous of their skill, and had long looked askance at them. The cry 
+    rose that they had an army of traitors in their midst who must be instantly 
+    expelled. The Flemings' houses were searched for arms, and watched by a 
+    guard, and the working city population, traders, shopkeepers, mechanics, 
+    apprentices, came over to the King's side, and remained there. </font></p>
+    <p align="left"><font size="3">Meantime the cause itself hung fire. A new 
+    feature had been introduced to enable Campeggio to decline to proceed and 
+    the Pope to withdraw decently from his promises. The original Bull of Pope 
+    Julius permitting the marriage had been found to contain irregularities of 
+    form which were supposed fatal to it. The validity of the objection was not 
+    denied, but was met by the production of a brief alleged to have been found 
+    in Spain, and bearing the same date with the Bull, which exactly met that 
+    objection. No trace of such a brief could be found in the Vatican Register. 
+    It had informalities of its own, and its genuineness was justly suspected, 
+    but it answered the purpose of a new circumstance. A copy only was sent to 
+    England, which was shown by Catherine in triumph to Henry, but the original 
+    was detained. It would be sent to Rome, but not to London; without it 
+    Campeggio could pretend inability to move, and meanwhile he could refuse to 
+    proceed on his commission. Subterfuges which answer for the moment revenge 
+    themselves in the end. Having been once raised, it was absolutely necessary 
+    that a question immediately affecting the succession should be settled in 
+    some way, and many of the peers who had been hitherto cool began to back the 
+    King's demands. An address was drawn up, having among others the Duke of 
+    Norfolk's signature, telling the Pope that the divorce must be conceded, and 
+    complaints were sent through Casalis againt Campeggio's dilatoriness. The 
+    King, he was to say, would not submit to be deluded. </font></p>
+    <p align="left"><font size="3">Casalis delivered his message, and describes 
+    the effect which it produced. &quot;The Pope,&quot; he wrote, &quot;very angry, laid his 
+    hand on my arm and forbade me to proceed, saying there was but too good 
+    ground for complaint, and he was deluded by his own councillors. He had 
+    granted the decretal only to be shown to the King, and then burnt. Wolsey 
+    now wished to divulge it. He saw what would follow, and would gladly recall 
+    what had been done, even with the loss of one of his fingers.&quot; </font></p>
+    <p align="left"><font size="3">Casalis replied that Wolsey wished only to 
+    show it to a few persons whose secrecy might be depended on. Was it not 
+    demanded for that purpose? Why had the Pope changed his mind? The Pope, only 
+    the more excited, said he saw the Bull would be the ruin of him, and he 
+    would make no more concessions. Casalis prayed him to consider. Waving his 
+    arms violently, Clement said, &quot;I do consider. I consider the ruin which is 
+    hanging over me. I repent what I have done. If heresies arise, is it my 
+    fault? I will not violate my conscience. Let them, if they like, send the 
+    Legate back, because he will not proceed. They can do as they please, 
+    provided they do not make me responsible.&quot; </font></p>
+    <p align="left"><font size="3">Did the Pope mean, then, Casalis asked, that 
+    the commission should not proceed? The Pope could not say as much as that; 
+    he had told Campeggio, he said, to dissuade the King and persuade the Queen.
+    </font></p>
+    <p align="left"><font size="3">&quot;What harm could there be,&quot; Casalis inquired, 
+    &quot;in showing the decretal, under oath, to a few of the Privy Council?&quot; </font>
+    </p>
+    <p align="left"><font size="3">The Pope said the decretal ought to have been 
+    burnt, and refused to discuss the matter further.</font></p>
+    </font>
+    <font face="Times New Roman" style="font-family: Arial, Helvetica, sans-serif">
+    <hr>
+    <p align="left"><font size="2">From <i>The Divorce of Catherine of Aragon: 
+    The Story as Told by the Imperial Ambassadors Resident at the Court of Henry 
+    VIII</i> by J.A. Froude.&nbsp; Published in New York by C. Scribner's Sons, 
+    1891.</font></p>
+  </blockquote>
+</blockquote>
+
+<p align="center"><font size="2">to Chapter Five</font></p>
+<p align="center"><a href="secondary.html">
+<font size="2">to Secondary Sources</font></a></p>
+<p align="center">
+<a href="monarchs/aragon.html"><font size="2">to 
+Katharine of Aragon website</font></a></p>
+    </font>
+<blockquote>
+  <blockquote>
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+    <font face="Times New Roman">
+    </font><font style="FONT-FAMILY: Arial, Helvetica, sans-serif">
+    </font>
+    <p class="3text" align="left">&nbsp;</p>
+    </font>
+  </blockquote>
+</blockquote>
+
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+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">&nbsp;</p>
+    <p align="center"><b><font size="7">The Divorce of<br>Catherine of Aragon</font></b><br>
+    <font size="5">by 
+    JA Froude, 1891</font></p>
+    <p align="center">
+    <img border="0" src="aragon-new1.jpg" alt="miniature portrait of Katharine of Aragon by Lucas Horenbout" width="325" height="321"></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif"></font>
+    <font face="Times New Roman">
+    <div align="left">
+      <b>INTRODUCTION</b></div>
+    <p align="left">THE mythic element cannot be eliminated out of history. Men 
+    who play leading parts on the world's stage gather about them the admiration 
+    of friends and the animosity of disappointed rivals or political enemies. 
+    The atmosphere becomes charged with legends of what they have said or done 
+    -- some inventions, some distortions of facts, but rarely or never accurate. 
+    Their outward acts, being public, cannot be absolutely misstated; their 
+    motives, being known only to themselves, are an open field for imagination; 
+    and as the disposition is to believe evil rather than good, the portraits 
+    drawn may vary indefinitely, according to the sympathies of the describer, 
+    but are seldom too favourable. The more distinguished a man is the more he 
+    is talked about. Stories are current about him in his own lifetime, 
+    guaranteed apparently by the highest authorities; related, insisted upon; 
+    time, place, and circumstance accurately given -- most of them mere 
+    malicious lies; yet, if written down, to reappear in memoirs a hundred years 
+    hence, they are likely to pass for authentic, or at least probable. Even 
+    where there is no malice, imagination will still be active. People believe 
+    or disbelieve, repeat or suppress, according to their own inclinations; and 
+    death, which ends the feuds of unimportant persons, lets loose the tongues 
+    over the characters of the great. Kings are especially sufferers; when alive 
+    they hear only flattery; when they are gone men revenge, themselves by 
+    drawing hideous portraits of them, and the more distinguished they may have 
+    been the more minutely their weaknesses are dwelt upon. <i>&quot;C'est un plaisir 
+    indicible,&quot;</i> says Voltaire, <i>&quot;de donner des décrets contre des 
+    souverains morts quand on ne peut en lancer contre eux de leur vivant de 
+    peur de perdre ses oreilles.&quot;</i> The dead sovereigns go their way. Their 
+    real work for good or evil lives after them; but they themselves are where 
+    the opinions expressed about their character affect them no more. To Cæsar 
+    or Napoleon it matters nothing what judgment the world passes upon their 
+    conduct. It is of more importance for the ethical value of history that acts 
+    which as they are related appear wicked should be duly condemned, that acts 
+    which are represented as having advanced the welfare of mankind should be 
+    duly honoured, than that the real character of individuals should be 
+    correctly appreciated. To appreciate any single man with complete accuracy 
+    is impossible. To appreciate him even proximately is extremely difficult. 
+    Rulers of kingdoms may have public reasons for what they do, which at the 
+    time may be understood or allowed for. Times change, and new interests rise. 
+    The circumstances no longer exist which would explain their conduct. The 
+    student looks therefore for an explanation in elements which he thinks he 
+    understands -- in pride, ambition, fear, avarice, jealousy, or sensuality; 
+    and, settling the question thus to his own satisfaction, resents or 
+    ridicules attempts to look for other motives.</p>
+    </font><font style="font-family: Arial, Helvetica, sans-serif">
+    <font style="font-family: Times New Roman">
+    <p align="left">So long as his moral judgment is generally correct, he 
+    inflicts no injury, and he suffers none. Cruelty and lust are proper objects 
+    of abhorrence; he learns to detest them in studying the Tiberius of Tacitus, 
+    though the character described by the great Roman historian may have been a 
+    mere creation of the hatred of the old Roman aristocracy. The manifesto of 
+    the Prince of Orange was a libel against Philip the Second; but the Philip 
+    of Protestant tradition is an embodiment of the persecuting spirit of 
+    Catholic Europe which it would be now useless to disturb. The tendency of 
+    history is to fall into wholesome moral lines whether they be accurate or 
+    not, and to interfere with harmless illusions may cause greater errors than 
+    it aspires to cure. Crowned offenders are arraigned at the tribunal of 
+    history for the crimes which they are alleged to have committed. It may be 
+    sometimes shown that the crimes were not crimes at all, that the sufferers 
+    had deserved their fate, that the severities were useful and essential for 
+    some great and valuable purpose. But the reader sees in the apology for acts 
+    which he had regarded as tyrannical a defence of tyranny itself. Preoccupied 
+    with the received interpretation, he finds deeds excused which he had learnt 
+    to execrate; and in learning something which, even if true, is of no real 
+    moment to him, he suffers in the maiming of his perceptions of the 
+    difference between right and wrong. The whitewashing of the villains of 
+    tradition is, therefore, justly regarded as waste of labour. If successful, 
+    it is of imperfect value; if unsuccessful, it is a misuse of industry which 
+    deserves to be censured. Time is too precious to be squandered over 
+    paradoxes. The dead are gone; the censure of mankind has written their 
+    epitaphs, and so they may be left. Their true award will be decided 
+    elsewhere. </p>
+    </font><font face="Times New Roman">
+    <p align="left">This is the commonsense verdict. When the work of a man is 
+    done and ended; when, except indirectly and invisibly, he affects the living 
+    world no more, the book is closed, the sentence is passed, and there he may 
+    be allowed to rest. The case is altered, however, when the dead still live 
+    in their actions, when their principles and the effects of their conduct are 
+    still vigorous and operative, and the movements which they initiated 
+    continue to be fought over. It sometimes happens that mighty revolutions can 
+    be traced to the will and resolution of a single man, and that the conflict 
+    continues when he is gone. The personal character of such a man becomes then 
+    of intrinsic importance as an argument for attack or defence. The changes 
+    introduced by Henry VIII. are still denounced or defended with renewed 
+    violence; the ashes of a conflict which seemed to have been decided are 
+    again blown into a flame; and what manner of man Henry was, and what the 
+    statesmen and churchmen were who stood by him and assisted him in reshaping 
+    the English constitution, becomes a practical question of our own time. By 
+    their fruits ye shall know them. A good tree cannot bear evil fruit, neither 
+    can a corrupt tree bring forth good fruit. Roman Catholics argue from the 
+    act to the man, and from the man back to the act. The Reformation, they say, 
+    was a rebellion against an authority appointed by God for the rule of the 
+    world; it was a wicked act in itself; the author or the authors of it were 
+    presumably, therefore, themselves wicked; and the worst interpretation of 
+    their conduct is antecedently probable, because a revolt against the Church 
+    of Christ could only have originated in depraved hearts. Or again, inverting 
+    the argument, they say with sufficient plausibility that the sins and crimes 
+    of the King are acknowledged facts of history; that from so bad a man no 
+    good thing could ever rise; that Henry was a visible servant of the devil, 
+    and therefore the Reformation, of which he was the instrument, was the 
+    devil's work. If the picture drawn of him by his Catholic contemporaries is 
+    correct, the inference is irresistible. That picture, however, was drawn by 
+    those whose faith he wounded and whose interests he touched, and therefore 
+    might be regarded with suspicion. Religious animosity is fertile in calumny, 
+    because it assumes beforehand that every charge is likely to be true in 
+    proportion to its enormity, and Catholic writers were credulous of evil when 
+    laid to the charge of so dangerous an adversary. But the Catholics have not 
+    been Henry's only accusers; all sorts and sects have combined in the general 
+    condemnation. The Anglican High Churchman is as bitter against him as 
+    Reginald Pole himself. He admits and maintains the separation from Rome 
+    which Henry accomplished for him; but he abhors as heartily as Pole or 
+    Lingard the internal principles of the Reformation. He resents the control 
+    of the clergy by the civil power. He demands the restoration of the 
+    spiritual privileges which Henry and his parliaments took away from them. He 
+    aspires to the recovery of ecclesiastical independence. He therefore with 
+    equal triumph points to the blots in Henry's character, and deepens their 
+    shade with every accusation, proved or unproved, which he can find in 
+    contemporary records. With him, too, that a charge was alleged at the time 
+    is evidence sufficient to entitle him to accept it as a fact. </p>
+    <p align="left">Again, Protestant writers have been no less unsparing, from 
+    an imprudent eagerness to detach their cause from a disreputable ally. In 
+    Elizabeth's time it was a point of honour and loyalty to believe in the 
+    innocence of her mother. If Anne Boleyn was condemned on forged or false 
+    evidence to make way for Jane Seymour, what appears so clearly to us must 
+    have been far clearer to Henry and his Council; of all abominable crimes 
+    committed by tyrannical princes there was never one more base or cowardly 
+    than Anne's execution; and in insisting on Anne's guiltlessness they have 
+    condemned the King, his ministers, and his parliaments. Having discovered 
+    him to have murdered his wife, they have found him also to have been a 
+    persecutor of the truth. The Reformation in England was at its outset 
+    political rather than doctrinal. The avarice and tyranny of the Church 
+    officials had galled the limbs of the laity. Their first steps were to break 
+    the chains which fretted them, and to put a final end to the temporal power 
+    of the clergy. Spiritual liberty came later, and came slowly from the 
+    constitution of the English mind. Superstition had been familiarised by 
+    custom, protected by natural reverence, and shielded from inquiry by the 
+    peculiar horror attaching to unbelief. The nation had been taught from 
+    immemorial time that to doubt on the mysteries of faith was the worst crime 
+    which man could commit; and while they were willing to discover that on 
+    their human side the clergy were but brother mortals of questionable 
+    character, they drew a distinction between the Church as a national 
+    institution and the doctrines which it taught. An old creed could not yield 
+    at once. The King did much; he protected individual Lutherans to the edge of 
+    rashness. He gave the nation the English Bible. He made Latimer a bishop. He 
+    took away completely and for ever the power of the prelates to punish what 
+    they called heresy <i>ex officio</i> and on their own authority; but the 
+    zeal of the ultra-Protestants broke loose when the restraint was taken off; 
+    the sense of the country was offended by the irreverence with which objects 
+    and opinions were treated which they regarded as holy, and Parliament, which 
+    had put a bit in the mouth of the ecclesiastical courts, was driven to a 
+    substitute in the Bill of the Six Articles. The advanced section in popular 
+    movements is usually unwise. The characteristic excellence of the English 
+    Reformation is, that throughout its course it was restrained by the law, and 
+    the Six Articles Bill, tempered as it was in the execution, was a 
+    permissible, and perhaps useful, measure in restraint of intemperance. It 
+    was the same in Germany. Anabaptists continued to be burnt in Saxony and 
+    Hesse long after Luther's revolt; Calvin thought the stake a fitting penalty 
+    for doubts upon the Trinity. John Knox, in Scotland, approved of 
+    witch-burning and sending mass-priests to the gallows. Henry could not 
+    disregard the pronounced feeling of the majority of the English people. He 
+    was himself but one of them, and changed slowly as they changed. Yet 
+    Protestant tradition has assumed that the bloody whip with six strings was 
+    an act of arbitrary ferocity. It considers that the King could, and ought 
+    to, have advanced at once into an understanding of the principle of 
+    toleration -- toleration of the new opinions, and a more severe repression 
+    of the old. The Puritans and Evangelicals forgot that he had given them the 
+    English Testament. They forgot that by setting his foot upon the bishops he 
+    had opened the pulpits to themselves, and they classed him among the 
+    persecutors, or else joined in the shallow laughs of the ultramontane 
+    Catholics at what they pleased to call his inconsistency. </p>
+    <p align="left">Thus from all sides a catena of invective has been wrapped 
+    about Henry's character. The sensible part of the country held its tongue. 
+    The speakers and writers were the passionate and fanatical of both 
+    persuasions, and by them the materials were supplied for the Henry VIII. who 
+    has been brought down to us by history, while the candid and philosophic 
+    thinkers of the last and present centuries have accepted the traditional 
+    figure. In their desire to be impartial they have held the balance equal 
+    between Catholics and Protestants, inclining slightly to the Catholic side, 
+    from a wish to conciliate a respectable body who had been unjustly maligned 
+    and oppressed; while they have lavished invectives upon the early Reformers 
+    violent enough to have satisfied even Pole himself, whose rhetoric has 
+    formed the base of their declamation. </p>
+    <p align="left">Liberal philosophy would have had a bad time of it in 
+    England, perhaps in all Europe, if there had been no Henry VIII. to take the 
+    Pope by the throat. But one service writers like Macaulay have undoubtedly 
+    accomplished. They have shown that it is entirely impossible to separate the 
+    King from his ministers -- to condemn Henry and to spare Cranmer. Protestant 
+    writers, from Burnet to Southey, have tried to save the reforming bishops 
+    and statesmen at Henry's expense. Cranmer, and Latimer, and Ridley have been 
+    described as saints, though their master was a villain. But the cold 
+    impartiality of Macaulay has pointed out unanswerably that in all Henry's 
+    most questionable acts his own ministers and his prelates were active 
+    participants -- that his Privy Council, his parliaments, his judges on the 
+    bench, the juries empanelled to try the victims of his tyranny, were equally 
+    his accomplices; some actively assisting; the rest, if these acts were 
+    really criminal, permitting themselves to be bribed or terrified into 
+    acquiescence. The leading men of all descriptions, the nation itself, 
+    through the guilt of its representatives, were all stained in the same 
+    detestable colours. It may be said, indeed, that they were worse than the 
+    King himself. For the King at least may be pleaded the coarse temptations of 
+    a brutal nature; but what palliation can be urged for the peers and judges 
+    who sacrificed Anne Boleyn, or More, or Fisher, according to the received 
+    hypothesis? Not even the excuse of personal fear of an all-powerful despot. 
+    For Henry had no Janissaries or Prætorians to defend his person or execute 
+    his orders. He had but his hundred yeomen of the guard, not more numerous 
+    than the ordinary followers of a second-rate noble. The Catholic leaders, 
+    who were infuriated at his attacks upon the Church, and would if they could 
+    have introduced foreign armies to dethrone him, insisted on his weakness as 
+    an encouragement to an easy enterprise. Beyond those few yeomen they urged 
+    that he had no protection save in the attachment of the subjects whom he was 
+    alienating. What strange influence was such a king able to exercise that he 
+    could overawe the lords and gentry of England, the learned professions, the 
+    municipal authorities? How was it that he was able to compel them to be the 
+    voluntary instruments of his cruelty? Strangest of all, he seems to have 
+    needed no protection, but rather to have been personally popular, even among 
+    those who disapproved his public policy. The air was charged with threats of 
+    insurrection, but no conspiracy was ever formed to kill him, like those 
+    which so often menaced the life of his daughter. When the North was in arms 
+    in the Pilgrimage of Grace, and a question rose among the leaders whether in 
+    the event of victory the King was to be deposed, it was found that anyone 
+    who proposed to remove him would be torn in pieces by the people.</p>
+    <p align="left">Granting that Henry VIII. was, as Dickens said of him, &quot;a 
+    spot of blood and grease&quot; on the page of English history, the contemporary 
+    generation of Englishmen must have been fit subjects of such a sovereign. 
+    Every country, says Carlyle, gets as good a government as it deserves. The 
+    England of the Cromwells and the Cranmers, the Howards and the Fitzwilliams, 
+    the Wriothesleys and the Pagets, seems to have been made of baser materials 
+    than any land of which mankind has preserved a record. Roman Catholics may 
+    fairly plead that out of such a race no spiritual reform is likely to have 
+    arisen which could benefit any human soul. Of all the arguments which can be 
+    alleged for the return of England to the ancient fold, this is surely the 
+    most powerful. </p>
+    <p align="left">Yet England shows no intention of returning. History may say 
+    what it pleases, yet England remains tenacious of the liberties which were 
+    then won for us, and unconscious of the disgrace attaching to them; 
+    unconscious, also, that the version of the story which it accepts contains 
+    anything which requires explanation. The legislation of Henry VIII., his 
+    Privy Council, and his parliaments is the Magna Charta of the modern world. 
+    The Act of Appeals and the Act of Supremacy asserted the national 
+    independence, and repudiated the interference of foreign bishop, prince, or 
+    potentate within the limits of the English empire. The clergy had held for 
+    many centuries an <i>imperium in imperio.</i> Subject themselves to no law 
+    but their own, they had asserted an irresponsible jurisdiction over the 
+    souls and bodies of the people. The Act for the submission of these persons 
+    reduced them to the common condition of subjects under the control of the 
+    law. Popes were no longer allowed to dispense with ordinary obligations. 
+    Clerical privileges were abolished. The spiritual courts, with their 
+    intolerable varieties of iniquity, were swept away, or coerced within 
+    rational limits. The religious houses were suppressed, their enormous wealth 
+    was applied for the defence of the realm, and the worse than Augean dunghill 
+    of abuses was cleared out with resolute hand. These great results were 
+    accomplished in the face of papal curses, in defiance of superstitious 
+    terrors, so despicable when bravely confronted, so terrible while the 
+    spectre of supernatural power was still unexorcised; in the face, too, of 
+    earthly perils which might make stout hearts shake, of an infuriated 
+    priesthood stirring the people into rebellion, of an exasperated Catholic 
+    Europe threatening fire and sword in the name of the Pope. These were 
+    distinguished achievements, not likely to have been done at all by an 
+    infamous prince and infamous ministers; yet done so well that their work is 
+    incorporated in the constitution almost in the form in which they left it; 
+    and this mighty revolution, the greatest and most far-reaching in modern 
+    times, was accomplished without a civil war, by firmness of hand, by the 
+    action of Parliament, and a resolute enforcement of the law. Nor has the 
+    effect of Henry's legislation been confined to England. Every great country, 
+    Catholic or Protestant, has practically adopted its chief provisions. Popes 
+    no longer pretend a power of deposing princes, absolving subjects from their 
+    allegiance, or selling dispensations for offences against the law of the 
+    land. Appeals are no longer carried from the national courts to the court of 
+    the Rota. The papal treasury is no longer supplied by the plunder of the 
+    national clergy, collected by resident papal officials. Bishops and 
+    convocations have ceased to legislate above and independent of the secular 
+    authority, and clerks who commit crimes bear the same penalties as the 
+    profane. The high quality of the Reformation statutes is guaranteed by their 
+    endurance; and it is hard to suppose that the politicians who conceived and 
+    carried them out were men of base conditions. The question is not of the 
+    character of the King. If nothing was at issue but the merits or demerits of 
+    a single sovereign, he might be left where he lies. The question is of the 
+    characters of the reforming leaders, who, jointly with the King, were the 
+    authors of this tremendous and beneficent revolution. Henry in all that he 
+    did acted with these men and through them. Is it possible to believe that 
+    qualities so opposite as the popular theory requires existed in the same 
+    persons? Is it possible, for instance, that Cranmer, who composed or 
+    translated the prayers in the English Liturgy, was the miserable wretch 
+    which Macaulay or Lingard describes? The era of Elizabeth was the outspring 
+    of the movement which Henry VIII. commenced, and it was the grandest period 
+    in English history. Is it credible that so invigorating a stream flowed from 
+    a polluted fountain? </p>
+    <p align="left">Before accepting a conclusion so disgraceful -- before 
+    consigning the men who achieved so great a victory, and risked and lost 
+    their lives in the battle, to final execration -- it is at least permissible 
+    to pause. The difficulty can only be made light of by impatience, by 
+    prejudice, or by want of thought. To me at any rate, who wished to discover 
+    what the real history of the Reformation had been, it seemed so 
+    considerable, that, dismissing the polemical invectives of later writers, I 
+    turned to the accounts of their conduct, which had been left behind by the 
+    authors of it themselves. Among the fortunate anomalies of the situation, 
+    Henry departed from previous custom in holding annual parliaments. At every 
+    step which he took, either in the rearrangement of the realm or in his own 
+    domestic confusions, he took the Lords and Commons into his council, and 
+    ventured nothing without their consent. The preambles of the principal 
+    statutes contain a narrative clear and precise of the motives of everything 
+    that he did -- a narrative which at least may have been a true one, which 
+    was not put forward as a defence, but was a mere explanation of acts which 
+    on the surface seemed violent and arbitrary. If the explanation is correct, 
+    it shows us a time of complications and difficulties, which, on the whole, 
+    were successfully encountered. It shows us severe measures severely 
+    executed, but directed to public and necessary purpose, involving no 
+    sycophancy or baseness, no mean subservience to capricious tyranny, but such 
+    as were the natural safeguards during a dangerous convulsion, or remedies of 
+    accidents incidental to hereditary monarchy. The story told is clear and 
+    distinct; pitiless, but not dishonourable. Between the lines can be read the 
+    storm of popular passions, the beating of the national heart when it was 
+    stirred to its inmost depths. We see established institutions rooted out, 
+    idols overthrown, and injured worshippers exasperated to fury; the air, as 
+    was inevitable at such a crisis, full of flying rumours, some lies, some 
+    half lies with fragments of truth attaching to them, bred of malice or dizzy 
+    brains, the materials out of which the popular tradition has been built. It 
+    was no insular revolution. The stake played for was the liberty of mankind. 
+    All Europe was watching England, for England was the hinge on which the fate 
+    of the Reformation turned. Could it be crushed in England, the Catholics 
+    were assured of universal victory, and therefore tongues and pens were busy 
+    everywhere throughout Christendom, Catholic imagination representing Henry 
+    as an incarnate Satan, for which, it must be admitted, his domestic 
+    misadventures gave them tempting opportunities. So thick fell the showers of 
+    calumny, that, bold as he was, he at times himself winced under it. He 
+    complained to Charles V. of the libels circulated about him in France and 
+    Flanders. Charles, too, had suffered in the same way. He answered, 
+    humorously, that &quot;if kings gave occasion to be spoken about they would be 
+    spoken about; kings were not kings of tongues.&quot; Henry VIII. was an easy mark 
+    for slander; but if all slanders are to pass as true which are flung at 
+    public men whose policy provides them with an army of calumniators, the 
+    reputation of the best of them is but a spotted rag. The clergy were the 
+    vocal part of Europe. They had the pulpits; they had the writing of the 
+    books and pamphlets. They had cause to hate Henry, and they hated him with 
+    an intensity of passion which could not have been more savage had he been 
+    the devil himself. But there are men whose enmity is a compliment. They 
+    libelled Luther almost as freely as they libelled the English king. I 
+    myself, after reading and weighing all that I could find forty years ago in 
+    prints or manuscripts, concluded that the real facts of Henry's conduct were 
+    to be found in the Statute Book and nowhere else; that the preambles of the 
+    Acts of Parliament did actually represent the sincere opinion about him of 
+    the educated laymen of England, who had better opportunities of knowing the 
+    truth than we can have, and that a modern Englishman may be allowed to 
+    follow their authority without the imputation of paradox or folly. </p>
+    <p align="left">With this impression, and with the Statute Book for a guide, 
+    I wrote the opening portion of my &quot;History of England, from the Fall of 
+    Wolsey to the Defeat of the Armada.&quot; The Published criticisms upon my work 
+    were generally unfavourable. Catholic writers inherited the traditions and 
+    the temper of their forefathers, and believed the eatena of their own 
+    historians. Protestants could not believe in a defence of the author of the 
+    Six Articles Bill. Secular reviewers were easily witty at the &quot;model 
+    husband&quot; whom they supposed me to be imposing upon them, and resented the 
+    interference with a version of the story authenticated by great names among 
+    my predecessors. The public, however, took an interest in what I had to say. 
+    The book was read, and continues to be read; at the close of my life, 
+    therefore, I have to go once more over the ground; and as I am still 
+    substantially alone in maintaining an opinion considered heretical by 
+    orthodox historians, I have to decide in what condition I am to leave my 
+    work behind me. In the thirty-five years which have elapsed since those 
+    early volumes appeared large additions have been made to the materials for 
+    the history of the period. The vast collection of manuscripts in the English 
+    Record Office, which then were only partially accessible, have been sorted, 
+    catalogued, and calendared by the industry of my friends Mr. Brewer and Mr. 
+    Gairdner. Private collections in great English houses have been examined and 
+    reported on by the Historical Manuscripts Commission. Foreign archives at 
+    Paris, Simancas, Rome, Venice, Vienna, and Brussels have been searched to 
+    some extent by myself, but in a far larger degree by able scholars specially 
+    appointed for the purpose. In the despatches, thus made accessible, of the 
+    foreign ambassadors resident at Henry's court we have the invaluable, if not 
+    impartial, comments of trained and responsible politicians who related from 
+    day to day the events which were passing under their eyes. Being Catholics, 
+    and representatives of Catholic powers, they were bitterly hostile to the 
+    Reformation -- hostile alike on political grounds and religious -- and 
+    therefore inclined to believe and report the worst that could be said both 
+    of it and of its authors. But they wrote before the traditions had become 
+    stereotyped; their accounts are fresh and original; and, being men of the 
+    world, and writing in confidence to their own masters, they were as 
+    veracious as their prejudices would allow them to be. Unconsciously, too, 
+    they render another service of infinite importance. Being in close 
+    communication with the disaffected English peers and clergy, and engaged 
+    with them secretly in promoting rebellion, the ministers of Charles V. 
+    reveal with extraordinary clearness the dangers with which the Government 
+    had to deal. They make it perfectly plain that the Act of Supremacy, with 
+    its stern and peremptory demands, was no more than a legitimate and 
+    necessary defence against organised treason. </p>
+    <p align="left">It was thus inevitable that much would have to be added to 
+    what I had already published. When a microscope is applied to the petal of a 
+    flower or the wing of an insect, simple outlines and simple surfaces are 
+    resolved into complex organisms with curious and beautiful details. The 
+    effect of these despatches is precisely the same -- we see with the eyes, we 
+    hear with the ears, of men who were living parts of the scenes which they 
+    describe. Stories afterwards elaborated into established facts we trace to 
+    their origin in rumours of the hour; we read innumerable anecdotes, some 
+    with the clear stamp of truth on them, many mere creations of passing wit or 
+    malice, no more authentic than the thousands like them which circulate in 
+    modern society, guaranteed by the positive assertions of personal witnesses, 
+    yet visibly recognisable as lies. Through all this the reader must pick his 
+    way and use his own judgment. He knows that many things are false which are 
+    reported about his own eminent contemporaries. He may be equally certain 
+    that lies were told as freely then as now. He will probably allow his 
+    sympathies to guide him. He will accept as fact what fits in with his creed 
+    or his theory. He will share the general disposition to believe evil, 
+    especially about kings and great men. The exaggerated homage paid to 
+    princes, when they are alive, has to be compensated by suspecting the worst 
+    of them as soon as they are gone. But the perusal of all these documents 
+    leaves the broad aspect of the story, in my opinion, precisely where it was. 
+    It is made more interesting by the greater fulness of particulars; it is 
+    made more vivid by the clear view which they afford of individual persons 
+    who before were no more than names. But I think now, as I thought forty 
+    years ago, that through the confusions and contradictions of a stormy and 
+    angry time, the statutebook remains the safest guide to follow. If there be 
+    any difference, it is that actions which till explained appeared 
+    gratuitously cruel, like the execution of Bishop Fisher, are seen beyond 
+    dispute to have been reasonable and just. Bishop Fisher is proved by the 
+    words of the Spanish Ambassador himself to have invited and pressed the 
+    introduction of a foreign Catholic army into England in the Pope's interest.
+    </p>
+    <p align="left">Thus I find nothing to withdraw in what I then wrote, and 
+    little to alter save in correcting some small errors of trivial moment; but, 
+    on the other hand, I find much to add; and the question rises in what way I 
+    had better do it, with fair consideration for those who have bought the book 
+    as it stands. To take the work to pieces and introduce the new material into 
+    the text or the notes will impose a necessity of buying a new copy, or of 
+    being left with an inferior one, on the many friends who least deserve to be 
+    so treated. I have concluded, therefore, on writing an additional volume, 
+    where such parts of the story as have had important light thrown upon them 
+    can be told over again in ampler form. The body of the history I leave as it 
+    stands. It contains what I believe to be a true account of the time, of the 
+    immediate causes which brought about the changes of the sixteenth century, 
+    and of the characters and principles of the actors in them. I have only to 
+    fill up certain deficiencies and throw light into places hitherto left dark. 
+    For the rest, I do not pretend to impartiality. I believe the Reformation to 
+    have been the greatest incident in English history; the root and source of 
+    the expansive force which has spread the Anglo-Saxon race over the globe, 
+    and imprinted the English genius and character on the constitution of 
+    mankind. I am unwilling to believe more evil than I can help of my 
+    countrymen who accomplished so beneficent a work, and in a book written with 
+    such convictions the mythical element cannot be wholly wanting. Even things 
+    which immediately surround us, things which we see and touch, we do not 
+    perceive as they are; we perceive only our own sensations, and our 
+    sensations are a combined result of certain objects and of the faculties 
+    which apprehend them. Something of ourselves must always be intermixed 
+    before knowledge can reach us; in every conclusion which we form, in every 
+    conviction which is forced upon us, there is still a subjective element. It 
+    is so in physical science. It is so in art. It is so in our speculations on 
+    our own nature. It is so in religion. It is so even in pure mathematics. </p>
+    <p align="left">The curved and rectilineal figures on which we reason are 
+    our own creation, and have no existence exterior to the reasoning mind. Most 
+    of all is it so in history, where we have no direct perceptions to help us, 
+    but are dependent on the narratives of others whose beliefs were necessarily 
+    influenced by their personal dispositions. The first duty of an historian is 
+    to be on his guard against his own sympathies; but he cannot wholly escape 
+    their influence. In judging of the truth of particular statements, the 
+    conclusion which he will form must be based partly upon evidence and partly 
+    upon what he conceives to be likely or unlikely. In a court of justice, 
+    where witnesses can be cross-examined, uncertain elements can in some degree 
+    be eliminated; yet, after all care is taken, judges and juries have been 
+    often blinded by passion and prejudice. When we have nothing before us but 
+    rumours set in circulation, we know not by whom or on what authority, and we 
+    are driven to consider probabilities, the Protestant, who believes the 
+    Reformation to have been a victory of truth over falsehood, cannot come to 
+    the same conclusion as the Catholic, who believes it to have been a curse, 
+    or perhaps to the same conclusion as the indifferent philosopher, who 
+    regards Protestant and Catholic alike with benevolent contempt. For myself, 
+    I can but say that I have discriminated with such faculty as I possess. I 
+    have kept back nothing. I have consciously distorted nothing which conflicts 
+    with my own views. I have accepted what seems sufficiently proved. I have 
+    rejected what I can find no support for save in hearsay or prejudice. But 
+    whether accepting or rejecting, I have endeavoured to follow the rule that 
+    incidents must not be lightly accepted as authentic which are inconsistent 
+    with the universal laws of human nature, and that to disprove a calumny it 
+    is sufficient to show that there is no valid witness for it. </p>
+    <p align="left">Finally, I do not allow myself to be tempted into 
+    controversy with particular writers whose views disagree with my own. To 
+    contradict in detail every hostile version of Henry VIII.'s or his 
+    ministers' conduct would be as tedious as it would be irritating and 
+    unprofitable. My censors have been so many that a reply to them all is 
+    impossible, and so distinguished that a selection would be invidious. Those 
+    who wish for invectives against the King, or Cranmer, or Cromwell, can find 
+    them everywhere, from school manuals to the grave works of elaborate 
+    historians. For me, it is enough to tell the story as it presents itself to 
+    my own mind, and to leave what appears to me to be the truth to speak for 
+    itself. </p>
+    <p align="left">The English nation throughout their long history have borne 
+    an honourable reputation. Luther quotes a saying of Maximilian that there 
+    were three real sovereigns in Europe -- the Emperor, the King of France, and 
+    the King of England. The Emperor was a king of kings. If he gave an order to 
+    the princes of the Reich, they obeyed or disobeyed as they pleased. The King 
+    of France was a king of asses. He ordered about his people at his will, and 
+    they obeyed like asses. The King of England was king of a loyal nation who 
+    obeyed him with heart and mind as loyal and faithful subjects. This was the 
+    character borne in the world by the fathers of the generation whom popular 
+    historians represent as having dishonoured themselves by subserviency to a 
+    bloodthirsty tyrant. It is at least possible that popular historians have 
+    been mistaken, and that the subjects of Henry VIII. were neither much better 
+    nor much worse than those who preceded or came after them. </p>
+    <hr>
+    <p align="left"><font size="2">From <i>The Divorce of Catherine of Aragon: 
+    The Story as Told by the Imperial Ambassadors Resident at the Court of Henry 
+    VIII</i> by J.A. Froude.&nbsp; Published in New York by C. Scribner's Sons, 
+    1891.</font></p>
+  </blockquote>
+</blockquote>
+
+<p align="center"><a href="froudeone.html">
+<font size="2">to Chapter One</font></a></p>
+<p align="center"><a href="secondary.html">
+<font size="2">to Secondary Sources</font></a></p>
+<p align="center">
+<a href="monarchs/aragon.html"><font size="2">to 
+Katharine of Aragon website</font></a></p>
+    </font>
+    </font>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
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+    </font><font style="FONT-FAMILY: Arial, Helvetica, sans-serif">
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+    </font>
+  </blockquote>
+</blockquote>
+
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+<meta name="content" content="Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: Chapter One">
+<meta name="page_topic" content="Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: Chapter One">
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+Chapter One</title>
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+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">&nbsp;</p>
+    <p align="center"><b><font size="7">The Divorce of<br>Catherine of Aragon</font></b><br>
+    <font size="5">by 
+    JA Froude, 1891</font></p>
+    <p align="center">
+    <img border="0" src="aragon-new1.jpg" alt="miniature portrait of Katharine of Aragon by Lucas Horenbout" width="325" height="321"></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font face="Times New Roman">
+    <div align="left">
+      <b><font size="4">CHAPTER ONE</font></b></div>
+    <blockquote>
+      <p align="left"><font size="4">Prospects of a disputed succession to the 
+      crown -- Various claimants -Catherine incapable of having further children 
+      -- Irregularity of her marriage with the King -- Papal dispensations -- 
+      First mention of the divorce -- Situation of the Papacy -- Charles V. -- 
+      Policy of Wolsey -- Anglo-French alliance -- Imperial troops in Italy -- 
+      Appeal of the Pope -- Mission of Inigo de Mendoza -- The Bishop of Tarbes 
+      -Legitimacy of the Princess Mary called in question -- Secret meeting of 
+      the Legates' court -- Alarms of Catherine -- Sack of Rome by the Duke of 
+      Bourbon -- Proposed reform of the Papacy -- The divorce promoted by Wolsey 
+      -- Unpopular in England -- Attempts of the Emperor to gain Wolsey.</font></p>
+    </blockquote>
+    <p align="left">IN the year 1526 the political prospects of England became 
+    seriously clouded. A disputed succession had led in the previous century to 
+    a desperate civil war. In that year it became known in private circles that 
+    if Henry VIII. was to die the realm would again be left without a certain 
+    heir, and that the strife of the Roses might be renewed on an even more 
+    distracting scale. The sons who had been born to Queen Catherine had died in 
+    childbirth or had died immediately after it. The passionate hope of the 
+    country that she might still produce a male child who would survive had been 
+    constantly disappointed, and now could be entertained no longer. She was 
+    eight years older than her husband. She had &quot;certain diseases&quot; which made it 
+    impossible that she should be again pregnant, and Henry had for two years 
+    ceased to cohabit with her. He had two children still living -- the Princess 
+    Mary, Catherine's daughter, then a girl of eleven, and an illegitimate son 
+    born in 1519, the mother being a daughter of Sir John Blount, and married 
+    afterwards to Sir Gilbert Talboys. By presumptive law the Princess was the 
+    next heir; but no woman had ever sat on the throne of England alone and in 
+    her own right, and it was doubtful whether the nation would submit to a 
+    female sovereign. The boy, though excluded by his birth from the prospect of 
+    the crown, was yet brought up with exceptional care, called a prince by his 
+    tutors, and probably regarded by his father as a possible successor should 
+    his sister go the way of her brothers. In 1525, after the King had 
+    deliberately withdrawn from Catherine, he was created Duke of Richmond -- a 
+    title of peculiar significance, since it had been borne by his grandfather, 
+    Henry VII. -- and he was granted precedence over the rest of the peerage. 
+    Illegitimacy was a serious, but, it might be thought, was not an absolute, 
+    bar. The Conqueror had been himself a bastard. The Church, by its habits of 
+    granting dispensations for irregular marriages or of dissolving them on 
+    pleas of affinity or consanguinity or other pretext, had confused the 
+    distinction between legitimate and illegitimate. A Church Court had 
+    illegitimatised the children of Edward IV. and Elizabeth Grey, on the ground 
+    of one of Edward's previous connections; yet no one regarded the princes 
+    murdered in the Tower as having been illegitimate in reality; and to prevent 
+    disputes and for an adequate object, the Duke of Richmond, had he grown to 
+    manhood, might, in the absence of other claims, have been recognised by 
+    Parliament. But the Duke was still a child, and might die as Henry's other 
+    sons had died; and other claims there were which, in the face of the bar 
+    sinister, could not fail to be asserted. James V. of Scotland was next in 
+    blood, being the son of Henry's eldest sister, Margaret. There were the 
+    Greys, inheriting from the second sister, Mary. Outside the royal house 
+    there were the still popular representatives of the White Rose, the Marquis 
+    of Exeter, who was Edward IV.'s grandson; the Countess of Salisbury, 
+    daughter of Edward's brother the Duke of Clarence, and sister of the 
+    murdered Earl of Warwick; and Henry's life was the only obstacle between the 
+    collision of these opposing pretensions. James, it was quite certain, would 
+    not be allowed to succeed without a struggle. National rivalry forbade it. 
+    Yet it was no less certain that he would try, and would probably be backed 
+    by France. There was but one escape from convulsions which might easily be 
+    the ruin of the realm. The King was in the flower of his age, and might 
+    naturally look for a Prince of Wales to come after him if he was married to 
+    a woman capable of bearing one. It is neither unnatural nor, under the 
+    circumstances, a matter to be censured if he and others began to reflect 
+    upon the peculiar character of his connection with Catherine of Aragon. It 
+    is not sufficiently remembered that the marriage of a widow with her 
+    husband's brother was then, as it is now, forbidden by the laws of all 
+    civilised countries. Such a marriage at the present day would be held <i>
+    ipso facto</i> invalid and not a marriage at all. An irregular power was 
+    then held to rest with the successors of St. Peter to dispense, under 
+    certain conditions, with the inhibitory rules. The popes are now understood 
+    to have never rightly possessed such an authority, and therefore, according 
+    to modern law and sentiment, Henry and Catherine never were husband and wife 
+    at all. At the time it was uncertain whether the dispensing power extended 
+    so far as to sanction such a union, and when the discussion rose upon it the 
+    Roman canonists were themselves divided. Those who maintained the widest 
+    view of thepapal faculty yet agreed that such a dispensation could only be 
+    granted for urgent cause, such as to prevent foreign wars or internal 
+    seditions, and no such cause was alleged to have existed when Ferdinand and 
+    Henry VII. arranged the marriage between their children. The dispensation 
+    had been granted by Pope Julius with reluctance, had been acted upon after 
+    considerable hesitation, and was of doubtful validity, since the necessary 
+    conditions were absent. The marriages of kings were determined with little 
+    reference to the personal affection of the parties. Between Henry and 
+    Catherine there was probably as much and as little personal attachment as 
+    there usually is in such cases. He respected and perhaps admired her 
+    character; but she was not beautiful, she was not attractive, while she was 
+    as proud and intractable as her mother Isabella. Their union had been 
+    settled by the two fathers to cement the alliance between England and Spain. 
+    Such connections rest on a different foundation from those which are 
+    voluntarily entered into between private persons. What is made up for 
+    political reasons may pardonably be dissolved when other reasons of a 
+    similar kind require it; and when it became clear that Catherine could never 
+    bear another child, that the penalty threatened in the Levitical law against 
+    marriages of this precise kind had been literally enforced in the death of 
+    the male offspring, and that civil war was imminent in consequence upon the 
+    King's death, Henry may have doubted in good faith whether she had ever been 
+    his wife at all -- whether, in fact, the marriage was not of the character 
+    which everyone would now allow to attach to similar unions. Had there been a 
+    Prince of Wales, the question would never have arisen, and Henry, like other 
+    kings, would have borne his fate. But there was no prince, and the question 
+    had risen, and there was no reason why it should not. There was no trace at 
+    the outset of an attachment to another woman. If there had been, there would 
+    be little to condemn; but Anne Boleyn, when it was first mooted, was no more 
+    to the King than any other lady of the court. He required a wife who could 
+    produce a son to secure the succession. The powers which had allowed an 
+    irregular marriage could equally dissolve it, and the King felt that he had 
+    a right to demand a familiar concession which other sovereigns had often 
+    applied for in one form or another, and rarely in vain. </p>
+    <p align="left">Thus as early as 1526 certainly, and probably as much as a 
+    year before, Cardinal Wolsey had been feeling his way at Rome for a 
+    separation between Henry and Catherine. On September 7 in that year the 
+    Bishop of Bath, who was English Ambassador at Paris, informed the Cardinal 
+    of the arrival there of a confidential agent of Pope Clement VII. The agent 
+    had spoken to the Bishop on this especial subject, and had informed him that 
+    there would be difficulties about it. The &quot;blessed divorce&quot; -- <i>benedictum 
+    divorcium</i> the Bishop calls it -- had been already under consideration at 
+    Rome. The difficulties were not specified, but the political features of the 
+    time obliged Clement to be circumspect, and it was these that were probably 
+    referred to. Francis I. had been defeated and taken prisoner by the 
+    Imperialists at Pavia. He had been carried to Spain, and had been released 
+    at Henry's intercession, under severe conditions, to which he had 
+    reluctantly consented, and his sons had been left at Madrid as hostages for 
+    the due fulfilment of them. The victorious army, half Spanish, half German, 
+    remained under the Duke of Bourbon to complete the conquest of Italy; and 
+    Charles V., with his already vast dominions and a treasury which the world 
+    believed to be inexhaustibly supplied from the gold mines of the New World, 
+    seemed advancing to universal empire. </p>
+    <p align="left">France in the preceding centuries had been the hereditary 
+    enemy of England; Spain and Burgundy her hereditary friends. The marriage of 
+    Catherine of Aragon had been a special feature of the established alliance. 
+    She was given first to Prince Arthur, and then to Henry, as link in the 
+    confederacy which was to hold in check French ambition. Times were changing. 
+    Charles V. had been elected emperor, largely through English influence; but 
+    Charles was threatening to be a more serious danger to Europe than France 
+    had been. The Italian princes were too weak to resist the conqueror of Pavia. 
+    Italy once conquered, the Papacy would become a dependency of the empire, 
+    and, with Charles's German subjects in open revolt against it, the Church 
+    would lose its authority, and the organisation of the Catholic world would 
+    fall into hopeless decrepitude. So thought Wolsey, the most sharp-sighted of 
+    English ministers. He believed that the maintenance of the Papacy was the 
+    best defence of order and liberty. The only remedy which he could see was a 
+    change of partners. England held the balance between the great rival powers. 
+    If the English alliance could be transferred from the Empire to France, the 
+    Emperor could be held in check, and his supposed ambition neutralised. 
+    Wolsey was utterly mistaken; but the mistake was not an unnatural one. 
+    Charles, busy with his Italian wars, had treated the Lutheran schism with 
+    suspicious forbearance. Notwithstanding his Indian ingots his finances were 
+    disordered. Bourbon's lansquenets had been left to pay themselves by 
+    plunder. They had sacked monasteries, pillaged cathedral plate, and ravished 
+    nuns with irreverent ferocity. The estates of the Church had been as little 
+    spared by them as Lombardy; and to Clement VII. the invasion was another 
+    inroad of barbarians, and Bourbon a second Attila. What Bourbon's master 
+    meant by it, and what he might intend to do, was as uncertain to Clement as 
+    perhaps it was to Charles himself. In the prostrate, degraded, and desperate 
+    condition into which the Church was falling, any resolution was possible. To 
+    the clearest eyes in Europe the Papacy seemed tottering to its fall, and 
+    Charles's hand, if he chose to raise it, might precipitate the catastrophe. 
+    To ask a pope at such a time to give mortal offence to the Spanish nation by 
+    agreeing to the divorce of Catherine of Aragon was to ask him to sign his 
+    death-warrant. No wonder, therefore, that he found difficulties. Yet it was 
+    to France and England that Clement had to look for help in his extremities. 
+    The divorce perhaps had as yet been no more than a suggestion, a part of a 
+    policy which was still in its infancy. It could wait at any rate for a more 
+    convenient season. Meantime he sent his secretary, Sanga, to Paris to beg 
+    aid; and to Henry personally he made a passionate appeal, imploring him not 
+    to desert the Apostolic See in its hour of extreme need. He apologised for 
+    his importunacy, but he said he hoped that history would not have to record 
+    that Italy had been devastated in the time of Clement VII. to the dishonour 
+    of the King and of Wolsey. If France and England failed him, he would 
+    himself be ruined. The Emperor would be universal monarch. They would open 
+    their eyes at last, but they would open them too late. So piteous was the 
+    entreaty that Henry when he read the Pope's letter burst into tears. Clement 
+    had not been idle. He had brought his own small army into the field to 
+    oppose Bourbon; he joined the Italian League, and prepared to defend 
+    himself. He was called the father of Christendom, yet he was at open war 
+    with the most Catholic king. But Wolsey reasonably considered that unless 
+    the Western powers interfered the end would come. </p>
+    <p align="left">If England was to act, she could act only in alliance with 
+    France. The change of policy was ill understood, and was not popular among 
+    Henry's subjects. The divorce as yet had not been spoken of. No breath of 
+    such a purpose had gone abroad. But English sentiment was imperial, and 
+    could endure with equanimity even the afflictions of a pope. The King was 
+    more papal than his people; he allowed Wolsey to guide him, and negotiations 
+    were set on foot at once for a special treaty with France, one of the 
+    conditions of which was to be the marriage of the Princess Mary -- allotted 
+    like a card in a game -- either to Francis or to one of his sons; another 
+    condition being that the English crown should be settled upon her should 
+    Henry die without a legitimate son. Sir John Russell was simultaneously 
+    despatched to Rome with money to help the Pope in paying his troops and 
+    garrisoning the city. The ducats and the &quot;kind words&quot; which accompanied them 
+    &quot;created incredible joy,&quot; encouraged his Holiness to reject unjust 
+    conditions which had been offered, and restored him, if for the moment only, 
+    &quot;from death to life.&quot; If Russell described correctly what he saw in passing 
+    through Italy, Clement had good cause for anxiety. &quot;The Swabians and 
+    Spaniards,&quot; he wrote, &quot;had committed horrible atrocities. They had burnt 
+    houses to the value of two hundred million ducats, with all the churches, 
+    images, and priests that fell into their hands. They had compelled the 
+    priests and monks to violate the nuns. Even where they were received without 
+    opposition they had burned the place; they had not spared the boys, and they 
+    had carried off the girls; and whenever they found the Sacrament of the 
+    Church they had thrown it into a river or into the vilest place they could 
+    find. If God did not punish such cruelty and wickedness, men would infer 
+    that He did not trouble Himself about the affairs of this world.&quot;</p>
+    <p align="left">The news from Italy gave a fresh impulse to Wolsey's policy 
+    and the Anglo-French Alliance, which was pushed forward in spite of popular 
+    disapproval. The Emperor, unable to pay, and therefore unable to control, 
+    his troops, became himself alarmed. He found himself pressed into a course 
+    which was stimulating the German revolt against the Papacy, and he professed 
+    himself anxious to end the war. Inigo de Mendoza, the Bishop of Burgos, was 
+    despatched to Paris to negotiate for a general pacification. From Paris he 
+    was to proceed to London to assure Henry of the Emperor's inalienable 
+    friendship, and above all things to gain over Wolsey by the means which 
+    experience had shown to be the nearest way to Wolsey's heart. The great 
+    Cardinal was already Charles's pensionary, but the pension was several years 
+    in arrear. Mendoza was to tell him not only that the arrears should be 
+    immediately paid up, but that a second pension should be secured to him on 
+    the revenues of Milan, and that the Emperor would make him a further grant 
+    of 6,000 ducats annually out of the income of Spanish bishoprics. No means 
+    was to be spared to divert the hostility of so dangerous an enemy.</p>
+    <p align="left">Wolsey was not to be so easily gained. He had formed large 
+    schemes which he did not mean to part with, and in the matter of pensions 
+    Francis I. was as liberal in promises as Charles. The Pope's prospects were 
+    brightening. Besides the English money, he had improved his finances by 
+    creating six new cardinals, and making 240,000 crowns out of the disposition 
+    of these sacred offices. A French embassy, with the Bishop of Tarbes at its 
+    head, came to England to complete the treaty with Henry in the Pope's 
+    defence. Demands were to be made upon the Emperor; if those demands were 
+    refused, war was to follow, and the cement of the alliance was to be the 
+    marriage of Mary with a French prince. It is likely that other secret 
+    projects were in view also of a similar kind. The marriage of Henry with 
+    Catherine had been intended to secure the continuance of the alliance with 
+    Spain. Royal ladies were the counters with which politicians played; and 
+    probably enough there were thoughts of placing a French princess in 
+    Catherine's place. However this may be, the legality of the King's marriage 
+    with his nominal queen was suddenly and indirectly raised in the discussion 
+    of the terms of the treaty, when the Bishop of Tarbes inquired whether it 
+    was certain that Catherine's daughter was legitimate. </p>
+    <p align="left">Mr. Brewer, the careful and admirable editor of the &quot;Foreign 
+    and Domestic Calendar of State Papers,&quot; doubts whether the Bishop did 
+    anything of the kind. I cannot agree with Mr. Brewer. The Bishop of Tarbes 
+    was among the best-known diplomatists in Europe. He was actively concerned 
+    during subsequent years in the process of the divorce case in London, in 
+    Paris, and at Rome. The expressions which he used on this occasion were 
+    publicly appealed to by Henry in his addresses to the peers and to the 
+    country, in the public pleas which he laid before the English prelates, in 
+    the various repeated defences which he made for his conduct. It is 
+    impossible that the Bishop should have been ignorant of the use which was 
+    made of his name, and impossible equally to suppose that he would have 
+    allowed his name to be used unfairly. The Bishop of Tarbes was 
+    unquestionably the first person to bring the question publicly forward. It 
+    is likely enough, however, that his introduction of so startling a topic had 
+    been privately arranged between himself and Wolsey as a prelude to the 
+    further steps which were immediately to follow. For the divorce had by this 
+    time been finally resolved on as part of a general scheme for the alteration 
+    of the balance of power. The domestic reasons for it were as weighty as ever 
+    were alleged for similar separations. The Pope's hesitation, it might be 
+    assumed, would now be overcome, since he had flung himself for support upon 
+    England and France, and his relations with the Emperor could hardly be worse 
+    than they were. </p>
+    <p align="left">The outer world, and even the persons principally concerned, 
+    were taken entirely by surprise. For the two years during which it had been 
+    under consideration the secret had been successfully preserved. Not a hint 
+    had reached Catherine herself, and even when the match had been lighted by 
+    the Bishop of Tarbes the full meaning of it does not seem to have occurred 
+    to her. Mendoza, on his arrival in England, had found her disturbed; she was 
+    irritated at the position which had been given to the Duke of Richmond; she 
+    was angry, of course, at the French alliance; she complained that she was 
+    kept in the dark about public affairs; she was exerting herself to the 
+    utmost among the friends of the imperial connection to arrest Wolsey's 
+    policy and maintain the ancient traditions; but of the divorce she had not 
+    heard a word. It was to come upon her like a thunderstroke.</p>
+    <p align="left">Before the drama opens a brief description will not be out 
+    of place of the two persons who were to play the principal parts on the 
+    stage, as they were seen a year later by Ludovico Falieri, the Venetian 
+    ambassador in England. Of Catherine his account is brief. </p>
+    <p align="left">&quot;The Queen is of low stature and rather stout; very good and 
+    very religious; speaks Spanish, French, Flemish, and English; more beloved 
+    by the Islanders than any queen that has ever reigned; about forty-five 
+    years old, and has been in England thirty years. She has had two sons and 
+    one daughter. Both the sons died in infancy. One daughter survives.&quot; </p>
+    <p align="left">On the King, Falieri is more elaborate. </p>
+    <p align="left">&quot;In the 8th Henry such beauty of mind and body is combined 
+    as to surprise and astonish. Grand stature, suited to his exalted position, 
+    showing the superiority of mind and character; a face like an angel's, so 
+    fair it is; his head bald like Cæsar's, and he wears a beard, which is not 
+    the English custom. He is accomplished in every manly exercise, sits his 
+    horse well, tilts with his lance, throws the quoit, shoots with his bow 
+    excellent well; he is a fine tennis player, and he practises all these gifts 
+    with the greatest industry. Such a prince could not fail to have cultivated 
+    also his character and his intellect. He has been a student from his 
+    childhood; he knows literature, philosophy, and theology; speaks and writes 
+    Spanish, French, and Italian, besides Latin and English. He is kind, 
+    gracious, courteous, liberal, especially to men of learning, whom he is 
+    always ready to help. He appears religious also, generally hears two masses 
+    a day, and on holy days High Mass besides. He is very charitable, giving 
+    away ten thousand gold ducats annually among orphans, widows, and cripples.&quot;</p>
+    <p align="left">Such was the King, such the Queen, whom fate and the 
+    preposterous pretensions of the Papacy to dispense with the established 
+    marriage laws had irregularly mated, and whose separation was to shake the 
+    European world. Pope Clement complained in subsequent years that the burden 
+    of decision should have been thrown in the first instance upon himself. If 
+    the King had proceeded at the outset to try the question in the English 
+    courts; if a judgment had been given unfavourable to the marriage, and had 
+    he immediately acted upon it, Queen Catherine might have appealed to the 
+    Holy See; but accomplished facts were solid things. Her case might have been 
+    indefinitely protracted by legal technicalities till it died of itself. It 
+    would have been a characteristic method of escape out of the difficulty, and 
+    it was a view which Wolsey himself perhaps at first entertained. He knew 
+    that the Pope was unwilling to take the first step.</p>
+    <p align="left">On the 17th of May, 1527, after a discussion of the Treaty 
+    with France, he called a meeting of his Legatine court at York Place. 
+    Archbishop Warham sate with him as assessor. The King attended, and the 
+    Cardinal, having stated that a question had arisen on the lawfulness of his 
+    marriage, enquired whether the King, for the sake of public morals and the 
+    good of his own soul, would allow the objections to be examined into. The 
+    King assented, and named a proctor. The Bull of Julius II. was introduced 
+    and considered. Wolsey declared that in a case so intricate the canon 
+    lawyers must be consulted, and he asked for the opinions of the assembled 
+    bishops. The bishops, one only excepted, gave dubious answers. The aged 
+    Bishop of Rochester, reputed the holiest and wisest of them, said decidedly 
+    that the marriage was good, and the Bull which legalised it sufficient. </p>
+    <p align="left">These proceedings were not followed up, but the secrecy 
+    which had hitherto been observed was no longer possible, and Catherine and 
+    her friends learnt now for the first time the measure which was in 
+    contemplation. Mendoza, writing on the day following the York Place meeting 
+    to the Emperor, informed him, as a fact which he had learnt on reliable 
+    authority, that Wolsey, for a final stroke of wickedness, was scheming to 
+    divorce the Queen. She was so much alarmed that she did not venture herself 
+    to speak of it, but it was certain that the lawyers and bishops had been 
+    invited to sign a declaration that, being his brother's widow, she could not 
+    be the wife of the King. The Pope, she was afraid, might be tempted to take 
+    part against her, or the Cardinal himself might deliver judgment as Papal 
+    Legate. Her one hope was in the Emperor. The cause of the action taken 
+    against her was her fidelity to the Imperial interests. Nothing as yet had 
+    been made formally public, and she begged that the whole matter might be 
+    kept as private as possible.</p>
+    <p align="left">That the Pope would be willing, if he dared, to gratify 
+    Henry at Charles's expense was only too likely. The German Lutherans and the 
+    German Emperor were at the moment his most dangerous enemies. France and 
+    England were the only Powers who seemed willing to assist him, and a week 
+    before the meeting of Wolsey's court he had experienced in the most terrible 
+    form what the imperial hostility might bring upon him. On the 7th of that 
+    same month of May the army of the Duke of Bourbon had taken Rome by storm. 
+    The city was given up to pillage. Reverend cardinals were dragged through 
+    the streets on mules' backs, dishonoured and mutilated. Convents of nuns 
+    were abandoned to the licentious soldiery. The horrors of the capture may 
+    have been exaggerated, but it is quite certain that to holy things or holy 
+    persons no respect was paid, and that the atrocities which in those days 
+    were usually perpetrated in stormed towns were on this occasion eminently 
+    conspicuous. The unfortunate Pope, shut up in the Castle of St. Angelo, 
+    looked down from its battlements upon scenes so dreadful that it must have 
+    appeared as if the Papacy and the Church itself had been overtaken by the 
+    final judgment. We regard the Spaniards as a nation of bigots, we consider 
+    it impossible that the countrymen of Charles and Philip could have been 
+    animated by any such bitterness against the centre of Catholic Christendom. 
+    Charles himself is not likely to have intended the humiliation of the Holy 
+    See. But Clement had reason for his misgivings, and Wolsey's policy was not 
+    without excuse. Lope de Soria was Charles's Minister at Genoa, and Lope de 
+    Soria's opinions, freely uttered, may have been shared by many a Catholic 
+    besides himself. On the 25th of May, a fortnight after the storm, he wrote 
+    to his master the following noticeable letter: -- </p>
+    <p align="left">&quot;The sack of Rome must be regarded as a visitation from God, 
+    who permits his servant the Emperor to teach his Vicar on earth and other 
+    Christian princes that their wicked purposes shall be defeated, the unjust 
+    wars which they have raised shall cease, peace be restored to Christendom, 
+    the faith be exalted, and heresy extirpated. . . . Should the Emperor think 
+    that the Church of God is not what it ought to be, and that the Pope's 
+    temporal power emboldens him to promote war among Christian princes, I 
+    cannot but remind your Majesty that it will not be a sin, but a meritorious 
+    action, to reform the Church; so that the Pope's authority be confined 
+    exclusively to his own spiritual affairs, and temporal affairs to be left to 
+    Cæsar, since by right what is God's belongs to God, and what is Cæsar's to 
+    Cæsar. I have been twenty-eight years in Italy, and I have observed that the 
+    Popes have been the sole cause of all the wars and miseries during that 
+    time. Your Imperial Majesty, as Supreme Lord on earth, is bound to apply a 
+    remedy to that evil.&quot;</p>
+    <p align="left">Heretical English and Germans were not the only persons who 
+    could recognise the fitness of the secular supremacy of princes over popes 
+    and Churches. Such thoughts must have passed through the mind of Charles 
+    himself, and of many more besides him. De Soria's words might have been 
+    dictated by Luther or Thomas Cromwell. Had the Emperor at that moment placed 
+    himself at the head of the Reformation, all later history would have been 
+    different. One statesman at any rate had cause to fear that this might be 
+    what was about to happen. Wolsey was the embodiment of everything most 
+    objectionable and odious to the laity in the ecclesiastical administration 
+    of Europe. To defend the Papacy and to embarrass Charles was the surest 
+    method of protecting himself and his order. The divorce was an incident in 
+    the situation, but not the least important. Catherine represented the 
+    Imperialist interest in England. To put her away was to make the breach with 
+    her countrymen and kindred irreparable. He took upon himself to assure the 
+    King that after the last outrage the Pope would agree to anything that 
+    France and England demanded of him, and would trust to his allies to bear 
+    him harmless. That the divorce was a thing reasonable in itself to ask for, 
+    and certain to be conceded by any pope who was free to act on his own 
+    judgment, was assumed as a matter of course. Sir Gregory Casalis, the 
+    English agent at Rome, was instructed to obtain access to Clement in St. 
+    Angelo, to convey to him the indignation felt in England at his treatment, 
+    and then to insist on the illegality of the King's relations with Catherine, 
+    on the King's own scruples of conscience, and on the anxiety of his subjects 
+    that there should be a male heir to the crown. The &quot;urgent cause&quot; such as 
+    was necessary to be produced when exceptional actions were required of the 
+    popes was the imminence or even certainty of civil war if no such heir was 
+    born. </p>
+    <p align="left">Catherine meanwhile had again communiated with Mendoza. She 
+    had spoken to her husband, and Henry, since further reticence was 
+    impossible, had told her that they had been living in mortal sin, and that a 
+    separation was necessary. A violent scene had followed, with natural tears 
+    and reproaches. The King endeavoured to console her, but it was not a matter 
+    where consolation could avail. Wolsey advised him to deal with her gently, 
+    till it was seen what the Pope and the King of France would do in the 
+    matter. Wolsey himself was to go immediately to Paris to see Francis, and 
+    consult with him on the measures necessary to be taken in consequence of the 
+    Pope's imprisonment. It was possible that Clement, finding himself helpless, 
+    might become a puppet in the Emperor's hands. Under such circumstances he 
+    could not be trusted by other countries with the spiritual authority 
+    attaching to his office, and schemes were being formed for some interim 
+    arrangement by which France and England were to constitute themselves into a 
+    separate patriarchate, with Wolsey at its head as Archbishop of Rouen. 
+    Mendoza says that this proposal had been actually made to Wolsey by the 
+    French Ambassador. In Spain it was even believed to be contemplated as a 
+    permanent modification of the ecclesiastical system. The Imperial 
+    Councillors at Valladolid told the Venetian Minister that the Cardinal 
+    intended to separate the Churches of England and France from that of Rome, 
+    saying that as the Pope was a prisoner he was not to be obeyed, and that 
+    even if the Emperor released him, he still would not be free unless his 
+    fortresses and territory now in the Emperor's hands were restored to him. 
+    Wolsey had reason for anxiety, for Catherine and Mendoza were writing to the 
+    Emperor insisting that he should make the Pope revoke Wolsey's Legatine 
+    powers. </p>
+    <p align="left">In spite of efforts to keep secret the intended divorce, it 
+    soon became known thoughout England. The Queen was personally popular. The 
+    nation generally detested France, and looked on the Emperor as their 
+    hereditary friend. The reasons for the divorce might influence statesmen, 
+    but did not touch the body of the people. They naturally took the side of an 
+    injured wife, and if Mendoza can be believed (and there is no reason why he 
+    should not be believed), the first impression was decidedly unfavourable to 
+    a project which was regarded as part of the new policy. Mendoza made the 
+    most of the opposition. He told the Emperor that if six or seven thousand 
+    men were landed in Cornwall, forty thousand Englishmen would rise and join 
+    them. He saw Wolsey -- he reasoned with him, and when he found reason 
+    ineffectual, he named the bribe which the Emperor was willing to give. 
+    Knowing what Francis was bidding, he baited his hook more liberally. He 
+    spoke of the Papacy: &quot;how the chair was now in the Emperor's hands, and the 
+    Emperor, if Wolsey deserved it, would no doubt promote his elevation.&quot; The 
+    glittering temptation was unavailing. The papal chair had been Wolsey's 
+    highest ambition, but he remained unmoved. He said that he had served the 
+    Emperor in the past out of disinterested regard. He still trusted that the 
+    Emperor would replace the Pope and restore the Church. Mendoza's answer was 
+    not reassuring to an English statesman. He said that both the spiritual and 
+    temporal powers were now centred in his master, and he advised Wolsey, if he 
+    desired an arrangement, to extend his journey from France, go on to Spain, 
+    and see the Emperor in person. It was precisely this centering which those 
+    who had charge of English liberties had a right to resent. Divorce or no 
+    divorce, they could not allow a power possessed of so much authority in the 
+    rest of Christendom to be the servant of a single prince. The divorce was 
+    but an illustration of the situation, and such a Papacy as Mendoza 
+    contemplated would reduce England and all Catholic Europe into fiefs of the 
+    Empire. </p>
+    </font>
+    <font face="Times New Roman" style="font-family: Arial, Helvetica, sans-serif">
+    <hr>
+    <p align="left"><font size="2">From <i>The Divorce of Catherine of Aragon: 
+    The Story as Told by the Imperial Ambassadors Resident at the Court of Henry 
+    VIII</i> by J.A. Froude.&nbsp; Published in New York by C. Scribner's Sons, 
+    1891.</font></p>
+  </blockquote>
+</blockquote>
+
+<p align="center"><font size="2">
+<a href="froudetwo.html">to Chapter Two</a></font></p>
+<p align="center"><a href="secondary.html">
+<font size="2">to Secondary Sources</font></a></p>
+<p align="center">
+<a href="monarchs/aragon.html"><font size="2">to 
+Katharine of Aragon website</font></a></p>
+    </font>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font face="Times New Roman">
+    </font><font style="FONT-FAMILY: Arial, Helvetica, sans-serif">
+    </font>
+    <p class="3text" align="left">&nbsp;</p>
+    </font>
+  </blockquote>
+</blockquote>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082631" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="content" content="Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: Chapter One">
+<meta name="page_topic" content="Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: Chapter One">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: 
+Chapter Three</title>
+<style>
+<!--
+.3text {font-size: 12 px;}
+-->
+</style>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">&nbsp;</p>
+    <p align="center"><b><font size="7">The Divorce of<br>Catherine of Aragon</font></b><br>
+    <font size="5">by 
+    JA Froude, 1891</font></p>
+    <p align="center">
+    <img border="0" src="aragon-new1.jpg" alt="miniature portrait of Katharine of Aragon by Lucas Horenbout" width="325" height="321"></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font face="Times New Roman">
+    </font><font face="Times New Roman">
+    <div align="left">
+      <b><font size="4">CHAPTER THREE</font></b></div>
+    <blockquote>
+      <p align="left"><font size="4">Anxiety of the Pope to satisfy the King -- 
+      Fears of the Emperor -Proposed alternatives -- France and England declare 
+      war in the Pope's defence -- Campeggio to be sent to England -- The King's 
+      account of the Pope's conduct -- The Pope's distress and alarm -The secret 
+      decretal -- Instructions to Campeggio. </font></p>
+    </blockquote>
+    <p align="left">THE story returns to Orvieto. The dispensation was promised 
+    on condition that it should not be immediately acted on. Catherine having 
+    refused to acquiesce in a private arrangement, Wolsey again pressed the Pope 
+    for a commission to decide the cause in England, and to bind himself at the 
+    same time not to revoke it, but to confirm any judgment which he might 
+    himself give. &quot;There were secret causes,&quot; he said, &quot;which could not be 
+    committed to writing which made such a concession imperative: certain 
+    diseases in the Queen defying all remedy, for which, as for other causes, 
+    the King would never again live with her as his wife.&quot; </p>
+    <p align="left">The Pope, smarting from ill-treatment and grateful for the 
+    help of France and England, professed himself earnestly anxious to do what 
+    Henry desired. But he was still virtually a prisoner. He had been obliged by 
+    the General of the Observants, when in St. Angelo, to promise to do nothing 
+    &quot;whereby the King's divorce might be judged in his own dominions.&quot; He 
+    pleaded for time. He promised a commission of some kind, but he said he was 
+    undone if action was taken upon it while the Germans and Spaniards remained 
+    in Italy. He saw evident ruin before him, he said, but he professed to be 
+    willing to run the hazard rather than that Wolsey should suspect him of 
+    ingratitude. He implored the Cardinal, <i>cum suspiriis et lacrymis,</i> not 
+    to precipitate him for ever, and precipitated he would be if, on receiving 
+    the commission, the Cardinal at once began the process. A fortnight later 
+    Casalis described a long conversation with the Pope and Cardinals on the 
+    course to be pursued. Henry bad desired that a second Legate should be sent 
+    from Rome to act with Wolsey. To consent to this would directly compromise 
+    the Papal Court. Clement had no objection to the going forward with the 
+    cause, but he did not wish to be himself responsible. He signed an imperfect 
+    commission not inconsistent with his promise to the General of the 
+    Observants. On this Wolsey might act or, if he preferred it, might proceed 
+    on his own Legatine authority. For himself, instead of engaging to confirm 
+    Wolsey's sentence, he said that no doctor could better resolve the point at 
+    issue than the King himself. If he was resolved, said the Pope, let him 
+    commit his cause to the Legate, marry again, follow up the trial, and then 
+    let a public application be made for a Legate to be sent from the 
+    Consistory. If the Queen was cited first, she would put in no answer, save 
+    to protest against the place and judges. The Imperialists would demand a 
+    prohibition, and then the King could not marry, or, if he did, the offspring 
+    would be illegitimate. They would also demand a commission for the cause to 
+    be heard at Rome, which the Pope would be unable to refuse. But the King 
+    being actually married again, they could not ask for a prohibition. They 
+    could only ask that the cause should be re-examined at Rome, when the Pope 
+    would give sentence and a judgment could be passed which would satisfy the 
+    whole world. This was the Pope's own advice, but he did not wish it to be 
+    known that it had come from himself. Casalis might select the Legate to 
+    England after the first steps had been taken. Campeggio he thought the 
+    fittest, being already an English bishop. At any rate, the Pope bade Casalis 
+    say he would do his best to satisfy the King, though he knew that the 
+    Emperor would never forgive him. </p>
+    <p align="left">It is not certain what would have followed had Henry acted 
+    on the Pope's suggestion. The judgment which Clement promised might have 
+    been in his favour. Clement evidently wished him to think that it would. But 
+    he might, after all, have found himself required to take Catherine back. 
+    Either alternative was possible. At any rate he did not mean, if he could 
+    help it, to have recourse to violent methods. Charles himself, though he 
+    intended to prevent, if he could, a legal decision against his aunt, had 
+    hinted at the possibility and even desirableness of a private arrangement, 
+    if Catherine would agree. Catherine, unfortunately, would agree to nothing, 
+    but stood resolutely upon her rights, and Charles was forced to stand by 
+    her. Henry was equally obstinate, and the Pope was between the rock and the 
+    whirlpool. </p>
+    <p align="left">The Pope had promised, however, and had promised with 
+    apparent sincerity. The Papal states remaining occupied by the Imperial 
+    troops, Henry carried out his own part of the engagement by joining France 
+    in a declaration of war against the Emperor. Toison d'or and Clarencieulx 
+    appeared before Charles at Burgos on the 22nd of January, Charles sitting on 
+    his throne to receive their defiance. Toison d'or said that the Emperor had 
+    opened Christendom to the Turks, had imprisoned the Pope, had allowed his 
+    armies to sack Rome and plunder churches and monasteries, had insulted the 
+    holy relics, slain or robbed princes of the Church, cardinals, patriarchs, 
+    archbishops, outraged nunneries and convents, had encouraged Lutheran 
+    heretics in committing these atrocities, &amp;c. For these reasons France 
+    declared open war with the Emperor. The English herald -- he was accused 
+    afterwards of having exceeded his instructions -- was almost as peremptory. 
+    Henry, in earlier times, had lent Charles large sums of money, which had not 
+    been repaid. Clarencieulx said that, unless the Pope was released and the 
+    debt settled, the King of England must make common cause with his brother of 
+    France. Six weeks' interval was allowed for the Emperor to consider his 
+    answer before hostilities on the side of England should commence. </p>
+    <p align="left">The Emperor replied with calmness and dignity. War with 
+    France was inevitable. As to England, he felt like Cicero, when doubting 
+    whether he should quarrel with Cæsar, that it was inconvenient to be in debt 
+    to an enemy. If England attacked him he said he would defend himself, but he 
+    declined to accept the defiance. Mendoza was not recalled from London. At 
+    the end of the six weeks the situation was prolonged by successive truces 
+    till the peace of Cambray. But Henry had kept his word to the Pope. England 
+    appeared by the side of France in the lists as the armed champion of the 
+    Papacy, and the Pope was expected to fulfil his promises without disguise or 
+    subterfuge. </p>
+    <p align="left">Clement's method of proceeding with the divorce was 
+    rejected. The dispensation and commission which had been amended with a view 
+    to it were rejected also as worthless. Dr. Fox and Stephen Gardiner were 
+    despatched to Orvieto with fuller powers and with a message peremptory and 
+    even menacing. They were again to impress on the Pope the danger of a 
+    disputed succession. They were to hint that, if relief was refused in 
+    deference to the Emperor, England might decline from obedience to the Holy 
+    See. The Pope must, therefore, pass the commission and the dispensation in 
+    the form in which it had been sent from England. If he objected that it was 
+    unusual, they were to announce that the cause was of great moment. The King 
+    would not be defrauded of his expectation through fear of the Emperor. If he 
+    could not obtain justice from the Pope, he would be compelled to seek it 
+    elsewhere.</p>
+    <p align="left">The language of these instructions shows that the King and 
+    Wolsey understood the Proteus that they were dealing with, and the necessity 
+    of binding his hands if he was not to slip from them. It was not now the 
+    fountain of justice, the august head of Christendom, that they were 
+    addressing, but a shifty old man, clad by circumstances with the robe of 
+    authority, but whose will was the will of the power which happened to be 
+    strongest in Italy. It was not tolerable that the Emperor should dictate on 
+    a question which touched the vital interests of an independent kingdom. </p>
+    <p align="left">Spanish diplomatists had afterwards to excuse and explain 
+    away Clement's concessions on the ground that they were signed when he was 
+    angry at his imprisonment, had been extorted by threats, and were therefore 
+    of no validity. He struggled hard to avoid committing himself. The unwelcome 
+    documents were recast into various forms. The dispensation was not signed 
+    after all, but in the place of it other briefs were signed of even graver 
+    importance. The Pope yielded to the demand to send a second Legate to try 
+    the cause with Wolsey in England, where it was assumed as a matter of course 
+    that judgment would be given for the King. The Legate chosen was Campeggio, 
+    who was himself, as was said, an English bishop. The Pope also did express 
+    in writing his own opinion on the cause as favourable to the King's plea. 
+    What passed at Orvieto was thus afterwards compendiously related by Henry in 
+    a published statement of his case. </p>
+    <p align="left">&quot;On his first scruple the King sent to the Bishop of Rome, 
+    as Christ's Vicar, who had the keys of knowledge, to dissolve his doubts. 
+    The said Bishop refused to take any knowledge of it and desired the King to 
+    apply for a commission to be sent into the realm, authorised to determine 
+    the cause, thus pretending that it might no wise be entreated at Rome, but 
+    only within the King's own realm. He delegated his whole powers to Campeggio 
+    and Wolsey, giving them also a special commission in form of a decretal, 
+    wherein he declared the King's marriage null and empowered him to marry 
+    again. In the open commission also he gave them full authority to give 
+    sentence for the King. Secretly he gave them instructions to burn the 
+    commission decretal and not proceed upon it; (but) at the time of sending 
+    the commission he also sent the King a brief, written in his own hand, 
+    admitting the justice of his cause and promising <i>sanctissime sub</i> <i>
+    verbo Pontificis</i> that he would never advocate it to Rome.&quot;</p>
+    <p align="left">Engagements which he intended to keep or break according to 
+    the turns of the war between Francis and Charles did not press very heavily 
+    perhaps on Clement's conscience, but they were not extorted from him without 
+    many agonies. &quot;He has granted the commission,&quot; Casalis wrote. &quot;He is not 
+    unwilling to please the King and Wolsey, but fears the Spaniards more than 
+    ever he did. The Friar-General has forbidden him in the Emperor's name to 
+    grant the King's request. He fears for his life from the Imperialists if the 
+    Emperor knows of it. Before he would grant the brief he said, weeping, that 
+    it would be his utter ruin. The Venetians and Florentines desired his 
+    destruction. His sole hope of life was from the Emperor. He asked me to 
+    swear whether the King would desert him or not. Satisfied on this point, he 
+    granted the brief, saying that he placed himself in the King's arms, as he 
+    would be drawn into perpetual war with the Emperor. Wolsey might dispose of 
+    him and the Papacy as if he were Pope himself.&quot;</p>
+    <p align="left">The Emperor had insisted, at Catherine's desire, that the 
+    cause should not be heard in England. The Pope had agreed that it should be 
+    heard in England. Consent had been wrung from him, but his consent had been 
+    given, and Campeggio was to go and make the best of it. His open commission 
+    was as ample as words could make it. He and Wolsey were to hear the cause 
+    and decide it. The secret &quot;decretal&quot; which he had wept over while he signed 
+    it declared, before the cause was heard, the sentence which was to be given, 
+    and he had pledged his solemn word not to revoke the hearing to Rome. All 
+    that Clement could do was to instruct the Legate before he started to waste 
+    time on his way, and, on his arrival in England, to use his skill to 
+    &quot;accommodate matters,&quot; and to persuade the Queen -- if he found her 
+    persuadeable -- to save him from his embarrassments by taking the veil. This 
+    was a course which Charles himself in his private mind would have 
+    recommended, but was too honourable to advise it. The fatal decretal was to 
+    be seen only by a very few persons, and then, as Henry said, Campeggio was 
+    to burn it. He was instructed also to pass no sentence without first 
+    referring back to Rome, and, if driven to extremity, was to find an excuse 
+    for postponing a decision; very natural conduct on the part of a weak, 
+    frightened mortal -- conduct not unlike that of his predecessor, Alexander 
+    III., in the quarrel between Becket and Henry II. -- but in both cases 
+    purely human, not such as might have been looked for in a divinely guided 
+    Vicar of Christ. </p>
+    </font>
+    <font face="Times New Roman" style="font-family: Arial, Helvetica, sans-serif">
+    <hr>
+    <p align="left"><font size="2">From <i>The Divorce of Catherine of Aragon: 
+    The Story as Told by the Imperial Ambassadors Resident at the Court of Henry 
+    VIII</i> by J.A. Froude.&nbsp; Published in New York by C. Scribner's Sons, 
+    1891.</font></p>
+  </blockquote>
+</blockquote>
+
+<p align="center"><font size="2">
+<a href="froudefour.html">to Chapter Four</a></font></p>
+<p align="center"><a href="secondary.html">
+<font size="2">to Secondary Sources</font></a></p>
+<p align="center">
+<a href="monarchs/aragon.html"><font size="2">to 
+Katharine of Aragon website</font></a></p>
+    </font>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font face="Times New Roman">
+    </font><font style="FONT-FAMILY: Arial, Helvetica, sans-serif">
+    </font>
+    <p class="3text" align="left">&nbsp;</p>
+    </font>
+  </blockquote>
+</blockquote>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082634" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="content" content="Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: Chapter One">
+<meta name="page_topic" content="Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: Chapter One">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Secondary Sources: The Divorce of Catherine of Aragon, by JA Froude: 
+Chapter Two</title>
+<style>
+<!--
+.3text {font-size: 12 px;}
+-->
+</style>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">&nbsp;</p>
+    <p align="center"><b><font size="7">The Divorce of<br>Catherine of Aragon</font></b><br>
+    <font size="5">by 
+    JA Froude, 1891</font></p>
+    <p align="center">
+    <img border="0" src="aragon-new1.jpg" alt="miniature portrait of Katharine of Aragon by Lucas Horenbout" width="325" height="321"></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <font face="Times New Roman">
+    </font><font face="Times New Roman">
+    <div align="left">
+      <b><font size="4">CHAPTER TWO</font></b></div>
+    <blockquote>
+      <p class="3text" align="left"><font size="4">Mission of Wolsey to Paris -- 
+      Visits Bishop Fisher on the way -- Anxieties of the Emperor -- Letter of 
+      the Emperor to Henry VIII. -Large offers to Wolsey -- Address of the 
+      French Cardinals to the Pope -- Anne Boleyn chosen by Henry to succeed 
+      Catherine -- Surprise and displeasure of Wolsey -- Fresh attempts of the 
+      Emperor to bribe him -- Wolsey forced to continue to advocate the divorce 
+      -Mission of Dr. Knight to Rome -- The Pope at Orvieto -- The King applies 
+      for a dispensation to make a second marriage -- Language of the 
+      dispensation demanded -- Inferences drawn from it -- Alleged intrigue 
+      between the King and Mary Boleyn. </font></p>
+    </blockquote>
+    <p class="3text" align="left"><font size="3">IT was believed at the time -- 
+    and it was the tradition afterwards -- that Wolsey, in his mission to Paris, 
+    intended to replace Catherine by a French princess, the more surely to 
+    commit Francis to the support of Henry in the divorce, and to strengthen the 
+    new alliance. Nothing can be inherently more likely. The ostensible reason, 
+    however, was to do away with any difficulties which might have been 
+    suggested by the objection of the Bishop of Tarbes to the legitimacy of the 
+    Princess Mary. If illegitimate, she would be no fitting bride for the Duke 
+    of Orleans. But she had been born <i>bonâ fide parentum.</i> There was no 
+    intention of infringing her prospective rights or of altering her present 
+    position. Her rank and title were to be secured to her in amplest measure.
+    </font></p>
+    <p class="3text" align="left"><font size="3">The Cardinal went upon his 
+    journey with the splendour attaching to his office and befitting a churchman 
+    who was aspiring to be the spiritual president of the two kingdoms. On his 
+    way to the coast he visited two prelates whose support to his policy was 
+    important. Archbishop Warham had been cold about the divorce, if not openly 
+    hostile. Wolsey found him &quot;not much changed from his first fashion,&quot; but 
+    admitting that, although it might be unpleasant to the Queen, truth and 
+    justice must prevail. Bishop Fisher was a more difficult subject. He had 
+    spoken in the Legate's court in Catherine's favour. It was from him, as the 
+    King supposed, that Catherine herself had learnt what was impending over 
+    her. Wolsey called at his palace as he passed through Rochester. He asked 
+    the Bishop plainly if he had been in communication with the Queen. The 
+    Bishop, after some hesitation, confessed that the Queen had sought his 
+    advice, and said that he had declined to give an opinion without the King's 
+    command. Before Wolsey left London, at a last interview at York Place, the 
+    King had directed him to explain &quot;the whole matter&quot; to the Bishop. He went 
+    through the entire history, mentioned the words of the Bishop of Tarbes, and 
+    discussed the question which had risen upon it, on account of which he had 
+    been sent into France. Finally, he described the extreme violence with which 
+    Catherine had received the intelligence. </font></p>
+    <p class="3text" align="left"><font size="3">The Bishop greatly blamed the 
+    conduct of the Queen, and said he thought that if he might speak to her he 
+    might bring her to submission. He agreed, or seemed to agree, that the 
+    marriage had been irregular, though he did not himself think that it could 
+    now be broken. Others of the bishops, he thought, agreed with him; but he 
+    was satisfied that the King meant nothing against the laws of God, and would 
+    be fully justified in submitting his misgivings to the Pope.</font></p>
+    <p class="3text" align="left"><font size="3">Mendoza's and the Queen's 
+    letters had meanwhile been despatched to Spain, to add to the anxieties 
+    which were overwhelming the Emperor. Nothing could have been less welcome at 
+    such a juncture than a family quarrel with his uncle of England, whose 
+    friendship he was still hoping to retain. The bird that he had caged at Rome 
+    was no convenient prisoner. The capture of Rome had not been ordered by 
+    himself, though politically he was obliged to maintain it. The time did not 
+    suit for the ambitious Church reforms of Lope de Soria. Peace would have to 
+    be made with the Pope on some moderate conditions. His own Spain was hardly 
+    quieted after the revolt of the <i>Comunidades.</i> Half Germany was in 
+    avowed apostasy from the Church of Rome. The Turks were overrunning Hungary, 
+    and sweeping the Mediterranean with their pirate fleets, and the passionate 
+    and restless Francis was watching his opportunity to revenge Pavia and 
+    attack his captor in the Low Countries and in Italy. The great Emperor was 
+    moderate, cautious, prudent to a fault. In a calmer season he might have 
+    been tempted to take the Church in hand; and none understood better the 
+    condition into which it had fallen. But he was wise enough to know that if a 
+    reform of the Papacy was undertaken at all it must be undertaken with the 
+    joint consent of the other Christian princes, and all his present efforts 
+    were directed to peace. He was Catherine's natural guardian. Her position in 
+    England had been hitherto a political security for Henry's friendship. It 
+    was his duty and his interest to defend her, and he meant to do it; not, 
+    however, by sending roving expeditions to land in Cornwall and raise a civil 
+    war; all means were to be tried before that; to attempt such a thing, he 
+    well knew, would throw Europe into a blaze. The letters found him at 
+    Valladolid. He replied, of course, that he was shocked at a proceeding so 
+    unlooked for and so scandalous, but he charged Mendoza to be moderate and to 
+    confine himself to remonstrance. He wrote himself to Henry -- 
+    confidentially, as from friend to friend, and ciphering his letter with his 
+    own hand. He was unable to believe, he said, that Henry could contemplate 
+    seriously bringing his domestic discomforts before the world. Even supposing 
+    the marriage illegitimate -- even supposing that the Pope had no power to 
+    dispense in such cases -- &quot;it would be better and more honourable to keep 
+    the matter secret, and to work out a remedy.&quot; He bade Mendoza remind the 
+    King that to question the dispensing power affected the position of other 
+    princes besides his own; that to touch the legitimacy of his daughter would 
+    increase the difficulties with the succession, and not remove them. He 
+    implored the King &quot;to keep the matter secret, as he would do himself.&quot; 
+    Meanwhile, he told Mendoza, for Catherine's comfort, that he had written to 
+    demand a mild brief from the Pope to stop the scandal. He had requested him, 
+    as Catherine had suggested, to revoke Wolsey's powers, or at least to 
+    command that neither he nor any English Court should try the case. If heard 
+    at all it must be heard before his Holiness and the Sacred College. But he 
+    could not part with the hope that he might still bring Wolsey to his own and 
+    the Queen's side. A council of Cardinals was to meet at Avignon to consider 
+    the Pope's captivity. The Cardinal of England was expected to attend. 
+    Charles himself might go to Perpignan. Wolsey might meet him there, discuss 
+    the state of Europe, and settle the King's secret affair at the same time.</font></p>
+    </font>
+    <font face="Times New Roman" style="font-family: Arial, Helvetica, sans-serif">
+    <p class="3text" align="left"><font face="Times New Roman" size="3">Should 
+    this be impossible, he charged Mendoza once more to leave no stone unturned 
+    to recover Wolsey's friendship. &quot;In our name,&quot; he said, &quot;you will make him 
+    the following offers: -- </font></p>
+    <p class="3text" align="left"><font face="Times New Roman" size="3">1. The 
+    payment of all arrears on his several pensions, amounting to 9,000 ducats 
+    annually. </font></p>
+    <p class="3text" align="left"><font face="Times New Roman" size="3">2. Six 
+    thousand additional ducats annually until such a time as a bishoprick or 
+    other ecclesiastical endowment of the same revenue becomes vacant in our 
+    kingdom. </font></p>
+    <p class="3text" align="left"><font face="Times New Roman" size="3">3. The 
+    Duke, who is to have Milan, to give him a Marquisate in that Duchy, with an 
+    annual rent of 12,000 ducats, or 15,000 if the smaller sum be not enough; 
+    the said Marquisate to be held by the Cardinal during his life, and to pass 
+    after him to any heir whom he shall appoint.</font></p>
+    <font face="Times New Roman">
+    <p class="3text" align="left"><font size="3">As if this was not sufficient, 
+    the Emperor' paid a yet further tribute to the supposed all-powerful 
+    Cardinal. He wrote himself to him as to his &quot;good friend.&quot; He said that if 
+    there was anything in his dominions which the Cardinal wished to possess he 
+    had only to name it, as he considered Wolsey the best friend that he had in 
+    the world.</font></p>
+    <p class="3text" align="left"><font size="3">For the ministers of great 
+    countries deliberately to sell themselves to foreign princes was the custom 
+    of the age. The measure of public virtue which such a custom indicates was 
+    not exalted; and among the changes introduced by the Reformation the 
+    abolition or suspension of it was not the least beneficial. Thomas Cromwell, 
+    when he came to power, set the example of refusal, and corruption of public 
+    men on a scale so scandalously enormous was no more heard of. </font></p>
+    </font>
+    </font><font face="Times New Roman">
+    <p>Gold, however, had flowed in upon Wolsey in such enormous streams and 
+    from so many sources that the Emperor's munificence and attention failed to 
+    tempt him. On reaching Paris he found Francis bent upon war, and willing to 
+    promise anything for Henry's assistance. The belief at the French Court was 
+    that the Emperor, hearing that the Churches of England and France meant to 
+    decline from their obedience to the Roman Communion, would carry the Pope to 
+    Spain; that Clement would probably be poisoned there, and the Apostolic See 
+    would be established permanently in the Peninsula. Wolsey himself wrote 
+    this, and believed it, or desired Henry to believe it, proving the extreme 
+    uncertainty among the best-informed of contemporary politicians as to the 
+    probable issue of the capture of Rome. The French Cardinals drew and sent an 
+    address to the Pope, intimating that as long as he was in confinement they 
+    could accept no act of his as lawful, and would not obey it. Wolsey signed 
+    at the head of them. The Cardinals Salviati, Bourbon, Lorraine, and the 
+    Chancellor Cardinal of Sens, signed after him. The first stroke in the game 
+    had been won by Wolsey. Had the Pope recalled his powers as legate, an 
+    immediate schism might have followed. But a more fatal blow had been 
+    prepared for him by his master in England. Trusting to the Cardinal's 
+    promises that the Pope would make no difficulty about the divorce, Henry had 
+    considered himself at liberty to choose a successor to Catherine. He had 
+    suffered once in having allowed politics to select a wife for him. This time 
+    he intended to be guided by his own inclination. When Elizabeth afterwards 
+    wished to marry Leicester, Lord Sussex said she had better fix after her own 
+    liking; there would be the better chance of the heir that her realm was 
+    looking for. Her father fixed also after his liking in selecting Elizabeth's 
+    mother. </p>
+    </font>
+    <font face="Times New Roman" style="font-family: Arial, Helvetica, sans-serif">
+    <font face="Times New Roman">
+    <p class="3text" align="left"><font size="3">Anne Boleyn was the second 
+    daughter of Sir Thomas Boleyn, a Norfolk knight of ancient blood, and 
+    himself a person of some distinction in the public service. Lady Boleyn was 
+    a Howard, daughter of the Duke of Norfolk. Anne was born in 1507, and by 
+    birth and connection was early introduced into the court. When a girl she 
+    was taken to Paris to be educated. In 1522 she was brought back to England, 
+    became a lady-in-waiting, and, being a witty, brilliant young woman, 
+    attracted and encouraged the attentions of the fashionable cavaliers of the 
+    day. Wyatt, the poet, was among her adorers, and the young Percy, afterwards 
+    Earl of Northumberland. It was alleged afterwards that between her and Percy 
+    there had been a secret marriage which had been actually consummated. That 
+    she had been involved in some dangerous intrigue or other she herself 
+    subsequently confessed. But she was attractive, she was witty; she drew 
+    Henry's fancy, and the fancy became an ardent passion. Now, for the first 
+    time, in Wolsey's absence, the Lady Anne's name appears in connection with 
+    the divorce. On the 16th of August Mendoza informed Charles, as a matter of 
+    general belief, that if the suit for the divorce was successful the King 
+    would marry a daughter of Master Boleyn, whom the Emperor would remember as 
+    once ambassador at the Imperial court. There is no direct evidence that 
+    before Wolsey had left England the King had seriously thought of Anne at 
+    all. Catherine could have had no suspicion of it, or her jealous indignation 
+    would have made itself heard. The Spanish Ambassador spoke of it as a new 
+    feature in the case. </font></p>
+    <p class="3text" align="left"><font size="3">The Boleyns were Wolsey's 
+    enemies, and belonged to the growing faction most hostile to the Church. The 
+    news as it came upon him was utterly distasteful. (1) Anne in turn hated 
+    Wolsey, as he probably knew that she would, and she compelled him to stoop 
+    to the disgrace of suing for her favour. The inference is reasonable, 
+    therefore, that the King took the step which in the event was to produce 
+    such momentous consequences when the Cardinal was not at hand to dissuade 
+    him. He was not encouraged even by her own family. Her father, as will be 
+    seen hereafter, was from the first opposed to his daughter's advancement. He 
+    probably knew her character too well. But Henry, when he had taken an idea 
+    into his head, was not to be moved from it. The lady was not beautiful: she 
+    was rather short than tall, her complexion was dark, her neck long, her 
+    mouth broad, her figure not particularly good. The fascinating features were 
+    her long flowing brown hair, a pair of effective dark eyes, and a boldness 
+    of character which might have put him on his guard, and did not. </font></p>
+    <p class="3text" align="left"><font size="3">The immediate effect was to 
+    cool Wolsey's ardour for the divorce. His mission in France, which opened so 
+    splendidly, eventuated in little. The French cardinals held no meeting at 
+    Avignon. They had signed the address to Clement, but they had not made the 
+    Cardinal of York into their patriarch. Rouen was not added to his other 
+    preferments. Could he but have proposed a marriage for his sovereign with 
+    the Princess of Alencon, all might have been different, but it had fared 
+    with him as it fared with the Earl of Warwick, whom Henry's grandfather had 
+    sent to France to woo a bride for him, and in his absence married Elizabeth 
+    Grey. He perhaps regretted the munificent offers of the Emperor which he had 
+    hastily rejected, and he returned to England in the autumn to feel the 
+    consequences of the change in his situation. Mr. Brewer labours in vain to 
+    prove that Wolsey was unfavourable to the divorce from the beginning. 
+    Catherine believed that he was the instigator of it. Mendoza was of the same 
+    opinion. Unquestionably he promoted it with all his power, and made it a 
+    part of a great policy. To maintain that he was acting thus against his 
+    conscience and to please the King is more dishonouring to him than to 
+    suppose that he was either the originator or the willing instrument. All, 
+    however, was altered when Anne Boleyn came upon the stage, and she made 
+    haste to make him feel the change. &quot;The Legate has returned from France,&quot; 
+    wrote Mendoza on the 26th of October. He went to visit the King at Richmond, 
+    and sent to ask where he could see him. The King was in his chamber. It 
+    happened that the lady, who seemed to entertain no great affection for the 
+    Cardinal, was in the room with the King, and before the latter could answer 
+    the message she said for him, &quot;Where else is the Cardinal to come? Tell him 
+    he may come here where the King is.&quot; The Legate felt that such treatment 
+    boded no good to him, but concealed his resentment. &quot;The cause,&quot; said 
+    Mendoza, &quot;is supposed to be that the said lady bears the Legate a grudge, 
+    for other reasons, and because she has discovered that during his visit to 
+    France the Legate proposed to have an alliance for the King found in that 
+    country.&quot; Wolsey persuaded Mendoza that the French marriage had been a 
+    fiction, but at once he began to endeavour to undo his work, and prevent the 
+    dissolution of the marriage with Catherine. He tried to procure an 
+    unfavourable opinion from the English Bishops before legal proceedings were 
+    commenced. Mendoza, however, doubted his stability if the King persisted in 
+    his purpose, and advised that a papal decision on the case should be 
+    procured and forwarded as soon as possible.</font></p>
+    <p class="3text" align="left"><font size="3">The Pope's captivity, however, 
+    would destroy the value of any judgment which he might give while he 
+    continued in durance. The Emperor, encouraged by the intimation that Wolsey 
+    was wavering, reverted to his previous hope. In a special memorandum of 
+    measures to be taken, the most important, notwithstanding the refusal of the 
+    previous offers, was still thought to be to &quot;bribe the Cardinal.&quot; He must 
+    instantly be paid the arrears of his pensions out of the revenues of the 
+    sees of Palencia and Badajoz. If there was not money enough in the treasury, 
+    a further and larger pension of twelve or fourteen thousand crowns was to be 
+    given to him out of some rich bishopric in Castile. The Emperor admitted 
+    that he had promised the Cortes to appoint no more foreigners to Spanish 
+    sees, but such a promise could not be held binding, being in violation of 
+    the liberties of the Church. Every one would see that it was for the good of 
+    the kingdom. </font></p>
+    <p class="3text" align="left"><font size="3">The renewed offer was doubtless 
+    conveyed to Wolsey, but he probably found that he had gone too deep to 
+    retire. If he made such an effort as Mendoza relates, he must have speedily 
+    discovered that it would be useless. He had encouraged the King in a belief 
+    that the divorce would be granted by the Pope as a matter of course, and the 
+    King, having made up his own mind, was not to be moved from it. If Wolsey 
+    now drew back, the certain inference would be that he had accepted an 
+    imperial bribe. There was no resource, therefore, but to go on. </font></p>
+    <p class="3text" align="left"><font size="3">While Wolsey had been 
+    hesitating, the King had, unknown to him, sent his secretary, Dr. Knight, to 
+    Rome with directions to obtain access if possible to the Pope, and procure 
+    the dispensation which had been already applied for to enable him to marry a 
+    second time without the formalities of a judgment. Such an expedient would 
+    be convenient in many ways. It would leave Catherine's position unaffected 
+    and the legitimacy of the Princess Mary unimpugned. Knight went. He found 
+    that without a passport he could not even enter the city, still less be 
+    allowed an interview. &quot;With ten thousand crowns he could not bribe his way 
+    into St. Angelo.&quot; He contrived, however, to have a letter introduced, which 
+    the Pope answered by telling Knight to wait in some quiet place. He (the 
+    Pope) would &quot;there send him all the King's requests in as ample a form as 
+    they were desired.&quot; Knight trusted in a short time &quot;to have in his custody 
+    as much, perfect, sped, and under lead, as his Highness had long time 
+    desired.&quot;</font></p>
+    <p class="3text" align="left"><font size="3">Knight was too sanguine. The 
+    Emperor, finding the Pope's detention as a prisoner embarrassing, allowed 
+    him, on the 9th of December, to escape to Orvieto, where he was apparently 
+    at liberty; but he was only in a larger cage, all his territories being 
+    occupied by Imperial troops, and he himself watched by the General of the 
+    Observants, and warned at his peril to grant nothing to Catherine's 
+    prejudice. Henry's Secretary followed him, saw him, and obtained something 
+    which on examination proved to be worthless. The negotiations were left 
+    again in Wolsey's hands, and were pressed with all the eagerness of a 
+    desperate man. </font></p>
+    <p class="3text" align="left"><font size="3">Pope Clement had ceased to be a 
+    free agent. He did not look to the rights of the case. He would gladly have 
+    pleased Henry could he have pleased him without displeasing Charles. The 
+    case itself was peculiar, and opinions differed on the rights and wrongs of 
+    it. The reader must be from time to time reminded that, as the law of 
+    England has stood ever since, a marriage with a brother's widow was not a 
+    marriage. As the law of the Church then stood, it was not a marriage unless 
+    permitted by the Pope; and according to the same law of England the Pope 
+    neither has, nor ever had, any authority to dispense with the law. Therefore 
+    Henry, on the abstract contention, was in the right. He had married 
+    Catherine under an error. The problem was to untie the knot with as little 
+    suffering to either as the nature of the case permitted. That the 
+    negotiations were full of inconsistencies, evasions, and contradictions, was 
+    natural and inevitable. To cut the knot without untying it was the only 
+    direct course, but that all means were exhausted before the application of 
+    so violent a remedy was rather a credit than a reproach. </font></p>
+    <p class="3text" align="left"><font size="3">The first inconsistency was in 
+    the King. He did not regard his marriage as valid; therefore he thought 
+    himself at liberty to marry again; but he did not wish to illegitimatise his 
+    daughter or degrade Catherine. He disputed the validity of the dispensation 
+    of Julius II.; yet he required a dispensation from Clement which was equally 
+    questionable to enable him to take a second wife. The management of the case 
+    having reverted to Wolsey, fresh instructions were sent to Sir Gregory 
+    Casalis, the regular English agent at the Papal court, to wait on Clement. 
+    Casalis was &quot;bid consider how much the affair concerned the relief of the 
+    King's conscience, the safety of his soul, the preservation of his life, the 
+    continuation of his succession, the welfare and repose of all his subjects 
+    now and hereafter.&quot; The Pope at Orvieto was personally accessible. Casalis 
+    was to represent to him the many difficulties which had arisen in connection 
+    with the marriage, and the certainty of civil war in England should the King 
+    die leaving the succession no better provided for. He was, therefore, to 
+    request the Pope to grant a commission to Wolsey to hear the case and to 
+    decide it, and (perhaps as an alternative) to sign a dispensation, a draft 
+    of which Wolsey enclosed. The language of the dispensation was peculiar. 
+    Wolsey explained it by saying that &quot;the King, remembering by the example of 
+    past times what false claims [to the crown] had been put forward, to avoid 
+    all colour or pretext of the same, desired this of the Pope as absolutely 
+    necessary.&quot; If these two requests were conceded, Henry undertook on his part 
+    to require the Emperor to set the Pope at liberty, or to declare war against 
+    him if he refused. </font></p>
+    <p class="3text" align="left"><font size="3">A dispensation, which was to 
+    evade the real point at issue, yet to convey to the King a power to take 
+    another wife, was a novelty in itself and likely to be carefully worded. It 
+    has given occasion among modern historians to important inferences 
+    disgraceful to everyone concerned. The sinister meaning supposed to be 
+    obvious to modern critics could not have been concealed from the Pope 
+    himself. Here, therefore, follow the words which have been fastened on as 
+    for ever fatal to the intelligence and character of Henry and his Ministers.
+    </font></p>
+    <p class="3text" align="left"><font size="3">The Pope, after reviewing the 
+    later history of England, the distractions caused by rival claimants of the 
+    crown, after admitting the necessity of guarding against the designs of the 
+    ambitious, and empowering Henry to marry again, was made to address the King 
+    in these words: -- </font></p>
+    <p class="3text" align="left"><font size="3">&quot;In order to take away all 
+    occasion from evil doers, we do in the plenitude of our power hereby suspend
+    <i>hâc vice</i> all canons forbidding marriage in the fourth degree, also 
+    all canons <i>de impedimento public honestatis</i> preventing marriage in 
+    consequence of clandestine espousals, further all canons relating to 
+    precontracts clandestinely made but not consummated, also all canons 
+    affecting impediments created by affinity rising <i>ex illicito coitu,</i> 
+    in any degree even in the first, so far as the marriage to be contracted by 
+    you, the petitioner, can be objected to or in any wise be impugned by the 
+    same. Further, to avoid canonical objections on the side of the woman by 
+    reason of former contract clandestinely made, or impediment of public 
+    honesty or justice arising from such clandestine contract, or of any 
+    affinity contracted in any degree even the first, <i>ex illicito coitu:</i> 
+    and in the event that it has proceeded beyond the second or third degrees of 
+    consanguinity, whereby otherwise you, the petitioner, would not be allowed 
+    by the canons to contract marriage, we hereby license you to take such woman 
+    for wife, and suffer you and the woman to marry free from all ecclesiastical 
+    objections and censures.&quot; </font></p>
+    <p class="3text" align="left"><font size="3">The explanation given by Wolsey 
+    of the wording of this document is that it was intended to preclude any 
+    objections which might be raised to the prejudice of the offspring of a 
+    marriage in itself irregular. It was therefore made as comprehensive as 
+    possible. Dr. Lingard, followed by Mr. Brewer, and other writers see in it a 
+    transparent personal application to the situation in which Henry intended to 
+    place himself in making a wife of Anne Boleyn. Two years subsequent to the 
+    period when this dispensation was asked for, when the question of the 
+    divorce had developed into a battle between England and the Papacy, and the 
+    passions of Catholics and Reformers were boiling over in recrimination and 
+    invective, the King's plea that he was parting from Catherine out of 
+    conscience was met by stories set floating in society that the King himself 
+    had previously intrigued with the mother and sister of the lady whom he 
+    intended to marry; precisely the same obstacle existed, therefore, to his 
+    marriage with Anne, being further aggravated by incest. No attempt was ever 
+    made to prove these charges; no particulars were given of time or place. No 
+    witnesses were produced, nor other evidence, though to prove them would have 
+    been of infinite importance. Queen Catherine, who if any one must have known 
+    it if the accusation was true, never alludes to Mary Boleyn in the fiercest 
+    of her denunciations. It was heard of only in the conversation of 
+    disaffected priests or secret visitors to the Spanish Ambassador, and was 
+    made public only in the manifesto of Reginald Pole, which accompanied Paul 
+    III.'s Bull for Henry's deposition. Even this authority, which was not much 
+    in itself, is made less by the fact that in the first draft of &quot;Pole's 
+    Book,&quot; sent to England to be examined in 1535, the story is not mentioned. 
+    Evidently, therefore, Pole had not then heard of it or did not believe it. 
+    The guilt with the mother is now abandoned as too monstrous. The guilt with 
+    the sister is peremptorily insisted on, and the words of the dispensation 
+    are appealed to as no longer leaving room for doubt. To what else, it is 
+    asked, can such extraordinary expressions refer unless to some disgraceful 
+    personal <i>liaison?</i> </font></p>
+    <p class="3text" align="left"><font size="3">The uninstructed who draw 
+    inferences of fact from the verbiage of legal documents will discover often 
+    what are called &quot;mare's nests.&quot; I will request the reader to consider what 
+    this supposition involves. The dispensation would have to be copied into the 
+    Roman registers, subject to the inspection of the acutest canon lawyers in 
+    the world. If the meaning is so clear to us, it must have been clear to 
+    them. We are, therefore, to believe that Henry, when demanding to be 
+    separated from Catherine, as an escape from mortal sin, for the relief of 
+    his conscience and the surety of his succession, was gratuitously putting 
+    the Pope in possession of a secret which had only to be published to 
+    extinguish him and his plea in an outburst of scorn and laughter. </font>
+    </p>
+    <p class="3text" align="left"><font size="3">There was no need for such an 
+    acknowledgment, for the intrigue could not be proved. It could not be 
+    required for the legitimation of the children that were to be born; for a 
+    man of Wolsey's ability must have known that no dispensation would be held 
+    valid that was granted after so preposterous a confidence. It was as if a 
+    man putting in a claim for some great property, before the case came on for 
+    trial privately informed both judge and jury that it was based on forgery.
+    </font></p>
+    <p class="3text" align="left"><font size="3">We are called on to explain 
+    further, why, when all Europe was shaken by the controversy, no hint is to 
+    be found in any public document of a fact which, if true, would be decisive; 
+    and yet more extraordinary, why the Pope and the Curia, when driven to bay 
+    in all the exasperation of a furious controversy, left a weapon unused which 
+    would have assured them an easy victory. Wolsey was not a fool. Is it 
+    conceivable that he would have composed a document so fatal and have drawn 
+    the Pope's pointed attention to it? My credulity does not extend so far. We 
+    cannot prove a negative; we cannot prove that Henry had not intrigued with 
+    Mary Boleyn, or with all the ladies of his court. But the language of the 
+    dispensation cannot be adduced as an evidence of it, unless King, Pope, and 
+    all the interested world had parted with their senses. </font></p>
+    <p class="3text" align="left"><font size="3">As to the story itself, there 
+    is no ground for distinguishing between the mother and the daughter. When it 
+    was first set circulating both were named together. The mother only has been 
+    dropped, lest the improbability should seem too violent for belief. That 
+    Mary Boleyn had been the King's mistress before or after her own marriage is 
+    now asserted as an ascertained fact by respectable historians -- a fact 
+    sufficient, can it be proved, to cover with infamy for ever the English 
+    separation from Rome, King, Ministers, Parliaments, Bishops, and every one 
+    concerned with it. The effectiveness of the weapon commends it to Catholic 
+    controversialists. I have only to repeat that the evidence for the charge is 
+    nothing but the floating gossip of Catholic society, never heard of, never 
+    whispered, till the second stage of the quarrel, when it had developed into 
+    a passionate contest; never even then alleged in a form in which it could be 
+    met and answered. It could not have been hid from Queen Catherine if it was 
+    known to Reginald Pole. We have many letters of Catherine, eloquent on the 
+    story of her wrongs; letters to the Emperor, letters to the Pope; yet no 
+    word of Mary Boleyn. What reason can be given save that it was a legend 
+    which grew out of the temper of the time? Nothing could be more plausible 
+    than to meet the King's plea of conscience with an allegation which made it 
+    ridiculous. But in the public pleadings of a cause which was discussed in 
+    every capital in Europe by the keenest lawyers and diplomatists of the age, 
+    an accusation which, if maintained, would have been absolutely decisive, is 
+    never alluded to in any public document till the question had passed beyond 
+    the stage of discussion. The silence of all responsible persons is 
+    sufficient proof of its nature. It was a mere floating calumny, born of wind 
+    and malice. </font></p>
+    <p class="3text" align="left"><font size="3">Mr. Brewer does indeed imagine 
+    that he has discovered what he describes as a tacit confession on Henry's 
+    part. When the Act of Appeals was before the House of Commons which ended 
+    the papal jurisdiction in England, a small knot of Opposition members used 
+    to meet privately to deliberate how to oppose it. Among these one of the 
+    most active was Sir George Throgmorton, a man who afterwards, with his 
+    brother Michael, made himself useful to Cromwell and played with both 
+    parties, but was then against the divorce and against all the measures which 
+    grew out of it. Throgmorton, according to his own account, had been admitted 
+    to an interview with the King and Cromwell. In 1537, after the Pilgrimage of 
+    Grace, while the ashes of the rebellion were still smouldering, after 
+    Michael Throgmorton had betrayed Cromwell's confidence and gone over to 
+    Reginald Pole, Sir George was reported to have used certain expressions to 
+    Sir Thomas Dyngley and to two other gentlemen, which he was called on by the 
+    Council to explain. The letter to the King in which he replied is still 
+    extant. He said that he had been sent for by the King after a speech on the 
+    Act of Appeals, &quot;and that he saw his Grace's conscience was troubled about 
+    having married his brother's wife.&quot; He professed to have said to Dyngley 
+    that he had told the King that if he did marry Queen Anne his conscience 
+    would be more troubled at length, for it was thought he had meddled both 
+    with the mother and the sister; that his Grace said: &quot;Never with the 
+    mother,&quot; and my Lord Privy Seal (Cromwell), standing by, said, &quot;nor with the 
+    sister neither, so put that out of your mind.&quot; Mr. Brewer construes this 
+    into an admission of the King that Mary Boleyn had been his mistress, and 
+    omits, of course, by inadvertence, that Throgmorton, being asked why he had 
+    told this story to Dyngley, answered that &quot;he spake it only out of 
+    vainglory, to show he was one that durst speak for the Commonwealth.&quot; 
+    Nothing is more common than for &quot;vainglorious&quot; men, when admitted to 
+    conversations with kings, to make the most of what they said themselves, and 
+    to report not very accurately what was said to them. Had the conversation 
+    been authentic, Throgmorton would naturally have appealed to Cromwell's 
+    recollection. But Mr. Brewer accepts the version of a confessed boaster as 
+    if it was a complete and trustworthy account of what had actually passed. He 
+    does not ask himself whether if the King or Cromwell had given their version 
+    it might not have borne another complexion. Henry was not a safe person to 
+    take liberties with. Is it likely that if one of his subjects, who was 
+    actively opposing him in Parliament, had taxed him with an enormous crime, 
+    he would have made a confession which Throgmorton had only to repeat in the 
+    House of Commons to ruin him and his cause? Mr. Brewer should have added 
+    also that the authority which he gave for the story was no better than 
+    Father Peto, afterwards Cardinal Peto, as bitter an enemy of the Reformation 
+    as Pole himself. Most serious of all, Mr. Brewer omits to mention that 
+    Throgmorton was submitted afterwards to a severe cross-examination before a 
+    Committee of Council, the effect of which, if he had spoken truly, could 
+    only be to establish the authenticity of a disgraceful charge.</font></p>
+    <p class="3text" align="left"><font size="3">The last evidence alleged is 
+    the confession made by Anne Boleyn, after her condemnation, of some mystery 
+    which had invalidated her marriage with the King and had been made the 
+    ground of an Act of Parliament. The confession was not published, and 
+    Catholic opinion concluded, and concludes still, that it must have been the 
+    Mary Boleyn intrigue. Catholic opinion does not pause to inquire whether 
+    Anne could have been said to confess an offence of the King and her sister. 
+    The cross-examination of Throgmorton turns the conjecture into an absurdity. 
+    When asked, in 1537, whom he ever heard say such a thing, he would have had 
+    but to appeal to the proceedings in Parliament in the year immediately 
+    preceding. </font></p>
+    <p class="3text" align="left"><font size="3">Is it likely finally that if 
+    Throgmorton's examination proves what Mr. Brewer thinks it proves, a record 
+    of it would have been preserved among the official State Papers? </font></p>
+    <p class="3text" align="left"><font size="3">If all the stories current 
+    about Henry VIII. were to be discussed with as much detail as I have allowed 
+    to this, the world would not contain the books which should be written. An 
+    Irish lawyer told me in my youth to believe nothing which I heard in that 
+    country which had not been sifted in a court of justice, and only half of 
+    that. Legend is as the air invulnerable, and blows aimed at it, if not 
+    &quot;malicious mockery&quot; are waste of effort. Charges of scandalous immorality 
+    are precious to controversialists, for if they are disproved ever so 
+    completely the stain adheres. </font></p>
+    </font><hr><font face="Times New Roman">
+    <p align="left"><b>Notes:</b> 1.
+    </font>
+    <font face="Times New Roman" style="font-family: Arial, Helvetica, sans-serif">
+    <font face="Times New Roman">
+    The date of Henry's resolution to marry Anne is of some consequence, since 
+    the general assumption is that it was the origin of the divorce. Rumour, of 
+    course, said so afterwards, but there is no evidence for it. The early 
+    love-letters written by the King to her are assigned by Mr. Brewer to the 
+    midsummer of 1527. But they are undated, and therefore the period assigned 
+    to them is conjecture merely.</p>
+    </font>
+    <p align="left"><font size="2">From <i>The Divorce of Catherine of Aragon: 
+    The Story as Told by the Imperial Ambassadors Resident at the Court of Henry 
+    VIII</i> by J.A. Froude.&nbsp; Published in New York by C. Scribner's Sons, 
+    1891.</font></p>
+  </blockquote>
+</blockquote>
+
+<p align="center"><font size="2">
+<a href="froudethree.html">to Chapter Three</a></font></p>
+<p align="center"><a href="secondary.html">
+<font size="2">to Secondary Sources</font></a></p>
+<p align="center">
+<a href="monarchs/aragon.html"><font size="2">to 
+Katharine of Aragon website</font></a></p>
+    </font>
+    </font>
+<blockquote>
+  <blockquote>
+    <font style="font-family: Arial, Helvetica, sans-serif">
+    <font face="Times New Roman">
+    </font><font style="FONT-FAMILY: Arial, Helvetica, sans-serif">
+    </font>
+    <p class="3text" align="left">&nbsp;</p>
+    </font>
+  </blockquote>
+</blockquote>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082632" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082632" ALT=1 WIDTH=1 HEIGHT=1>
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD>
+<meta name="content" content="Tudor England 16th century genealogy English royal family genealogy">
+<meta name="page_topic" content="Tudor England 16th century genealogy English royal family genealogy">
+<meta name="author" content="Marilee Mongello">
+<TITLE>Tudor England: Genealogy</TITLE>
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+<META content=FrontPage.Editor.Document name=ProgId>
+<META http-equiv=Content-Type content="text/html; charset=windows-1252">
+<META http-equiv=Content-Language content=en-us>
+<STYLE fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</STYLE>
+</HEAD>
+<BODY vLink=#0000FF aLink=#0000FF link=#0000FF bgColor=#5E0000>
+<p>&nbsp;</p>
+<TABLE cellSpacing=0 cellPadding=6 width="100%" border=0>
+  <TBODY>
+  <TR>
+    <TD></TD>
+    <TD></TD>
+    <TD noWrap bgcolor="#000000">&nbsp;</TD>
+    <TD></TD>
+    <TD></TD></TR>
+  <TR>
+    <TD vAlign=top width="16%"><FONT face=Arial size=3><BR></FONT>
+      <P>&nbsp;</P>
+     
+      <P align=center>&nbsp;</P></TD>
+    <TD width=8></TD>
+    <TD vAlign=top width="54%" bgColor=#ffffff>
+    <p align="center">&nbsp;</p>
+    <p align="center">
+    <img border="0" src="tudorgenealogy.gif" alt="Tudor England: Genealogy" width="408" height="160"></p>
+
+<P>
+
+<IMG height=223 alt="Margaret Beaufort, mother of King Henry VII" 
+
+src="beaufortgen.jpg" width=175 align=left 
+
+lowsrc="http://englishhistory.net/tudor/portrait%20of%20Margaret%20Beaufort,%20mother%20of%20King%20Henry%20VII" 
+
+border=0><font face="Arial"><I>It all began with her.... </I>Margaret Beaufort, mother of Henry 
+
+Tudor and descendant of King Edward III.&nbsp; Her descent was actually 
+
+illegitimate, through Edward III's son, John of Gaunt and his mistress Catherine 
+
+Swynford.&nbsp; Though Gaunt later married Swynford and an act of government 
+
+legitimized their children, they were expressly forbidden to inherit the throne 
+
+by Gaunt's legitimate son, King Henry IV.&nbsp; Margaret bore her only child, 
+
+who became King Henry VII, at the age of thirteen.&nbsp; While the York and 
+
+Lancaster branches of the royal family battled for the throne, her husband died 
+
+and her brother-in-law fled to Brittany with the young Henry.&nbsp; His long 
+
+exile ended on 15 August 1485 when King Richard III was defeated at Bosworth 
+
+Field.&nbsp; The Plantagenet dynasty, having ruled England since 1154, ended in 
+
+strife and the Tudor dynasty began.</font></P>
+
+
+<P>&nbsp;</P>
+
+    <blockquote>
+      <p><font face="Arial"><B><u><font size="4">Henry Tudor</font></u><font size="4">, earl 
+
+of Richmond; later titled King Henry VII<BR></font></B>son of Edmund Tudor and Margaret Beaufort <BR>born 28 
+
+January 1457 at Pembroke Castle, Wales <BR>claimed title of Henry VII, king of 
+
+England c.1484 <BR>declared king 22 August 1485 at Battle of Redmoor 
+
+Plain/Bosworth Field <BR>coronation 30 October 1485 at Westminster Abbey, London 
+
+<BR>married to Elizabeth Plantagenet, princess of England, on 18 January 1486 at 
+
+Westminster Abbey, London<b><u><br></u>
+      <i>Eight Children with Elizabeth Plantagenet:<BR></i>
+</b>Arthur, prince of Wales, born 20 
+
+September 1486 <BR>Margaret, born 28 November 1489 <BR>Henry VIII, king of 
+
+England, born 28 June 1491 <BR>Elizabeth, born 2 July 1492; died 1495 <BR>Mary, 
+
+born 18 March 1496 <BR>Edmund, duke of Somerset, born 21 February 1499; died 
+
+1500 <BR>Edward ? <BR>Katherine, born and died 2 February 1503<br>died 22 April 1509 at Richmond Palace, Surrey 
+
+<BR>buried at the Henry VII 'Lady Chapel', Westminster Abbey, London <BR>&nbsp; </font></p>
+
+<P><font face="Arial"><B><u>Princess Elizabeth Plantagenet</u>, also called Elizabeth of York</B> 
+
+<BR>daughter of Edward IV, king of England &amp; Queen Elizabeth Woodville 
+
+<BR>born 11 February 1466 at Westminster Palace, London <BR>married to Henry 
+
+VII, king of England, on 18 January 1486 at Westminster Abbey, London </font> </P>
+
+      <blockquote>
+
+<P><font face="Arial"><b><u>Eight Children<BR></u></b>Arthur, prince of Wales, born 20 
+
+September 1486 <BR>Margaret, born 28 November 1489 <BR>Henry VIII, king of 
+
+England, born 28 June 1491 <BR>Elizabeth, born 2 July 1492; died 1495 <BR>Mary, 
+
+born 18 March 1496 <BR>Edmund, duke of Somerset, born 21 February 1499; died 
+
+1500 <BR>Edward ? <BR>Katherine, born and died 2 February 1503</font></P>
+
+      </blockquote>
+
+<P><font face="Arial">coronation 25 
+
+November 1487 at Westminster Abbey, London <BR>died 11 February 1503 at Tower of 
+
+London, London <BR>buried at the Henry VII 'Lady Chapel', Westminster Abbey, 
+
+London <BR>&nbsp; </font> </P>
+
+<P><font face="Arial"><u><B><font size="4">Prince Arthur of Wales <BR></font></B>
+</u>born 20 September 1486 at St. Swithin's 
+
+Priory, Winchester <BR>titled Prince of Wales 27 February 1490, Westminster 
+
+Palace, London <BR>married to Princess Katharine of Aragon on 14 November 1501 
+
+at St.Paul's Cathedral, London <BR>died 2 April 1502 at Ludlow Castle, 
+
+Shropshire <BR>buried at Worcester Cathedral <BR>&nbsp; </font> </P>
+
+<P><font face="Arial"><B><font size="4"><u>Princess Margaret Tudor</u>; later titled 
+queen of Scots</font></B><font size="4"> 
+
+<BR></font>born 28 November 1489 at Westminster Palace, London <BR>married to James 
+
+Stuart, titled King James IV of Scotland, 8 August 1503 at Holyrood Abbey, 
+
+Edinburgh <BR>titled Queen of Scotland 8 August 1503 at Holyrood Abbey, 
+
+Edinburgh<b><u><br>
+</u><i>Six Children with King James IV of Scotland:<BR></i></b>
+James of Rothesay, duke of 
+
+Rothesay, born 21 February 1507 <BR>daughter, born 15 July 1508 <BR>Arthur, duke 
+
+of Rothesay, born 20 October 1509 <BR>James, later King James V of Scotland, 
+
+born 15 April 1512 <BR>daughter, born November 1512 <BR>Alexander, duke of Ross, 
+
+born 30 April 1514<br>widowed 1513 <BR>married to Archibald Douglas, 6th earl 
+
+of Angus, on 4 August 1514 at Kinnoul Church<br><i><b>One Child with Archibald 
+Douglas:<br></b></i>Margaret, Lady Douglas, born 1515 <BR>divorced 1528 <BR>married to Henry 
+
+Stewart, Lord Methven I, on 3 March 1528 <BR><i><b>One Child with Henry Stewart:<BR>
+</b></i>Lady Dorothea Stewart, born ? </font></P>
+
+      <blockquote>
+
+<P><font face="Arial"> <A 
+
+href="http://www.englishhistory.net/tudor/scottish.html">Go to the Scottish 
+genealogy page</A>.<BR>&nbsp; </font> </P>
+
+      </blockquote>
+
+<P><font face="Arial"><B><u><font size="4">Prince Henry Tudor</font></u><font size="4">, duke of York; later titled 
+King Henry VIII</font></B><font size="4"> 
+
+<BR></font>born&nbsp; 28 June 1491 at Greenwich Palace, London <BR>titled King of 
+
+England 24 June 1509 at Westminster Abbey, London <BR>married to Katharine of 
+
+Aragon, princess of Spain, on 11 June 1509 at Grey Friars Church, Greenwich 
+
+<BR><b><i>Six Children with Katharine of Aragon:<BR></i></b>daughter, born 31 January 1510 <BR>Henry (1), 
+
+duke of Cornwall, born 1 January 1511 <BR>Henry (2), duke of Cornwall, born 
+
+November 1513 <BR>son, born December 1514 <BR>Mary, later titled Mary I, queen 
+
+of England, born 18 February 1516 <BR>daughter, born 10 November 1518 
+
+<BR>marriage annulled 1533 <BR>married to Anne Boleyn, marquess of Pembroke, on 
+
+25 January 1533 at Westminster, London <BR><b><i>Three Children with Anne Boleyn:<BR>
+</i></b>Elizabeth I, queen of England, born 7 September 1533 
+
+<BR>Henry, duke of Cornwall, born 1534 <BR>son, born 29 January 1536 
+
+<BR>marriage annulled 1536 <BR>married to Jane Seymour on 20 May 1536 <br><b><i>
+One Child with Jane Seymour:<BR></i></b>Edward, later titled Edward VI, king of England, 
+
+born 12 October 1537 at Hampton Court Palace <BR>widowed 24 October 1537 at 
+
+Hampton Court Palace <BR>married to Anne of Cleves on 6 January 1540 at 
+
+Greenwich Palace <BR>marriage annulled 1540 <BR>married to Catherine Howard on 
+
+28 July 1540 at Hampton Court Palace <BR>marriage annulled 1541 <BR>married to 
+
+Katharine Parr on 12 July 1543 at Hampton Court Palace <BR>died 28 January 1547 
+
+at Whitehall Palace, London <BR>buried at St. George's Chapel, Windsor Castle 
+
+<BR>mistresses <BR>Elizabeth Stafford - no children 
+
+<BR>Elizabeth Blount, called Bessie Blount <BR><b><i>One child with Elizabeth 
+Blount:<BR></i></b>Henry 
+
+Fitzroy, duke of Richmond, born 1519 </font> </P>
+
+      <blockquote>
+
+<P><font face="Arial">
+<a href="http://www.englishhistory.net/tudor/fitzroy.html">Go to the 
+Stafford/Blount/Fitzroy genealogy page</a>.<BR>&nbsp; </font> </P>
+
+      </blockquote>
+
+<P><font face="Arial"><B><u><font size="4">Princess Mary Tudor</font></u><font size="4">, 
+queen of France and duchess of 
+
+Suffolk</font></B><font size="4"> <BR></font>born 18 March 1496 at Richmond Palace, Surrey <BR>married to 
+
+King Louis XII of France on 9 October 1514 at Abbeville Cathedral, France 
+
+<BR>widowed 1514 <BR>married to Charles Brandon, duke of Suffolk, on 3 March 
+
+1515 in Paris </font> </P>
+
+      <blockquote>
+
+<P><font face="Arial"><b><u>Three Children<BR></u></b>Henry, earl of Lincoln, 
+
+born 11 March 1515 <BR>Frances, born 16 July 1517 <BR>Eleanor, born 1519 </font> </P>
+
+      </blockquote>
+
+<P><font face="Arial">died 25 June 1533 at Westhorpe Hall, Suffolk <BR>buried at St. Mary's 
+
+Church, Bury St. Edmunds <BR>&nbsp; </font> </P>
+
+<P><font face="Arial"><B><u><font size="4">Katharine of Aragon</font></u><font size="4">, princess of Spain</font></B><font size="4"><BR>
+</font>last child of Ferdinand of Aragon, king of Spain &amp; Isabella, queen of 
+
+Castle <BR>born 15 December 1485 at Alcala de Henares, Madrid <BR>married to 
+
+Arthur, prince of Wales, on 14 November 1501 at St. Paul's Cathedral, London 
+
+<BR>widowed 2 April 1502 at Ludlow Castle, Shropshire <BR>married to Henry VIII, 
+
+king of England, on 11 June 1509 at Grey Friars Church, Greenwich</font></P>
+
+      <blockquote>
+
+<P><font face="Arial"><u><b>Six Children<br></b></u>daughter, born 31 January 1510 
+
+<BR>Henry (1), duke of Cornwall, born 1 January 1511 <BR>Henry (2), duke of 
+
+Cornwall, born November 1513 <BR>son, born December 1514 <BR>Mary I, queen of 
+
+England, born 18 February 1516 <BR>daughter, born 10 November 1518</font></P>
+
+      </blockquote>
+
+<P><font face="Arial">marriage 
+
+annulled 1533 <BR>died 7 January 1536 at Kimbolton Castle <BR>buried at 
+
+Peterborough Cathedral <BR>&nbsp; </font> </P>
+
+<P><font face="Arial"><B><u><font size="4">Anne Boleyn</font></u><font size="4">, marquess of Pembroke</font></B><font size="4"><BR>
+</font>born about 1501/2 or 1507 at Blickling Hall, Norfolk <BR>titled marquess of 
+
+Pembroke on 1 September 1532 <BR>married to Henry VIII, king of England, on 25 
+
+January 1533 at Westminster Abbey, London</font></P>
+
+      <blockquote>
+
+<P><font face="Arial"><u><b>Three Children<BR></b></u>Elizabeth I, queen of England, born 7 September 1533 
+
+<BR>Henry, duke of Cornwall, born 1534 <BR>son, born 29 January 1536</font></P>
+
+      </blockquote>
+
+<P><font face="Arial">marriage annulled 1536<br>executed 19 May 1536 at Tower Green, Tower of 
+
+London <BR>buried at the Chapel of St. Peter ad Vincula, Tower of London</font></P>
+
+      <blockquote>
+
+<P><font face="Arial">
+<a href="citizens/boleyn.html">Go to the Boleyn 
+family webpage</a>.</font></P>
+
+      </blockquote>
+    </blockquote>
+
+<CENTER>
+
+<P>&nbsp;</P>
+
+<P><font face="Arial"><FONT size=-1>This page is under constant construction;</FONT> <FONT 
+
+size=-1>please check back to see later additions.</FONT></font></P></CENTER>
+
+<P align="center"><FONT size=-1 face="Arial"><A href="http://englishhistory.net/tudor.html">
+to Tudor England</A></FONT></P>
+      <DIV style="TEXT-ALIGN: center">
+      <P>&nbsp;</P></DIV></TD>
+    <TD width=8></TD>
+    <TD vAlign=top width="18%" 
+    bgColor=#5E0000>
+      <P align=center>&nbsp;</P>
+      </TD></TR></TBODY></TABLE><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082551" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082551" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/grace.html
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The Pilgrimage of Grace, 1536</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="grace.gif" width="418" height="74"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>The account 
+      at right was written by the Tudor chronicler Edward Hall.</font><p>
+      <font size="-1">The Pilgrimage of Grace was the worst uprising of Henry 
+      VIII's reign.&nbsp; It was a direct result of the dissolution of the 
+      monasteries, a policy which confused and angered most Englishmen.&nbsp; 
+      The original rebellion began at Louth in Lincolnshire in early October 
+      1536.&nbsp; The presence of a royal commission was the spark; the local 
+      clergy encouraged it to flame.&nbsp; The Lincolnshire rebellion lasted but 
+      a fortnight, but Yorkshire - led by the lawyer Robert Aske - was next.&nbsp; 
+      With the charismatic Aske as their leader, the rebellion spread quickly.&nbsp; 
+      Dissatisfaction with the king's religious and fiscal policies was deep and 
+      widespread.&nbsp; An army of perhaps 30,000 men gathered in the north.&nbsp; 
+      The king ordered the dukes of Norfolk and Suffolk and the earl of 
+      Shrewsbury to respond.&nbsp; But there was no standing army in England; 
+      also, popular sympathy lay with the rebels.</font></p>
+      <p><font size="-1">The king's forces were hopelessly outnumbered.&nbsp; 
+      Worse, their soldiers lacked equipment and the desire to fight their 
+      countrymen.&nbsp; And the rebel forces were far more experienced in 
+      battle, having fought the Scots near-continuously during Henry's reign.</font></p>
+      <p><font size="-1">Faced with such odds, the king turned to diplomacy.&nbsp; 
+      The rebels, after all, did not seek to overthrow him.&nbsp; Their primary 
+      desire was for the dissolved monasteries to be restored.&nbsp; They also 
+      criticized the king's 'low-born' advisers, particularly Thomas Cromwell.&nbsp; 
+      His policies of high taxation and forced enclosures had worsened poverty 
+      throughout northern England; it was already, as Norfolk told the king, 
+      'the most barren country of the realm'.</font></p>
+      <p><font size="-1">The king negotiated peace through Norfolk, conceding 
+      their demands and promising a free pardon to all rebels who dispersed.&nbsp; 
+      Monastic lands would be restored and a new parliament called to address 
+      their concerns.&nbsp; The rebels accordingly dispersed.&nbsp; And then, on 
+      the slightest pretext, Henry broke his word; martial law was declared, 
+      rebel leaders were indicted and put on trial (many faced a jury of their 
+      peers.)&nbsp; Several hundred rebels, including Aske, were executed.</font></p>
+      <p>
+<br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p><font color="#000000">[T]he king was truly informed that there was
+a new insurrection made by the northern men, who had assembled themselves
+into a huge and great army of warlike men, well appointed with captains,
+horse, armour and artillery, to the number of 40,000 men, who had encamped
+themselves in Yorkshire.&nbsp; And these men had bound themselves to each
+other by their oath to be faithful and obedient to their captain.</font>
+<p><font color="#000000">The also declared, by their proclamation solemnly
+made, that their insurrection should extend no further than to the maintenance
+and defence of the faith of Christ and the deliverance of holy church,
+sore decayed and oppressed, and to the furtherance also of private and
+public matters in the realm concerning the wealth of all the king's poor
+subjects. They called this, their seditious and traitorous voyage, a holy
+and blessed pilgrimage; they also had certain banners in the field whereon
+was painted Christ hanging on the cross on one side, and a chalice with
+a painted cake in it on the other side, with various other banners of similar
+hypocrisy and feigned sanctity.&nbsp; The soldiers also had a certain cognizance
+or badge embroidered or set upon the sleeves of their coats which was a
+representation of the five wounds of Christ, and in the midst thereof was
+written the name of Our Lord, and thus the rebellious garrison of Satan
+set forth and decked themselves with his false and counterfeited signs
+of holiness, only to delude and deceive the simple and ignorant people.</font>
+<p><font color="#000000">After the king's highness was informed of this
+newly arisen insurrection he, making no delay in so weighty a matter, caused
+with all speed the dukes of Norfolk and Suffolk, the marquis of Exeter,
+the earl of Shrewsbury and others, accompanied by his mighty and royal
+army which was of great power and strength, immediately to set upon the
+rebels.&nbsp; But when these noble captains and counsellors approached
+the rebels and saw their number and how they were determined on battle,
+they worked with great prudence to pacify all without shedding blood.</font>
+<p><font color="#000000">But the northern men were so stiff-necked that
+they would in no way stoop, but stoutly stood and maintained their wicked
+enterprise.&nbsp; Therefore the abovesaid nobles, perceiving and seeing
+no other was to pacify these wretched rebels, agreed upon a battle; ...
+but the night before the day appointed for the battle a little rain fell,
+nothing to speak of, but yet as if by a great miracle of God the water,
+which was a very small ford which the day before men might have gone over
+dry shod, suddenly rose to such a height depth and breadth that no man
+who lived there had ever seen before, so that on the day, even when the
+hour of battle should have some, it was impossible for one army to get
+at the other.</font>
+<p><font color="#000000">After this appointment made between both the armies,
+disappointed, as it is to be thought, only by God who extended his great
+mercy and had compassion on the great number of innocent persons who in
+that deadly slaughter would have been likely to have been murdered, could
+not take place.&nbsp; Then... a consultation was held and a pardon obtained
+from
+the king's majesty for all the captains and chief movers of this insurrection,
+and they promised that such things as they found themselves aggrieved by,
+all would be gently heard and their reasonable petitions granted, and that
+their articles should be presented to the king, so that by his highness'
+authority and the wisdom of his council all things should be brought to
+good order and conclusion.&nbsp; And with this order every man quietly
+departed, and those who before were bent as hot as fire on fighting, being
+presented by God, went now peaceably to their houses, and were as cold
+as water.</font>
+<br>&nbsp;
+<br>&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082601" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The coronations of King Henry VIII and Katharine of 
+Aragon, 1509</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="h8crown.gif" alt="Primary Sources: 1509: The coronations of King Henry VIII and Katharine of Aragon" width="480" height="114"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">The account 
+      at right was written by the Tudor chronicler Edward Hall.</font><p>
+      <font size="2">Henry VIII was born on 28 June 1491, the second son of King 
+      Henry VII and Elizabeth of York.&nbsp; He was originally destined to be 
+      archbishop of Canterbury, but his older brother, Prince Arthur, died in 
+      1502, shortly after marrying the Spanish princess Katharine of Aragon.&nbsp; 
+      And so Henry became king of England at the age of 18.</font></p>
+      <p><font size="2">Henry married his brother's widow mere weeks after his 
+      father died.&nbsp; He claimed it had been Henry VII's dying wish, but this 
+      is doubtful.&nbsp; Katharine's plight appealed to Henry's chivalric 
+      streak; he respected and admired her.&nbsp; They were married for over 
+      twenty years and, for a long while, were happy together.&nbsp; But the 
+      lack of a male heir and increasingly different lifestyles led to an 
+      emotional separation; not surprisingly, Henry became infatuated with 
+      another, much younger woman.</font></p>
+      <p><font size="2">Henry and Katharine were married on 11 June 1509 and 
+      crowned together at Westminster Abbey on the 24th.&nbsp; Over the next 
+      nine years, Katharine bore six children, only one of whom survived.&nbsp; 
+      Her marriage to Henry was annulled against her will in 1533 and she died 
+      three years later.</font></p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+    <p>The following day being a Sunday, and also Midsummer's Day, the noble 
+    prince with his queen left the palace for Westminster Abbey at the appointed 
+    hour.&nbsp; The barons of the Cinq Ports held canopies over the royal couple 
+    who trod on striped cloth of ray, which was immediately cut up by the crowd 
+    when they had entered the abbey.&nbsp; Inside, according to sacred tradition 
+    and ancient custom, his grace and the queen were anointed and crowned by the 
+    archbishop of Canterbury in the presence of other prelates of the realm and 
+    the nobility and a large number of civic dignitaries.&nbsp; The people were 
+    asked if they would take this most noble prince as their king and obey him.&nbsp; 
+    With great reverence, love and willingness they responded with the cry 'Yea, 
+    Yea'. </p>
+<p>When the ceremony was finished, the lords spiritual and temporal paid homage 
+to the king and, with the queen's permission, returned to Westminster Hall - 
+each one beneath his canopy - where the lord marshal bearing his staff of office 
+ushered all to their seats.&nbsp; Each noble and lord proceeded to his allotted 
+place arranged earlier according to seniority.&nbsp; The nine-piece table being 
+set with the king's estate seated on the right and the queen's estate on the 
+left, the first course of the banquet was announced with a fanfare.&nbsp; At the 
+sound the duke of Buckingham entered riding a huge charger covered with richly 
+embroidered trappings, together with the lord steward mounted on a horse decked 
+with cloth of gold.&nbsp; The two of them led in the banquet which was truly 
+sumptuous, and as well as a great number of delicacies also included unusual 
+heraldic devices and mottoes.
+<p>How can I describe the abundance of fine and delicate fare prepared for this 
+magnificent and lordly feast, produced both abroad and in the many and various 
+parts of this realm to which God has granted his bounty.&nbsp; Or indeed the 
+exemplary execution of the service of the meal itself, the clean handling and 
+distribution of the food and the efficient ordering of the courses, such that no 
+person of any estate lacked for anything.
+<p>.....
+<p>The following day the aforementioned defending team, lady Pallas's scholars, 
+presented themselves before the king ready for the tourney.&nbsp; All on 
+horseback and armed from head to foot they each had one side of their 
+armor-skirts and horse-trappings made of white velvet embroidered with gold 
+roses and other devices, and the other made of green velvet embroidered with 
+gold pomegranates.&nbsp; On their headpieces each wore a plume of gold damask.
+<p>At the same time the other side rode in, the aforementioned eight knights 
+fully armed and dressed, like their mounts, in green satin embroidered with fine 
+golden bramble branches.&nbsp; Following them, blowing horns, came a number of 
+men dressed as foresters or gamekeepers in green cloth, with caps and hose to 
+match, who arranged a set like a park with white and green fencing around it.&nbsp; 
+Inside this paddock were fallow deer and artificial trees, bushes, ferns, and so 
+forth.&nbsp; Once set up before the queen the paddock gates were unlocked and 
+the deer ran out into the palace grounds.&nbsp; Greyhounds were then let loose 
+which killed the deer, the bodies of which were then presented to the queen and 
+the assembled ladies by the above-mentioned knights.
+<p>Crocheman, who had brought in the golden lance the previous day, then 
+declared that his knights were the servants of the goddess Diana and whilst they 
+had been indulging in their pastime of hunting had received news that lady 
+Pallas's knights had come into these parts to perform feats of arms.&nbsp; 
+Thereupon they had left off the chase and come hither to encounter these nights 
+and to fight with them for the love of the ladies.
+<p>He added that if lady Pallas's knights vanquished them or forced them to 
+leave the field of battle then they would receive the deer that had been killed 
+and the greyhounds that slew them.&nbsp; But if Diana's knights overpowers their 
+opponents they were to be given the swords of those knights and nothing more.
+<p>Hearing this, the queen and her ladies asked the king for his advice on the 
+matter.&nbsp; The king, thinking that perhaps there was some grudge between the 
+two parties and believing that to grant the request might lead to some 
+unpleasantness, decided not to consent to these terms.&nbsp; Instead, to defuse 
+the situation, it was decided that both parties should fight the tourney but 
+that only a limited number of strokes would be permitted.
+<p>This was done and the two sides then left the field.&nbsp; The jousts then 
+came to an end and the prizes were awarded to each man according to his deserts.
+<br>&nbsp;<p align="center">
+<font size=-1><a href="primary.html">to
+Primary Sources</a></font></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082593" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: King Henry VIII has a jousting accident, 1524</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="1524.gif" alt="Primary Sources: 1524: King Henry VIII has a jousting accident" width="367" height="105"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">The account 
+      at right </font><font size="-1">was written by George Cavendish, Cardinal Wolsey's gentleman-usher.</font><p>
+      <font size="-1">Henry VIII was a superb athlete but, as he grew older, his 
+      prowess often came at the expense of his health.&nbsp; Historians have 
+      speculated that the injuries he suffered may have contributed to his 
+      increasingly bad headaches (and correspondingly short temper.)</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+    <p>On 10 March the king, having a new armor made to his own design
+and fashion, such as no armorer before that time had seen, though to test
+the same at the tilt, and ordered a joust for the purpose.&nbsp; The lord
+marquis of Dorset and the earl of Dorset and the earl of Surrey were appointed
+to be on foot: the king came to one end of the tilt and the duke of Suffolk
+to the other.&nbsp; Then a gentleman said to the duke: 'Sir the king is
+come to the end of the tilt.'&nbsp; 'I see him not,' said the duke, 'by
+my faith, for my headpiece blocks my sight.'&nbsp; With these words, God
+knows by what chance, the king had his spear delivered to him by the lord
+Marquis, the visor of his headpiece being up and not down or fastened,
+so that his face as quite naked.&nbsp; The gentleman said to the duke:
+'Sir the king is coming.' </p>
+<p>Then the duke set forward and charged with his spear, and the king likewise
+unadvisedly set off towards the duke.&nbsp; The people, seeing the king's
+face bare, cried hold, hold; the duke neither saw nor heard, and whether
+the king remembered his visor was up or not few could tell.&nbsp; Alas,
+what sorrow was it to the people when they saw the splinters of duke's
+spear strike the king's headpiece.&nbsp; For most certainly the duke struck
+the king on the brow right under the guard of the headpiece on the very
+skull cap or basinet piece to which the barbette is hinged for strength
+and safety, which skull cap or basinet no armorer takes heed of, for it
+is always covered by the visor, barbette and volant piece, and thus that
+piece is so protected that it takes no weight.&nbsp; But when the spear
+landed on that place there was great danger of death since the face was
+bare, for the duke's spear broke into splinters and pushed the king's visor
+or barbette so far back with the counter blow that all the King's head
+piece was full of splinters.&nbsp; The armorers were much blamed for this,
+and so was the lord marquise for delivering the spear blow when his face
+was open, but the king said that no one was to blame but himself, for he
+intended to have saved himself and his sight.
+<p>The duke immediately disarmed and came to the king, showing him the
+closeness of his sight, and he swore that he would never run against the
+king again.&nbsp; But if the king had been even a little hurt, his servants
+would have put the duke in jeopardy.&nbsp; Then the king called his armorers
+and put all his pieces of armor together and then took a spear and ran
+six courses very well, by which all men could see that he had taken no
+hurt, which was a great joy and comfort to all his subjects present.<p align="center">    &nbsp;</p>
+
+    <p align="center">    <a href="primary.html">
+    <font size="2">to Primary Sources</font></a></p>
+
+      </td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082596" alt="setstats" border="0" width="1" height="1"></noscript>
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/h8speech.html	(revision 18423)
@@ -0,0 +1,134 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: Henry VIII's speech before Parliament, 1545</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="h8speech.gif" width="575" height="87"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>This speech, 
+      given on 24 December 1545, was recorded by a member of Parliament.</font><p><font size=-1>
+      These words bring Henry VIII's personality to life - at times belligerent, 
+      then coaxing, mixing flattery and threats.&nbsp; Unlike his descendants, 
+      Henry had few problems with parliament; his domination of its members was 
+      legendary.</font><p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+On 24 December the king's majesty came into the parliament
+house, to give his royal assent to such acts as had been passed there,
+where the speaker made to him an eloquent oration, to which it has always
+been the custom for the lord chancellor to answer, but at this time it
+was the king's pleasure that it should be otherwise, for the king himself
+answered, as follows word for word, as near as I was able to report it.
+<p>'Although my Chancellor for the time being has been used, before
+this time, very eloquently and substantially to answer such orations as
+have been set forth in this high court of parliament, yet he is not so
+able to open and set forth my mind and meaning and the secrets of my heart
+in so plain and ample manner as I myself can.&nbsp; Wherefore, taking it
+upon myself to answer your eloquent oration, master speaker, I say that
+where you, in the name of our well beloved commons, have both praised and
+extolled me for the notable qualities which you have conceived to be in
+me, I most heartily thank you all that you have reminded me of my duty,
+which is to endeavor myself to obtain and get such excellent qualities
+and necessary virtues as a prince or governor should or ought to have,
+of which gifts I recognize myself both bare and barren.&nbsp; But for such
+small qualities as God has endowed me with I render to his goodness my
+most humble thanks, intending with all my wit and diligence to get and
+acquire for myself such notable virtues and princely qualities as you have
+alleged to be incorporated in my person.&nbsp; Having first remembered
+these thanks for your loving admonition and good counsel, I next thank
+you again because, considering our great charges (not for our pleasure
+but for your defense, not for our gain but to our great cost) which we
+have lately sustained, as well in defense against our and your enemies
+as for the conquest of that fortress which was to this realm most displeasant
+and noisome, and shall be by God's grace hereafter most profitable and
+pleasant to our nation, you have freely of your own decision granted to
+us a certain subsidy, specified here in an act, which truly we take in
+good part, regarding more your kindness than the profit thereof, as he
+that sets more by your loving hearts than by your substance.&nbsp; Besides
+this hearty kindness I cannot a little rejoice when I consider the perfect
+trust and sure confidence which you have put in me, as men having undoubted
+hope and unfeigned belief in my good deeds and just proceedings for you,
+since without my desire or request you have committed to my order and disposition
+all chantries, colleges, hospitals and other places specified in a certain
+act, firmly trusting that I will order them to the glory of God and the
+profit of the commonwealth.&nbsp; Surely if, contrary to your expectation,
+I should suffer the ministries of the church to decay, or learning (which
+is so great a jewel) to be diminished, a poor and miserable people to be
+unrelieved, you might say that I, being put in so special a trust as I
+am in this case, were no trusty friend to you, nor a charitable man to
+my fellow Christians, nor a lover of the public wealth, nor yet one who
+feared God, to whom account must be rendered of all our doings.&nbsp; Doubt
+not, I pray you, that you expectations will be fulfilled more Godly or
+goodly than you will wish or desire, as you will plainly see afterwards. </p>
+
+<p>'Now, since I find such kindness on your part towards me, I cannot choose
+but to love and favor you, affirming that no prince in the world more favors
+his subjects than I do you, and no subjects or commons more love and obey
+their sovereign lord than I see you do me, for whose defense my treasure
+shall not be hidden, nor if necessity requires it will my person be not
+risked.&nbsp; But although I with you and you with me are in this perfect
+love and concord, this friendly amity cannot continue unless both you,
+my lords temporal, and you, my lords spiritual, and you, my loving subjects,
+study and take pains to amend one thing which is surely amiss and far out
+of order, which I most heartily require you to do, which is that charity
+and concord is not amongst you, but discord and dissension bears rule in
+every place.&nbsp; St Paul wrote to the Corinthians, in the 12th chapter:
+'Charity is gentle, Charity is not envious, Charity is not proud,' and
+so on in that chapter.&nbsp; Behold then what love and charity is amongst
+you when one calls another heretic and anabaptist and he calls him back
+papist, hypocrite, and pharisee.&nbsp; Are these tokens of charity amongst
+you?&nbsp; No, no, I assure you that this lack of charity amongst yourselves
+will be the hindrance and assuaging of the fervent love between us, as
+I said before, unless this is healed and clearly made whole.&nbsp; I must
+judge the fault and occasion of this discord to be partly the negligence
+of you, the fathers and preachers of the spirituality.&nbsp; For if I know
+a man who lives in adultery I must judge him to be a lecherous and carnal
+person; if I see a man boast and brag about himself I cannot but deem him
+a proud man.&nbsp; I see and hear daily that you of the clergy preach against
+each other without charity or discretion.&nbsp; Some are too stiff in their
+old 'Mumpsimus', others are are too busy and curious in their new 'Sumpsimus'.&nbsp;
+Thus almost all men are in variety and discord, and few or none truly and
+sincerely preach the word of God as they ought to do.&nbsp; Shall I now
+judge you to be charitable persons who do this?&nbsp; No, no, I cannot
+do so.&nbsp; Alas, how can the poor souls live in concord when you preachers
+sow amongst them in your sermons debate and discord?&nbsp; They look to
+you for light and you bring them darkness.&nbsp; Amend these crimes, I
+exhort you, and set forth God's word truly, both by true preaching and
+giving a good example, or else, I, whom God has appointed his vicar and
+high minister here, will see these divisions extinct, and these enormities
+corrected, according to my true duty, or else I am an unprofitable servant
+and an untrue officer'. ....
+<p align="center">&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082603" alt="setstats" border="0" width="1" height="1"></noscript>
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@@ -0,0 +1,113 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: A contemporary description of Henry VIII, 1515</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="1515.gif" alt="Primary Sources: 1515: A contemporary description of King Henry VIII" width="397" height="109"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">The accounts 
+      at right were written by the Venetian ambassador to Henry's court.&nbsp; 
+      They are among the most famous descriptions of Henry VIII and capture his 
+      exuberance, vanity and wit.</font><p><font size="2">Henry VIII was born on 
+      28 June 1491, the second son of King Henry VII and Elizabeth of York.&nbsp; 
+      He was originally destined to be archbishop of Canterbury, but his older 
+      brother, Prince Arthur, died in 1502, shortly after marrying the Spanish 
+      princess Katharine of Aragon.&nbsp; And so Henry became king of England at 
+      the age of 18.</font></p>
+      <p><font size="2">He was strong, handsome, athletic and very intelligent.&nbsp; 
+      The English people at first idolized him.&nbsp; His thirty-eight year 
+      reign, however, disabused them of their early worship.&nbsp; Henry married 
+      six times, executed two of his wives, was rumored to have poisoned one and 
+      secretly ordered the death of another.&nbsp; He was increasingly mercurial 
+      and tyrannical.&nbsp; He imprisoned or executed, or both, many of the 
+      great nobles; he also executed several religious and intellectual leaders, 
+      most famously Sir Thomas More.</font></p>
+      <p><font size="2">Much of the drama and confusion of Henry's reign was 
+      caused by his pressing need for a male heir.&nbsp; His first marriage, to 
+      his brother's widow, Katharine of Aragon, lasted over twenty years but 
+      produced only a surviving daughter.&nbsp; In order to marry again, Henry 
+      eventually rejected papal authority in England and named himself supreme 
+      head of a new English church.&nbsp; This decision forever altered English 
+      history; it also threw the English people into a social and religious 
+      upheaval which superficially ended during Queen Elizabeth I's reign.</font></p>
+      <p><font size="2">As king, Henry was as efficient as his father, though 
+      far more of a spendthrift.&nbsp; He effectively controlled Parliament and 
+      chose brilliant advisers (first Wolsey, then Cromwell.)&nbsp; His foreign 
+      policy was largely inconsequential, driven by his desire to interfere in 
+      continental affairs.&nbsp; He remains one of the most famous and 
+      influential kings in English history.</font></p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+    <p>After dinner, we were taken to the King [Henry VIII], who embraced
+us, without ceremony, and conversed for a very long while very familiarly,
+on various topics, in good Latin and in French, which he speaks very well
+indeed, and he then dismissed us, and we were brought back here to London....
+<br>His Majesty is the handsomest potentate I ever set eyes on; above the
+usual height, with an extremely fine calf to his leg, his complexion very
+fair and bright, with auburn hair combed straight and short, in the French
+fashion, his throat being rather long and thick.&nbsp; He was born on the
+28th of June, 1491, so he will enter his twenty-fifth year the month after
+next.&nbsp; He speaks French, English, and Latin, and a little Italian,
+plays well on the lute and harpsichord, sings from book at sight, draws
+the bow with greater strength&nbsp; than any man in England, and jousts
+marvelously.&nbsp; Believe me, he is in every respect a most accomplished
+Prince; and I, who have now seen all the sovereigns in Christendom, and
+last of all these two of France and England in such great state, might
+well rest content. </p>
+<p>[And later that year....] His Majesty came into our arbor, and addressing
+me in French, said: 'Talk with me awhile!&nbsp; The King of France, is
+he as tall as I am?'&nbsp; I told him there was but little difference.&nbsp;
+He continued, 'Is he as stout?'&nbsp; I said he was not; and he then inquired,
+'What sort of legs has he?'&nbsp; I replied 'Spare.'&nbsp; Whereupon he
+opened the front of his doublet, and placing his hand on his thigh, said
+'Look here! and I have also a good calf to my leg.'&nbsp; He then told
+me that he was very fond of this King of France, and that for the sake
+of seeing him, he went over there in person, and that on more than three
+occasions he was very near him with his army, but that he never would allow
+himself to be seen, and always retreated, which his Majesty attributed
+to deference for King Louis, who did not choose an engagement to take place;
+and he here commenced discussing in detail all the events of that war,
+and then took his departure....
+<br>After dinner, his Majesty and many others armed themselves <i>cap-a-pie</i>,
+and he chose us to see him joust, running upwards of thirty courses, in
+one of which he capsized his opponent (who is the finest jouster in the
+whole kingdom), horse and all.&nbsp; He then took off his helmet, and came
+under the windows where we were, and talked and laughed with us to our
+very great honor, and to the surprise of all beholders.
+<br>&nbsp;<p align="center">
+<font size=-1><a href="primary.html">to
+Primary Sources</a></font></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082595" alt="setstats" border="0" width="1" height="1"></noscript>
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/hobit.html	(revision 18423)
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The obituary of King Henry VII, 1509</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="1509.gif" alt="Primary Sources: 1509: The obituary of King Henry VII" width="436" height="73"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">The account 
+      at right was recorded in the <i>Anglica Historia</i>.</font><p>
+      <font size="2">Henry VII was the first Tudor king of England.&nbsp; He was 
+      born on 28 January 1457 to Margaret Beaufort and Edmund Tudor, earl of 
+      Richmond and half-brother of the ill-fated King Henry VI.&nbsp; Henry was 
+      born when his mother was just 13 years old; he was her only child.&nbsp; 
+      His father died a few months prior to his birth.</font></p>
+      <p><font size="2">Henry had a tumultuous life, much of it spent in exile 
+      until he fought King Richard III at Bosworth Field in the summer of 1485.&nbsp; 
+      Richard's own forces betrayed him, most notably Henry's step-uncle and 
+      stepfather; he died in battle.&nbsp; Henry was crowned king of England and 
+      soon married the royal princess Elizabeth of York.</font></p>
+      <p><font size="2">Henry's improbable rise encouraged those qualities which 
+      made him a very effective but personally unpopular king.&nbsp; He was 
+      secretive, acquisitive, and rarely trusted others.&nbsp; He gained a 
+      reputation as both greedy and miserly.&nbsp; He may have been both but 
+      keep in mind that he inherited a bankrupt government; he died solvent, no 
+      small achievement for a king.</font></p>
+      <p><font size="2">After the upheaval of the 'Wars of the Roses', the 
+      English people desired peace.&nbsp; They were prepared to accept Henry's 
+      very dubious claim to the throne (via his mother, through a rumored 
+      marriage between her great-grandfather, a royal duke, and his mistress) if 
+      he provided a stable government.&nbsp; He did so, and his position was 
+      greatly strengthened by his marriage to the popular Elizabeth of York.&nbsp; 
+      Even more importantly, he provided two male heirs within a few years of 
+      marriage.</font></p>
+      <p><font size="2">Henry's true genius was in administration.&nbsp; He did 
+      not reform government, but he did increase its effectiveness.&nbsp; He 
+      also reestablished royal authority over the English nobility.&nbsp; His 
+      later years were unexpectedly difficult.&nbsp; The deaths of Prince Arthur 
+      and Elizabeth of York within a year of each other saddened him personally 
+      and made the succession more insecure.&nbsp; His own death in 1509 was 
+      preceded by several years of illness.&nbsp; He was succeeded by his 18 
+      year old son, Henry.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+<p align="left">He [Henry VII] well knew how to maintain his royal majesty and all
+which appertains to kingship at every time and in every place.&nbsp; He
+was most fortunate in war, although he was constitutionally more inclined
+to peace than to war.&nbsp; He cherished justice above all things; as a
+result he vigorously punished violence, manslaughter and every other kind
+of wickedness whatsoever.&nbsp; Consequently he was greatly regretted on
+that account by all his subjects, who had been able to conduct their lives
+peaceably, far removed from the assaults and evil doings of scoundrels.&nbsp;
+He was the most ardent supporter of our faith and daily participated with
+great piety in religious services....<br>But all these virtues were obscured latterly by avarice, from which
+he suffered.&nbsp; This avarice is surely a bad enough vice in a private
+individual, whom it forever torments; in a monarch indeed it may be considered
+the worst vice since it is harmful to everyone and distorts those qualities
+of trustfulness, justice and integrity by which the State must be governed.
+<p align="left">&nbsp;<p align="left">&nbsp;<p align="left">&nbsp;<p align="left">
+<br>&nbsp;<p align="left">&nbsp;<p align="center">
+<font size=-1><a href="primary.html">to
+Primary Sources</a></font></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082593" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/intro.html
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/intro.html	(revision 18423)
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+<html>
+
+<head>
+<meta name="content" content="introduction to the Tudor England website">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor England: Introduction to the Website</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF" bgcolor="#5E0000">
+
+<table border="0" cellpadding="3" width="100%" height="707">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">
+    <p align="center">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="43"></td>
+    <td width="50%" height="43" bgcolor="#000000"></td>
+    <td width="25%" height="43"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610" bgcolor="#FFFFFF">
+<P align="center"><B><FONT face=Arial size=+2><br>
+<img border="0" src="intro.gif" alt="Introduction" width="307" height="64"></FONT></B></P>
+    <blockquote>
+  <P><FONT face=Arial>The <B>Tudor England</B> website is a labor of love which was 
+  established in the summer of 1997.&nbsp; Since then, thousands of visitors 
+  have used it for entertainment and research.&nbsp; And the site has grown and 
+  will undoubtedly keep growing until I develop Tudoritis.&nbsp; This condition 
+  occurs when one spends too much time reading about Henry VIII and too little 
+  time outside interacting with other human beings.&nbsp; The sufferer can be 
+  identified by pale, clammy skin, fingers stiffened from too much typing and 
+  eyes reddened from too much reading, squinting and peering at the computer 
+  screen.&nbsp; They are apt to eat mutton, drink ale and find portraits of 
+  Thomas Seymour the ultimate in sexiness.&nbsp; They mutter such phrases as 
+  "God's oath!" and begin every sentence with the word "thou".</FONT> <BR><FONT 
+  face=Arial>Avoid them at all costs.&nbsp; If contact cannot be avoided, hit 
+  them with a copy of John Guy's <I>Tudor England.</I></FONT> <BR><FONT 
+  face=Arial>There is no cure for Tudoritis but it can be controlled through a 
+  strict diet of just one Tudor-related book a week.</FONT></P>
+      <p><FONT face=Arial><B>Everything at this site was written by me; </B>every 
+  fact was checked and double-checked.</FONT><BR><FONT face=Arial>In the course 
+      of my research, I have happily noted that this site is more accurate than 
+      many books published about Tudor England.&nbsp; In other words, despite 
+      the many warnings about internet inaccuracies, the printed page does not 
+      guarantee either truth or objectivity.</FONT><BR><FONT face=Arial>Respect for the work involved in 
+  creating and maintaining internet sites is sorely lacking in some 
+  visitors.&nbsp; If you would like to borrow an image or bit of text,
+      <a href="email.html">please write 
+  and ask</a>.&nbsp; I have yet to turn anyone down and such simple courtesy 
+  means a great deal.</FONT> </p>
+  <P><FONT face=Arial>Click <A 
+  href="research.html">here</A> for help with 
+  research, including the correct Turabian/MLA citation style for internet 
+  sources and various copyright issues, and <A 
+  href="copyright.html">here</A> for a shorter 
+  discussion of copyright.&nbsp; If you would like to learn more about the right 
+  to reproduce works of art on the internet, <A 
+  href="art.html">please click 
+  here</A>.</FONT></P>
+  <P><FONT face=Arial>As for me, I'm just a girl who lives in <A 
+  href="http://www.annapolis.org/">Annapolis</A>.&nbsp; You are welcome to <A 
+  href="mailto:marilee@englishhistory.net?subject=Questions/comments">write to 
+  me</A> with questions and comments.&nbsp; I try to respond to most messages 
+  within a couple of weeks.</FONT></P>
+    </blockquote>
+<CENTER>
+<P><FONT face=Arial size=-1><A href="http://englishhistory.net/tudor.html"><br>to 
+Tudor England</A></FONT></P>
+<P>&nbsp;</P></CENTER></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082646" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082646" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/jane1.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/jane1.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/jane1.html	(revision 18423)
@@ -0,0 +1,101 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The coronation of Lady Jane Grey, 1553</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="jane1.gif" width="518" height="91"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>This account 
+      of Jane Grey's coronation was written by Henry Machyn, a London undertaker.</font><p>
+      <font size="2">Jane was the great-niece of King Henry VIII.&nbsp; She is 
+      famous as the 'Nine Days' Queen', for she ruled for that small amount of 
+      time in July 1553.&nbsp; Her reign was the direct result of the duke of 
+      Northumberland's ambition.&nbsp; When it was clear that King Edward VI was 
+      dying, Northumberland married Jane to his son, Guildford.&nbsp; As the 
+      leading Protestant nobleman, he could not accept the rule of Henry VIII's 
+      Catholic daughter, Mary.&nbsp; Nor did he wish to lose the power he 
+      amassed during Edward's reign.&nbsp; Under the term of Henry's will, Mary 
+      was to follow Edward upon the throne.&nbsp; Northumberland urged Edward VI 
+      to write his own will, settling the succession upon his Protestant cousin 
+      Jane instead.&nbsp; The young king did so.</font></p>
+      <p><font size="2">Jane and Guildford were executed in 1554.</font><br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p>On 6 July died the noble King Edward VI, in the seventh year of his
+reign, son and heir to the noble King Henry VIII.&nbsp; And he was poisoned,
+as everybody says, for which now, thanks be to God, there are many of the
+false traitors brought to their end, and I trust God that more will follow
+as they may be spied out.
+<p>On 7 July a proclamation was made that all penthouses should be no lower
+than 10 foot, and all private lights be condemned.
+<p>The same day an old man was set on the pillory for counterfeit, false
+writings.
+<p>The same day there came to the Tower the lord treasurer, the earl of
+Shrewsbury, and the lord admiral with others; and there they discharged
+Sir James Croft of the constableship of the Tower, and there they put in
+the said lord admiral, and he took his oath and charge of the Tower, and
+the next day after he conveyed into all places in the Tower and... great
+guns, such as the White Tower on high.
+<p>On 9 July all the head officers and the guard were sworn to Queen Jane
+as queen of England.... daughter of the duke of Suffolk, and served as
+queen of....
+<p>The following day queen Jane was received into the Tower with a great
+company of lords and nobles of... after the queen, and the duchess of Suffolk
+her mother, bearing her train, with many ladies, and there was a firing
+of guns and chamber such as has not often been seen, between 4 and 5 o'clock;
+by 6 o'clock began the proclamation on the same afternoon of Queen Jane,
+with two heralds and a trumpet blowing, declaring that Lady Mary was unlawfully
+begotten, and so went through Cheapside to Fleet Street, proclaiming Queen
+Jane.&nbsp; And there was a young man taken at that time for speaking certain
+words about Queen Mary, that she had the true title.
+<p>On 11 July, at 8 o'clock in the morning the young man was set on the
+pillory for speaking this, and both his ears were cut off.&nbsp; There
+was a herald and a trumpeter blowing, and he was quickly taken down.&nbsp;
+And the same day the young man's master, dwelling at St John's Head, whose
+name was Sandur Onyone, and another Master Owen, a gun-maker at London
+Bridge, living at Ludgate, were drowned.
