Changeset 37953 for gs3-installations/thewillow
- Timestamp:
- 2023-08-14T23:07:38+12:00 (10 months ago)
- Location:
- gs3-installations/thewillow/trunk/interfaces/thewillow/transform
- Files:
-
- 6 edited
Legend:
- Unmodified
- Added
- Removed
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gs3-installations/thewillow/trunk/interfaces/thewillow/transform/layouts/main.xsl
r37950 r37953 182 182 </div> 183 183 <div class="ftlogo-column"> 184 <a target="_blank" href="http s://thomfong.com/">184 <a target="_blank" href="http://thomfong.com/"> 185 185 <img height="80" src="interfaces/{$interface_name}/images/footer-logos/4 ThomFong-illustrated-small-logo.png"/> 186 186 </a> -
gs3-installations/thewillow/trunk/interfaces/thewillow/transform/pages/about-this-site.xsl
r37950 r37953 30 30 31 31 <p> 32 The Willow Community Project was developed within the Music strand of StreetLife York (led by Professor Rachel Cowgill, School of Arts & Creative Technologies) as a Knowledge Exchange/research project focused on a lost venue - a Cantonese restaurant-cum-nightclub in Yorkâs Coney Street which closed in 2015. 32 The Willow Community Project was developed within the Music strand 33 of 34 <a target="_blank" href="https://www.streetlifeyork.uk/"> 35 StreetLife York 36 </a> 37 (led by Professor Rachel Cowgill, School of 38 Arts & Creative Technologies) as a Knowledge Exchange/research 39 project focused on a lost venue - a Cantonese 40 restaurant-cum-nightclub in Yorkâs Coney Street which closed in 41 2015. 33 42 </p> 34 43 35 44 <p> 36 Though it elicits mixed opinions, the Willow brings up vivid memories among its devoted frequenters. Working with the Institute for the Public Understanding of the Past, the StreetLife team held Willow Community Meets and conducted oral-history interviews with former Willow punters and employees. Perspectives garnered range mainly across the 1990s to the 2010s, often supplemented with objects, playlists, and memorabilia. The project also took to the archives to find text-based and photographic records of the venueâs origins as a 1930s cafe, then as a Cantonese restaurant with live music and DJ from 1973, and as a nightclub from 2008. Highlights were the student newspapers featuring near-constant advertising and student-authored recommendations. The Willow acquired cult status thanks to the âstudents and regulars onlyâ door policy, the âcheesyâ music, and finally the house-party atmosphere leading to easy conversation and music that was never too loud to talk over. 45 Though it elicits mixed opinions, the Willow brings up vivid 46 memories among its devoted frequenters. Working with the 47 <a target="_blank" href="https://www.york.ac.uk/ipup/"> 48 Institute for the Public Understanding of the Past 49 </a>, 50 the StreetLife team held 51 Willow Community Meets and conducted oral-history interviews with 52 former Willow punters and employees. Perspectives garnered range 53 mainly across the 1990s to the 2010s, often supplemented with 54 objects, playlists, and memorabilia. The project also took to the 55 archives to find text-based and photographic records of the 56 venueâs origins as a 1930s cafe, then as a Cantonese restaurant 57 with live music and DJ from 1973, and as a nightclub from 58 2008. Highlights were the student newspapers featuring 59 near-constant advertising and student-authored 60 recommendations. The Willow acquired cult status thanks to the 61 âstudents and regulars onlyâ door policy, the âcheesyâ music, and 62 finally the house-party atmosphere leading to easy conversation 63 and music that was never too loud to talk over. 37 64 </p> 38 65 39 66 <p> 40 The Willow Community Digital Archive is a collaboration with Greenstone at the University of Waikato, the AHRC-funded InterMusE project (led from York by Rachel Cowgill) and Our Place project with York Music Venue Network and Swansea University, and ThomFong, a strategy design consultancy co-directed by Vicki Fong. The collaboration explores an innovative approach to viewing archive material that utilises research expertise and user-experience design. Vicki Fong, daughter of the owners of the Willow, designed the iconic graphic identity, which includes the Willow girl and famous âLove it or Hate it?