+<p>On 12 July by night were carried to the Tower 3 carts full of all manner
+of ordnance, such as great guns and small, bows, bills, spears, morrish
+pikes, armour, arrows, gunpowder and stakes, money, tents and all manner
+of ordnance, a great number of cannon balls, and a great number of men
+at arms; and it was for a great army near Cambridge; and two days after
+the duke and various lords and knights went with him, and many gentlemen
+and gunners, and many men of the guard and men of arms towards Lady Mary's
+grace, to destroy her grace, and so to Bury, and all was against him, for
+his men forsook him.<p align="center">&nbsp;<p align="center"><font size="2">
+<a href="relative/janegrey.html">to the Lady 
+Jane Grey website</a></font><p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082604" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082604" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter1.html
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter1.html	(revision 18423)
@@ -0,0 +1,166 @@
+<html>
+
+<head>
+<meta name="content" content="Primary Sources - Letter of Katharine of Aragon to her father, King Ferdinand II of Aragon, 2 December 1505">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Katharine of Aragon to her father, King 
+Ferdinand II of Aragon, 2 December 1505</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>
+    Letter of Katharine of Aragon to her father, King Ferdinand II of Aragon <br>2 December 1505</FONT>
+    </b></p>
+    <p><FONT size=-1><b>Background</b><br>The following letter was written in Spanish by 
+  Katharine while she was Princess Dowager of Wales.&nbsp; Katharine only wrote 
+  in English after her marriage to King Henry VIII.&nbsp; Her mother, the famous 
+  Queen Isabella of Castile, had died in the previous year; her father was beset 
+  by diplomatic troubles, particularly with the English (he was unable to force 
+  Castilian acceptance of a trade agreement with England, which resulted in loss 
+  of money for the parsimonious King Henry VII.)</FONT> </p>
+    <p><FONT size=-1>In 
+  1502, Katharine's husband and Henry VII's heir, Prince Arthur, had died.&nbsp; 
+  Katharine was put in an untenable position, and spent seven years of miserable 
+  widowhood in England before Arthur's brother married her.&nbsp; Her father was 
+  never able to pay the full amount of her dowry to Prince Arthur.&nbsp; This 
+  issue became even more pressing when she was then betrothed to Prince 
+  Henry.&nbsp; Ferdinand and Henry VII were equally wily monarchs, each 
+  unwilling to compromise in order to make Katharine's life in England 
+  bearable.</FONT> </p>
+    <p><FONT size=-1>The marriage to Prince Henry, though 
+  formally recognized in 1504, was not to be celebrated until two years later 
+  when the prince came of age.&nbsp; The Spanish ambassador Dr De Puebla had 
+  negotiated the contract, and assumed Henry VII would gladly support Katharine 
+  for those two years.&nbsp; But Henry gave her barely enough money for food; 
+  she had no money to pay servants' wages or buy clothing, among other 
+  things.&nbsp; She lived in extreme poverty and with a frightening lack of 
+  attention or respect.&nbsp; Henry VII made it clear that if her dowry was not 
+  paid, he would renege on the marriage to Prince Henry.&nbsp; And Ferdinand 
+  made it clear that he lacked the funds to pay the dowry; indeed, it was not 
+  even a priority in his tumultuous life.</FONT> </p>
+    <p><FONT size=-1>In this 
+  letter, Katharine mentions an 'Infanta Isabel'; this was her older sister 
+  Isabella.&nbsp; She also unfairly maligns the amiable Dr De Puebla.&nbsp; 
+  Katharine's duenna Dona Elvira despised De Puebla for political reasons and 
+  poisoned the young woman's mind against him.</FONT> </p>
+  <P><FONT size=-1>This letter, a litany of complaints - all politely phrased - 
+  is fascinating, and offers invaluable insight into Katharine's life as 
+  Princess of Wales.&nbsp; She was poor, hungry, and desperately ill; 'I shall 
+  soon die,' she wrote to her father in despair.&nbsp; She survived, of course, 
+  but these conditions explain why she considered her marriage to King Henry 
+  VIII to be so miraculous.</FONT>&nbsp; <FONT size=-1>This letter also offers a 
+  funny glimpse into Henry VII's miserly nature.</FONT> 
+  <P>
+  <HR width="100%">
+
+    <p><font face="Times New Roman">Most high and most puissant lord, <BR>Hitherto I have not wished 
+    to let your highness know the affairs here, that I might not give you 
+    annoyance, and also thinking that they would improve; but it appears that 
+    the contrary is the case, and that each day my troubles increase; and all 
+    this on account of the doctor de Puebla, to whom it has not sufficed that 
+    from the beginning he transacted a thousand falsities against the service of 
+    your highness, but now he has given me new trouble; and because I believe 
+    your highness will think I complain without reason, I desire to tell you all 
+    that has passed. <BR>Your highness shall know, as I have often written to 
+    you, that since I came into England, I have not had a single maravedi, 
+    except a certain sum which was given me for food, and this such a sum that 
+    it did not suffice without my having many debts in London; and that which 
+    troubles me more is to see my servants and maidens so at a loss, and that 
+    they have not the wherewith to get clothes; and this I believe is all done 
+    by hand of the doctor, who, notwithstanding your highness has written, 
+    sending him word that he should have money from the king of England, my lord 
+    that their costs should be given them, yet, in order not to trouble him, 
+    will rather entrench upon and neglect the service of your highness.&nbsp; 
+    Now, my lord, a few days ago, donna Elvira de Manuel asked my leave to go to 
+    Flanders to be cured of a complaint which has come into her eyes, so that 
+    she lost the sight of one of them; and there is a physician in Flanders who 
+    cured the infanta donna Isabel of the same disease which which she is 
+    affected.&nbsp; She labored to bring him here so as not to leave me, but 
+    could never succeed with him; and I, since if she were blind she could not 
+    serve me, durst not hinder her journey.&nbsp; I begged the king of England, 
+    my lord, that until our donna Elvira should return his highness would 
+    command that I should have, as a companion, an old English lady, or that he 
+    would take me to his court; and I imparted all this to the doctor, thinking 
+    to make of the rogue a true man; but it did not suffice me - because he not 
+    only drew me to court, in which I have some pleasure, because I had 
+    supplicated the king for an asylum, but he negotiated that the king should 
+    dismiss all my household, and take away my chamber-equipage, and send to 
+    place it in a house of his own, so that I should not in any way be mistress 
+    of it. <BR>And all this does not weigh upon me, except that it concerns the 
+    service of your highness, doing the contrary of that which ought to be 
+    done.&nbsp; I entreat your highness that you will consider that I am your 
+    daughter, and that consent not that on account of the doctor I should have 
+    such trouble, but that you will command some ambassador to come here, who 
+    may be a true servant of your highness, and for no interest will cease to do 
+    that which pertains to your service.&nbsp; And if in this your highness 
+    trusts me not, do you command some person to come here, who may inform you 
+    of the truth, and then you will have one who will better serve you.&nbsp; As 
+    for me, I have had so much pain and annoyance that I have lost my health in 
+    a great measure; so that for two months I have had severe tertian fevers, 
+    and this will be the cause that I shall soon die.&nbsp; I supplicate your 
+    highness to pardon me that I presume to entreat you to do me so great favor 
+    as to command that this doctor may not remain; because he certainly does not 
+    fulfill the service of your highness, which he postpones to the service of 
+    the worst interest which can be.&nbsp; Our Lord guard the life and most 
+    royal estate of your highness, and ever increase it as I desire.&nbsp; From 
+    Richmond, the second of December. <BR>My lord, I had forgotten to remind 
+    your highness how you know that it was agreed that you were to give, as a 
+    certain part of my dowry, the plate and jewels that I brought; and yet I am 
+    certain that the king of England, my lord, will not receive anything of 
+    plate nor of jewels which I have used; because he told me himself that he 
+    was indignant that they should say in his kingdom that he took away from me 
+    my ornaments.&nbsp; And as little may your highness expect that he will take 
+    them in account and will return them to me; because I am certain he will not 
+    do so, nor is any such thing customary here.&nbsp; In like wise the jewels 
+    which I brought from thence [Spain] valued at a&nbsp; great sum.&nbsp; The 
+    king would not take them in the half of the value, because here all these 
+    things are esteemed much cheaper, and the king has so many jewels that he 
+    rather desires money than them.&nbsp; I write thus to your highness because 
+    I know that there will be great embarrassment if he will not receive them, 
+    except at less price.&nbsp; It appears to me that it would be better if your 
+    highness should take them for yourself, and should give to the king of 
+    England, my lord, his money.&nbsp; Your highness will see what would serve 
+    you best, and with this I shall be most content. <BR>The humble servant of 
+    your highness, who kisses your hands.</font></p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+<P align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1><A 
+href="monarchs/aragon.html">to Katharine of 
+Aragon website</A></FONT></P></td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082699" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter10.html
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+<html>
+
+<head>
+<meta name="content" content="Letter of Queen Anne Boleyn to her husband, King Henry VIII, 6 May 1536">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Queen Anne Boleyn to her husband, King Henry 
+VIII, 6 May 1536 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Queen Anne Boleyn to her husband, King 
+Henry VIII<br>6 May 1536</FONT> </b> </p>
+  <p><FONT size=-1><b>Background<br></b></FONT>
+  <IMG height=194 alt="Queen Anne Boleyn" 
+  src="anne1.jpg" width=150 align=left><FONT size=-1>First of 
+  all, this letter may be a fake.&nbsp; Then again, it may not.&nbsp; The debate 
+  over its authenticity continues and no definitive answer is possible.&nbsp; 
+  The original no longer exists; a copy was said to be found amongst Thomas 
+  Cromwell's papers after his execution.&nbsp; Most of Anne's modern biographers 
+  believe it to be a forgery.&nbsp; Their reason?&nbsp; They don't believe any 
+  16th century prisoner would have been allowed to write to their monarch in 
+  such a familiar manner.&nbsp; Yet Anne was not just any political prisoner - 
+  she was Henry VIII's wife and had been his grand passion for several 
+  years.&nbsp; Locked away in the Tower, aware of the concurrent arrests of her 
+  brother and friends and worried about her young daughter, she may very well 
+  have written to the king.&nbsp; She was in a desperate situation, of course, 
+  but she also believed (as witnesses attest) that Henry would be merciful and 
+  simply divorce her and send her to a convent.&nbsp; She was proven wrong and 
+  executed thirteen days after this letter was supposedly written.</FONT> </p>
+  <p><FONT size=-1>In debating the authenticity, another point to consider is 
+  Anne's personality.&nbsp; Her combative temperament was well-documented by her 
+  contemporaries; they observed with awe that she dared to chastise and insult 
+  the king.&nbsp; Henry VIII himself commented upon her boldness.&nbsp; It had probably helped to attract his attention.&nbsp;  But the appeal of such a passionate 
+  and emotional woman did not hold him forever.&nbsp; By the end of their 
+  relationship, Henry was comparing her to a shrew and warned her to hold her 
+  tongue in his presence.&nbsp; His next wife was the very quiet and meek Jane 
+  Seymour, and a more glaring contrast to Anne Boleyn cannot be imagined.</FONT> </p>
+  <p><FONT size=-1>If Anne had written a letter to Henry from her prison, it 
+  would undoubtedly read exactly like this one.</FONT>&nbsp; <FONT size=-1>As to 
+  its authenticity..... I have included this letter because it is an interesting 
+  historical curiosity, whether authentic or forged.&nbsp; It is up to the 
+  individual reader to reject or accept it.</FONT> </p>
+    <hr>
+    <p><FONT face="Times New Roman,Times">Your grace's displeasure and 
+    my imprisonment are things so strange to me, that what to write, or what to 
+    excuse, I am altogether ignorant.&nbsp; Whereas you send to me (willing me 
+    to confess a truth and so obtain your favor), by such a one, whom you know 
+    to be mine ancient professed enemy, I no sooner received this message by 
+    him, than I rightly conceived your meaning; and if, as you say, confessing a 
+    truth indeed may procure my safety, I shall with all willingness and duty, 
+    perform your duty.&nbsp; But let not your grace ever imagine that your poor 
+    wife will be brought to acknowledge a fault, where not so much as a thought 
+    ever proceeded.&nbsp; And to speak a truth, never a prince had wife more 
+    loyal in all duty, and in all true affection, than you have ever found in 
+    Anne Bulen - with which name and place I could willingly have contented 
+    myself, if God and your grace's pleasure had been so pleased.&nbsp; Neither 
+    did I at any time so far forget myself in my exaltation or received 
+    queenship, but that I always looked for such alteration as I now find; for 
+    the ground of my preferment being on no surer foundation than your grace's 
+    fancy, the least alteration was fit and sufficient (I knew) to draw that 
+    fancy to some other subject.</FONT> <BR><FONT 
+    face="Times New Roman,Times">You have chosen me from low estate to be your 
+    queen and companion, far beyond my desert or desire; if, then, you found me 
+    worthy of such honor, good your grace, let not any light fancy or bad 
+    counsel of my enemies withdraw your princely favor from me; neither let that 
+    stain - that unworthy stain - of a disloyal heart towards your good grace 
+    ever cast so foul a blot on me, and on the infant princess your 
+    daughter.</FONT> <BR><FONT face="Times New Roman,Times">Try me, good king, 
+    but let me have a lawful trial, and let not my sworn enemies sit as my 
+    accusers and as my judges; yea, let me receive an open trial, for my truth 
+    shall fear no open shame.&nbsp; Then you shall see either my innocency 
+    cleared, your suspicions and conscience satisfied, the ignominy and slander 
+    of the world stopped, or my guilt openly declared.&nbsp; So that, whatever 
+    God and you may determine of, your grace may be freed from an open censure; 
+    and my offense being so lawfully proved, your grace may be at liberty, both 
+    before God and man, not only to execute worthy punishment on me as an 
+    unfaithful wife but to follow your affection already settled on that party 
+    for whose sake I am now as I am, whose name I could some while since have 
+    pointed unto - your grace being not ignorant of my suspicions therein.&nbsp; 
+    But if you have already determined of me, and that not only my death, but an 
+    infamous slander must bring your the joying of your desired happiness, then 
+    I desire of God that he will pardon your great sin herein, and likewise my 
+    enemies, the instruments thereof; and that he will not call you to a strait 
+    account for your unprincely and cruel usage of me at his general 
+    judgment-seat, where both you and myself must shortly appear; and in whose 
+    just judgment, I doubt not (whatsoever the world may think of me), mine 
+    innocency shall be openly known and sufficiently cleared.</FONT> <BR><FONT 
+    face="Times New Roman,Times">My last and only request shall be, that myself 
+    only bear the burden of your grace's displeasure, and that it may not touch 
+    the innocent souls of those poor gentlemen, whom, as I understand, are 
+    likewise in strait imprisonment for my sake.&nbsp; If ever I have found 
+    favor in your sight - if ever the name of Anne Bulen have been pleasing in 
+    your ears - then let me obtain this request; and so I will leave to trouble 
+    your grace any further, with mine earnest prayer to the Trinity to have your 
+    grace in his good keeping, and to direct you in all your actions.</FONT> 
+    <BR><FONT face="Times New Roman,Times">From my doleful prison in the Tower, 
+    the 6th May.</FONT></p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/boleyn.html">to Anne 
+    Boleyn website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082688" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter11.html
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+<html>
+
+<head>
+<meta name="content" content="Primary Sources - Letter of Queen Jane Seymour to the Privy Council of England, 12 October 1537">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Queen Jane Seymour to the Privy Council of 
+England, 12 October 1537 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Queen Jane Seymour to the Privy Council 
+of England<br> 12 October 1537</FONT> </b> </p>
+  <p><FONT size=-1><b>Background<br></b>Jane was the mother of Henry VIII's longed-for heir, 
+  Prince Edward.&nbsp; He was born on 12 October 1537, and this letter was 
+  immediately sent to the Privy Council by the queen.&nbsp; Jane may not have 
+  personally composed the letter; however, it was sent in her name and sealed 
+  with her signet.&nbsp; Though she died of puerperal fever twelve days after 
+  the birth, she was not immediately ill.&nbsp; In fact, the letter muses upon 
+  the precariousness of the infant prince's health.&nbsp; This sentiment was 
+  understandable enough in an age of high infant mortality.</FONT>
+    </p>
+    <hr>
+    <p>Right trusty and well beloved, we greet you well, and for as 
+    much as by the inestimable goodness and grace of Almighty God, we be 
+    delivered and brought in childbed of a prince, conceived in most lawful 
+    matrimony between my lord the king's majesty and us, doubting not but that 
+    for the love and affection which you bear unto us and to the commonwealth of 
+    this realm, the knowledge thereof should be joyous and glad tidings unto 
+    you, we have thought good to certify you of the same.&nbsp; To the intent 
+    you might not only render unto God condign thanks and prayers for so great a 
+    benefit but also continually pray for the long continuance and preservation 
+    of the same here in this life to the honor of God, joy and pleasure of my 
+    lord the king and us, and the universal weal, quiet and tranquility of this 
+    whole realm.&nbsp; Given under our signet at my lord's manor of Hampton 
+    Court the 12th day of October. <BR>Jane the Quene.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/seymour.html">to Jane 
+    Seymour website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082703" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter12.html
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+<html>
+
+<head>
+<meta name="content" content="Primary Sources - Letter of Anne of Cleves to her husband, King Henry VIII, 11 July 1540">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Anne of Cleves to her husband, King Henry 
+VIII, 11 July 1540 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Anne of Cleves to her husband, King 
+Henry VIII<br>11 July 1540</FONT> </b> </p>
+  <p><FONT size=-1><b>Background<br></b>The following letter was Anne of Cleves's very 
+  diplomatic response to Henry VIII's request for an annulment of their brief 
+  marriage.&nbsp; Though her brother pressed her to return home to the duchy of 
+  Cleves, Anne was content to remain in England.&nbsp; There were two reasons 
+  for this - first, Henry was so grateful for her easy submission and gracious 
+  manners, he rewarded her with a very comfortable lifestyle.&nbsp; She was able 
+  to live as a wealthy dowager and enjoyed a close relationship with the king 
+  (now termed her 'brother') and his three children.&nbsp; Secondly, she did not 
+  want to face an ignominious return to Cleves.&nbsp; After Henry's public 
+  rejection of their union, she would not have found another husband and would 
+  have been forced to rely on her brother's generosity.</FONT>
+    </p>
+  <p><FONT 
+  size=-1>Henry was very impressed by this letter.&nbsp; Its tone of respectful 
+  subservience to his wishes inspired his gratitude.&nbsp; Despite his 
+  reputation for tyranny, the great king could be kind and generous.&nbsp; Anne 
+  had little cause to think ill of him.&nbsp; After all, most historians focus 
+  on Henry's feelings in this matter - but perhaps the lady from Cleves was less 
+  than enamored with her husband and was equally desperate to escape the 
+  marriage.&nbsp; According to all reports, she learned to love English beer and 
+  grew plump and&nbsp; happy in her adopted country.</FONT>
+    </p>
+    <hr>
+    <p>Pleaseth your most excellent majesty to understand that, 
+    whereas, at sundry times heretofore, I have been informed and perceived by 
+    certain lords and others your grace's council, of the doubts and questions 
+    which have been moved and found in our marriage; and how hath petition 
+    thereupon been made to your highness by your nobles and commons, that the 
+    same might be examined and determined by the holy clergy of this realm; to 
+    testify to your highness by my writing, that which I have before promised by 
+    my word and will, that is to say, that the matter should be examined and 
+    determined by the said clergy; it may please your majesty to know that, 
+    though this case must needs be most hard and sorrowful unto me, for the 
+    great love which I bear to your most noble person, yet, having more regard 
+    to God and his truth than to any worldly affection, as it beseemed me, at 
+    the beginning, to submit me to such examination and determination of the 
+    said clergy, whom I have and do accept for judges competent in that 
+    behalf.&nbsp; So now being ascertained how the same clergy hath therein 
+    given their judgment and sentence, I acknowledge myself hereby to accept and 
+    approve the same, wholly and entirely putting myself, for my state and 
+    condition, to your highness' goodness and pleasure; most humbly beseeching 
+    your majesty that, though it be determined that the pretended matrimony 
+    between us is void and of none effect, whereby I neither can nor will repute 
+    myself for your grace's wife, considering this sentence (whereunto I stand) 
+    and your majesty's clean and pure living with me, yet it will please you to 
+    take me for one of your humble servants, and so determine of me, as I may 
+    sometimes have the fruition of your most noble presence; which as I shall 
+    esteem for a great benefit, so, my lords and others of your majesty's 
+    council, now being with me, have put me in comfort thereof; and that your 
+    highness will take me for your sister; for the which I most humbly thank you 
+    accordingly. <BR>Thus, most gracious prince, I beseech our Lord God to send 
+    your majesty long life and good health, to God's glory, your own honor, and 
+    the wealth of this noble realm. <BR>From Richmond, the 11th day of July, the 
+    32nd year of your majesty's most noble reign. <BR>Your majesty's most humble 
+    sister and servant, Anne the daughter of Cleves. </p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/cleves.html">to Anne of 
+    Cleves website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082694" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter13.html
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter13.html	(revision 18423)
@@ -0,0 +1,106 @@
+<html>
+
+<head>
+<meta name="content" content="Primary Sources - Letter of Queen Catherine Howard to Master Thomas Culpeper, spring 1541">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Queen Catherine Howard to Master Thomas 
+Culpeper, spring 1541 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Queen Catherine Howard to Master Thomas 
+Culpeper<br>spring 1541</FONT> </b> </p>
+    <p>
+    <b>
+    <IMG height=202 alt="miniature portrait of Queen Catherine Howard" 
+  src="howard1.jpg" width=200 align=left></b><FONT size=-1><b>Background</b><br>This is 
+  the only surviving letter written by Henry VIII's fifth wife.&nbsp; It was 
+  written in the spring of 1541, roughly eight months after she married the 
+  king.&nbsp; After Catherine's fall from grace, Culpeper was among the men 
+  charged with committing adultery with the queen.&nbsp; It was a treasonable 
+  offense, and he was executed for it (along with Francis Dereham.)&nbsp; 
+  Culpeper tried to save himself by arguing that he had met with Catherine only 
+  because the young queen was 'dying of love for him', and would not let him end 
+  the relationship.&nbsp;</FONT></p>
+    <p><FONT size=-1>Catherine, for her part, argued otherwise; she told 
+  her interrogators that Culpeper ceaselessly begged for a meeting and she was 
+  too fearful to refuse.&nbsp; However, the letter clearly supports Culpeper's 
+  version of events.&nbsp; After all, the queen did write 'it makes my heart die 
+  to think what fortune I have that I cannot be always in your company.'</FONT>
+    </p>
+    <p><FONT size=-1>The affection she felt for Culpeper led to a legend 
+  surrounding Catherine's last words - 'I die a Queen, but would rather die the 
+  wife of Culpeper.'&nbsp; This final declaration of love did not occur; its 
+  invention was an attempt to give Catherine's pathetic and tragic story some 
+  mark of distinction.</FONT> </p>
+  <P><FONT size=-1>Catherine was not as well educated as Henry's other wives, 
+  though her mere ability to read and write was impressive enough for the 
+  time.&nbsp; This letter taxed her greatly, as she points out in the closing 
+  lines.&nbsp; It is transcribed here as originally written, and the grammatical 
+  mistakes are Catherine's own.<br></FONT><br><hr>
+    <p>Master Culpeper, <BR>I heartily recommend me unto you, praying 
+    you to send me word how that you do.&nbsp; It was showed me that you was 
+    sick, the which thing troubled me very much till such time that I hear from 
+    you praying you to send me word how that you do, for I never longed so much 
+    for a thing as I do to see you and to speak with you, the which I trust 
+    shall be shortly now.&nbsp; That which doth comfortly me very much when I 
+    think of it, and when I think again that you shall depart from me again it 
+    makes my heart die to think what fortune I have that I cannot be always in 
+    your company.&nbsp; It my trust is always in you that you will be as you 
+    have promised me, and in that hope I trust upon still, praying you that you 
+    will come when my Lady Rochford is here for then I shall be best at leisure 
+    to be at your commandment, thanking you for that you have promised me to be 
+    so good unto that poor fellow my man which is one of the griefs that I do 
+    feel to depart from him for then I do know no one that I dare trust to send 
+    to you, and therefore I pray you take him to be with you that I may sometime 
+    hear from you one thing.&nbsp; I pray you to give me a horse for my man for 
+    I had much ado to get one and therefore I pray send me one by him and in so 
+    doing I am as I said afor, and thus I take my leave of you, trusting to see 
+    you shortly again and I would you was with me now that you might see what 
+    pain I take in writing to you. <BR>Yours as long as life endures, 
+    <BR>Katheryn. <BR>One thing I had forgotten and that is to instruct my man 
+    to tarry here with me still for he says whatsomever you bid him he will do 
+    it.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/howard.html">to Catherine 
+    Howard website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082587" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter14.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter14.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter14.html	(revision 18423)
@@ -0,0 +1,109 @@
+<html>
+
+<head>
+<meta name="content" content="Letter of Katharine Parr to her husband, King Henry VIII, July 1544">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Katharine Parr to her husband, King Henry 
+VIII, July 1544 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Katharine Parr to her husband, King 
+Henry VIII<br>July 1544</FONT></b></p>
+    <p>
+    <FONT size=-1><b>Background<br></b>Katharine Parr wed King Henry VIII on 12 July 1543 
+  at Hampton Court Palace.&nbsp; Henry was her third husband and not her 
+  personal choice.&nbsp; She was in love with Thomas Seymour, the brother of 
+  Henry's third wife, Jane; he eventually became her fourth husband just a few 
+  months after Henry's death in 1547.&nbsp; Once the marriage to Henry was 
+  settled upon, Katharine worked to make it successful.&nbsp; She was, in all 
+  respects, admirably suited to the task.&nbsp; She had experience managing 
+  temperamental elderly men and nursing their various ailments.&nbsp; She was 
+  very intelligent and committed to scholarship, but she also participated fully 
+  in the life of Henry's court.&nbsp; She grew as fond of finery as any of his 
+  wives and dressed magnificently.</FONT> </p>
+    <p>
+    <FONT size=-1>She and Henry grew 
+  close.&nbsp; He refused to allow anyone else to wrap his badly ulcered leg; he 
+  also made her Queen-Regent while he attended the siege of Boulogne in 
+  1544.&nbsp; This letter was written during that six-week absence and its tone 
+  is loving and respectful.&nbsp; In it, Katharine mentions the King of 
+  Scotland's widow, Marie de Guise, as well as Henry's three children.&nbsp; In 
+  addition to her success as a sixth wife, Katharine was an admirable stepmother 
+  who genuinely loved the Princesses Mary and Elizabeth and Prince 
+  Edward.</FONT> <br></p>
+    <hr>
+    <p>Although the distance of time and account of days neither is 
+    long nor many of your majesty's absence, yet the want of your presence, so 
+    much desired and beloved by me, maketh me that I cannot quietly pleasure in 
+    anything until I hear from your majesty.&nbsp; The time, therefore, seemeth 
+    to me very long, with a great desire to know how your highness hath done 
+    since your departing hence, whose prosperity and health I prefer and desire 
+    more than mine own.&nbsp; And whereas I know your majesty's absence is never 
+    without great need, yet love and affection compel me to desire your 
+    presence. <BR>Again, the same zeal and affection force me to be best content 
+    with that which is your will and pleasure.&nbsp; Thus love maketh me in all 
+    things to set apart mine own convenience and pleasure, and to embrace most 
+    joyfully his will and pleasure whom I love.&nbsp; God, the knower of 
+    secrets, can judge these words not to be written only with ink, but most 
+    truly impressed on the heart.&nbsp; Much more I omit, lest it be thought I 
+    go about to praise myself, or crave a thank; which thing to do I mind 
+    nothing less, but a plain, simple relation of the love and zeal I bear your 
+    majesty, proceeding from the abundance of the heart.&nbsp; Wherein I must 
+    confess I desire no commendation, having such just occasion to do the same. 
+    <BR>I make like account with your majesty as I do with God for his benefits 
+    and gifts heaped upon me daily, acknowledging myself a great debtor to him, 
+    not being able to recompense the least of his benefits; in which state I am 
+    certain and sure to die, yet I hope in His gracious acceptation of my 
+    goodwill.&nbsp; Even such confidence have I in your majesty's gentleness, 
+    knowing myself never to have done my duty as were requisite and meet for 
+    such a noble prince, at whose hands I have found and received so much love 
+    and goodness, that with words I cannot express it.&nbsp; Lest I should be 
+    too tedious to your majesty, I finish this my scribbled letter, committing 
+    you to the governance of the Lord with long and prosperous life here, and 
+    after this life to enjoy the kingdom of his elect. <BR>From Greenwich, by 
+    your majesty's humble and obedient servant, <BR>Katharine the 
+  Queen.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/parr.html">to Katharine 
+    Parr website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082703" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter15.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter15.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter15.html	(revision 18423)
@@ -0,0 +1,74 @@
+<html>
+
+<head>
+<meta name="content" content="Letter of Queen Katharine Parr to the Privy Council, 25 July 1544">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Queen Katharine Parr to the Privy Council, 25 
+July 1544 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Queen Katharine Parr to the 
+    Privy Council<br>25 July 1544</FONT></b></p>
+    <p>
+    <FONT size=-1><b>Background<br></b>This letter refers to the successful English siege 
+  of Boulogne in July 1544.&nbsp; I have included it because it is an example - 
+  along with a similar letter by Queen Anne Boleyn - of the typical letter of an 
+  English queen consort.</FONT> <br> </p>
+    <hr>
+    <p>Katharine the Queen. <BR>Right trusty and well-beloved cousins, 
+    we greet you well.&nbsp; Letting you wit that having received your letters 
+    of the 23rd of this present, we have by the same had singular comfort, as 
+    well to perceive thereby the state of health my lord the king's majesty was 
+    in at that present, as also the good beginning of success of his grace's 
+    affairs there; for your joyful news whereof we give unto you our right 
+    hearty thanks.&nbsp; And forasmuch as, touching the other contents of your 
+    said letters, we have presently written at length unto my said lord, the 
+    king's majesty, we forbear to repeat the same unto you, not doubting but 
+    that his highness will communicate the same unto you accordingly.&nbsp; 
+    Given under our signet at my said lord the king's majesty's honor of Hampton 
+    Court, the 25th day of July, the 36th year of his majesty's most noble 
+  reign.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/parr.html">to Katharine 
+    Parr website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082704" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter16.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter16.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter16.html	(revision 18423)
@@ -0,0 +1,109 @@
+<html>
+
+<head>
+<meta name="content" content="Primary Sources - Letter of Katharine Parr to her stepdaughter, Princess Mary, 20 September 1544 ">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Katharine Parr to her stepdaughter, Princess 
+Mary, 20 September 1544 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Katharine Parr to her stepdaughter, 
+Princess Mary<br>20 September 1544</FONT></b></p>
+    <p>
+    <FONT size=-1><b>Background<br></b>Katharine was very close to all of her stepchildren, 
+  though she and Princess Mary differed greatly in matters of religion.&nbsp; 
+  Mary was, in truth, only a few years younger than Katharine and so the queen 
+  did not have a profound impact upon Mary's life - not as she did upon the much 
+  younger Elizabeth and Edward, both of whom came to love Katharine as a 
+  mother.&nbsp; But Katharine and Mary did become close, and the princess 
+  undoubtedly appreciated Katharine's attempts to heal Henry VIII's broken 
+  family.&nbsp; This letter was written in thanks for a purse Mary had 
+  embroidered and sent to the queen.&nbsp; Katharine also inquires about Mary's 
+  progress in translating Erasmus's <I>Paraphrase on the Gospel of John</I> and 
+  her health.&nbsp; Mary was notoriously prone to illness and it is obvious that 
+  Katharine felt genuine concern for her step-daughter's well-being.</FONT></p>
+    <p>
+    <FONT size=-1>Katharine wished for Mary to publish her translation; her 
+  own writings (such as <I>Lamentations....</I>) became 16th century 
+  bestsellers, particularly during the Protestant reigns of Edward VI and 
+  Elizabeth I.</FONT> <br> </p>
+    <hr>
+    <p>Although, most noble and dearest lady, there are many reasons 
+    that easily induce my writing to you at this time, yet nothing so greatly 
+    moves me thereto as my concern for your health; which, as I hope it is very 
+    good, so am I greatly desirous to be assured thereof. <BR>Wherefor, I 
+    despatch to you this messenger, who will be (I judge) most acceptable to 
+    you, not only from his skill in music, in which you, I am well aware, take 
+    as much delight as myself, but also because, having long sojourned with me, 
+    he can give the most certain information of my whole estate and 
+    health.&nbsp; And, in truth, I have had it in mind before this to have made 
+    a journey to you and salute you in person; but all things do not correspond 
+    with my will.&nbsp; Now, however, I hope this winter, and that ere long, 
+    that, being nearer, we shall meet; than which, I assure you, nothing can be 
+    to me more agreeable, and more to my heart's desire. <BR>Now since, as I 
+    have heard, the finishing touch (as far as the translation is concerned) is 
+    given by Mallet to Erasmus's work upon John, and nought now remains but that 
+    proper care and vigilance should be taken in revising, I entreat you to send 
+    over to me this very excellent and useful work, now amended by Mallet, or 
+    some of your people, that it may be committed to the press in due time; and 
+    farther, to signify whether you wish it to go forth to the world (most 
+    auspiciously) under your name, or as the production of an unknown 
+    writer.&nbsp; To which work you will, in my opinion, do a real injury, if 
+    you refuse to let it go down to posterity under the auspices of your own 
+    name, since you have undertaken so much labor in accurately translating it 
+    for the great good of the public, and would have undertaken still greater 
+    (as is well known) if the health of your body had permitted. <BR>And, since 
+    all the world knows that you have toiled and labored much in this business, 
+    I do not see why you should repudiate that praise which all men justly 
+    confer on you.&nbsp; However, I leave this whole matter to your discretion 
+    and, whatever resolution you may adopt, that will meet my fullest 
+    approbation. <BR>For the purse, which you have sent me as a present, I 
+    return you great thanks.&nbsp; I pray God, the greatest and best of beings, 
+    that He deign to bless you uninterruptedly with true and unalloyed 
+    happiness.&nbsp; May you long fare well in him. <BR>From Hanworth, 20th of 
+    September, <BR>Most devotedly and lovingly yours, Katharine the 
+  Queen.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/parr.html">to Katharine 
+    Parr website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter2.html
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@@ -0,0 +1,96 @@
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+
+<head>
+<meta name="content" content="Primary Sources - Letter from Katharine of Aragon to her husband, King Henry VIII, 16 September 1513">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
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+<title>Primary Sources - Letter from Katharine of Aragon to her husband, King 
+Henry VIII, 16 September 1513</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
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+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b>
+    <FONT size=+1>Letter from Katharine of Aragon to her husband, 
+King Henry VIII<br> 16 September 1513</FONT></b></p>
+  <p><FONT size=-1><b>Background </b> <br>This letter concerns the great English victory 
+  against the Scots at Flodden Field.&nbsp; Henry VIII was busy at war in 
+  France, along with most of his great nobles and councilors.&nbsp; Katharine 
+  was Queen Regent in his absence, but she tactfully credits the victory against 
+  the Scots to Henry himself.&nbsp; Along with letter, she sent a piece of King 
+  James IV of Scotland's coat.&nbsp; Though he was married to Henry's older 
+  sister Margaret, James remained at odds with the English and was killed at 
+  Flodden Field.</FONT> </p>
+    <hr> 
+  <P>
+  <P>
+    <p>Sir, <BR>My Lord Howard hath sent me a letter open to your 
+    Grace, within one of mine, by the which you shall see at length the great 
+    Victory that our Lord hath sent your subjects in your absence; and for this 
+    cause there is no need herein to trouble your Grace with long writing, but, 
+    to my thinking, this battle hath been to your Grace and all your realm the 
+    greatest honor that could be, and more than you should win all the crown of 
+    France; thanked be God of it, and I am sure your Grace forgetteth not to do 
+    this, which shall be cause to send you many more such great victories, as I 
+    trust he shall do.&nbsp; My husband, for hastiness, with Rougecross I could 
+    not send your Grace the piece of the King of Scots coat which John Glynn now 
+    brings.&nbsp; In this your Grace shall see how I keep my promise, sending 
+    you for your banners a king's coat.&nbsp; I thought to send himself unto 
+    you, but our Englishmens' hearts would not suffer it. It should have been 
+    better for him to have been in peace than have this reward.&nbsp; All that 
+    God sends is for the best. <BR>My Lord of Surrey, my Henry, would fain know 
+    your pleasure in the burying of the King of Scots' body, for he has written 
+    to me so.&nbsp; With the next messenger your Grace's pleasure may be herein 
+    known.&nbsp; And with this I make an end, praying God to send you home 
+    shortly, for without this no joy here can be accomplished; and for the same 
+    I pray, and now go to Our Lady of Walsingham that I promised so long ago to 
+    see.&nbsp; At Woburn the 16th of September. <BR>I send your Grace herein a 
+    bill found in a Scotsman's purse of such things as the French King sent to 
+    the said King of Scots to make war against you, beseeching you to send 
+    Mathew hither as soon as this messenger comes to bring me tidings from your 
+    Grace. <BR>Your humble wife and true servant, Katharine.</p>
+<BLOCKQUOTE>
+
+  <BLOCKQUOTE>
+    <p>&nbsp;</p>
+  </BLOCKQUOTE>
+</BLOCKQUOTE>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+<P align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1><A 
+href="monarchs/aragon.html">to Katharine of 
+Aragon website</A></FONT></P></td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082700" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter3.html
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+<html>
+
+<head>
+<meta name="content" content="Primary Sources - Letter of Katharine of Aragon to her daughter, Princess Mary, April 1534">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
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+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Katharine of Aragon to her daughter, Princess 
+Mary, April 1534</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b>
+    <FONT size=+1>Letter of Katharine of Aragon to her daughter, 
+Princess Mary<br> April 1534</FONT></b></p>
+  <p><FONT size=-1><b>Background </b> <br>This letter was written by Katharine about seven 
+  months after the birth of Henry VIII's daughter with Anne Boleyn.&nbsp; Henry 
+  had demanded that Mary take the oath to the Act of Succession, thus 
+  acknowledging the invalidity of her parents' marriage as well as her own 
+  illegitimacy.&nbsp; Mary understandably refused, but her resolve was 
+  faltering.&nbsp; Henry would not allow her to visit her mother; he also 
+  dismissed her household and placed her in the care of Lady Anne Shelton, the 
+  aunt of Anne Boleyn.&nbsp; Mary was miserable and quickly fell ill.&nbsp; She 
+  had never been robust and the constant emotional turmoil of her life affected 
+  her physical health.&nbsp; She understandably looked to her mother for advice 
+  and support.&nbsp; In this letter, Katharine tells Mary to follow her own 
+  strategy - obey Henry in all things except those which would offend 
+  God.</FONT> </p>
+  <P><FONT size=-1>As the letter indicates, Katharine herself genuinely feared 
+  for Mary's life, as well as her own.&nbsp; But she was determined to remain 
+  true to her conscience, and none of Henry VIII's threats would persuade her 
+  otherwise.&nbsp; Mary would eventually betray her mother's wishes and accede 
+  to the Act of Succession; her letter to Henry VIII is included in the <A 
+  href="primary.html">Primary Sources</A> 
+  section and is a remarkable document.</FONT> 
+  <P><FONT size=-1>In this letter, 
+  Katharine mentions Lady Salisbury.&nbsp; This was Margaret de la Pole, 
+  countess of Salisbury; she was also a Plantagenet heir and cousin of Henry 
+  VIII's.&nbsp; She had been Mary's governess for many years and was very close 
+  to both Katharine and Mary.&nbsp; Upon Mary's disobedience, Henry dismissed 
+  her from Mary's service; Margaret was eventually executed on trumped-up 
+  charges of treason in 1541.&nbsp; Her death was perhaps the most blatant act 
+  of judicial murder in Henry's bloody reign.</FONT> 
+  <P><FONT size=-1>I find this letter psychologically interesting.&nbsp; 
+  Katharine became increasingly pious as her marriage to Henry dissolved into 
+  ceaseless acrimony and misery.&nbsp; Religious fervor became her only 
+  comfort.&nbsp; In this, she perhaps inadvertently over-stressed its importance 
+  to her daughter.&nbsp; She placed Mary in an untenable and dangerous position, 
+  essentially telling her that it was God's will to disobey her father, even as 
+  she assumed God was on her side in the annulment proceedings.&nbsp; But Henry 
+  was equally convinced of the religious righteousness of his cause.&nbsp; Poor 
+  Mary, torn between two bullying parents, inevitably turned to her 
+  mother.&nbsp; After all, Katharine's situation was far more sympathetic and 
+  she was badly treated (after she refused many generous offers to accept 
+  Henry's wishes.)&nbsp; But the effect on Mary's personality was 
+  devastating.&nbsp;&nbsp; She remained emotionally insecure for the rest of her 
+  life.<br></FONT><hr>
+  <P>
+    <p>Daughter, I heard such tidings today that I do perceive if it be 
+    true, the time is come that Almighty God will prove you; and I am very glad 
+    of it, for I trust He doth handle you with a good love.&nbsp; I beseech you 
+    agree of His pleasure with a merry heart; and be sure that, without fail, He 
+    will not suffer you to perish if you beware to offend Him.&nbsp; I pray you, 
+    good daughter, to offer yourself to Him.&nbsp; If any pangs come to you, 
+    shrive yourself; first make you clean; take heed of His commandments, and 
+    keep them as near as He will give you grace to do, for then you are sure 
+    armed.&nbsp; And if this lady [Anne Shelton] do come to you as it is spoken, 
+    if she do bring you a letter from the King, I am sure in the self same 
+    letter you shall be commanded what you shall do.&nbsp; Answer with few 
+    words, obeying the King, your father, in everything, save only that you will 
+    not offend God and lose your own soul; and go no further with learning and 
+    disputation in the matter.&nbsp; And wheresoever, and in whatsoever company 
+    you shall come, observe the King's commandments.&nbsp; Speak you few words 
+    and meddle nothing.&nbsp; I will send you two books in Latin; the one shall 
+    be De Vita Christi with a declaration of the Gospels, and the other the 
+    Epistles of St Jerome that he did write to Paul and Eustochium, and in them 
+    I trust you shall see good things.&nbsp; And sometimes for your recreation 
+    use your virginals or lute if you have any. <BR>But one thing I especially 
+    desire you, for the love that you do owe unto God and unto me, to keep your 
+    heart with a chaste mind, and your body from all ill and wanton company, not 
+    thinking or desiring any husband for Christ's passion; neither determine 
+    yourself to any manner of living till this troublesome time be past.&nbsp; 
+    For I dare make sure that you shall see a very good end, and better than you 
+    can desire.&nbsp; I would God, good daughter, that you did know with how 
+    good a heart I do write this letter unto you.&nbsp; I never did one with a 
+    better, for I perceive very well that God loveth you.&nbsp; I beseech Him of 
+    His goodness to continue it; and if it fortune that you shall have nobody 
+    with you of your acquaintance, I think it best you keep your keys yourself, 
+    for howsoever it is, so shall be done as shall please them. <BR>And now you 
+    shall begin, and by likelihood I shall follow.&nbsp; I set not a rush by it; 
+    for when they have done the uttermost they can, than I am sure of the 
+    amendment.&nbsp; I pray you, recommend me unto my good lady of Salisbury, 
+    and pray her to have a good heart, for we never come to the kingdom of 
+    Heaven but by troubles. <BR>Daughter, whatsoever you come, take no pain to 
+    send unto me, for if I may, I will send to you. <BR>Your loving mother, 
+    <BR>Katharine the Queen.</p>
+<BLOCKQUOTE>
+
+  <BLOCKQUOTE>
+    <p>&nbsp;</p>
+  </BLOCKQUOTE>
+</BLOCKQUOTE>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1><A 
+href="monarchs/aragon.html">to Katharine of 
+Aragon website</A><a href="monarchs/mary1.html"><br>
+    to Queen Mary I website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082700" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter4.html
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+<html>
+
+<head>
+<meta name="content" content="Letter of Katharine of Aragon to the Imperial ambassador, Eustace Chapuys, 1535 ">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
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+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Katharine of Aragon to the Imperial 
+ambassador, Eustace Chapuys, 1535 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Katharine of Aragon to the Imperial 
+ambassador, Eustace Chapuys <br>1535</FONT></b></p>
+  <p><FONT size=-1><b>Background </b> <br>In this letter, Katharine writes to Eustace Chapuys, 
+  the Imperial ambassador and her fervent ally against the annulment.&nbsp; Upon 
+  Katharine's request, Chapuys had asked Henry VIII if Katharine and Princess 
+  Mary could meet.&nbsp; The princess was ill and had not seen her mother for 
+  four years.&nbsp; Henry did not give his permission but he didn't explicitly 
+  refuse either - and that gave Chapuys hope.&nbsp; But Henry also warned the 
+  ambassador that he feared both a popular uprising on Katharine's behalf and 
+  the possibility of Princess Mary's escape to the Continent.&nbsp; Chapuys 
+  reassured the king that both mother and daughter were loyal subjects - but he 
+  didn't mention his own attempts to persuade Katharine to lend support to an 
+  uprising.&nbsp; Both Henry and Chapuys were aware of the vast popular support 
+  of both Katharine and Mary.&nbsp; In the end, Katharine refused to countenance 
+  a rebellion.&nbsp; Certainly she disliked the idea of others dying on her 
+  behalf, but she also would not disobey her husband.&nbsp; This was at the core 
+  of her character - a staunch and unwavering belief that she and Henry were 
+  still husband and wife, and it was her duty to obey him in all things 
+  excepting those which offended God.</FONT> </p>
+  <p><FONT size=-1>Katharine's 
+  protests to Henry that she would never support a rebellion meant little to the 
+  king.&nbsp; He refused to allow mother and daughter to meet, much to their 
+  mutual sorrow.</FONT> <FONT size=-1><br></FONT> </p>
+    <hr>
+    <p>Mine especial friend, <BR>You have greatly bound me with the 
+    pains that you have taken in speaking with the king my lord concerning the 
+    coming of my daughter unto me.&nbsp; The reward you shall trust to have of 
+    God; for (as you know) in me there is no power to gratify what you have 
+    done, but only with my goodwill.&nbsp; As touching the answer which has been 
+    made you, that his highness is contented to send her to some place nigh me, 
+    so as I do not see her, I pray you vouchsafe to give unto his highness mine 
+    effectual thanks for the goodness which he shows to his daughter and mine, 
+    and for the comfort that I have thereby received; as as to my seeing of her, 
+    you shall certify that, if she were within one mile of me, I would not see 
+    her.&nbsp; For the time permitteth not that I should go about sights, and be 
+    it that I would I could not, because I lack provision therefore. <BR>Howbeit, 
+    you shall always say unto his highness that the thing which I desired was to 
+    send her where I am; being assured that a little comfort and mirth, which 
+    she should take with me, should undoubtedly be half a health to her.&nbsp; I 
+    have proved the like by experience, being diseased of the same infirmity, 
+    and know how much good it may do that I say.&nbsp; And, since I desired a 
+    thing so just and reasonable, and that so much touched the honor and 
+    conscience of the king my lord, I thought not it should have been denied me. 
+    <BR>Let not, for my love, to do what you may that this may yet be 
+    done.&nbsp; Here have I, among others, heard that he had some suspicion of 
+    the surety of her.&nbsp; I cannot believe that a thing so far from reason 
+    should pass from the royal heart of his highness; neither can I think that 
+    he hath so little confidence in me.&nbsp; If any such matter chance to be 
+    communed of, I pray you say unto his highness that I am determined to die 
+    (without doubt) in this realm; and that I, from henceforth, offer mine own 
+    person for surety, to the intent that, if any such thing should be 
+    attempted, that then he do justice of me, as of the most evil woman that 
+    ever was born. <BR>The residue I remit to your good wisdom and judgment as 
+    unto a trusty friend, to whom I pray God give health. <BR>Katharine the 
+    Queen.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1><A 
+href="monarchs/aragon.html">to Katharine of 
+Aragon website</A></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082701" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter5.html
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@@ -0,0 +1,83 @@
+<html>
+
+<head>
+<meta name="content" content="Letter of Katharine of Aragon to the Imperial ambassador, Eustace Chapuys, 1535 ">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Katharine of Aragon to her husband, King 
+Henry VIII, 7 January 1536 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Katharine of Aragon to her husband, King 
+Henry VIII<br>7 January 1536</FONT> </b> </p>
+  <p><FONT size=-1><b>Background </b> <br>This is the last letter Katharine wrote to 
+  Henry.&nbsp; Its magnanimity is proof that the queen's much-vaunted piety was 
+  sincere.&nbsp; However, she was not averse to a few rebukes.&nbsp; Henry had 
+  treated her horribly and she had not seen their daughter for years.&nbsp; But 
+  Katharine's capacity for forgiveness was great, as was her self-delusion; in 
+  this letter, she again attributes his love for Anne Boleyn to mere physical 
+  desire.</FONT> </p>
+  <p><FONT size=-1>Henry openly celebrated her death and she was 
+  buried as Dowager Princess of Wales in Peterborough Cathedral.</FONT>&nbsp; 
+  <FONT size=-1>In light of this, the last line of her letter becomes especially 
+  tragic.&nbsp; While she may have desired a visit with him above all else, 
+  Henry was only too happy to learn of her death.&nbsp; It is probable, too, 
+  that his harsh treatment of Katharine hastened her decline.</FONT> </p>
+    <hr>
+    <p>My&nbsp; most dear lord, king and husband, <BR>The hour of my 
+    death now drawing on, the tender love I owe you forceth me, my case being 
+    such, to commend myself to you, and to put you in remembrance with a few 
+    words of the health and safeguard of your soul which you ought to prefer 
+    before all worldly matters, and before the care and pampering of your body, 
+    for the which you have cast me into many calamities and yourself into many 
+    troubles.&nbsp; For my part, I pardon you everything, and I wish to devoutly 
+    pray God that He will pardon you also.&nbsp; For the rest, I commend unto 
+    you our daughter Mary, beseeching you to be a good father unto her, as I 
+    have heretofore desired.&nbsp; I entreat you also, on behalf of my maids, to 
+    give them marriage portions, which is not much, they being but three.&nbsp; 
+    For all my other servants I solicit the wages due them, and a year more, 
+    lest they be unprovided for.&nbsp; Lastly, I make this vow, that mine eyes 
+    desire you above all things. <BR>Katharine the Quene.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1><A 
+href="monarchs/aragon.html">to Katharine of 
+Aragon website</A></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082701" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter6.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter6.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter6.html	(revision 18423)
@@ -0,0 +1,98 @@
+<html>
+
+<head>
+<meta name="content" content="Primary Sources - Letter from Anne Boleyn to King Henry VIII, late summer 1526">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter from Anne Boleyn to King Henry VIII, late summer 
+1526 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter from Anne Boleyn to King Henry VIII<br> late 
+summer 1526</FONT> </b> </p>
+  <p><FONT size=-1><b>Background </b> <br></FONT>
+  <IMG height=194 alt="Queen Anne Boleyn" 
+  src="anne2.jpg" width=139 align=left><FONT size=-1>Seventeen of 
+  Henry VIII's famous love letters to Anne Boleyn exist; they can be viewed at 
+  the Vatican Library.&nbsp; However, only one of Anne's love letters to the 
+  king has survived.&nbsp; It is undated, but its contents place it in late 
+  summer/early autumn of 1526.&nbsp; How?&nbsp; She thanks the king for 
+  personally appointing her a maid of honor to his queen, Katharine of Aragon, 
+  but also - and more importantly - she acknowledges the king's serious 
+  declaration of love for her.&nbsp; As students of Anne's life know, this 
+  subtle but vital shift in their relationship occurred in summer 1526.&nbsp; We 
+  also know that she returned to court as a maid of honor to Katharine of Aragon 
+  at the same time.&nbsp; Interestingly, this letter reveals that Anne owed her 
+  position at court entirely to the king's favor.</FONT> </p>
+  <p><FONT size=-1>This 
+  is believed to be the first love letter Anne wrote to Henry, and is rarely 
+  included in any biography of the queen.&nbsp; However, its authenticity is not 
+  in serious doubt.</FONT> </p>
+  <p><FONT size=-1>One should remember that Henry's 
+  brief relationship with Anne's sister, Mary Boleyn, had only ended a year 
+  before (in July 1525.)&nbsp; On 4 March 1526, Mary gave birth to a son called 
+  Henry, widely assumed to be the king's son.&nbsp; Anne's feelings about this 
+  awkward situation were never made clear, but she was not close to her 
+  sister.</FONT> </p>
+  <p><FONT size=-1>Please note that Anne spelt her surname 
+  'Bulen' in this letter.&nbsp; This is the third variation of the name I've found.</FONT> </p>
+    <hr>
+    <p>Sire, <BR>It belongs only to the august mind of a great king, to 
+    whom Nature has given a heart full of generosity towards the sex, to repay 
+    by favors so extraordinary an artless and short conversation with a 
+    girl.&nbsp; Inexhaustible as is the treasury of your majesty's bounties, I 
+    pray you to consider that it cannot be sufficient to your generosity; for, 
+    if you recompense so slight a conversation by gifts so great, what will you 
+    be able to do for those who are ready to consecrate their entire obedience 
+    to your desires?&nbsp; How great soever may be the bounties I have received, 
+    the joy that I feel in being loved by a king whom I adore, and to whom I 
+    would with pleasure make a sacrifice of my heart, if fortune had rendered it 
+    worthy of being offered to him, will ever be infinitely greater. <BR>The 
+    warrant of maid of honor to the queen induces me to think that your majesty 
+    has some regard for me, since it gives me means of seeing you oftener, and 
+    of assuring you by my own lips (which I shall do on the first opportunity) 
+    that I am, <BR>Your majesty's very obliged and very obedient servant, 
+    without any reserve, <BR>Anne Bulen.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/boleyn.html">to Anne 
+    Boleyn website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082702" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter7.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter7.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter7.html	(revision 18423)
@@ -0,0 +1,104 @@
+<html>
+
+<head>
+<meta name="content" content="Letter from Anne Boleyn to Cardinal Thomas Wolsey, mid-summer 1528">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter from Anne Boleyn to Cardinal Thomas Wolsey, 
+mid-summer 1528 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter from Anne Boleyn to Cardinal Thomas Wolsey<br> 
+mid-summer 1528</FONT></b></p>
+  <p><FONT size=-1><b>Background<br></b>This letter was written in the summer of 1528, as 
+  indicated by its reference to the sweating sickness.&nbsp; When a servant of 
+  Anne's became infected at court, Henry VIII reluctantly sent her away to Hever 
+  Castle.&nbsp; Most of his famous love letters to Anne were written during this 
+  period of forced separation.</FONT></p>
+  <p><FONT size=-1>Anne did become ill, but 
+  survived.&nbsp; She wrote this letter to Wolsey in thanks for the gift and 
+  letter he sent her while she was ill.&nbsp; The great Cardinal and Anne have 
+  often been placed at perpetual odds in history books, but in 1528 their 
+  relationship was still amicable enough.&nbsp; Anne and Henry both believed the 
+  Cardinal would be able to secure Henry's annulment from Katharine of Aragon; 
+  when he eventually failed, both were disillusioned - and Henry's 
+  disillusionment led him to arrest his old friend.&nbsp; Only Wolsey's natural 
+  death saved him from certain execution.</FONT> </p>
+  <p><FONT size=-1>Wolsey was 
+  pro-French and wanted to marry Henry VIII to a French princess when his first 
+  marriage was annulled.&nbsp; He was discomfited by the rise of Anne Boleyn, 
+  and her many relatives.&nbsp; Naturally enough, opposition to the Cardinal's 
+  policies centered around the only other person who so completely dominated 
+  Henry VIII's life - Anne herself.&nbsp; In the beginning, both Anne and Wolsey 
+  realized they could not afford to offend each other.&nbsp; But just a year 
+  after this letter was written, after the disastrous legatine hearing at 
+  Blackfriars, Anne realized Wolsey could not secure the annulment.&nbsp; And 
+  she suspected, quite correctly, that he had never intended for her to marry 
+  Henry.&nbsp;</FONT></p>
+  <p><FONT size=-1>Wolsey had hoped the delays in securing the annulment would 
+  outlast Henry's passion for Anne; he only later realized the annulment itself 
+  would be impossible.</FONT> </p>
+    <hr>
+    <p>My lord, <BR>In my most humble wise that my poor heart can 
+    think, I do thank your grace for your kind letter, and for your rich and 
+    goodly present, the which I shall never be able to deserve without your 
+    help, of which I have hitherto had so great plenty, that all the days of my 
+    life I am most bound of all creatures, next the king's grace, to love and 
+    serve your grace, of the which I beseech you never to doubt that ever I 
+    shall vary from this thought, as long as any breath is in my body.&nbsp; And 
+    as touching your grace's trouble with the sweat, I thank our Lord that them 
+    I desired and prayed for are escaped; and that is the king's grace and you, 
+    not doubting that God has preserved you both for great causes known alonely 
+    of His high wisdom.&nbsp; And as for the coming of the legate, I desire that 
+    much.&nbsp; And if it be God's pleasure, I pray him to send this matter 
+    shortly to a good end; and then I trust, my lord, to recompense part of your 
+    great pains.&nbsp; In the which I must require you, in the mean time, to 
+    accept my goodwill in the stead of the power; the which must proceed partly 
+    from you, as our Lord knoweth, whom I beseech to send you long life, with 
+    continuance in honor. Written by the hand of her that is most bound to be 
+    your humble and obedient servant, <BR>Anne Boleyn.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/boleyn.html">to Anne 
+    Boleyn website</a>
+    <a href="citizens/wolsey.html"><br>to Cardinal 
+    Thomas Wolsey website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082702" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter8.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter8.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter8.html	(revision 18423)
@@ -0,0 +1,98 @@
+<html>
+
+<head>
+<meta name="content" content="Letter from Anne Boleyn to Cardinal Thomas Wolsey, 1529">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter from Anne Boleyn to Cardinal Thomas Wolsey, 1529 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter from Anne Boleyn to Cardinal Thomas Wolsey<br> 
+    </FONT></b><font size="+1"><b>1529</b></font></p>
+  <p><FONT size=-1><b>Background<br></b>The tone of this letter differs remarkably from the 
+  preceding letter.&nbsp; The disastrous and humiliating legatine hearings at 
+  Blackfriars in May 1529 had finally convinced Henry VIII and Anne Boleyn that 
+  Wolsey could not secure the annulment.&nbsp; Anne now believed, and with good 
+  reason, that the Cardinal had never intended for her to be queen of England 
+  and had hoped the endless delays of the annulment would cool Henry's passion 
+  for her.&nbsp; She was angry, and now more receptive to the anti-Wolsey 
+  machinations of her uncle, the duke of Norfolk, and other other noblemen who 
+  resented Wolsey's influence with the king.&nbsp; Anne now became their willing 
+  partner in destruction; they had their way and in October of 1529, 
+  the Cardinal fell spectacularly from grace.</FONT> </p>
+  <p><FONT size=-1>Upon 
+  Wolsey's fall, his position was filled by his far less ostentatious and more 
+  cunning protégé, Thomas Cromwell.&nbsp; He learned the lessons of Wolsey's 
+  life well, and his initial support of Anne Boleyn was tempered by a realistic 
+  understanding of Henry VIII's temperament.</FONT> </p>
+    <hr>
+    <p>My lord, <BR>Though you are a man of great understanding, you 
+    cannot avoid being censured by every body for having drawn on yourself the 
+    hatred of a king who had raised you to the highest degree to which the 
+    greatest ambition of a man seeking his fortune can aspire.&nbsp; I cannot 
+    comprehend, and the king still less, how your reverent lordship, after 
+    having allured us by so many fine promises about divorce, can have repented 
+    of your purpose, and how you could have done what you have, in order to 
+    hinder the consummation of it.&nbsp; What, then, is your mode of 
+    proceeding?&nbsp; You quarreled with the queen to favor me at the time when 
+    I was less advanced in the king's good graces; and after having therein 
+    given me the strongest marks of your affection, your lordship abandons my 
+    interests to embrace those of the queen.&nbsp; I acknowledge that I have put 
+    much confidence in your professions and promises, in which I find myself 
+    deceived.&nbsp; But, for the future, I shall rely on nothing by the 
+    protection of Heaven and the love of my dear king, which alone will be able 
+    to set right again those plans which you have broken and spoiled, and to 
+    place me in that happy station which God wills, the king so much wishes, and 
+    which will be entirely to the advantage of the kingdom.&nbsp; The wrong you 
+    have done me has caused me much sorrow; but I feel infinitely more in seeing 
+    myself betrayed by a man who pretended to enter into my interests only to 
+    discover the secrets of my heart.&nbsp; I acknowledge that, believing you 
+    sincere, I have been too precipitate in my confidence; it is this which has 
+    induced, and still induces me, to keep more moderation in avenging myself, 
+    not being able to forget that I have been Your servant, <BR>Anne 
+  Boleyn.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/boleyn.html">to Anne 
+    Boleyn website</a>
+    <a href="citizens/wolsey.html"><br>to Cardinal 
+    Thomas Wolsey website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082685" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter9.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter9.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letter9.html	(revision 18423)
@@ -0,0 +1,69 @@
+<html>
+
+<head>
+<meta name="content" content="Letter of Anne Boleyn to Thomas Cromwell, 1535 ">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources - Letter of Anne Boleyn to Thomas Cromwell, 1535 </title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#0000FF" background="http://englishhistory.net/goldback.jpg">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="15%" height="29"></td>
+    <td valign="top" width="70%" height="29">&nbsp;</td>
+    <td width="15%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="3"></td>
+    <td width="70%" height="3"></td>
+    <td width="15%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="70%" height="610" bgcolor="#FFFFFF">
+    <p align="center"><b><FONT size=+1>Letter of Anne Boleyn to Thomas Cromwell<br> 
+1535</FONT></b></p>
+  <p><FONT size=-1><b>Background<br></b>I have included this letter, which refers to the 
+  wardship of a member of the Pointz family, simply because it is the typical 
+  sort of letter Anne would have written as queen of England.&nbsp; Anne had 
+  been granted the lucrative wardship of the Pointz heir by Henry VIII, but one 
+  of Cromwell's associates interfered with it.&nbsp; In this letter, Anne asks 
+  for Cromwell's help in resolving the matter.</FONT> </p>
+    <hr>
+    <p>Master Secretary, I pray you despatch with speed this matter, 
+    for mine honor lies much on it, and what should the king's attorney do with 
+    Pointz's obligation, since I have the child by the king's grace's gift, but 
+    only to trouble him hereafter, which by no means I will suffer, and thus 
+    fare you as well as I would ye did. <BR>Your loving mistress, <BR>Anne the 
+    Queen.</p>
+    <p>&nbsp;</p>
+
+  <BLOCKQUOTE> 
+    <P>
+    <HR width="100%">
+  </BLOCKQUOTE>
+    <p align="center"><FONT size=-1><A 
+href="letters.html">to Letters of the Six Wives 
+of Henry VIII</A></FONT></p>
+    <p align="center"><FONT size=-1><A href="primary.html">to 
+Primary Sources</A></FONT><BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR><FONT size=-1>
+    <a href="monarchs/boleyn.html">to Anne 
+    Boleyn website</a>
+    <a href="citizens/cromwell.html"><br>to 
+    Thomas Cromwell website</a></FONT></p>
+    </td>
+    <td width="15%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082703" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letters.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letters.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/letters.html	(revision 18423)
@@ -0,0 +1,87 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>Primary Sources: Letters written by the Six Wives of Henry VIII</TITLE>
+<META content="Marilee Mongello" name=author>
+<META 
+content="letters of the six wives of Henry VIII Katharine Catherine of Aragon Anne Boleyn Jane Seymour Anne of Cleves Catherine Howard Katharine Parr" 
+name=content>
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+<BODY vLink=#000000 aLink=#0000FF link=#000000>&nbsp; 
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+<TABLE height=698 cellSpacing=8 cellPadding=0 width=776 border=0>
+  <TBODY>
+  <TR>
+    <TD width=12 height=150></TD>
+    <TD vAlign=center noWrap width=340 height=150>
+      <CENTER><IMG height=90 
+      alt="Letters written by the six wives of Henry VIII" 
+      src="letters2.gif" width=414></CENTER><BR><B><FONT 
+      color=#000000><FONT size=-1></FONT></FONT></B>&nbsp;</TD>
+    <TD vAlign=center width=141 height=150><IMG height=172 
+      alt="portrait of Catherine Howard by Holbein" 
+      src="letters.jpg" width=170></TD>
+    <TD width=18 height=150></TD>
+    <TD width=226 height=150></TD></TR>
+  <TR>
+    <TD width=12 height=532></TD>
+    <TD vAlign=top width=481 colSpan=2 height=532><B><FONT size=+1>Katharine 
+      of Aragon</FONT></B> <BR><A 
+      href="letter1.html">to her father, King 
+      Ferdinand II of Aragon, 2 December 1505</A> <BR><A 
+      href="letter2.html">to her husband, King 
+      Henry VIII, 16 September 1513</A> <BR><A 
+      href="letter3.html">to her daughter, 
+      Princess Mary, April 1534</A> <BR><A 
+      href="letter4.html">to the Imperial 
+      ambassador, Eustace Chapuys, 1535</A> <BR><A 
+      href="letter5.html">to her husband, King 
+      Henry VIII, 7 January 1536</A> <BR>&nbsp; 
+      <P><B><FONT size=+1>Anne Boleyn</FONT></B> <BR><A 
+      href="letter6.html">to King Henry VIII, 
+      late summer 1526</A> <BR><A 
+      href="letter7.html">to Cardinal Thomas 
+      Wolsey, mid-summer 1528</A> <BR><A 
+      href="letter8.html">to Cardinal Thomas 
+      Wolsey, 1529</A> <BR><A 
+      href="letter9.html">to Thomas Cromwell, 
+      1535</A> <BR><A href="letter10.html">to 
+      her husband, King Henry VIII, May 1536</A> <BR>&nbsp; 
+      <P><B><FONT size=+1>Jane Seymour</FONT></B> <BR><A 
+      href="letter11.html">to the Privy Council, 
+      12 October 1537</A> <BR>&nbsp; 
+      <P><B><FONT size=+1>Anne of Cleves</FONT></B> <BR><A 
+      href="letter12.html">to her husband, King 
+      Henry VIII, 11 July 1540</A> <BR>&nbsp; 
+      <P><B><FONT size=+1>Catherine Howard</FONT></B> <BR><A 
+      href="letter13.html">to Thomas Culpeper, 
+      spring 1541</A> <BR>&nbsp; 
+      <P><B><FONT size=+1>Katharine Parr</FONT></B> <BR><A 
+      href="letter14.html">to her husband, King 
+      Henry VIII, July 1544</A> <BR><A 
+      href="letter15.html">to the Privy Council, 
+      25 July 1544</A> <BR><A 
+      href="letter16.html">to her stepdaughter, 
+      Princess Mary, 20 September 1544</A> <BR>&nbsp; <BR>&nbsp; 
+      <P><FONT size=-2>sources:</FONT> <BR><FONT size=-2>Letters of the Queens 
+      of England, 1100-1547, ed by Anne Crawford</FONT> <BR><FONT size=-2>Lives 
+      of the Queens of England, by Agnes Strickland</FONT> <BR><FONT 
+      size=-2>Catherine of Aragon, by Garrett Mattingly</FONT> <BR><FONT 
+      size=-2>Anne Boleyn, by Norah Lofts</FONT> <BR><FONT size=-2>A Tudor 
+      Tragedy, by LB Smith</FONT></P></TD>
+    <TD width=18 height=532></TD>
+    <TD vAlign=top width=226 height=532><BR>&nbsp; <BR>&nbsp; 
+      <P><FONT color=#000000><FONT size=-1>Read the biographies of the Tudor 
+      queens -</FONT> <FONT size=-1>visit the <A 
+      href="monarchs/wives.html">The Six Wives 
+      of Henry VIII</A> main page.</FONT></FONT> <BR>&nbsp; <BR>&nbsp; 
+      <BR>&nbsp;<P><BR><BR>
+      <CENTER>
+      <P><FONT color=#000000><FONT size=-1><A 
+      href="http://englishhistory.net/tudor.html">to Tudor 
+      England</A></FONT></FONT></CENTER></P></TD></TR></TBODY></TABLE></CENTER><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082572" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082572" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/links.html
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+<html>
+
+<head>
+<meta name="content" content="Tudor England links">
+<meta name="page_topic" content="Tudor England links">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor England: Links</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%">
+      <p align="center">
+      <b>
+      <font face="Times New Roman">
+      <img border="0" src="links.gif" alt="Tudor England: Links" width="319" height="156"></font></b></p>
+      <blockquote>
+        <hr>
+        </blockquote>
+<P align="center"><b><FONT face="Times New Roman"><A 
+href="links.html#General">General History</A> - 
+<A href="links.html#Individuals">Individuals</A> 
+- <A href="links.html#Shopping">Shopping</A> - 
+<A 
+href="links.html#Miscellaneous">Miscellaneous</A> 
+-<A href="links.html#My"><br>My Favorite 
+Links</A> </FONT></b></P>
+<P align="center"><b><FONT face="Times New Roman">
+<a href="email.html">Submit a 
+Link</a> <BR>&nbsp; </FONT></b></P>
+      <blockquote>
+<P align="left"><FONT face="Times New Roman">Individual pages 
+throughout the site also list relevant links.&nbsp; For example, the Anne Boleyn 
+webpage has Anne Boleyn links.&nbsp; I actually prefer those listings to 
+maintaining a 'master list' here.&nbsp; As a result, this page has more general 
+links.</FONT></P>
+        <hr>
+        </blockquote>
+        <p align="center">
+        <b><font face="Times New Roman">
+        <img border="1" src="maryqosdarnleylinks.jpg" alt="double portrait of Mary, queen of Scots and her second husband, Lord Darnley" width="300" height="229"><br></b>
+        <font size="1">double 
+        portrait of Mary, queen of Scots and her second husband, Lord Darnley</font><b><br>
+        &nbsp;</b></font></p>
+      <blockquote>
+        <p align="center"><b><font face="Times New Roman">&nbsp;</font></b></p>
+        <p align="center"><font face="Times New Roman" size="2">
+        <a href="contents.html">to Tudor 
+        England: Contents</a></font></p>
+        </blockquote>
+        </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+<CENTER>
+<P><b><FONT face="Times New Roman" size="4"><A name=General></A><I>General 
+History</I></FONT></b></P></CENTER>
+<P><FONT face="Times New Roman"><A 
+href="http://www.suite101.com/welcome.cfm/tudor">Suite101.com: Tudor 
+England</A>&nbsp; Wendy Dunn has created a wonderful site, 
+which includes original fiction and articles, regular updates, and lots of 
+links.&nbsp; She even sponsors a <A 
+href="http://www.suite101.com/contest.cfm/6820/419">Tudor Ghost Story 
+contest</A>.&nbsp; Wendy also published her first novel, a tale of Anne Boleyn 
+and Thomas Wyatt, this year; <A href="http://www.wendyjdunn.com/">visit her 
+author's site for more information</A>.&nbsp; You can read an excerpt, order the 
+book, and read various articles about Anne.</FONT></P>
+<P><FONT face="Times New Roman"><A 
+href="http://tudorhistory.org/">Tudorhistory.org</A>&nbsp; 
+Lara Eakins's started her Tudor site in 1995.&nbsp; I don't think I even had an 
+internet connection back then.&nbsp; It has lovely 
+graphics, original photographs, and lots of information on various Tudor topics, 
+including architecture and music.&nbsp; It also sponsors a Tudor England mailing 
+list and pen-pal page.&nbsp; If you would like to chat with other Tudor 
+enthusiasts, this is where you should go. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.tudor-portraits.com/">The Tudor and 
+Elizabethan Portrait Site</A>&nbsp; This is a great resource for those who love 
+Tudor and Elizabethan portraits.&nbsp; There are some beautiful scans available here.&nbsp; Edward has also collected 
+portraits of 16th century European nobility. </FONT></P>
+<P><FONT face="Times New Roman"><A 
+href="http://www.geocities.com/CollegePark/2809/">Claire Webb's Tudor England 
+Website</A>&nbsp; This site offers a collection of interesting 
+essays on various Tudor topics, as well as an 'information point' and an 
+extensive list of Tudor-related books. </FONT></P>
+<P><FONT face="Times New Roman"><A 
+href="http://www.geocities.com/henry8jane/Tudor.html">Tudor Dynasty 
+Website</A>&nbsp; Petra's site has information about all the 
+Tudor monarchs, plus she has <A href="http://www.geocities.com/hansiiHolbein/">a 
+separate website about Hans Holbein the Younger</A>.&nbsp; They are part of her 
+<A href="http://www.geocities.com/henry8jane/">larger study of European 
+monarchs</A>.&nbsp; This is a great place to visit if you want to plot the 
+genealogical course of European royalty through the centuries, and there are 
+many nice portraits. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.royalty.nu/">World of 
+Royalty</A>&nbsp; This is a great site that features the 
+Tudors, as well as other royal families.&nbsp; It has contemporary royal news 
+and an extensive Tudor bibliography. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.royal.gov.uk./output/Page1.asp">The 
+Official Website of the British Monarchy</A>&nbsp; The name 
+says it all.&nbsp; The site has been recently redesigned; it features nice 
+graphics and brief biographies of all British monarchs.&nbsp; There is a current 
+news page, information about royal residences and artwork, and a special section 
+on the Queen's Golden Jubilee. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.maryrose.org/">The Mary 
+Rose</A>&nbsp; A lovely site dedicated to Henry VIII's 
+infamous warship, with lots of additional information. </FONT></P>
+<P><FONT face="Times New Roman"><A 
+href="http://renaissance.dm.net/compendium/index.html">Life in Elizabethan 
+England</A>&nbsp; A wonderful and very detailed site which has 
+so much information that I couldn't possibly list it all - go visit!&nbsp; 
+Weddings, food, religion, a collection of proverbs....&nbsp; and it's 
+beautifully designed as well.&nbsp; This site also features <A 
+href="http://renaissance.dm.net/compendium/map-england.html">a map of 
+Renaissance England</A> to help you get your geographical bearings. 
+</FONT></P>
+<P><FONT face="Times New Roman"><A href="http://folger.edu/">The Folger Shakespeare 
+Library&nbsp;</A> The Folger has recently redesigned their 
+website.&nbsp; It has information on their collections and current and past 
+exhibitions. <BR>&nbsp; <BR>&nbsp; </FONT></P>
+<CENTER>
+<P><b><FONT face="Times New Roman" size="4"><A name=Individuals></A><I>Individuals</I></FONT></b></P></CENTER>
+<P><FONT face="Times New Roman"><A 
+href="http://www.geocities.com/SoHo/Studios/1344/henryviii.html">Henry VIII and 
+His Six Wives&nbsp;</A>&nbsp; An introduction to Great Harry 
+and his checkered marital career. </FONT></P>
+<P><FONT face="Times New Roman"><A 
+href="http://www.geocities.com/jane_the_quene/index_english.html">Lady Jane 
+Grey: Nine Days' Queen</A>&nbsp; A very detailed introduction 
+to Jane's life, well-written and engaging. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.geocities.com/sarah_n_bernard/">Lady 
+Jane Grey: Queen of England for Nine Days</A>&nbsp; A lovely 
+site with lots of pictures and an in-depth study of Jane's short life. 
+</FONT></P>
+<P><FONT face="Times New Roman"><A 
+href="http://www.wantree.com.au/~halligan/ladyjane/index.html">Lady Jane 
+Grey</A>&nbsp; This site has many pictures to complement any 
+study of Jane's life.&nbsp; It also discusses her sisters, Catherine and 
+Mary. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://home.earthlink.net/~elisale/">Mary 
+Tudor</A>&nbsp; This is a very extensive site that has all you 
+need to know about Mary I's life, from birth to death. Lots of nice portraits as 
+well, and it even lists all the Marian films out there. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.marie-stuart.co.uk/">The Marie Stuart 
+Society of Scotland</A>&nbsp; This is the most detailed Mary, 
+queen of Scots site on the web.&nbsp; It has a&nbsp; lengthy biography of the 
+queen, samples of her poetry and letters, and much more - too much to list here, 
+in fact. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.geocities.com/les_valois/">Mary, 
+queen of Scots</A>&nbsp; This site is currently available in 
+French.&nbsp; It's beautifully designed and has lots of information; go visit 
+and try out your foreign language skills!&nbsp; Its creator also made this <A 
+href="http://www.geocities.com/sarah_n_bernard/">Lady Jane Grey site</A> listed 
+above. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.elizabethi.org/">The Life and Times 
+of Elizabeth I</A>&nbsp; This site offers a comprehensive look 
+at Elizabeth I's life, and features a Tudor Trophy Challenge. <BR>&nbsp; <BR>&nbsp;</FONT></P>
+<CENTER>
+<P><b><FONT face="Times New Roman" size="4"><A name=Shopping></A><I>Shopping</I></FONT></b></P></CENTER>
+<P><FONT face="Times New Roman"><A href="http://www.royalpaperdolls.com/">Royal Paper 
+Dolls</A>&nbsp; Laurie Sebastian's page offers paper dolls of 
+famous kings and queens throughout history, with a comprehensive collection of 
+Tudors.&nbsp; She also has biographical and historical information about the 
+monarchs, suggestions for further reading, and a links page. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.tudorrosedesigns.com/">Tudor Rose 
+Designs</A>&nbsp; This site offers a large collection of 
+Tudor-related cross stitch patterns, including the Tudor rose crop used on my 
+main page.&nbsp; Quite a few visitors have commented upon it - well, now you can 
+cross stitch it! There is also a large collection of Victorian images.&nbsp; You 
+can pay through PayPal and also buy gift certificates. </FONT></P>
+<P><FONT face="Times New Roman"><A href="https://www.shakespeare-etc.org/">Shakespeare, 
+Etc - The Folger Shakespeare Library Gift Shop</A>&nbsp; The 
+Folger's online gift store has a nice selection of Elizabethan items, including 
+a poster of the queen and a Tudor rose pin. </FONT></P>
+<P><FONT face="Times New Roman"><A 
+href="http://www.morganlibrary.org/shop/index.html">The Pierpont Morgan Library 
+Gift Shop</A>&nbsp; The New York museum has an eclectic gift 
+shop which features Bluff King Hal and his six wives on a box of chocolates as 
+well as a collection of porcelain boxes. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://tudorhousefurniture.co.uk/">The Tudor 
+House: Fine English Furniture</A>&nbsp; This store sells a wide 
+variety of English oak reproduction furniture.&nbsp; They also have a wonderful 
+selection of Tudor links at the site.<BR>&nbsp; <BR>&nbsp; </FONT></P>
+<CENTER>
+<P><b><FONT face="Times New Roman" size="4"><A name=Miscellaneous></A><I>Miscellaneous</I></FONT></b></P></CENTER>
+<P><FONT face="Times New Roman"><A 
+href="http://www.dnaco.net/~aleed/corsets/general.html">The Elizabethan 
+Costuming Page</A>&nbsp; The perfect resource for Tudor 
+fashion; this site includes numerous lengthy articles, images, and an extensive 
+collection of links. </FONT></P>
+<P><FONT face="Times New Roman"><A href="http://www.rennfest.com/mrf/index.html">The 
+Maryland Renaissance Festival</A>&nbsp; The RenFest in my home 
+state.&nbsp; It starts this year on August 23rd.</FONT></P>
+<P><font face="Times New Roman">
+<a href="http://groups.yahoo.com/group/Reign_of_the_Tudors_rpg/">Reign of the 
+Tudors</a>&nbsp; This is a role-playing game 
+set in 16th century England.&nbsp; If you would like to 'play' Jane Grey or Anne 
+Boleyn or other Tudors, click the link to join.<BR>&nbsp; <BR>&nbsp; </font></P>
+<CENTER>
+<P><b><FONT face="Times New Roman" size="4"><A name=My></A><I>My Favorite 
+Links</I></FONT></b></P></CENTER>
+<P><FONT face="Times New Roman"><A href="http://aldaily.com/">Arts &amp; Letters 
+Daily</A>&nbsp;&nbsp; A daily collection of interesting 
+articles from around the world, mostly arts/culture stuff with the occasional 
+science article.<BR><FONT size=-1><A href="http://www.city-journal.org/"><BIG>City Journal</BIG></A></FONT>&nbsp;&nbsp; One of my 
+two favorite magazines with many great writers, including Dr. Theodore Dalrymple 
+and Heather MacDonald.&nbsp; The website features many full-length 
+articles.<BR><A 
+href="http://www.theatlantic.com/">The Atlantic Monthly</A>&nbsp;&nbsp; This 
+magazine has lost its mind lately with some terrible political commentary but it 
+occasionally has interesting articles.&nbsp; And their website includes a 
+regular 'Flashbacks' series which focuses on famous articles from their 
+archives.&nbsp; <BR><A 
+href="http://www.space.com/spacewatch/">Spacewatch</A> &nbsp; The title says it all.<BR><A 
+href="http://www.amsmeteors.org/">The American Meteor Society</A>&nbsp;&nbsp; Again, the title says it all.</FONT></P>
+<P><FONT face="Times New Roman">And <A href="http://englishhistory.net/keats.html">John 
+Keats</A> and <A href="http://englishhistory.net/byron.html">Lord Byron</A>, my 
+other two never-ending websites.</FONT></P>
+      </td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082548" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082548" ALT=1 WIDTH=1 HEIGHT=1>
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: Selections from King Henry VIII's love letters to Anne 
+Boleyn</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="ablovelett.gif" alt="Primary Sources: Selections from King Henry VIII's love letters to Anne Boleyn" width="452" height="113"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">These famous 
+      love letters from King Henry VIII to Anne Boleyn are undated.&nbsp; They 
+      were found in the Vatican Library, possibly stolen from Anne and sent to 
+      the papacy during Henry VIII's struggle for an annulment of his marriage 
+      to Katharine of Aragon.&nbsp; Though Henry argued for an annulment on the 
+      basis of his conscience (he stated that the marriage was in direct 
+      contradiction to the Bible), most people believed he simply wanted to 
+      marry Anne Boleyn.</font><p><font size="2">Anne's replies to these letters 
+      are lost.</font></p>
+      <p><font size="2">The letters were written in French.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+    <p>My mistress and friend:&nbsp; I and my heart put ourselves in your
+hands, begging you to have them suitors for your good favour, and that
+your affection for them should not grow less through absence.&nbsp; For
+it would be a great pity to increase their sorrow since absence does it
+sufficiently, and more than ever I could have thought possible reminding
+us of a point in astronomy, which is, that the longer the days are the
+farther off is the sun, and yet the more fierce.&nbsp; So it is with our
+love, for by absence we are parted, yet nevertheless it keeps its fervour,
+at least on my side, and I hope on yours also:&nbsp; assuring you that
+on my side the ennui of absence is already too much for me:&nbsp; and when
+I think of the increase of what I must needs suffer it would be well nigh
+unbearable for me were it not for the firm hope I have and as I cannot
+be with you in person, I am sending you the nearest possible thing to that,
+namely, my picture set in a bracelet, with the whole device which you already
+know.&nbsp; Wishing myself in their place when it shall please you.&nbsp;
+This by the hand of </p>
+
+    <p align="left">Your loyal servant and friend</p>
+
+    <p align="left">H. Rex</p>
+      <hr>
+  <p>No more to you at this present mine own darling for lack of time but that
+I would you were in my arms or I in yours for I think it long since I kissed
+you.&nbsp; Written after the killing of an hart at a xj. of the clock minding
+with God's grace tomorrow mightily timely to kill another: by the hand
+of him which I trust shortly shall be yours.</p>
+
+  <p>Henry R.</p>
+
+      <hr>
+
+<p>Mine own sweetheart, these shall be to advertise you of the great loneliness
+that I find here since your departing, for I ensure you methinketh the
+time longer since your departing now last than I was wont to do a whole
+fortnight:&nbsp; I think your kindness and my fervents of love causeth
+it, for otherwise I would not have thought it possible that for so little
+a while it should have grieved me, but now that I am coming toward you
+methinketh my pains been half released....&nbsp; Wishing myself (specially
+an evening) in my sweetheart's arms, whose pretty dukkys I trust shortly
+to kiss.&nbsp; Written with the hand of him that was, is, and shall be
+yours by his will.<p>H.R.<p>&nbsp;</p>
+<p align="center">
+    <a href="monarchs/boleyn.html">
+    <font size="2">to the Anne 
+    Boleyn website</font></a></p>
+    <p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082597" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082597" ALT=1 WIDTH=1 HEIGHT=1>
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/marydesc.html	(revision 18423)
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: A contemporary description of Queen Mary I, 1557</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="marydesc.gif" width="405" height="100"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">This 
+      description of Queen Mary I was written by Giovanni Michieli, the Venetian 
+      ambassador to her court.</font><p><font size="-1">He mentions Mary's 
+      infamous menstrual problems, the cause of great physical and psychological 
+      stress for the queen, as well as her near-sightedness.</font><br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+She
+is of low rather than of middling stature, but, although short, she has
+not personal defect in her limbs, nor is any part of her body deformed.&nbsp;
+She is of spare and delicate frame, quite unlike her father, who was tall
+and stout; nor does she resemble her mother, who, if not tall, was nevertheless
+bulky.&nbsp; Her face is well formed, as shown by her features and lineaments,
+and as seen by her portraits.&nbsp; When younger she was considered, not
+merely tolerably handsome, but of beauty exceeding mediocrity.&nbsp; At
+present, with the exception of some wrinkles, caused more by anxieties
+than by age, which makes her appear some years older, her aspect, for the
+rest, is very grave.&nbsp; Her eyes are so piercing that they inspire not
+only respect, but fear in those on whom she fixes them, although she is
+very shortsighted, being unable to read or do anything else unless she
+has her sight quite close to what she wishes to peruse or to see distinctly.&nbsp;
+Her voice is rough and loud, almost like a man's, so that when she peaks
+she is always heard a long way off.&nbsp; In short, she is a seemly woman,
+and never to be loathed for ugliness, even at her present age, without
+considering her degree of queen.&nbsp; But whatever may be the amount deducted
+from her physical endowments, as much more may with truth, and without
+flattery, be added to those of her mind, as, besides the facility and quickness
+of her understanding, which comprehends whatever is intelligible to others,
+even to those who are not of her own sex (a marvellous gift for a woman),
+she is skilled in five languages, not merely understanding, but speaking
+four of them fluently - English, Latin, French, Spanish, and Italian, in
+which last, however, she does not venture to converse, although it is well
+known to her; but the replies she gives in Latin, and her very intelligent
+remarks made in that tongue surprise everybody....
+<br>Besides woman's work, such as embroidery of every sort with the needle,
+she also practices music, playing especially on the clavichord and on the
+lute so excellently that, when intent on it...she surprised the best performers,
+both by the rapidity of her hand and by her style of playing.&nbsp; Such
+are her virtues and external accomplishments.&nbsp; Internally, with the
+exception of certain trifles, in which, to say the truth, she is like other
+women, being sudden and passionate, and close and miserly, rather more
+so than would become a bountiful and generous queen, she in other respects
+has no notable imperfections; whilst in certain things she is singular
+and without an equal, for not only is she brave and valiant, unlike other
+timid and spiritless women, but she courageous and resolute that neither
+in adversity nor peril did she ever even display or commit any act of cowardice
+or pusillanimity, maintaining always, on the contrary, a wonderful grandeur
+and dignity, knowing what became the dignity of a sovereign as well as
+any of the most consummate statesmen in her service; so that from her way
+of proceeding and from the method observed by her (and in which she still
+perseveres), it cannot be denied that she shows herself to have been born
+of truly royal lineage.
+<p>[She is also subject to] a very deep melancholy, much greater than that
+to which she is constitutionally liable, from menstrous retention and suffocation
+of the matrix to which, for many years, she has been often subject, so
+that the remedy of tears and weeping, to which from childhood she has been
+accustomed, and still often used by her, is not sufficient; she requires
+to be blooded either from the foot or elsewhere, which keeps her always
+pale and emaciated.<p align="center">&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082606" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082606" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/maryqos-letter.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/maryqos-letter.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/maryqos-letter.html	(revision 18423)
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+<html>
+
+<head>
+<meta name="content" content="Primary Sources: The last letter of Mary, queen of Scots, 1587">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The last letter of Mary, queen of Scots, 1587</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="maryqos-letter.gif" width="331" height="87"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8">
+<font size=-1>
+      <img border="1" src="relative/maryqos1565cr.jpg" align="left" width="175" height="236">Mary Stuart 
+      wrote this letter on 8 February 1587, completing it just six hours before her
+execution at Fotheringhay Castle.&nbsp;  </font>
+      <p>
+<font size=-1>It is addressed to her former brother-in-law,
+King Henry III of France.&nbsp; She had written to him regularly throughout
+her imprisonment in England.&nbsp; The letter is a remarkable document.&nbsp;
+Mary clearly believes she is dying as a martyr to her Catholic faith.&nbsp;
+She also displays genuine concern for the loyal servants who joined her
+English imprisonment.</font></p>
+      <p>
+<font size=-1>It should be noted that Henry III did not provide the
+wages and pensions which Mary so poignantly sought.&nbsp; It was King Philip II of
+Spain who honored her last wishes.</font></p>
+      <p><br>
+
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+
+
+8 February 1587
+
+<br>To the most Christian king, my brother and old ally,
+
+<p>Royal brother, having by God's will, for my sins I think, thrown myself
+
+into the power of the Queen my cousin, at whose hands I have suffered much
+
+for almost twenty years, I have finally been condemned to death by her
+
+and her Estates.&nbsp; I have asked for my papers, which they have taken
+
+away, in order that I might make&nbsp;my
+
+will, but I have been unable to recover anything of use to me, or even
+
+get leave either to make my will freely or to have my body conveyed after
+
+my death, as I would wish, to your kingdom where I had the honor to be
+
+queen, your sister and old ally.
+
+<p>Tonight, after dinner, I have been advised of my sentence:&nbsp; I am
+
+to be executed like a criminal at eight in the morning.&nbsp; I have not
+
+had time to give you a full account of everything that has happened, but
+
+if you will listen to my doctor and my other unfortunate servants, you
+
+will learn the truth, and how, thanks be to God, I scorn death and vow
+
+that I meet it innocent of any crime, even if I were their subject.&nbsp;
+
+The Catholic faith and the assertion of my God-given right to the English
+
+crown are the two issues on which I am condemned, and yet I am not allowed
+
+to say that it is for the Catholic religion that I die, but for fear of
+
+interference with theirs.&nbsp; The proof of this is that they have taken
+
+away my chaplain, and although he is in the building, I have not been able
+
+to get permission for him to come and hear my confession and give me the
+
+Last Sacrament, while they have been most insistent that I receive the
+
+consolation and instruction of their minister, brought here for that purpose.&nbsp;
+
+The bearer of this letter and his companions, most of them your subjects,
+
+will testify to my conduct at my last hour.&nbsp; It remains for me to
+
+beg Your Most Christian Majesty, my brother-in-law and old ally, who have
+
+always protested your love for me, to give proof now of your goodness on
+
+all these points:&nbsp; firstly by charity, in paying my unfortunate servants
+
+the wages due them - this is a burden on my conscience that only you can
+
+relieve:&nbsp; further, by having prayers offered to God for a queen who
+
+has borne the title Most Christian, and who dies a Catholic, stripped of
+
+all her possessions.&nbsp; As for my son, I commend him to you in so far
+
+as he deserves, for I cannot answer for him.&nbsp; I have taken the liberty
+
+of sending you two precious stones, talismans against illness, trusting
+
+that you will enjoy good health and a long and happy life.&nbsp; Accept
+
+them from your loving sister-in-law, who, as she dies, bears witness of
+
+her warm feeling for you. Again I commend my servants to you.&nbsp; Give
+
+instructions, if it please you, that for my soul's sake part of what you
+
+owe me should be paid, and that for the sake of Jesus Christ, to whom I
+
+shall pray for you tomorrow as I die, I be left enough to found a memorial
+
+mass and give the customary alms.
+
+<p>Wednesday, at two in the morning
+
+<p>Your most loving and most true sister
+
+<br>Mary R<p>&nbsp;<p align="center"><nt><font size="2">
+<a href="relative/maryqos.html">to the Mary, 
+queen of Scots website</a></font><p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082608" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082608" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/maryspee.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/maryspee.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/maryspee.html	(revision 18423)
@@ -0,0 +1,60 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: Queen Mary I's speech at the Guildhall, 1554</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="maryspee.gif" width="529" height="81"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>This account 
+      of Mary's famous speech rallying her subjects was recorded by John Foxe in <i>The Actes and Monuments
+of these latter and perillous dayes</i>.</font><p><font size=-1>The first year 
+      of Mary's reign witnessed a Protestant rebellion led by Sir Thomas Wyatt.&nbsp; 
+      The uprising was sparked by her impending marriage to Philip II of Spain.</font><br>
+      <br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+'I am your Queen, to whom at my coronation, when I was wedded to the
+realm and laws of the same (the spousal ring whereof I have on my finger,
+which never hitherto was, not hereafter shall be, left off), you promised
+your allegiance and obedience to me....&nbsp; And I say to you, on the
+word of a Prince, I cannot tell how naturally the mother loveth the child,
+for I was never the mother of any; but certainly, if a Prince and Governor
+may as naturally and earnestly love her subjects as the mother doth love
+the child, then assure yourselves that I, being your lady and mistress,
+do as earnestly and tenderly love and favour you.&nbsp; And I, thus loving
+you, cannot but think that ye as heartily and faithfully love me; and then
+I doubt not but we shall give these rebels a short and speedy overthrow'.<p align="center">&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082605" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082605" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/media.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/media.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/media.html	(revision 18423)
@@ -0,0 +1,264 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="content"
+ content="new Tudor-related books, exhibits, films etc">
+  <meta name="page_topic"
+ content="new Tudor-related books, exhibits, films etc">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+  <meta name="ProgId" content="FrontPage.Editor.Document">
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=windows-1252">
+  <meta http-equiv="Content-Language" content="en-us">
+  <title>Tudor England: Media News</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-weight: bold}
+  </style>
+</head>
+<body link="#0000ff" vlink="#0000ff" alink="#0000ff">
+<div align="center">
+<center>
+<table border="0" cellpadding="0" cellspacing="4" width="94%" height="613">
+  <tbody>
+    <tr>
+      <td valign="bottom" colspan="3" bgcolor="#000000" height="29">&nbsp;</td>
+    </tr>
+    <tr>
+      <td height="19"><br>
+      </td>
+      <td height="19"><br>
+      </td>
+      <td height="19"><br>
+      </td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" height="553">
+      <p align="center"> <img border="0"
+ src="media.gif" width="320"
+ height="138" alt="Tudor Media News"></p>
+      <blockquote>
+        <hr>
+        <p align="center">This page contains information on<br>
+Tudor-related Exhibits, Books, Films, etc</p>
+        <hr> </blockquote>
+      <p align="center"><font face="Times New Roman">
+      <i><img border="0"
+ src="dunnbook.gif"
+ alt="Jane Dunn biography" width="100" height="148"></i></font></p>
+      <p align="center">&nbsp;</p>
+      <p align="center"><font face="Times New Roman" size="2"> <a
+ href="contents.html">to Tudor England:
+Contents</a></font></p>
+      <p align="center"><font face="Times New Roman" size="2"> <a
+ href="mailto:email@englishhistory.net">Share your Tudor news!</a></font></p>
+      </td>
+      <td width="4%" height="553"><br>
+      </td>
+      <td valign="top" width="48%" height="553"> <b>29 September 2004</b><br>
+      <img border="0" src="ivesbook.jpg" align="left">Professor 
+      Eric Ives, who wrote the definitive biography of Anne Boleyn in 1988, has 
+      just released <i>The Life and Death of Anne Boleyn: The Most Happy </i>(<a href="http://www.amazon.com/exec/obidos/tg/detail/-/0631234799/qid=1096393461/sr=8-1/ref=sr_8_xs_ap_i1_xgl14/104-8047124-6243950?v=glance&s=books&n=507846">US</a> 
+      and
+      <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0631234799/qid=1096393233/ref=sr_8_xs_ap_i1_xgl/202-4684411-4080647">
+      UK</a>), which incorporates new research and addresses issues raised by 
+      the biographies of Anne which followed his own (including Warnicke and 
+      Starkey's work.)&nbsp; Tudor enthusiasts know that
+      <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0521406773/qid=1096481812/ref=sr_8_xs_ap_i1_xgl/202-4684411-4080647">
+      Warnicke's</a> <i>The Rise and Fall of Anne Boleyn</i> questioned many of 
+      Ives's conclusions.<p>I should stress that this is a <i>new</i> biography, 
+      not simply a new edition of the 1988 work.</p>
+      <p>I'm still working on the Reviews section; please check back soon.</p>
+      <hr>
+      <p> <font
+ style="font-weight: bold;">20 September 2004</font><br>
+The Henry VIII miniseries starring Ray Winstone is <a
+ href="http://www.amazon.com/exec/obidos/tg/detail/-/B0002KPIR8/qid=1092239900/sr=1-4/ref=sr_1_4/102-1488722-9759359?v=glance&amp;s=dvd">being
+      </a> <a
+ href="http://www.amazon.com/exec/obidos/tg/detail/-/B0002KPIR8/qid=1092239900/sr=1-4/ref=sr_1_4/102-1488722-9759359?v=glance&amp;s=dvd">
+released on Region 1 dvd</a> on 16 November for US viewers. <br>
+However, it will appear on PBS as a two-part 'Masterpiece Theatre'
+presentation before its DVD release, on 7 November and 14
+November.&nbsp; Click here to visit <a
+ href="http://www.pbs.org/previews/henryVIII/">the PBS Previews page</a>.<br>
+      </p>
+      <div style="margin-left: 40px;">
+      <p><small><img
+ src="henry8miniseries.jpg" title=""
+ alt="Henry VIII dvd" style="width: 105px; height: 150px;" align="left">Henry's
+38-year reign saw England transformed from a sleepy backwater of
+jousting tournaments and Catholic piety to a nation torn by religious
+and political strife - all because the king wanted a male heir.</small></p>
+      <small>
+      </small>
+      <p><small>"He was a very troubled man," observes Winstone, who in
+the course of the film ages from the young athletic king to the burly
+icon familiar from Hans Holbein paintings. "This is a man who allowed
+two of his wives - women he loved passionately - to be murdered. At the
+same time, he wrote beautiful love letters, understood science and, to
+a certain extent, was a great ambassador. He was an intelligent,
+gentle, romantic man who lost his way when it came to love."</small></p>
+      </div>
+      </td>
+    </tr>
+  </tbody>
+</table>
+</center>
+</div>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <blockquote>
+      <p align="left"><font face="Times New Roman"
+ style="font-weight: bold;">July 2004</font><font face="Times New Roman"><br>
+According to <a href="http://www.gallifreyone.com/newstv.php">Outpost
+Gallifrey</a>, the new <b>Doctor Who</b> series will feature <b>an
+appearance by Henry VIII</b>:</font></p>
+      <blockquote>
+        <p align="left"><font face="Times New Roman">An article in the
+June 29 Daily Star says that the new Doctor Who series "will feature
+historic figures including Shakespeare, Henry VIII and Einstein - who
+are locked up together inside a Big Brother-style house. Famous
+housemates will face eviction and death from aliens when the classic
+sci-fi show comes back to our screens next year. The new series, which
+stars Christopher Eccleston as Dr Who, is aiming to win over a whole
+new generation of young followers of the Tardis timelord. Christopher
+said: 'We can parallel things with science fiction and address what's
+going on around us to a certain extent for young people without being
+pompous.' In one of the planned episodes of the hotly-awaited series,
+some of the world's most famous figures from the past are kidnapped
+from their time zones by aliens. They are put in a Big Bruvstyle house
+for extraterrestrial television entertainment."<font size="2"> (Thanks
+to Paul Engelberg)</font></font></p>
+      </blockquote>
+      <p align="left"><font face="Times New Roman">The Ninth Doctor is
+being played by Christopher Eccleston, who played the duke of Norfolk
+in 1998's <i>Elizabeth</i>.&nbsp; Yes, these are tenuous Tudor links
+but I'm a Doctor Who fan as well.</font></p>
+        <hr style="width: 100%; height: 2px;">
+        <p align="left"><font face="Times New Roman">Thanks to the
+Barbie collector who emailed me the link to
+        <a
+ href="http://www.barbiecollector.com/showcase/product.asp?type=&amp;subtype=&amp;product_id=1003486">the
+'World of Royalty: Queen Elizabeth I' doll</a>.&nbsp; For those of you
+who missed the 1995 Elizabeth doll, mark September in your
+calendars.&nbsp; And start saving - the doll will probably retail at
+$250.</font></p>
+        <hr>
+        <p align="left"><b><font face="Times New Roman"><i>Elizabeth</i>
+sequel in the works?</font></b><font face="Times New Roman"><br>
+        <font size="2">(Source: <a
+ href="http://www.comingsoon.net/news.php?id=4977">http://www.comingsoon.net/news.php?id=4977</a>)</font></font></p>
+        <p align="left"><font face="Times New Roman">Aussie's <i>The
+Daily Telegraph</i> spoke to <b>
+Elizabeth</b> director Shekhar Kapur who says that he is working on a
+sequel to the 1998 Cate Blanchett drama.<br>
+        <br>
+Blanchett is expected to take the throne again and star in the epic -
+based on Queen Elizabeth I - which has the working title of <b>Golden
+Age</b>. "It is about the battle between her life as a monarch and her
+personal life," Kapur said. "It ends in the destruction of the Spanish
+Armada on the larger level."
+        <br>
+        <br>
+The Indian-born Kapur said the script, which Michael Hirst is working
+on, would be ready in six months. "And then it depends on Cate's
+schedule and my schedule as to when we start shooting."</font><font
+ face="Times New Roman" size="2"><br>
+        </font><font face="Times New Roman" size="1"><br>
+More links:<br>
+        <a href="http://www.imdb.com/title/tt0127536/news">http://www.imdb.com/title/tt0127536/news</a><br>
+        <a href="http://in.news.yahoo.com/040604/139/2dhbb.html">http://in.news.yahoo.com/040604/139/2dhbb.html</a></font></p>
+        <hr>
+        <p align="left" style="font-weight: bold;"><font
+ face="Times New Roman" size="4">EARLIER NEWS</font></p>
+        <p align="left"><font face="Times New Roman">
+        <img border="0" src="r3.jpg"
+ alt="Richard III" align="left" width="107" height="150"></font><big><font
+ face="Times New Roman" size="2"><big>The Criterion Collection (which
+has collected quite a bit of my money over the years) has just released
+Laurence Olivier's
+        <a href="http://criterionco.com/asp/release.asp?id=213">1955
+version of <i>
+Richard III</i></a>.&nbsp; This was the third Shakespeare play which
+Olivier both directed and starred in (after <i>Henry V </i>and <i>Hamlet</i>)
+and remains the definitive film treatment of <i>Richard III</i>.&nbsp;
+Olivier's work is incredible, - he is the physical embodiment of
+villainy, plotting with gleeful malevolence one moment and inspiring
+our pity the next.&nbsp; And if anyone is wondering why this is
+included at the <i>Tudor</i> Media News page, well - the future Henry
+VII does make an appearance and the Battle of Bosworth Field marks both
+the end of Richard's life and the beginning of the Tudor dynasty.</big></font></big></p>
+        <p align="left">&nbsp;</p>
+        <p align="left"><font face="Times New Roman">
+        <i><img border="0"
+ src="dunnbook.gif"
+ alt="Jane Dunn biography" align="left" width="100" height="148"></i><b><i>Elizabeth
+and Mary: Cousins, Rivals, Queens</i> by Jane Dunn was recently
+released.</b>&nbsp; I am still working on the new and improved Reviews
+section, but here is a quick review - a worthwhile addition to your
+Tudor library.&nbsp; I've read enough about both women to wonder if I
+would learn anything from this book, but I was pleasantly
+surprised.&nbsp; A liberal use of primary sources plus a lovely
+selection of portraits - and the book jacket and boards are beautifully
+designed.&nbsp; As competition for Alison Plowden's <i>Two Queens in
+One Isle</i>, this book is the better choice.</font></p>
+        <p align="left">&nbsp;</p>
+        <p align="left"><font face="Times New Roman">
+        <img border="0"
+ src="guyscots.gif" align="left"
+ alt="John Guy biography" width="100" height="151">At last!&nbsp;
+Finally, another major biography of Mary Stuart has been
+released.&nbsp;
+        <b><i>Queen of Scots: The True Life of Mary Stuart</i> is by
+noted Tudor historian John Guy</b>.&nbsp; Antonia Fraser's biography
+was serviceable but my own casual research revealed large gaps in her
+use of primary sources.&nbsp; I always wondered - when would another
+historian focus on Mary's tumultuous life?&nbsp; I should note that the
+UK version of this work is entitled <i>My Heart is My Own: The Life of
+Mary Queen of Scots</i> and the jacket features the Clouet sketch of an
+adolescent Mary.&nbsp; The American edition, shown above, has the 'hat'
+portrait <i>minus</i> the hat!&nbsp; As an admirer of
+        <a href="http://www.marileecody.com/maryqos1565.jpg">the hat</a>
+and its fluffy feather, I'm rather disappointed.</font></p>
+        <p align="left">&nbsp;</p>
+        <p align="left"> <font face="Times New Roman"> <img border="0"
+ src="boleynbook.jpg" align="left"
+ width="70" height="108"><b><i>Anne
+Boleyn: A New Life of England's Tragic Queen</i> by Joanna Denny
+will be published in April 
+        <a href="http://www.amazon.co.uk/exec/obidos/ASIN/074995017X/qid=1076882496/sr=2-2/ref=sr_2_11_2/026-4110626-7673264">in the UK</a>.&nbsp; </b>In comparison with the
+two existing major biographies of Anne (by Carrolly Erickson and Retha
+Warnicke), this one is the most successful 'popular' biography.&nbsp;
+And no, I don't mean 'popular' as a slur; far from it.&nbsp; I'll post
+my review at the new Reviews section when I've finished.</font></p>
+        <p align="left"> &nbsp;</p>
+        <p align="left"><font face="Times New Roman"><b>The Folger Shakespeare 
+        Library has finished its nine-year restoration of the Trevelyon 
+        Miscellany.&nbsp; </b><font size="2">It's now the focus of <a
+ href="http://www.folger.edu/public/exhibit/Trevelyon/intro.asp">an excellent 
+        exhibit</a>.</font></font></p>
+        <p align="left">&nbsp;</p>
+      </blockquote>
+    </blockquote>
+  </blockquote>
+</blockquote>
+        <p align="center"><b><font size="2" face="Times New Roman">News
+prior to summer 2004 has been deleted.</font></b></p>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <blockquote>
+        <blockquote>
+          <p align="center"><font face="Times New Roman" size="2"> <a
+ href="contents.html"><br>
+to Tudor England</a></font></p>
+          <p align="center"><font face="Times New Roman" size="2"> <a
+ href="mailto:email@englishhistory.net">Share your Tudor news!</a></font></p>
+        </blockquote>
+      </blockquote>
+    </blockquote>
+  </blockquote>
+</blockquote>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082642" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082642" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs.html
===================================================================
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs.html	(revision 18423)
@@ -0,0 +1,92 @@
+<html>
+
+<head>
+<meta name="page_topic" content="Tudor Monarchs: Henry VII, Henry VIII, The Six Wives of Henry VIII, Edward VI, Jane Grey, Mary I, Elizabeth I">
+<meta name="content" content="Tudor Monarchs: Henry VII, Henry VIII, The Six Wives of Henry VIII, Edward VI, Lady Jane Grey, Mary I, Elizabeth I">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor Monarchs: Henry VII, Henry VIII, The Six Wives of Henry VIII, 
+Edward VI, Jane Grey, Mary I, Elizabeth I</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<p>&nbsp;</p>
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="0" width="100%%">
+    <tr>
+      <td align="center" valign="top" colspan="5" width="100%">
+      <p align="center">
+<IMG height=56 alt="Tudor Monarchs" 
+src="monarchs.gif" width=326></td>
+    </tr>
+    <tr>
+      <td width="30%"></td>
+      <td width="5%"></td>
+      <td width="30%"></td>
+      <td width="5%"></td>
+      <td width="30%"></td>
+    </tr>
+    <tr>
+      <td valign="top" width="30%">&nbsp;<p>The Tudor dynasty ruled England from 
+      1485 to 1603.&nbsp; Their story encompasses some of the most dramatic and 
+      unforgettable events in European history.&nbsp; And they remain the most 
+      famous and controversial of royal families.&nbsp; </p>
+      <p>Follow the links on this page to learn more about the Tudor monarchs.&nbsp; 
+      You can also visit <a href="http://www.marileecody.com/images.html">Tudor England: Images</a> to view portraits of the 
+      monarchs and their courtiers.&nbsp;
+      <a href="primary.html">Primary Sources</a> includes contemporary 
+      chronicles and letters.</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+            <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+      <td width="5%"></td>
+      <td valign="top" width="30%">&nbsp;<p align="center">
+      <img border="2" src="monarchs/elizmonarchs2.jpg" alt="The Coronation Portrait of Queen Elizabeth I" width="235" height="341"><p align="center">
+      &nbsp;<p align="center">
+      &nbsp;<p align="center">
+      &nbsp;<P align="center"><FONT size=-1><A href="http://englishhistory.net/tudor.html">to Tudor 
+England</A></FONT><P align="center"><FONT size=-2>the above portrait is of Queen Elizabeth I</FONT></td>
+      <td width="5%"></td>
+      <td valign="top" width="30%">&nbsp;<BLOCKQUOTE>
+  <p></p>
+      </BLOCKQUOTE>
+      <p><FONT size=+1>
+  <a href="monarchs/henry7.html">Henry 
+  VII</a></FONT> <BR><FONT size=-1>ruled 1485 to 1509</FONT> </p>
+  <P><FONT size=+1>
+  <a href="monarchs/henry8.html">Henry 
+  VIII</a></FONT><font size="2"><br>ruled 1509 to 1547</font><P><FONT size=+1>
+  <a href="monarchs/wives.html">THE SIX WIVES 
+  OF HENRY VIII<br></a></FONT><FONT size=-1>Katharine of Aragon, Anne Boleyn, 
+  Jane Seymour, Anne of Cleves, Catherine Howard, and Katharine Parr</FONT> 
+  <P><FONT size=+1>
+  <a href="monarchs/edward6.html">Edward 
+  VI</a></FONT> <BR><FONT size=-1>ruled 1547 to 1553</FONT> 
+  <P><FONT size=+1>
+  <a href="relative/janegrey.html">Jane 
+  I</a></FONT> <BR><FONT size=-1>ruled 1553</FONT> 
+  <P><FONT size=+1>
+  <a href="monarchs/mary1.html">Mary 
+  I</a></FONT> <BR><FONT size=-1>ruled 1553 to 1558</FONT> 
+  <P><FONT size=+1>
+  <a href="monarchs/eliz1.html">Elizabeth 
+  I</a></FONT> <BR><FONT size=-1>ruled 1558 to 1603</FONT>
+      <p>&nbsp;</td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082528" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082528" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/aragon.html
===================================================================
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/aragon.html	(revision 18423)
@@ -0,0 +1,356 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="content"
+ content="Katharine Catherine Katherine of Aragon first wife of Henry VIII">
+  <meta name="page_topic"
+ content="Katharine Catherine Katherine of Aragon first wife of Henry VIII mother of Queen Mary I">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+  <meta name="ProgId" content="FrontPage.Editor.Document">
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=windows-1252">
+  <meta http-equiv="Content-Language" content="en-us">
+  <title>Katharine / Katherine / Catherine of Aragon: Biography, Portraits, 
+  Primary Sources</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+  </style>
+</head>
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+<table border="0" cellpadding="3" width="100%" height="674">
+  <tbody>
+    <tr>
+      <td width="25%" height="39"><br>
+      </td>
+      <td valign="top" width="50%" height="39">
+      <p align="center"><font size="4"><br>'In this world I will confess
+myself to be the king's true wife, and in the next they will know how
+unreasonably I am afflicted.'</font><b><font size="4"> </font> <br>
+      </b><i><font size="-1">Katharine of Aragon, 1532</font></i> </p>
+      </td>
+      <td width="25%" height="39"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="1"><br>
+      </td>
+      <td width="50%" height="1">
+      <p align="center"></p>
+      &nbsp;</td>
+      <td width="25%" height="1"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="610"><br>
+      </td>
+      <td valign="top" width="50%" height="610">
+      <p align="center">
+      <img border="0" src="aragoncardinal.gif" alt="Katharine of Aragon" width="443" height="114"></p>
+      <p align="center"> 
+      <img border="2" src="aragonsittow1.jpg" alt="portrait of Katharine of Aragon by Michael Sittow, c1502" width="351" height="541"></p>
+      <p align="center"> <i><font size="2">portrait of Katharine of Aragon by 
+      Michael Sittow, c1502</font></i></p>
+      <p align="left"> <b><br>The youngest surviving child of
+the 'Catholic Kings' of Spain, Katharine was born on 16 December 1485,
+the same year that Henry VII established the Tudor dynasty.&nbsp; At
+the age of three, she was betrothed to his infant son, Prince
+Arthur.&nbsp; In 1501, shortly before her sixteenth birthday, Katharine
+sailed to England.&nbsp; But her marriage to Arthur lasted less than
+six months and was supposedly never consummated.&nbsp; Katharine was
+then betrothed to Arthur's younger brother, Prince Henry.&nbsp; When he
+became king in 1509, at the age of eighteen, he promptly married
+Katharine and they lived together happily for many years.&nbsp; But
+their marriage produced just one living child, a daughter called Mary,
+and Henry was desperate for a male heir.&nbsp; He also fell deeply in
+love with another woman.&nbsp; Cast aside, Katharine fought against
+great odds to deny Henry an annulment.&nbsp; But the king would not be
+denied and when the Catholic church would not grant the annulment, he
+declared himself head of a new English church.&nbsp; Katharine was
+banished from court and died on 7 January 1536, broken-hearted but
+still defiant.</b> </p>
+      <p align="left"> &nbsp;</p>
+      <blockquote>
+        <blockquote>
+          <p><a
+ href="aragon.html#Biography">
+          <font size="4">Read the biography of Katharine of Aragon.</font></a></p>
+        </blockquote>
+        <blockquote>
+          <p><b><br>
+Primary Sources</b> <br>
+Read <a href="../letters.html">letters
+written by Katharine</a> and <a
+ href="../h8crown.html">an account of her
+coronation</a> at Westminster Abbey.&nbsp; <br>
+          <br>
+          <b>Secondary Sources<br></b>Read JA Froude's 1891 work <i>
+          <a href="../secondary.html">The Divorce 
+          of Catherine of Aragon</a></i>.</p>
+          <p><br>Visit <a href="http://www.marileecody.com/images.html">Tudor England:
+Images</a> to view portraits of Katharine.<br>
+Visit the <a href="mary1.html">Queen
+Mary I site</a> to learn more about Katharine's daughter.</p>
+          <p><font size="2"><b><br>
+Interact<br>
+          </b>Meet other Six Wives enthusiasts at <a
+ href="http://ladiesallfanlist.cjb.net/">Ladies All: A Fanlisting for
+the Six Wives of Henry VIII</a>.<br>
+          <a href="http://tudorhistory.org/lists/list.html"> Tudor Talk
+          </a>&nbsp;This email discussion list is sponsored by
+Tudorhistory.org.<br>
+          <a
+ href="http://groups.yahoo.com/group/Reign_of_the_Tudors_rpg/">Reign of
+the Tudors</a>&nbsp; This is a role-playing game set in 16th century
+England.&nbsp; If you would like to 'play' Jane Grey or Anne Boleyn or
+other Tudors, click the link to join.</font></p>
+        </blockquote>
+        <p align="left"> &nbsp;</p>
+      </blockquote>
+      </td>
+      <td width="25%" height="610"><br>
+      </td>
+    </tr>
+  </tbody>
+</table>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <blockquote>
+        <p>&nbsp;</p>
+        <p><a name="Biography"><br>
+        </a><font size="4">'My tribulations are so great, my life so
+disturbed by the plans daily invented to further the king's wicked
+intention, the surprises which the king gives me, with certain persons
+of his council, are so mortal, and my treatment is what God knows, that
+it is enough to shorten ten lives, much more mine.'&nbsp;&nbsp; </font><i>
+        <font size="-1">Katharine of Aragon to Charles V, November 1531</font></i></p>
+        <p>&nbsp;</p>
+      </blockquote>
+    </blockquote>
+    <p><b>Biography</b> <br>
+Katharine was born on 16 December 1485 at Alcala de Henares, in the
+archbishop of Toledo's palace.&nbsp; Her early life promised a future
+of splendor and success, if not personal happiness.&nbsp; Her parents,
+Ferdinand of Aragon and Isabella of Castile, were legends throughout
+Europe.&nbsp; Their marriage had united the kingdom of Spain and
+together they had driven the Moors from Granada.&nbsp; Katharine's
+mother was deeply pious and very intelligent.&nbsp; Her children, even
+the daughters, received excellent educations.&nbsp; Katharine's brother
+Juan and sister Joanna were married off into the powerful Hapsburg
+family and two other sisters, Isabella and Maria, would each marry the
+king of Portugal.&nbsp; Katharine was promised to England; the
+betrothal contract was finalized before her fourth birthday.&nbsp; The
+island nation, so long torn between Plantagenet cousins vying for the
+throne, was now ruled by Henry Tudor.&nbsp; He had married the daughter
+of the former Plantagenet king, Edward IV, and in 1486 had a male heir
+and a desire to establish the stability and validity of his new
+dynasty.&nbsp; A match with a Spanish princess would give him
+both.&nbsp; And so Katharine, proud and solemn and accompanied by a
+vast dowry, came to England in 1501.&nbsp; </p>
+    <p> She
+wed Prince Arthur within a few weeks of her arrival.&nbsp; It was a
+grand celebration; all of London rejoiced and there was every
+expectation of a glorious future for both husband and wife.&nbsp; They
+left for Ludlow Castle, the government seat of the Prince of Wales, and
+within six months Arthur was dead.&nbsp; It was the dreaded sweating
+sickness.&nbsp; The news devastated his parents.&nbsp; Katharine
+returned to London but was not sent home.&nbsp; Henry VII was already
+writing to her parents about another marriage.&nbsp; </p>
+    <p>Katharine was now promised to Arthur's younger brother,
+Henry.&nbsp; Born 28 June 1491, he was almost six years younger than
+Katharine.&nbsp; But he was robust and healthy, and already regarded as
+a precocious intellect.&nbsp; Before his brother's death, he had been
+destined for the church and educated accordingly.&nbsp; But now he was
+the future king and as such he needed a future wife.&nbsp; Henry VII
+betrothed young Henry to his brother's widow, a plan which required a
+papal dispensation.&nbsp; Ferdinand, at odds with France, was anxious
+to please his English ally; Isabella's piety may have ruined the plan
+but she was dying and did not protest.&nbsp; Katharine and her duenna,
+Dona Elvira, both wrote that her marriage to Arthur had never been
+consummated.&nbsp; Pope Julius II granted the dispensation.&nbsp; </p>
+    <p>The new betrothal may have been spurred by Henry VII's legendary
+avarice.&nbsp; Katharine had brought half of her dowry with her upon
+marriage to Arthur; if she returned home, her marriage contract
+required that the dowry be returned.&nbsp; Also, her inheritance as
+dowager Princess of Wales was substantial.&nbsp; If she left England,
+so would that steady income.&nbsp; </p>
+    <p>Katharine herself <a
+ href="../letters.html">wrote to her father</a>
+that she had no wish to remain in England but she would obey his
+decision.&nbsp; Perhaps she had already learned enough of Henry VII's
+character to know she would be shabbily treated.&nbsp; Despite her
+royal position, she lived in poverty.&nbsp; The Spanish ambassador was
+forced to buy her necessities and she was unable to pay her
+attendants.&nbsp; And soon enough Henry VII was implying that he would
+break the Spanish betrothal.&nbsp; Katharine spent the next seven years
+in a state of political limbo.&nbsp; And when he turned fourteen, Henry
+VII had his son publicly repudiate the betrothal, claiming that the
+marriage contract was made without his knowledge or consent.&nbsp; Yet
+Katharine remained in England.&nbsp; </p>
+    <p>In 1509, the situation was resolved with startling speed.&nbsp;
+Henry VII died and his eighteen year old son became king.&nbsp;
+Handsome, proud, and imbued with the romantic spirit of chivalry, he
+promptly married Katharine.&nbsp; Did he marry her out of a sense of
+obligation?&nbsp; Was it because, as he later claimed, he wished to
+respect his father's last wish?&nbsp; Were political councilors
+encouraging the Spanish alliance?&nbsp; Or did he love the dignified
+and lovely young princess?&nbsp; It is impossible to know.&nbsp; But
+they certainly acted like a loving and affectionate couple, far beyond
+typical royal marriages.&nbsp; There were public displays of affection,
+declarations of love and respect, and for a long while she was also a
+close political adviser.&nbsp; </p>
+    <p>Henry VIII's court was full of gaiety and celebration.&nbsp; It
+was a welcome change from the austerity of his father's rule.&nbsp;
+Katharine proved herself to be the perfect consort, even when politics
+led her father to humiliate and betray Henry.&nbsp; Katharine
+recognized that she must choose between unwavering support of her
+father and loyalty to her husband.&nbsp; She chose Henry, though his
+Lord Chancellor, <a
+ href="../citizens/wolsey.html">Cardinal
+Wolsey</a>, never trusted her and instead favored an Anglo-French
+alliance.&nbsp; His influence, and Henry's own suspicions, led the king
+to disregard her political advice.&nbsp; </p>
+    <p>Katharine's primary duty was both personal and political - to
+bear children, as many as possible and preferably sons.&nbsp; This was
+especially important in England since Henry VIII was the sole surviving
+son of his father.&nbsp; Katharine was far from barren and did her
+best; in the first nine years of their marriage, she conceived at least
+six times.&nbsp; She miscarried twice, once delivered a stillborn
+daughter, and two sons died within weeks.&nbsp; The only surviving
+child was a daughter, Princess Mary, born in 1516.&nbsp; Katharine's
+last recorded pregnancy was in 1518, when she was thirty-three years
+old.&nbsp; </p>
+    <p>Henry was not unhappy with the birth of Mary; he assured
+ambassadors that if it were a daughter this time, a son would surely
+follow.&nbsp; But it was soon clear there would be no sons.&nbsp; The
+age difference between he and Katharine was now more noticeable.&nbsp;
+The queen, struggling with frequent pregnancies and constant stress,
+looked older than her years.&nbsp; Henry was a far more prudent king
+than most; he had just two serious affairs during his marriage to
+Katharine.&nbsp; But one of his mistresses, Elizabeth Blount, bore him
+a son.&nbsp; It was clear he could have sons, but the queen could
+not.&nbsp; </p>
+    <p>By 1527, the question of the succession was the most pressing
+issue facing the king.&nbsp; Two years before, he had titled his
+illegitimate son the duke of Richmond and granted him vast estates.&nbsp;
+Many, Katharine included, believed this was a preliminary step to
+naming him heir to the throne.&nbsp; This never occurred and Richmond
+would die in 1536, but - until then - it was a possibility.&nbsp; Henry
+sent Princess Mary to Ludlow Castle as Princess of Wales and his
+official heir, but even that did not stop the rumors or her mother's
+concerns.&nbsp; Katharine confronted Henry; he responded angrily and
+dismissed several of her beloved Spanish attendants.&nbsp; </p>
+    <p>The king by now had hopes of a legitimate heir.&nbsp; He had
+fallen in love the year previously with a young Englishwoman, <a
+ href="boleyn.html">Anne Boleyn</a>.&nbsp;
+She was the sister of a former mistress and refused to take that
+position herself.&nbsp; Henry, who was also deeply pious and a student
+of theology, now took a closer look at his marriage to Katharine.&nbsp;
+In particular, he looked at the text in Leviticus which seemed to
+directly reference his own life - 'If a man shall take his brother's
+wife it is an unclean thing..... they shall be childless.'(Leviticus,
+XX, 21)&nbsp; </p>
+    <p>Of course, they were not childless but a daughter was not the
+heir he needed.&nbsp; No woman had attempted to rule England since the
+disastrous Matilda centuries<img border="0" src="aragonhorenbout1.jpg" alt="miniature portrait of Katharine of Aragon by Lucas Horenbout" align="right" width="329" height="324"> before.&nbsp; Henry now firmly believed
+that his incestuous marriage had been doomed from the start.&nbsp; </p>
+    <p>But how could he annul the marriage?&nbsp; He needed to convince
+the current pope, Clement VII, that the dispensation of his predecessor
+was inadequate.&nbsp; It directly contradicted the Bible and had no
+merit.&nbsp; This should have been a simple enough matter.&nbsp; Royal
+marriages had been annulled for far less.&nbsp; But Katharine's nephew,
+Charles V, was the Holy Roman Emperor and he had no intention of
+allowing his aunt to be cast off.&nbsp; This was not out of personal
+love or loyalty, but a purely political stance.&nbsp; And after the
+1527 'sack of Rome', Charles controlled the pope.&nbsp; </p>
+    <p>Henry was soon thwarted, despite extensive work by Wolsey and
+other advisers.&nbsp; For her part, Katharine was kept in the dark for
+as long as the king could manage it.&nbsp; But she was no fool.&nbsp;
+She knew of the romance between her husband and Mistress Boleyn; she
+knew Henry avoided her company, though he was scrupulous about
+attending official functions with her.&nbsp; He had always respected
+her unassailable dignity and eloquence.&nbsp; He did not wish to fight
+Katharine; he wanted an amicable end to their union and he was prepared
+to be generous.&nbsp; </p>
+    <p>When news of his intentions became official, she was given
+counsel but only that chosen by the king.&nbsp; She turned to the
+Spanish ambassador and close friends at court for support.&nbsp; Anne
+Boleyn was not popular and Katharine was a respected and beloved
+queen.&nbsp; The king soon came under popular scorn for his
+plans.&nbsp; </p>
+    <p>But Henry was as firmly convinced of the righteousness of his
+cause as Katharine was of hers.&nbsp; He had read the Bible; he had
+debated the issue with prominent theologians; he even sponsored
+hearings of the case at European universities.&nbsp; Both king and pope
+knew there was a valid basis for the annulment, and a pressing national
+need for it.&nbsp; Clement could have granted it without troubling his
+conscience.&nbsp; And with the spread of Lutheranism in the German
+states, Clement had no wish to antagonize the loyal and devoted king of
+England.&nbsp; </p>
+    <p>But the English king could not be helped at the Holy Roman Emperor's 
+    expense.&nbsp; This was soon made abundantly clear.</p>
+    <p>The pope prevaricated; he could do little else.&nbsp; And for
+several years, the 'King's Great Matter' consumed England and
+fascinated Europe.&nbsp; </p>
+    <p>Henry inevitably tired of the endless parade of papal legates
+and repetitious hearings.&nbsp; He was growing older and Anne was
+growing impatient.&nbsp; Her youth was being wasted to no purpose, she
+told the king.&nbsp; Meanwhile, Katharine encouraged Mary to be
+obstinate in protecting her rights as princess.&nbsp; Mary lost her
+father's favor and was forbidden to visit her mother.&nbsp; </p>
+    <p>Finally, in 1533, Henry did the only thing he could to end the
+marriage - he rejected the authority of the Holy See and declared
+himself Supreme Head of a new Church of England.&nbsp; His archbishop
+of Canterbury, Thomas Cranmer, issued the long-awaited decree of
+nullity.&nbsp; Katharine was no longer queen of England but 'Princess
+dowager of Wales'.&nbsp; Princess Mary was now illegitimate, and rumors
+spread that Anne Boleyn had finally succumbed to the king and was
+pregnant.&nbsp; </p>
+    <p> Katharine was exiled from court and to a
+succession of damp and unpleasant castles.&nbsp; She had but a handful
+of servants for few would call her queen and she refused to be called
+princess.&nbsp; It was a mark of her early education that she was meek,
+deeply pious and believed in obedience to her husband - but she was
+also a proud and intelligent princess of Spain.&nbsp; She would never
+allow her dignity, or that of her daughter, to be destroyed.&nbsp; In
+the end, this stubborn spirit did both her and Mary far more harm than
+good.&nbsp; Katharine was undoubtedly truthful when she declared her
+marriage to Arthur unconsummated but the truth was cold comfort in the
+last years of her life.&nbsp; </p>
+    <p>Her final years were lonely and sad; the Spanish ambassador kept
+her informed of outside events and smuggled letters to her daughter,
+but she was often ill and at prayer.&nbsp; The wrongs she had suffered
+from Henry filled her with sadness rather than anger.&nbsp; Perhaps she
+was inspired by her motto, Humble and Loyal, for that is how she
+remained.</p>
+    <p>She died at Kimbolton Castle on 7 January 1536, three weeks
+after her fiftieth birthday.&nbsp; There were rumors that she had been
+poisoned.&nbsp; But if Henry had been so inclined, he would have
+attempted it years before and spared himself much trouble.&nbsp; A
+lingering illness and the psychological effects of her exile were the
+obvious causes.&nbsp; She was buried at Peterborough Abbey with all the
+ceremony befitting the widow of the prince of Wales.&nbsp; Henry did
+not attend the funeral; we do not know if he read Katharine's <a
+ href="../letters.html">last letter</a> to
+him.&nbsp; It was a love letter and she signed it 'Katherine the
+Queen'.&nbsp; </p>
+    <p>The tragedy of their annulment was that both he and Katharine
+were equally convinced of their causes.&nbsp; For the modern reader,
+both arguments are persuasive.&nbsp; It is an ironic footnote to her
+life story that Katharine, such a devoted and pious Catholic,
+unintentionally brought the Reformation to England.&nbsp; <br>
+&nbsp;</p>
+  </blockquote>
+  <center>
+  <p><font size="-1"><a
+ href="wives.html">to the Six
+Wives main page</a></font> <br>
+  <font size="-1"><a href="http://englishhistory.net/tudor.html">to
+Tudor England</a></font></p>
+  <p><font size="-1"><a
+ href="../primary.html"> to Primary Sources</a></font></p>
+  </center>
+</blockquote>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082566" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082566" ALT=1 WIDTH=1 HEIGHT=1>
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/boleyn-poems.html	(revision 18423)
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@@ -0,0 +1,130 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: King Henry VIII has a jousting accident, 1524</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="../abpoems.gif" alt="Primary Sources: Sir Thomas Wyatt's poetry inspired by Anne Boleyn" width="377" height="100"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><p align="left">
+
+  <font size="2">Sir Thomas Wyatt wrote these two famous poems inspired
+by Henry VIII's tragic second queen.</font><p align="left">
+
+  <img SRC="../anne1.jpg" ALT="portrait of Anne Boleyn" height=194 width=150 align="left"><font size="2">Wyatt was born in 1503 at Allington Castle, Kent.&nbsp; He was the
+son of Henry Wyatt and Anne Skinner, and was educated at St John's College,
+part of Cambridge University.&nbsp; He entered the diplomatic service of
+Henry VIII around 1526, just as the king's rumored passion for Anne Boleyn
+began to attract notice.&nbsp; Wyatt himself was infatuated with Anne Boleyn,
+but found his desires thwarted by the king.</font><p align="left">
+    <font size="2">It has often been rumored that Anne was Wyatt's mistress before Henry
+VIII fell in love with her, but there is little evidence to support an
+actual physical relationship.&nbsp; Both she and Wyatt were witty and flirtatious.&nbsp; 
+    They enjoyed each other's company, and there is no doubt Wyatt wished for
+more personal favors - but he was rebuffed, and for the simple reason that
+Anne had more glittering prospects (namely, the king of England himself.)&nbsp;
+Hence the bitter tone of the Petrarchan sonnet opposite.&nbsp; It is an intriguing
+portrait of Anne and specifically mentions her attachment to the king.</font><p align="left">
+    <font size="2">Incidentally, Wyatt was sent on a diplomatic mission to Italy in 1527.&nbsp;
+It was perhaps an attempt by Henry VIII to rid the court of a potential
+rival.&nbsp; Wyatt's association with Anne haunted him again in 1536 when
+he was imprisoned for having carnal knowledge of the queen.&nbsp; Anne
+was executed but Wyatt was freed.&nbsp; He served as English
+ambassador to Spain for two years (1537-39) but suffered imprisonment again
+in 1541 when Thomas Cromwell fell from power and the Norfolk faction briefly
+gained ascendancy over the king.&nbsp; Once again, Wyatt did not remain
+imprisoned long, but he died on 11 October 1542 of unknown causes.&nbsp;
+He had long since deserted his wife, Elizabeth Brooke, and was living with
+his mistress, Elizabeth Darrell, and their only child Francis.</font><p align="left">
+    <font size="2">As for his poetry, Wyatt's work was circulated in manuscript during
+his lifetime and often highly praised. </font><p align="left">
+
+<font size=-1>The first poem was perhaps based upon Petrarch's sonnet #190.</font>&nbsp;
+<font size=-1>The Latin phrase 'Noli me tangere' is taken from the
+Vulgate; it is translated as 'Touch me not'.</font>&nbsp;
+<font size=-1>The poem is believed to be a direct comment upon Henry VIII's infatuation
+for Anne, her character, and her newfound importance at the English
+court.</font>
+      <p>
+<font size=-1>In the second poem, 'The thing ye seek for' is, of course, sex.&nbsp; This 
+      work, though undated, was probably written after
+Anne and Henry were wed in 1533.&nbsp; Perhaps Wyatt had been rebuffed
+by Anne once again; the poem is certainly churlish enough.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p align="center"><b>'Whoso List to Hunt, I Know Where Is An Hind'</b><blockquote>
+  <p>Whoso list to hunt, I know where is an hind,
+<br>But as for me, h&eacute;las, I may no more.
+<br>The vain travail hath wearied me so sore,
+<br>I am of them that farthest cometh behind.
+<br>Yet may I by no means my wearied mind
+<br>Draw from the deer, but as she fleeth afore
+<br>Fainting I follow. I leave off therefore,
+<br>Sithens in a net I seek to hold the wind.
+<br>Who list her hunt, I put him out of doubt,
+<br>As well as I may spend his time in vain.
+<br>And graven with diamonds in letters plain
+<br>There is written, her fair neck round about:
+<br><i>Noli me tangere</i>, for Caesar's I am,
+<br>And wild for to hold, though I seem tame.</p>
+
+</blockquote>
+<p>
+<hr WIDTH="100%">
+<p align="center"><b>'Ye Olde Mule'</b><blockquote>
+
+    <p>Ye old mule that think yourself so fair,
+<br>Leave off with craft your beauty to repair,
+<br>For it is true, without any fable,
+<br>No man setteth more by riding in your saddle.
+<br>Too much travail so do your train appair.
+<br>&nbsp;&nbsp;&nbsp;&nbsp; Ye old mule
+<br>With false savour though you deceive th'air,
+<br>Whoso taste you shall well perceive your lair
+<br>Savoureth somewhat of a Kappurs stable.
+<br>&nbsp;&nbsp;&nbsp; Ye old mule
+<br>Ye must now serve to market and to fair,
+<br>All for the burden, for panniers a pair.
+<br>For since gray hairs been powdered in your sable,
+<br>The thing ye seek for, you must yourself enable
+<br>To purchase it by payment and by prayer,
+<br>&nbsp;&nbsp;&nbsp; Ye old mule.</p>
+</blockquote>
+<p>&nbsp;</p>
+<p align="center">
+    <a href="boleyn.html">
+    <font size="2">to the Anne 
+    Boleyn website</font></a></p>
+    <p align="center"><a href="../primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082596" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082596" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/boleyn.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/boleyn.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/boleyn.html	(revision 18423)
@@ -0,0 +1,721 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="page_topic"
+ content="Anne Boleyn queen of England wife of King Henry VIII mother of Queen Elizabeth I The Six Wives of King Henry VIII biography images letters primary sources">
+  <meta name="content"
+ content="Anne Boleyn queen of England mother of Queen Elizabeth I wife of King Henry VIII The Six Wives of King Henry VIII biography images letters primary sources">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+  <meta name="ProgId" content="FrontPage.Editor.Document">
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=windows-1252">
+  <meta http-equiv="Content-Language" content="en-us">
+  <title>Anne Boleyn: Biography, Portraits, Primary Sources</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+  </style>
+</head>
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tbody>
+    <tr>
+      <td width="25%" height="29"><br>
+      </td>
+      <td valign="top" width="50%" height="29">
+      <p align="center"><font size="4"><br>'[A] woman who is the scandal of 
+      Christendom.'<br>
+      </font><i><font size="-1">Katharine of Aragon describes her
+rival, 1531</font></i></p>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="610"><br>
+      </td>
+      <td valign="top" width="50%" height="610">
+      <p align="center"> 
+&nbsp;</p>
+      <p align="center"> 
+<img border="0" src="boleyncardinalbig.gif" alt="Anne Boleyn" width="352" height="90"></p>
+      <p align="center"> <b> 
+      <img border="2"
+ src="boleynmainjpg.jpg"
+ alt="the most famous portrait of Anne Boleyn; at the NPG, London"
+ width="275" height="357"></b></p>
+      <p align="center"> <i><font size="2">portrait of Anne Boleyn by an unknown 
+      artist, late 16th century</font></i></p>
+      <p> <b> <br>Anne Boleyn is one of the most famous queens
+in English history, though she ruled for just three years.&nbsp; The
+daughter of an ambitious knight and niece of the duke of Norfolk, Anne
+spent her adolescence in France.&nbsp; When she returned to England,
+her wit and style were her greatest charms.&nbsp; She had a circle of
+admirers and became secretly engaged to Henry Percy.&nbsp; She also
+entered the service of Katharine of Aragon.&nbsp; But she soon caught
+the eye of Henry VIII.&nbsp; He ordered Percy from court and tried to
+make Anne his mistress.&nbsp; She refused.&nbsp; Her sister, Mary, had
+been the king's mistress and gained little from it but scandal.&nbsp;
+Her hopes with Percy dashed, Anne demanded that the king marry
+her.&nbsp; She waited nearly seven years for Henry to obtain an
+annulment.&nbsp; It finally took an irrevocable breach with the Holy
+See before they wed in 1533.&nbsp; But she was unable to give Henry the
+son he desperately needed and their marriage ended tragically for
+Anne.&nbsp; She was executed on patently false charges of witchcraft,
+incest and adultery on 19 May 1536.&nbsp; Her daughter, Elizabeth,
+would become England's greatest queen.</b></p>
+      <blockquote>
+        <p><a
+ href="boleyn.html#Biography"><br>
+        <font size="4">Read the biography of Anne Boleyn</font></a><font
+ size="4">.</font></p>
+        <p><b><br>
+Primary Sources</b> <br>
+Read <a href="../letters.html">letters
+written by Anne</a>.&nbsp; <br>
+        <a href="../ab-percy.html">The
+romance between Anne &amp; Henry Percy,</a> c1523&nbsp; <br>
+Eyewitness accounts of <a
+ href="../prianne1.html">her coronation in
+1533</a> &amp; <a href="../prianne2.html">her
+execution in 1536</a>.&nbsp; <br>
+        <a href="http://englishhistory.net/tudor/ab-lastdays.html">An
+account of Anne's last days</a> <br>
+        <a href="../prianne3.html">Anne's
+last words</a>, 19 May 1536&nbsp; <br>
+        <a href="../exanne.html">Another
+account of her execution</a></p>
+          <p>
+          <b>Secondary Sources<br></b>Read JA Froude's 1891 work <i>
+          <a href="../secondary.html">The Divorce 
+          of Catherine of Aragon</a></i>.&nbsp; <font size="2">Understandably, it also 
+          discusses Anne Boleyn as well as Henry VIII's rumored affair with her 
+          sister Mary.</font></p>
+      </blockquote>
+      <blockquote>
+        <p><a href="../annedesc.html">Contemporary
+descriptions of Anne</a> <br>
+        <a href="../lovelett.html">Henry
+VIII's love letters to Anne</a> <br>
+        <a
+ href="boleyn-poems.html">Poetry
+about Anne Boleyn</a> </p>
+        <p>Visit <a href="http://www.marileecody.com/images.html">Tudor
+England: Images</a> to view portraits of Anne.&nbsp; <br>
+Visit the <a href="eliz.html">Queen
+Elizabeth I site</a> to learn more about Anne's daughter.&nbsp; <br>
+Read about Anne's sister, <a
+ href="../citizens/boleyn.html">Mary Boleyn</a>.<a href="fiveanne.html"><br>The
+Boleyn-Howard connection</a> <br>
+        <font size="-1">Anne's relationship to Henry VIII's fifth wife</font>
+        </p>
+        <p>Test your knowledge of Anne Boleyn's life at <a
+ href="../tudor1.html">Tudor Quizzes</a>.</p>
+        <p><font size="2"><b><br>Links<br></b>
+        <a href="http://www.geocities.com/boleynfamily/">The Boleyns</a>: A 
+        website dedicated to the entire Boleyn family, with particular emphasis 
+        upon Anne.<br><a href="http://jack-of-all-trades.ca/meandmine/">Me and Mine</a>: 
+        Biography and images of Anne Boleyn.</font></p>
+        <p><font size="2"><b><br>
+        Interact<br>
+        </b> Meet other Anne Boleyn enthusiasts at <a
+ href="http://www.fine-eyes.net/anneboleyn/indextwo.html">Mistress
+Anne: The Official Anne Boleyn Fanlisting</a>.<br>
+Meet other Six Wives enthusiasts at <a
+ href="http://ladiesallfanlist.cjb.net/">Ladies All: A Fanlisting for
+the Six Wives of Henry VIII</a>.<a
+ href="http://groups.yahoo.com/search?query=Anne+Boleyn"><br>
+Anne Boleyn at Yahoo! Groups</a>&nbsp; There are numerous groups
+dedicated to Anne.&nbsp; I think you need a Yahoo! ID to join.<br>
+        <a href="http://tudorhistory.org/lists/list.html"> Tudor Talk </a>&nbsp;This
+email discussion list is sponsored by Tudorhistory.org.&nbsp; It does
+not focus exclusively on Anne.<br>
+        <a href="http://groups.yahoo.com/group/Reign_of_the_Tudors_rpg/">Reign
+of the Tudors</a>&nbsp; This is a role-playing game set in 16th century
+England.&nbsp; If you would like to 'play' Jane Grey or Anne Boleyn or
+other Tudors, click the link to join.</font></p>
+        <p><br>
+        <b>NEWS&nbsp;&nbsp; September 2004<br>The Life and Death of Anne Boleyn: 
+        The Most Happy</b> by Eric Ives has just been published
+        <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0631234799/qid=1096393233/ref=sr_8_xs_ap_i1_xgl/026-3687195-0558069">
+        in the UK</a> and
+        <a href="http://www.amazon.com/exec/obidos/tg/detail/-/0631234799/qid=1096393461/sr=8-1/ref=sr_8_xs_ap_i1_xgl14/002-7093489-7046463?v=glance&s=books&n=507846">
+        US</a>.&nbsp; I will be posting a lengthy review soon.&nbsp;
+        <font size="2">Professor Ives had previously written the definitive 
+        biography of Anne in 1986; this work incorporates new research.</font></p>
+        <p>
+        <b><br>
+        Anne
+Boleyn: A New Life of England's Tragic Queen</b> by Joanna Denny
+        was published
+        <a href="http://www.amazon.co.uk/exec/obidos/ASIN/074995017X/qid=1076882496/sr=2-2/ref=sr_2_11_2/026-9295844-3953254">in the UK</a> 
+        in April 2004.</p>
+        <hr>
+        <p><font size="2">The above portrait of Anne Boleyn is a late
+16th copy of a lost original.&nbsp; It can be viewed at the National Portrait
+Gallery, London.</font></p>
+        <hr> </blockquote>
+      </td>
+      <td width="25%" height="610"><br>
+      </td>
+    </tr>
+  </tbody>
+</table>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <p align="left"><font size="4"><br>
+      <br>
+      </font><a name="Biography"><br>
+      </a><font size="4">'She is of middling stature, with a swarthy
+complexion, long neck, wide mouth, bosom not much raised, and in fact
+has nothing but the King's great appetite, and her eyes, which are
+black and beautiful - and take great effect on those who served the
+Queen when she was on the throne.&nbsp; She lives like a queen, and the
+King accompanies her to Mass - and everywhere.'&nbsp;&nbsp; </font><i><font
+ size="-1">the Venetian ambassador describes Anne, 1532</font></i> </p>
+    </blockquote>
+    <p align="left">&nbsp;</p>
+  </blockquote>
+  <p> <b>Biography</b><br>
+Anne Boleyn's birthdate is unknown; even the year is widely
+debated.&nbsp; General opinion now favors 1501 or 1502, though some
+historians persuasively argue for 1507.&nbsp; She was probably born at
+Blickling Hall in Norfolk.&nbsp; Her father was Sir Thomas Boleyn, a
+minor courtier with a talent for foreign languages; he was of London
+merchant stock and eager to advance in the world.&nbsp; Like most men,
+he chose to marry well.&nbsp; His bride was Elizabeth Howard, daughter
+of the second duke of Norfolk and sister of the third duke.</p>
+  <p>Anne had two surviving siblings, <a
+ href="../citizens/boleyn.html">Mary</a>
+and George.&nbsp; Their birthdates are also unknown, as is the order of their 
+  births.&nbsp; We only know that all three Boleyn siblings were close in age.</p>
+  <p>In 1514, Henry VIII married his youngest sister, Mary, to the aged king of France.&nbsp; Anne
+accompanied the Tudor princess as a very<img
+ height="232" alt="miniature portrait of Anne Boleyn"
+ src="boleynsmall.jpg"
+ width="175" border="0" align="right"> young lady-in-waiting; she remained in France after the French king died and
+  <a href="../citizens/brandon.html">Mary Tudor</a>
+returned home.&nbsp; Anne gained the subsequent honor of being educated
+under the watchful eye of the new French queen Claude.&nbsp; This
+education had a uniquely French emphasis upon fashion and flirtation,
+though more intellectual skills were not neglected.&nbsp; Anne became
+an accomplished musician, singer and dancer.&nbsp; </p>
+  <p>In 1521 or early 1522, with war between England and France
+imminent, Anne returned home.&nbsp; When she first caught Henry VIII's
+eye is unknown.&nbsp; He was originally attracted to her sister, Mary
+who came to court before Anne.&nbsp; She was the king's mistress in the
+early 1520s and, as a mark of favor, her father was elevated to the
+peerage as viscount Rochfort/Rochford in 1525.&nbsp; Mary herself would leave 
+  court with only a dull marriage, and possibly the king's illegitimate son, as 
+  her reward.&nbsp; Anne learned much from her sister's example.</p>
+  <p>Her first years at court were spent in service to Henry VIII's
+first wife, <a href="aragon.html">Katharine of Aragon</a>.&nbsp; She became quite popular among
+the younger men.&nbsp; She was not considered a great beauty; her
+sister occupied that position in the family, but even Mary was merely
+deemed 'pretty'.&nbsp; Hostile chroniclers <a
+ href="../annedesc.html">described Anne</a>
+as plain, sallow, and possessing two distinct flaws - a large mole on
+the side of her neck and an extra finger on her left hand.&nbsp; Such
+praise as she received focused on her style, her wit and charm; she was
+quick-tempered and spirited.&nbsp; Her most remarkable physical
+attributes were her large dark eyes and long black hair.&nbsp; </p>
+  <p>The king's attraction was focused upon her sharp and teasing
+manner, and her oft-stated unavailability.&nbsp; What he couldn't have,
+he pined for all the more.&nbsp; This was especially difficult for a
+king used to having his own way in everything.&nbsp; Anne was also
+seriously involved with <a
+ href="../ab-percy.html">Henry Percy</a>,
+the son and heir of the earl of Northumberland; there were rumors of an
+engagement and declarations of true love.&nbsp; The king ordered his
+great minister, <a
+ href="../citizens/wolsey.html">Cardinal
+Thomas Wolsey</a>, to end the match.&nbsp; Wolsey did so, thus ensuring
+Percy's unhappy marriage to the earl of Shrewsbury's daughter and
+Anne's great enmity.&nbsp; It was safer to blame the Cardinal than his
+king.&nbsp; Also, Henry's jealousy revealed the depth of his feelings,
+and Anne quite naturally thought - if she could not be an earl's wife,
+why not try for the crown of England? </p>
+  <p>When Anne avoided Henry's company, was sullen and evasive to him,
+he sent her from court; he hoped that a few months in the country would
+persuade her of his charms.&nbsp; It did not work.&nbsp; Anne was
+already playing a far more serious game than the king.&nbsp; Later,
+after she had been arrested, Henry would claim he had been 'bewitched'
+and the term wasn't used lightly in the 16th century.&nbsp; But perhaps
+it was simply the contrast between her vivacity and Katharine's
+solemnity; or perhaps the king mistook the inexplicable ardor of true
+love for something more ominous, long after that love had faded.&nbsp; </p>
+  <p>It is impossible to fully explain the mystery of attraction
+between two people.&nbsp; How Anne was able to capture and maintain the
+king's attention for such a long while, despite great obstacles and the
+constant presence of malicious gossip, cannot be explained.&nbsp; Henry
+was headstrong and querulous.&nbsp; But for several years, he remained
+faithful to his feelings for Anne - and his attendant desire for a
+legitimate male heir.&nbsp; </p>
+  <p> <img border="0"
+ src="aragon-min.jpg"
+ alt="miniature portrait of Katharine of Aragon" align="left"
+ width="166" height="168">One cannot separate the king's desire for a
+son, indeed its very necessity, from his personal desire for
+Anne.&nbsp; The two interests merged perfectly in 1527.&nbsp; Henry had
+discovered the <a
+ href="aragon.html">invalidity
+of his marriage</a> to Katharine.&nbsp; Now it was possible to annul
+his marriage and secure his two fondest hopes - Anne's hand in marriage
+and the long-desired heir.&nbsp; </p>
+  <p> Cardinal Wolsey had long advocated an Anglo-French
+alliance.&nbsp; For that reason, he disliked the Spanish
+  <a href="aragon.html">Katharine
+of Aragon</a>.&nbsp; He now set about securing his monarch's annulment
+with the intention of marrying Henry to a French princess.&nbsp; And if
+not a French princess, perhaps a great lady of the English court.&nbsp;
+Wolsey did not like Anne, and she despised him.&nbsp; It was Wolsey who
+had delivered the king's orders to Henry Percy, driving her suitor from
+court.&nbsp; She never forgot that injury to her heart.&nbsp; And while
+she could not revenge herself upon the king, <a
+ href="../letter8.html">she could work
+against</a> his Lord Chancellor.&nbsp; His protégé and successor <a
+ href="../citizens/cromwell.html">Thomas
+Cromwell</a> became a close ally. </p>
+  <p>But Anne alone did not cause Wolsey's fall from grace, though she
+took the blame for it.&nbsp; Indeed, 'Nan Bullen', as the common people
+derisively called her, became the scapegoat for all the king's
+unpopular decisions.&nbsp; But it is important to remember that no one
+- not Wolsey, not Cromwell, and certainly not Anne Boleyn - ever
+controlled Henry VIII, or made him do other than exactly what he
+wanted.&nbsp; He was a king who thoroughly knew and enjoyed his
+position.&nbsp; <a
+ href="../citizens/more.html">Sir Thomas
+More</a> would aptly point this out to his son-in-law, William Roper -
+'If a lion knew his strength, it were hard for any man to hold
+him.'&nbsp; And later, when Roper commented upon the king's affection
+for More, the philosopher replied that if his head would win the king a
+castle in France, then Henry would not hesitate to chop it off.&nbsp; </p>
+  <p>But most people found it easier to hate Anne than to hate their
+monarch.&nbsp; As the king's desire for an annulment became the gossip
+of all Europe, she was roundly criticized and condemned.&nbsp; And she
+was not popular at the English court either.&nbsp; Both her unique
+situation and her oft times abrasive personality offended many.&nbsp;
+And Katharine's solemn piety had impressed the English court for three
+decades; her supporters were numerous, though not inclined to face the
+king's formidable wrath.&nbsp; In truth, Anne was sustained only by the
+king's affection and she knew his mercurial temper.&nbsp; It is
+possible that she was as surprised by his faithfulness as everyone
+else.&nbsp; </p>
+  <p>As the struggle for an annulment proceeded and the pope
+prevaricated between Henry and Katharine's nephew, the Holy Roman
+Emperor Charles V, Anne's position at the English court became steadily
+more prominent.&nbsp; There were at first little signs.&nbsp; The king
+would eat alone with her; she received expensive gifts; she began to
+dress in the most fashionable and expensive gowns; the king paid her
+gambling debts since Anne, like most courtiers, enjoyed cards and dice.
+  </p>
+  <p>The king was not too outlandish at first; he had no desire to
+prejudice the pope against his case by flaunting a new love.&nbsp; But
+as the delays mounted, and rumors of his new love spread, Henry
+realized there was no purpose in hiding the truth.&nbsp; By 1530, Anne
+was openly honored by the king at court.&nbsp; She was accorded
+precedence over all other ladies, and she sat with the king at
+banquets and hunts while Katharine was virtually ignored.&nbsp; The
+pretense of his first marriage was allowed to continue; Katharine
+continued to personally mend his shirts and send him gifts and
+notes.&nbsp; But it was an untenable situation.&nbsp; It grated on both
+women.&nbsp; Anne perhaps taxed the king with it.&nbsp; To placate her,
+she was titled marquess of Pembroke on 4 September 1532 at Windsor
+Castle; she wore a beautiful crimson gown and her hair hung
+loose.&nbsp; Now elevated to the peerage in her own right, she had
+wealth and lands of her own.&nbsp; But when she accompanied him to
+France on a state visit a short while later, the ladies of the French
+court refused to meet with her.&nbsp; </p>
+  <p>It is believed that her elevation to the peerage marked the
+physical consummation of Anne and Henry's relationship.&nbsp; She would
+give birth to <a
+ href="eliz.html">Elizabeth</a>
+just a year later, and there were rumors of a secret marriage in late
+1532.&nbsp; It is possible that she became pregnant after just a few
+months and a second, legitimate wedding became a necessity.&nbsp; </p>
+  <p> <img border="0"
+ src="boleyn-sketch1.jpg"
+ alt="sketch of Anne Boleyn by Hans Holbein the Younger" align="left"
+ width="175" height="157">The king had his fondest wish within his
+grasp.&nbsp; Anne was pregnant with his long-awaited son, or so he
+thought, and this son must be legitimate.&nbsp; He could no longer wait
+upon the pope.&nbsp; Henry rejected the authority of the Holy See and
+Thomas Cranmer, archbishop of Canterbury, annulled his marriage to
+Katharine.&nbsp; Henry and Anne married again in January 1533 in a
+small ceremony.&nbsp; But though they were now husband and wife, few
+recognized the fact.&nbsp; </p>
+  <p><a href="../prianne1.html">Her
+coronation</a> was a lavish affair; the king spared no expense.&nbsp;
+But the people of London were noticeably unimpressed.&nbsp; They cried
+out 'HA! HA!' mockingly as tapestries decorated with Henry and Anne's
+entwined initials passed by.&nbsp; Henry asked, 'How liked you the look
+of the City?'&nbsp; Anne replied, 'Sir, I liked the City well enough -
+but I saw a great many caps on heads, and heard but few tongues.'&nbsp;
+  </p>
+  <p>And so her coronation was yet another reminder of her complete
+dependency upon the king.</p>
+  <p>Anne enjoyed her triumph as much as she could.&nbsp; She ordered
+new blue and purple livery for her servants and set about replacing
+Katharine's badge of pomegranates with her own falcon symbol.&nbsp; She
+chose as her motto, 'The Most Happy', in stark contrast to her
+predecessor.&nbsp; Katharine had been 'Humble and Loyal'; Henry's
+mother, Elizabeth of York had chosen 'Humble and Reverent'.&nbsp; But
+humility was not a marked characteristic of Anne Boleyn.&nbsp; </p>
+  <p>She was pious, though not as rigid and inflexible as Katharine of
+Aragon.&nbsp; Anne's sympathies naturally lay with the progressive
+thought now challenging Catholic orthodoxy; with Henry's rejection of the papacy and his
+creation of a new Church of England, <a
+ href="../faq.html#Eleven-b">the
+Reformation</a> had come to England.&nbsp; It was not as revolutionary
+as Luther's movement in Germany.&nbsp; Henry actually remained a devout
+Catholic, only denying what he now regarded as the illegitimate
+authority of the papacy.&nbsp; Anne knew that her marriage and future
+children would never be recognized as legitimate by Catholic
+Europe.&nbsp; She had to support the new church, otherwise she was no more than 
+  the king's mistress.</p>
+  <p>And this new emphasis upon debating even the most esoteric bits of
+theology appealed to her nature.&nbsp; She was always curious and open
+to new ideas; she never blindly accepted<img height="175"
+ alt="The above portrait is of Anne Boleyn, painted by Lucas Horenbout; dated 1525-27.  Sir Roy Strong identified the portrait.  Anne wears a necklace with her falcon badge."
+ src="boleynstrong.jpg"
+ width="175" align="right"> anything.&nbsp; But this is not to deny her
+deep faith.&nbsp; As queen, she was close friends with Thomas Cranmer
+and she also sponsored various religious books.&nbsp; She had none of
+the hard-fought pragmatism of her daughter, 
+  <a href="eliz.html">Elizabeth</a>.&nbsp; Religious faith was a
+vital part of Anne's life, as it was for every person in the 16th
+century.&nbsp; </p>
+  <p>She entered confinement for the birth of her first child on 26
+August 1533.&nbsp; The child was born on 7 September 1533.&nbsp; The
+physicians and astrologers had been mistaken; it was not a
+prince.&nbsp; But the healthy baby girl called Elizabeth was not the
+disappointment most assumed, nor did she immediately cause her mother's
+downfall.&nbsp; The birth had been very easy and quick.&nbsp; 'There
+was good speed in the deliverance and bringing forth,' Anne wrote to
+Lord Cobham that very day.&nbsp; The queen recovered quickly.&nbsp;
+Henry had every reason to believe that strong princes would
+follow.&nbsp; It was only when Anne miscarried two sons that he began
+to question the validity of his second marriage.&nbsp; </p>
+  <p>Elizabeth's christening was a grand affair, though the king did
+not attend.&nbsp; This fact was much remarked-upon, but Henry
+confounded all by his continuing affection for Anne.&nbsp; He also
+promptly declared Elizabeth his heir, thus according her precedence
+over her 17 year old half-sister, 
+  <a href="mary1.html">Princess Mary</a>.&nbsp; Anne could
+breathe a sigh of relief, recover, and become pregnant again.&nbsp; </p>
+  <p>Immediately after Elizabeth's christening, Henry wrote to Mary and
+demanded that she relinquish her title of Princess of Wales.&nbsp; The
+title belonged to his heiress.&nbsp; He also demanded that she
+acknowledge the validity of his new marriage and legitimacy of her
+half-sister.&nbsp; But Mary could be as obstinate as her mother; she refused.&nbsp; Enraged, Henry evicted Mary from her
+home, the manor Beaulieu, so he could give it to Anne's brother, George.&nbsp; In December, 
+  she was moved into Elizabeth's household
+under the care of Lady Anne Shelton, a sister of Anne's father.&nbsp;
+It was an understandably miserable time for Mary.&nbsp; When told to pay her
+respects to the baby Princess, she said that she knew of no Princess of
+England but herself and burst into tears.&nbsp; </p>
+  <p>Henry was infuriated and Anne encouraged the estrangement.&nbsp;
+Her daughter's status depended upon Mary remaining out of favor.&nbsp;
+In the two and a half years she lived after Elizabeth's birth, Anne
+proved herself a devoted mother.&nbsp; Soon after the birth, Elizabeth
+had to be moved from London, for purposes of health; London was rife
+with a variety of illnesses - sweating sickness, smallpox, and
+plague.&nbsp; Elizabeth and Mary were sent to Hatfield.&nbsp; Both
+Henry and Anne visited their daughter often, occasionally taking her
+back with them to Greenwich or the palace at Eltham.&nbsp; During these
+visits, Mary was kept alone in her room.&nbsp; </p>
+  <p> <img height="186" alt="portrait of Henry VIII"
+ src="henry8boleyn.jpg"
+ width="150" border="2" align="left">There are account books and
+letters which reveal certain facts about Elizabeth's early
+childhood:&nbsp; bills for an orange satin gown and russet velvet
+kirtle, for the king's heir had to be fashionably dressed; a letter in
+late 1535, after her second birthday, from the wet nurse asking
+permission to wean her; a plan of study in classical languages, for
+Anne was determined her daughter would be as educated as Mary.&nbsp; </p>
+  <p>The conflict with Mary dominated a great deal of Henry and Anne's
+thoughts.&nbsp; In January 1534, the king's new chief minister, Thomas
+Cromwell, went to visit Mary at Hatfield.&nbsp; He urged her to
+renounce her title and warned her that her behavior would lead to her
+ruin.&nbsp; Mary replied that she simply wanted her father's blessing
+and the honor of kissing his hand.&nbsp; When Cromwell chastised her,
+she left the room.&nbsp; Mary, and indeed most of England, believed
+Anne to be the cause of Henry's disgust with his eldest child.&nbsp; In
+truth, Henry had far more to do with it than Anne; this was proven
+after Anne's execution.&nbsp; Mary believed that she would regain her
+favor with the wicked stepmother out of the way but she was proven
+terribly wrong.&nbsp; Eventually, under threat of her life, she <a
+ href="../primary.html">wrote the letter</a>
+her father had long desired.&nbsp; </p>
+  <p>He and Anne also tried a gentler course with Mary; their goal was
+to show that she had brought Henry's displeasure upon herself and that
+he and Anne were quite willing - under reasonable conditions - to
+receive her.&nbsp; At their next visit to Hatfield, Anne arranged to
+see her stepdaughter.&nbsp; She invited Mary to come to court and
+'visit me as Queen.'&nbsp; Mary responded with a cruel insult - 'I know
+no Queen in England but my mother.&nbsp; But if you, Madam, as my
+father's mistress, will intercede for me with him, I should be
+grateful.'&nbsp; Anne did not lose her temper; she pointed out the
+absurdity of the request and repeated her offer.&nbsp; Mary then
+refused to answer and Anne left in a rage.&nbsp; From then on, she made
+no attempts to gain Mary's friendship.&nbsp; </p>
+  <p>The problem with Mary highlights the untenable positions Anne and
+Elizabeth occupied in English politics.&nbsp; Many of Henry's subjects
+did not know who to call Princess, who was the rightful heir, and who
+was the true wife.&nbsp; Katharine of Aragon lived on, still calling
+herself Queen, and Mary, encouraged by the spiteful Imperial ambassador
+Eustace Chapuys, still called herself Princess.&nbsp; Furthermore,
+Chapuys, who openly despised Anne, told Mary that Anne was planning to
+have her murdered.&nbsp; It was a terrible lie but one that Mary, in
+her hysterical state, was inclined to believe.&nbsp; When word came
+that she and Elizabeth's household was moving from Hatfield to The
+More, she refused to go.&nbsp; She believed she would be moved and
+quietly murdered.&nbsp; Guards had to actually seize her and throw her
+into her litter.&nbsp; Her distress naturally made her ill.&nbsp; </p>
+  <p>Elizabeth, meanwhile, was too young to notice any of this.&nbsp;
+But such events helped cement the lifelong hatred Mary would have for
+her half-sister.&nbsp; Her Spanish friends continued to spread rumors
+about Anne and Elizabeth, saying the infant princess was physically
+deformed and monstrous in appearance.&nbsp; To dispel this, in April
+1534, Henry showed the naked infant to several continental
+ambassadors.&nbsp; In that same month, Anne announced she was once
+again pregnant.&nbsp; Nothing could have pleased Henry more.&nbsp; She
+may have had a miscarriage in February for there were rumors she was
+pregnant in January but nothing came of it; given the heightened
+circumstances, it is unlikely she could have hidden her
+condition.&nbsp; Even a suspicion of pregnancy was sure to become
+gossip.&nbsp; But the main source of this miscarriage is Chapuys,
+hardly an impartial observer.&nbsp; At any rate, she was definitely
+pregnant again in April 1534.&nbsp; </p>
+  <p>The elated king took his wife to the medieval palace at Eltham;
+there, they sent for the princess Elizabeth.&nbsp; Henry was often seen
+carrying her about and playing with her.&nbsp; The king<img border="0"
+ src="boleynsketch2.jpg"
+ align="right" alt="sketch of Anne Boleyn by Hans Holbein the Younger"
+ width="165" height="206"> and queen soon returned to Greenwich and
+then Henry left on a progress, leaving Anne at the palace.&nbsp; This
+was probably out of concern for her health and lends some credence to
+the belief she miscarried in February.&nbsp; If she had, Henry would
+show special concern for her health, and this he did.&nbsp; He was
+supposed to meet Francis I of France in June at Calais to sign a treaty
+but decided not to, writing that Katharine and Mary, 'bearing no small
+grudge against his most entirely beloved Queen Anne, might perchance in
+his absence take occasion to practice matters of no small peril to his
+royal person, realm, and subjects.'&nbsp; </p>
+  <p>His extra attention to Anne did not help her health.&nbsp; In
+September 1534, she miscarried a six-month-old fetus; it was old enough
+for features to be discerned - it was a boy.&nbsp; Henry was bitterly
+disappointed.&nbsp; Anne was likewise.&nbsp; She was also angry for
+Henry had begun a casual affair that summer.&nbsp; She reproached him
+and Henry replied, 'You have good reason to be content with what I have
+done for you - and I would not do it again, if the thing were to
+begin.&nbsp; Consider from what you have come.'&nbsp; The scene was
+furious and overheard by her attendants.&nbsp; But it was a passing
+storm.&nbsp; Henry was already tired of his new mistress and, within
+days, Chapuys was sadly writing to Charles V of Henry's continued
+affection.&nbsp; But there were signs that things were not progressing
+smoothly.&nbsp; </p>
+  <p>&nbsp;For example, Henry had hoped to cement his relationship with
+Francis I by betrothing Elizabeth to Francis's son, the Duc
+d'Angouleme.&nbsp; After Anne suffered two miscarriages, as the French
+ambassador reported to Francis, the French king grew wary of such a
+betrothal.&nbsp; To him, it must have seemed that Anne's position was
+weakening; after all, Henry had dismissed one wife because she had no
+sons - would he do the same to Anne?&nbsp; And, if he did, then what
+good was a marriage to Elizabeth?&nbsp; Of course, it was in France's
+interests to promote Anne for Katharine of Aragon and her daughter were
+Charles V's pawns.&nbsp; But his doubts highlight the
+instability of Anne's position.&nbsp; </p>
+  <p>This undoubtedly affected her mental and physical health.&nbsp;
+Henry was never the mercenary adulterer of legend.&nbsp; In fact, he
+was remarkably conventional in his sexual appetites, unlike his French
+rival.&nbsp; Any affairs would have been widely reported and yet,
+during his long marriage to Katharine of Aragon, there were just a
+handful of mistresses.&nbsp; He enjoyed being around attractive
+women.&nbsp; He was flirtatious and would joke with them, compliment
+them, but only rarely did he enter into a physical relationship.&nbsp; </p>
+  <p>But for Anne, any occasional fling was devastating, especially if
+it followed upon her miscarriage.&nbsp; Such behavior was said to
+indicate his displeasure with her; this she could not afford.&nbsp;
+They were occasionally estranged and the effect was to increase her
+already-noticeable anxiety.&nbsp; In late 1534 Anne, accompanied by the
+duke of Suffolk, her uncle Norfolk, and other courtiers, visited
+Richmond Palace, where both Elizabeth and Mary resided.&nbsp; Anne
+entered her daughter's rooms only to realize that the two dukes had
+left her.&nbsp; They were paying court to Mary and remained with her
+until Anne had left.&nbsp; Still, this slight could be forgotten when
+the Treason Act was passed in November.&nbsp; It was now a capital
+crime to deny the legitimacy of her marriage or children.&nbsp; By
+December, she and Henry had made up yet again.&nbsp; </p>
+  <p>A scandal occurred shortly thereafter which added further damage to Anne's 
+  reputation.&nbsp; Her sister, Mary, who had been Henry's mistress years 
+  before, married Sir William Stafford without her family or the king's 
+  permission.&nbsp; Because Stafford was poor, Mary's father was angry and cut 
+  off her allowance.&nbsp; She appealed to the king and Anne but they would not 
+  help.&nbsp; (Mary did not attend court during Anne's reign, since her presence 
+  would have been an embarrassment for the king and queen.)</p>
+  <p> <img height="194" alt="portrait of Anne Boleyn"
+ src="anne2.jpg" width="139"
+ border="0" align="left">Always fascinated with rumors surrounding his
+English 'brother', Francis I decided to hedge his bets in the mercurial
+Tudor court.&nbsp; In other words, he would remain friendly with Anne
+and also with Mary Tudor.&nbsp; And so he instructed his new
+ambassador, Admiral Chabot, to ignore Anne when he arrived at
+court.&nbsp; Chabot was received by Henry and two days passed without
+any mention of the queen.&nbsp; Henry asked if Chabot wanted to visit
+her.&nbsp; The ambassador replied, 'As it pleases Your Highness' and
+then asked permission to visit Mary.&nbsp; Henry refused, but Chabot
+made certain everyone knew of his request.&nbsp; He also told courtiers
+that Francis wanted to marry the Dauphin to Mary; when Henry reminded
+him of the union with Elizabeth, the ambassador said nothing.&nbsp;
+Still, Francis did enrage Charles V by acknowledging Elizabeth's
+legitimacy.&nbsp; </p>
+  <p>It was a tedious and frightening dance for Anne.&nbsp; During the
+two and a half years after Elizabeth's birth, she was rarely secure,
+certain of her position and the king's affections.&nbsp; Her little
+daughter received every favor she could bestow; Anne insisted Henry
+favor Elizabeth because it strengthened her position.&nbsp; But she was
+surrounded by fair-weather friends who, at the slightest sign of
+Henry's disfavor, ignored her.&nbsp; She only trusted her brother,
+George, whose wife, Jane Rochford, was a viper in their nest.&nbsp;
+Meanwhile, Henry was again flirting openly with another woman.&nbsp;
+This time it was Anne's cousin and lady-in-waiting, Madge
+Shelton.&nbsp; Anne still had influence over her husband, but knew only
+one way to make his favor permanent.&nbsp; She must bear a son.&nbsp;
+Henry would never dismiss the mother of his long-awaited heir.&nbsp;
+Her enemies would at last be silenced.&nbsp; </p>
+  <p>Meanwhile, Henry's health had begun to worsen.&nbsp; The first
+signs of the illness which would kill him appeared (occluded sinus on
+his leg).&nbsp; Headaches became frequent and severe.&nbsp; The king
+was a hypochondriac.&nbsp; Now unable to indulge his love of sports, he
+instead indulged his fear of pain and illness.&nbsp; And he was
+frequently impotent.&nbsp; He was in his mid-forties and increasingly
+obese; this, combined with his other ailments, made his continued
+virility questionable.&nbsp; Certainly his 'mistresses' did not
+conceive.&nbsp; But the continued lack of an heir and Anne's
+miscarriages must have reminded him of Katharine.&nbsp; How could it
+not?&nbsp; Like most of his contemporaries, the king blamed his wife
+when she did not conceive or carry to term.&nbsp; </p>
+  <p>And, like Francis I, Thomas Cromwell - that influential and
+brilliant man - was keeping his options open as well.&nbsp; He visited
+Mary and was rumored to promise support for her reinstatement.&nbsp;
+Anne was terrified at this loss of her one-time supporter who was also
+the king's most trusted advisor.&nbsp; But Anne had one last chance,
+and in June 1535, became pregnant again.&nbsp; She lost that child as
+well, in January 1536; she was reported to have said, 'I have
+miscarried of my savior.'&nbsp; </p>
+  <p>When her destruction came, it was rapid and unbelievable.&nbsp;
+Henry had always been one to plot against people while he pretended
+affection.&nbsp; Anne suffered the same fate as Katharine.&nbsp; She
+knew he was dissatisfied with her but he maintained their lifestyle
+together.&nbsp; And all the while, he was seeking the best way to
+destroy her.&nbsp; Katharine of Aragon died in January as well, just a
+few days before Anne's miscarriage.&nbsp; These events, taken together,
+pushed Henry into action.&nbsp; While Katharine had lived, most of
+Europe, and many Englishmen, had regarded her as his rightful wife, not
+Anne.&nbsp; Now he was rid of Katharine; if he were to rid himself of
+Anne, he could marry again - and this third marriage would never be
+tainted by the specter of bigamy.&nbsp; </p>
+  <p>Henry's <a href="../prianne2.html">decision
+to thoroughly destroy Anne</a> baffled even her enemies.&nbsp; There
+was a possible way out which would spare Anne's life.&nbsp; Henry had
+admitted an affair with her sister,<img height="194"
+ alt="an 18th century portrait of Anne Boleyn"
+ src="anne3.jpg" width="144"
+ border="2" align="right"> Mary.&nbsp; He could have argued that was as
+damning as Katharine's marriage to his brother.&nbsp; But he chose a
+more direct route.&nbsp; He had her arrested, charged with adultery,
+witchcraft, and incest; the charges were ludicrous even to her
+enemies.&nbsp; Her brother George was arrested as well.&nbsp; His
+despised wife, Jane Rochford, testified about an incestuous love
+affair.&nbsp; Whether anyone believed her was irrelevant.&nbsp; Henry
+VIII wanted Anne convicted and killed.&nbsp; George would also lose his
+life, as did three of their friends.&nbsp; Only one had confessed to
+the charge, and that was under torture; it was still enough to convict
+them all.&nbsp; </p>
+  <p>As queen of England, Anne was tried by her peers; the main charge
+was adultery, and this was an act of treason for a queen.&nbsp; No
+member of the nobility would help her; her craven uncle Norfolk
+pronounced the death sentence.&nbsp; Poor Henry Percy, her first love,
+swooned during the trial and had to be carried from the room.&nbsp; As
+a concession to her former position, she was not beheaded by a clumsy
+axe.&nbsp; A skilled swordsman was brought over from France.&nbsp; She
+was assured that there would be little pain; she replied, with typical
+spirit, 'I have heard that the executioner is very good.&nbsp; And I
+have a little neck.'</p>
+  <p>&nbsp;</p>
+  <blockquote>
+    <blockquote>
+      <p><font size="4">'You have chosen me from low estate to be your
+queen and companion, far beyond my desert or desire; if, then, you
+found me worthy of such honor, good your grace, let not any light fancy
+or bad counsel of my enemies withdraw your princely favor from me;
+neither let that stain - that unworthy stain - of a disloyal heart
+towards your good grace ever cast so foul a blot on me, and on the
+infant princess your daughter.' </font><b>&nbsp; </b><i><font
+ size="-1">from Anne Boleyn's <a
+ href="../letter10.html">last letter</a>
+to King Henry VIII, 1536</font></i>;<i><font size="2"> <a
+ href="../letter10.html">its authenticity
+is debated</a>.</font></i></p>
+    </blockquote>
+  </blockquote>
+  <p>&nbsp;</p>
+  <p>She had prayed for exile, to end her days in a nunnery, but now
+faced a more tragic fate.&nbsp; She met it with bravery and wit.&nbsp;
+She was brought to the scaffold at 8 o'clock in the morning on 19 May
+1536.&nbsp; It was a heretofore unknown spectacle, the first public
+execution of an English queen.&nbsp; Anne, who had defended herself so
+ably at her trial, chose her last words carefully:&nbsp; 'Good
+Christian people, I am come hither to die, for according to the law,
+and by the law I am judged to die, and therefore I will speak nothing
+against it.&nbsp; I am come hither to accuse no man, nor to speak
+anything of that, whereof I am accused and condemned to die, but I pray
+God save the king and send him long to reign over you, for a gentler
+nor a more merciful prince was there never: and to me he was ever a
+good, a gentle and sovereign lord.&nbsp; And if any person will meddle
+of my cause, I require them to judge the best.&nbsp; And thus I take my
+leave of the world and of you all, and I heartily desire you all to
+pray for me.&nbsp; O Lord have mercy on me, to God I commend my
+soul.'&nbsp; She was then blindfolded and knelt at the block.&nbsp; She
+repeated several times, 'To Jesus Christ I commend my soul; Lord Jesu
+receive my soul.'&nbsp; </p>
+  <p>It was a sardonic message to the king.&nbsp; Even now he waited
+impatiently to hear the Tower cannon mark Anne's death.&nbsp; He wished
+to marry Anne's lady-in-waiting, <a
+ href="seymour.html">Jane
+Seymour</a>.&nbsp; They wed ten days after the execution.&nbsp; </p>
+  <p>Elizabeth was just three and a half when her mother died.&nbsp;
+She was a precocious child, though; when her governess visited her just
+days after the execution, <a
+ href="eliz.html">Elizabeth</a>
+asked, 'Why, Governor, how hap it yesterday Lady Princess, and today
+but Lady Elizabeth?'&nbsp; </p>
+  <p>Anne was buried in an old arrow box since no coffin was
+provided.&nbsp; But the box was too short; her head was tucked beside
+her.&nbsp; The remains were taken to St Peter ad Vincula, the church of
+the Tower of London.&nbsp; It was later rumored that her few remaining
+friends smuggled her body to a more suitable grave and she is buried
+under a plain slab in a Norfolk church.&nbsp; The church is said to be
+haunted.</p>
+  <p align="center">&nbsp;</p>
+  <p align="center"><font size="4">'And if any person will meddle of my
+cause, I require them to judge the best.'&nbsp; <br>
+  </font><i><font size="-1">from Anne Boleyn's speech at her execution</font></i>
+  </p>
+  <blockquote>
+    <p>&nbsp;</p>
+    <center>
+    <p><font size="-1"><a
+ href="wives.html">to the Six
+Wives main page</a></font> <br>
+    <font size="-1"><a href="http://englishhistory.net/tudor.html">to
+Tudor England</a></font></p>
+    <p><font size="-1"> <a
+ href="../primary.html">to Primary Sources</a></font></p>
+    </center>
+  </blockquote>
+</blockquote>
+<p align="center"><font size="2">This page receives 15,000+ unique visitors per 
+month.</font></p>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082567" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/cleves.html
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="page_topic"
+ content="Anne of Cleves fourth wife of King Henry VIII">
+  <meta name="content"
+ content="Anne of Cleves fourth wife of King Henry VIII">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+  <meta name="ProgId" content="FrontPage.Editor.Document">
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+  <title>Anne of Cleves: Biography, Portraits, Primary Sources</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+  </style>
+</head>
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+<table border="0" cellpadding="3" width="100%" height="634">
+  <tbody>
+    <tr>
+      <td width="25%" height="1"><br>
+      </td>
+      <td valign="top" width="50%" height="1"></td>
+      <td width="25%" height="1"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="3"><br>
+      </td>
+      <td width="50%" height="3">
+      <p align="center"><font size="4">'My Lord, if it were not to
+satisfy the world, and My Realm, I would not do that I must do this day
+for none earthly thing.' </font> <br>
+      <i><font size="-1">Henry VIII to Cromwell on his wedding day to
+Anne of Cleves</font></i> <br>
+&nbsp; </p>
+      </td>
+      <td width="25%" height="3"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="610"><br>
+      </td>
+      <td valign="top" width="50%" height="610">
+      <p align="center">&nbsp;</p>
+      <p align="center">
+      <img border="0" src="clevescardinal.gif" width="352" height="95"></p>
+      <p align="center">
+      <img border="0" src="clevesholbein2.jpg" alt="miniature portrait of Anne of Cleves by Hans Holbein the Younger" width="331" height="325"></p>
+      <p align="center"><i><font size="2">miniature portrait of Anne of Cleves 
+      by Hans Holbein the Younger</font></i></p>
+      <p align="left"> <b><br>Anne of Cleves was the fourth wife of King
+Henry VIII; it was a very brief marriage, to the astonishment of all
+observers but the relief of both spouses.&nbsp; Henry infamously
+referred to his bride as a 'Flanders mare' and told courtiers and
+ambassadors that he could not perform his husbandly duties because of
+Anne's appearance.&nbsp; Anne's reaction to Henry's physical charms was
+not recorded, but she agreed to an annulment very quickly and remained
+in England for the rest of her life.&nbsp; Henry was grateful for her
+cooperation and granted her a generous income and several homes,
+including Hever Castle.&nbsp; Anne enjoyed an independent lifestyle
+denied most women, often visiting Henry's court as an honored
+guest.&nbsp; Her fondness for English ale and gambling were her only
+vices.&nbsp; Along with her successor as Henry's wife, Catherine
+Howard, Anne remains a mysterious figure about whom too little is
+known.&nbsp; Had she and Henry remained married and had children, the
+course of English history might have changed dramatically.&nbsp; But
+the mysteries of physical attraction denied Anne her place on the
+throne, ended the brilliant career of Thomas Cromwell, and thrust the
+king into the arms of his ill-fated fifth queen, Catherine Howard.</b> </p>
+      <p align="left">&nbsp;</p>
+      <blockquote>
+        <p><a
+ href="cleves.html#Biography">
+        <font size="4">Read the biography of Anne of Cleves.</font></a></p>
+        <p><b><br>
+Primary Sources</b> <br>
+Read <a href="../letters.html">letters
+written by Anne</a>. <br>
+        <a href="../pricleve.html">Anne of
+Cleves meets Henry VIII for the first time</a>, 1540</p>
+      </blockquote>
+      <blockquote>
+        <p>Visit <a href="http://www.marileecody.com/images.html">Tudor
+England: Images</a> to view portraits of Anne. </p>
+        <p>Test your knowledge of Anne's life at <a
+ href="../tudor1.html">Tudor Quizzes</a>.</p>
+        <p><br>
+        </p>
+        <p><font size="2"><b>Interact<br>
+        </b>Meet other Six Wives enthusiasts at <a
+ href="http://ladiesallfanlist.cjb.net/">Ladies All: A Fanlisting for
+the Six Wives of Henry VIII</a>.<br>
+        <a href="http://tudorhistory.org/lists/list.html"> Tudor Talk </a>&nbsp;This
+email discussion list is sponsored by Tudorhistory.org.<br>
+        <a href="http://groups.yahoo.com/group/Reign_of_the_Tudors_rpg/">Reign
+of the Tudors</a>&nbsp; This is a role-playing game set in 16th century
+England.&nbsp; If you would like to 'play' Jane Grey or Anne Boleyn or
+other Tudors, click the link to join.</font></p>
+      </blockquote>
+      </td>
+      <td width="25%" height="610"><br>
+      </td>
+    </tr>
+  </tbody>
+</table>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <p><font size="4"><br>
+&nbsp;</font></p>
+      <p><a name="Biography"></a><font size="4">'So she came to
+Greenwich that night, and was received as queen.&nbsp; And the next
+day, being Sunday, the king's grace kept a great court at Greenwich,
+where his grace with the queen offered at mass, richly dressed.&nbsp;
+And on Twelfth Night, which was Tuesday, the king's majesty was married
+to the said queen Anne solemnly, in her closet at Greenwich, and his
+grace and she went publicly in procession that day, she having a rich
+coronet of stone and pearls set with rosemary on her hair, and a gown
+of rich cloth of silver, richly hung with stones and pearls, with all
+her ladies and gentlewomen following her, which was a goodly sight to
+behold.' </font>&nbsp;<i><font size="2"> Anne of Cleves marries King
+Henry VIII, 1540</font></i><br>
+&nbsp;</p>
+    </blockquote>
+  </blockquote>
+  <p>&nbsp;</p>
+  <p><b>Biography</b> <br>
+Anne of Cleves was Henry VIII's fourth wife, though not his first
+choice for the role by far.&nbsp; His ambassadors searched out all the
+eligible heiresses of Europe and discovered their king had a very nasty
+marital reputation.&nbsp; The beautiful Christina of Milan was told of
+the king's interest and wittily replied that if she had two heads she
+would risk it, but she had only one; Marie de Guise, who would later
+wed his nephew the King of Scots, replied much the same.&nbsp; The
+tragic tale of his second queen, Anne Boleyn, had kept European gossips
+busy for three years now.&nbsp; </p>
+  <p>The king's poor and disrespectful treatment of his first wife (he
+was rumored to have bullied Katharine of Aragon to an unhappy death)
+and the quick end of his third (in his desperation for a healthy male
+heir, the king was rumored to have ordered Jane Seymour cut open,
+mangled and killed) only contributed to his low reputation. </p>
+  <p>One wouldn't think a king would have too difficult a time finding
+a wife, but Henry VIII - who defied his contemporaries in so many other
+ways - did so in this respect as well. </p>
+  <p>In the end, it was religion which brought Anne of Cleves to
+England.&nbsp; </p>
+  <p>Henry had sought out Catholic princesses like Marie de Guise and
+his fifth wife would be a Catholic as well.&nbsp; Despite the Henrician
+'reformation', England and its monarch remained a Catholic nation,
+albeit one in which supreme authority resided within the king rather
+than the pope.&nbsp; But Henry's influential advisor, Thomas Cromwell,
+wanted England to ally herself with a Protestant nation that also
+rejected papal authority.&nbsp; Cromwell recognized the inexorable
+Catholic decline which was only just beginning to occur; the king's
+assumption of supreme authority had merely been the first and most
+spectacular opening shot in a new religious war.&nbsp; Raised to be a
+churchman until his brother's untimely death and deeply interested in
+theological debate, Henry VIII didn't appreciate the Pandora's Box of
+change he had opened.&nbsp; Cromwell, younger and more philosophically
+attuned to the attitudes of the rising middle class, did appreciate
+it.&nbsp; And he approved of it.&nbsp; The marriage to Anne of Cleves
+would openly ally England with a Protestant duchy, thus making the
+'reformation' even more settled. </p>
+  <p>Henry VIII's previous two marriages had been love matches; he had
+been quite independent in choosing women of his own court to
+marry.&nbsp; But this fourth marriage was necessarily a more diplomatic
+endeavor.&nbsp; In this, the king returned to the traditional role of
+kings searching for brides; he also understood that, since the Act of
+Supremacy in 1534, England stood dangerously isolated amongst the
+Catholic powers of Spain and France. </p>
+  <p>There was a gap of over two years between Jane Seymour's death in
+October 1537 and Anne of Cleves's arrival in England in late December
+1539.&nbsp; Romantics believe the king waited such a long while to
+marry again because he loved Jane so much.&nbsp; Whether he loved her
+or not is beside the point, though there is ample evidence that he
+did.&nbsp; Henry actually waited so long (and he did so quite
+impatiently) because marriage negotiations took an unexpectedly long
+time.&nbsp; He actually sent out instructions regarding the search for
+a new wife barely a month after Jane's death. </p>
+  <p>But the French princesses would not assemble for his perusal; they
+also made it clear they preferred other suitors.&nbsp;&nbsp; Likewise,
+other heiresses of Europe, some of which (like Christina of Milan) were
+related through tangled Hapsburg bloodlines to the king's first wife,
+Katharine of Aragon, avoided the English ambassadors.&nbsp; And always,
+busy with his paperwork and contacts throughout Europe, Cromwell sought
+to arrange a Protestant alliance. </p>
+  <p>During all of these negotiations, one must not forget the king's
+own views regarding his future wife.&nbsp; Henry was used to making his
+own decisions about the women in his life; he had high standards for
+female beauty and insisted his next wife be physically
+attractive.&nbsp; To that end, he told his ambassadors that no official
+overtures be made to certain ladies until he had approved of their
+looks.&nbsp; 'The thing touches me too near,' said the king, which was
+true enough but not the sort of thing kings were supposed to say.&nbsp;
+After all, he was not merely a man but a monarch; he was not supposed
+to marry for himself alone. </p>
+  <p>The ambassadors were often placed in embarrassing positions,
+commissioning portraits and sending back detailed descriptions of pock
+marks and hairstyles.&nbsp; Finally, the choices were narrowed down to
+four serious contenders - Marie de Guise, the widow of the duc de
+Longueville, was tall, beautiful and already proven in
+childbirth.&nbsp; As mentioned earlier, she chose the Scottish king
+James V.&nbsp; Henry then looked to her younger sister, but she also
+became otherwise engaged.&nbsp; Then there was the beautiful and
+intelligent Christina of Milan, just sixteen and one of the most
+sought-after heiresses of her generation.&nbsp; But the king of England
+was three times her age, fat and with a cruel reputation; she allowed
+herself to be painted by Holbein but did nothing to solve the problem
+of her being a great-niece of Katharine of Aragon.&nbsp; This
+impediment of affinity was a nice way to avoid the king of England. </p>
+  <p>The year of 1538 passed with no alliance.&nbsp; Henry had intended
+to use his fourth marriage as a balance between France and the Hapsburg
+empire.&nbsp; But it now seemed as if those two enemies might join
+forces against him in defense of the papal supremacy. </p>
+  <p>Suddenly Cromwell's moment had arrived.&nbsp; The fourth serious
+contender was the sister of the duke of Cleves.&nbsp; The duke was not
+a Protestant himself but was allied through marriage with Saxony and
+the league of Lutheran princes; he was also at odds with the Hapsburg
+emperor Charles V over the duchy of Gelderland.&nbsp; The duchy of
+Cleves might one day rival the Netherlands in terms of trade and
+strategic advantage.&nbsp; The king was persuaded to send his favorite
+court painter, Hans Holbein the Younger, to the German duchy.&nbsp;
+There he painted both Anne and her sister Amelia.&nbsp; Henry, who by
+this time was wearying of the endless rounds of negotiations (and whom
+Cromwell feared would soon turn to another English noblewoman), was
+interested in Anne.&nbsp; Negotiations began in earnest. </p>
+  <p>Anne was 24 years old, and had spent most of her life at the ducal
+court of Dusseldorf.&nbsp; She was well-educated in domestic skills but
+she was neither intellectual or flirtatious, both qualities the king
+admired.&nbsp; She had no musical skills, and music was one of Henry's
+passions, and no interest in books.&nbsp; On the trip to England, her
+escort (perhaps sensing disaster ahead) tried to teach her the king's
+favorite card games but Anne found them hopeless.&nbsp; It was not her
+fault, nor that of Henry VIII, but she was raised in a different
+country and, as things turned out, was not given time to acclimatize
+herself before the king rejected her.&nbsp; </p>
+  <p>
+  <img height="280" alt="Holbein's betrothal portrait of Anne of Cleves"
+ src="cleves-bio1.jpg"
+ width="190" align="left" border="2">The issue of the betrothal portrait is the most fascinating part
+of this story.&nbsp; Holbein was a man of vast talent; his best
+portraits are simply astounding, beautifully composed and possessing
+great psychological insight.&nbsp; Look at the infamous portrait of
+Anne of Cleves to the left; it is clear that Holbein was more
+fascinated with the embroidery of her gown than with Anne's
+personality.&nbsp; Her eyes are downcast and her features lost beneath the ornate
+trappings of her dress and hood. </p>
+  <p>There has long been a rumor that Henry was so enraged with the
+work, believing that Holbein had deliberately duped him with a false
+portrait, that he fired the painter.&nbsp; But that is not true.&nbsp;
+At the time, there were a few remarks that she did not look as well as
+the portrait asserted, but this was not unlikely - she had arrived in
+England after a long journey, perhaps the sea air did not agree with
+her skin?&nbsp; Or perhaps nervousness over the impending marriage
+caused a change in her complexion.&nbsp; We cannot know.&nbsp; But we
+do know that Henry's ambassadors, only too aware of their master's
+wishes, allowed the portrait to be sent as a fair likeness of
+Anne.&nbsp; Would they have dared to mislead their monarch in such a
+way?&nbsp; It's not likely.&nbsp; Even Henry himself did not make much
+of the supposed difference between the painted and real Anne, aside
+from a comment to Cromwell that she was 'nothing so fair as she had
+been reported.'&nbsp; Often expectations can be idealistic, and that
+was possibly the case with Henry.&nbsp; Holbein continued to receive
+commissions from the English aristocracy before dying of plague in
+London in 1543. </p>
+  <p>What actually happened to drive Anne and Henry apart was a simple
+matter of attraction.&nbsp; Almost five hundred years later, we still
+don't understand why certain people are physically attracted to each
+other; it simply happens.&nbsp; And it didn't happen with Anne and
+Henry; in fact, quite the opposite occurred and the king was repulsed
+by her.&nbsp; Anne's feelings on the matter are not known but Henry was
+no longer the strong, athletic king of years past; various injuries had
+reduced his exercise but not his appetite.&nbsp; He was increasingly
+obese and subject to its attendant problems. </p>
+  <p>There were other reasons for the king to look askance at this new
+bride.&nbsp; The foreign crisis which had caused Cromwell to seek an
+alliance with the Protestant duchy had passed; France and Spain had
+returned to their old enmity.&nbsp; England was no longer threatened by
+the Catholic powers.&nbsp; Also, the dispute over Gelderland had become
+more serious and Henry was not eager to fight the suddenly genial
+Spanish in defense of Anne's brother.&nbsp; These issues were clear in
+mid-autumn 1539 but the marriage negotiations continued.&nbsp; By that
+point, they had a momentum of their own.&nbsp; A proxy marriage
+occurred and Anne left her home in late November.&nbsp; She reached
+Calais on 11 December; during the journey, she was addressed as Queen
+of England and treated accordingly.&nbsp; For a fortnight she waited at
+Calais until the weather settled.&nbsp; On 27 December she set out for
+Deal; it was a stormy crossing.&nbsp; It was on the first day of 1540
+that the king, so impatient to see his new bride, entered her rooms in
+disguise.&nbsp; The scene was recorded by the Imperial ambassador,
+Eustace Chapuys: </p>
+  <blockquote>
+    <p>And on New Years Day in the afternoon the king's grace with five
+of his privy chamber, being disguised with mottled cloaks with hoods so
+that they should not be recognized, came secretly to Rochester, and so
+went up into the chamber where the said Lady Anne was looking out of a
+window to see the bull-baiting which was going on in the courtyard, and
+suddenly he embraced and kissed her, and showed here a token which the
+king had sent her for New Year's gift, and she being abashed and not
+knowing who it was thanked him, and so he spoke with her.&nbsp; But she
+regarded him little, but always looked out the window.... and when the
+king saw that she took so little notice of his coming he went into
+another chamber and took off his cloak and came in again in a coat of
+purple velvet.&nbsp; And when the lords and knights saw his grace they
+did him reverence.... and then her grace humbled herself lowly to the
+king's majesty, and his grace saluted her again, and they talked
+together lovingly, and afterwards he took her by the hand and led her
+to another chamber where their graces amused themselves that night and
+on Friday until the afternoon.</p>
+  </blockquote>
+  <p><font size="-1">You can read the entire account at <a
+ href="../pricleve.html">Primary Sources</a>.</font>
+  <br>
+  <br>
+Henry had so far managed to conceal his dislike of Anne.&nbsp; There is
+reason to believe it was not an immediate revulsion; it was only after
+their wedding night, which the king declared he could not consummate,
+that word spread of his physical distaste.&nbsp; When Cromwell asked
+him the next morning, 'How liked you the Queen?', Henry replied, 'I
+liked her before not well, but now I like her much worse.' </p>
+  <p>On Twelfth Night (6 January), they were married in the 'Queen's
+Closet' at Greenwich Palace, where Henry had also married his last
+bride.&nbsp; But the king was already looking for ways out.&nbsp; The
+very day of the ceremony, he told Cromwell, 'My Lord, if it were not to
+satisfy the world, and my Realm, I would not do that I must do this day
+for none earthly thing.'&nbsp; These were ominous words. </p>
+  <p>It is also possible that around this time, the king met <a
+ href="howard.html">Catherine
+Howard</a>, cousin of his second wife, Anne Boleyn, and now destined to
+be lady-in-waiting to Anne of Cleves when her Flemish attendants were
+dismissed.&nbsp; There is no doubt he felt an instant attraction to the
+lively, curvaceous Catherine.&nbsp; </p>
+  <p>Henry's nobility, which had long chafed against the power and
+influence of <a
+ href="../citizens/cromwell.html">Cromwell</a>
+(much as they had against Wolsey), welcomed this opportunity to
+discredit him.&nbsp; The minister had pushed the king into the Cleves
+marriage, they reminded Henry gleefully.&nbsp; The king's wrath turned
+against his former friend and Cromwell was executed on 28 July 1540, a
+decision Henry almost instantly regretted.&nbsp; </p>
+  <p>And so four things pushed Henry towards an annulment - his dislike
+of Anne, foreign policy changes, his attraction to Catherine Howard,
+and his courtiers' hatred of Cromwell. </p>
+  <p>In the few days between the first meeting and the wedding,
+Cromwell and the king had found a potential way out, though the
+ceremony continued as planned.&nbsp; In the mid-1530s, Anne had briefly
+been engaged to Francis, duke of Lorraine.&nbsp; The English had not
+explored the issue too much, merely asking the government of Cleves if
+negotiations had ended.&nbsp; Now they looked more closely, with the
+king waiting impatiently for the right response.&nbsp; They suddenly
+discovered there was no dispensation from the precontract; Anne was
+still officially betrothed to Francis.&nbsp; </p>
+  <p>The ambassadors from Cleves were not unaware of Henry's
+intent.&nbsp; They struggled to find the right documents but, on 26
+February 1540, all they could produce was a report in their archives
+which stated that negotiations with Lorraine 'were not going to take
+their natural course.'&nbsp; No actual papers of dispensation could be
+produced since they did not exist.&nbsp; Thus Henry's marriage to Anne
+of Cleves was legally invalid from the start.&nbsp; </p>
+  <p>This is one of the more ironic moments in Henry's checkered
+marital career.&nbsp; For once, his decision to end a marriage was
+legally valid and acceptable to all. </p>
+  <p>Meanwhile, the king made certain comments regarding Anne's body
+and virtue which reveal him in a less than gentlemanly light.&nbsp; He
+told Anthony Denny, a member of the Privy Chamber, that she had
+'breasts so slack and other parts of body in such sort that [he]
+somewhat suspected her virginity.'&nbsp; He further told his court
+physicians of the 'hanging of her breasts and looseness of her
+flesh.'&nbsp; Clearly, consummation of the marriage would not
+occur.&nbsp; The king bravely slept in the same bed at least every
+other night, yet he reported a month later that Anne 'was still as good
+a Maid.... as ever her Mother bare her.'&nbsp; This contradiction - she
+was not a virgin, yet was - was never mentioned. </p>
+  <p>What did Anne think of all this controversy?&nbsp; </p>
+  <p>Luckily for her, she had only a small knowledge of English and
+even less knowledge of the physical relationship between a man and
+wife.&nbsp; Her English ladies were astounded by her innocence.&nbsp;
+'When he [Henry] comes to bed, he kisses me and taketh me by the hand,
+and biddeth me 'Goodnight, sweetheart,' and in the morning, kisses me,
+and biddeth me, 'Farewell, darling.'&nbsp; Is this not enough?' asked
+Anne.&nbsp; No, she was told emphatically, it most certainly was not. </p>
+  <p>Anne's ignorance casts a bad light on her mother, Duchess Maria,
+but it served to protect her feelings in England.&nbsp; </p>
+  <p>In the end, she ruled as queen for just four months; her last
+official appearance as the royal consort was during the May Day
+celebrations.&nbsp; She was never crowned, though even if the king had
+wished it, he could not have afforded such a ceremony.&nbsp; During
+those months, the Catholic nobility pushed their advantage against the
+Protestant Cromwell.&nbsp; The minister was too Lutheran for the king's
+taste.&nbsp; Likewise, the Catholics encouraged the flirtations of
+young Catherine Howard, also a Catholic and the duke of Norfolk's
+niece.&nbsp; Too young and ill-educated to be aware of how others used
+her as a pawn, she happily danced before the king and accepted his
+gifts.&nbsp; She was granted lands in April and the next month received
+rich gifts of fabric and jewelry.&nbsp; There is every possibility
+Catherine consummated her relationship with the king in May.&nbsp; How
+else can we explain the sudden race to rid himself of Anne? </p>
+  <p>The investigation into her precontract with Lorraine had been
+hastily done in January and February but for two months afterwards, the
+king merely lamented his fate.&nbsp; Parliament even confirmed Anne's
+dowry in April.&nbsp; But suddenly in May there was a fierce new
+determination to annul the marriage; the king was no longer content to
+complain.&nbsp; </p>
+  <p>It is possible, and was rumored, that Henry had slept with
+Catherine and consequently there was a chance she was pregnant.&nbsp;
+Another male heir was never far from Henry's mind.&nbsp; He was also
+deeply in love with his 'Rose without a Thorn', a somewhat pathetic
+attraction between an elderly (the king was almost 49 years old) man
+and a very young woman.&nbsp; </p>
+  <p>And so Anne had to go.&nbsp; She succumbed to the inevitable with
+surprising grace.&nbsp; Perhaps she was leery of the royal temper, or<img
+ height="218" alt="engraving of Anne of Cleves, after Holbein"
+ src="cleves-bio2.jpg"
+ width="154" border="2" align="right"> remembered the king's marital
+history, or she simply didn't care.&nbsp; Henry was very
+grateful.&nbsp; If she had not cooperated....&nbsp; He knew, from the
+example of Katharine of Aragon, what could happen if a queen fought an
+annulment.&nbsp; He had no desire to alienate Cleves or engage in
+another lengthy legal and theological dispute.&nbsp; The king declared
+the marriage had not been consummated and, in any case, it was invalid
+from the start.&nbsp; Would Anne agree? </p>
+  <p>She did agree, most readily.&nbsp; She was shocked at first by the
+news; the king's representatives visited her at Richmond Palace, where
+she had gone to escape the threat of plague.&nbsp; They brought an
+interpreter so there would be no misunderstanding.&nbsp; For her part,
+Anne quickly grasped the situation.&nbsp; She had no advisers and the
+king had already executed one wife and harassed another to death.&nbsp;
+Certainly she enjoyed the role of queen, was more fluent in English and
+had taken a liking to her new country; even the people cheered her on
+the occasional public ride between palaces.&nbsp; But did she dare
+fight Henry?&nbsp; Of course not. </p>
+  <p>The king's servants wrote that she was 'content always with your
+Majesty', thus accepting Henry's judgment, and in her <a
+ href="../letter12.html">letter of</a><a
+ href="../letter12.html"> submission</a>
+she signed herself 'daughter of Cleves', not 'queen of England'.&nbsp;
+She agreed the marriage had never been consummated and signed all
+necessary documents.&nbsp; For his part, Henry was now prepared to be
+generous.&nbsp; Anne was to enjoy precedence over all the ladies in
+England, except the Queen and the king's daughters.&nbsp; She was to be
+known as the king's 'good sister' and received a very nice settlement
+of manors and estates, some of which belonged to Cromwell.&nbsp; This
+guaranteed her an income of 3000 pds a year, making her one of the
+wealthiest women in England.&nbsp; All this depended upon her remaining
+in England, and this Anne was more than willing to do.&nbsp; 'The
+King's highness whom I cannot have as a husband is nevertheless a most
+kind, loving and friendly father and brother,' she wrote to her
+brother.&nbsp; Why should she return home in ignominy, dependent upon
+her brother's generosity, when she could remain in England and live a
+comfortable, independent life? </p>
+  <p>Anne was perhaps as content with the arrangement as Henry.&nbsp;
+She grew to enjoy English ale and gambling; she spent large sums on
+gowns; she visited with the king's children and occasionally the king
+himself.&nbsp; She was heard to remark that she was more attractive
+than Katharine Parr, to whom the king's attention turned in 1543.&nbsp;
+In fact, upon Catherine Howard's execution in 1542, rumors circulated
+that perhaps the king would take back his former bride.&nbsp; The
+French ambassador was suitably impressed with Anne's handling of a
+delicate situation, observing that 'all her affairs could never make
+her utter a word by which one might suppose that she was
+discontented.'&nbsp; </p>
+  <p>These rumors were understandable enough; Anne occupied a nebulous
+place in English society, unmarried but wealthy and independent.&nbsp;
+She was not an heiress but still honored as a royal.&nbsp; She answered
+to no male authority but that of the king, and he did not choose to
+trouble her.&nbsp; For the rest of her life, rumors spread about her
+lifestyle.&nbsp; For Anne's part, she was content and happy and had
+little reason to be otherwise. </p>
+  <p>She made her last public appearance at Mary Tudor's coronation in
+1553, riding alongside the Princess Elizabeth.&nbsp; She died in 1557
+of a 'declining illness' and was buried with appropriate honor at
+Westminster Abbey.&nbsp; Her will is perhaps most representative of her
+kindly character.&nbsp; In it, she remembered gifts to everyone who had
+ever served her, no matter how humble or long ago. </p>
+  <p>Anne had chosen as her motto 'God send me well to keep' and it
+proved apt, though in a way few could have predicted.</p>
+  <p>&nbsp;</p>
+  <center>
+  <p><font size="-1"><a
+ href="wives.html">to the Six
+Wives main page</a></font> <br>
+  <font size="-1"><a href="http://englishhistory.net/tudor.html">to
+Tudor England</a></font></p>
+  <p><font size="-1"> <a
+ href="../primary.html">to Primary Sources</a></font></p>
+  </center>
+</blockquote>
+</body>
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+   <meta name="ProgId" content="FrontPage.Editor.Document">
+   <meta http-equiv="Content-Language" content="en-us">
+   <meta name="Author" content="Marilee">
+   <title>Tudor Monarchs: King Edward VI</title>
+<style fprolloverstyle>A:hover {color: #000000; font-weight: bold}
+   </style>
+</head>
+<body text="#000000" bgcolor="#FFFFFF" link="#000000" vlink="#000000" alink="#000099">
+&nbsp;
+<center><table BORDER=0 CELLSPACING=8 CELLPADDING=0 WIDTH="98%" >
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+<p>
+<img SRC="seymour-cr.jpg" ALT="etching of Edward's mother, Jane Seymour" BORDER=1 height=169 width=150><p>
+<font size="2">engraving of Jane Seymour, mother of Edward VI</font><p><br>
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+<p>
+<img SRC="seymour-min.jpg" ALT="miniature portrait of Jane Seymour by Horenbout" height=165 width=166>
+<br><font size="2">&nbsp; miniature portrait of Jane Seymour, painted by Lucas 
+Horenbout</font><br>&nbsp;
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+<p><img SRC="ed6baby-crop.jpg" ALT="Holbein's famous portrait of Edward as a toddler" BORDER=2 height=194 width=150><p>
+<font size="2">Edward as a young prince, painted by Hans Holbein</font><p>
+<font size="2">to learn more about this portrait, </font>
+<a href="http://nga.gov/cgi-bin/pinfo?Object=74+0+none"><font size="2">click 
+here</font></a><p><br>
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+<p><img SRC="ed1543-crop.jpg" ALT="portrait of Prince Edward in 1543" BORDER=2 height=194 width=137>
+<br>&nbsp;<font size="2"> portrait of Edward VI, c1546, by an unknown artist</font><br>&nbsp;
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+<p>
+<img SRC="parr-cr.jpg" ALT="Edward's beloved stepmother, Katharine Parr" BORDER=2 height=191 width=150><p>
+<font size="2">Edward VI's beloved stepmother, Katharine Parr, painted by 
+William Scrots, c1543 </font>
+<br>&nbsp;
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+<p>&nbsp;<p>&nbsp;<p>&nbsp;<p>
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+<p><img SRC="edward4-cr.jpg" ALT="profile portrait of Edward VI" BORDER=2 height=228 width=150>
+<br>&nbsp;<font size="2"> Edward VI, c1546, perhaps painted by William Scrots</font><br>&nbsp;
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+<p><img SRC="ed6main-cr.jpg" ALT="Edward VI, once more in a Henrician pose" BORDER=2 height=214 width=150></center>
+
+<p align="center"><font size="2">Edward VI in a pose reminiscent of his father, 
+c1543, painted by William Scrots</font><br>&nbsp;
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+<p>&nbsp;</td>
+
+<td WIDTH="15"></td>
+
+<td VALIGN=TOP WIDTH="80%">
+<img SRC="edward6.gif" ALT="King Edward VI" height=48 width=315>
+<br>
+<img SRC="loseley.jpg" ALT="portrait of Edward VI in 1547, in a pose reminiscent of his father" BORDER=2 height=311 width=226 align=LEFT><b>Henry
+VIII had just one legitimate son, Prince Edward.&nbsp; Born in October
+1537, Edward was the fulfillment of his father's tangled marital history.&nbsp;
+Henry had ended his marriages to Katharine of Aragon and Anne Boleyn when
+they failed at the most important queenly duty, each woman bearing a healthy
+princess but no surviving prince.&nbsp; Jane Seymour, the king's third
+wife, was luckier.&nbsp; She ensured the king's lasting affection when
+she gave birth to Edward, but she died soon afterwards of puerperal sepsis.&nbsp;
+The infant prince was the only male Tudor heir of his generation; he had
+two sisters and Henry VIII's sisters Mary and Margaret had several daughters.&nbsp;
+If Edward died, the throne would pass to a woman and the Tudor dynasty
+would end.&nbsp; Accordingly, King Henry did all he could to protect his
+son's health; the infant prince lived in safe seclusion until his father
+wed Katharine Parr.&nbsp; Henry's last wife became a beloved mother to
+Edward and he adopted the zealous Protestantism which she championed.&nbsp;
+He also grew close to his half-sister Elizabeth, with whom he shared a
+household for some years.&nbsp; His older half-sister, Mary, was an equally
+zealous Catholic; her religion and the vast difference in their ages prevented
+a close relationship.&nbsp; Edward became king at the age of 10, but he
+was a mere figurehead.&nbsp; His Seymour uncles battled with and ultimately
+lost the Protectorship to the ambitious John Dudley, duke of Northumberland.&nbsp;
+During his brief reign, Edward demonstrated impressive piety and intelligence.&nbsp;
+But his potential would never be realized.&nbsp; He died an agonizing death
+at 15, possibly from a combination of tuberculosis and the measles.&nbsp;
+Northumberland had persuaded him to leave the throne to his Protestant
+cousin, Lady Jane Grey.&nbsp; This decision begat one of the most tragic
+tales of Tudor England.</b>
+<br>&nbsp;
+<blockquote><a href="edward6.html#Biography">Read
+a more detailed biography of King Edward VI</a>.
+<p><b>Primary Sources</b>
+<br>Read <a href="../primary.html">Edward's
+journal entries</a>.
+<br><a href="../ed6birth.html">Jane Seymour's
+pregnancy is announced</a>, 1537</blockquote>
+
+<blockquote>Visit <a href="http://www.geocities.com/marilee-cody/images.html">Tudor
+England: Images</a> to view portraits of Edward.
+<br>Visit the <a href="seymour.html">Jane
+Seymour site</a> to learn more about Edward's mother.
+<br>Visit the <a href="../relative/janegrey.html">Lady
+Jane Grey site</a> to learn more about Edward's cousin and heiress.
+<p>Test your knowledge of King Edward's life at <a href="../tudor1.html">Tudor
+Quizzes</a>.<p><font size="2">The above portrait is of King Edward VI, c1547, by 
+  an unknown artist.&nbsp;
+  <a href="http://www.geocities.com/marilee-cody/newpics.html">Click here</a> to 
+  learn more.</font></blockquote>
+
+<br>&nbsp;
+<blockquote><a NAME="Biography"></a><b>Biography</b>
+<br>Henry VIII married Jane Seymour in shocking haste and, when she died
+less than two years later, he sought another wife immediately afterwards.&nbsp;
+This evident dislike of bachelorhood was a cornerstone of Henry's adult
+life.&nbsp; But it shouldn't imply that he didn't grieve for Jane.&nbsp;
+Indeed, unlike his other wives, she was the only one he always spoke of
+with affection.&nbsp; The cynic may argue this was because she died before
+Henry could turn on her.&nbsp; Whatever the case, when his own life came
+to an end, Henry envisioned a grand tomb to hold him and his 'entirely
+beloved' Jane.&nbsp; This did not come to pass; instead, Henry's body was
+interred with Jane's at her burial site, St George's Chapel.
+<p>It is indicative of Henry's contradictory character that, ten years
+and three wives after her death, he still held Jane in such sentimental
+regard.&nbsp; Though he is notorious for his six marriages, one could easily
+argue that only his union with Jane Seymour - brief though it was - completely
+satisfied him, as man <i>and</i> king.&nbsp; Unlike her immediate predecessor
+Anne Boleyn (whose motto was <i>le plus heureuse </i>- 'the most happy'),
+Jane chose as her motto, 'Bound to obey and serve.'&nbsp; A more striking
+contrast to the witty, flirtatious and passionate Anne Boleyn could not
+be imagined.&nbsp; While Anne had been almost exotic in her attractiveness,
+stylish, and educated at the notorious French court, Jane was the pious
+and dutiful daughter of an old English family.&nbsp; Certainly she had
+as many ambitious relatives (including two brothers executed by her son),
+but she never imposed upon the king.&nbsp; When she argued for Henry to
+reinstate his daughter Mary, the king replied that she would do well to
+think of herself and the children they would have; Jane replied, with typical
+tact and submissiveness, that she was thinking only of the king's happiness.&nbsp;
+She had the most pleasing feminine habit of showing disinterested concern
+for others.&nbsp; Again, a contrast to her predecessor who had despised
+- and been despised by - Princess Mary.
+<p>But Jane's quiet, pliant nature should not be mistaken for shyness or
+ignorance.&nbsp; Indeed, she was intelligent enough to manage Henry Tudor,
+a feat at which even great men like Wolsey, Cromwell, and More struggled.&nbsp;
+She also managed to capture and maintain a king's interest while he was
+married to another woman.&nbsp; Certainly Henry was increasingly weary
+of Anne and the lack of a male heir but his desire for Jane also urged
+on Anne's execution.&nbsp; And before the execution, Henry was careful
+to obtain a divorce from Anne as well; this meant that his marriage to
+Jane was the first legal union of his life.&nbsp; At forty-five, well into
+middle-age, the king declared he was finally entering a legally and spiritually
+pure marriage.
+<p>If Jane would have maintained Henry's interest and affection forever
+cannot, of course, be known.&nbsp; She lived just eighteen months after
+their marriage, long enough to deliver a prince and short enough to enshrine
+her memory.&nbsp; Beyond Henry, she also impressed others as the perfect
+epitome of a quiet, obedient and kind wife - various ambassadors and contemporaries
+agree on this.&nbsp; But one musn't forget that she knowingly - if quietly
+- carried on an affair with a married man  while ostensibly serving his
+wife.&nbsp; Many vilified Anne Boleyn for the very same behavior; however,
+Jane's behavior is rarely portrayed in a negative manner.
+<p>The exact date she met the king is not known.&nbsp; But before he dallied
+with her, he had made another of Anne Boleyn's ladies-in-waiting his mistress.&nbsp;
+This was Margaret (or Madge) Shelton, Anne Boleyn's first cousin, a girl
+'very gentle of countenance' and 'soft of speech.'&nbsp; She was governess
+to Princess Elizabeth and her husband was captain of the child's guard.&nbsp;
+The affair with Madge lasted about six months in early 1535; Chapuys, the
+Imperial ambassador, also mentions another affair in autumn 1534 but the
+woman's name is not known.&nbsp; In autumn 1535, the king's fancy turned
+to Jane Seymour.&nbsp; Henry was on progress to Southampton and stayed
+at her father's home, Wolf Hall in Wiltshire, with the traveling court.&nbsp;
+This meeting at Wolf Hall was not their first (it simply couldn't have
+been since she had been in royal service since 1529).&nbsp; But Henry VIII
+was rarely one for passion at first sight and, for one reason or another,
+Jane attracted his <i>amorous</i> attentions at Wolf Hall.
+<p>He had not deserted his relationship with Anne, however; there was still
+a chance she would provide a male heir and Henry was loathe to end a marriage
+he had fought so hard to secure.&nbsp; Still, in the back of all minds,
+the precedent of repudiated Katharine existed.&nbsp; If the aunt of the
+Holy Roman Emperor could be divorced, why not 'Nan Bullen'?&nbsp; But such
+speculation was dormant until Anne suffered a stillbirth during the summer
+of 1534.
+<p>Before this, Chapuys and other enemies commented that she was growing
+old, her dark good looks were fading; she was in her mid-thirties, no longer
+young and leaving her safest reproductive years behind.&nbsp; She still
+could manage Henry though she lacked Jane Seymour's delicate touch.&nbsp;
+But she would have been a fool to think her position was completely secure.&nbsp;
+Each new dalliance, each sharp word reinforced her tenuous position.&nbsp;
+Above all else, she must produce a male heir - Henry would never repudiate
+the mother of his son.&nbsp; So when she miscarried late in her pregnancy,
+she naturally worried.&nbsp; It did not help her disposition or relations
+with the king.
+<p>Shortly thereafter, Henry began the dalliance mentioned above.&nbsp;
+Anne drove her rival from court, Chapuys relates, Henry was angry and threatening
+- he told Anne that she "had good reason tto be content with what he had
+done for her, which he would not do now if the thing were to begin and
+that she should consider from what she had come and other things."&nbsp;
+One can imagine the effect of such words on Anne.&nbsp; She became terminally
+insecure and anxious even as she struggled to conceive and deliver a healthy
+child.&nbsp; And Henry, sensitive as always, remarked that he believed
+she had never been pregnant at all.&nbsp; (This was untrue - Anne's advancing
+pregnancy had been noted by several contemporaries.)
+<p>From the fall of 1534 and most of 1535, Anne sought security in the
+only way possible.&nbsp; But Henry was occasionally impotent, a not uncommon
+occurrence for an overweight man of forty-five.&nbsp; Like most men of
+his age (and many of ours), he didn't blame himself; after all, he was
+still attracted to other women.&nbsp; Ironically enough, it was after his
+visit to Wolf Hall, when he returned to London in October 1535, that he
+and Anne conceived a child.&nbsp; The fancy for Jane Seymour, only a few
+weeks old, would be overlooked.
+<p>Furthermore, Katharine of Aragon had finally passed away on 7 January
+1536.&nbsp; The great rival vanquished and she herself pregnant, Anne lived
+as her motto decreed - 'the most happy.'&nbsp; But Katharine's death was
+not the happy event it may have seemed.&nbsp; After all, in the eyes of
+Catholic Europe, Katharine had always been Henry's wife.&nbsp; With her
+death, the king of England was officially widowed.&nbsp; In other words,
+he was free to marry again.&nbsp; The union with Anne was not recognized.&nbsp;
+And just a few weeks after Katharine's death, Anne miscarried the child.&nbsp;
+It was a male fetus, about fifteen weeks old.&nbsp; Her own sorrow as a
+mother was undoubtedly overwhelmed by the realization that she was doomed.
+<p>She told Henry she had miscarried because he had suffered a serious
+fall and the news, related by her uncle Norfolk, had distressed her terribly.&nbsp;
+Henry was uninterested.&nbsp; According to Anne's attendants, he said to
+her, "I see God will not give me male children" and that he would have
+"no more boys by <i>her</i>."&nbsp; Perhaps two miscarriages was not uncommon
+in Tudor England but, in light of Katharine of Aragon's many miscarriages,
+Anne's were magnified.
+<p>With Anne now widely believed to be incapable of delivering a male heir,
+Henry's relationship with Jane Seymour assumed a new importance.&nbsp;
+There are stories which cannot be confirmed as true - Anne discovered Jane
+sitting on the king's lap, Anne discovered gifts Henry had bought for 'Mistress
+Seymour' - but they are disquieting.&nbsp; In any case, Jane was bewitching
+the king in her own quiet way much as Anne herself had done.&nbsp; She
+denied the king just enough to ensure a chaste reputation and certainly
+Henry was like many men - the forbidden fruit was all the more attractive.&nbsp;
+And she also came from a respectable noble family which passionately pounced
+upon the Boleyn's declining fortunes.
+<p>The Seymours had old antecedents though their claim of Norman ancestry
+was dubious.&nbsp; Their name was originally St Maur and a Sir Wido de
+Saint Maur was supposed to have come over with the conquest.&nbsp; Prosperous
+marriages enriched the family and extended their holdings.&nbsp; Jane's
+father was born in 1474 and knighted in the field by Henry VII at a battle
+called Blackheath.&nbsp; He continued to enjoy royal favor into Henry VIII's
+reign, accompanying the king on his French campaign in 1513 and also the
+infamous Field of Cloth of Gold in 1532.&nbsp; He was a Gentleman of the
+Bedchamber and sheriff of his home county but never especially prominent
+or ambitious.&nbsp; What was important was his reputation as a pious and
+courteous man; also, he was often in close contact with the king.&nbsp;
+And, even more important, he came from a large family with many healthy
+children.&nbsp; Jane herself was one of ten children; her own mother had
+six sons, though two of died of the sweating sickness in 1528.
+<p>Jane's father was over 60 when the king's fancy turned to her; it was
+her older brothers Edward and Thomas who stood to profit most from her
+ascendancy.&nbsp; They seized - and relished - this unexpected opportunity
+to advance their fortunes.&nbsp; Their sister, in her mid-twenties, was
+not particularly beautiful; her most pleasing feature was her fair, unblemished
+skin.&nbsp; Chapuys, who had no cause to denigrate her, described her as
+'of middle stature and no great beauty.'&nbsp; But she was calm, courteous,
+and kindly.&nbsp; Such characteristics were important, especially to a
+monarch like Henry who felt himself surrounded by devious and temperamental
+women.&nbsp; She was also virtuous.&nbsp; She may have responded to Henry's
+flirtations (who would deny the king?) but she responded to no others -
+this despite service under two queens.&nbsp; But when Henry sent her gifts
+with a letter, she returned them, saying, "If the King desired to make
+her a present of money, she prayed that it might be when she made an honorable
+marriage."&nbsp; Once again, the royal appetite was whetted.&nbsp; And,
+of course, such modest behavior was desirable in a woman Henry increasingly
+wanted to wed.
+<p>Jane's family was joined by supporters who had been slighted by the
+Boleyn faction.&nbsp; In other words, anyone who had not prospered under
+Anne's rule wanted to support Jane.&nbsp; On 18 April 1536, Cromwell (Henry's
+chief minister and confidante) threw in his lot with the Seymours.&nbsp;
+He vacated his apartments at Greenwich Palace so the Seymours could move
+in.&nbsp; This was crucial.&nbsp; Not only could the king visit Jane discreetly,
+without anyone knowing, but Cromwell's opinion carried weight with Henry.&nbsp;
+Anne Boleyn's fall was inevitable; Jane Seymour's rise was unstoppable.
+<p>On Friday, 19 May 1536, Anne Boleyn was executed on various charges,
+the most powerful being that of treason.&nbsp; The secret betrothal of
+King Henry and Jane took place at Hampton Court the next day.&nbsp; During
+Anne's arrest and trial, Henry's sense of decency (never great) had persuaded
+him to send Jane away.&nbsp; She went to Sir Nicholas Carew's house at
+Croydon where she was afforded every respect.&nbsp; But as the date of
+Anne's demise approached, Henry grew more impatient; Jane was moved to
+a closer house just a mile from the king's residence at Whitehall.&nbsp;
+From there she went to Hampton Court for her betrothal; it was back again
+to Whitehall for the marriage on 30 May.&nbsp; Thomas Cranmer performed
+the ceremony.&nbsp; One can imagine it was a happy and triumphant day for
+Jane but confidence would have been foolhardy.&nbsp; After all, the king
+had divorced one wife who had not born a son and executed another.&nbsp;
+She had known both Katharine and Anne quite well.&nbsp; Even if she didn't
+grieve for their fates, she must have realized the instability of her own.
+<p>Once queen, Jane chose a phoenix rising from a castle filled with Tudor
+roses and the panther for her heraldry.&nbsp; It was easy enough to alter
+Anne's leopards and falcons, after all.&nbsp; On their first procession
+through London as husband and wife, they passed the Tower where the late
+queen's body lay stuffed in an arrow chest, the head tucked beneath the
+arm.&nbsp; For 'Jane the Quene,' the Tower was hung with banners and streamers.&nbsp;
+Furthermore, there was the incredible dowry the king had lavished upon
+her - 104 manors, 5 castles and various gardens and forests.&nbsp; Henry
+also planned an equally lavish coronation for his new queen.&nbsp; This,
+however, was stymied by an outbreak of the plague; Henry said that it would
+only be postponed.&nbsp; As soon as it was healthy and safe, Jane would
+be officially crowned.
+<p>Meanwhile, Jane displayed good common sense by ordering her ladies-in-waiting
+to dress conservatively.&nbsp; She wanted no one to tempt the king even
+as she had done.&nbsp; She also became mother to two motherless princesses.&nbsp;
+Both Mary and Elizabeth benefited from Jane's kindness.&nbsp; Mary was
+of marriageable age (seven years younger than Jane) and could be used as
+a tool in Henry's diplomacy.&nbsp; Three-year-old Elizabeth, lacking Mary's
+maternal nobility, was not marriageable yet but Henry was described as
+'very affectionate' toward her.&nbsp; He called her 'his Madame Ysabeau'
+and allowed both Elizabeth and Mary, though bastardized, precedence over
+their cousins.
+<p>Jane's religious opinions should be discussed, if only because history
+has often misread her true feelings.&nbsp; Unlike her brothers and son,
+Jane was not a Protestant.&nbsp; She was conservative in her religion as
+she was in her behavior.&nbsp; The first harsh words Henry was recorded
+as speaking to her were over religion; she mentioned that a rebellion was
+perhaps God's rebuke over Henry's dissolution of the monasteries.&nbsp;
+Henry brusquely reminded her that the late queen had died as a result of
+meddling in his affairs.&nbsp; This implied threat would have been enough
+to frighten any woman.&nbsp; Luckily, Jane became pregnant a few months
+later, in early January 1537.&nbsp; This news undoubtedly helped lessen
+the sadness of her father's death on 21 December 1536.
+<p>Jane's condition was announced in March and the news was officially
+celebrated on Trinity Sunday, 27 May 1537.&nbsp; She was now the king's
+'most dear and most entirely beloved wife', as Henry wrote to the duke
+of Norfolk.&nbsp; Her coronation was now planned to be after the child's
+birth, probably late October.&nbsp; There is no sign that the pregnancy
+was especially difficult; all writings point to Jane's good stature and
+health.&nbsp; Henry canceled a progress to stay with her and certainly
+the entire court - and country - held their breath, wondering if this young
+woman would succeed in her greatest duty.
+<p>Certainly Henry was optimistic and, as usual, the astrologers and doctors
+predicted the birth of a son.&nbsp; They had been wrong with Elizabeth
+but Henry was eager to forget and make preparations.&nbsp; He had a Garter
+stall made for this long-awaited son in St George's Chapel at Windsor;
+the royal apartments at Hampton Court Palace were refurbished in preparation
+for the birth; Jane's brothers were yet again elevated to new positions,
+granted more lands and pensions.&nbsp; And finally, on 9 October, she went
+into labor.
+<p>Her labor was as arduous as any could be in the sixteenth century.&nbsp;
+It lasted three days; after the first two, a procession was mounted in
+London to pray for the Queen.&nbsp; On 12 October, the eve of the Feast
+of St Edward, the child was born.&nbsp; Jane was well enough after the
+birth to receive guests, most touchingly her husband.&nbsp; Henry wept
+when he took this longed-for heir in his arms.&nbsp; The christening was
+held three days later and, wrapped in furs and velvet, she attended.&nbsp;
+Princess Mary acted as godmother to her half-brother and four-year-old
+Elizabeth was carried by Thomas Seymour.
+<p>&nbsp;It would be impossible to list all the celebrations which occurred
+when Prince Edward was born.&nbsp; Suffice to say, 2000 shots were fired
+from the Tower and bells were rung throughout the countryside.&nbsp; On
+18 October, Henry had his son proclaimed Prince of Wales, Duke of Cornwall
+and Earl of Carnarvon.&nbsp; Yet again the Seymour brothers were given
+generous endowments for the king was never more generous or magnanimous.&nbsp;
+But their sister who had made such celebrating possible was not recovering
+from the birth.&nbsp; In modern times, we call her illness puerperal fever.&nbsp;
+In Jane's time, it was the most common cause of death for pregnant women.&nbsp;
+Cleanliness and the proper treatment for infections were not understood.&nbsp;
+Once she became infected, she was doomed.&nbsp; On 19 October, she took
+to her bed again; she recovered somewhat on the 23rd, as her attendants
+reported, but only for a matter of hours.&nbsp; Soon she was delirious
+and, early the next morning, her confessor was sent for.&nbsp; Henry, who
+had planned to go hunting that day, postponed his trip - but only for that
+day, he told a courtier.&nbsp; It was enough; 'Jane the Quene' died near
+midnight on 24 October, living just days after her great triumph.&nbsp;
+For her husband, increasingly obese, bald, and well into middle-age, the
+grief was genuine.&nbsp;&nbsp; He planned a sumptuous burial for 12 November
+and the churches that had celebrated Edward's birth now began to pray for
+the soul of the late queen.&nbsp; Hampton Court Palace, scene of her triumph
+and death, was hung with black.
+<p>Princess Mary was chief mourner at her step-mother's funeral but Henry
+did not attend.&nbsp; He wished to be alone with his grief.&nbsp; Jane
+Seymour was buried as a queen - unlike Katharine of Aragon who had died
+as Princess Dowager and Anne Boleyn, who had died divorced and disgraced.&nbsp;
+Her hearse was taken to Windsor and interred in a vault in St George's
+Chapel.&nbsp; Henry was perhaps already planning a sufficient monument
+for the grave he would eventually share with Jane.&nbsp; But he also kept
+track of his late wife's possessions - her jewelry was distributed to her
+ladies, Princess Mary, and her brothers.&nbsp; But her dowry, the 104 manors
+and 5 castles, were given back to the king.&nbsp; And, very soon indeed,
+speculation began -&nbsp; who would receive these favors next?
+<p>Henry VIII turned to the continent for his next wife, the German princess
+Anne of Cleves.&nbsp; The marriage was famously annulled only a few months
+later.&nbsp; His fifth wife was Anne Boleyn's cousin, the young and pretty
+Catherine Howard.&nbsp; She met her cousin's fate not even two years into
+the marriage and then Henry wed the twice-widowed Katharine Parr.&nbsp;
+Pious, intelligent and an accomplished nurse, she would be his last wife.&nbsp;
+By the time of this last marriage, the king was suffering from a variety
+of ailments, most caused by his increasing obesity.&nbsp; He continued
+to take a keen interest in his son's education and Katharine Parr became
+a true mother to the young Elizabeth and Edward.&nbsp; Her passionate Protestantism
+had a great effect on both children; it also nearly caused her death, since
+Henry VIII had become even more tyrannical as the years passed.&nbsp;&nbsp;
+<p>The king's own death on 28 January 1547 was the second and final time
+the Tudor throne would pass, easily and without dispute, to a male heir.&nbsp;
+But Edward VI's extreme youth ensured that his reign would not immediately
+be his own.
+<p>
+<hr WIDTH="100%">
+<p>Who was this young man, the product of his father's long and desperate
+search for an heir?&nbsp; He died at the age of sixteen, never more than
+a puppet king who had to beg his uncle for pocket money and was beaten
+by his tutors.&nbsp; Edward VI was just a child when crowned at Westminster.&nbsp;
+His father knew the dangers of leaving a child as heir and did his best
+to protect the court from factionalism.&nbsp; However, Henry's will was
+shortsighted and hardly practical; he wanted a regency council of peers,
+each equal to the other.&nbsp; But even as he lay dying, the earl of Hertford
+and Sir William Paget were already planning their coup.&nbsp; Hertford,
+Jane Seymour's brother and Edward's uncle, would be made Lord Protector&nbsp;
+and Paget would be first minister.&nbsp; On 28 January 1547, Hertford rode
+to his nephew and brought him to the security of the Tower of London.&nbsp;
+On 31 January the council met there and agreed to Paget's nomination of
+Hertford as protector.&nbsp; Only then was Henry VIII's demise made public
+and Edward VI proclaimed king.&nbsp; There followed a distribution of titles
+and sinecures, the most notable being Hertford's elevation to the dukedom
+of Somerset.
+<p>However, Somerset's authority was not fully secure; the council's nomination
+of him as Protector was just a verbal agreement.&nbsp; Without letters
+patent authenticated by the Great Seal, he had a title but no legal basis
+for control.&nbsp; But the Great Seal was in the hands of the lord chancellor,
+a conservative named Wriothesley who had been created earl of Southampton
+during the accession honors.&nbsp; But even elevated to an earldom, Wriothesley
+was not happy with what he perceived to be Somerset's usurption of power.&nbsp;
+He refused to affix the seal to Somerset's patent of formal authority.&nbsp;
+Early in March, Somerset was able to rid himself of this nuisance.&nbsp;
+He brought to the council's attention certain irregularities in the chancellor's
+office (notably his neglect of the legal side of his responsibilities),
+and forced Wriothesley's resignation.&nbsp; Somerset's ally Lord Rich was
+quickly appointed lord chancellor and the Great Seal was finally affixed
+to the letters patent.&nbsp; Somerset was now the most powerful man in
+England, with the exception of his young nephew.
+<p>One of the powers Somerset acquired in his patent of office was the
+right to appoint whoever he wanted to the Privy Council.&nbsp; To that
+end, he brought in some of the older, experienced men who had not been
+appointed executors in Henry's will.&nbsp; But he never allowed the council
+to function with any degree of autonomy and rarely consulted its members.&nbsp;
+Instead, he used them to simply endorse his own privately-made decisions.&nbsp;
+On the rare occasions he did meet with them, he demonstrated an appalling
+lack of the attributes all leaders need - tact and cunning.&nbsp; His tongue
+was so savage that he reduced a colleague to tears and, before long, Paget
+was warning him about his arrogance and rudeness.&nbsp; Somerset ignored
+Paget as he ignored most everyone else.&nbsp; He ruled by edict, issuing
+proclamations to a greater extent than any head of government in the Tudor
+age.
+<p>His fall was inevitable.&nbsp; But it did not happen until five years
+into Edward's reign, by which time Somerset had effectively cemented the
+new religion in England and offended virtually every other nobleman.&nbsp;
+What did Edward VI think of his uncle's autocratic use of power?&nbsp;
+The boy king left behind a journal remarkable in its detachment; indeed,
+he recorded the executions of both Somerset and his younger brother with
+no emotion.
+<p>Edward was not completely cold, however.&nbsp; He was always affectionate
+to his stepmother, Katharine Parr, whose benevolent influence eased his
+lonely childhood.&nbsp; He also spent time with his half-sister Elizabeth;
+the two children were just four years apart in age and Elizabeth was a
+Protestant.&nbsp; He was never particularly close to his other half-sister,
+Mary.&nbsp; This was understandable for Mary was old enough to be his mother
+(21 years older) and a devout Catholic who refused to bow to her brother's
+religious convictions.&nbsp; Certainly she had obeyed their father but
+Edward was an adolescent who Mary believed was a pawn of Protestant heretics.&nbsp;
+(Visit the <a href="http://www.englishhistory.net/tudor/primary.html">Primary
+Sources</a> site to read selections from Edward's journal &amp; other documents)
+<p>Edward's education was always strict.&nbsp; His earliest tutors were
+female and he was guarded under the strictest regulations - for example,
+nobody less than a knight was allowed to visit him.&nbsp; At the age of
+six, his two principal tutors were appointed - Ricahrd Cox, a committed
+but moderate reformer, and John Cheke, the most distinguished humanist
+in the land.&nbsp; There is evidence that he was occasionally beaten. Upon
+his ascension, he was a precocious and intelligent boy.&nbsp; His elevation
+to the kingship did not end his courtesy to his tutors.&nbsp; In fact,
+he now began to share his studies with a handful of contemporaries; one
+of these, Barnaby Fitzpatrick, was the son of an Irish peer and became
+a Gentlemen of the Privy Chamber.&nbsp; He was also Edward's closest friend
+and, away on a mission to France, received letters from the king which
+betray normal adolescent exuberance.&nbsp; These letters - along with those
+to Katharine Parr - are the only examples in which Edward exhibits emotion.
+<p>Edward left behind a reputation for bigoted, extreme Protestantism which
+he does not deserve.&nbsp; There were many pro-Protestant laws enacted
+during his reign, with his approval, but at the instigation of his guardians.&nbsp;
+He was a devout Protestant, the product of the new religion which even
+his father had not understood.&nbsp; Still, he was by no means as self-righteouslessly
+intolerant as his older sister; perhaps he would have been - but that is
+just speculation.
+<p>Edward's ministers demonstrated passionate self-interest in this religious
+climate.&nbsp; These Protestant lords had profitted economically from the
+dissolution of the monasteries and no one - lord or commoner - wanted to
+reinstate papal taxation.&nbsp; They were determined to keep their land
+grants, gold plate, and other treasures.&nbsp; In doing so, they appealed
+to the intellectual vanity of their young king.&nbsp; Edward was raised
+a Protestant, even as Mary had been raised a Catholic, and there is no
+reason to doubt he held his faith as deeply.&nbsp; Unlike their sister
+Elizabeth, who declared she wanted no windows in men's souls, Edward and
+Mary believed they were guiding their subjects onto the path of righteousness.&nbsp;
+When Somerset and others altered their beliefs with changing political
+climates, they were careful to appeal to this sense of self-righteousness.
+<blockquote><b><font size=-1>I wrote a more detailed account of Edward's
+childhood before writing this section; if you would like to read it, <a href="http://www.englishhistory.net/tudor/monarchs/edward33.html">please
+click here</a>.&nbsp; It will be somewhat repetitious since it contains
+information found at this page, but there is more detail and might be useful
+for students researching Edward's life.</font></b></blockquote>
+The essential fact of Edward's brief reign is this - it is more a commentary
+on Somerset and his successor, Northumberland, than it is on Edward himself.&nbsp;
+In the early months of his rule, the councilors were more interested in
+securing the throne and creating a peaceful transition to the new order.&nbsp;
+As Edward's uncle and a soldier of experience, Somerset was the natural
+choice as 'Protector of all the realms and domains of the King's Majesty
+and Governor of his most royal person.'&nbsp; The other fifteen men Henry
+had selected as councilors were men only recently promoted to high office;
+twelve of them were Protestant, since the Howards - the leading Catholic
+faction at court - had fallen from power.&nbsp; Somerset's main rivals
+for power were John Dudley, earl of Northumberland (soon promoted to earl
+of Warwick) and his own brother, Thomas Seymour (soon created Baron Seymour
+of Sudeley and Lord High Admiral.)&nbsp; Seymour was ambitious and angry
+that he could not wield absolute power; in his opinion, why should one
+uncle have control and another be fobbed off with consolation prizes?&nbsp;
+A more temperate man would have been content with his newly ennobled title
+and position on the council but Seymour was ambitious and jealous - a lethal
+combination.&nbsp; In the end, he would bring down himself and his brother,
+thus securing Dudley's ascendancy.
+<p>Somerset loved his younger brother and, in general, was considered a
+kind man - but he was unfortunately ill-equipped to manage his squabbling
+council and had a mean-tempered wife who offended virtually everyone she
+met.&nbsp; She was his second wife and mother of his nine children; Somserset's
+first wife had been banished to a convent after having an affair with his
+father.&nbsp; Anne Stanhope was as proud and quarrelsome as her brother-in-law
+Seymour.&nbsp; She considered herself the first lady of the realm, claiming
+precedence over Katharine Parr, Henry VIII's widow.&nbsp; When Seymour
+married Katharine just four months after Henry's death, Anne and virtually
+everyone at court saw it as evidence of his vast ambition.&nbsp; It opened
+yet another rift between the two brothers.
+<p>There were, of course, reasons for Seymour to be jealous.&nbsp; On 16
+February 1547, Henry VIII was buried with the Seymour brothers' sister,
+Jane, at St George's chapel in Windsor, and - the very next day - Edward
+VI confirmed his uncle as duke of Somerset.&nbsp; Along with the title
+came an income of 7400 pds a year, a vast sum in those days.&nbsp; By contrast,
+Henry VIII left Princesses <a href="http://www.englishhistory.net/tudor/monarchs/mary1.html">Mary</a>
+and Elizabeth 3000 pds each - less than half of Somerset's income but still
+considered a great sum.&nbsp; Seymour had to content himself with the lands
+of his baronetcy as well as his wife's fortune - and, soon enough, embezzlement.&nbsp;
+When his brother made it clear he would not share ultimate authority, Seymour
+began to plot against him.&nbsp; Already, he had begun flirting with the
+adolescent Elizabeth, being raised at his wife's home in Chelsea (discussed
+in greater detail at the <a href="http://www.englishhistory.net/tudor/monarchs.html">Elizabeth
+I</a> pages.)&nbsp; He also secured the guardianship of <a href="http://www.englishhistory.net/tudor/relative/janegrey.html">Jane
+Grey</a>, telling her parents he would arrange her marriage to the young
+king.&nbsp; Thus, he was in control of two of Henry VIII's heirs.&nbsp;
+He also began visiting his nephew, attempting to gain Edward's affections
+by giving him presents and money.&nbsp; Since Somerset was strict with
+his nephew and kept him constantly short of money, the king was grateful
+for the gifts.
+<p>But even as Seymour began his ambitious plans, Somerset was careful
+to court Princess Mary's favor.&nbsp; This was a smart policy since she
+was her brother's heir, popular with the English people, and cousin to
+the Holy Roman Emperor.&nbsp; Also, she was content to remain in the countryside
+since she disliked Edward's Protestant court.&nbsp; Many historians have
+written that Seymour and others courted Mary's favor with the view that
+she would one day be queen.&nbsp; However, this is wrong - as is the view
+that Edward VI was a sickly king, always delicate of health.&nbsp; In fact,
+until the last eighteen months of his life, Edward was quite healthy and
+gave every intention of living many years.&nbsp; He was slender and had
+fair coloring but also enjoyed activity and took a keen - and passionate
+- interest in learning and religion.&nbsp;; As he grew older, he naturally
+chafed at his uncle Somerset's absolute control over his life.
+<p>Somerset - unlike his brother and Dudley - never played to Edward's
+natural feelings of superiority and authority.&nbsp; He treated the king
+as he treated his children - with firmness, discipline, and a strict regimen.&nbsp;
+Seymour and Dudley spoke to the young king
+<i>as a king</i>, pretending
+to defer to his naturally superior wisdom.&nbsp; For a while, though, Somerset
+kept near-absolute control over the council.&nbsp; He became popular with
+the poor - and unpopular with his fellow nobles - by promoting reform of
+agricultural laws (creating fixed rents and the abolition of enclosures)and
+he attempted to reform the judicial system in favor of equality for all.&nbsp;
+In fact, he established a court of pleas at his own home in London.&nbsp;
+This earned him the nickname 'the Good Duke' but to his councilors he was
+too moderate to satisfy any faction and too headstrong to listen to anyone.&nbsp;
+To this perception of arrogance and class-betrayal was added a spiritual
+weakness - Somerset would not allow anyone to be tortured or burned over
+religious matters.&nbsp; This tolerance was unexpected and unwelcome by
+his peers.
+<p>But along with idealistic plans for social reform, Somerset was also
+grasping and greedy.&nbsp; The combination of such traits was considered
+hypocritical and inconsistent.&nbsp; After all, his councilors muttered,
+who was Somerset to criticize their rents when he spent the government's
+money with little regard for moderation?&nbsp; They pointed to his London
+residence, Somerset House, built&nbsp; at the exorbinant cost of 10000
+pds; there were other homes, too, equally grand and all designed to emphasize
+his stature as Lord Protector.&nbsp; It may be that Somerset was uneasy
+in his role since, before his sister's ascendancy, his family was only
+moderately successful.&nbsp; In just ten years, they had become the pre-eminent
+family in the land and he may have been insecure about such a rapid rise.&nbsp;
+In any case, he was encouraged in such spending by his wife.
+<p>Somerset's main problem was that he lacked the charisma and will-power
+of Henry VIII, a man who had blustered and bullied his council into action.&nbsp;
+The sheer intimidating force of his personality had awed everyone - and
+Somerset lacked that bravura, a natural ability to inspire and lead.&nbsp;
+Instead, he was forced to shout and insult his peers into action, at one
+time driving a man to tears.&nbsp; Meanwhile, his brother was proving an
+embarrassment.&nbsp; Right after Henry's death, Seymour had sought permission
+to marry Elizabeth; when that was denied, he renewed a former attachment
+to Katharine Parr and married her.&nbsp; In any case, in the four months
+after Henry's death before he married Katharine, his nephew King Edward
+had suggested he marry Anne of Cleves or Princess Mary.&nbsp; But Seymour's
+own brother squashed both those plans, the union with Mary in particular;
+Seymour was not 'born to be king, nor to marry a king's daughter.'&nbsp;
+So when he married the queen dowager, people naturally assumed it was a
+union of ambition and not affection.
+<p>Seymour further angered the council and his brother by flirting with
+Princess Elizabeth; she was sent from he and Katharine's Chelsea home after
+Katharine became pregnant.&nbsp; When Katharine died in childbirth, Seymour
+was soon engaged in pressing his suit to Elizabeth again as well as arguing
+with the council - and his brother in particular - over Katharine's possessions.&nbsp;
+He was also ingratiating himself with King Edward by bribing a man called
+John Fowler, one of the king's closest servants.&nbsp; Fowler and Edward
+were close and shared conversations; they revealed the young king's increasing
+frustration with Somerset's actions.&nbsp; Edward wanted more pocket money,
+less severe tutors, more time for leisure pursuits - he wanted to be treated
+as king and not a child.&nbsp; Fowler, paid by Seymour, was happy to pass
+these complaints on.&nbsp; So Seymour smuggled in some money and small
+presents and, though these pleased the king, they didn't personally endear
+his uncle to him.&nbsp; Perhaps even the young Edward could sense his uncle's
+calculating ambition.
+<p>But Edward did publicly support and bless his uncle and stepmother's
+marriage.&nbsp; And, in a fit of anger, he once told Seymour that - if
+Somerset should die - he would appoint his 'favorite' uncle Lord Protector.&nbsp;
+Such statements only encouraged Seymour.&nbsp; Soon enough, in November
+1547, Seymour had urged Edward to sign a document which would be placed
+before Parliament in its new session; it would officially divide the office
+of Lord Protector between the king's two uncles.&nbsp; Edward was naturally
+cautious and asked his tutor, John Cheke, for guidance.&nbsp; Cheke was
+a learned man obsessed with otherwordly concerns but he also understood
+the intrigues of the Tudor court.&nbsp; His advice was for Edward to not
+sign and distance himself from both uncles.&nbsp; Seymour was furious.&nbsp;
+He went about telling councilors that he wanted Edward to live with him
+and the queen dowager and - more threateningly - he could easily steal
+the king from under Somerset's nose.&nbsp; When Katharine died on 5 September
+1548 after a difficult childbirth, one important link to his nephew disappeared.&nbsp;
+After all, Edward had been genuinely fond of Katharine.&nbsp; But after
+her death, Seymour became even more openly ambitious and insulting to his
+brother.&nbsp; There were rumors that he wanted to marry his former ward
+Jane Grey but Seymour found this laughable.&nbsp; He had more ambitious
+plans - once again, he intended to woo Princess Elizabeth.&nbsp; It may
+have been that Katharine Parr exerted a calming influence upon her husband
+and, once she died, he became more obvious and unrestrained in his plans.&nbsp;
+Whatever the case, he began to voice open disapproval of his brother's
+government, threatening to disrupt Parliamenr; in short, he was a great
+embarrassment to the protector.&nbsp; Somerset tried to be conciliatory
+but Seymour had none of it.&nbsp; He began to gather support (at least
+nominally) from other nobles who were dissatisfied with Somerset for less
+personal reasons.&nbsp; As Lord High Admiral, a post he had heretofore
+neglected, Seymour was able to control the English navy.&nbsp; He openly
+asked people for support in case of a coup.&nbsp; In other words, he was
+completely indiscreet.
+<p>Meanwhile, Elizabeth's governess Mrs Ashley, another victim of Seymour's
+charm, was encouraging her young charge to think kindly of Seymour.&nbsp;
+But Elizabeth was cautious and less than thrilled; she retired to the country
+and stayed far away from London.&nbsp; But others had heard of Seymour's
+plans and one of these was Lord Russell, the keeper of the Privy Seal,
+an important office in Tudor England.&nbsp; He confronted Seymour with
+rumors of his intention to wed Elizabeth; he said this would ensure Seymour's
+ruin.&nbsp; Furthermore, Russell cautioned, King Edward would view a match
+with Elizabeth very suspiciously - after all, it smacked of ambition and
+the next step would be his own death.&nbsp; Then, Seymour and Elizabeth
+would rule.&nbsp; Seymour's folly went further, however.&nbsp; He was also
+embezzling vast sums in a complicated scheme with the vice-treasurer of
+the Bristol mint.&nbsp; (Once again, this is discussed in the Elizabeth
+I pages as well.)
+<p>The vice-treasurer was a man called Sir William Sharington.&nbsp; Sharington
+had taken advantage of the general laxity and chaos the new reign to clip
+and debase the coinage produced at Bristol.&nbsp; He doctored the account
+books to cover the operation but rumors spread of his crimes.&nbsp; It
+was inevitable - after all, others worked at the mint and Sharington was
+using the money to refurbish his house in a very lavish manner.&nbsp; Seymour
+discovered Sharington's secret and, rather than turn him in, decided upon
+blackmail.&nbsp; He planned to use the proceeds to finance his coup to
+take over the government.&nbsp; Furthermore, he as using his position as
+Lord High Admiral to encourage piracy (rather than protect against it,
+as was his duty), allowing the pirates safe passage in exchange for shares
+of their booty.&nbsp; He also charged ships a toll to pass from England
+to Ireland on official government business.
+<p>He also planned to kidnap Edward, with John Fowler's help.&nbsp; Fowler
+provided keys to Edward's room and forged a stamp of Edward's signature.&nbsp;
+But at the end of 1548, everyone knew of his plans.&nbsp; The council openly
+discussed charges against him.&nbsp; His aristocratic friends cautioned
+that their support would not be forthcoming after all.&nbsp; Soon enough,
+someone had tipped off the council to one of the greatest crimes - the
+Bristol mint was raided and Sharington fell to pieces, accusing Seymour
+of forcing him to commit treason and turning King's evidence against him.&nbsp;
+(In an ironic footnote, he was not only pardoned - but restored to his
+office and position in life.)&nbsp; Somerset attempted to help his brother,
+summoning him to London for a private audience.&nbsp; Seymour refused.&nbsp;
+Somerset had no choice but to lay all before the council and let them proceed
+against his brother.&nbsp; Soon enough, John Fowler's incriminating evidence
+was laid bare - as was King Edward's.&nbsp; But still no direct action
+was taken against him; it was just a treason investigation.&nbsp; But on
+16 January, Seymour ensured his immediate arrest.
+<p>He still had the forged keys to Edward's apartment at Hampton Court
+and, in the middle of the night, decided to risk everything on kidnapping
+the king.&nbsp; He entered through the privy garden - but, in the room
+outside Edward's bedroom, slept the king's pet spaniel.&nbsp; The dog woke
+up, barking, and Seymour shot him.&nbsp; A Yeoman of the Guard appeared,
+demanding an explanation, even as King Edward awoke and stood in his bedroom
+doorway; he was clad in his nightshirt and openly terrified.&nbsp; Seymour
+told them he had come to test the king's guards; the dog had attacked him
+so he was forced to shoot.&nbsp; The guard let him leave but, upon learning
+of the incident, the council decided to confine Seymour to the Tower while
+they investigated.&nbsp; The official charge was attempting to murder King
+Edward; even the suspicion of regicide was enough to condemn Seymour.&nbsp;
+On 18 January, the council officially sent agents to question everyone
+Seymour had conspired with; among those questioned were Princess Elizabeth
+and her household.
+<p>Seymour refused to appear privately before the council; he would settle
+for nothing less than an open trial.&nbsp; On 22 February, the council
+officially indicted him of thirty-three charges of treason.&nbsp; And Seymour
+never had an open trial in which to make his case - as in Henry VIII's
+time, a Bill of Attainder was passed on 4 March, approved by Parliament
+and King Edward.&nbsp; Somerset delayed signing the death warrant so the
+council, led by Dudley, went to Edward for his signature.&nbsp; So on 20
+March, Seymour was executed at the Tower of London, dying 'dangerously,
+irksomely, horribly.'&nbsp; Somerset's understandable inability to condemn
+his brother resulted in a growing rift on the council.&nbsp; His family
+was disgraced and he was angry at the councilors for so rapidly proceeding
+against his brother.&nbsp; It was only a matter of time before he, too,
+fell from power.
+<p>Somerset's fall was engineered by Dudley and helped along by a backlash
+against his regime.&nbsp; How did Somerset's policies help foster a climate
+of betrayal and manipulation; specifically, how had he failed in his duties
+as Lord Protector?
+<p>
+<hr WIDTH="100%">
+<br><b>A more thorough discussion of Somerset's government policies, and
+how they led to his downfall</b>
+<p>Somerset's government was a confused jumble of misplaced idealism and
+factional squabbling.&nbsp; With the dynamic and charismatic figure of
+Henry VIII gone, Tudor government was in a shambles.&nbsp; Its fate was
+inevitable - an autocratic king was replaced with a nine-year-old boy -
+what else could result but chaos?&nbsp; Henry VIII had been a mass of contradictions
+always united in the belief that the king's will was the highest authority.&nbsp;
+Even when his religious policies became incomprehensible to anyone but
+him, he still believed they were righteous - and through the force of his
+will and use of kingly authority, he convinced most others of the same.&nbsp;
+Up until the week of his death, he entertained foreign ambassadors and
+plotted grandiose foreign invasions, displaying a disturbing interest in
+current events while his council thought he should be contemplating the
+afterlife.&nbsp; When he was gone, no one knew how to fill the void.&nbsp;
+Certainly his heir, still a child, was king in name only.&nbsp; His Lord
+Protectors - first Somerset and then Dudley - tried to <i>act</i> as kings
+and both perished.&nbsp; The truth was obvious and inescapable - the English
+people may have muttered (at great risk) about Henry's religious quarrels
+and his private follies but they had respected his position as king.&nbsp;
+The men that followed him had grown up in his shadow, jockeying for position
+and favor.&nbsp; When he died, they struggled amongst themselves for Henry's
+vanished supreme authority.&nbsp; In the end, they failed and the English
+people suffered six years of turmoil.
+<p>Somerset's position as Lord Protector seemed natural enough.&nbsp; After
+all, no one seriously expected a council of sixteen peers to rule England.&nbsp;
+Factionalism and squabbling had long marked Henry's court (particularly
+after Cromwell's execution) and it only worsened after his death.&nbsp;
+There needed to be a leader, a respected man who (in the council's opinion)
+would not be a ruler but a figurehead.&nbsp; In other words, he would be
+perceived as leader while actually sharing authority with the council.&nbsp;
+(A position, in other words, like that of Speaker of the House in the U.S.
+Congress.)&nbsp; Of course, such a plan depended on the leader being willing
+to share power privately.&nbsp; Somerset originally promised to do so but,
+fairly quickly, decided to disregard his peers.&nbsp; This understandably
+angered them.&nbsp; In addition to his arrogant refusal to consult them,
+he also implemented policies which helped the poor at the expense of the
+aristocracy.
+<p>In private life, Somerset was regarded as a genial man, though criticized
+as middle-of-the-road and unreadable.&nbsp; His wife, Anne Stanhope, was
+the stereotypical shrewish wife who offended virtually everyone she met,
+particularly other aristocratic wives.&nbsp; She bore Somerset nine children
+and he was considered a strict but fair father.&nbsp; Insofar as it is
+possible to sketch a psychological portrait of Somerset at this site, I
+would characterize him as an essentially kind and sympathetic man who took
+his responsibilities very seriously; he was also prone to feelings of inferiority
+and easily offended.&nbsp; As a result, his government policies were idealistic
+- but his personal relationships with counncil members were unsatisfying.&nbsp;
+He came to be regarded as arrogant and bullying when, in fact, he was simply
+ill-suited to his job.&nbsp; Added to this, he craved appreciation - he
+cultivated the appearance of fairness and virtue even as he replaced the
+council with his own hand-picked advisors.
+<p>Somerset had achieved the position of Lord Protector simply because
+his younger sister, Jane, bore Henry VIII the longed-for son.&nbsp; As
+such, Henry always regarded her in a sentimental haze; she was the perfect
+wife - gentle, meek and obedient.&nbsp; She had also fulfilled her duty
+as queen by providing a male heir, though she tragically died as a result.&nbsp;
+It was Jane who, years after her death, was painted as Henry's consort
+in paintings of the Tudor dynasty; and it was Jane whom Henry wished to
+lie beside in death.&nbsp; While she lived as queen (for a brief eighteen
+months), her brothers, Edward and Thomas, were showered with favors.&nbsp;
+After Edward VI's birth, the favors continued.&nbsp; Edward, the elder
+brother who became duke of Somerset in 1547, was closer to Henry than Thomas
+and adept at handling his mercurial monarch.&nbsp; In truth, Somerset had
+emerged as a competent soldier and politician.&nbsp; But competency alone
+could not run Tudor England; indeed, even the great Cromwell had struggled
+to control Henry's council before they connived at his execution.&nbsp;
+Somerset was no Cromwell.&nbsp; He lacked a coherent vision of government
+and the personality to govern.&nbsp; But for several years he was Lord
+Protector - before his younger brother's jealousy and ambition destroyed
+them both.
+<p>The personal tragedy of Edward and Thomas Seymour was discussed above.&nbsp;
+Suffice to say, it played out against the backdrop of actual government
+- all the mundane day-to-day policies whicch actually control a country.&nbsp;
+Edward VI became king even as his father's past was catching up to the
+English economy.&nbsp; Henry VIII had indulged in many frivolous pursuits,
+including several extremely expensive battles in France.&nbsp; He left
+behind a mountain of debt and little means to pay it.&nbsp; The English
+economy was heavily dependent upon wool exports to Europe, particularly
+the Low Countries.&nbsp; And it possessed the enviable ability to feed
+its population without importing food - but only during good harvests.&nbsp;
+When harvests were bad, famine occurred and the poor became beggars, often
+relying on the newly-impoverished churches for support.
+<p>Somerset dealt with crises by consulting his own advisors and not the
+council.&nbsp; It was unfortunate that the disregarded councilors included
+one John Dudley, earl of Warwick.&nbsp; Dudley was very ambitious and determined
+to destroy both Seymour brothers.&nbsp; He began through simple gossip
+- encouraging Thomas Seymour's jealousy whhile telling Somerset his brother
+coveted his position.&nbsp; But, for a long while, Somerset was impervious
+to Dudley's scheming.&nbsp; Within weeks of Henry's death, Somerset obtained
+a dry stamp of Edward VI's signature - perhaps his most powerful tool (since
+the king's signature implied the king's will - and the king's will was
+law.)&nbsp; And he soon commanded that Edward's signature alone was not
+completely legal; instead, documents must include both Edward <i>and</i>
+Somerset's signatures.&nbsp; For almost exactly two years (until his brother
+was arrested on 17 January 1549), Somerset ruled England as thoroughly
+as any king.&nbsp; Indeed, it could be said he consulted the official privy
+council less than Henry VIII had; certainly he entrusted less business
+to it.
+<p>His foreign policy was dominated by one thing - Scotland.&nbsp; He wanted
+to marry Edward VI to Mary Stuart, heiress to the Scottish throne and known
+to history as Mary queen of Scots.&nbsp; But he knew that such a betrothal
+would have to be forced and enforced constantly.&nbsp; He also knew that
+England could ill afford to continually invade their troublesome northern
+neighbor.&nbsp; So Somerset proposed a logical - but impractical - plan.&nbsp;
+He would maintain a permanent English presence in Scotland by constructing
+armed garrisons.&nbsp; He invaded Scotland in September 1547 and won a
+battle at Pinkie.&nbsp; He instantly began to build forts while neglecting
+to enforce a naval blockade to prevent French involvement.&nbsp; Perhaps
+Somerset did not correctly gauge the Scottish-French alliance; he was certainly
+unprepared when 6000 French troops arrived and promptly captured English
+forts and built their own garrisons.&nbsp; Two years after the Battle of
+Pinkie, the French had moved Mary Stuart to France (thereby ending Somerset's
+planned marriage between her and Edward.)&nbsp; Also, the battle had become
+defensive and inconclusive.&nbsp; Somerset was reduced to hiring mercenaries
+(over 7000) to maintain some positions but conditions were bleak enough
+to drive mercenaries away.&nbsp; Soon enough, France had decided to declare
+war; Henri II officially did so on 8 August 1549.&nbsp; England could not
+fight France and so Somerset offered to return Boulogne (captured by Henry
+VIII) five years before an earlier treaty demanded.&nbsp; The French king
+demanded the return of Calais as well.&nbsp; So Somerset ordered new forts
+built at both cities and managed to fend off an attack at Boulogne.&nbsp;
+But soon enough the French king declared his trump card - Mary Stuart was
+betrothed to his son and heir, the Dauphin.&nbsp; The message was clear
+- soon, the French would control Scotland..
+<p>The conflicts with Scotland and France cost a great deal of money and
+hurt Somerset's reputation.&nbsp; Furthermore, he paid for the battles
+by debasing coinage (hardly an intelligent policy.)&nbsp; He combined these
+foreign policy and economic mishaps by his religious policy.&nbsp; Keep
+in mind that in 1547 just 20% of Londoners were Protestant; Protestants
+were also a vocal minority in Essex, Bristol, Kent and Sussex but outside
+this all-important southeast corridor, the religion had barely spread.&nbsp;
+It was long known that whoever could hold London could control all of England
+- London was the capital and one of the laargest cities in Europe.&nbsp;
+But since Protestants only accounted for 1/5 of the population, what explains
+Somerset's - and the rest of government's - legal support for this new
+religion?&nbsp; The answer is complicated and deserves its own book - in
+brief, the Protestants were a minority but they were a vocal minority with
+money and influence.&nbsp; Their members formed the basis of Somerset's
+support and - as a vocal minority - they were far more passionate and committed
+to spreading their faith than Catholics were with preserving the old order.&nbsp;
+This is an important point; offensive actions are more ideologically appealing
+than defensive actions.&nbsp; The group that initiated the changes (Protestants)
+were far more likely to be committed
+<i>and</i> inspired to action.
+<p>Many of the wealthy Protestants had benefited from the dissolution of
+the monasteries in the 1530s but many historians have exaggerated Henry
+VIII's generosity, implying that he gave vast monastic lands away to favored
+courtiers.&nbsp; In truth, he and Cromwell charged a fair - and often steep
+- price for most of the lands.&nbsp; They  were purchased by nobles - who
+then were committed to keeping their new lands.&nbsp; But most were also
+committed to Protestantism for very real ideological and religious reasons.&nbsp;
+One should not underestimate the importance of religion to 16th century
+people, though our own age is awash in skepticism and cynicism.&nbsp; For
+people of the 16th century, the miseries of this world were transitory
+- they were more committed to ensuring exiistence in the hereafter.
+<p>Throughout Somerset's protectorate, the Tudor government - though sympathetic
+to Protestantism - did not dare officially declare itself Protestant.&nbsp;
+Why?&nbsp; Once again, the specter of Holy Roman Emperor Charles V hung
+over England.&nbsp; And with the Franco-Scottish alliance a pressing concern,
+Somerset could not afford to alienate the neutral Charles V.&nbsp; (Like
+Henry VIII, Somerset wanted to avoid a Franco-Spanish-Scottish alliance
+against England.)&nbsp; So he avoided an official declaration of England's
+religious
+sympathies and allowed Charles's cousin, Princess Mary, freedom to celebrate
+Catholic services.&nbsp; But the religious policy was as confusing as everything
+else during those years - what were the proper rites for church services?
+what doctrinal changes from Henry's reign would remain? would the use of
+an English bible be enforced? should the Host be elevated during mass?&nbsp;
+These questions - and many others - remained hotly debated.&nbsp; Meanwhile,
+Somerset's government passed numerous guidelines, each more upsetting to
+traditionalists than the last - unlicensed preaching was banned on 24 April
+1548; <i>all</i> preaching was banned just five months later.&nbsp; Instead,
+clergy would recite twelve government-approved homilies/proverbs from the
+pulpit.&nbsp; Images were outlawed, altars were ordered removed, private
+masses ended....&nbsp; And the twelve government-endorsed homilies continued
+this destruction, railing against good works and purgatory while advocating
+salvation through faith <i>alone</i>.&nbsp; All churchmen felt themselves
+under attack while their parishes agreed.&nbsp; (For example, good works
+and purgatory were deeply-held beliefs of common people.)
+<p>Added to this confusion was Edward VI's blossoming religious convictions.&nbsp;
+Like his sister, Mary, Edward became committed to a specific ideology and
+determined to impose it upon the English people - for their own good, of
+course.&nbsp; His tacit approval did not matter much to Somerset (who,
+after all, possessed the king's signature) but it was symbolic.&nbsp; For
+the English people, the religious policies were frightening and confusing.&nbsp;
+Most English people lived in the countryside and were fundamentally conservative
+- as most rural populations are; they weree slow to change and suspicious
+of new ideas.&nbsp; Confined to London for most of his short life, Edward
+was unaware of this basic truth.&nbsp; Like Somerset, he resided in London
+where the new ideas were rampant.
+<p>But, of course, the people had another reason for dissatisfaction.&nbsp;
+As mentioned earlier, Somerset's economic policy was essentially nonexistent.&nbsp;
+There was no overriding philosophy - just one hare-brained scheme to raise
+money after another.&nbsp; The population had been steadily increasing
+(see <a href="http://www.englishhistory.net/tudor/facts.html">Tudor Facts
+&amp; Figures</a>) and, of course, fueled a rise in prices.&nbsp; But along
+with this, currency debasement continued and increased inflation.&nbsp;
+One official mentioned the obvious solution - restore the coinage - but
+Somerset was desperate for quick money to fund his Scottish plans.&nbsp;
+Most of his economic policies were implemented by John Hales.&nbsp; Hales
+introduced many bills to parliament 1548-49, the main ones were: the maintenance
+of tillage, requiring sheep farmers to keep a certain number of cows to
+ensure regular milk and cheese supplies; he also attempted to end the compulsory
+purchase by the government of food at fixed prices.&nbsp; Those bills failed
+- but a tax on sheep and wool was approvedd in order to discourage sheep
+farming (and enclosures.)&nbsp; The attempts to end enclosures was perhaps
+the most ill-advised of Somerset's policies.&nbsp; Landholders were naturally
+opposed to it and, when they supposedly frustrated attempts to collect
+evidence of enclosures, Somerset grew angry - he decided to proceed without
+legal basis.&nbsp; (The landowners had frustrated the government by packing
+juries with their own tenants and servants.)&nbsp; Somerset's decision
+to proceed inflamed the entire Midlands (where the commission had begun
+its work.)
+<p>In May 1549, revolts began which can be loosely classified as 'class
+warfare', or as close to such as Tudor England would ever get.&nbsp; This
+was not a repeat of the Pilgrimage of Grace, where nobleman led their supporters
+in protest of new religious policies.&nbsp; This was the revolt ot thousands
+of laborers and poor farmers who had long resented the use of enclosures.&nbsp;
+They were revolting against the noblemen with, so they believed, the government's
+support.&nbsp; These poor people, who had suffered through rising inflation
+and prices and debased currency, were determined to end a grossly unfair
+practice.&nbsp; When Somerset insisted the nobles had deliberately filled
+the juries with supporters, the people grew angry.&nbsp; They took to the
+fields - filling ditches, tearing down fences and hedges.&nbsp; Too late,
+Somerset recognized the force he had unleashed.&nbsp; He threatened to
+disperse the rioters by force, to no avail.&nbsp; In May the first revolts
+broke out; by August, revolts broke out in Leicestershire.&nbsp; It was
+up to the nobility to restore order to their lands, using troops originally
+destined for Scotland.&nbsp; But thousands perished during the fighting.
+<p>The revolts had revealed the ugly undercurrent of dissatisfaction among
+the English people.&nbsp; The factors already discussed combined to encourage
+revolt.&nbsp; It was also a terribly hot summer with a bad harvest.&nbsp;
+As prices rose, Somerset foolishly decided to fix maximum prices for goods
+- but the prices were incredibly high and,, once again, demonstrated his
+knowledge of London prices and ignorance of the rest of England.&nbsp;
+In general, the rebels wanted such basic rights as this - the right to
+have landlords forced off 'common' ground and the right to fish freely.&nbsp;
+In a way, it was very much a 'Robin Hood' rebellion; they distrusted the
+gentry and sought to separate the church and nobility.
+<p>Somerset's policies during the rebellions were typical of 'the Good
+Duke', or so the peasantry believed - but they enraged the nobility.&nbsp;
+In effect, he waffled between action and inaction.&nbsp; When the revolts
+began, he had not wanted to delay his Scottish campaign and so he didn't
+respond immediately.&nbsp; Instead, he issued grandiose proclamations and
+promised to pardon rebels if they stopped.&nbsp; Meanwhile, the revolts
+spread and the council urged action.&nbsp; In July, Somerset finally brought
+troops back from Scotland and sent them to smash the rebels with impunity.&nbsp;
+Thousands of deaths ensued and much property was damaged.&nbsp; The council
+was furious - Somerset had blundered once again, disregarding their advice
+and following no clear policy of his own.&nbsp; Even Paget, his former
+ally, was disgusted.&nbsp; He wrote Somerset a threatening and dismissive
+letter which read, in part:
+<ul>Society in a realm doth consist and is maintained by mean of religion
+and law.&nbsp; And these two or one wanting, farewell all just society,
+farewell king, government, justice and all other virtue.&nbsp; Look well
+whether you have either law or religion at home and I fear you shall find
+neither. ....And put no more so many irons in the fire at once as you have
+had within this twelvemonth - war with Scotland, with France.... commissions
+out for that matter, new laws for this, proclamation for another, one in
+another's neck.</ul>
+Paget's opinion of his former ally indicated the growing disillusionment
+with Somerset.&nbsp; Coupled with his brother's ambitious attempt to overthrow
+him, the complete loss of the council's confidence was thus the beginning
+of Somerset's end.
+<p>
+<hr WIDTH="100%">
+<center><font size=-1><a href="../monarchs.html">to
+Tudor Monarchs</a></font>
+<br><font size=-1><a href="http://englishhistory.net/tudor.html">to Tudor
+England</a></font></center>
+</blockquote>
+
+<center><font size=-1>written by <a href="mailto:marilee@englishhistory.net">Marilee</a></font></center>
+</td>
+</tr>
+</table></center>
+
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082560" alt="setstats" border="0" width="1" height="1"></noscript>
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+<title>Tudor Monarchs - Queen Elizabeth I: Biography, Portraits, Primary Sources
+</title>
+</head>
+
+<body link="#000000" vlink="#000000" alink="#000000" bgcolor="#FFFFFF">
+
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+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%">&nbsp;<p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>
+    <img border="0" src="eliz1-correct.gif" width="535" height="151"></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+      <a href="eliz1.html">
+      <img border="0" src="elizfinal.jpg" alt="Click here to enter the Queen Elizabeth I website." width="248" height="405"></a></td>
+    </tr>
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+<html>
+
+<head>
+<meta name="author" content="Marilee Mongello">
+<meta name="content" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
+<meta name="page_topic" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
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+<title>Queen Elizabeth I: Biography, Portraits, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29"><p align="center">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center">
+    <IMG height=98 alt="Queen Elizabeth I" 
+      src="eliz1-queenuse.gif" width=422></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <IMG height=444 
+      alt="'The Rainbow Portrait' of Elizabeth I, c1600" 
+      src="eliz1-rainbow.jpg" width=350 align=center border=2><blockquote>
+    <p align="left">
+    &nbsp;</blockquote>
+      <DIV align=left>Visit
+        <a href="http://www.marileecody.com/eliz1-images.html">Elizabethan 
+      Images</a> to view portraits of the queen and her courtiers, with 
+      commentary.<BR>Read poems, letters, and speeches by the queen at <A 
+      href="../primary.html">Primary 
+      Sources</A>.<BR>&nbsp;</DIV>
+      <DIV align=left>Read ES Beesly's 1892 biography of Queen 
+        Elizabeth I at <a href="../secondary.html">
+        Secondary Sources</a>.<BR>&nbsp;</DIV>
+      <DIV align=left>Visit <A 
+      href="boleyn.html">the Anne 
+      Boleyn website</A> to learn more about Elizabeth's mother.<BR>Visit <A 
+      href="../relative/maryqos.html">the Mary, 
+      queen of Scots website</A> to learn more about Elizabeth's 
+      cousin.<BR><BR>Test your knowledge of Elizabeth's life and times at <A 
+      href="../tudor1.html">Tudor 
+      Quizzes</A>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Meet other Elizabethan enthusiasts at
+        <a href="http://www.alassea.net/fl/elizabeth/">The Virgin Queen 
+        fanlisting</a>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <p>&nbsp;</p>
+      <p><B>Elizabeth Tudor is considered by many to be the greatest monarch in 
+      English history.&nbsp; When she became queen in 1558, she was twenty-five 
+      years old, a survivor of scandal and danger, and considered illegitimate 
+      by most Europeans.&nbsp; She inherited a bankrupt nation, torn by 
+      religious discord, a weakened pawn between the great powers of France and 
+      Spain.&nbsp; She was only the third queen to rule England in her own 
+      right; the other two examples, her cousin Lady Jane Grey and half-sister 
+      Mary I, were disastrous.&nbsp; Even her supporters believed her position 
+      dangerous and uncertain.&nbsp; Her only hope, they counseled, was to marry 
+      quickly and lean upon her husband for support.&nbsp; But Elizabeth had 
+      other ideas.&nbsp;</B> <BR><B>She ruled alone for nearly half a century, 
+      lending her name to a glorious epoch in world history.&nbsp; She dazzled 
+      even her greatest enemies.&nbsp; Her sense of duty was admirable, though 
+      it came at great personal cost.&nbsp; She was committed above all else to 
+      preserving English peace and stability; her genuine love for her subjects 
+      was legendary.&nbsp; Only a few years after her death in 1603, they 
+      lamented her passing.&nbsp; In her greatest speech to Parliament, she told 
+      them, 'I count the glory of my crown that I have reigned with your 
+      love.'&nbsp; And five centuries later, the worldwide love affair with 
+      Elizabeth Tudor continues.</B></p>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'Proud 
+      and haughty, as although she knows she was born of such a mother, she 
+      nevertheless does not consider herself of inferior degree to the Queen, 
+      whom she equals in self-esteem; nor does she believe herself less 
+      legitimate than her Majesty, alleging in her own favour that her mother 
+      would never cohabit with the King unless by way of marriage, with the 
+      authority of the Church....&nbsp; <BR>She prides herself on her father and 
+  glories in him; everybody saying that she also resembles him more than the 
+  Queen does and he therefore always liked her and had her brought up in the 
+  same way as the Queen.' </font><FONT size=-1>&nbsp; <I>the Venetian 
+      ambassador Giovanni Michiel describes Elizabeth; spring 1557</I></FONT></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <p>Elizabeth Tudor was born on 7 September 1533 at Greenwich 
+      Palace.&nbsp; She was the daughter of <A 
+      href="henry8.html">King Henry 
+      VIII</A> and his second wife, <A 
+      href="boleyn.html">Anne 
+      Boleyn</A>.&nbsp; Henry had <A 
+      href="../faq.html#Eleven-b">defied the 
+      papacy</A> and the Holy Roman Emperor to marry Anne, spurred on by love 
+      and the need for a legitimate male heir.&nbsp; And so Elizabeth's birth 
+      was one of the most exciting political events in 16th century European 
+      history; rarely had so much turmoil occurred on behalf of a mere 
+      infant.&nbsp; But the confident predictions of astrologers and physicians 
+      were wrong and the longed-for prince turned out to be a princess.&nbsp;
+      </p>
+      <P>Eustace Chapuys, the Imperial ambassador and enemy of Anne Boleyn, 
+      described the birth to his master as 'a 
+      <IMG height=324 alt="portrait of Elizabeth's mother, Anne Boleyn" 
+      src="elizmom.jpg" width=250 border=2 align="left">great disappointment and sorrow to 
+      the King, the Lady herself and to others of her party.'&nbsp; But for the 
+      next two years, Henry VIII was willing to hope for a son to join this 
+      healthy daughter.&nbsp; Immediately after Elizabeth's birth, he wrote to 
+      his 17 year old daughter, <A 
+      href="mary1.html">Princess 
+      Mary</A>, and demanded she relinquish her title Princess of Wales and 
+      acknowledge both the annulment of his marriage to her mother, <A 
+      href="aragon.html">Katharine of 
+      Aragon</A>, and the validity of his new marriage.&nbsp; Mary refused; she 
+      already blamed Anne Boleyn (and, by extension, Elizabeth) for the sad 
+      alteration of her own fortunes.&nbsp; In December, she was moved into her 
+      infant half-sister's household.&nbsp; When told to pay her respects to the 
+      baby Princess, she replied that she knew of no Princess of England but 
+      herself, and burst into tears.&nbsp; </P>
+      <P>Henry already ignored Mary and Katharine's constant pleas to meet; now 
+      he began a more aggressive campaign to secure Anne and Elizabeth's 
+      position.&nbsp; For one mother and daughter to be secure, the other pair 
+      must necessarily suffer.&nbsp; Most Europeans, and indeed Englishmen, 
+      still believed Katharine to be the king's valid wife.&nbsp; Now old and 
+      sickly, imprisoned in one moldy castle after another, she remained a very 
+      popular figure.&nbsp; Anne Boleyn was dismissed in polite circles as the 
+      king's 'concubine' and their marriage was recognized only by those of the new 
+      Protestant faith.&nbsp; Henry attempted to legislate popular acceptance of 
+      his new queen and heiress.&nbsp; But the various acts and oaths only cost 
+      the lives of several prominent Catholics, among them <A 
+      href="../citizens/more.html">Sir Thomas 
+      More</A> and Bishop John Fisher.&nbsp; The English people never accepted 
+      'Nan Bullen' as their queen.&nbsp; </P>
+      <P>But while she had the king's personal favor, Elizabeth's mother was 
+      secure.&nbsp; And she held that favor far longer than any had 
+      expected.&nbsp; It was only after she miscarried twice that Henry began to 
+      consider this second marriage as cursed as the first.&nbsp; The last 
+      miscarriage occurred in January 1536; Katharine died that same 
+      month.&nbsp; With her death, the king's Catholic critics considered him a 
+      widower, free to marry again.&nbsp; And this next marriage would not be 
+      tainted by the specter of bigamy.&nbsp; It was only necessary to get rid 
+      of Anne, and find a new wife - one who could hopefully deliver a 
+      son.&nbsp; The king already had a candidate in mind; her name was <A 
+      href="seymour.html">Jane 
+      Seymour</A>, a lady-in-waiting to both Katharine and Anne.&nbsp; </P>
+      <P>In the end, Henry VIII was not merely content to annul his marriage to 
+      Anne.&nbsp; She was arrested, charged with a variety of crimes which even 
+      her enemies discounted, and executed on 19 May 1536.&nbsp; Her little 
+      daughter was now in the same position as her half-sister, Princess 
+      Mary.&nbsp; However, all of Europe and most Englishmen considered Mary to 
+      be Henry's legitimate heir, despite legislation to the contrary.&nbsp; No 
+      one believed Elizabeth to be more than the illegitimate daughter of the 
+      king.&nbsp; Also, there were already disparaging rumors of her mother's 
+      infidelities; perhaps the solemn, red-headed child was not the king's 
+      after all?&nbsp; It was to Henry's (small) credit that he always 
+      acknowledged Elizabeth as his own, and took pride in her intellectual 
+      accomplishments.&nbsp; As she grew older, even Catholic courtiers noted 
+      Elizabeth resembled her father more than Mary did.&nbsp; </P>
+      <P>Henry married Jane just twelve days after Anne's execution and his 
+      long-awaited son, <A 
+      href="edward6.html">Prince 
+      Edward</A>, was born in October 1537.&nbsp; Elizabeth participated in the 
+      christening, carried by Thomas Seymour, the handsome young brother of the 
+      queen.&nbsp; Jane died shortly after the birth of childbed fever.&nbsp; 
+      Henry VIII married <A 
+      href="cleves.html">Anne of 
+      Cleves</A> on Twelfth Night (6 January) 1541.&nbsp; The marriage was a disaster, 
+      and Henry quickly divorced Anne and married <A 
+      href="howard.html">Catherine 
+      Howard</A>.&nbsp; Catherine was a cousin of Anne Boleyn; they were both 
+      related to Thomas Howard, 3rd duke of Norfolk and perhaps Henry's most 
+      nervous peer.&nbsp; The king enjoyed a brief few months of happiness with 
+      his fifth wife.&nbsp; But Catherine was thirty years younger than Henry 
+      and soon enough resumed an affair with a former lover.&nbsp; She was 
+      executed in February 1543 and buried beside Anne Boleyn in the Tower of 
+      London.&nbsp; </P>
+      <P>For Elizabeth, these changes in her father's marital fortunes did not 
+      pass unnoticed.&nbsp; She was part of her half-brother Edward's household; 
+      her days were spent mostly at lessons, with the occasional visit from her 
+      father.&nbsp; As a child, no one expected her to comment upon her 
+      various stepmothers.&nbsp; It was only when she reached adulthood and 
+      became queen that its psychological effects were revealed.&nbsp; Elizabeth 
+      had a dim view of romantic love and, given her father's example, who can 
+      blame her?&nbsp; </P>
+      <P>It was Henry's sixth and final wife, <A 
+      href="parr.html">Katharine 
+      Parr</A>, who had the greatest impact upon Elizabeth's life.&nbsp; A kind 
+      woman who believed passionately in<img border="2" src="eliz1-scrots.jpg" align="right" alt="Princess Elizabeth, c1546, attributed to William Scrots" width="370" height="495"> education and religious reform, 
+      Katharine was a devoted stepmother.&nbsp; Understandably, she had far more 
+      of an impact with the young Edward and Elizabeth than with Mary, who was 
+      just four years her junior.&nbsp; Katharine arranged for 10 year old 
+      Elizabeth to have the most distinguished tutors in England, foremost among 
+      them Roger Ascham.&nbsp; As a result, Elizabeth was educated as well as 
+      any legitimate prince, and she displayed a genuine love and aptitude for 
+      her studies.&nbsp; 'Her mind has no womanly weakness,' Ascham would write 
+      approvingly, 'her perseverance is equal to that of a man.'&nbsp; And 
+      later, 'She readeth more Greek every day, than some Prebendaries of this 
+      Church do in a whole week.'&nbsp; And so she did; Elizabeth's love of 
+      scholarship never faltered and, in an age when women were considered 
+      inferior to men, she was a glorious exception.&nbsp; </P>
+      <P>
+      Along with 
+      such classical subjects as rhetoric, languages, philosophy, and history, 
+      Elizabeth also studied theology.&nbsp; Ascham and her other tutors were 
+      famous Cambridge humanists who supported the Protestant cause.&nbsp; 
+      Likewise, Katharine Parr was devoted to the reformed faith.&nbsp; Unlike 
+      their half-sister Mary, both Edward and Elizabeth were raised Protestant 
+      during its most formative years.&nbsp; Yet while Edward was known for his 
+      piety and didacticism, Elizabeth already displayed the pragmatic character 
+      which would make her reign successful.&nbsp; She studied theology and 
+      supported the Protestant cause; she had been raised to do so and knew 
+      only Protestants recognized her parents' marriage.&nbsp; But she was never 
+      openly passionate about religion, recognizing its divisive role in English 
+      politics.&nbsp; </P>
+      <P>&nbsp;Most people viewed the adolescent Elizabeth as a serious young 
+      woman who always carried a book with her, preternaturally composed.&nbsp; 
+      She encouraged this perception, which was as accurate as any, by dressing 
+      with a degree of severity virtually absent at the Tudor royal court.&nbsp; 
+      But she was not so serious that she avoided all the material trappings of 
+      her position.&nbsp; Her household accounts, which came under the 
+      management of William Cecil (who later became her secretary of state), 
+      show evidence of a cultivated and lively mind, as well as a love of 
+      entertainment:&nbsp; fees for musicians, musical instruments, and a 
+      variety of books.&nbsp; As she grew older and her position more prominent, 
+      her household also expanded.&nbsp; During her brother Edward's reign, she 
+      lived the life of a wealthy and privileged lady - and apparently enjoyed 
+      it immensely.&nbsp; </P>
+      <P>Elizabeth was thirteen years old when her father died.&nbsp; They 
+      were never particularly close though he treated her with affection on her 
+      few visits to his court.&nbsp; He even occasionally discussed the 
+      possibility of her marriage for, in the 16th century, royal bastards were 
+      common and often used to great advantage in diplomacy.&nbsp; Under the 
+      1536 'Second Act of Succession', which declared both her and the 19 year 
+      old Mary illegitimate, Parliament gave Henry the ability to determine his 
+      children's status, as well as the actual succession.&nbsp; Typically for 
+      Henry, he simply let both his daughters live as princesses and gave them 
+      precedence over everyone at court except his current wife.&nbsp; But they 
+      had no real claim to the title of 'princess' and were known as 'the lady 
+      Elizabeth' and 'the lady Mary'.&nbsp; This was often followed by the 
+      explanatory 'the king's daughter.'&nbsp; It was an awkward situation which 
+      the king saw no reason to resolve.&nbsp; His will did recognize his 
+      daughters' crucial place in the succession.&nbsp; If Edward died without 
+      heirs, Mary would inherit the throne; if Mary died without heirs, 
+      Elizabeth would become queen.&nbsp; He also left them the substantial 
+      income of 3000 pds a year, the same amount for each daughter.&nbsp; </P>
+      <P>Did Elizabeth mourn her father?&nbsp; Undoubtedly so, for at least 
+      under Henry VIII she was three steps from the throne and protected by his 
+      rough paternal affection.&nbsp; After his death, she had good cause to 
+      wish him alive again.&nbsp; Ten year old Edward was king in name 
+      only.&nbsp; The rule of England was actually in the hands of his uncle, 
+      the Lord Protector Edward Seymour, soon titled duke of Somerset.&nbsp; 
+      Elizabeth was now separated from her brother's household, moving to 
+      Katharine Parr's home in Chelsea.&nbsp; This was perhaps the happiest time 
+      of her adolescence.&nbsp; </P>
+      <P>But Katharine married again quickly, to the man she had loved before 
+      Henry VIII had claimed her.&nbsp; Her new husband was Thomas Seymour, the 
+      younger brother of Lord Protector Somerset and uncle to the new King 
+      Edward.&nbsp; He was handsome, charming, and very ambitious.&nbsp; He also 
+      had terrible political instincts.&nbsp; Seymour was not content to be 
+      husband of the Dowager Queen of England.&nbsp; He was jealous of his 
+      brother's position and desperate to upstage him.&nbsp; And so he 
+      inadvertently played into the hands of the equally ambitious John Dudley, 
+      earl of Warwick.&nbsp; Dudley wished to destroy the Seymour protectorship 
+      and seize power for himself.&nbsp; He allowed the feuding brothers to 
+      destroy each other.&nbsp; </P>
+      <P>For Elizabeth, the main problem with Seymour was his inappropriate and 
+      very flirtatious behavior.&nbsp; As a teenaged girl with little experience 
+      of men, she was flattered by his attention and also a bit 
+      frightened.&nbsp; Certainly it placed great strain on Katharine Parr, who 
+      had become pregnant soon after her marriage.&nbsp; The queen originally 
+      participated in Seymour's early morning raids into Elizabeth's room, where 
+      he would tickle and wrestle with the girl in her nightdress.&nbsp; But 
+      while Katharine considered this simple fun, her husband was more 
+      serious.&nbsp; He soon had keys made for every room in their house and 
+      started visiting Elizabeth while she was still asleep and he was clad in 
+      just his nightshirt.&nbsp; She soon developed the habit of rising early; 
+      when he appeared, her nose was safely in a book. Edward's council heard 
+      rumors of these romps and investigated.&nbsp; Elizabeth proved herself 
+      circumspect and clever; she managed to admit nothing which would 
+      offend&nbsp; </P>
+      <P>She left the Seymour home for Hatfield House in May 1548, ostensibly 
+      because the queen was 'undoubtful of health'.&nbsp; Elizabeth and 
+      Katharine exchanged affectionate letters, but they would not meet 
+      again.&nbsp; The queen died on 4 September 1548 of childbed fever.&nbsp; 
+      </P>
+      <P>After her death, Seymour's position became more dangerous.&nbsp; It was 
+      rumored that he wished to marry Elizabeth and thus secure the throne of 
+      England in case Edward died young.&nbsp; He had already bought the 
+      wardship of <A 
+      href="../relative/janegrey.html">Lady Jane 
+      Grey</A>, a Tudor cousin and heir in Henry VIII's will.&nbsp; He planned 
+      to marry Jane and Edward, thus securing primary influence with his 
+      nephew.&nbsp; Eventually, his grandiose plans unraveled and he was 
+      arrested.&nbsp; Perhaps the most damning charge was his planned marriage 
+      to Elizabeth.&nbsp; Immediately, the council sent Sir Robert Tyrwhit to 
+      Hatfield with the mission to take control of Elizabeth's household and 
+      gain her confession.&nbsp; He immediately arrested Elizabeth's beloved 
+      governess Kat Ashley and her cofferer, Thomas Parry; they were sent to the 
+      Tower.&nbsp; Now, Tyrwhit told the princess, confess all; he wanted 
+      confirmation of the charge that Seymour and Elizabeth planned to 
+      wed.&nbsp; If she confessed, Tyrwhit said, she would be forgiven for she 
+      was young and foolish - her servants should have protected her.&nbsp; </P>
+      <P>
+      <IMG height=122 alt="Elizabeth's signature as Princess of England" 
+      src="elizsig-sm.jpg" width=200 align=left border=2>Elizabeth did not hesitate to demonstrate her own wit and 
+      learning.&nbsp; Indeed, she drove Tyrwhit to exasperation; 'in no way will 
+      she confess any practice by Mistress Ashley or the cofferer concerning my 
+      lord Admiral; and yet I do see it in her face that she is guilty and do 
+      perceive as yet she will abide more storms ere she accuse Mistress 
+      Ashley,' he wrote to Somerset, 'I do assure your Grace she hath a very 
+      good wit and nothing is gotten of her but by great policy.'&nbsp; 
+      Elizabeth refused to scapegoat her loyal servants and defiantly asserted 
+      her complete innocence.&nbsp; She told Tyrwhit she cared nothing for the 
+      Admiral and when he had mentioned some vague possibility of marriage, she 
+      had referred him to the council.&nbsp; She also secured permission to 
+      write to Somerset and, upon doing so, demanded a public apology be made 
+      regarding her innocence.&nbsp; She also demanded the return of her loyal 
+      servants for if they did not return, she said, her guilt would be 
+      assumed.&nbsp; She read Ashley and Parry's 'confessions' in which they 
+      described Seymour's romps with her at Katharine Parr's home.&nbsp; The 
+      details were undoubtedly embarrassing but she recognized their 
+      harmlessness.&nbsp; In short, she demonstrated every aspect of her 
+      formidable intelligence and determination.&nbsp; Poor Tyrwhit left for 
+      London with no damaging confession.&nbsp; </P>
+      <P>But the council didn't need Elizabeth's confession to execute 
+      Seymour.&nbsp; He was charged with thirty-three other crimes, and he 
+      answered only three of the charges.&nbsp; He was not given a trial; a 
+      messy execution was always best passed by a Bill of Attainder.&nbsp; He 
+      was executed on 20 March 1549, dying 'very dangerously, irksomely, 
+      horribly... a wicked man and the realm is well rid of him.'&nbsp; Contrary 
+      to some biographies, Elizabeth did not say, 'This day died a man with much 
+      wit, and very little judgment.'&nbsp; The 17th century Italian novelist 
+      Leti invented this, as well as several forged letters long supposed to be 
+      hers.&nbsp; </P>
+      <P>Soon enough, Seymour's brother followed him to the scaffold.&nbsp; 
+      Somerset was a kind man in private life and genuinely dedicated to 
+      economic and religious reform in England but, as a politician, he failed 
+      miserably.&nbsp; He lacked charisma and confidence; he preferred to bully 
+      and bluster his way through council meetings.&nbsp; He simply did not 
+      understand how to manage the divisive personalities of Edward VI's privy 
+      council.&nbsp; Meanwhile, John Dudley had been quietly manipulating other 
+      councilors and the young king to gain ascendancy.&nbsp; Upon Somerset's 
+      execution, Dudley became Lord Protector; he was also titled duke of 
+      Northumberland.&nbsp; He was the first non-royal Englishman given that 
+      title.&nbsp; </P>
+      <P>For Elizabeth, these events were merely background noise at 
+      first.&nbsp; Dudley took pains to cultivate a friendship with her, which 
+      she wisely avoided.&nbsp; He sent her and Mary amiable letters.&nbsp; 
+      Since Mary was a Catholic, and Dudley a Protestant who had benefited 
+      materially from the Reformation, he was necessarily more friendly to 
+      Elizabeth.&nbsp; For example, Edward VI had given Dudley Hatfield House, 
+      which was currently Elizabeth's residence.&nbsp; Dudley graciously 
+      returned it to her in exchange for lesser lands in her possession.&nbsp; 
+      He also passed the patents to her lands, which allowed her more 
+      income.&nbsp; This, of course, should have been done at Henry VIII's 
+      death.&nbsp; So Elizabeth at first benefited from Dudley's rise to 
+      power.&nbsp; She was now a well-respected and popular princess, a landed 
+      lady in her own right with a large income and keen mind.&nbsp; She was 
+      also an heir to the English throne, though still officially recognized as 
+      a bastard.&nbsp; But she was shown every respect, and a degree of 
+      affection from Edward VI completely lacking in his relations with their 
+      sister Mary.&nbsp; </P>
+      <P>Their mutual faith was an important connection with the increasingly 
+      devout Edward.&nbsp; Elizabeth visited Court occasionally, corresponded 
+      with her brother, and continued her studies mainly at Hatfield.&nbsp; She 
+      had always been excessively cautious and very intelligent, qualities she 
+      displayed to great effect during the Seymour crisis.&nbsp; The only time 
+      in her life when she demonstrated any recklessness had been during the 
+      Seymour debacle; she had learned its lesson well.&nbsp; </P>
+      <P>She also cultivated the image of a sober Protestant young lady.&nbsp; 
+      When queen, she became known for her love of beautiful gowns and 
+      jewels.&nbsp; But before 1558, she took care to dress soberly, the image 
+      of chastity and modesty.&nbsp; This was perhaps a conscious attempt to 
+      distance herself from Mary, a typical Catholic princess who dressed in all 
+      the glittering and garish finery she could afford.&nbsp; It is an ironic 
+      note on Mary's character that she has become known as a dour, plain woman; 
+      she was as fond of clothes and jewelry as her sister would become.&nbsp; 
+      It was Elizabeth who dressed plainly, most often in severely cut black or 
+      white gowns.&nbsp; She wore each color to great effect.&nbsp; She had 
+      matured into a tall, slender and striking girl, with a fair, unblemished 
+      complexion and the famous Tudor red hair.&nbsp; She wore her hair loose 
+      and did not use cosmetics.&nbsp; When she traveled about the countryside, 
+      crowds gathered to see her, a Protestant princess renowned for her virtue 
+      and learning, her appearance modest and pleasing.&nbsp; In this respect, 
+      she was emulated by her cousin Jane Grey.&nbsp; When Jane was invited to a 
+      reception for Mary of Guise, the regent of Scotland, Mary Tudor sent her 
+      'some goodly apparel of tinsel cloth of gold and velvet laid on with 
+      parchment lace of gold.'&nbsp; Jane, a devout Protestant, was offended; 
+      such apparel reflected the material trappings of Catholicism.&nbsp; When 
+      her parents insisted she wear it, Jane replied, 'Nay, that were a shame to 
+      follow my Lady Mary against God's word, and leave my Lady Elizabeth, which 
+      followeth God's word.'&nbsp; </P>
+      <P>Elizabeth was honorably and extravagantly received at her brother's 
+      court.&nbsp; For example, on 17 March 1552, she arrived at St James's 
+      Palace with 'a great company of lords, knights and gentlemen' along with 
+      over 200 ladies and a company of yeomen.&nbsp; Two days later she left St 
+      James for Whitehall Palace, her procession accompanied by a grand 
+      collection of nobles.&nbsp; The visit was a marked success for Edward was 
+      open in his affection.&nbsp; She was his 'sweet sister Temperance,' unlike 
+      Mary who continued to defy his religious policy.&nbsp; The Primary Sources 
+      section of this site contains an excerpt from Edward VI's journal in which 
+      he records a religious argument with Mary.&nbsp; In that matter, Elizabeth 
+      remained distant, preferring to let her siblings argue without her.&nbsp; 
+      </P>
+      <P>Edward's ministers, especially after the Seymour affair, were careful 
+      with her.&nbsp; Dudley recognized Elizabeth's formidable 
+      intelligence.&nbsp; When Edward VI became ill in 1553 and it was clear he 
+      would not survive, Dudley had a desperate plan to save himself from Mary 
+      I's Catholic rule - place Henry VIII's niece, Lady Jane Grey on the 
+      throne.&nbsp; (This is discussed in great length at the <A 
+      href="../relative/janegrey.html">Lady Jane 
+      Grey</A> site.)&nbsp; Simply put, Dudley believed he would be supported 
+      because Jane was Protestant and the English would not want the Catholic 
+      Mary on the throne.&nbsp; Of course, the question arises - Elizabeth was 
+      Protestant, so why not put her on the throne instead of Jane?&nbsp; The 
+      main reason is that Dudley was well aware that Elizabeth Tudor would not 
+      be his puppet, unlike Jane Grey whom he had married to his son 
+      Guildford.&nbsp; As for Edward VI, he went along with the plan because of 
+      two main reasons: Elizabeth was illegitimate so there might be resistance 
+      to her rule and, as a princess, she might be persuaded to marry a foreign 
+      prince and England would fall under foreign control.&nbsp; Jane was 
+      already safely wed to an Englishman.&nbsp; </P>
+      <P>
+      <IMG height=228 
+      alt="a profile portrait of Elizabeth's half-brother, King Edward VI" 
+      src="edward4-cr.jpg" width=150 border=2 align="left">Edward VI's decision should not indicate any great dislike of 
+      Elizabeth.&nbsp; He was primarily determined to preserve the Protestant 
+      regime in England.&nbsp; He believed this was necessary for his personal 
+      and political salvation.&nbsp; He was also practical.&nbsp; He 
+      disinherited Mary because of her Catholicism; however, it was officially 
+      sanctioned because of her illegitimacy.&nbsp; Like Elizabeth, Mary had her 
+      illegitimacy established by an act of Parliament during Henry VIII's 
+      reign.&nbsp; Since he had ostensibly disinherited Mary because of this 
+      act, he couldn't let Elizabeth inherit - it simply wasn't logical.&nbsp; 
+      So the throne would pass to the legitimate - and Protestant - Lady Jane 
+      Grey.&nbsp; As most know, she ruled for just nine days before Mary became 
+      queen of England.&nbsp; It should be noted that Edward originally told 
+      Dudley that, though he didn't want Mary to succeed him, he saw no logical 
+      reason for Elizabeth to be disowned.&nbsp; It was Dudley who pointed out 
+      the logical inconsistency - that Mary 'could not be put by unless the Lady 
+      Elizabeth were put by also.'&nbsp; </P>
+      <P>Dudley attempted to place Mary and Elizabeth in his power while Edward 
+      was dying.&nbsp; He knew that if he imprisoned the two princesses, they 
+      would be unable to rouse popular support against his plan.&nbsp; But if 
+      that failed, he was determined to prevent them from seeing Edward, 
+      especially Elizabeth.&nbsp; Dudley feared that Edward's affection for his 
+      sister, and Elizabeth's cleverness, might persuade Edward to rewrite his 
+      will in her favor.&nbsp; Like her sister, Elizabeth would undoubtedly 
+      destroy Dudley, making him the scapegoat for Edward's ineffectual 
+      regime.&nbsp; In fact, Elizabeth had suspected her brother was ill and set 
+      out from Hatfield to visit him just a few weeks before Edward died, but 
+      Dudley's men intercepted her and sent her home.&nbsp; She then wrote her 
+      brother a number of letters, inquiring about his health and asking 
+      permission to come to Court.&nbsp; These were intercepted as well.&nbsp; 
+      </P>
+      <P>But as Edward's health continued to deteriorate and death was imminent, 
+      Dudley sent a message to Hatfield, ordering Elizabeth to Greenwich 
+      Palace.&nbsp; She may have been warned of his intentions - more likely she 
+      guessed them.&nbsp; She refused the summons, taking to her bed with a 
+      sudden illness.&nbsp; As a further precaution, her doctor sent a letter to 
+      the council certifying she was too ill for travel.&nbsp; As for Mary, 
+      Dudley had told her that Edward desired her presence; it would be a 
+      comfort to him during his illness.&nbsp; She was torn - though Dudley hid 
+      the true extent of the king's illness, the Imperial ambassador had kept 
+      Mary informed.&nbsp; He was the agent of her cousin, the Holy Roman 
+      Emperor Charles V; Mary's mother had been his aunt.&nbsp; Conscious of her 
+      sisterly duty, Mary set out for Greenwich from Hunsdon the day before 
+      Edward died.&nbsp; </P>
+      <P>Dudley was enraged by Elizabeth's refusal but he could do 
+      nothing.&nbsp; Soon enough, events moved too quickly for the princess to 
+      be his primary concern.&nbsp; It was being whispered that Dudley had 
+      poisoned the king to place his daughter-in-law on the throne.&nbsp; Of 
+      course, this was untrue since Dudley needed Edward to live as long as 
+      possible for his plan to work.&nbsp; To this end, he had engaged a female 
+      'witch' to help prolong the king's life.&nbsp; She concocted a mix of 
+      arsenic and other drugs; they worked, at least for Dudley's purpose.&nbsp; 
+      The young king lived for a few more weeks though he suffered 
+      terribly.&nbsp; Finally, on 6 July 1553, Edward VI died.&nbsp; 
+      Immediately, Dudley had Jane Grey proclaimed queen, an honor she had not 
+      sought and did not want.&nbsp; It was only Dudley's appeal to her 
+      religious convictions which convinced her to accept the throne.&nbsp; </P>
+      <P>Meanwhile, Jane's cousin, Mary Tudor, was still on her way to Greenwich 
+      to see her brother, until a sympathizer (sent by Nicholas Throckmorton or 
+      William Cecil) rode out to meet her; the summons was a trap, he told her, 
+      and Dudley intended to imprison her.&nbsp; Mary rode to East Anglia, the 
+      conservative section of England where her support would be 
+      strongest.&nbsp; Eventually she would realize the true extent of her 
+      support.&nbsp; Protestants and Catholics alike rallied to her cause since 
+      she was Henry VIII's daughter and the true heir under his will.&nbsp; As 
+      she left for East Anglia, she didn't know her brother was already dead but 
+      she sent a note to the Imperial ambassador Simon Renard; once she knew of 
+      Edward's death, she said, she would declare herself queen.&nbsp; She sent 
+      another note to Dudley, telling him she was too ill to travel.&nbsp; </P>
+      <P>The failure of Dudley's ambitions is discussed at the <A 
+      href="../relative/janegrey.html">Lady Jane 
+      Grey</A> site.&nbsp; Suffice to say, he was overthrown and executed and 
+      Mary Tudor, at the age of thirty-seven, was declared queen of England in 
+      her own right.&nbsp; During the nine days of Jane's reign, Elizabeth had 
+      continued her pretense of illness.&nbsp; It was rumored that Dudley had 
+      sent councilors to her, offering a large bribe if she would just renounce 
+      her claim to the throne.&nbsp; Elizabeth refused, remarking, 'You must 
+      first make this agreement with my elder sister, during whose lifetime I 
+      have no claim or title to resign.'&nbsp; So she remained at her beloved 
+      Hatfield, deliberately avoiding a commitment one way or another.&nbsp; 
+      When word reached her that Mary was finally queen, she sent a letter of 
+      congratulation to her sister and set off for London.&nbsp; On 29 July, she 
+      entered the capital with 2000 mounted men wearing the green and white 
+      Tudor colors.&nbsp; There she awaited Mary's official arrival into the 
+      city.&nbsp; On 31 July, Elizabeth rode with her attendant nobles along the 
+      Strand and through the City to Colchester, the same path her sister would 
+      take.&nbsp; It was here she would receive her sister as queen.&nbsp; They 
+      had not seen each other for about five years.&nbsp; </P>
+      <P>Mary had always disliked her half-sister for many reasons, not least 
+      because she sensed an innate shiftiness in Elizabeth's character.&nbsp; 
+      Elizabeth, Mary believed, was never to be trusted.&nbsp; Originally, this 
+      dislike was because of Elizabeth's mother, Anne Boleyn.&nbsp; Mary had 
+      long blamed Anne for her own mother's tragic end as well as the alienation 
+      of her father's affections.&nbsp; After Anne died and Elizabeth, too, was 
+      declared illegitimate, Mary found other reasons to hate Elizabeth, chief 
+      among them religion.&nbsp; Like her mother, Mary was a devout Catholic; 
+      she recognized Elizabeth's lack of religious zeal.&nbsp;<img border="2" src="elizsister.jpg" align="right" alt="portrait of Elizabeth's half-sister, Queen Mary I; she ruled England from 1553 to 1558" width="350" height="522"> But at her 
+      accession, the moment of her great triumph, she was prepared to be 
+      conciliatory.&nbsp; </P>
+      <P>Mary ordered that Elizabeth share her triumphal march through 
+      London.&nbsp; Their processions met at Wanstead on 2 August.&nbsp; There, 
+      Elizabeth dismounted and knelt in the road before her sister.&nbsp; Mary 
+      dismounted and raised her sister, embracing and kissing her with 
+      affection.&nbsp; She even held her hand as they spoke.&nbsp; Their two 
+      parties entered London together, the sisters riding side by side.&nbsp; 
+      The contrast between their physical appearances could not have been more 
+      striking.&nbsp; Mary, at thirty-seven, was old beyond her years.&nbsp; An 
+      adulthood passed in anxiety and tribulation had marred her health and 
+      appearance.&nbsp; She was small like her mother and thin, with Katharine's 
+      deep, almost gruff voice.&nbsp; Elizabeth was nineteen years old, taller 
+      than her sister and slender.&nbsp; While Mary was richly attired in 
+      velvets covered in jewels and gold, Elizabeth was dressed in her usual 
+      strikingly severe style.&nbsp; Neither sister was conventionally beautiful 
+      but onlookers commented upon Mary's open compassion and kindness and 
+      Elizabeth's innate majesty.&nbsp; And since Mary was thirty-seven, quite 
+      old to have a child, Elizabeth was viewed as her probable heir.&nbsp; As 
+      such, she was cheered as much as the new queen.&nbsp; </P>
+      <P>On 1 October, Elizabeth rode to Mary's coronation with Henry VIII's 
+      discarded fourth wife, Anne of Cleves.&nbsp; She was once again accorded a 
+      place of honor amongst the English ladies, though not the highest position 
+      as was her due.&nbsp; The Imperial ambassador Renard reported that she 
+      spoke often with the French ambassador de Noailles.&nbsp; For his part, de 
+      Noailles reported that Elizabeth complained her coronet was too heavy and 
+      made her head ache.&nbsp; He replied to her that, God willing, she would 
+      soon wear a heavier crown.&nbsp; </P>
+      <P>This was dangerous talk, as Elizabeth soon discovered.&nbsp; Mary's 
+      mood was fickle regarding her clever half-sister.&nbsp; For every kind 
+      word or gesture, there were public statements dismissing Henry VIII as 
+      Elizabeth's father, or allowing distant cousins precedent at court.&nbsp; 
+      It was simply impossible for Mary to forget the past, etched so acutely 
+      upon her spirit.&nbsp; She could not like Elizabeth, nor trust her.&nbsp; 
+      Elizabeth responded to this emotional hostility by retreating to 
+      Hatfield.&nbsp; There she continued her studies and attempted to remain 
+      safe in the morass of English politics.&nbsp; </P>
+      <P>But however much she might wish for peace, she was not to have 
+      it.&nbsp; She was destined to be the focal point for all discontent over 
+      Mary's reign.&nbsp; And there was soon much reason for discontent.&nbsp; 
+      Edward VI's council had left the economy in shambles; currency was debased 
+      and near worthless.&nbsp; There was a series of bad harvests.&nbsp; Prices 
+      rose and discontent spread.&nbsp; And worst of all, Mary soon decided to 
+      marry King Philip II of Spain, son and heir of Charles V.&nbsp; This was 
+      yet another example of her inability to forget the past.&nbsp; Philip 
+      represented the homeland of her beloved mother, and a chance to bring all 
+      the weight of the Holy Roman Empire to bear upon the heretics of 
+      England.&nbsp; Mary was determined to turn back the clock on twenty years 
+      of religious reform and make England a Catholic nation again.&nbsp; </P>
+      <P>Understandably, her subjects were less than thrilled.&nbsp; Even 
+      English Catholics did not want their country to become a powerless 
+      appendage of the Hapsburg empire.&nbsp; Certainly a queen had to marry, 
+      but not the emperor's son!&nbsp; In this climate of rebellion and 
+      repression, Elizabeth's life was in great danger.&nbsp; It could not be 
+      otherwise; she was the only alternative to Mary's rule.&nbsp; </P>
+      <P>Elizabeth conformed outwardly to the Catholic faith.&nbsp; But she 
+      could not distance herself too much from her Protestant supporters.&nbsp; 
+      When Sir Thomas Wyatt, the son of her mother's great poetic admirer, led a 
+      rebellion in January 1554, matters came to an unpleasant impasse.&nbsp; 
+      Wyatt had written to Elizabeth that he intended to overthrow Mary but his 
+      letter was intercepted, as was a letter from de Noailles to the king of 
+      France.&nbsp; His letter implied that Elizabeth knew of the revolt in 
+      advance, and repeated rumors that she was off gathering armed 
+      supporters.&nbsp; The government was able to suppress the rebellion before 
+      it spread very far and Wyatt was arrested.&nbsp; Mary's council could find 
+      no real proof that de Noailles's suppositions were true but they decided 
+      to summon Elizabeth back to London for questioning.&nbsp; She was 
+      understandably frightened and ill; she sent word that she could not 
+      travel.&nbsp; Two of Mary's personal physicians were sent to evaluate her 
+      condition.&nbsp; They diagnosed 'watery humors' and perhaps an 
+      inflammation of the kidneys.&nbsp; She was ill, they reported, but not too 
+      ill to travel the 30 miles to London in the queen's own litter.&nbsp; 
+      Three of the queen's councilors - Howard, Hastings, and Cornwallis, all of 
+      whom were friendly with Elizabeth - escorted her back to London.&nbsp; 
+      They traveled quite slowly, covering just six miles a day.&nbsp; </P>
+      <P>Elizabeth kept the curtains of the litter pulled back as she entered 
+      the city, and the citizens were able to see her pale, frightened 
+      face.&nbsp; She had good cause for her fear; the heads and corpses of 
+      Wyatt and his supporters were thrust upon spikes and gibbets throughout 
+      the city.&nbsp; The queen waited for her at Whitehall but they did not 
+      meet immediately.&nbsp; First, Elizabeth's household was dismissed and she 
+      was told that she must undergo close interrogation about her 
+      activities.&nbsp; She was questioned by the unfriendly bishop of 
+      Winchester, Stephen Gardiner, but she was not intimidated.&nbsp; She 
+      denied any involvement in the rebellion and repeatedly asked to see the 
+      queen.&nbsp; But she was told that Mary was leaving for Oxford where she 
+      would hold a Parliament.&nbsp; Elizabeth would be leaving Whitehall as 
+      well, though at first the council could not decide where to send 
+      her.&nbsp; No councilor wanted the responsibility of keeping her in close 
+      confinement at their homes; it was too unpleasant and potentially 
+      dangerous.&nbsp; And so Gardiner and Renard had their way and she went to 
+      the Tower of London.&nbsp; The earl of Sussex and the marquess of 
+      Winchester were sent to escort her from Whitehall.&nbsp; </P>
+      <P>Elizabeth was terrified.&nbsp; The mere mention of the Tower was enough 
+      to shatter her already fragile nerves.&nbsp; She begged to be allowed to 
+      write to her sister, and the men agreed.&nbsp; The letter was long, 
+      rambling, and repetitious - proof of her fear and trepidation:&nbsp; </P>
+      <BLOCKQUOTE>
+        <p>I have heard in my time of many cast away for want of coming 
+        to the presence of their Prince....&nbsp; Therefore once again kneeling 
+        with humbleness of my heart, because I am not suffered to bow the knees 
+        of my body, I humbly crave to speak with your Highness, which I would 
+        not be so bold to desire if I knew not myself most clear as I know 
+        myself most true.&nbsp; And as for the traitor Wyatt, he might 
+        peradventure write me a letter but on my faith I never received any from 
+        him; and as for the copy of my letter sent to the French king, I pray 
+        God confound me eternally if ever I sent him word, message, token or 
+        letter by any means, and to this truth I will stand it to my 
+        death.&nbsp; <BR>....Let conscience move your Highness to take some 
+        better way with me than to make me be condemned in all men's sight afore 
+        my desert know.</p>
+      </BLOCKQUOTE>
+      <p>After finishing, she carefully drew lines 
+      throughout the rest of the blank sheet so no forgeries could be added, and 
+      she signed it 'I humbly crave but one word of answer from yourself.&nbsp; 
+      Your Highness's most faithful subject that hath been from the beginning 
+      and will be to my end, Elizabeth'.&nbsp; </p>
+      <P>The letter had taken too long to write; they had missed the tide.&nbsp; 
+      They could wait a few hours and take her to the Tower in the darkest part 
+      of night, but the council disagreed.&nbsp; There could be an attempt to 
+      rescue her under cover of darkness.&nbsp; They decided to wait until the 
+      next morning, Palm Sunday, when the streets would be nearly deserted since 
+      everyone would be in church.&nbsp; Meanwhile, her letter was sent to Mary 
+      who received it angrily and refused to read it through.&nbsp; She had not 
+      given permission for it to be written or sent, and she rebuked her 
+      councilors fiercely.&nbsp; </P>
+      <P>The next morning, 17 March 1554, arrived cold and grey; there was a 
+      steady rain.&nbsp; At 9 o'clock in the morning, Elizabeth was taken from 
+      her rooms and through the garden to where the barge waited.&nbsp; She was 
+      accompanied by six of her ladies and two gentleman-attendants.&nbsp; She 
+      waited under a canopy until the barge began to slow; she then saw that 
+      they would enter beneath Traitor's Gate, beneath St Thomas's Tower.&nbsp; 
+      This was the traditional entrance for prisoners returned to their cells 
+      after trial at Westminster.&nbsp; The sight terrified her and she begged 
+      to be allowed entry by any other gate.&nbsp; Her request was 
+      refused.&nbsp; She was offered a cloak to protect her from the rain but 
+      she pushed it aside angrily.&nbsp; Upon stepping onto the landing, she 
+      declared, 'Here landeth as true a subject, being prisoner, as ever landed 
+      at these stairs.&nbsp; Before Thee, O God, do I speak it, having no other 
+      friend but Thee alone.'&nbsp; She then noticed the yeoman warders gathered 
+      to receive her beyond the gate.&nbsp; 'Oh Lord,' she said loudly, 'I never 
+      thought to have come in here as a prisoner, and I pray you all bear me 
+      witness that I come in as no traitor but as true a woman to the Queen's 
+      Majesty as any as is now living.'&nbsp; Several of the warders stepped 
+      forward and bowed before her, and one called out, 'God preserve your 
+      Grace.'&nbsp; </P>
+      <P>She still refused to enter the Tower.&nbsp; After the warder's 
+      declaration, she sat upon a stone and would not move.&nbsp; The Lieutenant 
+      of the Tower, Sir John Brydges, said to her, 'You had best come in, 
+      Madame, for here you sit unwholesomely.'&nbsp; Elizabeth replied with 
+      feeling, 'Better sit here, than in a worse place, for God knoweth where 
+      you will bring me.'&nbsp; And so she sat until one of her attendants burst 
+      into tears.&nbsp; She was taken to the Bell Tower, a small corner tower 
+      beside Brydges's own lodgings.&nbsp; Her room was on the first floor, and 
+      had a large fireplace with three small windows.&nbsp; Down the passageway 
+      from the door were three latrines which hung over the moat.&nbsp; It was 
+      not as destitute or uncomfortable as she had feared, but it was still the 
+      Tower of London and she was a prisoner.&nbsp; </P>
+      <P>This was the beginning of one of the most trying times of her 
+      life.&nbsp; </P>
+      <P>Elizabeth spent just two months in the Tower of London, but she had no 
+      idea that her stay would be so brief - and it did not feel particularly 
+      brief.&nbsp; She truly believed some harm would come to her and she dwelt 
+      most upon the possibility of poison.&nbsp; She knew Mary hated her and 
+      that many of her councilors constantly spoke ill of her, encouraging 
+      either her imprisonment or execution.&nbsp; </P>
+      <P>However, Elizabeth had enough popular support that she would not face 
+      death at her sister's orders.&nbsp; But Lady Jane Grey, the unfortunate 
+      Nine Days' Queen, and her husband were neither so popular or lucky.&nbsp; 
+      They, too, had lived in the Tower under threat of execution; both had been 
+      convicted of treason.&nbsp; But Mary had always been fond of Jane and was 
+      close friends with her mother Frances; she allowed her cousin to live very 
+      comfortably in the Tower while her fate remained undecided.&nbsp; Mary 
+      probably intended to release Jane as soon as the country settled under her 
+      own rule.&nbsp; But Renard wanted both Jane and her husband 
+      executed.&nbsp; He warned Mary that the emperor would not allow Philip to 
+      enter England as long as Jane lived.&nbsp; She was a traitor, and it was 
+      only a matter of time before the Protestants tried to place either Jane or 
+      Elizabeth upon the throne.&nbsp; Mary was not persuaded by Renard's 
+      arguments, but his threat carried greater force - she wanted to marry 
+      Philip and he would not come to England until it was safe.&nbsp; The small 
+      rebellion led by Jane's father clearly did not help matters.&nbsp; And so 
+      Jane and the equally unfortunate Guildford Dudley were executed.&nbsp; 
+      Elizabeth herself arrived at the Tower just six weeks later, and her 
+      cousin's fate must have weighed heavily on her mind.&nbsp; After all, she 
+      and Jane had lived and studied together briefly under Katharine Parr's 
+      tutelage, and Jane's admiration of Elizabeth had been open and 
+      obvious.&nbsp; </P>
+      <P>It was abundantly clear to Elizabeth that her position was precarious 
+      and dangerous.&nbsp; During the first weeks of her imprisonment, she was 
+      allowed to take exercise along the Tower walls but when a small child 
+      began to give her flowers and other gifts, Brydges was told to keep her 
+      indoors.&nbsp; Elizabeth had always been active, both physically and 
+      mentally.&nbsp; She chafed at her confinement and its boring 
+      routine.&nbsp; She was occasionally interrogated by members of Mary's 
+      council, but she held firm to her innocence.&nbsp; She had faced such 
+      interrogations during Thomas Seymour's fall from grace, and could not be 
+      easily intimidated.&nbsp; Still, the stress - which she handled with 
+      outward aplomb - took its toll on her physical health.&nbsp; She lost 
+      weight, and became prone to headaches and stomach problems.&nbsp; </P>
+      <P>Ironically enough, it was the impending arrival of Philip of Spain 
+      which led to her freedom.&nbsp; Renard had urged Mary to execute Jane and 
+      imprison Elizabeth so that Philip would be safe in England.&nbsp; Philip, 
+      however, was far more sensitive to the political implications of such an 
+      act.&nbsp; He knew the English were acutely sensitive to any shift in 
+      Mary's policies simply because she had chosen to marry a foreigner.&nbsp; 
+      If she made an unpopular decision, it would be blamed upon his 
+      influence.&nbsp; He knew, too, that the Protestant faith was still popular 
+      in the country, and that Elizabeth embodied its greatest hope.&nbsp; If 
+      she were harmed in any way, his arrival in England would be even more 
+      unpopular and dangerous.&nbsp; And the Wyatt rebellion had merely 
+      reinforced Philip's natural inclination to tread lightly.&nbsp; His 
+      intention was to wed Mary, be crowned king of England, and find a suitable 
+      husband for Elizabeth, preferably one of his Hapsburg relations.&nbsp; 
+      Then, if Mary died without bearing a child, England would remain within 
+      the Hapsburg sphere of influence, a willing and useful adjunct of the 
+      empire.&nbsp; </P>
+      <P>Accordingly, Philip wrote to Mary and advised that Elizabeth be set at 
+      liberty.&nbsp; This conciliatory gesture was not appreciated by Mary, 
+      always inclined to believe the worst in her half-sister, but - once again 
+      - her eagerness for Philip's arrival made her desperate to please 
+      him.&nbsp; She dispensed with Renard's advice and on Saturday 19 May at 
+      one o'clock in the afternoon, Elizabeth was finally released from the 
+      Tower; incidentally, her mother had been executed on the same day eighteen 
+      years earlier.&nbsp; She spent one night at Richmond Palace, but it was 
+      clear that her release had not lifted Elizabeth's spirits.&nbsp; That 
+      night she summoned her few servants and asked them to pray for her, 'For 
+      this night,' Elizabeth said, 'I think to die.'&nbsp; </P>
+      <P>She did not die, of course, but she was still frightened and 
+      lonely.&nbsp; She had been released into the care of Sir Henry 
+      Bedingfield, a Catholic supporter of Queen Mary whose father had guarded 
+      Katharine of Aragon during her last years at Kimbolton Castle.&nbsp; He 
+      had come to the Tower on 5 May as the new Constable, replacing Sir John 
+      Gage, and his arrival had caused Elizabeth no end of terror.&nbsp; She 
+      believed he was sent to secretly murder her for, not long before, a 
+      credible rumor had reached her; it was said that the Catholic elements of 
+      Mary's council had sent a warrant for her execution to the Tower but that 
+      Sir John Brydges, the strict but honest Lieutenant, had not acted upon it 
+      because it lacked the queen's signature.&nbsp; With Bedingfield's arrival, 
+      Elizabeth lost her almost preternatural self-control and she asked her 
+      guards 'whether the Lady Jane's scaffold was taken away or no?'&nbsp; When 
+      told it was gone, she asked about Bedingfield, and if 'her murdering were 
+      secretly committed to his charge, he would see the execution 
+      thereof?'&nbsp; </P>
+      <P>From Richmond, Bedingfield took his cowed charge to Woodstock, a 
+      hunting-lodge miles from London and once favored by her Plantagenet 
+      grandfather, Edward IV.&nbsp; She was neither officially under arrest nor 
+      free, a nebulous position which confused nearly everyone.&nbsp; She could 
+      not be received at court, but she could not be set at liberty in the 
+      countryside.&nbsp; And so Bedingfield was essentially her jailer, but not 
+      referred to as such; and Woodstock was her prison, but also not called 
+      such.&nbsp; The journey to Woodstock certainly raised her spirit.&nbsp; 
+      She was greeted by throngs of people shouting 'God save your grace!' and 
+      other messages of support.&nbsp; Flowers, sweets, cakes and other small 
+      gifts were given to her.&nbsp; At times, the reception was so enthusiastic 
+      that Elizabeth was openly overwhelmed.&nbsp; It was now clear to her that 
+      the English people loved her, perhaps as much as they did Queen 
+      Mary.&nbsp; </P>
+      <P>But the love of the people was small comfort when faced with the 
+      dilapidation of Woodstock.&nbsp; The main house was in such disrepair that 
+      Elizabeth was lodged in the gatehouse.&nbsp; The queen had ordered that 
+      her sister be treated honorably and given limited freedom; Elizabeth was 
+      allowed to walk in the orchard and gardens.&nbsp; She also requested 
+      numerous books.&nbsp; After a few weeks, her initial fear of Bedingfield 
+      had settled into a bemused appraisal of her jailer.&nbsp; She now 
+      recognized him for what he was - a conscientious, unimaginative civil 
+      servant with a difficult assignment.&nbsp; They got on tolerably well, and 
+      Bedingfield even forwarded her numerous letters to the Council and the 
+      queen.&nbsp; Elizabeth was concerned that her imprisonment in the 
+      countryside would remove her too much from the public eye and her 
+      ceaseless letter-writing was an attempt to reassert her position as 
+      princess of England.&nbsp; Mary did not read the letters and angrily order 
+      Bedingfield to stop sending them along.&nbsp; </P>
+      <P>At the end of June, Elizabeth fell ill and asked that the queen's 
+      physician Dr Owen be sent to her.&nbsp; But Dr Owen was busy tending to 
+      Queen Mary and told Bedingfield that his charge must be patient.&nbsp; He 
+      recommended the services of Drs Barnes and Walbeck.&nbsp; Elizabeth 
+      refused to allow their examination; she preferred to commit her body to 
+      God rather than to the eyes of strangers, she told Bedingfield.&nbsp; 
+      Finally, on 7 July, Mary finally sent permission to Woodstock for 
+      Elizabeth to write to her and the Council about her various 
+      concerns.&nbsp; Elizabeth was petulant and took her time with the 
+      composition of this most important letter.&nbsp; When it was finally sent, 
+      written in Bedingfield's hand from her dictation, it was a typically 
+      shrewd and pointed document.&nbsp; Elizabeth wanted the Council to 
+      consider 'her long imprisonment and restraint of liberty, either to charge 
+      her with special matter to be answered unto and tried, or to grant her 
+      liberty to come unto her highness's presence, which she sayeth she would 
+      not desire were it not that she knoweth herself to be clear even before 
+      God, for her allegiance.'&nbsp; Elizabeth specifically requested that the 
+      members of the queen's council who were executors of 'the Will of the 
+      King's majesty her father' read the letter and be allowed to visit with 
+      her.&nbsp; It was a pointed reminder that despite her deprived 
+      circumstances, she was still next in line to the English throne.&nbsp; The 
+      Council heard the document uneasily.&nbsp; </P>
+      <P>Mary, however, had other matters on her mind.&nbsp; Finally, on 20 
+      July, even as Elizabeth mulled over her letter, Philip II of Spain finally 
+      landed at Southampton.&nbsp; The handsome, fair-haired 27 year old King 
+      was already a widow with a male heir; his first wife Maria of Portugal had 
+      died in childbirth in 1545 after two years of<IMG height=480 
+      alt="another portrait of Elizabeth's half-sister, Queen Mary I" 
+      src="mary1-eworth.jpg" width=332 border=2 align="right"> marriage.&nbsp; He was a 
+      conscientious and pious man who impressed all who met him with his 
+      discipline and work ethic.&nbsp; But he also had a tendency toward 
+      religious asceticism which worsened as he grew older.&nbsp; As a child, he 
+      had accompanied his father to the inquisition in Spain, watching 
+      impassively as heretics were burned alive.&nbsp; But his marriage to Mary 
+      was one of political necessity and Philip had no intention of threatening 
+      its success with unpopular religious policies.&nbsp; He was willing to 
+      move England slowly back into the Catholic fold; faced with Mary's 
+      impatience, it was Philip who advised moderation.&nbsp; He wed his cousin 
+      at Winchester Cathedral on 25 July in a splendid ceremony.&nbsp; On 18 
+      August they finally entered London in triumph, its citizens plied with 
+      enough free drinks and entertainment to greet Philip 
+      enthusiastically.&nbsp; But there were already signs of trouble; the 
+      anonymous pamphlets condemning foreigners and the queen's marriage 
+      circulated, and Philip's Spanish entourage were unhappy over a number of 
+      petty slights and insults from their English hosts.&nbsp; </P>
+      <P>Elizabeth had hoped the marriage would result in some change in her 
+      circumstances.&nbsp; But she was sadly mistaken.&nbsp; Instead she passed 
+      the months needling Bedingfield for more books, scribbling more letters, 
+      and listening to the occasional rumor from her servants.&nbsp; The rumors 
+      were hardly comforting.&nbsp; The queen was reportedly pregnant and she 
+      and Philip would open Parliament together on 12 November.&nbsp; From then 
+      on, the reunion between England and the papacy could begin in force.&nbsp; 
+      Mary was the happiest she had been since childhood, but the problem of 
+      Elizabeth remained.&nbsp; Gardiner wanted her executed; he argued that 
+      Protestantism could not be completely eradicated until its great hope, 
+      Elizabeth herself, was gone.&nbsp; But Philip and most other councilors 
+      were more pragmatic.&nbsp; Parliament had already agreed that if Mary died 
+      in childbirth, Philip would be regent of England during their child's 
+      minority.&nbsp; However, if both mother and child died, then Elizabeth 
+      once again assumed prominence.&nbsp; Philip, always prudent, preferred to 
+      know his sister-in-law before making an enemy of her.&nbsp; With his 
+      encouragement, and flush with happiness at her marriage and pregnancy, 
+      Mary finally invited Elizabeth to court.&nbsp; </P>
+      <P>In the third week of April 1555, almost a year since she was sent to 
+      Woodstock, Elizabeth was brought to Hampton Court Palace.&nbsp; Mary had 
+      gone there to prepare for her lying-in.&nbsp; They did not meet 
+      immediately.&nbsp; Elizabeth was brought into the palace through a side 
+      entrance, still closely guarded.&nbsp; According to the French ambassador, 
+      Philip visited her three days later but Mary never came.&nbsp; Two weeks 
+      later, the most powerful members of the council appeared to chide her for 
+      not submitting to the queen's authority; she was told to admit her past 
+      wrongdoing and seek the queen's forgiveness.&nbsp; Elizabeth replied that 
+      she had done nothing wrong in the past and wanted no mercy from her sister 
+      'but rather desired the law'.&nbsp; She told Gardiner she would rather 
+      remain in prison forever than admit to crimes she had never 
+      committed.&nbsp; He went off immediately to tell Mary of her sister's 
+      continued stubbornness.&nbsp; The queen was not pleased.&nbsp; The next 
+      day, Gardiner told Elizabeth that the queen marveled that 'she would so 
+      stoutly use herself, not confessing that she had offended'.&nbsp; Did 
+      Elizabeth really believe she was wrongfully imprisoned? Gardiner asked.&nbsp; 
+      Elizabeth refused the bait.&nbsp; She did not criticize her sister 
+      explicitly, telling him only that the queen must do with her as her 
+      conscience dictated.&nbsp; Gardiner replied that if she wanted her liberty 
+      and former position, she must tell a different story; only by admitting 
+      her past faults, confessing all sins, could she hope for 
+      forgiveness.&nbsp; It was a stalemate.&nbsp; Elizabeth again told him she 
+      would rather be unjustly imprisoned than gain freedom with lies.&nbsp; 
+</P>
+      <P>The next week passed with no word from anyone.&nbsp; And then, around 
+      10 o'clock one evening, a message arrived that the queen would see 
+      her.&nbsp; Elizabeth had begged for an interview for more than a year but 
+      now that the moment had at last arrived, she was understandably 
+      nervous.&nbsp; She was accompanied into Mary's apartments by one of her 
+      own ladies-in-waiting and Mary's close friend and Mistress of the Robes 
+      Susan Clarencieux.&nbsp; The queen's bedroom was lit with flickering 
+      candlelight; the queen herself was half-hidden in shadow.&nbsp; Without 
+      asking permission, Elizabeth immediately prostrated herself and declared 
+      her innocence.&nbsp; And though she and Mary sparred for a short while, 
+      the queen was willing to be generous at her own moment of triumph.&nbsp; 
+      It was rumored that Philip watched the sisters from behind a curtain; 
+      whether or not he was there, Mary was content to make peace of 
+      sorts.&nbsp; She sent Elizabeth away amicably enough and a week later poor 
+      Bedingfield was relieved of his duties.&nbsp; Elizabeth would remain at 
+      Hampton Court, still under light guard but with her own household and 
+      permission to receive certain guests.&nbsp; It was the end of over a year 
+      of tiresome captivity and she was delighted.&nbsp; </P>
+      <P>While she enjoyed her newfound liberty, the burning of Protestant 
+      heretics began in earnest.&nbsp; These killings have earned Mary the 
+      nickname 'Bloody Mary' and blighted her reputation.&nbsp; In truth, the 
+      roughly 300 people killed (about 60 women) was not considered excessive by 
+      Mary's European contemporaries; and in the government's mind, 
+      Protestantism had become dangerously linked with treason, sedition, and 
+      other secular crimes.&nbsp; For Mary, who was perhaps the most personally 
+      kind and gentle of the Tudor rulers, the killings were necessary to save 
+      the heretics' souls as well.&nbsp; It is a telling feature of her 
+      character that she could often forgive treason against herself, but would 
+      not countenance treason against God.&nbsp; </P>
+      <P>The burnings, coupled with the Spanish marriage, caused enough 
+      resentment; but, unfortunately for Mary, famine and poverty added to her 
+      list of woes.&nbsp; But the greatest tragedy of all for the queen was the 
+      humiliating and heartbreaking realization that her pregnancy was not 
+      real.&nbsp; Mary had truly believed she was pregnant; her stomach had 
+      become swollen and she had felt the child quicken.&nbsp; But she had 
+      always suffered from digestive and menstrual troubles.&nbsp; It is 
+      probable that she developed a tumor in her stomach which, combined with 
+      the lack of a cycle and her own fervent prayers, made her believe she was 
+      pregnant.&nbsp; All of April was spent in a state of readiness.&nbsp; 
+      Dozens of nurses and midwives crowded into Hampton Court, joined by a 
+      throng of noble ladies who would assist in the delivery.&nbsp; On 30 April 
+      a rumor reached London that a male child had been born and celebrations 
+      ensued.&nbsp; But it was a false alarm; the next three months were spent 
+      in a state of suspended disbelief.&nbsp; Finally, on 3 August, the queen's 
+      household departed to Oatlands and the pregnancy was not mentioned 
+      again.&nbsp; </P>
+      <P>Mary's heartache was soon worsened by the impending departure of 
+      Philip.&nbsp; He had spent over a year in a country he disliked, married 
+      to a woman he pitied but did not love.&nbsp; He used the excuse of 
+      pressing business in the Low Countries to leave England.&nbsp; Mary 
+      protested passionately, begging him to stay; it was clear to everyone that 
+      she truly loved her husband.&nbsp; But Philip was equally determined to 
+      go.&nbsp; It was perhaps clear to him that Mary was seriously ill and 
+      would never have children.&nbsp; If that was the case, he had no reason to 
+      remain in England.&nbsp; He left explicit instructions that she treat her 
+      sister well.&nbsp; </P>
+      <P>Elizabeth was sent to a small manor house a few miles from Oatlands 
+      where she played another waiting game, only this time with some measure of 
+      freedom and hope.&nbsp; But it was to be another three years before she 
+      would become queen of England.</P>
+      <P>&nbsp;</P>
+      <CENTER>
+      <P><B><A 
+      href="eliz2.html">CONTINUE 
+      READING</A></B> <BR>&nbsp; </P>
+      <P><FONT size=-1><A 
+      href="../monarchs.html">to Tudor 
+      Monarchs</A></FONT></P>
+      </blockquote>
+  </blockquote>
+</blockquote>
+
+</body>
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+
+<head>
+<meta name="author" content="Marilee Mongello">
+<meta name="content" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
+<meta name="page_topic" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
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+<title>Queen Elizabeth I: Biography, Portraits, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29"><p align="center">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center">
+    <IMG height=98 alt="Queen Elizabeth I" 
+      src="eliz1-queenuse.gif" width=422></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <img border="2" src="eliz1-coronation.jpg" alt="The 'Coronation Portrait' of Elizabeth I; late 16th copy of a lost original" width="294" height="427"><blockquote>
+    <p align="left">
+    &nbsp;</blockquote>
+      <DIV align=left>Visit
+        <a href="http://www.marileecody.com/eliz1-images.html">Elizabethan 
+      Images</a> to view portraits of the queen and her courtiers, with 
+      commentary.<BR>Read poems, letters, and speeches by the queen at <A 
+      href="../primary.html">Primary 
+      Sources</A>.<BR><BR>Read ES Beesly's 1892 biography of Queen 
+        Elizabeth I at <a href="../secondary.html">
+        Secondary Sources</a>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Visit <A 
+      href="boleyn.html">the Anne 
+      Boleyn website</A> to learn more about Elizabeth's mother.<BR>Visit <A 
+      href="../relative/maryqos.html">the Mary, 
+      queen of Scots website</A> to learn more about Elizabeth's 
+      cousin.<BR><BR>Test your knowledge of Elizabeth's life and times at <A 
+      href="../tudor1.html">Tudor 
+      Quizzes</A>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Meet other Elizabethan enthusiasts at
+        <a href="http://www.alassea.net/fl/elizabeth/">The Virgin Queen 
+        fanlisting</a>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'Some have fallen from being Princes of this land to be 
+  prisoners in this place; I am raised from being prisoner in this place to be 
+  Prince of this land.&nbsp; That dejection was a work of God's justice; this 
+  advancement is a work of His mercy.' </font>&nbsp; <I><FONT size=-1>Elizabeth 
+      I at the Tower of London, during her coronation ceremonies, 
+      1559</FONT></I></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+
+      <P>There is an apocryphal story about Elizabeth's accession.&nbsp; In it, 
+      she was out in the meadows surrounding Hatfield when the courtiers 
+      approached.&nbsp; They bowed before her, and presented Mary's signet 
+      ring.&nbsp; Elizabeth supposedly fell upon her knees and exclaimed, most 
+      aptly, 'A Domino factum est illud et est mirabile in oculis nostris.' 
+      ('This is the Lord's doing, and it is marvelous in Our eyes.')&nbsp; The 
+      citizens of London undoubtedly felt the same; upon receiving word of 
+      Mary's death, bonfires were lit and tables were set in the streets for a 
+      grand celebratory feast.&nbsp; </P>
+      <P>&nbsp;A glorious accession, then, and much celebrated.&nbsp; A 
+      contemporary observer, however, commented wryly upon the state of affairs 
+      in England in 1558: 'The Queen poor; the realm exhausted; the nobility 
+      poor and decayed; want of good captains and soldiers; the people out of 
+      order; justice not executed; justices of peace unmeet for office; all 
+      things dear; excess of meat and drink, and apparel; division among 
+      ourselves; war with France and Scotland; the French King, having one foot 
+      in Calais and the other in Scotland; steadfast enmity, but no steadfast 
+      friendship abroad.'&nbsp; </P>
+      <P>Elizabeth was well aware of the dire situation she faced.&nbsp; She 
+      herself had been the victim of the religious and political confusion of 
+      Mary's reign.&nbsp; And<IMG height=412 
+      alt="'The Ditchley Portrait' of Elizabeth I" 
+      src="eliz1-ditchley.jpg" width=281 border=2 align="right"> even the weather had been uncooperative for Queen 
+      Mary; the droughts which had plagued farmers led to high prices and much 
+      poverty.&nbsp; Most of the poor flocked to London where they crowded into 
+      ever-expanding slums.&nbsp; Mary's attempts to reform the debased currency 
+      of Henry VIII and Edward VI's reign had been somewhat successful, but 
+      England was still considered a poor credit risk on the Continent.&nbsp; 
+      </P>
+      <P>And so the new queen, though popular and much-admired, did not inherit 
+      a stable and prosperous country - and the quest for stability and 
+      prosperity became the guiding force of her reign.&nbsp; To that end, she 
+      came to eschew foreign entanglements and religious extremism.&nbsp; 
+      Practical and pragmatic, Elizabeth chose as her motto 'Semper Eadem' 
+      ('Always the Same'), and it was highly appropriate.&nbsp; </P>
+      <P>Her succession was assured and untroubled.&nbsp; But Elizabeth knew 
+      that when the celebrations ended, the real work would begin.&nbsp; Almost 
+      immediately, she would be forced to consider a rival claim to the throne 
+      by her cousin, Mary Stuart.&nbsp; Queen of Scotland since infancy, and now 
+      the wife of the French dauphin (and crowned queen of France in 1559), Mary 
+      was denied a place in the Tudor succession by Henry VIII's will.&nbsp; But 
+      she was a Catholic and had the French monarchy behind her.&nbsp; For her 
+      part, she was content to stay in France.&nbsp; But she did - with spirit 
+      and not much sense, as was her wont - choose to quarter the royal arms of 
+      England, Wales and Ireland upon her heraldry, thus openly laying claim to 
+      the throne of England.&nbsp; Even this symbolic act was fraught with 
+      political danger for the queenly cousins.&nbsp; From her accession on, 
+      Elizabeth knew her Scottish 'sister' was a serious concern; and while Mary 
+      was safely in France, it was all for the better.&nbsp; Scotland was 
+      already turning Protestant and England could continue to support its 
+      religious dissension and political upheaval.&nbsp; If their northern 
+      neighbor was kept busy with its own troubles, it was less likely to clash 
+      with England.&nbsp; </P>
+      <P>As for her English subjects, even the Catholics were largely against 
+      Mary Stuart's claims.&nbsp; In this case, nationalism trumped 
+      religion.&nbsp; There were other English claimants, of course; the younger 
+      sisters of the unfortunate <A 
+      href="../relative/janegrey.html">Lady Jane 
+      Grey</A>.&nbsp; But of the two, <A 
+      href="../relative/cathgrey.html">Catherine</A> 
+      was flighty and foolish and Mary was barely four feet tall.&nbsp; Neither 
+      was a popular choice to be queen.&nbsp; </P>
+      <P>Her smooth accession was further assured by the Lord Chancellor, 
+      Nicholas Heath.&nbsp; Parliament had been in session while Mary lay dying 
+      and, on 17 November, Heath announced her death to the assembled lords and 
+      commons.&nbsp; He then said, 'Which hap as it is most heavy and grievous 
+      unto us, so have we no less cause another way to rejoice with praise to 
+      Almighty God for that He hath left unto us a true, lawful and right 
+      inheritrice to the crown of this realm, which is the Lady Elizabeth, of 
+      whose lawful right and title we need not to doubt.&nbsp; Wherefore the 
+      lords of this house have determined with your assents and consents, to 
+      pass from hence into the palace, and there to proclaim the said Lady 
+      Elizabeth Queen of this realm without further tract of time.'&nbsp; </P>
+      <P>There was no dissension at Heath's words.&nbsp; Traditionally, 
+      Parliament dissolved upon the death of the reigning monarch - but Heath's 
+      prompt actions ensured Elizabeth's lawful recognition as queen before the 
+      lords and commons dispersed.&nbsp; And, as a leading Catholic, Heath also 
+      secured the loyalty of his religious party for the new queen.&nbsp; </P>
+      <P>Elizabeth held court at Hatfield for about a week, assembling statesmen 
+      and studying English affairs more acutely.&nbsp; Nicholas Throckmorton 
+      wrote to her immediately; he advised her to be wary and careful, so that 
+      neither 'the old or the new should wholly understand what you mean.'&nbsp; 
+      She did not need such advice; it was already central to her 
+      character.&nbsp; How else had she survived the reigns of Edward and 
+      Mary?&nbsp; </P>
+      <P>
+      <IMG height=206 alt="Elizabeth I's greatest advisor, Sir William Cecil" 
+      src="cecil-sm1.jpg" width=140 border=2 align="left">On 20 November, she held her first council meeting and appointed the 
+      loyal William Cecil as her Principal Secretary of State.&nbsp; They had 
+      been friends for a long while, since his appointment as her accountant 
+      many years ago.&nbsp; And, for the next forty years, they were to rule 
+      England as a virtually inseparable team.&nbsp; Elizabeth's words to Cecil 
+      have become justly famous: 'I give you this charge, that you shall be of 
+      my Privy Council and content to take pains for me and my realm.&nbsp; This 
+      judgment I have of you that you will not be corrupted by any manner of 
+      gift and that you will be faithful to the state; and that without respect 
+      of my private will you will give me that counsel which you think best and 
+      if you shall know anything necessary to be declared to me of secrecy, you 
+      shall show it to myself only.&nbsp; And assure yourself I will not fail to 
+      keep taciturnity therein and therefore herewith I charge you.'&nbsp; </P>
+      <P>All monarchs use such appointments to reward loyalty and friendship; 
+      Cecil's was also a reward for ability.&nbsp; On a more personal note, 
+      Elizabeth rewarded the faithful servants who had been her companions since 
+      childhood, among them Thomas Parry and Kat Ashley.&nbsp; The handsome 
+      Robert Dudley was appointed Master of the Horse; he was the son of the 
+      late Lord Protector and had been imprisoned in the Tower with Elizabeth 
+      during Mary's reign.&nbsp; Not coincidentally, this position required 
+      close contact with the queen.&nbsp; Thus from the very beginning, a source 
+      of rivalry was established amongst Elizabeth's closest councilors.&nbsp; 
+      Cecil and Dudley disliked one another, each man viewing the other as his 
+      main rival for the queen's attention.&nbsp; But even this potentially 
+      untenable situation benefited the young queen; it meant that she alone 
+      dominated her government while two rival factions developed, each centered 
+      around Cecil and Dudley.</P>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p align="center"><font size="4">'Everything depends upon the husband this woman takes.'&nbsp; 
+      <BR></font><I><FONT size=-1>the Spanish ambassador De Feria, 1560</FONT></I></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+    </blockquote>
+  </blockquote>
+      <P align="left"><font size="4">'If I were a milkmaid with a pail on my 
+      arm, whereby my private person might be little set by, I would not forsake 
+      that poor and single state to match with the greatest monarch.'&nbsp;&nbsp;
+      </font><I><FONT size=-1>Elizabeth I 
+      to Parliament, regarding marriage</FONT></I></P>
+      <blockquote>
+        <blockquote>
+          <hr>
+      <P>Elizabeth well understood the importance of public relations and knew 
+      her entry into London must be a lavish spectacle; the coronation which 
+      would follow must be even more impressive.&nbsp; Dudley was placed in 
+      charge of the coronation plans.&nbsp; He was well-suited to the 
+      task.&nbsp; Elizabeth's favorite astronomer, Dr John Dee, was consulted 
+      and Sunday, 15 January 1559 was selected as the perfect date.&nbsp; </P>
+      <P>On 23 November, Elizabeth left Hatfield for London; she stayed at the 
+      Charterhouse, and for the next five days she made regular appearances 
+      before adoring crowds.&nbsp; On Monday 28 November, she left the 
+      Charterhouse to ride through London and to the Tower.&nbsp; She wore a 
+      purple velvet gown and had a scarf tied loosely around her neck.&nbsp; 
+      Dudley rode closely behind her.&nbsp; When they neared the Tower, both the 
+      queen and her Master of the Horse appreciated the irony of the 
+      moment.&nbsp; Elizabeth said simply, and wittily: 'Some have fallen from 
+      being Princes of this land to be prisoners in this place; I am raised from 
+      being prisoner in this place to be Prince of this land.&nbsp; That 
+      dejection was a work of God's justice; this advancement is a work of His 
+      mercy.'&nbsp; </P>
+      <P>She spent the next ten days at the Tower, holding council meetings and 
+      slowly but steadily learning how to rule.&nbsp; She had been welcomed to 
+      the throne with great celebration, but few monarchs have inherited such a 
+      dire predicament.&nbsp; Religious turmoil was inevitable; though 
+      the Protestants regarded Elizabeth as their savior, many Marian exiles 
+      believed she would maintain her sister's religious changes.&nbsp; She had 
+      to tread carefully - and fortunately for both Elizabeth and her nation, 
+      she was uniquely suited to do so.&nbsp; She made it clear to her 
+      councilors that she wanted no windows into men's souls.&nbsp; Also, she 
+      would not be dominated by one religious party at the expense of 
+      another.&nbsp; For Elizabeth, her citizens were Englishmen first; their 
+      religious loyalties - whether Catholic or Protestant - were to remain 
+      subservient to their loyalty to her as queen of England.&nbsp; This 
+      explains her later disregard for Puritanism.&nbsp; She characteristically 
+      remarked that she preferred loyal Catholics to Puritans; this may have 
+      confused some of her subjects since she was a Protestant queen, and the 
+      Puritans were simply Protestant extremists.&nbsp; However, Elizabeth 
+      recognized that, by the end of her reign, most of her Catholic subjects 
+      were loyal to her instead of the pope (despite her excommunication) and 
+      accepted royal prerogative.&nbsp; Her Puritan subjects, however, did not 
+      recognize the sanctity of the crown, and their presence in Parliament 
+      ensured a steady erosion of royal power.&nbsp; The end result of this 
+      conflict occurred during the reign of Charles I, when a powerful Puritan 
+      populace revolted against their Catholic king and beheaded him.&nbsp; </P>
+      <P>Luckily, most of Elizabeth's councilors were of the same mind as the 
+      queen.&nbsp; Their first priority was the stability of the realm, and they 
+      wanted to negotiate a truce of sorts between the two factions.&nbsp; Of 
+      course, the more extreme members of both parties could not be 
+      satisfied.&nbsp; Also, Philip II of Spain and Henri II of France had 
+      recently ended their near-constant warfare, and now England remained 
+      outside Continental affairs; perhaps it would become the prey of both 
+      powers.&nbsp; When Elizabeth's court moved to Whitehall for Christmas, the 
+      Spanish ambassador De Feria tried to secure a possible marriage between 
+      Elizabeth and one of Philip's innumerable relatives.&nbsp; Already her 
+      expected marriage dominated European politics.&nbsp; No one expected her 
+      to rule alone.&nbsp; </P>
+      <P>The Christmas festivities at Whitehall were quite extravagant.&nbsp; 
+      The English court had not had cause for much celebration in years; Mary's 
+      reign had been increasingly insular and solemn.&nbsp; But Elizabeth, young 
+      and beautiful, was determined to celebrate her near-miraculous 
+      triumph.&nbsp; And yet Christmas would pale in comparison to her 
+      coronation festivities.&nbsp; </P>
+      <P>On the 12th of January, she set out once again to the Tower, traveling 
+      by river from Whitehall.&nbsp; Two days later, at two o'clock in the 
+      afternoon, she rode in an open litter for her recognition procession 
+      throughout London.&nbsp; She wore a gown of crimson velvet and cloth of 
+      gold with an ermine cape for warmth, and was surrounded by richly-dressed 
+      lords and ladies.&nbsp; Crowds of Londoners thronged the streets, to the 
+      queen's open delight.&nbsp; It was a cold and wet Saturday with snow 
+      flurries settling upon the brocade canopy of the queen's litter, but the 
+      weather could not distract from the spectacle.&nbsp; </P>
+      <P>The entire route through the city was marked by pageants, plays, and 
+      orations; even Anne Boleyn appeared in a tableau beside Henry VIII.&nbsp; 
+      Elizabeth's replies to each presentation were memorable and kind; to the 
+      Recorder of London, she memorably said, 'Whereas your request is that I 
+      should continue your good lady and Queen, be ye assured that I will be as 
+      good unto you as ever Queen was to her people.&nbsp; No will in me can 
+      lack, neither do I trust shall there lack any power.&nbsp; And persuade 
+      yourselves, that for the safety and quietness of you all, I will not spare 
+      if need be to spare my blood.'&nbsp; These words were not merely facile 
+      endearments.&nbsp; Long ago, during the dark days of Mary's reign, she had 
+      realized the importance of public relations and popular support.&nbsp; 
+</P>
+      <P>The next day she was crowned queen of England.&nbsp; She entered 
+      Westminster on foot, walking upon a long blue carpet which the crowd 
+      promptly cut up for souvenirs.&nbsp; The great Abbey was crowded full of 
+      both rural and urban dignitaries, and their ladies.&nbsp; They watched as 
+      the queen marched slowly forward, the long red velvet train of her gown 
+      carried by the duchess of Norfolk.&nbsp; Hundreds of candles and lamps 
+      burned, and the boys' choir sang beautifully while a medley of pipes, 
+      drums, and the church organ played.)&nbsp; She was crowned by Owen 
+      Oglethorpe, the bishop of Carlisle.&nbsp; The<img border="0" src="eliz1woodcrop.jpg" alt="portrait of Elizabeth I on wood; c1565" align="right" width="200" height="285"> archbishop of Canterbury, 
+      Reginald Pole, had died the same day as Queen Mary; the archbishop of York 
+      asked to be excused on grounds of conscience; the bishop of Durham said he 
+      was too old to perform the ceremony.&nbsp; And so it fell to Dr 
+      Oglethorpe, who was as good as anyone else in Elizabeth's eyes.&nbsp; The 
+      ceremony itself was a mish-mash of Catholic and Protestant rituals - the 
+      Mass was said in Latin but the celebrant did not elevate the Host; the 
+      epistle and gospel were read in Latin and English; and the coronation oath 
+      itself was read from an English Bible.&nbsp; In other words, it was a 
+      ceremony which accurately reflected the religious confusion of mid-16th 
+      century England.&nbsp; </P>
+      <P>Oglethorpe placed the heavy Crown of St Edward on her head, but it was 
+      quickly removed after the oath was administered.&nbsp; Then, wearing a 
+      lighter crown, the new queen was presented to the congregation.&nbsp; 
+      There was an explosion of noise (the Venetian ambassador said it sounded 
+      like the end of the world) as bells were rung, trumpets were blown, and 
+      every other musical instrument played with such force that spectators 
+      winced.&nbsp; The coronation banquet was held at Westminster Hall at three 
+      o'clock and lasted until one o'clock Monday morning.&nbsp; The new queen, 
+      who now wore a becoming gown of purple velvet, sat beneath the great 
+      window on a raised dais.&nbsp; There were eight hundred guests, and the 
+      queen was served by the Lord Chamberlain and the Chief Steward.&nbsp; She 
+      spoke little during the banquet, and was so tired when it ended that a 
+      tournament planned for Monday afternoon was canceled.&nbsp; She had also 
+      caught a cold; the opening of Parliament was thus delayed from the 23rd of 
+      January to the 25th.&nbsp; Her arrival at Parliament, however, was another 
+      moment of triumph for Elizabeth.&nbsp; She wore a crimson gown and a cap 
+      decorated with pearls and was quite lovely and energetic despite her 
+      recent cold.&nbsp; When the crowd called out, 'God save and maintain 
+      thee!', she responded with enthusiasm, 'God a' mercy, good people!'&nbsp; 
+      </P>
+      <P>All things considered, these first two months on the throne had gone 
+      very smoothly.&nbsp; But most European powers were convinced she wouldn't 
+      last a year as queen.&nbsp; If she did, it would only be due to a 
+      quick marriage.&nbsp; And so, over the next several years, the dominant 
+      issue of her reign would be one which she personally detested - who would 
+      the queen marry, and when?&nbsp; For Elizabeth, treading carefully and 
+      conscious of the novelty of her position, the issue was a personal and 
+      political threat - and one which she handled with exquisite care.</P>
+      <hr>
+        </blockquote>
+  </blockquote>
+  <p><font size="4">'She [Elizabeth] is incomparably more feared than her 
+  sister, and gives her orders and has her way as absolutely as her father did.'</font><i><font size="4">&nbsp;
+  </font><font size="-1">&nbsp;</font></i><I><FONT size=-1>the Spanish ambassador De Feria, 
+  1559</FONT></I></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <P>Elizabeth's seeming obliviousness to marriage, her refusal to discuss 
+      it, or her occasional witty but vague comments - all these infuriated her 
+      councilors.&nbsp; They seemed incapable of appreciating the impact 
+      marriage would have upon her life, while its impact was distressingly 
+      clear to Elizabeth.&nbsp; The councilors wanted a king, and an heir, a 
+      natural enough desire since her throne could not be completely secure without 
+      them.&nbsp; But Elizabeth knew herself to be intellectually superior to 
+      most men and she relished her independence.&nbsp; And, of course, her 
+      father's marital history - as well as her sister's - made her question 
+      both the personal and political cost of marriage.&nbsp; The new queen always 
+      had a low opinion of marital happiness, and saw little reason to change 
+      her mind.&nbsp; </P>
+      <P>Even in her own lifetime, rumors abounded that Elizabeth was physically 
+      deformed, incapable of pleasing a husband or bearing a child.&nbsp; It was 
+      also whispered that she was a sexual deviant whose appetites could not be 
+      satisfied by marriage.&nbsp; However, it is clear enough that Elizabeth's 
+      character - pragmatic, rational, and calculating - was not overly 
+      romantic; she was openly fond of many courtiers, particularly Robert 
+      Dudley.&nbsp; But she never wed Dudley, and a healthy flirtation does not 
+      indicate sexual deviancy.&nbsp; Rather, it shows Elizabeth to be a normal 
+      young woman who enjoyed the company of a handsome man.&nbsp; If she had 
+      not flirted with Dudley, or her other courtiers, then speculation about 
+      her character would be understandable.&nbsp; In truth, she was no less 
+      flirtatious than her father, but the simple, unavoidable fact of her 
+      gender made her flirtations far more politically charged.&nbsp; </P>
+      <P>Furthermore, any sexual activity would have been immediately 
+      reported.&nbsp; 'I do not live in a corner,' the queen once commented. 'A 
+      thousand eyes see all I do, and calumny will not fasten on me for 
+      ever.'&nbsp; A foreign ambassador was caught paying one of her laundresses 
+      for proof of the queen's regular menstrual cycle; everyone at court 
+      gossiped about her relationships with the handsome courtiers who soon 
+      flocked to London.&nbsp; The queen herself preferred to rise above such 
+      discussion.&nbsp; If she fulfilled her royal duties with care and 
+      diligence, and if she brought prosperity and peace to her country, then 
+      she was successful.&nbsp; And since she had great faith in her own 
+      talents, she saw no reason to share her throne with a husband.&nbsp; </P>
+      <P>And so, out of love of independence and power, and a native distrust of 
+      marriage, Elizabeth was determined to remain single.&nbsp; Her councilors, 
+      for their part, pretended to believe otherwise for quite a long 
+      time.&nbsp; Despite her repeated vows to 'live and die a virgin', they 
+      embarked upon countless rounds of diplomatic negotiations searching for a 
+      husband.&nbsp; They visited her in private, they 
+      openly begged her; they eventually forced a parliamentary showdown upon 
+      her.&nbsp; William Cecil prayed that 'God would send our mistress a 
+      husband, and by time a son, that we may hope our posterity shall have a 
+      masculine succession.'&nbsp; Despite their close friendship, and mutual 
+      respect, even Cecil succumbed to the sexism of their age - he rebuked a 
+      messenger for talking to the queen of something that 'was too much for 
+      woman's knowledge.'&nbsp; </P>
+      <P>But over the years, her councilor's discomfort lessened.&nbsp; Mary 
+      Stuart bore a son, James, in 1566 and was imprisoned in England shortly 
+      afterwards.&nbsp; James was raised as a Protestant and was soon the only 
+      Tudor relative with a viable claim.&nbsp; His religion allowed most 
+      Englishmen to look favorably upon him as Elizabeth's eventual heir.&nbsp; 
+      The queen wisely dangled its possibility before him and thus ensured 
+      Scottish political cooperation throughout the later years of her 
+      reign.&nbsp; Also, as the years passed, so did the possibility that 
+      Elizabeth would bear a child.&nbsp; And why marry, if not for an 
+      heir?&nbsp; </P>
+      <P>It is also worth noting the endless difficulties in selecting a 
+      suitable husband.&nbsp; A foreign match would have dragged England into 
+      the morass of European politics, with possibly the same disastrous results 
+      of Mary's marriage.&nbsp; But marriage to an Englishman would have given 
+      too much power to one political faction or the other.&nbsp; And so 
+      Elizabeth's personal dislike of marriage turned out to be a shrewd 
+      political decision, though it confounded everyone for several years.&nbsp; 
+      </P>
+      <P>From the earliest days of her reign, one of Elizabeth's greatest 
+      political attributes was her endless prevarication.&nbsp; Many historians 
+      have described it less as an attribute, and more as her greatest failing.&nbsp; 
+      They mention her inability to decide upon marriage, or - most famously - 
+      her refusal to execute Mary queen of Scots.&nbsp; They argue that these 
+      incidents prove she was hesitant and indecisive.&nbsp; But it actually 
+      reveals a formidable political talent, and one which greatly benefited her 
+      nation.&nbsp; The new queen was not one to whole-heartedly plunge into any 
+      scheme, personal or political; thus, she refused to become involved in 
+      foreign entanglements which would have bankrupted her country and produced 
+      strife and discontent.&nbsp; She sent money and a few troops to 
+      continental Protestants, but no more.&nbsp; In terms of religion, she 
+      sought to strike a balance between two extremes through careful thought 
+      and debate.&nbsp; In doing so, she negotiated a truce of sorts which 
+      lasted through most of her reign - in contrast to the religious turmoil 
+      which marked the reigns before and after her own.&nbsp; One could label 
+      her indecisive since she did not strike a definitive stance on either 
+      issue.&nbsp; But she preserved the peace and prosperity of her nation; she 
+      put England, and the welfare of its citizens, first.&nbsp; Thus, the 
+      ability to prevaricate was an essential tool of her political success, 
+      however much it frustrated those who wanted her to take sides.&nbsp; In 
+      Elizabeth's case, one could argue that she took only the English side.</P>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'She is a very vain and clever woman.&nbsp; She must have 
+  been thoroughly schooled in the manner in which her father conducted his 
+  affairs.&nbsp; She is determined to be governed by no one.' </font>
+  <font size="2">&nbsp; </font><I><FONT size=-1>the Spanish ambassador De Feria, 1559</FONT></I></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <P>
+      <IMG height=307 alt="Elizabeth I's greatest love, Sir Robert Dudley" 
+      src="eliztruelove.jpg" width=300 align="left">This understandably caused strife within her council.&nbsp; It was 
+      clear from the beginning that Robert Dudley was the queen's favorite 
+      courtier.&nbsp; They were openly affectionate and Dudley enjoyed flaunting 
+      the queen's favor.&nbsp; Cecil was often terrified that Elizabeth would 
+      wed Dudley, but that fear at least was soon put to rest.&nbsp; At the 
+      start of Elizabeth's reign, Dudley was still married to an heiress called 
+      Amy Robsart; she was safely tucked away in the country while her husband 
+      flirted at court.&nbsp; Elizabeth knew of the match; she had attended the 
+      wedding.&nbsp; But the marriage, which had begun happily, was soon torn 
+      apart by Dudley's ambition.&nbsp; But whatever he planned for the future, 
+      it was soon impossible for him to dream of becoming king.&nbsp; Amy was 
+      living in secluded and deprived circumstances at Cumnor Place, the 
+      Oxfordshire manor of Anthony Forster, an MP and close friend of 
+      Dudley's.&nbsp; She had been ill for some time.&nbsp; On Sunday the 8th of 
+      September 1560, roughly nine months after Elizabeth's coronation, she gave 
+      her few servants permission to visit a fair.&nbsp; When they returned, 
+      they found her lying dead at the bottom of the staircase with a broken 
+      neck.&nbsp; There had been other ladies in the home; they reported playing 
+      backgammon with Amy until, suddenly and without explanation, she left the 
+      room and fell to her death.&nbsp; Dudley was informed of the news while at 
+      Windsor Castle with the queen.&nbsp; He immediately ordered a thorough 
+      investigation.&nbsp; Why?&nbsp; His close relationship with the queen was 
+      already a minor scandal; Amy's suspicious death could make it 
+      explosive.&nbsp; </P>
+      <P>Amy had been ill for some months, with a 'canker in her breast', as the 
+      doctors said.&nbsp; They had assured Dudley that his wife would not live 
+      much longer.&nbsp; So the immediate supposition after her death - that 
+      Dudley had murdered Amy so he could marry the queen - does not make 
+      sense.&nbsp; There were only three other conclusions to draw - first, that 
+      Amy, knowing her own condition, was depressed and angry at her husband; 
+      she therefore took her own life in an attempt to end her suffering and 
+      Dudley's hopes to be king.&nbsp; Second, that one of Dudley's enemies had 
+      murdered Amy in an attempt to discredit him and make marriage with the 
+      queen impossible.&nbsp; Or third, that nothing so nefarious occurred and 
+      her death was completely accidental; she simply fell while walking down 
+      the stairs.&nbsp; </P>
+      <P>But everyone enjoyed gossip and scandal too much to let it pass.&nbsp; 
+      And Amy's maid told a jury that her mistress had often 'prayed to God to 
+      deliver her from desperation', and many courtiers remembered Dudley's 
+      public speculation about divorcing his wife.&nbsp; Elizabeth was forced to 
+      send Dudley from court until the funeral, but he did not attend the 
+      service.&nbsp; The queen sent Lady Norton as her representative, and it 
+      was known that other ladies had been asked but refused to go because of 
+      the scandal.&nbsp; But Elizabeth's affection for Dudley was at its 
+      greatest during these early years and could not be denied.&nbsp; Soon 
+      enough he was back at court and in as much favor as always.&nbsp; Once, 
+      during a boating party on the Thames, he asked the ambassador de Quadra, 
+      who was also Bishop of Avila, to marry he and Elizabeth immediately.&nbsp; 
+      The ambassador remarked that he would do so as soon as the queen dismissed 
+      her Protestant councilors from service.&nbsp; </P>
+      <P>In light of Amy Robsart's death, it is worth considering Elizabeth's 
+      own feelings on the matter.&nbsp; Her closest advisors thought she had 
+      good cause to dread the woman's death, though not because of any 
+      scandal.&nbsp; The queen, they realized, enjoyed flirting with Dudley and 
+      occasionally encouraged his fantasies, but she did not want to be given 
+      the opportunity to marry him.&nbsp; When Amy Robsart died, Elizabeth had 
+      no ready excuse for denying Dudley's proposals.</P>
+    </blockquote>
+  </blockquote>
+</blockquote>
+
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <P>But the queen had other, far more appropriate suitors.&nbsp; Cecil's 
+      natural inclination was to make peace with England's 
+      traditional enemy, France.&nbsp; He urged a match with one of Queen Catherine d'Medici and 
+      King Henry II's sons.&nbsp; These Francophile maneuvers began seriously 
+      after Mary Stuart's French husband died in 1560 and she returned to 
+      Scotland.&nbsp; To thwart Cecil, other councilors pressed a Spanish 
+      marriage, perhaps even to her former brother-in-law Philip.&nbsp; The 
+      queen expertly considered all options but never committed to any.&nbsp; 
+      This routine would continue until advancing age made childbirth 
+      impossible.&nbsp; Only then was Elizabeth truly free of parliamentary 
+      meddling in her private affairs, a situation which had inspired several 
+      famously bitter outbursts in 1566.&nbsp; After insisting that the 
+      succession was too weighty an issue for such &quot;a knot of harebrains&quot; as the 
+      House of Commons, she later invoked her own arrest during Wyatt's 
+      rebellion as the reason for her refusal to name a successor (if she would 
+      not marry): &quot;I did differ from her [Mary I] in religion and I was sought 
+      for divers ways.&nbsp; And so shall never be my successor.&quot;&nbsp; And, she 
+      warned them, &quot;as your Prince and head&quot;, it was up to her to judge such 
+      weighty political issues without parliamentary interference, &quot;For it is 
+      monstrous that the feet should direct the head.&quot;</P>
+      <P>In other words, they could discuss and debate and suggest - but only 
+      Elizabeth could rule.</P>
+      <P>&nbsp;</P>
+      <CENTER>
+      <P><B><A 
+      href="eliz3.html">CONTINUE 
+      READING</A> <BR>&nbsp;</B></P>
+      <P>&nbsp; <FONT size=-1><A 
+      href="../monarchs.html">to Tudor 
+      Monarchs<BR></A><A 
+      href="eliz1.html">back to Queen 
+      Elizabeth I, part one</A></FONT></P>
+      </CENTER>
+    </blockquote>
+  </blockquote>
+</blockquote>
+
+</body>
+
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+<html>
+
+<head>
+<meta name="author" content="Marilee Mongello">
+<meta name="content" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
+<meta name="page_topic" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
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+<title>Queen Elizabeth I: Biography, Portraits, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29"><p align="center">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center">
+    <IMG height=98 alt="Queen Elizabeth I" 
+      src="eliz1-queenuse.gif" width=422></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <IMG height=476 
+      alt="'The Sieve Portrait' of Elizabeth I by Quentin Metsys" 
+      src="eliz1-metsys.jpg" width=350 border=2><blockquote>
+    <p align="left">
+    &nbsp;</blockquote>
+      <DIV align=left>Visit
+        <a href="http://www.marileecody.com/eliz1-images.html">Elizabethan 
+      Images</a> to view portraits of the queen and her courtiers, with 
+      commentary.<BR>Read poems, letters, and speeches by the queen at <A 
+      href="../primary.html">Primary 
+      Sources</A>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Read ES Beesly's 1892 biography of Queen 
+        Elizabeth I at <a href="../secondary.html">
+        Secondary Sources</a>.<BR><BR>Visit <A 
+      href="boleyn.html">the Anne 
+      Boleyn website</A> to learn more about Elizabeth's mother.<BR>Visit <A 
+      href="../relative/maryqos.html">the Mary, 
+      queen of Scots website</A> to learn more about Elizabeth's 
+      cousin.<BR><BR>Test your knowledge of Elizabeth's life and times at <A 
+      href="../tudor1.html">Tudor 
+      Quizzes</A>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Meet other Elizabethan enthusiasts at
+        <a href="http://www.alassea.net/fl/elizabeth/">The Virgin Queen 
+        fanlisting</a>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'And to me it shall be a full satisfaction, both for the memorial of my 
+      Name, and for my Glory also, if when I shall let my last breath, it be 
+      ingraven upon my Marble Tomb, Here lieth Elizabeth, which Reigned a 
+  Virgin, and died a Virgin.'&nbsp;&nbsp; </font><I><FONT size=-1>Elizabeth I to 
+      Parliament, 1559&nbsp;</FONT></I><font size="2"> </font></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+
+      <P>Elizabeth was content to ignore potential suitors; she considered 
+      religion to be the most pressing and divisive issue in England.&nbsp; 
+      Having lived through years of spiritual upheaval, she well understood her 
+      subjects' need for peace.&nbsp; But it would not be easy to find. </P>
+      <P>Both Protestants and Catholics had suffered throughout the reigns of 
+      Henry VIII, Edward VI, and Mary I.&nbsp; Henry's religious policies had 
+      been muddled and disarming; no one, even the king, knew the definition of 
+      heresy.&nbsp; Or rather, they knew heresy was whatever the king commanded, 
+      and that changed from year to year.&nbsp; Edward had been a devout 
+      Protestant, as had his councilors.&nbsp; The six years of his rule 
+      witnessed its political and social triumph, primarily through southern 
+      England.&nbsp; The independent north remained conservative and 
+      Catholic.&nbsp; Mary had been an equally devout Catholic, imbued with 
+      genuine religious fervor.&nbsp; She brought papal privilege back to 
+      England after a twenty-year absence.&nbsp; And now Elizabeth came to the 
+      throne, having been Protestant and Catholic, for she had tacked to the 
+      treacherous winds of her siblings' courts.&nbsp; </P>
+      <P>Each faith harbored grievances against the other.&nbsp; Her Protestant 
+      councilors increasingly felt that Catholics were political traitors, as if 
+      their very faith implied a lack of patriotism.&nbsp; They warned Elizabeth 
+      that the pope commanded her Catholic subjects, not she; only a swift and 
+      strong blow could ensure their fear and forced loyalty.&nbsp; But for the 
+      queen, her Catholic subjects were also, quite simply, subjects.&nbsp; If 
+      they recognized her rule, she had no qualms about their private 
+      worship.&nbsp; Let them go publicly to Protestant services and then do as 
+      they wished at home.&nbsp; So long as they did not rebel, she was content 
+      not to pry. </P>
+      <P>This generosity, echoed in Mary Stuart's behavior in Scotland, was 
+      considered a weakness by many.&nbsp; And many Catholics did not trust the 
+      queen's promises. </P>
+      <P>Elizabeth's first parliament met from January to April 1559.&nbsp; The 
+      new queen did not bother to revoke her illegitimacy, as Mary had.&nbsp; 
+      This was indicative of Elizabeth's self-confidence and her ability to let 
+      the past go.&nbsp; She even welcomed her former jailer Bedingfield to 
+      court, though with a caustic wit.&nbsp; </P>
+      <P>Religious turmoil was soon the subject of impassioned debate.&nbsp; The 
+      royal supremacy - the royal title of Supreme Head of the Church of England 
+      - was reinstated, though altered to 'Supreme Governor'.&nbsp; In the House 
+      of Lords, many bishops resisted the changes but they were quickly replaced 
+      by others, led by Matthew Parker as archbishop of Canterbury.&nbsp; 
+      Elizabeth pressed for a restoration of the 1549 Prayer Book, which she 
+      felt would be acceptable to Protestants and most complacent 
+      Catholics.&nbsp; But the new bishops preferred the 1552 Prayer Book; it 
+      was rather vague about most controversial maters and thus less offensive 
+      to Catholics.&nbsp; Elizabeth assented and the Act of Uniformity was 
+      passed.&nbsp; She was particularly successful in making religious 
+      dissension a political matter, rather than a troublesome question of 
+      doctrine.&nbsp; In the Oath of Supremacy, in which her authority as 
+      Supreme Governor was recognized, the queen's powers were explicitly 
+      outlined.&nbsp; It was a simple matter to remove Marian stalwarts from 
+      positions of authority, and about 300 clergy were dismissed.&nbsp; In 
+      total, one third of parish clergy were replaced.&nbsp;</P>
+      <P>Most Englishmen were content with this settlement, though extremists on 
+      both sides felt it inadequate.&nbsp; Elizabeth effectively placed the 
+      church under control of the crown, thus merging religious and political 
+      power in her person.</P>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'From the very beginning&nbsp; of her reign she has treated all 
+      religious questions with so much caution and incredible prudence that she 
+      seems both to protect the Catholic religion and at the same time not 
+      entirely to condemn or outwardly reject the new Reformation.... <BR>In my 
+      opinion, a very prudent action, intended to keep the adherents of both 
+      creeds in subjection, for the less she ruffles them at the beginning of 
+      her reign the more easily she will enthrall them later on.'&nbsp; </font>&nbsp;<I><FONT 
+      size=-1>the Imperial envoy Count con Helffstein, March 1559</FONT></I></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <P>This balance was maintained successfully through most of her 
+      reign.&nbsp; However, in later years, two great problems emerged.&nbsp; 
+      The first was the growing popularity of the Puritan movement.&nbsp; This 
+      extreme form of Protestantism was a direct attack upon the royal 
+      supremacy.&nbsp; In England, the Puritans were directly influenced by 
+      continental Presbyterians.&nbsp; They believed passionately in one rule 
+      only, that of Holy Scripture.&nbsp; They also believed in a fellowship of 
+      ministers; parishes would elect their own religious leaders, under the 
+      supervision of a group of elders.&nbsp; In other words, the parishes would 
+      usurp the power of the queen. </P>
+      <P>For the Puritans, it became distressingly clear that the Church of 
+      England was more dedicated to England and its ruler than to God.&nbsp; 
+</P>
+      <P>Elizabeth's government was able to keep the Puritan movement 
+      underground.&nbsp; John Whitgift, who became Archbishop of Canterbury in 
+      1583, attempted to neutralize their cause by adopting some needed 
+      reforms.&nbsp; But he did not wish to create Puritan martyrs, as Mary I 
+      had created Protestant ones.&nbsp; He was also more interested in 
+      establishing a uniform clergy rather than debating doctrine.&nbsp; A few 
+      Puritans were executed and many others banished under Whitgift; his use of 
+      the church courts robbed the new doctrine of its momentum.&nbsp; It 
+      remained troublesome to the queen, but never a real threat.&nbsp; 
+      Elizabeth's rule was preferable to any other; she had become, however 
+      unwillingly, the champion of the Protestant cause.&nbsp; Puritan attempts 
+      to check the royal prerogative would only succeed in the next generation. 