â images many recall when remembering the venue. 67 The Willow Community Digital Archive is a collaboration with 68 <a target="_blank" href="https://www.greenstone.org/"> 69 Greenstone 70 </a> 71 at the University of Waikato, the AHRC-funded 72 <a target="_blank" href="https://www.york.ac.uk/arts-creative-technologies/research/music/musical-cultures-communities/projects/intermuse//"> 73 InterMusE 74 </a> 75 project (led from York by Rachel Cowgill) and 76 <a target="_blank" href="https://ourplace.whereweare.org/"> 77 Our Place 78 </a> 79 project 80 with York Music Venue Network and Swansea University, and 81 <a target="_blank" href="http://www.thomfong.com/"> 82 ThomFong 83 </a>, 84 a strategy design consultancy co-directed by Vicki 85 Fong. The collaboration explores an innovative approach to viewing 86 archive material that utilises research expertise and 87 user-experience design. Vicki Fong, daughter of the owners of the 88 Willow, designed the iconic graphic identity, which includes the 89 Willow girl and famous âLove it or Hate it?â images many recall 90 when remembering the venue. 41 91 </p> 42 92 43 93 <p> 44 The Willow Digital Archive is an archival project which seeks to preserve and document the research done thus far, while also inviting others to contribute their objects and memories. We envision this project to be a growing, collaborative archive with an expanded outreach. 94 The Willow Digital Archive is an archival project which seeks to 95 preserve and document the research done thus far, while also 96 inviting others to contribute their objects and memories. We 97 envision this project to be a growing, collaborative archive with 98 an expanded outreach. 45 99 </p> 46 100 -
gs3-installations/thewillow/trunk/interfaces/thewillow/transform/pages/copyright.xsl
r37950 r37953 37 37 38 38 <p> 39 Queries regarding the re-use of content from the website can be made to [email protected]. 39 Queries regarding the re-use of content from the website can be made to 40 <a href="mailto:[email protected]">[email protected]</a>. 40 41 </p> 41 42 -
gs3-installations/thewillow/trunk/interfaces/thewillow/transform/pages/privacy.xsl
r37950 r37953 83 83 84 84 <p> 85 We aim to regularly review our privacy policy notices and update them as and when required. If you have any further questions or a complaint regarding privacy in relation to this website or how we use personal information, please contact us [email protected]. If you are not satisfied with our resolution or response, you have the right to contact the Information Commissioner's Office (ICO) directly with your concerns. 85 We aim to regularly review our privacy policy notices and update 86 them as and when required. If you have any further questions or a 87 complaint regarding privacy in relation to this website or how we 88 use personal information, please contact us 89 <a href="mailto:[email protected]">[email protected]</a>. 90 If you are not satisfied with 91 our resolution or response, you have the right to contact the 92 Information Commissioner's Office (ICO) directly with your 93 concerns. 86 94 </p> 87 95 -
gs3-installations/thewillow/trunk/interfaces/thewillow/transform/pages/stories.xsl
r37929 r37953 41 41 The Willow Archive âSTORIESâ is a series of six short archive 42 42 films that share memories of The Willow Community. An innovative 43 collaboration between <a target="_blank" href="http s://thomfong.com">ThomFong</a> and StreetLife York.43 collaboration between <a target="_blank" href="http://thomfong.com">ThomFong</a> and StreetLife York. 44 44 </p> 45 45 </div> … … 50 50 </p> 51 51 <p> 52 The In The Beginning archive film shares some of the challenges 52 The 53 <i> 54 <a href="{$library_name}/collection/{$collName}/document/In-The-Beginning-Video"> 55 In The Beginning 56 </a> 57 </i> 58 archive film shares some of the challenges 53 59 and joy experienced by the family run business. An oral-history 54 60 interview with Soo Mei Fong, Co-owner and wife to Tommy Fong. The -
gs3-installations/thewillow/trunk/interfaces/thewillow/transform/pages/terms-and-conditions.xsl