+      </P>
+      <P>The Catholics, however, became a genuine threat to the queen's very 
+      life.&nbsp; While the Puritans used words against the queen, the Catholic 
+      extremists were eventually prepared to kill her.&nbsp; </P>
+      <P>The first decade of Elizabeth's reign found the Catholics relatively 
+      quiet and content.&nbsp; They were settled mainly in the north and west of 
+      England, and accepted the 1559 religious settlement.&nbsp; They believed 
+      Elizabeth to be illegitimate and thus ineligible to be queen, but neither 
+      Pope Paul IV or his successor, Pius IV, seriously challenged her 
+      title.&nbsp; She was not even excommunicated until 1570.&nbsp; The two 
+      greatest European powers, Spain (the Hapsburg Empire) and France, were 
+      cautious but friendly.&nbsp; England had long been a balance between their 
+      competing interests.&nbsp; And as mentioned earlier, Philip II of Spain 
+      had even sought to marry Elizabeth.&nbsp; For her part, the queen took 
+      care not to disturb calm waters. </P>
+      <P>But calm can be deceptive and misleading.&nbsp; In 1568, ten years into 
+      her reign, Elizabeth was forced to abandon her studied disinterest and 
+      choose sides.</P>
+      <P>Europe was caught in bloody religious turmoil.&nbsp; There was a 
+      Protestant rebellion in the Netherlands and Philip 
+      <IMG height=216 
+      alt="Elizabeth I's troublesome cousin, Mary queen of Scots, c1565" 
+      src="eliz3-maryqos1.jpg" width=160 border=2 align="left">II sent the duke of 
+      Alva to crush it.&nbsp; There was now a massive military power directly 
+      across the Channel from England.&nbsp; Elizabeth's council could only 
+      wonder - once Alva's force completed its bloody business there, would he 
+      then look to England?&nbsp; And that same year, <A 
+      href="http://englishhistory.ne/tudor/relative/maryqos.html">Mary 
+      Stuart</A> fled her disastrous reign in Scotland to seek Elizabeth's 
+      help.&nbsp; She needed an army to recover her throne from Protestant 
+      rebels who had forced her abdication and imprisoned her.&nbsp; Elizabeth 
+      and her councilors were aghast.&nbsp; Mary was the true queen of England 
+      in the eyes of Catholic Europe, as well as some Catholic Englishmen.&nbsp; 
+      And she was now in England, on her way to becoming the greatest quandary 
+      of Elizabeth's reign.&nbsp; Just as Elizabeth had been the inevitable 
+      focus of conspiracies and plots against Mary I's rule, Mary queen of Scots 
+      would be the focus of discontent against Elizabeth.&nbsp; And if Elizabeth 
+      should die, naturally or otherwise, Mary had the strongest claim to the 
+      English throne.&nbsp; All of the Protestant councilors were terrified; 
+      what should they do with Mary Stuart? </P>
+      <P>Also, a Catholic missionary college was founded at Douai in Flanders by 
+      the Englishman William Allen.&nbsp; He planned to take a proactive role in 
+      reasserting his faith in England, and he attracted many dedicated 
+      followers.&nbsp; Douai was soon a flourishing center for anti-Elizabethan 
+      plots and propaganda. </P>
+      <P>For the queen, her cherished and precarious balance, successfully 
+      maintained for a decade, was falling to pieces.&nbsp; She took the 
+      precaution of imprisoning Mary queen of Scots in a variety of secure 
+      castles.&nbsp; At first, this 'imprisonment' was little more than an 
+      inconvenience since Mary wished to return home.&nbsp; She sincerely 
+      believed Elizabeth would help her, as a fellow queen and cousin.&nbsp; She 
+      never recognized the political danger she brought to bear upon her 'sweet 
+      sister'.&nbsp; Elizabeth was told by the Protestant lords in Scotland that 
+      Mary was unwelcome; she faced certain death if she returned.&nbsp; Her 
+      infant son (whose birth caused Elizabeth to exclaim, 'Alack, the Queen of 
+      Scots is lighter of a bonny son, and I am but of barren stock!') was now king.&nbsp; The 
+      Scots also plied Elizabeth's council with 
+      evidence of Mary's complicity in her second husband's murder.&nbsp; Would 
+      the queen of England lend her support to such a woman?&nbsp; It was indeed 
+      a vexing problem.&nbsp; Elizabeth settled upon appointing a commission to 
+      investigate the charges against Mary. </P>
+      <P>And soon enough, she had even more pressing concerns.</P>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p align="center"><font size="4">'The common people are ignorant, superstitious, and altogether blinded 
+      with the old popish doctrine.' <BR></font><I><FONT size=-1>Sir Ralph Sadler to 
+      Sir William Cecil, 1569</FONT></I></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <P>The conservative north had never been friendly to the Tudor 
+      dynasty.&nbsp; The last Plantagenet king, Richard III, had been their 
+      lord; they led rebellions against his killer and successor, Henry 
+      VII.&nbsp; The first Tudor king succeeded in establishing nominal 
+      authority over the fractious northern earls.&nbsp; His son, Henry VIII, 
+      was equally troubled.&nbsp; His Reformation led to the great northern 
+      rebellion known as the Pilgrimage of Grace in 1536.&nbsp; Henry dealt 
+      brutally with the rebels and made only one northern progress 
+      afterwards, taking his fifth queen, Catherine Howard, to York soon 
+      after their marriage.&nbsp; Edward VI's Protestant council was also troubled by the 
+      north while the Catholic Mary I gained her greatest support there.&nbsp; She rode north 
+      after Dudley seized control of London and had Lady Jane Grey crowned 
+      queen.&nbsp; Elizabeth had long recognized its intransigence.&nbsp; She 
+      was never particularly close to the great northern lords of her reign, the 
+      earls of Northumberland and Westmorland, and the only duke in England, her 
+      Howard cousin Thomas, 4th duke of Norfolk.&nbsp; She showed Norfolk some 
+      degree of personal affection, as she did all of her maternal 
+      relatives.&nbsp; But she recognized his ambition and their religious 
+      differences.&nbsp; As a duke, he was one of the wealthiest men in England 
+      and thus had great influence.&nbsp; Yet he was never a close advisor to 
+      the queen.&nbsp; </P>
+      <P>The arrival of Mary Stuart was the great topic at Elizabeth's court in 
+      1569.&nbsp; What would the queen do?&nbsp; Some of her councilors, 
+      including Dudley and Throckmorton, thought Mary should wed the premier 
+      peer in England.&nbsp; This was, of course, the queen's cousin 
+      Norfolk.&nbsp; Cecil was vehemently opposed; he disliked Norfolk and his 
+      opposition only strengthened Dudley's support.&nbsp; Two problems could 
+      possibly be solved by the marriage - Mary Stuart would be safely settled 
+      in England and the succession would be assured.&nbsp; Elizabeth recognized 
+      this short-sighted solution for the mirage it was, for how long would she 
+      live after the marriage?&nbsp; Her realm would be bitterly divided and 
+      torn, with rival factions centered upon herself and Norfolk.&nbsp; As 
+      future king of England, he might dare to rebel against her.&nbsp; And what 
+      support would she gain, a 'Virgin Queen' with only her subjects' love to 
+      sustain her?&nbsp; And despite her pragmatism, Elizabeth was Protestant 
+      and the Norfolk marriage would be a Catholic triumph.&nbsp; </P>
+      <P>The queen soon let both Dudley and Norfolk know of her 
+      displeasure.&nbsp; Dudley was roundly chastised and Norfolk left court for 
+      his country estate Kenninghall.&nbsp; He refused a summons to appear 
+      before Elizabeth at Windsor Castle.&nbsp; Her anger was further 
+      roused.&nbsp; There were whispers of a rebellion, that&nbsp; Norfolk and 
+      his supporters would free Mary and march on London.&nbsp; The northern 
+      earls were less keen on the marriage; as Northumberland put it, he did not 
+      plan 'to hazard myself for the marriage.'&nbsp; He and Westmorland and 
+      Lord Dacre had local grievances against the queen, mainly religious but 
+      also including the erosion of their local authority.&nbsp; As hereditary 
+      nobles, they felt pushed aside at court and not given the proper respect.&nbsp; 
+      This had been a common aristocratic complaint during her father's reign as 
+      well.</P>
+      <P>But they had also heard stories of Mary Stuart's behavior in Scotland 
+      and distrusted her character.&nbsp; It is also not certain they wished for 
+      Norfolk to be king.&nbsp; Their primary purpose was to undo the 1559 Act 
+      of Uniformity and crush the 'new found religion and heresy.'&nbsp; As 
+      their proclamation asserted: </P>
+      <BLOCKQUOTE>
+        <p>Thomas, Earl of Northumberland, and Charles, Earl of 
+        Westmorland, the queen's most true and lawful subjects and to all her 
+        highness's people sendeth greeting:&nbsp; Whereas divers new set up 
+        nobles about the Queen's Majesty have and do daily, not only go about to 
+        overthrow and put down the ancient nobility of this realm but have also 
+        misused the Queen's own person and have also by the space of twelve 
+        years now past set up and maintained a new found religion and heresy 
+        contrary to God's word.&nbsp; For the amending and redressing thereof 
+        divers foreign powers do purpose shortly to invade this realm which will 
+        be to our utter destruction if we do not speedily forfend the same 
+        .....we will and require each and every of you as your duty to God for 
+        the setting forth of his true and Catholic religion ....come and resort 
+        unto us with all speed with all the armour and furniture as you or any 
+        of you have.</p>
+      </BLOCKQUOTE>
+      <p>And throughout the north, they found ready 
+      adherents for their cause.&nbsp; The rebellion made clear to Elizabeth 
+      that a quiet decade had not eased religious change upon all her 
+      subjects.&nbsp; The Catholic appeal was so strong that the earl of Sussex, 
+      sent to crush the rebellion, did not fully trust his own forces.&nbsp; </p>
+      <P>It began in 1569, but the queen was fortunate in her enemies.&nbsp; 
+      Norfolk was indecisive; should he risk his grand title and privileges for 
+      the possibility of<IMG height=345 alt="portrait of Elizabeth I" 
+      src="elizfan.jpg" width=300 border=2 align="right"> becoming king?&nbsp; While he hesitated, the earl of 
+      Sussex led his troops on a steady course north.&nbsp; The rebels 
+      themselves were often conflicted in their duties to the queen and their 
+      church.&nbsp; When faced with the queen's army, they returned home.&nbsp; 
+      The noble leaders escaped abroad or bought their freedom by giving their 
+      property to the crown.&nbsp; </P>
+      <P>The Northern Rebellion was a frightening experience, but it ended 
+      satisfactorily enough.&nbsp; It was clear, however, that northern England 
+      must be more carefully watched and controlled.&nbsp; And as a result of 
+      the rebellion, <I>Regnans in excelsis</I> was issued by the papacy in 
+      March 1570.&nbsp; This was the official excommunication of Queen Elizabeth 
+      I; she was formally deposed and her Catholic subjects absolved of all 
+      loyalty and obedience to her office.&nbsp; The Catholic powers of Europe 
+      were also ordered to act against the unlawful queen.&nbsp; She was a 
+      heretic and enemy of the true faith.&nbsp; This moment had been long 
+      expected in England.&nbsp; And it brought fresh impetus to the Protestant 
+      councilors to protect Elizabeth's life. </P>
+      <P>A papal bull could be a powerful document.&nbsp; It could be used by 
+      any Catholic prince, though Elizabeth's mind turned immediately to her 
+      former brother-in-law Philip II, to justify an invasion.&nbsp; In 1571, 
+      parliament took action.&nbsp; It was now treason to declare Elizabeth a 
+      heretic or impugn her claim to the throne.&nbsp; The fines for recusants, 
+      those who did not attend Protestant church services, were increased 
+      dramatically, from a shilling a week to 20 pds a month.&nbsp; Many noble 
+      Catholic families would not compromise their faith and paid the fines; 
+      they were driven into poverty.&nbsp; In later years, it would become 
+      treason to convert to Catholicism and all Catholic priests were ordered to 
+      leave England.&nbsp; This happened only after Catholic plots against 
+      Elizabeth's life had been discovered.&nbsp; Many of these plots were led 
+      by agents from Douai, dozens of whom had secretly returned to 
+      England.&nbsp; </P>
+      <P>Elizabeth had reason to hope these measures would be successful.&nbsp; 
+      Mary Stuart's son was growing up safely Protestant in Scotland and 
+      Elizabeth was friendly with his ministers.&nbsp; English Catholics were 
+      deprived of priests, unable to attend universities, and support from 
+      European allies was slowly being cut off.&nbsp; This support was 
+      particularly troubling; the first Catholic martyr of her reign, Cuthbert 
+      Mayne, was executed in 1577, but only because he had committed political 
+      treason.&nbsp; There was no need to make martyrs, the council thought, and 
+      it should be remembered that the Catholic problem coincided with the rise 
+      in Puritanism.&nbsp; Elizabeth often wondered aloud at her subjects' 
+      ingratitude.&nbsp; She had kept them safe and secure at home, thought only 
+      of their welfare, and yet it seemed plots against her abounded. </P>
+      <P>Perhaps the most confused subjects were those Catholics loyal to the 
+      queen but now deemed traitors because of their faith.&nbsp; They were 
+      condemned to political limbo because of extremist actions.&nbsp; </P>
+      <P>The insularity of Elizabeth's reign was thus broken in 1568, and she 
+      was forced into continental affairs.&nbsp; This was not of her 
+      choosing.&nbsp; But the papal bull could not be ignored, nor the brutal 
+      actions of Alva in the Netherlands.&nbsp; Perhaps she didn't seek the 
+      role, or relish it, but Elizabeth was regarded as the champion of 
+      Protestantism in Europe.&nbsp; </P>
+      <P>At first, Spanish hostility was tempered by Philip's conflict with 
+      France.&nbsp; He wanted Elizabeth's support and she encouraged him by 
+      considering a possible marriage.&nbsp; Of course, she had no intention of 
+      accepting his proposal but it was a useful diplomatic tool.&nbsp; But then 
+      Alva's 50,000 troops arrived in the Netherlands, and began to 
+      systematically attack its Protestant population.&nbsp; They in turn sought 
+      Elizabeth's aid.&nbsp; Also, the Huguenots (French Protestants) were under 
+      attack, most famously in the gruesome St Bartholomew's Day Massacre of 
+      1572. </P>
+      <P>Cecil urged support; after all, where would Alva's army go once it finished 
+      with the Netherlands?&nbsp; They would have a secure base for either destroying 
+      English trade or invasion.&nbsp; Dudley and Norfolk (tentatively pardoned 
+      by the queen after he promised to never contact Mary Stuart) urged 
+      caution.&nbsp; The queen must abandon the Dutch and the Huguenots, or she 
+      faced wars with France and Spain.&nbsp; She would save her precious 
+      treasury as well; Elizabeth had inherited an empty treasury and hence 
+      loathed to part with money.&nbsp; </P>
+      <P>She prevaricated as much as possible.&nbsp; She allowed English ships 
+      under Drake and Hawkins to harass and seize Spanish ships returning from 
+      the New World; she did not officially approve of their actions but she 
+      gladly accepted stolen Spanish bullion.&nbsp; She sent small contingents 
+      of troops to the Netherlands, though the situation deteriorated steadily 
+      over the next several years.&nbsp; Philip retaliated by supporting 
+      insurrection in Ireland. </P>
+      <P>This conflict with Spain and the problem of Mary queen of Scots 
+      continued to vex Elizabeth for many years.</P>
+      <P align="center">&nbsp;</P>
+      <P align="center"><B><A 
+      href="eliz4.html">CONTINUE 
+      READING</A></B> <BR>&nbsp; </P>
+      <P align="center"><FONT size=-1><A 
+      href="../monarchs.html">to Tudor 
+      Monarchs</A><BR><A 
+      href="eliz2.html">back to Queen 
+      Elizabeth I, part two</A></FONT></P>
+      </blockquote>
+  </blockquote>
+</blockquote>
+
+</body>
+
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+<html>
+
+<head>
+<meta name="author" content="Marilee Mongello">
+<meta name="content" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
+<meta name="page_topic" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
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+<meta http-equiv="Content-Language" content="en-us">
+<title>Queen Elizabeth I: Biography, Portraits, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29"><p align="center">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center">
+    <IMG height=98 alt="Queen Elizabeth I" 
+      src="eliz1-queenuse.gif" width=422></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <img border="2" src="eliz1-zuccaro2.jpg" alt="Zuccaro's sketch of Queen Elizabeth I; c1570s; the most authentic likeness of the queen" width="300" height="482"><blockquote>
+    <p align="left">
+    &nbsp;</blockquote>
+      <DIV align=left>Visit
+        <a href="http://www.marileecody.com/eliz1-images.html">Elizabethan 
+      Images</a> to view portraits of the queen and her courtiers, with 
+      commentary.<BR>Read poems, letters, and speeches by the queen at <A 
+      href="../primary.html">Primary 
+      Sources</A>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Read ES Beesly's 1892 biography of Queen 
+        Elizabeth I at <a href="../secondary.html">
+        Secondary Sources</a>.<BR><BR>Visit <A 
+      href="boleyn.html">the Anne 
+      Boleyn website</A> to learn more about Elizabeth's mother.<BR>Visit <A 
+      href="../relative/maryqos.html">the Mary, 
+      queen of Scots website</A> to learn more about Elizabeth's 
+      cousin.<BR><BR>Test your knowledge of Elizabeth's life and times at <A 
+      href="../tudor1.html">Tudor 
+      Quizzes</A>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Meet other Elizabethan enthusiasts at
+        <a href="http://www.alassea.net/fl/elizabeth/">The Virgin Queen 
+        fanlisting</a>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'I cannot but deplore my evil fortune, seeing 
+      you have been pleased not only to refuse me your presence, causing me to 
+      be declared unworthy of it by your nobles; but also suffered me to be torn 
+      in pieces by my rebels.... not allowing me to have copies of their false 
+      accusations, or affording me any liberty to accuse 
+      them.'</font><SMALL><font size="3">&nbsp;&nbsp; </font><I>Mary, queen of Scots to Elizabeth I after the Northern 
+      Rebellion</I></SMALL></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <p>There were three main plots concerning <A 
+      href="../relative/maryqos.html">Mary, queen of 
+      Scots</A> - the duke of Norfolk's scheme of 1569, the Throckmorton Plot of 
+      1583, and the Babington Plot of 1586.&nbsp; For as long as Mary lived, she 
+      was a potential threat to Elizabeth.&nbsp; And since she was now 
+      imprisoned on English soil, she was an even greater menace.&nbsp; Domestic 
+      enemies of the queen made no secret of their admiration for Mary 
+      Stuart.&nbsp; And foreign ambassadors often communicated secretly with 
+      her, particularly the French and Spanish ambassadors.&nbsp; As a former 
+      queen of France, Mary had many friends in that country.&nbsp; And as a 
+      Catholic queen, she was friendly with the increasingly pious Philip II of 
+      Spain.&nbsp;&nbsp; </p>
+      <P>Elizabeth was always of two minds regarding her cousin.&nbsp; She 
+      recognized the danger which Mary represented, but she was acutely 
+      conscious of Mary's status as a sovereign queen unlawfully deposed by her 
+      subjects.&nbsp; She could not impugn her cousin's dignity without risking 
+      damage to the ideal of royal prerogative.&nbsp; The trick was to deprive 
+      Mary of her standing as a sovereign.&nbsp; Mary's own behavior, in 
+      Scotland and England, gave Elizabeth a distinct advantage.&nbsp; Even 
+      staunch Catholic allies were troubled by Mary's reported crimes.&nbsp; 
+      Perhaps she was innocent of complicity in her second husband's murder, but 
+      she had married James Hepburn, the earl of Bothwell in a Protestant ceremony.&nbsp; And the 
+      evidence of the 'Casket Letters' (now believed to be false) supported the 
+      theory that Mary and Bothwell had an adulterous affair and then plotted 
+      Darnley's murder.&nbsp; This erosion of Mary's reputation necessarily 
+      alienated her moderate supporters.&nbsp; But for the extremists, such flaws 
+      could be overlooked for the greater good of overthrowing the heretic 
+      Elizabeth.&nbsp;&nbsp; </P>
+      <P>At first, Mary was content to avoid plotting against her cousin.&nbsp; 
+      But when it became clear that Elizabeth would not help her return to 
+      Scotland, she was forced into a corner.&nbsp; She wrote constantly to the 
+      English queen, begging for a personal meeting, much as Elizabeth had 
+      requested an audience with Mary I.&nbsp; Elizabeth refused.&nbsp; Mary was 
+      originally placed in the care of the wealthy earl of Shrewsbury and his 
+      formidable wife, Bess of Hardwick.&nbsp; She was kept in comfortable 
+      quarters, with a large retinue of servants and accorded respect as a 
+      sovereign queen; she even ate beneath a cloth of estate.&nbsp; But she was 
+      essentially a prisoner and no material comforts could obscure that 
+      essential fact. </P>
+      <P>
+      <IMG height=229 
+      alt="portrait of Elizabeth I's cousin, Mary queen of Scots" 
+      src="eliz4-four.jpg" width=155 border=2 align="left">Those early years in England were spent in various hearings and 
+      meetings, with Mary proclaiming her innocence of Darnley's murder and the 
+      duplicity of her Scottish nobles.&nbsp; When these ended with her freedom 
+      still denied, she became understandably bitter.&nbsp; She had been 
+      condemned to prison without a fair hearing, with no end in sight.&nbsp; 
+      For a lively young woman who had always lived openly and passionately, 
+      with as great a love of the outdoors as Elizabeth, used to being her 
+      own mistress and the former queen of two countries, the situation was intolerable.&nbsp; She was only 25 years 
+      old when she arrived in England and all of her natural energy and 
+      enthusiasm became fixed upon one goal - freedom. </P>
+      <P>She was essentially powerless.&nbsp; And so she turned to subterfuge, 
+      relying upon a small network of Catholic and foreign allies.&nbsp; This 
+      was surprisingly successful.&nbsp; She gained important news from the 
+      continent and Elizabeth's court.&nbsp; But Shrewsbury complained 
+      incessantly about the expense of Mary's imprisonment and Elizabeth's 
+      councilors complained about her ceaseless correspondence with 
+      Catholics.&nbsp; And so she was eventually removed from Shrewsbury's care 
+      into less comfortable quarters. &nbsp;This had the paradoxical effect of 
+      encouraging more plotting on Mary's part. &nbsp;<BR></P>
+      <P>After the plot to marry Norfolk and the Northern Rebellion failed in 
+      1569, Mary increasingly turned to her foreign supporters. &nbsp;They were 
+      able to provide crucial encouragement as well as the names of trusted 
+      English sympathizers. &nbsp;In 1583, the second serious plan to free Mary 
+      and kill Elizabeth was discovered. &nbsp;It is known as the 'Throckmorton 
+      Plot', after its leader Sir Francis Throckmorton. &nbsp;A well-born 
+      Catholic Englishman, Throckmorton was given money and guidance by the 
+      French prince, the duc de Guise. &nbsp;De Guise wished to invade Scotland 
+      and England simultaneously, murder Elizabeth with the assistance of 
+      English Catholics, and then place Mary on the throne. &nbsp;Elizabeth's 
+      great spymaster Sir Francis Walsingham was notoriously suspicious, a trait 
+      which most (including Elizabeth) often condemned. &nbsp;But in this case, 
+      his prudence, and an agent named Fagot, foiled the plot. &nbsp;The 30 year 
+      old Throckmorton was arrested and tortured on the rack before confessing 
+      everything. &nbsp;He was executed at Tyburn on 10 July 1584. &nbsp;Based 
+      upon his confession, the complicity of the Spanish ambassador Bernadino de 
+      Mendoza was discovered; he was expelled from England in January 1584.<BR></P>
+      <P>In June 1584, even as Throckmorton awaited execution, the Protestant leader William of Orange was assassinated 
+      at Delft by a Catholic. &nbsp;Elizabeth's councilors became even more terrified for 
+      her safety. &nbsp;It did not help matters that France was in the midst of 
+      terrible religious turmoil. &nbsp;Catherine de Medici had sought to 
+      placate both parties by tolerating Protestant services; she also married 
+      her daughter Marguerite to the Protestant prince Henri of Navarre in 1572. 
+      &nbsp;The St Bartholomew's Day Massacre was the result. &nbsp;Henri had 
+      saved his own life by renouncing Protestantism, but in 1576 he was able to 
+      escape imprisonment and publicly embraced his faith again. &nbsp;In 1584, 
+      King Henri III of France named Henri of Navarre his heir presumptive. 
+      &nbsp;None of Catherine de Medici's sons had produced a male heir and so the 
+      throne would pass to a Protestant king.</P>
+      <P>This decision led to 'The War of the Three Henrys' and, indirectly, 
+      Henri III's assassination in 1589 by a Catholic fanatic, Jacques Clement.&nbsp; 
+      Henri of Navarre was then 
+      crowned king of France, but was forced to fight against the Catholic 
+      League. &nbsp;He could not enter Paris until 1594, after once again 
+      renouncing his faith with the famous remark, 'Paris is well worth a Mass.' 
+      &nbsp;But he continued at war with Spain for several more years and 
+      embarked upon a policy of religious toleration which culminated in the 
+      Edict of Nantes in 1598.<BR></P>
+      <P>Elizabeth and her council carefully considered the events in France. 
+      &nbsp;There were three great Protestant leaders in Europe - Elizabeth I 
+      (however unwilling she was to accept the role), William of Orange, and 
+      Henri of Navarre. &nbsp;Of the three, William was assassinated in 1584 and 
+      Navarre was once again forced to convert. &nbsp;Elizabeth survived 
+      unscathed, but the Throckmorton plot was a very troubling development. 
+      &nbsp;It meant that foreign powers were determined to destroy her; there 
+      would be no more marriage proposals, only a shadowy network of 
+      plots.<BR></P>
+      <P>In October, Cecil and Walsingham were concerned enough to draft the 
+      'Bond of Association', a document which pledged protection of the queen 
+      and destruction of her enemies. &nbsp;Walsingham was now secretary of 
+      state, having assumed the more onerous duties of that office from Cecil in 
+      1568; his focus was primarily on diplomacy and espionage. &nbsp;In January 
+      1585, he arranged for Mary, queen of Scots to be moved to Tutbury Castle.&nbsp; 
+      Her personal papers were minutely examined during the process, without her 
+      knowledge. Walsingham wished to know all, but without rousing Mary's 
+      suspicions.</P>
+      <P>Elizabeth approved of these plans. &nbsp;She was personally courageous 
+      and refused to alter her many public appearances for fear of an assassin. 
+      &nbsp;This caused her councilors many sleepless nights. &nbsp;But they 
+      could not help but admire her bravery. &nbsp;She also took to keeping a 
+      small sword beneath her pillow in case of an attack. &nbsp;It was her only 
+      sign of distress and perfectly in keeping with her pragmatic approach to 
+      life. &nbsp;The assassins might come, but she would be armed and ready to 
+      fight<BR><BR>In February 1585, Parliament banished Catholic priests and 
+      ordered the return of all Englishmen studying at seminaries abroad. 
+      &nbsp;The 'Bond of<img border="2" src="eliz1-bettes1.jpg" alt="Elizabeth I, painted by John Bettes the Younger, c1580s" align="right" width="350" height="478"> Association' was also given legal force, which meant 
+      that noncompliance with its terms would be a treasonable offense. &nbsp;It 
+      would be officially ratified by Parliament in July 1586. &nbsp;And in May, 
+      relations with Spain deteriorated further when Philip II ordered the 
+      seizure of English ships in Atlantic ports. &nbsp;Three months later, 
+      England signed the Anglo-Dutch Treaty of Alliance at Nonsuch Palace, in 
+      which Elizabeth pledged military assistance to the Protestant Dutch 
+      rebellion against Spain. &nbsp;Almost 7000 English soldiers under the 
+      command of Robert Dudley immediately left for the Netherlands.</P>
+      <P>It was clear to everyone that conflict between England and Spain was 
+      fast becoming inevitable. &nbsp;As much as she preferred to prevaricate 
+      and remain neutral, Elizabeth was being forced to choose sides. &nbsp;The 
+      problem of Mary, queen of Scots only encouraged Elizabeth's support for 
+      the Protestant cause.</P>
+      <P>In December 1585, Mary was moved to Chartley Manor. &nbsp;Walsingham 
+      knew she was plotting again, this time with increasing desperation. 
+      &nbsp;Throckmorton's failure had shaken her badly, though she professed 
+      innocence. &nbsp;Her exact role in that conspiracy remains unclear; it is 
+      possible she only knew of it, but did not actively encourage it. &nbsp;But 
+      she did enthusiastically support the treason of another English Catholic, 
+      a young man named Sir Anthony Babington.<BR></P>
+      <P>Another well-born Englishman, Babington had served as a page in 
+      Shrewsbury's household during the early years of Mary's imprisonment. 
+      &nbsp;His romanticized memories of the queen, as well as his passionate 
+      Catholicism, made him susceptible to the plans of Thomas Morgan, one of 
+      Mary's trusted agents. &nbsp;In 1580, the 19 year old Babington was 
+      traveling in France when he met Morgan. &nbsp;After he returned to 
+      England, he became increasingly associated with Mary's admirers, 
+      eventually smuggling letters from the French embassy to the imprisoned 
+      queen. 
+      &nbsp;Babington was only a half-hearted conspirator, but Walsingham was 
+      content to use him to lure Mary into a final trap. &nbsp;When Babington 
+      learned the Catholic priest Ballard planned to murder Elizabeth, he tried 
+      to escape abroad but Walsingham refused him a passport. &nbsp;Babington 
+      was frantic and turned to a friend for advice, confessing everything. 
+      &nbsp;His friend then ran to Walsingham with the information. &nbsp;But 
+      the queen's secretary of state did not act at once. &nbsp;He sensed this 
+      was his best opportunity to catch Mary in the act, so to speak, and with 
+      enough evidence to finally convince Elizabeth of her cousin's complicity. 
+      &nbsp;The queen's refusal to condemn Mary was no longer a benevolent 
+      quirk; for her councilors, it was a matter of life and death.<BR></P>
+      <P>Walsingham had soon collected a number of letters between Morgan, Mary, 
+      and Babington. &nbsp;And in one of those, Mary explicitly approved the 
+      murder of Elizabeth. &nbsp;It was this letter that Walsingham needed. 
+      &nbsp;When confronted with it, Elizabeth was at first disbelieving and 
+      then angry. &nbsp;She approved of moving Mary to Fotheringhay Castle and 
+      sending a commission of statesmen there to investigate the Babington Plot. 
+      &nbsp;She also sent along a letter to be delivered to her captive cousin. 
+      &nbsp;It read:<BR></P>
+      <BLOCKQUOTE>
+        <p>You have in various ways and manners attempted to take my 
+        life and to bring my kingdom to destruction by bloodshed. I have never 
+        proceeded so harshly against you, but have, on the contrary, protected 
+        and maintained you like myself. These treasons will be proved to you and 
+        all made manifest. Yet it is my will, that you answer the nobles and 
+        peers of the kingdom as if I were myself present. I therefore require, 
+        charge, and command that you make answer for I have been well informed 
+        of your arrogance. <BR>&nbsp;&nbsp;&nbsp; Act plainly without reserve, 
+        and you will sooner be able to obtain favour of me. 
+        <BR>&nbsp;&nbsp;&nbsp; Elizabeth.<BR></p>
+      </BLOCKQUOTE>
+      <p>Mary defended herself at 
+      the resulting trial; her most potent argument was that she was a sovereign 
+      queen and thus not liable to the laws of England. &nbsp;She also denied 
+      ever plotting the death of Elizabeth. &nbsp;But it was too late. &nbsp;She 
+      was condemned to death. &nbsp;Elizabeth at first refused to sign the 
+      warrant for execution, much as she had earlier with Norfolk. &nbsp;It was 
+      an agonizing decision. &nbsp;There is a possibility she was tricked into 
+      signing it. &nbsp;Mary was finally beheaded on 8 February 1587. &nbsp;On 
+      the 14th, Elizabeth sent the following letter to Mary's son, King James VI 
+      of Scotland:<BR><BR>
+      </p>
+      <BLOCKQUOTE>
+        <p>My dear Brother, I would you knew (though not felt) the 
+        extreme dolor that overwhelms my mind, for that miserable accident which 
+        (far contrary to my meaning) hath befallen. I have now sent this kinsman 
+        of mine, whom ere now it hath pleased you to favour, to instruct you 
+        truly of that which is too irksome for my pen to tell you. I beseech you 
+        that as God and many more know, how innocent I am in this case : so you 
+        will believe me, that if I had bid aught I would have bid by it. I am 
+        not so base minded that fear of any living creature or Prince should 
+        make me so afraid to do that were just; or done, to deny the same. I am 
+        not of so base a lineage, nor carry so vile a mind. But, as not to 
+        disguise, fits not a King, so will I never dissemble my actions, but 
+        cause them show even as I meant them. Thus assuring yourself of me, that 
+        as I know this was deserved, yet if I had meant it I would never lay it 
+        on others' shoulders; no more will I not damnify myself that thought it 
+        not. <BR>The circumstance it may please you to have of this bearer. And 
+        for your part, think you have not in the world a more loving kinswoman, 
+        nor a more dear friend than myself; nor any that will watch more 
+        carefully to preserve you and your estate. And who shall otherwise 
+        persuade you, judge them more partial to others than you. And thus in 
+        haste I leave to trouble you:&nbsp; beseeching God to send you a long 
+        reign. <BR>&nbsp;&nbsp;&nbsp; Your most assured loving sister and 
+        cousin, <BR>&nbsp;&nbsp;&nbsp; Elizabeth R.</p>
+      </BLOCKQUOTE>
+      <p>Elizabeth had been 
+      queen for almost thirty years, surviving numerous obstacles and 
+      conspiracies. &nbsp;Her councilors now believed the greatest threat to her 
+      reign was over. &nbsp;But they were wrong, as the momentous events of 1588 
+      would soon prove.</p>
+      <p>&nbsp;</p>
+      <CENTER>
+      <P align="center"><B>
+      <a href="eliz5.html">CONTINUE 
+      READING</a></B> <BR>&nbsp; </P>
+      <P align="center"><FONT size=-1><A 
+      href="../monarchs.html">to Tudor 
+      Monarchs</A><BR>
+      <a href="eliz3.html">back to Queen 
+      Elizabeth I, part three</a></FONT><B><BR></B></P>
+      <P><b>Visit the <a href="http://www.marileecody.com/maryqosimages.html">Mary, 
+      queen of Scots Images site</a> to view portraits of the queen, with 
+      commentary.</b></P>
+      </CENTER>
+     
+
+    </blockquote>
+  </blockquote>
+</blockquote>
+
+</body>
+
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+<html>
+
+<head>
+<meta name="author" content="Marilee Mongello">
+<meta name="content" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
+<meta name="page_topic" content="Queen Elizabeth I: Biography, Portraits with commentary, Primary Sources Elizabeth Tudor 1533 to 1603 The Virgin Queen Gloriana">
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+<title>Queen Elizabeth I: Biography, Portraits, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29"><p align="center">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center">
+    <IMG height=98 alt="Queen Elizabeth I" 
+      src="eliz1-queenuse.gif" width=422></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <IMG height=427 alt="crop from the famous 'Armada Portrait' of Elizabeth I" 
+      src="eliz5-mainpic.jpg" width=325 border=2><blockquote>
+    <p align="left">
+    &nbsp;</blockquote>
+      <DIV align=left>Visit
+        <a href="http://www.marileecody.com/eliz1-images.html">Elizabethan 
+      Images</a> to view portraits of the queen and her courtiers, with 
+      commentary.<BR>Read poems, letters, and speeches by the queen at <A 
+      href="../primary.html">Primary 
+      Sources</A>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Read ES Beesly's 1892 biography of Queen 
+        Elizabeth I at <a href="../secondary.html">
+        Secondary Sources</a>.<BR><BR>Visit <A 
+      href="boleyn.html">the Anne 
+      Boleyn website</A> to learn more about Elizabeth's mother.<BR>Visit <A 
+      href="../relative/maryqos.html">the Mary, 
+      queen of Scots website</A> to learn more about Elizabeth's 
+      cousin.<BR><BR>Test your knowledge of Elizabeth's life and times at <A 
+      href="../tudor1.html">Tudor 
+      Quizzes</A>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      <DIV align=left>Meet other Elizabethan enthusiasts at
+        <a href="http://www.alassea.net/fl/elizabeth/">The Virgin Queen 
+        fanlisting</a>.</DIV>
+      <DIV align=left>&nbsp;</DIV>
+      </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'She is certainly a great Queen and were she only a Catholic 
+  she would be our dearly beloved.&nbsp; Just look how well she governs!&nbsp; 
+  She is only a woman, only mistress of half an island, and yet she makes 
+  herself feared by Spain, by France, by the Empire, by all....&nbsp; Our 
+  children would have ruled the whole world.'&nbsp;&nbsp; </font><I><FONT size=-1>
+  Pope Sixtus V describes Elizabeth, c1588</FONT></I><font size="2"> </font></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <p>When news of the execution of Mary, queen of Scots reached Europe, it 
+      gave Philip II of Spain yet another reason to look askance at his former 
+      sister-in-law.&nbsp; English harassment of Spanish shipping and their 
+      support of rebellions against his rule had long angered him.&nbsp; He had 
+      tried diplomacy; it had been successful enough until Elizabeth's 
+      Protestant councilors grew suspicious of his motives and angry over his 
+      treatment of continental Protestants.&nbsp; After diplomacy came a gradual 
+      cooling between the countries; Philip even tried his hand at encouraging 
+      Irish rebellions against Elizabeth.&nbsp; And Philip grew increasingly 
+      pious as the years passed, and thus more inclined to take the 
+      excommunication of 1570 more seriously.</p>
+    <p>
+    <img border="2" src="philipos-crop.jpg" lowsrc="http://englishhistory.net/tudor/Philip%20II%20of%20Spain" width="155" height="282" align="left">Serious consequences were avoided for the first thirty years of 
+    Elizabeth's rule due to her own prevarication and Philip's more pressing 
+    problems.&nbsp; But as the 1580s began, it was clear that something must 
+    give.&nbsp; Philip could no longer afford the blatant piracy of the English, 
+    publicly disavowed but privately approved by Elizabeth (who always received 
+    the largest share of profits.)&nbsp; She had even gone so far as to knight 
+    her greatest pirate, Sir Francis Drake, in 1581.&nbsp; Four years later, the 
+    English openly supported the Netherlands when it revolted against Philip, a 
+    dangerous but popular policy for Elizabeth.&nbsp; Furthermore, Philip had 
+    long claimed the throne of Portugal but had only recently seized it by force 
+    of arms.&nbsp; If he wished to maintain control, he needed to defend the 
+    rich and wide-ranging Portuguese colonies.</p>
+    <p>Philip also needed to end the Protestant menace to Europe.&nbsp; He 
+    supported plans to free Mary, queen of Scots and place her on the English 
+    throne.&nbsp; His ambassador Mendoza had been peripherally involved in the 
+    Babington Plot and was expelled from England as a result.&nbsp; Many of 
+    Elizabeth's councilors, most importantly the influential Robert Dudley, had 
+    advocated a tougher approach to Spanish meddling.&nbsp; But always the 
+    queen, mindful of her treasury and always desiring peace, had held back.&nbsp; 
+    She would send a few troops and some money, but little else.&nbsp; Philip, 
+    however, had less love of peace and a more pressing piety.&nbsp; England 
+    would be brought back into the Catholic fold, as the pope had commanded in 
+    1570.&nbsp; The execution of Mary, queen of Scots in early 1587 gave him 
+    added impetus to act.&nbsp; The English had sought to publicize Mary's 
+    various crimes, but most Europeans, even the Scots who had applauded her 
+    overthrow years ago, preferred the more tragic image of an innocent queen 
+    trapped by Elizabeth's wily councilors.&nbsp; </p>
+    <p>Philip spent much of 1587 finally preparing his long-rumored 'Armada' 
+    against England.&nbsp; While Elizabeth's council had long warned her of this 
+    possibility, Philip's own advisors believed he could ill afford this new 
+    battle.&nbsp; The Spanish fleet and army had fought too long and hard over 
+    the years.&nbsp; They comprised the largest and best-prepared army and navy 
+    in the world; they had been successful against the Turks, had watched their 
+    traditional enemy, France, succumb to internal religious turmoil, had seized 
+    Portugal, and fought throughout the Low Countries.&nbsp; But victories could 
+    be as tiresome and expensive as defeats.&nbsp; Morale was low and leadership 
+    was lacking.</p>
+    <p>Philip's advisors consistently stressed the expense of the proposed 
+    battle.&nbsp; But for the king, expenses were driving him to fight.&nbsp; He 
+    needed to stop the English from seizing Spanish ships filled with precious 
+    coin and goods.&nbsp; Each loss was a further blow to a nearly empty 
+    treasury.&nbsp; There was no better time to fight than now, he declared, for 
+    the murder of Mary Stuart had at last united European opinion against 
+    Elizabeth.&nbsp; In July 1587, he received official approval from the pope 
+    for the invasion, provided England returned to Catholicism.&nbsp; The pope 
+    even agreed to allow Philip to choose the next English ruler.&nbsp; It would 
+    in all likelihood be the Spanish king himself for he claimed descent from 
+    the famous Edward III.</p>
+    <p>As further impetus to Philip, even as he negotiated approval of the 
+    invasion with the pope, Drake led an expedition into Spain itself, seizing 
+    and destroying many vessels.&nbsp; Elizabeth protested that Drake had acted 
+    without her knowledge; this may have been true.&nbsp; Certainly the queen 
+    had no desire for war.&nbsp; But her protestations did not matter.&nbsp; It 
+    was an audacious act which could not go unpunished.&nbsp; </p>
+    <p>Elizabeth, of course, knew of the Spanish army lodged in the Low 
+    Countries, so close to English shores and able to intercept English 
+    shipping.&nbsp; When word came that these forces were being steadily 
+    increased and an armada of Spanish ships was being prepared for battle, she 
+    could no longer debate and hesitate.&nbsp; The impending threat was too 
+    obvious to ignore.</p>
+    <p>Yet what could England do against the great Spanish fleet?&nbsp; All of 
+    Europe, and many Englishmen, believed England could not withstand the 
+    overwhelming Spanish force.</p>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'Let tyrants fear, I have always so behaved 
+    myself that, under God, I have placed my chiefest strength and safeguard in 
+  the loyal hearts and good-will of my subjects... I know I have the body but of 
+  a weak and feeble woman; but I have the heart and stomach of a king, and of a 
+  king of England too, and think foul scorn that Parma or Spain, or any prince 
+  of Europe, should dare to invade the borders of my realm...'&nbsp;&nbsp;
+  </font> <i>
+    <font size="2">from Elizabeth I's speech to the troops at Tilbury, 1588</font></i></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+    <p>The Armada which sailed against England is sometimes called 'The 
+    Invincible Armada', but its correct name is La Armada Grande.&nbsp; Its 
+    supreme commander was the duke of Medina Sidonia, a nobleman who had done 
+    all he could to avoid this appointment.&nbsp; He spent hours urging Philip, 
+    in the most polite and obsequious way possible, 
+    to find someone else, pointing out his own lack of experience in naval 
+    matters.&nbsp; But the king would not listen.&nbsp; Spain's greatest naval 
+    commander Don Alvaro de Bazan the elder, the marquess of Santa Cruz, had 
+    died and there had been a long, fruitless search for a suitable replacement.&nbsp; 
+    The conscientious Medina Sidonia was Philip's choice, much to the duke's 
+    everlasting regret.</p>
+    <p>The Armada sailed from Lisbon on 20 May 1588, a grand procession of 130 
+    ships and over 30,000 men.&nbsp; However, half of the vessels were transport 
+    ships and the majority of men were soldiers, not sailors.&nbsp; Medina 
+    Sidonia was to sail to Flanders, where he would join the prince of Parma who 
+    waited with more soldiers and transports.&nbsp; But the Armada stopped first 
+    in Corunna for some repair work and Medina Sidonia wrote to Philip, asking 
+    for the invasion to be postponed indefinitely.&nbsp; The king was adamant, 
+    however, and the fleet sailed to Flanders.&nbsp; </p>
+    <p>Their arrival was expected and observed by the English.&nbsp; Under the 
+    command of Lord Howard, they set out from Plymouth, under cover of night.&nbsp; 
+    They managed to destroy some of the chief Spanish ships so that, with 
+    reinforcements, their numbers roughly equaled the Spanish.&nbsp; More 
+    importantly, in terms of command and gunnery, the English had a far superior 
+    advantage.&nbsp; By the time of the great battle off Gravelines, each fleet 
+    had roughly sixty warships.&nbsp; The Spaniards fought heroically, but 
+    Howard was relentless.&nbsp; The English ships were more agile and their 
+    commanders more inventive.&nbsp; They did not allow the Spanish time to regroup 
+    and refit.&nbsp; Only one Spanish ship was captured but several sank or ran 
+    ashore.&nbsp; Medina Sidonia decided to lead the remaining fleet home, 
+    sailing along the north of Scotland and Ireland.&nbsp; They met constant 
+    storms and rough seas, and not one pilot remained in the whole fleet.&nbsp; 
+    Each passing storm destroyed more ships until, when the Armada finally 
+    limped home in the mid-September, half the fleet and most of its men were 
+    gone.</p>
+    <p>The defeat of the Armada was justly celebrated in Elizabeth's time.&nbsp; 
+    It continues to be one of the most famous naval victories in history.&nbsp; 
+    There is an engaging aspect to the whole story - the English fleet taking on 
+    the greatest naval power in the world and, against all odds, winning a 
+    stunning victory.&nbsp; The psychological effect upon both nations was 
+    enormous.&nbsp; </p>
+    <p>Yet, upon closer inspection, the victory was neither as unexpected or 
+    immediately successful as is often believed.&nbsp; The English navy had 
+    always been superior in tactics and gunnery than the Spanish, but had 
+    suffered from Elizabeth's penny-pinching support.&nbsp; They simply never 
+    had enough money to build the ships and pay the sailors needed to become a 
+    world-class naval power.&nbsp; The Spanish took so long to rebuild their 
+    navy that England finally had their opportunity, and they seized it with 
+    enthusiasm.&nbsp; England would become the undisputed master of the seas.</p>
+    <p>But Spain was not nearly finished as a world power.&nbsp; Barely two 
+    years after the Armada, they were virtually omnipotent in European affairs.&nbsp; 
+    The religious turmoil in France had weakened their traditional enemy to such 
+    an extent that Spain stood unchallenged until 1598, when Henri of Navarre 
+    converted to Catholicism.&nbsp; The balance of power in Europe was thus 
+    restored.&nbsp; But Spain's army continued to grow until their dominance of 
+    land warfare equaled England's naval power.&nbsp; </p>
+    <p>For Elizabeth, of course, the most important development was the most 
+    immediate - a brilliant victory over her greatest enemy, whose threats to 
+    invade had haunted most years of her reign.&nbsp; She could breathe a 
+    much-deserved sigh of relief.&nbsp; And she deserved no small credit for the 
+    success.&nbsp; Her speech to the troops at Tilbury, rallying them to fight, 
+    remains justly famous; it is among her most stirring:</p>
+      <blockquote>
+    <p>My loving people,
+    We have been persuaded by some that are careful of our safety, to take heed 
+    how we commit our selves to armed multitudes, for fear of treachery; but I 
+    assure you I do not desire to live to distrust my faithful and loving 
+    people. Let tyrants fear, I have always so behaved myself that, under God, I 
+    have placed my chiefest strength and safeguard in the loyal hearts and 
+    good-will of my subjects; and therefore I am come amongst you, as you see, 
+    at this time, not for my recreation and disport, but being resolved, in the 
+    midst and heat of the battle, to live and die amongst you all; to lay down 
+    for my God, and for my kingdom, and my people, my honour and my blood, even 
+    in the dust. I know I have the body but of a weak and feeble woman; but I 
+    have the heart and stomach of a king, and of a king of England too, and 
+    think foul scorn that Parma or Spain, or any prince of Europe, should dare 
+    to invade the borders of my realm; to which rather than any dishonour shall 
+    grow by me, I myself will take up arms, I myself will be your general, 
+    judge, and rewarder of every one of your virtues in the field. I know 
+    already, for your forwardness you have deserved rewards and crowns; and We 
+    do assure you in the word of a prince, they shall be duly paid you. In the 
+    mean time, my lieutenant general shall be in my stead, than whom never 
+    prince commanded a more noble or worthy subject; not doubting but by your 
+    obedience to my general, by your concord in the camp, and your valour in the 
+    field, we shall shortly have a famous victory over those enemies of my God, 
+    of my kingdom, and of my people. <br>
+&nbsp;</p>
+      </blockquote>
+    <p>She enjoyed a renaissance of sorts among her people after the Armada.&nbsp; 
+    She had already ruled for thirty years.&nbsp; Those years of peace and 
+    general prosperity had led to an inevitable resentment amongst her subjects, 
+    particularly the young noblemen who now dominated her court.&nbsp; They 
+    wanted adventure, glory, grand military exploits; they were fervent 
+    nationalists who wanted England to finally challenge the great powers of 
+    Europe; they believed themselves capable of anything.&nbsp; And Elizabeth, 
+    nearing sixty, would regard them with either amusement or anger.&nbsp; They 
+    did not know the price of war, she would complain; they did not understand 
+    how difficult it had been to bring peace and security to England.&nbsp; They 
+    had not lived through the tumultuous reigns of her father and siblings.&nbsp; 
+    They did not remember the bitter religious divide, which even now she only 
+    bridged with her inestimable charm and intellect.&nbsp; England was at peace 
+    and her young courtiers chafed at peace.&nbsp; But for the queen, peace was 
+    her greatest gift to her 'loving people.'&nbsp; She knew its importance, the 
+    dear price it had cost her.&nbsp; 'To be a King and wear a crown is a thing 
+    more pleasant to them that see it, than it is pleasant to them that bear 
+    it,' she remarked in her Golden Speech of 1601.</p>
+    <p>But she also knew those young courtiers disagreed, however much they 
+    fawned over her, pretending she was still the young queen of thirty.&nbsp; 
+    Elizabeth was content to play the game for her vanity would not allow 
+    otherwise.&nbsp; To grow old was a curse to her, she remarked; 'I am not 
+    sick, I feel no pain, yet I pine away.'&nbsp; To have a young mind in an old 
+    body was another common lament.&nbsp; She felt the loss of her youth keenly 
+    and did what she could to create a timeless role for herself.&nbsp; She wore 
+    wigs and heavy make-up and still dressed in the opulent gowns of a maid, a 
+    fetching style when she was younger but now merely a reminder of her lack of 
+    marriage and family.&nbsp; Her older subjects understood her melancholy; of 
+    the younger ones, Sir Walter Raleigh and Sir Francis Bacon were clever 
+    enough to guess its cause.&nbsp; But most did not.</p>
+    <p>And the queen no longer had the comfort of loyal Cecil and her beloved 
+    Dudley.&nbsp; Though Dudley had commanded the troops at Tilbury, he had died 
+    barely a month afterwards.&nbsp; Cecil was now very old and had ceded much 
+    of his influence to his ambitious son Robert and Sir Francis Walsingham, who 
+    died in 1590.&nbsp; The queen thus turned to another favorite, a young man 
+    who was a last link to Dudley.&nbsp; His name was Robert Devereux, earl of 
+    Essex; he was Dudley's stepson and his mother was Elizabeth's cousin, 
+    Lettice Knollys.&nbsp; </p>
+    <p>Essex remains one of the more interesting courtiers of Elizabeth's later 
+    years.&nbsp; He was the mortal enemy of Raleigh (who found him arrogant and 
+    overbearing) and close friends with Bacon.&nbsp; He became the great 
+    favorite of Elizabeth's later years because, for a while, he was the ablest 
+    flirt and wit at court.&nbsp; But his ambitions went far beyond being the 
+    queen's 'wild-horse'.&nbsp; In this, he was encouraged by his flighty mother 
+    and sycophantic admirers.&nbsp;&nbsp;&nbsp; </p>
+    <p>Essex believed in the primacy of the nobility at Elizabeth's court and 
+    disliked the influence of Cecil and his son, Robert, and other 'upstarts' 
+    such as Raleigh.&nbsp; He was too proud, which the queen - depending upon 
+    her mood - found endearing or infuriating.&nbsp; And he dreamed of military 
+    glory, badgering the queen to send him to Ireland to quell rebellions or 
+    with the navy to harass Spanish ships.&nbsp; Elizabeth often refused; she 
+    genuinely enjoyed his company and would not risk his life.&nbsp; And when 
+    she did succumb, Essex performed disastrously.&nbsp; Though a daring and 
+    brave soldier, he was a terrible commander and his exploits cost the frugal 
+    queen dearly.&nbsp; </p>
+    <p>His worst offense, however, was a slip of the tongue.&nbsp; Elizabeth 
+    would respond to Essex's tantrums by banishing him to the country until he 
+    begged forgiveness.&nbsp; Once, he decided to pretend illness instead.&nbsp; 
+    When news of his condition reached Elizabeth, she sent a letter asking after 
+    his health - but nothing more.&nbsp; Someone mentioned the queen's 
+    conditions for letting him return.&nbsp; Infuriated, Essex cried out, 'Her 
+    conditions!&nbsp; Her conditions are as crooked as her carcase.'&nbsp; Those 
+    words reached the queen and she never forgot them.</p>
+    <p>Essex did return to court.&nbsp; But his subsequent behavior was 
+    outlandish and insulting; he even dared to turn his back on Elizabeth during 
+    a council meeting.&nbsp; The final blow came when he led a rebellion against 
+    the queen.&nbsp; With his friend, the earl of Southampton, he planned to 
+    gather a small army and seize the queen and throne.&nbsp; When captured, as 
+    inevitably he was, for his supporters were few and even those deserted him, 
+    Essex declared he only meant to save the queen from evil counsel.&nbsp; But 
+    Elizabeth, who had so often vacillated over executions, only hesitated once 
+    with Essex.&nbsp; He was executed on 25 February 1601.</p>
+    <p>Despite scurrilous gossip, Elizabeth's affection for Essex was more 
+    maternal than romantic.&nbsp; She had no choice but to sign his 
+    death-warrant but it broke her heart.&nbsp; When her godson, Sir John 
+    Harington, visited in the winter of 1602, he found her taste for old 
+    pleasures gone.&nbsp; Harington read some of his rhymes and Elizabeth, with 
+    a little smile, remarked, 'When thou dost feel creeping time at thy gate, 
+    these fooleries will please thee less; I am past my relish for such 
+    matters.'&nbsp; To the earl of Nottingham, mourning the loss of his wife, 
+    she said, ' I am tied with a chain of iron about my neck.&nbsp; I am tied, 
+    I am tied, and the case is altered with me.'</p>
+    <p>She mentioned Essex at times, but this was merely a symptom of her 
+    awareness that all of the work and struggle of her reign had ended in 
+    solitude.&nbsp; She had often remarked on the essential loneliness of the 
+    crown but she felt it most deeply now.&nbsp; </p>
+    <p>Her council, led by Robert Cecil, whose father had died in 1601, watched 
+    her slow decline while preparing<img border="0" src="eliz1-oldercrop.jpg" lowsrc="http://englishhistory.net/tudor/portrait%20of%20Elizabeth%20I%20in%20old%20age" alt="portrait of Elizabeth I in old age" width="165" height="171" align="right"> for the future.&nbsp; Elizabeth still had 
+    not named a successor.&nbsp; She had always understood its dangerous 
+    implications.&nbsp; Yet there was no real doubt that she meant for James VI 
+    of Scotland, son of Mary queen of Scots, to succeed her.&nbsp; He had 
+    married a Protestant princess and was already a father.&nbsp; And he had 
+    long since made his peace with Elizabeth, exchanging frequent letters and 
+    accepting her political advice.</p>
+    <p>Elizabeth retired to Richmond Palace, her 'warm, snug box' in March 1603.&nbsp; 
+    Her death was preceded by physical weakness and mental depression, but there 
+    were no overt causes.&nbsp; She was almost seventy years old, ancient for 
+    her time.&nbsp; She rested in a low chair by the fire, refusing to let 
+    doctors examine her.&nbsp; As the days passed, her condition slowly 
+    worsened.&nbsp; She stood for hours on end until, finally, she was persuaded 
+    to lay upon cushions on the floor.&nbsp; She rested there for two days, not 
+    speaking.&nbsp; A doctor ventured close and asked how she could bear the 
+    endless silence.&nbsp; She replied simply, 'I meditate.'&nbsp; For the third 
+    and fourth day, she continued to rest in silence, with a finger often in her 
+    mouth.&nbsp; Her attendants were terrified; they must move her but she 
+    refused.&nbsp; The younger Cecil visited and said, 'Your Majesty, to content 
+    the people, you must go to bed.'&nbsp; Elizabeth replied, with some of her 
+    old spirit, 'Little man, little man, the word <i>must</i> is not used to 
+    princes.'</p>
+    <p>Finally, she grew so weak that they could carry her to bed.&nbsp; She 
+    asked for music and, for a time, it brought some comfort.&nbsp; Her 
+    councilors assembled; did she have any instructions regarding the 
+    succession?&nbsp; She made a sign when Cecil mentioned the king of Scotland.&nbsp; 
+    It was enough.&nbsp; He returned to his office to begin the paperwork for a 
+    new ruler.</p>
+    <p>Meanwhile, Archbishop Whitgift, whom she once called her 'little black 
+    husband', arrived to pray.&nbsp; He was old and his knees ached terribly, 
+    but he knelt at the royal bedside until she finally slept.&nbsp; She slept on into 
+    the early hours of 24 March until, at last, as the courtiers watched and 
+    waited, the steady breathing stopped.&nbsp; 'Her Majesty departed this life, 
+    mildly like a lamb, easily like a ripe apple from the tree,' John Manningham 
+    was told.</p>
+    <p>That same morning, the chief councilors rode to Whitehall where Cecil 
+    drafted the proclamation of the queen's death and James's succession.&nbsp; 
+    He read it aloud first at Whitehall and then at St Paul's and finally 
+    Cheapside cross.&nbsp; The councilors then formally demanded entrance to the 
+    Tower of London in the name of King James I of England.&nbsp; Elizabeth's 
+    maids and ladies were still waiting in the Coffer Room at Richmond Palace.&nbsp; 
+    When news of the peaceful transition of power came, they began to prepare 
+    for Elizabeth's funeral.&nbsp; </p>
+    <p>The new king received the news of his accession on 27 March, for the 
+    ambitious Robert Carey had ridden at top speed to Edinburgh; his journey was 
+    so quick that its speed would not be matched until 1832.&nbsp; But while 
+    James was initially welcomed peacefully and happily, his reign would quickly 
+    turn sour.&nbsp; It was not long before even Robert Cecil, who became the 
+    most powerful statesman of James's reign, wrote to Harington:</p>
+      <blockquote>
+    <p>You know all my former steps: good knight, rest content, and give heed to 
+    one that hath sorrowed in the bright lustre of a court, and gone heavily 
+    even on the best-seeming fair ground.&nbsp; Tis a great task to prove one's 
+    honesty, and yet not spoil one's fortune.&nbsp; You have tasted a little 
+    hereof in our blessed Queen's time, who was more than a man and, in troth, 
+    sometimes less than a woman.&nbsp; I wish I waited now in her Presence 
+    Chamber, with ease at my foot, and rest in my bed.&nbsp; I am pushed from 
+    the shore of comfort, and know not where the winds and waves of a court may 
+    bear me.</p>
+      </blockquote>
+    <p>And the common people realized their loss as well, as Godfrey Goodman, 
+    bishop of Gloucester wrote:</p>
+      <blockquote>
+    <p>After a few years, when we had experience of a Scottish government, the 
+    Queen did seem to revive; then was her memory much magnified: such ringing 
+    of bells, such public joy and sermons in commemoration of her, the picture 
+    of her tomb painted in many churches, and in effect more solemnity and joy 
+    in memory of her coronation than was for the coming-in of King James.</p>
+      </blockquote>
+    <p>Elizabeth's funeral procession, composed of more than a thousand 
+    mourners, began on 28 April.&nbsp; It was a stirring tribute to the queen, 
+    never forgotten by those who witnessed its passing.&nbsp; But her tomb, paid 
+    for by the new king, was less impressive than that provided to his disgraced 
+    mother, and cost far less.&nbsp; It can still be visited in Westminster 
+    Abbey, where Elizabeth rests alongside her half-sister Queen Mary I.&nbsp; </p>
+    <hr>
+      </blockquote>
+  </blockquote>
+</blockquote>
+
+      <p align="center"><font size="4">'My good mistress is gone, I shall not 
+    hastily put forth for a new master.'<br></font><i><font size="2">Sir John Harington, Nugae Antiquae</font></i></p>
+      <blockquote>
+        <blockquote>
+          <blockquote>
+            <hr>
+      <P align="center"><FONT size=-1><A 
+      href="../monarchs.html">to Tudor 
+      Monarchs</A><BR>
+      <a href="eliz4.html">back to 
+      Queen Elizabeth I, part four</a></FONT><B><BR></B></P>
+      <P align="left"><font size="-1"><b>Note:</b> The complicated story of Robert 
+      Devereux, earl of Essex, is most beautifully told in Lytton Strachey's 
+      'Elizabeth and Essex: A Tragic History'.&nbsp; Strachey often wanders far 
+      off course, and his psychological portrait of Elizabeth is flawed, but he 
+      writes like a dream.&nbsp; As for conventional biographies of Elizabeth I, 
+      my favorite is by Lacey Baldwin Smith.<br>Thanks for 
+      exploring / reading my Queen Elizabeth I website.&nbsp; <i>-Marilee</i></font></P>
+          </blockquote>
+        </blockquote>
+</blockquote>
+
+      <P align="center"><i><font size="2">last 
+      revised 8 March 2004</font></i></P>
+          
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082767" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="author" content="Marilee Mongello">
+<meta name="content" content="The Anne Boleyn-Catherine Howard Connection: The family ties between King Henry VIII's second and fifth wives">
+<meta name="page_topic" content="The Anne Boleyn-Catherine Howard Connection: The family ties between King Henry VIII's second and fifth wives">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>The Anne Boleyn-Catherine Howard Connection: The family ties between King 
+Henry VIII's second and fifth wives</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF" bgcolor="#5E0000">
+
+<table border="0" cellpadding="3" width="100%" height="705">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="41"></td>
+    <td width="50%" height="41" bgcolor="#000000">&nbsp;</td>
+    <td width="25%" height="41"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610" bgcolor="#FFFFFF">
+    <p align="center">&nbsp;</p>
+    <p align="center">
+    <img border="0" src="boleynhoward.gif" alt="The Boleyn-Howard Connection" width="349" height="262"></p>
+    <p align="left">Many
+
+historians and biographers mention that Catherine Howard was related in
+
+some way to Anne Boleyn.&nbsp; Historically, they are joined by a gruesome
+
+bond - they were the only two wives executed by King Henry VIII.&nbsp; Catherine
+
+married Henry just four years after Anne's execution; yet during those
+
+four years, he had married two other women (Jane Seymour and Anne of Cleves.)
+    </p>
+    <p align="left">Catherine and Anne were first cousins.&nbsp; Catherine's
+
+father, Lord Edmund Howard, was the brother of Anne Boleyn's mother, Lady
+
+Elizabeth Howard.&nbsp; Edmund and Elizabeth were the children of Thomas
+
+Howard, 2nd duke of Norfolk.&nbsp; However, despite their close familial
+
+ties, the two women never met.&nbsp; There are many obvious reasons for
+
+this - first of all, Anne was about fifteen years older than Catherine.&nbsp;
+
+Secondly, the Norfolk family was a tangled collection of cousins (far too
+
+many to list here) and, since Catherine was one of many children of a poor
+
+younger son, her status was relatively unimportant in the mid-1530s.&nbsp;
+
+Third, and perhaps most important, Anne Boleyn disliked her uncle Thomas
+
+Howard, the 3rd duke of Norfolk (and formerly earl of Surrey) - he was
+
+conniving, opportunistic, and arrogant.&nbsp;  This perhaps affected her
+
+relationships with all her Norfolk cousins; the only family member she
+
+was noticeably close to was her brother, George.</p>
+    <p align="left">Anne and Norfolk were
+
+never close and he only barely managed to hide his dislike while she was
+
+queen.&nbsp; When she was arrested and tried, he made&nbsp;haste
+
+to distance himself from her at all costs.&nbsp; He also attended her trial and 
+    passed judgment against her.&nbsp; His groveling was effective
+
+- and still worked four years later when yet another niece (Catherine Howard)
+
+was arrested.&nbsp; At Catherine's arrest, virtually every member of the
+
+Norfolk family was taken to the Tower - except the duke.&nbsp; His frantic
+
+letter to Henry VIII included insults of all his imprisoned relatives,
+
+most importantly the 'abominable deeds' of Anne and Catherine.&nbsp; He
+
+was certainly an unappealing character but, unlike so many others, he managed
+
+to survive in the treacherous Tudor court.&nbsp; Later imprisoned and with
+
+his goods seized by the king, Norfolk was condemned to death.&nbsp; Luckily, and 
+    ironically, Henry
+
+VIII died without signing the warrant for his execution.</p>
+    <p align="left">&nbsp;</p>
+    <p align="center"><font size="2">
+    <a href="boleyn.html">to the Anne 
+    Boleyn website</a></font></p>
+    <p align="center"><font size="2">
+    <a href="howard.html">to the 
+    Catherine Howard website<br></a></font></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082684" alt="setstats" border="0" width="1" height="1"></noscript>
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+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+
+<html>
+
+<head>
+
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+   <meta name="Author" content="Marilee Mongello">
+
+   <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+
+   <title>Tudor Monarchs - Henry VII, one</title>
+
+</head>
+
+<body text="#000000" bgcolor="#FFFFFF" link="#990000" vlink="#990000" alink="#000000">
+
+
+
+<center><b><blink><font size=5>NOTE</font></blink></b><font size="5"> </font>
+<p>I am redesigning the Henry VII pages as of <b>March 2004</b>.
+
+<br>Until the new design is posted, you can read the old (and lengthy) biography here.<br><br>You can also view portraits of Henry VII at the
+<a href="http://www.marileecody.com/images.html">Tudor
+
+England: Images</a> site.</p>
+<p>Sorry for any inconvenience. <i>-Marilee</i></p>
+</center>
+
+<b><font size="6">King Henry VII </font></b>
+
+<br>
+
+<hr WIDTH="100%">
+
+<blockquote>If Henry VII's reign was to usher in '<font color="#000000">smooth-faced
+
+peace,</font> w<font color="#000000">ith smiling plenty, and fair prosperous
+
+days', few could have predicted it in 1485.&nbsp; </font>The Battle of
+
+Bosworth Field on 22 August 1485 was the last armed confrontation between
+
+Lancastrians and Yorkists, those two factions that had fought for decades
+
+in The Wars of the Roses.&nbsp; The Lancastrians triumphed under the leadership
+
+of a 28-year-old exile named Henry Tudor.&nbsp; After winning the throne
+
+of England, he wed Elizabeth of York, the eldest daughter of the dead Yorkist
+
+king Edward IV.&nbsp; Thus, the two warring houses were joined in marriage.
+
+<p>&nbsp;&nbsp;&nbsp; The union was both symbolic and necessary.&nbsp;
+
+Despite his victory at Bosworth, the exiled nobleman who took the name
+
+Henry VII needed the support of those sympathetic to the defeated Yorkist
+
+cause.&nbsp; He also needed the legitimacy of his wife's claim to the throne.&nbsp;
+
+He had spent years in exile and campaigned tirelessly to win support for
+
+his claim to the English throne.&nbsp; It had not been an easy task.&nbsp;
+
+In fact, it was only when Richard duke of York usurped the throne from
+
+his young nephew Edward (son and heir of Edward IV) that Henry Tudor became
+
+a viable candidate for king.
+
+<p>&nbsp;&nbsp;&nbsp; Henry Tudor's claim to the throne was never based
+
+on ancestry alone.&nbsp; He knew, none better, that such a claim would
+
+be flimsy at best.&nbsp; His royal blood came from women - his mother,
+
+Margaret Beaufort, was the granddaughter of John Beaufort (died 1410),
+
+the eldest of the bastard sons of John of Gaunt, duke of Lancaster.&nbsp;
+
+Gaunt's eldest legitimate son was the first Lancastrian king of England.&nbsp;
+
+The Beauforts were so named because Margaret's grandfather had been born
+
+in Beaufort Castle in Champagne; his mother was Gaunt's mistress and later
+
+became his third wife.&nbsp; After the marriage, their children were declared
+
+legitimate by an act of Parliament in 1397 (during Richard II's reign).&nbsp;
+
+When their fellow kinsman Henry IV Bolingbroke came to the throne, he confirmed
+
+this act of legitimacy but added a stipulation that the Beauforts should
+
+never succeed to the English throne (1407).&nbsp; Certainly no act of government
+
+could alter the fact that the Beauforts had been born illegitimate; and
+
+Henry IV's declaration regarding the succession is equally ambivalent -
+
+after all, what practical effect could it guarantee?&nbsp; The end result
+
+was that the Beauforts occupied an odd position in the English nobility
+
+and, taken together as a group, posed a unique threat to the security of
+
+the throne.
+
+<p>&nbsp;&nbsp;&nbsp; Margaret Beaufort's father John succeeded to the
+
+earldom of Somerset in 1418 and, after a life of military embarrassment
+
+(including seventeen years in a French prison), he married Margaret Beauchamp,
+
+daughter of Sir John Beauchamp of Blestoe.&nbsp; A year after their marriage,
+
+John was created duke of Somerset.&nbsp; Margaret, his only child, was
+
+born on 31 May 1443; she never knew her father.&nbsp; John had led yet
+
+another disastrous military expedition to France and ended up dying in
+
+Dorset a few days before her first birthday.&nbsp; It was rumored that
+
+he committed suicide.&nbsp; Her mother, meanwhile, married again - this
+
+time to Lionel, Lord Welles, and survived another four decades.&nbsp; Margaret,
+
+however, was the sole heir to the dukedom of Somerset and its vast holdings.
+
+<p>&nbsp;&nbsp;&nbsp; Since she was a great heiress, she was betrothed
+
+while still a child to John de la Pole, the son and heir of Henry VI's
+
+chief minister, the marquess of Suffolk.&nbsp; A conspiracy followed which
+
+alleged that Suffolk was planning to place Margaret and his son on the
+
+throne if Henry VI died childless; there is no proof but it indicates how
+
+important Margaret's royal blood was, even tainted with her grandfather's
+
+illegitimacy.&nbsp; Suffolk was murdered in May 1450 and in early 1453,
+
+the marriage between Margaret and John de la Pole was annulled.&nbsp; A
+
+child of ten, she was a pawn once more.&nbsp; Henry VI wanted to wed her
+
+to his half-brother Edmund Tudor so, at the age of twelve, she was married
+
+again.&nbsp; Her new husband was the earl of Richmond.&nbsp; His ancestry
+
+was even more colorful than her own.
+
+<p>&nbsp;&nbsp;&nbsp; Edmund Tudor was the eldest son of a princess of
+
+France and Queen of England and her Welsh attendant.&nbsp; Catherine of
+
+Valois was the youngest daughter of Charles VI of France and Queen Isabelle.&nbsp;
+
+At the age of eighteen, Catherine had wed that great warrior-king Henry
+
+V.&nbsp; He was fifteen years her senior and, even in life, recognized
+
+as one of England's greatest kings.&nbsp; His triumph at Agincourt in 1415
+
+inspired one of Shakespeare's greatest plays, <i>Henry V</i>, and led Charles
+
+VI to sue for peace.&nbsp; Charles promised that, upon his death, Henry
+
+would inherit the French throne; to show his good faith and secure Henry's
+
+claim, he was wed to Catherine.&nbsp; She was, by all accounts, quite beautiful
+
+and vivacious.&nbsp; They were married in May 1420 and, in December, made
+
+a triumphal entry into Paris.&nbsp; From there, they sailed to Dover and
+
+Catherine was crowned at Westminster Abbey in February 1421.&nbsp; She
+
+joined Henry on his public progress through England for a few months but,
+
+in June 1421, a year after their marriage, Henry departed again for France.&nbsp;
+
+He left knowing his wife was pregnant and, on 6 December 1421, she gave
+
+birth to their son, the future Henry VI, at Windsor.&nbsp; Henry V would
+
+never see his son.&nbsp; Catherine traveled to France without the child
+
+to visit Henry but he then left to besiege Meaux and Catherine went to
+
+her parents north of Paris.&nbsp; During the siege, Henry contracted dysentery
+
+and died at the chateaux of Vincennes on 31 August 1422.&nbsp; The glorious
+
+king of England and heir to the French throne had fallen victim to the
+
+scourge of armies everywhere.
+
+<p>&nbsp;&nbsp;&nbsp; His great achievements were not forgotten but, immediately
+
+after his death, confusion swept through England.&nbsp; Henry V had died,
+
+leaving behind a twenty-year-old widow and an infant son.&nbsp; On 21 October
+
+1422, her father suddenly died, after suffering years of intermittent insanity.&nbsp;
+
+The infant Henry VI was now king of both England and France.&nbsp; Catherine,
+
+quite naturally, remained at her son's side, accompanying him to the various
+
+public and ceremonial appearances he made as a child.&nbsp; However, her
+
+presence was a novel problem in 15th century England - a Dowager Queen
+
+who was remaining in England until her son's majority and would, in all
+
+likelihood, wish to marry again.&nbsp; She was, after all, still young
+
+and beautiful and contemporaries noted her energy and flirtatiousness.&nbsp;
+
+For the protector of the realm (Humphrey, duke of Gloucester) and the royal
+
+council, Catherine's remarriage was a very real concern.&nbsp; Whomever
+
+she wed would become step-father to the king; understandably, they viewed
+
+such a man as a threat to their own positions of authority.&nbsp; Since
+
+they were unable to agree on whom would be allowed to court the queen,
+
+they passed a law in 1427 stating that no dowager queen could marry without
+
+the king's permission; furthermore, permission could only be granted once
+
+the king reached the age of discretion.&nbsp; Since Henry VI was only six
+
+years old in 1427, the council felt that they had effectively delayed any
+
+remarriage for some years - at least until the king could no longer be
+
+influenced by a step-father.&nbsp; (In fairness to the council, there was
+
+no precedent for the problem Catherine of Valois presented; neither of
+
+the two queens of England who had outlived their spouses and married a
+
+second time - King John and Richard II's wives - had remained in England.&nbsp;
+
+Also, no dowager queen since the twelfth century had married one of her
+
+husband's subjects.)
+
+<p>&nbsp;&nbsp;&nbsp; The council was also careful to keep Catherine under
+
+watch.&nbsp; From 1427 until about 1430 she and her entourage lived in
+
+Henry VI's household.&nbsp; In April 1430 she traveled with her son to
+
+Paris for his coronation as king of France.&nbsp; Her activities were thus
+
+restricted and watched.&nbsp; However, the council was not completely successful
+
+at isolating the eligible dowager queen and, around 1431, Catherine met
+
+a Welshman named Owen ap Maredudd ap Tudur.&nbsp; Their love affair and
+
+marriage resulted in four children, the eldest of whom was Henry VII's
+
+father.&nbsp; So, once again, Henry Tudor inherited royal blood from a
+
+female.
+
+<p>&nbsp;&nbsp;&nbsp; The origin of Catherine and Owen's romance is obscure.&nbsp;
+
+Later chroniclers attributed it to drunkenness (at a ball, Owen was so
+
+drunk that he stumbled and fell into the queen's lap) or voyeurism (the
+
+queen saw Owen bathing in a stream and was attracted to him; she secretly
+
+traded places with her maid and arranged to meet him in disguise; Owen
+
+was too passionate and attempted to kiss her; she pulled away and received
+
+a scratch on her cheek; the next evening, as he was serving her dinner,
+
+he saw the wound and was ashamed of his behavior; she forgave him, they
+
+fell in love and married.)&nbsp; Whatever the case, they were attracted
+
+to one another, fell in love, and married.&nbsp; The legitimacy of the
+
+union was never questioned (not even by Richard III when Henry Tudor positioned
+
+himself as claimant).&nbsp; Certainly the council was unhappy with her
+
+choice for the Welsh were regarded by many as barbarians but, in her choice,
+
+she showed good sense.&nbsp; The 1427 statute had stipulated that any man
+
+who married the queen without the king's permission would be subject to
+
+fines, imprisonment, and forfeiture of lands.&nbsp; By marrying a man who
+
+was simply a member of her household (perhaps the manager of some lands),
+
+Catherine effectively protected Owen from retribution.&nbsp; (No one knows
+
+the true nature of Owen's work in the queen's household but he probably
+
+functioned as a steward.)
+
+<p>&nbsp;&nbsp;&nbsp; In 1432 Owen was made an English citizen and in March
+
+1434 Catherine gifted him with some lands of his own in Flintshire.&nbsp;
+
+They lived together in the countryside, away from court intrigues, for
+
+some years.&nbsp; During this time, he began to follow the English use
+
+of surnames and became known, however inaccurately, as Owen Tudor.&nbsp;
+
+The couple had four children - three sons and a daughter, though the daughter
+
+died young.&nbsp; Their sons were named Edmund, Jasper, and Owen.&nbsp;
+
+The latter became a Benedictine monk while his two older brothers struggled
+
+to survive in an increasingly hostile England.&nbsp; On 3 January 1437
+
+Catherine had died of an unspecified illness which had plagued her for
+
+some time.&nbsp; With her death, Owen lacked protection from the king's
+
+council.&nbsp; They were now determined to finally prosecute him for breaking
+
+the 1427 law.&nbsp; Owen appeared before the council and acquitted himself
+
+of all charges but, after his release, was arrested.&nbsp; He managed to
+
+escape Newgate Prison but was recaptured and sent to Windsor Castle in
+
+July 1438.
+
+<p>&nbsp;&nbsp;&nbsp; Eventually Owen would be released and pardoned (1440)
+
+and taken into his step-son Henry VI's household.&nbsp; In the years following
+
+Catherine's death and Owen's imprisonment, Edmund and Jasper Tudor were
+
+cared for by the abbess Katherine de la Pole, the earl of Suffolk's sister.&nbsp;
+
+Around 1442, their half-brother Henry VI began to take an interest in their
+
+upbringing and they were brought to London.&nbsp; In 1452, it was decided
+
+that the two brothers, now teenagers, should be ennobled.&nbsp; Henry VI
+
+decided this out of both affection and politics.&nbsp; He knew he had to
+
+recognize his half-brothers in some public manner, making them an official
+
+part of the royal family; he also cared for them deeply.&nbsp; So on 23
+
+November 1452, Edmund was created earl of Richmond and Jasper was created
+
+earl of Pembroke.&nbsp; They were now the premier earls of England and
+
+had precedence over all other laymen except dukes.&nbsp; They were also
+
+gifted with estates and rich gifts.&nbsp; On their behalf, the Commons
+
+petitioned Henry VI to recognize them as his 'uterine' brothers (born of
+
+the same mother); this he did, and more.&nbsp; Since no earl, especially
+
+the brother of the king, could be penniless, Henry continued to grant his
+
+brothers numerous lands and annuities.&nbsp; And, as mentioned before,
+
+he also arranged a rich marriage for Edmund to Margaret Beaufort.
+
+<p>&nbsp;&nbsp;&nbsp; The importance of their Welsh blood should not be
+
+underestimated.&nbsp; Both Edmund and Jasper strove to maintain the king's
+
+authority in both south and west Wales and their Welsh ancestry (discussed
+
+in the Welsh Connection section) made them popular in much of Wales.&nbsp;
+
+Welsh support would later prove critical to Henry VII during the battle
+
+at Bosworth.</blockquote>
+
+
+
+<hr WIDTH="100%">
+
+<blockquote>Henry's youth was spent in the shadow of Henry VI's disgrace.&nbsp;
+
+When Edward IV came to the throne, he was determined to avenge his late
+
+father, the duke of York.&nbsp; Henry VI was increasingly deranged, perhaps
+
+having inherited his French grandfather's mental illness.&nbsp; As a result
+
+of his dementia, his queen Margaret of Anjou, increasingly dominated the
+
+Lancastrian party.&nbsp; She was determined to protect her son's inheritance
+
+and, to that end, dedicated her life to a dangerous and complex problem.&nbsp;
+
+The Lancastrian and Yorkist forces met definitively at the Battle of Tewkesbury
+
+in summer 1471.&nbsp; Edward, Margaret and Henry's son, was killed in battle
+
+and Henry VI was captured and taken to the Tower of London where he was
+
+killed.
+
+<p>&nbsp;&nbsp;&nbsp; The Lancastrian cause seemed dead.&nbsp; Edward IV
+
+was, unlike Henry, a capable and strong king.&nbsp; Soon after becoming
+
+king he married an unknown widow named Elizabeth Woodville.&nbsp; Understandably,
+
+she was anxious to promote the interests of her own family which created
+
+conflict with the old nobility.&nbsp; Edward and Elizabeth had many children,
+
+including two sons.&nbsp; (Their eldest daughter, also named Elizabeth,
+
+would become Henry Tudor's wife.&nbsp; She was known as Elizabeth of York.)&nbsp;
+
+By all accounts, the marriage was happy despite the conflict between the
+
+Woodvilles and Edward's noble Yorkist supporters.&nbsp; The succession
+
+was secure and with support from his brother, Richard duke of Gloucester,
+
+Edward's rule was successful.&nbsp; However, Edward died in 1483 and Richard
+
+usurped the throne from his two young nephews.&nbsp; This changed the course
+
+of English history.
+
+<p>&nbsp;&nbsp;&nbsp; Had Richard not betrayed his nephews, there is every
+
+possibility the Yorkist dynasty would have survived.&nbsp; But Richard's
+
+own future would have been quite difficult; he was despised by Elizabeth
+
+Woodville, and - as Edward IV's only brother - he would become the focus
+
+of Woodville discontent.&nbsp; That would not have lasted for long and
+
+Edward V would have followed his mother's wishes.&nbsp; The boy had, after
+
+all, been raised and tutored by his Woodville relations and hardly knew
+
+Richard.
+
+<p>(NOTE: <b>The story of Richard III's claiming of the throne is told
+
+in great detail <a href="http://englishhistory.net/plant/kings/richard3.html">at
+
+his site</a>.</b>&nbsp; Please read those pages to gain a better understanding
+
+of the events of 1483-1485.&nbsp; I have not included the information here
+
+since this page is about Henry VII.)
+
+<p>&nbsp;&nbsp;&nbsp; Ricahrd was an able administrator but faced quite
+
+a few obstacles during his brief reign.&nbsp; If Edward IV had died with
+
+no rightful heir, Richard's ascension would have been viewed much differently.&nbsp;
+
+Then, he would have been the rightful king.&nbsp; And since he wed Anne
+
+Neville of Warwick, daughter of the 'Kingmaker', he would have had crucial
+
+support.&nbsp; But Richard's only son and wife died with months of one
+
+another in 1484.&nbsp; He was grief-stricken and also struggling with the
+
+nobility, particularly the ambitious duke of Buckingham (a brash and arrogant
+
+man with his own share of Plantagenet blood.)
+
+<p>&nbsp;&nbsp;&nbsp; Meanwhile, over in France, Henry Tudor was positioning
+
+himself as heir to his murdered uncle Henry VI.&nbsp; With the support
+
+of exiled Lancastrians and the French monarchy, Henry planned to mount
+
+an invasion of England.
+
+<p>&nbsp;&nbsp;&nbsp; What had prepared Henry for this moment?&nbsp; At
+
+twenty-eight he was hardly an experienced soldier but he was used to a
+
+life of sudden change.&nbsp; In the 1450s his father Edmund and uncle Jasper
+
+were Henry VI's closest relatives, part of a small group of influential
+
+advisors to the king.&nbsp; Other than these half-brothers, Henry VI was
+
+bereft of close blood relatives; his uncles, the dukes of Bedford, Clarence
+
+and Gloucester, had all died without legitimate heirs and this left both
+
+an emotional and dynastic void at the court.&nbsp; Also, Henry's government
+
+was reviled as inefficient and corrupt.&nbsp; His two most prominent ministers
+
+were the dukes of Suffolk and Somerset and the English people reviled them.&nbsp;
+
+Henry had also raised taxes and spent heavily to assert his right to the
+
+French throne.&nbsp; Perhaps if he had been successful at it, the English
+
+people would not have grumbled about the taxes.&nbsp; But he wasn't successful
+
+and, as the defeats multiplied, the people grew naturally resentful of
+
+the taxation and Henry's attempts to enforce it.&nbsp; Also, many Englishmen
+
+(commoner and noble alike) were uncertain about the very survival of Henry's
+
+dynasty.&nbsp; After eight years of marriage, he and Margaret of Anjou
+
+had no children.&nbsp; Increasingly, eyes turned to Henry's cousin Richard,
+
+duke of York, for stability and reform.&nbsp; Henry, perhaps feeling as
+
+if Richard were being positioned to either dominate his government or usurp
+
+the throne, turned to his small group of advisors for guidance.
+
+<p>&nbsp;&nbsp;&nbsp; Since Edmund and Jasper were young, their role at
+
+court was peripheral.&nbsp; Their upbringing had also been quite different
+
+from most young noblemen.&nbsp; However, they were not fools and were careful
+
+to never alienate the powerful duke of York during Henry's reign.&nbsp;
+
+In the summer of 1453, Henry VI suffered an intermittent bout of madness
+
+so severe that he recognized no one, never spoke and had to carried from
+
+place to place.&nbsp; Immediate steps had to be taken to ensure the survival
+
+of the royal government.&nbsp; The winter of 1453 and 1454 was occupied
+
+with the struggle between Queen Margaret and Richard to be declared regent.&nbsp;
+
+For whatever reason, the Tudor brothers sided with the duke of York.&nbsp;
+
+Finally, on 3 April 1454, Parliament decided to appoint Richard regent
+
+during the king's illness.
+
+<p>&nbsp;&nbsp;&nbsp; There are records showing the brothers attended council
+
+meetings and parliamentary sessions; they were also involved in the extensive
+
+reform of the king's household, of which they were members.&nbsp; At that
+
+time, their relationship with the duke of York was not regarded as incompatible
+
+with their attachment to Henry VI and his Lancastrian dynasty.&nbsp; At
+
+any rate, around Christmas 1454, Henry VI suddenly recovered and the duke
+
+of York was no longer in power.&nbsp; Instead, Henry VI restored his old
+
+favorites to their former positions, notably the hated Somerset (who was
+
+the uncle of Edmund Tudor's wife.)&nbsp; The duke of York and his allies
+
+left London in apparent disgust.&nbsp; The Tudor brothers, and most of
+
+the court, realized that a breach had been opened in the nobility.&nbsp;
+
+Most were happy to see the king recover but they were not happy to see
+
+the capable York depart; further, the duke was hated by the queen after
+
+their struggle for the regency.&nbsp; If the two groups clashed, which
+
+side would the Tudors choose?
+
+<p>&nbsp;&nbsp;&nbsp; The 'Battle' of St Albans on 1 May 1455 revealed
+
+the extent of the problem.&nbsp; The king had left London to visit Leicester,
+
+accompanied by his half-brother Jasper and the duke of Somerset.&nbsp;
+
+They spent the evening at Watford and the next day rode on to St Albans;
+
+the duke of York and the earls of Warwick and Salisbury were waiting for
+
+them.&nbsp; There was a skirmish, several of the king's servants (including
+
+Somerset) were killed, and the king himself suffered a wound on the neck.&nbsp;
+
+There was also violent fighting in the streets of the town.&nbsp; The Yorkist
+
+forces were successful in capturing the king and escorted him back to London.&nbsp;
+
+On 26 May, Parliament was summoned to meet at Westminster in six weeks.&nbsp;
+
+As peers of the realm, the Tudor brothers were required to attend.&nbsp;
+
+All the lords gathered there swore allegiance to Henry VI but measures
+
+were undertaken to fix the kingdom's disastrous finances.&nbsp; To that
+
+end, every grant Henry had made during his reign was revoked - with the
+
+notable exceptions of Edmund and Jasper's lands.&nbsp; This exemption shows
+
+that York and his allies wanted Tudor support.&nbsp; They were, after all,
+
+members of the royal family.
+
+<br>&nbsp;
+
+<p>&nbsp;&nbsp;&nbsp; The second session of Parliament was in November
+
+1455 and the brothers did not attend.&nbsp; They were in Wales, ostensibly
+
+to keep the king's peace there.&nbsp; They had been sent on such a mission
+
+before (their only real task given by the king), perhaps because their
+
+father had been a Welshman.&nbsp; Eventually, the respect many Welsh felt
+
+for the Tudor brothers, particularly Jasper, would aid his nephew Henry
+
+Tudor; after all, Henry landed in Pembrokeshire in 1485.
+
+<p>&nbsp;&nbsp;&nbsp; Wales was always a problem for Henry VI for a major
+
+rebellion had ended just 40 years before and occasional fighting was not
+
+uncommon.&nbsp; Edmund Tudor, as the eldest brother, went there as a representative
+
+of the English king.&nbsp; While the duke of York was regent, Edmund led
+
+a raid to reassert the duke's authority on his lands, centered on the castle
+
+Carmarthen.&nbsp; He fought - and won - the castle back from a Welsh rebel
+
+who had seized it.&nbsp; While the duke was regent, this success was acceptable;
+
+Edmund held the castle for Richard and his authority as regent.&nbsp; But
+
+after Richard left London in some disgrace, his English supporters in and
+
+near Wales were worried.&nbsp; What if Edmund Tudor attempted to return
+
+Carmarthen and its lands to Henry VI rather than the duke?&nbsp; Edmund
+
+was no longer a representative of the duke as regent; he was now a representative
+
+of the king.&nbsp; Determined&nbsp; to reassert Richard's authority in
+
+West Wales, they led a raid on Carmarthen and imprisoned Edmund sometime
+
+in September 1456.&nbsp; Edmund was released soon after but had already
+
+developed a fatal illness.&nbsp; He died on 1 November 1456 at Carmarthen
+
+and was given a fine burial at the nearby Greyfriars Church.&nbsp; No one
+
+was ever accused of directly causing his death and it is possible that
+
+he always suffered from ill health; government records show he was absent
+
+from meetings far more than Jasper.&nbsp; Then again, Edmund was also a
+
+husband and on, 28 January 1457, a father; sadly, he died before his son
+
+was born.&nbsp; This son would be called Henry and would become the first
+
+Tudor king of England.</blockquote>
+
+
+
+<hr WIDTH="100%">
+
+<blockquote>
+
+<ul>
+
+<ul>
+
+<ul>
+
+<ul>Kingdoms are but cares,
+
+<br>State is devoid of stay,
+
+<br>Riches are ready snares,
+
+<br>And hasten to decay.
+
+<br>Pleasure is a privy prick
+
+<br>Which vice doth still provoke;
+
+<br>Pomp, imprompt; and fame, a flame;
+
+<br>Power, a smoldering smoke,
+
+<br>Who meaneth to remove the rock
+
+<br>Out of the slimy mud,
+
+<br>Shall mire himself, and hardly 'scape
+
+<br>The swelling of the flood.
+
+<br><b><font size=-1>- Henry VI, written while he was</font></b>
+
+<br><b><font size=-1>a prisoner in the Tower of London</font></b></ul>
+
+</ul>
+
+</ul>
+
+</ul>
+
+</blockquote>
+
+
+
+<p><br><font size=-1>NOTE: This is a terribly convoluted tale.&nbsp; I
+
+have tried to whittle it down to the bare essentials while still conveying
+
+the most important information.&nbsp; For a more detailed description of
+
+all the battles and plots, find a good book - like 'The Making of the Tudor
+
+Dynasty' - and devote your weekend to reading it.&nbsp; If you're wondering
+
+why all this stuff about Jasper Tudor is important...&nbsp; well, it consumed
+
+the early years of Henry Tudor's life.&nbsp; Even if he wasn't directly
+
+involved, they were his relatives and their success - or failure - had
+
+a direct impact on his life.</font>
+
+<br><font size=-1><b>Also, the state of the monarchy pre-Henry VII:&nbsp;</b>
+
+Edward IV, the first Yorkist king, was the only English king since Henry
+
+II to die solvent.&nbsp; Having repossessed the lands of the exiled Lancastrian
+
+nobility and seeking support from the middle-class, he was able to run
+
+England effectively and efficiently.&nbsp; Whatever his faults as a man
+
+(unfaithful and increasingly debauched), he was a good king.</font>
+
+<blockquote>&nbsp;
+
+<br><font size=+1>&nbsp;&nbsp;&nbsp;</font> Since Henry VII spent most
+
+of his formative years away from this court, he could claim no special
+
+understanding of English politics; indeed, if his early life taught him
+
+anything it was the tenuousness of a title.&nbsp; His uncle Jasper's life
+
+was the ultimate lesson.&nbsp; On 3 February 1461 Edward, earl of March
+
+and son of the duke of York, triumphed over the Lancastrian forces at Mortimer's
+
+Cross in Herefordshire.&nbsp; It was a terrible blow for Henry VI and Jasper,
+
+particularly since Jasper and the earl of Wiltshire had shared command
+
+over the defeated army.&nbsp; His father, Owen Tudor, was executed after
+
+the battle.&nbsp; Jasper had choice but to flee in disguise, seeking refuge
+
+at his lordship of Pembroke.&nbsp; While he tried to solicit Welsh allies,
+
+Margaret of Anjou and her son Prince Edward had gathered a large army of
+
+northerners.&nbsp; They reached St Albans in Hertfordshire on 17 February
+
+and soundly defeated the Yorkist forces led by the ill-prepared earl of
+
+Warwick.&nbsp; This victory enabled Margaret to free her husband, prisoner
+
+of the Yorkists since the previous summer (the skirmish at St Albans).&nbsp;
+
+Her plan was to march straight to London while Jasper Tudor led forces
+
+from South Wales.&nbsp; But Jasper was unable to raise enough troops in
+
+time and Margaret's northern soldiers made the fatal mistake of pillaging
+
+the English countryside.&nbsp; The Londoners were understandably terrified
+
+of the advancing northerners and refused to allow Margaret's men into London.&nbsp;
+
+They did, however, open their gates to the future Edward IV and the earl
+
+of Warwick.&nbsp; Henry VI and his family fled to Scotland and Jasper Tudor
+
+was left in Wales.
+
+<p>&nbsp;&nbsp;&nbsp; Jasper's lands were seized and he was hunted mercilessly
+
+by Edward IV's ally William Herbert.&nbsp; There is no record of his whereabouts
+
+but he did successfully elude capture, eventually escaping to Scotland.&nbsp;
+
+His nephew, four-year-old Henry, was left behind at Pembroke Castle, seat
+
+of Jasper's power in Pembrokeshire.&nbsp; Since William Herbert was awarded
+
+Jasper's lands by Edward IV, Henry was in his custody.&nbsp; Because the
+
+young earl of Richmond was a member of the Lancastrian royal family, Herbert
+
+paid 1000 pds for his wardship; furthermore, he was given control over
+
+the boy's future marriage.&nbsp; Herbert was never cruel to the boy; in
+
+fact, he and his wife, Anne Devereux, had a large family of their own and
+
+Henry was part of it.&nbsp; Anne was particularly kind to the boy and,
+
+when he triumphed in 1485, Henry Tudor sent for her to come to London.&nbsp;
+
+At their home, he was known as the earl of Richmond though his inheritance
+
+had been given to Edward IV's brother George, duke of Clarence.&nbsp; His
+
+education was good - two Oxford scholars named Scot and Haseley who were
+
+also remembered when he became king.
+
+<p>&nbsp;&nbsp;&nbsp; But Henry rarely saw his mother.&nbsp; A few months
+
+after his birth in 1457, she married a man named Henry Stafford.&nbsp;
+
+They lived in Lincolnshire and, later, Surrey, long distances from Pembrokeshire.&nbsp;
+
+Also, the fall of Pembroke Castle and Herbert's purchase of her son's wardship
+
+were obstacles.&nbsp; But Margaret's husband made peace with the new king
+
+around 1461 and, while her son was not allowed to return to her guardianship,
+
+she was allowed to visit and write to him.
+
+<p>&nbsp;&nbsp;&nbsp; Of course, the exiled Lancastrian nobility (Henry's
+
+family) were involved in countless plots to return to power.&nbsp; Captured
+
+spies exaggerated reports of their strength; one told Edward IV that the
+
+kings of France, Denmark, Portugal, and Aragon were planning a Lancastrian-led
+
+invasion.&nbsp; Certainly any monarch would be uneasy after such reports.&nbsp;
+
+Edward IV captured the earl of Oxford and his son, believed to be Lancastrian
+
+sympathizers, and executed them for treason.&nbsp; Though the plot was
+
+not as grand as the spy alleged, it had involved French support and Jasper
+
+Tudor made his way to the continent.&nbsp; Eventually, a convoluted agreement
+
+was made with Louis XI the French king.&nbsp; This second plan failed around
+
+Christmas 1462.&nbsp; In 1464, Louis XI decided to switch loyalties to
+
+Edward IV and urged the other Lancastrian ally, Francis II duke of Brittany,
+
+to do the same.
+
+<p>&nbsp;&nbsp;&nbsp; It is difficult not to admire the tenacity the Lancastrian
+
+exiles maintained during these years of planning and defeat.&nbsp; Jasper
+
+increasingly began to see Wales as the perfect place for invasion since
+
+it was always hostile to the English monarchy.&nbsp; The Welsh were understandably
+
+sympathetic to any cause which involved this high-ranking Welshman.&nbsp;
+
+To many, Jasper was a national hero - a Welshman who had succeeded at the
+
+English court and could be counted upon to support their rights.&nbsp;
+
+In the spring of 1468, they had cause to rejoice because Jasper was coming
+
+to Wales.&nbsp; Edward IV had just made a treaty with independent French
+
+nobles which angered Louis XI of France.&nbsp; Accordingly, he decided
+
+to once again lend his support to the Lancastrian struggle.&nbsp; But,
+
+once again, the support was not as much as necessary.&nbsp; Jasper arrived
+
+in Wales and, though he gathered 2000 men, he was eventually routed at
+
+Harlech Castle.&nbsp; Jasper once again escaped, some say by impersonating
+
+a peasant.&nbsp; Once again, he was in France, still exiled and still defeated.&nbsp;
+
+One can only imagine his frustration.
+
+<p>&nbsp;&nbsp;&nbsp; But Jasper's invasion, however slight, did create
+
+a breach in the Yorkist party.&nbsp; Edward IV's supporter, the earl of
+
+Warwick who had marched with him to London in 1461, was becoming dissatisfied
+
+with the king.&nbsp; Called the 'kingmaker' because of his ability, Warwick
+
+wanted more power than Edward was willing to give.&nbsp; In early 1469,
+
+the two former allies were not speaking and Warwick raised an army.&nbsp;
+
+He was victorious over William Herbert's army at Edgecote.&nbsp; (Herbert
+
+was Henry VII's guardian and Edward IV's ally.)&nbsp; Warwick realized
+
+he could not claim the throne for himself; instead, he had to switch sides
+
+and support Henry VI.&nbsp; So, with Edward IV's brother George duke of
+
+Clarence, unhappy with his brother as well, Warwick went to France.&nbsp;
+
+There, Louis XI attempted to reconcile Warwick with his former enemies.
+
+<p>&nbsp;&nbsp;&nbsp; Margaret of Anjou didn't want Warwick for an ally.&nbsp;
+
+She didn't trust him; he had, after all, had a major role in arresting
+
+and deposing her husband in 1461.&nbsp; But Margaret's desire to reassert
+
+Lancastrian authority was great and she reluctantly agreed to his help.&nbsp;
+
+Another invasion was planned.&nbsp; Warwick and Jasper would go through
+
+Wales and Margaret and Prince Edward follow when it was safe.&nbsp; Henry
+
+Tudor was now thirteen years old, certainly old enough to understand the
+
+danger he was in after the Battle at Edgecote.&nbsp; Since his guardian
+
+had been killed by Warwick, he was under the sole protection of Anne Devereux.&nbsp;
+
+She took him and her Herbert children to her family's home in Herefordshire.&nbsp;
+
+Henry's mother tried to regain custody of her son after Herbert's death;
+
+however, her attempts soon didn't matter.&nbsp; For when Jasper and Warwick's
+
+army arrived in England, Edward IV was not in London and was unable to
+
+reach London before the Lancastrian forces.&nbsp; Therefore, Edward fled
+
+to Holland on 2 October 1470.&nbsp; Meanwhile, a relative of Anne Devereux's
+
+had taken Henry Tudor to Hereford and given him to Jasper when he arrived
+
+at the city.&nbsp; The reunion of uncle and nephew was undoubtedly emotional
+
+for Jasper, an exile from his country for years.&nbsp; Meanwhile, Warwick
+
+entered London and freed Henry VI from the Tower.
+
+<p>&nbsp;&nbsp;&nbsp; It was also a reunion for Henry and his mother.&nbsp;
+
+Within a few days, he and Jasper had joined Margaret and her husband.&nbsp;
+
+They entered London together and spent about six weeks there.&nbsp; On
+
+12 November, Henry left his mother again to leave with Jasper.&nbsp; Henry
+
+VI's restoration immeasurably increased Jasper Tudor's wealth and prestige
+
+(he was rewarded with lands, monies, grants); but Henry Tudor was not made
+
+the earl of Richmond.&nbsp; His father's title had been given to Edward
+
+IV's brother George duke of Clarence and Clarence would not give it back.&nbsp;
+
+Since he was an ally of Warwick's, there was nothing Jasper or Margaret
+
+could do for the boy.&nbsp; Jasper, having spent ten years in exile and
+
+with little money or prestige, kept his nephew with him and enjoyed his
+
+success.&nbsp; Alas, it did not last.&nbsp; Once again, Edward IV and the
+
+Lancastrians met on the battlefield - this time at a town called Tewkesbury.
+
+<p>&nbsp;&nbsp;&nbsp; On 12 March 1471, Edward returned from Europe and
+
+landed in Yorkshire.&nbsp; He marched south to London, reaching there on
+
+11 April; on 14 April, he fought Warwick at the Battle of Barnet.&nbsp;
+
+Edward won and promptly killed Warwick.&nbsp; He also regained custody
+
+of Henry VI.&nbsp; The situation was once again dire; Jasper Tudor promptly
+
+began to raise an army to fight Edward.&nbsp; Meanwhile, Margaret of Anjou
+
+and Prince Edward arrived in England as planned so many months ago.&nbsp;
+
+She knew nothing of Warwick's defeat and her husband's capture.&nbsp; Upon
+
+hearing the news, she was devastated but unbowed.&nbsp; She gathered an
+
+army in the West Country and marched north toward Wales; she was planning
+
+to meet and join forces with Jasper.&nbsp; Edward IV was no fool and realized
+
+that he must make a quick, decisive strike.&nbsp; He was determined to
+
+meet Margaret's army before she met up with Jasper.&nbsp; Edward and Margaret
+
+met south of Tewkesbury on 4 May 1471.&nbsp; Margaret was soundly defeated
+
+and her son killed during or after the battle.&nbsp; Captured like her
+
+husband and with their only child killed, Margaret was taken to London.&nbsp;
+
+Jasper Tudor, unable to reach her in time, was an exile once again - and,
+
+this time, so was his nephew.</blockquote>
+
+
+
+<hr WIDTH="100%">
+
+<br>The defeat at Tewkesbury was devastating to the Lancastrian cause.&nbsp;
+
+Only hours after Edward IV returned in triumph to London, Henry VI was
+
+dead in the Tower.&nbsp; The circumstances of his death were mysterious
+
+but the execution of his supporter the duke of Somerset was an open warning.&nbsp;
+
+Jasper Tudor had good reason to fear for both his and Henry's safety.&nbsp;
+
+Margaret Beaufort and her husband almost immediately declared allegiance
+
+to Edward to protect themselves.&nbsp; But her son, as one of the few surviving
+
+males with Lancastrian blood, was destined for France.&nbsp; Jasper hoped
+
+that their old ally Louis XI would aid them once again.
+
+<p>&nbsp;&nbsp;&nbsp; Before he arrived in France, however, he fought a
+
+battle in Wales at Chepstow.&nbsp; Edward IV was still determined to capture
+
+him and sent Sir Roger Vaughan to do so.&nbsp; Jasper Tudor managed to
+
+defeat Vaughan and executed him.&nbsp; This ruthless act was uncharacteristic
+
+for Jasper but can be easily explained - Vaughan had killed his father,
+
+Owen Tudor, almost ten years before at the battle of Mortimer's Cross.&nbsp;
+
+The satisfaction of this execution was Jasper's only comfort as he fought
+
+his way to the coast.&nbsp; From there, he, his nephew, and a few servants
+
+made their way to France.&nbsp; They ended up landing in Brittany, where
+
+the duke Francis II had long supported them.&nbsp; Francis was desperate
+
+to preserve his duchy's independence from the French state and recognized
+
+Jasper and Henry as powerful diplomatic tools.&nbsp; If Edward would aid
+
+him, then perhaps he would return the Tudors - that was Francis's official
+
+diplomatic message.&nbsp; Edward made several attempts to gain custody
+
+of the Tudors but was unsuccessful.&nbsp; His concern, however, was intermittent
+
+since they were not in England and he was more concerned with his own family
+
+and rule.
+
+<p>&nbsp;&nbsp; From 1471 to Edward's death twelve years later, Jasper
+
+and Henry remained in Brittany, staying at the castle of Suscinio, traditionally
+
+used as the duke's summer residence.&nbsp; Louis XI of France, meanwhile,
+
+was engaged in more diplomatic rivalry.&nbsp; Resenting Edward's relations
+
+with his enemies, he sought the release of Jasper and Henry into his custody.&nbsp;
+
+He told the duke of Brittany that the Tudors had, after all, intended to
+
+go to France itself - their landing in Brittany had been a mistake of bad
+
+weather.&nbsp; Also, Jasper had been given a pension by Louis during their
+
+earlier stay; consequently, he was a servant of the king and under his
+
+protection.&nbsp; Both men wanted to use the Tudors as diplomatic pawns
+
+but Francis II was unwilling to give up his advantage.&nbsp; The Tudors
+
+stayed in Brittany, under increasingly strict control.&nbsp; There were
+
+reports that Edward IV wanted Henry killed and that Louis XI was going
+
+to kidnap them.
+
+<p>&nbsp;&nbsp; Edward IV had to console himself with Francis II's promise
+
+that the Tudors were under protective custody.&nbsp; In the mid-1470s he
+
+tried a new strategy, with the aid of Henry's mother.&nbsp; She had extracted
+
+a promise from the king that some of her lands would pass to her son on
+
+her death.&nbsp; Edward not only agreed but he also suggested an English
+
+bride - perhaps one of his own daughters - for the exiled earl.&nbsp; Margaret
+
+Beaufort gave her full support to this plan.&nbsp; She wanted her son in
+
+England above all else.&nbsp; Whether Edward intended to keep his promise
+
+is unknown but it was certainly a good idea.&nbsp; By marrying Henry into
+
+his family, he would neutralize this last Lancastrian threat.&nbsp; And,
+
+for a while, it seemed he would be successful.&nbsp; In late 1476, worn
+
+down by ill health and the English ambassadors, Francis II consented to
+
+send Henry to England.&nbsp; Henry developed - or faked - an illness at
+
+the port and was able to elude being sent home.&nbsp; It may be that he
+
+suspected duplicity on Edward's part or was counseled by his uncle.&nbsp;
+
+(It seems evident that Henry, the first Tudor king, shared many qualities
+
+with his granddaughter, Elizabeth I, last of the Tudor monarchs - both
+
+were shaped by perilous upbringings into cautious, careful rulers.&nbsp;
+
+In truth, they bore little resemblance to Henry VIII, Edward VI &amp; Mary
+
+I.&nbsp; They were also far more concerned with domestic policy than foreign
+
+entanglements.)
+
+<p>&nbsp;&nbsp;&nbsp; Since Henry had, by now, grown into a handsome and
+
+affable teenager, he was always welcome at the ducal court.&nbsp; After
+
+avoiding being sent to England, he simply returned to the duke's custody.&nbsp;
+
+There, he continued to be treated fairly - indeed, even generously.&nbsp;
+
+Every now and again, Edward IV and Margaret Beaufort tried to lure him
+
+to England (for different reasons, of course.)&nbsp; Margaret had asked
+
+Edward to let Henry stand as heir to her estates and he agreed (in 1472)
+
+but by 1482, Edward IV decided this - if Henry returned to England and
+
+gained Edward's favor, he would receive Margaret's lands plus other estates.&nbsp;
+
+But if he stayed in France, he would get nothing.&nbsp; Nothing had been
+
+decided when Edward died unexpectedly on 9 April 1483.&nbsp; By this time,
+
+Duke Francis was facing instability in his own lands.&nbsp; Naturally enough,
+
+this made Henry and Jasper's position more tenuous.&nbsp; Still, they received
+
+as much support from the duke as he could provide, including generous gifts
+
+of money.
+
+<p>&nbsp;&nbsp; It may be that, upon Edward's death, Henry seriously thought
+
+of returning home.&nbsp; The events which followed the king's demise certainly
+
+set him upon that course.&nbsp; As recounted earlier, Richard duke of Gloucester,
+
+seized the throne from his nephew, Edward V, his brother's 12-year-old
+
+heir.&nbsp; Richard officially seized the throne on 26 June.&nbsp; There
+
+was no immediate effect on Henry and Jasper Tudor.&nbsp; But their protectors,
+
+the French king Louis XI and Duke Francis II, immediately recognized the
+
+possibilities - after all, Richard III's claim was tenuous and he would
+
+need to work out some arrangement regarding other claimants.&nbsp; Jasper
+
+and Henry Tudor would bear even greater pressure on Richard than they had
+
+on Edward.&nbsp; At first, Richard simply tried to establish friendly relations
+
+with the king and duke, without explicitly mentioning the Tudors.&nbsp;
+
+His more immediate concern was the closing of French ports to English exiles
+
+(notably former Queen Elizabeth Woodville's brother and a large section
+
+of the English fleet.)&nbsp; In England, Margaret still wanted her son
+
+to return - though to his rightful position as earl of Richmond, not as
+
+king of England.&nbsp; But events soon changed, with the same rapidity
+
+of Richard's usurpation, and Henry Tudor dreamed of more than an earldom.
+
+<p>&nbsp;&nbsp;&nbsp; Richard III's usurpation was bad enough to most Englishmen,
+
+and especially the nobility.&nbsp; But in 1483, Edward IV's two sons -
+
+held in the Tower - mysteriously died.&nbsp; It was whispered that Richard
+
+had them murdered and secretly buried.&nbsp; Thus was born the legend of
+
+the 'Princes of the Tower'.&nbsp; (What happened remains a matter of conjecture;
+
+mystery novelist and playwright, Josephine Tey, wrote<i> The Daughter of
+
+Time</i>, a book which convincingly argues for Richard's innocence.&nbsp;
+
+In that case, Henry VII executed the boys - who would be his brothers-in-law
+
+- in order to secure his throne.&nbsp; Morre recently, the lawyer Bertram
+
+Fields examines the case in <i>Royal Blood</i>.)&nbsp; The deaths of Edward
+
+V and his brother, Richard duke of York, angered the populace and encouraged
+
+the image of Richard III as a deceitful murderer.&nbsp; Since Richard never
+
+officially responded to the rumors, they were believed to be true.&nbsp;
+
+Soon enough, the duke of Buckingham, Henry Stafford, created more chaos.&nbsp;
+
+He led a rebellion against Richard III in October and was captured and
+
+executed in November.
+
+<p>&nbsp;&nbsp;&nbsp; First of all, it is important to remember that Buckingham,
+
+Richard III and Henry Tudor were the <i>only</i> surviving male heirsto
+
+the house of Plantagenet.&nbsp; The reasons why Buckingham led a rebellion
+
+against Richard are not clear but several possibilities can be considered
+
+- first, he had as legitimate a claim to tthe throne as Richard and, gauging
+
+popular dissatisfaction with the new king, Buckingham felt he should take
+
+his chances and set himself up as the rival claimant (particularly since
+
+Edward V and Richard of York were supposedly murdered); second, as a rival
+
+claimant, Buckingham undoubtedly felt uneasy about his own safety (particularly
+
+when it was rumored Richard had murdered his two nephews; if he had, it
+
+was possible he would decide to murder Buckingham as well.)&nbsp; These
+
+two reasons alone are sufficient to explain Buckingham's motivations.&nbsp;
+
+Later historians, especially Polydore Vergil (Henry VII's official historian)
+
+would later claim Buckingham really intended to defeat Richard and place
+
+Henry Tudor on the throne.&nbsp; But it hardly seems likely; indeed, Buckingham
+
+could legitimately believe he had a more solid claim than Henry.
+
+<p>&nbsp;&nbsp;&nbsp; There had been uprisings against Richard III just
+
+days after his coronation which highlighted popular dissatisfaction.&nbsp;
+
+Meanwhile, Margaret Beaufort had become friends with Edward IV's widow,
+
+Elizabeth Woodville (or Wydeville).&nbsp; Elizabeth heard the rumors of
+
+her sons' deaths in the Tower; she had no way of gauging their truth.&nbsp;
+
+But she was eager to reassert her family's claim to the throne.&nbsp; With
+
+her sons supposedly dead, that left her five daughters - in particular,
+
+her eldest Elizabeth of York - to claim the throne.&nbsp; They could do
+
+so only through marriage to a male claimant (such as Henry Tudor.)&nbsp;
+
+So the plan to wed Elizabeth and Henry began in earnest.&nbsp; Both women
+
+knew that such a marriage would imply that Henry Tudor wanted to replace
+
+Richard on the throne.&nbsp; Margaret quickly sent Christopher Urswick,
+
+a young priest from her household, to Brittany.&nbsp; her son, so long
+
+an exile and dependent on others, was to plan a return to England - to
+
+claim two great positions, husband <i>and</i> king.&nbsp; Margaret also
+
+sent a large sum of money to her son, raised from loans in London.&nbsp;
+
+She advised him to come to Wales as soon as possible (since he would receive
+
+support in Wales, particularly from the duke of Buckingham.)
+
+<p>&nbsp;&nbsp;&nbsp; This, of course, lends credence to the idea that
+
+Buckingham wanted to support Henry's claim.&nbsp; But, again, that is conjecture.&nbsp;
+
+Buckingham did write a letter to Henry on 24 September 1483 which stated
+
+he would support the rebellion against Richard, <i>even though </i>he and
+
+Henry's interests may not be perfectly compatible.&nbsp; What is certain
+
+is that Buckingham suspected his own life was forfeit with Richard III;
+
+he and Henry Tudor could sort out things once Richard was defeated.&nbsp;
+
+He told Henry the rebellion would begin on 18 October, thus giving Henry
+
+three weeks notice.&nbsp; He did not mention acknowledging Henry as king
+
+- he also did not mention marriage to Elizzabeth of York.&nbsp; Henry received
+
+Margaret and Buckingham's letters and talked with the duke of Brittany.&nbsp;
+
+He needed further financial support but also relied on Francis's advice.&nbsp;
+
+The duke promised support; another vital link was established.
+
+<p>&nbsp;&nbsp;&nbsp; Richard III had not suspected Buckingham of treachery
+
+- at first.&nbsp; Thus, he had no large arrmy assembled to fight the duke.&nbsp;
+
+But such a massively-planned uprising could not remain secret forever and
+
+Richard was informed on 11 October that a vast rebellion would occur in
+
+a week.&nbsp; He had heard vague descriptions of a plan a few weeks before
+
+and had summoned Buckingham to him.&nbsp; The duke feigned a stomach ache;
+
+a more tersely-worded summons soon followed.&nbsp; The duke again refused
+
+the summons.&nbsp; By then, the rebellion was a week away and Richard had
+
+been informed of Buckingham's involvement and the extent of the rebellion.&nbsp;
+
+Richard hurriedly assembled his army; and though he had been betrayed by
+
+Buckingham, his former friend, he was not bitter - he specifically ordered
+
+his troops to not 'rob, spoil or hurt' any of Buckingham's followers.&nbsp;
+
+Richard was prepared to be merciful.
+
+<p>&nbsp;&nbsp;&nbsp; Buckingham's rebellion began - and failed, largely
+
+because his Welsh tenants decided they liked him less than Richard III.&nbsp;
+
+Robbed of this crucial support, he fled to a friend's home but the friend,
+
+Ralph Bannaster, turned him in and, on 31 October, Buckingham was taken
+
+to Sir James Tyrell and Christopher Wellesbourne, staunch supporters of
+
+Richard III.&nbsp; Once Buckingham had been captured, the other rebellions
+
+collapsed.&nbsp; Many of the rebels fled to Brittany, to join Henry Tudor,
+
+now their last hope.&nbsp; Richard III attempted to prevent this mass exodus
+
+of rebels but failed.&nbsp; Meanwhile, at Plymouth Harbor, Henry heard
+
+the news of Buckingham's execution on 2 November 1483.&nbsp; (He had been
+
+delayed on his way to England because of a storm.)&nbsp; His other rival
+
+for the throne had been killed (Buckingham's son and heir was just six
+
+years old) but Buckingham's failure was hardly encouraging.&nbsp; He returned
+
+to Brittany, once more an exile after twelve years abroad.&nbsp; His position
+
+was perhaps more untenable than before - the uprising had been soundly
+
+defeated and Richard III was once again making friendly overtures to duke
+
+Francis.
+
+<p>&nbsp;&nbsp;&nbsp; Henry's only hope lay with the English exiles now
+
+joining him in Brittany.&nbsp; There were roughly 500 men, among them the
+
+marquess of Dorset.&nbsp; These exiles told him he must reassemble his
+
+allies and attack again, before Richard III became more firmly entrenched
+
+as king - and before the duke ended his hospitality.&nbsp; In December,
+
+Henry gave a speech at Rennes Cathedral meant to boost morale and inspire
+
+his supporters.&nbsp; He promised to marry Elizabeth of York, thus joining
+
+the houses of York and Lancaster together.&nbsp; The assembled men swore
+
+oaths of loyalty to him.&nbsp; Their next task was more difficult - persuading
+
+the duke of Brittany to lend them more money to assemble yet another fleet.&nbsp;
+
+Again, Henry promised to repay the money.&nbsp; He was fortunate that Richard
+
+III had decided to retaliate against Breton and French ships because of
+
+their assistance to Henry and Buckingham.&nbsp; The duke was angered and
+
+agreed to loan Henry more money.&nbsp; So another flotilla was assembled
+
+and final preparations made in mid-spring 1484.&nbsp; But, for some unknown
+
+reason, the exiles did not sail for England.
+
+<p>&nbsp;&nbsp;&nbsp; Instead, they remained at Vannes in Brittany.&nbsp;
+
+By this time, Henry fully realized the enormous stakes of the enterprise.&nbsp;
+
+He was particularly moved by the loyalty of the other exiles.&nbsp; Many
+
+were separated from their families and all were wanted men - and they suffered
+
+these injuries to support him.&nbsp; He owed them a great debt and it is
+
+to his credit that, immediately after Bosworth, he rewarded them.&nbsp;
+
+Elizabeth Woodville's son by her first husband, the marquess of Dorset,
+
+was in Brittany as were her three brothers, Lionel, Edward and Richard.&nbsp;
+
+They were joined by many loyal servants.&nbsp; All of the exiles were undoubtedly
+
+horrified by the supposed murders of Edward V and Richard of York.&nbsp;
+
+While these men schemed with Henry Tudor, the object of their schemes -
+
+Richard III - attempted to nullify their threat.&nbsp; He tried various
+
+tactics, mixing friendly overtures with veiled threats.&nbsp; He knew Margaret
+
+Beaufort had sent messages to her son and plotted in the rebellion but
+
+he couldn't risk alienating her husband, Lord Stanley.&nbsp; So he told
+
+Stanley to watch his wife carefully, dismiss the servants who had relayed
+
+messages, and prevent any contact with Henry and other rebels.&nbsp; He
+
+also gave Stanley possession of Margaret's property for the course of Stanley's
+
+life; after his death, the lands would pass to the crown.&nbsp; Still,
+
+Margaret had every reason to be grateful for her life.
+
+<p>&nbsp;&nbsp;&nbsp; In March of 1484, Richard attempted a reconciliation
+
+with his former sister-in-law, Elizabeth Woodville.&nbsp; She and her five
+
+daughters had sought sanctuary in Westminster.&nbsp; Richard gathered the
+
+lord mayor of London, all leading aristocrats and various aldermen to his
+
+palace.&nbsp; He announced that - if Elizabeth and her children left sanctuary
+
+- he would protect them; they would be reccognized as his kin and given
+
+a pension and dowries.&nbsp; Most importantly, he publicly promised they
+
+would not be sent to any prisons, including the Tower of London (the site
+
+of their brothers' deaths.)
+
+<p>&nbsp;&nbsp;&nbsp; He also attempted to win over the duke of Brittany
+
+again.&nbsp; In this he was aided by the ailing duke's treasurer, Pierre
+
+Landais.&nbsp; Landais believed Brittany's fate would be better served
+
+with an English alliance.&nbsp; It could be, too, that he disliked the
+
+assembled rebels.&nbsp; As a result, Henry asked the French king Charles
+
+VIII for asylum at his court.&nbsp; Charles agreed and, soon enough, Henry
+
+left Brittany for Paris.&nbsp; It was a dangerous decision and, as it was
+
+taken without Francis's permission, would have resulted in his arrest.&nbsp;
+
+But he managed to arrive in Anjou with his pursuers just an hour behind.&nbsp;
+
+(His uncle Jasper had left a few days earlier, ostensibly to visit Francis
+
+at Rennes.&nbsp; Both he and Henry turned away at the last moment and headed
+
+toward Anjou.)&nbsp; There were about 400 rebels left behind.&nbsp; Duke
+
+Francis certainly had every right to send them back to England, to face
+
+certain death.&nbsp; But he did not - sick as he was, he was determined
+
+to undo some of Landais's damage.&nbsp; He allowed the rebels to join Henry
+
+in Paris. He also gave them a large gift of money (about 700 livres) to
+
+pay for their travel (this was in addition to their living allowance he
+
+was also paying!)&nbsp; Henry Tudor was touched by his old protector's
+
+kindness and generosity.&nbsp; He sent a letter of thanks, realizing that
+
+the treachery had been Landais's and not the duke's.
+
+<p>&nbsp;&nbsp;&nbsp; Of course, the French royal family were very eager
+
+to use Henry as a diplomatic weapon against the English.&nbsp; But the
+
+situation at the French court was confused and problematic; in the end,
+
+Henry relied upon the king's older sister, Anne of Beaujeu, for assistance.&nbsp;
+
+Her role was of vital importance as Henry planned for the greatest battle
+
+of his life, Bosworth Field.
+
+<br>
+
+<hr WIDTH="100%">
+
+<blockquote>The French court which welcomed Henry Tudor was a curious place.&nbsp;
+
+King Louis XI had died on 30 August 1483, leaving behind a thirteen-year-old
+
+heir who became Charles VIII.&nbsp; As often happened when a minor succeeded
+
+to the throne, a power struggle ensued between the new king's relatives
+
+over the role of regent.&nbsp; Charles's mother, Charlotte of Savoy, was
+
+not a serious contender; she had never been involved in politics and was
+
+seriously ill.&nbsp; (She died on 1 December.)&nbsp; So the struggle was
+
+between Charles's older sister, Anne, and his younger sister's husband,
+
+Louis duc d'Orleans.&nbsp; Anne was twenty-two years old and married to
+
+Pierre, Lord Beaujeu, the heir of the duc d'Bourbon.&nbsp; Anne triumphed
+
+over her brother-in-law Louis and her gained control of the government.
+
+<p>&nbsp;&nbsp;&nbsp; Henry Tudor's former patron, Duke Francis II, soon
+
+became involved in this struggle - at least ostensibly.&nbsp; His servant
+
+Pierre Landais (discussed on the previous page) was hated by the Orleans
+
+party who were seeking an alliance with his old enemies - namely, the noblemen
+
+of Brittany who had fled during Landais's ascendancy.&nbsp; (Naturally
+
+enough, they had fled from Brittany to France, where they met with the
+
+Orleans party.)&nbsp; On 7 April 1484 these new allies attempted to destroy
+
+Landais, breaking into the ducal palace at Nantes and then going to his
+
+country house.&nbsp; They failed to find Landais, however, and were forced
+
+to flee in shambles.&nbsp; They waited at the town of Ancenis, in Brittany
+
+but near the French border.&nbsp; Landais remained in power and seemed
+
+to bear no ill will toward the Breton-Orleans conspirators.&nbsp; In autumn,
+
+the Orleans party attempted - once again - to make peace between Francis
+
+II and his exiled noblemen.&nbsp; This time, they didn't attempt to kidnap
+
+Landais as part of their plan!&nbsp; Landais was a pragmatist and undoubtedly
+
+wanted to rid himself of the troublesome Breton-Orleans scheming.&nbsp;
+
+So he supported their plan; in doing so, he knew he would anger the French
+
+monarchy.&nbsp; Naturally, he turned to England's King Richard III for
+
+assistance, asking that Richard recognize the Orleans-Breton alliance;
+
+in return, Landais offered to send Henry Tudor to England.&nbsp; (Landais
+
+would then have the support of Burgundy, Orleans, <i>and</i> England against
+
+any French designs on Brittany.)
+
+<p>&nbsp;&nbsp;&nbsp; Of course, Henry Tudor fled to France where he was
+
+welcomed with open arms.&nbsp; With Henry Tudor gone, Brittany had no olive
+
+branch to offer England; this would weaken the Breton-English alliance.&nbsp;
+
+It would also aid Anne of Beaujeu in her struggle against the Orleans party.&nbsp;
+
+When Henry arrived in Anjou, he sent a messenger to Charles VIII, then
+
+at Montargis.&nbsp; The king immediately sent an envoy to greet Henry and
+
+bring him to Chartres.&nbsp; The envoy was given the generous sum of 20000
+
+francs for expenses on the week-long journey.&nbsp; Charles was, of course,
+
+delighted to encourage Henry in his plan to overthrow Richard III - though
+
+less delighted to give him large sums of money on a continual basis, as
+
+Duke Francis had.&nbsp; Also, Charles may have been unnerved by the large
+
+number of Henry's English followers who needed to be housed and fed while
+
+awaiting developments.&nbsp; Charles did give Henry about 3000 francs to
+
+clothe his army and granted permission for Henry to assemble mercenaries
+
+for his army.&nbsp; Henry traveled with the king north to Paris (the court
+
+spent autumn in the beautiful Loire valley); on 4 February 1485, they reached
+
+the French capital.&nbsp; During this journey, Henry finally realized the
+
+necessity of immediate and decisive action.&nbsp; He had spent nearly fourteen
+
+years as an exile in France and Landais's betrayal revealed the instability
+
+of his position.&nbsp; What if Anne of Beaujeu fell from power?&nbsp; Would
+
+he be a pawn for the Orleans cause?&nbsp; Also, it is true that Henry was
+
+in his late twenties, strong and healthy and undoubtedly yearning to be
+
+his own man.&nbsp; Why would he want to live in other people's homes, dependent
+
+on their good will and generosity?
+
+<p>&nbsp;&nbsp;&nbsp; Richard III was certainly unhappy with events in
+
+France.&nbsp; He sent word to Charles of his displeasure and also tried
+
+to rally English support against Henry.&nbsp; Henry was sending letters
+
+to England during the winter of 1484-5 to inspire potential supporters
+
+(since many were dissatisfied with Richard's rule, for reasons outlined
+
+in previous pages.)&nbsp; Richard was aware of these letters and ordered
+
+the mayors and sheriffs throughout England to arrest anyone receiving or
+
+distributing them.&nbsp; (One of the letters has survived - click here
+
+to read it.)&nbsp; An interesting note about these letters - Henry was
+
+styling himself King of England, a deliberate and flagrant disregard of
+
+Richard's position.
+
+<p>&nbsp;&nbsp;&nbsp; On 7 December 1484, Richard responded to the letters
+
+by sending out his own proclamations.&nbsp; He condemned the exiles supporting
+
+Henry in France; he also mocked Henry's use of the royal title.&nbsp; He
+
+also reiterated the ancient animosity between England and France, reminding
+
+the English people that - in exchange for Charles's support - Henry had
+
+supposedly promised to return the English possessions in France and relinquish
+
+the traditional English claim to the French throne.&nbsp; These, of course,
+
+were matters near and dear to all English hearts.&nbsp; From the 12th century
+
+onwards, the English claim to the French throne and territories was a patriotic
+
+dream shared by all Englishmen.&nbsp; The great heroes of the past (most
+
+gloriously, Henry V) had led their countrymen to battle over those claims;
+
+thousands of Englishmen died in those battles.&nbsp; By painting Henry
+
+as a traitor to one of the most precious English dreams (that of possessing
+
+France), Richard hoped to appeal to English patriotism.&nbsp; He also reminded
+
+his subjects that Henry would be invading with mercenaries who would commit
+
+'the most cruel murders, slaughters, robberies and disinheritances that
+
+were ever seen in any Christian Realm.'&nbsp; Once again, Richard appealed
+
+to a time-honored English abhorrence of invasion.&nbsp; He also attended
+
+to more practical matters - ordering sheriffs to prepare troops for muster
+
+and raise cash for military payments.
+
+<p>&nbsp;&nbsp;&nbsp; I would like to emphasize - once again - the tenuousness
+
+of Henry Tudor's claim.&nbsp; At this point, only he and Richard III were
+
+viable claimants to the English throne.&nbsp; But Richard's position was
+
+stronger by far (and as will become clear later), the Battle of Bosworth
+
+ended in Henry's favor only because a key nobleman betrayed Richard.&nbsp;
+
+This was hardly an auspicious beginning to Henry's rule.&nbsp; Throughout
+
+these pages, I have tried to emphasize the general unpopularity of Richard's
+
+rule - <i>with regard to the disappearance of his nephews</i>.&nbsp; The
+
+disappearance sullied Richard's character and made those Englishmen who
+
+didn't support Henry Tudor less than thrilled about defending Richard III.&nbsp;
+
+In other words, they would simply wait out the conflict without openly
+
+supporting either party.&nbsp; And that is exactly what most of the country
+
+did.&nbsp; Personally, I do not believe Richard III murdered his nephews
+
+but, of course, the mystery will always remain open to interpretation.&nbsp;
+
+It is true that Richard III has received a 'raw deal' from historians.&nbsp;
+
+Can we blame this on Shakespeare?&nbsp; :-)&nbsp; Hey, it is a great play
+
+but written during the reign of Henry Tudor's granddaughter.&nbsp; It isn't
+
+likely the playwright wanted to offend the monarch (witness the ending
+
+to All Is True for proof of that - a sympathetic introduction to Katharine
+
+of Aragon which ends with Elizabeth's triumphant birth.)&nbsp; Richard
+
+was a capable and intelligent man and - whatever the truth about his nephews
+
+- had far more experience in government thhan Henry Tudor.&nbsp; He also
+
+reacted to betrayal with an appealing mixture of punishment and forgiveness;
+
+he was far more conciliatory than, say, Henry VIII.&nbsp; (During this
+
+time, an embarrassing episode occurred which may have furthered Richard's
+
+resolve to shore up his support against Henry:&nbsp; John de Vere, the
+
+Lancastrian earl of Oxford, was imprisoned at Calais in France; he escaped,
+
+along with two English soldiers, to join Henry Tudor in Paris.&nbsp; Understandably,
+
+this embarrassed Richard; he issued pardons to the English soldiers at
+
+Calais, including de Vere's supporters, but they still rebelled.&nbsp;
+
+In the end, Henry's morale went up and Richard's fell drastically.&nbsp;
+
+The Oxford episode indicated the lack of loyalty to Richard's regime.&nbsp;
+
+This was coupled with the disloyalty of Sir William Stanley, advising Henry
+
+from England.)
+
+<p>&nbsp;&nbsp;&nbsp; Of course, these domestic actions were accompanied
+
+by foreign policy initiatives designed to find Richard prominent allies.&nbsp;
+
+In this, he was successful as well.&nbsp; Henry Tudor's old ally, Duke
+
+Francis of Brittany, entered into a seven-year truce with England on 2
+
+March 1485.&nbsp; One of the specific points of the truce was that neither
+
+side would support rebellion against the other, thus allying Richard and
+
+Duke Francis against the French throne.&nbsp; Not surprisingly, Charles
+
+VIII began to fear an English-Breton invasion of France. So he encouraged
+
+Henry Tudor to hasten his plans to invade England.&nbsp; In March 1485,
+
+Richard's queen, Anne Neville, died and this personal heartbreak had to
+
+be shoved aside in the face of Henry Tudor's rebellion.&nbsp; It was soon
+
+rumored that Richard would marry Elizabeth of York or her sister Cecily,
+
+thus regaining the support of Henry's Yorkist allies.&nbsp; Henry, whom
+
+Elizabeth Woodville and Margaret Beaufort intended to wed Elizabeth, was
+
+upset but could do little.&nbsp; Meanwhile, Richard kept a shrewd eye on
+
+Lord Stanley (I'll let you alert readers figure out the Tudor-Stanley connection
+
+from the earlier pages - here's a clue: who was Margaret Beaufort married
+
+to?)&nbsp; Around July 1485, Stanley asked permission to visit relative
+
+in Lancashire.&nbsp; The king was no fool; he allowed Stanley to leave
+
+London but kept his son and heir, George, Lord Strange, as hostage.&nbsp;
+
+Essentially, Strange remained in Richard's household in order to assure
+
+his father's good behavior.
+
+<p>&nbsp;&nbsp;&nbsp; Charles VIII was, of course, still encouraging Henry's
+
+planned invasion but still hedging about financial support.&nbsp; When
+
+news came that Richard might marry Elizabeth of York, Henry became frantic.&nbsp;
+
+He cast about for another prominent Yorkist bride, with little success.&nbsp;
+
+More importantly, (with the support of Philippe de Commynes, an influential
+
+diplomat) Henry pressed Charles to request money from the French parliament.&nbsp;
+
+The French king did so on 4 May 1485 and was successful; he returned with
+
+Henry to Paris about a month later.&nbsp; Already, plans to assemble an
+
+invasion fleet were being approved.&nbsp; At Harfleur, near the mouth of
+
+the River Seine, Henry spent about 50000 livres to assemble 4000 men.&nbsp;
+
+Of these, 1500 were discharged soldiers from a base at Pont de l'Arche.&nbsp;
+
+The French soldiers were commanded by a nobleman from Savoy called Philibert
+
+de Chandee, who later became a good friend of Henry Tudor's.&nbsp; There
+
+were also Henry's 400 English supporters who had shared his exile.&nbsp;
+
+Henry placed these men under the command of Richard Guildford.&nbsp; (It
+
+was later rumored that about 1000 Scots joined Henry's force; whether that
+
+number is correct or not, some Scots did fight on Henry's side.)
+
+<p>&nbsp;&nbsp;&nbsp; Henry's great enterprise was about to begin.&nbsp;
+
+On 1 August 1485, Henry and his followers left Honfleur and sailed down
+
+the Seine into the Channel.&nbsp; On 7 August, they sailed into Milford
+
+Sound near sunset.&nbsp; They actually landed at Mill Bay, inside the Sound.&nbsp;
+
+This was the land of Pembrokeshire where Henry had been imprisoned as a
+
+young man.&nbsp; Upon landing, Henry knelt down and whispered, 'Judge me,
+
+Lord, and fight my cause.'&nbsp; He kissed the English soil, crossed himself,
+
+and told his men to follow him - in the name of God and St George.&nbsp;
+
+It was no coincidence that he landed in Wales, his father's native land;
+
+it was there that he hoped to gain crucial support for his cause.
+
+<br>&nbsp;</blockquote>
+
+
+
+<hr WIDTH="100%">
+
+<blockquote>(<font color="#000000">NOTE:&nbsp; Historical sources regarding
+
+the actual battle at Bosworth are scanty at best.&nbsp; No one who actually
+
+fought at the battle recorded the battle; typically, the chroniclers from
+
+London recorded great events but they were far from the action in 1485.&nbsp;
+
+Also, the supporters of Richard III didn't want to remember their defeat
+
+- and unlikely to write about in the chargged political climate.&nbsp; Henry's
+
+supporters were concerned with more immediate matters after the battle
+
+- namely, beginning the rule of a very ineexperienced monarch who had not
+
+been to England in fifteen years.&nbsp; And there is another very important
+
+fact - medieval battles are incredibly confusing to describe (just as they
+
+were confusing to fight.)&nbsp; Imagine a Revolutionary War battle - the
+
+British soldiers in matching red coats, marching in perfect cadence to
+
+a fixed point, they shoot, reload and aim with some degree of consistency.&nbsp;
+
+Medieval warfare did not proceed along those lines.&nbsp; In general, it
+
+was chaotic and confusing to the participants - and the chroniclers.&nbsp;
+
+So if the following account confuses you a little, you're in good company.&nbsp;
+
+I have tried to be as clear as possible, to the extent of omitting stuff
+
+which is particularly confusing (including Henry's mysterious 'disappearance'
+
+the night before the battle; that will eventually be included in the Primary
+
+Sources section, directly from Polydore Vergil's work.</font>
+
+<br><font color="#000000">The most prominent chronicler of the Battle was
+
+Polydore Vergil, Henry VII's official court historian.&nbsp; Of course,
+
+his version is the official Tudor account but we must rely upon it.&nbsp;
+
+In most respects, Vergil had little reason to alter anything since the
+
+Tudor claimant was victorious.)</font>
+
+<br>&nbsp;
+
+<p><font color="#000000">Henry's force marched to the nearest inhabited
+
+area, a settlement called Dale.&nbsp; There they spent the night; the next
+
+day (8 August) they left Dale to a castle called Haverfordwest, about 12
+
+miles to the north-east.&nbsp; The townsmen actually welcomed the invaders,
+
+an indication of their nebulous loyalty to Richard III.&nbsp; Of course,
+
+news of Henry's arrival on English soil was only just spreading along the
+
+coast.&nbsp; In this northern part of Pembrokeshire, there were fewer castles
+
+and - again - it was Jasper Tudor's former home.&nbsp; Also, Richard III
+
+had extensive control over south Wales, which shows that Henry's Welsh
+
+support was as nebulous as Richard's English support.&nbsp; Richard's control
+
+over much of Wales also meant that Henry was forced to march north into
+
+the center of Wales.&nbsp; And, of course, it must be recalled that the
+
+Stanleys (his mother's in-laws) controlled much of north Wales and Cheshire.&nbsp;
+
+Sir William Stanley was Richard III's chief lieutenant in Anglesey, Caernarfonshire,
+
+and Merioneth, cities which made up the northern part of royal holdings
+
+in Wales.&nbsp; (Remember that Sir William was the younger brother of Henry's
+
+stepfather.)&nbsp; Henry may have been in touch with the Stanleys immediately
+
+upon landing in Wales.&nbsp; Oddly enough, a letter Henry sent to another
+
+supporter, John ap Maredudd ab Ieuan ap Mareddud, has survived; it was
+
+written about 8 August, immediately after the landing, and designed to
+
+gain Welsh support.&nbsp; The letter to ap Mareddud can be read by clicking
+
+here.&nbsp; What did ap Mareddud do?&nbsp; We don't know - though it is
+
+true that Henry did have some significant Welsh support.&nbsp; Of course,
+
+it was nowhere near as great as many later remembered.&nbsp; And it is
+
+false to state that
+
+<i>every</i> Welshman welcomed the return of Owen Tudor's
+
+descendants.&nbsp; Certainly the Tudor dynasty in no way favored Wales
+
+or its native population - so any support from the Welsh was not rewarded.&nbsp;
+
+In 1536, in particular, the Welsh had good cause to resent any support
+
+they had given.&nbsp; After Bosworth, certain laudatory poems and songs
+
+were written - but as these were dedicated to an actual king than a pretender
+
+to the throne, they were naturally fawning.</font>
+
+<p><font color="#000000">&nbsp;&nbsp;&nbsp; In reality, Henry did not receive
+
+a rapturous welcome.&nbsp; On 8 August, at Haverfordwest, he received a
+
+crushing blow - John Savage, nephew of Henry's stepfather, and the powerful
+
+Welsh lord, Rhys ap Thomas, were not planning to support his cause.&nbsp;
+
+Of course, they had promised otherwise while he was in France but Richard
+
+III suspected both men of disloyalty - and before Henry landed, he made
+
+certain they understood the penalty of treason.&nbsp; With this crushing
+
+news, even the professed loyalty of Pembroke was small consolation.&nbsp;
+
+Henry's march from Havefordwest northeast to Cardigan and there to Machynlleth
+
+(about 100 miles from the Dale settlement) is not documented.&nbsp; He
+
+arrived at Machynlleth on 14 August and wrote a letter to Sir Roger Kynaston,
+
+the guardian of the Grey estates; to pass safely to Shrewsbury, Henry needed
+
+- at the very least - Kynaston's inaction..&nbsp; The guardian didn't need
+
+to declare for him but he could at least not impede his progress. Click
+
+here to read the letter to Kynaston.&nbsp; Whatever Kynaston's decision,
+
+Henry did pass safely through to Shrewsbury.&nbsp; To get to this point,
+
+his force had marched through the mountains of Wales but they had the continual
+
+arrival of good news to cheer them on the lonely journey - supporters were
+
+marching to join them, bringing along much-needed supplies.&nbsp; Among
+
+these supporters was Rhys ap Thomas, who finally decided to honor his previous
+
+promise.&nbsp; Rhys later said he brought almost 2000 men with him; if
+
+true, his force made up a third of Henry's entire army.&nbsp; They were
+
+in time to join Henry at Shrewsbury, the traditional gateway to the English
+
+midlands; they marched along the old Roman road even as supporters sent
+
+along money to pay the mercenary troops.&nbsp; But at Shrewsbury, Henry's
+
+progress was no longer easy.</font>
+
+<p><font color="#000000">&nbsp;&nbsp;&nbsp; Shrewsbury was an important
+
+town and had two bailiffs, Roger Knight and Thomas Mitton, both in power
+
+for about two decades.&nbsp; They had prospered under Richard III, notably
+
+from the failure of Buckingham's rebellion (notably, Mitton received Buckingham's
+
+castle and Shrewsbury's tax bill was significantly reduced.)&nbsp; And
+
+one must remember Richard III's admonitions to the English people, specifically
+
+warning them of the dangers of mercenary troops.&nbsp; The people of Shrewsbury
+
+had no desire for foreign troops to plunder and pillage their town.&nbsp;
+
+(Keep in mind that Henry's army was not primarily English.)&nbsp; When
+
+Henry requested permission to march through the streets, Mitton made a
+
+familiar reply - "over my belly."&nbsp; Henry could not afford to go around
+
+the city so he retreated.&nbsp; At a nearby village, he composed a letter
+
+to the bailiffs, promising that his men would simply march through Shrewsbury
+
+peacefully, without causing any damage or harm.&nbsp; He respected the
+
+oath of loyalty to Richard III and did not expect any of the townspeople
+
+to break it.&nbsp; The letter may not have swayed the bailiffs but the
+
+arrival of Rowland Warburton, a retainer of Sir William Stanley, arrived
+
+and persuaded the bailiffs to let Henry pass.&nbsp; The Stanley support
+
+was impressive enough to sway even Mitton, who lay on the ground so Henry
+
+could step over his belly (thus keeping his former oath.)</font>
+
+<p><font color="#000000">&nbsp;&nbsp;&nbsp; What effect did this 'adventure'
+
+have on Henry?&nbsp; He realized, once again, that his support was not
+
+widespread.&nbsp; Indeed, in the end he relied upon the apathy of the English
+
+population - essentially their decision to not actively support Richard
+
+III.&nbsp; Shrewsbury was the first English town he marched through, a
+
+test of how the average citizen would respond to his invasion.&nbsp; Since
+
+they did not recognize his claim to the throne, Henry had little to celebrate.</font>
+
+<p><font color="#000000">&nbsp;&nbsp;&nbsp; In a way, his march was as
+
+much a public relations enterprise as a military endeavor.&nbsp; Everywhere
+
+he went, he attempted to drum up support - and he was often successful.&nbsp;
+
+More men and prominent lords joined the cause, all for various reasons.&nbsp;
+
+At Stafford, Henry met up with Sir William Stanley.&nbsp; Stanley brought
+
+news that Richard III, informed of Henry's march, was camped at Nottingham.&nbsp;
+
+From there, it was just a brief march south to block Henry's path to London.&nbsp;
+
+In other words, Stanley was urging Henry to hurry if he wanted to reach
+
+the capital.&nbsp; Henry marched to meet Richard, stopping for the night
+
+at Lichfield; as at Shrewsbury, he kept his army outside the walls so as
+
+not to offend the citizens.</font>
+
+<p><font color="#000000">&nbsp;&nbsp;&nbsp; Now it gets a bit confusing:
+
+<i>Lord</i>
+
+Stanley, whose son Lord Strange was Richard's 'hostage', was marching with
+
+about 5000 men toward Lichfield (presumably to meet up with Richard III
+
+at Nottingham.)&nbsp; He did not dare meet with Henry Tudor, though he
+
+supported his claim.&nbsp; Ostensibly, Lord Stanley was loyal to Richard.&nbsp;
+
+So he avoided Henry's army though, supposedly, sent a message assuring
+
+him of eventual support.&nbsp; Of course, promises can be easily broken
+
+and Henry was uneasy.&nbsp; He knew Richard had scouts watching Stanley
+
+and held his son hostage.&nbsp; Under such circumstances, Stanley's support
+
+was not completely assured.&nbsp; Meanwhile, Lord Stanley's brother - Sir
+
+William - had met up with Henry's army at Lichfield on 20 August.&nbsp;
+
+Lord Stanley had arrived near Atherstone, close to the actual battlefield.&nbsp;
+
+On this Saturday (20 August, still!), Lord Stanley sent his brother a message
+
+that Richard was near and fighting could begin in just three hours.&nbsp;
+
+This, of course, did not happen.&nbsp; But the Stanleys apparently met
+
+together and decided on a course of action - namely, they would not publicly
+
+declare their support for either Richard or Henry.&nbsp; On Sunday, they
+
+apparently decided upon their battle plans - namely, Lord Stanley's betrayal
+
+of Richard.</font>
+
+<p><font color="#000000">&nbsp;&nbsp;&nbsp; Lord Stanley was, of course,
+
+Henry's stepfather but his waffling is understandable.&nbsp; But it caused
+
+both Richard III and Henry a great deal of anxiety.&nbsp; Henry secretly
+
+met with the Stanleys on 21 August but, after the meeting, was still unsure
+
+of their unqualified support.&nbsp; Under such circumstances, Henry's nervousness
+
+was greater than the king's.&nbsp; But Richard was far from secure himself.&nbsp;
+
+He was at Nottingham when he heard of Henry's arrival in Pembrokeshire
+
+and, from there, his steady march through Wales to the midlands.&nbsp;
+
+As mentioned earlier, Richard had made preparations for this moment in
+
+1484.&nbsp; So he ordered his nobles and gentry to assemble according to
+
+plan.&nbsp; He was undoubtedly unnerved that Henry was receiving some measure
+
+of support and that his march was essentially unimpeded.&nbsp; He called
+
+the dukes of Northumberland and Norfolk to him, as well as the lieutenant
+
+of the Tower of London (where most of the king's weaponry was stored.)&nbsp;
+
+Because Sir William Stanley did not respond to summons, Richard declared
+
+him a traitor.&nbsp; He also intimidated Lord Strange enough for the young
+
+man to confess to some sort of 'conspiracy' to betray the king.&nbsp; This
+
+simply confirmed Richard's fears.&nbsp; He realized as well that Henry
+
+was trying to reach London as quickly as possible.&nbsp; So he gathered
+
+his own forces to prevent this; he was later called a coward for not confronting
+
+Henry sooner but consider this - Richard wanted to assemble as many supporters
+
+as possible while dragging out the ordeal for Henry's army.&nbsp; The assembled
+
+mercenaries were tired, hungry, and - like Henry - knew the crucial Stanley
+
+support was not secure.&nbsp; Richard's army was a bit larger than Henry's
+
+though exact figures do not exist.&nbsp; They marched south in traditional
+
+square battle formation, Richard and his guard behind two groups of horsemen.&nbsp;
+
+There were about 100 knights and noblemen who had responded to Richard's
+
+summons.&nbsp; Most of these men were from the north, specifically Yorkshire
+
+and Lancashire.&nbsp; Richard marched with these men as the King of England,
+
+wearing his crown and coat-of-arms.&nbsp; It was imperative that every
+
+Englishman who watched the march be reminded the Richard was the king and
+
+Henry just a pretender.&nbsp; He would be crushed just like the duke of
+
+Buckingham.</font>
+
+<p><font color="#000000">&nbsp;&nbsp;&nbsp; Finally, on 21 August (Sunday),
+
+both armies knew battle was near.&nbsp; Richard knew Henry's camp was near
+
+Atherstone; he himself camped at the plain of Redmoor.&nbsp; The next day
+
+the forces would meet on the battlefield, a place later called Bosworth
+
+Field.</font></blockquote>
+
+
+
+<hr WIDTH="100%">
+
+<blockquote>&nbsp;
+
+<br>(I wanted to point out an interesting fact about Henry's tactics prior
+
+to Bosworth; by marching toward London, he essentially determined where
+
+the battle would be fought - <i>wherever he and Richard met up on the way
+
+to London</i>.&nbsp; So Bosworth Field was not chosen for any purpose other
+
+than the two armies met there.&nbsp; Today, it is impossible to adequately
+
+understand the geography of the battlefield and Richard and Henry's camps
+
+prior to the battle; hundreds of years of building, etc. have altered the
+
+landscape.)
+
+<br>(Also: William Brandon, Henry's standard bearer, was slain at this
+
+battle.&nbsp; His son, Charles, would become Henry VIII's best friend,
+
+husband to Princess Mary Tudor &amp; grandfather of Lady Jane Grey.&nbsp;
+
+His biography is available at Tudor Citizens.)
+
+<br>&nbsp;
+
+<p>The actual battle supposedly took place on Redmoor plain, near Richard
+
+III's encampment.&nbsp; Long after the battle, it came to be called the
+
+Battle of Bosworth Field because the town of Market Bosworth lay to the
+
+north of Redmoor plain.&nbsp; Also, a Welsh chronicler asserted that the
+
+battle actually took place at the town.&nbsp; In other words, there is
+
+some debate about where the battle took place - <i>though one can reasonably
+
+assert it occurred at Redmoor plain</i>.
+
+<p>&nbsp;&nbsp;&nbsp; Sunday 22 August began inauspiciously for Richard
+
+III and one of his most powerful allies, the duke of Norfolk.&nbsp; Richard
+
+admitted he had slept little and suffered bad dreams; in the superstitious
+
+medieval world this did not bode well.&nbsp; Also, the duke of Norfolk
+
+found a sign outside his quarters which read, 'Jack of Norfolk be not so
+
+bold, For Dykon thy master is bought and sold.'&nbsp; After his sleepless
+
+night, Richard arose earlier than even his chaplain (so there was no morning
+
+mass) and had no breakfast.&nbsp; He insisted on wearing his crown throughout
+
+the day, as he had insisted upon marching to Redmoor clad in his ceremonial
+
+robes and crown.&nbsp; Henry Tudor had spent a sleepless night as well,
+
+and his morning began with disturbing news.&nbsp; His stepfather, Lord
+
+Stanley, was still officially part of Richard's force.&nbsp; In fact, Stanley's
+
+force waited between Henry and Richard's camps.&nbsp; But when Henry pushed
+
+his stepfather to join him, Stanley still demurred (this on the day of
+
+the battle!)&nbsp; One can imagine Henry's response.&nbsp; Stanley sent
+
+Henry a brief message; he should prepare his army for battle and wait for
+
+Stanley to join him at the appropriate moment.&nbsp; (Note: Richard's archers
+
+were under the command of the duke of Norfolk while Henry's archers were
+
+under the command of John de Vere, the earl of Oxford.&nbsp; The actual
+
+make-up of each army is a matter of debate as well, as is their size.&nbsp;
+
+They each had a number of infantry and cavalry, complemented with cannon
+
+and guns and - of course - the traditional bows and swords.&nbsp; One chronicler
+
+estimated Richard's cannon at 140; Henry had cannon brought from France.&nbsp;
+
+As to the actual numbers involved, chroniclers are always prone to exaggeration
+
+and this time was no exception.&nbsp; We know Henry landed in Wales with
+
+about 4000 and was joined by a large number of reinforcements; Richard's
+
+force must have been equal - at least.&nbsp; Sir William Stanley led about
+
+3000 troops.)
+
+<p>&nbsp;&nbsp;&nbsp; One more mention of the Stanleys: Richard was less
+
+troubled by their waffling than Henry.&nbsp; After all, Richard would have
+
+been content if they simply stayed out of the battle whereas Henry was
+
+desperate for their support.&nbsp; Therefore, Richard's army had higher
+
+morale - and supposedly larger numbers.
+
+<p>&nbsp;&nbsp;&nbsp; Henry marched northeast at a leisurely pace toward
+
+Richard's camp.&nbsp; Were his troops wary of attacking first?&nbsp; Undoubtedly;
+
+but, in the end, Richard decided to order his attack when Henry's force
+
+passed by a march.&nbsp; At this time, he also realized that Lord Stanley
+
+was not joining him.&nbsp; (He could see Stanley's army motionless on the
+
+field.)&nbsp; Richard ordered his hostage, Lord Strange, beheaded but in
+
+the heat and confusion of battle, the order was not carried out.&nbsp;
+
+The first moments of battle were an indication of the chaos to come.&nbsp;
+
+Immediately, arrows were exchanged and then hand-to-hand combat began.&nbsp;
+
+Swords, pikes, aces, spears....&nbsp; These were the weapons of choice.&nbsp;
+
+(Interesting note: Richard's ally, the duke of Northumberland, waited at
+
+the rear of the army with a well equipped force which never entered battle
+
+for one simple reason - the topography of the battlefield.)
+
+<p>&nbsp;&nbsp;&nbsp; Richard's scouts told him that Henry, too, remained
+
+outside the fighting, observing the battle with a small group of supporters.&nbsp;
+
+By identifying Henry's standard, Richard determined his exact position.&nbsp;
+
+Then he undertook a most courageous and incredible feat - he spurred his
+
+horse to ride directly at Henry, the pretender to his throne.&nbsp; He
+
+knew that if Henry was slain - before Stanley intervention - the battle
+
+would end.&nbsp; On his horse, at full gallop, he slay a great number of
+
+those around Henry (notably his standard bearer, William Brandon, and that
+
+respected soldier, the 'giant' John Cheyne.)&nbsp; Henry, of course, was
+
+innocent of real experience in battle but he did not run - though he also
+
+kept a horse nearby in case the battle was lost.&nbsp; Still, the tide
+
+would have turned against Henry except....&nbsp; the Stanleys finally entered
+
+the battle, on the Tudor side!
+
+<p>&nbsp;&nbsp;&nbsp; It cannot be emphasized enough that Richard III died
+
+valiantly in battle.&nbsp; Every later chronicler asserted his bravery
+
+and skill.&nbsp; One wrote that, after Stanley's men swarmed around him,
+
+Richard fought 'manfully in the thickest press of his enemies.'&nbsp; According
+
+to Polydore Vergil, 'that day he would make end either of war or life';
+
+he would 'die like a king or win victory in this field.'&nbsp; He was wounded
+
+several times but refused the advice of his few companions to flee.&nbsp;
+
+He also refused the offer of a horse.&nbsp; His heroism was evident to
+
+all.&nbsp; In the end, he could not prevail.&nbsp; His crown was knocked
+
+from his head; his head was struck so many times that the helmet was beaten
+
+into the skull; even after his death, his body continued to be beaten.&nbsp;
+
+Around him lay the bodies of his few companions - Conyers, Brackenbury,
+
+Ratcliffe....&nbsp; There is a legend that his crown landed in a hawthorne
+
+bush; true or not, it was soon enough in Henry Tudor's hands - and not
+
+because of any personal bravery on the part of the first Tudor king.
+
+<p>&nbsp;&nbsp;&nbsp; The battle lasted about two hours.&nbsp; Its outcome
+
+- Henry's triumph - was only made possiblee by Stanley's disgraceful betrayal
+
+of his king.&nbsp; Had he waited a few moments longer, Henry may have been
+
+personally killed by Richard.&nbsp; That single action inaugurated the
+
+Tudor dynasty - and it was a shameful inauguration.&nbsp; Whatever his
+
+qualities before the battle, his actions immediately afterwards are not
+
+endearing.&nbsp; Richard III, who had fought so heroically and suffered
+
+an awful death, continued to be humiliated and abused.&nbsp; His body was
+
+slung naked over a horse, arms and legs hanging over the sides; a halter
+
+was tossed around his neck to symbolize his defeat.&nbsp; In this manner,
+
+he was taken to a friary in Leicester where his body lay on view for two
+
+days; it was naked from the waist down except for a scant and cheap black
+
+cloth.&nbsp; He was buried at the friary with no ceremony.&nbsp; The church
+
+no longer exists - Henry's son ordered the dissolution of the monasteries
+
+in the 1530s and Richard's grave was opened and the body thrown out.&nbsp;
+
+Later, the coffin was supposedly used as a horse trough and cellar steps
+
+in a nearby manor.&nbsp; Richard III remains the only English king since
+
+1066 to have no burial place.&nbsp; He was also the last English king to
+
+die in battle.
+
+<p>&nbsp;&nbsp;&nbsp; Henry Tudor had now declared himself Henry VII and
+
+Lord Stanley placed Richard's crown upon his stepson's head.&nbsp; His
+
+officers were busy settling old scores, executing old foes and rounding
+
+up the prisoners.&nbsp; In the end, we can reasonably estimate that about
+
+400 men - in total - died that day.&nbsp; Of course, after the battle few
+
+wanted to talk about the actual fighting - those two hours which ended
+
+in betrayal and death for one king and the beginning of one of the most
+
+celebrated dynasties in English history.</blockquote>
+
+
+
+<hr WIDTH="100%">
+
+<blockquote><font size=-1>On a personal note....</font>
+
+<br><font size=-1>I do want to stress that Henry Tudor did nto participate
+
+in the fighting - and, in fact, he kept a horse nearby so he could flee
+
+if the battle was lost.&nbsp; In other words, he planned to 'turn tail
+
+and run', as the clich&eacute; goes.</font>
+
+<br><font size=-1>It might seem odd that a king who supposedly won his crown in 
+  battle was actually quite cowardly on the battlefield, and didn't participate 
+  - but it's the truth.&nbsp; Richard III only lost because Lord Stanley 
+  disgracefully betrayed his king.&nbsp; And he did so after Richard had already 
+  forgiven him numerous offenses (many bordering on treason), and had treated 
+  him kindly.&nbsp; Henry may have claimed a crown that day, but he claimed no 
+  glory.</font><center>
+  <p><font size=-1>You may visit the <a href="http://www.r3.org">Richard
+
+III Society</a> site for the other side of the story.</font></p>
+  </center>
+
+<font size=-1></font>
+
+<p>
+
+<hr WIDTH="100%">
+
+<br>&nbsp;
+
+<br>&nbsp;
+
+<blockquote>Henry Tudor as King
+
+<p>'His [Henry VII] body was slender but well built and strong; his height
+
+above the average.&nbsp; His appearance was remarkably attractive and his
+
+face was cheerful especially when speaking; his eyes were small and blue;
+
+his teeth few, poor and blackish; his hair was thin and grey; his complexion
+
+pale'.
+
+<br><font size=-1>Polydore Vergil, from the <i>Anglica Historia</i></font></blockquote>
+
+
+
+<hr WIDTH="100%">
+
+<blockquote>Many historians have long argued that Bosworth Field marked
+
+the end of medieval England, and the beginning of more modern government.&nbsp;
+
+This assumes at least some drastic changes occurred during the 24 years
+
+Henry ruled England.&nbsp; However, no such changes occurred.&nbsp; Henry
+
+maintained the government of his predecessors; he simply had a more efficient
+
+administration.
+
+<p>This should detract from his formidable accomplishments.&nbsp; Despite
+
+his very questionable claim to the throne, Henry proved himself to be an
+
+able and enthusiastic king.&nbsp; He devoted himself to the minutiae of
+
+government, personally initialing household account books.&nbsp; He was
+
+quite miserly, which greatly benefited his spendthrift son Henry VIII,
+
+but this was understandable - the first Tudor king knew financial success
+
+would be the life or death of his new dynasty.&nbsp; Like all monarchs,
+
+he needed money - and often badly.&nbsp; But he needed parliament's permission
+
+to raise taxes or create new ones.&nbsp; Yet Henry knew that parliament
+
+would be opposed to giving a new - and unpopular king - more sources of
+
+revenue, particularly since England's economy was not prosperous.&nbsp;
+
+And so Henry only called parliament seven times during his reign.&nbsp;
+
+Instead of creating new methods to raise money, he cannily exploited the
+
+existing sources.&nbsp; Every loophole that existed was stretched wide
+
+- Henry sought every penny he could from eevery source of revenue.&nbsp;
+
+And he protected the money fanatically.&nbsp; Few monarchs lived so frugally,
+
+and as Francis Bacon noted, 'towards his queen [Elizabeth of York] he was
+
+nothing uxorious, nor scarce indulgent....'
+
+<br>For Henry VII, money equaled security.&nbsp; And so rights of Wardship,
+
+Marriage, Promotions, and Death, forced loans and benvolences, and trade
+
+dues were all tools to gain financial security.
+
+<p>Upon becoming king, Henry's immediate problem was the same as his Yorkist
+
+predecessors - the legitimacy of his claim to the throne.&nbsp; Bosworth
+
+Field had not ended the struggle for England's crown, and Henry faced considerable
+
+unrest throughout the early years of his reign.&nbsp; The Northerners (who
+
+never lost their distrust of the Tudors) had supported Richard III, and
+
+did not welcome a Welsh king.&nbsp; And Yorkist support continued in Ireland
+
+(where Lambert Simnel was crowned Edward VI 1487), and in Europe (where
+
+Edward IV and Richard III's sister Margaret lived on as the influential
+
+duchess of Burgundy.)&nbsp; Also, because Henry's claim to the throne was
+
+so weak, he inevitably had to work harder to create the impression of royal
+
+authority.&nbsp; By all accounts, he lacked the majesty, or charisma, of
+
+his son Henry VIII and granddaughter Elizabeth I.&nbsp; But charisma was
+
+perhaps a negligible quality during those early years; more important were
+
+hard work, dedication, and discipline.&nbsp; And Henry possessed those
+
+qualities in abundance.
+
+<p>First, Henry benefited directly from the Wars of the Roses - heirs to
+
+many of the old noble families were killed during the battles.&nbsp; Henry
+
+simply appropriated their lands and revenue.&nbsp; Those that had supported
+
+Richard III (those that survived, that is) were attainted and their estates
+
+confiscated.&nbsp; He also created a council 'Learned in the Law' in 1495
+
+to deal with enforcement of already-existing taxes, particularly those
+
+owed by the nobility.&nbsp; Henry also forbid nobles to retain their own
+
+armies.&nbsp; A small number of attendants was acceptable, but Henry did
+
+not want any lord to have more power than the king.&nbsp; Edward IV had
+
+attempted the same maneuver, with less success.&nbsp; Henry was aided by
+
+a simple fact - as king, he owned most of the gunpowder in the country.&nbsp;
+
+Therefore, he simply blew up the castles and keeps of recalcitrant barons.&nbsp;
+
+It was quite an effective policy, though Henry did not curb the power and
+
+influence of all nobles.&nbsp; But it is worth noting that the English
+
+nobility, already in decline during the Wars of the Roses, fell from influence
+
+rapidly under the Tudors - under Elizabeth I, for instance, England had
+
+just one duke (and he was executed for treason.)
+
+<p>Henry did continue the Yorkist tradition of promoting government officers
+
+from the middle class (primarily clerics and lawyers.)&nbsp; But he did
+
+not create the middle class government that many historians propose; nobles
+
+still retained the most powerful positions.&nbsp; Henry kept many of Edward
+
+IV and Richard III's councilors, and these were either from the aristocracy,
+
+or related through marriage.&nbsp; But it should be noted that the middle
+
+class was growing in power and influence, and carefully making its way
+
+through the corridors of power.
+
+<p>Henry also revived the powers of the Justices of the Peace, first introduced
+
+by Henry II.&nbsp; They administered the king's justice throughout England,
+
+and were supposedly free of local prejudices.&nbsp; His Yorkist predecessors
+
+had appointed a Council of the North and thus allowed the great border
+
+families of Neville, Dacre, Scrope, and Percy to rule as virtually independent
+
+princes with their own armies.&nbsp; This was necessary because the Scottish
+
+border was notoriously difficult to maintain; raids from the north were
+
+all too common, and the Yorkists had needed the Northern lords to protect
+
+English interests.&nbsp; When Edward IV was king, Richard had been 'Lord
+
+of the North', having inherited the vast Neville estates through his wife.&nbsp;
+
+Henry was not so inclined - he did not want the Northern families to be
+
+too powerful; after all, they could turn that power against their king.&nbsp;
+
+But he also knew the North needed a strong leader, a servant of the crown.&nbsp;
+
+And so he released the last Percy heir, the earl of Northumberland, from
+
+the Tower of London and appointed him Lord Warden of the East and Middle
+
+Marches.&nbsp; But Henry carefully trimmed Percy's powers, and only allowed
+
+the council to meet sporadically.&nbsp; He successfully subdued it into
+
+becoming a mere extension of his own London-based authority.
+
+<br>&nbsp;
+
+<p>Henry also attempted to quell the Scottish problem, and undercut the
+
+Auld Alliance (the alliance between France and Scotland), by marrying his
+
+eldest daughter Margaret to the king of Scots in 1503.&nbsp; He planned
+
+to marry his youngest daughter, Mary, to Charles, the prince of Castile.&nbsp;
+
+His eldest son and heir apparent, Prince Arthur, was wed to the youngest
+
+daughter of Ferdinand and Isabella, the powerful 'Catholic Kings' of Spain.&nbsp;
+
+With these marriage alliances, Henry hoped to protect his domestic interests;
+
+he did not want to engage in costly foreign wars since the establishment
+
+of his own dynasty was more important, but he needed foreign allies.&nbsp;
+
+Marriage was less costly than war, and - Henry hoped - more effective.&nbsp;
+
+The matches were impressive, particularly the match with Spain since it
+
+meant that the most powerful European monarchs recognized his shaky claim
+
+to the throne.</blockquote>
+
+</blockquote>
+
+
+
+<center><font size=-1></font>&nbsp;<font size=-1></font>
+
+<p><font size=-1><a href="../monarchs.html">to
+
+Tudor Monarchs</a></font></center>
+
+
+
+</body>
+
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+<html>
+
+<head>
+<meta name="page_topic" content="King Henry VIII (1491-1547): Biography, Portraits, Primary Sources The Six Wives of Henry VIII The Reformation">
+<meta name="content" content="King Henry VIII (1491-1547): Biography, Portraits, Primary Sources The Six Wives of Henry VIII">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
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+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>King Henry VIII: Biography, Portraits, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center">
+    <img SRC="henry8.gif" ALT="King Henry VIII" height=52 width=315></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <img SRC="henry8main.jpg" ALT="portrait of King Henry VIII by an unknown artist" BORDER=2 height=348 width=250></p>
+    <p> <a href="henry8.html#One"><br></a>
+    View portraits of King Henry VIII at
+    <a href="http://www.marileecody.com/images.html">Tudor England: Images</a>.</p>
+    <p> <a href="henry8.html#One">A
+
+brief discussion of his personality and historical importance</a><br> 
+    <a href="henry8.html#Two">Henry Tudor, duke of York: 1491-1502</a><br> <a href="henry8.html#Three">Heir
+
+apparent: 1502-1509</a><br> <a href="henry8.html#Four">1509-1526:
+
+Katharine of Aragon, Cardinal Wolsey &amp; Princess Mary</a><br> <a href="henry8.html#Five">1526-1536:
+
+Anne Boleyn and the Henrician Reformation</a><br> <a href="henry8.html#Six">1536-1546:
+
+Four wives, Thomas Cromwell &amp; foreign policy</a><br> <a href="henry8.html#Seven">Death
+
+and disorder: Henry's last months and a discussion of his illness</a></p>
+    <p>
+
+<a href="henry8.html#Eight">The
+
+English nobility during Henry's reign</a><br>
+
+<a href="henry8.html#Nine">Henry: 
+    lapsed Catholic or Protestant reformer?</a></p>
+    <blockquote>
+      <p> <a href="../primary.html">Primary
+
+Sources</a></p>
+
+<p> <a href="henry8.html#Ten">Notable
+
+Dates and Events</a><br> <a href="henry8.html#Eleven">Bibliography
+
+and Further Reading</a><p> <b>Henry's wives:</b>&nbsp;
+      <a href="wives.html">The Six Wives of Henry VIII</a><br>
+<br>      <b>Henry's children:<br></b><a href="edward6.html">
+      King Edward VI</a><br>
+      <a href="mary1.html">Queen Mary I</a><a href="eliz1.html"><br>
+      Queen Elizabeth I</a></blockquote>
+    </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <blockquote>
+
+<p><b>'My, you ought to seen old Henry the Eight when he was in bloom.&nbsp;
+
+He <i>was</i> a blossom.&nbsp; He used to marry a new wife every day, and
+
+chop off her head next morning.&nbsp; And he would do it just as indifferent
+
+as if he was ordering up eggs.&nbsp; 'Fetch up Nell Gwynn,' he says.&nbsp;
+
+They fetch her up.&nbsp; Next morning, 'Chop off her head!'&nbsp; And they
+
+chop it off.&nbsp; 'Fetch up Jane Shore,' he says; and up she comes.&nbsp;
+
+Next morning, 'Chop off her head' - and they chop it off.&nbsp; 'Ring up
+
+Fair Rosamun.'&nbsp; Fair Rosamun answers the bell.&nbsp; Next morning,
+
+'Chop off her head.'&nbsp; And he made every one of them tell him a tale
+
+every night; and he kept that up till he had hogged a thousand and one
+
+tales that way, and then he put them all in a book, and called it Domesday
+
+Book - which was a good name and stated the case.&nbsp; You don't know
+
+kings, Jim, but I know them; and this old rip of ourn is one of the cleanest
+
+I've struck in history.&nbsp; Well, Henry he takes a notion he wants to
+
+get up some trouble with this country.&nbsp; How does he go at it - give
+
+notice? - give the country a show?&nbsp; No.&nbsp; All of a sudden he heaves
+
+all the tea in Boston Harbor overboard, and whacks out a declaration of
+
+independence, and dares them to come on.&nbsp; That was <i>his</i> style
+
+- he never give anybody a chance.&nbsp; He  had suspicions of his father,
+
+the Duke of Wellington.&nbsp; Well, what did he do? - ask him to show up?&nbsp;
+
+No - drownded him in a butt of mamsey, like a cat.&nbsp; Spose people left
+
+money laying around where he was - what did he do?&nbsp; He collared it.&nbsp;
+
+Spose he contracted to do a thing; and you paid him, and didn't set down
+
+there and see that he done it - what did he do?&nbsp; He always done the
+
+other thing.&nbsp; Spose he opened his mouth - what then?&nbsp; If he didn't
+
+shut it up powerful quick, he'd lose a lie, every time.&nbsp; That's the
+
+kind of a bug Henry was....</b>
+
+<br><b>All I say is, kings is kings, and you got to make allowances.&nbsp;
+
+Take them all around, they're a mighty ornery lot.&nbsp; It's the way they're
+
+raised.'</b>
+
+<center>
+<p><font size=-1>from Mark Twain's <i>Adventures of Huckleberry Finn</i></font></p>
+<hr></center>
+
+  </blockquote>
+  <p align="left"><a NAME="One"></a><font size=4>I have no fear but when you
+
+heard that our Prince, now Henry the Eighth, whom we may call our Octavius,
+
+had succeeded to his father's throne, all your melancholy left you at once.&nbsp;
+
+What may you not promise yourself from a Prince with whose extraordinary
+
+and almost Divine character you are acquainted?&nbsp; When you know what
+
+a hero he now shows himself, how wisely he behaves, what a lover he is
+
+of justice and goodness, what affection he bears to the learned I will
+
+venture to swear that you will need no wings to make you fly to behold
+
+this new and auspicious star.&nbsp; If you could see how all the world
+
+here is rejoicing in the possession of so great a Prince, how his life
+
+is all their desire, you could not contain your tears for joy.&nbsp; The
+
+heavens laugh, the earth exults, all things are full of milk, of honey,
+
+of nectar!&nbsp; Avarice is expelled the country.&nbsp; Liberality scatters
+
+wealth with bounteous hand.&nbsp; Our King does not desire gold or gems
+
+or precious metals, but virtue, glory, immortality.&nbsp;&nbsp; </font>
+  <font size=2><i>Lord Mountjoy to Erasmus</i>, 1509</font></p>
+  <blockquote>
+
+<center><hr></center>
+
+    <p><b>A brief discussion of his personality and historical
+
+importance</b> </p>
+    <p>&nbsp;&nbsp;&nbsp; How can one adequately describe Henry's personality?&nbsp;
+
+Imagine yourself as Henry VIII, the second son suddenly yanked into the
+
+spotlight by your older brother's death. Sheltered and smothered by a father
+
+suddenly aware that he has just one heir left; handsome and intelligent
+
+and, by turns, both recklessly indulged and then denied.&nbsp; Any of us
+
+would have emerged as a mass of contradictions and frustrations.&nbsp;
+
+So Henry VIII, crowned king at the prime of his life, just eighteen years
+
+old and physically magnificent with more enthusiasm and energy than most
+
+of his contemporaries, became a conflicted and confused man.&nbsp; But
+
+it is a shame to let the last twenty years of his life color the interpretation
+
+of his entire life.&nbsp; One should not see him as simply an ogre king
+
+who beheaded two wives, divorced two others, and rejected another in one
+
+of the most humiliating ways possible.
+
+<br>&nbsp;&nbsp;&nbsp; His personality was quite amazing; his intelligence,
+
+learning, and curiosity impressed even the world-weary ambassadors who
+
+littered his court.&nbsp; His thirst for knowledge was insatiable, though
+
+it never became the near-mania that haunted Philip II.&nbsp; Henry VIII
+
+didn't spend his declining years surrounded by slips of paper detailing
+
+the most minute occurrences in his realm.&nbsp; But he did spend his entire
+
+reign reading dispatches, scribbling notations, meeting with diplomats
+
+and politicians.&nbsp; Very little occurred in England that escaped his
+
+attention; indeed, very little occurred in Europe that escaped Henry VIII.&nbsp;
+
+He prided himself on this and well he should; the Spanish ambassador reported
+
+that Henry knew of the fall of Cadiz before the Holy Roman Emperor.
+
+<br>&nbsp;&nbsp;&nbsp; He was usually genial company.&nbsp; He loved music
+
+and wrote his own.&nbsp; He enjoyed dancing and entertainment.&nbsp; He
+
+held countless banquets and tournaments.&nbsp; He enjoyed all physical
+
+activities and excelled at most of them.&nbsp; Hunting, archery, tennis,
+
+jousting - the king made his court into an endless round of competition
+
+and celebration.&nbsp; When he grew older, these former pleasures became
+
+torments; like most former athletes, Henry became fat as he aged and the
+
+once-loved pastimes became bitter reminders of the ravages of time.&nbsp;
+
+And he ruled over a country where almost half the population was 18 years
+
+old or younger!&nbsp; Youth was everywhere, staring the old king in his
+
+face.&nbsp; We can imagine the effects.&nbsp; Quite naturally, he sought
+
+reassurances - from women, his courtiers, his council.&nbsp; Affairs could
+
+distract him, but love affairs were never his grand passion.&nbsp; Despite
+
+his licentious reputation, Henry VIII was really a 16th century sexual
+
+prude; among his European contemporaries, he philandered the least.&nbsp;
+
+State affairs indulged his taste for war and glory; family affairs gnawed
+
+at his conscience and pride.&nbsp; But Henry VIII did not want distractions.&nbsp;
+
+He wanted a grand mission, a defining statement.&nbsp; In the end, he got
+
+his wish, though in the most improbable way possible.
+
+<br>&nbsp;&nbsp;&nbsp; He began life as a second son, destined for the
+
+church.&nbsp; It was the dream of Henry VII for his eldest son, Arthur,
+
+to be king and for his second son, Henry, to be the highest churchman in
+
+England.&nbsp; And so, for the first ten years of his life, Henry was a
+
+student of theology.&nbsp; And for the next thirty years of his life, he
+
+remained a dutiful son of the church.&nbsp; It is ironic, then, that his
+
+most significant historical achievement was the destruction of the Roman
+
+Catholic faith in England.&nbsp; The impact of the Henrician reformation
+
+forever altered the course of English history.&nbsp; Henry VIII, who had
+
+indulged in endless diplomatic squabbles and foreign wars, left no grand
+
+achievement beyond his own borders.&nbsp; Vast amounts of money were spent
+
+on these foreign entanglements - and many lives lost - but, in the end,
+
+nothing changed in the European balance of power.&nbsp; England, constantly
+
+pulled between the two great continental powers of France and the Holy
+
+Roman Empire, nearly bankrupted itself in an attempt to become respected
+
+and feared.
+
+<br>&nbsp;&nbsp;&nbsp; Why did Henry ultimately fail in those tasks normally
+
+reserved for monarchs?&nbsp; Ultimately, he was a victim of his times.&nbsp;
+
+The 16th century was a confusing mess of changing loyalties, betrayals,
+
+near-constant fighting, and most importantly, a rising skepticism of that
+
+great institution of the fading medieval world, the Roman Catholic church.&nbsp;
+
+With the advent of the printing press a century before, literacy and intellectual
+
+debate grew rapidly.&nbsp; The High Renaissance in Italy occurred during
+
+the first 20 years of Henry VIII's reign.&nbsp; It was a time of unparalleled
+
+scientific experiment, intellectual fervor, and spirited debate.&nbsp;
+
+In such a time, traditional views of kingship were bound to change for
+
+both the ruler and those he ruled.
+
+<br>&nbsp;&nbsp;&nbsp; (As evidence of this confusion, one need only remember
+
+that Charles V, the Holy Roman Emperor crowned by the Pope, led the brutal
+
+sack of Rome in 1527.&nbsp; Charles, supposedly the anointed defender of
+
+the papacy, actually ordered his imperial army to loot, pillage, and kill
+
+their way through Rome and the Vatican.&nbsp; The pope ended up fleeing
+
+to relative safety in his nightshirt.)
+
+<br>&nbsp;&nbsp;&nbsp; While reading any biography of Henry VIII, one must
+
+remember the flavor of his times and judge him, if at all, by sixteenth-century
+
+standards.&nbsp; It's always amusing to read descriptions of Henry as the
+
+lustful tyrant torn between bedding and beheading innocent women; in truth,
+
+he blushed at dirty jokes and was more faithful than many 20th century
+
+husbands.&nbsp; He was married to Katharine of Aragon for over twenty years
+
+and had just a handful of mistresses.&nbsp; He waited years to physically
+
+consummate his relationship with Anne Boleyn, and despite being in the
+
+prime of his life, remained faithful to her until marriage.&nbsp; Was this
+
+sexual prudery a result of his early church training?&nbsp; Perhaps.&nbsp;
+
+Whatever the case, it was a hallmark of his life.&nbsp; Henry VIII was
+
+always an incurable romantic.
+
+<br>&nbsp;&nbsp;&nbsp; His personal and political decisions were always
+
+grandiose, melodramatic, and played for great effect.&nbsp; He loved pomp
+
+and pageantry, even as he loathed to deal with the consequences of his
+
+actions.&nbsp; Like his father, he was caught in the transition from medieval
+
+England to renaissance England.&nbsp; And like his father, he was well-versed
+
+in English history and desperate to continue the Tudor dynasty, to secure
+
+his claims to Ireland, Scotland, and France, to raise England to the status
+
+of its continental neighbors, and to expand his God-given right to rule
+
+all Englishmen.&nbsp; When reading about Henry's political and dynastic
+
+ambitions, one is always struck by the wide scope of his desires.&nbsp;
+
+Though most came to naught in the end, he actually planned invasions of
+
+France, plotted to join Charles V's invasion of Italy, and intended to
+
+seize the Scottish throne.&nbsp; The word 'ambitious' hardly does Great
+
+Harry justice.
+
+<br>&nbsp;&nbsp;&nbsp; His political ambitions failed and he bequeathed
+
+a woeful mess to his nine-year-old heir, Edward VI.&nbsp; His greatest
+
+achievement was a dubious one, and one for which he was often eager to
+
+distance himself - the Henrician reformation, the end of Roman Catholicism
+
+in England and the birth of the Anglican church.&nbsp; The king, for all
+
+his contradictions and failures, helped destroy the greatest institution
+
+in medieval Europe.&nbsp; Once Germany and England fell to the new heresy,
+
+its spread across Europe was inevitable and invincible.
+
+<br>&nbsp;&nbsp;&nbsp; In the biography of Henry at this site, I hope to
+
+capture both the king's personality and assess his importance to history.&nbsp;
+
+Henry VIII's reign was as tumultuous as the king himself.&nbsp; If nothing
+
+else, it makes for entertaining reading.</p>
+    <p>
+
+<font size=-2><a href="henry8.html#Top">TOP</a></font>
+
+<br>
+
+    </p>
+
+<hr WIDTH="100%">
+
+    <p>
+
+<br><a NAME="Two"></a><b>Henry Tudor, duke of York: 1491-1502</b> </p>
+    <p>&nbsp;&nbsp;&nbsp; The second Henry Tudor was born on 28 June 1491 at Greenwich
+
+Palace in London.&nbsp; He was the third child of the first Tudor monarch,
+
+Henry VII, and his wife, Elizabeth Plantagenet, daughter of the Yorkist
+
+king, Edward IV.&nbsp; At the time of her second son's birth, Queen Elizabeth
+
+was just 25 years old; her husband was 34, and had been king for almost
+
+six years.&nbsp; Those six years had been difficult ones.&nbsp; Henry's
+
+marriage to Elizabeth had helped amass Yorkist support for his rule, but
+
+the English people were hardly enthusiastic about Henry, even as they had
+
+been noticeably ambivalent about his predecessor, Elizabeth's uncle, Richard
+
+III.&nbsp; Elizabeth was popular with the common people; her young life
+
+had all the romance and tragedy necessary for sympathetic gossip and she
+
+was a classical fair beauty, possessing all the female virtues necessary
+
+for a queen.&nbsp; She was quiet, demure, and charming; she was also content
+
+to allow her formidable mother-in-law, Margaret Beaufort, assume a position
+
+of unprecedented influence over the king.
+
+<br>&nbsp;&nbsp;&nbsp;
+
+Elizabeth's emotional attachment to her husband has been much-debated.&nbsp;
+
+In truth, she had known all her<img SRC="h8two.jpg" ALT="sketch of Henry VIII as a toddler" BORDER=1 height=214 width=150 align=right> life that she would never marry a man of
+
+her own choice.&nbsp; In the end, her mother, Elizabeth Woodville, conspired
+
+with Margaret Beaufort for Elizabeth to marry Henry Tudor, exiled son of
+
+Henry VI's half-brother.&nbsp; Henry was, by all accounts, grateful for
+
+the match.&nbsp; He appreciated its political implications.&nbsp; He also
+
+respected his new queen and was faithful to his marriage vows, an unusual
+
+trait in a king.&nbsp; Upon her marriage, Elizabeth entered a semi-retirement
+
+- she was queen and her duty was to produce as many heirs as possible.&nbsp;
+
+Nine months after her marriage, she gave birth to her first child at St Swithin's Priory in Winchester, a prince named Arthur.&nbsp; Henry and
+
+Elizabeth had wed on 18 January 1486 at Westminster Abbey in London; Prince
+
+Arthur was born 20 September 1486.&nbsp; Three years later, Elizabeth gave
+
+birth to their second child, a princess called Margaret after Henry VII's
+
+mother.&nbsp; She was born on 28 November 1489 at Westminster Palace in
+
+London.&nbsp; For the new king, the birth of a healthy second child, and
+
+his wife's rapid recovery, were good omens.&nbsp; Even as he attempted
+
+to enforce his rule in the always troublesome northern England which had
+
+been Richard III's base of support, Henry VII could rest assured that his
+
+dynasty was becoming secure.&nbsp; But it was only on 28 June 1491, when
+
+another healthy prince was born, this time at Greenwich Palace, that Henry
+
+VII could breathe a sigh of relief.&nbsp; This second son was a necessary
+
+insurance policy for the new Tudor dynasty.&nbsp; Childhood mortality was
+
+high and diseases such as small pox, the sweating sickness, and the plague
+
+were rife throughout England.&nbsp; A king needed as many healthy heirs
+
+as possible, and the birth of a second son was an occasion for celebration.
+
+<br>&nbsp;&nbsp;&nbsp; On 27 February 1490, Prince Arthur was titled prince
+
+of Wales at Westminster Palace in London; this was the real beginning of
+
+a tradition that continues to this day.&nbsp; And in 1494, Arthur's baby
+
+brother was titled duke of York, the traditional title of the king's brother.&nbsp;
+
+At this early age, all we know of Prince Henry was that he was considered
+
+a handsome and precocious toddler, but one would expect such descriptions
+
+of the king's son.&nbsp; He did not share his brother's fair coloring or
+
+slight build.&nbsp; Prince Henry was a sturdy, strawberry-blond boy noted
+
+for his energy and temper.&nbsp; Just a year after his birth, his mother
+
+bore another daughter; this child was called Elizabeth and she died three
+
+years later.&nbsp; It was the first in a series of tragedies for the young
+
+queen.&nbsp; She and Henry VII were considered good and affectionate parents,
+
+but they never lost sight of the political importance of their children.&nbsp;
+
+Together they decided that Prince Henry, like most second sons, was destined
+
+for the church, and his early schooling was planned accordingly.&nbsp;
+
+This strong emphasis upon theology and its esoteric debates remained with
+
+Henry for the rest of his life and made him feel uniquely qualified to
+
+interpret religious law during the 1520s.</p>
+    <p>
+
+<font size=-2><a href="henry8.html#Top">TOP</a></font>
+
+<br>
+
+    </p>
+
+<hr WIDTH="100%">
+
+    <p>
+
+<br><a NAME="Three"></a><b>Heir apparent: 1502-1509</b> </p>
+    <p>&nbsp;&nbsp;&nbsp; Henry's position as the second son lasted only until 2 April
+
+1502, just a few months before his eleventh birthday.&nbsp; It was on that
+
+day that his brother Arthur died at Ludlow Castle, the government seat
+
+of the prince of Wales.&nbsp; The insecurity of the Tudor succession was
+
+suddenly unavoidable.&nbsp; Elizabeth of York, despite repeated pregnancies,
+
+had not borne another healthy son; after Henry's birth, there was just
+
+one more male child - a son called Edmund, born in 1499 and dead just a
+
+year later.&nbsp; The queen did become pregnant shortly after Arthur's
+
+death but this eighth pregnancy proved to be her last.&nbsp; The child,
+
+called Katherine, was born and died on 2 February 1503.&nbsp; Elizabeth
+
+contracted an infection and died a few days later, on 11 February, her
+
+thirty-seventh birthday.&nbsp; So in the short space of a year, Henry lost
+
+both his older brother and mother.&nbsp; But the effects of these losses
+
+was felt even more keenly by Henry VII.&nbsp; His reign had proved to be
+
+neither peaceful or happy.&nbsp; He was beset by worries - constant diplomatic
+
+maneuvering, subjects who mocked him as a cold-hearted, tax-hungry miser,
+
+and now he had lost his son and wife.
+
+<br>&nbsp;&nbsp;&nbsp; Arthur's death was more than a personal tragedy;
+
+it was a political tragedy as well.&nbsp; The young prince had been married
+
+to <a href="aragon.html">Princess
+
+Katharine of Aragon</a> on 14 November 1501 at St.Paul's Cathedral, London.&nbsp;
+
+The daughter of the 'Catholic Kings' of Spain, Ferdinand of Aragon and
+
+Isabella of Castile, Katharine's marriage to the Tudor heir had marked
+
+the high point of Henry VII's foreign diplomacy.&nbsp; His grip on the
+
+English throne had long been considered both illegitimate and untenable
+
+by most European powers, except in cases where it suited their interests
+
+to pretend otherwise.&nbsp; But a bond of marriage between the house of
+
+Tudor and the ruling dynasty of Spain gave Henry's rule a stamp of approval.&nbsp;
+
+He was now allied with one of the most powerful ruling families in Europe.&nbsp;
+
+Prince Henry met his sister-in-law and future wife on this momentous occasion,
+
+heading the procession that led her to the cathedral.&nbsp; Later, he officially
+
+introduced her to the citizens of London.
+
+<br>&nbsp;&nbsp;&nbsp; With Arthur's death, his teenage wife was trapped
+
+in England while Henry VII squabbled with her father over the remaining
+
+payments on her dowry.&nbsp; Henry VII was perhaps even then mulling over
+
+the idea of not letting the all-important Spanish alliance go to waste.&nbsp;
+
+Soon enough he was openly proposing that Katharine marry young Prince Henry,
+
+now the heir apparent and five years her junior.&nbsp; What did young Prince
+
+Henry know of these plans?&nbsp; Probably very little.&nbsp; After Arthur's
+
+death, Henry VII became somewhat paranoid and tried desperately to protect
+
+his only son from any injury or illness.&nbsp; People who wished to visit
+
+the young prince had to receive permission from Henry VII, and this remained
+
+the case well into the boy's adolescence.&nbsp; Such strict rules may have
+
+irked the heir but they did not interfere with his continuing education.&nbsp;
+
+While his older brother was in Wales learning the intricacies of government,
+
+Henry received a primarily classical education, mastering Latin and French
+
+and becoming an excellent and exuberant athlete.&nbsp; Contemporary sources
+
+make it clear that he was a happy child, fond of sports and spectacle,
+
+and equally proud of his intellectual accomplishments.&nbsp; In short,
+
+he possessed all the personality and charm his father noticeably lacked.&nbsp;
+
+Both his physical appearance and character were similar to those of his
+
+Plantagenet grandfather Edward IV.&nbsp; This fact was much remarked upon
+
+by those Englishmen who had lived through the last years of the Wars of
+
+the Roses.
+
+<br>&nbsp;&nbsp;&nbsp; Luckily for Prince Henry, his father spent the last
+
+years of his reign establishing good relationships with other monarchs
+
+and avoiding expensive war; also, his fondness for extorting money from
+
+an unwilling populace never wavered.&nbsp; He left his son a king's greatest
+
+gift - a healthy treasury.&nbsp; Ironically, one of Henry VIII's first
+
+acts as king was to execute his father's most productive, and hence most
+
+notorious, tax collectors.&nbsp; But Henry VII never really decided whether
+
+he wanted to marry Prince Henry to Katharine of Aragon.&nbsp; He kept the
+
+young princess in England for seven years while he toyed with the idea.&nbsp;
+
+Her living conditions steadily deteriorated; she was miserably unhappy,
+
+many of her Spanish attendants were sent home, she lacked money for even
+
+basic necessities.&nbsp; Food and adequate clothing were constant concerns.&nbsp;
+
+She struggled to bear her hardships with the serene and regal dignity that
+
+was ingrained in her character as a princess of Spain, and such calm in
+
+the face of deprivation impressed young Prince Henry.&nbsp; It is certainly
+
+true that even years later, in the midst of an acrimonious separation,
+
+he never lost his respect for Katharine.&nbsp; This respect was always
+
+tinged with a bit of fear.&nbsp; He was keenly aware of her great ancestry
+
+and extensive education, her self-deprecating wit and complete mastery
+
+of all feminine tasks.&nbsp; Even as queen of England, she took particular
+
+pride in sewing and mending Henry's shirts.
+
+<br>&nbsp;&nbsp;&nbsp;
+
+They had little contact during the later years of Henry VII's reign, only
+
+meeting occasionally at formal<img SRC="henry8-cr.jpg" ALT="portrait of Henry VIII, c1509" BORDER=1 height=194 width=125 align=right> events.&nbsp; Henry was formally promised
+
+in marriage to Katharine on 23 June 1503; the treaty stated that he would
+
+marry Katharine on his fifteenth birthday, 28 June 1505, and that her parents
+
+send over 100,000 crowns worth of plate and jewels in addition to the dowry
+
+she had given when married to Prince Arthur.&nbsp; Henry VII was a stickler
+
+on the dowry issue, refusing to allow the marriage to be solemnized, much
+
+less celebrated and consummated, until the money arrived.&nbsp; But the
+
+Spaniards were as loathe to part with money as Henry.&nbsp; So 1505 came
+
+and went with no marriage though Prince Henry referred in letters to Katharine
+
+as his 'most dear and well-beloved consort, the princess my wife'.&nbsp;
+
+But his father was still king, and his father refused to allow the marriage.&nbsp;
+
+To strengthen his bargaining power with the Spaniards, he had Prince Henry
+
+make a formal protest to Richard Fox, the bishop of Winchester, disowning
+
+the marriage contract.&nbsp; Both parties prevaricated - until 1509, when
+
+Henry VII suddenly died at the age of 52, and his headstrong son, chafing
+
+at his father's authority, was free to make his own decisions.&nbsp; To
+
+the surprise of all, including the Spaniards, he promptly announced he
+
+would marry Katharine and crown her queen of England.
+
+<br>&nbsp;&nbsp;&nbsp; After years of being shut away from the world, he
+
+was now king.&nbsp; All of the boundless energy and enthusiasm of his character
+
+was unleashed.&nbsp; Perhaps out of chivalry, or adolescent affection,
+
+or, as he later claimed, out of respect for his father's wishes, he wed
+
+his late brother's wife.&nbsp; In light of future events, it is worth noting
+
+that the dowry had not been the only sticking-point in the marriage plans
+
+- there was the not insignificant fact that Katharine had been married
+
+to Henry's brother, and her marriage to Henry would be regarded as incestuous
+
+and unacceptable to the church.&nbsp; As Henry VIII would later argue,
+
+<i>Leviticus</i>
+
+clearly stated that a man was forbidden to marry his brother's widow.&nbsp;
+
+For her part, Katharine claimed, and her duenna, Dona Elvira, agreed, that
+
+her marriage to Arthur had never been consummated.&nbsp; The young prince
+
+of Wales had been suffering from consumption for months, even before the
+
+wedding, and their wedding night had passed uneventfully.&nbsp; If this
+
+was true, and it seems to have been (until it was in Henry VIII's interests
+
+for it not to be), there was no barrier to her union with Henry.&nbsp;
+
+Both the English and Spanish courts sought the requisite papal dispensation.&nbsp;
+
+It was granted and the path to marriage was clear.</p>
+    <p>
+
+<font size=-2><a href="henry8.html#Top">TOP</a></font>
+
+<br>
+
+    </p>
+
+<hr WIDTH="100%">
+
+  </blockquote>
+  <p><font size=4>His Majesty is the handsomest potentate I ever
+
+set eyes on; above the usual height, with an extremely fine calf to his
+
+leg, his complexion very fair and bright, auburn hair combed straight and
+
+short, in the French fashion, and a round face so very beautiful that it
+
+would become a pretty woman, his throat being rather long and thick....&nbsp;
+
+He will enter his twenty-fifth year the month after next.&nbsp; He speaks
+
+French, English and Latin, and a little Italian, plays well on the lute
+
+and harpsichord, sings from book at sight, draws the bow with greater strength
+
+than any man in England and jousts marvelously....&nbsp; a most accomplished
+
+Prince.</font><i><font size=4>&nbsp;&nbsp; </font><font size=-1>the Venetian diplomat Pasqualigo in a dispatch</font></i><font size=-1>, 1515</font></p>
+  <blockquote>
+    <hr>
+    <p><a NAME="Four"></a><b>1509-1526: Katharine of Aragon, Cardinal Wolsey
+
+and Princess Mary</b> </p>
+
+<p>&nbsp;&nbsp;&nbsp; Henry was crowned king of England at Westminster Abbey on 23 June 1509.&nbsp;
+
+He had married Katharine on 11 June at Grey Friars Church in Greenwich
+
+and she shared his coronation.&nbsp; It was a splendid event and continued
+
+throughout midsummer with much celebration and spectacle.&nbsp; There is
+
+an account of the coronation at the <a href="../primary.html">Primary
+
+Sources</a> section.&nbsp; It was soon clear that the young king, who turned
+
+18 just a few days after his coronation, had little interest in the day-to-day
+
+business of government.&nbsp; While it is true that Henry was a vocal participant
+
+at council meetings, the early years of his reign were devoted more to
+
+enjoyment than the drudgery of administration.&nbsp; He was content to
+
+allow trusted nobles and ecclesiastics to rule in his name - William Warham,
+
+archbishop of Canterbury, Thomas Howard, earl of Surrey and later 2d duke
+
+of Norfolk, Bishop Richard Foxe, and, beginning around 1514, <a href="../citizens/wolsey.html">Thomas
+
+Wolsey</a>.<br>&nbsp;&nbsp;&nbsp; As mentioned earlier, one of the first acts of Henry's
+
+reign was a particularly brutal one, especially designed to benefit his
+
+popularity.&nbsp; He ordered the executions of his father's most productive
+
+and hated tax collectors, Edmund Dudley and Sir Richard Empson.&nbsp; It
+
+was a bloody beginning for his reign and a taste of things to come.&nbsp;
+
+Certainly it pleased the English people for most tax collectors were hated,
+
+and Dudley and Empson had been particularly ruthless.&nbsp; But their efficiency
+
+had the complete support of King Henry VII, whose orders they followed.&nbsp;
+
+A problem had emerged for the new king - how could he execute the tax collectors
+
+when their only crime was to obey their king?&nbsp; He resorted, for the
+
+first but not the last time, to judicial murder, charging the men with
+
+'constructive treason'.&nbsp; It was a wholly fictitious charge which no
+
+one fully understood, even those at the trial.&nbsp; This cold-blooded
+
+act pleased the people and demonstrated Henry's desire for popular approval.&nbsp;
+
+But it also revealed a ruthlessness to his character that grew more pronounced
+
+as the years passed.&nbsp; Many historians argue that Henry grew tyrannical
+
+only after Katharine of Aragon failed to provide an heir but the evidence
+
+proves otherwise.&nbsp; If someone could not be legally executed, the king
+
+simply invented a new charge.&nbsp; For example, in 1513, before leaving
+
+for war in France, he executed Edmund de la Pole, his Plantagenet cousin
+
+held prisoner in the Tower since Henry VII's reign.&nbsp; A benign spirit,
+
+locked away for most of his life, Edmund was no threat to anyone.&nbsp;
+
+But Henry executed him to remind his subjects that, though he would be
+
+in France, any challenge to his authority would be met with grave displeasure.
+
+<br>&nbsp;&nbsp;&nbsp; His marriage to Katharine was very happy, at least
+
+during these early years.&nbsp; She had a more reserved character than
+
+her husband and blushed at his ribald jests, but she entered into the spirit
+
+of frivolity which pervaded their court.&nbsp; There was dancing and music,
+
+for Henry was a splendid dancer and musician; he composed songs and wrote
+
+poetry, most of which has survived and is quite lovely.&nbsp; He also enjoyed
+
+hunting, sometimes tiring ten horses during a single hunt, and jousting;
+
+by all accounts, he was the greatest athlete at the court.&nbsp; And he
+
+was a dedicated and affectionate husband.&nbsp; Everything he built was
+
+decorated with an intertwined H and K, and Katharine's pomegranates were
+
+carved next to Tudor roses.&nbsp; He called himself the 'Knight of the
+
+Loyal Heart' and bowed before his queen after each grueling tournament.&nbsp;
+
+He also involved Katharine in the seemingly endless visits of foreign dignitaries,
+
+inviting the ambassadors to her apartments and openly seeking her advice
+
+and opinion.&nbsp; It was clear that they loved and respected one another,
+
+and those early years made his eventual disinterest all the more painful
+
+for the queen to bear.
+
+<br>&nbsp;&nbsp;&nbsp;
+
+Katharine bore their first child on 31 January 1510, just six months after
+
+their coronation.&nbsp; It was a girl, born too early to survive.&nbsp;
+
+The next birth, on 1 January 1511, was a far happier occasion.&nbsp; It
+
+was a boy, called Henry after his father and titled duke of Cornwall.&nbsp;
+
+The delighted father planned celebrations to rival his<img SRC="aragon-min.jpg" ALT="portrait of Katharine of Aragon, c1525 by Horenbout" height=168 width=166 align=right> coronation.&nbsp;
+
+The boy was apparently healthy yet died about two months later.&nbsp; The
+
+cause was unknown, but it was an age of high infant mortality.&nbsp; The
+
+young parents were devastated.&nbsp; Henry consoled himself by waging war
+
+against France, courtesy of his father-in-law Ferdinand of Aragon, and
+
+Katharine's fierce piety led her to kneel for hours on cold stone floors
+
+in prayer.&nbsp; But Henry's attempts to gain glory on the battlefield
+
+were misplaced.&nbsp; In June 1512, the marquess of Dorset sailed out of
+
+Southampton, bound for Gascony with 12,000 troops.&nbsp; They reached the
+
+port of Fuentarrabia, where they were to join the Spanish and attack Bayonne.&nbsp;
+
+But the Spanish troops never arrived.&nbsp; Ferdinand, without consulting
+
+his son-in-law, attacked and seized Navarre instead and then declared the
+
+'Holy War' over.&nbsp; He had essentially used Henry's troops as bait;
+
+when the French went off to fight the English, Ferdinand seized his chance
+
+and attacked Navarre.&nbsp; To top off his treachery, he also openly criticized
+
+the English soldiers who, without receiving his permission, had sailed
+
+home after waiting four months at Fuentarrabia.&nbsp; Henry was too embarrassed
+
+by his soldiers' mutiny to call his father-in-law's bluff.
+
+<br>&nbsp;&nbsp;&nbsp; Desperate to erase the memory of that military blunder,
+
+he planned a grand campaign for the spring of 1513.&nbsp; His ambassadors
+
+even secured the support of the Holy Roman Emperor Maximilian.&nbsp; He
+
+joined the 'Holy Alliance' of England and Spain to attack France.&nbsp;
+
+But once again Ferdinand's self-interest ruled the day.&nbsp; He went behind
+
+his allies' backs to make a secret truce with Louis XII of France, and
+
+so he kept Navarre peacefully.&nbsp; This happened in March 1513 and suitably
+
+angered Henry.&nbsp; But the English king had learned a lesson from his
+
+previous blunder.&nbsp; His forces were launched from England's only possession
+
+on the continent, Calais in northern France.&nbsp; The Spanish would not
+
+be involved.&nbsp; On 1 August 1513, about a month after he left England,
+
+Henry besieged the town of Therouanne.&nbsp; Two centuries before, Edward
+
+III had seized that city after the great battle of Crecy.&nbsp; With Maximilian
+
+by his side (actually as his subordinate; he allowed Henry command of his
+
+troops in exchange for paying their salaries), Henry won a victory within
+
+a fortnight.&nbsp; The capture of a duke, marquis, and vice-admiral fleeing
+
+the scene helped raise substantial ransoms.&nbsp; He gave the town to Maximilian
+
+as a gift and the emperor ordered it razed to the ground.&nbsp; Their next
+
+battle was one month later at Tournai.&nbsp; It surrendered after eight
+
+days and Henry decided it would become another English stronghold within
+
+France.
+
+<br>&nbsp;&nbsp;&nbsp; He had left Katharine in charge at home, officially
+
+titled Governor of the Realm and Captain-General of the Armed Forces, an
+
+honor never allowed his other wives.&nbsp; She had been resoundingly successful.&nbsp;
+
+France and Scotland had an 'Auld Alliance' against England, and&nbsp; James
+
+IV of Scotland, married to Henry's sister Margaret Tudor, had responded
+
+to English aggression against his ally.&nbsp; He led his armies into northern
+
+England.&nbsp; Thomas Howard, the earl of Surrey, took the few English
+
+troops left in the nation to meet him.&nbsp; The armies clashed at Flodden
+
+Edge, between Berwick and the Cheviots.&nbsp; Three hours of fighting ended
+
+the Scottish threat.&nbsp; The evening of 9 September 1513 saw over 10,000
+
+Scots dead, including most of their aristocracy.&nbsp; James IV himself
+
+was killed.&nbsp; Had Henry's attention been focused on his own country,
+
+he could have seized a golden opportunity - with James dead and the high
+
+nobility of Scotland destroyed, he could have marched into Edinburgh and
+
+seized his sister Margaret and her infant son, now King James V.&nbsp;
+
+But instead he remained enthralled with dreams of European conquest, perhaps
+
+comparing himself to his hero, Henry V.&nbsp; And these dreams were encouraged
+
+by news that the Pope had, in secret, promised to recognize Henry as king
+
+of France if he could physically seize possession of the country.&nbsp;
+
+This generous offer had been inspired by French meddling in papal affairs.
+
+<br>&nbsp;&nbsp;&nbsp; During this triumphant time, Katharine lost another
+
+child.&nbsp; In November 1513, another prince, also called Henry, duke
+
+of Cornwall, was born and soon died.&nbsp; It was the third miscarriage
+
+in as many years.&nbsp; Was Henry worried?&nbsp; He was still young, as
+
+was Katharine, and had been king for just five years.&nbsp; He was naturally
+
+optimistic, though undoubtedly disappointed.&nbsp; Once again, the queen
+
+was on her knees in prayer.&nbsp; Perhaps she felt the losses more keenly.&nbsp;
+
+In letters to her father, she blamed herself.&nbsp; She clearly saw the
+
+dead children as a reproof of some sort, a failure to fulfill the most
+
+basic feminine role.&nbsp; But she was able to send Henry the bloody coat
+
+of the Scottish king; it may have been some consolation.
+
+<br>&nbsp;&nbsp;&nbsp; Still, in 1514, as <a href="../citizens/wolsey.html">Cardinal
+
+Thomas Wolsey</a> extended his control of government, Katharine had reason
+
+to become wary.&nbsp; The golden happiness of the first years with Henry
+
+was wearing thin.&nbsp; Her father had betrayed her husband openly and
+
+scornfully, treating them both as little more than foolish children.&nbsp;
+
+She had been her father's best ambassador, heedlessly pressing his claims
+
+upon Henry, using the natural affection between husband and wife to urge
+
+alliances with Spain.&nbsp; She felt the sting of her father's betrayals.&nbsp;
+
+He had lied to her, misled her, and tricked her into betraying her husband.&nbsp;
+
+It was clear that her primary loyalty must be to Henry and the English
+
+people; she would never trust Ferdinand again.&nbsp; In 1514, the king
+
+returned home and his councilors told him that Henry VII's great treasury
+
+was fast running low.&nbsp; War with France was too costly to continue.&nbsp;
+
+Henry had seized Tournai and made the competent Thomas Wolsey its bishop,
+
+but more extensive campaigning was out of the question.&nbsp; In this,
+
+the king surprisingly agreed.&nbsp; He had won his share of glory - at
+
+least for now - and it would be enough.&nbsp; And Ferdinand's betrayal
+
+had been met with a suitable reply.&nbsp; Henry's younger sister
+
+<a href="../relative/brandon.html">Mary</a>,
+
+the most beautiful of the Tudor children, had been betrothed to Ferdinand's
+
+nephew, the duke of Burgundy, but now Henry made peace with France and
+
+promised Mary to Louis XII, three times her age and suffering from gout.
+
+<br>&nbsp;&nbsp;&nbsp; Henry's
+
+new desire for peace with France, England's traditional enemy, was encouraged
+
+by Spanish duplicity.&nbsp; But it<img SRC="wolsey-cr.jpg" ALT="portrait of Cardinal Thomas Wolsey" height=234 width=150 align=right> was also due to the growing influence
+
+of Wolsey.&nbsp; Derisively called 'Master Almoner' by those jealous of
+
+his influence, Wolsey came from a humble background and, like most talented
+
+and ambitious men from poor families, he used the church to advance in
+
+society.&nbsp; He attended Oxford and showed such promise that he was made
+
+bursar of Magdalen College and then chaplain to Archbishop Deane.&nbsp;
+
+In 1507, in his thirties and now well-connected, he became chaplain to
+
+Henry VII.&nbsp; Upon Henry VIII's accession, Wolsey received a seat on
+
+the council and was made king's almoner.&nbsp; This position allowed him
+
+personal contact with the young, impressionable monarch.&nbsp; He accompanied
+
+Henry to France during the successful campaigns of 1513, where he was made
+
+bishop of Tournai, and their close relationship grew stronger.&nbsp; Henry
+
+appreciated Wolsey's dedication to administrative detail and hard work.&nbsp;
+
+And both Warham and Fox, the two senior councilors Henry inherited from
+
+his father, regarded Wolsey as their prot&eacute;g&eacute;.&nbsp; They
+
+were quite happy to retire to their dioceses, leaving the younger man to
+
+deal with the headstrong and rash young king.&nbsp; One can easily sympathize
+
+with Warham and Fox since Henry VIII's personality was quite different
+
+from his father's.&nbsp; The most obvious difference was that he spent
+
+money with the same passion his father had collected it.
+
+<br>&nbsp;&nbsp;&nbsp; But it is important to remember that Henry VIII
+
+never completely abandoned his power to Wolsey, though court gossip believed
+
+otherwise.&nbsp; He carefully read the Cardinal's dispatches and proved
+
+himself well-informed about domestic and foreign affairs when dealing with
+
+ambassadors.&nbsp; Also, Henry possessed a lifelong love of keeping his
+
+subjects, noble or common, on their toes; he enjoyed indulging his taste
+
+for surprises.&nbsp; In banquets, this showed itself in his passion for
+
+elaborate costumes in which his identity was hidden.&nbsp; His subjects
+
+would guess which costume hid their king, to the delight of all.&nbsp;
+
+Once, he and several courtiers dressed as Robin Hood and his band of outlaws
+
+and then broke into Katharine of Aragon's apartments.&nbsp; The queen,
+
+used to such antics, wisely played along but several of her ladies were
+
+terrified.&nbsp; At the
+
+<a href="../primary.html">Primary
+
+Sources</a> section, you can read about Henry's first meeting with his
+
+fourth wife, Anne of Cleves; he disguised himself at their first meeting,
+
+to the amusement of his nobles and the confusion of the lady.&nbsp; At
+
+times, this love of surprise - of keeping those close to him on an uneven
+
+keel - was downright cruel.&nbsp; He would later allow his councilors to
+
+plan Thomas Cranmer's arrest, only to tell the archbishop their plan in
+
+secret.&nbsp; When the soldiers arrived, they were openly embarrassed and
+
+thwarted when Cranmer revealed his knowledge of the plan and the king's
+
+pardon.&nbsp; And his sixth and final wife, Katharine Parr, was likewise
+
+surprised.&nbsp; Walking in her garden with Henry, she was accosted by
+
+soldiers intending to arrest her.&nbsp; Their warrant had been signed by
+
+Henry himself.&nbsp; But when they attempted to seize the queen, Henry
+
+cursed them, beat several of them about the head and shoulders, and demanded
+
+they beg Katharine's forgiveness.&nbsp; One can imagine the guards' confusion.
+
+<br>&nbsp;&nbsp;&nbsp; All of these instances serve to illustrate Henry's
+
+desire to remain in control, to hold absolute power in his hands always.&nbsp;
+
+As king, he could give orders but it was also his privilege to immediately
+
+change his mind without bothering to consult anyone.&nbsp; His will was
+
+law.&nbsp; And so he demonstrated his power by doing exactly as he liked,
+
+oftimes choosing the perfect moment to throw everyone off guard and demonstrate
+
+his complete authority.&nbsp; It may have seemed irrational to his contemporaries,
+
+and also to us, but it was quite an effective policy.&nbsp; It meant that
+
+no one ever really knew where they stood with the king.&nbsp; And so, not
+
+knowing his true feelings, they were all the more eager to sycophantically
+
+fawn over him and seek his approval.
+
+<br>&nbsp;&nbsp;&nbsp; This strain of the king's character was perhaps
+
+a bit more light-hearted in the early years of his reign but, like most
+
+of Henry's good qualities, it soon developed an ugly cast.&nbsp; His mutability
+
+was certainly recognized by Wolsey, and famously by Sir Thomas More, and
+
+later led to the Cardinal's downfall.&nbsp; But in the early years of their
+
+relationship, as Wolsey's genius for administration and diplomacy led him
+
+to amass great titles and wealth, the men got along amazingly well.&nbsp;
+
+This continued for over a dozen years.&nbsp; In 1514, Wolsey was titled
+
+archbishop of York, and in 1515 he became a cardinal and lord chancellor,
+
+and in 1518 he was made papal legate.&nbsp; As archbishop of York, he lived
+
+at York Palace and to most outside observers this was the real seat of
+
+government power.&nbsp; Messengers rode constantly between York and Henry's
+
+palaces.
+
+<br>&nbsp;&nbsp;&nbsp; For a long while, both Wolsey and Henry were focused
+
+on foreign affairs.&nbsp; Wolsey was a Francophile and desired peace between
+
+the traditional enemies.&nbsp; He used Ferdinand's treacherous behavior
+
+to encourage a marriage between Henry's sister and Louis XII.&nbsp; This
+
+pro-France policy naturally placed him at odds with Katharine of Aragon.&nbsp;
+
+Though she recognized her father's treachery and protected her marriage
+
+by no longer pressing Spanish claims, she was still the daughter of the
+
+Spanish king.&nbsp; Wolsey didn't trust her, which certainly wasn't surprising.&nbsp;
+
+Katharine developed a natural antipathy to the Cardinal as well.&nbsp;
+
+She was a deeply pious woman, growing more so as she aged.&nbsp; She thought
+
+Wolsey far too worldly to be a man of the church.&nbsp; She favored councilors
+
+like <a href="../citizens/more.html">Thomas
+
+More</a> and <a href="http://englishhistory.net/tudor/citizens/fisher.html">John
+
+Fisher</a>, bishop of Rochester, men whose dedication to the church was
+
+as passionate as her own.&nbsp; She was also peeved that her role as Henry's
+
+confidante and advisor was slowly stolen away by Wolsey.&nbsp; Katharine
+
+was jealous of the Cardinal's influence with her husband, particularly
+
+since it meant a subsequent decline in her own influence.&nbsp; The king
+
+no longer brought foreign ambassadors to her rooms and he no longer sought
+
+her opinions.&nbsp; It was as if her father's betrayals implicated her.&nbsp;
+
+Wolsey was the consummate diplomat, skilled at flattering the queen when
+
+they met, but their mutual dislike was open knowledge at court.
+
+<br>&nbsp;&nbsp;&nbsp; In December 1514, Katharine suffered another miscarriage;
+
+it was her fourth, and the third son.&nbsp; It was particularly galling
+
+for her since earlier that year Henry had taken his first public mistress.&nbsp;
+
+He was not a lecher, and certainly less victimized by lust than his fellow
+
+monarchs, particularly Francis I of France.&nbsp; But kings take mistresses
+
+and around New Years' 1514, Henry's eye was caught by <a href="http://englishhistory.net/tudor/relative/fitzroy.html">Elizabeth
+
+Blount</a>.&nbsp; She was the cousin of Lord Mountjoy and one of Katharine's
+
+ladies-in-waiting.&nbsp; Bessie was pretty and vivacious, and quite happy
+
+to bask in the king's attention.&nbsp; And she had his attention for several
+
+years, which once more proves Henry's monogamous streak.&nbsp; And he did
+
+not neglect his wife.&nbsp; On 18 February 1516, Katharine and Henry's
+
+luck changed.&nbsp; Their only surviving child, a princess called Mary,
+
+was born.&nbsp; She was healthy and survived the difficult early months
+
+of infancy.&nbsp; Henry was proud, if disappointed, and told an ambassador:
+
+'We are both young.&nbsp; If it was a daughter this time, by the grace
+
+of God the sons will follow.'
+
+<br>&nbsp;&nbsp;&nbsp; One can easily understand Henry's disappointment.&nbsp;
+
+He was a good father to Mary in those early years, proudly carrying her
+
+about and showing her off to visitors.&nbsp; But he was perhaps aware that
+
+time was running out for a male heir to be born.&nbsp; There are indications
+
+that he explored the idea of divorcing Katharine as early as 1518.&nbsp;
+
+An English courtier had supposedly visited the Vatican on an exploratory
+
+mission earlier that year.&nbsp; And gossip about Katharine's miscarriages
+
+had spread through the English court as early as 1514.
+
+<br>&nbsp;&nbsp;&nbsp; Henry was still affectionate towards Katharine,
+
+and they remained intimate for several years after Mary's birth, as evidenced
+
+by other pregnancies.&nbsp; But perhaps the bloom of the relationship had
+
+gone.&nbsp; His wife looked older than her years, her body worn out by
+
+ceaseless pregnancies and births.&nbsp; She was by nature a reserved and
+
+serious person; her mind dwelt constantly upon the failure of her most
+
+important duty as queen.&nbsp; On 10 November 1518, her last child - another
+
+daughter - was born, and died.&nbsp; Special doctors summoned from Spain
+
+arrived to help the queen conceive again.&nbsp; They were unsuccessful.&nbsp;
+
+Henry publicly vowed to lead a crusade against the&nbsp;<img SRC="fitzroy.jpg" ALT="miniature portrait of Henry Fitzroy, Henry VIII's illegitimate son" height=203 width=208 align=LEFT>Turks
+
+if God granted him a son.
+
+<br>&nbsp;&nbsp;&nbsp; But it was not to be, at least not with Katharine
+
+of Aragon.&nbsp; In 1519, Elizabeth Blount, his young mistress, bore him
+
+a healthy son.&nbsp; Henry was ecstatic.&nbsp; Here at last was proof that
+
+the king could father sons.&nbsp; Henry named the boy after himself, giving
+
+him the last name 'Fitzroy', the traditional surname of royal bastards.&nbsp;
+
+He would soon lavish so many titles upon the boy that Katharine felt it
+
+necessary to remind him that Princess Mary was his heir.&nbsp; Henry publicly
+
+chastised her and, in a fit of spite, sent several of her favorite attendants
+
+back to Spain.
+
+<br>&nbsp;&nbsp;&nbsp; Now we come to an important moment in what came
+
+to be called 'the king's great matter' (Henry's attempt to annul his marriage
+
+to Katharine.)&nbsp; Fitzroy's birth proved Henry could have a son, and
+
+no one could deny Katharine's fertility.&nbsp; It is doubtful Henry ever
+
+blamed her for the failure to produce a male heir after witnessing the
+
+endless cycle of pregnancies and prayer.&nbsp; Yet why had he and Katharine
+
+been unable to produce a living son between them?&nbsp; Naturally enough,
+
+the king's mind turned to God.&nbsp; It must be God's will that they had
+
+no male heir.&nbsp; But what had he done to offend God?&nbsp; Henry searched
+
+for an answer and soon found it quite easily.&nbsp; In the Bible, <i>Leviticus
+
+</i>XVIII,
+
+16 clearly stated 'Thou shalt not uncover the nakedness of thy brother's wife: 
+it is thy brother's nakedness'.&nbsp; And, later, in chapter XX, 'If a man shall 
+take his brother's wife, it is an unclean thing: he hath uncovered his brother's 
+nakedness; they shall be childless'.&nbsp; What could be more clear?&nbsp; The 
+Bible itself condemned his marriage to Katharine.&nbsp; The pope's dispensation 
+was meaningless.<br>&nbsp;&nbsp;&nbsp; And so began one of the most fascinating decades in English 
+history.<p>
+
+<font size=-2><a href="henry8.html#Top">TOP</a></font>
+
+<br>
+
+    </p>
+
+<hr WIDTH="100%">
+
+    <p>
+
+<br><a NAME="Five"></a><b>1526-1536: Anne Boleyn and the Henrician Reformation</b>
+    </p>
+    <p align="center">This section, along with the remainder of the biography, is
+
+    not available as of March 2004.
+
+<br>I will post its completion soon.</p>
+    <p>
+
+<font size=-2><a href="henry8.html#Top">TOP</a></font>
+
+<br>
+
+    </p>
+
+<hr WIDTH="100%">
+
+<center>
+
+      <p> <a href="http://www.marileecody.com/images.html">Portraits
+
+of Henry VIII</a><br> <a href="../primary.html">Primary
+
+Sources</a></p>
+
+<p> <b>Henry's wives:</b>&nbsp;
+      <a href="wives.html">The Six Wives of Henry VIII</a><br>
+<br>      <b>Henry's children:<br></b><a href="edward6.html">
+      King Edward VI</a><br>
+      <a href="mary1.html">Queen Mary I</a><a href="eliz1.html"><br>
+      Queen Elizabeth I</a><p><a href="../tudor1.html">Test your knowledge
+
+of Henry VIII's life at Tudor Quizzes</a>.<p><font size=-1><a href="../monarchs.html">to
+
+Tudor Monarchs</a></font><br><font size=-1><a href="http://englishhistory.net/tudor.html">to Tudor
+
+England</a></font></center>
+
+
+
+  </blockquote>
+</blockquote>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082557" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/howard.html
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="content"
+ content="Catherine Howard, fifth queen of Henry VIII">
+  <meta name="page_topic"
+ content="Catherine Howard, fifth queen of Henry VIII">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+  <meta name="ProgId" content="FrontPage.Editor.Document">
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=windows-1252">
+  <meta http-equiv="Content-Language" content="en-us">
+  <title>Catherine Howard: Biography, Portraits, Primary Sources</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-weight: bold}
+  </style>
+</head>
+<body link="#0000ff" vlink="#0000ff" alink="#0000ff">
+<table border="0" cellpadding="3" width="100%" height="631">
+  <tbody>
+    <tr>
+      <td width="25%" height="1"><br>
+      </td>
+      <td valign="top" width="50%" height="1"><p></td>
+      <td width="25%" height="1"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="3"><br>
+      </td>
+      <td width="50%" height="3">
+      <p align="center"><font size="4">'The King's affection was so
+marvelously set upon that gentlewoman [Catherine], as it was never
+known that he had the like to any woman.'</font><br>
+      <i><font size="-1">Thomas Cranmer's secretary, Ralph Morice, in a
+letter to his master, 1540</font></i></p>
+      </td>
+      <td width="25%" height="3"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="610"><br>
+      </td>
+      <td valign="top" width="50%" height="610">
+      <p align="center">&nbsp;</p>
+      <p align="center"><img height="95" alt="Catherine Howard"
+ src="howardcardinal.gif" width="389"></p>
+      <p align="center"> 
+      <img height="252"
+ alt="portrait of Catherine Howard by Holbein, on the back of a playing-card"
+ src="howard-crop.jpg"
+ width="250"></p>
+      <p align="center"> <i><font size="2">miniature portrait of Catherine 
+      Howard by Hans Holbein the Younger</font></i></p>
+      <p align="left"> <b><br>Catherine Howard was a cousin of Henry
+VIII's ill-fated second queen, Anne Boleyn; and like Anne, Catherine
+would die on the scaffold at Tower Green.&nbsp; Her birthdate is
+unknown, but her father was the younger brother of the duke of
+Norfolk.&nbsp; Though personally impoverished, Catherine had a powerful
+family name and thus secured an appointment as lady-in-waiting to
+Henry's fourth queen, Anne of Cleves.&nbsp; While at court, she caught
+the eye of the middle-aged king and became a political pawn of her
+family and its Catholic allies.&nbsp; Catherine's greatest crime was
+her silliness.&nbsp; Raised in the far too permissive household of her
+grandmother, she was a flirtatious and emotional girl who rarely
+understood the consequences of her actions.&nbsp; She made the mistake
+of continuing her girlish indiscretions as queen.&nbsp; Henry was
+besotted with her, calling her his 'Rose without a Thorn' and showering
+her with gifts and public affection.&nbsp; Catherine was understandably
+more attracted to men her own age and, after just seventeen months of
+marriage to the king, she was arrested for adultery.&nbsp; The
+distraught king at first refused to believe the evidence but it was
+persuasive.&nbsp; Unlike Anne Boleyn, Catherine had betrayed the
+king.&nbsp; She was beheaded on 13 February 1542, only nineteen or
+twenty years old.&nbsp; <font face="Times New Roman,Times"
+ color="#000000">The drama of her execution lends gravity to a brief
+life which would otherwise pass unnoticed.</font></b></p>
+      <blockquote>
+        <p>&nbsp;</p>
+        <p><a
+ href="howard.html#Biography">
+        <font size="4"><br>
+Read the biography of Catherine Howard.</font></a></p>
+        <p><br>
+        <b>Primary Sources</b> <br>
+Read <a href="../letter13.html">Catherine's
+letter to Thomas Culpeper</a>. <br>
+        <a href="../pricath.html">The fall
+of Catherine Howard</a>, 1540</p>
+        <p>Visit <a href="http://www.marileecody.com/images.html">Tudor
+England: Images</a> to view the only known portrait of Catherine. </p>
+        <p>Test your knowledge of Catherine's life at <a
+ href="../tudor1.html">Tudor Quizzes</a>.</p>
+        <p><font size="2"><b><br>
+        Interact<br>
+        </b> Meet other Six Wives enthusiasts at <a
+ href="http://ladiesallfanlist.cjb.net/">Ladies All: A Fanlisting for
+the Six Wives of Henry VIII</a>.<br>
+        <a href="http://tudorhistory.org/lists/list.html"> Tudor Talk </a>&nbsp;This
+email discussion list is sponsored by Tudorhistory.org.<br>
+        <a href="http://groups.yahoo.com/group/Reign_of_the_Tudors_rpg/">Reign
+of the Tudors</a>&nbsp; This is a role-playing game set in 16th century
+England.&nbsp; If you would like to 'play' Jane Grey or Anne Boleyn or
+other Tudors, click the link to join.</font></p>
+        <p align="left">&nbsp;</p>
+      </blockquote>
+      </td>
+      <td width="25%" height="610"><br>
+      </td>
+    </tr>
+  </tbody>
+</table>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <p><b><a name="Biography"></a></b><font size="4">'I found her in
+such lamentation and heaviness, as I never saw no creature, so that it
+would have pitied any man's heart in the world, to have looked upon
+her.'</font>&nbsp;&nbsp; <i><font size="-1">Thomas Cranmer describes
+visiting Catherine after her arrest, 1542</font></i> </p>
+    </blockquote>
+  </blockquote>
+  <p>&nbsp;</p>
+  <p><b>Biography</b> <br>
+Catherine Howard's short life is one of the great cautionary tales of
+Henry VIII's reign; there is about it something strangely pathetic and
+small, but also powerful and moving.&nbsp; Catherine was neither
+particularly beautiful or intelligent, but she was a charming,
+flirtatious girl who rose, virtually overnight, from obscurity to
+become queen of England. </p>
+  <p>She was the daughter of the 2d duke of Norfolk's youngest son,
+Edmund, and his wife, Jocasta (Joyce) Culpeper.&nbsp; She was one of
+too many children for her impoverished parents and the date of her
+birth was not recorded; most historians believe it was 1521.&nbsp;
+Edmund was not an auspicious individual and, like most younger sons,
+spent most of his life in constant need of money.&nbsp; He complained
+to the king's chief minister <a
+ href="../citizens/cromwell.html">Thomas
+Cromwell</a> that he wished to be a poor man's son for at least then he
+could work without shame.&nbsp; But he was an aristocrat, a member of
+one of the greatest noble families of England, and he could do little
+but beg for help from one relation to another.&nbsp; He sent his
+daughter to live with her grandmother, the dowager duchess of Norfolk,
+and thus avoided responsibility for Catherine's upbringing.&nbsp; This
+should not reflect badly upon him since it was typical of the times;
+and though Catherine's grandmother complained ceaselessly about the
+expense of supporting numerous grandchildren, she did provide a
+comfortable home.&nbsp; She did not, however, provide strict
+supervision - a fact which would have dire consequences for the entire
+Norfolk family after Catherine became queen. </p>
+  <p>Catherine was raised in a type of dormitory at Lambeth Palace,
+crowded in with other young girls (some were servants to her
+grandmother) and her education was not intellectual.&nbsp; Rather, her
+days were spent passing the time in the most pleasant manner
+possible.&nbsp; The duchess's household was not wealthy and Catherine
+understandably chafed at her constricted lifestyle.&nbsp; There was
+within her a strong love of luxury and inability to control her
+desires; this was a lack of self-control, a realization that certain
+things should not be done, must not be risked, no matter how much she
+wanted something.&nbsp; While she was simply one of many daughters of
+an impoverished lord, this immaturity did not matter.&nbsp; But when
+she became queen, it remained and past indiscretions also returned to
+haunt her.&nbsp; </p>
+  <p>Catherine grew into a merry and vivacious girl, not conventionally
+beautiful but graceful and charming.&nbsp; She possessed all the
+vitality of youth, something which proved irresistible to her aged
+king.&nbsp; The only part of her sporadic education which she seemed to
+enjoy were her music lessons; in particular, she enjoyed the attentions
+of her music teacher, a man named Henry Mannox.&nbsp; They first met in
+1536, when Catherine was just fifteen years old.&nbsp; Hired to teach
+her the virginal and lute, Mannox soon began a practiced seduction of
+his young pupil.&nbsp; </p>
+  <p>Catherine later swore the relationship was not consummated.&nbsp;
+'At the flattering and fair persuasions of Mannox being but a young
+girl I suffered him at sundry times to handle and touch the secret
+parts of my body which neither became me with honesty to permit nor him
+to require,' she later told interrogators.&nbsp; Mannox admitted the
+same.&nbsp; Since Catherine later confessed to more serious
+transgressions, there was no reason for her to lie in this
+instance.&nbsp; And one can certainly condemn Mannox for taking
+advantage of his young student. </p>
+  <p>As a mere music teacher, Mannox was too far below her in social
+status for a serious relationship to develop.&nbsp; Though he followed
+the duchess's household to London in 1538, Catherine's attentions soon
+turned elsewhere.&nbsp; She fell in love with a gentleman-pensioner in
+her grandmother's household named Francis Dereham.&nbsp; This
+relationship was far more serious and undoubtedly consummated.&nbsp;
+There is much evidence on this point, including Catherine's own
+confession: 'Francis Dereham by many persuasions procured me to his
+vicious purpose and obtained first to lie upon my bed with his doublet
+and hose and after within the bed and finally he lay with me naked and
+used me in such sort as a man doth his wife many and sundry times but
+how often I know not.' </p>
+  <p>Their affair continued throughout 1538.&nbsp; They addressed one
+another as 'husband' and 'wife' and when Dereham was sent to Ireland on
+business, he left 100 pds in Catherine's keeping.&nbsp; </p>
+  <p>But Mannox, still with the household, was infuriated; his
+attraction to Catherine continued while she spurned his company for
+Dereham's.&nbsp; In revenge, he sent an anonymous note to the dowager
+duchess.&nbsp; She then discovered Catherine and Dereham together and
+there was a frightful scene.&nbsp; But a physical relationship between
+a betrothed couple was not uncommon by sixteenth-century standards and
+Catherine and Dereham parted with some understanding of marriage when
+he returned from Ireland. </p>
+  <p>But, unluckily for Dereham, Catherine's heart cooled towards him
+while he was away.&nbsp; And in 1539, having moved closer to court and
+staying at her uncle's house, she met Thomas Culpeper.&nbsp; A
+gentleman of the king's Privy Chamber and cousin of Catherine's mother
+Joyce Culpeper, he was a handsome and charming young man; his position
+in court was considered important since it allowed personal access to
+the king.&nbsp; Catherine fell in love with him, though Culpeper's own
+feelings are not known.&nbsp; Catherine's family was powerful and she
+was an attractive girl.&nbsp; It is likely that he was at least
+interested in her, if not immediately infatuated.&nbsp; </p>
+  <p>But then the great event occurred which was to change Catherine's
+life forever.&nbsp; She arrived at court in late 1539 or early 1540 as
+a lady-in-waiting to <a
+ href="cleves.html">Anne of
+Cleves</a> and Henry VIII fell in love with her. </p>
+  <p>It is clear from Catherine's life before meeting the king that she
+was a flirtatious and emotional girl.&nbsp; It is also clear that she
+possessed the charm and sexual allure to attract men.&nbsp; These were
+to be her greatest strengths and weaknesses, for while they attracted
+the king, they also led her into increasingly reckless behavior.&nbsp;
+If she had married Dereham or Culpeper, or any other social-climber,
+she would have remained a gossip and flirt, perhaps she would have
+succumbed to adultery.&nbsp; But behavior that could be tolerated in a
+poor niece of a duke was treason in a queen of England. </p>
+  <p>Catherine's family was torn between elation and trepidation with
+regard to Henry's infatuation.&nbsp; T<font face="Times New Roman,Times"
+ color="#000000">he Norfolk name was one of the oldest in
+England.&nbsp; They had supported Richard III against the first Tudor
+king, Henry VII, but managed to win favor with their military prowess
+and servile devotion to the new dynasty.&nbsp; But Henry VIII never
+fully trusted Thomas Howard, the 3d duke of Norfolk, though he wed two
+of Norfolk's nieces.&nbsp; Their grand name, then, was both blessing
+and curse.&nbsp; As an old family in a court of upstarts and fond of
+feudal prerogative, Catherine's relatives had made wary friends and
+bitter enemies at court.&nbsp; And the divisive reign of Anne Boleyn,
+herself no friend of her Norfolk relations (the duke presided over her
+trial), had taught them all to tread carefully about the king.&nbsp;
+And Catherine's personality worried them.&nbsp; Could she sustain the
+king's attraction?&nbsp; And, if so, could she become a mature and
+successful queen?</font> </p>
+  <p><font face="Times New Roman,Times" color="#000000">It is important
+to remember that Henry's previous English queens, <a
+ href="boleyn.html">Anne Boleyn</a>
+and <a href="seymour.html">Jane
+Seymour</a>, had spent years in royal service before marrying their
+king.&nbsp; They were veterans of the English court and knew the
+intricacies and dangers of their position.&nbsp; Catherine was a mere
+child by contrast, barely literate, and born in a later
+generation.&nbsp; But for the conservative faction at Henry's court,
+those dedicated to the restoration of the Catholic faith as practiced
+before the Reformation, she was their last, best hope.&nbsp; Unlike
+Anne Boleyn, Catherine's personal and political success was not tied to
+the Protestant faith.&nbsp; She had been raised Catholic by her Norfolk
+grandmother and, despite her personal lapses, she represented the
+conservative faith to others.</font> </p>
+  <p><font face="Times New Roman,Times" color="#000000">Catherine's
+relatives questioned her maturity, but they were not willing to risk
+the king's wrath by pointing it out.&nbsp; Henry VIII was mercurial and
+dangerous, and his latest marriage was a bitter disappointment.&nbsp;
+Woe to the courtier who spoke ill of his latest attraction!&nbsp; It
+was left to the Norfolk clan to coach Catherine as best they could and
+hope their triumph would last.&nbsp;</font> </p>
+  <p><font face="Times New Roman,Times" color="#000000">The king soon
+publicly favored young Mistress Howard.&nbsp; On 24 April she was given
+lands seized from a felon; a few weeks later, she received an expensive
+gift of quilted sarcanet.&nbsp; It is possible their relationship was
+consummated around this time for there was a sudden urgency to annul
+the ill-fated marriage to Anne of Cleves.&nbsp; The king's advisors
+soon found a valid impediment to the fourth marriage and, on 13 July
+1540, it was officially ended by Parliament.&nbsp; Meanwhile, the
+French ambassador reported rumors that Catherine was pregnant.&nbsp;
+The king had one son and heir but the vagaries of life in the 16th
+century made another heir necessary.&nbsp; Henry had just turned
+forty-nine years old and half his subjects were eighteen or
+younger.&nbsp; The security of his realm was his greatest concern and
+it could only be guaranteed by legitimate heirs; as a second son
+himself, he knew the life of young <a
+ href="edward6.html">Prince
+Edward</a> was a slender thread upon which to balance a dynasty.</font>
+  </p>
+  <p><font face="Times New Roman,Times" color="#000000">Henry married
+Catherine on 28 July 1540 at Oatlands Palace in Surrey.&nbsp; The
+ceremony was a success, albeit lacking in the usual pomp and display of
+royal unions.&nbsp; Catherine was never crowned queen of England.&nbsp;
+Henry VIII simply couldn't afford the ceremony; perhaps, too, he wished
+to wait until the marriage proved successful in the most important way
+and Catherine bore him a son.&nbsp; The king consulted his council on
+creating a new succession should the blessed event occur, pushing his
+daughters Mary and Elizabeth even further from the throne.</font> </p>
+  <p><font face="Times New Roman,Times" color="#000000">The next year
+was an Indian summer in the king's life.&nbsp; Catherine chose as her
+motto 'Non autre volonte que la sienne' ('No other wish but his' or 'No
+other will than his') and did her best to amuse and distract him.&nbsp;
+The waste of lives and exorbitant money fighting France had depressed
+the English treasury and the king's spirits.&nbsp; And the Reformation
+had cost him the love of the common people.&nbsp; Henry also
+increasingly suffered from the ailments which would kill him a few
+years later.&nbsp; He had severe headaches and pains throughout his
+body; he found it difficult to sleep and was often impotent.&nbsp;</font>
+  </p>
+  <p><font face="Times New Roman,Times" color="#000000">English
+politics had become another headache for the king.&nbsp; His great
+advisor and friend, Thomas Cromwell, had championed the Protestant
+cause and the union with Anne of Cleves.&nbsp; The king's
+disappointment - and the endless conniving of Cromwell's enemies - led
+to his arrest and execution on the very day Henry and Catherine
+married.&nbsp; Within a few months, the king openly lamented the loss
+of his 'most faithful servant'.&nbsp;</font> </p>
+  <p><font face="Times New Roman,Times" color="#000000">Chief among
+Cromwell's enemies were Catherine's uncle Norfolk and his close friend,
+Stephen Gardiner, bishop of Winchester.&nbsp; Norfolk had always chafed
+at the power Henry granted the 'commoner' Cromwell; Gardiner was a
+Catholic who despised Cromwell's legislative destruction of the papacy
+in England.&nbsp; They used Catherine and the king's own impatience and
+cupidity to destroy Cromwell.&nbsp; But it was only a brief triumph.</font>
+  </p>
+  <p><font face="Times New Roman,Times" color="#000000">Catherine was
+not pregnant in the summer of 1540, nor did she become so.&nbsp; But
+the king was so physically affectionate with her in public that none
+doubted the happy event would occur.&nbsp; Still, warning signs about
+this hasty marriage had already begun.&nbsp; Catherine's relationship
+with Dereham had never been kept secret, though Henry was perhaps
+unaware of it.&nbsp; His courtiers gossiped and wondered.&nbsp; Joan
+Bulmer, a young woman who had lived with Catherine at Lambeth,
+requested that Catherine bring her to court to share in her 'great
+destiny'; it was a subtle blackmail.&nbsp; In August 1541, Dereham was
+made her secretary, perhaps as a bribe to keep quiet about their former
+relationship.&nbsp; So even as she collected rich gifts of gowns,
+jewels, fur cloaks, and golden clocks, Catherine knew her indecorous
+past lurked in the background.&nbsp; Was she worried?&nbsp; As her
+later behavior showed, she was not.&nbsp;</font> </p>
+  <p>She was not merely collecting personal finery, but also lands and
+manors that had once belonged to Jane Seymour and even Thomas
+Cromwell.&nbsp; And she began to explore the traditional role of the
+queen as patroness.&nbsp; She also took great care to ensure her aged
+husband's happiness.&nbsp; Many biographers have speculated on
+Catherine's true feelings for Henry VIII.&nbsp; She probably did not
+love him in the most romantic sense of the word, but she did love him
+for the affection and generosity he showed her.&nbsp; And she also
+approached him with something of an awed reverence, for he was the king
+and thus a quasi-mystical figure, all-knowing and all-powerful.&nbsp; </p>
+  <p>But he was not immune to illness and in the spring of 1541, the
+king fell low with a serious fever and Catherine was sent away for her
+own safety.&nbsp; It was around this time that she began her affair
+with Culpeper, the handsome young man who had caught her fancy two
+years before; as evidence, we need only <a
+ href="../letter13.html">read her only
+surviving letter</a>, written to Culpeper in April 1541.&nbsp; When the
+king recovered, he took Catherine on a royal progress through the north
+of England and again the French ambassador reported rumors of her
+pregnancy.&nbsp; It was even suggested that, should the condition be
+confirmed, Catherine would be crowned at York Minster.&nbsp; These
+rumors prove that Henry still made love to his wife on a somewhat
+regular basis.&nbsp; And for her part, Catherine was confident she
+could 'meddle with a man' without pregnancy, which made her
+relationship with Culpeper safe.&nbsp; He and Dereham both traveled in
+the progress as members of the royal household.&nbsp; </p>
+  <p>In Catherine's rather simple view of marriage, as long as she and
+the king were happy, nothing else mattered.&nbsp; And since the king
+would be happy as long as he was ignorant, all would be well. </p>
+  <p>And the king was ignorant for a surprisingly long time.&nbsp; For
+his part, Culpeper was using Catherine's infatuation to further his own
+ambitions.&nbsp; He was not a particularly 'gentlemanly'
+gentleman.&nbsp; In fact, he had brutally raped a park-keeper's wife,
+ordering three of his servants to hold her down during the attack; he
+also murdered a villager who tried to save her.&nbsp; He had been
+pardoned by the king, but it is one of the few facts we know about
+Culpeper and not a pleasant one.&nbsp; His ambitions regarding
+Catherine undoubtedly stemmed from Henry VIII's ill health.&nbsp; If
+the king died, then the queen dowager would maintain some influence and
+power at court.&nbsp; Before that inevitable day, she could give him as
+many expensive gifts as he desired.&nbsp; </p>
+  <p>Did Catherine love Culpeper?&nbsp; She undoubtedly did, at least
+as much as her immature view of love allowed.&nbsp; He was handsome,
+very charming, if only in a superficial manner, and he complemented and
+cajoled her.&nbsp; She became increasingly open in her affection,
+enough to worry Culpeper himself.&nbsp; As a gentleman of the privy
+chamber, he knew the king's moods better than anyone and had no desire
+to risk much for Catherine.&nbsp; </p>
+  <p>But there were others at court who knew of the relationship, and
+they would not keep quiet.&nbsp; When the northern progress finally
+ended on 1 November, and the royal couple settled at Hampton Court
+Palace, Catherine's past and present indiscretions caught up with
+her.&nbsp; She had been safe enough during the northern progress, for a
+traveling court was not nearly as gossip-ridden as a settled one; there
+were, after all, far more practical matters to attend to as the king
+moved from city to city.&nbsp; But once they were home, other matters
+could take precedence - matters like the queen's infidelity. </p>
+  <p>Catherine's fall from grace was so rapid that foreign ambassadors
+were at a loss to explain it.&nbsp; The man behind it was John
+Lascelles, the brother of Mary Hall, herself a chambermaid to the
+dowager duchess of Norfolk and thus privy to Catherine's past.&nbsp;
+However, the past was not necessarily a danger to the queen; most young
+women could not withstand scrutiny of their early flirtations.&nbsp;
+They were perhaps not serious enough to warrant her execution.&nbsp;
+Lascelles, who was a 'convinced reformer', was motivated by his
+religious convictions and not personal animosity towards
+Catherine.&nbsp; But she represented the conservative Catholic faction
+and, with her influence, they were growing more powerful and
+reactionary.&nbsp; Lascelles went to Thomas Cranmer, Henry's close
+friend and archbishop of Canterbury.&nbsp; Cranmer recognized the
+dangers to Catherine, namely the precontract with Dereham that would
+invalidate her marriage to Henry VIII.&nbsp; The precontract, of
+course, while ending her marriage, also excused her intimacy with
+Dereham.&nbsp; </p>
+  <p>On 2 November, while Henry attended a Mass for All Souls' Day,
+Cranmer passed him a letter with the charges.&nbsp; The king was
+immediately 'perplexed' and believed the letter was a forgery.&nbsp;
+This was his first and thoroughly honest reaction; Catherine had
+deceived him well.&nbsp; He ordered Cranmer to keep the matter private
+and began an investigation.&nbsp; It took but a few days for
+Catherine's house of cards to come tumbling down.&nbsp; </p>
+  <p>An assortment of female servants were arrested and sent to the
+Tower, as was Dereham.&nbsp; He was tortured; he confessed his earlier
+relationship and named Culpeper as the queen's current lover.&nbsp;
+Culpeper was then arrested, tortured, and confessed.&nbsp; </p>
+  <p>When confronted with the confessions, Henry's confusion gave way
+to great anger and self-pity.&nbsp; He managed to blame everyone but
+himself for this latest marital catastrophe.&nbsp; He wished for a
+sword to slay Catherine himself - a not uncommon reaction for a
+cuckolded husband, particularly one who had been so generous and
+trusting.&nbsp; He left Hampton Court on 5 November, sailing to
+Whitehall Palace.&nbsp; Catherine was arrested on 12 November and her
+tearful pleas to see the king were ignored; she was locked in her
+rooms.&nbsp; Two days later, she was taken to Syon House.&nbsp; She
+would never see Henry again. </p>
+  <p>Cranmer was given the distasteful task of interrogating the
+terrified girl.&nbsp; She was hysterical, convinced she would be
+executed like her cousin; even the archbishop felt pity for her
+condition.&nbsp; Perhaps he suggested an option to Henry VIII that he
+had first proposed for Anne Boleyn - let Catherine admit her sins,
+annul the marriage, and send her away.&nbsp; The Dereham precontract
+was the perfect excuse.&nbsp; Catherine need only admit its existence
+and her life would be spared.&nbsp; It was the king's 'most gracious
+mercy' and her only possible chance for survival. </p>
+  <p>But Catherine, frightened and lacking any counsel, did not realize
+that the precontract would save her life.&nbsp; Instead, she was
+convinced it would be used to condemn her.&nbsp; And so, even as she
+admitted to 'carnal copulation' with Dereham, she stressed his
+'importune forcement' and 'violence'.&nbsp; She and Cranmer wanted the
+same end but talked at odds.&nbsp; And it was possible, too, that Henry
+VIII had never intended to spare her life. </p>
+  <p>Indeed, with each day that passed, the king was less inclined to
+show mercy.&nbsp; The floodgates had opened and ever more scurrilous
+rumors were heard about his 'Rose without a thorn'. </p>
+  <p>Catherine was demoted from her position as Queen on 22 November
+and formally indicted two days later for leading an 'abominable, base,
+carnal, voluptuous and vicious life'.&nbsp; She remained at Syon House
+for the next two months.&nbsp; On 10 December, Dereham paid a horrific
+penalty for his 'crimes'; he was hung, drawn, and quartered
+(disemboweled and castrated while still conscious) as a traitor.&nbsp;
+Culpeper was also executed that day, though he suffered a more merciful
+beheading; this was ordered by the king, perhaps because of Culpeper's
+higher rank and personal service in his household.&nbsp; Their heads
+were fixed on spears atop London Bridge and remained there as late as
+1546. </p>
+  <p>Catherine, meanwhile, continued in a state of suspended
+hysteria.&nbsp; Her various relatives were sent to the Tower, including
+the elderly dowager duchess.&nbsp; Only the duke survived, having
+sufficiently humbled himself before Henry. </p>
+  <p>Perhaps the executions of Dereham and Culpeper had brought a
+newfound maturity to Catherine.&nbsp; She was content to remain quietly
+at Syon House, though it was clear the king could not allow it.&nbsp;
+On 21 January the House of Lords passed an Act of Attainder and it
+received the king's approval on 11 February.&nbsp; It was intended to
+answer the question vexing them all - of what exactly was Catherine
+Howard guilty?&nbsp; If she had been precontracted to Dereham, then she
+was never married to the king - and thus not guilty of adultery.&nbsp;
+But in a speech on 6 February, Henry made it clear that the new Act
+could punish those who <i>intended</i> to commit treason (or adultery,
+since adultery in a queen was treason.)&nbsp; It was this intent which
+sealed Catherine's fate.&nbsp; </p>
+  <p>On Friday, 10 February 1542, the duke of Suffolk arrived to take
+Catherine to the Tower of London.&nbsp; The hysterical frenzy returned;
+she struggled and had to be forced aboard the barge.&nbsp; She was
+dressed in black velvet and lodged in the Queen's Apartments, though no
+longer queen.&nbsp; On Sunday night, she was informed that she would be
+executed the next day.&nbsp; Her only request was that the block be
+brought to her for she wished to 'know how to place herself.'&nbsp; It
+was to be her last act on a grand stage; she would die with all the
+dignity and composure possible. </p>
+  <p>Around seven o'clock on Monday, 13 February, several privy
+councilors arrived as escort.&nbsp; Her uncle Norfolk was not among
+them, having wisely withdrawn to his country estates.&nbsp; Catherine
+was weak and frightened and had to be helped up the steps to the
+scaffold.&nbsp; But once there, she made a small, quiet speech
+regarding her 'worthy and just punishment'; she prayed for the king's
+preservation and for God's forgiveness.&nbsp; The actual execution was
+over quickly. Catherine's body was interred at the nearby chapel of St
+Peter ad Vincula.&nbsp; </p>
+  <p>Catherine Howard did not have an impact upon English
+history.&nbsp; She is perhaps the most inconsequential of Henry VIII's
+six wives, her reign as queen a very brief eighteen months.&nbsp; She
+bore no children and made no lasting impression upon those who knew
+her.&nbsp; But it should be remembered that she was thirty years
+younger than her husband, a silly young girl who never understood the
+dangers of royal regard.&nbsp; Her life was over before it had truly
+begun; we can only wonder how it might have ended differently.</p>
+  <p> <br>
+&nbsp;</p>
+  <blockquote>
+    <center>
+    <p><font size="-1"><a
+ href="wives.html">to the Six
+Wives main page</a></font> <br>
+    <font size="2"><a href="http://englishhistory.net/tudor.html">to
+Tudor England</a></font></p>
+    <p><font size="2">The only biography of Catherine Howard is <i>A
+Tudor Tragedy</i> by Lacey Baldwin Smith,<br>
+which is sadly out-of-print.&nbsp; Catherine is also the subject of
+Ford Madox Ford's<br>
+    <i>The Fifth Queen</i>, one of my favorite works of historical
+fiction.</font></p>
+    </center>
+  </blockquote>
+</blockquote>
+</body>
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+<meta name="page_topic" content="Queen Mary I of England half-sister of Elizabeth I 'Bloody Mary' : Biography, Portraits, Primary Sources 1553-1558">
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+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">
+<p align="center"><font size="4"><br>'In thee, O lord, is my trust, let me never be 
+      confounded: if God be for us, who can be against us?' <BR></font><I><FONT 
+      size=-1>Mary Tudor's constant exclamation as queen of England</FONT></I></p>
+    <p>&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center">
+    <img border="0" src="mary1cardinal.gif" alt="Queen Mary I" width="455" height="109"></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <img border="2" src="elizsister.jpg" alt="portrait of Queen Mary I, by a follower of Anthonis Mor, c.1555-58" width="350" height="522"></p>
+    <blockquote>
+      <p>&nbsp;</p>
+      <p><A 
+        href="mary1.html#Biography">
+      <font size="4">Read the biography of Queen Mary I</font></A><font size="4">.</font></p>
+      <p><A 
+        href="marygovt.html">Marian 
+      government policies and religious legislation</A>.&nbsp; </p>
+        <P><B><br>Primary Sources</B> <BR>Read
+        <a href="../primary1.html">the letter Mary 
+        wrote to Henry VIII, acknowledging her illegitimacy,</a> <A 
+        href="../maryspee.html">her speech at the 
+        Guildhall</A>, and&nbsp;<A 
+        href="../marydesc.html">a contemporary 
+        description of the queen</A>. <BR>Read <A 
+        href="../letters.html">a letter from 
+        Katharine of Aragon to her daughter</A>.</P>
+      <p>Visit <a href="http://www.marileecody.com/mary1images.html">Tudor 
+      England: Images</a> to view portraits of Mary, with commentary. <BR><br>Visit 
+      the <A 
+        href="aragon.html">Katharine of 
+      Aragon site</A> to learn more about Mary's mother. <BR>Visit the <A 
+        href="../relative/janegrey.html">Lady Jane 
+      Grey</A> site to learn more about Mary's cousin.<br>Visit the
+        <a href="eliz.html">Queen 
+      Elizabeth I</a> site to learn more about Mary's half-sister.</p>
+      <p></p>
+        <P>Test your knowledge of Queen Mary's life at <A 
+        href="../tudor1.html">Tudor Quizzes</A>.</P>
+        <P><br><font size="2"><b>Links&nbsp; <br></b>
+        <a href="http://home.earthlink.net/~elisale/index.html">Mary Tudor</a>&nbsp; 
+        A comprehensive exploration of Mary's life, featuring a lengthy 
+        biography and numerous portraits.&nbsp; It also has ancillary studies of 
+        music, portraiture, genealogy, etc</font></P>
+      <p align="left">&nbsp;</p>
+    </blockquote>
+    </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <p><A name=Biography></A></p>
+      <hr>
+      <p><font size="4">'You have four certain and open enemies: the heretics 
+      and schismatics, the rebels and adherents of the duke of Northumberland, 
+      the king of France and Scotland, and the Lady Elizabeth.'&nbsp; </font><i>
+      <font size="2">the Imperial ambassador Renard to Queen Mary, 1553</font></i></p>
+    </blockquote>
+  </blockquote>
+</blockquote>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <p><B>Biography</B> <BR><FONT 
+        face="Times New Roman,Times">The sad life of England's first female 
+        ruler is rendered even more tragic in comparison with her half-sister 
+        and successor's reign.&nbsp; Poor Mary Tudor, destined - like her 
+        half-brother and predecessor - to languish between those two giants of 
+        English history, Henry VIII and Elizabeth I.&nbsp; Yet there is much to 
+        warrant even a brief examination of her life and reign.&nbsp; Though her 
+        hated half-sister would outshine her in virtually every sphere - 
+        physical, political, intellectual, artistic - Mary also had a formidable 
+        impact upon English history.&nbsp; Throughout the first thirty-seven 
+        years of her life, she was tossed about by the whims of her father and, 
+        later and perhaps more galling, her Protestant brother and his 
+        council.&nbsp; It was perhaps inevitable that when she first tasted real 
+        power, the experience would be both intoxicating and unfortunate.</FONT>
+      </p>
+
+        <P><FONT face="Times New Roman,Times">When Mary came to the throne, she 
+        was thirty-seven years old.&nbsp; She had never been married though, in 
+        her youth, several matches had been suggested and abandoned.&nbsp; 
+        Contrary to later beliefs, Henry VIII was pleased with her birth in 
+        1516, proudly displaying the infant Mary to visiting ambassadors and</FONT><IMG height=387 alt="Princess Mary, age 28, painted by Master John" 
+      src="maryage28.jpg" width=300 border=2 align="right"><FONT face="Times New Roman,Times"> 
+        noblemen.&nbsp; It was only years later, with Mary as his sole 
+        legitimate offspring, that Henry began his desperate search for a 
+        son.&nbsp; This search would forever brand him as a misogynist and cruel 
+        tyrant who discarded, divorced, and beheaded the women who did not bear 
+        him sons.&nbsp; But one must be fair to Henry and judge him by the 
+        standards of his time, which certainly his contemporaries did.&nbsp; He 
+        was only the second Tudor monarch and, as such, he understood the 
+        necessity of stabilizing the English throne.&nbsp; Indeed, his father 
+        had only won the crown in 1485, barely thirty years before Mary's 
+        birth.&nbsp; And if Henry VII, born the unprepossessing earl of 
+        Richmond, could steal the crown then his son's actions can be 
+        understood.&nbsp; Above all else, Henry VIII was determined the crown 
+        would remain in Tudor hands.&nbsp; Mary, like her half-sister Elizabeth, 
+        was always recognized as his daughter.&nbsp; But England had never had a 
+        woman ruler, one who ruled in her own right without a male consort or as 
+        regent for an infant son.&nbsp; The only possible precedent was Matilda, 
+        Henry I's heir, and the precedent was not good - Matilda was expelled by 
+        the English barons and her cousin Stephen of Blois was made king.&nbsp; 
+        Though this had happened four centuries before, its lesson was still 
+        valid.</FONT> 
+        <P><FONT face="Times New Roman,Times">With this in mind, Henry's 
+        treatment of Mary's mother becomes - if not palatable - at least 
+        understandable.&nbsp; Certainly the petty cruelties and humiliations he 
+        forced upon her were his own doing but the overall aim was to ensure the 
+        Tudor succession.&nbsp; But all this happened years after Mary's 
+        birth.&nbsp; From 1516 to about 1530, Mary led a happy, sheltered 
+        life.&nbsp; She was considered one of the most important European 
+        princesses and Henry used her as every king used his daughter - as a 
+        pawn in political negotiations.&nbsp; She was also well-educated with a 
+        fine contralto singing voice and great linguistic skill.&nbsp; Her 
+        mother, Katharine of Aragon, was deeply devoted to Mary.&nbsp; This was 
+        a reflection of Katharine's strongly domestic nature as well as the 
+        numerous miscarriages she suffered.&nbsp; Any mother would naturally 
+        love a child but Katharine had lost enough children to make her 
+        especially devoted to the one who survived.&nbsp; When Henry proposed 
+        the idea of divorce, Katharine fought it passionately, not least because 
+        divorce would destroy her daughter's future.&nbsp; Katharine was the 
+        youngest daughter of those great Spanish monarchs, Ferdinand of Aragon 
+        and Isabella of Castile, the 'Catholic Kings' who united Spain 
+        geographically and spiritually.&nbsp; Through her mother, she could 
+        trace her lineage to John of Gaunt, that legendary figure in English 
+        history.&nbsp; She grew up as an Infanta of Spain; and, unlike Henry, 
+        her claim to royalty was not a mere few decades old.&nbsp; As such, she 
+        was naturally proud and dignified.&nbsp; Mary inherited this pride as 
+        well as her mother's enduring affection for Spain.&nbsp; When she became 
+        queen, this affection was to have terrible consequences.</FONT> 
+        <P><FONT face="Times New Roman,Times">Educated by her mother and a ducal 
+        governess, Mary was at last betrothed to her cousin, the Holy Roman 
+        Emperor Charles V (Charles I of Spain.)&nbsp; Charles made the 
+        unfortunate demand that she come to Spain immediately, accompanied by a 
+        huge cash dowry.&nbsp; Henry ignored the request and Charles jilted 
+        Mary, concluding a match with a more accommodating princess.&nbsp; 
+        Meanwhile, Henry invested his daughter as Princess of Wales in 1525 and 
+        she held court at Ludlow Castle.&nbsp; With this decision, Henry meant 
+        to soothe Katharine's fears that Mary's position as the only legitimate 
+        Tudor heir was being undermined.&nbsp; Only a few weeks before the 
+        investiture, Mary had attended a ceremony in which her father ennobled 
+        his illegitimate son, Henry Fitzroy, as duke of Richmond (among various 
+        other titles.)&nbsp; And though he sharply rebuked Katharine for 
+        criticizing his open affection for Fitzroy, and the accompanying titles 
+        and wealth he gave the boy, Henry did not neglect his daughter.&nbsp; In 
+        fact, Mary was the first princess of Wales, and the first female royal 
+        to hold court at Ludlow.&nbsp; But of course, sending Mary to Wales was 
+        not the same as sending a son and heir; Henry never intended her to rule 
+        England, at least not as its sole ruler.&nbsp; Her role in Wales would 
+        be primarily symbolic, and she would be replaced as soon as he had a 
+        legitimate male heir.&nbsp; This elusive son - Henry's most fervent wish 
+        - occupied his mind even as he continued to scour Europe for a suitable 
+        husband for Mary.</FONT> 
+        <P><FONT face="Times New Roman,Times">Yet even as new betrothal plans 
+        were being made, the king's attention was increasingly elsewhere.&nbsp; 
+        Henry had met Anne Boleyn, daughter of a simple knight and sister of a 
+        former mistress.&nbsp; His passionate attraction to Anne, coupled with 
+        the increased need for a male heir, made Henry restless.&nbsp; He looked 
+        at Katharine, nine years his senior and as domestic as Anne was exotic, 
+        with new eyes.&nbsp; At first he sought a quiet, amicable annulment of 
+        their long 
+        marriage.&nbsp; Certainly such a decision was not revolutionary; Henry 
+        could cite numerous examples in European history where kings had 
+        annulled marriages to barren queens.&nbsp; Since he and Katharine had a 
+        mutual respect and affection for one another, Henry anticipated her 
+        cooperation.&nbsp; Certainly he would tread with delicacy but - in the 
+        end - his will would be done.</FONT> 
+        <P><FONT face="Times New Roman,Times">But Henry had not anticipated his 
+        wife's immediate and intense anger.&nbsp; For he had based his argument 
+        upon theology - in short, Henry argued that because Katharine had been 
+        briefly married to his brother, Arthur, her marriage to Henry was 
+        incestuous.&nbsp; Katharine responded that this matter was already 
+        resolved.&nbsp; Before she wed Henry, the Pope had granted a 
+        dispensation.&nbsp; He did so under political pressure from Henry VII 
+        and Ferdinand - but also because Katharine swore she and Arthur had 
+        never consummated their marriage.&nbsp; In short, she was a virgin when 
+        she wed Henry, a fact Henry would be certain to know.&nbsp; Cynics could 
+        not help but mock the King's sudden attack of conscience, occurring some 
+        twenty years into the marriage and in the midst of his affair with Anne 
+        Boleyn.</FONT> 
+        <P><FONT face="Times New Roman,Times">
+        <img border="0" src="aragonhorenbout1.jpg" alt="portrait of Katharine of Aragon by Lucas Horenbout" align="left" width="329" height="324">It would be impossible to argue 
+        that Anne had no role in his decision.&nbsp; In his mid-thirties, Henry 
+        had entered into the most passionate romantic attachment of his 
+        life.&nbsp; Indeed, after her death, he would complain that Anne had 
+        'bewitched' him.&nbsp; It was true that Henry displayed an intensity of 
+        feeling toward her which shocked their contemporaries.&nbsp; Today we 
+        can read his love letters to her; across the span of four centuries, 
+        they retain their power.&nbsp; Anne was not beautiful but she possessed 
+        greater gifts - she was witty, graceful, and stylish.&nbsp; She had been 
+        educated at the glittering French court so she sang and danced 
+        beautifully, skills which Henry admired.&nbsp; She was also very 
+        intelligent and confident.&nbsp; Unlike her older sister Mary, Anne 
+        Boleyn had no desire to be the king's temporary mistress.&nbsp; In fact, 
+        she had intended to wed Henry Percy, heir to the earl of Northumberland, 
+        until the king - already enchanted - put a stop to the match.&nbsp; He 
+        wrote to Percy's father, arguing against the unsuitable match.&nbsp; A 
+        knight's daughter wed to one of the most important peers of the 
+        realm?&nbsp; Percy's angry father immediately sent for his son, ending 
+        the romance but not the attachment.&nbsp; Percy wrote poetry about Anne 
+        and, at her trial, he had to be carried from the room.&nbsp; Unlike the 
+        other peers, he could not bear to sit in judgment of her.&nbsp; For 
+        Anne, the loss of Percy was undoubtedly galling.&nbsp; After all, had 
+        the king ended the engagement simply to make her his mistress?&nbsp; 
+        Henry's disregard for her personal feelings, his interference in her 
+        personal life, was not endearing.&nbsp; But it convinced Anne of the 
+        king's attraction and she resolved to be his wife or nothing.</FONT> 
+        <P><FONT face="Times New Roman,Times">For Mary, the sudden ascent of 
+        Anne Boleyn signaled the end of her world.&nbsp; Her beloved mother, 
+        equally loved by the English people, was being forced aside by a former 
+        lady-in-waiting.&nbsp; Her father was determined to declare her a 
+        bastard; in effect, Henry's charge of incest dissolved his marriage and 
+        illegitimized his daughter.&nbsp; In the midst of this, Mary developed a 
+        lasting hatred of Anne Boleyn which extended to Anne's daughter, 
+        Elizabeth.&nbsp; She never openly blamed her father for his actions, 
+        though she considered them unlawful and impious.&nbsp; Instead, she 
+        persuaded herself that he had been Anne Boleyn's pawn.&nbsp; Such a 
+        reaction was perhaps inevitable.&nbsp; However, it was to have an 
+        unfortunate impact upon Elizabeth's life.</FONT> 
+        <P><FONT face="Times New Roman,Times">The Pope refused to recognize 
+        Henry's argument for an annulment or divorce and thus began a power 
+        struggle between the Vatican, Spain, and England.&nbsp; Katharine's 
+        nephew, Charles V, naturally agreed with his aunt for personal and 
+        political reasons. He exerted considerable military and political 
+        pressure against the Pope.&nbsp; Henry's numerous petitions were 
+        disregarded.&nbsp; Eventually he simply gave up and decided the matter 
+        himself.&nbsp; In 1534 Henry took the unprecedented step of breaking 
+        with Rome, establishing the Church of England with himself as Supreme 
+        Head.&nbsp; The annulment was granted and Katharine and Mary were 
+        officially outcasts.</FONT> 
+        <P><FONT face="Times New Roman,Times">In the meantime, Mary continued 
+        her somewhat restricted life.&nbsp; Despite her declared illegitimacy, 
+        Henry continued to propose various husbands for her.&nbsp; The searches 
+        were not particularly thorough or serious, however, and Mary remained a 
+        spinster.&nbsp; She was now in her late twenties, leaving behind her 
+        youth and - most importantly for a woman - her safest reproductive 
+        years.</FONT> 
+        <P><FONT face="Times New Roman,Times">Even before the official decree, 
+        Henry had stopped living with Katharine and recognizing her as 
+        Queen.&nbsp; He took Anne Boleyn with him to France to meet his rival 
+        Francis I; this was an important state visit and her appearance was 
+        commented upon.&nbsp; Henry, however, had already ordered Katharine to 
+        surrender her jewelry; Anne now wore it.&nbsp; He also sent Katharine to 
+        one decaying residence after another, dismissing several of her devoted 
+        servants.&nbsp; Though deprived of her title, home, jewels, and 
+        companionship, Katharine never recognized the divorce.&nbsp; She refused 
+        the title of Princess Dowager, offered by Henry as recognition of her 
+        marriage to Arthur, Prince of Wales.&nbsp; She continued to assert that 
+        she and Arthur had never consummated their marriage.&nbsp; And, above 
+        all else, she professed faith in the judgment of the Pope.&nbsp; A 
+        devout Catholic, daughter of the monarchs who introduced the Inquisition 
+        to Spain, Katharine never acknowledged the Church of England.&nbsp; 
+        Since she had raised her daughter to be equally devout, Mary also 
+        refused to acknowledge both the Church and her father's position as 
+        Supreme Head.</FONT> 
+        <P><FONT face="Times New Roman,Times">It should be noted that Henry 
+        VIII, though ostensibly head of a new church which overthrew the 
+        Catholic supremacy, remained a devout Catholic</FONT><FONT face="Times New Roman,Times"> throughout his 
+        life.&nbsp; He continued to attend Mass and heartily despised 'heretics' 
+        like Martin Luther.&nbsp; But Henry possessed the ability to separate 
+        the secular from the spiritual, a quality which Mary completely lacked 
+        and Elizabeth honed to fine perfection.&nbsp; Though his son would 
+        become a bigoted Protestant determined to stamp out Catholicism and his 
+        eldest daughter a bigoted Catholic determined to stamp out 
+        Protestantism, Henry was a Catholic who lapsed when it suited him.&nbsp; 
+        Of course, he always asserted theological justification for the lapses.&nbsp; 
+        However, he would not allow Katharine or Mary to deny his authority.&nbsp; 
+        Both paid a stiff penalty for their refusal to submit.&nbsp; Katharine, 
+        as noted, was sent from court and deprived of all accustomed luxuries.&nbsp; 
+        Mary was equally disgraced.&nbsp; Now a bastard, declared such by 
+        Parliament, she was denied any communication with her mother and made 
+        lady-in-waiting to Anne and Henry's daughter, Elizabeth.&nbsp; Unlike 
+        Mary, Elizabeth was recognized as a Princess of the realm.&nbsp; For the 
+        seventeen-year-old Mary, the complete reversal of her fortune was 
+        devastating.&nbsp; She began to suffer from a variety of illnesses, 
+        undoubtedly stress-related.&nbsp; These plagued her until her death, 
+        causing such symptoms as severe headaches, nausea, insomnia, and 
+        infrequent menstruation.</FONT> 
+        <P><FONT face="Times New Roman,Times">Anne took an equal dislike of 
+        Mary.&nbsp; It was a simple fact that if Anne and Elizabeth's fortunes 
+        rose, Mary's would fall.&nbsp; After all, Elizabeth was legitimate only 
+        if Mary was not, and vice versa.&nbsp; Anne would have been foolish to 
+        encourage any reconciliation between Henry and Mary, quite possibly she 
+        did the opposite.&nbsp; But after her fall from grace, Henry offered to 
+        pardon Mary and restore her to favor - but only if Mary acknowledged him 
+        as head of the Church of England and admitted the 'incestuous 
+        illegality' of his marriage to Katharine.&nbsp; To Mary's credit, she 
+        refused to do so until her cousin, Charles V, persuaded her 
+        otherwise.&nbsp; <A 
+        href="../primary.html">She gave in to 
+        Henry's demands</A>, an action she was to always regret.&nbsp; 
+        Meanwhile, Katharine of Aragon had died at Kimbolton Castle, loving - 
+        and defying - Henry to the last; <A 
+        href="../letters.html">her final letter</A> 
+        to him was signed 'Katharine the Queen.'&nbsp; Katharine and Mary had 
+        not seen one another for years though they had written one another, 
+        against Henry's orders, in great secrecy.&nbsp; Katharine's last 
+        thoughts were undoubtedly of her daughter.</FONT> 
+        <P><FONT face="Times New Roman,Times">Henry, however, was soon 
+        reconciled to Mary.&nbsp; Flush with marriage to the meek Jane Seymour 
+        and her quick pregnancy, he welcomed Mary home.&nbsp; She was given a 
+        household befitting her position as his daughter and included in court 
+        festivities; there were even rumors of a possible marriage in her 
+        future.&nbsp; Jane Seymour encouraged Henry's reconciliation with both 
+        of his daughters.&nbsp; Mary, in turn, respected and liked the new 
+        queen.&nbsp; She was named godmother to Henry and Jane's son, Prince 
+        Edward, born in October 1537; and when Jane died shortly after her son's 
+        birth, Mary was the chief mourner.&nbsp; Their friendship was not so 
+        unlikely.&nbsp; They were relatively close in age and Mary, having lost 
+        her mother and longing for her father's affection, was grateful for any 
+        kindness.&nbsp; Furthermore, she had the satisfaction of knowing 
+        Elizabeth, too, was bastardized; Anne Boleyn's execution on charges of 
+        incest and treason had illegitimized her daughter.&nbsp; It is revealing 
+        to note that, upon her ascension, Mary revoked the Act of Parliament 
+        which made her a bastard.&nbsp; Elizabeth, upon ascension, didn't bother 
+        to do so.</FONT> 
+        <P><FONT face="Times New Roman,Times">However, Mary and Elizabeth were 
+        not forgotten.&nbsp; After Jane's death, Henry determined the line of 
+        succession as follows:&nbsp; first, Edward or Edward's heirs; if Edward 
+        died without issue, the throne passed to Mary; after Mary, to 
+        Elizabeth.&nbsp; Henry recognized the fragility of his succession, 
+        resting as it did upon just one son.&nbsp; He, after all, was a second 
+        son.&nbsp; But there was little he could do.&nbsp; His fourth marriage, 
+        to Anne of Cleves, had ended disastrously.&nbsp; She was too 
+        unnattractive for the king so she was titled 'the king's sister' and 
+        given a generous pension.&nbsp; Anne preferred this solution to 
+        returning home.</FONT><IMG height=352 
+      alt="portrait of Queen Mary I" src="mary1-cr.jpg" width=270 
+      align=right border=2><FONT face="Times New Roman,Times">&nbsp; Soon 
+        enough, Henry's attentions were captured elsewhere.&nbsp; He wed 
+        Catherine Howard, cousin to the infamous Anne Boleyn.&nbsp; It was a 
+        pathetic match.&nbsp; Henry was old enough to be her grandfather, 
+        plainly in lust with a young woman who exuded sex appeal.&nbsp; Mary's 
+        opinion on the match is not known but it would be safe to assume that 
+        even if she disapproved, she would never say so.&nbsp; Mary recognized 
+        her father's secular authority as king even as she disapproved of his 
+        spiritual authority as head of the English Church.&nbsp; In any case, 
+        there was barely time to know Catherine before she, too, was executed on 
+        charges of adultery.&nbsp; Whether she was guilty is a matter of 
+        conjecture; if she was, one can hardly blame her and, if she wasn't, she 
+        was yet another blot upon Henry's conscience.&nbsp; In her defense, she 
+        refused the easy path of divorce.&nbsp; Henry offered to recognize a 
+        pre-contract with another nobleman.&nbsp; If she, too, recognized it, 
+        their marriage would be invalid.&nbsp; Catherine would be divorced but 
+        still alive.&nbsp; She refused to admit such an arrangement, however, 
+        and met her end at the Tower of London.</FONT> 
+        <P><FONT face="Times New Roman,Times">Henry's last queen was the 
+        Protestant Katharine Parr, twice-widowed and chosen for her excellent 
+        character and nursing abilities.&nbsp; Like Jane Seymour, Katharine Parr 
+        was determined to bring the royal family closer together.&nbsp; To that 
+        end, she provided the only true home and maternal guidance Edward and 
+        Elizabeth would ever know.&nbsp; She also befriended Mary, a difficult 
+        task because of their opposing religious beliefs.&nbsp; Mary, however, 
+        did respect Katharine's intellectual accomplishments.</FONT> 
+        <P><FONT face="Times New Roman,Times">Katharine Parr was the product of 
+        the changing climate in Tudor England.&nbsp; When he ended Catholic 
+        supremacy in England, dissolving the monasteries and granting their 
+        lands to various nobles and the crown, Henry had begun a process whose 
+        end he never foresaw.&nbsp; As mentioned, Henry never became a 
+        Protestant.&nbsp; But his decision to use Protestantism for his own ends 
+        allowed Protestantism to flourish.&nbsp; Toward the end of his reign, 
+        there were few councilors who could remember the Catholic 
+        supremacy.&nbsp; They had benefited from the break with Rome, both 
+        spiritually and materially; Henry, meanwhile, never understood the force 
+        he had unleashed.&nbsp; When Katharine made the mistake of arguing about 
+        theology with him, she came very close to losing her head.&nbsp; Only a 
+        timely intervention and her own impassioned apology saved her.&nbsp; But 
+        upon Henry's death and Edward's ascension, the Protestant faction was in 
+        control.&nbsp; The new king, just nine years old, had Protestant tutors 
+        and a Protestant step-mother.&nbsp; Indeed, Edward VI is revealed in his 
+        journal as a priggish, unfeeling boy who noted the executions of his 
+        uncles with no trace of compassion.&nbsp; His letters to Katharine Parr, 
+        however, are the only examples of feeling and affection which he left 
+        behind.&nbsp; To her, he confided his insecurity and 
+        vulnerability.</FONT> 
+        <P><FONT face="Times New Roman,Times">Katharine Parr's influence on 
+        Edward VI was to simply strengthen the Protestantism which his tutors 
+        and the English court encouraged.&nbsp; For Mary, the situation was 
+        disastrous.&nbsp; Edward, swayed by religious fervor and his advisors, 
+        made English compulsory for church services.&nbsp; Mary continued to 
+        celebrate Mass in the old form and in Latin.&nbsp; During the six years 
+        of her brother's reign, she tread the fine line between piety and 
+        treason.&nbsp; Edward attempted to reason with her at court yet she 
+        refused his advice.&nbsp; Indeed, she was a woman in her thirties and he 
+        was still a child.&nbsp; Edward was also under the control of the Duke 
+        of Somerset, Jane Seymour's staunchly Protestant brother.&nbsp; Though 
+        Henry VIII's will had specified a specific group of councilors to guide 
+        his son's regency, his wishes were disregarded.&nbsp; His fellow 
+        councilors, most of whom had profited from the Catholic expulsion, 
+        titled Somerset Lord Protector.&nbsp; The nine-year-old king had no deep 
+        affection for his uncle; Somerset kept Edward short of pocket money and 
+        hired harsh tutors who regularly beat the boy.&nbsp; But their religious 
+        sympathies were similar.&nbsp; Mary managed to disregard the combined 
+        pressure of Somerset and Edward, largely because she stayed away from 
+        court.&nbsp; Her brother was firm with her.&nbsp; He told her she was 
+        misguided and occasionally threatened her.&nbsp; Mary was intelligent 
+        enough to not risk open disobedience, preferring the quiet celebration 
+        of Mass in her country home.&nbsp; Meanwhile, in 1549, Somerset had 
+        overstepped his authority and was executed.&nbsp; His fall was largely 
+        engineered by John Dudley, Earl of Warwick and soon-to-be Duke of 
+        Northumberland.&nbsp; From then on, Edward was under Dudley's 
+        control.</FONT> 
+        <P><FONT face="Times New Roman,Times">Edward VI ruled for just seven 
+        years.&nbsp; The last year of his life was one of near-constant pain and 
+        suffering.&nbsp; Various illnesses have been suggested,  </FONT>
+        <FONT face="Times New Roman,Times">consumption 
+        being the most likely.&nbsp; He had never been of robust health, unlike 
+        his father, and the Protestant councilors did all they could to prolong 
+        his life.&nbsp; To that end, Edward was given arsenic and various other 
+        poisons which were believed to prolong life even as they increased 
+        suffering.&nbsp; For Dudley and his supporters, Edward's death was 
+        inevitable but they needed every available moment to prevent Mary from 
+        ascending the throne.&nbsp; They were not fools and knew their fate with 
+        a Catholic queen.&nbsp; Dudley hurriedly married his son Guildford to <A 
+        href="../relative/janegrey.html">Lady Jane 
+        Grey</A>, Edward VI's Protestant, scholarly cousin.&nbsp; Like Edward, 
+        Jane was a pawn in Dudley's schemes.&nbsp; She was the granddaughter of 
+        Henry VIII's younger sister Mary Tudor and, thus, a remote claimant to 
+        the English throne.&nbsp; Working together, Edward and Dudley 
+        disregarded Henry VIII's will yet again and barred both Mary and 
+        Elizabeth from the succession.&nbsp; In turn, Edward willed the throne 
+        to Jane and her heirs.&nbsp; When he finally died, Jane was declared 
+        Queen by Dudley and the Protestant lords.</FONT> 
+        <P><FONT face="Times New Roman,Times">Jane Grey's ascension to the 
+        throne lasted but nine days.&nbsp; Though the Protestant councilors were 
+        not fond of Mary's religious views, many still regarded her as the 
+        rightful heir.&nbsp; She was, after all, Bluff King Hal's daughter.&nbsp; 
+        Like her mother, Mary had enormous sympathy from the English people, a 
+        gift she was to squander recklessly.&nbsp; Many viewed her as the poor 
+        victim of Anne Boleyn's scheming, a quiet, kindly, and pious woman.&nbsp; 
+        It should be noted that </FONT><FONT face="Times New Roman,Times">the 
+        English people cared not so much for her religious views as they did her 
+        parentage.&nbsp; She was the old king's child and therefore, she should 
+        follow Edward to the throne.&nbsp; This loyalty to Mary's dynastic 
+        claims was something she never fully understood.&nbsp; As queen, Mary 
+        was capable of both extreme affection and disdain for her English 
+        subjects.</FONT> 
+        <P><FONT face="Times New Roman,Times">With Jane declared queen, Mary 
+        fled to Norfolk.&nbsp; Though her closest friends advised against it, 
+        she soon decided to ride to London and stake her own claim to the 
+        throne.&nbsp; The people of London welcomed her ecstatically.&nbsp; Mary 
+        arrested Jane Grey and Guildford Dudley, though she displayed her 
+        typical leniency by not immediately executing them.&nbsp; When Jane's 
+        fugitive father attempted to lead an uprising for her, Mary had him 
+        executed along with John Dudley.&nbsp; Jane and Guildford, however, 
+        remained in the Tower of London.</FONT> 
+        <P>&nbsp;<P>
+        <HR width="100%">
+
+        <blockquote>
+
+        <P align="left"><b>
+        <font face="Times New Roman,Times">
+        <a href="../primary.html">The PRIMARY 
+        SOURCES section contains many documents related to Queen Mary:</a></font></b> <BR>
+        <FONT 
+        size=-1 face="Times New Roman,Times"><B>-</B>read a letter to Mary from her mother, Katharine of 
+        Aragon</FONT> <BR><FONT 
+        size=-1 face="Times New Roman,Times">-read the entire text of Mary's letter to her father, in which 
+        she acknowledged Henry as head of the church of England, the dissolution 
+        of his marriage to Katharine of Aragon &amp; her own illegitimacy (a 
+        letter she later disavowed)</FONT> <BR>
+        <FONT size=-1 face="Times New Roman,Times">-read a journal entry of 
+        Edward VI, in which he recorded a religious dispute with 
+        Mary</FONT> <BR><FONT 
+        size=-1 face="Times New Roman,Times">- read a letter from Catherine Parr to Mary</FONT> 
+        <BR><FONT size=-1 face="Times New Roman,Times">-read Mary's speech 
+        at the Guildhall, in which she asked for loyalty in the face of Wyatt's 
+        uprising</FONT> <BR>
+        <FONT 
+        size=-1 face="Times New Roman,Times">-read a letter from Lady Jane Grey to Mary, in which Jane 
+        explains the circumstances which led to her becoming queen for nine 
+        days</FONT> <BR><FONT 
+        size=-1 face="Times New Roman,Times">-read about the executions of Lady Jane Grey and Lord Guildford 
+        Dudley</FONT> <BR><FONT 
+        size=-1 face="Times New Roman,Times">-read about the execution of Archbishop Thomas 
+        Cranmer</FONT> <BR><FONT 
+        size=-1 face="Times New Roman,Times">-read a contemporary description of Mary I</FONT> 
+        <BR><FONT size=-1 face="Times New Roman,Times">etc.</FONT> 
+        
+        </blockquote>
+        
+        <P align="center"><font size="2">Visit <a href="http://www.marileecody.com/mary1images.html">Tudor 
+        England: Images</a> to view portraits of Mary, with commentary. </font>
+        <CENTER>
+        <P><FONT size=-1><A 
+        href="../monarchs.html">to Tudor 
+        Monarchs</A></FONT> <BR><FONT size=-1><A 
+        href="http://englishhistory.net/tudor.html">to Tudor 
+        England</A></FONT></CENTER>
+    </blockquote>
+  </blockquote>
+</blockquote>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082562" alt="setstats" border="0" width="1" height="1"></noscript>
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>Queen Mary I / Mary Tudor - Marian Government Policies</TITLE>
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+<META content="Marilee Mongello" name=Author>
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</HEAD>
+<BODY text=#000000 vLink=#0000FF aLink=#000000 link=#0000FF bgColor=#ffffff>&nbsp;<p>
+<IMG 
+height=45 alt="Marian Government Policies" src="marygovt.gif" 
+width=343> <BR>The following is a list of government policies &amp; officials. 
+<BR>It also includes religious legislation. </p>
+<CENTER>
+<P>
+<HR width="100%">
+<BR><B><FONT size=+1>When did Parliament meet during Mary's reign?</FONT></B> 
+<BR>5 October 1553 to 5 December 1553 <BR>2 April 1554 to 5 May 1554 <BR>12 
+November 1554 to 16 January 1555 <BR>21 October 1555 to 9 December 1555 <BR>20 
+January 1558 to 17 November 1558 
+<P><B><FONT size=+1>Who were the Speakers of the House of Commons?</FONT></B> 
+<BR>Sir John Pollard, M.P. for Oxfordshire - elected 5 October 1553 <BR>Sir 
+Robert Brooke, M.P. for the City of London - elected 2 April 1554 <BR>Sir 
+Clement Higham, M.P. for West Looe - elected 12 November 1554 <BR>Sir John 
+Pollard, M.P. for Chippenham - elected 21 October 1555 <BR>Sir William Cordell, 
+M.P. for Suffolk - elected 20 January 1558 
+<P><B><FONT size=+1>Lord Chancellors and Keepers of the Great Seal</FONT></B> 
+<BR>Stephen Gardiner, Bishop of Winchester&nbsp; 1553-1555 <BR>Nicholas Heath, 
+Archbishop of York&nbsp; 1556-1558 
+<P><B><FONT size=+1>Keepers of the Privy Seal</FONT></B> <BR>John Russell, 1st 
+Lord Russell, created 1st earl of Bedford, 1550)&nbsp; 1542-1555 <BR>William 
+Paget&nbsp; 1555-1559 
+<P><B><FONT size=+1>Principal Secretaries</FONT></B> <BR>Sir John Cheke&nbsp; 
+1553 <BR>Sir John Bourne&nbsp; 1553-1558 
+<P><B><FONT size=+1>Chief Justices of the King's Bench</FONT></B> <BR>Thomas 
+Bromley&nbsp; 1553 <BR>William Portman&nbsp; 1555 <BR>Edward Saunders&nbsp; 1557 
+
+<P><B><FONT size=+1>Chief Justices of Common Pleas</FONT></B> <BR>Richard 
+Morgan&nbsp; 1553 <BR>Robert Brooke&nbsp; 1554 <BR>Anthony Browne&nbsp; 1558 
+<P><B><FONT size=+1>Lord Treasurers</FONT></B> <BR>William Paulet, 1st earl of 
+Wiltshire (1550) and 1st marquis of Winchester (1551) <BR>held office of Lord 
+Treasurer from 1550 to 1572 
+<P><B><FONT size=+1>Chief Barons of the Court of Exchequer</FONT></B> <BR>David 
+Brook&nbsp; 1553 <BR>Clement Heigham&nbsp; 1558 
+<P><B><FONT size=+1>Masters of the Rolls - Court of Chancery</FONT></B> <BR>Sir 
+Nicholas Hare&nbsp; 1553 <BR>Sir William Cordell&nbsp; 1557</CENTER>
+<P><BR>&nbsp;<HR width="100%">
+<BR><FONT size=+1>Religious Developments&nbsp; 1553-1558</FONT> 
+<UL><i><FONT color=#990000>Compare the religious acts of January - July 1553 to 
+  those passed after Mary became queen.&nbsp; One can imagine the confusion 
+  caused by such rapid shifts in ideology.</FONT></i></UL><B><FONT 
+color=#000000>1553</FONT></B> <BR><FONT color=#000000>January - Sir Richard 
+Cotton ordered to seize Church plate and vestments.</FONT> <BR><FONT 
+color=#000000>12 June - the Forty-Two Articles issued (includes the statement 
+that Justification before God is by faith alone; also, good works play no part 
+in salvation &amp; there is no purgatory.)</FONT> <BR><FONT color=#000000>19 
+July - Mary Tudor proclaimed queen of England.</FONT> <BR><I><FONT 
+color=#000000>Immediate &amp; rapid religious changes ensue.</FONT></I> 
+<BR><FONT color=#000000>September - Bishops Bale, Coverdale, Ponet, Scory &amp; 
+Barlow are deprived of their offices &amp; eventually flee overseas.</FONT> 
+<BR><FONT color=#000000>Bishops Gardiner and Bonner are released from prison and 
+reinstated to former offices.</FONT> <BR><FONT color=#000000>Mary orders that 
+Archbishop Cranmer be arrested.&nbsp; His fellow Protestant leaders - Latimer, 
+Hooper &amp; Ridley (and a score of others) are also arrested.</FONT> <BR><FONT 
+color=#000000>October - Parliament in session.&nbsp; It refuses to repeal the 
+Act of Supremacy, despite Mary's insistence.&nbsp; They do pass an Actof Repeal 
+which essentially voids the Edwardian reformation - and reinstates Mass, 
+clerical celibacy &amp; ritual worship.</FONT> <BR><FONT color=#000000>December 
+- Mary responds to Parliament's refusal to repeal the Act of Supremacy &amp; 
+rejects the title of Supreme Head of the English Church.</FONT> <BR>&nbsp; 
+<P><B><FONT color=#000000>1554</FONT></B> <BR><FONT color=#000000>January - 
+prominent English Protestants flee to Germany and Switzerland, trying to avoid 
+Marian prosecution of married/non-celibate clergy.</FONT> <BR><FONT 
+color=#000000>March - Mary issues Royal Injunction - orders bishops to remove 
+married clergy from office; suppress heresy; only ordain clergy who have been 
+ordained under the English Ordinal; restore Holy Days and attendant 
+ceremonies.</FONT> <BR><FONT color=#000000>Gardiner begins a methodical purge of 
+married clergy.&nbsp; This practice eventually claims almost a quarter of parish 
+clergy.</FONT> <BR><FONT color=#000000>April - Parliament meets again - and once 
+more clash with Mary.&nbsp; They eventually agree to pass heresy laws - <I>if 
+</I>there is no restoration of monastic lands.&nbsp; Mary reluctantly agrees to 
+the condition.</FONT> <BR><FONT color=#000000>November - Cardinal Reginald Pole 
+(whose Plantagenet mother, Margaret, was brutally murdered by Henry VIII) 
+returns to England and the sentence of excommunication is lifted from 
+England.</FONT> <BR><FONT color=#000000>Also, Parliament meets again and passes 
+a 2nd Act of Repeal which voids all religious legislation since 1529.&nbsp; In 
+other words, the Henrician Reformation never occurred!</FONT> <BR>&nbsp; 
+<P><B><FONT color=#000000>1555</FONT></B> <BR><FONT color=#000000>January - Mary 
+begins the new year by appointing a commission to re-establish various religious 
+houses.</FONT> <BR><FONT color=#000000>4 February - The first Protestant martyr 
+is publicly burned - John Rogers, translator of the Bible, is convicted under 
+the new heresy laws.</FONT> <BR><FONT color=#000000>16 October - Bishops Ridley 
+and Latimer are burnt for heresy outside Balliol College, Oxford.</FONT> 
+<BR><FONT color=#000000>12 November - Stephen Gardiner, Mary's Catholic adviser, 
+dies.</FONT> <BR><FONT color=#000000>13 November - Archbishop Cranmer is 
+officially deprived of the See of Canterbury.</FONT> <BR><FONT 
+color=#000000>December - Cardinal Reginald Pole is given Cranmer's former 
+position - named Archbishop of Canterbury.</FONT> <BR>&nbsp; 
+<P><B><FONT color=#000000>1556</FONT></B> <BR><FONT color=#000000>The public 
+burning of Protestant martyrs continues unabated.</FONT> <BR><FONT 
+color=#000000>21 March - Thomas Cranmer recants all retractions and is burnt for 
+heresy outside Balliol College, Oxford - where Ridley and Latimer were also 
+killed.</FONT> <BR><FONT color=#000000>22 March - Pole is officially consecrated 
+as Archbishop of Canterbury.</FONT> <BR><FONT color=#000000>Cardinal Pole 
+becomes enmeshed in arguments with Pope Paul IV and is deprived of his position 
+as Papal Legate.</FONT> <BR>&nbsp; 
+<P><B><FONT color=#000000>1557</FONT></B> <BR><FONT color=#000000>Many small 
+religious houses are re-established.</FONT> <BR><FONT color=#000000>June - Pole 
+is recalled to Rome to answer charges of heresy, referencing his arguments with 
+the pope.&nbsp; Mary refuses to let him go.&nbsp; The pope appoints Friar 
+William Peto as Papal Legate in Pole's place.&nbsp; Mary refuses to recognize 
+the appointment.</FONT> <BR>&nbsp; 
+<P><B><FONT color=#000000>1558</FONT></B> <BR><FONT color=#000000>10 November - 
+five prominent Protestants burnt for hersey at Canterbury.&nbsp; In total, about 
+300 Protestants were killed during Mary's reign.</FONT> <BR><FONT 
+color=#000000>The prominent Protestant exile Thomas Bentham returns to London 
+and leads Protestant meetings.</FONT> <BR><FONT color=#000000>17 November - Mary 
+and Pole both die.</FONT> 
+<CENTER><A href="mary1.html">to 
+Queen Mary I main page</A> 
+<P><FONT size=-1><A href="../monarchs.html">to 
+Tudor Monarchs</A></FONT> <BR><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html">to Tudor 
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/parr.html
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="content"
+ content="Katharine Katherine Catherine Parr sixth wife of Henry VIII">
+  <meta name="page_topic"
+ content="Katharine Katherine Catherine Parr sixth wife of Henry VIII">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+  <meta name="ProgId" content="FrontPage.Editor.Document">
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=windows-1252">
+  <meta http-equiv="Content-Language" content="en-us">
+  <title>Katharine / Catherine / Katherine Parr: Biography, Portraits, Primary 
+  Sources</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+  </style>
+</head>
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+<table border="0" cellpadding="3" width="100%" height="588">
+  <tbody>
+    <tr>
+      <td width="25%" height="1"><br>
+      </td>
+      <td valign="top" width="50%" height="1"><p></td>
+      <td width="25%" height="1"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="3"><br>
+      </td>
+      <td width="50%" height="3">
+      <p align="center"><font size="4">'They curse and ban my words
+everyday, and all their thoughts be set to do me harm....&nbsp; I am so
+vexed that I am utterly weary.' </font> <i><font size="4">&nbsp;</font><font
+ size="2"><br>
+Katharine Parr in 1544, regarding Catholic attempts to discredit her</font></i></p>
+      </td>
+      <td width="25%" height="3"><br>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="610"><br>
+      </td>
+      <td valign="top" width="50%" height="610">
+      <p align="center">&nbsp;</p>
+      <p align="center"> 
+      <img border="0" src="parrcardinal.gif" alt="Katharine Parr" width="355" height="97"></p>
+      <p align="center"> 
+      <img height="324"
+ alt="miniature portrait of Katharine Parr by Lucas Horenbout"
+ src="parrhorenbout.jpg"
+ width="324"> </p>
+      <p align="center"> <i><font size="2">miniature portrait of Katharine Parr 
+      by Lucas Horenbout</font></i></p>
+      <p align="left"> <b><br>Katharine Parr was the sixth and last
+wife of King Henry VIII, destined to outlive the mercurial ruler.&nbsp;
+She was already twice-widowed and childless when they wed in 1543; she
+was also in love with Thomas Seymour, the brother of Henry's third
+queen Jane.&nbsp; But the king's will was law and Katharine bowed to
+his demands with grace.&nbsp; She was an admirable wife to Henry and a
+loving stepmother to his two youngest children, Elizabeth and
+Edward.&nbsp; She was also the most intellectual of Henry's wives,
+caught up in the turbulent religious climate of the times.&nbsp; And it
+was this passionate interest in theology which nearly ended her life,
+for the king was old and sickly but still capable of destroying those
+closest to him.&nbsp; Katharine saved herself and earned Henry's
+respect enough to be appointed Regent of England during his military
+campaign in Boulogne.&nbsp; Upon his death in 1547, she married Seymour
+with indecent haste, the only one of four husbands she had chosen
+herself.&nbsp; Her greatest achievement was the popularity of her
+devotional works; they were 16th century bestsellers and capture
+Katharine's complex and abiding piety.</b></p>
+      <blockquote>
+        <p align="left">&nbsp;</p>
+        <blockquote>
+          <p><a
+ href="parr.html#Biography"> <font
+ size="4">Read the biography of Katharine Parr.</font></a></p>
+          <p><b><br>
+Primary Sources</b> <br>
+Read <a href="../letters.html">letters
+written by Katharine</a>.</p>
+        </blockquote>
+        <blockquote>
+          <p>Visit <a href="http://www.marileecody.com/images.html">Tudor
+England: Images</a> to view portraits of Katharine. </p>
+          <p>Test your knowledge of Katharine's life and times at <a
+ href="../tudor1.html">Tudor Quizzes</a>.</p>
+          <p><font size="2"><b><br>
+          Interact<br>
+          </b> Meet other Six Wives enthusiasts at <a
+ href="http://ladiesallfanlist.cjb.net/">Ladies All: A Fanlisting for
+the Six Wives of Henry VIII</a>.<br>
+          <a href="http://tudorhistory.org/lists/list.html"> Tudor Talk
+          </a>&nbsp;This email discussion list is sponsored by
+Tudorhistory.org.<br>
+          <a
+ href="http://groups.yahoo.com/group/Reign_of_the_Tudors_rpg/">Reign of
+the Tudors</a>&nbsp; This is a role-playing game set in 16th century
+England.&nbsp; If you would like to 'play' Jane Grey or Anne Boleyn or
+other Tudors, click the link to join.</font></p>
+        </blockquote>
+      </blockquote>
+      </td>
+      <td width="25%" height="610"><br>
+      </td>
+    </tr>
+  </tbody>
+</table>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <p>&nbsp;</p>
+      <p><a name="Biography"></a><font size="4">'Lord, hearken to my
+words.&nbsp; Consider the thought of mine heart.&nbsp; Behold, how loud
+I cry unto thee.&nbsp; Let my just prayer enter into thine ears, which
+unfeignedly cometh from mine heart.&nbsp; Hear me, Lord, for I am poor
+and destitute of man's help.&nbsp; Take care for my soul.&nbsp; Save
+me, thy servant, which wholly trust in thee.&nbsp; Have mercy upon me,
+O Lord, for I will never cease crying to thee for help.'&nbsp;&nbsp; </font><i><font
+ size="2">a prayer written by Katharine Parr</font></i></p>
+      <p>&nbsp;</p>
+    </blockquote>
+  </blockquote>
+  <p>&nbsp;</p>
+  <p><b>Biography</b> <br>
+After the debacle of his fifth marriage to a girl thirty years his
+junior, Henry VIII found himself in a novel position.&nbsp; For the
+first time in his tangled marital career, a future wife was not waiting
+to be claimed.&nbsp; The king turned fifty-one the year <a
+ href="howard.html">Catherine
+Howard</a> was executed; he was obese, often bedridden and in great
+pain.&nbsp; His moods grew dark and vengeful.&nbsp; The Tudor court
+vacillated between the opposing factions of Catholicism and the
+reformed faith; they waited expectantly for Henry to choose his next
+wife, knowing she would tip the balance in favor of one party.&nbsp;
+But which?&nbsp; And was there a woman at court who would risk marrying
+the elderly king? </p>
+  <p>The position of Queen was the greatest honor for an Englishwoman;
+but in the last years of Henry's reign, it was also the most dangerous
+honor.&nbsp; After the humiliation of Catherine Howard's infidelity,
+Henry was determined his next wife would not dare cuckold him.&nbsp;
+And so there was an interesting clause in the Act of Attainder which
+had condemned Catherine to death.&nbsp; It stated that 'to avoid doubts
+for the future', anyone who knew anything 'incontinent' about the queen
+must reveal it - or be condemned for treason.&nbsp; And if the king
+chose to marry a woman whom he 'took to be a pure and clean maid' and
+she turned out to be otherwise, the charge of treason would apply to
+both the woman and 'all who knew it and did not reveal it'.&nbsp; In
+other words, you must speak up - either before or after the royal
+marriage - or die. </p>
+  <p>This new law was enough to frighten even the most seasoned
+courtier.&nbsp; Before, the chance to parade a young girl before the
+king was a chance to make a family's fortune; now, it was merely a
+chance to risk death.&nbsp; For who could be completely certain of a
+young woman's chastity?&nbsp; Furthermore, who could trust the old
+king's judgment on the matter?&nbsp; Henry had declared he 'somewhat
+suspected' the virginity of <a
+ href="cleves.html">Anne of
+Cleves</a>, but he had believed Catherine Howard to be a virgin when
+she was not.&nbsp; If one was relying solely upon the king's word.....
+What if a chaste young woman did marry Henry and he then mistakenly
+declared she was 'incontinent'?&nbsp; No one could impugn the word of
+the king, nor escape his wrath. </p>
+  <p>Understandably enough, the mood at court was hesitant and
+frightened.&nbsp; And so when the king's eye turned favorably to one
+Lady Latimer, thirty-one years old and twice-widowed, courtiers
+breathed a sigh of relief and her family could safely encourage the
+royal interest.&nbsp; After all, a widow need not prove her nebulous
+virginity to a credulous monarch. </p>
+  <p>Katharine Parr, Lady Latimer, had many other admirable qualities
+which attracted the king.&nbsp; She has the historical reputation of a
+doting stepmother and devoted scholar, but she<img height="381"
+ alt="portrait of Katharine Parr by William Scrots, c1546"
+ src="parrbiography.jpg" width="300"
+ border="2" align="right"> was also a woman as dedicated to finery and
+amusements as any of Henry's previous wives.&nbsp; And though
+twice-widowed, she was still twenty years younger than the king.&nbsp;
+She was tall, vivacious and witty, with a kindly and sensible
+nature.&nbsp; She was the daughter of Sir Thomas Parr of Kendal and
+Maud Greene; Katharine was the eldest of three children, born probably
+in 1512, followed the next year by her brother William and a year later
+by her sister Anne.&nbsp; Thomas and Maud were courtiers during the
+early years of Henry VIII's reign.&nbsp; Thomas was knighted at the
+king's coronation in 1509 and Maud was a lady-in-waiting to his first
+queen, <a href="aragon.html">Katharine
+of Aragon</a>.&nbsp; But Thomas died unexpectedly in 1517, and
+Katharine's mother dedicated herself to securing good marriages for her
+children.&nbsp; Katharine was raised in Northamptonshire in the
+household of her uncle Sir William Parr.&nbsp; Her education was good,
+but not comprehensive.&nbsp; Later in life, she would undertake the
+difficult task of learning Greek and Latin; this was indicative of her
+genuine love and respect for scholarship, particularly with regard to
+women.&nbsp; It was Katharine Parr who encouraged Elizabeth I's
+education, thus creating the most learned monarch in English
+history.&nbsp; She also made John Cheke and Roger Ascham tutors to
+young Prince Edward; the influence of these Cambridge 'reformers' upon
+both Elizabeth and Edward was profound. </p>
+  <p>Katharine's first marriage was in 1529; her mother died two years
+later.&nbsp; Her first husband was young Edward Borough, son of a minor
+lord in Lincolnshire.&nbsp; The marriage was childless and Edward, who
+had a history of lingering illness, died in 1532.&nbsp; Katharine's
+next husband, John Neville, Lord Latimer, was forty years old, twice
+Katharine's age and with a son and daughter.&nbsp; They wed in late
+spring 1533; Katharine was his third wife.&nbsp; Latimer was a wealthy
+northern landowner and Katharine quickly adapted to her new lifestyle
+as mistress of a large household.&nbsp; She also became - at the young
+age of twenty-one - the beloved stepmother of Latimer's daughter.&nbsp;
+The most trying time of their marriage was the infamous Pilgrimage of
+Grace, which forced the conservative North against Henry VIII's
+religious policies.&nbsp; Poor Latimer was torn between the demands of
+the rebels (who kidnapped him and, later, his wife and daughter) and
+those of his angry king.&nbsp; Called to London to explain himself,
+Latimer was eventually cleared of complicity.&nbsp; But his health was
+broken from the stress and never recovered.&nbsp; Katharine began to
+spend more time in London, nursing her husband and visiting with her
+younger sister Anne.&nbsp; Anne Parr had married William Herbert, the
+illegitimate grandson of the powerful earl of Pembroke, and was also a
+lady-in-waiting to Henry VIII's fourth and fifth wives.&nbsp;&nbsp; </p>
+  <p>Katharine was still a young woman, and this time at court opened
+her eyes in many ways.&nbsp; First, she was at last in the presence of
+healthy, dynamic men her own age; unlike her invalid husbands, these
+men were flirtatious and charming.&nbsp; There was never a hint of
+impropriety in Katharine's actions, and she continued to nurse the
+ailing Lord Latimer with notable care and compassion.&nbsp; But she
+would have been less than human if she did not notice the contrast
+between her life in northern England and the glittering, challenging
+court of Henry VIII.&nbsp;&nbsp; </p>
+  <p>She became increasingly interested in the theological debates of
+the court, but she also enjoyed its less intellectual pleasures -
+dancing, music, banquets, grand costumes.&nbsp; When she became queen,
+this love of clothes and jewels would be indulged on the grandest
+scale.&nbsp;&nbsp; </p>
+  <p>While Lord Latimer lingered on his deathbed throughout 1541 and
+1542, Katharine realistically assessed her future.&nbsp; She would soon
+be a very wealthy widow, finally free to make her own choices and with
+the youth to enjoy them.&nbsp; Soon enough, she had fallen in love with
+the charming Thomas Seymour, brother of the late Queen Jane and uncle
+to Henry VIII's only male heir.&nbsp; But she had also caught Henry
+VIII's jaded eye.&nbsp; His first gifts to Katharine were delivered on
+16 February 1543, a year after Catherine Howard's execution.&nbsp; On 2
+March, her husband Lord Latimer at last passed away.&nbsp; Katharine
+looked to Seymour as her future husband, to a life of passionate
+fulfillment rather than one of duty.&nbsp; Seymour, meanwhile, took
+note of the king's interest and wisely stepped back.&nbsp;&nbsp; </p>
+  <p>And so Katharine Parr once again followed a dutiful course,
+entering into a third marriage with an older, sickly husband.&nbsp; But
+though she followed her duty, it was not an easy choice.&nbsp; She
+wrote to Seymour, 'As truly as God is God, my mind was fully bent....
+to marry you before any man I know.'&nbsp; But the will of God was
+different than her own, she continued, and after a great spiritual
+struggle, she had no choice but obedience.&nbsp; She and Seymour parted
+with some promises for the future (after all, the king was ill and
+failing) and their feelings undiminished.&nbsp; The ascendancy of the
+Parr family had now begun.</p>
+  <p>Events moved quickly.&nbsp; She and Henry were married by Stephen
+Gardiner in the 'Queen's closet' at Hampton Court Palace on 12 July
+1543, with all the royal children present.&nbsp;&nbsp; </p>
+  <p> The marriage was an immediate success.&nbsp;
+Katharine chose as her motto 'To be useful in all I do.'&nbsp; And she
+had a truly endearing personality, as proven by the genuine affection
+which a variety of people felt for her.&nbsp; To the king, she was the
+perfect companion and nursemaid; to his children, she was a loving
+stepmother.&nbsp; As queen, she attracted those courtiers sympathetic
+to the reformed faith.&nbsp; Her rooms became famous for their
+theological debates, a fact which soon incensed Stephen Gardiner and
+other Catholics.&nbsp;&nbsp; </p>
+  <p>When the king left for France on yet another expensive military
+campaign in July 1544, Katharine - his 'most dearly and most entirely
+beloved wife' - was made Regent of England.&nbsp; The only other wife
+accorded this honor had been Henry's first, Katharine of Aragon.&nbsp;
+Henry returned in October to find his affairs in good order. </p>
+  <p>Their marriage had its physical side as well.&nbsp; Though
+occasionally impotent, the king did consummate their marriage and
+Katharine was fond of ordering black satin nightdresses.&nbsp; She
+would often sit with the king's sore leg in her lap, or in his lap
+herself.&nbsp; The king enjoyed her dancing and they both loved music;
+they also exchanged rich gifts.&nbsp; It was only when Katharine waded
+into the complicated morass of Tudor theology that she roused Henry's
+temper. </p>
+  <p>The king's religious beliefs remain confusing centuries later; one
+can only sympathize with his contemporaries who had to guess at them
+and hope for the best.&nbsp; Raised a Catholic, Henry was forced to
+repudiate the papacy in order to marry Anne Boleyn; for several years
+afterwards, Protestants and Catholics alike were struck down by the
+king.&nbsp; To lean too far one way or the other risked certain
+death.&nbsp; As the king grew older, he came to appreciate the mess he
+had created.&nbsp; Where did he stand?&nbsp; Was he an ally of the
+Lutheran princes?&nbsp; Or did he miss the faith of his youth?&nbsp; It
+is probable that even Henry did not know the answer.&nbsp; But even if
+he didn't know what he believed, he did know heresy when he heard it -
+or so he thought.&nbsp; Encouraged by Gardiner and other Catholic
+councilors, he was soon persuaded that Katharine Parr was a heretic. </p>
+  <p>Katharine was coming dangerously attracted to evangelical
+Protestantism.&nbsp; Her companions were of a younger generation than
+the king, having grown up in the decades following Martin Luther's
+triumph in Germany.&nbsp; Theology was no longer only the province of
+churchmen; the laity - and women especially - could now question and
+debate the most important issues for themselves.&nbsp; As an
+intelligent woman with a deep love of scholarship, this new faith
+appealed to Katharine.&nbsp; There was no room for her in Catholicism,
+but she could be a guiding light for the reformers. </p>
+  <p>And so she was, attracting Mile Coverdale, John Parkhurst, Anthony
+Cope and others.&nbsp; She had also become close friends with Thomas
+Cranmer, the archbishop of Canterbury, and Catherine Willoughby, the
+duchess of Suffolk, another young wife of an elderly husband.&nbsp;
+Both she and Katharine used their youthful energy in defense of the new
+faith. </p>
+  <p> <img height="343" alt="Katharine Parr or Lady Jane Grey?"
+ src="grey3.jpg" width="170"
+ border="2" align="left">Perhaps the central belief of this new faith was the need for
+everyone to personally study the Bible.&nbsp; This was a truly
+revolutionary idea; it also lessened the power of Henry VIII as Supreme
+Head of the Church of England since it encouraged his subjects to think
+for themselves.&nbsp; Conservatives argued that reading the Bible only
+encouraged heresy.&nbsp; But as Katharine wrote angrily, 'Is it not
+extreme wickedness to charge the holy sanctified word of God with the
+offenses of man?&nbsp; To allege the Scriptures to be perilous learning
+because certain readers thereof fall into heresies?'&nbsp;&nbsp; </p>
+  <p>In May 1543, the king's council felt sufficiently alarmed by this
+permissive climate to pass the Act for the Advancement of the True
+Religion.&nbsp; It was directed against the 'lower sort' who wished to
+study the Bible in English, either alone or in public.&nbsp; It was
+later amended to allow noblewomen the right to read the Bible but they
+must do so alone and not engage in religious debate.&nbsp;&nbsp; </p>
+  <p>Katharine, however, seemed content to ignore this warning.&nbsp;
+The king was openly affectionate; foreign ambassadors wrote home in
+praise of her kindness; her stepchildren loved her.&nbsp; She was
+secure in her position and unaware of any danger.&nbsp; As patroness,
+she favored the reformers and also sought to protect those who fell
+from favor. </p>
+  <p>But in 1546, Baron Thomas Wriothesley was made Lord Chancellor; he
+was a conservative especially interested in stamping out heresy.&nbsp;
+On 24 May 1546, the reformist Anne Askew was arrested and horribly
+tortured.&nbsp; She had ties to court, particularly to the duchess of
+Suffolk.&nbsp; But she refused to implicate the queen despite repeated
+questioning; Wriothesley and his secretary Richard Rich were personally
+involved in her torture.&nbsp; On 16 July she was burnt at the stake
+for heresy.&nbsp; Only a few days before, the Privy Council had ordered
+Katharine's estate books seized, presumably because she would soon be
+arrested and her property confiscated.&nbsp; This indicates that her
+Catholic enemies felt confident the king would follow their lead in
+disposing of his sixth wife, much as he had destroyed <a
+ href="../citizens/cromwell.html">Thomas
+Cromwell</a> four years before.&nbsp; And since the king possessed the
+disturbing quality of acting well to those he was about to destroy, his
+continued affection for Katharine did not worry them.&nbsp; Katharine,
+however, was still lulled into a feeling of safety.&nbsp; In response
+to Anne Askew's execution, she hurriedly threw out her most evangelical
+books - but that was all. </p>
+  <p>Around this time, Henry VIII was in a more irritable mood than
+usual.&nbsp; His ulcerated leg had grown worse, as had the recurrent
+headaches.&nbsp; Katharine made the mistake of engaging the king in
+theological discourse while he was physically unwell and under the
+influence of his conservative courtiers.&nbsp; It nearly cost her her
+life. </p>
+  <p>Shortly after Anne Askew's execution, the royal couple were
+sitting in their usual position - the king's sore leg resting upon his
+wife's lap.&nbsp; As she nursed him, Katharine began to lecture her
+husband on religion.&nbsp; The king was in no mood for what he
+considered heresy, nor to be lectured by his wife.&nbsp; It seemed
+Katharine's enemies had won.&nbsp; But then the old king threw all into
+confusion, possibly on purpose.&nbsp; He told his doctor, Thomas Wendy,
+that Katharine was about to be arrested and soon enough an anonymous
+courtier dropped a copy of the warrant outside Katharine's rooms.&nbsp;
+The queen was devastated and immediately in fear for her
+life.&nbsp;&nbsp; </p>
+  <p>Katharine went to the king's rooms and there he immediately began
+to discuss religion with her, in particular contradicting many of her
+reformist beliefs.&nbsp; Recognizing the test, Katharine agreed with it
+all, telling Henry that 'women by their first creation were made
+subject to men' and that 'men out to instruct their wives, who would do
+all their learning from them'.&nbsp; The king was 'a prince of such
+excellent learning and wisdom' that she would gladly follow his
+counsel.&nbsp; But this appeal to Henry's vanity was not enough.&nbsp;
+'You are become a doctor able to instruct us and not to be instructed
+by us,' the king said, referring to her earlier lecture.&nbsp; But
+Katharine replied that he had 'much mistaken the freedom she had taken
+to argue with him', for she had only done it to learn from him and
+distract him from his illness.&nbsp; 'And is it even so?' asked Henry,
+with a smile. 'Then Kate, we are friends again.'&nbsp; Katharine Parr
+had escaped. </p>
+  <p>But no one had told the king's council.&nbsp; When Wriothesley and
+forty guards arrived to arrest Katharine the next day, the king himself
+beat them about the heads and shoulders, calling them foul names.&nbsp;
+Katharine was thus saved in a most public and spectacular fashion, and
+was soon gifted with more jewels and plate than before.&nbsp;&nbsp; </p>
+  <p>Her appeal to Henry's vanity saved her life and it also allowed
+the king to remind everyone who was the real master.&nbsp; Wriothesley
+had sought to recreate the destruction of <a
+ href="../citizens/wolsey.html">Wolsey</a>
+and Cromwell, using the king's temper to destroy his personal
+enemies.&nbsp; But Henry VIII was of a mind to do otherwise.&nbsp; He
+had long lamented the loss of Cromwell and he disliked any manipulation
+by his councilors.&nbsp; By saving Katharine in such a public manner,
+he forced his courtiers to recognize his omnipotence and mutability. </p>
+  <p>But he was not indestructible.&nbsp; The king's health began a
+decline in the spring of 1546 from which he only sporadically
+recovered.&nbsp; By the winter, he was dangerously ill.&nbsp;
+Katharine's own position gained new prominence since upon Henry's death
+she would be the dowager queen.&nbsp; She already had great influence
+over her stepson <a
+ href="edward6.html">Prince
+Edward</a>.&nbsp; She continued to nurse Henry
+assiduously, but was sent away to Greenwich Palace with Mary and
+Elizabeth for Christmas celebrations.&nbsp; She returned to London on
+10 January but never saw the king again.&nbsp; Henry VIII died in the
+early morning hours of 28 January 1547. </p>
+  <p>After Henry's death, Thomas Seymour's elder brother Edward assumed
+the title Protector of the Kingdom, ruling in the name of his nine year
+old nephew.&nbsp; Katharine, meanwhile, married Thomas with what others
+(including her royal stepchildren) felt was indecent haste.&nbsp; The
+actual date is not known but Seymour referred to himself as her husband
+in a letter of 17 May.&nbsp; The wedding took place in the moonlit
+gardens of Chelsea Manor.&nbsp; Letters indicate that the ambitious
+Seymour pressed for a quick union.&nbsp; As a dowager queen, Katharine
+was expected to behave perfectly; also, it was theoretically possible
+she was pregnant by Henry VIII. &nbsp;For once, the always dutiful
+Katharine had acted impulsively. &nbsp;She had given up Thomas Seymour
+once and would not do so again. </p>
+  <p>For the new king's councilors, the marriage was a disaster.&nbsp;
+They recognized Seymour's ambition even as Katharine fell even more
+deeply in love.&nbsp; Edward Seymour's wife Anne Stanhope, now the
+duchess of Somerset, engaged in a petty battle of precedence with
+Katharine.&nbsp; Also, there were arguments over Katharine's
+possessions, particularly jewelry which Henry VIII had given her.&nbsp;
+Still, there was far happier news to distract her.&nbsp; In late
+November 1547, thirty-five years old and childless through three
+previous marriages, Katharine Parr became pregnant. </p>
+  <p>However, her pregnancy was not the happy triumph she had
+expected.&nbsp; Her husband proved too forward with the young Princess
+Elizabeth and Katharine was forced to send her step-daughter
+away.&nbsp; This breach hurt them both deeply.&nbsp; The young <a
+ href="../relative/janegrey.html">Lady
+Jane Grey</a> remained with the household, however, for Seymour had
+'bought' her from her ambitious parents, hoping to marry her to Prince
+Edward. </p>
+  <p>Katharine gave birth to a girl named Mary at Sudeley Castle in
+Gloucestershire on 30 August.&nbsp; Jane Grey stood as godmother to the
+infant, but the happy occasion took a quick turn for the worse.&nbsp;
+Katharine Parr soon fell victim to puerperal sepsis, or 'childbed
+fever', which had also killed Queen Jane Seymour.&nbsp; She suffered
+painful delusions before sinking into calm, able to dictate her will
+and final wishes.&nbsp; She died on 5 September, and Jane Grey acted as
+chief mourner at the funeral.&nbsp; She was buried at Sudeley in St
+Mary's Church.&nbsp; </p>
+  <p>Katharine's Parr life was always one of duty and kindness.&nbsp;
+She left behind a formidable tradition of scholarship and religious
+devotion, as evidenced by her own books.&nbsp; The great tragedy of her
+life was that, when finally able to marry for love, her happiness was
+all too brief. <br>
+&nbsp; <br>
+&nbsp; <br>
+  </p>
+  <blockquote>
+    <center>
+    <p><font size="-1"><a
+ href="wives.html">to the Six
+Wives main page</a></font> <br>
+    <font size="-1"><a href="http://englishhistory.net/tudor.html">to
+Tudor England</a></font></p>
+    <p><font size="-1">Susan E. James wrote <a
+ href="http://www.amazon.com/exec/obidos/tg/detail/-/1840146834/qid=1068483380/sr=1-1/ref=sr_1_1/103-9144463-8095031?v=glance&amp;s=books">
+a wonderful biography</a> of Katharine in 1999.<br>
+It includes extensive selections from her letters to Thomas Seymour.</font></p>
+    </center>
+  </blockquote>
+</blockquote>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082571" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+<head>
+<meta name="page_topic" content="Jane Seymour third wife of King Henry VIII mother of King Edward VI">
+<meta name="content" content="Jane Seymour third wife of King Henry VIII mother of King Edward VI">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Jane Seymour: Biography, Portraits, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="607">
+  <tr>
+    <td width="25%" height="1"></td>
+    <td valign="top" width="50%" height="1"><p></td>
+    <td width="25%" height="1"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center"><font size="4">Here lies Jane, a phoenix <BR>Who 
+      died in giving another phoenix birth. <BR>Let her be mourned, for 
+      birds like these <BR>Are rare indeed. <BR></font><I><FONT size=-1>Jane 
+      Seymour's epitaph</FONT></I> </td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">&nbsp;</p>
+    <p align="center">
+    <img border="0" src="seymourcardinal.gif" alt="Jane Seymour" width="336" height="91"></p>
+    <p align="center">
+    <img border="0" src="seymourhorenbout1.jpg" alt="miniature portrait of Jane Seymour by Lucas Horenbout" width="325" height="327"></p>
+    <p align="center">
+    <i><font size="2">miniature portrait of Jane Seymour by Lucas Horenbout</font></i></p>
+    <p align="left">
+    <B><br>Henry VIII had 
+      six wives but only one gave him a son.&nbsp; Jane Seymour fulfilled her 
+      most important duty as queen, but she was never crowned and  died just 
+      twelve days after the long and arduous birth.&nbsp; She was Henry's third 
+      wife and seems never to have made much of an impression upon anyone except 
+      the king.&nbsp; Her meek and circumspect manner was in distinct contrast 
+      to Henry's second wife, the sharp-tongued Anne Boleyn.&nbsp; Jane had 
+      served as lady-in-waiting to Anne and she supplanted her in much the same 
+      way Anne had replaced Katharine of Aragon in Henry's affections.&nbsp; We 
+      will never know if Jane sought the king's favor or was a frightened pawn 
+      of her family and the king's desire.&nbsp; But we do know that she bravely 
+      sought pardons for those involved in the Pilgrimage of Grace revolt in 
+      1536.&nbsp; Rebuked by the king, and mindful of the fates of his first two 
+      wives, she retired into a quiet and decorous role.&nbsp; The triumphant 
+      birth of her son Edward allowed her two ambitious brothers into the king's 
+      inner circle; however, both would be executed during Edward's reign.</B>
+    </p>
+    <p align="left">&nbsp;</p>
+      <BLOCKQUOTE>
+        <p><A 
+        href="seymour.html#Biography">
+        <font size="4">Read 
+        the biography of Jane Seymour.</font></A></p>
+        <p>&nbsp;</p>
+        <P><B>Primary Sources</B> <BR>Read <A 
+        href="../letters.html">letters written by 
+        Jane</A>. <BR><A 
+        href="../ed6birth.html">Jane Seymour's 
+        pregnancy is announced</A>, 1537.</P></BLOCKQUOTE>
+      <BLOCKQUOTE>
+        <p>Visit <a href="http://www.marileecody.com/images.html">Tudor England: 
+        Images</a> to view portraits of Jane. <BR>Visit the <A 
+        href="edward6.html">King Edward 
+        VI site</A> to learn more about Jane's son. </p>
+        <P>Test your knowledge of Jane Seymour's life at <A 
+        href="../tudor1.html">Tudor 
+      Quizzes</A>.</P> 
+        <P><br><font size="2"><b>Interact<br></b>Meet other Six Wives enthusiasts at
+        <a href="http://ladiesallfanlist.cjb.net/">Ladies All: A Fanlisting for 
+        the Six Wives of Henry VIII</a>.<br><a href="http://tudorhistory.org/lists/list.html">
+        Tudor Talk </a>&nbsp;This email discussion list is sponsored by 
+        Tudorhistory.org.<br>
+        <a href="http://groups.yahoo.com/group/Reign_of_the_Tudors_rpg/">Reign 
+        of the Tudors</a>&nbsp; This is a role-playing game set in 16th century 
+        England.&nbsp; If you would like to 'play' Jane Grey or Anne Boleyn or 
+        other Tudors, click the link to join.</font></P> 
+        </BLOCKQUOTE></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <p>&nbsp;</p>
+  <p><A name=Biography></A><B>Biography</B> <BR>Jane Seymour's 
+        family was of ancient and respectable lineage.&nbsp; Her father was Sir 
+        John Seymour of Wolf Hall in Wiltshire; he served in the Tournai 
+        campaign of 1513 and accompanied Henry VIII to the Field of the Cloth of 
+        Gold in 1520.&nbsp; He was made a knight of the body and later a 
+        gentleman of the king's bedchamber.&nbsp; Both positions were very 
+        desirable for they allowed personal access to the king.&nbsp; Courtiers 
+        were always desperate to gain the king's ear, if even for a brief 
+        moment.&nbsp; Sir John was able to secure appointments at 
+        court for his family; of his eight children, three would come to 
+        historical prominence - the eldest son Edward as duke of Somerset and 
+        Lord Protector, another son Thomas as Lord Admiral and husband of Henry VIII's last queen, and his daughter Jane as queen of England.
+  </p>
+        <P>The Seymour rise to prominence at Henry's court mirrored that of the 
+        Boleyns; it was the path sought by all English families with a minor 
+        pedigree or clever son.&nbsp; But gaining the king's favor was rather 
+        different than maintaining it and the Seymours proved far more adept at 
+        the latter. 
+        <P>Jane's birthdate is unknown; various accounts use anywhere from 1504 
+        to 1509.&nbsp; She first came to court as a lady-in-waiting to <A 
+        href="aragon.html">Katharine of 
+        Aragon</A>, Henry VIII's first wife.&nbsp; But soon enough <A 
+        href="boleyn.html">Anne 
+        Boleyn</A> was queen and Jane attended her.&nbsp; She witnessed 
+        first-hand the tempestuous relationship between Anne and Henry.&nbsp; 
+        Jane herself was known for her quiet and soothing manner.&nbsp; 
+        Certainly Henry knew of her but there is no evidence that he took 
+        particular notice until September 1535 when his royal progress stopped 
+        at Wolf Hall.&nbsp; Such a visit was a great honor for the Seymour 
+        family.&nbsp; And it brought Jane, away from court and its flirtatious 
+        young beauties, immediately to the king's attention.&nbsp; 
+        <P>Many historians have argued this was the beginning of Henry's 
+        infatuation, but it was unlikely.&nbsp; Anne Boleyn was not completely 
+        out of favor just yet; she was pregnant again,<img border="2" src="seymourbiography.jpg" alt="portrait of Jane Seymour by an unknown artist" align="right" width="275" height="423"> though she would suffer a 
+        miscarriage in January.&nbsp; And Henry's flirtations were confined to 
+        Anne's cousin, Madge Shelton.&nbsp; Jane Seymour was perhaps in the 
+        king's thoughts but he did nothing for several months. 
+        <P>
+      In February 1536, however, foreign ambassadors began to report rumors 
+        of the king's romance with Jane.&nbsp; They speculated upon her chances 
+        of becoming queen.&nbsp; Henry made his affection clear to Jane; she 
+        received costly gifts (which she prudently returned) and her brothers 
+        were promoted at court.&nbsp; In April 1536, Edward Seymour and his wife 
+        moved to rooms which connected through a hidden passage with the king's 
+        apartments.&nbsp; Henry could thus continue his courtship of Jane in 
+        relative privacy. 
+        <P>But the king was also mindful of the vicious rumors and public 
+        outrage which had accompanied his open courtship of Anne Boleyn while 
+        still wed to Katharine of Aragon.&nbsp; He was far more discreet with 
+        Jane, and this undoubtedly suited her character.&nbsp; She was content 
+        to remain unknown.&nbsp; There were rumors that she would not dine alone 
+        with the king, insisting always upon a chaperone, and that she responded 
+        to a particularly bold flirtation by reminding the king of his marriage. 
+
+        <P>Henry did not need to be reminded of his second marriage; it had 
+        become a bitter disappointment for him.&nbsp; He was determined to rid 
+        himself of Anne Boleyn.&nbsp; Jane's presence was merely another impetus 
+        for action. 
+        <P>Another impetus was the death of Katharine of Aragon on 7 January 
+        1536.&nbsp; All of Europe, and most Englishmen, had regarded her as the 
+        king's rightful wife and Anne as merely his concubine.&nbsp; On 29 
+        January, Anne miscarried a son; the king ominously declared that he 
+        would have no more children by her.&nbsp; For Henry, it was suddenly 
+        clear that if he could rid himself of Anne and marry Jane, then he would 
+        have a legitimate marriage recognized by all and another possibility for 
+        a son. 
+        <P>The king began to mention publicly that he had been bewitched into 
+        marriage with Anne; he knew his words would reach her.&nbsp; Anne was 
+        terrified but  could do little.&nbsp; She had few friends at court, 
+        and even those were prepared to desert her for the king's favor.&nbsp; 
+        On 2 May, she was arrested and taken to the Tower of London.&nbsp; On 
+        15 May, she was condemned to death; Henry sent a personal message to 
+        Jane with the news.&nbsp; Four days later Anne was executed; the day 
+        after, 20 May, the king was formally betrothed to Jane.&nbsp; They 
+        married ten days later on 30 May and Jane was publicly declared queen on 
+        4 June.&nbsp; She chose an apt motto, 'Bound to Obey and Serve'. 
+        <P>She was never granted the lavish coronation which Anne had 
+        enjoyed.&nbsp; It was summertime and the minor plagues were sweeping 
+        through London; the king said she must wait until the spring to be 
+        crowned.&nbsp; It is also possible, and was rumored, that Henry had no 
+        intention of crowning Jane until she had proved her worth and provided a 
+        son.&nbsp; If she proved barren, he could annul their marriage with 
+        hopefully little fanfare. 
+        <P>Almost a decade had passed since the 'King's Great Matter' first 
+        began and still Henry did not have a legitimate heir.&nbsp; And on 20 
+        July 1536, he received the devastating news that his only illegitimate 
+        son, Henry Fitzroy, duke of Richmond, had died at the age of 17.&nbsp; 
+        There had always been the possibility that Fitzroy could have succeeded 
+        him, but now Henry VIII was left with only two daughters, both declared 
+        illegitimate.&nbsp; It is certain that if Jane had not provided a son, 
+        she would have been quickly discarded.&nbsp; Personal affection could 
+        not overcome political necessity. 
+        <P>But Jane was able to provide the king with his fondest wish.&nbsp; 
+        And indeed the whole country wished for an heir; they had no desire to 
+        return to ruinous civil war.&nbsp; 
+        <P>Rumors of her pregnancy began almost immediately after her 
+        marriage.&nbsp; But it wasn't early 1537 that rumors could finally be 
+        confirmed as fact.&nbsp; The London chronicler Edward Hall recorded 
+        public rejoicing at news of Jane's quickening:&nbsp; 'On 27 May 
+        1537, Trinity Sunday, there was a Te Deum sung in St Paul's cathedral 
+        for joy at the queen's quickening of her child, my lord chancellor, lord 
+        privy seal and various other lords and bishops being then present; the 
+        mayor and aldermen with the best guilds of the city being there in their 
+        liveries, all giving laud and praise to God for joy about it.' 
+        <P>Bonfires were lit and celebrations held throughout England; prayers 
+        were offered for a safe delivery.&nbsp; In early October, Jane went to 
+        Hampton Court Palace for her lying-in and on 12 October, after a long 
+        and difficult labor, she gave birth to the wished-for son.&nbsp; It was 
+        the eve of St Edward's day and so he was baptized by that name on 15 
+        October.&nbsp; His two half-sisters, Mary and Elizabeth, attended the 
+        splendid christening ceremony.&nbsp; Mary stood as godmother; Elizabeth 
+        was carried in the arms of Thomas Seymour, Jane's brother who would 
+        later plan to marry her.&nbsp; Her grandfather, Thomas Boleyn, also 
+        attended the ceremony. 
+        <P>After 29 years as king of England, Henry VIII finally had a 
+        legitimate male heir.&nbsp; Past grievances could be forgotten at this 
+        grand moment. 
+        <P>Jane did not savor her success for long.&nbsp; The christening 
+        ceremony had begun in her bedchamber; she was wrapped in robes and 
+        carried on a litter to the king's chapel.&nbsp; She was able to 
+        participate but the long ordeal proved too much.&nbsp; She was already 
+        weak and exhausted; she needed quiet and rest and received 
+        neither.&nbsp; Only a day later, it was reported that the queen was very 
+        ill.&nbsp; Her condition quickly worsened.&nbsp; She was delirious and 
+        had a&nbsp; high fever; doctors bled her and attendants hastened to 
+        fulfill her craving for sweets and wine.&nbsp; The king's chief minister 
+        Cromwell would later blame the sweets for her death but they did little 
+        to harm Jane.&nbsp; Modern historians believe she had puerperal sepsis, 
+        or 'childbed fever'.&nbsp; It was all too common in the 16th century. 
+        <P>It was later rumored that she died from complications of a Cesarean 
+        section, that Henry VIII had ordered the child ripped from her womb, but this was unlikely.&nbsp; There were no reports that she was 
+        bleeding excessively and she was able to attend the christening and 
+        greet visitors.&nbsp; Sadly, Jane was a victim of her times.&nbsp; Poor 
+        hygiene and medical knowledge could not stop the fever which finally 
+        killed her near midnight on 24 October. 
+        <P>Jane's early death, at the moment of her great triumph, and her 
+        gentle character had an enduring hold on Henry VIII's memory.&nbsp; She 
+        was given a solemn state funeral; Princess Mary acted as her chief 
+        mourner.&nbsp; In her short time as queen, Jane had attempted to 
+        reconcile Henry and his stubborn daughter.&nbsp; Her body was embalmed 
+        and laid to rest in the tomb at Windsor Castle which Henry was building 
+        for himself.&nbsp; Years after her death, even while he was married to 
+        other women, Jane continued to appear in royal portraits as queen 
+        consort.&nbsp; Her special status as mother to the heir was never 
+        forgotten. 
+        <P>The king wore black until well into 1538 and waited more than two 
+        years to marry again.&nbsp; This was the longest interval between 
+        marriages during his reign.&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>
+        <CENTER>
+        <P><FONT size=-1><A 
+        href="wives.html">to the Six 
+        Wives main page</A></FONT> <BR><FONT size=-1><A 
+        href="http://englishhistory.net/tudor.html">to Tudor 
+        England</A></FONT><P><font size="-1">
+        <a href="../primary.html">to Primary 
+        Sources</a></font></CENTER>
+</blockquote>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082568" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082568" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/wives.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/wives.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/monarchs/wives.html	(revision 18423)
@@ -0,0 +1,134 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="page_topic" content="The Six Wives of Henry VIII Catherine of Aragon Anne Boleyn Jane Seymour Anne of Cleves Kathryn Howard Catherine Parr">
+  <meta name="content" content="The Six Wives of Henry VIII Katharine of Aragon Anne Boleyn Jane Seymour Anne of Cleves Catherine Howard Katharine Parr">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+  <meta name="ProgId" content="FrontPage.Editor.Document">
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=windows-1252">
+  <meta http-equiv="Content-Language" content="en-us">
+  <title>The Six Wives of Henry VIII</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-weight: bold}
+  </style>
+</head>
+<body link="#0000ff" vlink="#0000ff" alink="#000000" bgcolor="#ffffff">
+<p>&nbsp;</p>
+<div align="center">
+<center>
+<table border="0" cellpadding="0" cellspacing="0" width="90%"
+ height="329">
+  <tbody>
+    <tr>
+      <td align="center" valign="top" colspan="5" width="100%"
+ height="56">
+      <p align="center"> <img height="56"
+ alt="The Six Wives of Henry VIII"
+ src="wives.gif" width="588"></p>
+      </td>
+    </tr>
+    <tr>
+      <td width="30%" height="1"><br>
+      </td>
+      <td width="1%" height="1"><br>
+      </td>
+      <td width="45%" height="1"><br>
+      </td>
+      <td width="1%" height="1"><br>
+      </td>
+      <td width="23%" height="1"><br>
+      </td>
+    </tr>
+    <tr>
+      <td valign="top" width="30%" height="273">
+      <p align="center">&nbsp;</p>
+      <p align="center"> &nbsp;</p>
+      <p align="center"> <img border="0"
+ src="wivesmain.jpg"
+ alt="miniature portrait of Katharine Parr by Lucas Horenbout"
+ width="225" height="225"></p>
+      </td>
+      <td width="1%" height="273"><br>
+      </td>
+      <td valign="top" width="45%" height="273">&nbsp;
+      <blockquote>
+      <p align="left"><a
+ href="aragon.html"> <img
+ height="35" alt="click here to visit the Katharine of Aragon page"
+ src="wives-aragon.gif"
+ width="281" border="0"></a><br>
+      </p>
+      <p align="left"><a
+ href="boleyn.html"> <img
+ height="34" alt="click here to visit the Anne Boleyn page"
+ src="wives-boleyn.gif"
+ width="169" border="0"></a><br>
+      </p>
+      <p align="left"><a
+ href="seymour.html"> <img
+ height="33" alt="click here to visit the Jane Seymour page"
+ src="wives-seymour.gif"
+ width="186" border="0"></a></p>
+      <p align="left">
+      <a href="cleves.html"><img
+ height="34" alt="click here to visit the Anne of Cleves page"
+ src="wives-cleves.gif"
+ width="204" border="0"></a></p>
+      <p align="left">
+      <a href="howard.html"><img
+ height="35" alt="click here to visit the Catherine Howard page"
+ src="wives-howard.gif"
+ width="248" border="0"></a></p>
+      <p align="left">
+      <a href="parr.html"><img
+ height="36" alt="click here to visit the Katharine Parr page"
+ src="wives-parr.gif"
+ width="211" border="0"></a></p>
+      </blockquote>
+      <p align="center">&nbsp;</p>
+      <blockquote>
+      <p align="left"><font face="Arial" size="2">Simply click on the above 
+      names.</font></p>
+      <p align="left"><font size="2" face="Arial">If you would like to meet 
+      fellow Six Wives enthusiasts, please visit
+      <a href="http://ladiesallfanlist.cjb.net/">Ladies All: A fanlisting for 
+      the six wives of Henry VIII</a>.</font></p>
+      </blockquote>
+      <center>
+      <p><font size="2" face="Arial"><a
+ href="../monarchs.html">to Tudor Monarchs</a>
+      <br>
+      <a href="http://englishhistory.net/tudor.html">to Tudor England</a></font></p>
+      <p><font face="Arial" size="1">The above portrait is of Katharine
+Parr by Lucas Horenbout.</font></p>
+      </center>
+      </td>
+      <td width="1%" height="273"><br>
+      </td>
+      <td valign="top" width="23%" height="273">&nbsp;
+      <p align="center">&nbsp;</p>
+      <p align="center">&nbsp;</p>
+      <p align="center">&nbsp;</p>
+      <p align="center"><font size="2" face="Arial">Portraits of the
+Six Wives can be viewed at <a href="http://www.marileecody.com/images.html">Tudor England: Images</a>.</font></p>
+      <p align="center"><font size="2" face="Arial">Read 
+      <a href="../letters.html">letters
+written by the Six Wives</a> and other 
+      <a href="../primary.html">primary sources</a>.</font></p>
+      <p align="center">&nbsp;</p>
+      <p align="center">&nbsp;</p>
+      <p align="center">&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      </td>
+    </tr>
+  </tbody>
+</table>
+</center>
+</div>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082529" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082529" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/news.html
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--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/news.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/news.html	(revision 18423)
@@ -0,0 +1,228 @@
+<html>
+
+<head>
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>What's New at Tudor England?</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3" bgcolor="#000000">&nbsp;</td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+<br>    <img border="0" src="whatsnew.gif" alt="What's New?" width="377" height="78"></p>
+    <blockquote>
+      <hr>
+    </blockquote>
+    <p> <u><font size="4">
+      <img border="0" src="ivesbook.jpg" align="left" width="95" height="140"></font></u></p>
+    <p> <b><u><font size="4">29 September 2004<br></font></u></b>Professor 
+      Eric Ives, who wrote the definitive biography of Anne Boleyn in 1986, has 
+      just released <i>The Life and Death of Anne Boleyn: The Most Happy </i>(<a href="http://www.amazon.com/exec/obidos/tg/detail/-/0631234799/qid=1096393461/sr=8-1/ref=sr_8_xs_ap_i1_xgl14/104-8047124-6243950?v=glance&s=books&n=507846">US</a> 
+      and
+      <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0631234799/qid=1096393233/ref=sr_8_xs_ap_i1_xgl/202-4684411-4080647">
+      UK</a>), which incorporates new research and addresses issues raised by 
+      the biographies of Anne which followed his own (including Warnicke and 
+      Starkey's work.)&nbsp; Tudor enthusiasts know that
+      <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0521406773/qid=1096481812/ref=sr_8_xs_ap_i1_xgl/202-4684411-4080647">
+      Warnicke's</a> <i>The Rise and Fall of Anne Boleyn</i> questioned many of 
+      Ives's conclusions.</p>
+    <p>I should stress that this is a <i>new</i> biography, 
+      not simply a new edition of the 1986 work.</p>
+      <p>I'm still working on the Reviews section; please check back soon.</p>
+      <p align="left">If you haven't been to <i>Tudor England: Images</i> in a 
+      while, please visit.&nbsp; I did post <b>lots</b> of new portraits in the last 
+      month or so, - check out the
+      <a href="http://www.marileecody.com/henry7images.html">Henry VII</a> -
+      <a href="http://www.marileecody.com/henry8images.html">Henry VIII</a> - 
+      and <a href="http://www.marileecody.com/maryqosimages.html">Mary, queen of 
+      Scots</a> pages. </p>
+    <p align="left">I will be adding some new Elizabeth I portraits soon.</p>
+      <p> &nbsp;</p>
+      <p> <font
+ style="font-weight: bold;">20 September 2004</font><br>
+The Henry VIII miniseries starring Ray Winstone is <a
+ href="http://www.amazon.com/exec/obidos/tg/detail/-/B0002KPIR8/qid=1092239900/sr=1-4/ref=sr_1_4/102-1488722-9759359?v=glance&amp;s=dvd">being
+released on Region 1 dvd</a> on 16 November for US viewers. <br>
+However, it will appear on PBS as a two-part 'Masterpiece Theatre'
+presentation before its DVD release, on 7 November and 14
+November.&nbsp; Click here to visit <a
+ href="http://www.pbs.org/previews/henryVIII/">the PBS Previews page</a>.<br>
+      </p>
+      <div style="margin-left: 40px;">
+      <p><small><img
+ src="henry8miniseries.jpg" title=""
+ alt="Henry VIII dvd" style="width: 105px; height: 150px;" align="left"><font size="3">Henry's
+38-year reign saw England transformed from a sleepy backwater of
+jousting tournaments and Catholic piety to a nation torn by religious
+and political strife - all because the king wanted a male heir.</font></small></p>
+      <p>"He was a very troubled man," observes Winstone, who in
+the course of the film ages from the young athletic king to the burly
+icon familiar from Hans Holbein paintings. "This is a man who allowed
+two of his wives - women he loved passionately - to be murdered. At the
+same time, he wrote beautiful love letters, understood science and, to
+a certain extent, was a great ambassador. He was an intelligent,
+gentle, romantic man who lost his way when it came to love."</p>
+      </div>
+      <p>&nbsp;</p>
+      <p align="left"><font face="Times New Roman"
+ style="font-weight: bold;">July 2004</font><font face="Times New Roman"><br>
+According to <a href="http://www.gallifreyone.com/newstv.php">Outpost
+Gallifrey</a>, the new <b>Doctor Who</b> series will feature <b>an
+appearance by Henry VIII</b>:</font></p>
+      <blockquote>
+        <p align="left"><font face="Times New Roman">An article in the
+June 29 Daily Star says that the new Doctor Who series "will feature
+historic figures including Shakespeare, Henry VIII and Einstein - who
+are locked up together inside a Big Brother-style house. Famous
+housemates will face eviction and death from aliens when the classic
+sci-fi show comes back to our screens next year. The new series, which
+stars Christopher Eccleston as Dr Who, is aiming to win over a whole
+new generation of young followers of the Tardis timelord. Christopher
+said: 'We can parallel things with science fiction and address what's
+going on around us to a certain extent for young people without being
+pompous.' In one of the planned episodes of the hotly-awaited series,
+some of the world's most famous figures from the past are kidnapped
+from their time zones by aliens. They are put in a Big Bruvstyle house
+for extraterrestrial television entertainment."<font size="2"> (Thanks
+to Paul Engelberg)</font></font></p>
+      </blockquote>
+      <p align="left"><font face="Times New Roman">The Ninth Doctor is
+being played by Christopher Eccleston, who played the duke of Norfolk
+in 1998's <i>Elizabeth</i>.&nbsp; Yes, these are tenuous Tudor links
+but I'm a Doctor Who fan as well.</font></p>
+        <hr style="width: 100%; height: 2px;">
+        <p align="left"><font face="Times New Roman">Thanks to the
+Barbie collector who emailed me the link to
+        <a
+ href="http://www.barbiecollector.com/showcase/product.asp?type=&amp;subtype=&amp;product_id=1003486">the
+'World of Royalty: Queen Elizabeth I' doll</a>.&nbsp; For those of you
+who missed the 1995 Elizabeth doll, mark September in your
+calendars.&nbsp; And start saving - the doll will probably retail at
+$250.</font></p>
+        <hr>
+        <p align="left"><b><font face="Times New Roman"><i>Elizabeth</i>
+sequel in the works?</font></b><font face="Times New Roman"><br>
+        <font size="2">(Source: <a
+ href="http://www.comingsoon.net/news.php?id=4977">http://www.comingsoon.net/news.php?id=4977</a>)</font></font></p>
+        <p align="left"><font face="Times New Roman">Aussie's <i>The
+Daily Telegraph</i> spoke to <b>
+Elizabeth</b> director Shekhar Kapur who says that he is working on a
+sequel to the 1998 Cate Blanchett drama.<br>
+        <br>
+Blanchett is expected to take the throne again and star in the epic -
+based on Queen Elizabeth I - which has the working title of <b>Golden
+Age</b>. "It is about the battle between her life as a monarch and her
+personal life," Kapur said. "It ends in the destruction of the Spanish
+Armada on the larger level."