r37950 r37953 29 29 30 30 <p> 31 Please read these terms of service (referred to below as "terms" and "terms of service") carefully before using the Willow Community Archive Project website (the "website") operated and delivered by StreetLife, University of York ("us", "we", "our"). 31 Please read these terms of service (referred to below as 32 "terms" and "terms of service") carefully 33 before using the Willow Community Archive Project website (the 34 "website") operated and delivered by 35 <a href="https://www.streetlifeyork.uk/">StreetLife</a>, 36 University of York ("us", "we", 37 "our"). 32 38 </p> 33 39 … … 35 41 36 42 <p> 37 The Willow Community Archive (URL TBD) is a website site owned and operated by StreetLife, University of York, who can be contacted at the email address [email protected] . By accessing and using the website you agree to be bound by the terms detailed below. 43 The Willow Community Archive (URL TBD) is a website site owned and 44 operated by StreetLife, University of York, who can be contacted 45 at the email address 46 <a href="mailto:[email protected]">[email protected]</a>. 47 By accessing and using the website you agree to be bound by the terms 48 detailed below. 38 49 </p> 39 50 … … 41 52 <h4>2. Use of Content</h4> 42 53 43 All text, data, charts, tables, software, video, music, sound, graphics, photographs, illustrations, artwork, names, logos, trademarks, service marks and other material on the website (the âContentâ) may be retrieved and displayed from the website on a computer screen, printed as individual pages on paper and stored in electronic form on disk for your personal use. Press releases and digital images may be copied by our team members and the broadcast media and press. Permission should be sought from other users by contacting us at [email protected]. 44 45 For more information on the reuse of content from this website, see our Copyright page. 46 54 <p> 55 All text, data, charts, tables, software, video, music, sound, 56 graphics, photographs, illustrations, artwork, names, logos, 57 trademarks, service marks and other material on the website (the 58 âContentâ) may be retrieved and displayed from the website on a 59 computer screen, printed as individual pages on paper and stored 60 in electronic form on disk for your personal use. Press releases 61 and digital images may be copied by our team members and the 62 broadcast media and press. Permission should be sought from other 63 users by contacting us at 64 <a href="mailto:[email protected]">[email protected]</a>. 65 </p> 66 67 <p> 68 For more information on the reuse of content from this website, see our 69 <a href="{$library_name}/collection/{$collName}/page/copyright"> 70 Copyright 71 </a> 72 page. 73 </p> 74 47 75 <h4>3. Unlawful Use</h4> 48 76 … … 128 156 129 157 <p> 130 Please read our privacy policy which details the forms of information, if any, we may collect from you when you visit the website. It also details how this information may be stored and used in accordance with the UK Data Protection Act 2018 (DPA) and European General Data Protection Regulation (GDPR). 158 Please read our 159 <a href="{$library_name}/collection/{$collName}/page/privacy"> 160 privacy policy 161 </a> 162 which details the forms of information, if any, we may collect 163 from you when you visit the website. It also details how this 164 information may be stored and used in accordance with the UK Data 165 Protection Act 2018 (DPA) and European General Data Protection 166 Regulation (GDPR). 131 167 </p> 132 168 … … 188 224 189 225 <p> 190 We respect the privacy of personal email addresses and email content sent to the [email protected] email address. We store your email address as securely as any other personal information we hold. We will not send you unwanted email messages or junk mail and your details will not be passed to any third-party organisation without your explicit permission. 226 We respect the privacy of personal email addresses and email 227 content sent to the 228 <a href="mailto:[email protected]">[email protected]</a> 229 email address. We store your email address as securely as any 230 other personal information we hold. We will not send you unwanted 231 email messages or junk mail and your details will not be passed to 232 any third-party organisation without your explicit permission. 191 233 </p> 192 234
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