+        <br>
+        <br>
+The Indian-born Kapur said the script, which Michael Hirst is working
+on, would be ready in six months. "And then it depends on Cate's
+schedule and my schedule as to when we start shooting."</font><font
+ face="Times New Roman" size="2"><br>
+        </font><font face="Times New Roman" size="1"><br>
+More links:<br>
+        <a href="http://www.imdb.com/title/tt0127536/news">http://www.imdb.com/title/tt0127536/news</a><br>
+        <a href="http://in.news.yahoo.com/040604/139/2dhbb.html">http://in.news.yahoo.com/040604/139/2dhbb.html</a></font></p>
+        <hr>
+        <p align="left" style="font-weight: bold;"><font
+ face="Times New Roman" size="4">EARLIER NEWS</font></p>
+        <p align="center"><font face="Times New Roman">
+        <i>
+        <img border="0"
+ src="dunnbook.gif"
+ alt="Jane Dunn biography" width="100" height="148"></i></font></p>
+        <p align="left"><font face="Times New Roman">
+        <b><i>Elizabeth
+and Mary: Cousins, Rivals, Queens</i> by Jane Dunn was recently
+released.</b>&nbsp; I am <i>still</i> working on the new and improved Reviews
+section, but here is a quick review - this is a worthwhile addition to your
+Tudor library.&nbsp; I've read enough about both women to wonder if I
+would learn anything from this book, but I was pleasantly
+surprised.&nbsp; A liberal use of primary sources plus a lovely
+selection of portraits - and the book jacket and boards are beautifully
+designed.&nbsp; As competition for Alison Plowden's <i>Two Queens in
+One Isle</i>, this book is the better choice.</font></p>
+        <p align="left">&nbsp;</p>
+        <p align="center"><font face="Times New Roman">
+        <img border="0"
+ src="guyscots.gif"
+ alt="John Guy biography" width="100" height="151"></font></p>
+        <p align="left"><font face="Times New Roman">
+        At last!&nbsp;
+Finally, another major biography of Mary Stuart has been
+released.&nbsp;
+        <b><i>Queen of Scots: The True Life of Mary Stuart</i> is by
+noted Tudor historian John Guy</b>.&nbsp; Antonia Fraser's biography
+was serviceable but my own casual research revealed large gaps in her
+use of primary sources.&nbsp; I always wondered - when would another
+historian focus on Mary's tumultuous life?&nbsp; I should note that the
+UK version of this work is entitled <i>My Heart is My Own: The Life of
+Mary Queen of Scots</i> and the jacket features the Clouet sketch of an
+adolescent Mary.&nbsp; The American edition, shown above, has the 'hat'
+portrait <i>minus</i> the hat!&nbsp; As an admirer of
+        <a href="http://www.marileecody.com/maryqos1565.jpg">the hat</a>
+and its fluffy feather, I'm rather disappointed.</font></p>
+        <p align="left">&nbsp;</p>
+        <p align="center"> <font face="Times New Roman"> 
+        <img border="0"
+ src="boleynbook.jpg"
+ width="70" height="108"></font></p>
+        <p align="left"> <font face="Times New Roman"> <b><i>Anne
+Boleyn: A New Life of England's Tragic Queen</i> by Joanna Denny
+was published in April 
+        <a href="http://www.amazon.co.uk/exec/obidos/ASIN/074995017X/qid=1076882496/sr=2-2/ref=sr_2_11_2/026-4110626-7673264">in the UK</a>.&nbsp; </b>In comparison with the
+two existing major biographies of Anne (by Carrolly Erickson and Retha
+Warnicke), this one is the most successful 'popular' biography.&nbsp;
+And no, I don't mean 'popular' as a slur; far from it.&nbsp; I'll post
+my review at the new Reviews section when I've finished.</font></p>
+        <p align="left"> &nbsp;</p>
+        <p align="left"><font face="Times New Roman"><b>The Folger Shakespeare 
+        Library has finished its nine-year restoration of the Trevelyon 
+        Miscellany.&nbsp; </b><font size="2">It's now the focus of <a
+ href="http://www.folger.edu/public/exhibit/Trevelyon/intro.asp">an excellent 
+        exhibit</a>.</font></font></p>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <blockquote>
+        <p align="left">&nbsp;</p>
+      </blockquote>
+    </blockquote>
+  </blockquote>
+</blockquote>
+        <p align="center"><b><font size="2" face="Times New Roman">News
+prior to summer 2004 has been deleted.</font></b></p>
+          <p align="center"><font face="Times New Roman" size="2"> <a
+ href="contents.html"><br>
+to Tudor England</a></font></p>
+          <p align="center"><font face="Times New Roman" size="2"> <a
+ href="mailto:email@englishhistory.net">Share your Tudor news!</a></font></p>
+        <p>&nbsp;</td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/pcranmer.html
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The execution of Archbishop Thomas Cranmer, 1556</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="pcranmer.gif" width="359" height="91"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="-1">This 
+      dramatic account of Archbishop Thomas Cranmer's execution was written by 
+      an anonymous bystander.&nbsp; </font>
+      <p><font size="-1">Cranmer was executed on 21 March 1556.&nbsp; Imprisoned by 
+      the Catholic Queen Mary I, Cranmer wrote a recantation of Protestantism, 
+      but he denied that recantation before he died.</font></p>
+      <p><font size="-1">Mary had good cause to dislike Cranmer.&nbsp; Not only 
+      was he the premier Protestant in England, he also annulled her parents' 
+      marriage and subsequently married King Henry VIII to Anne Boleyn.</font></p>
+      <p><br>
+      <br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+But that I know for our great friendships, and long continued love,
+you look even of duty that I should signify to you of the truth of such
+things as here chanceth among us; I would not at this time have written
+to you the unfortunate end, and doubtful tragedy, of Thomas Cranmer late
+bishop of Canterbury: because I little pleasure take in beholding of such
+heavy sights.&nbsp; And, when they are once overpassed, I like not to rehearse
+them again; being but a renewing of my woe, and doubling my grief.&nbsp;
+For although his former, and wretched end, deserves a greater misery, (if
+any greater might have chanced than chanced unto him), yet, setting aside
+his offenses to God and his country, and beholding the man without his
+faults, I think there was none that pitied not his case, and bewailed not
+his fortune, and feared not his own chance, to see so noble a prelate,
+so grave a counsellor, of so long continued honor, after so many dignities,
+in his old years to be deprived of his estate, adjudged to die, and in
+so painful a death to end his life.&nbsp; I have no delight to increase
+it.&nbsp; Alas, it is too much of itself, that ever so heavy a case should
+betide to man, and man to deserve it.
+<br>But to come to the matter: on Saturday last, being 21 of March, was
+his day appointed to die.&nbsp; And because the morning was much rainy,
+the sermon appointed by Mr Dr Cole to be made at the stake, was made in
+St Mary's church: whither Dr Cranmer was brought by the mayor and aldermen,
+and my lord Williams: with whom came divers gentlemen of the shire, sir
+T A Bridges, sir John Browne, and others.&nbsp; Where was prepared, over
+against the pulpit, a high place for him, that all the people might see
+him.&nbsp; And, when he had ascended it, he kneeled him down and prayed,
+weeping tenderly: which moved a great number to tears, that had conceived
+an assured hope of his conversion and repentance....
+<br>When praying was done, he stood up, and, having leave to speak, said,
+'Good people, I had intended indeed to desire you to pray for me; which
+because Mr Doctor hath desired, and you have done already, I thank you
+most heartily for it.&nbsp; And now will I pray for myself, as I could
+best devise for mine own comfort, and say the prayer, word for word, as
+I have here written it.'&nbsp; And he read it standing: and after kneeled
+down, and said the Lord's Prayer; and all the people on their knees devoutly
+praying with him....
+<br>And then rising, he said, 'Every man desireth, good people, at the
+time of their deaths, to give some good exhortation, that other may remember
+after their deaths, and be the better thereby.&nbsp; So I beseech God grant
+me grace, that I may speak something, at this my departing, whereby God
+may be glorified, and you edified....
+<br>And now I come to the great thing that troubleth my conscience more
+than nay other thing that ever I said or did in my life: and that is, the
+setting abroad of writings contrary to the truth.&nbsp; Which here now
+I renounce and refuse, as things written with my hand, contrary to the
+truth which I thought in my heart, and written for fear of death, and to
+save my life, if it might be: and that is, all such bills, which I have
+written or signed with mine own hand since my degradation: wherein I have
+written many things untrue.&nbsp; And forasmuch as my hand offended in
+writing contrary to my heart, therefore my hand shall first be punished:
+for if I may come to the fire, it shall be first burned.&nbsp; And as for
+the pope, I refuse him, as Christ's enemy and antichrist, with all his
+false doctrine.'
+<br>And here, being admonished of his recantation and dissembling, he said,
+'Alas, my lord, I have been a man that all my life loved plainness, and
+never dissembled till now against the truth; which I am most sorry for
+it.'&nbsp; He added hereunto, that, for the sacrament, he believed as he
+had taught in his book against the bishop of Winchester.&nbsp; And here
+he was suffered to speak no more....
+<br>Then was he carried away; and a great number, that did run to see him
+go so wicjedly to his death, ran after him, exhorting him, while time was,
+to remember himself.&nbsp; And one Friar John, a godly and well learned
+man, all the way traveled with him to reduce him.&nbsp; But it would not
+be.&nbsp; What they said in particular I cannot tell, but the effect appeared
+in the end: for at the stake he professed, that he died in all such opinions
+as he had taught, and oft repented him of his recantation.
+<br>Coming to the stake with a cheerful countenance and willing mind, he
+put off his garments with haste, and stood upright in his shirt: and bachelor
+of divinity, named Elye, of Brazen-nose college, labored to convert him
+to his former recantation, with the two Spanish friars.&nbsp; And when
+the friars saw his constancy, they said in Latin to one another 'Let us
+go from him: we ought not to be nigh him: for the devil is with him.'&nbsp;
+But the bachelor of divinity was more earnest with him: unto whom he answered,
+that, as concerning his recantation, he repented it right sore, because
+he knew it was against the truth; with other words more.&nbsp; Whereby
+the Lord Williams cried, 'Make short, make short.'&nbsp; Then the bishop
+took certain of his friends by the hand.&nbsp; But the bachelor of divinity
+refused to take him by the hand, and blamed all the others that so did,
+and said, he was sorry that ever he came in his company.&nbsp; And yet
+again he required him to agree to his former recantation.&nbsp; And the
+bishop answered, (showing his hand), 'This was the hand that wrote it,
+and therefore shall it suffer first punishment.'
+<br>Fire being now put to him, he stretched out his right hand, and thrust
+it into the flame, and held it there a good space, before the fire came
+to any other part of his body; where his hand was seen of every man sensibly
+burning, crying with a&nbsp; loud voice, 'This hand hath offended.'&nbsp;
+As soon as the fire got up, he was very soon dead, never stirring or crying
+all the while.
+<br>His patience in the torment, his courage in dying, if it had been taken
+either for the glory of God, the wealth of his country, or the testimony
+of truth, as it was for a pernicious error, and subversion of true religion,
+I could worthily have commended the example, and matched it with the fame
+of any father of ancient time: but, seeing that not the death, but cause
+and quarrel thereof, commendeth the sufferer, I cannot but much dispraise
+his obstinate stubbornness and sturdiness in dying, and specially in so
+evil a cause.&nbsp; Surely his death much grieved every man; but not after
+one sort.&nbsp; Some pitied to see his body so tormented with the fire
+raging upon the silly carcass, that counted not of the folly.&nbsp; Other
+that passed not much of the body, lamented to see him spill his soul, wretchedly,
+without redemption, to be plagued for ever.&nbsp; His friends sorrowed
+for love; his enemies for pity; strangers for a common kind of humanity,
+whereby we are bound one to another.&nbsp; Thus I have enforced myself,
+for your sake, to discourse this heavy narration, contrary to my mind:
+and, being more than half weary, I make a short end, wishing you a quieter
+life, with less honor; and easier death, with more praise.<p align="center">&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082606" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/prianne1.html
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The coronation of Anne Boleyn, 1533</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="prianne1.gif" alt="Primary Sources: 1533: The coronation of Anne Boleyn" width="322" height="155"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><p>
+    <font size="2">
+    <img border="0" src="anne2.jpg" alt="portrait of Anne Boleyn" align="left" width="139" height="194">This 
+    account of Anne Boleyn's coronation was written by the Tudor chronicler 
+    Edward Hall.</font><p>
+    <font size="2">Henry only provided coronations for his first two wives.&nbsp; 
+    Katharine of Aragon shared his coronation in 1509; Anne's lavish ceremony 
+    took place on 29 May 1533.&nbsp; She would be executed almost exactly three 
+    years later.</font><p>
+    <font size="2">The coronation was not a success, despite its expense.&nbsp; 
+    Anne was not popular.&nbsp; Insults were shouted; mocking laughter was 
+    heard.&nbsp; Anne was already two months pregnant with the future Queen 
+    Elizabeth I.&nbsp; This undoubtedly hastened her secret marriage and 
+    coronation.&nbsp; Henry VIII wanted no one to doubt the legitimacy of his 
+    son or the nobility of his parentage.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+      <p>
+    On
+Thursday 29 May, Lady Anne, marquess of Pembroke, was received as queen
+of England by all the lords of England.&nbsp; And the mayor and aldermen,
+with all the guilds of the City of London, went to Greenwich in their barges
+after the best fashion, with also a barge of bachelors of the mayor's guild
+richly hung with cloth of gold with a great number to wait on her.&nbsp;
+And so all the lords with the mayor and all the guilds of London brought
+her by water from Greenwich to the Tower of London, and there the king's
+grace received her as she landed, and then over a thousand guns were fired
+at the Tower, and others were fired at Limehouse, and on other ships lying
+in the Thames. </p>
+
+<p>And on Saturday, the last day of May, she rode from the Tower of London
+through the City with a goodly company of lords, knights and gentlemen,
+with all the peers of the realm, richly appareled.&nbsp; She herself rode
+in a rich chariot covered with cloth of silver, and a rich canopy of cloth
+of silver borne over her head by the four Lords of the Ports, in gowns
+of scarlet, followed by four richly hung chariots of ladies; and also several
+other ladies and gentlewoman riding on horseback, all in gowns made of
+crimson velvet.&nbsp; And there were various pageant made on scaffolds
+in the city; and all the guilds were standing in their liveries, every
+one in order, the mayor and aldermen standing in Cheapside.&nbsp; And when
+she&nbsp; came before them the Recorder of London made a goodly presentation
+to her, and then the mayor gave her a purse of cloth of fold with a thousand
+marks of angel nobles in it, as a present from the whole of the city; and
+so the lords brought her to the palace of Westminster and left her there
+that night.
+<p>On 1 June Queen Anne was brought from Westminster Hall to St Peter's
+Abbey in procession, with all the monks of Westminster going in rich copes
+of gold, with thirteen mitred abbots; and after them all the king's chapel
+in rich copes with four bishops and two mitred archbishops, and all the
+lords going in their parliament robes, and the crown borne before her by
+the duke of Suffolk, and her two sceptres by two earls, and she herself
+going under a rich canopy of cloth of gold, dressed in a kirtle of crimson
+velvet decorated with ermine, and a robe of purple velvet decorated with
+ermine over that, and a rich coronet with a cap of pearls and stones on
+her head; and the old duchess of Norfolk carrying her train in a robe of
+scarlet with a coronet of gold on her cap, and Lord Burgh, the queen's
+Chamberlain, supporting the train in the middle.
+<p>After her followed ten ladies in robes of scarlet trimmed with ermine
+and round coronets of gold on their heads; and next after them all the
+queen's maids in gowns of scarlet edged with white Baltic fur.&nbsp; And
+so she was brought to St Peter's church at Westminster, and there set in
+her high royal seat, which was made on a high platform before the altar.&nbsp;
+And there she was anointed and crowned queen of England by the archbishop
+of Canterbury and the archbishop of York, and so sat, crowned, in her royal
+seat all through the mass, and she offered at the said mass.&nbsp; And
+when the mass was done they left, every man in his order, to Westminster
+Hall, she still going under the canopy, crowned, with two sceptres in her
+hands, my Lord Wiltshire her father, and Lord Talbot leading her, and so
+dined there; and there was made the most honourable feast that has been
+seen.
+<p>The great hall at Westminster was richly hung with rich cloth of Arras,
+and a table was set at the upper end of the hall, going up twelve steps,
+where the queen dined; and a rich cloth of estate hung over her head.&nbsp;
+There were also four other tables along the hall; and it was railed on
+every side, from the high dais in Westminster Hall to the platform in the
+church in the abbey.
+<p>And when she went to church to her coronation there was a striped blue
+cloth spread from the high dais of the king's bench to the high altar of
+Westminster on which she went.
+<p>And when the queen's Grace had washed her hands, then came the duke
+of Suffolk, high constable for that day and steward of the feast, riding
+on horseback, richly dressed and decorated, and with him, also riding on
+horseback, Lord William Howard as deputy for the duke of Norfolk in his
+office of marshall of England, and there came the queen's service followed
+by the archbishop's with a certain space between, which was all borne by
+knights; the archbishop sitting at the queen's board, at the end on her
+left hand.&nbsp; The earl of Sussex was sewer, earl of Essex carver, earl
+of Derby cup bearer, earl of Arundel butler, Viscount Lisle panter, and
+Lord Grey almoner.
+<br>&nbsp;<p align="center">
+    <a href="monarchs/boleyn.html">
+    <font size="2">to the Anne 
+    Boleyn website</font></a></p>
+    <p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082598" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/prianne2.html
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@@ -0,0 +1,178 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The fall of Anne Boleyn, 1536</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="boleynex.gif" alt="Primary Sources: 1536: The execution of Anne Boleyn" width="372" height="167"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><p>
+<img border="0" src="monarchs/boleyn-sketch1.jpg" alt="sketch of Anne Boleyn by Hans Holbein the Younger" align="left" width="175" height="157"><font size="-1">This 
+    account of Anne Boleyn's fall from royal favor was written by the Spanish 
+    ambassador Eustace Chapuys,
+
+in a letter to Emperor Charles V.</font><p>
+    <font size="-1">Chapuys despised Anne; she returned the feeling.&nbsp; He 
+    was the chief adviser and confidante of Henry VIII's first wife, Katharine 
+    of Aragon.&nbsp; He did not recognize the king's marriage to Anne and 
+    referred to her as 'the concubine' and 'the whore' in his official 
+    dispatches.&nbsp; Like many, Chapuys blamed Anne for the king's poor 
+    treatment of Katharine and their daughter, Princess Mary.&nbsp; </font><p>
+    <font size="-1">Chapuys had confidently predicted Anne's fall for several 
+    years.&nbsp; When it actually happened, he was quite surprised.&nbsp; He had 
+    not recognized the depth of Henry's feelings for the woman who would become 
+    his third wife, Jane Seymour.</font><p>
+    <font size="-1">Despite Chapuys's dislike of Anne, his account gives little 
+    credit to the king.&nbsp; He clearly considered Henry's behavior to be 
+    inappropriate; it was also unpopular.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p>
+The joy shown by the people every day, not only at the ruin of the concubine
+but at the hope of princess Mary's restoration is inconceivable, but as
+yet the king shows no great disposition towards the latter; indeed he has
+twice shown himself obstinate when spoken to on the subject by his council.&nbsp;
+I hear that, even before the arrest of the concubine, the king, speaking
+with Mistress Jane Seymour of their future marriage, the latter suggested
+that the princess should be replaced in her former position; and the king
+told her she was a fool, and ought to solicit the advancement of the children
+they would have between them, and not any others.&nbsp; She replied that
+in asking for the restoration of the princess she was seeking the rest
+and tranquility of the king, herself, her future children, and the whole
+realm; for, without that neither your majesty nor this people would ever
+be content.
+<p>I will endeavor by all means to make her continue in this vein; I hope
+also to go and speak with the king within three days, and with members
+of the council in general.&nbsp; I think the concubine's little bastard
+Elizabeth will be excluded from the succession, and that the king will
+get himself requested by parliament to marry.&nbsp; To cover the affection
+he has for the said Seymour he has lodged her seven miles away in the house
+of a grand esquire, and says publicly that he has no desire in the world
+to marry again, unless he is constrained by his subjects to do so.&nbsp;
+Several have already told me and sent to say that, if it cost them their
+lives, when parliament meets they will urge the cause of the princess to
+the utmost.
+<p>The very evening the concubine was brought to the Tower of London, when
+the duke of Richmond went to say goodnight to his father, and ask his blessing
+after the English custom, the king began to weep, saying that he and his
+sister, meaning the princess, were greatly bound to God for having escaped
+the hands of that accursed whore, who had determined to poison them; from
+which it is clear that the king knew something about it.
+<p>Master Norris, the king's chief butler, Master Weston who used to lie
+with the king, Master Brereton gentleman of the chamber, and the groom
+of whom I wrote to your majesty by my man, were all condemned as traitors.&nbsp;
+Only the groom confessed that he had been three times with the said whore
+and concubine.&nbsp; The others were condemned upon presumption and certain
+indications, without valid proof or confession.
+<p>The concubine and her brother were condemned for treason by all the
+principal lords of England, and the duke of Norfolk pronounced sentence.&nbsp;
+I am told the earl of Wiltshire was quite as ready to assist at the judgement
+as he had done at the condemnation of the other four.&nbsp; Neither the
+whore nor her brother was brought to Westminster like the other criminals.&nbsp;
+They were condemned within the Tower of London, but the thing was not done
+secretly, for there were more than 2,000 persons present.&nbsp; What she
+was principally charged with was having cohabited with her brother and
+other accomplices; that there was a promise between her and Norris to marry
+after the king's death, which it thus appeared they hoped for; and that
+she had received and given to Norris certain medals, which might be interpreted
+to mean that she had poisoned the late queen, and intrigued to do the same
+to the princess.&nbsp; These things she totally denied and gave to each
+a plausible answer.&nbsp; Yet she confessed she had given money to Weston,
+as she had often done to other young gentlemen.&nbsp; She was also charged,
+and her brother likewise, with having laughed at the king and his dress,
+and that she showed in various ways she did not love the king, but was
+tired of him.&nbsp; Her brother was charged with having cohabited with
+her by presumption, because he had once been found a long time with her,
+and with certain other little follies.&nbsp; To all he replied so well
+that several of those present wagered 10 to 1 that he would be acquitted,
+especially as no witnesses were produced against either him or her, as
+it is usual to do, particularly when the accused denies the charge.
+<p>I must not omit that among other things charged against him as a crime
+was, that his sister had told his wife that the king was impotent.&nbsp;
+This he was not openly charged with, but it was shown him in writing, with
+a warning not to repeat it.&nbsp; But he immediately declared the matter,
+in great contempt of Cromwell and some others, saying he would not in this
+point arouse any suspicion which might prejudice the king's issue.&nbsp;
+He was also charged with having spread reports which called in question
+whether his sister's daughter was the king's child.&nbsp; To which he made
+no reply.&nbsp; They were judged separately and did not see each other.&nbsp;
+The concubine was condemned first, and having heard the sentence, which
+was to be burnt or beheaded at the king's pleasure, she preserved her composure,
+saying that she held herself ready to greet death and that what she regretted
+most was that the above persons, who were innocent and loyal to the king,
+were to die for her.&nbsp; She only asked a short time for confession.&nbsp;
+Her brother, after his condemnation, said that since he must die, he would
+no longer maintain his innocence, but confessed that he had deserved death.&nbsp;
+He only begged the king that his debts, which he recounted, might be paid
+out of his goods.
+<p>Although everybody rejoices at the execution of the whore there are
+some who murmur at the mode of procedure against her and the others, and
+people speak variously of the king; and it will not pacify the world when
+it is known what has passed and is passing between him and Jane Seymour.&nbsp;
+Already it sounds ill in the ears of the people, that the king, having
+received such ignominy, has shown himself more glad than ever since the
+arrest of the whore; for he has been going about banqueting with ladies,
+sometimes remaining after midnight, and returning by the river.&nbsp; Most
+of the time he was accompanied by various musical instruments, and, on
+the other hand, by the singers of his chamber, which many interpret as
+showing his delight at getting rid of a thin, old and wicked fool with
+hope of change, which is a thing especially agreeable to this king.&nbsp;
+He supped lately with several ladies in the house of the bishop of Carlisle,
+and showed an extravagant joy, as the said bishop came to tell me next
+morning, who reported moreover that the king had said to him, among other
+things, that he had long expected the issue of these affairs, and that
+thereupon he had before composed a tragedy, which he carried with him;
+and so saying the king drew from his bosom a little book written in his
+own hand, but the bishop did not read the contents.&nbsp; It may have been
+certain ballads that the king had composed, at which the whore and her
+brother laughed as foolish things, which was objected to them as a great
+crime.
+<p>Three days after the concubine's imprisonment the princess was removed,
+and was honourably accompanied both by the servants of the little bastard
+and by several gentlemen who came of their own accord.&nbsp; Many of her
+old servants and maids at this news went to her, and although her governess
+allowed them to remain, she was warned by me not to accept or retain anyone
+but those given her by the king her father.&nbsp; What I most fear as regards
+her is, that when the king is asked by parliament to restore her to her
+rights, he will refuse his consent unless the princess first swears to
+the statutes invalidating the first marriage and the pope's authority.&nbsp;
+To this, I think, she will not easily yield, although I should advise her
+to acquiesce in everything as far as she can without prejudice to her conscience.<blockquote>
+      <p>&nbsp;</blockquote>
+    <p align="center">
+    <a href="monarchs/boleyn.html">
+    <font size="2">to the Anne 
+    Boleyn website</font></a></p>
+    <p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082600" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082600" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/prianne3.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/prianne3.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/prianne3.html	(revision 18423)
@@ -0,0 +1,68 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: Anne Boleyn's speech at her execution, 1536</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="prianne3.gif" alt="Primary Sources: 1536: Anne Boleyn's speech at her execution" width="328" height="152"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><p>
+<img border="0" src="monarchs/boleyn-sketch1.jpg" alt="sketch of Anne Boleyn by Hans Holbein the Younger" align="left" width="175" height="157"><font size=-1>This 
+    account of Anne Boleyn's speech at her execution was made by the Tudor chronicler Edward Hall.</font><p>
+    <font size="-1">The execution took place on 19 May 1536 at 8 o'clock in the 
+    morning.&nbsp; It was the first public execution of an English queen.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+      <p>
+'Good Christian people, I am come hither to die, for according to the
+law, and by the law I am judged to die, and therefore I will speak nothing
+against it.&nbsp; I am come hither to accuse no man, nor to speak anything
+of that, whereof I am accused and condemned to die, but I pray God save
+the king and send him long to reign over you, for a gentler nor a more
+merciful prince was there never: and to me he was ever a good, a gentle
+and sovereign lord.&nbsp; And if any person will meddle of my cause, I
+require them to judge the best.&nbsp; And thus I take my leave of the world
+and of you all, and I heartily desire you all to pray for me.&nbsp; O Lord
+have mercy on me, to God I commend my soul.' </p>
+
+<p><i>After being blindfolded and kneeling at the block, she repeated several 
+times:
+<br></i>'To Jesus Christ I commend my soul; Lord Jesu receive my soul.'<p align="center">
+    &nbsp;</p>
+    <p align="center">
+    <a href="monarchs/boleyn.html">
+    <font size="2">to the Anne 
+    Boleyn website</font></a></p>
+    <p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082600" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082600" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/pricath.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/pricath.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/pricath.html	(revision 18423)
@@ -0,0 +1,80 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The fall of Catherine Howard, 1541</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="pricath.gif" width="485" height="72"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>The account 
+      at right was written by the Spanish ambassador Eustace Chapuys.</font><p>
+      <font size="2">Catherine was Henry VIII's fifth wife and the cousin of his 
+      second wife, Anne Boleyn.&nbsp; She was perhaps only 18 years old when she 
+      caught the king's eye; her immature and reckless behavior guaranteed a 
+      brief marriage.&nbsp; Though the king was besotted with her, she was 
+      understandably more attracted to men her own age.</font></p>
+      <p><font size=-1>In this account, Chapuys inaccurately uses the name 'Dorand'
+to refer to Francis Dereham.</font><font size="2">&nbsp; Thomas </font><font size=-1>Culpepper's position saved him from Dereham's 
+      gruesome fate.&nbsp; Lady Rochford was Anne Boleyn's former sister-in-law.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p>This year on 13 November Sir Thomas Wriothesley, secretary to the king,
+came to Hampton Court to the queen, and called all the ladies and gentlewomen
+and her servants into the great chamber, and there openly before them declared
+certain offenses she had committed in misusing her body with certain persons
+before the king's time, because of which he there discharged all her household;
+and the morning after she was taken to Sion, with my Lady Bainton and two
+other gentlewomen and certain of her servants to wait on her there until
+the king's further pleasure.&nbsp; And various people were taken to the
+Tower of London, such as my Lady Rochford, Master Culpepper, one of the
+king's privy chamber, and others.
+<p>On 1 December Thomas Culpepper, one of the gentlemen of the king's privy
+chamber, and Francis Dorand, gentleman, were arraigned at the Guildhall
+in London, for high treason against the king's majesty, in misdemeanor
+with the queen, as appeared by their indictment which they confessed to,
+and they were sentenced to be drawn, hanged, and quartered, the lord mayor
+sitting there as chief, the lord chancellor on his right hand, and the
+duke of Norfolk on his left hand, the duke of Suffolk, the lord privy seal,
+the earls of Sussex, of Hertford, and various others of the king's council
+sitting with all the judges also in commission that day.&nbsp; And on 10
+December the said Culpepper and Dorand were drawn from the Tower of London
+to Tyburn, and there Culpepper, after exhorting the people to pray for
+him, stood on the ground by the gallows, knelt down and had his head struck
+off; and then Dorand was hanged, dismembered, disemboweled, beheaded and
+quartered.&nbsp; Culpepper's body was buried at St Sepulchre's church near
+Newgate, and their heads were set on London Bridge.
+<p align="center">&nbsp;<p align="center"><font size="2">
+<a href="monarchs/howard.html">to the Catherine 
+Howard website</a></font><p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082602" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082602" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/pricleve.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/pricleve.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/pricleve.html	(revision 18423)
@@ -0,0 +1,90 @@
+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The first meeting of Anne of Cleves and Henry VIII and 
+their marriage, 1539-1540</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="pricleve.gif" width="472" height="94"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>The accounts 
+      at right were written by the Spanish ambassador Eustace Chapuys.</font><p>
+      <font size="-1">Anne was Henry VIII's fourth wife.&nbsp; The marriage was 
+      annulled after only a few months, primarily because the king did not find 
+      her attractive.&nbsp; And he had already found an attractive replacement - 
+      Catherine Howard.</font></p>
+      <p><font size=-1>Of particular interest is Henry's trick at their first
+meeting and Anne's reaction, undoubtedly a humbling experience for the
+king.</font><br>
+<br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p><b>1539</b><br>This year on St John's Day, 27 December, Lady Anne, daughter of the
+duke of Cleves in Germany, landed at Dover at 5 o'clock at night, and there
+was honorably received by the duke of Suffolk and other great lords, and
+so lodged in the castle.&nbsp; And on the following Monday she rode to
+Canterbury where she was honorably received by the archbishop of Canterbury
+and other great men, and lodged at the king's palace at St Austin's, and
+there highly feasted.&nbsp; On Tuesday she came to Sittingbourne.
+<p><b>1540</b><br>On New Year's Eve the duke of Norfolk with other knights and the barons
+of the exchequer received her grace on the heath, two miles beyond Rochester,
+and so brought her to the abbey of Rochester where she stayed that night
+and all New Years Day.&nbsp; And on New Years Day in the afternoon the
+king's grace with five of his privy chamber, being disguised with mottled
+cloaks with hoods so that they should not be recognized, came secretly
+to Rochester, and so went up into the chamber where the said Lady Anne
+was looking out of a window to see the bull-baiting which was going on
+in the courtyard, and suddenly he embraced and kissed her, and showed here
+a token which the king had sent her for New Year's gift, and she being
+abashed and not knowing who it was thanked him, and so he spoke with her.&nbsp;
+But she regarded him little, but always looked out the window.... and when
+the king saw that she took so little notice of his coming he went into
+another chamber and took off his cloak and came in again in a coat of purple
+velvet.&nbsp; And when the lords and knights saw his grace they did him
+reverence.... and then her grace humbled herself lowly to the king's majesty,
+and his grace saluted her again, and they talked together lovingly, and
+afterwards he took her by the hand and led her to another chamber where
+their graces amused themselves that night and on Friday until the afternoon.
+<p>....So she came to Greenwich that night, and was received as queen.&nbsp;
+And the next day, being Sunday, the king's grace kept a great court at
+Greenwich, where his grace with the queen offered at mass, richly dressed.&nbsp;
+And on Twelfth Night, which was Tuesday, the king's majesty was married
+to the said queen Anne solemnly, in her closet at Greenwich, and his grace
+and she went publicly in procession that day, she having a rich coronet
+of stone and pearls set with rosemary on her hair, and a gown of rich cloth
+of silver, richly hung with stones and pearls, with all her ladies and
+gentlewomen following her, which was a goodly sight to behold.
+<br>&nbsp;<p align="center">&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082602" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082602" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/prihenry.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/prihenry.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/prihenry.html	(revision 18423)
@@ -0,0 +1,355 @@
+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+<html>
+<head>
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+   <meta name="Author" content="Marilee Mongello">
+   <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+   <title>Primary Sources: The lyrics of King Henry VIII</title>
+   <style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+   </style>
+</head>
+<body text="#000000" bgcolor="#FFFFFF" link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<center>&nbsp;<p>
+<img border="0" src="1500sa.gif" alt="Primary Sources: The lyrics of King Henry VIII" width="399" height="69">
+</p>
+</center>
+
+<blockquote>
+  <blockquote>
+    <hr>
+    <p>&nbsp;</p>
+  </blockquote>
+</blockquote>
+<blockquote>
+<blockquote>
+<blockquote>
+<blockquote>
+<blockquote><b><font size=+1>Pastime with good company</font> </b>
+<blockquote>Pastime with good company
+<br>I love and shall until I die.
+<br>Grudge who likes, but none deny,
+<br>So God be pleased, thus live will I.
+<br>For my pastance:
+<br>Hunt, sing, and dance.
+<br>My heart is set!
+<br>All goodly sport
+<br>For my comfort.
+<br>Who shall me let?
+<p>Youth must have some dalliance,
+<br>Of good or ill some pastance.
+<br>Company I think then best --
+<br>All thoughts and fantasies to digest.
+<br>For idleness
+<br>Is chief mistress
+<br>Of vices all.
+<br>Then who can say
+<br>But mirth and play
+<br>Is best of all?
+<p>Company with honesty
+<br>Is virtue -- vices to flee.
+<br>Company is good and ill,
+<br>But every man has his free will.
+<br>The best ensue.
+<br>The worst eschew.
+<br>My mind shall be.
+<br>Virtue to use.
+<br>Vice to refuse.
+<br>Thus shall I use me!<p>&nbsp;<p>&nbsp;</blockquote>
+</blockquote>
+</blockquote>
+<b>
+<font size=+1>Alas, what shall I do for love?</font> </b>
+<p>Alas, what shall I do for love?
+<br>For love, alas, what shall I do?
+<br>Since now so kind
+<br>I do you find
+<br>To kepe you me unto.
+<br>Alasse!
+<p>&nbsp;<blockquote>&nbsp;<blockquote>
+  <blockquote>
+    <blockquote>
+      <b>
+<font size=+1>Oh my heart</font> </b>
+<p>Oh my heart, and oh my heart,
+<br>My hart it is so sore.
+<br>Since I must from my love depart,
+<br>And know no cause wherefore.
+    </blockquote>
+  </blockquote>
+  </blockquote>
+  &nbsp;
+<br>&nbsp;
+<br>&nbsp;
+<blockquote><b><font size=+1>The time of youth is to be spent</font> </b>
+<blockquote>The time of youth is to be spent,
+<br>But vice in it should be forfent.
+<br>Pastimes there be I note truly
+<br>Which one may use and vice deny.
+<br>And they be pleasant to God and man:
+<br>Those should we covet when we can.
+<br>As feats of arms, and such other
+<br>Wherby activeness one may utter.
+<br>Comparisons in them may lawfully be set,
+<br>For, thereby, courage is surely out fet.
+<br>Vertue it is, then, youth for to spend
+<br>In good disports which it does fend.<p>&nbsp;</p>
+  <p>&nbsp;</p>
+  </blockquote>
+</blockquote>
+</blockquote>
+<b>
+<font size=+1>Alac! Alac! What shall I do?</font> </b>
+<blockquote>Alac! Alac! What shall I do?
+<br>For care is cast in to my heart,
+<br>And true love locked thereto.
+<br>&nbsp;
+  <p>
+<br>&nbsp; </p>
+<blockquote>
+<blockquote><b><font size=+1>Green grows the holly</font> </b>
+<p>Green grows the holly.
+<br>So does the ivy.
+<br>Though winter's blasts blow never so high,
+<br>Green grows the holly.
+<p>As the holly grows green
+<br>And never changes hue,
+<br>So I am -- ever have been --
+<br>unto my lady true.
+<p>As the holly grows green
+<br>With ivy all alone,
+<br>When flowers can not be seen
+<br>And greenwood leaves be gone.
+<p>Now unto my lady
+<br>Promise to her I make:
+<br>From all other, only
+<br>to her, I me betake.
+<p>Adieu, my own lady.
+<br>Adieu, my special
+<br>Who hath my heart truly,
+<br>Be sure, and ever shall.<p>&nbsp;<p>&nbsp;</blockquote>
+</blockquote>
+</blockquote>
+</blockquote>
+</blockquote>
+<b>
+<font size=+1>Who so that will all feats obtain</font> </b>
+<blockquote>Who so that will all feats obtain
+<br>In love he must be without disdain.
+<br>For love enforces all noble kind,
+<br>And disdain discourages all gentle mind.
+<br>Wherefore, to love and be not loved
+<br>Is worse than death? Let it be proved!
+<br>Love encourages, and makes one bold;
+<br>Disdain abates and makes him cold.
+<br>Love is given to God and man;
+<br>To woman also, I think the same.
+<br>But disdain is vice, and should be refused,
+<br>Yet never the less it is too much used.
+<br>Great pity it were, love for to compel
+<br>With disdain, both false and subtle.
+<blockquote>
+<blockquote>&nbsp;
+  <p>
+<br>&nbsp; </p>
+<p><b><font size=+1>If love now reigned</font> </b>
+<p>If love now reigned as it has been
+<br>And were rewarded as it has seen,
+<br>Noble men then would surely ensearch
+<br>All ways whereby they might it reach.
+<br>But envy reigns with such disdain
+<br>And causes lovers outwardly to refrain,
+<br>Which puts them to more and more,
+<br>Inwardly, most grievous and sore:
+<br>The fault in whom I cannot set,
+<br>But let them tell who love does get.
+<br>To lovers I put now sure this case:
+<br>Which of their loves does get them grace?
+<br>And unto them which doth it know
+<br>Better than do I, I think it so.
+<br>&nbsp;
+<br>&nbsp;
+<br>&nbsp;
+<p>&nbsp;<blockquote><b><font size=+1>Whereto should I express</font> </b>
+<blockquote>Whereto should I express
+<br>My inward heaviness?
+<br>No mirth can make me fain,
+<br>'Till that we meet again.
+<p>Do way, dear heart, not so.
+<br>Let no thought you dismay.
+<br>Though you now part me from,
+<br>We shall meet when we may.
+<p>When I remember me
+<br>Of your most gentle mind,
+<br>It may in no wise agree
+<br>That I should be unkind.
+<p>The daisy delectable,
+<br>The violet waning and blue,
+<br>You are not variable --
+<br>I love you and no more.
+<p>I make you fast and sure;
+<br>It is to me great pain
+<br>Thus long to endure
+<br>'Till that we meet again.<p>&nbsp;<p>&nbsp;</blockquote>
+</blockquote>
+</blockquote>
+<b>
+<font size=+1>Though that men do call it dotage</font> </b>
+<blockquote>Though that men do call it dotage,
+<br>Who loves not wants courage.
+<br>And whosoever may love get
+<br>From Venus surely he must it fetch,
+<br>Or else from her which is her heir.
+<br>And she to him must seem most fair.
+<br>Where eye and mind do both agree;
+<br>There is no but -- there must it be!
+<br>The eye does look and represent,
+<br>But mind affirms with full consent.
+<br>Thus am I fixed without grudge:
+<br>My eye with heart does me so judge.
+<br>Love maintains all noble courage;
+<br>Who love disdains is all of the village.
+<br>Such lovers, though they take pain,
+<br>It were pity they should obtain.
+<br>For often times where they do sue
+<br>They hinder lovers that would be true.
+<br>For who so loves should love but one.
+<br>Change who so will, I will be none.
+<br>&nbsp;
+<br>&nbsp;<p>&nbsp;</p>
+</blockquote>
+<b>
+<font size=+1>Departure is my chief pain</font> </b>
+<p>Departure is my chief pain
+<br>I trust right well of return again.
+<br>&nbsp;
+<blockquote>&nbsp;
+<br>&nbsp;
+<blockquote><b><font size=+1>Without discord</font> </b>
+<blockquote>Without discord
+<br>And both accord,
+<br>Now let us be.
+<br>Both harts alone
+<br>To set in one,
+<br>Best seems me.
+<br>For when one sole
+<br>Is in the dole
+<br>Of love's pain,
+<br>Then help must have
+<br>Himself to save
+<br>And love to obtain.
+<p>Where for now we
+<br>That lovers be,
+<br>Let us now pray:
+<br>Once love sure
+<br>For to procure
+<br>Without denial.
+<br>Where love so sues
+<br>There no heart rues,
+<br>But condescend.
+<br>If contrary,
+<br>What remedy?
+<br>God it amend.
+<p>
+<br>&nbsp;</blockquote>
+</blockquote>
+</blockquote>
+<b>
+<font size=+1>Though some say that youth rules me</font>
+<br><font size=+1>(possibly by King Henry VIII)</font> </b>
+<blockquote>Though some say that youth rules me,
+<br>I trust in age to tarry.
+<br>God and my right, and my duty,
+<br>From them shall I never vary,
+<br>Though some say that youth rules me.
+<p>I pray you all that aged be
+<br>How well did you your youth carry?
+<br>I think some worse of each degree.
+<br>Therein a wager lay dare I,
+<br>Though some say that youth rules me.
+<p>Pastimes of youth some time among
+<br>None can say but necessary.
+<br>I hurt no man, I do no wrong,
+<br>I love true where I did marry,
+<br>Though some say that youth rules me.
+<p>Then soon discuss that hence we must
+<br>Pray we to God and Saint Mary
+<br>That all amend, and here an end.
+<br>Thus says the King, the eighth Harry,
+<br>Though some say that youth rules me.
+<br>&nbsp;
+<br>&nbsp;
+<br>&nbsp;
+<br>&nbsp;
+<blockquote><b><font size=+1>Who so that will for grace sue</font> </b>
+<p>Who so that will for grace sue,
+<br>His intent must needs be true,
+<br>And love her in heart and deed,
+<br>Else it were pity that he should speed.
+<br>Many one says that love is ill,
+<br>But those be they which know no skill.
+<p>Or else, because they may not obtain,
+<br>They would that others should it disdain.
+<br>But love is a thing given by God:
+<br>In that, therefore, can be none odd,
+<br>But perfect in deed, and between two.
+<br>Where fore, then, should we it eschew?</blockquote>
+
+<br>&nbsp;
+<br>&nbsp;
+<p><b><font size=+1>Lusty Youth should us ensue!</font> </b>
+<p>Lusty Youth should us ensue!
+<br>His merry heart shall sure all rue.
+<br>For whatsoever they do him tell
+<br>It is not for him, we know it well.
+<p>For they would have him his liberty refrain,
+<br>And all merry company for to disdain.
+<br>But I will not do whatsoever they say,
+<br>But follow his mind in all that we may.
+<p>How should youth himself best use
+<br>But all disdainers for to refuse?
+<br>Youth has as chief assurance
+<br>Honest mirth with virtue's pastance.
+<p>For in them consists great honour,
+<br>Though that disdainers would therein put error.
+<br>For they do sue to get them grace --
+<br>All only riches to purchase.
+<p>With good order, counsel, and equity,
+<br>Goode Lord grant us our mansion to be.
+<br>For without their good guidance
+<br>Youth should fall in great mischance.
+<p>For Youth is frail and prompt to do
+<br>As well vices as virtues to ensue.
+<br>Where fore by these he must be guided,
+<br>And virtues pastance must therein be used.
+<p>Now unto God this prayer we make,
+<br>That this rude play may well betake
+<br>And that we may our faults amend
+<br>And bliss obtain at our last end. Amen.
+<br>&nbsp;
+<br>&nbsp;
+<br>&nbsp;</blockquote>
+<b>
+<font size=+1>Let not us that young men be</font>
+<br><font size=+1>(possibly by King Henry VIII)</font> </b>
+<blockquote>Let not us that young men be
+<br>From Venus' ways banished to be, banished to be.
+<br>Though that Age with great disdain
+<br>Would have Youth love to refrain, love to refrain,
+<br>In their minds consider they must
+<br>How they did in their most lust.
+<p>For, if they were in like case
+<br>And would then have gotten grace,
+<br>They may not now than gainsay
+<br>That which then was most their joy.
+<br>Where for indeed, the truth to say,
+<br>It is for Youth the metest play.<p>&nbsp;</blockquote>
+</blockquote>
+</blockquote>
+</blockquote>
+<font size=-1><a href="primary.html">to
+Primary Sources</a></font>
+<br>&nbsp;
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082594" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: Letter of Lady Jane Grey to Queen Mary I, 1554</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="prijane1.gif" width="541" height="83"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>In this letter, Jane explains the circumstances which
+led to her becoming queen for nine days.&nbsp; Her assertion that she was 
+      poisoned is nonsense.</font><p><br>
+      <br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+'Although my fault be such that but for the goodness and clemency of
+the Queen, I can have no hope of finding pardon.... having given ear to those who at the time appeared not only
+to myself, but also to the great part of this realm to be wise and now
+have manifested themselves to the contrary, not only to my and their great
+detriment, but with common disgrace and blame of all, they having with
+shameful boldness made to blamable and dishonourable an attempt to give
+to others that which was not theirs...[and my own] lack of prudence...for
+which I deserve heavy punishment...it being known that the error imputed
+to me has not been altogether caused by myself. [The Privy Council]....who
+with unwontd caresses and pleasantness, did me such reverence as was not
+at all suitable to my state. He [Dudley] then said that his Majesty had
+well weighed an Act of Parliament...that whoever should acknowledge the
+most serene Mary...or the lady Elizabeth and receive them as the true heirs
+of the crown of England should be had all for traitors...wherefore, in
+no manner did he wish that they should be heirs of him and of that crown,
+he being able in every way to disinherit them. And therefore, before his
+death, he gave order to the Council, that for the honour they owed to him...they
+should obey his last will...As to the rest, for my part, I know not what
+the Council had determined to do, but I know for certain that twice during
+this time, poison was given to me, first in the house of the Duchess of
+Northumberland and afterwards here in the Tower.... All these I have wished
+for the witness of my innocence and the disburdening of my conscience.' <p align="center">&nbsp;<p align="center">
+<font size="2"><a href="relative/janegrey.html">
+to the Lady Jane Grey website</a></font><p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082605" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="content" content="16th century England primary sources letters of Henry VIII The Six Wives of Henry VIII Queen Elizabeth I  Mary Queen of Scots Lady Jane Grey Edward VI's journal executions etc">
+<meta name="page_topic" content="16th century England primary sources letters of Henry VIII The Six Wives of Henry VIII Queen Elizabeth I  Mary Queen of Scots Lady Jane Grey Edward VI's journal executions etc">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: Eyewitness accounts of people and events in Tudor 
+England
+</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF" bgcolor="#FFFFFF">
+
+<p>&nbsp;</p>
+
+<table border="0" cellpadding="3" width="100%" height="552">
+  <tr>
+    <td width="15%" height="20"></td>
+    <td valign="top" width="68%" height="20" bgcolor="#000000">&nbsp;</td>
+    <td width="15%" height="20"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="1"></td>
+    <td width="68%" height="1" bgcolor="#FFFFFF">
+      <p align="center">
+<br>      <img border="0" src="primarynew.gif" width="546" height="168"><p>
+&nbsp;</p>
+    <p>
+<IMG height=153 alt="stack of old books" 
+    src="bigbooks.gif" width=207 align=left><FONT face=Arial>Primary sources are important historical 
+    documents which allow readers an unparalleled glimpse into the past.&nbsp; 
+    They are written from the perspective of a participant or observer and can 
+    include letters, speeches, diary / journal entries, and manuscripts.<A 
+    href="primary.html#Notation">*</A></FONT></p>
+    <P><FONT face=Arial>The sources at this page </FONT><FONT 
+    face=Arial color=#000000>represent a unique opportunity to view&nbsp;Tudor 
+    England through the eyes of its inhabitants.&nbsp; They are arranged in 
+    chronological order.</FONT></P>
+    <P>&nbsp;</P>
+      </td>
+    <td width="17%" height="1"></td>
+  </tr>
+  <tr>
+    <td width="15%" height="610"></td>
+    <td valign="top" width="68%" height="610" bgcolor="#FFFFFF">
+    <hr>
+    <blockquote>
+
+    <P><FONT face=Arial><FONT color=#000000><B>1502&nbsp; </B><A 
+    href="darthur.html">two accounts of the death of Prince 
+    Arthur</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1503</B>&nbsp; <A 
+    href="elizdeat.html">the death of Elizabeth 
+    of York &amp; betrothal of Princess Margaret to the king of Scots</A></FONT> 
+    </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1509</B>&nbsp; <A 
+    href="hobit.html">Henry VII's 
+    obituary</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1509</B>&nbsp; <A 
+    href="h8crown.html">Henry VIII &amp; 
+    Katharine of Aragon's coronations at Westminster Abbey</A></FONT> 
+</FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1500s</B>&nbsp; <A 
+    href="skelton.html">the poetry of John 
+    Skelton, Henry VII's poet laureate &amp; Henry VIII's tutor</A></FONT> 
+    </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1500s</B>&nbsp; <A 
+    href="prihenry.html">the lyrics of Henry 
+    VIII</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1505-1547</B>&nbsp; <A 
+    href="letters.html">Letters of the Six Wives 
+    of Henry VIII</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1515&nbsp; </B><A 
+    href="henrydes.html">a contemporary 
+    description of Henry VIII</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1523</B>&nbsp; <A 
+    href="ab-percy.html">the romance of Anne 
+    Boleyn &amp; Henry Percy</A></FONT> <BR><FONT size=-1>Also describes the 
+    beginning of Henry VIII's infatuation with Anne.</FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1524</B>&nbsp; <A 
+    href="h8joust.html">Henry VIII's jousting 
+    accident</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1520s/undated</B>&nbsp; <A 
+    href="monarchs/boleyn-poems.html">poetry 
+    about Anne Boleyn</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1530</B>&nbsp; <A 
+    href="priwols1.html">the fall of Cardinal 
+    Wolsey</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1530s</B>&nbsp; <A 
+    href="lovelett.html">selections from Henry 
+    VIII's love letters to Anne Boleyn</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1530s</B>&nbsp; <A 
+    href="annedesc.html">contemporary 
+    descriptions of Anne Boleyn</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1533</B>&nbsp; <A 
+    href="prianne1.html">the coronation of Anne 
+    Boleyn</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1535&nbsp; </B><A 
+    href="primore.html">the last letter of Sir 
+    Thomas More</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1535</B>&nbsp; <A 
+    href="1535exec.html">the executions of John 
+    Fisher, Thomas More &amp; others</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1536</B>&nbsp; <A 
+    href="prianne2.html">the fall of Anne 
+    Boleyn</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1536&nbsp; </B><A 
+    href="prianne3.html">Anne Boleyn's speech at 
+    her execution</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1536</B>&nbsp; <A 
+    href="exanne.html">a contemporary account of 
+    Anne Boleyn's execution</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1536&nbsp; </B><A 
+    href="primary1.html">letter of Princess Mary 
+    to Henry VIII</A></FONT> <BR><FONT size=-1>Mary acknowledges her 
+    illegitimacy and Henry's title as head of the English church.</FONT> 
+    </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1536&nbsp; </B><A 
+    href="grace.html">the Pilgrimage of 
+    Grace</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1537</B>&nbsp; <A 
+    href="ed6birth.html">Jane Seymour's 
+    pregnancy is announced</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1539&nbsp; </B><A 
+    href="pricleve.html">Anne of Cleves arrives 
+    in England &amp; marries Henry VIII</A></FONT> <BR><FONT color=#000000 
+    size=-1>Describes the first meeting between Anne and Henry.</FONT> 
+    </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1541&nbsp; </B><A 
+    href="pricath.html">the fall of Catherine 
+    Howard</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1545&nbsp; </B><A 
+    href="h8speech.html">Henry VIII's speech 
+    before Parliament</A></FONT> </FONT></P>
+    <P><FONT color=#000000 face="Arial"><B>1549-1551&nbsp; </B>
+    <a href="ed1.html">Edward VI's 
+    journal</a></FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1552&nbsp; </B><A 
+    href="somerset.html">the execution of the 
+    Duke of Somerset</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1553</B>&nbsp; <A 
+    href="jane1.html">the coronation of Queen 
+    Jane</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1554&nbsp; </B><A 
+    href="maryspee.html">Mary I's speech at the 
+    Guildhall</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1554&nbsp; </B><A 
+    href="prijane1.html">letter of Lady Jane 
+    Grey to Mary I</A></FONT> <BR><FONT color=#000000 size=-1>Jane explains the 
+    circumstances which led to her becoming queen for nine days.&nbsp;</FONT> 
+    </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1554&nbsp; </B><A 
+    href="exjane.html">the executions of Lady 
+    Jane Grey and Lord Guildford Dudley</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1556&nbsp; </B><A 
+    href="pcranmer.html">the execution of 
+    Archbishop Thomas Cranmer</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1557&nbsp; </B><A 
+    href="marydesc.html">a contemporary 
+    description of Mary I</A></FONT> </FONT></P>
+    <P><FONT face=Arial><FONT color=#000000><B>1558-1603&nbsp; </B><A 
+    href="eliz1-writings.html">letters of 
+    Elizabeth I</A></FONT> <BR><FONT color=#000000><B>1558-1603&nbsp; </B><A 
+    href="eliz1-writings.html">poetry of 
+    Elizabeth I</A></FONT> <BR><FONT color=#000000><B>1558-1603&nbsp; </B><A 
+    href="eliz1-writings.html">speeches of 
+    Elizabeth I</A></FONT> </FONT></P>
+    <P><FONT face=Arial><B>1586</B>&nbsp; <A 
+    href="scot-letters.html">letter from 
+    Elizabeth I to Mary, queen of Scots</A> </FONT></P>
+    <P><FONT face=Arial><B>1587</B>&nbsp; <A 
+    href="scot-letters.html">letter from 
+    Elizabeth I to James VI of Scotland</A> </FONT></P>
+    <P><FONT face=Arial><B>1587</B>&nbsp; <A 
+    href="maryqos-letter.html">the last letter 
+    of Mary, queen of Scots</A> </FONT></P>
+    <P><FONT color=#000000 face="Arial"><B>1587&nbsp; </B><A 
+    href="exmary.html">the execution of Mary, 
+    queen of Scots</A></FONT></P>
+    </blockquote>
+    <hr>
+    </td>
+    <td width="17%" height="610"></td>
+  </tr>
+</table>
+
+    <P><FONT face=Arial><B><FONT color=#000000 size=-1>Are you quoting a Primary 
+    Source in your paper, or research project?</FONT></B> <BR><FONT 
+    color=#000000 size=-1>The correct format is based upon both the 
+    Turabian/Chicago and MLA styles.</FONT> <BR><FONT color=#000000 size=-1>Here 
+    is an example:</FONT> <BR><FONT color=#000000><FONT size=-1>Hanson, Marilee. 
+    "Contemporary Descriptions of Anne Boleyn." <I>EnglishHistory.net</I>. 2004. 
+    http://englishhistory.net/tudor/annedesc.html (11 April 2004).</FONT>&nbsp; 
+    <I><FONT size=1>Please note: you must use the year and date you read the 
+    source here.</FONT></I></FONT></FONT></P>
+    <HR>
+
+    <DIV align=left><SMALL><SMALL><FONT face="Helvetica, Arial, sans-serif"><A 
+    name=Notation></A>*Memoirs / autobiographies are not considered primary 
+    sources. &nbsp;They are typically written after the fact and bad memories, 
+    bias, or a change in perspective can limit their reliability. 
+    &nbsp;Newspapers and magazine articles are considered primary sources if the 
+    piece is written directly after the event and does not include any 
+    'analysis' or subjective reporting.</FONT></SMALL></SMALL> 
+    <CENTER>
+    <p></p>
+      </CENTER></DIV>
+    <CENTER>
+    <P><FONT face=Arial color=#000000 size=-1><A 
+    href="http://englishhistory.net/tudor.html">to Tudor 
+    England</A></FONT></P></CENTER>
+    
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082544" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/primary1.html
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: Letter of Princess Mary to King Henry VIII, 1536</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="primary1.gif" width="622" height="74"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>This letter 
+      was written on 22 June 1536.&nbsp; In it, Princess Mary acknowledges the 
+      annulment of her parents' marriage, her own illegitimacy, and her father's 
+      position as head of a new English church.</font><p><font size="-1">Mary 
+      refused to write this letter for several years, throughout the drama of 
+      the annulment and her father's remarriage to Anne Boleyn.&nbsp; Henry VIII 
+      suspected her behavior was encouraged by her mother; he deliberately 
+      separated Mary and Katharine of Aragon, banishing both from court.</font></p>
+      <p><font size="-1">&nbsp;In the summer of 1536, on the advice of the 
+      Spanish ambassador, Mary succumbed and wrote this letter.&nbsp; She always 
+      regretted it.</font></p>
+      <p><font size="-1">It did, however, serve its purpose.&nbsp; The death of 
+      Katharine of Aragon in January of that year, Anne Boleyn's execution in 
+      May, and Henry's third marriage to Jane Seymour encouraged a rapprochement 
+      between father and daughter.</font></p>
+      <p>&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+<p>'Most
+humbly prostrate before the feet of your most excellent majesty, your most
+humble, so faithful and obedient subject, who has so extremely offended
+your most gracious highness that my heavy and fearful heart dare not presume
+to call you father, deserving of nothing from your majesty, save that the
+kindness of your most blessed nature does surmount all evils, offences
+and trespasses, and is ever merciful and ready to accept the penitent calling
+for grace, at any fitting time.&nbsp; Having received this Thursday, at
+night, certain letters from Mr Secretary to whom I had lately written advising
+me to make my humble submission immediately to your self, which I dared
+not, without your gracious licence, presume to do before, and signifying
+that your most merciful heart and fatherly pity had granted me your blessing,
+with the condition that I should persevere in which I had commenced and
+begun; and that I should not again offend your majesty by the denial or
+refusal of any such articles and commandments as it may please your highness
+to address to me, for the perfect trial of my heart and inward affection,
+for the perfect declaration of the depths of my heart.
+<p>First, I acknowledge myself to have most unkindly and unnaturally offended
+your most excellent highness, in that I have not submitted myself to your
+most just and virtuous laws; and for my offence therein, which I must confess
+was in me a thousandfold more grievous than it could be in any other living
+creature, I put myself wholly and entirely at your gracious mercy; at whose
+hands I cannot receive that punishment for the same which I have deserved.
+<p>Secondly, to open my heart to your grace, in these things which I have
+before refused to condescend to, and have now written with my own hand,
+sending them to your highness herewith, I shall never beseech your grace
+to have pity and compassion on me if ever you shall perceive that I shall,
+secretly or openly, vary or alter from one piece of that which I have written
+and subscribed, or refuse to confirm, ratify or declare the same, wherever
+your majesty shall appoint me.
+<p>Thirdly, as I have and will, knowing your excellent learning, virtue,
+wisdom and knowledge, put my soul under your direction, and by the same
+have and will in all things henceforth direct my conscience, so I wholly
+commit my body to your mercy and fatherly pity; desiring no state, no condition,
+nor no manner or degree of living but such as your grace shall appoint
+unto me; knowing and confessing that my state cannot be so vile as either
+the extremity of justice would appoint to me, or as my offences have required
+and deserved.&nbsp; And whatsoever your grace shall command me to do, touching
+any of these points, either for things past, present or to come, I shall
+gladly do the same as your majesty can command me.
+<br>&nbsp;
+<ul>
+  <p>Your Grace's most humble and obedient daughter and handmaid, Mary.'</p>
+  <p>&nbsp;</p>
+      </ul>
+      <p align="center"><i><b>The following document accompanied the above 
+      letter:</b></i></p>
+
+<p>'The confession of me, Lady Mary, made upon certain points and articles
+written below; in which I do now plainly and with all my heart confess
+and
+declare my inward sentence, belief and judgement, with due conformity of
+obedience to the laws of the realm; so, minding for ever to persist and
+continue in this determination without change, alteration or variance,
+I do most humbly beseech the king's highness, my father, whom I have obstinately
+and disobediently offended in the denial of the same up to now, to forgive
+my offences therein, and to take me to his most gracious mercy.
+<p>First I confess and acknowledge the king's majesty to be my sovereign
+lord and king, in the imperial crown of this realm of England; and do submit
+myself to his highness and to each and every law and statute of this realm,
+as it becomes a true and faithful subject to do; which I shall also obey,
+keep, observe, advance and maintain according to my bounden duty with all
+the power, force and qualities with which God had endued me, during my
+life.
+<p>I do recognize, accept, take, repute and acknowledge the king's highness
+to be supreme head on earth, under Christ, of the church of England; and
+do utterly refuse the bishop of Rome's pretended authority, power and jurisdiction
+within this realm, formerly usurped, according to the laws and statutes
+made on that behalf, and by all the king's true subjects humbly received,
+admitted, obeyed, kept and observed.
+<p>And I do also utterly renounce and forsake all manner of remedy, interest
+and advantage which I may by any means claim by the bishop of Rome's laws,
+processes, jurisdiction or sentence, at this time or in any way hereafter,
+by any manner of title, colour, means or cause that is, shall or can be
+devised for that purpose.
+<p>I do freely, frankly and for the discharge of my duty towards God, the
+king's highness and his laws, without other respect, recognize and acknowledge
+that the marriage formerly had between his majesty and my mother, the late
+princess dowager, was by God's law and man's law incestuous and unlawful.'
+    <p align="center">
+    &nbsp;</p>
+    <p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082601" alt="setstats" border="0" width="1" height="1"></noscript>
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The last letter of Sir Thomas More, 1535</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="primore.gif" width="527" height="70"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><p>
+    <font size="2">
+    <img border="0" src="citizens/moresketch1.jpg" alt="Holbein's sketch of Thomas More" align="left" width="175" height="236">Th</font><font size=-1>e 
+    following letter was written to More's daughter Margaret on 5 July 1535, the 
+    day before his execution.&nbsp; More wrote with a stick of charcoal on 
+    cloth; King Henry VIII had ordered his books and writing materials to be 
+    removed.</font><p>
+    <font size="-1">More had been appointed Lord Chancellor upon
+    <a href="priwols1.html">Wolsey's fall</a> in 
+    1529.&nbsp; He was already a respected philosopher and writer throughout 
+    Europe.&nbsp; But to his English contemporaries, he was most famous as a 
+    lawyer.&nbsp; He was a brilliant jurist; he served in parliament and on 
+    diplomatic missions.&nbsp; Unlike most royal servants, he had unimpeachable 
+    integrity.&nbsp; He could not be bribed.&nbsp; He believed, above all else, 
+    in the impartial supremacy of the law.&nbsp; As Chancellor, he worked 
+    industriously to promote justice and faith in the courts.&nbsp; However, he 
+    resigned in 1532 when the king's determination to annul his marriage to 
+    Katharine of Aragon caused Henry to reject papal authority in England.</font><p>
+    <font size="-1">More was deeply pious.&nbsp; He recognized the abuses of the 
+    Catholic church, but he believed it could reform itself from within.&nbsp; 
+    He could not accept spiritual reformation via secular power.&nbsp; As a 
+    young man, he had been torn between a career in the church and a career in 
+    law.&nbsp; Though he had chosen the latter, he never lost his passion for 
+    theology.</font><p>
+    <font size="-1">After resigning the chancellorship, More retired to his 
+    family home.&nbsp; He attempted to live modestly and quietly, hoping to be 
+    left alone.&nbsp; But he was too famous and respected to be forgotten.&nbsp; 
+    Henry VIII knew that his controversial reformation would be far more 
+    credible if men such as More accepted it.&nbsp; As the premier intellectual 
+    in England, More's opinion was too important to remain his own.</font><p>
+    <font size="-1">It should be noted that More accepted parliament's ability 
+    to decide the succession in favor of the king's children with Anne Boleyn, 
+    for it was a legal issue and parliament was within rights to decide it.&nbsp; 
+    However, he would not take an oath recognizing Henry's position as Supreme 
+    Head of a new English church.&nbsp; He simply could not repudiate the 
+    spiritual authority of the papacy.</font><p>
+    <font size="-1">And so he was arrested in the spring of 1534.&nbsp; He was 
+    kept in the Tower of London for over a year, under increasingly harsh 
+    conditions.&nbsp; The king hoped that imprisonment would alter More's 
+    disposition.&nbsp; It did not.&nbsp; More was finally charged with high 
+    treason and tried at Westminster on 1 July 1533.&nbsp; Despite his brilliant 
+    defense, he was found guilty and executed on 6 July.&nbsp; The news shocked 
+    all of Europe.&nbsp; It remains the most famous example of judicial murder 
+    during Henry's reign.&nbsp; More was later canonized by the Catholic church.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">Our Lord bless you, good daughter, and your good husband, and
+your little boy, and all yours, and all my children, and all my god-children
+and all our friends. Recommend me when ye may to my good daughter Cecily,
+whom I beseech Our Lord to comfort; and I send her my blessing and to all
+her children, and pray her to pray for me. I send her a handkercher, and
+God comfort my good son, her husband. My good daughter Daunce hath the
+picture in parchment that you delivered me from my Lady Coniers, her name
+on the back. Show her that I heartily pray her that you may send it in
+my name to her again, for a token from me to pray for me.
+<p>I like special well Dorothy Colly. I pray you be good unto her. I would
+wot whether this be she that you wrote me of. If not, yet I pray you be
+good to the other as you may in her affliction, and to my good daughter
+Jane Aleyn too. Give her, I pray you, some kind answer, for she sued hitherto
+me this day to pray you be good to her.
+<p>I cumber you, good Margaret, much, but I would be sorry if it should
+be any longer than to-morrow, for it is St. Thomas's even, and the utas
+of St. Peter; and therefore, to-morrow long I to go to God. It were a day
+very meet and convenient for me.
+<p>I never liked your manner towards me better than when you kissed me
+last; for I love when daughterly love and dear charity hath no leisure
+to look to worldly courtesy. Farewell, my dear child, and pray for me,
+and I shall for you and all your friends, that we may merrily meet in heaven.
+I thank you for your great cost. I send now my good daughter Clement her
+algorism stone, and I send her and my godson and all hers God's blessing
+and mine. I pray you at time convenient recommend me to my good son John
+More. I liked well his natural fashion. Our Lord bless him and his good
+wife, my loving daughter, to whom I pray him to be good, as he hath great
+cause; and that, if the land of mine come to his hands, he break not my
+will concerning his sister Daunce. And the Lord bless Thomas and Austin,
+and all that they shall have.<p align="center">&nbsp;<p align="center">
+      <font size="2">
+      <a href="citizens/more.html">to the Thomas 
+      More website</a></font><p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082599" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082599" ALT=1 WIDTH=1 HEIGHT=1>
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The fall of Cardinal Thomas Wolsey, 1530</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+<img border="0" src="1530.gif" alt="Primary Sources: 1530: The fall of Cardinal Thomas Wolsey" width="471" height="76"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size="2">This account 
+      of Thomas Wolsey's fall from royal favor was written by the Tudor 
+      chronicler Edward Hall.</font><p><font size="2">Wolsey was born c1473 and 
+      eventually held the titles Cardinal-Archbishop of York and Lord 
+      Chancellor.&nbsp; He was famous at Oxford University for taking his degree 
+      at the age of fifteen; he was intelligent, hard-working, and also very 
+      fond of pomp and ceremony.</font></p>
+      <p><font size="2">He became King Henry VII's chaplain during the last two 
+      years of his life.&nbsp; Henry VIII appointed him to a minor office upon 
+      his accession, but Wolsey's only became involved in government affairs in 
+      1512.&nbsp; He urged Henry to wage war against the French on behalf of 
+      Pope Julius II.&nbsp; The war was successful and Henry generously rewarded 
+      its main proponent and organizer.&nbsp; Wolsey subsequently became the 
+      king's chief minister from 1515 to 1529.</font></p>
+      <p><font size="2">His powerful office and close friendship with Henry 
+      earned him many enemies, particularly aristocrats who resented his 
+      usurpation of their traditional influence.&nbsp; They also resented his 
+      great wealth.&nbsp; Over the years, Wolsey amassed a vast fortune, though 
+      he did so largely through his church offices.&nbsp; He spent lavishly, but 
+      he was also charitable and personally financed many diplomatic missions.&nbsp; 
+      It should be noted that most gentlemen entered government service for 
+      financial reward; Wolsey was no different.&nbsp; And as the king's chief 
+      minister, he was expected to entertain foreign dignitaries and maintain a 
+      suitably impressive lifestyle.&nbsp; His increasingly ostentatious 
+      displays of wealth did, however, damage both his personal reputation and 
+      that of the church.</font></p>
+      <p><font size="2">Wolsey lacked the genius for administration of his 
+      protégé and successor, Thomas Cromwell.&nbsp; But he was efficient and 
+      capable; when he found he could not control Parliament (it met only once 
+      during his years as chancellor), he simply refused to summon it.&nbsp; He 
+      was also blamed for the high taxation necessary to support Henry VIII's 
+      ambitious foreign policy.</font></p>
+      <p><font size="2">He maintained the king's favor until he failed to secure 
+      an annulment of Henry's first marriage.&nbsp; From 1527-1529, as Anne 
+      Boleyn's influence rose, Wolsey's waned.&nbsp; She disliked the Cardinal 
+      because of his interference in her earlier engagement to Henry Percy.&nbsp; 
+      And both she and the king were increasingly impatient with the pope's 
+      endless prevarication.&nbsp; Torn between his secular and spiritual 
+      masters, Wolsey chose Henry's side - but it did not matter.&nbsp; On 9 
+      October 1529, he was indicted for praemunire; he later confessed his 
+      guilt.&nbsp; Parliament was summoned to indict him on forty-four charges.&nbsp; 
+      The king kept him from prison but stripped him of many offices and all of 
+      his power.&nbsp; Wolsey was ordered to retire to his archbishopric of 
+      York.&nbsp; Indiscreet letters to Rome led to his arrest on 4 November.&nbsp; 
+      He died on the 24th, while returning to London and, most likely, execution 
+      at the Tower.</font></p>
+      <p><font size="-1">Hall implies that Wolsey committed suicide.&nbsp; He 
+      did not.&nbsp; He did, however, avoid execution at the Tower which was the 
+      fate Henry VIII intended for him.</font></p>
+      <p><font size="-1">It should be noted that Cromwell defended Wolsey in 
+      parliament.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p>You have heard under the last year how the cardinal of York [Wolsey]
+was attainted in praemunire, and despite that the king had given him the
+bishoprics of York and Winchester, with great possessions, and had licensed
+him to live in his diocese of York.&nbsp; Being thus in his diocese, grudging
+his fall and not remembering the kindness the King showed to him, he wrote
+to the court of Rome and to several other princes letters reproaching the
+king, and as much as he was able stirred them to revenge his case against
+the King and his realm; so much so that various opprobrious words about
+the king were spoken to Dr Edward Kern, the king's orator at Rome, and
+it was said to him that for the cardinal's sake the king's matrimonial
+suit would have the worse speed.&nbsp; The cardinal would also speak fair
+to the people to win their hearts, and always declared that he was unjustly
+and untruly commanded, which fair speaking made many men believe that he
+spoke the truth.&nbsp; And to be held in higher repute by the people he
+determined to be installed or enthroned at York with all possible pomp,
+and caused a throne to be erected in the Cathedral Church of such a height
+and design as was never seen before; and he sent to all the lords, abbots,
+priors, knights, esquires and gentlemen of his diocese to be at his manor
+of Cawood on 6 November, and so to bring him to York with all pomp and
+solemnity.
+<p>The King, who knew of his doings and secret communications, all this
+year pretended to ignore them to see what he would eventually do, until
+he saw his proud heart so highly exalted that he intended to be so triumphantly
+installed without informing the king, even as if in disdain of the king.&nbsp;
+Then the king thought it was not fitting or convenient to let him any longer
+continue in his malicious and proud purposes and attempts.&nbsp; Therefore
+he sent letters to Henry, the sixth earl of Northumberland, willing him
+with all diligence to arrest the cardinal, and to deliver him to the earl
+of Shrewsbury, great steward of the king's household.&nbsp; When the earl
+had seen the letter, with a suitable number of men he came to the manor
+of Cawood on 4 November, and when he was brought to the cardinal in his
+chamber he said to him:&nbsp; "My Lord, I pray you have patience, for here
+I arrest you."&nbsp; "Arrest me," said the cardinal;&nbsp; "Yes," said
+the earl, "I have orders to do so."&nbsp; "You have no such power," said
+the cardinal, "for I am both a cardinal and a peer of the College of Rome,
+and ought not to be arrested by any temporal power, for I am not subject
+to that power, therefore if you arrest me I will withstand it."&nbsp; "Well,"
+said the Earl, "here is the king's commission, and therefore I charge you
+to obey."&nbsp; The Cardinal somewhat remembered himself, and said, "Well,
+my lord, I am content to obey, but although by negligence I fell under
+punishment of the praemunire and lost by law all my lands and goods, yet
+my person was in the king's protection and I was pardoned that offence.&nbsp;
+Therefore I wonder why I now should be arrested, especially considering
+that I am a member of the apostolic See, on whom no temporal man should
+lay violent hands.&nbsp; Well, I see the King lacks good counsel."&nbsp;
+"Well," said the earl, "when I was sworn warden of the marches you yourself
+told me that I might with my staff arrest all men under the degree of king,
+and now I am stronger for I have a commission for what I do as you have
+seen."&nbsp; The cardinal at length obeyed, and was kept in his private
+chamber, and his goods seized and his officers discharged, and his physician,
+Dr Augustine, was also arrested, and brought to the Tower by Sir Walter
+Welshe, one of the king's chamber.&nbsp; On 6 November the cardinal was
+conveyed from Cawood to Sheffield Castle, and there delivered into the
+keeping of the earl of Shrewsbury until the king's pleasure was known.&nbsp;
+About this arrest there was much talk among the common people, and many
+were glad, for surely he was not in favour with the commons.
+<p>When the cardinal was thus arrested the king sent Sir William Kingston
+Knight, captain of the guard and constable of the Tower of London with
+some of the yeomen of the guard to Sheffield, to fetch the cardinal to
+the Tower.&nbsp; When the cardinal saw the captain of the guard he was
+much astonished and shortly became ill, for he foresaw some great trouble,
+and for that reason men said he willingly took so much strong purgative
+that his constitution could not bear it.&nbsp; But Sir William Kingston
+comforted him, and by easy journeys he brought him to the Abbey of Leicester
+on 27 November, where through weakness caused by purgatives and vomiting
+he died the second night following, and is buried in the same Abbey.<p align="center">&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
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+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+<html>
+<head>
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+   <meta name="Author" content="Marilee">
+   <meta name="GENERATOR" content="Mozilla/4.61 [en] (Win95; U) [Netscape]">
+   <title>A discussion of question five from Tudor Quiz: Henry VIII</title>
+</head>
+<body text="#000000" bgcolor="#FFFFFF" link="#0000EE" vlink="#000099" alink="#000000">
+&nbsp;
+<blockquote>In my many (too many) readings about Henry's checkered marital
+career, one thing always struck me - the constant back and forth between
+biographers/historians over the exact ending of his six marriages.&nbsp;
+It's a common assumption that Henry divorced Katharine of Aragon, Anne
+Boleyn, Anne of Cleves, and Catherine Howard, yet a close reading of the
+actual circumstances of each case reveals something quite different - those
+marriages were annulled, and annulments are not divorces.
+<p>An annulment invalidates a marriage by declaring the marriage was never
+valid; in other words, a marriage never took place.&nbsp; If we take this
+a step further, it could be argued that Henry never had six wives at all
+- since he annulled four of his marriagess!
+<br>A divorce recognizes the legal validity of a marriage; it acknowledges
+that a legal marriage did occur and was recognized by both spouses.
+<br>&nbsp;
+<p>I will add a discussion of each case when I have some spare time, which
+I hope is sooner rather than later.
+<br>&nbsp;</blockquote>
+<font size=-1><a href="tudorq13.html">to
+Tudor Quiz: Henry VIII</a></font>
+<br><font size=-1></font>&nbsp;
+<br><font size=-1></font>&nbsp;
+<blockquote>&nbsp;
+<br>&nbsp;</blockquote>
+
+</body>
+</html>
+<!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082744" alt="setstats" border="0" width="1" height="1"></noscript>
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+<meta name="content" content="Charles Brandon, duke of Suffolk and Princess Mary Tudor: Biography, Portrait, Primary Sources Mary Tudor sister of King Henry VIII grandmother of Lady Jane Grey">
+<meta name="page_topic" content="Charles Brandon, duke of Suffolk and Princess Mary Tudor: Biography, Portrait, Primary Sources">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
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+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
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+<title>Charles Brandon, duke of Suffolk and Princess Mary Tudor: Biography, 
+Portrait, Primary Sources</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"><font size="3"></font></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <img border="0" src="../citizens/brandon1.gif" alt="Cloth of Gold and Cloth of Frieze" width="492" height="116"></p>
+    <p align="center">
+    <img border="0" src="../citizens/brandon2.gif" alt="Charles Brandon and Princess Mary Tudor" width="494" height="65"></p>
+    <blockquote>
+      <hr>
+    </blockquote>
+    <p align="center">
+    <img border="2" src="../citizens/brandonpage2.jpg" alt="The marriage portrait of Charles Brandon and Princess Mary Tudor" width="324" height="363"><br></p>
+    <blockquote>
+      <p align="left"><FONT size=+1 face="Arial">Charles Brandon, duke of Suffolk, was Henry VIII's closest 
+
+friend.&nbsp; Brandon's father was Henry VII's standard-bearer at the Battle of 
+
+Bosworth Field and died defending the future king.&nbsp; Henry VII repaid his 
+
+loyalty by educating young Charles with his own children, and from the beginning 
+
+Charles and the future Henry VIII were devoted friends.&nbsp; But their 
+
+friendship was sorely tested when Brandon secretly married Henry's favorite 
+
+sister, the beautiful Princess Mary Tudor.&nbsp; At this page, you can learn 
+
+more about their romantic story and its aftermath.</FONT></p>
+    </blockquote>
+    </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+<blockquote>
+  <blockquote>
+    <p>&nbsp;</p>
+
+<P><font face="Times New Roman">Charles Brandon had an inauspicious beginning and his rise to wealth and 
+prominence was due largely to two things: his father's death at Bosworth Field 
+and his own personal magnetism.&nbsp; Upon his death in 1545, Brandon was 
+perhaps the only person in England who had successfully retained Henry VIII's 
+affection for over forty turbulent years. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; His father was William Brandon, Henry Tudor's standard 
+bearer at Bosworth Field in 1485.&nbsp; He was reportedly killed there by 
+Richard III himself.&nbsp; Around 1480 or so, William had married the daughter 
+and heiress of Sir Henry Bruyn of South Ockendon in Essex.&nbsp; But unlike his 
+respectable, middle-class forebears who had led exemplary and cautious 
+lives, William had a tasste for politics.&nbsp; When the Duke of Gloucester 
+seized the throne in 1483 and declared himself Richard III, William and his 
+younger brother Thomas decided to make a stand.&nbsp; They joined the duke of 
+Buckingham's rebellion; it failed and the brothers fled to Brittany where they 
+joined other Lancastrian exiles who supported Henry Tudor, the earl of Richmond.
+</font> 
+
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; When William fled England, his wife was already 
+pregnant.&nbsp; Charles Brandon was born sometime in late 1483 or early 
+1484.&nbsp; His mother died in childbirth and, upon his grandfather's death in 
+1491, the orphaned boy went to the royal court.&nbsp; This was the custom of the 
+time but since Brandon was not heir to an important title or great wealth, his 
+case was decided more on sentiment.&nbsp; He had a claim on Henry Tudor's affections 
+since his father had died in his service.&nbsp; That demonstration of loyalty at 
+Bosworth meant a great deal to the first Tudor king.&nbsp; Since Charles was 
+just two years older than Henry's first son, Prince Arthur, it is probable that 
+they were playmates. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; When Arthur married the Spanish princess Katharine of 
+Aragon in 1502, his court moved to Ludlow Castle in the Welsh Marches, the 
+traditional seat of the Prince of Wales.&nbsp; Charles did not accompany the 
+royal couple but remained in London as companion to Arthur's younger 
+brother, Henry duke of York. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Though seven years older than Henry, Charles shared his 
+most prominent characteristics - natural athleticism, robust physical health 
+(unlike the delicate Arthur), and a devotion to all sports (wrestling, hunting, 
+tilting and jousting, etc.)&nbsp; During these adolescent years, the two boys 
+laid the foundation for a lifelong friendship.&nbsp; Arthur died just months 
+after his wedding and, in 1509, the duke of York succeeded to the throne.&nbsp; 
+This marked the real beginning of Charles Brandon's rise to prominence and 
+privilege. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; But before 1509, young Charles had undergone an 
+embarrassing marital situation which revealed his ambition and 
+callousness.&nbsp; In 1505, he had become engaged to Anne Browne, a young woman 
+of impressive lineage; her father was  Anthony Browne, Governor of Calais, 
+and her mother was Lucy Neville, niece of the 'Kingmaker.'&nbsp; Charles and 
+Anne were betrothed <I>per verba de praesenti</I>, a binding contract under 
+canon law.&nbsp; In such cases, there was no ceremony or witnesses; as one can 
+imagine, this led to several unpleasant cases of men and (more rarely) women 
+repudiating their betrothed <I>if</I> they lacked proper respect for church 
+law.&nbsp; Charles apparently did.&nbsp; He and Anne slept together, as 
+evidenced by the birth of a daughter in 1506, but he did not marry her.&nbsp; 
+Instead, he married her aunt, a very wealthy widow named Margaret Neville 
+Mortimer.&nbsp; The marriage was never taken seriously due to its mercenary 
+nature and, more importantly, legal action begun by Anne's angry family.&nbsp; 
+Eventually, the Mortimer marriage was annulled due to the previous contract and 
+Charles married Anne in a well-attended public ceremony.&nbsp; They had another 
+daughter in 1510; Anne Browne died just two years later. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; By late 1512, Charles had recovered from his grief enough 
+to contemplate yet another union.&nbsp; This was perhaps even more mercenary 
+since his betrothed was an eight-year-old orphan.&nbsp; It was common practice 
+for the Crown to assume guardianship of an orphaned minor child who had 
+inherited property.&nbsp; The Crown then sold the guardianship to the highest 
+bidder, often the child's own relatives who wanted to receive the property 
+revenues until the child came of age and decide whom they would marry.&nbsp; 
+Charles had been given the wardship of Elizabeth Grey, the heiress to Lord Lisle 
+of Sparsholt in Berkshire.&nbsp; This, along with various offices, grants &amp; 
+pensions, was a mark of Henry's continued favor.&nbsp; In early 1513, Charles 
+announced his engagement to the girl and, on 15 May 1513, the king created him 
+Viscount Lisle, in right of his betrothed wife.&nbsp; Charles Brandon finally 
+had a noble title and even more property. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; That same year, the new Lord Lisle accompanied the king to 
+France and also helped entertain the Hapsburg Emperor Maximilian and his 
+twice-widowed, 33-year-old daughter, Margaret, Regent of the Netherlands.&nbsp; 
+For Henry, the meeting was also a diplomatic necessity since, in 1508, his 
+father had entered into a formal contract of marriage between his youngest 
+daughter, Mary, and Maximilian's son, Charles of Castile.&nbsp; But over the 
+next few years, little mention had been made of the contract.&nbsp; Henry used 
+the visit to broach the subject; the end result was an agreement that Princess Mary and Charles 
+would wed in 1514, after Charles had reached his 14th birthday. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Meanwhile, Lord Lisle made a fool of himself by flirting 
+with Margaret.&nbsp; There is little chance she truly favored him, and certainly 
+none that she planned to marry him, but they flirted, Henry translating for his 
+friend.&nbsp; Once again, Charles Brandon was demonstrating his heavy-handed 
+flair for the ladies.&nbsp; In the end, he greatly offended Margaret by 
+encouraging gossip about their meeting.&nbsp; In particular, it stressed her 
+attraction to him and a possible marriage.&nbsp; As a Hapsburg princess, she was 
+not amused and Henry VIII was forced to make a public apology.&nbsp; But he was 
+not angry with his friend; on 1 February 1514, he created Charles the duke of 
+Suffolk, the title once held by the Yorkist de la Poles.&nbsp; He also received 
+the majority of their confiscated estates.&nbsp; This elevation was remarkable; 
+it meant that Suffolk was one of only three dukes in the kingdom.&nbsp; The 
+other two were Thomas Howard, duke of Norfolk (reinstated to the title after his 
+victory at Flodden in 1513), and Edward Stafford, duke of Buckingham and 
+descendant of Edward III.&nbsp; Of course, many were surprised that a yeoman's 
+son was now one of their greatest peers but Brandon's friendship with Henry 
+explained matters.&nbsp; In Europe, it was said that 
+<a href="../citizens/wolsey.html">Cardinal Wolsey</a> and Brandon truly 
+ruled England through influence upon Henry VIII. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; In 1514 as well, the usual tangle of European diplomacy 
+had made Henry distrustful of the Hapsburgs.&nbsp; Also, the deadline for 
+Charles of Castile's marriage to Princess Mary had come and passed with only 
+dismissive explanations from the emperor.&nbsp; So when Louis XII of France 
+offered a peace treaty to England, Henry was eager to accept it.&nbsp; Louis 
+considerably sweetened the offer by offering to wed the Princess Mary.&nbsp; For 
+Henry, this was a diplomatic coup.&nbsp; For his sister, of course, it was 
+considerably different. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary Tudor, born 18 March 1495, was the baby of the Tudor 
+family and widely considered the most beautiful princess of her time.&nbsp; She 
+shared her brother Henry's exuberance for spectacle and was the star of his 
+court.&nbsp; Like him, she loved dancing, masques, and parties; they were also 
+close emotionally.&nbsp; So when Henry told her that she would marry the widowed 
+King of France, a man in his fifties with gout and a pock-marked face, she 
+poured out her heart.&nbsp; Certainly she would do her duty as a Princess, she 
+told Henry, but when the marriage was over, she wanted to choose her next spouse 
+- and choose him for love alone.&nbsp; Itt was an extraordinary demand for any 
+woman of that time but Henry VIII loved his sister and he agreed.&nbsp; 
+Why?&nbsp; Partly because he loved her but also because he wanted her to leave 
+for France peacefully and willingly; and also, perhaps more troubling, because 
+she had confessed her secret love to him.&nbsp; It was none other than his best friend, Charles 
+Brandon. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary had enjoyed unprecedented freedom at Henry VIII's 
+court.&nbsp; Just fourteen when her father died, she had spent the next five 
+years virtually unchaperoned in his hectic court, her brother openly encouraging 
+her participation in every event.&nbsp; In 1514, she was nineteen years old, 
+very beautiful, and very willful.&nbsp; She had developed an attachment to 
+Charles Brandon; she had known him all her life.&nbsp; It may have begun as a 
+child's awe of a robust, attractive man, successful in all sports (so important 
+at the Tudor court) and very charming.&nbsp; But it had changed into something 
+more and, by 1514, most of the king's inner circle knew of her affection.&nbsp; 
+There was no scandal, however.&nbsp; Mary believed her brother's promise and 
+married the aged Louis XII at Greenwich Palace on 13 August 1514.&nbsp; The Duc 
+de Longueville acted as the king's proxy in every respect; he even lay down on a 
+bed with Mary and touched her body with his naked leg, thus 'consummating' the 
+marriage.</font><P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary enjoyed herself at her wedding festivities and its 
+attendant celebrations.&nbsp; It would have been impossible to feel 
+otherwise.&nbsp; She had a splendid trousseau, marvelous jewels sent over from 
+France, and all the honors due to the queen of France.&nbsp; All contemporary 
+accounts remark on her great beauty, particularly her clear complexion and long 
+red-gold hair, the Tudor trademark.&nbsp; Her husband was eager to see her, 
+telling the English ambassador that he had many gifts for his bride and expected 
+a kiss for each one. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary eventually traveled from Dover to Boulogne on 2 
+October, after waiting weeks for stormy weather to end.&nbsp;  She actually left in the 
+midst of more storms since Henry VIII had grown bored waiting for them to 
+end.&nbsp; Upon her departure, she kissed her brother and reminded him of his 
+promise about her future.&nbsp; Henry, eager to leave, committed her to God and 
+her husband and left.&nbsp; There were fourteen ships in Mary's retinue but the 
+weather was so terrible that only four reached port on time; the rest docked at 
+various ports on the French coast.&nbsp; Poor Mary, suffering from seasickness 
+and constant rain, was carried ashore by one of her gentlemen, Sir Christopher 
+Garnish.&nbsp; She journeyed from Montreuil to Abbeville and contemporary 
+chroniclers recorded her outfit; they were much impressed with her beauty and 
+charm.&nbsp; She wore cloth of gold on crimson with tight sleeves in the English style and a 
+hat of crimson silk which she wore cocked over one eye.&nbsp; Her husband met 
+her at a carefully arranged 'accident' outside Abbeville and, on 9 October, they 
+married in that city. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; The marriage lasted for eighty-two days.&nbsp; On 31 
+December 1514, Louis died quite abruptly.&nbsp; Despite his ill health, he had 
+been notably active during his marriage.&nbsp; This may have contributed to 
+his demise; he boasted that on their wedding night, he had 'crossed the river' 
+three times.&nbsp; Before his death, he was visited by the duke of Suffolk on a 
+diplomatic trip and Charles wrote to Henry that his sister was discreet and 
+dignified.&nbsp; This undoubtedly relieved both men; they had perhaps wondered 
+how Mary would greet her true love.&nbsp; Mary, however, was aware of her 
+position as Queen of France and, during her brief marriage, conducted herself 
+with aplomb. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; The King of France's death changed her world 
+considerably.&nbsp; Now a queen dowager in a foreign country she had barely 
+begun to settle in, she was suddenly pushed into strict seclusion for 40 
+days.&nbsp; This was French custom; after all, the widowed queen might be 
+pregnant and the child's paternity must be certain.&nbsp; Mary was not pregnant 
+but she was sent to the Hotel de Cluny for her period of mourning, without even 
+the comfort of her English attendants.&nbsp; The new king, Francois, had 
+appointed several Frenchwomen to attend her and dismissed her women.&nbsp; May 
+was undoubtedly terrified.&nbsp; She was closed off from the world, shut behind 
+heavy black drapes, and once more a pawn for her brother.&nbsp; Would Henry 
+arrange another marriage or would he keep his promise?&nbsp; Frantic, Mary wrote 
+to him from Cluny in early January 1515, just two weeks after her husband's 
+death; she begged him to contact Francois and have her sent home to England and 
+reminded him:&nbsp; "Sir, I beseech your grace that you will keep all the 
+promises that you promised me when I took my leave of you by the 
+waterside.&nbsp; Sir, your grace knoweth well that I did marry for your pleasure 
+at this time and now I trust you will suffer me to marry as me liketh for to 
+do... wherefore I beseech your grace for to be a good lord and brother unto 
+me."&nbsp; If Henry did not keep his promise, Mary said she would enter a 
+nunnery and "never no man shall know joy of me." </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary also had to deal with visits from the new French 
+king, Francois I.&nbsp; He was twenty-one and knew the English-French alliance 
+was breaking down.&nbsp; He did not want Mary wed by Henry to some Hapsburg 
+prince.&nbsp; He suggested two of his own kinsmen as husbands and then hinted 
+that Henry was trying to marry her to Charles of Castile again.&nbsp; Alone and 
+in a fragile state, Mary was terribly frightened; Francois's words touched on 
+her greatest fears.&nbsp; She eventually confessed her love for Suffolk to 
+Francois.&nbsp; Surprisingly, she found him sympathetic and kind.&nbsp; He 
+promised to help secure her future happiness, a promise which Mary found 
+generous and Francois found opportunistic.&nbsp; For, by this time, he knew the 
+duke of Suffolk was on his way to France to bargain for Mary's return, 
+specifically the return of her jewels, plate, and dower rights.&nbsp; With the 
+dowager queen's confession, Francois had a powerful bargaining tool <i>and</i> peace 
+of mind - if Mary wed her English duke, she was no longer Henry's political 
+pawn. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Charles had been sent to France by Henry, specifically 
+promising to keep his relations with the widow on a formal basis.&nbsp; Henry 
+had no reason to distrust him.&nbsp; Charles was his creation, dependent on him 
+for everything, and also ambitious.&nbsp; Why would he bite the hand that so 
+generously fed him?&nbsp; So Suffolk departed on his most important mission 
+ever; it was well-known that the matter would be complicated.&nbsp; The French 
+would not want to surrender any property to Mary and she would naturally want 
+her rightful share.&nbsp; Beyond that, perhaps Henry meant to keep his 
+promise.&nbsp; After all, he knew his sister's feelings - and now he sent her 
+true love to bring her home.&nbsp; But rattled by Francois's suggestions of a 
+Hapsburg marriage, Mary was set on a course which nearly ruined her and Suffolk.
+</font> 
+
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Suffolk arrived on 27 January; five days later, he met 
+Francois at Senlis.&nbsp; Francois summoned Suffolk to a private audience and 
+bluntly dropped his bombshell - the duke had come to marry the Dowager Queen, 
+had he not?&nbsp; Poor Suffolk was taken aback and protested vehemently.&nbsp; 
+Francois went on to share Mary's confession and reassure the duke.&nbsp; He was 
+their friend, Francois said, and he would write to the English king and explain 
+all.&nbsp; Suffolk took no chances; he dashed off his own account of the 
+interview to Wolsey and then went to see Mary.&nbsp; It was a most emotional 
+reunion.&nbsp; She accused him of taking her to England only to have her married 
+off again against her will.&nbsp; He protested but she would have none of 
+it.&nbsp; She issued an ultimatum - either marry me now or never marry me at 
+all.&nbsp; There would be no better time, she said, for he had jealous enemies 
+on the Privy Council who would prevent it in England.&nbsp; She had her 
+brother's explicit promise that she could follow her heart and Henry knew her 
+greatest desire.&nbsp; What was the risk for him, anyway?&nbsp; She was a 
+princess and queen, very beautiful, and imperious.&nbsp; Why would any man deny 
+her?&nbsp; Suffolk was understandably torn between his obedience to Henry and 
+his desire for Mary. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; But he was always ambitious and rarely foolish.&nbsp; He 
+knew that Mary would be a great prize; after all, he harbored no overt dynastic 
+ambitions but six years of marriage had produced no living child for Henry 
+VIII.&nbsp; Perhaps Suffolk and Mary would create a new royal line.&nbsp; And 
+she was a royal princess and queen, just twenty years old and madly in love with 
+him.&nbsp; Suffolk was swayed by tears and ambition and, sometime in February 
+1515, they married secretly at the Cluny chapel. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; The consequences were rapid and hardly comforting.&nbsp; 
+Francois demanded Suffolk's acquiescence in several disputes over Mary's dowry 
+as payment for their 'secret.'&nbsp; Meanwhile, <A 
+href="http://www.englishhistory.net/tudor/citizens/wolsey.html">Wolsey</A> and 
+Henry wanted the duke to be firm and reject all the French king's demands.&nbsp; 
+Furthermore, news of the wedding was circulating throughout Paris and Mary 
+suspected she might be pregnant.&nbsp; Suffolk knew he could no longer delay 
+confession and wrote to Wolsey, now Archbishop of York.&nbsp; He wanted to 
+arrange a more public wedding ceremony since he knew their secret wedding could 
+easily be invalidated; certainly he knew that better than most.&nbsp; And he 
+feared that the king's council was urging an annulment.&nbsp; Many didn't 
+consider Suffolk a fit match for a princess and others wanted to promote 
+pro-Hapsburg policy of which Mary's remarriage could play a part. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; But most important was Henry's reaction.&nbsp; How would 
+he consider the betrayal of his best friend and favorite sister?</font><P>&nbsp;<P>
+<HR width="100%">
+
+<P><font face="Times New Roman">Henry's reaction was not favorable.&nbsp; Brandon had written to Wolsey for 
+support and he received a prompt reply but it hardly comforted him; the king 
+could not believe his most trusted friend had betrayed him but, if it were true, 
+the newlyweds had to pay a stiff penalty - literally.&nbsp; They must pay back 
+Mary's marriage portion in annual installments of 4000 pds, leaving her just 
+6000 pds to live on.&nbsp; She must return all the plate and jewels she had 
+taken to France as her dowry as well as the many gifts King Louis had given her.
+</font> 
+
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Beyond that, they must hasten to beg the king for 
+forgiveness.&nbsp; Suffolk and Mary did just that, both blaming her for the 
+hasty marriage.&nbsp; Suffolk wrote:&nbsp; "Sir, for the passion of God, let it 
+not be in your heart against me, and rather than you should hold me in mistrust, 
+strike off my head and let me not live."&nbsp; Mary knew her brother well so, 
+along with her letter, she sent him the most sumptuous jewel Louis had given her 
+- a diamond called the Mirror of Naples wwhich formed part of the French crown 
+jewels.&nbsp; She assured her brother that she had not acted out of 'sensual 
+appetite'; instead, she had been subject to 'consternation, fear and doubt' 
+which made her force Suffolk's hand.&nbsp; Henry did not reply.&nbsp; Francois 
+eventually allowed her to keep some of Louis's gifts and, on 16 April, they set 
+out for the French coast.&nbsp; Mary wrote to Henry again at Calais, telling him 
+that she was now under his jurisdiction since Calais was an English possession 
+and that she would not sail for England until he gave permission.&nbsp; She 
+reminded him of 'the great and tender love' they had always shared and promised 
+to remain in Calais if that is what he wished. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; It was not.&nbsp; Henry sent permission for them to cross the 
+Channel in early May and met them privately at the manor of Barking outside 
+London.&nbsp; There is no record of that meeting, of course, and one must assume 
+that Wolsey had perhaps exaggerated Henry's displeasure since he wanted 
+Suffolk's gratitude.&nbsp; Henry was willing enough to forgive his best friend 
+and favorite sister, <i>after</i> she turned over all her jewels and plate from France 
+and signed a contract to repay the 24000 pds spent on her first marriage in the 
+annual installments of 4000 pds.&nbsp; It was obvious that Henry was not 
+surprised by the marriage; he was mostly angry at Suffolk for breaking his word.</font><P>
+    <img border="2" src="../citizens/brandonpage1.jpg" alt="another version of the Brandon marriage portrait" align="left" width="300" height="363"><P>
+    <font face="Times New Roman">&nbsp;&nbsp;&nbsp; Suffolk and Mary were wed again at Greenwich Palace on 13 
+May with Henry and
+<a href="../monarchs/aragon.html">Katharine of Aragon</a> 
+in attendance.&nbsp; There was feasting and celebration but it was strictly a 
+family affair and foreign ambassadors wondered if they should congratulate the 
+couple.&nbsp; After all, the situation was odd and there were some (mostly on 
+the king's council) who disapproved of the match.&nbsp; But, for the most part, 
+there were no hard feelings or grudges.&nbsp; Suffolk was a popular man, 
+good-looking and charming, and few - even in Tudor England - could resist such a 
+grand love story.&nbsp; After all, they had risked everything to be 
+together.&nbsp; Before long, the Suffolks were back in the king's good 
+graces.&nbsp; They are recorded as extending all the great court celebrations of 
+the next few years.&nbsp; Mary's pregnancy in France had been a false alarm but 
+she did become pregnant a few months later.&nbsp; In fact, she was now pregnant 
+along with her sister-in-law Katharine.&nbsp; Due to the queen's history of 
+miscarriages and stillbirths, few were hopeful of the outcome; but, on 18 
+February 1516, she gave birth to her only surviving child, a princess called 
+Mary after her aunt.&nbsp; The new duchess of Suffolk, however, was more 
+fortunate - on 11 March 1516, she gave birth to a healthy baby boy called Henry 
+after the king.&nbsp; Henry and Wolsey stood as the child's godfathers. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary and Henry's older sister Margaret of Scotland visited 
+that summer, bringing her six-month-old daughter, Lady Margaret Douglas.&nbsp; 
+She had been in Scotland for thirteen years but her visit was pleasant 
+enough.&nbsp; Henry had never tired of lecturing Margaret on morality (she had 
+married the Earl of Angus after James of Scotland's death at Flodden); this, of 
+course, is laughable when one considers his own matrimonial career.&nbsp; But 
+Margaret's visit was some ten years before Anne Boleyn entered Henry's 
+life.&nbsp; In 1516, the king was just seven years into his reign, still 
+handsome and bluff.&nbsp; Still, Margaret had little in common with her siblings 
+after her years away; also, her first husband had been killed by the English at 
+Flodden Field. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary Tudor was far closer to her foreign sister-in-law 
+than to Margaret.&nbsp; After all, she and Katharine had spent their formative 
+years together.&nbsp; When, in 1517, Katharine went on a pilgrimage to pray for 
+a son, Mary accompanied her.&nbsp; Both Mary and Brandon understood the queen's 
+ 
+heartfelt desire to bear her husband a prince and successor and were 
+sympathetic supporters.&nbsp; There was a passing cloud in 1516 - Mary's revenues 
+from France had fallen off and she was behind in payment of her debt - but the 
+cloud passed quickly.&nbsp; In early summer 1517, they were at Richmond Palace 
+again.&nbsp; Mary was once more pregnant and, on 16 July 1517, she went into 
+labor on her way home.&nbsp; A daughter was born, called Frances after the 
+French king; the Suffolks 
+had another daughter, Eleanor, in 1519. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; In 1518, Mary and Suffolk were at court again, attending 
+the betrothal of the infant Princess Mary to the infant dauphin of France.&nbsp; 
+And they attended the famous Field of Cloth of Gold at Guines, near 
+Calais in 1520.&nbsp; Mary was widely considered the most beautiful woman there.&nbsp; 
+A French admiral commented, "Madame, you are the rose of Christendom.&nbsp; You 
+should have stayed in France.&nbsp; We would have appreciated you."&nbsp; Mary 
+was now in her mid-twenties and, when Katharine of Aragon was pregnant or ill, acted 
+as her brother's hostess. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Back in England, however, things began to change.&nbsp; In 
+the new year of 1522, Mary first met
+<a href="../monarchs/boleyn.html">Anne Boleyn</a>.&nbsp; 
+She knew Anne's older sister Mary quite well for she had been one of her 
+ladies-in-waiting when Mary Tudor wed Louis XII in France.&nbsp; She had also remained 
+in France until dismissed by Francois.&nbsp; Anne wanted to join Queen 
+Katharine's household as a lady-in-waiting, a much-sought-after position.&nbsp; 
+It is likely that Mary repaid Mary Boleyn's service by helping Anne.&nbsp; 
+Certainly she may have liked the girl; Anne had spent time at the French court 
+and was fashionable and high-spirited, much like Mary. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Anne entered Katharine's service but was sent home in 
+disgrace for three years.&nbsp; In just a matter of months, she had managed to 
+attract the attention of Henry Percy, heir to the powerful Earl of 
+Northmberland.&nbsp; The young couple entered into an understanding but Percy was under the guardianship of Wolsey.&nbsp; The king's most trusted 
+advisor and Percy's powerful father were understandably angry at the secret 
+romance.&nbsp; <a href="../ab-percy.html">Anne and Percy were brought to heel</a>; 
+there were better matches for him and she had overstepped her bounds.&nbsp; Anne 
+was openly furious, so much that she was banished from court.&nbsp; However, she 
+was allowed back in late 1525, around the time that Henry VIII was first 
+beginning to contemplate his lack of heirs. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Katharine of Aragon had delivered the Princess Mary in 
+1516, when she was thirty-one years old.&nbsp; Since then, there had been no other 
+surviving children.&nbsp; In 1525, she was forty and it was obvious she would 
+have no further children.&nbsp; Her husband was nervous; his dynasty was just forty 
+years old.&nbsp; It would not survive with just one princess as heir.&nbsp; He 
+knew the problem was not his fault - after all, in 1519, a mistress called 
+Bessie Blount had born a son.&nbsp; In summer 1525, this child, called Henry 
+Fitzroy, was made the duke of Richmond and Somerset.&nbsp; Suffolk was present 
+at the grand ceremony.&nbsp; Katharine was normally a patient, dignified wife 
+but the lavish ceremony, involving all the important nobility, offended 
+her.&nbsp; She argued with Henry, telling him it insulted her and their daughter 
+Mary.&nbsp; Henry was unused to such criticism and responded by dismissing three 
+of her favorite ladies.&nbsp; The Suffolks were not critical of their benefactor 
+since Henry had created his nephew the Earl of Lincoln at the same 
+ceremony.&nbsp; Also, Mary's repayment of her debt was still in limbo. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; She was also in failing health.&nbsp; She had suffered 
+through the sweating sickness in 1518 and never completely recovered.&nbsp; She may also have been exhibiting the first signs of the 
+disease which eventually killed her; most historians believe it was 
+cancer.&nbsp; She was present at several court functions over the next few years 
+(a summer 1526 party for European ambassadors, for example) but came to court 
+with less and less frequency.&nbsp; Her physical condition was deteriorating but 
+she was also uncomfortable with her brother's course of action. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; In 1527, Henry's infatuation with Anne Boleyn had 
+begun.&nbsp; He was determined to annul his marriage to Katharine, arguing that 
+it had never been legal in the first place.&nbsp; He asserted that Katharine and 
+Arthur had consummated their marriage and, once again, his old friend Suffolk 
+acted in the king's interest.&nbsp; He dug out some heretofore-lost memories 
+that hinted at consummation.&nbsp; Meanwhile, Wolsey had lost Henry's trust 
+because of the many delays in the annulment; the king used Suffolk to openly 
+attack his once powerful advisor.&nbsp; At a public hearing on the case, Suffolk banged his fist on 
+the table and shouted "It was never merry in England whilst we had cardinals 
+among us."&nbsp; Of course, Suffolk would not have dared to attack Wolsey 
+without Henry's implicit support.&nbsp; It was the downfall of the Cardinal.
+</font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; In 1531, Henry banished Katharine of Aragon from 
+court.&nbsp; He and Anne were constantly together and he made no secret of his 
+intention to marry her.&nbsp; The Suffolks were not happy about this but what 
+could they do?&nbsp; They depended on Henry for everything.&nbsp; Mary made a 
+cutting remark about Anne sometime in early 1532 and refused to accompany Henry 
+and Anne on a state visit to France.&nbsp; Her husband warned Henry that Anne 
+may have slept with Sir Thomas Wyatt.&nbsp; But that is all they dared.&nbsp; 
+They were concerned about their own family. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; By this time, Suffolk's daughters with Anne Browne were 
+wed to titled men.&nbsp; His eldest daughter with Mary, the lady Frances, was 
+engaged to Henry Grey third Marquess of Dorset, descendent of the famous <A 
+href="http://www.englishhistory.net/plant/queens/elizwood.html">Elizabeth 
+Woodville</A>; before Edward IV, she had been married to a Grey and had two sons 
+by him.&nbsp; It was from the elder son that Henry Grey was descended.&nbsp; Frances and Henry were the parents of
+<a href="janegrey.html">Lady Jane 
+Grey</a>.&nbsp; The celebration of Frances's wedding to Henry Grey was held at 
+the Suffolk home in London.&nbsp; It was Mary's last visit to the city.&nbsp; 
+She was increasingly ill and also uncomfortable with her brother.&nbsp; His 
+favor was no longer certain.&nbsp; He had married the pregnant Anne Boleyn in a 
+secret ceremony.&nbsp; Suffolk was put in charge of the new queen's <A 
+href="http://www.englishhistory.net/tudor/primary.html">coronation</A>.&nbsp; 
+Therefore, he was not with his wife when she passed away quietly at their home 
+in Westhorpe on 26 June 1533.&nbsp; She was thirty-eight years old.&nbsp; Her 
+death was not considered important news since most people were concerned with 
+the impending birth of Anne Boleyn's child, destined to be 
+<a href="../monarchs/eliz1.html">Elizabeth I</a>.&nbsp; 
+Mary had seen her husband in early May but his duties kept him busy; it was a 
+hurried visit and she simply wasted away in the next few weeks. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Her brother ordered requiem masses to be sung at 
+Westminster Abbey but showed no other sign of mourning.&nbsp; He was, after all, 
+in the midst of the Reformation.&nbsp; Charles Brandon did not attend the 
+funeral but it was a marvelous affair.&nbsp; The coffin lay in state for a month 
+at Westhorpe and was interred at the church of Bury St Edmunds on 22 July.&nbsp; 
+The abbey church and her monument were destroyed during the dissolution of the 
+monasteries.&nbsp; Her coffin was saved, however, and moved to a nearby church 
+called St Mary.&nbsp; In 1784, it was moved yet again within that church.&nbsp; 
+The movers ghoulishly opened the coffin; they found a good set of teeth and two 
+feet of hair which was still red-gold.&nbsp; Souvenir hunters cut off pieces of 
+the hair. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Mary's death was perhaps most mourned in Suffolk county 
+where she had been a popular and respected figure.&nbsp; Her husband replaced 
+her quickly enough - and, as was typical of Brandon, with aplomb.&nbsp; He 
+decided to marry his son's betrothed.&nbsp; The girl was called Catherine 
+Willoughby and she as a baroness in her own right, heiress to 15000 ducats a 
+year.&nbsp; She was also just fourteen-years-old, the same age as his youngest 
+child.&nbsp; Brandon himself was almost fifty.&nbsp; But he needed money badly 
+and she was very rich; he married her quite rapidly.&nbsp; The exact date is unknown.&nbsp; 
+His and Mary's son, the eighteen-year-old Henry Brandon, Earl of Lincoln, would 
+be betrothed elsewhere easily enough.&nbsp; But that was not to be.&nbsp; After 
+his father's wedding, the young earl died, probably of the Tudor scourge, 
+tuberculosis.&nbsp; Brandon was not particularly grieved; six months after his 
+death, he and Catherine had a son and named him Henry Brandon.&nbsp; This usage 
+of a dead child's name was common practice in England. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Suffolk remained in Henry's favor.&nbsp; The king gave his 
+old friend the unpleasant task of persuading Katharine of Aragon to accept the 
+break with Rome and the new title Princess Dowager.&nbsp; He was also to move 
+her to Somersham near Cambridge, a manor known for its dank and unhealthy 
+atmosphere.&nbsp; Katharine would not be bullied; she told Suffolk that he would 
+have to bind her in ropes if he wanted to move her anywhere.&nbsp; After a week 
+of such talks, Suffolk left, having accomplished precious little. </font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; He never saw Katharine again.&nbsp; He did attend all the 
+momentous events of the 1530s - he sat at the trials of
+<a href="../citizens/more.html">Thomas More</a> 
+and Anne Boleyn, he was even present at the scaffold when <A 
+href="http://www.englishhistory.net/tudor/primary.html">she was 
+beheaded</A>.&nbsp; He also helped lead forces to end the <A 
+href="http://www.englishhistory.net/tudor/primary.html">Pilgrimage of Grace</A>, 
+one of the most serious problems of Henry's reign.&nbsp; Meanwhile, his wife 
+gave birth to a second son called Charles and his daughter Frances, after two 
+still-births, gave birth to a healthy baby girl, named <A 
+href="http://www.englishhistory.net/tudor/relative/janegrey.html">Jane Grey</A>, 
+probably after Queen Jane Seymour.&nbsp; The exact date of birth is not known, 
+but it was probably October and eclipsed by the birth - finally! - of Henry's 
+son, <a href="../monarchs/edward6.html">Prince Edward</a>.&nbsp; Suffolk acted as godfather to the new prince.
+</font> 
+<P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; The last years of his life were quite happy.&nbsp; He and 
+Catherine Willoughby were affectionate, they had two healthy sons, and the 
+dissolution of the monasteries allowed the king to grant him more lands and 
+pensions.&nbsp; He and his wife entertained the king and his new wife 
+<a href="../monarchs/howard.html">Catherine 
+Howard</a>; and, of course, Suffolk was one the men who arrested and extracted a 
+confession from that queen.&nbsp; He died quite suddenly on 22 August 1545, his 
+last official business being plans for an invasion of France.&nbsp; But he was 
+sixty years old, a good age at the time, and - once the news was known - it was 
+not suurprising.</font><P><font face="Times New Roman">&nbsp;&nbsp;&nbsp; Suffolk requested a quiet funeral but the king would have 
+none of it - he ordered a lavish ceremony at St George's Chapel in 
+Windsor.&nbsp; Henry planned and paid for the service.&nbsp; It was undoubtedly 
+an emotional occasion for him; after all, Charles Brandon had been his companion 
+for virtually his entire life.&nbsp; In fact, Suffolk was one of the few men who 
+could still remember the Bluff King Hal of legend.&nbsp; Henry was now 
+overweight, bald, and suffering from a variety of physical ailments.&nbsp; He 
+would only outlive his friend by about eighteen months.&nbsp; In that time, he 
+had good cause to regret the death of his one true friend.</font><CENTER>
+<P>&nbsp;<P><font face="Times New Roman">
+<a href="janegrey.html">Learn about 
+Charles and Mary's granddaughter, Lady Jane Grey, who was queen of England for 
+nine days in 1553</a>.</font><P><font face="Times New Roman"><FONT size=-1><A href="../relatives.html">to 
+Tudor Relatives</A></FONT><BR><FONT size=-1><A 
+href="../citizens.html">to Tudor 
+Citizens</A></FONT></font><P><FONT size=-1 face="Times New Roman"><A href="http://englishhistory.net/tudor.html">
+to Tudor England</A></FONT></CENTER>
+  </blockquote>
+</blockquote>
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+   <meta name="Author" content="Marilee">
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+   <title>Tudor Relatives - Lady Catherine Grey</title>
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+<center><b><font color="#660000"><font size=+3>Lady Catherine Grey</font></font></b>
+<br>born 1540, died 27 January 1568</center>
+
+<p>' I have sent you, good sister Catherine, a book, which although it
+be not outwardly trimmed with gold, yet inwardly it is more worthy than
+precious stones. It is the book, dear sister, of the laws of the lord:
+It is His Testament and Last Will, which He bequeathed unto us wretches,
+which shall lead you to the path of eternal joy, and if you, with a good
+mind read it, and with an earnest desire, follow it, it shall bring you
+to an immortal and everlasting life.&nbsp; It will teach you to live and
+learn you to die.... It shall win you more than you should have gained
+by the possession of your woeful father's lands, for as if God prospered
+him, you shall inherit his lands.... [it holds] such riches as neither
+the covetous shall withdraw from you, neither the thief shall steal, neither
+let the moth corrupt.... And as touching my death, rejoice as I do and
+consider that I shall be delivered of this corruption and put on incorruption,
+for as I am assured that I shall for losing of a mortal life, find an immortal
+felicity. Pray God grant you and send you his grace to live in the love...
+<br>&nbsp;&nbsp;&nbsp; Farewell good sister, put only your trust in God,
+who only must uphold you,
+<br>&nbsp;&nbsp;&nbsp; Your loving sister, Jane Duddley'
+<center><i><font size=-1>letter from Lady Jane Grey to her sister Catherine,
+1554</font></i></center>
+
+<p><br>
+<br>
+<p>'....when I call to mind what a husband I have of you, and my great
+hard fate to miss the viewing of so good a one....&nbsp; Thus most humbly
+thanking you, my sweet lord, for your sending to see how I do.... I most
+lovingly bid you farewell....'
+<center><i><font size=-1>letter of Catherine Grey to Edward Seymour, 1562</font></i></center>
+
+<hr width="100%">
+<blockquote>Lady Jane Grey, the unfortunate queen of England for just nine
+days, wrote the above letter to her younger sister Catherine before her
+execution.&nbsp; It was the last communication between the seventeen-year-old
+Jane and fourteen-year-old Catherine.&nbsp; Married to men of their parents'
+choosing in a double ceremony the year before, they both suffered when
+Jane was deposed and Princess Mary Tudor (named for their grandmother)
+became queen.
+<p>&nbsp;&nbsp;&nbsp; (The tragedy of Jane's life, and the complexities
+of the plot to make her queen of England, is discussed in much greater
+detail in the following sections:&nbsp; <a href="janegrey.html">Lady
+Jane Grey</a> and <a href="../monarchs/edward6.html">Edward
+VI</a>.)&nbsp; Catherine's reaction to the sudden disgrace of her family,
+the ruin of all their hopes and dreams, is not recorded.&nbsp; However,
+it is safe to assume she was devastated.&nbsp; She was just fourteen and
+watched her entire world turn upside down.&nbsp; The Greys had long been
+the noblest family in the realm of England, united by ties of friendship
+and blood to the Tudor monarchs.&nbsp; Catherine's grandmother was Henry
+VIII's youngest sister, <a href="../citizens/brandon.html">Princess
+Mary</a>; her grandfather was his best friend, Charles Brandon, duke of
+Suffolk.&nbsp; The bonds of blood and friendship had allowed the Brandons
+to rise to wealth and prominence.&nbsp; But they were dangerous bonds as
+well; for after Edward VI's death, the Tudor succession was once more an
+urgent question and anyone with royal blood was a target - for various
+plots of dissatisfied citizens, for international speculation, for aristocratic
+mobility, etc.
+<br>(*note - The Brandons became the Greys when Frances Brandon (Charles
+&amp; Mary's eldest daughter) married Henry Grey.)
+<p>&nbsp;&nbsp;&nbsp; Poor Catherine, despite Jane's fervent prayers, was
+not to lead a life of 'grace.'&nbsp; She lacked Jane's intellect and religious
+fervor; taken together, those qualities may have guided her impulsive nature
+and provided solace in her troubled world.&nbsp; Instead, she was - and
+always remained - an ordinary girl condemned to unhappiness because of
+her Tudor blood.&nbsp; Her sister, brother-in-law, and father were executed
+due to her father's stupidity and ingratitude.&nbsp; Mary I was often naive
+and kind-hearted; she lacked the ruthlessness of her father (Henry VIII's
+conscience rarely troubled him - despite the many executions he ordered.)&nbsp;
+His daughter did not care to kill innocents - especially those she believed
+to be the pawns of more greedy souls. Upon her accession, Jane Grey and
+her husband Guildford Dudley were imprisoned in the Tower; but they were
+not executed. It was only when Jane's father, Henry Grey, duke of Suffolk,
+tried to raise a revolt - capitalizing on anger at the queen's impending
+Spanish marriage - that Mary realized Jane must die.&nbsp; Henry Grey did
+not try to restore his daughter to the throne
+<br>(despite the assertion of many history books.)&nbsp; But that didn't
+matter - Jane had been proclaimed queen once before and Mary recognized
+the danger.&nbsp; Furthermore, Grey's actions followed upon the Wyatt rebellion,
+one of the most serious rebellions of the Tudor era.&nbsp; Mary was conscientious
+and attached to her legitimate family.&nbsp; But she ordered Jane, Guildford,
+and Henry Grey executed.
+<p>&nbsp;&nbsp;&nbsp; But the queen did not forget the remaining Grey family.&nbsp;
+Henry's wife was Frances Brandon, the eldest daughter of Mary's aunt, Princess
+Mary Tudor.&nbsp; Queen Mary remembered her aunt's kindness to the beleaguered
+Katharine of Aragon; she also wanted to put the past behind her - she was
+marrying Philip of Spain, thus fulfilling her heart's two great desires.&nbsp;
+Mary I wanted a family and to restore the Catholic faith to England.&nbsp;
+On her way to achieve both, she was inclined to be generous.&nbsp; She
+allowed Frances and her two remaining children, Catherine and Mary (11
+years old) to remain at court.&nbsp; They attended her wedding on 25 July
+1554 to Philip at Winchester Cathedral.&nbsp; Catherine and Mary were appointed
+maids of honor; the queen was careful to show them special kindness, singling
+them out for favor.&nbsp; Even when their mother's second marriage, they
+were still afforded every privilege.&nbsp;&nbsp; Frances Grey had waited
+just three weeks after her husband's execution to marry her steward, Adrian
+Stokes, a young man fifteen years her junior.&nbsp; Queen Mary did not
+protest; perhaps she was happy her cousin was putting the past to rest.
+<p>&nbsp;&nbsp;&nbsp; At any rate, Frances Grey's second marriage fared
+much better than Catherine's first one.&nbsp; She had been married on 21
+or 25 Mary 1553 to the earl of Pembroke's heir; it had been a double ceremony
+- her sister Jane was also wed to the dukke of Northumberland's son Guildford.&nbsp;
+But when Mary I was proclaimed queen in July, Pembroke was eager to distance
+himself from the Greys.&nbsp; He banished Catherine from his home and had
+the marriage annulled.&nbsp; It was cruel of Pembroke but politically necessary.&nbsp;
+After all, he had no idea how Mary would react to the Grey-Northumberland
+treachery.&nbsp; Meanwhile, Catherine remained at court, openly favored
+by the queen but despondent.&nbsp; There was occasional domestic and international
+speculation about her future once it became clear Mary would provide no
+heir.&nbsp; When discussing Princess Elizabeth's future, most stressed
+the need to either support or destroy her two main rivals - Catherine Grey
+and Mary queen of Scots.&nbsp; In other words, if Elizabeth's rule was
+to be secure, she needed to deal with both Catherine and Mary.&nbsp; Mary
+of Scotland was a problem that could be faced later (she was off in France
+for now) but Catherine Grey was close and a dangerous rallying point for
+dissatisfied Englishmen.
+<p>&nbsp;&nbsp;&nbsp; Before Elizabeth became queen, however, Catherine
+did achieve some measure of personal happiness.&nbsp; After a period of
+depression, she became friends with Lady Jane Seymour, daughter of the
+late Lord Protector Edward Seymour, earl of Hertford and duke of Somerset.&nbsp;
+(She was named for her aunt, Henry VIII's third queen and mother of his
+son.)&nbsp; Jane was also a maid of honor and suffered from poor health
+(already battling the consumption which killed her.)&nbsp; Queen Mary encouraged
+the two girls to become friends, allowing Catherine to accompany Jane on
+her frequent visits home.&nbsp; The Seymour family's main home was currently
+Hanworth, Catherine Parr's manor which had passed to her husband Thomas
+Seymour, then to his brother, and then to his brother's wife.&nbsp; The
+widowed duchess of Somerset lived there with her second husband (like Frances
+Grey, she had married her steward) and her oldest son, Edward.&nbsp; Edward
+was in his late teens, just a few years older than Catherine, and already
+tall, dark-haired and good-looking.&nbsp; Naturally enough, the two young
+people became attached to one another.
+<p>&nbsp;&nbsp;&nbsp; Both Edward and Catherine had suffered public humiliation.&nbsp;
+She had been repudiated by the Pembroke family and her sister and father
+were executed as traitors; his father, too, had been executed as a traitor
+and the Seymour wealth had yet to be restored.&nbsp; Also, their family
+title remained in abeyance.&nbsp; Edward, who should have been titled earl
+of Hertford, waited for his title to be officially reinstated.&nbsp; Beyond
+these painful personal experiences, they were also lonely.&nbsp; Both were
+past the age for betrothal but still unattached.&nbsp; And, equally important,
+both were physically attractive.&nbsp; Catherine was the beauty of the
+Grey family; small like Jane, she had the Tudor red-gold hair and a fair
+complexion.&nbsp; Their attraction was physical and emotional; it was also
+obvious.&nbsp; Before long, the duchess of Somerset was asking her son
+about his intentions.&nbsp; He replied that he enjoyed visiting with Catherine;
+his mother should not worry about the queen's feelings, he said, because
+Catherine had been sent by Mary to live at Hanworth - so 'her majesty's
+feelings in this matter cannot be doubted.'&nbsp; Whatever Mary's feelings,
+they did not soon matter.&nbsp; In November 1558, she died and Elizabeth
+Tudor, unlike her half-sister in so many ways, became queen of England.
+<p>&nbsp;&nbsp;&nbsp; When it came time for the successor to be crowned,
+there was no dispute.&nbsp; After all, Elizabeth was Henry VIII's daughter
+and her only rivals were other women.&nbsp; The Archbishop of York announced
+her succession as 'true, lawful and right.'&nbsp; But Elizabeth took no
+chances.&nbsp; Upon Mary I's death, Mary queen of Scots's French father-in-law
+had her proclaimed queen of England.&nbsp; Mary and her husband, the dauphin
+Francois, quartered the English royal arms with those of France; in official
+documents Mary was titled Queen of England and Scotland.&nbsp; In the eyes
+of Catholic Europe, such action was completely legal.&nbsp; Mary was queen
+of England, by right of legitimacy and primogeniture.&nbsp; No one expected
+Henri II to actually invade England and place her on the throne - but he
+continued the diplomatic snubs, angering and irritating the English.&nbsp;
+For example, when the English pressed for the restoration of Calais, the
+French answered - restore to whom?&nbsp; Wasn't the queen of Scots also
+the queen of England?&nbsp; Naturally enough, a group of parliamentary
+ministers met with Elizabeth to petition her to marry.&nbsp; This was the
+only way to secure her throne.&nbsp; Once she provided England with an
+heir, everything would be fine.&nbsp; It was the familiar refrain of Tudor
+England.&nbsp; Perhaps no other government has been so dominated by one
+biological occurrence.
+<p>&nbsp;&nbsp;&nbsp; Elizabeth had no intention of marrying or providing
+children; she was married to the nation, she told her ministers, and took
+the seal of office from her finger.&nbsp; This, she said, was her wedding
+ring, to be worn until death.&nbsp; The ministers had to be content but
+they were not silenced.&nbsp; They would battle over this issue for years
+to come.&nbsp; Meanwhile, Elizabeth's refusal to marry made Catherine Grey's
+position all the more dangerous.
+<p>&nbsp;&nbsp;&nbsp; Catherine did not like the new queen.&nbsp; This
+had its root in their tangled family history.&nbsp; Princess Mary Tudor
+and Katharine of Aragon had been friends, each despising the interloper
+(and Elizabeth's mother), Anne Boleyn.&nbsp; Their children, Frances Grey
+and Mary I, continued the friendship - and openly despised Anne's daughter
+Elizabeth.&nbsp; Mary I had been kind to Catherine; furthermore, Catherine
+was brought up to believe Elizabeth was the illegitimate daughter of an
+executed adulterer and traitor.&nbsp; And whatever Henry Grey's activities,
+his daughter Catherine was legitimate.&nbsp; Like Mary I, the Greys were
+very conscious of their family history, and naturally proud.&nbsp; Under
+Mary's reign, they had been encouraged to move beyond their 1553 disgrace.&nbsp;
+Now, however, they were ruled by an equally proud and disdainful queen.&nbsp;
+Elizabeth disliked her Grey cousins as much as they disliked - and feared
+- her.&nbsp; They also resented having too bow and scrape for her favor.
+<p>&nbsp;&nbsp;&nbsp; And it soon became clear they would have to bow and
+scrape - and probably to no avail.&nbsp; Elizabeth allowed Catherine and
+her sister to reside at court but no longer as maids of honor; they were
+'ladies of the presence'.&nbsp; Mary had allowed them access to the privy
+chamber, that most private area; Elizabeth did not.&nbsp; Furthermore,
+international ambassadors began to question Elizabeth about her cousin.&nbsp;
+It was rumored that the Spanish wanted to marry Catherine to one of their
+royal noblemen; after all, the king of France had a pawn in Mary queen
+of Scots.&nbsp; The Spanish naturally wanted Catherine as their pawn.&nbsp;
+It was known that Catherine was unhappy at court (so the Spanish ambassador,
+Count Feria, reported to his master) and might be persuaded to leave England.&nbsp;
+If not, they could always kidnap her.&nbsp; Elizabeth reacted by becoming
+quite amiable with Catherine, calling her 'daughter' and restoring her
+to the privy chamber.&nbsp; She even mentioned formally adopting Catherine.&nbsp;
+Poor Catherine was probably more frightened by this sudden friendliness
+than she was of Elizabeth's coldness.
+<p>&nbsp;&nbsp;&nbsp; Catherine had made the mistake of speaking insolently
+about Elizabeth in mid-1559.&nbsp; The duke of Saxony's envoy reported
+that Catherine had said 'very arrogant and unseemly words in the hearing
+of the Queen and others standing by.'&nbsp; Her exact words were not recorded.&nbsp;
+Still, what mattered is that she had been rude to Elizabeth I, a proud
+woman inclined to make others regret their pride.&nbsp; Since Elizabeth's
+immediate reaction had been to begin favoring her, Catherine had good cause
+to worry.
+<p>&nbsp;&nbsp;&nbsp; During this period, Catherine had sought personal
+solace with Edward Seymour.&nbsp; His title had been reinstated by the
+queen and his optimism grew.&nbsp; As early as March 1559, he had asked
+the duchess of Suffolk for Catherine's hand in marriage.&nbsp; Frances
+Grey agreed but counseled the young couple to be careful.&nbsp; Edward
+should seek out members of the Privy Council who would be sympathetic to
+their suit; Frances herself would write to Elizabeth, asking for 'her majesty's
+favor and good will.' (Of course, as all this was going on, Elizabeth was
+receiving word of the Spanish plan to kidnap Catherine.)&nbsp; Frances
+Grey became ill and died before the letter was sent off.&nbsp; Edward seemed
+to get cold feet (he was also meeting another young woman and deciding
+whether to risk his newly-gained title); he told Frances's widower that
+he would let matters rest.&nbsp; So Catherine was left at court, serving
+the unpredictable Elizabeth, and wondering when her betrothed would come
+for her.
+<p>&nbsp;&nbsp;&nbsp; The relationship may have died that natural death
+had not Lady Jane Seymour become involved.&nbsp; She was now in the later
+stages of tuberculosis and determined to secure her brother's future before
+she died.&nbsp; She loved him and wanted him to make this royal marriage,
+perhaps his path to wealth and greater prominence.&nbsp; She brought her
+friend and brother together again, encouraging a reconciliation; perhaps
+she first suggested a secret marriage.&nbsp; Whatever the case, sometime
+in October 1560, Catherine and Edward solemnly declared their intention
+to marry.&nbsp; They agreed the wedding should take place when the queen
+was next absent; Jane would hire a clergyman and Edward would buy the ring.&nbsp;
+He had one made specially for the occasion, a posy ring (a plain gold band
+with a concealed spring opening five links); on those links, he had inscribed
+a verse of his own making:
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+As circles five by art compact show but one ring
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+in sight,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+So trust uniteth faithful minds with knot of
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+secret might,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Whose force to break (but greedy Death) no wight
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+possesseth power,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+As time and sequels well shall prove; my ring can
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+say no more.
+<p>&nbsp;&nbsp;&nbsp; This course of action doomed them both.&nbsp; In
+1515, Catherine's grandparents had been secretly wed, but they were able
+to soothe their mercurial monarch.&nbsp; Catherine and Edward would be
+far less successful.&nbsp; Sometime in early December, Elizabeth decided
+to go to Eltham and hunt.&nbsp; Catherine had a toothache and Jane was
+sick (as always), the queen was told.&nbsp; They would stay behind.&nbsp;
+Elizabeth left in early morning and, by 8 o'clock, Catherine and Jane had
+slipped out of Whitehall Palace and rushed to Edward's lodgings on Cannon
+Row.&nbsp; The minister was late; Jane went to fetch him and, within the
+hour, the couple were married.&nbsp; The groom was openly impatient so
+his sister withdrew.&nbsp; Then the couple consummated their union; they
+did so quickly since both Catherine and Jane needed to return to duties
+at Whitehall.&nbsp; After about ninety minutes of togetherness, it was
+time to hurry back into their complicated clothing.&nbsp; This alone took
+a quarter of an hour.&nbsp; Edward then escorted Catherine and Jane as
+far as he dared, kissed her and bade her farewell.
+<p>&nbsp;&nbsp;&nbsp; Their immediate circumstances did not change.&nbsp;
+They did not tell the queen or anyone of the marriage.&nbsp; Instead, they
+continued their secret meetings, sleeping together several times in the
+palaces of Westminster and Greenwich.&nbsp; They never spent an entire
+night together.&nbsp; Jane helped when she could; Catherine's maids probably
+suspected marriage for they left the young lovers alone often.&nbsp; But
+neither Edward or Catherine seemed to have a plan.&nbsp; How long did they
+expect to carry on furtively?&nbsp; One cannot say.&nbsp; But Jane Seymour
+died in March 1561; she vould arrange no more meetings for them.&nbsp;
+One of Catherine's maids, frightened of her involvement, went on vacation
+and never returned.&nbsp; Catherine received warnings from many prominent
+people, including Secretary of State William Cecil, to 'beware of too great
+familiarity' with Edward.&nbsp; She denied any involvement with him.&nbsp;
+Elizabeth I had decided to send Edward abroad with Cecil's son Thomas,
+as part of a European tour to finish their education.&nbsp; Catherine was
+understandably beleaguered - and then, when it would cause the greatest
+harm, she became pregnant.&nbsp; She had first suspected in early March;
+both Edward and his dying sister agreed there was nothing to do but tell
+Elizabeth and beg forgiveness.&nbsp; But Jane died and Catherine stalled.&nbsp;
+She was perhaps uncertain of her pregnancy or perhaps simply too frightened
+to face its consequences.&nbsp; Whatever the case, when Edward questioned
+her, she said she didn't know for certain.&nbsp; In mid-April, he left
+on the European trip.&nbsp; He promised Catherine he would return immediately
+if and when she could determine her condition.&nbsp; He also left a letter,
+signed and officially sealed, which gave her all his lands and possessions
+if he should die overseas.
+<p>&nbsp;&nbsp;&nbsp; By mid-July, Catherine could no longer hide her condition.&nbsp;
+She wrote to Edward, begging him to return home but the letters were delayed
+and opened by a government informer who acted as courier.&nbsp; She was
+forced to accompany Elizabeth on the annual summer progress.&nbsp; In Ipswich,
+she finally broke down and confessed all.&nbsp; First, she spoke to the
+Countess of Shrewsbury, who berated her and asked her to leave.&nbsp; Next,
+the increasingly distraught Catherine went to Robert Dudley, son of the
+executed duke of Northumberland and brother to Jane Grey's husband Guildford.&nbsp;
+He had become Elizabeth I's favorite and Catherine hoped he would intercede
+on her behalf with the queen.&nbsp; Dudley listened to her story, promised
+nothing, and - the next morning - told everything to the queen.
+<p>&nbsp;&nbsp;&nbsp; A few days later, Secretary Cecil wrote to the earl
+of Sussex this summation of events:
+<blockquote><font size=-1>'The Lady Catherine is certainly known to be
+big with child, as she saith by the Earl of Hertford, who is in France.&nbsp;
+She is committed to the Tower.&nbsp; He is sent for.&nbsp; She saith that
+she was married to him secretly before Christmas last.&nbsp; Thus is God
+displeased with us.'</font></blockquote>
+What Cecil did not mention is that Elizabeth was in no mood to be sympathetic
+to either Catherine or Edward.&nbsp; Barring her personal dislike of the
+Greys, Elizabeth was in a furious tangle of emotions.&nbsp; She had recently
+struggled with the idea of marrying Dudley, the greatest love of her life;
+through the summer and autumn of 1560, she struggled to reconcile her royal
+duties and her heart's desire.&nbsp; In the end, she decided not to marry.&nbsp;
+But this personal struggle had affected her greatly - she was irritable
+and would suffer no mention of marriage or children.
+<p>&nbsp;&nbsp;&nbsp; Not unnaturally, Elizabeth asked why Catherine should
+be allowed to sneak about and marry without the queen's permission, solely
+because she was in love?&nbsp; Catherine possessed Tudor blood as well,
+she must be made to reconcile duty and passion, even as Elizabeth had done.&nbsp;
+Instead, she had been insolent and ungrateful; her marriage was the last
+straw for Elizabeth.&nbsp; As heir presumptive, Catherine had gone too
+far; she had not only married without permission but she had wed a Seymour.&nbsp;
+They were notorious for their political ambitions; Elizabeth had personal
+experience of this with Thomas Seymour.&nbsp; She ordered Edward, home
+from the Continent, to the Tower on 5 September.&nbsp; He and Catherine,
+plus his brother Henry and numerous servants, were subjected to a litany
+of embarrassing questions: which of them had entered the bridal bed first;
+which had left the bed first; who had laid on which side?&nbsp; The investigation
+was still continuing when, on 21 September, Catherine went into labor.&nbsp;
+She delivered a healthy son, christened Edward four days later within the
+Tower.&nbsp; Catherine and Edward continued to assert that no one, save
+Jane Seymour, had aided their deception.&nbsp; Elizabeth was not entirely
+convinced but Cecil, so perceptive, urged leniency.&nbsp; He understood
+Elizabeth's personal feelings in the matter.
+<p>&nbsp;&nbsp;&nbsp; But soon it no longer mattered.&nbsp; Neither Catherine
+or Edward could produce evidence of their marriage; they said it had happened,
+but was it legal by constitutional and canonical standards?&nbsp; They
+could not even produce the minister, summoned by Jane Seymour during that
+early morning.&nbsp; It remained up to Elizabeth; would she believe them
+or not?&nbsp; Elizabeth turned the entire matter over to the church and,
+on 10 May 1562, the Archbishop of Canterbury ruled there had been no marriage
+between Edward and Catherine.&nbsp; They were officially censured for having
+committed fornication; there would be a fine and imprisonment, to be determined
+by the Queen's mercy.
+<p>&nbsp;&nbsp;&nbsp; In the autumn of 1562, Elizabeth became gravely ill
+with smallpox, one of the scourges of that era.&nbsp; It was believed she
+would die.&nbsp; The Council met to decide who would succeed to the throne
+- not unnaturally, many (including Cecil)) supported Catherine Grey.&nbsp;
+The crisis was averted when Elizabeth recovered but, once again, the English
+people were up in arms over the succession.&nbsp; She was always suspicious
+of such talk, remembering her days under Mary's rule, and once said, 'So
+long as I live I shall be Queen of England, when I am dead they shall succeed
+that have most right.'&nbsp; She never said more until she was on her deathbed
+in 1603.
+<p>&nbsp;&nbsp;&nbsp; Soon enough, Catherine managed to complicate the
+issue further - she became pregnant once again.&nbsp; The Lieutenant of
+the Tower, Edward Warner, was a kind man and had allowed the couple to
+spend time together - he left certain doors unlocked and paid no attention
+to who passed through them.&nbsp; So in February 1563, Catherine gave birth
+to their second son, Thomas; two Tower warders acted as godfathers.&nbsp;
+The queen, who had been content to let them languish in the Tower indefinitely,
+was further enraged.&nbsp; Edward was fined 15000 pds (later reduced to
+3000); he was also charged with the following crimes:&nbsp; deflowering
+a royal virgin in the Queen's household, flouting his imprisonment by meeting
+with her in the Tower, and engaging in more carnal relations.
+<p>&nbsp;&nbsp;&nbsp; One must sympathize with Elizabeth I.&nbsp; Not only
+had Catherine and Edward disdained and insulted the Crown by their earlier
+offenses; that was awful enough.&nbsp; But now they had done it again -
+no contrition, no realization of the enormity of their crime - just the
+same stupid, disrespectful behavior.&nbsp; Elizabeth's patience, never
+great, was at an end.&nbsp; Elizabeth was very intelligent and conscious
+of her own position.&nbsp; She assumed Catherine must, at the very least,
+understand her position as well.&nbsp; She could not be so foolish and
+thoughtless as everyone argued in her defense; everyone knew that actions
+have consequences - so must Catherine Grey.
+<p>&nbsp;&nbsp;&nbsp; Whether Catherine was a fool is a matter of speculation
+- and personal sympathy.&nbsp; Certainly,, she had an awful sense of timing.&nbsp;
+But she was soon to suffer worse than before.&nbsp; There was an outbreak
+of plague in London and an exodus of everyone who could afford to leave.&nbsp;
+Elizabeth seized the opportunity to teach her cousin a lesson.&nbsp; The
+Seymour family was moved, Edward and little Edward sent under house arrest
+to Hanworth (where his mother still lived); Catherine and baby Thomas went
+to her uncle John Grey's home in Essex.&nbsp; Even though they were free
+of the Tower, they were still to be treated as prisoners.&nbsp; Catherine
+was perhaps finally repentant - she was, according to her uncle, 'a penitent
+and sorrowful woman for the Queen's displeasure.'
+<p>&nbsp;&nbsp;&nbsp; She was also increasingly ill.&nbsp; Her uncle, who
+could not have been happy with his disgraced niece, wrote that 'I never
+came to her, but I found her weeping or else saw by her face she had wept.'&nbsp;
+'She is so fraughted with phlegm by reason of thought, weeping and sitting
+still that many times she is like to overcome therewith...'&nbsp; As for
+Catherine, she wrote that she was in 'continual agony'; 'I never felt what
+the want of my prince's favor was before now...'&nbsp; Elizabeth was unmoved.&nbsp;
+When John Grey ventured to ask for financial assistance (he was, after
+all, keeping a prisoner for the crown), Elizabeth simply ordered Edward
+to pay.&nbsp; The young earl used to opportunity to plead his own case.&nbsp;
+By now it was mid-1564; there had been pamphlets circulating attesting
+to the legality of the Grey-Seymour union and the legitimacy of their sons.&nbsp;
+The Protestant establishment was as eager to support this as the Catholics
+were to support Mary of Scotland.&nbsp; Catherine, born and bred an Englishwoman
+and already
+<br>having born two healthy sons, was heir presumptive.&nbsp; So the same
+talk continued.
+<p>&nbsp;&nbsp;&nbsp; The commotion eventually died down.&nbsp; But John
+Grey died in autumn 1564; his niece was transferred to Ingatestone under
+the custody of Sir William Petre.&nbsp; Elizabeth had begun to imply she
+favored her Stewart relations over the Greys.&nbsp; One can hardly blame
+her; at least Mary of Scotland was troublesome only to herself.&nbsp; Meanwhile,
+Catherine's sister Mary had made a secret marriage of her own.&nbsp; Once
+again, the Greys angered the queen.&nbsp; Mary and her husband were imprisoned.&nbsp;
+Catherine was moved from Petre's home in February 1567.&nbsp; She entered
+the custody of Sir John Wentworth of Gosfield Hall in Essex; in September,
+she was moved for the last time, to Cockfield Hall.&nbsp; It was in Suffolkshire,
+and remote from the intrigues of London.&nbsp; Her keeper was Sir Owen
+Hopton and his task was an awful one.&nbsp; By this time, Catherine was
+gravely ill with tuberculosis.&nbsp; Royal physicians were sent for but
+they could do nothing.
+<p>&nbsp;&nbsp;&nbsp; By January 1568, Hopton wrote to Cecil that the end
+was near.&nbsp; What did Catherine think, trapped in yet another prison,
+knowing she would never see her husband again?&nbsp; She did not speak
+of Edward; rather, she took comfort in prayer even as Jane had done fourteen
+years before.&nbsp; On the 27th of January, Hopton's wife tried to raise
+her spirits; Catherine replied, 'No, no, my lady, my time is come and it
+is not God's will that I should live any longer, and his will be done,
+not mine.&nbsp; As I am, so shall you be; behold the picture of yourselves.'&nbsp;
+Around seven o'clock, she asked to see Hopton.&nbsp; She asked him to take
+a message to the Queen; 'I must needs confess I have greatly offended her
+in that I made my choice without her knowledge, otherwise I take God to
+witness I had never the heart to think any evil against her majesty.'&nbsp;
+She asked Elizabeth to be good to her sons, to not blame them for their
+parents' crimes.&nbsp; She also asked her cousin to forgive Edward for
+'I know my death will be heavy news unto him.'&nbsp; She sent their wedding
+ring back to him, as well as the few gifts she possessed.&nbsp; Among them
+was a ring engraved with a death's head and a motto, 'While I live yours.'&nbsp;
+This was 'the last token unto my lord that ever I shall send him; it is
+the picture of myself.'&nbsp; And at nine o'clock, having made some small
+peace with the world, Catherine Grey died.
+<p>&nbsp;&nbsp;&nbsp; She had spent nearly seven years in various prisons
+and was twenty-seven when she died.&nbsp; Edward, upon hearing the news,
+was heartbroken.&nbsp; But he also hoped for release.&nbsp; Perhaps Catherine's
+death would end the queen's anger.&nbsp; Two years later, he was rewarded;
+he was released and pardoned.&nbsp; In 1586, he married again to one Frances
+Howard.&nbsp; They had no children and Edward never stopped petitioning
+the courts to legitimize his sons with Catherine.&nbsp; In 1606, three
+years after Elizabeth's death, the clergyman was found - fifty years after
+the fact! - and a common law court legitimized the marriage and their sons.
+<p>&nbsp;&nbsp;&nbsp; Edward eventually died in January 1621, both of his
+sons already dead.&nbsp; But his grandson, William Seymour, had already
+re-enacted Edward and Catherine's tragic love story by making a secret
+marriage of his own to Arbella Stewart, a member of the royal family.&nbsp;
+And Edward apparently didn't gain sympathy for young lovers through his
+own experience.&nbsp; His and Catherine's eldest son, Edward, married Honora
+Rogers, a girl far below his station; Edward did everything he could to
+end the marriage and his son threatened to commit suicide rather than return
+to Edward's home.
+<br>&nbsp;</blockquote>
+
+<center><font size=-1><a href="http://englishhistory.net/tudor/relative.html">to
+Tudor Relatives</a></font>
+<br><font size=-1><a href="http://englishhistory.net/tudor.html">to Tudor
+England</a></font>
+<br><font size=-1><a href="janegrey.html">to
+Lady Jane Grey page</a></font>
+<br>&nbsp;
+<p><font size=-1>written by <a href="mailto:marilee@englishhistory.net">Marilee</a></font></center>
+
+</body>
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+<meta name="content" content="Lady Jane Grey The Nine Days Queen biography portraits primary sources">
+<meta name="page_topic" content="Tudor Relatives: Lady Jane Grey: Biography, Portraits, Primary Sources The Nine Days' Queen 1553">
+<meta name="author" content="Marilee Mongello">
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+<title>Lady Jane Grey: Biography, Portraits, Primary Sources</title>
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+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3">
+    <p align="center"><IMG height=47 alt="Lady Jane Grey" 
+      src="janegrey.gif" width=320></td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    <p align="center">
+    <IMG height=287 
+      alt="The Execution of Lady Jane Grey by Paul Delaroche" 
+      src="janegrey-nga.jpg" width=358 border=2></p>
+    <blockquote>
+      <p><A 
+        href="janegrey.html#Biography"><br>
+      <font size="4">Read 
+        the biography of Lady Jane Grey</font></A><font size="4">.</font></p>
+        <P><B><BR>Primary Sources</B> <BR><A 
+        href="../jane1.html">An eyewitness account 
+        of Jane's coronation</A>, 1553. <BR><A 
+        href="../prijane1.html">Jane's letter to 
+        Queen Mary from the Tower of London</A>, 1554. <BR><A 
+        href="../exjane.html">An eyewitness account 
+        of Jane's execution</A>, 1554. <BR>&nbsp;</P>
+      <p>Visit <a href="http://www.marileecody.com/images.html">Tudor England: 
+        Images</a> to view portraits of Jane.<BR><BR><br>Visit the <A 
+        href="cathgrey.html">Lady 
+        Catherine Grey site</A> to learn more about Jane's tragic 
+        sister.<BR>Visit the <A 
+        href="../monarchs/edward6.html">King Edward 
+        VI site</A> to learn more about Jane's cousin who left her the throne. 
+        <BR><br>Test your knowledge of Jane Grey's life at <A 
+        href="../tudor1.html">Tudor 
+      Quizzes</A>.</p>
+      <p><br><b><font size="2">Links&nbsp; <br></font></b>
+        <font size="2">Visit <A href="http://www.geocities.com/jane_the_quene/">Sarah's 
+        Lady Jane Grey website</A>. &nbsp;<br>Visit <A 
+        href="http://www.bitterwisdom.com/ladyjanegrey/">The Lady Jane Grey Internet 
+        Museum</A>.</font></p>
+        <P><font size="2"><b><br>Interact<br></b>Meet other Tudor Dynasty enthusiasts at
+        <a href="http://quietly.still-inspired.com/tudor">Tudor Rose: The Tudor 
+        Dynasty Fanlisting</a>.<a href="http://tudorhistory.org/lists/list.html"><br>Tudor Talk </a>&nbsp; This email discussion list is sponsored by Tudorhistory.org.<br>
+        <a href="http://groups.yahoo.com/group/Reign_of_the_Tudors_rpg/">Reign 
+        of the Tudors</a>&nbsp; This is a role-playing game set in 16th century 
+        England.&nbsp; If you would like to 'play' Jane Grey or Anne Boleyn or 
+        other Tudors, click the link to join.</font></P> 
+    </blockquote>
+    </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <p> 
+      <A name=Biography></A> 
+      <B>Jane Grey remains one of the most compelling and tragic figures in 
+      Tudor history.&nbsp; She possessed royal blood through her grandmother, 
+      Princess Mary Tudor, and this heritage brought her to the scaffold in 
+      1554.&nbsp; Jane had been named heiress to the English throne in her 
+      great-uncle Henry VIII's will, but only if his son Edward and daughters 
+      Mary and Elizabeth died without issue.&nbsp; But Edward ruled for just six 
+      years and his ambitious advisor, John Dudley, was determined to remain in 
+      power.&nbsp; To that end, he persuaded Edward to write his own will and 
+      leave the throne to his pious cousin, Jane Grey.&nbsp; Though just fifteen 
+      at the time, she was known for her Protestant piety and learning; it was 
+      this religious devotion which persuaded Edward to alter the succession.&nbsp; 
+      Deeply pious himself, he could not leave the throne to his Catholic 
+      sister, Mary.&nbsp; Jane was quickly wed to Dudley's son and crowned queen 
+      of England in July 1553.&nbsp; But she ruled for just nine days, trapped 
+      and unhappy.&nbsp; Mary Tudor claimed the throne with great popular 
+      support and Jane was imprisoned in the Tower of London.&nbsp; Her 
+      subsequent execution was a political necessity for Mary Tudor.&nbsp; 
+      Despite her youth, Jane met her end with great dignity and courage.</B></p>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p><font size="4">'I think that at the supper I neither receive flesh nor 
+  blood, but bread and wine; which bread when it is broken, and the wine when it 
+  is drunken, put me in remembrance how that for my sins the body of Christ was 
+  broken, and his blood shed on the cross. ...I ground my faith upon God's word, 
+  and not upon the church...&nbsp; The faith of the church must be tried by 
+  God's word, and not God's word by the church; neither yet my faith.'&nbsp;
+  </font>&nbsp;<I><FONT size=-1>Jane Grey to John Feckenham, 
+      1554</FONT></I></p>
+  <blockquote>
+    <blockquote>
+      <hr> 
+      <p><B>Biography</B><BR><B>Ancestry</B> 
+        <BR>Lady Jane Grey was the eldest child of Lord Henry and Lady Frances 
+        Grey, the duke and duchess of 
+      <IMG height=205 
+      alt="Princess Mary Tudor, grandmother of Lady Jane Grey" 
+      src="grey1.jpg" width=101 border=2 align="left">Suffolk.&nbsp; She was a viable heir to 
+        the English throne because of her maternal grandmother, <A 
+        href="http://www.englishhistory.net/tudor/relative/brandon.html">Princess 
+        Mary Tudor</A>.&nbsp; After the death of her first husband, King Louis 
+        XII of France in 1515, Mary secretly wed her true love, <A 
+        href="http://www.englishhistory.net/tudor/relative/brandon.html">Charles 
+        Brandon</A>.&nbsp; Brandon was her brother <A 
+        href="http://www.englishhistory.net/tudor/monarchs/henry8.html">Henry 
+        VIII</A>'s best friend; the king's friendship and Brandon's service to 
+        the Crown led to his creation as duke of Suffolk in 1514.&nbsp; He and 
+        Mary had a son, Henry, who died as teenager.&nbsp; Their next eldest 
+        child was a daughter, Frances.&nbsp; Under the terms of the Third Act of 
+        Succession (1544) and Henry VIII's last will and testament (1547), the 
+        Suffolk line would inherit the throne after Henry VIII's children died 
+        childless.&nbsp; In other words, the throne would pass to Henry's son <A 
+        href="http://www.englishhistory.net/tudor/monarchs/edward6.html">Edward</A>; 
+        if Edward died childless, it passed to Henry's eldest daughter <A 
+        href="http://www.englishhistory.net/tudor/monarchs/mary1.html">Mary</A>; 
+        if she died childless, it passed to Henry's youngest daughter <A 
+        href="http://www.englishhistory.net/tudor/monarchs/eliz1.html">Elizabeth</A>.&nbsp; 
+        If Elizabeth died childless, the throne passed to Lady Frances.&nbsp; 
+        This plan completely disregarded the children of Henry's elder sister <A 
+        href="http://www.englishhistory.net/tudor/relative/margaret.html">Margaret</A>, 
+        the former queen of Scots.&nbsp; Henry did not care for Margaret and, 
+        more importantly, did not want the English throne in Scottish hands. </p>
+        <P>&nbsp;&nbsp;&nbsp; So it was through Princess Mary that Jane Grey was 
+        bequeathed her deadly heritage.&nbsp; Still, no one in the 1540s 
+        expected the Suffolk line to rule.&nbsp; After all, Henry VIII had left 
+        three heirs and it was unlikely all three would die childless.&nbsp; Of 
+        course, we know that this did occur and the Tudor dynasty died with 
+        Elizabeth I in 1603.&nbsp; It was only in 1552, with Edward VI's health 
+        rapidly failing, that people realized there would be a succession 
+        crisis.&nbsp; According to parliament and Henry VIII's will, Mary was 
+        Edward's heir - but she was Catholic, in her late thirties, and never 
+        robust.&nbsp; More importantly, Edward was a devout Protestant and did 
+        not want Roman Catholicism restored in England.&nbsp; Urged on by 
+        self-interested advisors, he removed Mary from the succession on the 
+        grounds of her illegitimacy (she was declared so by parliament in 
+        1532.)&nbsp; But if he removed Mary, he also had to remove Elizabeth 
+        even though she was a Protestant; Elizabeth had also been declared a 
+        bastard by parliament in 1536.&nbsp; In his <I>Device for the 
+        Succession</I>, written in his own hand, Edward wrote that they were 
+        both "illegitimate and not lawfully begotten."&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Edward's course of action removed the succession 
+        from the heirs of Henry VIII and gave it to the heirs of Henry's younger 
+        sister, Mary.&nbsp; This was a tumultuous course for many reasons.&nbsp; 
+        For example, the king of France, Henry II, was raising <A 
+        href="http://www.englishhistory.net/tudor/relative/maryqos.html">Mary 
+        Stuart</A>, Margaret Tudor's granddaughter; he planned to marry this 
+        ten-year-old <A 
+        href="http://www.englishhistory.net/tudor/relative/maryqos.html">queen 
+        of Scots</A> to his son and heir, Francois.&nbsp; By all the accepted 
+        laws of primogeniture, she had a better claim to the English throne than 
+        her Suffolk cousins.&nbsp; In fact, most European Catholics believed 
+        Mary's claim better than her Tudor cousins, Mary and Elizabeth, since 
+        both were illegitimate by acts of constitutional and canon law.&nbsp; 
+        However, Mary of Scotland was in France - not England; also, the 
+        Suffolks were Protestant and she was not.&nbsp; Edward VI never 
+        considered leaving her the throne.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; The above paragraph illustrates the complexity of 
+        blood ties within the Tudor family.&nbsp; And since Mary Tudor was 
+        half-Spanish and thus cousin to the Holy Roman Emperor, the succession 
+        crisis interested most of the major powers of Europe - France, the 
+        Hapsburg Empire, Italy (the pope hoped to bring England back to his 
+        authority), and the Protestant princes of Germany.&nbsp; When Edward VI 
+        died in 1553, all of these nations waited to see who would 
+        triumph.&nbsp; Mary....&nbsp; Elizabeth....&nbsp; Mary of 
+        Scotland....&nbsp; Jane Grey....&nbsp; Which would become queen?&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; Also, Europe waited to see how England would 
+        welcome a queen as their sole ruler.&nbsp; All of the possible 
+        candidates for the throne were women, an unprecedented occurrence.&nbsp; 
+        The only woman to attempt to rule England as her father's sole heir had 
+        been Matilda in the 12th century; she had been forced out of the country 
+        by popular revolt and a male cousin named Stephen of Blois became 
+        king.&nbsp; Now it seemed the English had no choice but to accept a 
+        woman ruler.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; And because of the secret marriage of Mary Tudor 
+        and Charles Brandon, the first woman to rule England in her own right 
+        would be Jane Grey.&nbsp; <BR>&nbsp; </P>
+        <P><B>Early Life and Education</B> </P>
+        <BLOCKQUOTE>
+          <p>'I will tell you a truth which perchance ye will marvel 
+          at.&nbsp; One of the greatest benefits that God ever gave me is that 
+          he sent me so sharp and severe parents and so gentle a 
+          schoolmaster.&nbsp; For when I am in the presence of Father or Mother, 
+          whether I speak, keep silence, sit, stand or go, eat, drink, be merry 
+          or sad, be sewing, playing, dancing, or doing anything else, I must do 
+          it as it were in such weight, measure and number, even so perfectly as 
+          God made the world; or else I am so sharply taunted, so cruelly 
+          threatened, yea presently sometimes with pinches, nips and bobs and 
+          other ways (which I will not name for the honour I bear them), so 
+          without measure misordered, that I think myself in hell, till time 
+          comes that I must go to Mr Aylmer, who teacheth me so gently, so 
+          pleasantly, with such fair allurements to learning, that I think all 
+          the time nothing while I am with him.&nbsp; And when I am called from 
+          him, I fall on weeping because whatsoever I do else but learning is 
+          full of grief, trouble, fear and wholly misliking to me.'&nbsp;&nbsp; 
+          <I><FONT size=-1>Lady Jane Grey to Roger Ascham, 
+        1550</FONT></I></p>
+      </BLOCKQUOTE>
+      <p>Jane Grey was not close to her 
+        parents.&nbsp; Henry Grey was the marquess of Dorset; he became the duke 
+        of Suffolk in 1551.&nbsp; He married Mary Tudor and Charles Brandon's 
+        eldest daughter Frances when she was sixteen.&nbsp; At the time, Grey 
+        was a ward of Brandon's.&nbsp; He was also an appropriate match for a 
+        Princess's daughter.&nbsp; The Grey family had an ancient and impressive 
+        lineage, originally receiving lands from Richard the Lionheart.&nbsp; 
+        Later, they rose to prominence under Edward IV; he had married Elizabeth 
+        Woodville, the widow of Sir John Grey and mother of his two sons.&nbsp; 
+        When she became queen, she tirelessly promoted the interests of the Grey 
+        family.&nbsp; In fact, her eldest Grey son, Thomas, was created marquess 
+        of Dorset during Edward IV's reign.&nbsp; His son, also called Thomas, 
+        was a companion to Charles Brandon - soldiering with him in France in 
+        1513 and journeying there a year later to celebrate Princess Mary 
+        Tudor's wedding to the French king.&nbsp; In 1530, Thomas Grey died and 
+        Brandon became his son's guardian.&nbsp; The marriage between Frances 
+        and the heir, Henry Grey, was a satisfactory way to join two noble 
+        families together.&nbsp; </p>
+        <P>&nbsp;&nbsp;&nbsp; Their marriage was celebrated at Suffolk Place in 
+        London.&nbsp; Mary Tudor died some months later.&nbsp; Charles Brandon 
+        remarried, this time to an heiress called Catherine Willoughby.&nbsp; 
+        She bore him two sons (his son with Mary Tudor had recently died).&nbsp; 
+        When Brandon passed away in 1545, he and Catherine's eldest son, called 
+        Henry after his late half-brother, became duke of Suffolk.&nbsp; He and 
+        his younger brother died of the dreaded sweating sickness a few years 
+        later.&nbsp; This left the dukedom of Suffolk vacant until 1551, when 
+        Edward VI would award it to Henry Grey.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; As mentioned, Henry VIII had left the throne to 
+        his children and, if they died without issue, "to the heirs of the body 
+        of the lady Frances our niece, eldest daughter to our late sister the 
+        French Queen lawfully begotten...."&nbsp; This meant that the Grey 
+        children (by this time Frances and Henry had 3 daughters - Jane born in 
+        1537, Catherine born in 1540, and Mary born in 1545) had enhanced 
+        social status.&nbsp; In 1547, when the will was read, no one seriously 
+        expected them to gain more.&nbsp; Edward was small and blond, like his 
+        long-dead uncle Arthur, lacking Henry VIII's robust athleticism and good 
+        health.&nbsp; But he was expected to live, marry, and provide 
+        heirs.&nbsp; Therefore, any immediate interest in the Grey children 
+        centered on how Edward would favor them.&nbsp; Understandably, it was 
+        thought that he might marry the eldest, his cousin Jane.&nbsp; They were 
+        the same age, both precocious, very serious, and fervently 
+        Protestant.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane had been raised, with her two sisters, at 
+        Bradgate.&nbsp; This was the principal family home on the edge of 
+        Charnwood Forest.&nbsp; It was a beautiful and luxurious estate, suited 
+        to the Grey's semi-regal status.&nbsp; Lady Frances was very conscious 
+        of her royal heritage and, as she grew older, became quite like her 
+        uncle Henry.&nbsp; She and her husband were well-known for their love of 
+        riding, hunting, hawking and gambling.&nbsp; They were not, however, the 
+        most interested of parents.&nbsp; In this, they resembled their 
+        aristocratic contemporaries. They provided very well for their three 
+        daughters.&nbsp; While Frances and Henry spent time in London, their 
+        daughters remained at Bradgate, in the hands of capable servants.&nbsp; 
+        Jane's nurse was a woman called Mrs Ellen and would remain with her 
+        until Jane's execution; her first tutor was probably the house chaplain, 
+        Dr Harding.&nbsp; The first ten years of Jane's life, from her birth in 
+        October 1537 (the exact date is not known) to her residence in Katharine 
+        Parr's household in 1547, are not documented.&nbsp; It is likely she 
+        received the typical upper-class girl's education - its primary emphasis 
+        would be on instilling good manners and the 'feminine' virtues of 
+        obedience and docility.&nbsp; She undoubtedly learned needlework and was 
+        taught dancing and how to play some musical instruments.&nbsp; But 
+        neither of her parents were scholars and no one in the sixteenth century 
+        expected women to be well-educated.&nbsp; She may have visited London, 
+        accompanying her parents to Dorset Place in Westminster; she may have 
+        met her royal cousins.&nbsp; No one knows.&nbsp; But in March 1547, Lady 
+        Jane Grey finally emerges into the historical landscape.&nbsp; It was 
+        then that she entered the household of the dowager queen <A 
+        href="../monarchs/parr.html">Katharine 
+        Parr</A>, Henry VIII's sixth and last wife.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Katharine had retired from court upon Edward VI's 
+        accession, though she remained close to London.&nbsp; Her<IMG height=191 alt="Jane's guardian, Katharine Parr" 
+      src="parr-cr.jpg" width=150 border=2 align="right"> dower manor, 
+        Chelsea, was in the suburbs.&nbsp; It was a comfortable brick home with 
+        modern amenities.&nbsp; Here, Katharine planned to live with the man she 
+        had longed to marry before Henry laid claim to her, Thomas Seymour, 
+        Edward VI's uncle.&nbsp; She also brought with her the 13 year old 
+        Princess Elizabeth.&nbsp; Katharine Parr was justly celebrated for her 
+        warm and open nature; she was a good stepmother to all of Henry's 
+        children, particularly the youngest two.&nbsp; A few weeks after 
+        Katharine and Elizabeth settled at Chelsea, Jane Grey came to join 
+        them.&nbsp; She was sent to acquire polish and learn social graces, a 
+        common practice for daughters of the nobility.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane acquired much more than social skills at 
+        Katharine's household.&nbsp; For the first time in her young life, she 
+        was truly happy.&nbsp; Katharine was a devout Protestant and the most 
+        intellectual of Henry's queens.&nbsp; Her home was the center of the 
+        Protestant 'New Learning'; there was instruction and frequent 
+        debates.&nbsp; Jane, quiet and studious by nature, thrived.&nbsp; And 
+        though her parents were Protestant, it was at Katharine Parr's that she 
+        became devoutly committed to the faith.&nbsp; The Greys, after all, had 
+        become Protestants like many nobles - because it was a matter of 
+        political necessity.&nbsp; At Katharine's, Jane became a Protestant 
+        because she truly believed in its tenets.&nbsp; This serious and intense 
+        study of faith would remain with her throughout her short life.&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; During Edward VI's reign, the Lord Protector was 
+        Edward Seymour, duke of Somerset.&nbsp; Katharine Parr had married his 
+        younger brother, Sir Thomas Seymour.&nbsp; Thomas was very ambitious and 
+        angered that his brother had so much authority while he had to be 
+        content with a baronetcy, a seat on the Privy Council, and the office of 
+        Lord Admiral.&nbsp; Thomas and Katharine Parr had planned to marry years 
+        before but Henry's sudden interest in the twice-widowed heiress delayed 
+        their plans.&nbsp; Within months of his death, however, they were wed in 
+        a secret ceremony; the exact date is not known but it was probably April 
+        1547. Their whirlwind courtship offended some but Edward VI gave them 
+        his blessing.&nbsp; Some people remarked that the new Lord Admiral would 
+        have preferred marrying Princess Elizabeth, such was his ambition.&nbsp; 
+        He certainly lacked the evangelical zeal of his new wife, always 
+        remembering important business when it was time for prayers.&nbsp; He 
+        possessed great charm, particularly with women and children; and his 
+        desire to advance his own career led to some indiscreet behavior - 
+        notably bursting into Princess Elizabeth's bedroom in the early morning, 
+        still in his bedclothes, to tickle her awake.&nbsp; This was dangerous 
+        play for an ambitious man and a thirteen-year-old heiress to the 
+        throne.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; At any rate, Thomas had wed the dowager queen and 
+        she loved him passionately.&nbsp; Meanwhile, other supporters of his 
+        brother Edward, the Lord Protector, were also rewarded for their 
+        loyalty.&nbsp; John Dudley, for example, became earl of Warwick.&nbsp; 
+        Meanwhile, Thomas was also becoming interested in the other young 
+        heiress who lived with his wife - Lady Jane Grey.&nbsp; When news of 
+        Henry VIII's will came out, he wasted no time in becoming friends with 
+        the Greys.&nbsp; He sent his most trusted friend and servant, John 
+        Harington, to talk to Jane's father, Henry Grey.&nbsp; Harington was to 
+        use 'all the persuasions he could' to gain Jane Grey's wardship and 
+        marriage rights.&nbsp; Later, Harington would say he never promised 
+        anything explicitly but Henry Grey remembered a guarantee that&nbsp; 
+        Jane would marry King Edward.&nbsp; On this basis, Grey sold his 
+        daughter to Seymour for the sum of £2000.&nbsp; Seymour paid a few 
+        hundred immediately, promising to pay the rest in installments.&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; In other words, Thomas Seymour was hedging his 
+        bets - if Edward VI died unexpectedly (as Tudor boys often did), he 
+        could arrange something with the Princess Elizabeth.&nbsp; If Edward 
+        lived, he could gain influence by marrying his ward, Jane Grey, to the 
+        king.&nbsp; Jane, of course, was oblivious to Seymour's plans.&nbsp; She 
+        remained in Katharine Parr's household, moving from Chelsea, to Hanworth 
+        in Middlesex, or Seymour Place in London.&nbsp; Her sensitive and eager 
+        mind, long starved for affection and knowledge, was finally engaged on a 
+        course of study - Latin, Greek and modern languages as well as religious 
+        instruction.&nbsp; As relations between the Seymour brothers 
+        deteriorated for a variety of reasons, Katharine Parr became 
+        pregnant.&nbsp; About halfway through the pregnancy, she happened upon a 
+        very unpleasant sight - her husband and stepdaughter, Princess 
+        Elizabeth, locked in a passionate embrace.&nbsp; Katharine's reaction 
+        was a testament to her good character.&nbsp; She successfully averted an 
+        ugly scandal; a few weeks later, Elizabeth and her household staff were 
+        sent to Cheshunt on a visit to old family friends.&nbsp; She parted from 
+        Katharine with real affection and sadness; Elizabeth undoubtedly felt 
+        embarrassed and guilty.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane Grey remained with Katharine.&nbsp; There is 
+        no evidence she was ever particularly close to Elizabeth; the gulf 
+        between nine and thirteen is great.&nbsp; Though they lived in the same 
+        homes for over a year, there are no surviving letters or 
+        reminisces.&nbsp; Perhaps Jane was grateful for Elizabeth's departure; 
+        the princess was described as proud and disdainful, not good company for 
+        a shy child.&nbsp; On 13 June 1548 Jane accompanied Katharine and Thomas 
+        to their Gloucestershire estate, Sudeley Castle.&nbsp; On 30 August 
+        Katharine gave birth to a baby daughter, Mary; within a week, the 
+        dowager queen was dead, buried in the chapel at Sudeley.&nbsp; She was 
+        yet another victim of puerperal fever.&nbsp; Jane Grey, small for her 
+        age, freckled and with red hair, acted as chief mourner.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Meanwhile, her parents were becoming 
+        restless.&nbsp; More than a year had passed since Seymour purchased 
+        their daughter's wardship.&nbsp; In that time, no match had been made 
+        with Edward VI.&nbsp; Also, they wondered if it would be better to marry 
+        Jane to the Lord Protector's son.&nbsp; They wrote to Thomas Seymour, 
+        consoling him on the loss of his wife and remarking that, since 
+        Katharine was dead, her household would be dispersed - therefore, Jane 
+        should be sent home; Seymour was not to be outfoxed.&nbsp; He wrote that 
+        his own mother was coming to Sudeley, to take charge of Katharine's 
+        household (none of which would be dispersed); she would be 'as dear unto 
+        Jane as though she were her own daughter.'&nbsp; He did let Jane go home 
+        briefly in September.&nbsp; It was undoubtedly an unpleasant journey for 
+        the young girl.&nbsp; However, Seymour was able to regain her parents' 
+        favor.&nbsp; He stressed his determination to wed her to Edward (the 
+        greatest prize) and agreed to pay another £500 on his bond.&nbsp; The 
+        Greys were chronically short of cash and wanted this grand 
+        marriage.&nbsp; Jane returned to the Seymour household.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; But the noose was tightening around Thomas 
+        Seymour's neck.&nbsp; He had been boasting about his intent to destroy 
+        his overbearing brother and he had encouraged gossip that he would marry 
+        Princess Elizabeth.&nbsp; This gossip was perhaps the most damaging, 
+        particularly to the eyes of the young king.&nbsp; Was Seymour attempting 
+        to seize the throne?&nbsp; John Dudley, earl of Warwick, had long waited 
+        for the opportunity to destroy the Seymour brothers.&nbsp; He wanted to 
+        be Lord Protector himself and was quite prepared to turn on his old 
+        friend, Edward Seymour.&nbsp; He used the arrogant and ambitious Thomas 
+        to destroy them both.&nbsp; On 17 January 1549, Thomas Seymour was 
+        arrested at Seymour Place in London.&nbsp; Jane Grey was immediately 
+        brought home by her alarmed parents.&nbsp; Because Parliament was in 
+        session, it was decided that Thomas would not have a trial - instead a 
+        bill of attainder was drawn up and passed through both houses in early 
+        March.&nbsp; All that was needed was for the Lord Protector to sign the 
+        bill.&nbsp; For about a week, Edward Seymour did nothing.&nbsp; He was 
+        understandably hesitant to execute his brother.&nbsp; Seizing his 
+        chance, Dudley urged the council to appeal to the king - flattering his 
+        authority, they asked for him to sign the bill so they could proceed 
+        without further troubling the Protector.&nbsp; Edward cared little for 
+        either of his uncles (the Protector kept him short of pocket money and 
+        assigned him cold-hearted tutors.)&nbsp; He signed the bill.&nbsp; On 20 
+        March 1549, Thomas Seymour was executed on Tower Hill.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Meanwhile, Dudley moved to take control of the 
+        government.&nbsp; The year 1549 was marked by discontent - rising 
+        prices, high unemployment, bad harvests; also, people resented the 
+        radical religious changes passed since Henry VIII's death.&nbsp; There 
+        were two serious revolts, in the West Country and Norfolk, both of which 
+        alarmed the land-owning gentry.&nbsp; Seymour had once been popular with 
+        the common people but his execution of his own brother struck many as 
+        cold-blooded and evil.&nbsp; Dudley had counted on this reaction.&nbsp; 
+        He also counted on the support of the gentry; he was a capable soldier 
+        and put down the rebellion in the West Country.&nbsp; This pleased the 
+        landowners and the king.&nbsp; Also, it allowed Dudley to gather a 
+        well-armed and experienced group of soldiers about him.&nbsp; On 10 
+        October, he and his supporters captured the fleeing Edward Seymour at 
+        Windsor Castle.&nbsp; He was arrested and taken under guard to the 
+        Tower.&nbsp; Dudley became one of the six prime attendants on the King 
+        but - very intelligently - did not take the title of Lord 
+        Protector.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Dudley was on the list of sixteen executors Henry 
+        VIII had appointed in his will.&nbsp; In 1543 he had been appointed Lord 
+        High Admiral, a post he relinquished reluctantly to the unqualified 
+        Thomas Seymour; in 1549, he regained that title.&nbsp; He was also a 
+        family man with several sons.&nbsp; But Dudley had learned from his 
+        dealings with Henry VIII; he knew to treat Edward not as one of his own 
+        sons but as a king.&nbsp; He flattered the king, allowed him greater 
+        access to money, more physical freedom.&nbsp; Luckily for Dudley, his 
+        coup coincided with Edward's own physical maturity.&nbsp; He became a 
+        sportsman, which Dudley encouraged, and began to travel a bit outside of 
+        London.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; His cousin Jane was not so fortunate.&nbsp; She 
+        had returned to a home devoid of affection which also included physical 
+        abuse normal in the sixteenth-century (smacks, pinches, and the 
+        like).&nbsp; The Greys were discovering that their daughter had matured 
+        into a thoughtful, intelligent, and self-righteously pious young 
+        woman.&nbsp; She openly disapproved of their lack of piety, their 
+        devotion to material gain and social advancement, as well as their 
+        gambling.&nbsp; They were happy to hire a tutor, John Aylmer, to 
+        continue her education - and take her off their hands.&nbsp; Aylmer was 
+        a friend of Roger Ascham, the former tutor of Princess Elizabeth.&nbsp; 
+        On a visit to Aylmer, Ascham met Jane Grey; she impressed him 
+        greatly.&nbsp; He preserved their meeting in his educational treatise, 
+        <I>The Schoolmaster</I>.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Were the Greys really such terrible parents?&nbsp; 
+        There is no doubt that Jane and her parents were not affectionate to one 
+        another.&nbsp; Yet this was normal in an age which expected children to 
+        be dutiful and obedient and that discipline built character.&nbsp; In 
+        fairness to them, Jane was openly critical of their pleasure-loving 
+        lifestyle.&nbsp; She encouraged the chaplain to deliver sermons against 
+        gambling, told visitors that she found her parents foolish and 
+        irritating, and she was very self-righteous.&nbsp; What parent would 
+        enjoy the company of such a devout thirteen-year-old?&nbsp; At home, 
+        Jane met John ab Ulmer, a Swiss Protestant and student of Henry 
+        Bullinger, chief pastor of the Protestant church in Zurich.&nbsp; They 
+        were both friends of Aylmer and Ascham.&nbsp; The four men corresponded 
+        about the education of this most pious young girl.&nbsp; There are many 
+        surviving letters - Jane thanking Bullinger for sending a copy of his 
+        treatise on Christian Perfection - and some reveal her as more than a 
+        pious Protestant martyr.&nbsp; In one, Aylmer is concerned that she is 
+        taking too much of an interest in music and her appearance.&nbsp; He was 
+        distressed - but what good news for the student of Jane's life!&nbsp; 
+        She is human, after all.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Of course, the European reformers were hopeful 
+        that Edward VI would marry this most proper cousin.&nbsp; Their union 
+        would make England a most blessed Protestant realm.&nbsp; But Jane 
+        turned fourteen and was still not betrothed to anyone while Edward was 
+        in serious talks to wed the French princess Elisabeth.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Meanwhile, Charles Brandon's two sons with 
+        Catherine Willoughby had died.&nbsp; This meant that their half-sister 
+        Frances Grey was sole surviving heir to the Brandon estates.&nbsp; On 4 
+        October 1551, the title of duke of Suffolk was given to her husband in 
+        right of his wife.&nbsp; And on 11 October, just a week later, Dudley 
+        was made duke of Northumberland; two years of Edward's favor had 
+        sufficiently emboldened him to petition the king.&nbsp; He was the first 
+        man to receive a ducal title who had no ties of marriage or blood to the 
+        reigning royal family.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; For Jane Grey, that week in 1551 was to have 
+        terrible consequences. <BR>&nbsp; </P>
+        <P><B>Marriage</B> <BR>The political situation in England during 
+        Edward's reign is fully explored in the Edward VI pages.&nbsp; Suffice 
+        to say, the duke of Northumberland, John Dudley, had replaced Edward 
+        Seymour as the true power behind the throne.&nbsp; In spring 1552, his 
+        young master fell ill.&nbsp; No one was especially concerned; Edward VI 
+        had been ill before and recovered well enough.&nbsp; But this time he 
+        did not fully recover.&nbsp; It seemed as if his physical resemblance to 
+        the long-dead Prince Arthur went beyond their fair coloring and delicate 
+        physique - they were both consumptive as well.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; This naturally terrified the Protestant lords who 
+        had prospered during his six-year reign.&nbsp; The Princesses Mary and 
+        Elizabeth were rarely seen at the king's court, Mary in 
+        particular.&nbsp; She could no longer persuade herself that Edward was 
+        simply a misguided Protestant pawn.&nbsp; He had, like Henry before him, 
+        ordered her to change her religion; he was king and expected 
+        obedience.&nbsp; He was closer to Elizabeth (only 4 years older than 
+        him) and she was suitably Protestant.&nbsp; But she, too, was rarely at 
+        court.&nbsp; His Grey family, however, was increasingly present.&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; When Mary of Guise, mother of Mary queen of Scots 
+        and regent of Scotland, visited England in November 1551, Mary and 
+        Elizabeth were not invited.&nbsp; But Frances and Henry Grey were there, 
+        bringing their fourteen-year-old daughter Jane.&nbsp; Mary of Guise's 
+        two-day visit to Hampton Court was Jane's official debut on the English 
+        political scene.&nbsp; In early February, Jane contracted an unspecified 
+        illness.&nbsp; It was serious enough to warrant mention from Aylmer (in 
+        a letter to Ascham.)&nbsp; After her recovery, Jane's parents persuaded 
+        her to devote less time to study and more to social concerns.&nbsp; Of 
+        course, an educated and pious daughter was an asset but they also wanted 
+        a daughter who could attract a king in marriage.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; On 2 April 1552, Edward became ill with the 
+        measles.&nbsp; As mentioned, he recovered somewhat - enough to<IMG height=194 alt="Jane's cousin, King Edward VI" 
+      src="edward6-crop.jpg" width=137 border=2 align="right"> attend St 
+        George's Day services at Westminster Abbey.&nbsp; He also jousted, 
+        played on the tennis courts, and went hunting.&nbsp; And on 27 June, he 
+        began his most extensive progress through the south and west of his 
+        kingdom.&nbsp; The king enjoyed himself (he had never traveled so far 
+        outside London) but the pace was exhausting; combined with the illness 
+        in April and his strenuous athletics, it wore him down.&nbsp; Passer-by 
+        thought he was ill; he was pale, losing weight, and lost his 
+        appetite.&nbsp; He returned to Windsor in mid-September.&nbsp; By then, 
+        the tuberculosis which killed him had begun in earnest.&nbsp; By 
+        Christmas 1552, his condition was obvious.&nbsp; The holiday 
+        celebrations were unusually festive, perhaps to take notice from the 
+        king's health.&nbsp; Princess Mary came to visit in February but his 
+        illness prevented their meeting for three days.&nbsp; Still, the king's 
+        illness meant an increased respect for Mary, his heir under Henry VIII's 
+        will.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; The exact nature and course of Edward's illness is 
+        discussed at the Edward VI page.&nbsp; It was tuberculosis, or 
+        consumption as it was then called.&nbsp; On 11 April 1553, Edward moved 
+        his household to his favorite residence, Greenwich Palace.&nbsp; He had 
+        managed to open parliament in March but those who hadn't seen him since 
+        the holidays were shocked at his appearance; he was terribly thin and, 
+        oddly, his left shoulder seemed higher than his right.&nbsp; It was 
+        obvious Edward was suffering terribly.&nbsp; Northumberland, his closest 
+        advisor, was torn - he talked of retiring from political life but this 
+        was a passing dream.&nbsp; He had made too many enemies - particularly 
+        the Catholic nobles and churchmen who would rally around Mary.&nbsp; In 
+        truth, if Mary succeeded, the best Dudley could hope for was complete 
+        financial and political ruin.&nbsp; More than likely, he would lose his 
+        head.&nbsp; He could, of course, attempt to marry Princess Elizabeth to 
+        his one remaining unmarried son, Guildford.&nbsp; Why didn't he?&nbsp; 
+        It certainly seems less convoluted than attempting to place Jane Grey on 
+        the throne.&nbsp; The truth was that Elizabeth Tudor, nearly twenty 
+        years old, had seasoned political acumen - she would never be Dudley's 
+        pawn.&nbsp; Dudley knew her well enough to guess as much.&nbsp; 
+        Therefore, only Jane Grey (fourth in line, after her mother Frances) 
+        remained.&nbsp; She would be amenable enough, the duke thought.&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; Certainly Frances and Henry were happy enough to 
+        encourage Dudley.&nbsp; With Edward dying, there was no possibility of 
+        Jane marrying him.&nbsp; They may have been put off by Dudley's 
+        ambition; he first attempted to marry Guildford to Eleanor Brandon's 
+        only child, Margaret Clifford (Eleanor was Frances's younger 
+        sister.)&nbsp; But, swayed by the prospect of wealth and power, they 
+        agreed to marry Jane to Guildford.&nbsp; In late April or<img border="2" src="../films2.jpg" width="171" height="215" alt="Cary Elwes and Helena Bonham Carter as Guildford and Jane in the 1986 film 'Lady Jane'" align="left"> early May, the 
+        betrothal was announced.&nbsp; Jane had protested the union but was 
+        persuaded by 'the urgency of her mother and the violence of her father'; 
+        in other words, persuaded by verbal and physical abuse.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Many have argued that Jane protested because she 
+        didn't like Guildford.&nbsp; That is unlikely.&nbsp; He was handsome 
+        enough (like most of the Dudley men), fair-haired and about her 
+        age.&nbsp; He was arrogant and spoilt; his mother openly favored 
+        him.&nbsp; But he had no other documented flaws.&nbsp; When considered 
+        against other men of the age, he was a good match.&nbsp; Jane's 
+        reservations centered on his father.&nbsp; She disliked and feared 
+        Dudley, as most people did.&nbsp; But the duke had a weapon against Jane 
+        which he would wield effectively - religion.&nbsp; She was a devout and 
+        committed Protestant.&nbsp; She didn't want Mary as queen any more than 
+        he did.&nbsp; And, unlike Dudley, Jane's desire was based on real 
+        principle, not simple greed.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; So on 25 May 1553, Jane married Guildford at the 
+        Dudley's London residence, Durham House.&nbsp; It was one of the great 
+        homes of Tudor England; her sister <A 
+        href="http://www.englishhistory.net/tudor/relative/cathgrey.html">Catherine</A> 
+        was also married that day, to the earl of Pembroke's heir.&nbsp; Orders, 
+        signed by the king, had been sent to the Master of the Wardrobe so that 
+        the grandest clothing and jewels could be used.&nbsp; Edward was 
+        supposed to attend but was far too ill.&nbsp; He did not watch as his 
+        cousin marched down the aisle, richly appareled in cloth of gold and 
+        silver, her red hair braided with pearls.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; For many, Jane and Guildford's marriage marks the 
+        beginning of the attempt to change the line of succession.&nbsp; In 
+        reality, Edward VI had been pondering the problem for months.&nbsp; Ever 
+        since he became ill, he had wondered how to prevent his Catholic sister 
+        from becoming queen.&nbsp; His reasoning was purely religious.&nbsp; 
+        Edward was a devout Protestant; he wanted his nation, for its own sake, 
+        to remain Protestant.&nbsp; Just as Mary believed Catholicism was the 
+        path to righteousness, Edward believed in Protestantism.&nbsp; He was 
+        king, charge by God with responsibility for his people's religious 
+        welfare.&nbsp; It was a sacred duty.&nbsp; For the sake of his immortal 
+        soul, Mary had to be prevented from leading England on the path to 
+        damnation.&nbsp; This necessity overcame all else.&nbsp; What was Henry 
+        VIII's will when compared to divine retribution?&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; So in late 1552/early 1553, he first began his 
+        Device for the Succession.&nbsp; At first he left the throne to Lady 
+        Frances Grey and her male heirs, then to Jane Grey and her male 
+        heirs.&nbsp; But it was evident that Frances Grey would have no more 
+        children and none of her daughters would bear children in time.&nbsp; So 
+        he made a change - simple and explosive - he left the throne to 'the 
+        Lady Jane and her heirs male.'&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; It was the beginning of the end for Jane Grey. 
+        <BR>&nbsp; </P>
+        <P><B>'Jane the Quene'</B> <BR>Edward's <I>Device for the Succession</I> 
+        was eventually issued with the title <I>Letters Patent for the 
+        Limitation of the Crown</I>.&nbsp; It disinherited Mary and Elizabeth 
+        because they were 'illegitimate and not lawfully begotten.'&nbsp; 
+        Furthermore, they were only half-sisters of the king, not entitled to 
+        succeed him, and might marry foreign husbands who would 'tend to the 
+        utter subversion of the commonwealth of this our realm.'&nbsp; But 
+        Edward's device would have no legal validity as long as Henry VIII's 
+        1544 Act of Succession was still acknowledged by parliament.&nbsp; But 
+        there was no time to wipe that law from the statute book.&nbsp; Instead, 
+        Dudley planned to gain support from government and then carry out a coup 
+        so quickly that its legality would not matter.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; To gain government support, he spent June 1553 
+        persuading the Privy Council, judiciary, and various churchmen to 
+        endorse Edward's device.&nbsp; The Lord Chief Justice, Sir Edward 
+        Montague, and the Archbishop of Canterbury, Thomas Cranmer, were uneasy; 
+        but Dudley was desperate and called them traitors.&nbsp; Furthermore, 
+        the king ordered them to obey.&nbsp; So the <I>Letters Patent for the 
+        Limitation of the Crown </I>was endorsed with the Great Seal on 21 
+        June.&nbsp; It was recognized by the Lord Chancellor, the Privy 
+        Councilors, twenty-two peers of the realm, the Lord Mayor of London, 
+        various aldermen and sheriffs, the secretaries of state (including 
+        William Cecil, Elizabeth I's great statesman), and various judges and 
+        churchmen.&nbsp; King Edward VI did not live long after this 
+        triumph.&nbsp; After months of agony, he died in the early evening of 
+        Thursday 6 July.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane Grey, meanwhile, had been married to 
+        Guildford Dudley for almost six weeks.&nbsp; She disliked her in-laws 
+        more than she disliked her parents so, immediately after the marriage, 
+        returned to Suffolk Place at Westminster.&nbsp; From there, she moved to 
+        her parents' new residence in London, a former Carthusian monastery they 
+        were converting into a grand home.&nbsp; Dudley's wife, the duchess of 
+        Northumberland and Jane's mother-in-law, was not happy with this 
+        arrangement.&nbsp; She informed the Greys that Edward VI was dying and 
+        Jane had been made heir to his throne; she must hold herself in 
+        readiness (in other words, come to the Dudley home.)&nbsp; Jane later 
+        said this was the first she knew of the king's impending death.&nbsp; 
+        She didn't believe the duchess and told her as much; she accused the 
+        Dudleys of lying so they could steal her away from her parents.&nbsp; 
+        The duchess accused the Greys of deliberating keeping Guildford and Jane 
+        apart.&nbsp; Such petty conflict indicated rougher waters ahead for all 
+        involved.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; In the end, there was no reason Jane should not be 
+        with her husband.&nbsp; She went to the Dudley's residence, Durham 
+        House, and possibly consummated her marriage.&nbsp; But, after only a 
+        few days, she became ill and accused the Dudleys of poisoning her.&nbsp; 
+        The charge was ludicrous (she was the key to their political salvation) 
+        and showed a surprising lack of logic on Jane's part.&nbsp; But the 
+        Dudleys were concerned with her physical and mental state.&nbsp; They 
+        sent her to Chelsea, Catherine Parr's former home where Jane had been so 
+        happy.&nbsp; It was there that, on Sunday 9 July, Dudley's eldest 
+        daughter, Mary Sidney, came to visit her; they were to leave Chelsea and 
+        go to Syon House, a former convent on the Thames which Dudley 
+        controlled.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; At this point, it is right to question Jane's true 
+        knowledge of Dudley's plans.&nbsp; Remember, even if she knew Dudley 
+        intended to make her queen, there was nothing she could do to prevent 
+        it.&nbsp; She was not stupid; the charge of poisoning was probably a 
+        result of nervousness and hysteria.&nbsp; She knew her own 
+        lineage.&nbsp; She knew that she was fourth in line for the English 
+        throne, after Mary, Elizabeth and her own mother Frances.&nbsp; She also 
+        knew that, for some reason, the Dudleys and her parents were desperate 
+        to marry her to Guildford as quickly as possible.&nbsp; She also watched 
+        her sister wed into another influential noble family on the same 
+        day.&nbsp; Something was afoot and she undoubtedly suspected Dudley's 
+        plan.&nbsp; In the end, her awareness of the plot was undoubtedly a 
+        greater strain than ignorance.&nbsp; After all, she could do nothing to 
+        escape her family or in-laws.&nbsp; She was, quite literally, 
+        trapped.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; When she arrived at Syon House with Mary Sidney, 
+        she found her parents, in-laws, and a variety of distinguished nobles - 
+        the earls of Arundel, Huntington, and Pembroke, and the marquess of 
+        Northampton.&nbsp; They greeted her very pleasantly and then knelt 
+        before her in reverence.&nbsp; Jane was naturally embarrassed.&nbsp; 
+        Dudley, in his capacity as President of the Council, then announced 
+        Edward's death.&nbsp; The young king had led a 'virtuous life' and 
+        always cared for his kingdom - cared enough to disinherit his unworthy 
+        sisters and appointed his cousin Jane as his successor.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane was stunned.&nbsp; She may have suspected as 
+        much but the actual moment of declaration was too much for her.&nbsp; 
+        She muttered that she was 'insufficient' for the task.&nbsp; The Lords 
+        of the Council then took a solemn oath to shed their blood in defense of 
+        her claim.&nbsp; Jane murmured a quick prayer - if it was God's will 
+        that she be queen, then she would trust in God to help her govern 
+        England for His glory.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Her reaction was not what those gathered 
+        expected.&nbsp; She was not openly thrilled, excited, or even 
+        pleased.&nbsp; She made no stirring speech to raise their spirits - she 
+        simply uttered a prayer to God.&nbsp; Did Jane want to be queen?&nbsp; 
+        That is a much-debated question, impossible to answer.&nbsp; But 
+        whatever her desire, she was queen and - for nine long days - ruled 
+        England.&nbsp; <BR>&nbsp; </P>
+        <P><B>'Jana Regina'</B> <BR>On Monday 10 July 1553, the new queen, Jane 
+        Grey, was taken in full state from Syon to Westminster (this journey was 
+        along the Thames in barges.)&nbsp; They dined at the Dudley home, Durham 
+        House, and then journeyed by barge again to the Tower of London.&nbsp; 
+        It was an ancient custom that all new sovereigns must come tot the Tower 
+        and take possession of it at the beginning of their reigns.&nbsp; Jane 
+        and her various attendants arrived at 3 o'clock in the afternoon.&nbsp; 
+        There was an eyewitness account by a Genoese merchant named Baptista 
+        Spinola.&nbsp; He was standing with a group of spectators outside the 
+        main Tower gates, waiting to catch a glimpse of this new queen.&nbsp; He 
+        wrote:&nbsp; </P>
+        <UL>
+          <p>She is very short and thin, but prettily shaped and 
+          graceful.&nbsp; She has small features and a well-made nose, the mouth 
+          flexible and the lips red.&nbsp; The eyebrows are arched and darker 
+          than her hair, which is nearly red.&nbsp; Her eyes are sparkling and 
+          reddish brown in color. </p>
+      </UL>
+      <p>Her complexion was good, unmarked by the 
+        pox, but freckled; she had sharp white teeth and a lovely smile.&nbsp; 
+        Because she was so short, she wore chopines; these were shoes with a 
+        special cork sole designed to make her appear taller.&nbsp; Her gown was 
+        made of green velvet stamped with gold (the colors undoubtedly flattered 
+        her red hair.)&nbsp; Her husband Guildford, Spinola wrote, was 'a very 
+        tall strong boy with light hair' and clothed in white and silver 
+        velvet.&nbsp; He 'paid her [Jane] much attention.'&nbsp; </p>
+        <P>
+        <IMG height=343 alt="Lady Jane Grey or Katharine Parr? by Master John" 
+      src="grey3.jpg" width=170 border=2 align="left">&nbsp;&nbsp;&nbsp; Once in the Tower, Jane was installed in the royal 
+        apartments (now destroyed.)&nbsp; There, another rift occurred between 
+        her and the Dudleys, much more serious than the first.&nbsp; Jane was 
+        visited by the Lord Treasurer, the Marquess of Winchester, who brought a 
+        selection of the royal jewels for her to try on.&nbsp; Among them was 
+        the crown.&nbsp; Jane would later stress that she never asked for the 
+        crown - it was brought to her.&nbsp; Winchester asked her to check if it 
+        fitted properly.&nbsp; Jane would not.&nbsp; She had played at being 
+        queen for nearly twenty-four hours but this, the most sacred symbol of 
+        the monarchy, was another reminder of the danger - and importance - of 
+        her role.&nbsp; If she put it on, there was no turning back.&nbsp; This 
+        was how she viewed it.&nbsp; So she hesitated, would not take it from 
+        Winchester.&nbsp; He didn't recognize her uneasiness.&nbsp; He told her 
+        to take it, remarking that another would be made to crown her husband 
+        king.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; It was then Jane realized the extent of Dudley's 
+        duplicity.&nbsp; He had manipulated Edward, knowing the devout 
+        Protestant king wanted the throne to go to his equally devout cousin 
+        Jane; but, all along, Dudley simply wanted his own son crowned 
+        king.&nbsp; None of the lords cared whether England was a righteous 
+        nation; no one cared about Edward's will.&nbsp; Instead, her royal blood 
+        was to be used to maintain Dudley's control of England, to make his 
+        family into royalty.&nbsp; She was outraged and angry.&nbsp; And Jane 
+        was a Tudor herself, as proud of her royal background as she had a right 
+        to be.&nbsp; The Dudleys, that arrogant, pretentious family, had no 
+        right to exploit her.&nbsp; She told those assembled that she would 
+        gladly make Guildford a duke, but he would never be king.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Guildford was present for this declaration.&nbsp; 
+        He rushed out and fetched his mother.&nbsp; The duchess, no admirer of 
+        Jane's anyway, joined her son in an attack - Jane was an unnatural wife 
+        and behaved like a child; in the end, Jane did not give in.&nbsp; The 
+        duchess said Guildford would be leaving with her for Syon House.&nbsp; 
+        When they had left, Jane called in the earls of Arundel and 
+        Pembroke.&nbsp; They were ordered to prevent Guildford from 
+        leaving.&nbsp; Jane did not like her husband - she probably pitied him 
+        for he was a pawn as well - but they had to stay together.&nbsp; He was 
+        the consort to the monarch and could not act like a spoiled child.&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; Later, Jane would tell Mary I's officers this 
+        story, adding, 'I was compelled to act as a woman who is obliged to live 
+        on good terms with her husband; nevertheless I was not only deluded by 
+        the duke and the Council, but maltreated by my husband and his 
+        mother.'&nbsp; The battle, however, had been domestic.&nbsp; Jane would 
+        soon have much greater problems to confront.&nbsp; For, later that 
+        evening, the Sheriff of London and various heralds and trumpeters, 
+        marched to the Cross in Cheapside to proclaim Jane queen.&nbsp; The 
+        announcement was met with silence.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; For Jane's father-in-law, the architect of the 
+        plan to make her queen, her accession had gone smoothly.&nbsp; He 
+        controlled London - with the Tower and armory, the treasury, and navy - 
+        and no councilors offered resistance.&nbsp; Jane's only rival for the 
+        crown was Mary Tudor, thirty-seven, often ill, with no organized support 
+        or wealth.&nbsp; Her situation was so dire that her champion, the 
+        Emperor Charles V, urged his ambassador to be friendly with Dudley; he 
+        wanted the duke's promise to protect Mary.&nbsp; Every observer 
+        considered the throne won by Dudley.&nbsp; But none of these learned men 
+        considered the feelings of ordinary Englishmen.&nbsp; And they, unlike 
+        their aristocratic lords, would not gain wealth of prestige by 
+        supporting Jane or Mary.&nbsp; So their support was based solely on 
+        ideas of right and wrong - to them, it was wrong for Jane to be queen 
+        and right for Mary to be queen.&nbsp; It was that simple.&nbsp; (<FONT 
+        size=-1><A href="../jane1.html">Click here 
+        to read an eyewitness account of Jane's coronation</A>.)</FONT> </P>
+        <P>&nbsp;&nbsp;&nbsp; Dudley understood popular opinion.&nbsp; He also 
+        recognized the limits of his support - after all, most of the nobles 
+        would not stand by him if things turned ugly.&nbsp; But he believed that 
+        a quick coup, eliminating all opposition, was the key to success.&nbsp; 
+        So he had to get hold of Mary and Elizabeth.&nbsp; Mary, the daughter of 
+        Katharine of Aragon, was much-loved by the English people.&nbsp; They 
+        had always been sympathetic to her mother's plight; most believed Mary 
+        was legitimate, that Katharine had been forced aside by the king's lust 
+        and Anne Boleyn's ambition.&nbsp; Did Mary understand the importance of 
+        this support?&nbsp; She had been receiving regular letters from Dudley 
+        about her brother's condition.&nbsp; They were accurate for Dudley 
+        wanted to remain in her good graces as long as possible.&nbsp; In early 
+        July, he sent summons for Mary to come to Edward's deathbed.&nbsp; She 
+        set out from Hunsdon (an old palace in Hertfordshire) but had not 
+        traveled far before a message reached her - the summons was a 
+        trap.&nbsp; Mary, oddly for her, acted decisively and immediately turned 
+        back.&nbsp; With half a dozen attendants, she went to Kenninghall in 
+        East Anglia.&nbsp; She had friends there and, if need be, would be near 
+        the coast and safety in the Spanish Netherlands.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; When he realized she had fled, Dudley sent his son 
+        Robert after her.&nbsp; But they couldn't capture her and, on 9 July, he 
+        was forced to act without her in his power.&nbsp; The Bishop of London, 
+        Nicholas Ridley, preached at St Paul's Cross, calling Mary and Elizabeth 
+        bastards, and specifically singling out Mary as a papist who would 
+        destroy the true religion and make England the pawn of foreign 
+        powers.&nbsp; The next day, of course, Jane was proclaimed queen.&nbsp; 
+        But it was on that day that the Council received a letter from 
+        Mary.&nbsp; It expressed her surprise that they hadn't announced her 
+        brother's death to her, his heir; furthermore, they were commanded to 
+        proclaim her queen in London.&nbsp; They responded by reminding her of 
+        her illegitimacy and inability to inherit 'the Crown Imperial of this 
+        realm'; she must demonstrate her obedience to the 'Sovereign Lady Queen 
+        Jane' and turn herself over to the authorities.&nbsp; It was hardly 
+        reassuring for Mary.&nbsp; Also, her old allies, the Spanish envoys, 
+        were not responding to her desperate pleas for help.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane spent little time with her lords during her 
+        nine days as queen.&nbsp; She sent an order to the Master of the 
+        Wardrobe for twenty yards of velvet, twenty-five ells of fine Holland 
+        linen cloth, thirty-three ells of coarser material for lining; she also 
+        collected the royal jewels, a motley assortment of fish-shaped 
+        toothpicks and Henry VIII's shaving materials.&nbsp; This reveals an 
+        important fact about Jane's nine-day reign.&nbsp; She made no explicit 
+        political statements; she was Dudley's puppet.&nbsp; He was the one who 
+        met with the council, he was the one who wanted to capture Mary Tudor; 
+        he was the one tried to shore up their perilous situation.&nbsp; When 
+        they fell from power, Jane never protested or attempted another 
+        coup.&nbsp; One can imagine that she felt relieved to be simply Lady 
+        Jane Grey again.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Dudley spent the nine days attempting to 
+        strengthen their position.&nbsp; It was imperative to capture Mary; when 
+        that failed, he needed to at least track her movements.&nbsp; If he 
+        could reach her potential supporters first, there was a chance he could 
+        sway them to his side.&nbsp; Dudley undoubtedly feared that (like his 
+        father during Henry VIII's reign), he would be the sacrificial lamb of 
+        Edward's unsuccessful government.&nbsp; But he worked well under 
+        pressure, leaving Jane to fight domestic battles with her husband and 
+        mother-in-law.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Elizabeth, meanwhile, remained in the 
+        country.&nbsp; She was no admirer of her half-sister Mary but knew that 
+        if Jane Grey was recognized as queen, her own claim to the crown was 
+        forfeit.&nbsp; So she chose the safest course - she remained quiet, 
+        neither supporting nor rejecting Jane.&nbsp; Like all of England and 
+        most of Europe, she was watching and waiting.&nbsp; It became evident on 
+        11 July, just a day after her coronation, that Jane's hold on England 
+        was flimsy at best.&nbsp; Dudley had prepared a letter for circulation 
+        to all the sheriffs and lieutenants in England; it announced Jane's 
+        succession and ordered them to resist any appeal from Mary.&nbsp; But 
+        Dudley knew the issue would not be settled so easily.&nbsp; It would be 
+        decided on the field of battle.&nbsp; He was an experienced soldier and 
+        determined to succeed.&nbsp; So he ordered a muster on 12 July at 
+        Tothill Fields, offering 10 pence a day as pay (a very high rate.)&nbsp; 
+        Dudley intended to put Jane's father, Henry Grey, in charge of this army 
+        and remain in London himself.&nbsp; He realized that most of his hold on 
+        the council was based on personal intimidation.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; But the queen would not hear of it.&nbsp; When 
+        told that her father was going to battle, Jane burst into tears and 
+        begged the council to let him remain at home, 'in her company.'&nbsp; 
+        The councilors were already preparing to make Dudley a scapegoat for 
+        their treason.&nbsp; Since the queen was so distraught, they argued, it 
+        would be better for Dudley to command the army.&nbsp; After all, he was 
+        a great soldier, renowned for his defeat of the rebels in East Anglia 
+        (that triumph had begun his rise to power.)&nbsp; It was up to Dudley, 
+        the councilors said, 'to remedy the matter.'&nbsp; And Dudley had no 
+        choice but to leave.&nbsp; 'Since ye think it good, I and mine will go, 
+        not doubting of your fidelity to the Queen's majesty which I leave in 
+        your custody.'&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Dudley did doubt their fidelity and he had every 
+        reason to doubt it.&nbsp; But he couldn't turn back now.&nbsp; On 13 
+        July he had his personal armor delivered and appointed a retinue to meet 
+        him at Durham Place.&nbsp; Afterwards, he addressed the councilors for 
+        the last time.&nbsp; They were to send reinforcements to meet him at 
+        Newmarket, he said, for he and his companions would need much 
+        support.&nbsp; They were leaving their wives and children behind, 
+        trusting in the loyalty of the council.&nbsp; And, Dudley warned, if any 
+        man thought to betray him or the queen, their punishment would be 
+        eternal.&nbsp; Remember, Dudley said, the oath you took 'to this 
+        virtuous lady the Queen's highness, who by your and our enticement is 
+        rather of force placed therein than by her own seeking and 
+        request.'&nbsp; The assembled lords assured him of their loyalty; one of 
+        them said, 'If we should shrink from you as one that were culpable, 
+        which of us can excuse himself as guiltless?&nbsp; Therefore herein your 
+        doubt is too far cast.'&nbsp; Dudley's final words?&nbsp; 'I pray God it 
+        be so,' he said and left for battle.&nbsp; It was not an auspicious 
+        beginning.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Dudley did not trust the lords so he sent his 
+        cousin Henry Dudley on a secret mission to France that day, promising 
+        Calais and Ireland in exchange for immediate military assistance.&nbsp; 
+        He did not tell the lords of this; nor did they tell him they were 
+        meeting secretly with the Imperial ambassadors.&nbsp; A report arrived 
+        that Buckinghamshire had declared Mary to be queen but Mary herself was 
+        still unsure.&nbsp; She retreated from Kenninghall to Framlingham 
+        Castle, nearer the coast.&nbsp; She sent an urgent message to the 
+        Imperial envoys; if her cousin Charles V did not help her, she was 
+        doomed.&nbsp; In the midst of this confusion and treachery, Dudley had 
+        assembled an army of three thousand.&nbsp; Early on Friday, the 14th of 
+        July, he left Durham Place for Cambridge.&nbsp; The villagers he passed 
+        were silent, staring at the side of the road - 'The people press to see 
+        us, but not one sayeth God speed us.'&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; As Dudley marched on, his situation became more 
+        perilous.&nbsp; Norwich, one of the wealthiest towns in England, 
+        declared Mary queen, as did Colchester, Devon, and Oxfordshire.&nbsp; 
+        Dudley had sent six royal ships to the port near Framlingham to cut off 
+        Mary's possible escape; the ships deserted Dudley and, with crews and 
+        heavy guns, proclaimed Mary queen.&nbsp; Meanwhile, the loyal towns were 
+        sending money, men, and supplies.&nbsp; The ordinary Englishman, ordered 
+        by his lord to fight in Dudley's army, refused to go.&nbsp; Dudley's own 
+        army was - understandably - racked with dissension; no one wanted to be 
+        on the losing side.&nbsp; Once the news had reached London that the 
+        ships had deserted Dudley, the councilors decided to save 
+        themselves.&nbsp; They attempted to leave the Tower, where they had been 
+        stationed since Dudley's departure.&nbsp; On the 16th of July, at about 
+        7 o'clock in the evening, the main gates of the Tower were locked; they 
+        keys were delivered to Jane.&nbsp; Jane suspected one of the lords 
+        (possibly Winchester, the lord treasurer) of trying to leave the 
+        city.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Meanwhile, she was continuing her rule - sending 
+        out letters signed 'Jane the Quene' which instructed her loyal subjects 
+        to suppress Mary's rebellion.&nbsp; But she must have realized the 
+        futility of it all.&nbsp; She was just a teenage girl, inexperienced and 
+        frightened.&nbsp; It was simply a question of waiting for the end.&nbsp; 
+        On the 18th of July, most of her councilors had left the Tower on the 
+        pretext of visiting the French ambassador.&nbsp; In reality, they were 
+        planning a visit to the Imperial embassy.&nbsp; Once there, they assured 
+        Charles V's envoys that they had always been loyal to Mary; they had 
+        been kept prisoner by Dudley, forced to declare Jane queen.&nbsp; But 
+        now they were free and determined to proclaim Mary queen of 
+        England.&nbsp; They did so around 5 o'clock in the evening, on Thursday, 
+        the 19th of July.&nbsp; London erupted into a joyous celebration.&nbsp; 
+        The foreign ambassadors were astonished, with the French envoy writing: 
+        'The atmosphere of this country and the nature of its people are so 
+        changeable that I am compelled to make my despatches correspondingly 
+        wavering and contradictory.'&nbsp; They all agreed it owed more to 
+        Providence than anything else.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane was terribly frightened.&nbsp; She had long 
+        fought with her parents but, upon becoming Dudley's pawn, had sought 
+        support from them, particularly her father.&nbsp; He came to Jane as she 
+        ate supper that night and told her she was deposed.&nbsp; Together, they 
+        took down the cloth of estate from above her head.&nbsp; He ordered his 
+        men to leave their weapons and then went to Tower Hill.&nbsp; Those near 
+        him heard him mutter, 'I am but one man.'&nbsp; He proclaimed Mary queen 
+        and then left for his London residence.&nbsp; Jane was left alone in the 
+        Tower.&nbsp; Lady Throckmorton, one of her ladies-in-waiting, returned 
+        to the Tower for her duties but could not find Jane.&nbsp; She asked for 
+        the queen's whereabouts and was told that the <I>Lady</I> Jane was now a 
+        prisoner, detained elsewhere in the Tower.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane was in the deputy lieutenant's house, 
+        awaiting her fate.&nbsp; The indignities began.&nbsp; Her belongings 
+        were sorted through, all her money confiscated; within the day, she was 
+        accused of stealing valuables from the royal wardrobe.&nbsp; Mary was 
+        riding to London, now accepted as queen.&nbsp; Dudley was arrested by 
+        his former ally, the earl of Arundel.&nbsp; His entire family was taken 
+        to the Tower; as they were marched through the streets, the crowd pelted 
+        them with filth and insults.&nbsp; Even the Imperial envoy called it 
+        'dreadful' and 'a strange mutation.'&nbsp; For Dudley's fall from power 
+        had been rapid, extraordinarily so - the nine days' progress from ruler 
+        to traitor was a confusing mix of treachery, rumor, and disgrace.&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; Mary did release Dudley's wife from the Tower, 
+        almost immediately; the duchess hurried to the queen to beg for her 
+        family's release.&nbsp; Mary ordered her from the city.&nbsp; Her cousin 
+        Frances, however, was more fortunate.&nbsp; She had a private audience 
+        with the queen.&nbsp; Within days, Henry Grey (who had been arrested at 
+        his London home and sent to the Tower on the 28th) was released.&nbsp; 
+        On 3 August, Mary made her state entry into London.&nbsp; As she rode 
+        past cheering crowds, clad in purple velvet and rich jewels, Jane Grey 
+        waited in prison, along with her husband and father-in-law.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; What would be their fate?&nbsp; All Europe 
+        pondered this, even as Jane prepared to plead her case.&nbsp; <BR>&nbsp; 
+        </P>
+        <P><B>'I pray you despatch me quickly'</B> <BR>Jane Grey possessed the 
+        committed idealism of a religious fanatic and the events following her 
+        brief reign allowed her a place in history as a Protestant martyr.&nbsp; 
+        Her cousin Mary never questioned her passionate Catholicism; Jane did 
+        question her own Protestantism but the quest for spiritual meaning only 
+        reinforced her 
+      <img border="2" src="../mary1faq.jpg" alt="portrait of Princess Mary Tudor, later Queen Mary I; also painted by Master John (note the stylistic similarities)" width="165" height="213" align="right">already strong convictions.&nbsp; Had she remained queen, 
+        there is every possibility she would have persecuted Catholics with the 
+        same energy Mary persecuted Protestants (thus earning the nickname 
+        'Bloody Mary.')&nbsp; Instead, Jane's fate was to be executed and later 
+        celebrated as a Protestant martyr, the greatest sacrificial lamb of 
+        Mary's misguided policies.&nbsp; The truth is, of course, more 
+        complex.&nbsp; Mary did not execute Jane because of their religious 
+        differences.&nbsp; Rather, she was motivated by political necessity and 
+        her own desire to marry and reinstate the Catholic church in 
+        England.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Immediately after her accession, Mary had 
+        imprisoned Jane in the Tower of London.&nbsp; The former queen was 
+        well-treated but undoubtedly frightened.&nbsp; She probably expected 
+        imminent execution for she had long since realized the severity of her 
+        crime.&nbsp; Since it became clear no one would intercede for her, she 
+        wrote to Mary herself.&nbsp; Only an Italian translation of the letter 
+        exists.&nbsp; In it, Jane described events since her marriage to 
+        Guildford Dudley.&nbsp; She was wrong for accepting the crown - she 
+        freely admitted this; but she had relied on the advice of others.&nbsp; 
+        She knew the queen's 'goodness and clemency'; Mary must realize that 'I 
+        might have taken upon me that of which I was not worthy, yet no one can 
+        ever say either that I sought it.... or that I was pleased with 
+        it.'&nbsp; Mary believed her cousin, an honest, plain-spoken child, for 
+        all her heretical ways.&nbsp; <SMALL>(<A 
+        href="http://www.englishhistory.net/tudor/primary/janemary.html">Click 
+        here to read Jane's letter to Mary</A>.)&nbsp;</SMALL> </P>
+        <P>&nbsp;&nbsp;&nbsp; Mary was in the midst of arranging her marriage to 
+        Philip of Spain, the son and heir of Charles V.&nbsp; It was the 
+        culmination of a decades-old dream.&nbsp; She had spent the last few 
+        years in the countryside, surrounded by a Catholic household and 
+        sympathetic nobles.&nbsp; Thus, she never realized the extent of 
+        Protestantism in the vital areas of London and its surrounding 
+        countryside.&nbsp; Mary assumed all of England wanted to return to the 
+        early 1520s, the years before Henry VIII had decided to abandon her 
+        beloved mother and break with the church of Rome.&nbsp; Mary assumed 
+        that the popular support which had taken the throne from Jane&nbsp; 
+        indicated support not simply for her rule - but for <I>Catholic</I> rule 
+        in general.&nbsp; In this misguided view, she was initially supported by 
+        her most trusted political advisor - a Spaniard named Simon Renard, the 
+        newly arrived Imperial ambassador.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Charles V had instructed Renard to guide Mary 
+        through the crucial first months of her reign.&nbsp; At first, signs 
+        were good - Mary attended Mass with her privy councilors but, on 12 
+        August 1553, told her council that she would not 'compel or constrain 
+        other men's consciences.'&nbsp; She hoped her subjects would open their 
+        hearts to the truth and, shortly thereafter, return to the religion she 
+        supported.&nbsp; Renard was also instructed to urge moderate punishment 
+        upon those who had supported Jane.&nbsp; Charles did not want his cousin 
+        to be too cruel; that would hurt her reputation.&nbsp; He needn't have 
+        worried.&nbsp; Mary was, in fact, too lenient for Renard.&nbsp; 'As to 
+        Jane of Suffolk, whom they tried to make Queen, she [Mary] could not be 
+        induced to consent that she should die.'&nbsp; Mary firmly believed her 
+        cousin was innocent of any intrigue; Jane had never intended to be 
+        queen, but had been the unwilling dupe of Dudley.&nbsp; She could not 
+        put this innocent young woman to death.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Renard admitted that Jane was 'morally' innocent 
+        but, nevertheless, she had worn the crown of England.&nbsp; In times of 
+        trouble, those nine days may be used as a precedent for deposing Mary 
+        and restoring Jane.&nbsp; Mary was commended for her trusting nature but 
+        she must remember that kindness could be destroyed by duplicity.&nbsp; 
+        Renard was somewhat mollified when, on 18 August, Dudley was sentenced 
+        to die.&nbsp; He was convicted along with his eldest son and William 
+        Parr, marquess of Northampton.&nbsp; The following day a group of lesser 
+        nobles were convicted.&nbsp; Dudley's execution was set for Monday 21 
+        August but, at the last minute, Dudley announced he wanted to reconciled 
+        to the Catholic faith.&nbsp; Did he hope to avert his own death, 
+        appealing to Mary's religion?&nbsp; Or did he genuinely wish to 
+        convert?&nbsp; Whatever the case, his execution was delayed for one day 
+        while he made his peace with God.&nbsp; At 9 o'clock the next morning, 
+        he was escorted - with his son and Parr - to St Peter ad Vincula, the 
+        church within the Tower of London grounds.&nbsp; There, he attended mass 
+        and, upon receiving the sacrament, Dudley addressed the crowd:&nbsp; 
+</P>
+        <UL>
+          <p>My masters, I let you all to understand that I do most faithfully 
+          believe this is the very right and true way, out of the which true 
+          religion you and I have been seduced these sixteen years past, by the 
+          false and erroneous preaching of the new preachers....&nbsp; And I do 
+          believe the holy sacrament here most assuredly to be our Saviour and 
+          Redeemer Jesus Christ and this I pray you all to testify and pray for 
+          me. </p>
+      </UL>
+      <p>He died the next morning, before a great crowd of 
+        spectators.&nbsp; He repeated his speech at the mass; it had a great 
+        effect on the crowd.&nbsp; </p>
+        <P>&nbsp;&nbsp;&nbsp; By this point, Jane Grey knew she was safe from 
+        imminent death.&nbsp; She was still in the Tower but treated with 
+        increasing respect.&nbsp; A week after Dudley's execution, Rowland Lea 
+        (an official of the royal mint who lived in the Tower and was the author 
+        of the <I>Chronicle of Queen Jane</I>) ate with her.&nbsp; She had a 
+        staff of four (two attendant ladies, Mrs Tilney and Mrs Jacob, one 
+        manservant, and her nurse and lifelong companion, Mrs Ellen.)&nbsp; The 
+        government paid them each 20 shillings a week; Jane was allowed a 
+        generous allowance of 90 shillings a week.&nbsp; She was allowed books 
+        and spent most of her time reading and studying.&nbsp; When she wished 
+        it, she walked in the Queen's garden.&nbsp; She no longer had to deal 
+        with her parents or her in-laws, undoubtedly a welcome relief.&nbsp; The 
+        gentleman gaoler, called Partridge, and his wife were kind and 
+        respectful.&nbsp; Lea recorded Jane's comments on Dudley:&nbsp; </P>
+        <UL>
+          <p>'Woe worth him! he hath brought me and our stock in most miserable 
+          calamity and misery by his exceeding ambition.&nbsp; But for the 
+          answering that he hoped for life by his turning, though other men be 
+          of that opinion, I utterly am not; for what man is there living, I 
+          pray you, although he had been innocent, that would hope of life in 
+          that case; being in the field against the Queen in person as general, 
+          and after his taking so hated and evil spoken of by the commons? and 
+          at his coming into prison so wondered at [reviled] as the like was 
+          never heard by any man's time.&nbsp; Who was judge that he should hope 
+          for pardon, whose life was odious to all men?&nbsp; But what will ye 
+          more?&nbsp; Like as his life was wicked and full of dissimulation, so 
+          was his end thereafter.&nbsp; I pray God, I, nor no friend of mine, 
+          die so.&nbsp; Should I, who am young and in my few years, forsake my 
+          faith for the love of life?&nbsp; Nay, God forbid!&nbsp; Much more he 
+          should not, whose fatal course, although he had lived his just number 
+          of years, could not have long continued.&nbsp; But life was sweet, it 
+          appeared; so he might have lived, you will say, he did not care 
+          how.&nbsp; Indeed the reason is good; for he that would have lived in 
+          chains to have had his life, by like would leave no other mean 
+          [un]attempted.&nbsp; But God be merciful to us, for he sayeth, Whoso 
+          denieth him before me, he will not know him in his Father's Kingdom.'
+          </p>
+        </UL>
+      <p>Jane's intense religious convictions and her hatred of Dudley are 
+        evident in this passage.&nbsp; She further demonstrated her religious 
+        intolerance when writing to Dr Harding, a former chaplain at her 
+        parents' home of Bradgate and her first tutor.&nbsp; Harding had joined 
+        other Protestant chaplains in renouncing his reformed faith and becoming 
+        Catholic once again.&nbsp; Jane was completely disgusted and appalled by 
+        his cowardice:&nbsp; </p>
+        <UL>
+          <p>'I cannot but marvel at thee and lament thy case, who seemed 
+          sometime to be the lively member of Christ, but now the deformed imp 
+          of the devil; sometime the beautiful temple of God, but now the 
+          stinking and filthy kennel of Satan; sometime the unspotted spouse of 
+          Christ, but now the unshamefaced paramour of Antichrist; sometime my 
+          faithful brother, but now a stranger and apostate; sometime a stout 
+          Christian soldier, but now a cowardly runaway.&nbsp; Yea, when I 
+          consider these things, I cannot but speak to thee, and cry out upon 
+          thee, thou seed of Satan.&nbsp; <BR>Oh wretched and unhappy man, what 
+          art thou but dust and ashes?&nbsp; And wilt thou resist thy Maker that 
+          fashioned thee and framed thee?&nbsp; ....Wilt thou refuse the true 
+          God, and worship the invention of man, the golden calf, the whore of 
+          Babylon, the Romish religion, the abominable idol, the most wicked 
+          mass?' </p>
+      </UL>
+      <p>Such rhetoric reveals insight into Jane's character.&nbsp; 
+        She was pious, devout, and kind - but she was also self-righteous and 
+        intolerant.&nbsp; She and Mary were more alike than many realized.&nbsp; 
+        Both were plain-spoken, transparently honest, and passionately believed 
+        their religion was the sole path to salvation.&nbsp; </p>
+        <P>&nbsp;&nbsp;&nbsp; While Mary prepared for her coronation, Jane 
+        remained in the Tower.&nbsp; The Dudley brothers were now allowed to 
+        exercise on the roof of their prison, Beauchamp Tower, though there is 
+        no evidence that Jane and Guildford saw one another.&nbsp; Mary did not 
+        speak of her imprisoned cousin.&nbsp; Her time was taken up with her 
+        coronation and impending marriage, as well as the conflict her marriage 
+        was causing.&nbsp; Most Englishmen did not want Mary to wed a Spaniard, 
+        for the same reasons Edward VI had excluded her from the succession - 
+        she was past middle-aged and would probably bear no children.&nbsp; 
+        Therefore, she would leave the throne to a Catholic husband and England 
+        would become yet another state of the Imperial empire.&nbsp; But as the 
+        weeks passed, Mary's leniency began to be questioned.&nbsp; So Mary gave 
+        in to pressure and ordered Jane and the four Dudley sons to stand trial; 
+        the order had been prepared in mid-September but Mary did not allow the 
+        trial to take place until two months later.&nbsp; </P>
+        <P>
+        <IMG height=184 alt="engraving of Lady Jane Grey" 
+      src="grey2.jpg" width=150 border=2 align="left">&nbsp;&nbsp;&nbsp; As they were led out of the Tower to be arraigned 
+        at Guildhall, the executioner walked before them.&nbsp; He carried an 
+        axe, as was the custom.&nbsp; Jane dressed soberly for the occasion, as 
+        befitted a proper young lady of the reformed church.&nbsp; She was clad 
+        all in black; she wore a black cloth gown, black cape trimmed with 
+        velvet, and a black French hood trimmed with velvet.&nbsp; At her girdle 
+        hung a prayer book also bound in black velvet.&nbsp; She held a book of 
+        prayers open in her hands as she walked behind Guildford.&nbsp; She was 
+        attended by her two ladies, Mrs Tilney and Mrs Jacob.&nbsp; The 
+        proceedings were a mere formality.&nbsp; Jane and the four Dudleys pled 
+        guilty to the charge of high treason.&nbsp; Sentence was passed against 
+        them; the men would be hung, drawn, and quartered and Jane would be 
+        burnt or beheaded at the Queen's pleasure.&nbsp; They returned to the 
+        Tower, this time with the edge of the axe turned towards them.&nbsp; In 
+        this way, spectators knew they were condemned.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; But the passing of the sentence was simply a 
+        formality.&nbsp; As Renard reported in his subsequent dispatches, 'It is 
+        believed that Jane will not die' and, a week later, 'As for Jane, I am 
+        told her life is safe.'&nbsp; Meanwhile, her parents had left the 
+        reformed church.&nbsp; Henry Grey was forced to pay a 20000 pd fine but 
+        given a general pardon.&nbsp; He returned to court.&nbsp; His wife was 
+        Queen Mary's favorite lady and their two daughters, Catherine and Mary, 
+        were her ladies-in-waiting.&nbsp; In fact, Frances Grey was shown great 
+        favor at court, even gaining precedence over Princess Elizabeth.&nbsp; 
+        Most observers believed Jane would soon be pardoned and released, free 
+        to join her family at court.&nbsp; The rehabilitation of the Greys 
+        seemed complete.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; However, Mary's fervent desire to wed Philip of 
+        Spain was soon to have tragic consequences for the sixteen-year-old Jane 
+        Grey.&nbsp; <BR>&nbsp; </P>
+        <P><B>'So perish all the Queen's enemies'</B> <BR>The complexities of 
+        Mary Tudor's decision to marry the twenty-six widower, Philip of Spain, 
+        are discussed at her <A 
+        href="../monarchs/mary1.html">website</A>.&nbsp; 
+        They can be outlined briefly here.&nbsp; Mary - and most of her 
+        contemporaries - believed she must marry; she needed a husband for 
+        support and guidance.&nbsp; No woman had ruled England in her own right 
+        before.&nbsp; Most Englishmen wanted Mary to wed the great-grandson of 
+        Edward IV, Edward Courtenay.&nbsp; He was the last of the Plantagenets, 
+        young, good-looking, and charming; his high birth led him to spend most 
+        of his youth in prison.&nbsp; Mary was kind to him.&nbsp; She released 
+        him from the Tower and restored he and his mother to favor.&nbsp; She 
+        remembered that Edward's parents had supported her mother during the 
+        great divorce.&nbsp; But she also made it clear she would not marry 
+        him.&nbsp; For Mary, whose life had possessed little happiness and peace 
+        after her adolescence, had always turned to her mother's family for 
+        advice and support.&nbsp; And she continued to do so when she became 
+        queen.&nbsp; Certainly Philip of Spain, heir to the Hapsburg empire, was 
+        the most sought-after prince in Europe.&nbsp; But he was also the 
+        grandson of her aunt, which meant a great deal to the sentimental Mary 
+        Tudor.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Still, she did not immediately plan to marry 
+        him.&nbsp; She was deeply religious and had spent the past twenty years 
+        essentially alone and unloved.&nbsp; She was naturally fearful of 
+        marriage.&nbsp; She asked Renard - was Philip too young for her?&nbsp; 
+        would she be able to satisfy him for she was ignorant of 'that which was 
+        called love' ?&nbsp; In short, she was a deeply devout and chaste maiden 
+        and he was a twenty-six-year-old widower.&nbsp; Would he be happy with 
+        her?&nbsp; Renard assured her that Philip was delighted to wed 
+        Mary.&nbsp; And, he added, they would have children together, providing 
+        England with a Catholic succession.&nbsp; Mary replied that she had 
+        never considered marriage until God had raised her to the throne but - 
+        now that she was queen - she would lead her subjects down the path of 
+        righteousness.&nbsp; With the might of the Holy Roman Empire behind her, 
+        her faith would be triumphant.&nbsp; So she agreed to marry Philip in 
+        late October 1553; their engagement was made official.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; She was faced with a hostile reaction.&nbsp; Both 
+        her subjects and the king of France made their anger known.&nbsp; Many 
+        Englishmen believed Charles V wanted to drag England into war against 
+        France, another costly and ineffectual enterprise.&nbsp; In truth, 
+        Charles really wanted control of that vital sea route between Spain and 
+        the Netherlands; he needed to control the English coast in order for his 
+        trade route to operate at its maximum profitability.&nbsp; But England 
+        has always been an insular nation.&nbsp; With Protestant propagandists 
+        and the French ambassador spreading all sorts of rumors (from Spanish 
+        invasions to immediate wars), the people were in an uproar.&nbsp; 
+        Furthermore, Mary's councilors were an ineffectual bunch and their 
+        policies were roundly criticized.&nbsp; It seemed that, just months into 
+        her reign, Mary was steadily falling from favor.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; On 2 January 1554, Charles V's envoys arrived to 
+        iron out the details of the marriage contract.&nbsp; To secure his 
+        valuable trade route, Charles was prepared to be generous.&nbsp; In 
+        fact, he included every provision possible to stifle English 
+        fears.&nbsp; But it was no use.&nbsp; The people didn't want the 
+        marriage.&nbsp; Soon enough, word reached London of uprisings in the 
+        countryside - Carew in Devonshire, Wyatt in Kent, Crofts in 
+        Wales....&nbsp; The councilors were alarmed.&nbsp; And then word reached 
+        them that Henry Grey, the duke of Suffolk, had disappeared from his 
+        country home, Sheen.&nbsp; They had planned the uprising for March when 
+        Philip was due to arrive but Courtenay, timid after years in the Tower, 
+        betrayed them.&nbsp; So the conspirators were forced into action.&nbsp; 
+        Carew could not raise his force without Courtenay's help so he fled to 
+        France and Crofts plans fell through.&nbsp; But, by the end of January, 
+        Wyatt had taken Rochester and the royal ships at the Medway.&nbsp; The 
+        duke of Norfolk left with a force from London but many men 
+        deserted.&nbsp; Wyatt was encouraged and pressed on to London.&nbsp; For 
+        two days, the fate of the Spanish marriage hung in the balance.&nbsp; 
+        Londoners were undecided; Mary decided to sway the balance.&nbsp; She 
+        went to Guildhall and made a rousing speech exhorting the Londoners to 
+        support her.&nbsp; She did so against the advice of her council for they 
+        feared for her safety.&nbsp; They needn't have worried.&nbsp; When Wyatt 
+        reached London, he found the bridge closed to him.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Mary had refused to let the Tower guns be turned 
+        on the traitors.&nbsp; She feared the innocent citizens of Southwark 
+        would be harmed if they were fired.&nbsp; The rebels eventually 
+        surrendered but Mary had learned a valuable lesson - she discovered the 
+        depth of her subjects' hatred of the Spanish marriage.&nbsp; But it did 
+        not cause her to change her plans.&nbsp; She was bewildered and angry 
+        but also hurt.&nbsp; She had shown mercy and<IMG height=226 alt="Jane's cousin Mary Tudor in 1554, by Hans Eworth" 
+      src="mary1-eworthcr.jpg" width=160 border=2 align="right"> forgiveness and was 
+        rewarded by rebellion.&nbsp; She was now particularly susceptible to Renard's advice.&nbsp; Renard immediately questioned Mary's safety as 
+        well as Philip's - would the prince be safe when rebellions were 
+        occurring throughout the nation?&nbsp; The queen was exhorted to ensure 
+        his safety.&nbsp; She must do this by punishing the rebels so none would 
+        dare rebel again.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Renard's advice was supported by Mary's 
+        council.&nbsp; Inevitably, all her advisors urged Mary to execute Jane 
+        Grey.&nbsp; Wyatt had been supported by the vanished Henry Grey.&nbsp; 
+        When he had disappeared from Sheen, he had gone to raise an army against 
+        the Spanish marriage.&nbsp; But he gained little support.&nbsp; Grey 
+        owed his life to Mary's kindness and he responded by seeking to 
+        overthrow her.&nbsp; His intent was to lead men of the midland shires 
+        and join Wyatt near London.&nbsp; His actual course fell far short of 
+        this goal - he fled from one county to another until he reached his 
+        manor of Astley.&nbsp; He apparently hid in a tree trunk or under some 
+        hay; accounts vary.&nbsp; He was promptly arrested by the earl of 
+        Huntingdon.&nbsp; Later, rumors spread that he had proclaimed Jane queen 
+        during his ride through the midlands.&nbsp; This was untrue but it 
+        didn't matter.&nbsp; Jane had once been queen and, as Mary's advisors 
+        put it, she would be the figurehead of any Protestant plot.&nbsp; Once 
+        again, she was <I>morally</I> innocent but she was still 
+        dangerous.&nbsp; She had to die.&nbsp; To this, Renard added that Philip 
+        could not arrive until the Protestant threat had been destroyed.&nbsp; 
+        All the opposition to her marriage had simply made the obstinate Mary 
+        more determined to marry Philip.&nbsp; So the suspended sentence on Jane 
+        was revoked and she was condemned to die immediately.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; The date of the execution was set for Friday 9 
+        February 1554.&nbsp; Mary, who so hated executing her cousin, tried one 
+        last time to save her soul.&nbsp; She sent John Feckenham, dean of St 
+        Paul's, to Jane.&nbsp; He was given a few days to sway Jane to the 
+        Catholic faith.&nbsp; Jane, long deprived of intellectual company and 
+        theological debate, was polite.&nbsp; But she rebutted each of 
+        Feckenham's arguments with her own.&nbsp; Perhaps she relished this last 
+        chance to elucidate her precious faith.&nbsp; After hours of argument, 
+        she remained Protestant.&nbsp; But she had also come to like Feckenham 
+        very much.&nbsp; So she accepted his offer to accompany her to the 
+        scaffold and she promised to 'pray God in the bowels of his mercy to 
+        send you his Holy Spirit; for he hath given you his great gift of 
+        utterance, if it pleased him also to open the eyes of your heart.'&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; Feckenham's work had delayed the executions until 
+        Monday 12 February.&nbsp; Meanwhile, Jane was also preparing to die with 
+        as much grace and dignity she could summon.&nbsp; She chose her dress, 
+        composed her speech, and appointed the two members of her household who 
+        would accompany her and dispose of her body.&nbsp; She sent a letter to 
+        her sister Catherine and one to her father (brought to the Tower on 10 
+        February.)&nbsp; The latter included a remonstration that his actions 
+        had hastened her death.&nbsp; But she did not write to her mother nor 
+        did Frances attempt to visit her or her husband.&nbsp; There exists a 
+        story that Guildford asked to see Jane before they died and that Mary 
+        granted his request.&nbsp; Jane, however, refused to see him, waiting 
+        until they met 'in a better place.'&nbsp; But there is no evidence the 
+        story is true.&nbsp; In fact, Jane and her husband showed no interest in 
+        seeing one another while in the Tower.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Jane did watch her husband's execution.&nbsp; He 
+        was taken from Beauchamp Tower at 10 o'clock in the morning and led to 
+        the execution area on Tower Hill.&nbsp; Jane stood by her window and 
+        watched as he went to his death.&nbsp; Guildford died with great courage 
+        and dignity and, when the cart rolled past carrying his corpse, Jane 
+        muttered his name and a comment about 'the bitterness of death.'&nbsp; 
+        Perhaps she realized that he had been a victim, too.&nbsp; In any case, 
+        she saw his blood-splattered body, thrown atop equally stained straw, 
+        driven to St Peter-ad-Vincula; his head was wrapped in a cloth beside 
+        the body.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; It was now Jane's turn to face death.&nbsp; <SMALL><A 
+        href="../exjane.html">(Click here to read 
+        an eyewitness account of her execution</A>.)&nbsp; </SMALL>She 
+        wore the  <IMG height=360 
+      alt="Lady Jane Grey kneeling before the block, from Delaroche's painting" 
+      src="janecrop.jpg" width=165 border=2 align="left">same black outfit she had worn at her trial.&nbsp; She carried 
+        her prayer book in her hands; she was escorted by Sir John Brydges, the 
+        lieutenant of the Tower.&nbsp; Her nurse, Mrs Ellen, and her attendant, 
+        Mrs Tylney, also accompanied her.&nbsp; They both cried but Jane was 
+        calm and composed.&nbsp; She had, after all, watched her scaffold being 
+        erected near the White Tower; her rooms provided an excellent view of 
+        its construction.&nbsp; Since she was a princess of royal blood, her 
+        execution was private.&nbsp; Only a small crowd had been invited.&nbsp; 
+        </P>
+        <P>&nbsp;&nbsp;&nbsp; At the steps of the scaffold, he greeted 
+        Feckenham: 'God grant you all your desires and accept my own hearty 
+        thanks for all your attention to me. Although indeed, those attentions 
+        have tried me more than death can now terrify me.' She then ascended the 
+        steps and addressed the crowd.&nbsp; She admitted she had committed 
+        treason when she accepted the crown but 'I do wash my hands in innocency, before God and the face of you, good Christian people this 
+        day.'&nbsp; She wrung her hands and asked that they witness her death, 
+        and affirm that she died a good Christian.&nbsp; She ended with yet 
+        another indication of her strong Protestant faith; she said, 'And now, 
+        good people, while I am alive, I pray you to assist me with your 
+        prayers.'&nbsp; Protestants, unlike Catholics, did not believe in 
+        prayers for the dead.&nbsp; She then knelt and asked Feckenham, 'Shall I 
+        say this psalm?'&nbsp; She read the fifty-first psalm in English and he 
+        followed her in Latin.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; After the prayer, she told Feckenham, 'God I 
+        beseech Him abundantly reward you for your kindness to me.'&nbsp; She 
+        then rose to her feet and completed her final duties.&nbsp; She handed 
+        her gloves and handkerchief to her attendant, Mrs Tylney and her 
+        prayer-book to the lieutenant's brother, Thomas Brydges.&nbsp; She then 
+        began to untie her gown; as was the tradition, the executioner stepped 
+        forward.&nbsp; It was the custom that the victim's outer garments became 
+        the executioner's property.&nbsp; Perhaps Jane did not know this; or 
+        perhaps she was simply terrified as that masked figure came toward 
+        her.&nbsp; She stepped back and 'desired him to leave her alone.'&nbsp; 
+        Her attendants completed the unlacing.&nbsp; They then gave her a 
+        handkerchief to tie over her eyes.&nbsp; Next, the executioner knelt 
+        before her and begged her forgiveness.&nbsp; This, too, was a custom and 
+        one Jane had expected.&nbsp; She gave her forgiveness 'most 
+        willingly.'&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Now there was nothing to do but end it all.&nbsp; 
+        The executioner asked her to stand upon the straw.&nbsp; Perhaps she saw 
+        the actual block for the first time.&nbsp; Her composure faltered for 
+        just a brief moment.&nbsp; She whispered, 'I pray you despatch me 
+        quickly,' and began to kneel.&nbsp; She hesitated and asked, 'Will you 
+        take it off before I lay me down?', referring to the blindfold.&nbsp; 
+        The executioner replied, 'No, madame' and so she tied the handkerchief 
+        around her eyes.&nbsp; She then knelt but, blindfolded, could not find 
+        the block.&nbsp; Her arms flailed about for several moments and she 
+        cried out, 'What shall I do?&nbsp; Where is it?'&nbsp; Those standing on 
+        the scaffold were hesitant - should they help her?&nbsp; A member of the 
+        crowd climbed the scaffold and helped her.&nbsp; He guided her hands to 
+        the block.&nbsp; She lowered her head and stretched forth her body; her 
+        last words were, 'Lord into thy hands I commend my spirit.'&nbsp; The 
+        executioner swung his axe and severed her head.&nbsp; Blood splattered 
+        across the scaffold and many of the witnesses.&nbsp; The executioner 
+        then lifted her head and said, 'So perish all the Queen's enemies. 
+        Behold, the head of a traitor.'&nbsp; It was the end of Lady Jane 
+        Grey.&nbsp; </P>
+        <P>&nbsp;&nbsp;&nbsp; Permission had to be granted for her burial at St 
+        Peter-ad-Vincula since the church had recently become Catholic 
+        again.&nbsp; Feckenham was forced to go to court for the 
+        permission.&nbsp; So Jane's body lay exposed and unattended for nearly 
+        four hours, spread obscenely across the blood-soaked straw.&nbsp; The 
+        French ambassador reported seeing it there hours after the 
+        execution.&nbsp; Her attendants kept watch, though they were not allowed 
+        to cover the corpse.&nbsp; Finally, Feckenham returned and Jane's body 
+        was laid to rest between the bodies of two other headless queens - 
+        <a href="../monarchs/boleyn.html">Anne 
+        Boleyn</a> and 
+        <a href="../monarchs/howard.html">Catherine Howard</a>.&nbsp; During the reign of her Protestant 
+        cousin, <a href="../monarchs/eliz.html">Queen Elizabeth I</a>, Jane was celebrated as a martyr to her faith 
+        and she remains one of the most famous queens of England.</P>
+      <hr>
+    </blockquote>
+  </blockquote>
+  <p align="center"><font size="4">'Live still to die, that by death you may purchase eternal life.... As 
+      the preacher sayeth, there is a time to be born and a time to die; and the 
+  day of death is better than the day of our birth.'&nbsp;&nbsp; </font><I><FONT 
+      size=-1>Jane Grey's message to John Brydges, lieutenant of the Tower of 
+      London, 1554</FONT></I></p>
+  <blockquote>
+    <blockquote>
+      <hr>
+        <P align="center"> <SMALL><A 
+        href="../exjane.html"><br></A></SMALL> <font size="2"><br>Visit <A href="http://www.geocities.com/jane_the_quene/">Sarah's 
+        lovely tribute to Lady Jane Grey</A>; it's a wonderful website.</font></P>
+      <BLOCKQUOTE>
+        <CENTER>
+        <P><FONT size=-1><A 
+        href="../relatives.html">to Tudor 
+        Relatives</A></FONT> <BR><FONT size=-1><A 
+        href="http://englishhistory.net/tudor.html">to Tudor 
+        England</A></FONT></P></CENTER></BLOCKQUOTE>
+        <P align="left"><font size="-1"><br><b>Note: </b>&nbsp;My favorite 
+        biographies of Lady Jane Grey are by Hester Chapman and Alison Plowden.&nbsp; 
+        Thanks for reading / exploring this website.&nbsp; <i>-Marilee</i></font></P>
+    </blockquote>
+  </blockquote>
+</blockquote>
+
+</body>
+
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/relative/margaret.html
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+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+<html>
+<head>
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+   <meta name="Author" content="Marilee">
+   <meta name="GENERATOR" content="Mozilla/4.61 [en] (WinNT; I) [Netscape]">
+   <title>Tudor Relatives - Margaret Tudor, queen of Scotland</title>
+</head>
+<body text="#000000" bgcolor="#FFFFFF" link="#0000FF" vlink="#3333FF" alink="#000000">
+<img SRC="margaretb.gif" ALT="Margaret Tudor" height=50 width=296>
+<blockquote>Margaret Tudor's life was in many respects as contrary and
+tempestuous as that of her granddaughter, Mary queen of Scots.&nbsp; Certainly
+the parallels between their second marriages are the most obvious and entertaining.&nbsp;
+Both women married handsome younger earls with powerful fathers who embroiled
+them in conflict with the notoriously fractious Scottish lords and the
+English monarch.&nbsp; And though both women married those earls for love,
+without regard for any effect upon their rule and reputation, they came
+to bitterly regret their hasty decisions.
+<p><img SRC="margsket.jpg" ALT="sketch of Margaret Tudor" BORDER=2 height=329 width=200 align=LEFT>&nbsp;&nbsp;&nbsp;
+They also entered Scotland as foreigners who found their new home backward
+and unsettling.&nbsp; Margaret was the eldest daughter of Henry VII of
+England and Elizabeth of York, born on 28 November 1489 at the Palace of
+Westminster, a year and a half before her famous brother, Henry VIII.&nbsp;
+The elaborate and costly preparations for her birth were recorded by contemporary
+chroniclers; Elizabeth of York had officially retired from court life in
+October 1489 and, when labor began, the queen was accompanied by the earls
+of Oxford and Derby to Mass.&nbsp; Afterwards she entered the state bedchamber
+where she presided over a meal of spiced wines and sweet cakes.&nbsp; The
+queen's chamberlain then asked all present to pray for a successful labor.&nbsp;
+The noblemen then left and Elizabeth, attended by twenty ladies and their
+various attendants, entered the inner chamber where she would actually
+give birth.&nbsp; Her bed was a magnificent creation with a gold canopy
+and embroidered red roses for her husband's house of Lancaster.&nbsp; At
+nine o'clock that night Princess Margaret Tudor was born.&nbsp; She was
+christened by John Morton, the archbishop of Canterbury, at the chapel
+in Westminster two days later; her godparents were her grandmother Lady
+Margaret Beaufort for whom she was named, the duchess of Norfolk, Lady
+Berkeley and the earl of Shrewsbury.&nbsp; After the celebrations, she
+was returned to her room where four nurses (her two head nurses were Alice
+Davy and Alice Bywimble) and six rockers, along with their various attendants,
+waited to serve their new charge.
+<p>&nbsp;&nbsp;&nbsp; Her first year was spent mostly in an oak cradle
+lined with ermine and draped in cloth of gold, an ornate setting to which
+she became accustomed and sorely missed later in life.&nbsp; As the first
+Tudor princess, Margaret was immediately placed on the European marriage
+market since Henry VII was eager to strengthen foreign support for his
+new dynasty.&nbsp; She spent her first fourteen years in England and was
+imbued with a self-righteous belief that England was meant to control Scotland,
+if not subjugate it entirely, and that Tudor rule was as valid as any other
+European dynasty.&nbsp; Despite the general view that the Tudors were upstarts
+and her father's claim to the throne was rather dubious, Margaret embraced
+her royal title and lineage with passion.
+<p>&nbsp;&nbsp;&nbsp; The atmosphere of those early years in England was
+still medieval, and she lived in Gothic palaces with ornate decoration
+and rituals.&nbsp; All of Henry VII's children came to participate publicly
+in court life while still children.&nbsp; Before the age of five, Margaret
+attended court ceremonies and played her part with aplomb.&nbsp; She had
+an early love of pomp and pageantry which was never lost, and her father's
+court was rather extravagant considering Henry's reputation as a shabby
+miser.&nbsp; As a child, Margaret shared a household with her older brother,
+Prince Arthur.&nbsp; Born on 20 September 1486, barely nine months after
+his parents' marriage, Arthur was the hope and joy of the Tudors.&nbsp;
+He and Margaret traveled with their own households from Eltham to Westminster
+to Windsor and back again, visiting their parents as often as possible.&nbsp;
+Their education was guided by their formidable grandmother, Lady Margaret
+Beaufort, who was a shining example of female piety and learning.&nbsp;
+Lady Beaufort's impact upon Margaret ensured her a thorough education but
+Margaret never shared her grandmother's love of scholarship.&nbsp; Henry
+VII was a busy and oft-distracted king whose reign was a constant struggle
+in the early years of Margaret's life; he loved his daughter, but had little
+time for any of his children.&nbsp; Her mother, Elizabeth of York, was
+a quiet and gentle woman whose motto 'Humble and Reverent' aptly summarized
+her way of life.&nbsp; She was a loving mother but spent most of her marriage
+either pregnant or recovering from increasingly difficult births.&nbsp;
+Her ill health often forced her into confinement and her role at court
+functions was filled by her mother-in-law.
+<p>&nbsp;&nbsp;&nbsp; Margaret reveled in court life and enjoyed her position
+as princess to the full; she began a lifelong love affair with beautiful
+clothes, delighted in dancing and music as well as archery and playing
+cards.&nbsp; She had no responsibilities other than to fulfill her public
+duties as princess and, as a result of her privileged position, developed
+a very stubborn personality.&nbsp; It was Margaret's lot to be impatient
+and disappointed when things did not go her way.&nbsp; In this, however,
+she can be forgiven; most royal children were equally stubborn and certainly
+the two siblings who survived childhood with her shared this trait.&nbsp;
+It is worth remembering, too, that her acute awareness of her position
+included the knowledge that she would one day leave England, perhaps forever.&nbsp;
+It was not the fate of princesses to live and die in their own countries.&nbsp;
+But as Margaret's later actions make clear, those early years in England
+left an indelible mark upon her; she always put English interests first,
+even when it was not the sensible thing to do.
+<p>&nbsp;&nbsp;&nbsp; Her fifth birthday coincided with Henry's elevation
+to the dukedom of York in 1494.&nbsp; There was a grand celebratory tournament
+in Westminster which lasted three days and the appearance of the 'right
+high and excellent Princess, the Lady Margaret' was recorded for posterity.&nbsp;
+She wore a gown of buckram and velvet trimmed in gold lace with a winged
+white cap, an unflattering but popular style from the Low Countries.&nbsp;
+Her best features were her clear complexion and fair hair, both inherited
+from her mother.&nbsp; But her temperament was that of her maternal grandfather,
+Edward IV, a trait she shared with her brother Henry.&nbsp; While Prince
+Arthur was a reserved and thoughtful boy dedicated to scholarship, Margaret
+and Henry were gregarious and energetic.&nbsp; They danced at the tournament,
+to the amusement of the adults, and Margaret presented the prizes to the
+jousters.
+<p>&nbsp;&nbsp;&nbsp; Traveling with a great retinue from one palace to
+another, she was hardly aware of the struggles her father faced; plague,
+rebellion, and war marked Henry's years on the throne as he constantly
+struggled to fill his treasury and placate his people.&nbsp; One of the
+more serious struggles led to Margaret's betrothal in 1496 to James IV,
+king of Scotland.&nbsp; Henry wanted an alliance with Scotland for two
+pressing reasons.&nbsp; First, James was following the old Scottish tradition
+of angering the English by supporting Perkin Warbeck, a pretender to the
+English throne who claimed to be Prince Richard of York.&nbsp; This debacle
+lasted from 1491 to 1497, but was made more pressing by Prince Arthur's
+engagement to Princess Katharine of Aragon, the daughter of Ferdinand and
+Isabella of Spain.&nbsp; At the time, only Spain recognized Henry's rule
+and he was desperate to secure a marriage alliance between the two countries.&nbsp;
+But the Spanish would not send Katharine to England unless Henry was secure
+on the throne and their daughter could arrive safely and peacefully in
+England.&nbsp; In 1493, they brokered an agreement between Scotland and
+England which ended Scottish support of Warbeck and gave hope for a more
+comprehensive peace in the future.&nbsp; Second, Scotland had long been
+allied with France in what was termed the 'Auld Alliance', essentially
+the partnership of two English enemies.&nbsp; French money and troops had
+often threatened the English-Scots border and Henry was desperate to avoid
+further unrest.&nbsp; He and his councilors thought a marriage between
+James and Margaret would create a bond between England and Scotland which
+would allow England some desperately needed peace and tranquility.
+<p>&nbsp;&nbsp;&nbsp; James IV of Scotland was amenable to the idea as
+well.&nbsp; He was sixteen years older than Margaret, but such differences
+in age were common enough in royal marriages.&nbsp; For the security of
+his own realm, as well as an impressive dowry, he was content to marry
+Margaret.&nbsp; James's own life had been tempestuous and unhappy.&nbsp;<img SRC="jamesiv.jpg" ALT="King James IV of Scotland" BORDER=2 height=230 width=199 align=LEFT>Born
+on 17 March 1473, he was barely sixteen years old when disaffected Scottish
+lords led by the Humes and Hepburns forced him to ride in battle against
+his own father, James III.&nbsp; At the climactic battle of Sauchieburn
+in the summer of 1488, James III was murdered by a man pretending to be
+a priest and his son was crowned king of Scotland.&nbsp; James IV was traumatized
+by his role in his father's death; for the rest of his life he wore an
+iron chain around his waist as penance and made frequent pilgrimages to
+the shrine of his patron St Ninian.&nbsp; His personality was both charismatic
+and melancholy and he was quite brilliant.&nbsp; His varied interests included
+dentistry, golf, and hunting; he was also very energetic, and exhausted
+his nobles with his ceaseless traveling across his kingdom.&nbsp; He was
+quite dedicated to the ideal of the chivalrous knight and admired the tales
+of King Arthur.&nbsp; This romantic notion led him to numerous love affairs
+(by the time of his betrothal to Margaret, he already had five healthy
+illegitimate children) and a lifelong desire to lead a Crusade.&nbsp; His
+people loved him and his court attracted a number of brilliant poets, including
+William Dunbar, Gavin Douglas and David Lindsay.&nbsp; Also, Scotland had
+three universities while England had only two, a fact which few historians
+have noted when dismissing any evidence of Scottish learning in the late
+15th century.&nbsp; But the country remained fractious and dangerous, largely
+because of its squabbling nobility.&nbsp; Certainly James's reign was marked
+by increased prosperity and the flowering of the arts, but he could not
+subdue the clans or even intimidate them much.&nbsp; And the lesson of
+his father's reign haunted him as he attempted to provide some order and
+stability for his people.&nbsp; He was more successful at this than most
+Scottish kings, but not successful enough.&nbsp; In Scotland, the nobles
+controlled far more land than the king and were savage opponents of royal
+authority.&nbsp; The burgeoning middle class was terrified of warfare and
+also susceptible to English bribes.&nbsp; Shifting loyalties and simmering
+resentment marked relations between the king and his nobles.&nbsp; Poor
+James did not have an easy life as king.
+<p>&nbsp;&nbsp;&nbsp; But his prolific romantic life was legendarily successful.&nbsp;
+James cut quite a swath through the common and noble women of Scotland,
+eventually losing his heart to Lady Margaret Drummond.&nbsp; James had
+earlier attempted to marry a Spanish princess himself (much as Henry VII
+secured a Spanish bride for Prince Arthur) but, when that failed, his love
+for Margaret Drummond was such that he seriously considered marrying her.&nbsp;
+His councilors were understandably aghast; any marriage to a subject would
+necessarily elevate that subject's family to pre-eminence in the realm.&nbsp;
+They would not allow it and did their utmost to persuade James to reconsider.&nbsp;
+The king began negotiations for Margaret Tudor's hand even as Margaret
+Drummond gave birth to their daughter.&nbsp; James moved mother and child
+to his palace of Linlithgow and showed them every favor.&nbsp; Rumors of
+a secret marriage between the two were rampant but the Scots successfully
+concluded the marriage treaty with Henry VII.&nbsp; Still, James's ministers
+were concerned that Henry VII would learn of Margaret Drummond and it might
+complicate relations.&nbsp; But the problem was solved when Margaret Drummond
+and her two sisters were poisoned in spring 1502.&nbsp; The king was devastated.&nbsp;
+No one was arrested for the crime, for which most of his councilors were
+secretly grateful.&nbsp; James almost immediately began another affair
+with Lady Janet Kennedy, but his grief for Margaret Drummond did not lessen.&nbsp;
+She was the great love of his life and he never forgot her.
+<p>&nbsp;&nbsp;&nbsp; But Margaret Drummond's death freed him to openly
+plan his marriage to Margaret Tudor, who until then had been merely a bargaining
+chip with the English.&nbsp; James was determined that his marriage would
+restore Scottish pride which had suffered much from English harassment
+along its borders.&nbsp; He ordered a grand trousseau from Paris, as well
+as presents for Margaret and new clothing for his courtiers.&nbsp; His
+own clothes included several pairs of scarlet hose, robes of black velvet
+trimmed in fur, a crimson jacket lined with cloth of gold, and a truly
+grand wedding outfit of white damask embroidered with silver and gold thread.&nbsp;
+To Margaret he sent a gown worth almost 160 pds and his courtiers received
+sumptuous clothes and jewelry.&nbsp; His spending grew so extravagant that
+he was forced to acknowledge his penury to Henry VII; the English king
+had written to find out the salaries of Margaret's ladies-in-waiting who
+would accompany her to Scotland.&nbsp; James was forced to prevaricate
+on that matter, replying only that they would receive 'competent fees'.
+<p>&nbsp;&nbsp;&nbsp; In England, meanwhile, preparations for Katharine
+of Aragon's marriage to Prince Arthur consumed far more time and energy
+than Margaret's betrothal.&nbsp; The Spanish princess was married to the
+Tudor heir in the autumn of 1501 and Margaret attended the wedding feast
+at Westminster Hall; she wore a gown of crimson velvet trimmed in fur and
+sat, along with Prince Henry, on a wooden stool covered with scarlet cloth
+beside their parents.&nbsp; Prince Henry had apparently flown into a rage
+when told that his sister would soon be known as queen of Scots and thus
+accorded precedence over him in public ceremonies.&nbsp; This essentially
+meant that Margaret would be announced before him at court functions, a
+relatively trivial matter, but observers noted the young prince's love
+of his own high position.&nbsp; The tantrum resolved itself and Henry was
+on perfect behavior during the wedding festivities which followed.
+<p>&nbsp;&nbsp;&nbsp; The earl of Bothwell, the bishop of Moray, and the
+archbishop of Glasgow were sent as ambassadors from Scotland.&nbsp; They
+were also present at Westminster during those celebratory days, under orders
+to observe Margaret and report on her appearance and behavior.&nbsp; If
+they found it 'most convenient and advisable' they were to marry her at
+once by proxy.&nbsp; Many of the intricacies of the marriage negotiation
+had already been decided upon and Pope Alexander VI had given the necessary
+dispensation, though he advised Margaret to remain in England for another
+year so she would be ready for child-bearing upon her arrival in Scotland.&nbsp;
+The matter of dower lands was soon settled as well.&nbsp; James was to
+be responsible for 'the apparatus of her body, the ornamenting of her residences,
+her vehicles, stud, furniture, dress, private and domestic affairs, and
+all other things whatsoever necessary and becoming the honour, state and
+dignity of the said Lady Margaret.'&nbsp; Margaret's dowry was 30,000 gold
+nobles to be paid over three years.
+<p>&nbsp;&nbsp;&nbsp; Once Prince Arthur and his new wife had left for
+Ludlow Castle, their seat as Prince and Princess of Wales, Margaret's betrothal
+was celebrated at Richmond Palace.&nbsp; There everyone gathered in Queen
+Elizabeth's official presence chamber and the archbishop of Glasgow conducted
+the proxy marriage ceremony.&nbsp; He asked Margaret and her parents, 'Doth
+Your Grace know of any impediment other than there is dispensed withal?&nbsp;
+Doth the Queen likewise?&nbsp; Or the Princess?'&nbsp; In their turn, the
+three said, 'There is none.'&nbsp; Then Henry VII asked, 'Is it the very
+will and mind of the king of Scotland that the said earl Bothwell should
+in his name assure the said Princess?'&nbsp; Both archbishop and earl gave
+assent and then Margaret was asked, 'Are you content without compulsion,
+and of your own free will?'&nbsp; The princess answered composedly, 'If
+it please my lord and father the king, and my lady mother the queen.'&nbsp;
+Her father said, 'It is my will and pleasure' and Margaret knelt for her
+parents' blessing.&nbsp; Bothwell took her hand and repeated his marriage
+vows.&nbsp; He did so easily enough; soon all eyes were upon Margaret,
+who spoke clearly and with no noticeable nervousness, 'I, Margaret, the
+first begotten daughter of the right excellent, right high and mighty prince
+and princess, Henry by the Grace of God king of England, and Elizabeth
+queen of the same, wittingly and of deliberate mind, having twelve years
+complete in age in the month of November last past, contract matrimony
+with the right excellent, right high and mighty prince, James king of Scotland,
+and the person of whom, Patrick earl of Bothwell, procurator of the said
+prince, represents, and take the said James king of Scotland into and for
+my husband and spouse, and all other for him forsake, during his and mine
+lives natural, and thereto I plight and give to him, in your person as
+procurator aforesaid, my faith and troth.'&nbsp; And then, continues the
+herald's account, 'the trumpets....blew up, and the loud noise of the minstrels
+played in the best and most joyful manner.'
+<p>&nbsp;&nbsp;&nbsp; The king then led the Scots to his rooms while Elizabeth
+of York took Margaret's hand and led her to the royal dais.&nbsp; The mother
+and daughter sat side by side now, equal in title and precedence.&nbsp;
+The next few days were spent in celebratory tournaments and banquets at
+Westminster Hall, all of which had Margaret's participation.&nbsp; And
+yet, just as it seemed that Henry VII's most fervent ambitions were being
+realized, news soon arrived from Wales that Arthur and his bride had fallen
+ill.&nbsp; The young prince died while his new bride recovered.&nbsp; Henry
+and Elizabeth were devastated; accounts of their grief can be read at the
+<a href="../primary.html">Primary
+Sources</a> section.&nbsp; The court was thrown into mourning and a few
+weeks after the death Elizabeth of York became pregnant yet again.&nbsp;
+It did not help her delicate health.&nbsp; A son was born prematurely and
+christened Edward, but died soon after.&nbsp; The queen's strength never
+recovered and, upon yet another stillbirth on 2 February 1503, she became
+deathly ill.&nbsp; She died on 11 February 1503, her thirty-seventh birthday,
+having given birth nine times and leaving three surviving children.&nbsp;
+An account of Elizabeth's death, which coincided with Margaret's departure
+for Scotland, can also be read at <a href="../primary.html">Primary
+Sources</a>.
+<p>&nbsp;&nbsp;&nbsp; Margaret's feelings on her brother's death and mother's
+ill
+health are not recorded.&nbsp; She was obviously closer in temperament
+to Henry, but also she was consumed with preparations for her departure
+to Scotland.&nbsp; And for a young woman with Margaret's great love of
+expensive gifts, pageantry, and magnificent gowns, the preparations were
+a delightful diversion.&nbsp; She also enjoyed being queen of Scotland.&nbsp;
+Since she had to wait a year before going to Scotland, she was given her
+own establishments at Windsor and Westminster where she was served from
+golden plates engraved with the Scottish arms.&nbsp; Scores of footmen
+served her, dressed in the white and green Tudor livery while her litter
+bearers wore green and black.&nbsp; The litter which would carry her on
+progress north was itself a grand creation lined with blue velvet and cloth
+of gold; her state carriage was lined with bearskin, the horses hung with
+black and crimson velvet and her own saddle lavishly embroidered with red
+roses.
+<br>&nbsp;
+<br>&nbsp;
+<br>
+<center>
+<p><font size=-1>The rest of this article will be published</font>
+<br><font size=-1>as soon as I finish scanning color portraits of Margaret.</font></center>
+</blockquote>
+
+<center>
+<p><br><font size=-1>written by <a href="mailto:marilee@englishhistory.net">Marilee</a></font></center>
+
+</body>
+</html>
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+ content="Mary Stuart Mary Queen of Scots 1542-1587 biography">
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+<table border="0" cellpadding="0" cellspacing="4" width="94%">
+  <tbody>
+    <tr>
+      <td valign="bottom" colspan="3"> <img border="0"
+ src="maryqosbiography.gif"
+ width="764" height="103">
+      <p> Mary, queen of Scots is one of the most fascinating and
+controversial monarchs of 16th century Europe.&nbsp; At one time, she
+claimed the crowns of four nations - Scotland, France, England and
+Ireland.&nbsp; Her physical beauty and kind heart were acknowledged
+even by her enemies.&nbsp; Yet she lacked the political skills to rule
+successfully in Scotland.&nbsp; Her second marriage was unpopular and
+ended in murder and scandal; her third was even less popular and ended
+in forced abdication in favor of her infant son.&nbsp; She fled to
+England in 1568, hoping for the help of her cousin, Elizabeth I.&nbsp;
+Her presence was dangerous for the English queen, who feared Catholic
+plotting on Mary's behalf.&nbsp; The two queens never met and Mary
+remained imprisoned for the next nineteen years.&nbsp; She was executed
+in 1587, only forty-four years old.&nbsp; By orders of the English
+government, all of her possessions were burned.&nbsp; In 1603, upon
+Elizabeth's death, Mary's son became king of England as James I.</p>
+      </td>
+    </tr>
+    <tr>
+      <td><br>
+      </td>
+      <td><br>
+      </td>
+      <td><br>
+      </td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%"> <img border="2"
+ src="maryqosbiographyblack.jpg"
+ width="400" height="521"></td>
+      <td width="4%"><br>
+      </td>
+      <td valign="top" width="48%">&nbsp;
+      <p> &nbsp;</p>
+      <p> <font size="2"><b>FURTHER READING</b><br>
+You may also view a <a
+ href="maryqoschronology.html">
+chronology</a> of her life, read <a
+ href="../primary.html">Primary Sources</a>,
+including letters written by Mary, view <a
+ href="http://www.marileecody.com/maryqosimages.html">portraits of Mary</a>
+and her contemporaries, test your knowledge of Mary's life at <a
+ href="../tudor1.html">Tudor Quizzes</a>,
+and learn more about her famous cousin, <a
+ href="../monarchs/eliz.html">Queen
+Elizabeth I</a>.</font></p>
+      <p> <font size="2"> <a
+ href="maryqosbiography.html#Sources">
+Click here to view sources</a> for this biography; and <a
+ href="maryqosbiography.html#Weblinks">
+click here for weblinks</a> related to Mary, queen of Scots.&nbsp; My
+personal favorite is </font><font size="2" face="Times New Roman"> <a
+ href="http://www.marie-stuart.co.uk/">The Marie Stuart Society of
+Scotland</a> website.</font></p>
+      <p> &nbsp;</p>
+      <p> &nbsp;</p>
+      <p> <font face="Times New Roman" size="2"><b>NEWS&nbsp; April
+2004<br>
+      </b>Two new studies of Mary, queen of Scots have arrived in
+bookstores.&nbsp; Jane Dunn's <i> <a
+ href="http://www.randomhouse.com/knopf/catalog/display.pperl?0375408983">
+Elizabeth and Mary: Cousins, Rivals, Queens</a></i> is a dual biography
+with a beautiful selection of portraits and judicious use of primary
+sources.&nbsp; John Guy's <i> <a
+ href="http://www.houghtonmifflinbooks.com/catalog/titledetail.cfm?titleNumber=688331">
+Queen of Scots: The True Life of Mary Stuart</a></i> (published in the
+UK as <a
+ href="http://www.amazon.co.uk/exec/obidos/ASIN/184115752X/ref=pd_sim_b_dp_2/026-6790542-2760433">
+      <i>My Heart is My Own: The Life of Mary Queen of Scots</i>)</a>
+is the first biography dedicated to the Scottish queen in over thirty
+years.&nbsp; Its central thesis argues that Burghley was the true
+villain of Mary's story.<span style="font-weight: bold;"><br>
+      </span><b><br>
+September 2004</b>: I am working on a new, detailed biography of
+Mary.&nbsp; Please check back soon.</font></p>
+      </td>
+    </tr>
+  </tbody>
+</table>
+</center>
+</div>
+<blockquote>
+  <blockquote>
+    <p>&nbsp;</p>
+    <p><b><font face="Arial"><a name="Biography"></a></font> </b> <font
+ face="Times New Roman" size="4">'As a sinner I am
+truly conscious of having often offended my Creator and I beg him to
+forgive me, but as a Queen and Sovereign, I am aware of no fault or
+offence for which I have to render account to anyone here
+below.'&nbsp;&nbsp; </font><font face="Times New Roman"><i><font
+ size="2">Mary, queen of Scots to her
+jailer, Sir Amyas Paulet; October 1586</font></i></font></p>
+    <hr>
+    <p>In November 1542, King James V of Scotland, lay dying at his
+beloved Falkland Palace, built just five years earlier.&nbsp; He was
+devastated by his army's defeat by the English at Solway Moss and saw
+little hope for the future.&nbsp; At Falkland, he was told that Mary of
+Guise, his French-born wife once wooed by Henry VIII, had given birth
+to a daughter at Linlithgow Palace on December 8.&nbsp; This was a
+feast-day in honor of the Virgin Mary and many took it as a good omen
+for the little <font face="Arial"> <img height="407"
+ alt="sketch of Mary, queen of Scots, age 12 or 13, by Clouet"
+ src="maryqosmain13.jpg"
+ width="250" align="left" border="1"></font>princess; for her father,
+however, it was otherwise.&nbsp; Upon receiving news of Mary's birth,
+he reportedly said, 'Woe is me. My dynasty came with a lass.&nbsp; It
+will go with a lass.'&nbsp; James's ancestor, Robert II, had become
+King of Scots in 1371.&nbsp; The son of Robert the Bruce's daughter
+Marjorie
+and Walter, the High Steward of Scotland, Robert was nearest in
+succession to the throne.&nbsp; He called his&nbsp; new dynasty
+'Stewart,' a variation on his father's title; in France, it was spelled
+Stuart. Mary's father, James V, believed this lineage had ended with
+his daughter's birth.&nbsp; He certainly never contemplated that his
+grandson would one day rule both Scotland and its old enemy,
+England.&nbsp; James died within a week of Mary's birth and, before she
+was even a year old, the child was crowned queen of Scots. </p>
+    <p>&nbsp;&nbsp;&nbsp; The regents of Scotland made a treaty with
+Henry VIII in which Edward, Henry's long-awaited and precious son,
+would wed Mary.&nbsp; But Henry VIII became increasingly erratic and
+despotic in his later years and continued to send his army north.&nbsp;
+In 1546, Henry also encouraged the murder of Cardinal Beaton, a great
+Scots patriot; the proof - shortly before the murder, he had offered
+one
+thousand pounds for expenses associated with a plot to murder
+Beaton.&nbsp; After this, the Scots were determined to avoid the
+proposed English marriage. In July 1548, they sent the five-year-old
+Mary to France, her mother's homeland.&nbsp; The Scots Parliament had
+agreed to her marriage with Francis, the heir of Henry II, king of
+France from 1547 to 1559.&nbsp; Mary sailed from Dumbarton Castle to
+France, using this route to avoid English ships patrolling the English
+Channel.&nbsp; According to most contemporary reports, Mary was
+exceptionally lovely (even in an age when most noble women were
+accorded the title of 'fair' or 'beautiful'), intelligent and full of
+vitality.&nbsp; One French observer wrote admiringly: 'It is not
+possible to hope for more from a Princess on this earth.'&nbsp; From
+this vantage point, Mary's life seemed to be set on a glorious course;
+but like a later foreign queen of France, Marie Antoinette, Mary's life
+was not destined to be peaceful and happy. </p>
+    <p>&nbsp;&nbsp;&nbsp; When Mary left for Scotland, she traveled
+with the children of Scotland's nobility, including the 'Four Maries,'
+the women who would stay with her throughout her later imprisonment and
+execution.&nbsp; They were Mary Fleming, Mary Seton, Mary Beaton and
+Mary Livingstone.&nbsp; Mary Seton was the only one to die unmarried
+and lived on until 1615, praying for Mary's soul and giving alms in her
+memory.&nbsp; The group arrived in France in August 1548. </p>
+    <center>
+    <hr width="100%">
+    <p> <u><font size="+1">France, 1548-61</font></u></p>
+    </center>
+    <p>Mary was given a royal welcome in France by King Henry II.&nbsp;
+He ordered that she would have precedence over his own daughters as she
+was sovereign of an independent country and also because she was to wed
+his heir, the Dauphin.&nbsp; The king also became very fond of the
+child, saying, 'The little Queen of Scots is the most perfect child I
+have ever seen.'&nbsp; While in France, Mary's maternal grandmother,
+Antoinette de Guise, wrote to her daughter in Scotland that Mary was
+'very pretty, graceful and self-assured.' </p>
+    <p>&nbsp;&nbsp;&nbsp; Mary was 5 when she first met the
+four-year-old Dauphin, her betrothed husband.&nbsp; According to most
+contemporaries, they were close and affectionate with one another even
+as children.&nbsp; They traveled from one royal palace to another -
+Fountaineblea to Meudon, or to Chambord or Saint-Germain.&nbsp; They
+were always attended to by a retinue of servants and, even then, Mary
+had developed a fondness for animals, especially dogs, which was to
+continue throughout her life.&nbsp; Mary was also educated in the
+traditional manner of French princesses; she spoke French and learned
+Latin, Italian, Spanish and a little Greek.&nbsp; She learned to dance,
+sing, play the lute as well as converse on religious matters.&nbsp; Her
+religious tutor was the prior of Inchmahome, a Scottish priest.&nbsp;
+When she was seven, her mother came to France to visit her; when Mary
+of Guise returned to Scotland, neither realized that they would never
+see each other again. </p>
+    <p>&nbsp;&nbsp;&nbsp; By the age of eleven, Mary was deemed to be
+as intelligent and well-spoken as a woman of twenty-five by her doting
+father-in-law.&nbsp; It is worth noting that the Guise family regarded
+Mary as one of their own; not only was betrothed to the heir to the
+throne but her mother was a Guise as well.&nbsp; Her uncle, Cardinal
+Guise, taught her about statecraft, perhaps encouraging her natural
+feelings of clemency and mercy.&nbsp; In fact, Mary was to be
+remarkably free from bigotry during her short reign in Scotland, even
+towards her subjects of a different religion. </p>
+    <p> <img
+ alt="portrait of Mary queen of Scots and her first husband, Francis II of France"
+ src="maryfrancis-crop.jpg"
+ align="left" border="1" width="170" height="226"> &nbsp;&nbsp;&nbsp;
+In 1555, Mary sent back letters to her mother in Scotland to be used
+for administrative purposes and it is from these that we first see her
+royal signature <a
+ href="marysig.jpg">'MARIE R'</a>.&nbsp;
+In 1558, she married the Dauphin in an incredible celebration in
+Notre-Dame Cathedral in Paris.&nbsp; Exceptionally tall for a woman in
+the 16th century, Mary was every inch the regal Queen; she had an oval
+face, shapely chin, and small mouth which were set off by her
+golden-red hair, her large forehead, and hazel eyes.&nbsp; Many
+considered Mary to be the most beautiful princess in Europe, much as
+they had thought of her relative, Henry VIII's sister, <a
+ href="brandon.html">Mary</a>,
+who had also come to France as queen for a short while.&nbsp; Mary was
+not always in the best of health but, unlike her husband, there were no
+immediate concerns for her life. </p>
+    <p>&nbsp;&nbsp;&nbsp; In 1558, <a
+ href="../monarchs/mary1.html">Queen Mary I</a>
+of England passed away and Henry II of France encouraged his
+daughter-in- law to assume the royal arms of England.&nbsp; In his
+opinion - and that of most of Catholic Europe - Mary of Scotland was
+the next heir to the English throne.&nbsp; This belief, of course,
+would have serious repercussions throughout Mary's life.&nbsp;
+Elizabeth I never forgot this first offense and never rested easily
+while her Catholic relative was alive.&nbsp; But the matter was
+smoothed over when Elizabeth was persuadd the assumption was due more
+to Guise ambitions than Mary's actual wish.&nbsp; In 1559, Henry II of
+France, died at the age of 40. Mary and her husband were crowned Queen
+and King of France.&nbsp; But in June of 1560, Mary's mother died in
+Scotland at the age of 45.&nbsp; And just six months later, her young
+husband also died of an ear infection.&nbsp; Mary was understandably
+devastated by this chain of tragic events.&nbsp; Thockmorton, the
+English ambassador, commented that Francis had left 'as dolorous a wife
+as she had good cause to be.&nbsp; By long watching with him during his
+sickness and painful diligence about him' she had become exhausted and
+made herself ill.&nbsp; She wrote a poem, in French, about her grief at
+his death; this is a translation of one verse: </p>
+    <p><i>By day, by night, I think of him/ In wood or mead, or where I
+be/ My heart keeps watch for one who's gone./ And yet I feel he's aye
+with me.</i> </p>
+    <p>&nbsp;&nbsp;&nbsp; What was Mary to do next?&nbsp; She left for
+Scotland, a land rife with religious and civil discord. Without waiting
+for a safe-conduct pass from Elizabeth, whose ships were patrolling her
+route, Mary set out for Scotland on 14 August 1561 and, five days
+later, reached Leith, the port of Edinburgh. </p>
+    <center>
+    <p>&nbsp;</p>
+    <hr width="100%">
+    <p> <u><font size="+1">Scotland, 1561-68</font></u></p>
+    </center>
+    <p>&nbsp;&nbsp;&nbsp; Mary knew very well that she was succeeding
+to a most troubled heritage.&nbsp; But after her recent years of loss
+and grief, she was determined to make a bright future.&nbsp; Also, in
+an age of religious persecution which earned her cousin Mary Tudor the
+nickname 'Bloody Mary,' Mary was determined that every one of her
+Scottish subjects should worship God as their conscience bade; there
+would be no religious persecution under her rule. &nbsp;In this, she
+resembled her cousin <a
+ href="../monarchs/eliz.html">Elizabeth I</a>.
+    </p>
+    <p> <img alt="copy of a French miniature of Mary, painted c1565"
+ src="maryqos1565cr.jpg"
+ align="left" border="1" width="175" height="236"> &nbsp;&nbsp;&nbsp;
+The Scots received their new queen with great joy and
+celebration.&nbsp; At once, she began to try and help them; within a
+year of her arrival, one-sixth of all Church benefices was given to the
+Protestant ministers to relieve their poverty.&nbsp; She also attempted
+to strengthen the power of the Crown against Scotland's notoriously
+difficult-to-control nobles.&nbsp; Of course, such a strategy would
+lead to more peace and stability within the realm.&nbsp; As a result,
+she was popular with the common people but not the nobility; she played
+croquet, golfed, went for hunts and archery practice, sung, danced,
+and, in general, showed an admirable zest for life.&nbsp; In 1562 the
+English ambassador reported to Elizabeth, 'When the soldiers came back
+from the night's sentry-duty, she said she was sorry she was not a man
+to be all night on the fields and to walk the causeway with buff-coat,
+steel-helmet, buckler, and broadsword.' </p>
+    <p>&nbsp;&nbsp;&nbsp; In 1563, Mary began the traditional 'royal
+progress' throughout Scotland.&nbsp; In 1564, the fourth Earl of Atholl
+organized a great hunt in honor of the queen and, yet again, Mary
+charmed all who met her.&nbsp; Yet she also treaded dangerous ground
+with her policy of non-discrimination and desire to unify the nation,
+taking power away from the independent nobles.&nbsp; Though a Catholic,
+Mary became friends with one of the most learned Protestants of the
+time, George Buchanan.&nbsp; In the political realm, Mary kept up
+peaceful relations with France, Spain, and England, though she never
+met Elizabeth face-to-face.&nbsp; But, in 1566, her patience was tried
+by the English ambassador's persistent and obvious spying; she ordered
+him out of the kingdom and declared him persona non grata.&nbsp; And
+her peace with France and Spain was kept without a treaty, though a
+treaty would have given Scotland some measure of protection against
+England in the possibility of conflict.&nbsp; However, Mary was aware
+that any treaty could compromise her subjects, involving them in yet
+another war and causing strife.&nbsp; Above all, she wanted peace and
+prosperity, and she kept Scotland safely distanced from political
+machinations.&nbsp; When the threat to Mary's reign finally came, it
+was not from one of these outside powers; indeed, it came from within
+her own nation. </p>
+    <p> <img alt="Mary's second husband, Henry Stuart, Lord Darnley"
+ src="darnley-crop.jpg"
+ align="left" border="1" width="150" height="197"> &nbsp;&nbsp;&nbsp;
+As queen, Mary was more than aware that she should marry and provide
+heirs to the throne.&nbsp; In July of 1565, she wed a cousin named
+Henry Stewart, Lord Darnley, a weak, vain, and unstable young man; like
+Mary, he was also a grandchild of Henry VIII's sister Margaret.&nbsp;
+Why Mary wed Darnley remains a mystery; he was superficially charming
+and, unlike most men, taller than the queen. &nbsp;He was fond of
+courtly amusements and thus a nice change from the dour Scottish lords
+who surrounded her. &nbsp;But he never seemed to care for Mary and
+sought far more power than she was willing to give him.&nbsp; When she
+was six months pregnant in March of 1566, Darnley joined a group of
+Scottish nobles who broke into her supper-room at Holyrood Palace and
+dragged her Piedmontese secretary, David Riccio, into another room and
+stabbed him to death.&nbsp; They claimed Riccio had undue influence
+over her foreign policy but, in reality, they probably meant to cause
+Mary, from watching this horrific crime, to suffer a miscarriage, thus
+losing her child and her own life as well since one usually meant the
+other in the 16th century.&nbsp; Mary certainly believed that Darnley,
+angry because she had denied him the crown matrimonial, wanted to kill
+her and the child, thus becoming King of Scots.&nbsp; But it is
+unlikely that, had he been successful, Darnley would have long survived
+his wife. </p>
+    <p>&nbsp;&nbsp;&nbsp; After Riccio's death, the nobles kept Mary
+prisoner at Holyrood Palace.&nbsp; Entering the later stages of her
+pregnancy, she was desperate to escape and - somehow - won over Darnley
+and they escaped together.&nbsp; Three months later the future James VI
+of Scotland was born and congratulations came from all over
+Europe.&nbsp; Still young and healthy after the birth, Mary now had an
+heir.&nbsp; This was the apex of her reign, her greatest and happiest
+moment.&nbsp; In December 1566 James was baptized in the Chapel Royal
+of Stirling Castle. Mary, once the fragile last hope of the Stewart
+dynasty, was just 23 years old and had fulfilled one of a monarch's
+greatest duties - providing a healthy son and heir.&nbsp; Elizabeth of
+England, ten years older, watched these events with interest for, even
+then, she knew her own future would be - by choice - unmarried and
+childless.&nbsp; She could well imagine that Mary's son would be her
+heir as well. </p>
+    <p>&nbsp;&nbsp;&nbsp; But this future soon seemed perilous for
+James's birth provided only a temporary calm.&nbsp; The nobles who had
+plotted with Darnley now felt betrayed by him; after all, they had
+captured the queen and her potential heir, murdered her dear friend,
+and were in a position to demand anything.&nbsp; But Darnley's decision
+to help Mary escape infuriated them.&nbsp; In February of 1567 they had
+Darnley's house, Kirk o' Field, blown up; Darnley's strangled body was
+found in the garden.&nbsp; Many nobles were implicated, most
+particularly James Hepburn, the Earl of Bothwell. Certainly Bothwell's
+later life (imprisoned in Denmark, he died in 1578, virtually insane)
+was a degree of punishment for this crime.&nbsp; However, in the
+immediate aftermath of Darnley's murder, he met with Mary about six
+miles outside of Edinburgh.&nbsp; He had 600 men with him and asked to
+escort Mary to his castle at Dunbar; he told her she was in danger if
+she went to Edinburgh.&nbsp; Mary, unwilling to cause further bloodshed
+and understandably terrified, followed his suggestions.&nbsp;
+Bothwell's noble friends had previously pressed her to marry him and
+he, too, had told her she needed a strong husband who could help unify
+the nobles behind her.&nbsp; Mary had refused the proposal then,
+preferring to marry Darnley, but now she knew herself to be
+powerless.&nbsp; She also had an infant son to consider. So she
+consented to wed Bothwell, hoping that this would finally stabilize the
+country.&nbsp; Also, Bothwell showed&nbsp;<img
+ alt="Mary's third husband, James Hepburn, Lord Bothwell"
+ src="bothwell.jpg"
+ align="left" width="226" height="224"> Mary an agreement the nobles
+had signed which indicated they were prepared to accept him as their
+overlord.&nbsp; In May 1567 they wed at Holyrood and Mary wrote to the
+foreign courts that it was the right decision for her country. </p>
+    <p>&nbsp;&nbsp;&nbsp; But the nobles were still not to be
+trusted.&nbsp; Now, they were angry that Bothwell would be all-powerful
+and they decided to wage war against him.&nbsp; Barely a month after
+the marriage, rebel nobles and their forces met Mary's troops at
+Carberry Hill, 8 miles south-east of Edinburgh.&nbsp; The nobles
+demanded that Mary abandon Bothwell, whom they had earlier ordered her
+to wed.&nbsp; She refused and reminded them of their earlier
+order.&nbsp; To avoid the bloodshed of battle, she turned herself over
+and the rebels took her to Edinburgh while Bothwell struggled to rally
+troops of his own.&nbsp; Mary was taken to Lochleven Castle and held
+prisoner in that island fortress; fearing for her own life, she became
+desperately ill.&nbsp; She was forced to sign a document abdicating the
+crown in favor of her year-old son.&nbsp; At the end of that month,
+July 1567, James was crowned king and James Stewart, the Earl of Moray,
+Mary's bastard half-brother, became Regent.&nbsp; Moray wasted no time
+in repaying Mary's earlier kindness to him by stealing her son and
+jewels.&nbsp; Of course, Scottish history reveals that all these
+nefarious nobles came to a bad end - Moray was murdered just 3 years
+later and the next regents were also killed; in fact, her son James had
+one of the traitors executed in 1580, when he was just a teenager. </p>
+    <p>&nbsp;&nbsp;&nbsp; Mary's cause was aided in 1568 when John Hay,
+before his execution, made a statement from the scaffold that told how
+the nobles had murdered Darnley.&nbsp; Before this, the nobles had
+attempted to make the people believe Mary was responsible.&nbsp; Now,
+she was able to win sympathy and friends.&nbsp; George Douglas, one of
+the brothers of her keeper at Lochleven, helped her escape.&nbsp; After
+10 months of captivity, she was free to fight for the throne.&nbsp; Her
+supporters gathered an army and, on their way to Dumbarton Castle, a
+battle was fought at Langside, Glasgow.&nbsp; Mary's forces lost and
+she was forced to flee with her supporters.&nbsp; Against all advice,
+she was determined to go south and ask Elizabeth I for support.&nbsp;
+As James's godmother and Mary's cousin as well as a fellow independent
+Queen, Mary felt certain Elizabeth would help her.&nbsp; As most know,
+this was the beginning of yet another chapter of suffering and misery
+for Mary. </p>
+    <p>&nbsp;</p>
+    <hr width="100%">
+    <center>
+    <p><u><font size="+1">The Final Years, 1568-87</font></u></p>
+    </center>
+    <p>Mary set sail for England on 16 May 1568.&nbsp; She soon arrived
+in Workington, Cumbria; Elizabeth did not know what to do and kept Mary
+guarded in the north.&nbsp; After all, without Mary's knowledge, she
+had been helping her enemies, promising money and&nbsp;<img
+ alt="Mary, queen of Scots and Lord Darnley, as portrayed by Vanessa Redgrave and Timothy Dalton in the film 'Mary Queen of Scots', 1971"
+ src="maryqos-film.jpg"
+ align="left" border="1" width="280" height="247"> sanctuary in return
+for their treacherous behavior against their queen.&nbsp; Elizabeth's
+motives for this were obvious - Mary was the closest Catholic claimant
+to the English throne and Elizabeth knew some of her subjects were not
+above hoping she could be deposed and Mary made queen of both Scotland
+and England.&nbsp; So she had determined to keep her cousin's kingdom
+in continual strife; if Mary was busy at home, she would have less
+chance to plot against Elizabeth.&nbsp; But Elizabeth's conscience was
+determined to be clear so she appointed commissioners to look into the
+matter; they met throughout 1568 and 1569.&nbsp; In December of 1569,
+the so-called Casket Letters were first presented at Westminster.&nbsp;
+They were supposedly letters and other papers belonging to Bothwell and
+found in his casket (letter box).&nbsp; They disappeared soon
+afterwards and only translations and copies remain.&nbsp; However, few
+believed they were either real or important at the time for Elizabeth,
+in January 1569, released a statement that 'Nothing had been
+sufficiently proved, whereby the Queen of England should conceive an
+evil opinion of her good sister.'&nbsp; Everyone took this to mean that
+Mary was not guilty of any conspiracy alleged in the letters. </p>
+    <p>&nbsp;&nbsp;&nbsp; But in this same year, conservative nobles in
+England supported an idea that Mary should wed the Duke of
+Norfolk.&nbsp; This also indicated that Elizabeth, and most English
+nobles, believed Mary innocent of Darnley's murder and any charges in
+the Casket Letters.&nbsp; But Elizabeth did not consent to the marriage
+and kept Mary under lock and key.&nbsp; Soon, this arrangement had
+settled into stone; Mary was moved from prison to prison, eventually
+ending up at Fotheringhay Castle, about 70 miles north-west of London
+and as close to Elizabeth as she ever came.&nbsp; Of course, Mary
+plotted from the very beginning to escape.&nbsp; She felt justified in
+doing so since she was being held against her will.&nbsp; However, as
+the years passed, the plots grew more outlandish and murderous.&nbsp;
+Mary's imprisonment was only to end with her execution.<br>
+    <br>
+&nbsp;&nbsp;&nbsp; <b>Read a more detailed account of <a
+ href="../monarchs/eliz3.html">Mary's
+arrival in England</a> and <a
+ href="../monarchs/eliz4.html">the plots
+which led to her trial and execution</a> at the <i>Queen Elizabeth I</i>
+website.</b> </p>
+    <p>&nbsp;&nbsp;&nbsp; In October of 1586, Mary was put on trial at
+Fotheringhay for plotting to kill Elizabeth and claim the English
+throne.&nbsp; Elizabeth's last letter to Mary was delivered at the
+start of the trial: </p>
+    <blockquote>
+      <p>You have in various ways and manners attempted to take my life
+and to bring my kingdom to destruction by bloodshed. I have never
+proceeded so harshly against you, but have, on the contrary, protected
+and maintained you like myself. These treasons will be proved to you
+and all made manifest. Yet it is my will, that you answer the nobles
+and peers of the kingdom as if I were myself present. I therefore
+require, charge, and command that you make answer for I have been well
+informed of your arrogance. <br>
+&nbsp;&nbsp;&nbsp; Act plainly without reserve, and you will sooner be
+able to obtain favour of me. <br>
+&nbsp;&nbsp;&nbsp; Elizabeth.</p>
+    </blockquote>
+    <p>&nbsp;&nbsp;&nbsp; Mary defended herself admirably though she
+had no friends or supporters at the trial and, essentially, the verdict
+had been decided before the proceedings had begun.&nbsp; Mary admitted
+her desire to escape but stated, 'I have not procured or encouraged any
+hurt against Her Majesty, Queen Elizabeth.'&nbsp; And she appealed for
+mercy, mentioning her own reputation for tolerance and kindness: 'My
+subjects now complain they were never so well off as under my
+government.'&nbsp; But she also accepted the inevitable, telling the
+assembled nobles, 'May God keep me from having to do with you all
+again.'&nbsp; When the verdict was read to her, she said, 'I do not
+fear to die in a good cause.' </p>
+    <p>&nbsp;&nbsp;&nbsp; The trial lasted just two days and was over
+on 16 October 1586 but it was not until 7 February 1587 that she was
+told she would be executed the next morning.&nbsp; She asked for her
+chaplain but was refused this last comfort.&nbsp; The Earl of Kent
+said: 'Your life would be the death of our religion, your death would
+be its life.'&nbsp; In fact, Mary had been a tolerant ruler in Scottish
+religious matters.&nbsp; But such was the extreme religious upheaval of
+the time, tolerance itself was a sign of weakness.&nbsp; The
+death-sentence was signed by Elizabeth who later argued that her
+secretary Davison had deceived her as to its contents; she said she
+would not have signed it otherwise.&nbsp; Her letter to Mary's son
+James about the execution, written on 14 February, is a remarkable
+document:</p>
+    <blockquote>
+      <p>My dear Brother, I would you knew (though not felt) the
+extreme dolor that overwhelms my mind, for that miserable accident
+which (far contrary to my meaning) hath befallen. I have now sent this
+kinsman of mine, whom ere now it hath pleased you to favour, to
+instruct you truly of that which is too irksome for my pen to tell you.
+I beseech you that as God and many more know, how innocent I am in this
+case : so you will believe me, that if I had bid aught I would have bid
+by it. I am not so base minded that fear of any living creature or
+Prince should make me so afraid to do that were just; or done, to deny
+the same. I am not of so base a lineage, nor carry so vile a mind. But,
+as not to disguise, fits not a King, so will I never dissemble my
+actions, but cause them show even as I meant them. Thus assuring
+yourself of me, that as I know this was deserved, yet if I had meant it
+I would never lay it on others' shoulders; no more will I not damnify
+myself that thought it not. <br>
+The circumstance it may please you to have of this bearer. And for your
+part, think you have not in the world a more loving kinswoman, nor a
+more dear friend than myself; nor any that will watch more carefully to
+preserve you and your estate. And who shall otherwise persuade you,
+judge them more partial to others than you. And thus in haste I leave
+to trouble you:&nbsp; beseeching God to send you a long reign. <br>
+&nbsp;&nbsp;&nbsp; Your most assured loving sister and cousin, <br>
+&nbsp;&nbsp;&nbsp; Elizabeth R.</p>
+    </blockquote>
+    <p>A year later, the Catholic Philip V of Spain invaded England
+with his Armada, perhaps - to some degree - urged on by Mary's
+execution. </p>
+    <p> <img
+ alt="Laslett John Pott's painting 'Mary Queen of Scots being led to execution', 1871"
+ src="maryqos-death.jpg"
+ align="left" border="1" width="400" height="282"> &nbsp;&nbsp;&nbsp;
+Mary did not retire until two in the morning on the last day of her
+life.&nbsp; She spent her final hours making a will and generously
+providing to those who had served her faithfully.&nbsp; Early on the
+morning of 8 February 1587, dressed in black satin and velvet, she
+entered the Great Hall of Fotheringhay Castle.&nbsp; She commanded her
+servant, Melville, to go to her son and tell him that she had never
+done anything to compromise their kingdom of Scotland.&nbsp; Mary was
+calm and composed before the several hundred spectators present; she
+listened while the execution warrant was read and then prayed aloud in
+English for the Church and her son.&nbsp; She also mentioned Queen
+Elizabeth and prayed for her to continue to serve God in the years to
+come. </p>
+    <p>&nbsp;&nbsp;&nbsp; Mary comforted her weeping servants, her
+friends and supporters to the last.&nbsp; They helped her undress;
+beneath her all-black gown, she wore a red petticoat and bodice.&nbsp;
+Her women helped her attach the long red sleeves.&nbsp; Mary thus died
+wearing the liturgical color of Catholic martyrdom.&nbsp; She gave them
+her golden rosary and Agnus Dei, asking them to remember her in their
+prayers.&nbsp; Her eyes were covered with a white cloth.&nbsp; While
+her servants wept and called out prayers in a medley of languages, she
+laid her neck upon the block, commended herself to God and received the
+death-stroke.&nbsp; But the executioner was unsteady and the first blow
+cut the back of her head; Mary whispered, 'Sweet Jesus', and the second
+blow descended.</p>
+    <p>&nbsp;&nbsp;&nbsp; When the executioner lifted her head and
+cried out, 'God save the Queen,' a macabre surprise occurred.&nbsp;
+Mary, queen of Scots had worn an auburn wig to her execution.&nbsp; It
+was left in the executioner's hand as her head, with its short, grey
+hair, fell to the floor.</p>
+    <p>&nbsp;&nbsp;&nbsp; Mary had always loved animals and her little
+Skye terrier had brought her great comfort during the years in
+prison.&nbsp; It had curled itself around her feet while she knelt at
+the block and died just days after the queen.&nbsp; As queen of Scots,
+Mary's motto had been 'In my end is my beginning'.&nbsp; And certainly
+the end of her life marked the beginning of her legend.&nbsp; The
+Catholic nations which had condemned her behavior during Darnley's
+murder and the marriage to Bothwell now celebrated her as a
+martyr.&nbsp; Her former brother-in-law, Henri III of France, held a
+funeral mass at Notre-Dame, where Mary had wed Francis almost thirty
+years before.&nbsp; Accounts of her execution, illustrated by crude
+woodcuts, were sold throughout Europe.&nbsp; She was now the
+sympathetic heroine; the past could be forgotten.</p>
+    <p>&nbsp;&nbsp;&nbsp; Sixteen years later, Mary's son
+became King of England and Scotland.&nbsp; In 1612, he moved her body
+to Westminster Abbey, London, constructing a magnificent tomb which
+rivaled Elizabeth I's.&nbsp; In her <i> Essay on Adversity</i>,
+written in 1580 while she was imprisoned, Mary had written of rulers:
+'Tribulation has been to them as a furnace to fine gold - a means of
+proving their virtue.'&nbsp; It was a fitting epitaph for her own
+infamous life.</p>
+    <center>
+    <p><font size="2">You can <a
+ href="../maryqos-letter.html"> read
+Mary's last letter</a>, written to Henri III of France just six hours
+before her execution, <br>
+as well as <a href="../exmary.html">an
+eyewitness account of her execution</a> at the <i>Primary Sources </i>
+section.<br>
+&nbsp;</font></p>
+    <hr> </center>
+  </blockquote>
+</blockquote>
+<p align="center"><font face="Times New Roman"> <font size="2"> <b> <a
+ href="maryqoschronology.html"><br>
+</a> </b> <a
+ href="maryqoschronology.html">CHRONOLOGY</a>
+<br>
+The major events of her life.</font></font></p>
+<p align="center"><font face="Times New Roman"> <a
+ href="http://www.marileecody.com/maryqosimages.html"><font size="2">IMAGES<br>
+</font> </a><font size="2">Portraits of the queen, her friends and
+family, with
+commentary.</font></font></p>
+<p align="center"> <font face="Times New Roman"> <a
+ href="../primary.html"><font size="2">PRIMARY
+SOURCES</font></a></font><font size="2" face="Times New Roman"><br>
+Letters written by Mary, as well as an
+eyewitness account of her execution.</font></p>
+<p align="center"><font face="Times New Roman" size="2"> <a
+ href="../tudor1.html">Tudor Quizzes<br>
+</a>Test your knowledge of Mary's
+life and times.</font></p>
+<p align="center"><font face="Times New Roman" size="2"><a
+ href="../monarchs/eliz.html">Queen
+Elizabeth I<br>
+</a>Learn about Mary's famous cousin.</font></p>
+<p align="center"><font face="Times New Roman" size="2"> <a
+ href="../relatives.html">to Tudor
+Relatives</a><br>
+</font></p>
+<div style="text-align: left; margin-left: 80px;"><br>
+<small><a name="Sources"></a><span style="font-weight: bold;">Sources:</span>&nbsp;
+Life of Mary, Queen of Scots (2 vol) by George Chalmers -&nbsp;</small>
+<small>My Heart is My Own by John Guy</small> - <small>Mary, Queen of
+Scots: The Daughter of Debate by Marjorie Bowen</small> - <small>Mary,
+Queen of Scots: The Daughter of Debate (yes, same title - earlier book)
+by Sir Arthur MacNalty</small> - <small>The Castles, Palaces, and
+Prisons of Mary of Scotland by Charles MacKie</small> - <small>On the
+Trail of Mary, Queen of Scots by JK Cheetham</small> - <small>The
+Queen of Scots by Stefan Zweig</small> - <small>Mary, Queen of Scots
+by Antonia Fraser</small>&nbsp; - <small>Mary, Queen of Scots by Susan
+Watkins</small> - <small>Two Queens in One Isle by Alison Plowden - </small><small>The
+Casket Letters: A Solution to the&nbsp; Mystery of Mary, Queen of Scots
+and the Murder of Lord Darnley by MH Davison - </small><small>Tudor
+Cousins: Rivals for the Throne by Dulcie Ashdown - </small><small>All
+the Queen's Men by Gordon Donaldson - The First Trial of Mary, Queen of
+Scots by Gordon Donaldson - Mary, Queen of Scots and the Murder of Lord
+Darnley by Alison Weir - In My End is My Beginning: A Life of Mary,
+Queen of Scots by James Mackay - Mary Queen of Scots: A Study in
+Failure by Jenny Wormald - The Oxford Illustrated History of Tudor and
+Stuart Britain, edited by John Morrill - Two Queens in One Isle by
+Alison Plowden - New Worlds, Lost Worlds: The Rule of the Tudors by
+Susan Brigden - The Life of Mary, Queen of Scots by Agnes Strickland -
+The Mystery of Mary Stuart by Andrew Lang - Mary, Queen of Scots and
+Her Accusers by John Hosack - Scotland Under Mary Stuart: An Account of
+Everyday Life by Marjorie Bowen - Elizabeth and Mary by Jane Dunn -
+Original Letters Illustrative of English History, edited by Henry Ellis
+- Mary, Queen of Scots: A Study of the Lennox Narrative in the
+University Library of Cambridge, edited by Reginald H. Mahon - The
+Chronicles of England, Scotland and Ireland by Raphael Holinshed -
+Letters of Mary, Queen of Scots, and Documents connected with her
+personal history, edited by Agnes Strickland<br>
+</small><br>
+<br>
+<small><a name="Weblinks"></a><span style="font-weight: bold;">Weblinks:&nbsp;</span>
+</small><small><font face="Times New Roman"><a
+ href="http://www.marie-stuart.co.uk/">The Marie Stuart Society of
+Scotland</a>&nbsp; This is the most detailed Mary, queen of Scots site
+on the web.&nbsp; It has a&nbsp; lengthy biography of the queen,
+samples of her poetry and letters, and much more - too much to list
+here, in fact. </font></small>
+<p><font face="Times New Roman"><small><a
+ href="http://www.geocities.com/les_valois/">Mary, queen of Scots</a>&nbsp;
+This site is currently available in French.&nbsp; It's beautifully
+designed and has lots of information; go visit and try out your foreign
+language skills!&nbsp; Its creator also made this <a
+ href="http://www.geocities.com/sarah_n_bernard/">Lady Jane Grey site</a>.<br>
+</small></font></p>
+<p><font face="Times New Roman"><small><a
+ href="http://www.newadvent.org/cathen/09764a.htm">The Catholic
+Encyclopedia's biography of Mary</a>, with links to other topics.<br>
+</small> </font></p>
+</div>
+</body>
+</html>
+<!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082705" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082705" ALT=1 WIDTH=1 HEIGHT=1>
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+<html>
+
+<head>
+<meta name="content" content="Mary Stuart, queen of Scots: Chronology: 1542 to 1587">
+<meta name="page_topic" content="Mary Stuart, queen of Scots: Chronology: 1542 to 1587">
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+</style>
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+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<table border="0" cellpadding="3" width="100%" height="667">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="3"></td>
+    <td width="50%" height="3"> 
+    <p align="center"> </td>
+    <td width="25%" height="3"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610">
+    &nbsp;<p>&nbsp;</p>
+    <p align="center"><b><font size="4">This page has been moved to</font></b></p>
+    <p align="center"><b><font size="4">
+    <a href="maryqoschronology.html">
+    http://englishhistory.net/tudor/relative/maryqoschronology.html</a></font></b></td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082768" alt="setstats" border="0" width="1" height="1"></noscript>
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+  <meta name="content"
+ content="Mary Stuart, queen of Scots: Chronology: 1542 to 1587">
+  <meta name="page_topic"
+ content="Mary Stuart, queen of Scots: Chronology: 1542 to 1587">
+  <meta name="author" content="Marilee Mongello">
+  <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+  <meta name="ProgId" content="FrontPage.Editor.Document">
+  <meta http-equiv="Content-Type"
+ content="text/html; charset=windows-1252">
+  <meta http-equiv="Content-Language" content="en-us">
+  <title>Mary, queen of Scots: Chronology: 1542 to 1587</title>
+  <style fprolloverstyle="">A:hover {color: #0000FF; font-weight: bold}
+  </style>
+</head>
+<body link="#0000ff" vlink="#0000ff" alink="#0000ff">
+<table border="0" cellpadding="3" width="100%" height="608">
+  <tbody>
+    <tr>
+      <td width="25%" height="1"><font face="Times New Roman"><br>
+      </font>
+      </td>
+      <td valign="top" width="50%" height="1"></td>
+      <td width="25%" height="1"><font face="Times New Roman"><br>
+      </font>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="3"><font face="Times New Roman"><br>
+      </font>
+      </td>
+      <td width="50%" height="3">
+      <p align="center"> <font face="Times New Roman"> 
+      <img height="96" alt="Mary, Queen of Scots Chronology"
+ src="maryqoschronology.gif" width="706"></font></p>
+      </td>
+      <td width="25%" height="3"><font face="Times New Roman"><br>
+      </font>
+      </td>
+    </tr>
+    <tr>
+      <td width="25%" height="610"><font face="Times New Roman"><br>
+      </font>
+      </td>
+      <td valign="top" width="50%" height="610">
+      <p align="center"><font face="Times New Roman"><img border="0"
+ src="maryqos1575.jpg"
+ alt="miniature portrait of Mary, queen of Scots, c1575, by an unknown artist"
+ width="350" height="437"><br>
+      <i><font size="2">Miniature portrait of Mary, queen of Scots,
+c1575, by an unknown artist.</font></i></font></p>
+      <p><font face="Times New Roman"><br>
+      <font size="-1">If you would like to look at
+Scottish royal genealogy, <a
+ href="../scottish.html">click here</a>.</font><font size="2">
+      </font></font> </p>
+      <p><font face="Times New Roman"><font size="-1">Read <a
+ href="../maryqos-letter.html">Mary's last
+letter</a>, an eyewitness account of <a
+ href="../exmary.html">her execution in
+1587</a>, and other documents relating to her life at <a
+ href="../primary.html">Primary Sources</a>.</font><font size="2">
+      </font>
+      </font> </p>
+      <p><font face="Times New Roman"><font size="-1">Elizabeth I wrote a letter
+to Mary at her trial, and about the execution to Mary's son, King James
+VI.&nbsp; <a
+ href="scot-letters.html">Read
+her letters here</a>.</font><font size="2"> </font> </font> </p>
+      <p><font face="Times New Roman"><font size="-1">Portraits of Mary, her
+parents, husbands and child, with commentary, can be found at the
+      <a href="http://www.marileecody.com/maryqosimages.html">Tudor
+England: Images</a> site.</font><font size="2"> </font> </font> </p>
+      <p><font face="Times New Roman"><font size="-1">If you are interested in
+further research, <i>The Catholic Encyclopedia</i> features <a
+ href="http://www.newadvent.org/cathen/09764a.htm">an article on Mary's
+life</a>.</font><font size="2"> <br>
+      </font>
+      <font size="-1"><i>Encyclopedia Britannica</i> also has <a
+ href="http://www.britannica.com/eb/article?eu=52479">an article about
+Mary</a>.</font><font size="2"> </font> </font> </p>
+      <p><font face="Times New Roman"><font size="-1">And the most comprehensive
+website about the Scottish queen is maintained by <a
+ href="http://www.marie-stuart.co.uk/">The Marie Stuart Society of
+Scotland</a>.</font><font size="2"> </font> </font> </p>
+      <p>&nbsp;</p>
+      </td>
+      <td width="25%" height="610"><font face="Times New Roman"><br>
+      </font>
+      </td>
+    </tr>
+  </tbody>
+</table>
+<blockquote>
+  <blockquote>
+    <blockquote>
+      <hr>
+      <blockquote>
+        <p><font face="Times New Roman"><big><b>1542</b></big><br>
+8 December; Mary Stuart is born at Linlithgow Palace<br>
+14 December; James V, King of Scots, Mary's father, dies at 31 </font>
+        </p>
+        <p><font face="Times New Roman"><big><b>1543</b></big><br>
+Mary crowned Queen of Scots </font> </p>
+        <p><font face="Times New Roman"><big><b>1546</b></big><br>
+Cardinal Beaton is murdered; ascendancy of pro-French party<br>
+        </font></p>
+        <p><font face="Times New Roman"><big style="font-weight: bold;">1547<br>
+        </big>January; King Henry VIII of England dies<br>
+March; King Francis I of France dies<br>
+10 September; battle of Pinkie; Scots defeated by English forces led by
+duke of Somerset; new French king, Henry II, sends troops and money to
+Scotland; Mary is betrothed to Henry II's heir Francis, dauphin of
+France<br>
+        </font> </p>
+        <p><font face="Times New Roman"><big><b>1548</b></big><br>
+August; Mary sent to France </font> </p>
+        <p><font face="Times New Roman"><big><b>1550</b></big><br>
+Mary's mother, Mary of Guise, visits her in France </font> </p>
+        <p><font face="Times New Roman"><b><big>1554</big><br>
+        </b>Mary of Guise is officially named Regent in Scotland </font>
+        </p>
+        <p><font face="Times New Roman"><big><b>1558</b><br>
+        </big>Fifteen-year-old Mary marries the 14-year-old Francis,
+dauphin of France, in Paris<br>
+        Queen Mary I of England dies and
+Elizabeth Tudor becomes Queen<br>
+Mary's father-in-law quarters her arms with those of England, offending
+Elizabeth
+        </font> </p>
+        <p><font face="Times New Roman"><big><b>1559</b></big><br>
+Death of King Henry II of France; Francis and Mary are crowned king and
+queen of France </font> </p>
+        <p><font face="Times New Roman"><big><b style="font-weight: bold;">1560</b><br
+ style="font-weight: bold;">
+        </big>June; Mary of Guise passes away in Scotland<br>
+December; Mary's husband, Francis, Mary's husband, passes away </font>
+        </p>
+        <p><font face="Times New Roman"><b><big>1561</big><br>
+        </b>Mary returns to Scotland </font> </p>
+        <p><font face="Times New Roman"><b>1562</b>&nbsp; Northern campaign and
+visit to Inverness; aged 19 </font> </p>
+        <p><font face="Times New Roman"><b>1563</b>&nbsp; Mary visits
+Inveraray,Dunure Castle, Dumfries, and Peebles; aged 20 </font> </p>
+        <p><font face="Times New Roman"><b>1564</b>&nbsp; Mary hunts near Blair
+Atholl, Tayside; aged 21 </font> </p>
+        <p><font face="Times New Roman"><b>1565</b>&nbsp; Mary marries her
+19-year-old cousin Henry Stewart, Lord Darnley; aged 22 </font> </p>
+        <p><font face="Times New Roman"><b>1566</b>&nbsp; Mary's Piedmontese
+secretary, David Riccio/Rizzio, is murdered; Mary's only child born
+(James, later king of Scotland and England); aged 23 </font> </p>
+        <p><font face="Times New Roman"><b>1567</b>&nbsp; Mary's husband, Lord
+Darnley, murdered; Mary weds James Hepburn, the 30-year-old Earl of
+Bothwell; the Carberry Hill confrontation; Mary is imprisoned at
+Lochleven Castle; Mary's one-year-old son James is crowned as James VI
+of Scotland; aged 24 </font> </p>
+        <p><font face="Times New Roman"><b>1568</b>&nbsp; Mary escapes from
+Lochleven Castle; Battle of Langside, Glasgow; Mary flees to England;
+aged 25 </font> </p>
+        <p><font face="Times New Roman"><b>1568-87</b>&nbsp; Mary is held captive
+in various English prisons; aged 25-44 </font> </p>
+        <p><font face="Times New Roman"><b>1569</b>&nbsp; Elizabeth exonerates
+Mary from the charges made against her; aged 26 </font> </p>
+        <p><font face="Times New Roman"><b>1578</b>&nbsp; Mary's third husband,
+the earl of Bothwell (age 41), dies in a prison in Denmark; aged 35 </font>
+        </p>
+        <p><font face="Times New Roman"><b>1580</b>&nbsp; Mary writes <i>Essay
+on Adversity</i> in prison; aged 37 </font> </p>
+        <p><font face="Times New Roman"><b>1586</b>&nbsp; Mary is tried for
+conspiring to kill Elizabeth; aged 43 </font> </p>
+        <p><font face="Times New Roman"><b>1587</b>&nbsp; on 8 February, Mary is
+executed in the Great Hall of Fotheringhay Castle, Northamptonshire </font>
+        </p>
+        <p><font face="Times New Roman"><b>1603</b>&nbsp; Queen Elizabeth I dies
+in March &amp; Mary's only child, James VI of Scotland, becomes James I
+of England.&nbsp; He is the first King of both Scotland and
+England.&nbsp; He moves his mother's&nbsp; body to Westminster Abbey
+and has a grand monument built. <br>
+        </font> </p>
+      </blockquote>
+      <hr width="100%">
+      <center>
+      <p><font face="Times New Roman"><a
+ href="maryqos.html#Biography">Read
+the biography of Mary, queen of Scots</a>.</font></p>
+      <p><font face="Times New Roman" size="2"><a
+ href="maryqos.html">to Mary,
+queen of Scots main page</a></font></p>
+      <p><font face="Times New Roman"><font size="-1"><a
+ href="../relatives.html">to Tudor
+Relatives</a></font> <br>
+      <font size="-1"><a href="http://englishhistory.net/tudor.html">to
+Tudor England</a></font></font></p>
+      </center>
+      </blockquote>
+    </blockquote>
+</blockquote>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082705" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082705" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/relative/scot-letters.html
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+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+<html>
+<head>
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+   <meta name="Author" content="Marilee">
+   <meta name="GENERATOR" content="Mozilla/4.61 [en] (WinNT; I) [Netscape]">
+   <title>Elizabeth I's letters relating to Mary, queen of Scots</title>
+</head>
+<body text="#000000" bgcolor="#FFFFFF" link="#000000" vlink="#000000" alink="#3333FF">
+
+<center><b><font size=+1>1586 &amp; 1587, Letters from Elizabeth I to Mary,
+queen of Scots and James VI of Scotland</font></b>
+<br><font size=-1>October 1586 and 14 February 1587.</font></center>
+
+<p>
+<hr WIDTH="100%">
+<p><b>To Mary, queen of Scots, October 1586.</b>
+<br><font size=-1>At the opening of the trial of Mary, Queen of Scots,
+at Fotheringhay on 12th October 1586, the Commissioners delivered her this
+personal letter from Queen Elizabeth.&nbsp;&nbsp; It has been translated
+from the French.</font>
+<br>&nbsp;
+<blockquote>You have in various ways and manners attempted to take my life
+and to bring my kingdom to destruction by bloodshed. I have never proceeded
+so harshly against you, but have, on the contrary, protected and maintained
+you like myself. These treasons will be proved to you and all made manifest.
+Yet it is my will, that you answer the nobles and peers of the kingdom
+as if I were myself present. I therefore require, charge, and command that
+you make answer for I have been well informed of your arrogance.
+<br>&nbsp;&nbsp;&nbsp; Act plainly without reserve, and you will sooner
+be able to obtain favour of me.
+<br>&nbsp;&nbsp;&nbsp; Elizabeth.</blockquote>
+
+<p><br>
+<hr WIDTH="100%">
+<p><b>To King James VI of Scotland, 14th February 1587.</b>
+<br><font size=-1>Although she signed the warrant for Mary's execution,
+Elizabeth tore it up.&nbsp; Another copy was signed, and - before the queen
+could change her mind yet again - Burghley and others upon the council
+sent if off.&nbsp; Elizabeth's life was in constant danger while Mary lived,
+as numerous plots attested.&nbsp; Her Council was determined to keep her
+safe.&nbsp; As for Elizabeth, she was understandably torn between protecting
+her throne and taking the life of a fellow sovereign, even one she did
+not respect or like.</font>
+<br><font size=-1>The second warrant was sent from London on 4th February,
+and reached Fotheringhay on the following evening.&nbsp; On the 7th the
+Earls of Shrewsbury and Kent, who were in charge of the execution, warned
+Mary to prepare for death on the following day.&nbsp; On the 9th the news
+of her execution reached London, and was received by the Queen with surprise
+and horror.&nbsp; She openly raged against her councilors; her capable
+secretary Davison, who had given her the second warrant, was sent to the
+Tower.&nbsp; Four days later she wrote to James of Scotland to protest
+her innocence of Mary's death.</font>
+<br>&nbsp;
+<blockquote>My dear Brother, I would you knew (though not felt) the extreme
+dolor that overwhelms my mind, for that miserable accident which (far contrary
+to my meaning) hath befallen. I have now sent this kinsman of mine, whom
+ere now it hath pleased you to favour, to instruct you truly of that which
+is too irksome for my pen to tell you. I beseech you that as God and many
+more know, how innocent I am in this case : so you will believe me, that
+if I had bid aught I would have bid by it. I am not so base minded that
+fear of any living creature or Prince should make me so afraid to do that
+were just; or done, to deny the same. I am not of so base a lineage, nor
+carry so vile a mind. But, as not to disguise, fits not a King, so will
+I never dissemble my actions, but cause them show even as I meant them.
+Thus assuring yourself of me, that as I know this was deserved, yet if
+I had meant it I would never lay it on others' shoulders; no more will
+I not damnify myself that thought it not.
+<br>The circumstance it may please you to have of this bearer. And for
+your part, think you have not in the world a more loving kinswoman, nor
+a more dear friend than myself; nor any that will watch more carefully
+to preserve you and your estate. And who shall otherwise persuade you,
+judge them more partial to others than you. And thus in haste I leave to
+trouble you:&nbsp; beseeching God to send you a long reign.
+<br>&nbsp;&nbsp;&nbsp; Your most assured loving sister and cousin,
+<br>&nbsp;&nbsp;&nbsp; Elizabeth R.</blockquote>
+
+<p><br>
+<hr WIDTH="100%">
+<p><font size=-1><a href="../primary.html">to
+Primary Sources</a></font>
+<br><font size=-1><a href="maryqoschron.html">to
+Mary, queen of Scots: Chronology</a></font>
+</body>
+</html>
+<!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082762" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082762" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/relatives.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/relatives.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/relatives.html	(revision 18423)
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+<html>
+
+<head>
+<meta name="content" content="Tudor Relatives: Mary, queen of Scots, Lady Jane Grey, Princesses Mary and Margaret Tudor, Lady Catherine Grey">
+<meta name="page_topic" content="Tudor Relatives: Mary, queen of Scots, Lady Jane Grey, Princesses Mary and Margaret Tudor, Lady Catherine Grey">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor Relatives: Mary, queen of Scots, Lady Jane Grey, Princesses Mary 
+and Margaret Tudor, Lady Catherine Grey</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<p>&nbsp;</p>
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="0" width="100%%">
+    <tr>
+      <td align="center" valign="top" colspan="5" width="100%">
+      <p align="center">
+<IMG 
+height=54 alt="Tudor Relatives" src="relative/relative2.gif" width=313></td>
+    </tr>
+    <tr>
+      <td width="30%"></td>
+      <td width="5%"></td>
+      <td width="30%"></td>
+      <td width="5%"></td>
+      <td width="30%"></td>
+    </tr>
+    <tr>
+      <td valign="top" width="30%">&nbsp;<p>The Tudor relatives profiled here 
+      are among the most fascinating figures in English history.&nbsp; The 
+      tragic histories of Lady Jane Grey and Mary, queen of Scots, the tangled 
+      love lives of Henry VIII's sisters, and the neglected tale of Lady 
+      Catherine Grey bring Tudor England to vivid life.</p>
+      <p>Follow the links on this page to learn more about the Tudor relatives.&nbsp; 
+      You can also visit <a href="http://www.marileecody.com/images.html">Tudor England: Images</a> to view portraits.&nbsp;
+      <a href="primary.html">Primary Sources</a> includes contemporary 
+      chronicles and letters.</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</p>
+            <p>&nbsp;</p>
+      <p>&nbsp;</p>
+      <p>&nbsp;</td>
+      <td width="5%"></td>
+      <td valign="top" width="30%">&nbsp;<p align="center">
+      <img border="2" src="relative/maryrelatives.jpg" alt="portrait of Mary, queen of Scots, 1558, in celebration of her first marriage" width="220" height="326"><p align="center">
+      &nbsp;<p align="center">
+      &nbsp;<P align="center"><FONT size=-1><A href="http://englishhistory.net/tudor.html">to Tudor 
+England</A></FONT><P align="center"><font size="-2">the above portrait is of Mary, 
+      queen of Scots</font></td>
+      <td width="5%"></td>
+      <td valign="top" width="30%">&nbsp;<BLOCKQUOTE>
+  <p></p>
+      </BLOCKQUOTE>
+      <p><FONT 
+  face="Times New Roman,Times"> <A 
+  href="relative/maryqos.html"><font size="4">Mary, queen of 
+  Scots</font></A></FONT><font size="4"> </font> <BR><font size="2">Catholic heir to Elizabeth 
+      I's throne</font></p>
+      <p><br><FONT 
+  face="Times New Roman,Times"><A 
+  href="relative/janegrey.html"><font size="4">Lady Jane 
+  Grey</font></A></FONT><font size="4"> </font> <BR><font size="2">The 'Nine Days Queen'</font><br>&nbsp; </p>
+  <P><FONT 
+  face="Times New Roman,Times"><A 
+  href="relative/brandon.html"><font size="4">
+  Princess Mary Tudor</font><br></A><font size="2">queen of France 
+  and duchess of Suffolk</font></FONT><BR>&nbsp; 
+  <P><FONT 
+  face="Times New Roman,Times"> <A 
+  href="relative/margaret.html"><font size="4">
+  Princess Margaret Tudor</font></A></FONT><BR>
+  <font size="2" face="Times New Roman,Times">queen of 
+  Scotland</font><font size="2"> </font> <BR>&nbsp; 
+  <P><FONT 
+  face="Times New Roman,Times" size="4"> <A 
+  href="relative/cathgrey.html">Lady Catherine 
+  Grey<br></A></FONT><FONT 
+  face="Times New Roman,Times" size="2"> sister of the tragic Jane Grey</FONT></P></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082529" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082529" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/research.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/research.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/research.html	(revision 18423)
@@ -0,0 +1,179 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<!-- saved from url=(0045)http://englishhistory.net/tudor/research.html -->
+<HTML><HEAD><TITLE>Are you conducting research?</TITLE>
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+<META content=Marilee name=Author>
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+</style>
+</HEAD>
+<BODY text=#000000 vLink=#800000 aLink=#808000 link=#800000 bgColor=#FFFFFF background="pageback.jpg">
+<p align="left"><font face="Arial" size="4"><B>Are you conducting research for a paper/project?</B></font><font color="#FFFFFF"></p>
+</font>
+<blockquote>
+<p><font face="Arial">Conducting research for a paper or project can be a rewarding 
+  academic experiment.&nbsp; It's a bit like detective work - your teacher or 
+  professor tells you to write about a subject, and off you go....&nbsp; You 
+  have to wade through tons of information, and then - out of thousands of words 
+  - decide what to include in your paper or project.&nbsp; It can be 
+  frustrating, and sometimes boring, but you're guaranteed to learn (and that 
+  is, after all, the ultimate goal of education.) </font></p>
+  <P><font face="Arial"><B>The first step</B> is the most obvious - <B>choosing a topic</B>.&nbsp; 
+  Choose something which interests you!&nbsp; Research can be fun if you're 
+  actually interested in the topic.&nbsp; But if you're not, it can be boring 
+  and frustrating. <BR>Now quite often you can't choose your topic.&nbsp; But 
+  even if you don't have a choice, the right attitude is important.&nbsp; Don't 
+  look at the research as a chore - look at it as an opportunity to learn new 
+  things which may be useful to you one day.&nbsp; Who knows?&nbsp; The love of 
+  your life might turn out to be a Tudor fanatic. </font> 
+  <P><font face="Arial">Once you're topic has been chosen, you're ready for <B>step two</B> - 
+  <B>background reading</B>! <BR>Read a general introduction to your topic, 
+  either in your textbook or an encyclopedia.&nbsp; This will only take a little 
+  while, and it's invaluable. <BR>After all, if you're doing a paper on Henry 
+  VIII, it helps to have read a brief biography of his life.&nbsp; Then, while 
+  you're doing more specialized research, you can place the research in its 
+  proper context. <BR>If you want to do further reading on Tudor history, please 
+  visit the <A href="biblio.html">Tudor 
+  Bibliography</A>.&nbsp; It's a list of the works I used to create this site.</font><P>
+<font face="Arial">Background research leads to <B>step three</B> - <B>narrow your topic to 
+  acceptable limits</B>. <BR>If you only have to write a 3-5 page paper, don't 
+  choose something like the Reformation.&nbsp; Instead, choose a particular 
+  aspect of the Reformation.&nbsp; A good idea is to do background reading, and 
+  write down some 'key words'.&nbsp; Perhaps one of the 'key words' will become 
+  your final topic. <BR>Another idea is to use the 'key words' to make questions 
+  or statements.&nbsp; If you're writing about the Reformation in England, you 
+  could write the following - The Reformation in England was different than the 
+  Reformation in Germany.&nbsp; Or, Was the Reformation in England different 
+  than the Reformation in Germany? <BR>Answering such questions, or finding 
+  support for the statements, can guide your research.&nbsp; Create as many 
+  questions and statements as you need. </font> 
+  <P><font face="Arial">Once you have narrowed your topic, move on to <B>step four</B> - <B>more 
+  background research</B>! <BR>Once again, head for the encyclopedias.&nbsp; 
+  They will give you a summary of the narrowed topic and familiarize you with 
+  the major themes and vocabulary you will encounter later. <BR>Also, most 
+  encyclopedias include a bibliography which lists the major scholarly works 
+  related to your topic.&nbsp; Once you have that list, head to the library and 
+  use the internet. </font> 
+  <P><font face="Arial"><B>And keep it simple!</B> <BR>Whenever you're writing a paper, always keep 
+  its length in mind.&nbsp; A short paper (3-5 pages) doesn't require the same 
+  amount of research as a longer paper.&nbsp; Don't make yourself work harder. 
+  <BR>If you're interested in a topic beyond what you can include in the paper, 
+  that's great - but immerse yourself in the topic during personal time.&nbsp; 
+  Don't let your paper become more than you can handle.&nbsp; And too much 
+  detail can drown your topic  and lower your grade.&nbsp; It's natural to want 
+  to impress your teacher or professor with the breadth of your knowledge, but 
+  too much detail can actually be harmful to the presentation of a clear, 
+  concise argument. </font> 
+  <P><font face="Arial">If you start feeling lost or confused, talk to your teacher.&nbsp; After 
+  all, they know exactly what they want in a paper. </font> 
+  <P><font face="Arial">And now some information about using my sites for research, or the internet 
+  in general.... </font> 
+  <P>&nbsp;<CENTER>
+  <P><U><FONT size=+1 face="Arial">Help for students conducting research on the 'World Wide 
+  Web'</FONT></U></CENTER>
+  <P><font face="Arial">Conducting research on the internet can be a tricky and confusing 
+  experience.&nbsp; Luckily for us all, the Department of English at Saint Louis 
+  University has created <A 
+  href="http://www.slu.edu/departments/english/research/">a website to help 
+  everyone</A> - please take the time to explore this valuable resource.&nbsp; 
+  Also, I have collected information about 'Citing Electronic Sources'.&nbsp; 
+  With these tools, you should be able to research and write about any topic - 
+  and use the internet as authoritatively as you use the library! </font> 
+  <P><font face="Arial">If you prefer to cut and paste links, the link to the Saint Louis 
+  University site is: <BR><font color="#FFFFFF">
+  <a href="http://www.slu.edu/departments/english/research/">http://www.slu.edu/departments/english/research/</a>
+  </font></font><font color="#FFFFFF"> 
+  <P>&nbsp;</font><P align="center"><u><font face="Arial" size="4">Copyright 
+information for this website</font></u><P><font face="Arial">I'm very happy that 
+so many people from all over the world use this site for research.&nbsp; It's 
+the reason I created the site and continue to work on it.&nbsp; Many of you have 
+written and asked how to cite my work in your papers and reports.&nbsp; This is 
+the correct format based upon both the Turabian/Chicago and MLA styles:<br>
+&nbsp;<br>
+Hanson, Marilee. &quot;Contemporary Descriptions of Anne Boleyn.&quot; <i>
+EnglishHistory.net</i>. 2001. http://englishhistory.net/tudor/annedesc.html (7 
+May 2001).</font><P><font face="Arial">You must change the article title to 
+reflect what you are quoting and&nbsp; use the date you read the source here.
+</font>
+<p><font face="Arial">Please visit the following sites to learn more - <A 
+  href="http://lcweb2.loc.gov/ammem/ndlpedu/cite.html"><font color="#000000">The LOC's 
+Citing Electronic Sources</font></A> page and the <font color="#FFFFFF">
+<a href="http://www.columbia.edu/cu/cup/cgos/idx_basic.html">
+<font color="#000000">Columbia University Press</font></a></font> website.</font></p>
+<font color="#FFFFFF">&nbsp;</font><p><font face="Arial">Let me clearly state that citing electronic sources is a valid form of 
+    research and accepted at most academic institutions.&nbsp; And I would also 
+    like to reassure every visitor to the site that I have checked and 
+    double-checked every bit of information included on these pages. </font></p>
+    <P><font face="Arial">Also, if you are citing 'Primary Sources', you do not need to know the 
+    original source of the 'primary source'.&nbsp; Again, it is perfectly 
+    acceptable to cite an internet page as a source and every teacher should be 
+    aware of this - if they're not, tell them. <BR>As I've discovered over 
+    the years, simply because a book has its information printed on paper and 
+    bound in a nice cover doesn't mean it's accurate.&nbsp; In fact, quite a few 
+    recently-published&nbsp; history texts are woefully inaccurate and 
+    misleading.&nbsp; So it is best to check and double-check your research, 
+    whether it comes from the internet or a library.&nbsp; I recently wrote a 
+    rant about this - <font color="#FFFFFF">
+    <a href="http://englishhistory.net/tudor/history.html">
+    <font color="#000000">click here to read</font></a></font>.</font><P>
+<font face="Arial">If you have general questions about copyright law, <A 
+    href="http://lcweb.gov/copyright/"><font color="#000000">go to this site</font></A>.&nbsp; This is the 
+    homepage of the US Copyright Office; it contains information about 
+    international copyright law, too.</font></P> 
+    <P>&nbsp;</P><font face="Arial">And now - 
+  <B>Copyright information</B>....&nbsp; boring but vital!&nbsp; Here it is, in 
+  brief - <B>everything at this site was written by me 
+  (Marilee.)</B>&nbsp;&nbsp; Therefore, I hold 
+  the copyright for all my original work. </font> 
+  <P><font face="Arial">And I take all the blame if it bores you to tears or 
+  confuses you endlessly.&nbsp; </font> 
+  <P><font face="Arial">The site was created in 1997 and is updated regularly.&nbsp; 
+  Visit the <FONT color=#FFFFFF> <a href="http://englishhistory.net/tudor/new.html">
+  <font color="#000000">What's New?</font></a></FONT> 
+  page to find out the exact dates.</font><P><font face="Arial">If you need a 
+  last name to credit the site, please use Marilee Hanson.</font><P>
+<font face="Arial">I do not hold the sole copyright to anything at the </font>
+<FONT color=#FFFFFF face="Arial"> <A 
+  href="primary.html"><font color="#000000">Primary Sources</font></A></FONT><FONT face="Arial"> 
+  section.&nbsp; Those are original historical documents in the public domain 
+  which I collected and transcribed.&nbsp; Yes, it was loads of work to type 
+  everything up, but they were simply transcribed (not written) by me.&nbsp; 
+  That is why they're called 'Primary Sources'. <BR>I do hold the copyright on 
+  the electronic version of the texts, which I typed.&nbsp; This is where the 
+  internet becomes confusing - essentially, the words are not mine but by virtue 
+  of transcribing them into electronic format, I own this particular version.&nbsp; 
+  So I would ask that no one copies my hard work, at least without asking 
+  permission and/or giving me credit. </FONT> 
+  <P><font face="Arial">As for graphics used here, copyright law allows the use of images for 
+  educational purposes, provided no profit is made and the image is not 
+  altered.&nbsp; And since I did go to the considerable trouble of scanning the 
+  images, I like to be asked before someone 'borrows' them.&nbsp; This simple 
+  act of courtesy goes a long way in the happy-go-lucky world of the internet.
+  </font> 
+  <P><font face="Arial">If you would like to learn more about the legal use of 
+  images, please click </font><FONT color=#FFFFFF face="Arial"> <a href="art.html">
+  <font color="#000000">here</font></a>.</FONT><CENTER>
+  <P><font face="Arial">In the end, your visit to this site makes my work worthwhile. <BR>Thanks 
+  for visiting &amp;
+  <a href="mailto:marilee@englishhistory.net?subject=Copyright">
+  <font color="#000000">write to 
+  me</font></a> with any specific questions/comments. 
+<BR>-Marilee</font></CENTER></P>
+  <p align="center"><font face="Arial"><FONT size=-1><A 
+href="http://englishhistory.net/tudor.html"><font color="#000000">to Tudor England</font></A></FONT> 
+<BR><FONT size=-1><A href="http://englishhistory.net/byron.html">
+<font color="#000000">to Lord 
+Byron</font></A></FONT> <BR><FONT size=-1><A 
+href="http://englishhistory.net/keats.html"><font color="#000000">to John Keats</font></A></FONT>
+</font> 
+  </p>
+  <p align="left"><font size="2" face="Arial">You can also visit this GeoCities site for additional help: <BR><A 
+href="http://www.geocities.com/Athens/Oracle/4184/"><font color="#000000">How to Organize a Research 
+Paper and Document It with MLA Citations</font></A> 
+<BR>And for further reading on Tudor England, <BR>visit the <A 
+href="biblio.html"><font color="#000000">Tudor Bibliography</font></A> - 
+<BR>a list of the works I used to create this site.</font></p>
+</blockquote>
+
+</BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082655" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082655" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/scot-letters.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/scot-letters.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/scot-letters.html	(revision 18423)
@@ -0,0 +1,106 @@
+<html>
+
+<head>
+<meta name="content" content="Primary Sources: The execution of Mary, queen of Scots, 1587">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The execution of Mary, queen of Scots, 1587</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="scot-letters.gif" width="598" height="114"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8">
+      <p><font size="2">
+      <img border="0" src="scots-letters.jpg" alt="The Darnley Portrait of Queen Elizabeth I" align="left" width="165" height="240">The 
+      first letter was sent to Mary, queen of Scots at the opening of her trial 
+      at Fotheringhay on 12 October 1586.&nbsp; It was written in French.</font><p><font size=-1>
+Four days after Mary's execution, Elizabeth sent the second letter to Mary's 
+son, King James VI of Scotland.&nbsp; In it, she asserts her innocence in his 
+mother's death.</font><p><font size=-1>Although she signed the warrant for Mary's execution,
+Elizabeth tore it up.&nbsp; Another copy was signed, and - before the queen
+could change her mind yet again - Burghley and others upon the council
+sent if off.&nbsp; Elizabeth's life was in constant danger while Mary lived,
+as numerous plots attested.&nbsp; Her councilors were determined to keep her
+safe.&nbsp; As for Elizabeth, she was understandably torn between protecting
+her throne and taking the life of a fellow sovereign, even one she did
+not respect or like.</font><p><font size=-1>The second warrant was sent from London on 4th February,
+and reached Fotheringhay on the following evening.&nbsp; On the 7th the Earls of 
+Shrewsbury and Kent, who were in charge of the execution, warned Mary to prepare 
+for death on the following day.&nbsp; On the 9th news of the execution reached 
+London, and was received by the Queen with surprise and horror.&nbsp; She openly 
+raged against her councilors; her capable secretary Davison, who had given her 
+the second warrant, was sent to the Tower.</font></td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+
+
+<p align="center"><i><b>To Mary, queen of Scots, October 1586</b><br></i>&nbsp;
+<p align="left">You have in various ways and manners attempted to take my life
+and to bring my kingdom to destruction by bloodshed. I have never proceeded
+so harshly against you, but have, on the contrary, protected and maintained
+you like myself. These treasons will be proved to you and all made manifest.
+Yet it is my will, that you answer the nobles and peers of the kingdom
+as if I were myself present. I therefore require, charge, and command that
+you make answer for I have been well informed of your arrogance.
+<br>Act plainly without reserve, and you will sooner
+be able to obtain favour of me.<p>Elizabeth</p>
+<hr>
+<p align="center"><i><b>To King James VI of Scotland, 14th February 1587</b></i><br>&nbsp;</p>
+<p align="left">My dear Brother, I would you knew (though not felt) the extreme
+dolor that overwhelms my mind, for that miserable accident which (far contrary
+to my meaning) hath befallen. I have now sent this kinsman of mine, whom
+ere now it hath pleased you to favour, to instruct you truly of that which
+is too irksome for my pen to tell you. I beseech you that as God and many
+more know, how innocent I am in this case : so you will believe me, that
+if I had bid aught I would have bid by it. I am not so base minded that
+fear of any living creature or Prince should make me so afraid to do that
+were just; or done, to deny the same. I am not of so base a lineage, nor
+carry so vile a mind. But, as not to disguise, fits not a King, so will
+I never dissemble my actions, but cause them show even as I meant them.
+Thus assuring yourself of me, that as I know this was deserved, yet if
+I had meant it I would never lay it on others' shoulders; no more will
+I not damnify myself that thought it not.
+<br>The circumstance it may please you to have of this bearer. And for
+your part, think you have not in the world a more loving kinswoman, nor
+a more dear friend than myself; nor any that will watch more carefully
+to preserve you and your estate. And who shall otherwise persuade you,
+judge them more partial to others than you. And thus in haste I leave to
+trouble you:&nbsp; beseeching God to send you a long reign.</p>
+<p>Your most assured loving sister and cousin,
+<br>Elizabeth R.</p>
+
+<p align="center">&nbsp;<p align="center">
+<a href="monarchs/eliz.html"><font size="2">to 
+the Queen Elizabeth I website</font></a><p align="center"><nt><font size="2">
+<a href="relative/maryqos.html">to the Mary, 
+queen of Scots website</a></font><p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082607" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082607" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/scottish.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/scottish.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/scottish.html	(revision 18423)
@@ -0,0 +1,161 @@
+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+<html>
+<head>
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+   <meta name="Author" content="marilee & jeremy">
+   <meta name="GENERATOR" content="Mozilla/4.61 [en] (Win98; I) [Netscape]">
+   <title>Scottish Genealogy</title>
+</head>
+<body text="#000000" bgcolor="#FFFFFF" link="#3333FF" vlink="#3333FF" alink="#000000">
+<b><font size=+2>Scottish Genealogy</font></b>
+<br>for now, this page only concerns James II through Mary queen of Scots
+<br>
+<hr WIDTH="100%">
+<ul><b><font face="BernhardMod BT"><font size=+1>James Stuart; later titled
+James II, king of Scotland</font></font></b>
+<br><font color="#000000">son of King James I of Scotland and Lady Joan
+Beaufort</font>
+<br>born 16 October 1430 at Holyrood Abbey, Edinburgh
+<br>coronation 25 March 1437 at Holyrood Abbey, Edinburgh
+<br>married 3 July 1449 at Holyrood Abbey to Marie von Geldern
+<br>&nbsp;&nbsp;&nbsp; <u>eight children</u>
+<br>Child, born 19 May 1450
+<br>Mary, born c.1451
+<br>James, later James III of Scotland, king of Scotland, born 10 July
+1451
+<br>Margaret
+<br>Alexander of Albany, duke of Albany, born c.1454
+<br>David, earl of Moray, born c.1454
+<br>John of Mar, earl of Mar &amp; Garioch, born c.1459
+<br>John
+<br>died 3 August 1460 at Roxburgh Castle
+<br>buried at Holyrood Abbey, Edinburgh</ul>
+<b><font face="BernhardMod BT"><font size=+1>James Stuart; later titled
+James III, king of Scotland</font></font></b>
+<br>son of King James II and Queen Joan of Scotland
+<br>born 10 July 1451 at Stirling
+<br>coronation 10 August 1460 at Kelso Abbey, Roxburghshire
+<br>married 13 July 1469 to Margaret Oldenburg, called Margaret of Denmark
+<br>&nbsp;&nbsp;&nbsp; <u>three children</u>
+<br>James, later James IV of Scotland, king of Scotland, born 17 March
+1473
+<br>James, duke of Ross, born March 1476
+<br>John, earl of Mar, born December 1479
+<br>died 11 June 1488 at Milltown, Bannockburn
+<br>buried at Cambuskenneth Abbey, Stirlingshire
+<br>&nbsp;
+<ul><b><font face="BernhardMod BT"><font size=+1>James Stuart; later titled
+James IV, king of Scotland</font></font></b>
+<br>son King James III and Queen Margaret of Scotland
+<br>born 17 March 1473
+<br>coronation 26 June 1488 at Scone Abbey, Perthshire
+<br>married 8 August 1503 to Margaret Tudor, princess of England, at Holyrood
+Abbey, Edinburgh
+<br>&nbsp;&nbsp;&nbsp; <u>seven children</u>
+<br><font color="#000000">James of Rothesay, duke of Rothesay, born 21
+February 1507</font>
+<br><font color="#000000">daughter, born 15 July 1508</font>
+<br><font color="#000000">Arthur, duke of Rothesay, born 20 October 1509</font>
+<br><font color="#000000">James, later King James V of Scotland, born 15
+April 1512</font>
+<br><font color="#000000">daughter, born November 1512</font>
+<br><font color="#000000">Alexander, duke of Ross, born 30 April 1514</font>
+<br>died 9 September 1513 at the Battle of Flodden Field, Northumberland
+<br>&nbsp;&nbsp;&nbsp; <u><font color="#FF0000">mistresses</font></u>
+<br><font color="#FF0000">(1) </font>Mary Boyd, also called Marion Boyd
+<br>&nbsp;&nbsp;&nbsp; <u>two children</u>
+<br>Alexander Stuart, called Alexander of St. Andrews, Archbishop of St.
+Andrews, born about 1493
+<br>Catherine Stuart
+<br><font color="#FF0000">(2)</font> Jean Kennedy, also called Janet Kennedy
+<br>&nbsp;&nbsp;&nbsp; <u>two children</u>
+<br>James Stuart, called James of Moray, earl of Moray, born about 1499
+<br>two children who died young
+<br><font color="#FF0000">(3)</font> Margaret Drummond
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>Margaret Stuart, born about 1497
+<br><font color="#FF0000">(4)</font> Isabel, Lady Stewart
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>Jean Stuart, also called Janet Stuart</ul>
+(As you can see, James IV was a procreative guy!&nbsp; Here are two more
+interesting facts about him:&nbsp; Margaret Tudor, his wife, petitioned
+for divorce in 1514, arguing that James had survived the Battle of Flodden
+and was living in the Holy Land.&nbsp; In reality, his corpse was kept
+in a lumber room at Richmond Palace, home of his brother-in-law Henry VIII.)
+<br>&nbsp;
+<ul><b><font face="BernhardMod BT"><font size=+1>James Stuart; later titled
+James V, king of Scotland</font></font></b>
+<br>son of King James IV and Queen Margaret of Scotland
+<br>born 15 April 1512 at Linlithgow Palace, Scotland
+<br>coronation 21 September 1513 at Chapel Royal, Stirling Castle
+<br>married 1 January 1537 to Madeleine of France at Notre Dame Cathedral,
+Paris
+<br>married 9 May 1538 to Mary de Guise (also called Mary de Lorraine)
+<br>&nbsp;&nbsp;&nbsp; <u>three children</u>
+<br>James of Rothesay, duke of Rothesay, born 22 May 1540; died in infancy
+<br>Arthur (Robert) of Rothesay, duke of Rothesay, born April 1541; died
+in infancy
+<br>Mary 'Queen of Scots', queen of Scotland, born 7 December 1542
+<br>died 14 December 1542 at Falkland Palace, Fife
+<br>buried at Holyrood Abbey, Edinburgh
+<br>&nbsp;&nbsp;&nbsp; <u><font color="#FF0000">mistresses</font></u>
+<br><font color="#FF0000">(1)</font> Elizabeth Shaw
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>James Stuart, called James of Kelso and Melrose, Abbot of Kelso and
+Melrose, born c.1529
+<br><font color="#FF0000">(2)</font> Margaret Erskine
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>&nbsp;James Stuart, called James of Moray, earl of Moray, Regent of
+Scotland, born c.1531
+<br><font color="#FF0000">(3)</font> Eupheme Elphinstone
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>Robert Stuart, called Robert of Orkney, earl of Orkney, born c.1533
+<br><font color="#FF0000">(4) </font>Elizabeth Carmichael, also called
+Katherine Carmichael
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>James Stuart, called John of Coldinghame, Prior of Coldinghame, born
+c.1531
+<br><font color="#FF0000">(5)</font> Elizabeth Stewart
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>Adam Stewart, Adam of Charterhouse, Prior of Charterhouse, born ?
+<br><font color="#FF0000">(6) </font>Elizabeth Bethune
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>Jean Stuart, born ?</ul>
+(As you can see, James V, much like his father, was fond of the ladies.&nbsp;
+When Mary queen of Scots returned to Scotland, most of her troubles began
+with her various half-siblings.&nbsp; These various royal bastards caused
+most of Scotland's notorious political instability.&nbsp; Think of poor
+Henry VIII - he could barely manage two sons!)
+<br>&nbsp;
+<ul><b><font face="BernhardMod BT"><font size=+1>Mary Stuart; later titled
+Queen Mary of Scotland (called Mary queen of Scots)</font></font></b>
+<br>daughter of King James V and Queen Mary of Scotland
+<br>born 7 December 1542 at Linlithgow Palace, Scotland
+<br>titled Queen of Scotland 9 September 1543 at Stirling Castle
+<br>married 24 April 1558 to Francis de Valois, later called Francis II,
+king of France, at Notre Dame Cathedral, Paris
+<br>married 29 July 1565 to Henry Stuart, Lord Darnley at Holyrood Palace,
+Edinburgh
+<br>&nbsp;&nbsp;&nbsp; <u>one child</u>
+<br>James Stuart, later titled James VI, king of Scotland &amp; James I,
+king of England, born 19 June 1566
+<br>married 15 May 1567 to James Hepburn 4th earl Bothwell at Holyrood
+Palace, Edinburgh
+<br>&nbsp;&nbsp;&nbsp; <u>two children</u>
+<br>twins, born and died July 1568
+<br>surrendered the throne in favor of her son at Carberry Hill 15 June
+1567
+<br>executed 8 February 1587 at Fotheringhay Castle, Northampton
+<br>buried at Westminster Abbey, London in 1612
+<br>&nbsp;</ul>
+<font size=-1><a href="http://englishhistory.net/tudor/genealog.html">return
+to Tudor Genealogy</a></font>
+<br><font size=-1><a href="http://englishhistory.net/tudor.html">return
+to Tudor England</a></font>
+<ul><font size=-1><a href="relative/maryqos.html">read
+about Mary, queen of Scots</a></font></ul>
+
+</body>
+</html>
+<!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082761" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082761" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/search.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/search.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/search.html	(revision 18423)
@@ -0,0 +1,70 @@
+<html>
+
+<head>
+<meta name="page_topic" content="search the Tudor England website">
+<meta name="content" content="search the Tudor England website">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor England: Search the Website</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF" bgcolor="#5E0000">
+
+<table border="0" cellpadding="3" width="100%" height="700">
+  <tr>
+    <td width="25%" height="29"></td>
+    <td valign="top" width="50%" height="29">
+    <p align="center">&nbsp;</td>
+    <td width="25%" height="29"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="36"></td>
+    <td width="50%" height="36" bgcolor="#000000"></td>
+    <td width="25%" height="36"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610" bgcolor="#FFFFFF">
+<DIV align=center>&nbsp;</DIV>
+<DIV align=center>
+  &nbsp;</DIV>
+<DIV align=center>
+  <img border="0" src="tudorsearch.gif" alt="Tudor England: Search the website" width="338" height="138"></DIV>
+<DIV align=center>
+  &nbsp;<BR><BR></DIV>
+    <blockquote>
+  <P align=left><BIG><B><font face="Arial">Simply enter the names or words in the box below and 
+  click 'Search'.&nbsp; </font> <BR></B><BR></BIG></P>
+  <DIV align=center><BR><!-- Begin PicoSearch Query Box -->
+  <FORM action=http://www.picosearch.com/cgi-bin/ts.pl method=post><INPUT 
+  type=hidden value=158772 name=index> 
+  <TABLE cellSpacing=0 cellPadding=0 bgColor=white border=0>
+    <TBODY>
+    <TR>
+      <TD>
+        <TABLE cellSpacing=2 cellPadding=0 bgColor=white border=0>
+          <TBODY>
+          <TR>
+            <TD><A href="http://www.picosearch.com/" target=_top>
+            <IMG 
+              alt=PicoSearch src="http://www.picosearch.com/picosmall.gif" border=0 width="56" height="24"> </A></TD>
+            <TD><INPUT name=query size="20"></TD>
+            <TD><INPUT type=submit value=Search name=SEARCH></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></FORM><!-- End PicoSearch Query Box --></DIV>
+  <P><BR></P>
+  <P>&nbsp;</P>
+  <P><BR></P>
+</blockquote>
+<P align=center><FONT size=-1 face="Arial"><A href="http://englishhistory.net/tudor.html">to 
+Tudor England</A></FONT></P>
+    </td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082549" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082549" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/secondary.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/secondary.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/secondary.html	(revision 18423)
@@ -0,0 +1,154 @@
+<html>
+
+<head>
+<meta name="page_topic" content="Tudor England Secondary Sources biographies histories studies etc">
+<meta name="content" content="Tudor England Secondary Sources biographies histories studies etc">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Secondary Sources: Biographies, Histories, Studies, etc
+</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF" bgcolor="#5E0000">
+
+<table border="0" cellpadding="3" width="100%" height="566">
+  <tr>
+    <td width="25%" height="34"></td>
+    <td valign="top" width="50%" height="34">&nbsp;</td>
+    <td width="25%" height="34"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="1"></td>
+    <td width="50%" height="1" bgcolor="#000000">
+    &nbsp;</td>
+    <td width="25%" height="1"></td>
+  </tr>
+  <tr>
+    <td width="25%" height="610"></td>
+    <td valign="top" width="50%" height="610" bgcolor="#FFFFFF">
+    <p align="center">&nbsp;</p>
+    <p align="center">
+    <img border="0" src="tudorsecondarysources.gif" width="446" height="143" alt="Secondary Sources: Biographies, Histories, Studies, etc"></p>
+    <blockquote>
+      <p align="left">
+    <b><font face="Times New Roman" size="5"><br>ES Beesly, <i>Queen 
+    Elizabeth</i> (1892)</font></b><p><font style="font-family: Times New Roman"><b>
+      <a href="beeslychapterone.html">CHAPTER
+      <font class="highlight_yellow">I</font></a><font class="highlight_yellow">:</font> 
+      EARLY LIFE, 1533-1558</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychaptertwo.html">CHAPTER II</a>: 
+      THE CHANGE OF RELIGION, 1559 </b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychapterthree.html">CHAPTER 
+      III</a>: FOREIGN RELATIONS, 1559-1563</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychapterfour.html">CHAPTER 
+      IV</a>: <font class="highlight_yellow">ELIZABETH</font> AND MARY STUART, 
+      1559-1568</b></font><p><font style="font-family: Times New Roman"><b>
+      <a href="beeslychapterfive.html">CHAPTER V</a>: 
+      ARISTOCRATIC PLOTS, 1568-1572</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychaptersix.html">CHAPTER VI</a>: 
+      FOREIGN AFFAIRS, 1572-1583</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychapterseven.html">CHAPTER 
+      VII</a>: THE PAPAL ATTACK, 1570-1583</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychaptereight.html">CHAPTER 
+      VIII</a>: PROTECTORATE OF THE, NETHERLANDS, 1584-1586</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychapternine.html">CHAPTER 
+      IX</a>: EXECUTION OF THE QUEEN OF SCOTS: 1584-1587</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychapterten.html">CHAPTER X</a>: 
+      WAR WITH SPAIN, 1587-1603</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychaptereleven.html">CHAPTER 
+      XI</a>: DOMESTIC AFFAIRS, 1588-1601</b></font><p>
+      <font style="font-family: Times New Roman"><b>
+      <a href="beeslychaptertwelve.html">CHAPTER 
+      XII</a>: LAST YEARS AND DEATH, 1601-1603</b></font><p>
+      &nbsp;<hr>
+    <p align="left"><b><font size="5">JA Froude, <i>The Divorce of Catherine of Aragon: The 
+    Story as Told by the Imperial Ambassadors Resident at the Court of Henry 
+    VIII </i>(1891)</font></b></p>
+    <p align="left">
+    <font style="font-family: Times New Roman; font-weight: 700" size="2">BEING 
+    A SUPPLEMENTARY VOLUME TO THE AUTHOR'S HISTORY OF ENGLAND </font></p>
+    <p align="left">
+    <span style="font-family: Times New Roman; font-weight: 700">
+    <a href="froudeintroduction.html">INTRODUCTION</a></span></p>
+    <p align="left">
+    <span style="font-family: Times New Roman; font-weight: 700">
+    <a href="froudeone.html">CHAPTER ONE</a></span><font face="Times New Roman" size="2">&nbsp;&nbsp;
+    </font><font face="Times New Roman">
+    <font size="2">Prospects of a disputed succession to the crown -- Various 
+    claimants -Catherine incapable of having further children -- Irregularity of 
+    her marriage with the King -- Papal dispensations -- First mention of the 
+    divorce -- Situation of the Papacy -- Charles V. -- Policy of Wolsey -- 
+    Anglo-French alliance -- Imperial troops in Italy -- Appeal of the Pope -- 
+    Mission of Inigo de Mendoza -- The Bishop of Tarbes -Legitimacy of the 
+    Princess Mary called in question -- Secret meeting of the Legates' court -- 
+    Alarms of Catherine -- Sack of Rome by the Duke of Bourbon -- Proposed 
+    reform of the Papacy -- The divorce promoted by Wolsey -- Unpopular in 
+    England -- Attempts of the Emperor to gain Wolsey.</font></p>
+    </font>
+    <p align="left">
+    <span style="font-family: Times New Roman; font-weight: 700">
+    <a href="froudetwo.html">CHAPTER TWO</a><font size="2">&nbsp;&nbsp;
+    </font></span><font style="font-family: Times New Roman" size="2">Mission of 
+    Wolsey to Paris -- Visits Bishop Fisher on the way -- Anxieties of the 
+    Emperor -- Letter of the Emperor to Henry VIII. -Large offers to Wolsey -- 
+    Address of the French Cardinals to the Pope -- Anne Boleyn chosen by Henry 
+    to succeed Catherine -- Surprise and displeasure of Wolsey -- Fresh attempts 
+    of the Emperor to bribe him -- Wolsey forced to continue to advocate the 
+    divorce -Mission of Dr. Knight to Rome -- The Pope at Orvieto -- The King 
+    applies for a dispensation to make a second marriage -- Language of the 
+    dispensation demanded -- Inferences drawn from it -- Alleged intrigue 
+    between the King and Mary Boleyn.</font></p>
+    <p align="left">
+    <span style="font-family: Times New Roman; font-weight: 700">
+    <a href="froudethree.html">CHAPTER THREE</a>&nbsp;
+    <font size="2">&nbsp;</font></span><font style="font-family: Times New Roman"><font size="2">Anxiety 
+    of the Pope to satisfy the <font class="highlight_yellow">King</font> -- 
+    Fears of the Emperor -Proposed alternatives -- France and England declare 
+    war in the Pope's defence -- Campeggio to be sent to England -- The
+    <font class="highlight_yellow">King</font>'s account of the Pope's conduct 
+    -- The Pope's distress and alarm -The secret decretal -- Instructions to 
+    Campeggio. </font></p>
+      </font>
+    <p align="left">
+    <span style="font-family: Times New Roman; font-weight: 700">
+    <a href="froudefour.html">CHAPTER FOUR</a>&nbsp;&nbsp;
+    </span><font size="2" style="font-family: Times New Roman">A</font><font size="2" face="Times New Roman">nne 
+    Boleyn -- Letters to her from the <font class="highlight_yellow">King</font> 
+    -- The Convent at Wilton -- The Divorce -- The Pope's promises -- Arrival of 
+    Campeggio in England -- Reception at the Bridewell Palace -- Proposal to 
+    Catherine to take the veil -- Her refusal -- Uncertainty of the succession 
+    -- A singular expedient -- Alarms of Wolsey -- The true issue -Speech of the
+    <font class="highlight_yellow">King</font> in the City -- Threats of the 
+    Emperor -- Defects in the Bull of Pope Julius -- Alleged discovery of a 
+    brief supplying them -- Distress of Clement.</font></p>
+    <p align="left">
+    &nbsp;</p>
+    <p align="left">
+    <span style="font-family: Times New Roman; font-weight: 700; font-style: italic">
+    more to come....</span></p>
+      <p>&nbsp;</blockquote>
+    <p align="center"><span style="font-family: Times New Roman">
+    <a href="http://englishhistory.net/tudor.html"><font size="2">to Tudor 
+    England</font></a></span><p align="center">&nbsp;</td>
+    <td width="25%" height="610"></td>
+  </tr>
+</table>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082545" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082545" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/skelton.html
===================================================================
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/skelton.html	(revision 18423)
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+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+<html>
+<head>
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+   <meta name="Author" content="Marilee Mongello">
+   <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+   <title>Primary Sources: The poetry of John Skelton</title>
+   <style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+   </style>
+</head>
+<body text="#000000" bgcolor="#FFFFFF" link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<center>&nbsp;<p>
+<img border="0" src="1500s.gif" alt="Primary Sources: The poetry of John Skelton" width="392" height="66">
+<br><font size=-1>Skelton was the poet laureate of England under Henry
+VII;</font>
+<br><font size=-1>he also tutored the young Prince Henry, duke of York,
+who became the infamous Henry VIII.</font></p>
+</center>
+
+<blockquote>
+  <blockquote>
+    <hr>
+    <p align="left">&nbsp;</p>
+<blockquote>
+<ul>
+<ul><b><font size=+1>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; To Mistress
+Margaret Hussey</font>
+<br></b>&nbsp;
+<ul>
+<ul>Merry Margaret,
+<br>&nbsp;&nbsp;&nbsp; As midsummer flower,
+<br>Gentle as falcon
+<br>Or hawk of the tower;
+<br>With solace and gladness,
+<br>Much mirth and no madness,
+<br>All good and no badness;
+<br>&nbsp;&nbsp;&nbsp; So joyously,
+<br>&nbsp;&nbsp;&nbsp; So maidenly,
+<br>&nbsp;&nbsp;&nbsp; So womanly
+<br>&nbsp;&nbsp;&nbsp; Her demeaning
+<br>&nbsp;&nbsp;&nbsp; In every thing,
+<br>&nbsp;&nbsp;&nbsp; Far, far passing
+<br>&nbsp;&nbsp;&nbsp; That I can endite,
+<br>&nbsp;&nbsp;&nbsp; Or suffice to write
+<br>Of merry Margaret,
+<br>&nbsp;&nbsp;&nbsp; As midsummer flower,
+<br>Gentle as falcon
+<br>Or hawk of the tower.
+<br>&nbsp;&nbsp;&nbsp; As patient and as still
+<br>&nbsp;&nbsp;&nbsp; And as full of good will
+<br>&nbsp;&nbsp;&nbsp; As fair Isaphill;
+<br>&nbsp;&nbsp;&nbsp; Colyander,
+<br>&nbsp;&nbsp;&nbsp; Sweet pomander,
+<br>&nbsp;&nbsp;&nbsp; Good Cassander;
+<br>Steadfast of thought,
+<br>&nbsp;&nbsp;&nbsp; Well made, well wrought,
+<br>&nbsp;&nbsp;&nbsp; Far may be sought
+<br>&nbsp;&nbsp;&nbsp; Ere that ye can find
+<br>&nbsp;&nbsp;&nbsp; So courteous, so kind
+<br>As merry Margaret,
+<br>&nbsp;&nbsp;&nbsp; This midsummer flower,
+<br>Gentle as falcon
+<br>Or hawk of the tower.<p>&nbsp;</p>
+  <p>&nbsp;</p>
+</ul>
+</ul>
+</ul>
+</ul>
+<b>
+<font size=+1>To Mistress Isabell Pennell</font> </b>
+<ul>By Saint Mary, my lady,
+<br>Your mammy and your dady
+<br>Brought forth a goodly baby!
+<br>My maiden Isabell,
+<br>Reflaring rosabell,
+<br>The flagrant camamell,
+<br>The ruddy rosary,
+<br>The sovereign rosemary,
+<br>The pretty strawberry,
+<br>The columbine, the nepte,
+<br>The jeloffer well set,
+<br>The proper violet;
+<br>Ennew&egrave;d your colour
+<br>Is like the daisy flower
+<br>After the April shower;
+<br>Star of the morrow gray,
+<br>That blossom on the spray,
+<br>The freshest flower of May:
+<br>Maidenly demure,
+<br>Of womanhood the lure;
+<br>Wherefore, I make you sure,
+<br>It were an heavenly health,
+<br>It were and endless wealth,
+<br>A life for God himself,
+<br>To hear this nightingale
+<br>Among the birdes smale
+<br>Warbling in the vale,
+<br>Dug, dug, jug, jug,
+<br>Good year and good luck,
+<br>With chuck, chuck, chuck, chuck!
+<br>&nbsp;
+<br>&nbsp;
+<br>&nbsp;
+<br>&nbsp;
+<br>&nbsp;
+<br>&nbsp;
+<ul>
+<ul>
+<ul><b><font size=+1>With Lullay, Lullay, Like A Child</font></b></ul>
+</ul>
+</ul>
+</ul>
+
+<ul>
+<ul>
+<ul>
+<ul>
+<ul>With lullay, lullay, like a child,
+<br>Thou sleep&egrave;st too long, thou art beguiled!
+<p>"My darling dear, my daisy flower,
+<br>Let me," quoth he, "lie in your lap."
+<br>"Lie still," quoth she, "my paramour,
+<br>Lie still hardily, and take a nap."
+<br>His head was heavy, such was his hap,
+<br>All drowsy, dreaming, drowned in sleep,
+<br>That of his love he took no keep,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; With hey, lullay, etc.
+<p>With ba, ba, ba, and bas, bas, bas!
+<br>She cherished him both cheek and chin
+<br>That he wist never where he was;
+<br>He had forgotten all deadly sin!
+<br>He wanted wit her love to win:
+<br>He trusted her payment and lost all his pay;
+<br>She left him sleeping and stale away,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; With hey, lullay, etc.
+<p>The rivers rough, the waters wan;
+<br>She spar&egrave;d not to wet her feet.
+<br>She waded over, she found a man
+<br>That hals&egrave;d her heartily and kissed her sweet;
+<br>Thus after her cold she caught a heat.
+<br>"My lief," she said, "rowteth in his bed;
+<br>Iwys he hath an heavy head,"
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; With hey, lullay, etc.
+<p>What dreamest thou, drunkard, drowsy pate?
+<br>Thy lust and liking is from thee gone;
+<br>Thou blinkard blowboll, thou wak&egrave;st too late;
+<br>Behold thou liest, luggard, alone!
+<br>Well may thou sigh, well may thou groan,
+<br>To deal with her so cowardly.
+<br>Ywis, pole-hatchet, she blear&egrave;d thine eye!
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Quoth Skelton Laureate.
+<br>&nbsp;
+<br>&nbsp; </ul>
+</ul>
+</ul>
+</ul>
+</ul>
+</blockquote>
+  </blockquote>
+</blockquote>
+<font size=-1><a href="primary.html">to
+Primary Sources</a></font>
+</body>
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082594" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/somerset.html
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/somerset.html	(revision 18423)
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+<html>
+
+<head>
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Primary Sources: The execution of the duke of Somerset, 1552</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">
+      <p align="center">&nbsp;<br>
+      <p align="center">
+      <img border="0" src="somerset.gif" width="537" height="80"><p align="center">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%" bgcolor="#FFFFE8"><font size=-1>This account 
+      of Somerset's execution was made by Henry Machyn, a London undertaker.</font><p>
+      <font size="-1">Somerset was the brother of Henry VIII's third wife Jane 
+      Seymour and thus uncle to King Edward VI.&nbsp; He was a popular leader 
+      amongst the common people.&nbsp; He attempted to reform agricultural 
+      policies and led a successful army against the Scots.&nbsp; But the 
+      treachery of his younger brother (whom he was forced to execute) and the 
+      ambitions of other noblemen (most notably the earl of Warwick) doomed him.</font><br>
+<br>
+      </td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+
+<p align="left">On 22 January, soon after 8 o'clock in the morning, the duke of Somerset
+was beheaded on Tower Hill.&nbsp; There was as great a company as has been
+seen... the king's guard being there with their halberds and a thousand
+more with halberds of the privilege of the Tower, Ratcliffe, Limehouse,
+Whitechapel, St Katherine's and Stratford Bow, as well as Hoxton and Shoreditch;
+and the two sheriffs being present there, seeing the execution of my lord,
+and his head being cut off, and shortly after his body was put into a coffin
+and carried into the Tower, and there buried in the church, on the northside
+of the choir of St Peter's, and I beseech God to have mercy on his soul,
+amen!&nbsp; And there was a sudden rumbling a little before he died, as
+if it had been guns shooting and great horses coming, so that a thousand
+fell to the ground for fear, for they who were at one side thought no other
+but that one was killing another, so that they fell down to the ground,
+one upon another with their halberds, some fell into the ditch of the Tower
+and other places, and a hundred into the Tower ditch, and some ran away
+for fear.
+<br>&nbsp;<p align="center"><a href="primary.html">
+    <font size="2">to Primary Sources</font></a></td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082604" alt="setstats" border="0" width="1" height="1"></noscript>
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Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudor1.html
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+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudor1.html	(revision 18423)
@@ -0,0 +1,117 @@
+<html>
+
+<head>
+<meta name="content" content="Tudor England: Quizzes: Test your knowledge of Tudor England 16th century English history">
+<meta name="page_topic" content="Tudor England: Quizzes: Test your knowledge of Tudor England 16th century English history">
+<meta name="author" content="Marilee Mongello">
+<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
+<meta http-equiv="Content-Language" content="en-us">
+<title>Tudor England: Quizzes: Test your knowledge of Tudor England</title>
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+</head>
+
+<body link="#0000FF" vlink="#0000FF" alink="#0000FF">
+
+<div align="center">
+  <center>
+  <table border="0" cellpadding="0" cellspacing="4" width="94%">
+    <tr>
+      <td valign="bottom" colspan="3">&nbsp;</td>
+    </tr>
+    <tr>
+      <td></td>
+      <td></td>
+      <td></td>
+    </tr>
+    <tr>
+      <td valign="top" width="48%">
+      <p align="center">
+      <img border="0" src="quizzes.gif" alt="Tudor England: Quizzes" width="347" height="163"></p>
+      <blockquote>
+        <hr>
+          <p align="left"><font face="Times New Roman"><b>Please note:</b>&nbsp;<b> 
+          You must close each window within a quiz <i>before</i> a new window 
+          can open.<br>
+          In other words, there are three options - Check Answers, Reset, Give 
+          Up? - and only one can be chosen at a time.</b></font></p>
+          <hr>
+        </blockquote>
+        <p align="center">
+        <img border="0" src="bothwellquizzes.jpg" alt="anonymous portrait of James Hepburn, earl of Bothwell, third husband of Mary, queen of Scots" width="200" height="198"><br>
+        <font size="1">miniature portrait of James Hepburn, earl of Bothwell,<br>third 
+        husband of Mary, queen of Scots</font></p>
+        <p align="center">
+        &nbsp;</p>
+        <p align="center">
+        <font color="#000000" size="-1" face="Times New Roman">
+        <a href="contents.html">to Tudor 
+        England: Contents</a></font></p>
+      <p align="center">&nbsp;</td>
+      <td width="4%"></td>
+      <td valign="top" width="48%">
+      <p align="left">Quiz One:
+      <a href="tudorq1.html">General History I</a></p>
+      <p align="left">Quiz Two:
+      <a href="tudorq2.html">Mary, queen of 
+      Scots</a></p>
+      <p align="left">Quiz Three:
+      <a href="tudorq3.html">Anne Boleyn</a></p>
+      <p align="left">Quiz Four:
+      <a href="tudorq4.html">Katharine of Aragon</a></p>
+      <p align="left">Quiz Five:
+      <a href="tudorq5.html">General History II</a></p>
+      <p align="left">Quiz Six:
+      <a href="tudorq6.html">Queen Elizabeth I, 
+      part one</a></p>
+      <p align="left">Quiz Seven:
+      <a href="tudorq7.html">Queen Elizabeth I, 
+      part two</a></p>
+      <p align="left">Quiz Eight:
+      <a href="tudorq8.html">Queen Elizabeth I, 
+      part three</a></p>
+      <p align="left">Quiz Nine:
+      <a href="tudorq9.html">The Trial and 
+      Execution of Anne Boleyn</a></p>
+      <p align="left">Quiz Ten:
+      <a href="tudorq10.html">The Sisters of 
+      Henry VIII: Princesses Mary and Margaret Tudor</a></p>
+      <p align="left">Quiz Eleven:
+      <a href="tudorq11.html">Catherine Howard</a></p>
+      <p align="left">Quiz Twelve:
+      <a href="tudorq12.html">Thomas Cranmer</a></p>
+      <p align="left">Quiz Thirteen:
+      <a href="tudorq13.html">King Henry VIII</a></p>
+      <p align="left">Quiz Fourteen:
+      <a href="tudorq14.html">General History&nbsp; 
+      III</a></p>
+      <p align="left">Quiz Fifteen:
+      <a href="tudorq15.html">General History IV</a></p>
+      <p align="left">Quiz Sixteen:
+      <a href="tudorq16.html">Lady Jane Grey</a></p>
+      <p align="left">Quiz Seventeen:
+      <a href="tudorq17.html">Queen Elizabeth I 
+      and Mary, queen of Scots</a></p>
+      <p align="left">Quiz Eighteen:
+      <a href="tudorq18.html">Queen Mary I</a></p>
+      <p align="left">Quiz Nineteen:
+      <a href="tudorq19.html">Tudor Films</a></p>
+      <p align="left">Quiz Twenty:
+      <a href="tudorq20.html">The Six Thomases</a></p>
+      <p align="left">Quiz Twenty-one:
+      <a href="tudorq21.html">Mary, queen of 
+      Scots: Life in France</a></p>
+        <p align="center">
+        &nbsp;</p>
+      </td>
+    </tr>
+  </table>
+  </center>
+</div>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082545" alt="setstats" border="0" width="1" height="1"></noscript>
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<!-- saved from url=(0041)http://englishhistory.net/tudor/tudor/tudorlife.html -->
+<HTML><HEAD><TITLE>Life in Tudor England</TITLE>
+<META http-equiv=Content-Language content=en-us>
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+<META content=FrontPage.Editor.Document name=ProgId>
+<META http-equiv=Content-Type content="text/html; charset=windows-1252"></HEAD>
+<BODY text=#000000 vLink=#3333ff aLink=#000000 link=#3333ff bgColor=#ffffff>
+<P align=center>I am redesigning the Life in Tudor England website, mostly to 
+include lots of pictures.<BR>Until I finish, you can explore some of the topics 
+listed here.&nbsp; Thanks for your patience.</P>
+<P align=center>&nbsp;</P>
+<P align=left>
+<IMG height=43 src="life-morpheus.gif" width=333 
+border=0 alt="Life in Tudor England"><BR>&nbsp;</P>
+<BLOCKQUOTE>
+  <P align=left>
+  <IMG height=371 
+  alt="woodcut of a family going to market in Tudor England" 
+  src="life.jpg" width=300 align=left border=3> <BR></P>
+  <P align=left><B>Click on a topic below:</B></P></BLOCKQUOTE>
+<BLOCKQUOTE>
+  <BLOCKQUOTE>
+    <P align=left>
+    <a href="tudorlife.html#Chronology">Chronology</a> - 
+    <A href="tudorlife.html#Glossary">Glossary</A> - 
+    <A 
+    href="tudorlife.html#Government">Government</A> - 
+    <A href="tudorlife.html#Religion">Religion</A> </P>
+    <P align=left><A 
+    href="tudorlife.html#Population">Population</A> - 
+    <A href="tudorlife.html#Money">Money</A> - <A 
+    href="tudorlife.html#Food">Food</A><A 
+    href="tudorlife.html#Food"> and Drink</A> 
+<BR></P>
+    <P align=left><A 
+    href="tudorlife.html#Houses">Houses</A> - <A 
+    href="tudorlife.html#Clothing">Clothing and 
+    Appearance</A> - <A 
+    href="tudorlife.html#Marriage">Marriage</A> 
+    <BR></P>
+    <P align=left><A 
+    href="tudorlife.html#Sex">Sex</A> - <A 
+    href="tudorlife.html#Diseases">Diseases</A> - <A 
+    href="tudorlife.html#Arts">Arts and Education</A> 
+    <BR></P>
+    <P align=left><A 
+    href="tudorlife.html#Crime">Crime and 
+    Punishment</A></P>
+    <P align=left><A 
+    href="tudorlife.html#Travel">Travel</A> - <A 
+    href="tudorlife.html#Sorcery">Sorcery</A> - <A 
+    href="tudorlife.html#Rebellions">Rebellions</A> 
+    </P></BLOCKQUOTE></BLOCKQUOTE>
+<DIV align=left></DIV>
+<DIV align=left></DIV>
+<DIV align=left></DIV>
+<DIV align=left></DIV>
+<P align=left><A href="tudorlife.html#Famous">Famous 
+Names to Know in Tudor England</A><BR></P>
+<P align=left><A href="faq.html">Tudor FAQ</A>: 
+frequently asked questions<BR></P>
+<P align=left><BR></P>
+<P align=left><BR></P>
+<P align=left><BR></P>
+<HR>
+
+<P align=left><BIG><A name=Chronology></A>Chronology<BR></BIG></P>
+<BLOCKQUOTE>
+  <P><B>22 August 1485</B> - Battle of Bosworth Field; Henry Tudor's army 
+  defeats King Richard III; Henry becomes King Henry VII </P>
+  <P><B>18 January 1486</B> - King Henry VII marries King Edward IV's eldest 
+  surviving child, Princess Elizabeth of York </P><B>28 June 1491</B> - Henry 
+  Tudor is born to King Henry VII and Elizabeth of York 
+  <P><B>8 August 1503</B> - Princess Margaret Tudor, daughter of King Henry VII, 
+  marries King James IV of Scotland </P>
+  <P><B>21 April 1509</B> - Henry Tudor becomes King Henry VIII of 
+  England<BR></P>
+  <P><B>9 September 1513</B> - Battle of Flodden Field between England and 
+  Scotland; King James IV of Scotland is killed </P>
+  <P><B>24 December 1515</B> - King Henry VIII appoints Cardinal Thomas Wolsey 
+  lord chancellor</P>
+  <P><B>7 June 1520</B> - Field of the Cloth of Gold occurs; this is the famous 
+  meeting between King Henry VIII of England and King Francis I of France </P>
+  <P><B>11 October 1521</B> - King Henry VIII is given the title 'Defender of 
+  the Faith' by the pope </P>
+  <P><B>18 October 1529</B> - King Henry VIII's great statesman, Cardinal 
+  Wolsey, is driven from power and dies in disgrace </P>
+  <P><B>25 January 1533</B> - King Henry VIII marries Anne Boleyn </P>
+  <P><B>7 September 1533</B> - Elizabeth Tudor is born to King Henry VIII and 
+  Anne Boleyn<BR></P>
+  <P><B>17 November 1534</B> - the Act of Supremacy is passed by Parliament; it 
+  declares the English monarch to be the Supreme Head of the Church of England; 
+  under Elizabeth this title is changed to Supreme Governor<BR><BR><B>June and 
+  July 1535</B> - Bishop John Fisher and Sir Thomas More are executed<BR></P>
+  <P><B>18 March 1536</B> - dissolution of the monasteries begins <BR></P>
+  <P><B>14 April 1536</B> - Wales is officially incorporated into 
+England<BR></P>
+  <P><B>19 May 1536</B> - King Henry VIII's second wife, Anne Boleyn, is 
+  executed </P>
+  <P><B>12 October 1537</B> - King Henry VIII's only son, Prince Edward, is 
+  born; his mother is the king's third wife, Jane Seymour, who dies shortly 
+  thereafter<BR></P>
+  <P><B>28 July 1540</B> - King Henry VIII's great statesman, Thomas Cromwell, 
+  is executed<BR></P>
+  <P><B>18 June 1541</B> - King Henry VIII is titled king of Ireland<BR></P>
+  <P><B>13 February 1542</B> - King Henry VIII's fifth wife, Catherine Howard, 
+  executed<BR></P>
+  <P><B>24 November 1542</B> - Battle of Solway Moss between England and 
+  Scotland </P>
+  <P><B>20 July 1545</B> - the Mary Rose, the flagship of King Henry VIII's 
+  navy, sinks </P>
+  <P><B>28 January 1547</B> - Edward Tudor becomes King Edward VI </P>
+  <P><B>10 September 1547</B> - Battle of Pinkie between England and 
+  Scotland<BR></P>
+  <P><B>23 September 1548</B> - the Protestant Book of Common Prayer comes into 
+  use </P>
+  <P><B>6 July 1553</B> - King Edward VI dies </P>
+  <P><B>10 July 1553</B> - the Tudor cousin Lady Jane Grey is proclaimed queen 
+  of England; she rules for just nine days </P>
+  <P><B>3 August 1553</B> - Mary Tudor becomes Queen Mary I </P>
+  <P><B>11 April 1554</B> - Sir Thomas Wyatt is executed after leading a 
+  rebellion against Queen Mary I </P>
+  <P><B>25 July 1554</B> - Queen Mary I marries King Philip II of Spain </P>
+  <P><B>16 October 1555</B> - the Protestant churchmen Latimer and Ridley are 
+  burned at the stake<BR></P>
+  <P><B>21 March 1556</B> - Thomas Cranmer, former archbishop of Canterbury, 
+  burned at the stake</P>
+  <P><B>17 November 1558</B> - Elizabeth Tudor becomes Queen Elizabeth I 
+<BR></P>
+  <P><B>29 April 1559</B> - the Elizabethan religious settlement is passed by 
+  Parliament </P>
+  <P><B>22 February 1560</B> - Treaty of Berwick between England and Scotland 
+  </P>
+  <P><B>19 June 1566</B> - King James VI of Scotland, son of Mary queen of 
+  Scots, is born </P>
+  <P><B>24 July 1567</B> - Mary, queen of Scots abdicates her throne in Scotland 
+  and comes to England </P>
+  <P><B>24 August 1572</B> - the St Batholomew's Day massacre of Protestants 
+  occurs in Paris<BR></P>
+  <P><B>18 October 1585</B> - the English colony at Roanoke in Virginia is 
+  established </P>
+  <P><B>8 February 1587</B> - Mary, queen of Scots is executed at Fotheringhay 
+  Castle </P>
+  <P><B>31 July 1588</B> - defeat of the Spanish Armada<BR></P>
+  <P><B>6 February 1595</B> - Sir Walter Raleigh leaves England to sail to the 
+  New World </P>
+  <P><B>14 August 1598 </B>- Tyrone's Rebellion occurs in Ireland </P>
+  <P><B>25 February 1601</B> - Robert Devereux, the earl of Essex, is executed 
+  for leading a rebellion against Queen Elizabeth I </P>
+  <P><B>17 December 1601</B>- the Elizabethan 'Poor Law' is passed; it has a 
+  profound effect upon English society </P>
+  <P><B>24 March 1603</B> - Queen Elizabeth I dies; the Tudor dynasty ends; King 
+  James VI of Scotland becomes king of England</P></BLOCKQUOTE>
+<P></P>
+<HR width="100%" SIZE=2>
+<BIG><A name=Government></A>Government</BIG><BR>Tudor England's government was 
+an <B>absolute monarchy</B>. In this system, the monarch (king or queen) has 
+control over all aspects of government.<BR>Parliament did exist during the 16th 
+century but its role was often merely advisory. As the years passed, it became 
+increasingly powerful. Its main power was passing taxation. Whenever the king or 
+queen needed money, they first had to convince Parliament to order more 
+taxation. Parliament was only assembled when the king or queen ordered it, 
+unlike modern times.<BR><BR>
+<HR width="100%" SIZE=2>
+<BIG><A name=Religion></A>Religion<BR><SMALL>England was a Catholic nation under 
+the rule of Henry VII (1485-1509) and during much of Henry VIII's (1509-1547) 
+reign. In 1534, King Henry VIII declared himself Supreme Head of a new Church of 
+England. This coincided with the rejection of papal authority and dissolution of 
+the English monasteries. Protestantism was introduced to England. Under King 
+Edward VI (1547-1553), England was a Protestant nation. Under Queen Mary I 
+(1553-1558), England was again a Catholic nation. Under Queen Elizabeth I 
+(1558-1603), England was again a Protestant nation. It was under Elizabeth that 
+the Anglican church became firmly established and 
+dominant.</SMALL><BR></BIG><BR>
+<HR width="100%" SIZE=2>
+
+<P align=left><BIG><A name=Population></A>Population: includes England and 
+Wales.</BIG><BR></P>
+<BLOCKQUOTE><FONT color=#000000><B>1524.....2.3 million</B> 
+  <BR><B>1541.....2.7 million</B> <BR><B>1550.....2.9 million</B> 
+  <BR><B>1569.....3.2 million</B> <BR><B>1599.....4.0 
+million<BR></B></FONT></BLOCKQUOTE><FONT color=#000000>In </FONT><FONT 
+color=#000000>1520</FONT><FONT color=#000000>, 6% of the population lived in 
+urban areas (towns of over 4,000 people.)</FONT><BR><FONT color=#000000>In 
+</FONT><FONT color=#000000>1520</FONT><FONT color=#000000>, 3% of the population 
+lived in London.<BR><BR>Around 5% of the population were considered gentlemen. 
+Their numbers increased throughout the 16th century. 'Gentlemen' are people who 
+do not work with their hands. The middle class was larger; they were usually 
+literate and included craftsmen and tradesmen. The vast majority of the 
+population is poor and termed 'peasants' or 'common people'. They were mostly 
+illiterate and suffered the most when famines occurred and the currency was 
+debased.<BR><BR>In 1509, there was one duke, one marquis, ten earls, and thirty 
+barons in England. The peerage increased to 51 by the end of Henry VIII's reign 
+and had reached 57 when Elizabeth I became queen. But she was stingy with 
+granting peerages and the only duke left in England (Norfolk) was executed in 
+1572. A new duke was not titled until 1623.<BR></FONT><B><FONT 
+color=#000000></FONT></B>
+<P></P>
+<HR width="100%" SIZE=2>
+
+<P></P>
+<P><BIG><A name=Money></A>Money</BIG><BR>The currency in Tudor England is 
+divided into pounds, shilling, and pence. The pence/penny is the basic unit of 
+currency; 12 pennies make a shilling and 20 shillings make a pound.<BR></P>
+<P>There are numerous coins in circulation throughout the 16th century. When 
+money becomes tight, the monarchs are fond of reducing the amount of precious 
+metal in the coins. This debases the real worth of English money and causes 
+problems for everyone.<BR></P>
+<P>Among the coins in circulation are the royal (a gold coin worth 10 
+shillings); this was introduced during the reign of King Henry VII. Under his 
+grandson, King Edward VI, the angel was introduced; it was another gold coin 
+worth 10 shillings. There were also groats, farthings, sixpences, etc Around the 
+mid-16th century, a common laborer would make around 1 shilling per day. 
+&nbsp;So it would take a laborer twenty days to earn a pound! &nbsp;<BR></P>
+<P>Coins are made at royal mints located in several large cities. Forgery often 
+occurs. Often, the royal treasurers are implicated.<BR></P>
+<P>Because of debasement and famine, inflation is a constant problem. <BR></P>
+<P>It is difficult to translate Tudor prices into contemporary money. Also, 
+prices varied widely throughout the 16th century. <BR></P>
+<HR width="100%" SIZE=2>
+
+<P><BIG><A name=Food></A>Food and Drink</BIG><BR>There are three main components 
+of the Tudor diet - bread, beer, and meat (usually beef or mutton.) Like us, 
+they had three meals - breakfast, dinner, and supper. <B>Breakfast </B>was early 
+in the morning and a relatively simple meal. &nbsp;<B>Dinner </B>was the largest 
+meal and held between 11 am and 1 pm. &nbsp;<B>Supper </B>could be held anytime 
+between 5 pm and 8 pm, depending upon the person's social class. <BR></P>
+<P>Everyone in Tudor England ate bread and cheese. The only difference between 
+classes was the quality of bread and cheese. &nbsp;The cheapest bread was called 
+'Carter's bread'; it was a mixture of rye and wheat. &nbsp;The middle classes or 
+prosperous tenants ate 'ravel', also called 'yeoman's bread' and made of 
+wholemeal. &nbsp;The most expensive bread was called 'marchet' and made of white 
+wheat flour. Aristocratic households ate marchet, particularly during banquets. 
+&nbsp;Everyone from the poorest peasant to the wealthies monarch drank beer. 
+&nbsp;It was brewed without hops and was not particularly alcoholic. People 
+drank beer liberally. However, water was considered unhealthy - and for good 
+reason. &nbsp;Under Henry VII, French wines were imported in greater quantities 
+but only aristocrats drank them. <BR><BR>The poor and wealthy alike lived off 
+the land.&nbsp; England was self-sufficient, able to feed its population without 
+resorting to imports, at least during good harvests.&nbsp; Most peasants had 
+small bits of land in villages and towns. They kept chickens, pigs, and perhaps 
+a cow. &nbsp;Those with animals slaughtered them in November. &nbsp;The meat was 
+smoked, dried, or salted so it could be kept for meals in the cold months. 
+&nbsp;Bacon was the most common meat of poor people. Smoked bacon and salted 
+beef were most popular during the winter. <BR></P>
+<P>Of course, meat could not be eaten on Fridays for religious reasons. 
+&nbsp;Instead, fish - dried cod or slated herring, most likely - was eaten. It 
+was <I>not</I> fresh since there was no efficient or speedy way to transport 
+fresh foods. &nbsp;Vegetables were plentiful, particularly beans, peas, carrots, 
+and onions. &nbsp;Fruits were available, too - apples, plums, pears, 
+strawberries, cherries, etc &nbsp;But potatoes and tomatoes were not available. 
+<BR></P>
+<P>As you can see, diets were most interesting and varied in the warmer months 
+but cold weather meant preserved meats and little else. &nbsp;Everyone, rich and 
+poor alike, suffered from malnutrition, particularly Vitamin C deficiency (which 
+we call scurvy.) &nbsp;Molds in certain breads could also cause health problems. 
+<BR></P>
+<P>There were 2 great famines in Tudor England - in the mid-1550s during Mary 
+I's reign and mid-1590s during Elizabeth I's reign.<BR></P>
+<HR width="100%" SIZE=2>
+
+<P><BIG><A name=Houses></A>Houses<BR><B><SMALL>Types</SMALL><SMALL> of Houses: 
+</SMALL><SMALL></SMALL></B><SMALL>There are castles, mansions, manor houses, and 
+cottages. The materials used to build them depend upon the wealth of their 
+owners. Castles and churches were always built of stone, but it was expensive. 
+Middle-class homes were timber-framed but wood was too expensive to use for the 
+entire house. <BR>Instead, bricks were sometimes used, or white-washed wattle 
+and daub. When timbers were coated with black tar, the famous Tudor 
+'black-and-white' effect was achieved. Many houses had steep, thatched roofs and 
+upper stories which hung over the lower ones. <BR></SMALL></BIG></P>
+<P><B>Rooms:</B> The rooms in a nobleman's house would include a great hall for 
+feasting and entertaining, a great chamber used for sleeping and receiving 
+visitors and playing games, a cellar which was not necessarily below ground and 
+was used primarily for storage, a closet used as a private office or study, a 
+gallery (either enclosed or open on one side) which ran parallel to the house 
+and was used for exercise, a private bedchamber for the master of the house), a 
+kitchen, a parlor used as either a sitting room or small entertaining area, and 
+a privy which was a small, windowless room used as a bathroom. There were also 
+withdrawing rooms where wardrobes were kept or the owner could go for more 
+privacy. Often these rooms connected two bedrooms. <BR></P>
+<P><B>Noble Households:</B> In Tudor England, a person's social status and 
+prestige were determined by two main things: the lavishness of their standard of 
+living and the number of their servants and attendants. The successful 
+maintenance of a large household also indicated a person's ability to govern, 
+albeit on a much smaller scale than the king.</P>
+<P>A nobleman of sufficient rank and skill was often called to serve the monarch 
+in London. To that end, they would purchase and maintain - often at great 
+expense - townhomes in or just outside London. In London, the most affluent 
+street was known as The Strand. These homes were built on the riverside and so 
+were equipped with docks; the nobles could travel by personal barge from their 
+homes to various royal palaces. Nobles also owned homes in the counties near 
+their largest estates. Naturally enough, the maintenance of these various 
+residences was expensive, and became increasingly so as the century progressed. 
+But the greatest expense - and worry - was their principal estate, always 
+situated in the countryside. At these estates, their spiritual, public, private, 
+and economic worlds merged. They were an opportunity for the proud noble to 
+demonstrate his standing in the nation and to dominate local affairs thoroughly. 
+Also, they could play host to the reigning monarch on a royal progress. </P>
+<P>Many of the most famous noble country homes can still be seen today. For 
+example, view Compton Wynyates in Warwickshire where Henry VIII often visited 
+and the duke of Buckingham's beautiful Penshurst Place in Kent. Five centuries 
+ago, estates such as these were managed by noblemen and their principal 
+officers, primarily knights and esquires. Together, they governed the estates 
+and surrounding lands. They gathered in the official presence chamber where 
+petitions were presented from tenants and neighbors. The councilors would judge 
+their claims and mediate disputes. </P>
+<P>When the nobleman traveled to London or his lesser homes, a large group of 
+servants would accompany him - this was his 'skeleton' household. They journeyed 
+in carts packed with people and possessions. As Henry VII's rule impressed some 
+degree of stability upon England, such travel became less dangerous. But it 
+remained uncomfortable, even for the wealthy in padded coaches. </P>
+<P>The presence of such wealthy and accomplished landowners was both a blessing 
+and a curse to Tudor monarchs. For early Tudor kings, these nobles could help 
+secure their rule, particularly in the North where trouble traditionally brewed. 
+Henry VII had no family ties to northern England; this made him even more 
+reliant on the great Northern lords to maintain peace and effective government. 
+</P>
+<P>Knights and esquires wore their lord's livery; they also promised the support 
+of their tenants and servants in case of conflict. In this way, great households 
+could also serve as sources of rebellion and treason.<BR></P>
+<P><B>Gardens </B>are very popular in Tudor England. As the century goes on, 
+they become increasingly ornate and expensive. Even noble families grow their 
+own fruits and vegetables when they can. <BR></P>
+<P><SMALL>I will add more information about homes of the poor, as well as 
+pictures, soon. 17 October 2002</SMALL><BR></P>
+<HR width="100%" SIZE=2>
+
+<P><BIG><A name=Clothing></A>Clothing</BIG> <BIG>and Appearance</BIG><BR>Tudor 
+England is famous for its beautiful and ornate clothing, particularly during the 
+reign of Queen Elizabeth I. <A 
+href="http://www.geocities.com/marilee-cody/eliz1-images.html">Click here</A> to 
+view portraits of the queen and her courtiers. <BR></P>
+<P>Medieval sumptuary laws remained in force throughout the 16th century. These 
+laws dictated what each member of society could wear, depending upon their 
+social class. The laws are not enforced often. And fabrics such as silk, satin 
+and velvet are so expensive that only the wealthy can afford them. Cloth of gold 
+and the color purple are reserved for royalty. </P>
+<P>During the reign of King Henry VIII, Spanish and French style gowns are very 
+popular. Clothes become more form-fitting and ornate. Men wear colorful tights 
+to emphasize well-developed calves. Women often have such low necklines that 
+preachers condemn them. Both sexes wear as much jewelry as they can afford. And 
+everyone, rich and poor, wears a hat. Certain clothing dyes are not expensive, 
+and so even the poor can wear green and brown outfits. Foreign visitors comment 
+upon the colorful outfits of the English poor. </P>
+<P>Women have long hair which they wear loose until marriage. After the reign of 
+King Henry VII, men typically have short hair and beards and mustaches. It is 
+Henry VIII who makes beards popular; during his father's reign, men are 
+clean-shaven.<BR></P>
+<P>The poor wear homespun woolen clothing with knitted hose and hobnail shoes. 
+In the field, they wear tunics and breeches.<BR></P>
+<P>Children are dressed as miniature adults from the age of six onwards. Before 
+then, both boys and girls wear simple shifts or gowns. They are swaddled as 
+infants, a constricting practice which is believed to prevent illness. In fact, 
+for the first four months of their lives, infants are completely immobilized in 
+swaddling bands.<BR></P>
+<P>Men generally wear flat-heeled shoes while women wore overshoes outside. 
+These were clogs which raised her feet so her gown wouldn't drag in the 
+dirt.<BR></P>
+<P>Blonde hair is the most prized haircolor, but auburn and red hair are also 
+popular. Very white skin and red lips are achieved through the use of dangerous 
+cosmetics; lead, borax, and sulphur were sometimes used. Every woman hated 
+spots, whether freckles or pimples. <BR></P>
+<P>As for bathing, most Englishmen think baths are unhealthy. Queen Elizabeth I 
+is considered strange for bathing as much as four times a year. <BR></P>
+<P>Everyone uses perfume. Perfume is splashed on bodies and clothing, 
+particularly the gloves. The most popular scents included marjoram, lavendar, 
+musk, and rose.<BR>Noblemen and women carry pomanders, a hollow sphere holding a 
+waxed perfume ball. Pomanders are often highly decorative and expensive 
+accessories. Women attach them to their girdles and men dangle them from a 
+chain. <BR></P>
+<P>Dentists are surgeons who remove rotten teeth and also perform other small 
+operations. People clean their teeth by rubbing them with a mixture of white 
+wine and vinegar boiled with honey. Fashionable noblewomen will sometimes 
+deliberately blacken their front teeth. <BR></P>
+<P></P>
+<HR width="100%" SIZE=2>
+
+<P><BIG><A name=Marriage></A>Marriage</BIG><BR>Marriage usually occurred during 
+the mid-twenties for most Tudor citizens. The wealthy and aristocratic tended to 
+marry earlier because of inheritance issues. But contrary to popular belief, 
+there were few child marriages in Tudor England. Of course, you could be 
+pre-contracted or betrothed at a much earlier age. Any marriage contract was 
+legally binding if the girl was 12 and the boy was 14. </P>
+<P>Annulments and divorces were uncommon because they required special religious 
+dispensations. Most marriages ended with the death of a spouse. At any time in 
+the 16th century, roughly a third of marriages are the second or third marriage. 
+</P>
+<HR width="100%" SIZE=2>
+
+<P><BIG><A name=Rebellions></A>Rebellions</BIG><BR>People in Tudor England 
+suffered through famine, poverty, and immense religious changes. Life was 
+uncertain and dangerous. Most riots in the country were small and local; they 
+usually involved food or the hated enclosure policies. Enclosure was the process 
+by which noblemen seized public land for themselves. They would build hedges 
+around the land to keep people out. But peasants needed the land to graze their 
+animals and would often tear the hedges down.<BR>There were also larger 
+rebellions throughout the 16th century. Here is a list of the most 
+important:<BR></P>
+<P><B>The Pilgrimage of Grace (1536)</B> - This rebellion occurred in November 
+1536 in the north of England; it was a result of King Henry VIII's religious 
+changes. Northern England was always more conservative and Catholic than the 
+rest of the country. When their monasteries were destroyed and the lands and 
+money seized by Henry's prominent noblemen, the northerners rebelled. There were 
+roughly 30,000 people involved, a mix of lords, middle-class laborers, and 
+peasants. They called themselves 'pilgrims' and were led by an attorney named 
+Robert Aske. They chose the five wounds of Christ as their symbol. They did not 
+specifically rebel against King Henry VIII, but rather his councilors such as 
+Thomas Cromwell. The king promised clemency if the rebels dispersed but 
+eventually executed about 100 rebels.<BR></P>
+<P><B>Kett's Rebellion (1549) </B>- In 1549, King Edward VI ruled England, 
+though the government was under control of the Protestant Lord Protector 
+Somerset. In East Anglia, a Norfolk gentleman named Robert Kett led a rebellion 
+against the king's religious policies, the dissolution of the monasteries, and 
+the very unpopular enclosure of common lands by greedy noblemen. The rebels were 
+defeated at Norwich by an English army supported by foreign 
+mercenaries.<BR><B><BR>Wyatt's Rebellion (1554)</B> - In spring 1554, Sir Thomas 
+Wyatt led a rebellion against Queen Mary I's proposed marriage to King Philip II 
+of Spain. Despite an army of 3,000 men, Wyatt was unable to enter London. He was 
+executed on 11 April 1554, after explicitly denying that Princess Elizabeth was 
+involved in the rebellion. Nonetheless, Elizabeth is temporarily imprisoned in 
+the Tower of London and Lady Jane Grey is executed. </P>
+<P><B>The Northern Rebellion</B> <B>(1569)</B> - In 1569, the north of England 
+again rebels against the Tudor monarchy, this time inspired by the imprisonment 
+of Mary, queen of Scots and Catholic discontent. The rebels are led by the earls 
+of Westmorland and Northumberland and the duke of Norfolk; they choose the five 
+wounds of Christ as their symbol, as had the Pilgrimage of Grace rebels. The 
+duke of Norfolk plans to depose Queen Elizabeth I and marry Mary, queen of 
+Scots, thus becoming king of England. The rebellion is crushed and several 
+hundred rebels are hanged. </P>
+<P><B>The Throckmorton Plot (1583) </B>- This was the second plot to free Mary, 
+queen of Scots. In 1583, Sir Francis Throckmorton, a Catholic nobleman, works 
+with the Spanish ambassador to use Spanish troops to depose Queen Elizabeth I 
+and free Mary. He was arrested in November 1583 and later 
+executed.<BR><BR><B>The Babington Plot</B> <B>(1586)</B> - This was the third 
+and final plot to free Mary, queen of Scots. In 1586, Sir Anthony Babington, a 
+Catholic nobleman, conspired with a Catholic priest and others to assassinate 
+Queen Elizabeth I and proclaim Mary queen of England. The plot is discovered by 
+the secretary of state Sir Francis Walsingham and Babington and Mary are 
+executed. </P>
+<P><B>The Essex Rebellion (1601)</B> - Robert Devereux, the earl of Essex, was a 
+great favorite of Queen Elizabeth I's, but he was also arrogant and ambitious. 
+Disgraced and sent from court on numerous occasions, he attempted to lead a 
+rebellion against the queen on 8 February 1601. Essex protested that he did not 
+intend to harm the queen but to free her from the bad influence of other 
+councilors. He marched through London with 300 men but no others rallied to his 
+side. He was later executed. <BR></P>
+<HR width="100%" SIZE=2>
+
+<P></P>
+<DIV align=center><A href="http://englishhistory.net/tudor.html"><SMALL>to Tudor 
+England</SMALL></A><BR></DIV><BR><BR><BR><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code -->
+<SCRIPT language=JavaScript src="http://englishhistory.net/tudor/tudorlife_files/geov2.js"></SCRIPT>
+
+<SCRIPT language=javascript>geovisit();</SCRIPT>
+<NOSCRIPT><IMG height=1 alt=setstats src="http://englishhistory.net/tudor/tudorlife_files/visit.gif" width=1 
+border=0></NOSCRIPT> <IMG height=1 alt=1 src="http://englishhistory.net/tudor/tudorlife_files/serv.gif" width=1> 
+</BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082551" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082551" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq1.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq1.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq1.html	(revision 18423)
@@ -0,0 +1,390 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>Tudor Quiz 1</TITLE>
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+<META content="Tudor quizzes" name=description>
+<META content="tudor elizabeth henry viii" name=keywords>
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
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+
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+
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+
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+return document.forma.q5.selectedIndex
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+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
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+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
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+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
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+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
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+
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+
+msg.document.write("</form>")
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+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  stepfather and stepson<br>")
+
+   answers.document.write("2.  Arthur<br>")
+
+   answers.document.write("3.  1588<br>")
+
+   answers.document.write("4.  Guildford Dudley<br>")
+
+   answers.document.write("5.  Anne Boleyn<br>")
+
+   answers.document.write("6.  Thomas Seymour<br>")
+
+   answers.document.write("7.  Mary I<br>")
+
+   answers.document.write("8.  Philip of Spain<br>")
+
+   answers.document.write("9.  Pilgrimage of Grace, Wyatt's Rebellion, Essex Rebellion<br>")
+
+   answers.document.write("10. Mary Stuart, queen of Scots<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff background="parc2h.jpg">
+
+<p align="center"><b><font size="6">Tudor Quizzes:</font></b></p>
+
+<p align="center"><b><font size="5">General History <BR></font></b><!-- The following section is an HTML table which reassembles the sliced image in a browser. Copy the table section including the opening and closing table tags, and paste the data where you want the reassembled image to appear in the destination document. --><!-------------------------- BEGIN COPYING THE TABLE HERE ---------------------------><!-- Image with table -->
+
+</p>
+
+<CENTER>
+
+<CENTER>
+
+<p></p>
+
+</CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=725 border=0 height="542">
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="330" height="60"><FONT face=Arial><B>1. What was the relationship between the earl 
+
+      of Leicester and the earl of Essex (during Elizabeth's 
+
+    reign)?&nbsp;</B></FONT></TD>
+
+    <TD width="367" height="60"><SELECT size=1 name=q1><OPTION selected>father and 
+
+        son</OPTION><OPTION>brothers</OPTION><OPTION>stepfather and 
+
+        stepson</OPTION><OPTION>they weren't related</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="32"><FONT face=Arial><B>2.&nbsp; Henry VII's first son was 
+
+      named....</B></FONT></TD>
+
+    <TD width="367" height="32"><SELECT size=1 name=q2><OPTION 
+
+        selected>Henry</OPTION><OPTION>Arthur</OPTION><OPTION>Richard</OPTION><OPTION>Edward</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="44"><FONT face=Arial><B>3. The famous battle with the Armada happened 
+
+      in what year?</B></FONT></TD>
+
+    <TD width="367" height="44"><SELECT size=1 name=q3><OPTION 
+
+        selected>1558&nbsp;</OPTION><OPTION>1568&nbsp;</OPTION><OPTION>1578&nbsp;</OPTION><OPTION>1588&nbsp;</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="29"><FONT face=Arial><B>4.&nbsp; Lady Jane Grey was married 
+
+      to....</B></FONT></TD>
+
+    <TD width="367" height="29"><SELECT size=1 name=q4><OPTION selected>Robert 
+
+        Dudley</OPTION><OPTION>Jasper Dudley&nbsp;</OPTION><OPTION>Guildford 
+
+        Dudley&nbsp;</OPTION><OPTION>Ralph Dudley&nbsp;</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="33"><FONT face=Arial><B>5. Who was Elizabeth I's mother?</B></FONT></TD>
+
+    <TD width="367" height="33"><SELECT size=1 name=q5><OPTION selected>Katharine of 
+
+        Aragon&nbsp;</OPTION><OPTION>Anne Boleyn&nbsp;</OPTION><OPTION>Jane 
+
+        Seymour&nbsp;</OPTION><OPTION>Katharine Parr</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="44"><FONT face=Arial><B>6. After Henry VIII's death, Katharine Parr 
+
+      married....</B></FONT></TD>
+
+    <TD width="367" height="44"><SELECT size=1 name=q6><OPTION selected>Thomas 
+
+        Seymour</OPTION><OPTION>Robert Dudley&nbsp;</OPTION><OPTION>Edward 
+
+        Seymour</OPTION><OPTION>John Seymour</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="45"><FONT face=Arial><B>7. Who was the last Tudor to rule over a part 
+
+      of France?</B></FONT></TD>
+
+    <TD width="367" height="45"><SELECT size=1 name=q7><OPTION selected>Henry 
+
+        VIII&nbsp;</OPTION><OPTION>Edward VI</OPTION><OPTION>Mary 
+
+        I</OPTION><OPTION>Elizabeth I&nbsp;</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="330" height="27"><FONT face=Arial><B>8. Who was Mary I's 
+
+    husband?</B></FONT></TD>
+
+    <TD vAlign=top width="367" height="27"><SELECT size=1 name=q8><OPTION>Philip of 
+
+        Spain&nbsp;</OPTION><OPTION>Charles of France</OPTION><OPTION>John, duke 
+
+        of Burgundy</OPTION><OPTION selected>Edward, duke of 
+
+      Normandy</OPTION></SELECT></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="42"><FONT face=Arial><B>9. Place these Tudor-era rebellions in 
+
+      chronological order.</B></FONT></TD>
+
+    <TD width="367" height="42"><SELECT size=1 name=q9><OPTION selected>Wyatt's Rebellion, 
+
+        Pilgrimage of Grace, Essex Rebellion</OPTION><OPTION>Essex Rebellion, 
+
+        Wyatt's Rebellion, Pilgrimage of Grace</OPTION><OPTION>Pilgrimage of 
+
+        Grace, Wyatt's Rebellion, Essex Rebellion&nbsp;</OPTION><OPTION>Wyatt's 
+
+        Rebellion, Essex Rebellion, Pilgrimage of Grace</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="66"><FONT face=Arial><B>10. Henry VIII's will excluded which of the 
+
+      following Tudor relatives from the succession?</B></FONT></TD>
+
+    <TD width="367" height="66"><SELECT size=1 name=q10><OPTION selected>Princess Mary 
+
+        Tudor</OPTION><OPTION>Princess Elizabeth 
+
+        Tudor&nbsp;</OPTION><OPTION>Lady Frances Grey&nbsp;</OPTION><OPTION>Mary 
+
+        Stuart, queen of Scots&nbsp;</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>&nbsp;<P><FONT size=-1>
+
+<a href="tudor1.html">to Tudor 
+
+Quizzes</a></FONT><BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082610" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082610" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq10.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq10.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq10.html	(revision 18423)
@@ -0,0 +1,407 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+
+<HTML><HEAD><TITLE>Tudor Quiz</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
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+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
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+<META content="tudor england quizzes" name=KeyWords>
+
+<SCRIPT language=JavaScript>
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+//Initialize arrays.
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+function initarray(){
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+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
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+  this[i+1]=initarray.arguments[i];
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+
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+
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+return document.forma.q1.selectedIndex
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+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
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+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
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+
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+
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+
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+
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+
+//Determine text for message box
+
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+
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+
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+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! You're a Tudor Genius! - 10/10</h3></center>") 
+
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+
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+
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+
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+
+    if(counter>3&& counter<8){
+
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+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
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+   }
+
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+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  1495<br>")
+
+   answers.document.write("2.  1503<br>")
+
+   answers.document.write("3.  Louis XII of France<br>")
+
+   answers.document.write("4.  the Mirror of Naples<br>")
+
+   answers.document.write("5.  Holyrood House<br>")
+
+   answers.document.write("6.  in battle<br>")
+
+   answers.document.write("7.  Thomas Wolsey & Catherine Courtenay<br>")
+
+   answers.document.write("8.  he was her grandson<br>")
+
+   answers.document.write("9.  she was her granddaughter<br>")
+
+   answers.document.write("10. she married without the king's consent<br>")
+
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+
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+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff background="parc2h.jpg">
+
+<p align="center">&nbsp;</p>
+
+<p align="center"><B><FONT size=6>Tudor Quizzes:  </FONT></B></p>
+
+<p align="center"><B><FONT size=+2>The Sisters of Henry VIII</FONT></B><font size="5"> 
+
+<BR></font><B><FONT size=+1>Princesses Margaret &amp; Mary Tudor</FONT></B> </p>
+
+<CENTER>
+
+<TABLE cellSpacing=0 cellPadding=0 width=606 border=0 height="671">
+
+  <TBODY></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD vAlign=top width="345" height="1">
+
+      
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="345" height="53"><FONT face=Arial><B>1. What year was Princess Mary born?</B></FONT></TD>
+
+    <TD width="261" height="53"><SELECT size=1 name=q1><OPTION 
+
+        selected>1494</OPTION><OPTION>1495</OPTION><OPTION>1496</OPTION><OPTION>1497</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="345" height="61"><FONT face=Arial><B>2. In what year did Princess Margaret marry 
+
+      the King of Scots?</B></FONT></TD>
+
+    <TD width="261" height="61"><SELECT size=1 name=q2><OPTION 
+
+        selected>1503</OPTION><OPTION>1505</OPTION><OPTION>1507</OPTION><OPTION>1510</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="345" height="43"><FONT face=Arial><B>3.&nbsp; Who was Mary's first 
+
+    husband?</B></FONT></TD>
+
+    <TD width="261" height="43"><SELECT size=1 name=q3><OPTION selected>Francis I of 
+
+        France</OPTION><OPTION>Charles of Castile</OPTION><OPTION>Louis X of 
+
+        France</OPTION><OPTION>Louis XII of France</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="345" height="59"><FONT face=Arial><B>4.&nbsp; What famous jewel did Mary's husband 
+
+      send her as a gift?</B></FONT></TD>
+
+    <TD width="261" height="59"><SELECT size=1 name=q4><OPTION selected>the Mirror of 
+
+        Naples</OPTION><OPTION>the Queen's Sapphire</OPTION><OPTION>the Jewel of 
+
+        the Seine</OPTION><OPTION>Eleanor of Aquitaine's wedding 
+
+      ring</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="345" height="61"><FONT face=Arial><B>5. Where did Margaret wed her first 
+
+      husband?</B></FONT></TD>
+
+    <TD width="261" height="61"><SELECT size=1 name=q5><OPTION selected>Greenwich 
+
+        Palace</OPTION><OPTION>Windsor Castle</OPTION><OPTION>Holyrood 
+
+        House</OPTION><OPTION>Berwick Abbey</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="345" height="54"><FONT face=Arial><B>6. How did Margaret's first husband 
+
+    die?</B></FONT></TD>
+
+    <TD width="261" height="54"><SELECT size=1 name=q6><OPTION selected>of a 
+
+        seizure</OPTION><OPTION>of syphilis</OPTION><OPTION>he killed 
+
+        himself</OPTION><OPTION>in battle</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="345" height="92"><FONT face=Arial><B>7. Who were the godparents of Mary's first 
+
+      son, Henry?</B></FONT></TD>
+
+    <TD width="261" height="92"><SELECT size=1 name=q7><OPTION selected>Henry VIII &amp; Catherine 
+
+        of Aragon&nbsp;</OPTION><OPTION>Thomas Wolsey &amp; Catherine 
+
+        Courtenay</OPTION><OPTION>Henry VIII &amp; Anne 
+
+        Boleyn</OPTION><OPTION>Thomas Wolsey &amp; Margaret de la 
+
+      Pole</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="345" height="97"><FONT face=Arial><B>8. Mary queen of Scots was Margaret 
+
+      Tudor's granddaughter.&nbsp; She chose Henry Stuart, earl of Darnley, as 
+
+      her second husband.&nbsp; How was he related to Margaret Tudor?</B></FONT></TD>
+
+    <TD vAlign=top width="261" height="97"><SELECT size=1 name=q8><OPTION selected>he was her 
+
+        great-nephew</OPTION><OPTION>he was her 
+
+        great-grandson</OPTION><OPTION>he was her grandson</OPTION><OPTION>he 
+
+        was not a blood relation</OPTION></SELECT></OPTION></TD></TR>
+
+  <TR>
+
+    <TD width="345" height="53"><FONT face=Arial><B>9. How was Lady Jane Grey related to Princess 
+
+      Mary Tudor?</B></FONT></TD>
+
+    <TD width="261" height="53"><SELECT size=1 name=q9><OPTION selected>she was her 
+
+        granddaughter</OPTION><OPTION>she was her 
+
+        great-granddaughter</OPTION><OPTION>she was not related to 
+
+        Mary</OPTION><OPTION>she was her great-niece</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="345" height="98"><FONT face=Arial><B>10. Margaret's granddaughter Arabella Stuart 
+
+      was imprisoned and died in the Tower of London for what crime?</B></FONT></TD>
+
+    <TD width="261" height="98"><SELECT size=1 name=q10><OPTION selected>she poisoned her 
+
+        husband</OPTION><OPTION>she had a child out of 
+
+        wedlock</OPTION><OPTION>she insulted Queen Anne</OPTION><OPTION>she 
+
+        married without the king's consent</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<P><FONT size=-1><A href="tudor1.html">to Tudor 
+
+Quizzes</A></FONT><BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082614" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082614" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq11.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq11.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq11.html	(revision 18423)
@@ -0,0 +1,436 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"><HTML>
+<HEAD><TITLE>Tudor Quiz - Catherine Howard</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor england quizzes" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(1,0,3,3,0,2,1,2,0,3)
+
+a=0
+
+counter=0
+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#101040 text='#FFFFFF'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! You're a Tudor Genius! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on.... You can do it!</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#101040' text='#FFFFFF'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Ford Madox Ford<br>")
+
+   answers.document.write("2.  silver<br>")
+
+   answers.document.write("3.  Anne Boleyn<br>")
+
+   answers.document.write("4.  twenty-three<br>")
+
+   answers.document.write("5.  Lady Margaret Douglas<br>")
+
+   answers.document.write("6.  rape and murder<br>")
+
+   answers.document.write("7.  dismissed it as a forgery<br>")
+
+   answers.document.write("8.  Oatlands Palace<br>")
+
+   answers.document.write("9.  Hampton Court Palace<br>")
+
+   answers.document.write("10. No Other Will Than His<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {font-weight: bold; color: #800000}
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#800000 aLink=#000000 link=#800000 
+
+background="parc2h.jpg">
+
+<CENTER><B><FONT face="Times New Roman,Times" size=+3>Tudor Quizzes:</FONT></B> 
+
+<BR><B><FONT face="Times New Roman,Times" size=+2>Catherine Howard</FONT></B> &nbsp;
+
+<TABLE cellSpacing=0 cellPadding=0 width=500 border=0></CENTER><FONT 
+
+  face="Times New Roman,Times">&nbsp;</FONT></TD></TR></TBODY> 
+
+  <TBODY></TBODY></TABLE>
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE height=849 cellSpacing=4 cellPadding=4 width=625 border=0>
+
+  <CAPTION>
+
+  <CENTER>
+
+  <P></P></CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width=360 height=70><FONT face="Arial"><B>1. Who wrote 
+
+      'The Fifth Queen', a fictionalized account of Catherine's 
+
+    life?</B></FONT></TD>
+
+    <TD width=237 height=70><B><SELECT size=1 name=q1><OPTION 
+
+        selected>Victoria Holt</OPTION><OPTION>Ford Madox 
+
+        Ford</OPTION><OPTION>Jean Plaidy</OPTION><OPTION>Ruth 
+
+      Rendell</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=65><FONT face="Arial"><B>2. What 
+
+      color gown did Queen Catherine prefer to dance in?</B></FONT></TD>
+
+    <TD width=237 height=65><B><SELECT size=1 name=q2><OPTION 
+
+        selected>silver</OPTION><OPTION>crimson</OPTION><OPTION>gold</OPTION><OPTION>dark 
+
+        green</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=82><FONT face="Arial"><B>3.&nbsp; 
+
+      Lady Rochford was executed along with Catherine.&nbsp; She had been the 
+
+      sister-in-law of which of Henry's former wives?</B></FONT></TD>
+
+    <TD width=237 height=82><B><SELECT size=1 name=q3><OPTION 
+
+        selected>Katharine of Aragon</OPTION><OPTION>Jane 
+
+        Seymour</OPTION><OPTION>Anne of Cleves</OPTION><OPTION>Anne 
+
+        Boleyn</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=74><FONT face="Arial"><B>4.&nbsp; 
+
+      Catherine's paternal grandfather sired how many children?</B></FONT></TD>
+
+    <TD width=237 height=74><B><SELECT size=1 name=q4><OPTION 
+
+        selected>seven</OPTION><OPTION>twelve</OPTION><OPTION>nineteen</OPTION><OPTION>twenty-three</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=65><FONT face="Arial"><B>5. Which of 
+
+      Henry VIII's nieces had&nbsp; affairs with two Howard 
+
+    cousins?</B></FONT></TD>
+
+    <TD width=237 height=65><B><SELECT size=1 name=q5><OPTION selected>Lady 
+
+        Margaret Douglas</OPTION><OPTION>Lady Eleanor 
+
+        Brandon</OPTION><OPTION>Lady Frances Brandon</OPTION><OPTION>Lady 
+
+        Arabella Stuart</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=84><FONT face="Arial"><B>6. Two years 
+
+      before he was executed for adultery with the queen, Thomas Culpeper was 
+
+      accused of what crimes?</B></FONT></TD>
+
+    <TD width=237 height=84><B><SELECT size=1 name=q6><OPTION 
+
+        selected>treason</OPTION><OPTION>counterfeiting 
+
+        money</OPTION><OPTION>rape and murder</OPTION><OPTION>theft and 
+
+        assault</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=112><FONT face="Arial"><B>7. On 1 
+
+      November 1541, Henry VIII was given a letter detailing Catherine's 
+
+      adultery.&nbsp; What was his immediate reaction?</B></FONT></TD>
+
+    <TD width=237 height=112><B><SELECT size=1 name=q7><OPTION selected>he 
+
+        ordered her arrest</OPTION><OPTION>he dismissed the letter as a 
+
+        forgery</OPTION><OPTION>he confronted Catherine 
+
+        personally</OPTION><OPTION>he dismissed her 
+
+    household</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width=360 height=59><FONT 
+
+      face="Arial"><B>8. Where were Catherine &amp; Henry VIII 
+
+      married on 28 July 1540?</B></FONT></TD>
+
+    <TD vAlign=top width=237 height=59><B><SELECT size=1 name=q8><OPTION 
+
+        selected>Greenwich Palace</OPTION><OPTION>Hampton Court 
+
+        Palace</OPTION><OPTION>Oatlands Palace</OPTION><OPTION>Nonsuch 
+
+        Palace</OPTION></SELECT></OPTION></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=67><FONT face="Arial"><B>9. Catherine 
+
+      spent her only New Year's holiday as queen at what palace?</B></FONT></TD>
+
+    <TD width=237 height=67><B><SELECT size=1 name=q9><OPTION 
+
+        selected>Hampton Court Palace</OPTION><OPTION>Greenwich 
+
+        Palace</OPTION><OPTION>Windsor Castle</OPTION><OPTION>Richmond 
+
+        Palace</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=51><FONT face="Arial"><B>10. What was 
+
+      Catherine's motto?</B></FONT></TD>
+
+    <TD width=237 height=51><B><SELECT size=1 name=q10><OPTION selected>The 
+
+        Most Happy</OPTION><OPTION>Bound to Obey and Serve</OPTION><OPTION>The 
+
+        Rose Without a Thorn</OPTION><OPTION>No Other Will Than 
+
+      His</OPTION></SELECT></B></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<P></P></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<CENTER>
+
+<P></P></CENTER>
+
+<P><BR><FONT face="Times New Roman,Times" size=-1><A 
+
+href="tudor1.html">to Tudor Quizzes</A></FONT><BR><FONT face="Times New Roman,Times" size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></P>
+
+<CENTER>
+
+<CENTER>
+
+<CENTER>
+<p><FONT size=-2>questions &amp; answers taken from the following sources 
+
+-</FONT> <BR><FONT size=-2>LB Smith, A Tuudor Tragedy: The Life and Times of 
+
+Catherine Howard</FONT> <BR><FONT size=-2>&amp; Antonia Fraser, The Wives of 
+
+Henry VIII</FONT></p>
+</CENTER></CENTER></CENTER></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082615" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082615" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq12.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq12.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq12.html	(revision 18423)
@@ -0,0 +1,377 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+
+<HTML><HEAD><TITLE>Tudor Quiz: Thomas Cranmer</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
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+
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+
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+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Jesus<br>")
+
+   answers.document.write("2.  he married<br>")
+
+   answers.document.write("3.  eight years<br>")
+
+   answers.document.write("4.  1533<br>")
+
+   answers.document.write("5.  Josiah<br>")
+
+   answers.document.write("6.  1549<br>")
+
+   answers.document.write("7.  13 Nov 1553<br>")
+
+   answers.document.write("8.  Reginald Pole <br>")
+
+   answers.document.write("9.  Juan de Villagarcia<br>")
+
+   answers.document.write("10. burned at the stake<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {font-weight: bold; color: #0000ff}
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#0000FF aLink=#000000 link=#0000FF bgColor=#ffffff 
+
+background="grey.jpg">
+
+<CENTER>&nbsp;<p><B><FONT face="Times New Roman,Times" color=#000000 size=+3>Tudor 
+
+Quizzes:</FONT></B> <BR><B><FONT face="Times New Roman,Times" color=#000000 
+
+size=+2>Thomas Cranmer</FONT></B> </p>
+<p>&nbsp;</p>
+
+</CENTER>
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=554 border=0 height="792">
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="349" height="65"><FONT color=#000000><FONT face=Arial><B>1.</B> <B>At which Cambridge 
+
+      college did Cranmer study</B></FONT><B><FONT 
+
+      face="Times New Roman,Times">?&nbsp;</FONT></B></FONT></TD>
+
+    <TD width="177" height="65"><SELECT size=1 name=q1><OPTION selected>St&nbsp; 
+
+        John's</OPTION><OPTION>Trinity</OPTION><OPTION>Jesus</OPTION><OPTION>Magdalene</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="349" height="61"><FONT face=Arial color=#000000><B>2.</B>&nbsp; <B>Which event forced 
+
+      Cranmer to forfeit his college fellowship?</B></FONT></TD>
+
+    <TD width="177" height="61"><SELECT size=1 name=q2><OPTION selected>he 
+
+        married</OPTION><OPTION>his father died</OPTION><OPTION>he failed 
+
+        exams</OPTION><OPTION>he suffered a breakdown</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="349" height="62"><B><FONT face=Arial color=#000000>3. How long did it take for Cranmer 
+
+      to receive his BA?</FONT></B></TD>
+
+    <TD width="177" height="62"><SELECT size=1 name=q3><OPTION selected>two 
+
+        years&nbsp;</OPTION><OPTION>five years&nbsp;</OPTION><OPTION>eight 
+
+        years</OPTION><OPTION>ten years</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="349" height="64"><FONT face=Arial color=#000000><B>4.</B>&nbsp; <B>When was Cranmer 
+
+      appointed archbishop of Canterbury?</B></FONT></TD>
+
+    <TD width="177" height="64"><SELECT size=1 name=q4><OPTION 
+
+        selected>1531</OPTION><OPTION>1533</OPTION><OPTION>1535</OPTION><OPTION>1537</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="349" height="65"><B><FONT face=Arial color=#000000>5. At Edward VI's coronation, 
+
+      Cranmer compared him to which Biblical figure?</FONT></B></TD>
+
+    <TD width="177" height="65"><SELECT size=1 name=q5><OPTION 
+
+        selected>David</OPTION><OPTION>Solomon</OPTION><OPTION>Moses</OPTION><OPTION>Josiah</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="349" height="71"><FONT face=Arial color=#000000><B>6.</B> <B>In what year did use of 
+
+      Cranmer's new <I>Book of Common Prayer</I>&nbsp; become 
+
+      compulsory?</B></FONT></TD>
+
+    <TD width="177" height="71"><SELECT size=1 name=q6><OPTION 
+
+        selected>1547</OPTION><OPTION>1549</OPTION><OPTION>1551</OPTION><OPTION>1553</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="349" height="79"><B><FONT face=Arial color=#000000>7. On what date was Cranmer formally 
+
+      charged with treason at Guildhall?</FONT></B></TD>
+
+    <TD width="177" height="79"><SELECT size=1 name=q7><OPTION selected>13 Nov 
+
+        1553</OPTION><OPTION>25 Nov 1553</OPTION><OPTION>14 Dec 
+
+        1553</OPTION><OPTION>12 Feb 1554</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="349" height="53"><B><FONT face=Arial color=#000000>8. Who replaced Cranmer 
+
+      as archbishop of Canterbury?</FONT></B></TD>
+
+    <TD vAlign=top width="177" height="53"><SELECT size=1 name=q8><OPTION selected>Stephen 
+
+        Gardiner</OPTION><OPTION>John, Lord Lumley</OPTION><OPTION>Reginald 
+
+        Pole</OPTION><OPTION>Edward Courtenay</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="349" height="69"><B><FONT face=Arial color=#000000>9. Which Spanish friar accompanied 
+
+      Cranmer to his execution on 21 March 1556?</FONT></B></TD>
+
+    <TD width="177" height="69"><SELECT size=1 name=q9><OPTION selected>Juan de 
+
+        Villagarcia</OPTION><OPTION>Pedro de Villanova</OPTION><OPTION>Eustace 
+
+        Chapuys</OPTION><OPTION>Pietro Carmeliano</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="349" height="83"><FONT face=Arial color=#000000><B>10.</B> <B>How was Cranmer 
+
+      executed?</B></FONT></TD>
+
+    <TD width="177" height="83"><SELECT size=1 name=q10><OPTION 
+
+        selected>beheaded</OPTION><OPTION>hanged</OPTION><OPTION>poisoned</OPTION><OPTION>burned 
+
+        at the stake</OPTION></SELECT></TD></TR></TBODY></TABLE></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+<p align="center"><BR><FONT 
+
+color=#000000 size=-1><A href="tudor1.html">to 
+
+Tudor Quizzes</A></FONT><BR><FONT color=#000000 size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></p>
+
+</BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082615" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082615" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq13.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq13.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq13.html	(revision 18423)
@@ -0,0 +1,389 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"><HTML><HEAD><TITLE>Tudor Quiz: King Henry VIII</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(1,0,3,1,0,2,2,3,0,1)
+
+a=0
+
+counter=0
+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Greenwich<br>")
+
+   answers.document.write("2.  New Year's Day 1511<br>")
+
+   answers.document.write("3.  1520<br>")
+
+   answers.document.write("4.  Leo X<br>")
+
+   answers.document.write("5.  None<br>")
+
+   answers.document.write("6.  Thomas Cranmer<br>")
+
+   answers.document.write("7.  Stephen Gardiner<br>")
+
+   answers.document.write("8.  Whitehall<br>")
+
+   answers.document.write("9.  constable of Dover Castle<br>")
+
+   answers.document.write("10. Jane Seymour<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {font-weight: bold; color: #800000}
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff 
+
+background="parc2h.jpg">
+
+<CENTER><B><FONT face="Times New Roman,Times" color=#000000 size=+3>Tudor 
+
+Quizzes:</FONT></B>&nbsp; <BR><B><FONT face="Times New Roman,Times" 
+
+color=#000000 size=+2>King Henry VIII</FONT></B></CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp; 
+
+
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE height=721 cellSpacing=4 cellPadding=4 width=556 border=0>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width=355 height=58><FONT face=Arial color=#000000><B>1.</B> <B>At 
+
+      which Palace was Henry born on 28 June 1491?</B></FONT></TD>
+
+    <TD width=184 height=58><SELECT size=1 name=q1><OPTION selected>Hampton 
+
+        Court</OPTION><OPTION>Greenwich</OPTION><OPTION>Richmond</OPTION><OPTION>Oatlands</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=355 height=39><FONT face=Arial color=#000000><B>2.</B>&nbsp; 
+
+      <B>When was Henry's first son born?</B></FONT></TD>
+
+    <TD width=184 height=39><SELECT size=1 name=q2><OPTION selected>New 
+
+        Year's Day 1511</OPTION><OPTION>Christmas 1511</OPTION><OPTION>New 
+
+        Year's Day 1514</OPTION><OPTION>Christmas 1510</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=355 height=82><B><FONT face=Arial color=#000000>3. The Field of 
+
+      the Cloth of Gold, the famous meeting between Henry and Francis I of 
+
+      France, was held in what year?</FONT></B></TD>
+
+    <TD width=184 height=82><SELECT size=1 name=q3><OPTION 
+
+        selected>1517</OPTION><OPTION>1518</OPTION><OPTION>1519</OPTION><OPTION>1520</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=355 height=58><FONT face=Arial color=#000000><B>4.</B>&nbsp; 
+
+      <B>Henry was given the title Fidei Defensor by which pope?</B></FONT></TD>
+
+    <TD width=184 height=58><SELECT size=1 name=q4><OPTION selected>Julius 
+
+        II</OPTION><OPTION>Leo X</OPTION><OPTION>Paul 
+
+        XII</OPTION><OPTION>Clement VII</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=355 height=47><B><FONT face=Arial color=#000000>5. How many 
+
+      wives did Henry divorce?<FONT size=+2>*</FONT></FONT></B></TD>
+
+    <TD width=184 height=47><SELECT size=1 name=q5><OPTION 
+
+        selected>None</OPTION><OPTION>Two</OPTION><OPTION>Three</OPTION><OPTION>Four</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=355 height=60><FONT face=Arial color=#000000><B>6.</B> <B>Who 
+
+      broke the news of Catherine Howard's adultery to Henry?</B></FONT></TD>
+
+    <TD width=184 height=60><SELECT size=1 name=q6><OPTION selected>the duke 
+
+        of Norfolk</OPTION><OPTION>the duke of Suffolk</OPTION><OPTION>Thomas 
+
+        Cranmer</OPTION><OPTION>Thomas Cromwell</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=355 height=77><B><FONT face=Arial color=#000000>7. Who wed Henry 
+
+      to his last wife, Katharine Parr?</FONT></B></TD>
+
+    <TD width=184 height=77><SELECT size=1 name=q7><OPTION selected>Thomas 
+
+        Cranmer</OPTION><OPTION>John Fisher</OPTION><OPTION>Stephen 
+
+        Gardiner</OPTION><OPTION>William Warham</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width=355 height=69><B><FONT face=Arial color=#000000>8. 
+
+      After Wolsey's fall from grace, Henry took over the Cardinal's home of 
+
+      York Place.&nbsp; What did Henry rename the palace?</FONT></B></TD>
+
+    <TD vAlign=top width=184 height=69><SELECT size=1 name=q8><OPTION 
+
+        selected>Hampton Court 
+
+        Palace</OPTION><OPTION>Nonsuch</OPTION><OPTION>Oatlands</OPTION><OPTION>Whitehall</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=355 height=62><B><FONT face=Arial color=#000000>9. On 5 April 
+
+      1493, the toddler Henry received his first official office.&nbsp; What was 
+
+      it?</FONT></B></TD>
+
+    <TD width=184 height=62><SELECT size=1 name=q9><OPTION 
+
+        selected>constable of Dover Castle</OPTION><OPTION>Lord of the 
+
+        North</OPTION><OPTION>constable of Calais</OPTION><OPTION>sheriff of 
+
+        Leicester</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=355 height=49><B><FONT face=Arial color=#000000>10. Which wife 
+
+      is buried beside Henry VIII?</FONT></B></TD>
+
+    <TD width=184 height=49><SELECT size=1 name=q10><OPTION 
+
+        selected>Katharine of Aragon</OPTION><OPTION>Jane 
+
+        Seymour</OPTION><OPTION>Catherine Howard</OPTION><OPTION>Katharine 
+
+        Parr</OPTION></SELECT></TD></TR></TBODY></TABLE></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<CENTER>&nbsp;
+
+<P>*<A href="quizstuff.html">click here for a 
+
+brief discussion of</A> <BR><A 
+
+href="quizstuff.html">the answer to question 
+
+five</A></P></CENTER>
+
+<P align="center"><FONT color=#000000 size=-1><A 
+
+href="tudor1.html">to Tudor Quizzes</A></FONT><BR><FONT color=#000000 size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082616" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082616" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq14.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq14.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq14.html	(revision 18423)
@@ -0,0 +1,416 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>Tudor Quiz: General History</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(0,2,2,3,1,0,3,0,2,1)
+
+a=0
+
+counter=0
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+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
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+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
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+
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+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>You're a Tudor genius! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, you can do it!</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  1513<br>")
+
+   answers.document.write("2.  23 April<br>")
+
+   answers.document.write("3.  Countess of Oxford<br>")
+
+   answers.document.write("4.  duc d'Longueville<br>")
+
+   answers.document.write("5.  fornication<br>")
+
+   answers.document.write("6.  royalty, dukes & marquesses<br>")
+
+   answers.document.write("7.  Lord Willoughby d'Eresby<br>")
+
+   answers.document.write("8.  none<br>")
+
+   answers.document.write("9.  France and the Papacy<br>")
+
+   answers.document.write("10. Jericho House at Blackmore<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {font-weight: bold; color: #990000}
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff 
+
+background="parc2h.jpg">
+
+<CENTER><FONT color=#000000><B><FONT face="Times New Roman,Times" size=+3>Tudor 
+
+Quizzes</FONT><FONT size=5>: </FONT></B></FONT>
+
+<P><FONT color=#000000><B><FONT size=5>General 
+
+History</FONT></B></FONT></P></CENTER>
+
+<CENTER>
+
+<P></P></CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp; 
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE height=977 cellSpacing=4 cellPadding=4 width=587 border=0>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width=342 height=82><FONT face=Arial color=#000000><B>1.</B> <B>What 
+
+      year did Bessie Blount (mother of Henry VIII's illegitimate son, Henry 
+
+      Fitzroy) come to court?</B></FONT></TD>
+
+    <TD width=217 height=82><SELECT size=1 name=q1><OPTION 
+
+        selected>1513</OPTION><OPTION>1515</OPTION><OPTION>1517</OPTION><OPTION>1519</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=342 height=66><FONT face=Arial color=#000000><B>2.</B>&nbsp; 
+
+      <B>On what day was Henry VIII's 'official' birthday 
+
+    celebrated?</B></FONT></TD>
+
+    <TD width=217 height=66><SELECT size=1 name=q2><OPTION selected>28 
+
+        June</OPTION><OPTION>19 February</OPTION><OPTION>23 
+
+        April</OPTION><OPTION>15 August</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=342 height=123><B><FONT face=Arial color=#000000>3. Before her 
+
+      marriage to the King of France, Henry VIII's younger sister Mary Tudor was 
+
+      betrothed to the Archduke Charles of Austria, Prince of Castile. Who was 
+
+      appointed her chief lady-in-waiting?</FONT></B></TD>
+
+    <TD width=217 height=123><SELECT size=1 name=q3><OPTION selected>Duchess 
+
+        of Norfolk</OPTION><OPTION>Countess of Norwich</OPTION><OPTION>Countess 
+
+        of Oxford</OPTION><OPTION>Duchess of Buckingham</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=342 height=94><FONT face=Arial color=#000000><B>4.</B>&nbsp; 
+
+      <B>On 13 August 1514, Mary Tudor was married by proxy to Louis XII of 
+
+      France. Who stood in for the king at the ceremony? </B></FONT></TD>
+
+    <TD width=217 height=94><SELECT size=1 name=q4><OPTION selected>dauphin 
+
+        Francis</OPTION><OPTION>duc d'Anjou</OPTION><OPTION>duc 
+
+        d'Angouleme</OPTION><OPTION>duc d'Longueville</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=342 height=108><B><FONT face=Arial color=#000000>5. In 1515, 
+
+      Fray Diego Fernandez, Katharine of Aragon's Spanish confessor, was sent 
+
+      from court. Of what charge had an ecclesiastical court convicted 
+
+      him?</FONT></B></TD>
+
+    <TD width=217 height=108><SELECT size=1 name=q5><OPTION 
+
+        selected>heresy</OPTION><OPTION>fornication</OPTION><OPTION>murder</OPTION><OPTION>sedition</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=342 height=64><FONT face=Arial color=#000000><B>6.</B> <B>At 
+
+      Henry VIII's court, who was allowed to wear cloth of gold?</B></FONT></TD>
+
+    <TD width=217 height=64><SELECT size=1 name=q6><OPTION selected>royalty, 
+
+        dukes and marquesses</OPTION><OPTION>royalty and 
+
+        dukes</OPTION><OPTION>royalty</OPTION><OPTION>anyone who could afford 
+
+        it</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=342 height=97><B><FONT face=Arial color=#000000>7. Maria de 
+
+      Salinas was Katharine of Aragon's favorite lady-in-waiting. In June 1516, 
+
+      she married which English gentleman?</FONT></B></TD>
+
+    <TD width=217 height=97><SELECT size=1 name=q7><OPTION selected>Lord 
+
+        Howard of Parham Park</OPTION><OPTION>the duke of 
+
+        Suffolk</OPTION><OPTION>Lord Penham d'Este</OPTION><OPTION>Lord 
+
+        Willoughby d'Eresby</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width=342 height=59><B><FONT face=Arial color=#000000>8. 
+
+      After 1517, how many more times did Henry VIII see his older sister 
+
+      Margaret?</FONT></B></TD>
+
+    <TD vAlign=top width=217 height=59><SELECT size=1 name=q8><OPTION 
+
+        selected>none</OPTION><OPTION>once</OPTION><OPTION>twice</OPTION><OPTION>all 
+
+        the time</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=342 height=81><B><FONT face=Arial color=#000000>9. In 1518, 
+
+      England signed the 'Treaty of Universal and Perpetual Peace' with which 
+
+      countries?</FONT></B></TD>
+
+    <TD width=217 height=81><SELECT size=1 name=q9><OPTION selected>Spain 
+
+        and the Low Countries</OPTION><OPTION>France and 
+
+        Spain</OPTION><OPTION>France and the Papacy</OPTION><OPTION>France and 
+
+        Scotland</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=342 height=83><B><FONT face=Arial color=#000000>10. Where was 
+
+      Henry VIII's illegitimate son, Henry Fitzroy, born?</FONT></B></TD>
+
+    <TD width=217 height=83><SELECT size=1 name=q10><OPTION selected>Eltham 
+
+        Palace</OPTION><OPTION>Jericho House at 
+
+        Blackmore</OPTION><OPTION>Penshurst Palace</OPTION><OPTION>Riding Manor 
+
+        in Durham</OPTION></SELECT></TD></TR></TBODY></TABLE></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<P align="center"><FONT color=#000000 size=-1><A 
+
+href="tudor1.html">to Tudor Quizzes</A></FONT> 
+
+<BR><FONT color=#000000 size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><BR>
+
+<CENTER><!-- row 01 --></CENTER>
+
+<P align="center"></TD></TR></TBODY></TABLE><FONT size=2>Some of these questions are extra 
+
+hard, simply to give Tudor enthusiasts a challenge.&nbsp; All answers can be 
+
+verified in Weir's 'Henry VIII: The King and His 
+
+Court.'</FONT></P></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082616" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082616" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq15.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq15.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq15.html	(revision 18423)
@@ -0,0 +1,409 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"><HTML><HEAD><TITLE>Tudor Quiz: General History</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
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+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(1,2,2,3,0,1,0,3,0,1)
+
+a=0
+
+counter=0
+
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+
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+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
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+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>You're a Tudor genius! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, you can do it!</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  crimson<br>")
+
+   answers.document.write("2.  12 April 1533<br>")
+
+   answers.document.write("3.  Lady Mary Howard<br>")
+
+   answers.document.write("4.  blue and purple<br>")
+
+   answers.document.write("5.  Lord Mountjoy<br>")
+
+   answers.document.write("6.  26 August<br>")
+
+   answers.document.write("7.  never<br>")
+
+   answers.document.write("8.  Princess Mary Tudor<br>")
+
+   answers.document.write("9.  8 August 1540<br>")
+
+   answers.document.write("10. Stephen Gardiner<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#0000FF aLink=#000000 link=#0000FF bgColor=#ffffff 
+
+background="grey.jpg">
+
+<CENTER><FONT color=#000000><B><FONT face="Times New Roman,Times" size=+3>Tudor 
+
+Quizzes</FONT><FONT size=5>: </FONT></B></FONT>
+
+<P><FONT color=#000000><B><FONT size=5>General 
+
+History</FONT></B></FONT></P></CENTER><FONT 
+
+color=#000000>&nbsp;</FONT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=642 border=0 height="844">
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="393" height="76"><FONT face=Arial color=#000000><B>1.</B> <B>On 4 September 1532, Anne 
+
+      Boleyn was titled Marquess of Pembroke.&nbsp; What color gown did she wear 
+
+      to the ceremony at Windsor Castle?</B></FONT></TD>
+
+    <TD width="221" height="76"><SELECT size=1 name=q1><OPTION 
+
+        selected>purple</OPTION><OPTION>crimson</OPTION><OPTION>cloth of 
+
+        gold</OPTION><OPTION>silver</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="393" height="73"><FONT face=Arial color=#000000><B>2.</B>&nbsp; <B>On what day did Anne 
+
+      Boleyn appear in public as Queen of England for the first time? <FONT 
+
+      size=2>(Please note - I'm not asking for the coronation 
+
+      date!)</FONT></B></FONT></TD>
+
+    <TD width="221" height="73"><SELECT size=1 name=q2><OPTION selected>2 April 
+
+        1533</OPTION><OPTION>10 April 1533</OPTION><OPTION>12 April 
+
+        1533</OPTION><OPTION>22 April 1533</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="393" height="55"><B><FONT face=Arial color=#000000>3. Which lady of the court carried 
+
+      the train of her gown during that appearance?</FONT></B></TD>
+
+    <TD width="221" height="55"><SELECT size=1 name=q3><OPTION selected>Lady Anne 
+
+        Bassett</OPTION><OPTION>Duchess of Norfolk</OPTION><OPTION>Lady Mary 
+
+        Howard</OPTION><OPTION>Duchess of Buckingham</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="393" height="49"><FONT face=Arial color=#000000><B>4.</B>&nbsp; <B>What color livery 
+
+      did Anne's servants wear? </B></FONT></TD>
+
+    <TD width="221" height="49"><SELECT size=1 name=q4><OPTION selected>green and 
+
+        yellow</OPTION><OPTION>green and blue</OPTION><OPTION>yellow and 
+
+        red</OPTION><OPTION>blue and purple</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="393" height="94"><B><FONT face=Arial color=#000000>5. On 3 July 1533, who was sent to 
+
+      Ampthill to tell Katharine of Aragon that Henry VIII had married Anne 
+
+      Boleyn and that she must relinquish her title of Queen?</FONT></B></TD>
+
+    <TD width="221" height="94"><SELECT size=1 name=q5><OPTION selected>Lord 
+
+        Mountjoy</OPTION><OPTION>Lord Taillyboys</OPTION><OPTION>duke of 
+
+        Suffolk</OPTION><OPTION>Thomas Cromwell</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="393" height="81"><FONT face=Arial color=#000000><B>6.</B> <B>On what day in 1533 did 
+
+      Anne enter confinement, awaiting the birth of her first 
+
+    child?</B></FONT></TD>
+
+    <TD width="221" height="81"><SELECT size=1 name=q6><OPTION selected>15 August</OPTION><OPTION>26 
+
+        August</OPTION><OPTION>1 September</OPTION><OPTION>5 
+
+      September</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="393" height="113"><B><FONT face=Arial color=#000000>7. On 2 June 1536, Henry VIII dined 
+
+      in public with Jane Seymour for the first time; they had married on 30 
+
+      May.&nbsp; But when was Jane's formal coronation as queen of 
+
+      England?</FONT></B></TD>
+
+    <TD width="221" height="113"><SELECT size=1 name=q7><OPTION selected>she was never 
+
+        crowned</OPTION><OPTION>5 June 1536</OPTION><OPTION>15 August 
+
+        1536</OPTION><OPTION>12 December 1536</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="393" height="57"><B><FONT face=Arial color=#000000>8. Who was chief mourner 
+
+      at Jane Seymour's funeral obsequies?</FONT></B></TD>
+
+    <TD vAlign=top width="221" height="57"><SELECT size=1 name=q8><OPTION selected>Margaret 
+
+        Tudor</OPTION><OPTION>Anne Stanhope</OPTION><OPTION>Elizabeth 
+
+        Seymour</OPTION><OPTION>Mary Tudor</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="393" height="61"><B><FONT face=Arial color=#000000>9. On what day was Henry's marriage 
+
+      to Catherine Howard made public?</FONT></B></TD>
+
+    <TD width="221" height="61"><SELECT size=1 name=q9><OPTION selected>8 August 
+
+        1540</OPTION><OPTION>25 August 1540</OPTION><OPTION>25 December 
+
+        1540</OPTION><OPTION>it was never officially 
+
+  announced</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="393" height="65"><B><FONT face=Arial color=#000000>10. Who preached the sermon at Henry 
+
+      VIII's funeral?</FONT></B></TD>
+
+    <TD width="221" height="65"><SELECT size=1 name=q10><OPTION selected>Thomas 
+
+        Cranmer</OPTION><OPTION>Stephen Gardiner</OPTION><OPTION>Reginald 
+
+        Pole</OPTION><OPTION>Thomas 
+
+More</OPTION></SELECT></TD></TR></TBODY></TABLE></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<P align="center"><FONT color=#000000 size=-1>
+
+<a href="tudor1.html">to Tudor Quizzes</a></FONT><BR><FONT color=#000000 size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><CENTER><!-- row 01 --></CENTER>
+
+<P align="center"></TD></TR></TBODY></TABLE><FONT size=2>Some of these questions are extra 
+
+hard, simply to give Tudor enthusiasts a challenge.&nbsp; All answers can be 
+
+verified in Weir's 'Henry VIII: The King and His 
+
+Court.'</FONT></P></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082617" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082617" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq16.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq16.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq16.html	(revision 18423)
@@ -0,0 +1,404 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>Tudor Quiz: Lady Jane Grey</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(1,3,3,2,0,1,0,2,3,0)
+
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+
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+
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+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
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+
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+
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+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>You're a Tudor genius! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, you can do it!</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  green and white<br>")
+
+   answers.document.write("2.  Guilford<br>")
+
+   answers.document.write("3.  her father<br>")
+
+   answers.document.write("4.  Katharine Parr<br>")
+
+   answers.document.write("5.  Durham House<br>")
+
+   answers.document.write("6.  Dr John Feckenham<br>")
+
+   answers.document.write("7.  Mary, Elizabeth, Jane<br>")
+
+   answers.document.write("8.  2000 pounds<br>")
+
+   answers.document.write("9.  marquess of Dorset<br>")
+
+   answers.document.write("10. three weeks<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#0000FF aLink=#000000 link=#0000FF bgColor=#ffffff 
+
+background="grey.jpg">
+
+<CENTER><FONT color=#000000><B><FONT face="Times New Roman,Times" size=+3>Tudor 
+
+Quizzes</FONT><FONT size=5>: </FONT></B></FONT>
+
+<P><FONT size=5><B>Lady Jane Grey</B></FONT></P></CENTER>
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=692 border=0 height="887">
+
+  <TBODY>
+
+  <TR>
+
+    <TD width=384 height="81"><FONT face=Arial color=#000000><B>1.</B> <B>At Jane Grey's 
+
+      coronation, her husband Guilford wore white, gold and silver.&nbsp; What 
+
+      colors were Jane's bodice and kirtle?</B></FONT></TD>
+
+    <TD width=280 height="81"><SELECT size=1 name=q1><OPTION selected>purple and cloth 
+
+        of gold</OPTION><OPTION>green and white</OPTION><OPTION>crimson and 
+
+        cloth of silver</OPTION><OPTION>crimson and white</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=384 height="95"><FONT face=Arial color=#000000><B>2.</B>&nbsp; <B>During the 
+
+      first three days of her reign, Jane did not attend any council 
+
+      meetings.&nbsp; Who sat in her place at the head of the council 
+
+      table?</B></FONT></TD>
+
+    <TD width=280 height="95"><SELECT size=1 name=q2><OPTION selected>John Dudley, duke 
+
+        of Northumberland</OPTION><OPTION>Henry Grey, duke of 
+
+        Suffolk</OPTION><OPTION>Thomas Cranmer, archbishop of 
+
+        Canterbury</OPTION><OPTION>Guilford Dudley, her 
+
+    husband</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=384 height="78"><B><FONT face=Arial color=#000000>3. On 19 July 1553, who 
+
+      came to to the Tower and told Jane she was no longer queen?</FONT></B></TD>
+
+    <TD width=280 height="78"><SELECT size=1 name=q3><OPTION selected>her 
+
+        husband</OPTION><OPTION>her mother</OPTION><OPTION>her 
+
+        mother-in-law</OPTION><OPTION>her father</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=384 height="59"><FONT face=Arial color=#000000><B>4.</B>&nbsp; <B>In 1548, 
+
+      Jane acted as chief mourner at whose funeral? </B></FONT></TD>
+
+    <TD width=280 height="59"><SELECT size=1 name=q4><OPTION selected>her sister 
+
+        Mary</OPTION><OPTION>her sister Catherine</OPTION><OPTION>her guardian 
+
+        Katharine Parr</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=384 height="60"><B><FONT face=Arial color=#000000>5. Where did Jane wed 
+
+      Guilford Dudley on 25 May 1553?</FONT></B></TD>
+
+    <TD width=280 height="60"><SELECT size=1 name=q5><OPTION selected>Durham 
+
+        House</OPTION><OPTION>Syon House</OPTION><OPTION>Sheen 
+
+        Palace</OPTION><OPTION>Tower of London</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=384 height="83"><FONT face=Arial color=#000000><B>6.</B> <B>Who did Queen 
+
+      Mary send to the Tower in an attempt to convert Jane before her 
+
+      execution?</B></FONT></TD>
+
+    <TD width=280 height="83"><SELECT size=1 name=q6><OPTION selected>Sir John 
+
+        Brydges</OPTION><OPTION>Dr John Feckenham</OPTION><OPTION>Stephen 
+
+        Gardiner</OPTION><OPTION>Roger Ascham</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=384 height="84"><B><FONT face=Arial color=#000000>7. According to Henry 
+
+      VIII's will, if Edward VI died without issue, how would the line of 
+
+      succession proceed?</FONT></B></TD>
+
+    <TD width=280 height="84"><SELECT size=1 name=q7><OPTION selected>Mary Tudor, 
+
+        Elizabeth Tudor, Jane Grey</OPTION><OPTION>Mary Tudor, Elizabeth Tudor, 
+
+        Mary Stuart</OPTION><OPTION>Jane Grey, Mary Tudor, Elizabeth 
+
+        Tudor</OPTION><OPTION>Mary Tudor, Elizabeth Tudor, Edward 
+
+        Courtenay</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width=384 height="67"><B><FONT face=Arial color=#000000>8. How much 
+
+      money did Thomas Seymour pay to Jane's parents for her wardship and 
+
+      marriage?</FONT></B></TD>
+
+    <TD vAlign=top width=280 height="67"><SELECT size=1 name=q8><OPTION selected>500 
+
+        pds</OPTION><OPTION>1000 pds</OPTION><OPTION>2000 
+
+        pds</OPTION><OPTION>5000 pds</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=384 height="78"><B><FONT face=Arial color=#000000>9. Before he received the 
+
+      title duke of Suffolk, what title did Jane's father hold?</FONT></B></TD>
+
+    <TD width=280 height="78"><SELECT size=1 name=q9><OPTION selected>earl of 
+
+        Oxford</OPTION><OPTION>marquess of Pembroke</OPTION><OPTION>Lord High 
+
+        Admiral</OPTION><OPTION>marquess of Dorset</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=384 height="82"><B><FONT face=Arial color=#000000>10. How long did Jane's 
+
+      mother wait after her husband's execution before marrying again (to Adrian 
+
+      Stokes)?</FONT></B></TD>
+
+    <TD width=280 height="82"><SELECT size=1 name=q10><OPTION selected>three 
+
+        weeks</OPTION><OPTION>five weeks</OPTION><OPTION>six 
+
+        weeks</OPTION><OPTION>two 
+
+months</OPTION></SELECT></TD></TR></TBODY></TABLE></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<P align="center"><FONT color=#000000 size=-1><A 
+
+href="tudor1.html">to Tudor Quizzes</A></FONT> 
+
+<BR><FONT color=#000000 size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><P align="center"><FONT size=-1><A 
+
+href="relative/janegrey.html">to the Lady Jane 
+
+Grey site</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082617" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082617" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq17.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq17.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq17.html	(revision 18423)
@@ -0,0 +1,489 @@
+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+
+<html>
+
+<head>
+
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+   <meta name="description" content="Tudor quizzes">
+
+   <meta name="keywords" content="tudor elizabeth henry viii">
+
+   <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+
+   <meta name="Author" content="Marilyn Mongello">
+
+   <meta name="Description" content="Tudor quizzes">
+
+   <meta name="KeyWords" content="tudor elizabeth henry viii">
+
+   <title>Tudor Quiz: Elizabeth I and Mary, queen of Scots</title>
+
+<script language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(2,1,3,1,0,2,0,3,1,2)
+
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+
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+
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+
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+
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+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>You're a Tudor genius! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, you can do it!</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  nine<br>")
+
+   answers.document.write("2.  five<br>")
+
+   answers.document.write("3.  ear infection<br>")
+
+   answers.document.write("4.  duke of Orkney<br>")
+
+   answers.document.write("5.  he was strangled<br>")
+
+   answers.document.write("6.  Thomas Howard<br>")
+
+   answers.document.write("7.  free Mary from captivity<br>")
+
+   answers.document.write("8.  debate<br>")
+
+   answers.document.write("9.  the Casket Letters<br>")
+
+   answers.document.write("10. Essay on Adversity<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+   </script>
+
+<style fprolloverstyle>A:hover {font-weight: bold; color: #990000}
+
+   </style>
+
+</head>
+
+<body text="#000000" bgcolor="#FFFFFF" link="#990000" vlink="#990000" alink="#000000" background="parc2h.jpg">
+
+
+
+<center><b><font color="#000000"><font face="Times New Roman,Times"><font size=+3>Tudor
+
+Quizzes</font></font><font size=+2>:</font></font></b>
+
+<p><b><font color="#000000"><font size=+2>Elizabeth I and Mary, queen of
+
+Scots</font></font></b></center>
+
+</TBODY><!--webbot bot="Include" endspan i-checksum="43556" --><form name=forma>
+
+<center>
+<img SRC="maryqos1565cr.jpg" ALT="Mary, queen of Scots in 1565" BORDER=2 width="175" height="236"></center>
+
+
+
+<center><table BORDER=0 CELLSPACING=4 CELLPADDING=4 WIDTH="668" HEIGHT="1395" >
+
+<caption>
+
+<center>
+
+<p></p>
+
+<TBODY>
+
+<br></TBODY></center>
+
+</caption>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="82"><b><font face="Arial"><font color="#000000">1.
+
+How old was Elizabeth when Mary Stewart was born?</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="82"><select size=1 name=q1><option 
+
+        selected>five</option><option>eight</option><option>nine</option><option>eleven</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="89"><b><font face="Arial"><font color="#000000">2.
+
+How old was Mary Stewart when she left Scotland and sailed to France as
+
+the betrothed of the dauphin?</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="89"><select size=1 name=q2><option selected>four</option><option>five</option><option>ten</option><option>twelve</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="106"><b><font face="Arial"><font color="#000000">3.
+
+In 1560, Mary's first husband Francois died.&nbsp; What was the cause of
+
+death?</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="106"><select size=1 name=q3><option selected>syphilis</option><option>broken
+
+neck</option><option>sweating sickness</option><option>ear infection</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="112"><b><font face="Arial"><font color="#000000">4.What
+
+title did Mary give Bothwell a few days before their wedding in 1567?&nbsp;</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="112"><select size=1 name=q4><option selected>duke
+
+of Edinburgh</option><option>duke of Orkney</option><option>duke of Leith</option><option>duke
+
+of Glasgow</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="160"><b><font face="Arial"><font color="#000000">5.
+
+In February 1567, the home of Mary's second husband Darnley was blown up.&nbsp;
+
+However, Darnley's body was found in the garden; he had escaped from the
+
+house.&nbsp; What was the real cause of his death?</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="160"><select size=1 name=q5><option 
+
+        selected>he
+
+was strangled</option><option>he was poisoned</option><option>he was stabbed</option><option>he
+
+was shot</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="111"><b><font face="Arial"><font color="#000000">6.
+
+In 1571, Mary planned to marry which cousin of Elizabeth's in connection
+
+with the 'Ridolfi Plot'?</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="111"><select size=1 name=q6><option selected>Francis
+
+Knollys</option><option>William Carey</option><option>Thomas Howard</option><option>Thomas
+
+Parry</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="186"><b><font face="Arial"><font color="#000000">7.
+
+In 1567, Mary was imprisoned by her Scottish enemies.&nbsp; When she heard
+
+the news, Elizabeth wrote to the captors.&nbsp; What did she tell them?</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="186"><select size=1 name=q7><option selected>they
+
+must free Mary from captivity</option><option>they must keep Mary imprisoned
+
+indefinitely</option><option>they must exile Mary to France</option><option>they
+
+must exile Mary to England</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td VALIGN=TOP WIDTH="342" HEIGHT="74"><b><font face="Arial"><font color="#000000">8.
+
+In a letter written in 1569, Elizabeth referred to Mary as 'the daughter
+
+of' what?</font></font></b></td>
+
+
+
+<td VALIGN=TOP WIDTH="217" HEIGHT="74"><select size=1 name=q8><option 
+
+        selected>strife</option><option>wrath</option><option>discord</option><option>debate</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="209"><b><font face="Arial"><font color="#000000">9.
+
+In 1569, a collection of letters supposedly written by Mary and her third
+
+husband Bothwell were presented at Westminster.&nbsp; They offered conclusive
+
+proof that Mary and Bothwell had plotted Darnley's murder.&nbsp; These
+
+letters had a nickname; what was it?</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="209"><select size=1 name=q9><option selected>the
+
+Edinburgh Letters</option><option>the Casket Letters</option><option>the
+
+Coffer Letters</option><option>the Caisson Letters</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="342" HEIGHT="146"><b><font face="Arial"><font color="#000000">10.
+
+In 1580, Mary wrote an essay which included this observation on monarchs
+
+- 'Tribulation has been to them as a furnace to fine gold - a means of
+
+proving their virtue.'&nbsp; What was this essay called?</font></font></b></td>
+
+
+
+<td WIDTH="217" HEIGHT="146"><select size=1 name=q10><option selected>Essay
+
+on Imprisonment</option><option>Essay on the Cares of Kingdoms</option><option>Essay
+
+on Adversity</option><option>Essay on the Virtue of Monarchy</option></select></td>
+
+</tr>
+
+</table></center>
+
+
+
+<center><input onclick=scoretest(forma) type=button value="Check Answers"><input type=reset value=Reset><input onclick=giveup() type=button value="Give up?"></center>
+
+</form>
+
+<p><font color="#000000"><font size=-1><a href="tudor1.html">to
+
+Tudor Quizzes</a></font></font>
+
+<br><font color="#000000"><font size=-1><a href="http://englishhistory.net/tudor.html">to
+
+Tudor England</a></font></font><center>
+
+<p><br><!-- row 01 --></center>
+
+
+
+<p></TBODY>
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082618" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082618" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq18.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq18.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq18.html	(revision 18423)
@@ -0,0 +1,403 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"><HTML><HEAD><TITLE>Tudor Quiz - Queen Mary I</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor england quizzes" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
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+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(0,2,3,0,1,3,1,2,1,3)
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+
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+
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+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
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+
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+
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+
+
+
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+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#101040 text='#FFFFFF'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! You're a Tudor Genius! - 10/10</h3></center>") 
+
+  }
+
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+
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+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on.... You can do it!</h3></center>")
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+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
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+
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+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
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+
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+
+
+  msg.document.write("<form>")
+
+  if(a==0){
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+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#101040' text='#FFFFFF'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Reginald<br>")
+
+   answers.document.write("2.  Naples<br>")
+
+   answers.document.write("3.  blue and green<br>")
+
+   answers.document.write("4.  countess of Arundel<br>")
+
+   answers.document.write("5.  crimson<br>")
+
+   answers.document.write("6.  Prudent<br>")
+
+   answers.document.write("7.  Philip left for Flanders<br>")
+
+   answers.document.write("8.  countess of Lennox<br>")
+
+   answers.document.write("9.  he was put under house arrest<br>")
+
+   answers.document.write("10. her unborn child<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {font-weight: bold; color: #800000}
+
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#800000 aLink=#000000 link=#800000 
+
+background="parc2h.jpg">
+
+<CENTER><B><FONT face="Times New Roman,Times" size=+3>Tudor Quizzes:</FONT></B> 
+
+<BR><B><FONT face="Times New Roman,Times" size=+2>Queen Mary I</FONT></B> &nbsp;
+
+<TABLE cellSpacing=0 cellPadding=0 width=500 border=0></CENTER><FONT 
+
+  face="Times New Roman,Times">&nbsp;</FONT></TD></TR></TBODY> 
+
+  <TBODY></TBODY></TABLE>
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE height=1214 cellSpacing=4 cellPadding=4 width=625 border=0>
+
+  <CAPTION>
+
+  <CENTER>
+
+  <P></P></CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width=360 height=139><FONT face="Times New Roman,Times"><B>1. The 
+
+    countess of Salisbury was Mary's governess; she was  executed by King 
+
+    Henry VIII in 1541.&nbsp; When she became queen, Mary summoned the countess' 
+
+    eldest son 
+
+    home to England.&nbsp; What was his name?</B></FONT></TD>
+
+    <TD width=237 height=139><B><SELECT size=1 name=q1><OPTION 
+
+        selected>Reginald</OPTION><OPTION>Ambrose</OPTION><OPTION>Robert</OPTION><OPTION>Stephen</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=116><FONT face="Times New Roman,Times"><B>2. When Philip 
+
+    of Spain arrived in England to marry Mary I, he was a mere prince.&nbsp; But 
+
+    the night before the wedding, his father titled him king of....?</B></FONT></TD>
+
+    <TD width=237 height=116><B><SELECT size=1 name=q2><OPTION 
+
+        selected>Ghent</OPTION><OPTION>the Netherlands</OPTION><OPTION>Naples</OPTION><OPTION>Sicily</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=82><FONT face="Times New Roman,Times"><B>3.&nbsp; What 
+
+    were the colors of Mary's livery?&nbsp; (In other words, what colors did her 
+
+    servants/attendants wear?)</B></FONT></TD>
+
+    <TD width=237 height=82><B><SELECT size=1 name=q3><OPTION 
+
+        selected>crimson and white</OPTION><OPTION>green and gold</OPTION><OPTION>white and silver</OPTION><OPTION>blue and green</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=146><FONT face="Times New Roman,Times"><B>4.&nbsp; 
+
+      Three women rode at Mary's side on the way to the Tower to prepare for her 
+
+    coronation.&nbsp; Two were the marchioness of Exeter and the 
+
+    marchioness of Winchester.&nbsp; Who was the third?</B></FONT></TD>
+
+    <TD width=237 height=146><B><SELECT size=1 name=q4><OPTION 
+
+        selected>countess of Arundel</OPTION><OPTION>Princess Elizabeth</OPTION><OPTION>duchess of Suffolk</OPTION><OPTION>duchess of Norfolk</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=99><FONT face="Times New Roman,Times"><B>5. In the 
+
+    above procession, Princess Elizabeth and Anne of Cleves wore cloth of 
+
+    silver.&nbsp; What color did all other noblewomen and the members of Mary's 
+
+    household wear?</B></FONT></TD>
+
+    <TD width=237 height=99><B><SELECT size=1 name=q5><OPTION selected>white</OPTION><OPTION>crimson</OPTION><OPTION>green</OPTION><OPTION>black</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=83><FONT face="Times New Roman,Times"><B>6. Mary's 
+
+    future husband was known as Philip the....?</B></FONT></TD>
+
+    <TD width=237 height=83><B><SELECT size=1 name=q6><OPTION 
+
+        selected>Good</OPTION><OPTION>Silent</OPTION><OPTION>Proud</OPTION><OPTION>Prudent</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=138><FONT face="Times New Roman,Times"><B>7. Mary 
+
+    believed she was pregnant until late July 1555.&nbsp; Finally recognizing 
+
+    she was not, she left Hampton Court Palace for Oatlands.&nbsp; A month 
+
+    later, another event saddened the queen.&nbsp; What was it?</B></FONT></TD>
+
+    <TD width=237 height=138><B><SELECT size=1 name=q7><OPTION selected>her close friend Susan Clarencieux died</OPTION><OPTION>Philip left for Flanders</OPTION><OPTION>Katharine of Aragon's tomb was defaced</OPTION><OPTION>a London mob burned Mary's portrait</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width=360 height=42><FONT 
+
+      face="Times New Roman,Times"><B>8. Who was the chief mourner at Mary's 
+
+    funeral?</B></FONT></TD>
+
+    <TD vAlign=top width=237 height=42><B><SELECT size=1 name=q8><OPTION 
+
+        selected>the marchioness of Exeter</OPTION><OPTION>the duchess of Norfolk</OPTION><OPTION>the countess of Lennox</OPTION><OPTION>the duchess of Feria</OPTION></SELECT></OPTION></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=141><FONT face="Times New Roman,Times"><B>9. The bishop of Winchester preached Mary's funeral sermon 
+
+    on 12 December 1558.&nbsp; What happened to him the next day?</B></FONT></TD>
+
+    <TD width=237 height=141><B><SELECT size=1 name=q9><OPTION 
+
+        selected>he died</OPTION><OPTION>he was put under house arrest</OPTION><OPTION>he was sent to the Tower</OPTION><OPTION>he was appointed archbishop of Canterbury</OPTION></SELECT></B></TD></TR>
+
+  <TR>
+
+    <TD width=360 height=108><FONT face="Times New Roman,Times"><B>10. In 1558, 
+
+    Mary wrote her will.&nbsp; To whom did she leave the throne?</B></FONT></TD>
+
+    <TD width=237 height=108><B><SELECT size=1 name=q10><OPTION selected>her half-sister, Princess Elizabeth</OPTION><OPTION>her husband, Philip of Spain</OPTION><OPTION>her cousin, Lady Catherine Grey</OPTION><OPTION>her unborn child</OPTION></SELECT></B></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<P></P></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<CENTER>
+
+<P></P></CENTER>
+
+<P align=left><BR><FONT face="Times New Roman,Times" size=-1><A 
+
+href="tudor1.html">to Tudor Quizzes</A></FONT> 
+
+<BR><FONT face="Times New Roman,Times" size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></P>
+
+<CENTER>
+
+<CENTER>
+
+<CENTER>
+<p><FONT size=-2>questions &amp; answers taken from the following source 
+
+-</FONT> <BR><FONT size=-2>Carolly Ericksoon, Bloody Mary</FONT> <BR></p><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082618" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082618" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq19.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq19.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq19.html	(revision 18423)
@@ -0,0 +1,486 @@
+<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
+
+<html>
+
+<head>
+
+   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+   <meta name="description" content="Tudor quizzes">
+
+   <meta name="keywords" content="tudor elizabeth henry viii">
+
+   <meta name="GENERATOR" content="Microsoft FrontPage 5.0">
+
+   <meta name="Author" content="Marilyn Mongello">
+
+   <meta name="Description" content="Tudor quizzes">
+
+   <meta name="KeyWords" content="tudor elizabeth henry viii">
+
+   <title>Tudor Quiz: Tudor Films</title>
+
+<script language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
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+
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+
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+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
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+
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+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Congratulations! You're a Tudor Genius!- 10/10</h3></center>") 
+
+  }
+
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+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Judi Dench<br>")
+
+   answers.document.write("2.  Vanessa Redgrave<br>")
+
+   answers.document.write("3.  'Lady Jane'<br>")
+
+   answers.document.write("4.  Glenda Jackson<br>")
+
+   answers.document.write("5.  Joseph Fiennes<br>")
+
+   answers.document.write("6.  'Mary, Queen of Scots'<br>")
+
+   answers.document.write("7.  'Young Bess'<br>")
+
+   answers.document.write("8.  Fanny Ardant<br>")
+
+   answers.document.write("9.  Bette Davis<br>")
+
+   answers.document.write("10. at Katharine's bedside<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+   </script>
+
+<style fprolloverstyle>A:hover {font-weight: bold; color: #0000ff}
+
+   </style>
+
+</head>
+
+<body text="#000000" bgcolor="#FFFFFF" link="#0000FF" vlink="#0000FF" alink="#000000" background="grey.jpg">
+
+
+
+<center>&nbsp;<p><b><font color="#000000" face="Times New Roman,Times"><font size=+3>Tudor
+
+Quizzes:</font></font></b>
+
+<br><b><font face="Times New Roman,Times"><font color="#000000"><font size=+2>Tudor
+
+Films</font></font></font></b> </p>
+<p><img SRC="films3.jpg" ALT="a scene from 'Elizabeth', 1998" BORDER=2 width="150" height="231"></p>
+</center>
+
+<form name=forma>
+
+<center><table BORDER=0 CELLSPACING=4 CELLPADDING=4 WIDTH="554" HEIGHT="1230" >
+
+<caption>
+
+<center>
+
+<p></p>
+
+<TBODY>
+
+<br></TBODY></center>
+
+</caption>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="84"><b><font color="#000000"><font face="Arial">1.
+
+Which actress played Queen Elizabeth I in the film 'Shakespeare in Love'</font><font face="Times New Roman,Times">?&nbsp;</font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="84"><select size=1 name=q1><option selected>Gwyneth
+
+Paltrow</option><option>Cate Blanchett</option><option>Glenda Jackson</option><option>Judi
+
+Dench</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="120"><b><font face="Arial"><font color="#000000">2.Which
+
+actress had an unbilled cameo role as Anne Boleyn in 'A Man for All Seasons'?</font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="120"><select size=1 name=q2><option selected>Genevieve
+
+Bujold</option><option>Vanessa Redgrave</option><option>Glenda Jackson</option><option>Susannah
+
+York</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="85"><b><font face="Arial"><font color="#000000">3.
+
+Which of the following Tudor films was NOT nominated for the Academy Award
+
+for Best Picture?</font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="85"><select size=1 name=q3><option selected>Shakespeare
+
+in Love</option><option>A Man for All Seasons</option><option>Anne of the
+
+Thousand Days</option><option>Lady Jane</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="104"><b><font face="Arial"><font color="#000000">4.Which
+
+actress played Queen Elizabeth I in the BBC miniseries 'Elizabeth R'?</font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="104"><select size=1 name=q4><option 
+
+        selected>Glenda
+
+Jackson</option><option>Imelda Staunton</option><option>Rosalie Crutchley</option><option>Nicola
+
+Bryant</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="116"><b><font face="Arial"><font color="#000000">5.
+
+Which actor played Robert Dudley in 'Elizabeth' and William Shakespeare
+
+in 'Shakespeare in Love'? <font size=-1>(see picture above)</font></font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="116"><select size=1 name=q5><option 
+
+        selected>Geoffrey
+
+Rush</option><option>Rupert Everett</option><option>Joseph Fiennes</option><option>Ralph
+
+Fiennes</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="109"><b><font face="Arial"><font color="#000000">6.
+
+All of the following Tudor films were nominated for Best Costume Design
+
+at the Academy Awards.&nbsp; Which film did NOT win the award?</font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="109"><select size=1 name=q6><option 
+
+        selected>Anne
+
+of the Thousand Days</option><option>A Man for All Seasons</option><option>Mary,
+
+Queen of Scots</option><option>Shakespeare in Love</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="163"><b><font face="Arial"><font color="#000000">7.
+
+In which Tudor film is Elizabeth Tudor asked, "If you were queen of England,
+
+what would you do, eh?&nbsp; Would you give your admiral the opportunity
+
+to do great deeds?"</font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="163"><select size=1 name=q7><option selected>Fire
+
+Over England</option><option>Young Bess</option><option>The Virgin Queen</option><option>Elizabeth
+
+R</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td VALIGN=TOP WIDTH="349" HEIGHT="78"><b><font face="Arial"><font color="#000000">8.
+
+Which of the following actresses has NOT portrayed Anne Boleyn?</font></font></b></td>
+
+
+
+<td VALIGN=TOP WIDTH="177" HEIGHT="78"><select size=1 name=q8><option selected>Dorothy
+
+Tutin</option><option>Genevieve Bujold</option><option>Merle Oberon</option><option>Fanny
+
+Ardant</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="104"><b><font face="Arial"><font color="#000000">9.
+
+Which of the following actresses has NOT portrayed Mary, queen of Scots?</font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="104"><select size=1 name=q9><option selected>Katharine
+
+Hepburn</option><option>Vanessa Redgrave</option><option>Bette Davis</option><option>Vivian
+
+Pickles</option></select></td>
+
+</tr>
+
+
+
+<tr>
+
+<td WIDTH="349" HEIGHT="147"><b><font face="Arial"><font color="#000000">10.
+
+Some historical liberties are taken in the film 'Anne of the Thousand Days'.&nbsp;
+
+In reality, Princess Mary Tudor was at Hatfield when her mother Katharine
+
+of Aragon died.&nbsp; But in the film, where is Mary when her mother dies?</font></font></b></td>
+
+
+
+<td WIDTH="177" HEIGHT="147"><select size=1 name=q10><option 
+
+        selected>at
+
+Katharine's bedside</option><option>imprisoned in the Tower of London</option><option>serving
+
+Anne Boleyn at court</option><option>imprisoned at a country estate</option></select></td>
+
+</tr>
+
+</table></center>
+
+
+
+<center><input onclick=scoretest(forma) type=button value="Check Answers"><input type=reset value=Reset><input onclick=giveup() type=button value="Give up?"></center>
+
+</form>
+
+<p align="center">
+
+<br><font size=-1 color="#000000"><a href="tudor1.html">to
+
+Tudor Quizzes</a></font><br><font size=-1 color="#000000"><a href="http://englishhistory.net/tudor.html">to
+
+Tudor England</a></font></p>
+
+
+
+</body>
+
+</html><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082618" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082618" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq2.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq2.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq2.html	(revision 18423)
@@ -0,0 +1,390 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>Tudor Quiz</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(1,3,0,3,2,1,0,2,3,1)
+
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+
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+
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+
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+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Lochleven<br>")
+
+   answers.document.write("2.  December 8th<br>")
+
+   answers.document.write("3.  Catherine d'Medici<br>")
+
+   answers.document.write("4.  Francis<br>")
+
+   answers.document.write("5.  half-brother<br>")
+
+   answers.document.write("6.  Bothwell<br>")
+
+   answers.document.write("7.  Amyas Paulet<br>")
+
+   answers.document.write("8.  Norfolk<br>")
+
+   answers.document.write("9.  thistle and rose<br>")
+
+   answers.document.write("10. 8 February 1587<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff background="parc2h.jpg">
+
+<p align="center"><B><font size="6">Tudor Quizzes:</font></B></p>
+
+<p align="center"><B><font size="5">Mary, queen of Scots</font></B><font size="5">
+
+</font></p>
+
+<CENTER>
+
+<CENTER>
+
+<p></p>
+
+</CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=539 border=0 height="562">
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="344" height="47"><FONT face=Arial><B>1. Mary escaped from which Scottish castle in 
+
+      1568?</B></FONT></TD>
+
+    <TD width="167" height="47"><SELECT size=1 name=q1><OPTION 
+
+        selected>Dunbar</OPTION><OPTION>Lochleven</OPTION><OPTION>Stirling</OPTION><OPTION>Linlithgow</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="35"><FONT face=Arial><B>2.&nbsp; Mary was born on what day in 
+
+      1542?</B></FONT></TD>
+
+    <TD width="167" height="35"><SELECT size=1 name=q2><OPTION selected>October 
+
+        8th</OPTION><OPTION>July 6th</OPTION><OPTION>January 
+
+        6th</OPTION><OPTION>December 8th</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="42"><FONT face=Arial><B>3. Mary's mother-in-law in France 
+
+      was....</B></FONT></TD>
+
+    <TD width="167" height="42"><SELECT size=1 name=q3><OPTION selected>Catherine 
+
+        d'Medici&nbsp;</OPTION><OPTION>Antoinette 
+
+        d'Guise&nbsp;</OPTION><OPTION>Claude 
+
+        d'Guise&nbsp;</OPTION><OPTION>Isabella of 
+
+    Navarre&nbsp;</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="31"><FONT face=Arial><B>4.&nbsp; Mary's first husband was 
+
+      named....</B></FONT></TD>
+
+    <TD width="167" height="31"><SELECT size=1 name=q4><OPTION 
+
+        selected>Henry</OPTION><OPTION>Charles&nbsp;</OPTION><OPTION>Philip</OPTION><OPTION>Francis&nbsp;</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="52"><FONT face=Arial><B>5. James Stewart, earl of Moray, was 
+
+      Mary's.....</B></FONT></TD>
+
+    <TD width="167" height="52"><SELECT size=1 name=q5><OPTION 
+
+        selected>uncle&nbsp;</OPTION><OPTION>grandfather&nbsp;</OPTION><OPTION>half-brother</OPTION><OPTION>second 
+
+        husband</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="44"><FONT face=Arial><B>6. Mary's third husband, James Hepburn, was 
+
+      earl of....</B></FONT></TD>
+
+    <TD width="167" height="44"><SELECT size=1 name=q6><OPTION 
+
+        selected>Lennox</OPTION><OPTION>Bothwell&nbsp;</OPTION><OPTION>Leith</OPTION><OPTION>Lithgow</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="49"><FONT face=Arial><B>7. Mary's last jailer was....</B></FONT></TD>
+
+    <TD width="167" height="49"><SELECT size=1 name=q7><OPTION selected>Amyas 
+
+        Paulet&nbsp;</OPTION><OPTION>Jasper Walsingham</OPTION><OPTION>Amyas 
+
+        Walsingham</OPTION><OPTION>Jasper Paulet</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="344" height="64"><FONT face=Arial><B>8. Who was the English duke 
+
+      executed for conspiring to marry Mary and place her on the English 
+
+      throne?</B></FONT></TD>
+
+    <TD vAlign=top width="167" height="64"><SELECT size=1 name=q8><OPTION 
+
+        selected>Buckingham&nbsp;</OPTION><OPTION>Suffolk</OPTION><OPTION>Norfolk</OPTION><OPTION>York</OPTION></SELECT></OPTION></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="40"><FONT face=Arial><B>9. Mary's emblems were the....</B></FONT></TD>
+
+    <TD width="167" height="40"><SELECT size=1 name=q9><OPTION selected>thistle and 
+
+        crown</OPTION><OPTION>rose and crown</OPTION><OPTION>dandelion and 
+
+        crown</OPTION><OPTION>thistle and rose</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="38"><FONT face=Arial><B>10. Mary was executed at Fotheringhay Castle 
+
+      on what date?</B></FONT></TD>
+
+    <TD width="167" height="38"><SELECT size=1 name=q10><OPTION selected>8 January 
+
+        1587</OPTION><OPTION>8 February 1587</OPTION><OPTION>8 March 
+
+        1587</OPTION><OPTION>8 April 
+
+1587&nbsp;</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"><p>&nbsp;</p>
+
+</CENTER></FORM> 
+
+<P align="left"><FONT size=-1>
+
+<a href="tudor1.html">to Tudor Quizzes</a></FONT> <BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082610" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082610" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq20.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq20.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq20.html	(revision 18423)
@@ -0,0 +1,328 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>Tudor Quizzes: The Six Thomases</TITLE>
+<META http-equiv=Content-Type content="text/html; charset=windows-1252">
+<META content="Tudor quizzes" name=description>
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+<meta name="ProgId" content="FrontPage.Editor.Document">
+<META content="Marilyn Mongello" name=Author>
+<META content="Tudor quizzes" name=Description>
+<SCRIPT language=JavaScript>
+<!-->
+//Initialize arrays.
+function initarray(){
+this.length=initarray.arguments.length
+  for (var i=0;i<this.length;i++){
+  this[i+1]=initarray.arguments[i];
+  }
+}
+
+//find options selected
+
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+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
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+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
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+
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+
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+
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+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  1523<br>")
+
+   answers.document.write("2.  earl of Southampton<br>")
+
+   answers.document.write("3.  More<br>")
+
+   answers.document.write("4.  Christ Church<br>")
+
+   answers.document.write("5.  Anne of Cleves<br>")
+
+   answers.document.write("6.  Howard<br>")
+
+   answers.document.write("7.  Reginald Pole<br>")
+
+   answers.document.write("8.  Wolsey<br>")
+
+   answers.document.write("9.  More<br>")
+
+   answers.document.write("10. Howard<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #0000FF; font-style: italic; font-weight: bold}
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#0000FF aLink=#0000FF link=#0000FF bgColor=#ffffff background="http://englishhistory.net/goldback.jpg">
+
+<p align="center">&nbsp;</p>
+
+<p align="center"><b><font size="6" face="Arial"><u>The Six Thomases</u>:<u><br>
+</u></font>
+<font size="4" face="Arial">Wolsey, More, Cromwell,<br>Howard, Wriothesley, Cranmer</font></b></p>
+
+<p align="center">&nbsp;</p>
+
+<CENTER>
+
+<!--webbot bot="Include" endspan i-checksum="43556" --><FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=539 border=0 height="562">
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="344" height="47"><FONT face=Arial><B>1.&nbsp; In what year was  Cromwell&nbsp; nominated for a seat in the House of Commons?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="167" height="47"><SELECT size=1 name=q1><OPTION 
+
+        selected>1519</OPTION><OPTION>1521</OPTION><OPTION>1523</OPTION><OPTION>1525</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="35"><FONT face=Arial><B>2.&nbsp;  Wriothesley's title was....?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="167" height="35"><SELECT size=1 name=q2><OPTION selected>earl of Southampton</OPTION><OPTION>earl of Somerset</OPTION><OPTION>
+    earl of Chester</OPTION><OPTION>earl of Northumberland</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="42"><FONT face=Arial><B>3.&nbsp; Which of the six 
+    Thomases wrote <i>The History of Richard III</i>?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="167" height="42"><SELECT size=1 name=q3><OPTION selected>Cranmer</OPTION><OPTION>Wolsey</OPTION><OPTION>More</OPTION><OPTION>Howard</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="31"><FONT face=Arial><B>4.&nbsp; Wolsey endowed 
+    Cardinal's College at Oxford University; it is now called....</B></FONT><p>&nbsp;</TD>
+
+    <TD width="167" height="31"><SELECT size=1 name=q4><OPTION 
+
+        selected>Corpus Christi</OPTION><OPTION>Christ Church</OPTION><OPTION>All Souls</OPTION><OPTION>Jesus</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="52"><FONT face=Arial><B>5.&nbsp; Which of King Henry 
+    VIII's marriages did Cromwell arrange?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="167" height="52"><SELECT size=1 name=q5><OPTION 
+
+        selected>Jane Seymour</OPTION><OPTION>Anne of Cleves</OPTION><OPTION>Anne Boleyn</OPTION><OPTION>Catherine Howard</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="44"><FONT face=Arial><B>6.&nbsp; Which Thomas had a 
+    son who was executed during the reign of Queen Elizabeth I?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="167" height="44"><SELECT size=1 name=q6><OPTION 
+
+        selected>More</OPTION><OPTION>Wriothesley</OPTION><OPTION>Cromwell</OPTION><OPTION>Howard</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="49"><FONT face=Arial><B>7. </B></FONT><b>
+    <font face="Arial">&nbsp;Who succeeded Cranmer as archbishop of Canterbury?</font></b><p>&nbsp;</TD>
+
+    <TD width="167" height="49"><SELECT size=1 name=q7><OPTION selected>John Whitgift</OPTION><OPTION>Stephen Gardiner</OPTION><OPTION>Reginald Pole</OPTION><OPTION>William Warham</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="344" height="64"><FONT face=Arial><B>8.&nbsp; Which 
+    Thomas inspired John Skelton to write the following verse:</B></FONT><b><font face="Arial">&nbsp; 
+    'Ye are so puffed with pride / That no man may abide / Your high and lordly 
+    looks'.</font></b><p>&nbsp;</TD>
+
+    <TD vAlign=top width="167" height="64">&nbsp;<p><SELECT size=1 name=q8><OPTION 
+
+        selected>Cromwell</OPTION><OPTION>Wriothesley</OPTION><OPTION>Howard</OPTION><OPTION>Wolsey</OPTION></SELECT></OPTION></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="40"><FONT face=Arial><B>9. Which Thomas said of King 
+    Henry VIII, 'If a lion knew his strength, it were hard for any man to hold 
+    him.'</B></FONT><p>&nbsp;</TD>
+
+    <TD width="167" height="40"><SELECT size=1 name=q9><OPTION selected>More</OPTION><OPTION>Cromwell</OPTION><OPTION>Wriothesley</OPTION><OPTION>Wolsey</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="38"><FONT face=Arial><B>10. Which of the six Thomases was the only one to die of natural causes in his own home?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="167" height="38"><SELECT size=1 name=q10><OPTION selected>Wriothesley</OPTION><OPTION>Cranmer</OPTION><OPTION>Cromwell</OPTION><OPTION>Howard</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"><p>&nbsp;</p>
+
+</CENTER></FORM> 
+
+<P align="left"><FONT size=-1>
+
+<a href="tudor1.html">to Tudor Quizzes</a></FONT><BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082619" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082619" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq21.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq21.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq21.html	(revision 18423)
@@ -0,0 +1,336 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>Tudor Quiz 21</TITLE>
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+<META content="Tudor quizzes" name=description>
+<META content="tudor elizabeth henry viii" name=keywords>
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+<META content="Marilyn Mongello" name=Author>
+<META content="Tudor quizzes" name=Description>
+<META content="tudor elizabeth henry viii mary queen of scots anne boleyn" name=KeyWords>
+<SCRIPT language=JavaScript>
+
+<!-->
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(2,0,3,1,1,3,2,0,1,3)
+
+a=0
+
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+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
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+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! You are a Tudor genius! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Guise<br>")
+
+   answers.document.write("2.  white<br>")
+
+   answers.document.write("3.  It was traditionally worn during mourning.<br>")
+
+   answers.document.write("4.  marigold<br>")
+
+   answers.document.write("5.  dysentery<br>")
+
+   answers.document.write("6.  she thought she was pregnant<br>")
+
+   answers.document.write("7.  Calais<br>")
+
+   answers.document.write("8.  she was never crowned<br>")
+
+   answers.document.write("9.  Darnley asked for her hand in marriage<br>")
+
+   answers.document.write("10. Lady Fleming<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #0000FF; font-weight: bold}
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#0000FF aLink=#0000FF link=#0000FF bgColor=#FFE1F0>
+
+<p align="center">&nbsp;</p>
+
+<p align="center"><b><font size="6">Tudor Quizzes:</font></b></p>
+
+<p align="center"><font size="5"><b>Mary, queen of Scots: Life in France</b></font></p>
+
+<CENTER>
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=725 border=0 height="542">
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="330" height="60"><FONT face=Arial><B>1.&nbsp; Mary's relatives in 
+    France belonged to which powerful family?&nbsp;</B></FONT><p>&nbsp;</TD>
+
+    <TD width="367" height="60"><SELECT size=1 name=q1><OPTION selected>Valois</OPTION><OPTION>Huguenot</OPTION><OPTION>
+    Guise</OPTION><OPTION>Montmorency</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="32"><FONT face=Arial><B>2.&nbsp; What scandalous 
+    color did Mary choose for her wedding gown?<br></B><font size="2"><br>*This 
+    question refers, of course, to her French marriage to the dauphin Francis.</font></FONT><p>&nbsp;</TD>
+
+    <TD width="367" height="32"><SELECT size=1 name=q2><OPTION 
+
+        selected>white</OPTION><OPTION>purple</OPTION><OPTION>gold</OPTION><OPTION>scarlet</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="44"><FONT face=Arial><B>3. Why was this color 
+    considered so scandalous?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="367" height="44"><SELECT size=1 name=q3><OPTION 
+
+        selected>it was traditionally worn by prostitutes</OPTION><OPTION>it was traditionally worn by male monarchs</OPTION>
+        <OPTION>it was traditionally worn by the Queen Regent</OPTION><OPTION>it was traditionally worn during mourning</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="29"><FONT face=Arial><B>4. Mary chose which flower 
+    as her emblem?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="367" height="29"><SELECT size=1 name=q4><OPTION selected>lily</OPTION><OPTION>marigold</OPTION><OPTION>hyacinth</OPTION><OPTION>violet</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="33"><FONT face=Arial><B>5. </B></FONT><b>
+    <font face="Arial">Which of the following illnesses did Mary NOT suffer from 
+    while living in France?</font></b><p>&nbsp;</TD>
+
+    <TD width="367" height="33"><SELECT size=1 name=q5><OPTION selected>'the sweat'</OPTION><OPTION>dysentery</OPTION><OPTION>smallpox</OPTION><OPTION>toothache</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="44"><FONT face=Arial><B>6. </B></FONT><b>
+    <font face="Arial">In late summer 1560, Mary ordered the French royal court 
+    to leave Fontainebleau for St-Germain.&nbsp; Why did she give the order?</font></b><p>
+    <b><font face="Arial">&nbsp; </font></b></TD>
+
+    <TD width="367" height="44"><SELECT size=1 name=q6><OPTION selected>her husband was seriously ill</OPTION>
+    <OPTION>she had a bitter argument with Catherine d'Medici</OPTION><OPTION>she was ill with smallpox</OPTION><OPTION>she thought she was pregnant</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="45"><FONT face=Arial><B>7. While Mary lived in 
+    France, one of her uncles recaptured which English outpost on the continent?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="367" height="45"><SELECT size=1 name=q7><OPTION selected>Boulogne</OPTION><OPTION>Nancy</OPTION>
+    <OPTION>Calais</OPTION><OPTION>Aquitaine</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="330" height="27"><FONT face=Arial><B>8. Where was Mary 
+    crowned Queen of France?</B></FONT><p>&nbsp;</TD>
+
+    <TD vAlign=top width="367" height="27"><SELECT size=1 name=q8><OPTION>she was never crowned</OPTION>
+    <OPTION>Rheims Cathedral</OPTION><OPTION>Notre-Dame Cathedral</OPTION><OPTION selected>at the Louvre Palace</OPTION></SELECT></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="42"><FONT face=Arial><B>9. Mary's second  husband's name was mentioned to her while 
+    she lived in France.&nbsp; In what context did Lord Darnley's name appear?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="367" height="42"><SELECT size=1 name=q9><OPTION selected>Darnley asked for restoration of family lands</OPTION>
+    <OPTION>Darnley asked for her hand in marriage</OPTION><OPTION>Darnley joined the Scottish rebels</OPTION>
+    <OPTION>Darnley offered to escort her home to Scotland</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="330" height="66"><FONT face=Arial><B>10. Which governess of 
+    Mary's had an affair (and an illegitimate son) with Mary's father-in-law, 
+    King Henry II of France?</B></FONT><p>&nbsp;</TD>
+
+    <TD width="367" height="66"><SELECT size=1 name=q10><OPTION selected>Lady Seton</OPTION><OPTION>Lady Morton</OPTION><OPTION>Lady Campbell</OPTION><OPTION>Lady Fleming</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>&nbsp;<p>
+<a href="relative/maryqos.html">to Mary, queen 
+of Scots: Biography, Portraits, Primary Sources</a></p>
+<P><FONT size=-1>
+
+<a href="tudor1.html">to Tudor 
+
+Quizzes</a></FONT><BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082620" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082620" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq3.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq3.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq3.html	(revision 18423)
@@ -0,0 +1,416 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+
+<HTML><HEAD><TITLE>Tudor Quiz: The Life and Times of Anne Boleyn</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(3,0,2,0,1,3,2,1,3,2)
+
+a=0
+
+counter=0
+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Thomas Boleyn & Elizabeth Howard<br>")
+
+   answers.document.write("2.  Claude<br>")
+
+   answers.document.write("3.  Henry Percy<br>")
+
+   answers.document.write("4.  Jane Parker<br>")
+
+   answers.document.write("5.  she miscarried a son<br>")
+
+   answers.document.write("6.  marquess of Pembroke<br>")
+
+   answers.document.write("7.  19 May 1536<br>")
+
+   answers.document.write("8.  William Kingston<br>")
+
+   answers.document.write("9.  falcon<br>")
+
+   answers.document.write("10. French<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+   </SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {
+
+	FONT-WEIGHT: bold; COLOR: #800000
+
+}
+
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff 
+
+background="parc2h.jpg">
+
+<P align=center><FONT size=6><B>Tudor Quizzes:</B></FONT><B><FONT 
+
+size=6><BR></FONT><FONT size=5>The Life and Times of Anne Boleyn <BR></FONT></B><!-- The following section is an HTML table which reassembles the sliced image in a browser. Copy the table section including the opening and closing table tags, and paste the data where you want the reassembled image to appear in the destination document. --><!-------------------------- BEGIN COPYING THE TABLE HERE ---------------------------><!-- Image with table --></P>
+
+<CENTER>
+
+<TABLE cellSpacing=0 cellPadding=0 width=500 border=0>
+
+  <TBODY>
+
+  <TR>
+
+    <TD vAlign=top width="100%">
+
+      <CENTER>
+
+      <TABLE cellSpacing=0 cellPadding=0 width=491 border=0>
+
+        <TBODY>
+
+        <TR>
+
+          <TD>
+
+            <CENTER><!-- spacing row, 0 height. --></CENTER></TD>
+
+          <TD><IMG height=1 src="tudorq3.html" width=68></TD>
+
+          <TD><IMG height=1 src="tudorq3.html" width=102></TD>
+
+          <TD><IMG height=1 src="tudorq3.html" width=104></TD>
+
+          <TD><IMG height=1 src="tudorq3.html" width=122></TD>
+
+          <TD><IMG height=1 src="tudorq3.html" width=95></TD></TR>
+
+        <TR>
+
+          <TD>
+
+            <CENTER><!-- row 01 --></CENTER></TD>
+
+          <TD>&nbsp;</TD></TR></TBODY></TABLE></CENTER></TD></TR></TBODY></TABLE></CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;<FORM name=forma>
+
+<CENTER>
+
+<TABLE height=717 cellSpacing=4 cellPadding=4 width=566 border=0>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width=293 height=37><FONT face=Arial><B>1. Anne's parents 
+
+      were....</B></FONT></TD>
+
+    <TD width=245 height=37><SELECT size=1 name=q1><OPTION selected>Anne 
+
+        Howard &amp; George Boleyn</OPTION><OPTION>Jane Howard &amp; Thomas 
+
+        Boleyn</OPTION><OPTION>Anne Parr &amp; Edward 
+
+        Boleyn</OPTION><OPTION>Elizabeth Howard &amp; Thomas 
+
+      Boleyn</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=293 height=58><FONT face=Arial><B>2.&nbsp; In France, Anne was 
+
+      educated with the children of which French queen?</B></FONT></TD>
+
+    <TD width=245 height=58><SELECT size=1 name=q2><OPTION 
+
+        selected>Claude</OPTION><OPTION>Isabella</OPTION><OPTION>Renee&nbsp;</OPTION><OPTION>Margaret</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=293 height=50><FONT face=Arial><B>3. Which page of Cardinal 
+
+      Wolsey's proposed to Anne in 1523?</B></FONT></TD>
+
+    <TD width=245 height=50><SELECT size=1 name=q3><OPTION selected>Thomas 
+
+        Percy&nbsp;</OPTION><OPTION>Henry Butler</OPTION><OPTION>Henry 
+
+        Percy&nbsp;</OPTION><OPTION>Thomas Howard</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=293 height=78><FONT face=Arial><B>4.&nbsp; Anne's brother George 
+
+      married which lady?</B></FONT></TD>
+
+    <TD width=245 height=78><SELECT size=1 name=q4><OPTION selected>Jane 
+
+        Parker</OPTION><OPTION>Elizabeth Parker&nbsp;</OPTION><OPTION>Catherine 
+
+        Hunter</OPTION><OPTION>Margaret Beaufort</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=293 height=126><FONT face=Arial><B>5. Katharine of Aragon's funeral 
+
+    was on 29 January 1536 at Peterborough Abbey.&nbsp; What momentous occasion 
+
+    occurred in Anne Boleyn's life on that day?</B></FONT></TD>
+
+    <TD width=245 height=126><SELECT size=1 name=q5><OPTION selected>she was arrested&nbsp;</OPTION><OPTION>she miscarried a son&nbsp;</OPTION><OPTION>the king publicly jilted her</OPTION><OPTION>her brother was arrested</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=293 height=48><FONT face=Arial><B>6. Henry VIII granted Anne 
+
+      which title in 1532?</B></FONT></TD>
+
+    <TD width=245 height=48><SELECT size=1 name=q6><OPTION selected>countess 
+
+        of Northumberland</OPTION><OPTION>duchess of 
+
+        Suffolk&nbsp;</OPTION><OPTION>countess of 
+
+        Pembroke</OPTION><OPTION>marquess of Pembroke</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=293 height=51><FONT face=Arial><B>7. On what date was Anne 
+
+      executed?</B></FONT></TD>
+
+    <TD width=245 height=51><SELECT size=1 name=q7><OPTION selected>19 March 
+
+        1536</OPTION><OPTION>19 April 1536</OPTION><OPTION>19 May 
+
+        1536</OPTION><OPTION>19 June 1536</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width=293 height=53><FONT face=Arial><B>8. Anne's jailer at 
+
+      the Tower of London was....</B></FONT></TD>
+
+    <TD vAlign=top width=245 height=53><SELECT size=1 name=q8><OPTION 
+
+        selected>Edward Percy&nbsp;</OPTION><OPTION>William 
+
+        Kingston</OPTION><OPTION>John Howard</OPTION><OPTION>Charles 
+
+        Brandon</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=293 height=31><FONT face=Arial><B>9. Anne's emblem was 
+
+      the....</B></FONT></TD>
+
+    <TD width=245 height=31><SELECT size=1 name=q9><OPTION 
+
+        selected>eagle</OPTION><OPTION>phoenix</OPTION><OPTION>lion</OPTION><OPTION>falcon</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width=293 height=65><FONT face=Arial><B>10. Henry's famous love 
+
+      letters to Anne were written in what language?</B></FONT></TD>
+
+    <TD width=245 height=65><SELECT size=1 name=q10><OPTION 
+
+        selected>Latin</OPTION><OPTION>English</OPTION><OPTION>French</OPTION><OPTION>Italian</OPTION></SELECT></TD></TR></TBODY></TABLE></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM><BR><FONT 
+
+size=-1><A href="tudor1.html">to Tudor 
+
+Quizzes</A></FONT> <BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082611" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082611" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq4.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq4.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq4.html	(revision 18423)
@@ -0,0 +1,389 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+
+<HTML><HEAD><TITLE>Tudor Quiz</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(1,3,2,1,2,0,3,1,2,0)
+
+a=0
+
+counter=0
+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Joanna<br>")
+
+   answers.document.write("2.  Ludlow Castle<br>")
+
+   answers.document.write("3.  Knight of the Loyal Heart<br>")
+
+   answers.document.write("4.  200,000 crowns<br>")
+
+   answers.document.write("5.  1516<br>")
+
+   answers.document.write("6.  Lorenzo Campeggio<br>")
+
+   answers.document.write("7.  Chapuys<br>")
+
+   answers.document.write("8.  Elizabeth Barton<br>")
+
+   answers.document.write("9.  Charles V<br>")
+
+   answers.document.write("10. Kimbolton Castle<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff background="parc2h.jpg">
+
+<p align="center"><b><font size="6">Tudor Quizzes:</font></b></p>
+
+<p align="center"><b><font size="5">Katharine of Aragon</font></b><!-- The following section is an HTML table which reassembles the sliced image in a browser. Copy the table section including the opening and closing table tags, and paste the data where you want the reassembled image to appear in the destination document. --><!-------------------------- BEGIN COPYING THE TABLE HERE ---------------------------><!-- Image with table --></p>
+
+<CENTER>
+
+<CENTER>
+
+<p></p>
+
+</CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=531 border=0 height="650">
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="327" height="61"><FONT face=Arial><B>1. Which of Katharine's 
+
+    sisters went insane and traveled around Spain with her husband's corpse?</B></FONT></TD>
+
+    <TD width="176" height="61"><SELECT size=1 name=q1><OPTION 
+
+        selected>Isabella</OPTION><OPTION>Joanna</OPTION><OPTION>Maria</OPTION><OPTION>Pilar</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="327" height="46"><FONT face=Arial><B>2.&nbsp; Where did Katharine's first husband, 
+
+      Prince Arthur, die?</B></FONT></TD>
+
+    <TD width="176" height="46"><SELECT size=1 name=q2><OPTION selected>Windsor 
+
+        Castle</OPTION><OPTION>Hampton Court</OPTION><OPTION>Richmond 
+
+        Palace</OPTION><OPTION>Ludlow Castle</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="327" height="62"><FONT face=Arial><B>3. When competing in tournaments, Katharine's 
+
+      husband, Henry VIII, acted as her champion; he was called....</B></FONT></TD>
+
+    <TD width="176" height="62"><SELECT size=1 name=q3><OPTION selected>Knight of the Fair 
+
+        Lady</OPTION><OPTION>Knight of the Fair Rose</OPTION><OPTION>Knight of 
+
+        the Loyal Heart&nbsp;</OPTION><OPTION>Knight of the Proud 
+
+      Heart</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="327" height="45"><FONT face=Arial><B>4.&nbsp; Katharine's dowry for her marriage to 
+
+      Prince Arthur was....</B></FONT></TD>
+
+    <TD width="176" height="45"><SELECT size=1 name=q4><OPTION selected>100,000 
+
+        crowns</OPTION><OPTION>200,000 crowns&nbsp;</OPTION><OPTION>400,000 
+
+        crowns</OPTION><OPTION>500,000 crowns&nbsp;</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="327" height="41"><FONT face=Arial><B>5. Katharine's only surviving child, Princess 
+
+      Mary, was born in....</B></FONT></TD>
+
+    <TD width="176" height="41"><SELECT size=1 name=q5><OPTION 
+
+        selected>1514&nbsp;</OPTION><OPTION>1515&nbsp;</OPTION><OPTION>1516</OPTION><OPTION>1517</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="327" height="64"><FONT face=Arial><B>6. Which Cardinal did Pope Clement VII send to 
+
+      England to debate Katharine and Henry's annulment?</B></FONT></TD>
+
+    <TD width="176" height="64"><SELECT size=1 name=q6><OPTION selected>Lorenzo 
+
+        Campeggio</OPTION><OPTION>Antonio de 
+
+        Puebla&nbsp;</OPTION><OPTION>Francisco Felipez</OPTION><OPTION>Giovanni 
+
+        Vivarini</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="327" height="62"><FONT face=Arial><B>7. Who was the Spanish ambassador to England 
+
+      during Katharine's estrangement from Henry?</B></FONT></TD>
+
+    <TD width="176" height="62"><SELECT size=1 name=q7><OPTION selected>Mendoza</OPTION><OPTION>de 
+
+        Vives</OPTION><OPTION>Fuensalida</OPTION><OPTION>Chapuys</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="327" height="62"><FONT face=Arial><B>8. A mystic called 'The Holy Maid 
+
+      of Kent' championed Katharine's cause; her real name was....</B></FONT></TD>
+
+    <TD vAlign=top width="176" height="62"><SELECT size=1 name=q8><OPTION selected>Margaret 
+
+        Fuller&nbsp;</OPTION><OPTION>Elizabeth Barton</OPTION><OPTION>Mary 
+
+        Hardesty</OPTION><OPTION>Alice Patermore</OPTION></SELECT></OPTION></TD></TR>
+
+  <TR>
+
+    <TD width="327" height="45"><FONT face=Arial><B>9. Katharine's nephew, the Holy Roman Emperor, 
+
+      was named....</B></FONT></TD>
+
+    <TD width="176" height="45"><SELECT size=1 name=q9><OPTION selected>Francis 
+
+        I</OPTION><OPTION>John II</OPTION><OPTION>Charles 
+
+        V</OPTION><OPTION>Henry IV</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="327" height="42"><FONT face=Arial><B>10. Where did Katharine die?</B></FONT></TD>
+
+    <TD width="176" height="42"><SELECT size=1 name=q10><OPTION selected>Kimbolton 
+
+        Castle</OPTION><OPTION>Fotheringhay Castle</OPTION><OPTION>Tutbury 
+
+        Castle</OPTION><OPTION>Windsor 
+
+Castle</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM> 
+
+<P align="left"><FONT size=-1>
+
+<a href="tudor1.html">to Tudor Quizzes</a></FONT> <BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082611" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082611" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq5.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq5.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq5.html	(revision 18423)
@@ -0,0 +1,395 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+
+<HTML><HEAD><TITLE>Tudor Quiz 1</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(0,2,1,2,3,1,2,0,3,1)
+
+a=0
+
+counter=0
+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Lamentations of a Sinner<br>")
+
+   answers.document.write("2.  Jane Seymour<br>")
+
+   answers.document.write("3.  1535<br>")
+
+   answers.document.write("4.  Edward I<br>")
+
+   answers.document.write("5.  Hampton Court Palace<br>")
+
+   answers.document.write("6.  Winchester Cathedral<br>")
+
+   answers.document.write("7.  1570<br>")
+
+   answers.document.write("8.  Lettice Knollys<br>")
+
+   answers.document.write("9.  1536<br>")
+
+   answers.document.write("10. Pinkie<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff background="parc2h.jpg">
+
+<p align="center"><b><font size="6">Tudor Quizzes:</font></b></p>
+
+<p align="center"><b><font size="5">General History</font></b></p>
+
+<CENTER>
+
+<CENTER>
+
+<p></p>
+
+</CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=585 border=0 height="571">
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="324" height="44"><FONT face=Arial><B>1. Katharine Parr wrote which of these 
+
+      books?</B></FONT></TD>
+
+    <TD width="233" height="44"><SELECT size=1 name=q1><OPTION selected>Lamentations of a 
+
+        Sinner</OPTION><OPTION>The Mirror of the Sinful 
+
+        Soul</OPTION><OPTION>Utopia</OPTION><OPTION>Defense of the Seven 
+
+        Sacraments</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="324" height="44"><FONT face=Arial><B>2.&nbsp; Who was Henry VIII's queen during the 
+
+      Pilgrimage of Grace?</B></FONT></TD>
+
+    <TD width="233" height="44"><SELECT size=1 name=q2><OPTION selected>Katharine of 
+
+        Aragon</OPTION><OPTION>Anne Boleyn</OPTION><OPTION>Jane 
+
+        Seymour</OPTION><OPTION>Anne of Cleves</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="324" height="42"><FONT face=Arial><B>3. What year were John Fisher and Thomas More 
+
+      executed?</B></FONT></TD>
+
+    <TD width="233" height="42"><SELECT size=1 name=q3><OPTION 
+
+        selected>1533</OPTION><OPTION>1535&nbsp;</OPTION><OPTION>1537</OPTION><OPTION>1539&nbsp;</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="324" height="56"><FONT face=Arial><B>4.&nbsp; Anne Boleyn &amp; Catherine Howard 
+
+      were descended from which English king?</B></FONT></TD>
+
+    <TD width="233" height="56"><SELECT size=1 name=q4><OPTION selected>Henry 
+
+        III</OPTION><OPTION>Henry IV</OPTION><OPTION>Edward 
+
+        I</OPTION><OPTION>Edward II&nbsp;</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="324" height="30"><FONT face=Arial><B>5. Where was Edward VI born?</B></FONT></TD>
+
+    <TD width="233" height="30"><SELECT size=1 name=q5><OPTION selected>Greenwich 
+
+        Palace&nbsp;</OPTION><OPTION>Westminster Palace</OPTION><OPTION>Windsor 
+
+        Castle</OPTION><OPTION>Hampton Court Palace</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="324" height="27"><FONT face=Arial><B>6. Where did Mary I marry her 
+
+    husband?</B></FONT></TD>
+
+    <TD width="233" height="27"><SELECT size=1 name=q6><OPTION selected>Westminster 
+
+        Abbey</OPTION><OPTION>Winchester Cathedral&nbsp;</OPTION><OPTION>St 
+
+        Paul's Cathedral</OPTION><OPTION>York Cathedral</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="324" height="54"><FONT face=Arial><B>7. What year did the Pope excommunicate 
+
+      Elizabeth I?</B></FONT></TD>
+
+    <TD width="233" height="54"><SELECT size=1 name=q7><OPTION 
+
+        selected>1558&nbsp;</OPTION><OPTION>1565</OPTION><OPTION>1570</OPTION><OPTION>1585</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="324" height="48"><FONT face=Arial><B>8. Which cousin of Elizabeth I's 
+
+      did Robert Dudley marry?</B></FONT></TD>
+
+    <TD vAlign=top width="233" height="48"><SELECT size=1 name=q8><OPTION selected>Lettice 
+
+        Knollys&nbsp;</OPTION><OPTION>Jane Carey</OPTION><OPTION>Mary 
+
+        Howard</OPTION><OPTION>Catherine Grey</OPTION></SELECT></OPTION></TD></TR>
+
+  <TR>
+
+    <TD width="324" height="68"><FONT face=Arial><B>9. In what year was Wales officially 
+
+      incorporated into England (thus ending its status as a separate 
+
+      province)?</B></FONT></TD>
+
+    <TD width="233" height="68"><SELECT size=1 name=q9><OPTION 
+
+        selected>1491</OPTION><OPTION>1509</OPTION><OPTION>1521</OPTION><OPTION>1536</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="324" height="38"><FONT face=Arial><B>10. During Edward VI's reign, the Scots were 
+
+      defeated at the battle of....</B></FONT></TD>
+
+    <TD width="233" height="38"><SELECT size=1 name=q10><OPTION 
+
+        selected>Lochleven</OPTION><OPTION>Pinkie</OPTION><OPTION>Leith</OPTION><OPTION>Perth</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<CENTER>
+
+<P><font size="2">some questions submitted by Tracey <BR></font><FONT size=-1>whom I once titled 
+
+Tracey the Magnificent, but now I'll call her Tracey the Quizzerific</FONT> 
+
+</CENTER>
+
+<CENTER>
+
+<P align="left"><FONT size=-1>
+
+<a href="tudor1.html">to Tudor Quizzes</a></FONT> <BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082612" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082612" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq6.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq6.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq6.html	(revision 18423)
@@ -0,0 +1,410 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+
+<HTML><HEAD><TITLE>Tudor Quiz</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor Quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor Quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(1,3,0,1,3,2,0,0,2,3)
+
+a=0
+
+counter=0
+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Greenwich Palace<br>")
+
+   answers.document.write("2.  Chapel of the Observant Friars<br>")
+
+   answers.document.write("3.  duchess of Norfolk<br>")
+
+   answers.document.write("4.  Thomas Cranmer<br>")
+
+   answers.document.write("5.  Lady Bryan<br>")
+
+   answers.document.write("6.  Crimson<br>")
+
+   answers.document.write("7.  Enfield<br>")
+
+   answers.document.write("8.  1548<br>")
+
+   answers.document.write("9.  'Sweet Sister Temperance'<br>")
+
+   answers.document.write("10. Crimson<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff background="parc2h.jpg"> 
+
+
+
+<CENTER>
+
+<TABLE cellSpacing=0 cellPadding=0 width=500 border=0>
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p><b><font size="6">Tudor Quizzes:</font></b></p>
+
+  <p><b><font size="5">Elizabeth I, quiz one</font></b></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD vAlign=top width="100%">
+
+      <CENTER>
+
+      <TABLE cellSpacing=0 cellPadding=0 width=491 border=0>
+
+ 
+
+</CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=567 border=0 height="566">
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="308" height="47"><B><FONT face=Arial>1. In which palace was Elizabeth born in 
+
+      1533?</FONT></B></TD>
+
+    <TD width="231" height="47"><SELECT size=1 name=q1><OPTION selected>Hampton 
+
+        Court</OPTION><OPTION>Greenwich Palace</OPTION><OPTION>Whitehall 
+
+        Palace</OPTION><OPTION>Windsor Castle</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="308" height="30"><FONT face=Arial><B>2.</B>&nbsp; <B>Where was her christening 
+
+      held?</B></FONT></TD>
+
+    <TD width="231" height="30"><SELECT size=1 name=q2><OPTION selected>the Queen's 
+
+        Chapel</OPTION><OPTION>the Lady Chapel</OPTION><OPTION>the Chapel of the 
+
+        Reformed Friars</OPTION><OPTION>the Chapel of the Observant 
+
+        Friars</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="308" height="49"><B><FONT face=Arial>3. Which lady carried Elizabeth to her 
+
+      christening?</FONT></B></TD>
+
+    <TD width="231" height="49"><SELECT size=1 name=q3><OPTION selected>duchess of 
+
+        Norfolk</OPTION><OPTION>countess of Kent</OPTION><OPTION>countess of 
+
+        Shrewsbury</OPTION><OPTION>duchess of Suffolk</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="308" height="37"><FONT face=Arial><B>4.</B>&nbsp; <B>Who was Elizabeth's 
+
+      godfather?</B></FONT></TD>
+
+    <TD width="231" height="37"><SELECT size=1 name=q4><OPTION selected>Thomas 
+
+        Cromwell</OPTION><OPTION>Thomas Cranmer</OPTION><OPTION>Charles 
+
+        Brandon</OPTION><OPTION>Thomas Wyatt</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="308" height="30"><FONT face=Arial><B>5.</B> <B>Who was Elizabeth's first 
+
+      governess?</B></FONT></TD>
+
+    <TD width="231" height="30"><SELECT size=1 name=q5><OPTION selected>Katharine 
+
+        Ashley&nbsp;</OPTION><OPTION>Mary Howard</OPTION><OPTION>Mary 
+
+        Tuke</OPTION><OPTION>Lady Bryan</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="308" height="49"><FONT face=Arial><B>6.</B> <B>Elizabeth's cradle was lined with what 
+
+      color satin?</B></FONT></TD>
+
+    <TD width="231" height="49"><SELECT size=1 name=q6><OPTION 
+
+        selected>Blue</OPTION><OPTION>Purple&nbsp;</OPTION><OPTION>Crimson</OPTION><OPTION>White</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="308" height="52"><B><FONT face=Arial>7. After Henry VIII's death, Elizabeth was moved 
+
+      to which royal house?</FONT></B></TD>
+
+    <TD width="231" height="52"><SELECT size=1 name=q7><OPTION 
+
+        selected>Enfield</OPTION><OPTION>Hatfield</OPTION><OPTION>Richmond 
+
+        Palace</OPTION><OPTION>Nonsuch Palace</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="308" height="44"><B><FONT face=Arial>8. In what year was Elizabeth's first 
+
+      book published?</FONT></B></TD>
+
+    <TD vAlign=top width="231" height="44"><SELECT size=1 name=q8><OPTION 
+
+        selected>1548</OPTION><OPTION>1550</OPTION><OPTION>1555</OPTION><OPTION>1562</OPTION></SELECT></OPTION></TD></TR>
+
+  <TR>
+
+    <TD width="308" height="45"><FONT face=Arial><B>9.</B> <B>What nickname did Edward VI have for 
+
+      Elizabeth?</B></FONT></TD>
+
+    <TD width="231" height="45"><SELECT size=1 name=q9><OPTION selected>'Rose without a 
+
+        Thorn'</OPTION><OPTION>'Lady Virtue'</OPTION><OPTION>'Sweet Sister 
+
+        Temperance'</OPTION><OPTION>'Sweet Sister 
+
+Felicity'</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="308" height="63"><B><FONT face=Arial>10. At her sister Mary's coronation in 1553, 
+
+      Elizabeth wore a robe of what color?</FONT></B></TD>
+
+    <TD width="231" height="63"><SELECT size=1 name=q10><OPTION 
+
+        selected>Violet</OPTION><OPTION>White</OPTION><OPTION>Blue</OPTION><OPTION>Crimson</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<P align="left"><FONT size=-1>
+
+<a href="tudor1.html">to Tudor Quizzes</a></FONT> <BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082612" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082612" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq7.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq7.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq7.html	(revision 18423)
@@ -0,0 +1,402 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+
+<HTML><HEAD><TITLE>Tudor Quiz</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor Quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor Quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(0,2,1,0,3,1,2,3,1,3)
+
+a=0
+
+counter=0
+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, are you really trying?</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  Lady Margaret Douglas<br>")
+
+   answers.document.write("2.  she carried the queen's train<br>")
+
+   answers.document.write("3.  white<br>")
+
+   answers.document.write("4.  Bell Tower<br>")
+
+   answers.document.write("5.  two months<br>")
+
+   answers.document.write("6.  Woodstock<br>")
+
+   answers.document.write("7.  Sir Thomas Pope<br>")
+
+   answers.document.write("8.  duke of Savoy<br>")
+
+   answers.document.write("9.  three<br>")
+
+   answers.document.write("10. 28 November 1558<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+<style fprolloverstyle>A:hover {color: #800000; font-weight: bold}
+
+</style>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff background="parc2h.jpg">
+
+<CENTER><B><FONT size=+3 face="Dolphin">Tudor Quizzes:</FONT></B> 
+
+<BR><b><FONT size=+2>Elizabeth I, quiz two</FONT><font size="5"><!-- The following section is an HTML table which reassembles the sliced image in a browser. Copy the table section including the opening and closing table tags, and paste the data where you want the reassembled image to appear in the destination document. --><!-------------------------- BEGIN COPYING THE TABLE HERE ---------------------------><!-- Image with table -->
+
+</font></b>
+
+<TABLE cellSpacing=0 cellPadding=0 width=500 border=0>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+
+
+     
+
+<CENTER>
+
+<p></p>
+
+</CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=572 border=0 height="643">
+
+  <CAPTION>
+
+  <CENTER>
+
+  <p></p>
+
+  </CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="344" height="45"><B><FONT face=Arial>1. At Mary I's court, which cousin had precedence 
+
+      over Elizabeth?</FONT></B></TD>
+
+    <TD width="200" height="45"><SELECT size=1 name=q1><OPTION selected>Lady Margaret 
+
+        Douglas</OPTION><OPTION>Lady Katherine Knollys</OPTION><OPTION>Lady Mary 
+
+        Howard</OPTION><OPTION>Lady Constance Sidney</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="46"><FONT face=Arial><B>2.</B>&nbsp; <B>What role did Elizabeth have at 
+
+      Mary's coronation?</B></FONT></TD>
+
+    <TD width="200" height="46"><SELECT size=1 name=q2><OPTION selected>she had no 
+
+        role</OPTION><OPTION>she carried a cross</OPTION><OPTION>she carried the 
+
+        queen's train</OPTION><OPTION>she recited the Lord's 
+
+      Prayer</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="66"><B><FONT face=Arial>3. In 1554, Elizabeth was summoned to London after 
+
+      the Wyatt rebellion.&nbsp; On her trip, she wore a gown of what 
+
+      color?</FONT></B></TD>
+
+    <TD width="200" height="66"><SELECT size=1 name=q3><OPTION 
+
+        selected>black</OPTION><OPTION>white</OPTION><OPTION>red</OPTION><OPTION>green</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="55"><FONT face=Arial><B>4.</B>&nbsp; <B>Where was Elizabeth imprisoned 
+
+      within the Tower of London in 1554?</B></FONT></TD>
+
+    <TD width="200" height="55"><SELECT size=1 name=q4><OPTION selected>Bell 
+
+        Tower</OPTION><OPTION>White Tower</OPTION><OPTION>King William's 
+
+        Tower</OPTION><OPTION>the Queen's House</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="55"><FONT face=Arial><B>5.</B> <B>How long was Elizabeth held in the 
+
+      Tower?</B></FONT></TD>
+
+    <TD width="200" height="55"><SELECT size=1 name=q5><OPTION selected>a 
+
+        fortnight</OPTION><OPTION>one year</OPTION><OPTION>six 
+
+        months</OPTION><OPTION>two months</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="59"><FONT face=Arial><B>6.</B> <B>Elizabeth lived in what manor when Mary 
+
+      I married Philip of Spain?</B></FONT></TD>
+
+    <TD width="200" height="59"><SELECT size=1 name=q6><OPTION 
+
+        selected>Oatlands</OPTION><OPTION>Woodstock&nbsp;</OPTION><OPTION>Hatfield</OPTION><OPTION>Enfield</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="45"><B><FONT face=Arial>7. Who was Elizabeth's custodian at Hatfield in 
+
+      1556?</FONT></B></TD>
+
+    <TD width="200" height="45"><SELECT size=1 name=q7><OPTION selected>Sir Thomas 
+
+        Parry</OPTION><OPTION>Sir Henry Bedingfield</OPTION><OPTION>Sir Thomas 
+
+        Pope</OPTION><OPTION>Sir John Paulet</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="344" height="47"><B><FONT face=Arial>8. To whom did Philip of Spain wish to 
+
+      marry Elizabeth?</FONT></B></TD>
+
+    <TD vAlign=top width="200" height="47"><SELECT size=1 name=q8><OPTION selected>duke of 
+
+        Anjou</OPTION><OPTION>duke of Alencon</OPTION><OPTION>duke of 
+
+        Milan</OPTION><OPTION>duke of Savoy</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="67"><FONT face=Arial><B>9.</B> <B>How many days passed after Mary I's 
+
+      death before Elizabeth met with her new Council?</B></FONT></TD>
+
+    <TD width="200" height="67"><SELECT size=1 name=q9><OPTION 
+
+        selected>One</OPTION><OPTION>Three</OPTION><OPTION>Five</OPTION><OPTION>Seven</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="344" height="38"><B><FONT face=Arial>10. On what day did Elizabeth enter London as 
+
+      queen?</FONT></B></TD>
+
+    <TD width="200" height="38"><SELECT size=1 name=q10><OPTION selected>23 November 
+
+        1558</OPTION><OPTION>25 November 1558</OPTION><OPTION>26 November 
+
+        1558</OPTION><OPTION>28 November 
+
+1558</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<p></p>
+
+</CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+</CENTER>
+
+<P align="left"><FONT size=-1><A href="http://englishhistory.net/tudor1.html">to 
+
+Tudor Quizzes</A></FONT> <BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082613" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082613" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq8.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq8.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq8.html	(revision 18423)
@@ -0,0 +1,386 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<HTML><HEAD><TITLE>
+
+Tudor Quizzes</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor Quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor Quizzes" name=Description>
+
+<META content="tudor elizabeth henry viii" name=KeyWords>
+
+<SCRIPT language=JavaScript>
+
+
+
+<!-->
+
+
+
+//Initialize arrays.
+
+function initarray(){
+
+this.length=initarray.arguments.length
+
+  for (var i=0;i<this.length;i++){
+
+  this[i+1]=initarray.arguments[i];
+
+  }
+
+
+
+}
+
+
+
+//find options selected
+
+function getselectedIndex(){
+
+return document.forma.q1.selectedIndex
+
+return document.forma.q2.selectedIndex
+
+return document.forma.q3.selectedIndex
+
+return document.forma.q4.selectedIndex
+
+return document.forma.q5.selectedIndex
+
+return document.forma.q6.selectedIndex
+
+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
+
+}
+
+
+
+//Validate test answers. 
+
+function scoretest(forma){
+
+answers=new initarray(2,3,0,1,2,1,3,0,2,0)
+
+a=0
+
+counter=0
+
+getselectedIndex()
+
+userinput=new initarray(document.forma.q1.selectedIndex,document.forma.q2.selectedIndex,
+
+document.forma.q3.selectedIndex,document.forma.q4.selectedIndex,document.forma.q5.selectedIndex,
+
+document.forma.q6.selectedIndex,document.forma.q7.selectedIndex,document.forma.q8.selectedIndex,
+
+document.forma.q9.selectedIndex,document.forma.q10.selectedIndex)
+
+
+
+for (var i=1;i<11;i++){
+
+   if (userinput[i]==answers[i])
+
+     counter=counter+1 
+
+   else
+
+       a=1
+
+ }
+
+
+
+Winopen(a,counter)
+
+
+
+}
+
+//Determine text for message box
+
+function Winopen(a,counter) {
+
+   msg=window.open("","msg","toolbar=no,directories=no,menubar=no,width=300,height=50") 
+
+   msg.document.write("<head><title>Score</title></head>")
+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
+  if(a==0){
+
+   msg.document.write("<center><h3>Well Done! You're a Tudor Genius!- 10/10</h3></center>") 
+
+  }
+
+  else{ 
+
+    if(counter<4){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Come on, keep trying!</h3></center>")
+
+     }
+
+    if(counter>3&& counter<8){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Keep trying!</h3></center>")
+
+     }
+
+    if(counter>7){
+
+     msg.document.write("<center><h3>"+counter+"/10 - Nearly there - keep trying!</h3></center>")
+
+     }
+
+  }  
+
+
+
+  msg.document.write("<form>")
+
+  if(a==0){
+
+     msg.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   }
+
+   else{ 
+
+     msg.document.write("<center><input type=button value='Back to Quiz...' onClick='self.close()'></center>")   
+
+   }
+
+msg.document.write("</form>")
+
+msg.document.write("</body>")
+
+}
+
+
+
+function giveup(){
+
+answers=window.open("","answers","toolbar=no,directories=no,menubar=no,width=300,height=320") 
+
+   answers.document.write("<head><title>Answers</title></head>")
+
+   answers.document.write("<body bgcolor='#ffffee' text='#004080'>")
+
+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  39<br>")
+
+   answers.document.write("2.  23 yards<br>")
+
+   answers.document.write("3.  15 January 1559<br>")
+
+   answers.document.write("4.  10 hours<br>")
+
+   answers.document.write("5.  bishop of Carlisle<br>")
+
+   answers.document.write("6.  Lady Mary Howard<br>")
+
+   answers.document.write("7.  Semper Eadem<br>")
+
+   answers.document.write("8.  1558<br>")
+
+   answers.document.write("9.  1562<br>")
+
+   answers.document.write("10. when he was proposed as a bridegroom for the queen of Scots<br>")
+
+   answers.document.write("<form>")
+
+   answers.document.write("<center><input type=button value='OK' onClick='self.close()'></center>")
+
+   answers.document.write("</form>")
+
+   answers.document.write("</body>")  
+
+}
+
+<!-- -->
+
+
+
+</SCRIPT>
+
+
+
+<STYLE fprolloverstyle>A:hover {font-weight: bold; color: #990000}
+</STYLE>
+
+</HEAD>
+
+<BODY text=#000000 vLink=#990000 aLink=#000000 link=#990000 bgColor=#ffffff 
+
+background="parc2h.jpg">
+
+<p align="center"><b><FONT face=Dolphin size=6>Tudor Quiz</FONT><font size="6">zes:<BR>
+
+</font><FONT size=5>Elizabeth I, quiz three </FONT></b></p>
+
+<CENTER>
+
+<P></P></CENTER><!--webbot bot="Include" endspan i-checksum="43556" -->&nbsp;
+
+<FORM name=forma>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=755 border=0 height="527">
+
+  <CAPTION>
+
+  <CENTER>
+
+  <P></P></CENTER>
+
+  <TBODY><BR></TBODY></CENTER></CAPTION>
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="314" height="38"><B><FONT face=Arial>1. How many ladies attended Elizabeth at her 
+
+      coronation?</FONT></B></TD>
+
+    <TD width="413" height="38"><SELECT size=1 name=q1><OPTION 
+
+        selected>14</OPTION><OPTION>27</OPTION><OPTION>39</OPTION><OPTION>45</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="76"><FONT face=Arial><B>2.</B>&nbsp; <B>At her coronation, Elizabeth wore 
+
+      a mantle of cloth of gold and silver.&nbsp; How many yards of cloth were 
+
+      used to make it?</B></FONT></TD>
+
+    <TD width="413" height="76"><SELECT size=1 name=q2><OPTION selected>11 yards</OPTION><OPTION>17 
+
+        yards</OPTION><OPTION>20 yards</OPTION><OPTION>23 
+
+    yards</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="22"><B><FONT face=Arial>3. On what day was her coronation?</FONT></B></TD>
+
+    <TD width="413" height="22"><SELECT size=1 name=q3><OPTION selected>15 January 
+
+        1559</OPTION><OPTION>18 January 1559</OPTION><OPTION>21 January 
+
+        1559</OPTION><OPTION>23 January 1559</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="38"><FONT face=Arial><B>4.</B>&nbsp;<B> How long did the banquet after her 
+
+      coronation last?</B></FONT></TD>
+
+    <TD width="413" height="38"><SELECT size=1 name=q4><OPTION selected>8 hours</OPTION><OPTION>10 
+
+        hours</OPTION><OPTION>12 hours</OPTION><OPTION>14 
+
+    hours</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="38"><FONT face=Arial><B>5.</B> <B>Who crowned Elizabeth at Westminster 
+
+      Abbey?</B></FONT></TD>
+
+    <TD width="413" height="38"><SELECT size=1 name=q5><OPTION selected>archbishop of 
+
+        Canterbury</OPTION><OPTION>bishop of Durham</OPTION><OPTION>bishop of 
+
+        Carlisle</OPTION><OPTION>bishop of York</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="57"><FONT face=Arial><B>6.</B> <B>Which lady-in-waiting publicly offended 
+
+      the queen by dressing too well in 1559?</B></FONT></TD>
+
+    <TD width="413" height="57"><SELECT size=1 name=q6><OPTION selected>Lady Lettice 
+
+        Knollys</OPTION><OPTION>Lady Mary Howard&nbsp;</OPTION><OPTION>Lady 
+
+        Frances Sidney</OPTION><OPTION>Lady Catherine Grey</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="22"><B><FONT face=Arial>7. What was Elizabeth's motto as 
+
+    queen?</FONT></B></TD>
+
+    <TD width="413" height="22"><SELECT size=1 name=q7><OPTION selected>Dieu et Mon 
+
+        Droit</OPTION><OPTION>Veritas Temporis Filia</OPTION><OPTION>In Omnia 
+
+        Paratus</OPTION><OPTION>Semper Eadem</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="314" height="38"><B><FONT face=Arial>8. In what year did Mary, queen of 
+
+      Scots first assume the title 'Queen of England'?</FONT></B></TD>
+
+    <TD vAlign=top width="413" height="38"><SELECT size=1 name=q8><OPTION 
+
+        selected>1558</OPTION><OPTION>1560</OPTION><OPTION>1564</OPTION><OPTION>1571</OPTION></SELECT></OPTION></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="38"><FONT face=Arial><B>9.</B> <B>In what year did Elizabeth almost die of 
+
+      smallpox?</B></FONT></TD>
+
+    <TD width="413" height="38"><SELECT size=1 name=q9><OPTION 
+
+        selected>1559</OPTION><OPTION>1560</OPTION><OPTION>1562</OPTION><OPTION>1565</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="40"><B><FONT face=Arial>10. When did Elizabeth actually title Robert 
+
+      Dudley the 'earl of Leicester'?</FONT></B></TD>
+
+    <TD width="413" height="40"><SELECT size=1 name=q10><OPTION selected>when he was proposed as a 
+
+        bridegroom for Mary queen of Scots</OPTION><OPTION>when his wife 
+
+        died</OPTION><OPTION>at her coronation</OPTION><OPTION>when he was sent 
+
+        to command troops in the Netherlands</OPTION></SELECT></TD></TR></TBODY></TABLE>
+
+<CENTER>
+
+<P></P></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<P><FONT size=-1><a href="tudor1.html">to Tudor 
+
+Quizzes</a></FONT> <BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082613" alt="setstats" border="0" width="1" height="1"></noscript>
+<IMG SRC="http://geo.yahoo.com/serv?s=76001524&t=1108082613" ALT=1 WIDTH=1 HEIGHT=1>
Index: /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq9.html
===================================================================
--- /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq9.html	(revision 18423)
+++ /documentation/trunk/tutorial_sample_files/tudor/englishhistory.net/tudor/tudorq9.html	(revision 18423)
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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+<HTML><HEAD><TITLE>Tudor Quiz</TITLE>
+
+<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
+
+<META content="Tudor Quizzes" name=description>
+
+<META content="tudor elizabeth henry viii" name=keywords>
+
+<META content="Microsoft FrontPage 5.0" name=GENERATOR>
+
+<META content="Marilyn Mongello" name=Author>
+
+<META content="Tudor Quizzes" name=Description>
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+return document.forma.q1.selectedIndex
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+return document.forma.q5.selectedIndex
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+return document.forma.q6.selectedIndex
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+return document.forma.q7.selectedIndex
+
+return document.forma.q8.selectedIndex
+
+return document.forma.q9.selectedIndex
+
+return document.forma.q10.selectedIndex
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+
+   msg.document.write("<body bgcolor='#ffffff' text='#000080'>")
+
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+
+   msg.document.write("<center><h3>Well Done! - 10/10</h3></center>") 
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+   answers.document.write("<center><h1>Answers</h1></center>")
+
+   answers.document.write("1.  May 2nd<br>")
+
+   answers.document.write("2.  Tower of London<br>")
+
+   answers.document.write("3.  Mark Smeaton<br>")
+
+   answers.document.write("4.  Thomas Lovell<br>")
+
+   answers.document.write("5.  23 pds<br>")
+
+   answers.document.write("6.  duke of Norfolk<br>")
+
+   answers.document.write("7.  20 pds<br>")
+
+   answers.document.write("8.  sheriff of London<br>")
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+</SCRIPT>
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+
+</HEAD>
+
+<BODY text=#000000 vLink=#0000FF aLink=#000000 link=#0000FF bgColor=#ffffff background="grey.jpg">
+
+<p align="center"><b><font size="6">Tudor Quizzes:</font></b></p>
+
+<p align="center"><b><font size="5">The Trial and Execution of Anne Boleyn</font></b></p>
+
+<CENTER>
+
+<TABLE cellSpacing=4 cellPadding=4 width=528 border=0 height="604">
+
+  <TBODY>
+
+  <TR>
+
+    <TD width="314" height="35"><B><FONT face=Arial>1. On what day was Anne arrested?</FONT></B></TD>
+
+    <TD width="186" height="35"><SELECT size=1 name=q1><OPTION selected>May 1st</OPTION><OPTION>May 
+
+        2nd</OPTION><OPTION>May 3rd</OPTION><OPTION>May 
+
+4th</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="36"><FONT face=Arial><B>2.</B>&nbsp; <B>Where was Anne's trial 
+
+      held?</B></FONT></TD>
+
+    <TD width="186" height="36"><SELECT size=1 name=q2><OPTION selected>Westminster 
+
+        Hall</OPTION><OPTION>Tower of London</OPTION><OPTION>Whitehall 
+
+        Palace</OPTION><OPTION>Hampton Court</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="55"><B><FONT face=Arial>3. Which of the following men confessed to 
+
+      committing adultery with Anne?</FONT></B></TD>
+
+    <TD width="186" height="55"><SELECT size=1 name=q3><OPTION selected>Henry 
+
+        Norris</OPTION><OPTION>Charles Brandon</OPTION><OPTION>Francis 
+
+        Weston</OPTION><OPTION>Mark Smeaton</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="60"><FONT face=Arial><B>4.</B>&nbsp;<B> Which of the following men was 
+
+      <U>not</U> convicted of adultery with Anne?</B></FONT></TD>
+
+    <TD width="186" height="60"><SELECT size=1 name=q4><OPTION selected>Thomas 
+
+        Lovell</OPTION><OPTION>George Boleyn</OPTION><OPTION>Francis 
+
+        Weston</OPTION><OPTION>William Brereton</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="56"><FONT face=Arial><B>5.</B> <B>How much was the headsman from Calais 
+
+      paid to execute Anne?</B></FONT></TD>
+
+    <TD width="186" height="56"><SELECT size=1 name=q5><OPTION selected>11 pds</OPTION><OPTION>17 
+
+        pds</OPTION><OPTION>23 pds</OPTION><OPTION>31 pds</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="49"><B><FONT face=Arial>6. Who presided in place of the king at her 
+
+      trial?</FONT></B></TD>
+
+    <TD width="186" height="49"><SELECT size=1 name=q6><OPTION selected>duke of 
+
+        Norfolk</OPTION><OPTION>duke of Suffolk</OPTION><OPTION>earl of 
+
+        Nottingham</OPTION><OPTION>earl of Northumberland</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="52"><B><FONT face=Arial>7. At her execution, how much did Anne distribute 
+
+      in alms?</FONT></B></TD>
+
+    <TD width="186" height="52"><SELECT size=1 name=q7><OPTION selected>8 pds</OPTION><OPTION>15 
+
+        pds</OPTION><OPTION>20 pds</OPTION><OPTION>24 pds</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD vAlign=top width="314" height="35"><B><FONT face=Arial>8. Who escorted Anne to the 
+
+      scaffold?</FONT></B></TD>
+
+    <TD vAlign=top width="186" height="35"><SELECT size=1 name=q8><OPTION selected>the mayor of 
+
+        London</OPTION><OPTION>the constable of the Tower</OPTION><OPTION>her 
+
+        almoner</OPTION><OPTION>the sheriff of 
+
+  London</OPTION></SELECT></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="49"><FONT face=Arial><B>9.</B> <B>Which of the following men wept on the 
+
+      day of Anne's execution?</B></FONT></TD>
+
+    <TD width="186" height="49"><SELECT size=1 name=q9><OPTION selected>Thomas 
+
+        Cranmer</OPTION><OPTION>Thomas Cromwell</OPTION><OPTION>the duke of 
+
+        Nofolk</OPTION><OPTION>King Henry VIII</OPTION></SELECT></TD></TR>
+
+  <TR>
+
+    <TD width="314" height="57"><B><FONT face=Arial>10. How many days did Henry VIII wait after Anne's 
+
+      execution before marrying again?</FONT></B></TD>
+
+    <TD width="186" height="57"><SELECT size=1 name=q10><OPTION selected>five 
+
+        days</OPTION><OPTION>seven days</OPTION><OPTION>nine 
+
+        days</OPTION><OPTION>eleven 
+
+days</OPTION></SELECT></TD></TR></TBODY></TABLE></CENTER>
+
+<CENTER><INPUT onclick=scoretest(forma) type=button value="Check Answers"><INPUT type=reset value=Reset><INPUT onclick=giveup() type=button value="Give up?"></CENTER></FORM>
+
+<P><FONT size=-1><a href="tudor1.html">to Tudor 
+
+Quizzes</a></FONT> <BR><FONT size=-1><A 
+
+href="http://englishhistory.net/tudor.html">to Tudor England</A></FONT></BODY></HTML><!-- text below generated by server. PLEASE REMOVE --><!-- Counter/Statistics data collection code --><script language="JavaScript" src="http://hostingprod.com/js_source/geov2.js"></script><script language="javascript">geovisit();</script><noscript><img src="http://visit.webhosting.yahoo.com/visit.gif?us1108082614" alt="setstats" border="0" width="1" height="1"></noscript>
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